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The Surrey town of Dorking | 0:00:03 | 0:00:05 | |
has more antiques shops than you can shake a stick at, | 0:00:05 | 0:00:08 | |
which makes it a Mecca for both collectors and sellers. | 0:00:08 | 0:00:13 | |
So, what are we waiting for? Let's go bargain-hunting, yeah! | 0:00:13 | 0:00:17 | |
There are something like 150 dealers plying their trade | 0:00:41 | 0:00:46 | |
up and down this stretch of road. | 0:00:46 | 0:00:49 | |
So, we're going to be spoiled for choice indeed. | 0:00:49 | 0:00:53 | |
But how will our teams fare when they only have one hour | 0:00:53 | 0:00:56 | |
to whip round the lot of them? | 0:00:56 | 0:00:57 | |
Here's a quick sneak preview as to what's coming up. | 0:00:57 | 0:01:01 | |
On today's programme, the Red team are animal crackers... | 0:01:02 | 0:01:06 | |
We both really like cats. | 0:01:06 | 0:01:07 | |
I do quite like this turkey. | 0:01:08 | 0:01:10 | |
..whilst the Blue team are no slackers. | 0:01:10 | 0:01:12 | |
Yes! | 0:01:12 | 0:01:14 | |
-Oh, wow! -You just shook! | 0:01:14 | 0:01:17 | |
-We haven't said yes yet! -It's too late! | 0:01:17 | 0:01:19 | |
While over at the auction, it all gets rather emotional. | 0:01:19 | 0:01:23 | |
Ho-ho-ho...! | 0:01:23 | 0:01:25 | |
'Let's all get acquainted, hey?' | 0:01:25 | 0:01:27 | |
On today's show, we've got a brace of couples. | 0:01:27 | 0:01:30 | |
We've got Alice and Gord for the Reds, | 0:01:30 | 0:01:34 | |
-and Matt and Phoebe for the Blues. Hello, everyone. -ALL: Hello. | 0:01:34 | 0:01:36 | |
Lovely to see you. Now, Alice - how did you two meet? | 0:01:36 | 0:01:40 | |
We met at university. Gord was studying for his masters, | 0:01:40 | 0:01:43 | |
and I was studying for my undergraduate. | 0:01:43 | 0:01:45 | |
-We met through friends of friends. He was in a band. -Was he? | 0:01:45 | 0:01:48 | |
-Yeah. -Was it a good band? -No! | 0:01:48 | 0:01:50 | |
-He was a singer. -So, I take it you don't sing any more, Gord? | 0:01:52 | 0:01:55 | |
No - I was terrible at it. | 0:01:55 | 0:01:57 | |
But nevertheless, it was the meeting point, which is important, isn't it? | 0:01:57 | 0:02:01 | |
-Yes. -And you are now married. -Yes. -How long have you been married? | 0:02:01 | 0:02:04 | |
-Two months. -Have you?! -Yes. -Gosh! -This is our honeymoon. | 0:02:04 | 0:02:07 | |
-Come on Bargain Hunt on your honeymoon! -Yes! | 0:02:07 | 0:02:10 | |
-It's going to be a long and successful marriage! -Yes! | 0:02:10 | 0:02:13 | |
Now, once upon a time, you used to draw objects from the ground, | 0:02:13 | 0:02:17 | |
-and now, you draw objects IN the ground. -Yes, at uni, | 0:02:17 | 0:02:20 | |
I was studying geology, and now I work for the Government | 0:02:20 | 0:02:23 | |
-and draw maps. -Do you? -Yes! | 0:02:23 | 0:02:25 | |
-It's very interesting, I love it. -Because strictly speaking, | 0:02:25 | 0:02:28 | |
-you're a palaeontologist, aren't you? -Yes, that's what I studied. | 0:02:28 | 0:02:31 | |
Yes, but all these rocks, for a fact, | 0:02:31 | 0:02:34 | |
-are millions and millions of years old... -Yes. | 0:02:34 | 0:02:37 | |
..whereas you, Gordy, in our job, are at the cutting edge | 0:02:37 | 0:02:39 | |
-of modernity? -Yeah, erm, | 0:02:39 | 0:02:42 | |
I do... Well, people at my work call me | 0:02:42 | 0:02:44 | |
the Twitter man, but, erm... | 0:02:44 | 0:02:47 | |
I do social media and press for the London Assembly. | 0:02:47 | 0:02:51 | |
-Do you? -Yeah. -And what do you get up to in your free time? | 0:02:51 | 0:02:54 | |
I collect vintage cameras, and I like taking pictures | 0:02:54 | 0:02:58 | |
with them - it's not going to be great for Bargain Hunt, | 0:02:58 | 0:03:01 | |
-because they're not worth very much, and, er... -Well, | 0:03:01 | 0:03:04 | |
you're unlikely to buy fossils and you're unlikely to buy cameras - | 0:03:04 | 0:03:07 | |
-what is on your radar to buy today? -Well, | 0:03:07 | 0:03:09 | |
-our main rule was, something that makes us laugh. -Yeah. | 0:03:09 | 0:03:12 | |
Something that we just see and think, | 0:03:12 | 0:03:15 | |
"Why did anybody make that?! | 0:03:15 | 0:03:18 | |
-"What is the use for this?!" -Yeah. | 0:03:18 | 0:03:20 | |
Just a little bit pointless. | 0:03:20 | 0:03:22 | |
What fun! Thank you for coming. | 0:03:22 | 0:03:24 | |
That's great. Now, Matt - you're a man of the jazz, yes? | 0:03:24 | 0:03:28 | |
-Yes, I am. -And that's how you met Phoebe? -Yes. | 0:03:28 | 0:03:31 | |
I started a jazz band a few years ago, | 0:03:31 | 0:03:33 | |
-and she was the first singer who came along. -Really? | 0:03:33 | 0:03:35 | |
-Yeah. -How lovely is that? | 0:03:35 | 0:03:37 | |
-I take it you'll not be taking Gord on? -I'm tempted now. | 0:03:37 | 0:03:41 | |
-Are you? -Retire Phoebe, and then swap. -Anyway, that's how you met... | 0:03:41 | 0:03:44 | |
-Yes. -..because you came to perform. -Yeah. | 0:03:44 | 0:03:45 | |
And how do you rate her voice, then - is she a pretty good singer? | 0:03:45 | 0:03:48 | |
Yes, she gets by! No, she's good, she's very good. | 0:03:48 | 0:03:51 | |
-Good. And do you still sing, Phoeb? -Yeah, I do. I sing and I teach | 0:03:51 | 0:03:55 | |
-singing, and, erm, yeah. -Oh, do you? Right! You do it professionally? | 0:03:55 | 0:03:58 | |
-Yep. -So, outside music, what do you get up to? | 0:03:58 | 0:04:01 | |
-Erm, we do quite a lot of walking, and... -Like to take photos. | 0:04:01 | 0:04:03 | |
-Outdoorsy stuff. -Yeah. | 0:04:03 | 0:04:05 | |
-Biking - you like biking, I don't so much. -Yep - I like cycling. | 0:04:05 | 0:04:08 | |
I've got a nice, old, vintage, erm, racing bike, | 0:04:08 | 0:04:11 | |
-specifically made for me. -Was it? -Yeah. | 0:04:11 | 0:04:13 | |
How do you get one bespoke made, isn't that terribly expensive? | 0:04:13 | 0:04:16 | |
Er, my friend, actually, he made it for me. | 0:04:16 | 0:04:18 | |
He got an old vintage frame, and then | 0:04:18 | 0:04:21 | |
he customised it for me and resprayed it and... | 0:04:21 | 0:04:23 | |
-So, it really is bespoke. -Yep, exactly for my size, as well. | 0:04:23 | 0:04:27 | |
-I'm liking it. -It's a child's bike! | 0:04:27 | 0:04:29 | |
That's one way of putting it! | 0:04:29 | 0:04:31 | |
Anyway, while we're on the childish note, let's hand out some money - | 0:04:31 | 0:04:35 | |
-except this is real money. There's your £300. -Thank you. | 0:04:35 | 0:04:37 | |
You know the rules. Your experts await - | 0:04:37 | 0:04:39 | |
and off you go! And very, very, very good luck! | 0:04:39 | 0:04:43 | |
So, that's our teams. Now, how are their experts? | 0:04:43 | 0:04:47 | |
Helping the Reds to see clearly, it's Thomas Plant. | 0:04:48 | 0:04:51 | |
And in reflective mood for the Blues, | 0:04:52 | 0:04:55 | |
it's Claire Rawle. | 0:04:55 | 0:04:56 | |
-Alice, Gord, are you excited? -Yes! -So am I. | 0:05:00 | 0:05:03 | |
We... Don't sound so enthusiastic! | 0:05:03 | 0:05:06 | |
What's the strategy, what are you after, Phoebe? | 0:05:06 | 0:05:08 | |
I'm looking for musical instruments. | 0:05:08 | 0:05:10 | |
-I want something that makes me laugh. -Really? -Yes. | 0:05:10 | 0:05:13 | |
I would like some silver, any kind of silver at all. | 0:05:13 | 0:05:15 | |
