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Today we're going antiques hunting in East Sussex, and, | 0:00:02 | 0:00:06 | |
as the old Sussex saying goes, | 0:00:06 | 0:00:08 | |
let's not beat the devil round the gooseberry bush. Ha! | 0:00:08 | 0:00:12 | |
Let's go bargain hunting instead. | 0:00:12 | 0:00:14 | |
We're in the pretty market town of Lewes today, | 0:00:39 | 0:00:42 | |
which is one of the few places in Britain to have its own currency. | 0:00:42 | 0:00:47 | |
So, it's three experts, 60 minutes, | 0:00:47 | 0:00:50 | |
and 300 Lewes pounds each. | 0:00:50 | 0:00:54 | |
Let's have a quick check as to what's coming up. | 0:00:54 | 0:00:56 | |
There's more that meets the eye with these Reds. | 0:00:58 | 0:01:01 | |
Yeah. Well done. Not just a pretty face. Not just a pretty face. | 0:01:01 | 0:01:05 | |
While the Blues are playing with their toys. | 0:01:05 | 0:01:08 | |
He's really fun. Do you think the horse is on steroids? 1950? He needs to be. | 0:01:08 | 0:01:12 | |
THEY LAUGH | 0:01:12 | 0:01:14 | |
On the programme today we have two teams of couples. | 0:01:16 | 0:01:19 | |
For the Reds we've got Euan and Candice. | 0:01:19 | 0:01:21 | |
And for the Blues we've got JP and Donna. Hello, everyone. | 0:01:21 | 0:01:25 | |
Hello. Hello, hello. | 0:01:25 | 0:01:27 | |
Now, Euan, you two lovebirds met at college. We did indeed. | 0:01:27 | 0:01:30 | |
It was about nine years ago now. My first week at college, freshers' evening. | 0:01:30 | 0:01:34 | |
I was out with my friends, she was out with hers. I was looking for a young blonde, | 0:01:34 | 0:01:39 | |
she was looking for a gorgeous, athletic man - Yeah? I saw her, thought yeah, that'll do. | 0:01:39 | 0:01:44 | |
Hey, presto. Nine years later, it's good. Marvellous. Nearly a decade. | 0:01:44 | 0:01:48 | |
But you can make a quick getaway if you need to. I can. My hobby's running. | 0:01:48 | 0:01:52 | |
I started running about three years ago, | 0:01:52 | 0:01:54 | |
but I wasn't a big fan of chasing faster times. | 0:01:54 | 0:01:57 | |
So I decided to chase bigger distances instead. Yes. | 0:01:57 | 0:02:00 | |
So I stepped up to about 50-mile endurance runs. | 0:02:00 | 0:02:03 | |
Now I regularly run 100 miles in distance non-stop. | 0:02:03 | 0:02:06 | |
100 miles? All at once? All in one go. I run a marathon most weekends. | 0:02:06 | 0:02:11 | |
This man does a marathon every weekend! | 0:02:11 | 0:02:14 | |
And then he runs 100 miles. How long does it take you to run 100 miles? | 0:02:14 | 0:02:18 | |
100 miles is about 20, 21 hours for 100 miles. | 0:02:18 | 0:02:21 | |
So you set off from down here, and you're in Manchester 21 hours later. | 0:02:21 | 0:02:24 | |
Not quite Manchester, but a bit further away. Yeah, OK, Stoke-on-Trent, then. | 0:02:24 | 0:02:29 | |
Let's not pick a bone. Yeah. That is quite something. Thank you. Candice, you look sporty to me. | 0:02:29 | 0:02:34 | |
Yeah, very sporty. What do you get up to? | 0:02:34 | 0:02:36 | |
I don't do running. I'd rather catch a bus. But I'm more into intense training. | 0:02:36 | 0:02:41 | |
Yes. You like the high burn. Yeah. High burn. Not this endurance stuff? | 0:02:41 | 0:02:45 | |
No. No. So what's your favourite thing? Come on, sports-wise? | 0:02:45 | 0:02:49 | |
I play a lot of netball. I play about twice a week | 0:02:49 | 0:02:51 | |
in two different leagues. We play in the premiership, so we play against county players as well. Do you? | 0:02:51 | 0:02:57 | |
That's good fun. Turns out to be a rugby match halfway through sometimes, so it can get - A brawl? | 0:02:57 | 0:03:02 | |
Yeah, can get a bit nasty. | 0:03:02 | 0:03:04 | |
But, no, my main hobby is event riding. | 0:03:04 | 0:03:07 | |
I have five of my own, so I'm happy to compete... Is this your job? | 0:03:07 | 0:03:11 | |
Do you look after horses professionally? Yeah. | 0:03:11 | 0:03:14 | |
I'm a freelance event groom, or a rider. I go round to loads of yards, | 0:03:14 | 0:03:17 | |
just day-to-day routine of horse yards, or riding, or competitive riding. | 0:03:17 | 0:03:22 | |
A lovely life, then? A lovely life. Something I really enjoy. | 0:03:22 | 0:03:25 | |
Did you get bitten by the horse bug when you were a kid? I got a 12.2 pony. He's still alive today. | 0:03:25 | 0:03:31 | |
We bought him at 22 years old and he's now 45, so... | 0:03:31 | 0:03:34 | |
Has he got any teeth at all? He's got a few, bless him. | 0:03:34 | 0:03:37 | |
He can't really see. He's happy. He's just happy to be alive at the moment, so... Isn't that lovely? | 0:03:37 | 0:03:42 | |
Will there be a lot of horsing about today? We're going to have fun, but we do have a tactic, | 0:03:42 | 0:03:47 | |
we want to win. We're competitive, we're sporty, but we're going to have fun. OK. | 0:03:47 | 0:03:52 | |
We'll look forward to that. Jolly good luck. So, JP, was it first sight, first love for you two? | 0:03:52 | 0:03:57 | |
About 18 years ago I was living in a shared house in North London, and we had a house party. | 0:03:57 | 0:04:02 | |
Donna walked in with her mates, and I was like a cartoon character. My eyes were on stalks. Like that. | 0:04:02 | 0:04:08 | |
I thought, she's lovely. It took two-and-a-half years for me to get the bottle up | 0:04:08 | 0:04:12 | |
to ask Donna out for a date. What was so frightening about it that took you all that time? I was so shy. | 0:04:12 | 0:04:19 | |
It's all changed now, though, hasn't it? | 0:04:19 | 0:04:21 | |
Let's get on with the passion for food, shall we? | 0:04:21 | 0:04:24 | |
I am passionate about food, I love cooking, and where we live in St Leonards, Hastings, | 0:04:24 | 0:04:28 | |
the locally grown fruit and veg is phenomenal. | 0:04:28 | 0:04:31 | |
Part of what I was doing was encouraging people on lower income, poor diets, | 0:04:31 | 0:04:35 | |
to eat more fresh produce and show people how to eat healthily on very little money. | 0:04:35 | 0:04:40 | |
And do you cook a bit, too? I cook a lot. I love cooking. | 0:04:40 | 0:04:43 | |
So, Donna, while JP's at home cooking your dinner, | 0:04:43 | 0:04:46 | |
you're out in the community doing good works, is that right? Yes. | 0:04:46 | 0:04:50 | |
I work for the local authority. | 0:04:50 | 0:04:51 | |
I'm a cluster coordinator for five children's centres in St Leonards. | 0:04:51 | 0:04:56 | |
A cluster coordinator? Clusters of children's centres. Right. Across East Sussex. | 0:04:56 | 0:05:01 | |
Five centres makes one cluster. OK, fine. In St Leonards. | 0:05:01 | 0:05:04 | |
So, yeah, I coordinate the services that are delivered in them. | 0:05:04 | 0:05:07 | |
JP was talking about lots of deprivation in St Leonards and Hastings, and there is. | 0:05:07 | 0:05:12 | |
You know lots about it. Yeah. How will you get on, on this bargain hunting lark? With a laugh. | 0:05:12 | 0:05:17 | |
Since we met, we never stop laughing. | 0:05:17 | 0:05:20 | |
