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We've travelled to the southwest today to the outskirts of Exeter | 0:00:02 | 0:00:06 | |
and our teams can't wait to get stuck into the hundreds of stalls | 0:00:06 | 0:00:10 | |
here at Westpoint Arena, so, what are we waiting for? | 0:00:10 | 0:00:13 | |
Let's go bargain hunting! Yeah! | 0:00:14 | 0:00:17 | |
Now, the rules...each team gets £300 | 0:00:43 | 0:00:45 | |
and an hour to shop for three objects which they take to auction | 0:00:45 | 0:00:49 | |
and the team wins that makes the biggest profit or the smallest loss. | 0:00:49 | 0:00:53 | |
So, let's take a quick squint as to what's coming up. | 0:00:53 | 0:00:57 | |
The Reds need advice from their expert. | 0:00:58 | 0:01:01 | |
What do you think? | 0:01:01 | 0:01:03 | |
We don't know what we're looking at. | 0:01:04 | 0:01:06 | |
While the Blues are much more decisive. | 0:01:08 | 0:01:10 | |
-No. -No. -No? -It's the real thing or nothing. -Why? | 0:01:11 | 0:01:14 | |
-I really like them. -OK. | 0:01:14 | 0:01:15 | |
'And will their decisions pay off later at the auction?' | 0:01:15 | 0:01:18 | |
I think we should. | 0:01:19 | 0:01:20 | |
Come on. No! | 0:01:20 | 0:01:22 | |
'But before I give too much away, let's meet the teams.' | 0:01:22 | 0:01:25 | |
40... | 0:01:25 | 0:01:27 | |
So, hoping to stamp their mark on the fair today, | 0:01:28 | 0:01:32 | |
we have two teams of friends. | 0:01:32 | 0:01:33 | |
For the Reds, we have Andy and Stuart | 0:01:33 | 0:01:36 | |
and we have Susan and Helen for the Blues. | 0:01:36 | 0:01:38 | |
-Hello, everyone. -ALL: Hello! -Ha, ha! | 0:01:38 | 0:01:41 | |
Good-oh! So, Andy, where did you two meet? | 0:01:41 | 0:01:43 | |
I come down from London, I went into the Royal Mail and we met there. | 0:01:43 | 0:01:48 | |
-Did you? -Yeah. And we've been friends ever since. | 0:01:48 | 0:01:50 | |
-How long have you been a postman for? -30 years, Tim. | 0:01:50 | 0:01:52 | |
-That's a long old time, isn't it? -I know, I know. | 0:01:52 | 0:01:55 | |
-I mean, it's a huge community benefit, isn't it? -Oh, it is, it is. | 0:01:55 | 0:01:58 | |
I mean, we cannot conceive in the countryside not having | 0:01:58 | 0:02:00 | |
-the postie come. -No, it's a massive community and, for some people, | 0:02:00 | 0:02:03 | |
and I'm the only person they see. | 0:02:03 | 0:02:05 | |
-Have you got your own little van? -I've got my own trolley. | 0:02:05 | 0:02:08 | |
-You've got a trolley, have you? -Yeah, I'm around the town centre. | 0:02:08 | 0:02:10 | |
How many miles do you reckon you've worked, then, doing the postie? | 0:02:10 | 0:02:14 | |
It's probably around 50 miles a week. | 0:02:14 | 0:02:15 | |
-50 miles a week? -Yeah, plus. | 0:02:15 | 0:02:17 | |
-Stuart, you're no stranger for this delivery lark, are you? -No, I'm not. | 0:02:17 | 0:02:20 | |
-How long have you done it for? -16 years. -Any particular place you do | 0:02:20 | 0:02:23 | |
-your rounds? -Yeah, I do it around a little rural village, | 0:02:23 | 0:02:26 | |
a town called Holkham and there's about 350 houses there. | 0:02:26 | 0:02:28 | |
-And you drive around in one of those lovely vans. -I've got me van, yes. | 0:02:28 | 0:02:32 | |
And you know everything that goes on in your area, yeah? | 0:02:32 | 0:02:34 | |
Yeah, I know a few people now by first name terms sort of thing now. | 0:02:34 | 0:02:37 | |
But it's not just letters that you do, is it? | 0:02:37 | 0:02:39 | |
No, I do, um, logs, firewood with me dad in the afternoons. | 0:02:39 | 0:02:43 | |
-We do about 60 ton a year. -So, you're splitting logs when you're | 0:02:43 | 0:02:46 | |