Are we looking for a Canadian point of view on this? | 0:05:15 | 0:05:18 | |
Oh, I'd like something older than Canada. | 0:05:18 | 0:05:20 | |
Right, let's get on with it. Here we are, let's see what we can find. | 0:05:20 | 0:05:24 | |
OK, teams, your 60 minutes have started, so get stuck in! | 0:05:26 | 0:05:30 | |
Wow, this place is huge! | 0:05:30 | 0:05:32 | |
-We both really like cats. -Yeah. -Cats? | 0:05:33 | 0:05:36 | |
We love them. | 0:05:36 | 0:05:38 | |
Oh, no! | 0:05:38 | 0:05:39 | |
No messing about - Matt has got right to the point. | 0:05:40 | 0:05:44 | |
That's really quite pretty, a little Art Nouveau... | 0:05:44 | 0:05:46 | |
It's got enamelling on the back - I think it's really decorative. | 0:05:46 | 0:05:49 | |
I think the ink well looks right. The pen is probably just surplus, | 0:05:49 | 0:05:52 | |
-but perhaps have a closer look at it? -Yes. | 0:05:52 | 0:05:54 | |
-How old do you think it is? -I think it's probably turn of the century, | 0:05:54 | 0:05:57 | |
maybe sort of 1890-1900? | 0:05:57 | 0:06:00 | |
I'll go and see if I can find somebody to help us. | 0:06:00 | 0:06:02 | |
Let me just squeeze past. I'm afraid of knocking things off the tables. | 0:06:02 | 0:06:06 | |
I think they were worried about knocking pounds off the price tag. | 0:06:06 | 0:06:09 | |
Now, I wonder. If the Blues get the ink well, | 0:06:09 | 0:06:11 | |
maybe the Reds can get the pussy to put into it. | 0:06:11 | 0:06:15 | |
Ha! Ding-dong bell! | 0:06:15 | 0:06:17 | |
-Hello! -I can't see any pussy cats though. | 0:06:17 | 0:06:20 | |
-I'll find one. -You just keep your eyes peeled for one, Gord. | 0:06:20 | 0:06:24 | |
-Lovely, this. -Very decorative, isn't it? -It's beautiful. -Yes. | 0:06:27 | 0:06:32 | |
-What's this made of? -It's brass. | 0:06:32 | 0:06:34 | |
You've got this sort of nice enamelling on the ivy leaves. | 0:06:34 | 0:06:38 | |
Nice top on it. Feel it, go on. | 0:06:38 | 0:06:42 | |
-Mmm! -Do you like it? -Yeah, it's cool. | 0:06:42 | 0:06:44 | |
It's nice quality. Very decorative. And they do make good gifts. | 0:06:44 | 0:06:49 | |
So even though people don't use the sort of ink, they still like. | 0:06:49 | 0:06:53 | |
Do you have any sort of discretion on this at all? | 0:06:53 | 0:06:56 | |
Yes, we do, actually. Got 120 on it. | 0:06:56 | 0:06:58 | |
Yeah, so, what's the very best price? | 0:06:58 | 0:07:02 | |
Probably, as it's Bargain Hunt, we'd do it for 80. | 0:07:02 | 0:07:05 | |
You might not see a huge profit on that, | 0:07:05 | 0:07:07 | |
but it's a nice object for that. | 0:07:07 | 0:07:09 | |
-Go on, you're in charge. -Oh, no! | 0:07:09 | 0:07:12 | |
-This one's yours. If you're happy with that. -Um, yes! | 0:07:12 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
Right! You're a man of good taste. | 0:07:18 | 0:07:21 | |
Well, guys, that was really, really quick. Amazing. Well spotted! | 0:07:21 | 0:07:24 | |
I agree, Claire. Five minutes gone and that's item number one. | 0:07:26 | 0:07:30 | |
Definitely not pussyfooting about. | 0:07:30 | 0:07:32 | |
But neither are those Reds. | 0:07:32 | 0:07:33 | |
Thomas has spotted something hiding in the undergrowth. | 0:07:33 | 0:07:36 | |
-What about big cats, lions and tigers? -Yeah, they're good, yeah. | 0:07:36 | 0:07:40 | |
OK. And there's one here. | 0:07:40 | 0:07:44 | |
-There's a tiger there. -Oh, wow! | 0:07:44 | 0:07:46 | |
-Look at him, roaring away! You like that? -Oh, late Victorian. | 0:07:46 | 0:07:50 | |
-I don't think you'll find another one of those. -No, definitely not. | 0:07:50 | 0:07:55 | |
-£55. Shall we have a look at him? -Yeah! -Shall I go and get the key? | 0:07:55 | 0:07:59 | |
"Please ask for Cabinet G" - for Gord! OK, I'll go and do that. | 0:07:59 | 0:08:05 | |
-You stay here and have a look. -Great. | 0:08:05 | 0:08:07 | |
Gosh, they pounced on that tiger! | 0:08:07 | 0:08:09 | |
Both teams are hitting the ground running. | 0:08:09 | 0:08:12 | |
GORD LAUGHS | 0:08:16 | 0:08:17 | |
It's big. What do you think? | 0:08:19 | 0:08:21 | |
What do you like about it? Do you like it? | 0:08:21 | 0:08:23 | |
-I like it because it's really big. It's kind of in-your-face. -Yeah. | 0:08:23 | 0:08:28 | |
-Do you want us to find out what the best possible deal is on it? -Yes. | 0:08:28 | 0:08:32 | |
-55? We can do it for 48. -That's pretty good. | 0:08:32 | 0:08:35 | |
Well, unfortunately, as a simpleton, | 0:08:35 | 0:08:39 | |
I can't do eights. I can only do zeros and fives. So 40. | 0:08:39 | 0:08:45 | |
Yeah, I'll have to make a call. | 0:08:45 | 0:08:48 | |
No, that'll be fine. | 0:08:48 | 0:08:51 | |
Yeah, if you can do it for 40. | 0:08:51 | 0:08:52 | |
-40, definitely, yeah. -You do? -Yeah! | 0:08:52 | 0:08:54 | |
You wouldn't even think about it? | 0:08:54 | 0:08:56 | |
-That's the price I originally thought. -Really? OK. | 0:08:56 | 0:08:59 | |
-40. It gets the cat requirement out of the way. -Well, yeah... | 0:08:59 | 0:09:02 | |
LAUGHTER | 0:09:02 | 0:09:04 | |
This is it. Is it going to make more of a profit? | 0:09:04 | 0:09:06 | |
I mean, the only thing is, tigers are quite popular. Certainly. | 0:09:06 | 0:09:09 | |
-You know, these majestic beasts. -Yeah. | 0:09:09 | 0:09:11 | |
But it is probably Indian, and it's probably going to be | 0:09:11 | 0:09:14 | |
mid 20th-century, rather than early 20th-century. | 0:09:14 | 0:09:20 | |
Well, let's just see what happens, then we can carry on. | 0:09:20 | 0:09:23 | |
That's cool. What is that? Claire? | 0:09:27 | 0:09:30 | |
Um, yeah, I just didn't know what this was. | 0:09:31 | 0:09:33 | |
That's a billiards marker board. | 0:09:33 | 0:09:36 | |
So it would be up on the wall where you play your billiards. | 0:09:36 | 0:09:39 | |
Riley is, if you like, | 0:09:39 | 0:09:41 | |
the Rolls-Royce of makers of anything to do with billiards. | 0:09:41 | 0:09:44 | |
So it's a nice thing. Actually quite collectable. 145. | 0:09:44 | 0:09:47 | |
-That's actually quite steep. -Keep looking... | 0:09:47 | 0:09:50 | |
That might be worth looking at. See if there's something else. | 0:09:50 | 0:09:54 | |
That's your cue to move on, Blues. | 0:09:54 | 0:09:56 | |
Now, across the street with the Reds, | 0:09:56 | 0:09:59 | |
there's a game of cat and mouse afoot. | 0:09:59 | 0:10:01 | |
-45. -Did he? Ugh! Put it back. | 0:10:01 | 0:10:04 | |
-We'll think. -We'll think, yeah. | 0:10:04 | 0:10:07 | |
I think we've gone too quick. We've jumped the gun. | 0:10:07 | 0:10:10 | |
If you're going to really think about it, 40 would be OK. | 0:10:10 | 0:10:14 | |
-ALL: -Oh! | 0:10:14 | 0:10:16 | |
Then we'll think about it even more! | 0:10:16 | 0:10:18 | |
LAUGHTER | 0:10:18 | 0:10:20 | |
-Oh, yeah. -Is that a deal you're doing? -Yeah, yeah. Why not? | 0:10:20 | 0:10:23 | |
-Fair enough. -Is it one of our three? | 0:10:23 | 0:10:26 | |
-Are you doing one? -Yeah, fine. | 0:10:26 | 0:10:28 | |
So, we get the cat thing out of the way. | 0:10:28 | 0:10:30 | |
Now you're free to spread your influence. | 0:10:30 | 0:10:33 | |
-Well, I can... -LAUGHTER | 0:10:33 | 0:10:35 | |
If you see any more moggies, TP, we may have to call you Tom cat! | 0:10:35 | 0:10:40 | |
Oh, no! | 0:10:42 | 0:10:44 | |
There's Lalique ware, a Lalique pussy cat. | 0:10:44 | 0:10:47 | |