That's how many years ago? 15 years ago, 18.... 15 years together. That's not bad. | 0:05:20 | 0:05:24 | |
What's your skills in the antique department? I like lighting more than anything. I like kitchenalia. | 0:05:24 | 0:05:30 | |
Give me a bit... Chopping boards? No. Anything but chopping boards. | 0:05:30 | 0:05:34 | |
Oh, anything but? A fruit wood corer, if I could find one of those | 0:05:34 | 0:05:38 | |
I'd be delighted. Would you? Yeah. Nice to know you're easily pleased. | 0:05:38 | 0:05:42 | |
THEY LAUGH Exactly. | 0:05:42 | 0:05:44 | |
No wonder you're such a happy man. | 0:05:44 | 0:05:46 | |
If only a I could find a fruit wood corer, I'd be away. | 0:05:47 | 0:05:50 | |
My life would be complete. | 0:05:50 | 0:05:52 | |
Tell help you on your quest, I'm going to give you £300, | 0:05:52 | 0:05:55 | |
which should buy you an awful lot of fruit wood corers. | 0:05:55 | 0:05:58 | |
Anyway, on that happy note, you know the rules, your experts away, | 0:05:58 | 0:06:01 | |
and off you go. Very, very good luck. I wouldn't mind a corer myself. | 0:06:01 | 0:06:05 | |
Hoping to spin some profits for the Reds, we have the adorable... | 0:06:06 | 0:06:11 | |
Always wheeling and dealing, Tom. | 0:06:11 | 0:06:13 | |
And there's no masking this classic bust. | 0:06:13 | 0:06:17 | |
Philip Serrell's in it to win it for the Blues. | 0:06:17 | 0:06:20 | |
And they're off. | 0:06:20 | 0:06:22 | |
So Euan and Candice, you are quite sporty, aren't you? We are. | 0:06:22 | 0:06:26 | |
Very sporty. So you're uber competitive? Very. | 0:06:26 | 0:06:28 | |
Are we in it to win it? Got to come first. Yes. | 0:06:28 | 0:06:31 | |
You've got to come first? Is that true for you? Of course! | 0:06:31 | 0:06:34 | |
In your eventing, you must come first? Yes. | 0:06:34 | 0:06:37 | |
So what are we looking for? Quirky silver. Quirky silver? Quirky silver, and maybe something French. | 0:06:37 | 0:06:42 | |
Something French. And? Maybe some kitchenalia, | 0:06:42 | 0:06:45 | |
but not a chopping board. Let's go. Come on. | 0:06:45 | 0:06:48 | |
Have you got any tactics? We've got loads. Up our little sleeves. | 0:06:48 | 0:06:52 | |
Well, let's go and find out. | 0:06:52 | 0:06:54 | |
Thank you. | 0:06:54 | 0:06:56 | |
Morning. Morning. They're off at a pace, aren't they? | 0:06:56 | 0:06:59 | |
Don't get left behind. We're only in the first furlong | 0:06:59 | 0:07:02 | |
and the Reds have already spotted something horsey. | 0:07:02 | 0:07:04 | |
It's a what? A grass muzzle. We put it on them. Eight pounds? | 0:07:06 | 0:07:10 | |
How much do they want? You can't go wrong with eight pounds. How much are they worth? Quite a lot. | 0:07:10 | 0:07:15 | |
You can get them for £20, maybe more depending on the fabric. | 0:07:15 | 0:07:18 | |
But this is leather? We don't use leather ones anymore. | 0:07:18 | 0:07:22 | |
Why not? Because they're too hard. Like, it's better to have fabric | 0:07:22 | 0:07:25 | |
because then it breaks easily if anything were to happen. | 0:07:25 | 0:07:28 | |
In they got something caught? Exactly. Is that repairable? No. No. | 0:07:28 | 0:07:33 | |
We said that in union. Is that no good, then? No. | 0:07:33 | 0:07:36 | |
I'll put it back on the floor. It's just decorative. | 0:07:36 | 0:07:39 | |
Good try, though, Euan. And keep it up. | 0:07:39 | 0:07:41 | |
Do you like the oars, do you? Yeah. | 0:07:45 | 0:07:47 | |
How can we know if they're old? Shall we go and get them? I like them. | 0:07:47 | 0:07:52 | |
Don't rock the boat, eh, Thomas? | 0:07:56 | 0:07:58 | |
Got that? Yes. I don't know what oars are made out of but they look quite nice quality. | 0:07:59 | 0:08:04 | |
They look pine to me. They look in good tack. Would they be ornamental? Definitely for use. Yeah? For use. | 0:08:04 | 0:08:10 | |
What's the best on these? Up from 45. They can be 30. £30? | 0:08:10 | 0:08:15 | |
£30. Oh, what do you think? Wow, really good. | 0:08:15 | 0:08:18 | |
I think that is item number one. Done? Yes. Done? Yeah. | 0:08:18 | 0:08:22 | |
Item number one, done. Thank you very much. No problem. | 0:08:22 | 0:08:26 | |
Right, onwards and upwards. Ooh! Item number two to be found. | 0:08:26 | 0:08:29 | |
Well, that was all very painless. | 0:08:29 | 0:08:31 | |
These sport types don't muck about, do they? | 0:08:31 | 0:08:34 | |
This one's quite the place for motor memorabilia, I understand. | 0:08:35 | 0:08:40 | |
And these are classic, aren't they? Yes. | 0:08:40 | 0:08:42 | |
Bexhill, just down the road, is the home of motor racing. | 0:08:42 | 0:08:45 | |
That's where the first motor racing - Is it? The first ever motor race. Yeah. | 0:08:45 | 0:08:50 | |
Yes, you're quite right. Bexhill-on-Sea hosted Britain's | 0:08:50 | 0:08:55 | |
first automobile race on the 19th of May, 1902. | 0:08:55 | 0:08:58 | |
Those at auction, they're going to make five to ten pounds each. | 0:09:00 | 0:09:04 | |
Oh, really? Roughly. We'll put them back for a minute. | 0:09:04 | 0:09:08 | |
I'm concerned at the moment. Yeah, are you? Well, I am. | 0:09:08 | 0:09:11 | |
Because our time's going and we haven't bought anything yet. No. | 0:09:11 | 0:09:15 | |
I'm worried. What about this little thing here? | 0:09:15 | 0:09:18 | |
He's quite fun, isn't he? Yeah. Shall we get him down? Yeah. | 0:09:18 | 0:09:21 | |
He is quirky, isn't he? I think he's fun. It's really nice. | 0:09:23 | 0:09:26 | |
I think he's quite funny. Makes me laugh. He's really fun. What is he? | 0:09:26 | 0:09:30 | |
Do you think the horse is on steroids? 1950. He needs to be. | 0:09:30 | 0:09:33 | |
THEY LAUGH | 0:09:33 | 0:09:34 | |
It's 45 quid. Is it English, is it French, who knows? Who knows. | 0:09:34 | 0:09:38 | |
It doesn't matter, does it? It's brilliant. | 0:09:38 | 0:09:40 | |
It's 1950s, it's made out of painted plywood. | 0:09:40 | 0:09:43 | |
At auction it's going to make somewhere between 20 and 40 quid. | 0:09:43 | 0:09:47 | |
You've got to try and get the price down a bit, but you've got to buy it. We do, just for the fun value. | 0:09:47 | 0:09:52 | |
Why don't we just put it by... OK... and see what else we can buy. OK. | 0:09:52 | 0:09:56 | |
A job lot. Make a job lot out. We might do even better that way. Yeah. | 0:09:56 | 0:10:00 | |
Yep, you'd better get it off the shelf, | 0:10:00 | 0:10:02 | |
cos these Reds are hot on your tail; and they're not sitting about. | 0:10:02 | 0:10:07 | |
Look at these. I've never seen these before. | 0:10:07 | 0:10:10 | |
It says adjustable music or dining chairs. | 0:10:10 | 0:10:12 | |
So they've got an action, where you press this button, and they go up, | 0:10:12 | 0:10:18 | |
and they go down. | 0:10:18 | 0:10:20 | |
For children or for adults. Or, you know, vertically challenged people. | 0:10:20 | 0:10:24 | |
I mean, you won't ever have that problem, you two. | 0:10:24 | 0:10:27 | |
It's like a race. It is like a race. It is like a race. | 0:10:27 | 0:10:31 | |