not driving round delivering letters. | 0:02:46 | 0:02:47 | |
Yes, I'm not asleep like Andy. | 0:02:47 | 0:02:50 | |
So, what sort of things are you going to shop for today, then? | 0:02:50 | 0:02:53 | |
We've got no preconceived ideas, but, um... | 0:02:53 | 0:02:57 | |
..gold and silver you're up for. | 0:02:57 | 0:02:58 | |
Gold and silver's pretty good, I think at the moment. | 0:02:58 | 0:03:01 | |
-Anything postal, if we come across it... -A bit of Clarice Cliff... | 0:03:01 | 0:03:04 | |
A bit of Clarice Cliff, postal, gold, silver...you're going | 0:03:04 | 0:03:07 | |
to have your work cut out to find that in an hour, you know! | 0:03:07 | 0:03:10 | |
Anyway, smashing to meet you. Well done. | 0:03:11 | 0:03:13 | |
Right then, girls, so, um, Helen, where did you two girls meet? | 0:03:13 | 0:03:16 | |
-We met at a toddler group, um, I... -You were very young, were you? | 0:03:16 | 0:03:20 | |
I still am. What are you trying to say?! | 0:03:22 | 0:03:24 | |
Oh, you're very, very young! | 0:03:24 | 0:03:26 | |
Yeah, we met at a toddler group, um, | 0:03:26 | 0:03:28 | |
I want along cos I just moved down to Devon, um, with my family. | 0:03:28 | 0:03:32 | |
I didn't know anybody and I thought, I need to go | 0:03:32 | 0:03:35 | |
and meet some people and talk to somebody and I met Susan. | 0:03:35 | 0:03:40 | |
-Straight up, it was friendship. -Absolutely, yeah. | 0:03:40 | 0:03:42 | |
But you manage to get away from | 0:03:42 | 0:03:43 | |
the Devonshire countryside quite often, don't you? | 0:03:43 | 0:03:46 | |
I do, yes, I'm a flight attendant. | 0:03:46 | 0:03:48 | |
Um, I've been doing that for about 18 years | 0:03:48 | 0:03:50 | |
and so it's ditch the wellies and the wax jacket, | 0:03:50 | 0:03:53 | |
out come the stilettos and the wheelie bag and that's it, I'm off. | 0:03:53 | 0:03:57 | |
Now, Susan, what do you get up to? | 0:03:57 | 0:03:59 | |
Well, I like all things creative, | 0:03:59 | 0:04:00 | |
so I dabble in a bit of graphic design, a bit of lampshade | 0:04:00 | 0:04:03 | |
making, I'll have a go at anything really that involves craft. | 0:04:03 | 0:04:06 | |
And I also work for a handbag designer, which is really, really | 0:04:06 | 0:04:09 | |
good fun. there's nothing better than handbags in my world. | 0:04:09 | 0:04:12 | |
So, you design them, and do you get to keep free samples? | 0:04:12 | 0:04:15 | |
I have got the odd one or two, yes. | 0:04:15 | 0:04:17 | |
-That must be the most magic bit of it. -It really is. | 0:04:17 | 0:04:19 | |
-It's not only handbags you design, but hats too. -Yes, that's right. | 0:04:19 | 0:04:23 | |
I've been designing hats for friends and family | 0:04:23 | 0:04:25 | |
for a couple of years now, so I was very excited to | 0:04:25 | 0:04:27 | |
be able to design a hat for the Royal Wedding a couple of years ago. | 0:04:27 | 0:04:30 | |
You weren't! | 0:04:30 | 0:04:31 | |
My friend's auntie wore my hat | 0:04:31 | 0:04:33 | |
and my hat sat about five rows behind the Queen. | 0:04:33 | 0:04:36 | |
-Really? -Yeah. -Was she green with envy? -Oh, absolutely. | 0:04:36 | 0:04:40 | |
And are you both ready to take on this Bargain Hunt challenge? | 0:04:40 | 0:04:43 | |
-Oh, yes. -What sort of things are you going to go for? Old bags, yes? | 0:04:43 | 0:04:46 | |
-Old-fashioned items? -Hmm... | 0:04:46 | 0:04:49 | |
I don't know, we might look at some old toys, um, | 0:04:49 | 0:04:51 | |
-maybe a bit of silverware. We'll see what we find. -Yeah. | 0:04:51 | 0:04:54 | |
-You're pretty eclectic. -Yes. -Open-minded, that is the way to be. | 0:04:54 | 0:04:57 | |
Anyway, now, the £300. Here comes the money moment. | 0:04:57 | 0:05:00 | |