So, Tom cat it is, then! | 0:10:47 | 0:10:48 | |
There's lots of them. | 0:10:48 | 0:10:50 | |
Yeah, I know! I'm being surrounded by cats. | 0:10:50 | 0:10:53 | |
This is the right shop. I don't know much about Lalique. | 0:10:53 | 0:10:57 | |
So, in the 1920s, 1930s, he came up with a technique of moulding glass, | 0:10:57 | 0:11:02 | |
but also putting in opalescence, and frosting it. | 0:11:02 | 0:11:06 | |
And the moulded glass has become so popular over the years, | 0:11:06 | 0:11:10 | |
Lalique, marked R Lalique, | 0:11:10 | 0:11:13 | |
is all going to be pre-1930s, | 0:11:13 | 0:11:16 | |
so, for example, that's marked R Lalique there. Isn't that pretty? | 0:11:16 | 0:11:21 | |
That's gorgeous. Pricey, though. | 0:11:21 | 0:11:23 | |
They are extremely pricey, yes, but it's highly collectable. | 0:11:23 | 0:11:28 | |
I did quite like this turkey. | 0:11:28 | 0:11:29 | |
THEY LAUGH | 0:11:29 | 0:11:31 | |
Really? Actually, that's NOT Lalique. | 0:11:31 | 0:11:33 | |
The opalescence is stronger in there, | 0:11:33 | 0:11:35 | |
and that's from a factory called Sabino, from the 1920s. | 0:11:35 | 0:11:38 | |
That's a nice resource! | 0:11:38 | 0:11:40 | |
Let me carry on with you, because we're not going to let you | 0:11:40 | 0:11:44 | |
buy something in the next sort of five minutes. | 0:11:44 | 0:11:47 | |
And it hasn't made me laugh, so... | 0:11:47 | 0:11:49 | |
He's quite funny. | 0:11:49 | 0:11:50 | |
That's it, Thomas. Claw back your authority! | 0:11:50 | 0:11:54 | |
Meanwhile, the Blues are scaling up their search. | 0:11:54 | 0:11:56 | |
The Viking scales. And that is how old? | 0:11:56 | 0:12:00 | |
I think they're probably going to date from about the '20s, '30s? | 0:12:00 | 0:12:03 | |
Maybe even slightly later than that. But they were using them... | 0:12:03 | 0:12:07 | |
But of course, people are using them again. | 0:12:07 | 0:12:09 | |
Yeah, they're really fashionable at the moment, aren't they? | 0:12:09 | 0:12:12 | |
Yeah, yeah. They're quite nice quality. Nice brass pan as well. | 0:12:12 | 0:12:15 | |
-I like them. -So, they've got 47 on them. | 0:12:15 | 0:12:18 | |
Whether they'll come down or not, if you can get them as near 20 as | 0:12:19 | 0:12:22 | |
possible, we'd have more of a chance of making a bit of a profit on them. | 0:12:22 | 0:12:26 | |
-Shall I go and see if I can...? -Yeah. | 0:12:26 | 0:12:27 | |
Right, I'll go and find someone. | 0:12:27 | 0:12:29 | |
Do you want me to go and find him so you won't have to walk up...? | 0:12:29 | 0:12:32 | |
Actually, that's really kind of you. | 0:12:32 | 0:12:34 | |
-Offer him a tenner! -OK. -OK! | 0:12:34 | 0:12:36 | |
So, shall we go to Dorking Antiques? Yeah? | 0:12:37 | 0:12:41 | |
It's down here on the left. | 0:12:41 | 0:12:43 | |
Hang on, guys, let's go, let's go. That's brilliant. | 0:12:43 | 0:12:47 | |
If the antiques expert work ever dries up, Tom, | 0:12:47 | 0:12:50 | |
I think lollipop man could be your next gig. Or maybe doorman. | 0:12:50 | 0:12:54 | |
-Hi! Right. You've found the man. -I have. -Hello! -Hi. | 0:12:54 | 0:12:58 | |
Right. Evie has a question to ask you. | 0:12:58 | 0:13:00 | |
Um, what's the best price you could do on the scales? | 0:13:00 | 0:13:04 | |
Well, this is the bargain basement. | 0:13:04 | 0:13:07 | |
-Um, we can do it for 30. -Mmm... | 0:13:07 | 0:13:09 | |
No movement at all on that? Not at all? You can't go down near 25? | 0:13:09 | 0:13:14 | |
-26. -£25.50. | 0:13:14 | 0:13:18 | |
-Oh! -Go on, then! | 0:13:18 | 0:13:19 | |
-Oh, wow! -You shook! We haven't said yes yet! -Too late! | 0:13:19 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:25 | |
Well, that's two rather spur-of- the-moment purchases for the Blues. | 0:13:25 | 0:13:29 | |
Is it about time the Reds found something else? | 0:13:29 | 0:13:32 | |
Anything in here? You walked in and out so quick. | 0:13:32 | 0:13:36 | |
-Yeah, she's not a clock person. -Well, you see, tempus fugit! | 0:13:36 | 0:13:39 | |
That's nice. Is it Art Deco? | 0:13:39 | 0:13:41 | |
It IS Art Deco. How do you know that's Art Deco? | 0:13:41 | 0:13:43 | |
Erm, I can just tell! Yes. | 0:13:43 | 0:13:46 | |
I like Art Deco. I like the child riding the dog on the top. | 0:13:46 | 0:13:50 | |
So this says...Oh! | 0:13:50 | 0:13:52 | |
No, we wouldn't spend that, no... | 0:13:52 | 0:13:55 | |
You can negotiate and try and get it at half price. | 0:13:55 | 0:13:58 | |
140. Why not? You're being very, very British about this. | 0:13:58 | 0:14:04 | |
-Yes, go on, Canadian! -I don't... | 0:14:04 | 0:14:06 | |
HE MUMBLES SHYLY | 0:14:06 | 0:14:07 | |
LAUGHTER | 0:14:07 | 0:14:09 | |
Have faith! It's a slap in the face. | 0:14:09 | 0:14:12 | |
An offer is never a slap in the face. An offer is a fair offer. | 0:14:12 | 0:14:16 | |
-It's extremely stylish. -It's beautiful. -Beige marble. Spelter. | 0:14:16 | 0:14:20 | |
Up the top, there. | 0:14:20 | 0:14:22 | |
A chrome front with silver dial. And black Arabic numerals. | 0:14:22 | 0:14:26 | |
Yeah, they're very, yeah, with the clock face. | 0:14:26 | 0:14:28 | |
But, do you want me to have a conversation? | 0:14:28 | 0:14:30 | |
Do you want me to have a conversation? | 0:14:30 | 0:14:32 | |
-See what will happen. -Yeah. | 0:14:32 | 0:14:34 | |
All right, stay there. | 0:14:34 | 0:14:35 | |
As cheap as you can get. | 0:14:35 | 0:14:37 | |
Gone all brave now, ain't ya? | 0:14:37 | 0:14:40 | |
I'm terrible at haggling! | 0:14:40 | 0:14:42 | |
Different shop now? | 0:14:43 | 0:14:45 | |
-If you want to go to a different shop, we can fix it. -Yeah. | 0:14:45 | 0:14:47 | |
Well, I've asked the shop owner to phone and find out about this for us | 0:14:49 | 0:14:53 | |
-and see if we can get a good deal on it. -OK. | 0:14:53 | 0:14:55 | |
She's going to come back in and tell us the news. | 0:14:55 | 0:14:58 | |
I've found a lice comb, an antique lice comb. | 0:15:02 | 0:15:05 | |
-Have you? -Yeah. | 0:15:05 | 0:15:06 | |
Doesn't look big enough, does it? | 0:15:06 | 0:15:08 | |
I don't think I've ever seen anything like that before. | 0:15:08 | 0:15:11 | |
-Do you like that? -No. | 0:15:11 | 0:15:14 | |
-Yeah, it's going to be too much! -Oh! | 0:15:14 | 0:15:16 | |
Bated breath. | 0:15:20 | 0:15:21 | |
Right, I got through to him, and he said, | 0:15:21 | 0:15:23 | |
only because it's Bargain Hunt, | 0:15:23 | 0:15:26 | |
you can have it for £145. | 0:15:26 | 0:15:28 | |
-That's amazing, yeah. -I'm amazed as well! | 0:15:28 | 0:15:31 | |
That's amazing. Thank you! | 0:15:31 | 0:15:32 | |
So you would have offered 200, | 0:15:32 | 0:15:34 | |
because you didn't want to annoy the lady? | 0:15:34 | 0:15:36 | |
Thank you. We'll have that, yeah? | 0:15:36 | 0:15:37 | |
-That's the number two item. -Great, love it. | 0:15:37 | 0:15:39 | |
We kind of rushed on the first one, in two minutes? | 0:15:43 | 0:15:46 | |
Just saw it, and we were like yes, just get it. | 0:15:46 | 0:15:49 | |
But this one, we've actually thought about. And got a very good price. | 0:15:49 | 0:15:53 | |
I think. | 0:15:53 | 0:15:54 | |
-I think. It's very heavy. -It's very heavy. | 0:15:54 | 0:15:58 | |
They started with amusement, antiques which made them laugh. | 0:15:58 | 0:16:03 | |