Upstairs. | 0:10:31 | 0:10:32 | |
Do you know, there's no holding Candice back. She's competitive all right. | 0:10:32 | 0:10:37 | |
Well, we're now 20 minutes in, | 0:10:37 | 0:10:39 | |
with the Reds in the lead with one item bought. | 0:10:39 | 0:10:41 | |
Tennis racquets as mirrors. You said mirrors were good. But not tennis racquets. That's just ridiculous. | 0:10:41 | 0:10:47 | |
But not as mirrors. What is the world coming to? | 0:10:47 | 0:10:50 | |
I don't know either, Thomas. It was all so different in my day. | 0:10:50 | 0:10:54 | |
Anyway, what have you Blues spotted? | 0:10:54 | 0:10:56 | |
Let's have a look. It's interesting. | 0:10:56 | 0:10:58 | |
Oh, that's quite sweet, isn't it? Yes. This is an engraving plate, isn't it? | 0:11:00 | 0:11:05 | |
It's the original plate. Wow. And then the etchings would be taken - From that. Oh, wow. | 0:11:05 | 0:11:11 | |
That's interesting. It's a framed engraver's plate | 0:11:11 | 0:11:14 | |
of a rather famous painting by Fragonard. | 0:11:14 | 0:11:16 | |
That writing is actually the right way round. | 0:11:17 | 0:11:20 | |
So I wonder whether this is the plate, | 0:11:20 | 0:11:23 | |
and someone's put that on afterwards just to say... To identify it. Yes. | 0:11:23 | 0:11:27 | |
It's probably, I would think, early-19th century. Really? Yes. | 0:11:27 | 0:11:31 | |
At auction... Very nice. It is. | 0:11:31 | 0:11:34 | |
And it's a whole load of work in there. Yes. Yes. | 0:11:34 | 0:11:37 | |
At auction that's going to make between 20 to 40, 30 to 50 pounds. | 0:11:37 | 0:11:41 | |
Really? That sort of region. Right. | 0:11:41 | 0:11:43 | |
So we've now got to decide where we're going. Yes. Absolutely. | 0:11:43 | 0:11:48 | |
So much work for so little reward. | 0:11:48 | 0:11:50 | |
What do you think? Silk. It's not very you, you two. Beautifully done. | 0:11:51 | 0:11:55 | |
There's no price on it, is there? 45. | 0:11:55 | 0:11:58 | |
45. That's been done by hand. Do you see the embroidery on that? Yes. | 0:11:58 | 0:12:03 | |
The work? That is tremendous. How old is it? 1900, 1920? | 0:12:03 | 0:12:09 | |
What do you think? I mean, do people collect that? They do. | 0:12:09 | 0:12:12 | |
It is decorative, it is very attractive. It is plain, though. | 0:12:12 | 0:12:15 | |
Well, people don't like big, bold colours. | 0:12:15 | 0:12:19 | |
I just can't see where I'd put that. It's not you. It's not you. True. | 0:12:19 | 0:12:23 | |
Why aren't you an antiques' dealer? Look outside the box. Why aren't you an antiques' dealer? | 0:12:23 | 0:12:28 | |
I think you'd probably be quite good. It's not a bad thing. | 0:12:28 | 0:12:32 | |
You can't like everything you buy, that's the thing. Yes. | 0:12:32 | 0:12:35 | |
I don't want to pressurise you into buying something you don't want, I like this. | 0:12:35 | 0:12:39 | |
You've got to look outside the box. For the money, that's nothing. It's a snip. Have I turned you? | 0:12:39 | 0:12:44 | |
Yes, I like it. You didn't like it to begin with. I didn't, but looking at it, looking at the detail | 0:12:44 | 0:12:50 | |
on the thread. You haven't had a look, have you? Not closely. See, look at all that thread work there. | 0:12:50 | 0:12:56 | |
Let's take it downstairs. Shall we try and get it for a figure with a three in front of it? I think so. | 0:12:56 | 0:13:01 | |
A three-zero. A three-zero would be quite difficult. | 0:13:01 | 0:13:04 | |
Come on, let's take it downstairs. | 0:13:04 | 0:13:06 | |
Well done, Thomas, for teaching these two about quality and workmanship. | 0:13:06 | 0:13:11 | |
That's what we like. | 0:13:11 | 0:13:13 | |
Hello. Instead of dragging you all the way upstairs... Thank you. | 0:13:13 | 0:13:17 | |
We decided to bring this down as it was portable. | 0:13:17 | 0:13:19 | |
45 is on this. | 0:13:21 | 0:13:24 | |
40. I was hoping with a three in front of it would be great. | 0:13:24 | 0:13:28 | |
Were you? Yes, I was. Maybe 35? | 0:13:28 | 0:13:31 | |
I'm going to have to ring him. | 0:13:31 | 0:13:33 | |
Do you mind? I'll do it now. That's fine. Thank you very much. | 0:13:33 | 0:13:37 | |
OK, Henry, thanks very much. OK. Bye. | 0:13:37 | 0:13:40 | |
38, how's that? Oh, 38. 38! It's got a three in it. | 0:13:41 | 0:13:45 | |
I think that's a goer. Fantastic. Carry on, yes. | 0:13:45 | 0:13:48 | |
Yes? Are we going to do that? Deal. Sale! | 0:13:48 | 0:13:51 | |
That's two up to the Reds. | 0:13:51 | 0:13:53 | |
The Blues had better get a shifty on because we're now 40 minutes in. | 0:13:53 | 0:13:57 | |
We've decided that we'd like this etching. We'd also like the jockey. | 0:13:57 | 0:14:02 | |
Because we're buying two... 70 quid the two. 65, is that possible? | 0:14:02 | 0:14:06 | |
Go on, then, for 65. Lovely. Thank you very much. | 0:14:06 | 0:14:10 | |
So that fiver comes off the toy, which makes it 25 for the horse | 0:14:10 | 0:14:14 | |
and 40 for the etching plate. | 0:14:14 | 0:14:16 | |
Come on. | 0:14:16 | 0:14:18 | |
Well done. Both teams are now even. | 0:14:18 | 0:14:20 | |
I'm running like you. | 0:14:20 | 0:14:21 | |
We still haven't ticked those boxes. We haven't, no. | 0:14:21 | 0:14:25 | |
Yeah, but now time's ticking. | 0:14:25 | 0:14:27 | |
So let's hope a fresh shop will bring some fresh ideas, | 0:14:27 | 0:14:30 | |
or even some ancient ones with a deep chip out of it. | 0:14:30 | 0:14:33 | |
What is a Thebes stool? A Thebes stool is an Egyptian stool | 0:14:33 | 0:14:37 | |
found in the tombs where the mummies were incarcerated. | 0:14:37 | 0:14:41 | |
In the 1920s, when Carnarvon found Tutankhamen | 0:14:41 | 0:14:44 | |
and when we were really in the Valley of the Kings | 0:14:44 | 0:14:47 | |
having a good old hunt about, these were reproduced and were very, very popular. | 0:14:47 | 0:14:52 | |
Here we've got hieroglyphics carved round here. A little bit of damage there. | 0:14:52 | 0:14:56 | |
A Liberty stool. Liberty, the retailers in London, | 0:14:56 | 0:15:00 | |
did retail these as Thebes stools. | 0:15:00 | 0:15:03 | |
But I don't think it's worth £95, if the truth be known. No. No. | 0:15:03 | 0:15:07 | |
We need to buy it on a shoestring. You do need to buy that on a shoestring. | 0:15:07 | 0:15:11 | |
That Candice is a sharp one. | 0:15:11 | 0:15:14 | |
That's quite nice. I don't know how much it is. Oh, it is a knife and fork. It's not silver, is it? No. | 0:15:14 | 0:15:20 | |
It's stainless steel? What's that worth? I'm not going to tell you the price. You tell me. | 0:15:20 | 0:15:24 | |
I would pay maybe 20 quid at the most. Are they heavy? | 0:15:24 | 0:15:27 | |
They're a good weight. So you'd pay 20 quid at the most? At the most. | 0:15:28 | 0:15:32 | |
And what would you pay for those? | 0:15:32 | 0:15:34 | |
Nothing by the looks of it. Probably maybe 35. | 0:15:35 | 0:15:38 | |
I tell you what. I think you need to stick with him. | 0:15:38 | 0:15:41 | |
23. I know. He's very good. He is very good. | 0:15:41 | 0:15:44 | |