£300, grab that, | 0:05:00 | 0:05:02 | |
and your experts await and off you go | 0:05:02 | 0:05:05 | |
and very, very, very good luck. | 0:05:05 | 0:05:07 | |
Ooh, I fancy a handbag myself. | 0:05:07 | 0:05:09 | |
So, before the teams get stuck in, they need some experts and hoping to | 0:05:10 | 0:05:14 | |
climb the dizzy heights of success for the Reds we have Kate Bliss... | 0:05:14 | 0:05:18 | |
..while flying high for the Blues, we have David Harper. | 0:05:20 | 0:05:23 | |
-So, Stuart and Andy... -Yes. -..there is oodles to look at here. | 0:05:25 | 0:05:28 | |
-DAVID: -What kind of things are we going to be looking for? | 0:05:28 | 0:05:31 | |
-Well, I quite like vintage toys, kitchenalia... -OK. Susan? | 0:05:31 | 0:05:35 | |
Maybe some silverware. | 0:05:35 | 0:05:37 | |
-I'm looking for militaria. -OK. -Anything that catches my eye. -Yes. | 0:05:37 | 0:05:41 | |
Not particular, open mind. | 0:05:41 | 0:05:43 | |
-You two are the dream team. -Yes. | 0:05:43 | 0:05:45 | |
-Are you ready for some real bargain hunting? -We are. -Let's go. | 0:05:45 | 0:05:48 | |
-What about you, Stuart? -A bit of Clarice Cliff, | 0:05:48 | 0:05:50 | |
-something bright. -Clarice Cliff... You like colour? | 0:05:50 | 0:05:52 | |
-Yeah, colour, that's what I want. -Sounds great, guys. | 0:05:52 | 0:05:55 | |
-Shall we get stuck in? -Yes, we can. -Come on. -Let's go. | 0:05:55 | 0:05:57 | |
That's brand-new, but I love it. | 0:05:57 | 0:05:59 | |
The clock has started, teams, | 0:05:59 | 0:06:01 | |
and the Blues have found their bearings already. | 0:06:01 | 0:06:03 | |
-Lovely. -Gorgeous. -He's very cute. Shall we have a look at him? -Yeah. | 0:06:03 | 0:06:06 | |
Oh, I love his hand-knitted jumper! | 0:06:09 | 0:06:11 | |
Right... | 0:06:11 | 0:06:12 | |
And he's called Susan's bear! | 0:06:12 | 0:06:14 | |
BOTH: Oh, wow! | 0:06:14 | 0:06:15 | |
Now, you know how to tell an early bear from a late bear? | 0:06:15 | 0:06:19 | |
-No. -OK, a few pointers. | 0:06:19 | 0:06:21 | |
-A nice long snout... -Yeah. -Yeah. | 0:06:21 | 0:06:24 | |
-Long limbs, so, you know, independently moveable... -Yeah. | 0:06:24 | 0:06:28 | |
-Nice big hunchback is a good sign. -OK. | 0:06:28 | 0:06:31 | |
And the best sign to look out for on a really early bear | 0:06:31 | 0:06:35 | |
is on his tummy...we can see that he doesn't have what I'm looking for, | 0:06:35 | 0:06:38 | |
is you see like a big stitch mark, it looks like he's been repaired... | 0:06:38 | 0:06:43 | |
-Right. -But he hasn't been, they're machine made and at the final | 0:06:43 | 0:06:46 | |
-moment of manufacture, he's hand-stitched on his tummy. -Right. | 0:06:46 | 0:06:50 | |
-He's nicely worn. I love the fact that his eyes are googly. -Yes. | 0:06:50 | 0:06:53 | |
-Don't you? -Yes. | 0:06:53 | 0:06:55 | |
I mean, he could absolutely mesmerise you, couldn't he? | 0:06:55 | 0:06:58 | |
-Absolutely. -He's did it already. | 0:06:58 | 0:06:59 | |
THEY LAUGH | 0:06:59 | 0:07:01 | |
I think he is absolutely gorgeous. | 0:07:01 | 0:07:04 | |
Described as late '40s, I believe that. Shall I go price? | 0:07:04 | 0:07:07 | |
-I think you wave him in a face and go... -Shall I go and google Ian? | 0:07:07 | 0:07:10 | |
-Yeah, Google Ian. -Right, are you ready? "Yeah, I'm ready." -Go on. | 0:07:10 | 0:07:14 | |
As David goes off on a bear price hunt. | 0:07:14 | 0:07:17 | |
The Reds have homed in on a rather stylish bookcase. | 0:07:17 | 0:07:20 | |
This is really nice arts and crafts style | 0:07:20 | 0:07:23 | |
with these little copper plaques and it's also | 0:07:23 | 0:07:27 | |
a really sweet size, but it's got quite a hefty price tag on it. | 0:07:27 | 0:07:31 | |