But I think their sensible heads then came on. | 0:16:03 | 0:16:06 | |
And they've decided to buy antiques for profit. | 0:16:06 | 0:16:09 | |
And I certainly think Alice spotting that Art Deco garnetiere has done very well. | 0:16:09 | 0:16:13 | |
Well, there's a change for the better in the Red camp. | 0:16:13 | 0:16:16 | |
-And enthusiasm is high for the final push. -Let's do it. | 0:16:16 | 0:16:20 | |
-There's nothing like a challenge, is there? Let's go. -Whoo! | 0:16:20 | 0:16:23 | |
-So I'm feeling good about the next centre. -Yeah. | 0:16:23 | 0:16:26 | |
Now, across the road, | 0:16:28 | 0:16:30 | |
the Blues have happened upon a rather left-field choice. | 0:16:30 | 0:16:33 | |
-Claire? -I'm coming. Have you spotted something? | 0:16:33 | 0:16:38 | |
OK. | 0:16:38 | 0:16:39 | |
Oh, right, old documents, old deeds. | 0:16:39 | 0:16:42 | |
Depends what they are, really, because, of course, | 0:16:42 | 0:16:45 | |
a lot of solicitors' offices have these. So. | 0:16:45 | 0:16:48 | |
Yeah, I mean, there is actually | 0:16:48 | 0:16:49 | |
a good collectors' market for deeds and debentures. | 0:16:49 | 0:16:52 | |
-Is there just the two of them? -Yeah. | 0:16:52 | 0:16:55 | |
You know, if you could get them for a tenner | 0:16:55 | 0:16:58 | |
we'd probably make some money out of them. | 0:16:58 | 0:17:00 | |
Erm... | 0:17:00 | 0:17:01 | |
They're not THAT old, | 0:17:01 | 0:17:03 | |
as far as I can see, 1849, 1850. As far as documents go. | 0:17:03 | 0:17:06 | |
But they are quite a nice item. | 0:17:06 | 0:17:08 | |
-Shall we... -Quite unusual. | 0:17:08 | 0:17:10 | |
Yeah, let's find... | 0:17:10 | 0:17:11 | |
Go on, then. | 0:17:11 | 0:17:12 | |
Are you going to go and find the person this time? OK. | 0:17:12 | 0:17:16 | |
In today's world, handwritten documents like these are seen | 0:17:16 | 0:17:20 | |
as curios, and a gold mine for local historians. | 0:17:20 | 0:17:23 | |
As our auction's but a few miles from Brighton, | 0:17:23 | 0:17:26 | |
these examples could have added appeal. | 0:17:26 | 0:17:29 | |
That aside, the calligraphy is a delight to look at, don't you think? | 0:17:29 | 0:17:34 | |
-We have a large glass vase. -I love otters. -Do you like that? | 0:17:39 | 0:17:44 | |
I love that. | 0:17:44 | 0:17:45 | |
-It's not very old, but it's big and bold. Exciting. -Pricey. | 0:17:45 | 0:17:50 | |
I like it. | 0:17:52 | 0:17:54 | |
See what happened with the clock? | 0:17:54 | 0:17:57 | |
You were right. You're right. | 0:17:57 | 0:18:00 | |
-I know, but... -As I said to you. An offer is an offer. | 0:18:00 | 0:18:03 | |
And an otter is an otter. | 0:18:03 | 0:18:06 | |
And you like otters, don't you? | 0:18:06 | 0:18:08 | |
THEY LAUGH | 0:18:08 | 0:18:10 | |
Do you want to look at that? | 0:18:10 | 0:18:11 | |
Do you want to see if we can get the price down, or is it a no-goer? No? | 0:18:11 | 0:18:15 | |
Right, getting a no. Move on, then. Right, move away from it, come on. | 0:18:15 | 0:18:19 | |
Move through, please. | 0:18:19 | 0:18:20 | |
Hello. You were wanting to find out the price of? | 0:18:23 | 0:18:26 | |
Yes, your best price, your very, very best price. | 0:18:26 | 0:18:29 | |
-What's the deal you've got on the ticket here? -29. -29, hmmm. | 0:18:29 | 0:18:33 | |
-You need to make a profit, don't you? -Yes. | 0:18:33 | 0:18:35 | |
-Um, let's think. -Would you take a tenner? | 0:18:35 | 0:18:38 | |
Ooh. | 0:18:38 | 0:18:40 | |
Say 15? Would that help you? | 0:18:40 | 0:18:42 | |
Ten, really. Cos there's only two of them. | 0:18:42 | 0:18:45 | |
They're not that old, as far as deeds go. So we might just... | 0:18:45 | 0:18:49 | |
-All right, I'll square it with him. -Tenner? | 0:18:49 | 0:18:52 | |
-This is your last item, isn't it? -Well, it's the right area. | 0:18:52 | 0:18:56 | |
-Yes, because it's Manor of Brighton, so that's... -OK! -Done. Sorry. Yes! | 0:18:56 | 0:19:02 | |
-He's all decisive! -OK, done, thank you very much. -Thank you. | 0:19:02 | 0:19:08 | |
Yeah, and for someone that was looking for a piece of silver! | 0:19:08 | 0:19:11 | |
-Yeah, I know! -Brilliant! | 0:19:11 | 0:19:13 | |
Brilliant indeed. That's all three items bought inside 50 minutes. | 0:19:13 | 0:19:17 | |
You've got some catching up to do, Reds. | 0:19:17 | 0:19:19 | |
So there's some lovely jewellery here in this cabinet. | 0:19:21 | 0:19:24 | |
So I think maybe a bit of jewellery might be your next purchase? | 0:19:24 | 0:19:28 | |
It's all very nice, but... | 0:19:28 | 0:19:30 | |
Do you want me to sort of suggest? Or not? | 0:19:30 | 0:19:32 | |
I don't think it's worth anything, | 0:19:32 | 0:19:35 | |
but I saw over here, as I was walking past... | 0:19:35 | 0:19:37 | |
I really like that scarab beetle. | 0:19:39 | 0:19:41 | |
The scarab beetle. Shall we have a look at the scarab? | 0:19:41 | 0:19:43 | |
Yeah. I really like that. | 0:19:43 | 0:19:45 | |
-We really are going for the animal theme, aren't we? -Yes! -The scarab. | 0:19:45 | 0:19:49 | |
Oh, it's got some weight to it. I'll show it to you. | 0:19:49 | 0:19:52 | |
It's not that old, but have a look at it. | 0:19:52 | 0:19:54 | |
-It is lovely, isn't it? -It is, isn't it? | 0:19:54 | 0:19:56 | |
-I think it's beautiful. What do you think? -I like it a lot. | 0:19:56 | 0:19:59 | |
-It looks like it's been cast in silver. -OK. | 0:19:59 | 0:20:02 | |
-I would wear that myself. -Shall we see what we can do with the price? | 0:20:02 | 0:20:05 | |
-I'll leave that to you guys. -Yes. -Go and have a conversation. | 0:20:05 | 0:20:09 | |
What's on the tag here? | 0:20:09 | 0:20:10 | |
Go on, go on. | 0:20:10 | 0:20:12 | |
SHE LAUGHS | 0:20:12 | 0:20:13 | |
-Give me an idea. -Um... | 0:20:13 | 0:20:15 | |
I don't know, but... | 0:20:17 | 0:20:18 | |
SHE GIGGLES | 0:20:18 | 0:20:20 | |
-We've spent quite a bit of our money. -Yeah. Um... | 0:20:20 | 0:20:23 | |
It's a good piece, isn't it? | 0:20:23 | 0:20:24 | |
Yes, it's beautiful. | 0:20:24 | 0:20:26 | |
25 on the ticket. | 0:20:26 | 0:20:28 | |
-If we go down to 15, would that help you? -15 sounds good to me. -Yeah! | 0:20:28 | 0:20:33 | |
Yeah, no, yeah, that would be great. | 0:20:33 | 0:20:35 | |
-Shake on it. -Brilliant. -Thanks. | 0:20:35 | 0:20:37 | |
Well done. £15. | 0:20:37 | 0:20:39 | |
-That is some negotiation! -Yes! | 0:20:39 | 0:20:41 | |
They've been really nervous about it, the whole time. | 0:20:41 | 0:20:45 | |
But well done, you. Third and final item. | 0:20:45 | 0:20:47 | |
If you don't ask, you don't get. | 0:20:47 | 0:20:49 | |
-That's so true. -Absolutely. That's what I was saying to you guys. | 0:20:49 | 0:20:52 | |
Step away from your antiques, please, because time is up. | 0:20:52 | 0:20:56 | |
Let's check out what the Red team bought, eh? | 0:20:56 | 0:21:00 | |
They went on the prowl for the brass 20th-century tiger, | 0:21:00 | 0:21:04 | |
and bought it for £40. | 0:21:04 | 0:21:06 | |
Next was the Art Deco clock and garnetiere, for a cut-down £145. | 0:21:06 | 0:21:11 | |
Lastly, they BROOCHED the subject of haggling, sort of, | 0:21:13 | 0:21:16 | |
and came away with the stag beetle brooch for £15. | 0:21:16 | 0:21:20 | |
-Well, this has been a gas, hasn't it? Have you had a good time? -Yeah. | 0:21:20 | 0:21:23 | |