I think those are a bit of fun. | 0:15:44 | 0:15:47 | |
Food for though, I suppose. | 0:15:47 | 0:15:49 | |
Do you want to have a quick rummage? Let's have a quick rummage. | 0:15:49 | 0:15:52 | |
You have a quick rummage there. I'll follow you. | 0:15:52 | 0:15:55 | |
Now, Reds, all that money must be burning a hole in your pocket. | 0:15:55 | 0:15:59 | |
You've got quite a bit of money. We've got loads of money. Loads of dosh. | 0:15:59 | 0:16:03 | |
So how much have we got left? Around 230. Around 230? | 0:16:03 | 0:16:07 | |
That's a lot. Too much. | 0:16:07 | 0:16:09 | |
Right, we're in the last ten minutes - and that's your final warning. | 0:16:09 | 0:16:13 | |
That lighthouse. The big one in the back? | 0:16:13 | 0:16:16 | |
It's lighting and it's coastal. It's 1920s. | 0:16:16 | 0:16:19 | |
Oh, it's actually on a plinth. | 0:16:19 | 0:16:22 | |
I'll get the base. That's really funky. It is, actually. Yeah. Phil! | 0:16:22 | 0:16:26 | |
What have we found, what have we found? | 0:16:26 | 0:16:29 | |
We have found a nice big bit of rock. | 0:16:29 | 0:16:31 | |
That's quite funky, isn't it? Isn't it? Alabaster, that is. | 0:16:31 | 0:16:34 | |
Yeah. Why did you choose that one rather than that one? Cos it's bigger. Is that the only reason? | 0:16:34 | 0:16:40 | |
It does look like the Beachy Head one. How much is that? It's got a seagull. 48 quid. | 0:16:40 | 0:16:44 | |
Is it 1920s? It says 1930s. Yeah, I would think it's that, or a little bit later, isn't it? | 0:16:44 | 0:16:49 | |
Which do you prefer? Probably this one, | 0:16:49 | 0:16:51 | |
because that looks more like the Sovereign Lighthouse. Time's against us. | 0:16:51 | 0:16:55 | |
And I think at auction... It will make? I think it's going to make between 30 and 50 pounds. | 0:16:55 | 0:17:01 | |
That's what I think it will make. I'm very loath to admit this, but I quite like that. | 0:17:01 | 0:17:05 | |
Whey-hey! | 0:17:05 | 0:17:07 | |
We caught you out. OK, are you going to have a go at it? I think so. I think so. | 0:17:10 | 0:17:14 | |
We'll try and get money off it. It's priced at £48, | 0:17:14 | 0:17:17 | |
and I think its auction value is probably going to be between 30 and £50. That's my shot. Mm-hm. | 0:17:17 | 0:17:22 | |
Go and have a word with the dealer and just see what you can get it for. OK. | 0:17:22 | 0:17:26 | |
Good luck. Thank you. | 0:17:26 | 0:17:28 | |
Now, gather round, boys and girls. | 0:17:31 | 0:17:33 | |
Punch. I like that. | 0:17:33 | 0:17:35 | |
"Mr Punch, steel button hook, 1906." | 0:17:36 | 0:17:39 | |
What's the price? £67. There are Punch collectors out there for sure. | 0:17:39 | 0:17:44 | |
What does it appeal more to, a Punch collector or a button hook collector? Both. | 0:17:44 | 0:17:48 | |
Eastbourne, it's like... Seaside. Seaside. Seaside town. Exactly. | 0:17:48 | 0:17:53 | |
I like that. That's a good shape. It is a good shape. Well done. | 0:17:53 | 0:17:57 | |
Not just a pretty face. Not just a pretty face. | 0:17:57 | 0:18:00 | |
No, not just a pretty face. I quite like that. Quite like the collectability. | 0:18:00 | 0:18:04 | |
I like that. Is it silver? This'll be silver and this'll be steel. | 0:18:04 | 0:18:08 | |
Chromed to make it work. And that's for buttoning your gloves or boots. | 0:18:08 | 0:18:12 | |
I quite like it. You quite like it? Yeah, yeah. | 0:18:12 | 0:18:15 | |
Seaside, Punch collectors, button hook collectors. | 0:18:15 | 0:18:18 | |
Shall we see what the best price I can get? Yes. Let's go for it. Michelle? Hello. | 0:18:18 | 0:18:23 | |
Mr Punch silver steel button hook, 1906. 67. | 0:18:23 | 0:18:29 | |
Um... 60's a normal trade. | 0:18:29 | 0:18:32 | |
Yeah, what could you...? | 0:18:32 | 0:18:34 | |
50? It's quite... | 0:18:34 | 0:18:36 | |
That would be OK. 50? Just about OK. Just about? Yeah. | 0:18:36 | 0:18:40 | |
What do you think? Brilliant, yeah. | 0:18:40 | 0:18:42 | |
Fantastic. Are you going to go for that? Thanks very much. Thank you. | 0:18:42 | 0:18:47 | |
Thank you. Well done. Thank you very much, Michelle. | 0:18:47 | 0:18:51 | |
That's our third and final item. Brilliant. Yes! | 0:18:51 | 0:18:53 | |
That's the way to do it. | 0:18:54 | 0:18:57 | |
Sorry, I couldn't help it. | 0:18:57 | 0:18:59 | |
We'd like to buy... There we go. This lovely piece. | 0:18:59 | 0:19:01 | |
Our lovely Beachy Head lighthouse. | 0:19:01 | 0:19:03 | |
We'd like to ask you what your best, best, best possible price is. | 0:19:03 | 0:19:07 | |
Let's see who it belongs to. 43. | 0:19:07 | 0:19:10 | |
43? Do you think so? Yeah, let's go for 43. It is very unusual. Yeah. | 0:19:10 | 0:19:16 | |
Well, it is, and it's Beachy Head, | 0:19:16 | 0:19:18 | |
and the auction's in Eastbourne, so somebody there. | 0:19:18 | 0:19:21 | |
Made for it, isn't it? Exactly. As long as I don't paint it red and white. | 0:19:21 | 0:19:25 | |
OK, we'll pay 43, thank you. OK. | 0:19:25 | 0:19:28 | |
We love your shop. It's great. Thank you very much. We'll be back. | 0:19:28 | 0:19:31 | |
Time has elapsed, the hour has rushed by. | 0:19:31 | 0:19:35 | |
Let's check out now what the Red team bought. | 0:19:35 | 0:19:37 | |
By a stoke of luck, the Reds spotted these oars, | 0:19:39 | 0:19:42 | |
and splashed out a meagre £30 for them. | 0:19:42 | 0:19:45 | |
They then saw the finesse in this Chinese silkwork picture | 0:19:46 | 0:19:50 | |
and got the price down to... | 0:19:50 | 0:19:52 | |
Wow. Finally, they snapped up | 0:19:52 | 0:19:54 | |
a Mr Punch novelty silver and steel button hook at a cost of £50. | 0:19:54 | 0:19:59 | |
I think it was 59 minutes, yeah. Oh, no. Very close. | 0:20:01 | 0:20:03 | |
So just one minute left, was it? Yes, very close. | 0:20:03 | 0:20:08 | |
Very good, Tom. It's called time management. | 0:20:08 | 0:20:10 | |
I was completely relaxed. | 0:20:10 | 0:20:12 | |
So which is your best part of that shopping experience? | 0:20:12 | 0:20:15 | |
The last two minutes, cos you're like, decision, decision, | 0:20:15 | 0:20:19 | |
which way are you going to go? It's a bit like show jumping, right? | 0:20:19 | 0:20:23 | |
Yes. Under pressure. You've got to do your round. Nerves of steel, | 0:20:23 | 0:20:26 | |
that's the main thing. Keep calm. Yeah. What was your best bit? | 0:20:26 | 0:20:30 | |
Everything. I loved it all. We were looking for a sporty item but couldn't find that, | 0:20:30 | 0:20:34 | |
but we found, with Tom's help, three fantastic items. | 0:20:34 | 0:20:38 | |
Which is your favourite? I like the oars we got. Nice, tactile items. | 0:20:38 | 0:20:41 | |
We wanted something... We're going to be down in Eastbourne for the auction. Something near the water. | 0:20:41 | 0:20:47 | |
Seaside orientated. We managed to get that quickly. Which is your favourite? The button hook. | 0:20:47 | 0:20:52 | |
Yeah? It's a really cute little item. Really handy. | 0:20:52 | 0:20:55 | |