-Yeah, that's too much. -248...at auction, it would probably | 0:07:31 | 0:07:34 | |
-be 100, 150, something like that. -Yeah. | 0:07:34 | 0:07:37 | |
Was the dealer transfixed? | 0:07:37 | 0:07:39 | |
It works, actually. | 0:07:42 | 0:07:43 | |
-Was she mesmerised? -She was totally mesmerised, yes. | 0:07:43 | 0:07:46 | |
-And she said a fiver. -She put him up a fiver, yeah! | 0:07:46 | 0:07:48 | |
80, what do you reckon? Is he going home with you? | 0:07:51 | 0:07:54 | |
I think he's going to have to, isn't he? | 0:07:54 | 0:07:56 | |
-Oh, yes, it's the googly eye thing. Yeah. -Got me. | 0:07:56 | 0:07:58 | |
As soon as I saw him, those googly eyes, they got me. Have we got him? | 0:07:58 | 0:08:01 | |
-We got him. -Well, that is fantastic. First purchase, well done, you two. | 0:08:01 | 0:08:05 | |
So, we are now a team of four! | 0:08:05 | 0:08:08 | |
-Wow! -Yeah! | 0:08:08 | 0:08:10 | |
Oh, David! You are unbearable! | 0:08:10 | 0:08:14 | |
Now, how are the Reds ticking along? | 0:08:14 | 0:08:16 | |
It looks like they found a travel clock. | 0:08:16 | 0:08:19 | |
So, this I would say is maybe '40s, um, by the style here. | 0:08:21 | 0:08:25 | |
We've got Arabic numerals, of course, | 0:08:25 | 0:08:27 | |
and a little brass bezel going round. | 0:08:27 | 0:08:30 | |
Um, it just depends on the price. Shall we just...? Hi there. | 0:08:30 | 0:08:33 | |
How much? | 0:08:33 | 0:08:34 | |
-45. -45. | 0:08:34 | 0:08:36 | |
Shame that leather's damaged, | 0:08:36 | 0:08:38 | |
because the actual clock itself is in great condition, but that | 0:08:38 | 0:08:42 | |
just lets it down a bit and I think for 45 it's a bit too much, yeah. | 0:08:42 | 0:08:46 | |
It's too much for the Reds, but are the Blues sitting pretty? | 0:08:46 | 0:08:50 | |
So, come on, I'm going to test your skills here, then. | 0:08:50 | 0:08:53 | |
How old is the chair and what's it made from? And don't say wood. | 0:08:53 | 0:08:56 | |
Well...is it oak? | 0:08:58 | 0:09:00 | |
Yes, it is. How can you tell? | 0:09:00 | 0:09:02 | |
-The grain, the colour... -Yeah. -It's beautiful. | 0:09:02 | 0:09:04 | |
What date would you put on it? | 0:09:04 | 0:09:05 | |
Ooh, I don't know. What do you think, Helen? About... | 0:09:05 | 0:09:08 | |
-..is it Victorian? I wouldn't know. -It looks that, doesn't it? | 0:09:09 | 0:09:12 | |
-Victorian, I would say. -Circa 1900 or something. How much is it? | 0:09:12 | 0:09:15 | |
-£295. -Hmm. | 0:09:15 | 0:09:17 | |
Shall we continue and look for some silver? | 0:09:17 | 0:09:20 | |
-We can't afford that anyway. -No, we can't. | 0:09:20 | 0:09:22 | |
Good idea, Blues. | 0:09:22 | 0:09:23 | |
And have the Reds found a winning formula? | 0:09:23 | 0:09:25 | |
-Ah, the old milk churns. -Milk churns! | 0:09:27 | 0:09:28 | |
-Milk churns. -Now... -You can use them for flowers or anything. | 0:09:28 | 0:09:31 | |
Yeah. Did you two use to deliver milk? | 0:09:31 | 0:09:33 | |
-I used to work in a factory years ago... -Did you? | 0:09:33 | 0:09:36 | |
-Was that what you used? -We didn't use... | 0:09:36 | 0:09:38 | |
Well, we did tip milk into them. We didn't actually use them to deliver. | 0:09:38 | 0:09:41 | |
-They're quite fun. -They look quite commercial, aren't they? | 0:09:43 | 0:09:46 | |
I mean, they can be used in a garden or anywhere, can't they? | 0:09:46 | 0:09:48 | |
-The only thing is, it's been painted. -It has been painted. | 0:09:48 | 0:09:51 | |
-Ah, is it, um...? It's steel. -That is, um... | 0:09:54 | 0:09:58 | |
-what I would call a reproduction. -Yeah, cos it's not aluminium, is it? | 0:09:58 | 0:10:02 | |
Absolutely. Just smell that. | 0:10:02 | 0:10:04 | |