-It's been such fun. -Good. What's the favourite bit for you, so far? | 0:21:23 | 0:21:27 | |
-I have to say, some good bargaining on our little scarab. -Yes. | 0:21:27 | 0:21:30 | |
-Pleased with the scarab? -Yes. -Was that your favourite piece? | 0:21:30 | 0:21:34 | |
That's my favourite. | 0:21:34 | 0:21:35 | |
What about you, Gord? | 0:21:35 | 0:21:37 | |
I would say that the clock's my favourite, | 0:21:37 | 0:21:39 | |
-but the scarab, that was a good moment. We bargained. -Did you? -Yeah. | 0:21:39 | 0:21:43 | |
Actually, what they're forgetting to say is, | 0:21:43 | 0:21:45 | |
there's been a whole animal theme, through the day. | 0:21:45 | 0:21:48 | |
We've done the mammals. And we're on insects with the scarab. | 0:21:48 | 0:21:52 | |
How are you getting on with reptiles? | 0:21:52 | 0:21:54 | |
-Well, reptiles could be next. -Oh, could they? -Or something. | 0:21:54 | 0:21:56 | |
Anyway, there we go. How much did you spend, in total? | 0:21:56 | 0:22:00 | |
-We spent 200. -£200? That is such a mature amount of money! | 0:22:00 | 0:22:05 | |
That's £100 of leftover loll, please. Who's got that? | 0:22:05 | 0:22:08 | |
Thank you, Gord. | 0:22:08 | 0:22:09 | |
You don't like handing it over. That's a tidy sum. | 0:22:09 | 0:22:13 | |
Tom - what are you going to spend it on? | 0:22:13 | 0:22:15 | |
Something that involves a reptile, maybe? | 0:22:15 | 0:22:17 | |
Reptile, amphibian, something! It's got to be animal theme. | 0:22:17 | 0:22:21 | |
All right, good luck with that. | 0:22:21 | 0:22:23 | |
Meanwhile, we're going to check out what the Blue team bought. | 0:22:23 | 0:22:27 | |
First up, they got the 19th-century brass and enamel ink stand for £80. | 0:22:27 | 0:22:33 | |
They couldn't "weight" to pick up the kitchen scales for a | 0:22:33 | 0:22:36 | |
not-so-hefty £25.50. | 0:22:36 | 0:22:40 | |
Finally, they spent £10 of the folded stuff on some folded | 0:22:40 | 0:22:43 | |
stuff - two Victorian "Manor of Brighton" documents, to be precise. | 0:22:43 | 0:22:48 | |
Matthew, Phoebe. Have you been good children today, or bad children? | 0:22:48 | 0:22:52 | |
-Good, I think! -True or false, Claire? -They've been very good. | 0:22:52 | 0:22:56 | |
-You had a nice time? -Yes. -Yes, we did. | 0:22:56 | 0:22:59 | |
Great couple. Just tell me, what is your favourite piece, please? | 0:22:59 | 0:23:03 | |
I like the deeds, the paper bits we got at the end. | 0:23:03 | 0:23:06 | |
Favourite favourite. Do you agree with that, Phoebs? | 0:23:06 | 0:23:08 | |
I like the scales. | 0:23:08 | 0:23:10 | |
-So, what exactly did you spend? -£115.50. | 0:23:10 | 0:23:15 | |
-Did you? -Yes! | 0:23:15 | 0:23:16 | |
That's a very queer old number! | 0:23:16 | 0:23:19 | |
Not very much, if you don't mind my saying. | 0:23:19 | 0:23:23 | |
-No, we were intending to spend a bit more. -Matt, you're clearly a genius. | 0:23:23 | 0:23:27 | |
How much leftover lolly is that? I can't do the maths! | 0:23:27 | 0:23:30 | |
£184.50. | 0:23:30 | 0:23:33 | |
184.50 - genius, thank you. | 0:23:33 | 0:23:35 | |
I certainly couldn't do that and I believe you! Millions wouldn't. | 0:23:35 | 0:23:39 | |
-Thank you very much. -Into the maul of Rawle... | 0:23:39 | 0:23:42 | |
-What is Claire going to do with it? -Ah, that's a big secret. | 0:23:42 | 0:23:45 | |
I have seen something that I'm after, | 0:23:45 | 0:23:47 | |
so I'll just go off and do my best. | 0:23:47 | 0:23:49 | |
The green enigma! | 0:23:49 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:52 | |
Good luck all round. | 0:23:52 | 0:23:53 | |
Meanwhile, I'm going to show you something small, silvery, | 0:23:53 | 0:23:56 | |
collapsible and really rather sweet. | 0:23:56 | 0:23:59 | |
What do you suppose that little mark on a piece of silver means? | 0:24:04 | 0:24:10 | |
Well, it looks a bit like a kite and it's called a kitemark. | 0:24:10 | 0:24:14 | |
It is a design registration mark from the Victorian period | 0:24:14 | 0:24:20 | |
that shows that the maker of this object once upon a time | 0:24:20 | 0:24:24 | |
went to the authorities and registered the design because | 0:24:24 | 0:24:28 | |
he thought it was so special and so clever that it needed protecting. | 0:24:28 | 0:24:34 | |
And in fact, if you're a collector of small pieces of silver, | 0:24:34 | 0:24:39 | |
you could do far worse than keeping your eye open | 0:24:39 | 0:24:43 | |
for bits of silver that have that mark on it. | 0:24:43 | 0:24:46 | |
Because it usually indicates that that little object is | 0:24:46 | 0:24:50 | |
special in some way, shape or form. | 0:24:50 | 0:24:53 | |
What is this thing? | 0:24:53 | 0:24:55 | |
It looks a bit like a model of a lighthouse. But it ain't. | 0:24:55 | 0:25:00 | |
It's got tapering sections that run down the side, | 0:25:00 | 0:25:04 | |
but the idea is that it will collapse, like this. | 0:25:04 | 0:25:09 | |
And if you look at that object sideways on, it looks | 0:25:09 | 0:25:12 | |
just like the screw-on cap on the top of a scent bottle | 0:25:12 | 0:25:17 | |
or drinking flask. | 0:25:17 | 0:25:19 | |
But how can this be? | 0:25:19 | 0:25:21 | |
Well, inside the body of the thing, you can | 0:25:21 | 0:25:24 | |
see the vestiges of a thread and once upon a time, | 0:25:24 | 0:25:28 | |
this sat on the top of a flask filled with booze. | 0:25:28 | 0:25:34 | |
So that if you were of the hunting, shooting and fishing variety, | 0:25:34 | 0:25:38 | |
in 1879, this would have been the smartest thing to | 0:25:38 | 0:25:44 | |
have on top of your flask because on a cold morning, | 0:25:44 | 0:25:47 | |
you would simply undo the top of the flask and draw out a cup, | 0:25:47 | 0:25:53 | |
like this, into which you could pour your warming tot. | 0:25:53 | 0:25:56 | |
Let's give it a test, shall we? | 0:25:58 | 0:26:00 | |
I haven't got any cherry brandy, | 0:26:00 | 0:26:02 | |
but what I have got is a bottle of water. | 0:26:02 | 0:26:05 | |
Pouring the water like that... There we go, look. Top it up, like that. | 0:26:05 | 0:26:10 | |
Look at the sides, do they leak? No, they don't. | 0:26:10 | 0:26:14 | |
The vessel works! Mm. | 0:26:14 | 0:26:17 | |
Neck it. That is delicious. | 0:26:18 | 0:26:21 | |
Each of the sections are fully hallmarked for 1879 | 0:26:23 | 0:26:26 | |
and the design registration mark dates it to that year, | 0:26:26 | 0:26:30 | |
so it's early in the production run. | 0:26:30 | 0:26:33 | |
My challenge is to go out there and find a period spirit flask | 0:26:33 | 0:26:38 | |
that's either got a clapped-out screw-on top or not one at all. | 0:26:38 | 0:26:43 | |
So it's going to cost me 10 or £20, perhaps. | 0:26:43 | 0:26:46 | |
I'll put the two together because I paid for this thing, | 0:26:46 | 0:26:50 | |
without a flask, £50. | 0:26:50 | 0:26:53 | |
Which is not a lot of money. | 0:26:53 | 0:26:56 | |
This, attached to the right bottle, will be worth the top | 0:26:56 | 0:27:00 | |
end of a couple of hundred pounds. | 0:27:00 | 0:27:02 | |
That's what I call getting in the money! | 0:27:02 | 0:27:05 | |
Cheers! | 0:27:05 | 0:27:07 | |
How lovely is this? Wisborough Green, with Jonathan Pratt. | 0:27:14 | 0:27:18 | |
-JP, lovely to see you. -Nice to see you, Tim. | 0:27:18 | 0:27:20 | |