And how much did you spend altogether? £118. | 0:20:55 | 0:20:58 | |
What, on all three? Altogether, I know. | 0:20:58 | 0:21:00 | |
I've never taken her shopping and spent so little money. Amazing. Long may it continue. | 0:21:00 | 0:21:06 | |
I think I'd better have the £182. Thank you. | 0:21:06 | 0:21:10 | |
£182, Thomas Plant. | 0:21:10 | 0:21:13 | |
I've seen something. I'm going to spend most of it. Is it horsey? No. | 0:21:13 | 0:21:17 | |
Is it to do with running? No. Well, it won't be popular. | 0:21:17 | 0:21:21 | |
THEY LAUGH On a happy note, why don't we check out what the Blue team bought, eh? | 0:21:21 | 0:21:25 | |
The Blues saw the fun in this pull-along horse and jockey toy. | 0:21:25 | 0:21:28 | |
At the same time, they snapped up the 19th-century engraving plate | 0:21:33 | 0:21:37 | |
that will surely print a profit at £40. | 0:21:37 | 0:21:41 | |
And they were saved just in time by the lighthouse-shaped electric lamp. | 0:21:41 | 0:21:45 | |
The things we bought were not what we were expecting. | 0:21:48 | 0:21:51 | |
Always the way. Pressure, pressure, pressure. Sounds like everyone had a smashing time. We did. | 0:21:51 | 0:21:56 | |
Which is your favourite bit, Donna? I really like the horse we bought. I think you'll enjoy him, too. | 0:21:56 | 0:22:02 | |
I can't wait to see it. What about you? Definitely the horse as well. You are welded to the hip, you two. | 0:22:02 | 0:22:07 | |
We are, absolutely. Like mirror images. Yeah. | 0:22:07 | 0:22:10 | |
Donna did have a shave this morning. | 0:22:11 | 0:22:13 | |
THEY LAUGH | 0:22:13 | 0:22:14 | |
There will be pillow talk about that, JP. | 0:22:14 | 0:22:17 | |
It's all very well you being brave now. | 0:22:17 | 0:22:20 | |
Off the telly you'll get a bit of stick for that one. Absolutely. OK. | 0:22:20 | 0:22:24 | |
Which piece is going to bring the biggest profit, Donna? I think the etching will. | 0:22:24 | 0:22:29 | |
Tim, I'm not grovelling, but I agree. | 0:22:29 | 0:22:31 | |
See what I mean? I had to say it. I rest my case. | 0:22:32 | 0:22:35 | |
Because it's unusual and it's very pretty. | 0:22:35 | 0:22:38 | |
It's no wonder you're so happy together, it's marvellous. | 0:22:38 | 0:22:41 | |
It's a fantastic thing to see. So how much did you spend all round? | 0:22:41 | 0:22:45 | |
We spent £108. £108? That's nothing, is it? No. | 0:22:45 | 0:22:49 | |
OK, so can I have £192, then? | 0:22:49 | 0:22:53 | |
Begrudgingly. Yeah, you don't like handing it over. No. | 0:22:53 | 0:22:56 | |
It's your only miserable moment of the day, | 0:22:56 | 0:22:59 | |
but he's very happy, old smiler here. Look at him take that lot. | 0:22:59 | 0:23:02 | |
Well, these guys like some sort of, I think, 20th-century stuff. | 0:23:02 | 0:23:07 | |
So I'm going to go and find a bit of 20th century | 0:23:07 | 0:23:10 | |
that might lighten their darkness. | 0:23:10 | 0:23:12 | |
Well, good for you, Phil. | 0:23:12 | 0:23:14 | |
And before we leave the picturesque town of Lewes, | 0:23:19 | 0:23:23 | |
I want to show you something I found in a shop just down the road. | 0:23:23 | 0:23:27 | |
With all this wood about, it's not surprising | 0:23:27 | 0:23:30 | |
that people develop a passion for the stuff, | 0:23:30 | 0:23:33 | |
and I have to say it is a passion that I share. | 0:23:33 | 0:23:36 | |
Particularly when you get the opportunity of coming across a little fragment, like this. | 0:23:37 | 0:23:43 | |
How special, on a special scale, out of ten? | 0:23:43 | 0:23:48 | |
I think this thing could turn out to be nine, if not ten, out of ten. | 0:23:48 | 0:23:54 | |
What is it? If you look at the back there's a lot of woodworm holes. | 0:23:54 | 0:23:59 | |
What do woodworm really like to have a chomp at? | 0:23:59 | 0:24:03 | |
They really like pear wood and they really like walnut. | 0:24:04 | 0:24:07 | |
And this strange gingery-coloured wood is pear wood. | 0:24:07 | 0:24:13 | |
Where does the thing come from? | 0:24:13 | 0:24:15 | |
Well, funnily enough, I think it was carved in Germany | 0:24:15 | 0:24:19 | |
in a place called Augsburg. | 0:24:19 | 0:24:21 | |
The next thing that shoves this up the scale right to the top | 0:24:21 | 0:24:25 | |
is the subject of the carving. | 0:24:25 | 0:24:27 | |
We have here a horrible scaly beast. | 0:24:27 | 0:24:32 | |
That is an alligator or a crocodile. | 0:24:32 | 0:24:34 | |
And then we've got a man who's attempting | 0:24:34 | 0:24:37 | |
to open the alligator or crocodile's jaws with his bare hands. | 0:24:37 | 0:24:42 | |
This is not a sensible thing to do. | 0:24:42 | 0:24:45 | |
In fact, this person had never seen one of these creatures. | 0:24:45 | 0:24:50 | |
The woodcarver has only seen a drawing or a print. | 0:24:50 | 0:24:55 | |
In 1510, | 0:24:55 | 0:24:57 | |
the first rhinoceros was brought to Europe, | 0:24:57 | 0:25:02 | |
to Portugal. As a result of that weird beast arriving, | 0:25:02 | 0:25:06 | |
all sorts of drawings and prints were produced, | 0:25:06 | 0:25:09 | |
principally by a man called Durer. | 0:25:09 | 0:25:13 | |
Durer had never seen the rhinoceros either. | 0:25:13 | 0:25:16 | |
He'd simply been told it was a great big beast with armour-plated sides, | 0:25:16 | 0:25:21 | |
and he produced a drawing accordingly. | 0:25:21 | 0:25:23 | |
And that, for all Europeans, | 0:25:23 | 0:25:27 | |
was their interpretation of the rhinoceros. | 0:25:27 | 0:25:30 | |
Similarly, nobody had seen any crocodiles or alligators. | 0:25:30 | 0:25:34 | |
But some drawings were distributed early in the 16th century, | 0:25:35 | 0:25:39 | |
and that is the basis, I reckon, of this particular piece of carving. | 0:25:39 | 0:25:45 | |
It's early, in my view, between 1520 and 1550. | 0:25:45 | 0:25:50 | |
It shows this extremely oddball subject, | 0:25:50 | 0:25:52 | |
and if I was able to trace the original drawing, or wood block, | 0:25:52 | 0:25:58 | |
from which this wood carving was carved, | 0:25:58 | 0:26:02 | |
it would make this object extremely valuable. | 0:26:02 | 0:26:06 | |
Right now you could buy it for £100. | 0:26:06 | 0:26:09 | |
But with the research, with the uplift, | 0:26:09 | 0:26:12 | |
it could bring as much as £2,000. | 0:26:12 | 0:26:15 | |
Now, at that, | 0:26:16 | 0:26:18 | |
I'd bite his arm off. | 0:26:18 | 0:26:20 | |
Eastbourne Auction Rooms is where we're at, | 0:26:25 | 0:26:27 | |
and Paul Alkalis is the man of the moment. Paul, how are you feeling? | 0:26:27 | 0:26:31 | |
Very well, thank you, Tim. Excellent. | 0:26:31 | 0:26:33 | |
Anyway, first up for the Reds are a pair of oars. | 0:26:33 | 0:26:36 | |
Pretty ordinary oars, I'd say. Pretty ordinary pine oars, Tim. | 0:26:37 | 0:26:41 | |
Some of these oars are fantastic, aren't they? | 0:26:41 | 0:26:44 | |
They're brass-tipped, but these are off a pretty modern dingy, I'd say. I would say so. | 0:26:44 | 0:26:49 | |
If you had to put your toe in the water, how much would you put on them? | 0:26:49 | 0:26:52 | |