-Yes, oh! -That's fresh paint. -Fresh paint. | 0:10:04 | 0:10:07 | |
So, you've got to sniff these things, | 0:10:07 | 0:10:09 | |
you've got to feel these things. Live and breathe antiques. | 0:10:09 | 0:10:11 | |
I never thought I'd be sniffing milk churns. | 0:10:11 | 0:10:13 | |
-Onward. -Neither did I. Moo-ve on! | 0:10:13 | 0:10:17 | |
-Yes... -Oh, my gosh! Well, I've seen something I'm in love with, | 0:10:19 | 0:10:21 | |
but I don't think we can afford it. Do you know what I'm looking at? | 0:10:21 | 0:10:25 | |
-DEALER: -Probably the owl, is it? -Yes! That! How much is it? | 0:10:25 | 0:10:30 | |
£850. | 0:10:30 | 0:10:32 | |
-We'll take ten! -You've got expensive tastes, Blues! | 0:10:32 | 0:10:35 | |
But I have got something you can have for £8. | 0:10:35 | 0:10:39 | |
-Now you're talking. -Is it a Sampson Mordan perfume bottle? | 0:10:39 | 0:10:43 | |
No, it's a lovely little lace... | 0:10:43 | 0:10:45 | |
uh, button hook. | 0:10:45 | 0:10:46 | |
-Ah. -Oh. -All fully hallmarked... | 0:10:46 | 0:10:48 | |
with a date of 1902, Birmingham. | 0:10:48 | 0:10:52 | |
OK, let's have a look at this. | 0:10:52 | 0:10:53 | |
-Can you just see the hallmarks there? -Yeah. | 0:10:53 | 0:10:56 | |
-Hmm. -Susan, have you got good eyes? | 0:10:56 | 0:10:59 | |
-Yes. -Can you see that? -I can see some bumps in the silver. | 0:10:59 | 0:11:01 | |
That's all you need to see. | 0:11:01 | 0:11:02 | |
So, that's standard, British, hallmarked silver... | 0:11:02 | 0:11:06 | |
-about the best you can get in the world. -Right. -Um... | 0:11:06 | 0:11:09 | |
You could also have this one, which is also a button hook, um, | 0:11:09 | 0:11:12 | |
a slightly larger version. | 0:11:12 | 0:11:15 | |
You could have the two for £10. | 0:11:15 | 0:11:17 | |
-A deal? -OK, right. | 0:11:17 | 0:11:19 | |
You two really are having an effect on this fella. | 0:11:20 | 0:11:22 | |
THEY LAUGH | 0:11:22 | 0:11:23 | |
OK, so this is exactly that | 0:11:23 | 0:11:26 | |
but a bigger version. | 0:11:26 | 0:11:27 | |
So, if that is to pull tight gloves, this, I suppose, | 0:11:27 | 0:11:30 | |
is to pull tight shoes...it could be even a corset of some sort. | 0:11:30 | 0:11:36 | |
And that is a piece of art! | 0:11:36 | 0:11:37 | |
-It's beautiful. -It is beautiful, yeah. | 0:11:37 | 0:11:39 | |
And I can tell you, I've never bought two more lovely button pulls | 0:11:39 | 0:11:44 | |
in such good condition for that price before. | 0:11:44 | 0:11:48 | |
-So, I think, personally, we have to have them. -I do too. -Me too. | 0:11:48 | 0:11:52 | |
-Yes? -Yes. -Great! | 0:11:52 | 0:11:53 | |
-Shake the man's hand. -That's it, fantastic! | 0:11:53 | 0:11:55 | |
-Thank you very much. -You're very welcome. -Thank you. | 0:11:55 | 0:11:58 | |
Now, that's a bargain. | 0:11:58 | 0:12:00 | |
-Good job, blues. -That's two down. However, still nowt for the reds. | 0:12:00 | 0:12:05 | |
Is this going to lighten them up, I wonder? | 0:12:05 | 0:12:07 | |
-So, Ruskin Pottery, which is exactly what this is, is collectable. -Right. | 0:12:10 | 0:12:15 | |
This is quite nice in that it's a functional object, | 0:12:15 | 0:12:17 | |
-it's not just decorative... -Yeah, yeah...yeah. | 0:12:17 | 0:12:20 | |
..and it is, of course, a lamp base. | 0:12:20 | 0:12:22 | |
Now, obviously it needs rewiring and auction houses have a policy | 0:12:22 | 0:12:27 | |
where they test electrical items for safety. | 0:12:27 | 0:12:30 | |
Got you, yeah. | 0:12:30 | 0:12:31 | |
But this one, obviously, has the old wiring in it, | 0:12:31 | 0:12:34 | |
dates from around the 1930s, so it would have to be rewired anyway. | 0:12:34 | 0:12:38 | |
So, we have got 165 on there, fellas. | 0:12:38 | 0:12:41 | |