We've come whizzing across the county line from Dorking with | 0:27:20 | 0:27:24 | |
these goodies. For the Red team, we've got the prowling tiger. | 0:27:24 | 0:27:27 | |
-Doesn't that make you feel proud? -Oh, yes(!) | 0:27:27 | 0:27:31 | |
This has to be one of the most hideous things, isn't it? | 0:27:31 | 0:27:34 | |
I'm glad you said it. I mean... It's a certain taste though, isn't it? | 0:27:34 | 0:27:38 | |
I don't think Thomas was buying this expecting it to be | 0:27:38 | 0:27:40 | |
something that it wasn't. It's a decorative object. | 0:27:40 | 0:27:43 | |
So, how much, please? | 0:27:43 | 0:27:45 | |
Being generous. | 0:27:45 | 0:27:46 | |
I don't really rate it and I put £10-£20. | 0:27:46 | 0:27:48 | |
I think you're absolutely right. | 0:27:48 | 0:27:50 | |
Alice picked it, she paid £40. | 0:27:50 | 0:27:52 | |
That's the top and bottom of that. | 0:27:52 | 0:27:54 | |
Then we've got this clock garniture, | 0:27:54 | 0:27:56 | |
which I think is a really weird mixture of something that IS | 0:27:56 | 0:27:59 | |
Art Deco capped by a very Victorian-looking | 0:27:59 | 0:28:02 | |
piece of sculpture. | 0:28:02 | 0:28:03 | |
You do get Art Deco pieces which aren't all Art Deco, don't you? | 0:28:03 | 0:28:07 | |
You'll often see pottery with traditional decoration in a strong Art Deco style. | 0:28:07 | 0:28:11 | |
Mm. What's your estimate? | 0:28:11 | 0:28:13 | |
-My estimate is £80-£120. -They paid a phenomenal £145. | 0:28:13 | 0:28:17 | |
And lastly, is the silver model of a stag beetle. | 0:28:17 | 0:28:21 | |
It's not that badly cast... | 0:28:21 | 0:28:23 | |
-If you like an insect crawling up your lapel...it's perfect. -Fine. | 0:28:23 | 0:28:28 | |
-How much? 20 to 30. -OK, £15 paid. | 0:28:28 | 0:28:31 | |
I think they may need to go with the Bonus Buy, | 0:28:31 | 0:28:33 | |
so let's go and have a look at it. | 0:28:33 | 0:28:35 | |
Alice, Gord, how are you feeling? | 0:28:35 | 0:28:37 | |
-Good. Excited. -Well, this is your Bonus Buy. | 0:28:37 | 0:28:40 | |
You spent £200, which was very respectable. | 0:28:40 | 0:28:43 | |
Thomas Plant had £100, Thomas, what did you spend it on? | 0:28:43 | 0:28:46 | |
-I followed the theme. -Good. | 0:28:46 | 0:28:47 | |
-Ooh. -In there is a little grenouille - | 0:28:50 | 0:28:52 | |
the French name for a frog. | 0:28:52 | 0:28:54 | |
-Have a look. -OK. Can I take it out? | 0:28:54 | 0:28:56 | |
Yes, yes - take it out, have a look. | 0:28:56 | 0:28:59 | |
It's by somebody very famous. | 0:28:59 | 0:29:01 | |
Look at him there! | 0:29:01 | 0:29:03 | |
-I think you explained this to us. -It's by Lalique! -Yes! | 0:29:03 | 0:29:06 | |
LAUGHTER | 0:29:06 | 0:29:07 | |
He's a great sort of iolite blue. | 0:29:07 | 0:29:09 | |
-It's beautiful. -It's a lovely colour. | 0:29:09 | 0:29:12 | |
-It is, isn't it? -How much did you buy it for? -£70. | 0:29:12 | 0:29:16 | |
Ooh - how much do you think it's worth? | 0:29:16 | 0:29:18 | |
I think there's a small profit. I have to say, I was playing the margin game | 0:29:18 | 0:29:21 | |
and thought you might get a tenner out of it. | 0:29:21 | 0:29:24 | |
I like it, but if it was bigger! | 0:29:24 | 0:29:26 | |
LAUGHTER | 0:29:26 | 0:29:28 | |
What's the matter with little frogs, then? | 0:29:28 | 0:29:31 | |
They're all right! | 0:29:32 | 0:29:34 | |
-"All right", she says! -It's life-size! | 0:29:34 | 0:29:36 | |
You got the message, you don't pick now, | 0:29:36 | 0:29:39 | |
you pick later if you want to, | 0:29:39 | 0:29:40 | |
but why don't we find out, for the audience at home, | 0:29:40 | 0:29:43 | |
what the auctioneer thinks about Tom's little frog. | 0:29:43 | 0:29:47 | |
-Well, it's got the right name on the bottom. -Yes! Rene Lalique. | 0:29:47 | 0:29:51 | |
-Oh-aye. -Little pale blue frog. This is modern. -Yes. | 0:29:51 | 0:29:55 | |
Nice colour. | 0:29:55 | 0:29:56 | |
It is a nice colour and people do collect glass ornaments | 0:29:56 | 0:29:59 | |
-and why not have a Lalique one? -Why not? They're expensive enough. | 0:29:59 | 0:30:04 | |
They are indeed, very expensive indeed. | 0:30:04 | 0:30:05 | |
So what's the second-hand value of that frog, then? | 0:30:05 | 0:30:09 | |
I'd have thought between 40 and £60. | 0:30:09 | 0:30:11 | |
OK, £70 paid by Thomas, | 0:30:11 | 0:30:13 | |
who is pandering to the animal theme on this side of the table. | 0:30:13 | 0:30:18 | |
That's it for the Reds. | 0:30:18 | 0:30:19 | |
Now, moving over to another wacky group of gear, | 0:30:19 | 0:30:22 | |
first up it's the encrier, in brass and enamel. | 0:30:22 | 0:30:25 | |
Do you like that? | 0:30:25 | 0:30:27 | |
It's a bit of a pastiche of styles... | 0:30:27 | 0:30:30 | |
If you've got a desk and you like that sort of stuff | 0:30:30 | 0:30:32 | |
and you use a nice long pen on a stand or whatever, | 0:30:32 | 0:30:35 | |
it's just for you. | 0:30:35 | 0:30:36 | |
And you might be prepared to pay at auction, how much? | 0:30:36 | 0:30:39 | |
Well, I don't really rate it that highly - £40-£60. | 0:30:39 | 0:30:42 | |
£80, they paid. I don't rate it highly, either. | 0:30:42 | 0:30:45 | |
-Now, next is the Viking kitchen scales. -Well, the kitchen is the new dining room, isn't it, Timothy? | 0:30:45 | 0:30:50 | |
It is, but if you're a housewife and a cook, | 0:30:50 | 0:30:54 | |
surely you don't want to be mucking about with lumps of brass like that? | 0:30:54 | 0:30:58 | |
You want a nice digital weighing machine to tell you how many | 0:30:58 | 0:31:01 | |
-grams you've got in milliseconds? -Why? -What? -What you need that for? | 0:31:01 | 0:31:05 | |
Because you're doing cookery... | 0:31:05 | 0:31:08 | |
Yeah, but... But everyone likes baking and it's all about... | 0:31:08 | 0:31:11 | |
Again, conjuring up the old traditional way that Grandma | 0:31:11 | 0:31:14 | |
-and Mother used to do it. -OK, there you are. | 0:31:14 | 0:31:17 | |
If you put it in at Gas Mark five, what would it come out? | 0:31:17 | 0:31:20 | |
I've done a rather sort of... | 0:31:20 | 0:31:22 | |
I've chickened out and put a wider £20-£40. | 0:31:22 | 0:31:25 | |
That's all right, they paid £25.50. Precisely. | 0:31:25 | 0:31:29 | |
So that's the amount that you've got to get to and I think you | 0:31:29 | 0:31:31 | |
probably will, mainly because the weights are there. | 0:31:31 | 0:31:34 | |
-They're in the frame. -They should be. | 0:31:34 | 0:31:36 | |
What about these vellum documents? | 0:31:36 | 0:31:39 | |
I quite like this. | 0:31:39 | 0:31:40 | |
It took me quite a while to try and understand exactly what was | 0:31:40 | 0:31:43 | |
going on, but I did discover it's between some chap Atree | 0:31:43 | 0:31:46 | |
and another chap - it's some sort of business transaction, | 0:31:46 | 0:31:50 | |
and they're both for the same man, as well. | 0:31:50 | 0:31:52 | |
Both documents are together. | 0:31:52 | 0:31:54 | |
It's a sort of decorative object - frame it up, | 0:31:54 | 0:31:56 | |
pretend it relates to something that relates to something, maybe. | 0:31:56 | 0:32:00 | |
-Yes. -Anyway, it's not big bucks. How many bucks? | 0:32:00 | 0:32:03 | |
-I put between 20 and 40 again. -Ten bucks paid. | 0:32:03 | 0:32:08 | |