An uninspiring 20 to £30, Tim. OK, £30 paid, so that's not too bad. | 0:26:52 | 0:26:57 | |
Next is this really beautiful, very finely worked silk picture. | 0:26:57 | 0:27:03 | |
That is something else, isn't it? We like this, Tim. | 0:27:03 | 0:27:06 | |
Basically, the colour's pretty good, isn't it? Colour's pretty good, fine detailing. | 0:27:06 | 0:27:11 | |
It's quite a nice Chinese silk work, that. So it's Chinese? We believe it to be Chinese. | 0:27:11 | 0:27:16 | |
It's so subtle the colours. The maple leafage coming over it | 0:27:16 | 0:27:20 | |
just in the autumn, just about to turn colour. | 0:27:20 | 0:27:24 | |
And sometimes less is more. Exactly. The space is this thing is dramatic. | 0:27:24 | 0:27:29 | |
How much, Tim? We've estimated this at 100 to £150. | 0:27:29 | 0:27:33 | |
100 to 150? £38 is all they paid. | 0:27:33 | 0:27:37 | |
Just look at that. That is what you call a bargain - if you're right. | 0:27:37 | 0:27:41 | |
Next is the steel and silver button hook. Mr Punch. Very popular, | 0:27:43 | 0:27:47 | |
Mr Punch. Shame it's a button hook, | 0:27:47 | 0:27:49 | |
but I'm sure somebody will do something with that, | 0:27:49 | 0:27:52 | |
maybe even take Mr Punch off there and mount it onto something a bit more interesting. | 0:27:52 | 0:27:57 | |
But we've got high hopes for him as well. So how much? We think he'll make 30 to 50. Jolly well needs to. | 0:27:57 | 0:28:03 | |
Our lot paid £50 for it. I think it'll make 50, won't it? | 0:28:03 | 0:28:06 | |
Um... Fingers crossed. OK, we will cross our fingers. | 0:28:06 | 0:28:09 | |
And just in case, perhaps we ought to take a look at the bonus buy. | 0:28:09 | 0:28:13 | |
OK, you two lovebirds, you spent £118, yes? | 0:28:14 | 0:28:18 | |
You gave Tom Plant £182. | 0:28:18 | 0:28:20 | |
He's a bit of a devil like this. What did you buy, Tom? | 0:28:21 | 0:28:25 | |
I bought something that really tickled me. What?! | 0:28:25 | 0:28:28 | |
Oh, my goodness! What do you think of that? | 0:28:28 | 0:28:31 | |
He's not having a nice time, is he? | 0:28:31 | 0:28:33 | |
His bottom's being bitten. | 0:28:33 | 0:28:35 | |
Did you spend all the money on that? Not all the money, | 0:28:35 | 0:28:38 | |
but a significant amount. | 0:28:38 | 0:28:41 | |
OK, let me just tell you. It is Austrian, | 0:28:41 | 0:28:44 | |
it's a coal-painted bronze. | 0:28:44 | 0:28:45 | |
So the technique of casting the figure in bronze | 0:28:45 | 0:28:48 | |
and then coal-painting it, and it's beautifully done. | 0:28:48 | 0:28:52 | |
These things are so charming and so collectable. | 0:28:52 | 0:28:55 | |
He's not having a good time, is he? It's 1920, around that period. | 0:28:55 | 0:28:59 | |
Candy, you just hold it. Feel it. Feel it. You can see how heavy it is. Whoa! | 0:28:59 | 0:29:03 | |
Do people collect those, or things made in that material? It's bronze, so it's a hard material to cast. | 0:29:03 | 0:29:09 | |
It is very funny. Is it not heavier than you thought it would be? A lot heavier. | 0:29:09 | 0:29:13 | |
I thought it was like some kid's little plastic toy. Exactly. | 0:29:13 | 0:29:17 | |
Something that came out of a cracker? Yes. It's not. But it ain't. | 0:29:17 | 0:29:21 | |
It's got a mark on it. Made in China. Gerschultz or something. Made in China. I think not! | 0:29:21 | 0:29:25 | |
It'll say Gerschultz, I think. | 0:29:25 | 0:29:28 | |
Which is very similar to Made in... Made in. It's Austrian. | 0:29:28 | 0:29:32 | |
You haven't said how much you spent on it. That's quite good. | 0:29:32 | 0:29:36 | |
I avoided that one like the plague. It can't be a lot, surely? Yes. | 0:29:36 | 0:29:39 | |
These are terribly collectable. | 0:29:39 | 0:29:41 | |
£120. What?! Three figures, yes. Oh, my goodness. | 0:29:41 | 0:29:44 | |
It was marked up a lot more. I had to work hard at that. | 0:29:44 | 0:29:48 | |
So what do you think it will estimate to sell for? | 0:29:48 | 0:29:50 | |
I would've thought you're looking at a minor profit of 130, 140. | 0:29:50 | 0:29:55 | |
But they are rare. Oh, my goodness. It's a huge gamble. Lovely job. | 0:29:55 | 0:29:58 | |
You've had your prediction. You're clearly under impressed. | 0:29:58 | 0:30:02 | |
Let's find out what the auctioneer thinks about Tom's little croc. | 0:30:02 | 0:30:06 | |
There we go, Paul. What about that for a sweet little novelty? | 0:30:06 | 0:30:09 | |
Very nice, isn't it? Nice hand-painted metal. Bronze? | 0:30:09 | 0:30:13 | |
I should think so. It's got to be, hasn't it? | 0:30:13 | 0:30:16 | |
I would think it's Austrian, from the Bergman period there. Very well detailed. It's a nice subject. | 0:30:16 | 0:30:22 | |
I know. When did you last see a child been bitten in the boxer shorts by a crocodile? | 0:30:22 | 0:30:28 | |
It's the first one I've ever seen. How much do you think? We've put 40 to 60 on it. Is that all? | 0:30:28 | 0:30:33 | |
OK. £120 paid by Thomas Plant for this, | 0:30:33 | 0:30:38 | |
with a great reassurance that it will make money. | 0:30:38 | 0:30:41 | |
Anyway, we'll see. That's it for the Reds. Now for the Blues, | 0:30:41 | 0:30:45 | |
and first up for them is the articulated toy horse. | 0:30:45 | 0:30:49 | |
A nice pull-along toy horse there made by the Tri-ang Company there, | 0:30:49 | 0:30:53 | |
dating from around about 1940s, 1950s. Yes. | 0:30:53 | 0:30:56 | |
Cos Tri-ang is one of those quintessentially English factories, isn't it? It is. | 0:30:56 | 0:31:01 | |
With the three, what were they called, the Lines brothers? | 0:31:01 | 0:31:04 | |
Yeah, and together they make a triangle, hence Tri-ang, | 0:31:04 | 0:31:08 | |
which is a clever bit of marketing for their toys. Very much so. | 0:31:08 | 0:31:12 | |
I believe they started in the early 20th century. Well, it's in good nick, I have to say. | 0:31:12 | 0:31:17 | |
What do you think it's going to bring? We've put 20 to 30 as a pre-sale estimate. | 0:31:17 | 0:31:21 | |
Well, slap bang in the middle. £25 is what they paid. | 0:31:21 | 0:31:24 | |
Next is this very strange silvered copper French engraver's plate | 0:31:24 | 0:31:30 | |
all framed up. Do you like that? It's not my cup of tea, I'm afraid. | 0:31:30 | 0:31:35 | |
It is decorative, but you can't see the detail because it's so tiny. | 0:31:35 | 0:31:39 | |
So it slightly loses the point, doesn't it? | 0:31:39 | 0:31:41 | |
Yes, it does, and some of the silver-plate has worn from it as well. | 0:31:41 | 0:31:45 | |
Yes. Still, it's unusual. So, as an unusual thing, how much? | 0:31:45 | 0:31:49 | |
We've put a decorative value on it of around about 40 to £60. | 0:31:49 | 0:31:52 | |
Very good. £40 paid, so that's excellent. | 0:31:52 | 0:31:55 | |
And lastly is the alabaster lighthouse lamp. | 0:31:55 | 0:31:59 | |
I don't know about you, but I find that lighthouses, in any material, | 0:31:59 | 0:32:03 | |
bronze, turned stone like this, are always popular. | 0:32:03 | 0:32:07 | |