The actually colour, is that faded? | 0:12:41 | 0:12:43 | |
Or is that meant to be like that? | 0:12:43 | 0:12:44 | |
That is exactly how it was made. | 0:12:44 | 0:12:46 | |
That, sort of, gradual changing colour of the glaze. | 0:12:46 | 0:12:50 | |
Now, Ruskin was known for what was called "art pottery". | 0:12:50 | 0:12:53 | |
So, it was pottery that was made as an art form, not just functional | 0:12:53 | 0:12:57 | |
objects but he was interested in it as forming a piece of art. | 0:12:57 | 0:13:00 | |
And you can see that this has got quite a sculptural quality to | 0:13:00 | 0:13:03 | |
-it, hasn't it? -Yeah, that's fine, yeah. | 0:13:03 | 0:13:05 | |
And these And the other good thing is that it is marked | 0:13:05 | 0:13:08 | |
-on the base...clearly. -Yeah, it's clear, yeah. | 0:13:08 | 0:13:10 | |
-What do you thin, Stu? -Yeah, I'm happy with that. | 0:13:10 | 0:13:12 | |
-Would you go for 120? -I'd go 130. | 0:13:12 | 0:13:15 | |
-125? -No, 130, I'm afraid, really is the lowest. -See, at auction... | 0:13:15 | 0:13:21 | |
What do you reckon? | 0:13:21 | 0:13:22 | |
I mean, if the right person likes it, it might well give us | 0:13:22 | 0:13:26 | |
-a good profit. On the other hand it might make £80. -Yeah. | 0:13:26 | 0:13:30 | |
-You know, it's a tricky one. -Yeah, very tricky. | 0:13:30 | 0:13:32 | |
I like the fact that your eyes were drawn to it, though. | 0:13:32 | 0:13:35 | |
And, erm, we don't know what we're looking at. | 0:13:35 | 0:13:38 | |
THEY LAUGH | 0:13:38 | 0:13:40 | |
-He's honest as the day is long. -Ain't he just. | 0:13:42 | 0:13:44 | |
Erm, 127.50. | 0:13:44 | 0:13:47 | |
Don't do 50s. | 0:13:47 | 0:13:49 | |
Go on, if it makes you happy, yeah. | 0:13:49 | 0:13:51 | |
-£127, were not allowed to do 50s. -127, yes. -Thank you very much. -OK. | 0:13:51 | 0:13:55 | |
-We've got a deal! -You've done it. -I'm speechless. | 0:13:55 | 0:13:58 | |
Me too, Kate. | 0:13:58 | 0:14:00 | |
But well done, reds. First item bought. | 0:14:00 | 0:14:03 | |
Now, is Harper testing those blues again? | 0:14:03 | 0:14:05 | |
They're Wedgwood, aren't they, rather than real Clarice Cliff. | 0:14:05 | 0:14:08 | |
Ah, right, well. OK, what is real Clarice Cliff? That's the question. | 0:14:08 | 0:14:13 | |
Because on the back of those plates, I can promise you, | 0:14:13 | 0:14:16 | |
it will say Clarice Cliff. | 0:14:16 | 0:14:17 | |
-Can I just have a look. -Right. | 0:14:17 | 0:14:19 | |
-There's Clarice Cliff, limited edition. -OK. -So... -No, no. | 0:14:23 | 0:14:29 | |
-Why? -It's the real thing or nothing. | 0:14:29 | 0:14:30 | |
OK, and what's the real thing? | 0:14:30 | 0:14:32 | |
Erm, well, with the proper stamps on the back, from the factory in | 0:14:32 | 0:14:36 | |
-Stoke-on-Trent, 1930s, honey glaze. -OK, yes, so from the early days. | 0:14:36 | 0:14:40 | |
-I mean, they're quite modern, aren't they? -Yes. | 0:14:40 | 0:14:43 | |
So, I think that Wedgwood and companies like that bought out a | 0:14:43 | 0:14:46 | |
selection of plates that you collect. | 0:14:46 | 0:14:48 | |
-That's right, so, it's a very late version. -Yeah. | 0:14:48 | 0:14:52 | |
-It's got a Clarice Cliff feel to it. -Mmm, but it's not the real thing. | 0:14:52 | 0:14:55 | |
It's not the real deal. | 0:14:55 | 0:14:56 | |
-It's not going to make any profit, I don't think. -No. | 0:14:56 | 0:14:59 | |
It's a good value for money plate. | 0:14:59 | 0:15:00 | |
Right, come on then, we shall move on. | 0:15:00 | 0:15:03 | |
They know their stuff, David. | 0:15:03 | 0:15:04 | |
And modern Clarice Cliff, made by Wedgwood, is not for them. | 0:15:04 | 0:15:08 | |