So there you go, they might make a small profit on that. | 0:32:08 | 0:32:11 | |
But overall, it'll be the ink stand that torpedoes them if anything is | 0:32:11 | 0:32:15 | |
going to torpedo them, so let's go and have a look at their Bonus Buy. | 0:32:15 | 0:32:20 | |
OK, Phoebe, Matt - this is your moment. | 0:32:20 | 0:32:22 | |
You gave Claire £184.50. | 0:32:22 | 0:32:24 | |
Claire, what did you spend it on? | 0:32:24 | 0:32:27 | |
Here it is, da-dah! | 0:32:27 | 0:32:29 | |
A little silver, pierced bonbon dish. | 0:32:29 | 0:32:31 | |
It's so, so pretty. Late Victorian, it was assayed in Birmingham, 1899. | 0:32:31 | 0:32:37 | |
I just thought it was really pretty. Very decorative. | 0:32:37 | 0:32:40 | |
-Shame there's no sweets in it. -Well, could be arranged later! | 0:32:40 | 0:32:44 | |
It is really light, isn't it? | 0:32:46 | 0:32:47 | |
LAUGHTER | 0:32:47 | 0:32:49 | |
Would you say featherweight?! | 0:32:49 | 0:32:51 | |
-Sorry about that! -Not heavy enough! -How much was it? | 0:32:52 | 0:32:56 | |
I spent £40 on it. | 0:32:56 | 0:32:58 | |
-OK. -OK, its silver weight is not huge, its scrap weight, | 0:32:58 | 0:33:01 | |
but it's going to sell as a decorative collectable item. | 0:33:01 | 0:33:04 | |
The decoration is really, really pretty. I'd put it at £50-£70. | 0:33:04 | 0:33:08 | |
-Want to have a look? -I'd rather have a sweet! | 0:33:08 | 0:33:11 | |
I know what you mean, though. | 0:33:11 | 0:33:13 | |
Anyway, thank you very much for that, Claire. | 0:33:13 | 0:33:15 | |
You can think about it, team, but let's find out from the auctioneer, | 0:33:15 | 0:33:18 | |
for the audience at home, what he thinks about Claire's little dish. | 0:33:18 | 0:33:22 | |
-Now, fancy a bonbon? -Ah, thank you very much - | 0:33:22 | 0:33:25 | |
don't mind if I do. | 0:33:25 | 0:33:26 | |
So a little English silver bonbon dish, but it's quite simply made. | 0:33:27 | 0:33:33 | |
Very decorative in that respect, but you can see all this white powder | 0:33:33 | 0:33:37 | |
in there, that it's been cleaned within an inch of its life... | 0:33:37 | 0:33:40 | |
Somebody loved it. | 0:33:40 | 0:33:42 | |
Yes, but sadly now, there's a hole through it where | 0:33:42 | 0:33:44 | |
they cleaned it so much... | 0:33:44 | 0:33:46 | |
Oh, look - they've rubbed all the way through. | 0:33:46 | 0:33:48 | |
-What would you reckon it at, then? -Between 30 and £50. | 0:33:48 | 0:33:52 | |
OK, Claire paid £40, which is reasonable for a Bonus Buy. | 0:33:52 | 0:33:55 | |
Difficult enough to find these things. | 0:33:55 | 0:33:57 | |
So, she might be lucky and turn a profit on that, | 0:33:57 | 0:33:59 | |
if the team decide to go with it. | 0:33:59 | 0:34:01 | |
Which is the excitement of coming to auction! | 0:34:01 | 0:34:03 | |
Which is going to be fun today, isn't it? | 0:34:03 | 0:34:05 | |
-It's going to be great fun. -Good. | 0:34:05 | 0:34:06 | |
-OK, Alice, Gordy - how are you feeling? -Er...! -Confident. | 0:34:12 | 0:34:17 | |
-You're confident? -No, not really! | 0:34:17 | 0:34:20 | |
Anything you wish you hadn't bought, Gordon? | 0:34:20 | 0:34:23 | |
Feeling a little iffy on the brass tiger. | 0:34:23 | 0:34:27 | |
-He's just not particularly well made, that's the problem. -Oh! | 0:34:27 | 0:34:30 | |
But on the other hand, it's chunky. | 0:34:30 | 0:34:32 | |
And people love Tiggers. | 0:34:32 | 0:34:34 | |
Anyway, here comes the prowling tiger. | 0:34:34 | 0:34:36 | |
£10 to start me for this. £10 for the prowling tiger. | 0:34:38 | 0:34:40 | |
Every sideboard should have one. | 0:34:40 | 0:34:42 | |
-Come on, £10. Five, then. -Oh, no! | 0:34:42 | 0:34:45 | |
Don't be silly. £5. | 0:34:45 | 0:34:47 | |
Five on the internet, starts me off at £5. | 0:34:47 | 0:34:50 | |
I'll take that bid at £5, but I want to go up now. Where's eight? | 0:34:50 | 0:34:53 | |
£5. Eight anyone? Eight. Back in the room. | 0:34:53 | 0:34:56 | |
At £8, let's get double figures, come on. | 0:34:56 | 0:34:58 | |
£8 against you, internet, are you going to go? | 0:34:58 | 0:35:01 | |
-£8, by the doorway, £10 is bid. -Yeah! -12, sir? | 0:35:01 | 0:35:05 | |
£10 on the net. | 0:35:05 | 0:35:06 | |
At £10 and selling, all done at 10... | 0:35:06 | 0:35:10 | |
-£10 is minus 30. -Oh, God! | 0:35:10 | 0:35:12 | |
Alice...darling! | 0:35:12 | 0:35:14 | |
Good start(!) | 0:35:15 | 0:35:16 | |
An Art Deco marble clock and garniture with two-chain movement | 0:35:16 | 0:35:19 | |
and the surmount models a child and a dog. | 0:35:19 | 0:35:21 | |
£80 to start me, £80. | 0:35:21 | 0:35:23 | |
Nice garniture, this, for £80. | 0:35:23 | 0:35:26 | |
Let's start... Let's go to £40 and go upwards. | 0:35:26 | 0:35:29 | |
Come on, £40 the clock garniture and we can go up. Nice clock, this. | 0:35:29 | 0:35:33 | |
40 with the lady in the centre. Now we're creeping up. | 0:35:33 | 0:35:35 | |
45. | 0:35:35 | 0:35:38 | |
-Madam? 50. -Yes. | 0:35:38 | 0:35:40 | |
55. 55, the gentleman on the left by the bookcase. Internet 60. | 0:35:40 | 0:35:45 | |
60 on the net. No, he says. | 0:35:45 | 0:35:47 | |
Any more at £60? Last chance, everybody else. | 0:35:47 | 0:35:51 | |
Internet is getting it at 60... £60. | 0:35:51 | 0:35:53 | |
GAVEL BANGS | 0:35:53 | 0:35:54 | |
Oh, no - that's minus 85! | 0:35:54 | 0:35:57 | |
-85... -Oh, dear - a three-figure loss. | 0:35:57 | 0:35:59 | |
..Minus 115. | 0:35:59 | 0:36:02 | |
..a stag beetle. Two commission bids I have. | 0:36:02 | 0:36:06 | |
We'll start with me at 10, 12, £15. | 0:36:06 | 0:36:08 | |
That's how much we paid for it. | 0:36:08 | 0:36:10 | |
15, I'm bid, to start me. | 0:36:10 | 0:36:12 | |
15. 18 and 20. £20. | 0:36:12 | 0:36:14 | |
With me still, against you at £20, | 0:36:14 | 0:36:18 | |
do you want to go one more? 22, 25. | 0:36:18 | 0:36:20 | |
£25, then. You're out? £25. All done at 25... | 0:36:20 | 0:36:24 | |
GAVEL BANGS | 0:36:24 | 0:36:25 | |
Yes, £25 is plus £10, thank goodness you got a profit! | 0:36:25 | 0:36:29 | |
You're minus 105. | 0:36:29 | 0:36:31 | |
What are you going to do about the Lalique frog? | 0:36:31 | 0:36:33 | |
Oh, we're going to go for it. | 0:36:33 | 0:36:35 | |
Now you've made that decision, I can tell you that the auctioneer's | 0:36:35 | 0:36:38 | |
estimate is 40 to 60, which is really miserable! | 0:36:38 | 0:36:42 | |
-Well, we'll see how wrong he is, right, Tom? -Absolutely. | 0:36:42 | 0:36:46 | |
Here comes one glass frog. | 0:36:46 | 0:36:48 | |
Surely worth £40. I don't know how much these cost new. | 0:36:48 | 0:36:50 | |
£40 surely, to start me off. £40. | 0:36:50 | 0:36:53 | |
-Where are we? £20, then? -Oh! | 0:36:53 | 0:36:56 | |
At 20, five, 30, five, | 0:36:56 | 0:37:01 | |
40... | 0:37:01 | 0:37:02 | |
No, he says. £40, don't shake your head now! | 0:37:02 | 0:37:04 | |
£40 in the centre with the lady, 40. Where's five? | 0:37:04 | 0:37:07 | |
Surely worth more than this? £40. It's Rene Lalique, this. | 0:37:07 | 0:37:11 | |
-£40 with the lady. At 40 I shall sell... -I can't bear it, Tom. | 0:37:11 | 0:37:14 | |
I'm going to cry. | 0:37:14 | 0:37:15 | |
-All done at 40. -£40. | 0:37:15 | 0:37:18 | |
I think I'm going to croak. | 0:37:18 | 0:37:19 | |
THEY GROAN | 0:37:19 | 0:37:22 | |
Anyway, minus £30, | 0:37:22 | 0:37:24 | |