Very much so, especially in Eastbourne. We've got our own lighthouse just down the road. | 0:32:07 | 0:32:12 | |
As with alabaster being a soft stone, it's got lots of little chips and scuffs on it. | 0:32:12 | 0:32:17 | |
So what's the estimate on the lighthouse? 30 to £40, Tim. | 0:32:17 | 0:32:20 | |
OK. £43 paid. Overall, they haven't paid much so they can't lose much. | 0:32:20 | 0:32:25 | |
So they may not need the bonus buy but let's go and have a look at it. | 0:32:25 | 0:32:29 | |
OK, JP, Donna, you spent £108, you gave Phil 192. What did you spend? | 0:32:30 | 0:32:35 | |
Well, lights, camera, action. Are you ready for this? | 0:32:35 | 0:32:39 | |
Oh, wow! Oh! Oh, that is fabulous. You've done good. That is brilliant. | 0:32:39 | 0:32:43 | |
I think these are really cool things. It's a vintage Major theatre light. Uh-huh. | 0:32:43 | 0:32:48 | |
Cost me 80 quid, which might seem like a lot, | 0:32:48 | 0:32:51 | |
but I think, if you can put that on top of a tripod, like that. | 0:32:51 | 0:32:55 | |
It's fantastic. You've got yourself a really cool interior light. Impressed. | 0:32:55 | 0:33:00 | |
You've done very well. But will the people of Eastbourne see what you and I see? I don't know. | 0:33:00 | 0:33:05 | |
You said 1930s? No, Fifties. Fifties, yeah. | 0:33:05 | 0:33:09 | |
It's a bit of a lump, isn't it? It's got a lovely lens on it. How much? | 0:33:09 | 0:33:13 | |
80 quid. | 0:33:13 | 0:33:15 | |
I've seen these things sell, on tripods, for close to £200. | 0:33:15 | 0:33:18 | |
There you've got it in a nutshell. Let's put the spotlight on the auctioneer and find out, | 0:33:18 | 0:33:23 | |
for the audience at home, what he thinks. | 0:33:23 | 0:33:26 | |
Right, Paul, you're under the spotlight with this. It's a theatre spotlight, isn't it? | 0:33:27 | 0:33:32 | |
It's in cast alloy, made by a company, Major. | 0:33:32 | 0:33:35 | |
What more is there to say about it? Tatty. Tatty. | 0:33:35 | 0:33:38 | |
I've seen these things polished up to the nines. The really shiny, straight aluminium job on a tripod. | 0:33:38 | 0:33:45 | |
But this is not the same, is it? No, it's not. | 0:33:45 | 0:33:48 | |
Putting your most speculative hat on, what's it worth? Possibly 30 to 50. | 0:33:48 | 0:33:53 | |
Uh-oh. £80 paid. | 0:33:53 | 0:33:55 | |
This could be Philip Serrell's comeuppance. | 0:33:55 | 0:33:58 | |
Let's wait and see. Thank you very much, Paul. | 0:33:59 | 0:34:02 | |
OK, Euan, Candice, how are you feeling? Excited. Nervous. Very. | 0:34:05 | 0:34:10 | |
Your first item is a pair of oars, right? Not so old oars, either. | 0:34:10 | 0:34:15 | |
No. No? They might make firewood rather than oars, I don't know. | 0:34:15 | 0:34:19 | |
You paid £30, he's estimated £20 to £30. OK. And I reckon you'll just about wash your face. Yeah. | 0:34:19 | 0:34:24 | |
If the worst comes to the worst, you've got the little Austrian figure of the guy with... | 0:34:24 | 0:34:30 | |
The bottom being bitten. Yeah. So there we are. Happy with that? Very happy. | 0:34:30 | 0:34:34 | |
Moving forward then, first up is your oars. | 0:34:34 | 0:34:36 | |
A nice pair of oars these. We start on commission at £20. | 0:34:36 | 0:34:39 | |
At £20, and I'll take two. At £20, two bid, five, eight is it? | 0:34:39 | 0:34:44 | |
25 has it. At 25. Go on. | 0:34:44 | 0:34:47 | |
28 I'll take. At £25, then. All done and letting them go at that bid. | 0:34:47 | 0:34:51 | |
25. HE BANGS GAVEL | 0:34:51 | 0:34:54 | |
£25. You're minus five. It's cheap. | 0:34:54 | 0:34:57 | |
The fine Chinese silk work picture there, of ducks beneath the branch. Framed. This will make up for it. | 0:34:57 | 0:35:02 | |
It's conflicting bids at £80. I'll take five from you now. At 85, 90. | 0:35:02 | 0:35:07 | |
Five, 100, 110. 100 has it. | 0:35:07 | 0:35:10 | |
At £100. Nice silk picture, that, at £100. | 0:35:10 | 0:35:13 | |
At £100... This is great. | 0:35:13 | 0:35:15 | |
Come on. | 0:35:15 | 0:35:16 | |
Commission there at 100. HE BANGS GAVEL | 0:35:16 | 0:35:19 | |
That's what we like to see. Thank you. | 0:35:19 | 0:35:22 | |
That's two off 40. That means you're plus 62. | 0:35:22 | 0:35:24 | |
Look out. Amazing. Here comes the button hook. | 0:35:24 | 0:35:27 | |
With the silver Mr Punch figural terminal there. | 0:35:27 | 0:35:29 | |
It's hallmarked Birmingham. | 0:35:29 | 0:35:32 | |
50 is where we have to start. It's what we paid. Exactly. | 0:35:32 | 0:35:35 | |
55 is bid on the internet. Come on. At 55. | 0:35:35 | 0:35:38 | |
At 55, all done and selling. Are you bidding? 60. | 0:35:38 | 0:35:41 | |
Yes. Well done. Five on the net now. Good choice. | 0:35:41 | 0:35:44 | |
At 70, sir. And five. | 0:35:44 | 0:35:48 | |
Seated at 70. 75 on the net. 80? | 0:35:48 | 0:35:51 | |
At £75. All done and selling. | 0:35:51 | 0:35:53 | |
HE BANGS GAVEL That's 25. Well done, team. | 0:35:53 | 0:35:56 | |
Yes. That's 25. So you're 57, 77. | 0:35:56 | 0:36:00 | |
You are plus £82. Wow! | 0:36:00 | 0:36:03 | |
You spent £118, and you just made £82 profit on your investment. | 0:36:03 | 0:36:08 | |
Yes. That's good. What are you going to do about the Austrian bronze? | 0:36:08 | 0:36:13 | |
He can't help you. He's not allowed to. I won't say a word. | 0:36:13 | 0:36:16 | |
You can't look at him. We're only here once. Shall we go for it? Yeah, we might as well. | 0:36:16 | 0:36:21 | |
You really want to, don't you? Go on then, go for it. Yeah? Go on. | 0:36:21 | 0:36:24 | |
You will sacrifice your potential dinner out together | 0:36:24 | 0:36:27 | |
on a speculative turn... It's a nice dinner. We'll go fish and chips. | 0:36:28 | 0:36:32 | |
Are you going with it? Yes. You're going with the bonus buy? Here it comes. | 0:36:32 | 0:36:37 | |
Coal-painted bronze metal figure. We start this on commission at £50. | 0:36:37 | 0:36:40 | |
At 50. I'll take five. Five is bid on the net. | 0:36:40 | 0:36:43 | |
65. Oh, we've gone up. At 65, and 70. And five is it? | 0:36:43 | 0:36:47 | |
At 80, and five. Come on. 90, and five. No money. | 0:36:48 | 0:36:53 | |
100, 110. Come on. I'll take 20 elsewhere. | 0:36:53 | 0:36:55 | |
At 110. 120 on the net or in the room, wherever you like. | 0:36:55 | 0:36:59 | |
At 110 the bid. One more. | 0:36:59 | 0:37:02 | |
Selling it on that bid. HE BANGS GAVEL | 0:37:02 | 0:37:04 | |
Oh, £110. You're just one shy. That is such bad luck. | 0:37:04 | 0:37:09 | |
Ten pounds down. Did you feel it happening, though? Yes. | 0:37:09 | 0:37:13 | |
Oh, bad luck. Anyway, you're still plus 72. Yeah. | 0:37:13 | 0:37:16 | |
That's still a good dinner, isn't it? It's still supper. Yeah. | 0:37:16 | 0:37:20 | |
We just lost our starter, but it's still a good main and a pudding. | 0:37:20 | 0:37:24 | |
OK, lovely. Now, listen, don't say a word to the Blues, OK? | 0:37:25 | 0:37:28 | |
Look miserable, actually. Can you do that? Yeah. | 0:37:28 | 0:37:31 | |