Meanwhile, it looks like the reds have heard about the deal | 0:15:08 | 0:15:11 | |
the blues got. They're at the same stall. | 0:15:11 | 0:15:14 | |
-What do you think of this? -Well, that's very sweet, isn't it? | 0:15:16 | 0:15:20 | |
So, this is a little cruet set, guys, | 0:15:20 | 0:15:23 | |
lovely little cut glass bottle there. | 0:15:23 | 0:15:26 | |
-You've got a silver stand and it's Victorian silver too. -Right. | 0:15:29 | 0:15:34 | |
That's quite sweet, ain't it? | 0:15:34 | 0:15:35 | |
It's the sort of thing people still use today, actually. | 0:15:35 | 0:15:38 | |
-Oh, right, yeah. -So, it's still commercial. -Yeah. What's it up for? | 0:15:38 | 0:15:43 | |
So, it's up for, we've got 135 on there. | 0:15:43 | 0:15:46 | |
What could be your very best on it? | 0:15:46 | 0:15:48 | |
-Very best could be £80. -OK. | 0:15:48 | 0:15:51 | |
I'm getting that you're not particularly in love with this. | 0:15:51 | 0:15:54 | |
-Am I getting this right? -I've spotted something in the cabinet over there. -OK. | 0:15:54 | 0:15:57 | |
-So, if we could have a look at that first. -OK, would you mind | 0:15:57 | 0:16:00 | |
just holding on to it for us, just for, say, five minutes. | 0:16:00 | 0:16:02 | |
These posties just can't make decisions, Kate. | 0:16:04 | 0:16:06 | |
Now, has Susan spotted some old Clarice Cliff? | 0:16:08 | 0:16:11 | |
-That's a nice design, isn't it? -Yeah. | 0:16:11 | 0:16:14 | |
Let's have a look on the inside there. | 0:16:14 | 0:16:17 | |
There's her signature, so it's in date. | 0:16:17 | 0:16:20 | |
It's the time when Clarice was really active and it's very, | 0:16:20 | 0:16:24 | |
very pretty. | 0:16:24 | 0:16:25 | |
-It is very pretty. -Price wise... | 0:16:25 | 0:16:28 | |
-Yeah. -How much is it? -It's a lot, actually. It's £125. | 0:16:28 | 0:16:32 | |
Mmm... | 0:16:35 | 0:16:36 | |
I think we should carry on looking, don't you? | 0:16:36 | 0:16:38 | |
-Do you think so? -Yeah, it's very nice and we can always come back | 0:16:38 | 0:16:43 | |
but I'm sure there are other bargains out there. | 0:16:43 | 0:16:45 | |
It's all about that price tag, blues. | 0:16:45 | 0:16:48 | |
Isn't it, reds? | 0:16:48 | 0:16:50 | |
Well, it was made in 1905, in Birmingham | 0:16:50 | 0:16:54 | |
and it has a price of 345 on it. | 0:16:54 | 0:16:57 | |
So, you have a go the most fantastic taste, Stuart, but for our budget... | 0:16:57 | 0:17:00 | |
-No. -Unfortunately, it's not helpful. | 0:17:00 | 0:17:03 | |
Do you know, the best buy, to give us | 0:17:03 | 0:17:05 | |
a good chance of profit is the cruet. | 0:17:05 | 0:17:07 | |
It is, yes and it's our second buy as well, so... | 0:17:07 | 0:17:10 | |
Well, I want to go for it. It's just you, holding everyone back. | 0:17:10 | 0:17:13 | |
Oh, am I? Yes, that's me, yes. | 0:17:13 | 0:17:14 | |
-It's my choice, you said that. -THEY LAUGH | 0:17:14 | 0:17:17 | |
Right, stop the argy-bargy, we'll say, "Yes, please." | 0:17:17 | 0:17:19 | |
Yes, we'll go with the cruet. | 0:17:19 | 0:17:22 | |
Thank you very much. | 0:17:22 | 0:17:23 | |
You're very welcome. | 0:17:23 | 0:17:24 | |
Thank you, proper job. | 0:17:24 | 0:17:26 | |
Proper job, indeed, reds. | 0:17:26 | 0:17:27 | |
That's two in the bag or should I say, sack. | 0:17:27 | 0:17:30 | |
-Two items down. -I know, it's brilliant that we've got two | 0:17:30 | 0:17:32 | |
but we haven't got much time left, really, to find another one. | 0:17:32 | 0:17:35 | |
-I feel really under pressure now. -Yes. | 0:17:35 | 0:17:37 | |
-So, we need to find something. -Yes. -Quite quickly. | 0:17:37 | 0:17:39 | |
Now, we've got about 12 minutes and the panic has started to set in | 0:17:39 | 0:17:42 | |