that is minus 135. | 0:37:24 | 0:37:26 | |
That's got to be some sort of record. | 0:37:26 | 0:37:28 | |
No, no - it's not a record by a long chalk! | 0:37:28 | 0:37:30 | |
Don't feel badly about that! It's quite a good score, actually! | 0:37:30 | 0:37:34 | |
It's such a good score, it could be a winning score! | 0:37:34 | 0:37:36 | |
Seriously, don't despair. | 0:37:36 | 0:37:38 | |
And mainly, don't say a word to the Blues, OK? | 0:37:38 | 0:37:41 | |
-Look a bit depressed when you go by. -OK. -No, we'll look really happy! | 0:37:41 | 0:37:44 | |
All right! | 0:37:44 | 0:37:46 | |
Now, Matt. Phoebs. | 0:37:53 | 0:37:55 | |
-Feeling OK? -Yeah! | 0:37:55 | 0:37:56 | |
-Do you know how the Reds got on? -BOTH: No. -Good. | 0:37:56 | 0:37:59 | |
Right, here we go, then. | 0:37:59 | 0:38:00 | |
Your first item, we're on the edge, is the ink stand. | 0:38:00 | 0:38:03 | |
Nice, attractive lot, this. Useful, too. | 0:38:03 | 0:38:06 | |
Start me at £40, surely? £40. | 0:38:06 | 0:38:09 | |
20, then. £20 bid, thank you. At 20. Let's move up now. 25 waving. 30. | 0:38:09 | 0:38:15 | |
-Going up! -35, 40. 45. | 0:38:15 | 0:38:18 | |
Has it by the wine. 50, sir? Yes? | 0:38:18 | 0:38:22 | |
-It's yours at £45. -Oh, I can't bear this. -50 anywhere else? | 0:38:22 | 0:38:26 | |
OK, at £45, then. I'm selling... | 0:38:26 | 0:38:28 | |
Last chance it is. | 0:38:28 | 0:38:29 | |
50 on the internet now, just in time. | 0:38:29 | 0:38:31 | |
Do you want to come back in again? On the net now at £50. | 0:38:31 | 0:38:34 | |
Five anywhere else? | 0:38:34 | 0:38:35 | |
-Room's out... -55, 55, 55... -Selling... | 0:38:35 | 0:38:39 | |
50... 55, | 0:38:39 | 0:38:41 | |
-he's come back. -Yes! -Yes! | 0:38:41 | 0:38:43 | |
-At £55, by the wine. -Go, internet! | 0:38:43 | 0:38:47 | |
Are you going to go one more? Last chance, internet. | 0:38:47 | 0:38:50 | |
For £55... | 0:38:50 | 0:38:52 | |
GAVEL BANGS | 0:38:52 | 0:38:53 | |
Oh, £55. The internet didn't go. You're minus 25. | 0:38:53 | 0:38:57 | |
OK, Viking kitchen scales. | 0:38:57 | 0:39:00 | |
Set of white enamel Viking kitchen scales with the weights, | 0:39:00 | 0:39:04 | |
graduated weights to boot. 15, 20, 25, I'm bid straight off. | 0:39:04 | 0:39:07 | |
-At £25, where's 30? -Oh! | 0:39:07 | 0:39:10 | |
Who's going to go 30? 30 on the net. internet bid at 30. | 0:39:10 | 0:39:16 | |
-You're in profit. -£30 on the net. | 0:39:16 | 0:39:18 | |
Are you all done on the net now? | 0:39:18 | 0:39:19 | |
£30 internet bid... | 0:39:19 | 0:39:21 | |
-£30, all done at 30... -£30.50? | 0:39:21 | 0:39:24 | |
That is £4.50 profit. | 0:39:24 | 0:39:26 | |
-Well done! -Right, OK! | 0:39:26 | 0:39:29 | |
Now, here come the documents. | 0:39:29 | 0:39:31 | |
Concerning property transactions in the Manor of Brighton. | 0:39:31 | 0:39:34 | |
Start me off at £20. | 0:39:34 | 0:39:38 | |
-Yes, go on. -£20. | 0:39:38 | 0:39:40 | |
Nice local interest. Sussex. £20. £10, then. | 0:39:40 | 0:39:45 | |
10 is bid by the vase at £10. 12 anywhere else, now? 12 in front. | 0:39:45 | 0:39:50 | |
-15 behind. -Now you're on your way. | 0:39:50 | 0:39:54 | |
18 is bid. Against you, madam, at £18. | 0:39:54 | 0:39:57 | |
20 behind. I'll take two. | 0:39:57 | 0:40:00 | |
It's not much more. Are you sure? | 0:40:00 | 0:40:02 | |
She says, "Don't do it"! £20, the lady behind. Any more at £20? | 0:40:02 | 0:40:07 | |
-I'll sell it, then. -Doubled your money. -At £20... | 0:40:07 | 0:40:10 | |
GAVEL BANGS | 0:40:10 | 0:40:12 | |
Well done, Matt. Plus £10. | 0:40:12 | 0:40:13 | |
So, that's £14.50, | 0:40:13 | 0:40:16 | |
call it 15. | 0:40:16 | 0:40:17 | |
You're minus £10.50. | 0:40:17 | 0:40:19 | |
Minus £10.50. | 0:40:19 | 0:40:21 | |
Which is not a lot of losses, is it? | 0:40:21 | 0:40:25 | |
Listen, that could be a winning score, minus £10.50. | 0:40:25 | 0:40:28 | |
Or you could do a bit of a chancer and go with the bonbon dish. | 0:40:28 | 0:40:32 | |
-We have to. -OK, fine. -Why do you have to? | 0:40:32 | 0:40:34 | |
We can't leave her on minus £10.50. | 0:40:34 | 0:40:36 | |
OK, let's go with it. Let's just go with it. Yes. | 0:40:36 | 0:40:39 | |
And here it comes, yes! | 0:40:39 | 0:40:41 | |
An embossed and pierced silver bonbon dish. Where shall I start? | 0:40:41 | 0:40:45 | |
Somebody start me at £30 for it. | 0:40:45 | 0:40:47 | |
Surely worth 30, just for the silver alone. £30. | 0:40:47 | 0:40:50 | |
At 30, someone start me at 30. Where's 30 for it? 20, then? | 0:40:50 | 0:40:54 | |
Got to be worth £20. Come on. Who's going 20? £20, thank you. At 20. | 0:40:54 | 0:40:59 | |
Where's five? Back of the room at £20. Any more at 20? All done. | 0:40:59 | 0:41:03 | |
-Selling, £20. -£20! | 0:41:03 | 0:41:04 | |
-£20! -That's your fault! | 0:41:04 | 0:41:07 | |
You had such faith in me, I'm sorry! | 0:41:07 | 0:41:10 | |
Minus £20... | 0:41:10 | 0:41:12 | |
Which overall means that you're minus £30.50. | 0:41:12 | 0:41:15 | |
Oh, that's not bad. | 0:41:15 | 0:41:17 | |
It's not too bad. Not TOO bad! | 0:41:17 | 0:41:19 | |
Anyway, there we go. | 0:41:19 | 0:41:21 | |
Wretched bonbon dish. There we are - shucks. | 0:41:21 | 0:41:24 | |
Just don't say a word to the Reds | 0:41:24 | 0:41:25 | |
and everything will be revealed in a moment, all right? | 0:41:25 | 0:41:28 | |
There's a certain amount of nervous anticipation here as to this | 0:41:34 | 0:41:37 | |
business, because nobody is going home with any money, | 0:41:37 | 0:41:40 | |
but the scale of losses betwixt one team and the other is considerable. | 0:41:40 | 0:41:44 | |
The chasm opens up | 0:41:44 | 0:41:46 | |
and tottering on the far cliff of losses... | 0:41:46 | 0:41:49 | |
are the Reds. | 0:41:49 | 0:41:51 | |
Minus £135 is a good old score, that! Ya! | 0:41:51 | 0:41:56 | |
£85, really, was the clock garniture loss. Insurmountable. | 0:41:56 | 0:42:01 | |
You made a nice £10 profit on the stag beetle, | 0:42:01 | 0:42:04 | |
so you know, it wasn't entirely full of shame. | 0:42:04 | 0:42:07 | |
But I'm afraid it wasn't going down your gutter today, was it, Alice? | 0:42:07 | 0:42:11 | |
-No. -No, Gordy, bad luck. But you've been very brave about it... | 0:42:11 | 0:42:15 | |
-Thank you for having us. -Thanks for coming! | 0:42:15 | 0:42:19 | |
It was good fun. | 0:42:19 | 0:42:21 | |
And actually, it's taking part that is really important until you | 0:42:21 | 0:42:24 | |
come to be the winners, of course, over here, who are very pleased! | 0:42:24 | 0:42:27 | |
They managed to win by only losing £30.50. | 0:42:27 | 0:42:30 | |
Which is quite respectable, really, isn't it? | 0:42:30 | 0:42:32 | |
£4.50 profit on the scales. | 0:42:32 | 0:42:35 | |
That was always in the balance(!) | 0:42:35 | 0:42:37 | |
And the documents for a tenner, well, that was just sublime. Yes? | 0:42:37 | 0:42:42 | |
-Yes, it was. -And then all those other losses...! | 0:42:42 | 0:42:44 | |
LAUGHTER | 0:42:44 | 0:42:46 | |
-..which we'll blank out, right? -Yes! | 0:42:46 | 0:42:48 | |
Keep singing a tune, that's the answer, Phoebs. | 0:42:48 | 0:42:50 | |
Anyway, very nice to see you, | 0:42:50 | 0:42:52 | |
join us soon for some more bargain hunting, yes? | 0:42:52 | 0:42:54 | |
ALL: Yes! | 0:42:54 | 0:42:57 |