Is it possible? I can do that. OK. | 0:37:31 | 0:37:33 | |
Now, JP, Donna, do you know how the Reds got on? I haven't a clue. No? No idea. OK, that's good. | 0:37:40 | 0:37:45 | |
You just spent the £108. Yep. Your big investment was the lighthouse. Yes. You spent 43 on that. Yes. | 0:37:45 | 0:37:51 | |
He's estimating £30 to £40. That's OK. Not bad. | 0:37:51 | 0:37:55 | |
So we might be all right. You might be all right. And if all else fails, you've got that nice theatre light. | 0:37:55 | 0:38:00 | |
Fantastic. Are we happy with that? Very happy. | 0:38:00 | 0:38:03 | |
First lot coming up is the jockey. Here it comes. | 0:38:03 | 0:38:06 | |
The Tri-ang articulated horse and jockey wooden pull-along toy. There is it. £20 I'm bid on commission. | 0:38:06 | 0:38:12 | |
22, five, eight bid. At 28. Where's 30? | 0:38:12 | 0:38:15 | |
At 28. 30 do I see? | 0:38:16 | 0:38:18 | |
32. We're in profit. 35, 38, 40, 42 on the telephone then. | 0:38:18 | 0:38:23 | |
At £42. Anyone else? Runaway. | 0:38:23 | 0:38:25 | |
At £42 only, all done and selling. | 0:38:25 | 0:38:28 | |
It's plus £17. Excellent. | 0:38:28 | 0:38:30 | |
Plus 17, children. That's good. | 0:38:30 | 0:38:32 | |
Now, we've got the Fragonard. | 0:38:32 | 0:38:34 | |
Early 19th century silvered copper French engraving plate. | 0:38:34 | 0:38:37 | |
Come on. There it is, straight in at £40 on commission. | 0:38:37 | 0:38:40 | |
My double here at 40. I'll take two from you. | 0:38:40 | 0:38:43 | |
I'm bid on the net now at £42. | 0:38:43 | 0:38:45 | |
At £42. You're all out in the room at 42. Come on. | 0:38:45 | 0:38:48 | |
It's on the internet, at £42. All done. | 0:38:48 | 0:38:50 | |
HE BANGS GAVEL Yes, that's plus £2. | 0:38:50 | 0:38:53 | |
There's nothing the matter with that. A £2 profit. | 0:38:53 | 0:38:55 | |
There you go, the electric lamp in the form of a lighthouse. | 0:38:55 | 0:38:59 | |
It's got a seagull mount to the base. At £30. | 0:38:59 | 0:39:02 | |
Go on, we've got the Beach Head one down the road. 32, 35, 38, | 0:39:02 | 0:39:06 | |
40. Still on commission at £40 only. One more, one more. | 0:39:06 | 0:39:10 | |
I'll take another two. One more. At £40. Letting it go on this bid at 40. | 0:39:10 | 0:39:15 | |
Anyone else? One more. All done and selling at £40 only. Oh dear. | 0:39:15 | 0:39:20 | |
HE BANGS GAVEL £40 minus three. That is bad luck. | 0:39:20 | 0:39:24 | |
So 17, 19, minus three is plus 16. | 0:39:24 | 0:39:28 | |
Whoo! Plus £16. There's nothing the matter with that. No, no. | 0:39:28 | 0:39:32 | |
So you're in the profit. What are you going to do about the theatre light? | 0:39:32 | 0:39:36 | |
I think we'll go for it. I think... We've got faith in you. | 0:39:36 | 0:39:39 | |
Phil won't influence you one way or the other. He's too much of a professional. | 0:39:39 | 0:39:44 | |
THEY LAUGH | 0:39:44 | 0:39:46 | |
He's not even going to wink or show any sign of approval. He's holding his breath. | 0:39:46 | 0:39:50 | |
He is holding his breath. | 0:39:50 | 0:39:53 | |
OK, fine, the decision is you're going with it, yes? We are. | 0:39:53 | 0:39:56 | |
It's a funky object. Exactly. A funky object for a funky couple, eh? | 0:39:56 | 0:40:00 | |
OK, happy with that? Let's do it. We're going with the bonus buy. Here it comes. | 0:40:00 | 0:40:04 | |
The vintage Major theatre spotlight. There it is, look. | 0:40:04 | 0:40:08 | |
And how about 20 to start me on this lot? | 0:40:08 | 0:40:11 | |
20 I'm bid. At £20. I'll take two. | 0:40:11 | 0:40:13 | |
At 20, two's your bid. At 22, five. | 0:40:14 | 0:40:17 | |
At £22. Anyone else at 22? Oh, no. | 0:40:17 | 0:40:20 | |
All done. Selling, £22. | 0:40:20 | 0:40:22 | |
Anybody else want to bid? This is terrible. Come on, who else wants to bid? | 0:40:24 | 0:40:29 | |
£22 is bid. It's appalling. HE BANGS GAVEL | 0:40:29 | 0:40:32 | |
£22? Isn't that good? No. You've got a bargain. | 0:40:32 | 0:40:38 | |
That is terrible. Thanks, Phil. | 0:40:39 | 0:40:41 | |
You tried - but you failed. Yeah, miserably. | 0:40:41 | 0:40:44 | |
That's minus 58, that one. Ahh. | 0:40:45 | 0:40:48 | |
Minus 42. I'll tell you... It's the thought that counts. | 0:40:49 | 0:40:52 | |
Eastbourne isn't ready for this. | 0:40:52 | 0:40:55 | |
Anyway, minus £42. Could be a winning score. | 0:40:55 | 0:40:58 | |
Don't say a word to the Reds. It's been a winning day. | 0:40:58 | 0:41:01 | |
Yes, we really enjoyed it. Thank you. | 0:41:01 | 0:41:03 | |
Thanks for having a punt. | 0:41:03 | 0:41:05 | |
Gosh, what naughty teams we've had today, haven't we? | 0:41:14 | 0:41:17 | |
But we've had a lovely time. And there is, of course, a polarity here, | 0:41:17 | 0:41:22 | |
in that one team has done extraordinarily well, | 0:41:22 | 0:41:25 | |
and the other team hasn't done so well. | 0:41:25 | 0:41:27 | |
Anyway, at the other end of the pole, I regret to say, are the Blues. | 0:41:28 | 0:41:32 | |
Ohh! | 0:41:32 | 0:41:34 | |
Minus £42. | 0:41:34 | 0:41:36 | |
Not at all assisted by that wretched theatre lamp. A great thing. | 0:41:36 | 0:41:41 | |
A great object. Just not ready for Eastbourne. Not ready for Eastbourne. | 0:41:41 | 0:41:45 | |
Anyway, you've been brilliant about it, and does it really matter not to win? It doesn't matter. | 0:41:45 | 0:41:50 | |
Not in the scale of things. | 0:41:50 | 0:41:52 | |
You've had this opportunity of being close to the great Philip Serrell, haven't you? For days and days. | 0:41:52 | 0:41:58 | |
Seriously, we've loved having you on the show. You've been great sports. Thank you. | 0:41:58 | 0:42:03 | |
Which is what it's all about. It isn't easy when that happens, but you've been fantastic. | 0:42:03 | 0:42:08 | |
Thank you very much. Now, the team that is going away with some profits, | 0:42:08 | 0:42:13 | |
the lucky old Reds, £72-worth of profit. Brilliant. Well done. | 0:42:13 | 0:42:17 | |
They, too, had to suffer their disappointments at the hand of the bonus buy. Yes. | 0:42:17 | 0:42:22 | |
They had £82, but, sadly, that was reduced as a result of somebody | 0:42:22 | 0:42:27 | |
not being so attracted to the crocodile boxer short-eating bronze. | 0:42:27 | 0:42:32 | |
No. But there we go. It's all a question of taste, isn't it, Tom? Absolutely. | 0:42:32 | 0:42:37 | |
Did you have a good time? It was great fun. Really good. Really good. | 0:42:37 | 0:42:40 | |
And to go home with the money. Is he going to take you out to dinner? Yes. Probably only a main and a starter. | 0:42:40 | 0:42:47 | |
Don't be so horrid. Join us soon for some more bargain hunting. Yes? | 0:42:47 | 0:42:51 | |
ALL: Yes! | 0:42:51 | 0:42:53 | |
I know you're sitting there thinking, "I could've done better than that." | 0:42:53 | 0:42:58 | |
Well, what's stopping you? | 0:42:58 | 0:43:00 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:00 | 0:43:04 | |
It'll be splendid to see you. | 0:43:04 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:13 | 0:43:16 |