but it's a great feeling cos we are now flying by the seat of our pants. | 0:17:42 | 0:17:47 | |
Indeed we are, David. | 0:17:47 | 0:17:49 | |
And what's Andy spied? | 0:17:49 | 0:17:52 | |
Hey, look at these Stu? | 0:17:53 | 0:17:55 | |
-I've heard about this, I don't know if I'm right... -Yes. | 0:17:55 | 0:17:58 | |
..but they using these on the catwalks. | 0:17:58 | 0:18:00 | |
They're trying to fuse fashion and Victoriana | 0:18:00 | 0:18:04 | |
and it's sort of like sci-fi. | 0:18:04 | 0:18:05 | |
There's a whole movement, sort of cult, they call it steampunk | 0:18:05 | 0:18:10 | |
so you think these are going to be really in? | 0:18:10 | 0:18:13 | |
-I think they will. -Yeah. | 0:18:13 | 0:18:14 | |
Let's have a closer look at them. | 0:18:14 | 0:18:16 | |
They very much in the Victorian style. | 0:18:16 | 0:18:19 | |
You get a lot of reproductions of this sort of thing, just to warn you. | 0:18:19 | 0:18:23 | |
I'm impressed you pick these out, Andy, because they're not | 0:18:23 | 0:18:25 | |
the kind of thing I expect two postmen to pick out. | 0:18:25 | 0:18:28 | |
Well, his eyesight is going, I must admit. | 0:18:28 | 0:18:31 | |
LAUGHTER | 0:18:31 | 0:18:32 | |
I'm glad you said that, Stuart. | 0:18:32 | 0:18:33 | |
Let's have a quick squinny over here. | 0:18:33 | 0:18:35 | |
That could be our desperate buy. | 0:18:35 | 0:18:37 | |
# Oh yes, wait a minute Mr Postman...# | 0:18:37 | 0:18:40 | |
-Let's have a delve in here then, because time really is... -Yes. | 0:18:40 | 0:18:43 | |
..precious now. Are you drawn to anything like that? | 0:18:43 | 0:18:47 | |
-I've got one of those at home. -Have you? -Yes. -How old is yours? | 0:18:47 | 0:18:52 | |
-I don't know. -Where did you get it from? -My father gave it to me. | 0:18:52 | 0:18:55 | |
-Right. -Hm. -How all you think that is? -It looks quite old. | 0:18:55 | 0:18:59 | |
-Yeah, it does look old. -I think it's an antiquity. | 0:18:59 | 0:19:02 | |
And it's possibly 1,000 years old, it might be 2,000 years old. | 0:19:02 | 0:19:08 | |
And look, there's your price ticket 50 quid. | 0:19:08 | 0:19:11 | |
For an ancient piece of pottery. | 0:19:11 | 0:19:14 | |
-Wow! -Are you intrigued, interested? -I am, are you? -I am, actually. Yeah. | 0:19:15 | 0:19:20 | |
I think it's nice that it could have lot's of history. | 0:19:20 | 0:19:24 | |
It's a food jar of some sort. There's another one there. | 0:19:24 | 0:19:27 | |
Yeah, be nice as a pair. | 0:19:27 | 0:19:28 | |
I'll ask the chap, what could be the trade on those two? | 0:19:28 | 0:19:31 | |
Who's your opposition? | 0:19:31 | 0:19:32 | |
-Kate Bliss. -80. | 0:19:34 | 0:19:36 | |
LAUGHTER | 0:19:36 | 0:19:37 | |
And that would be the best. | 0:19:37 | 0:19:39 | |
-Now, now, we all love Kate. -What do you think? | 0:19:39 | 0:19:42 | |
-They're not going to be everybody's cup of tea, are they? I really like them. -OK. | 0:19:42 | 0:19:46 | |
The big danger is, we pay 80 quid for them, we believe that they're | 0:19:46 | 0:19:49 | |
antiquities, they've got 2,000 years to them, | 0:19:49 | 0:19:51 | |
other people don't believe and don't understand and they'll only pay 20 quid. | 0:19:51 | 0:19:55 | |
However, if they're catalogued as being as being genuine antiquities, | 0:19:55 | 0:19:59 | |
-they might make 120, 140. -OK. -Right. | 0:19:59 | 0:20:01 | |
-What do you reckon, live on the edge? -Come on, let's live on the edge. | 0:20:01 | 0:20:04 | |
-Let's do it. -Oh! | 0:20:04 | 0:20:06 | |
-Are you going to live on the edge? -We're gonna live on the edge. -Shake his hand. | 0:20:06 | 0:20:09 | |
-We like a risk taker. -We do, we do. | 0:20:09 | 0:20:11 | |
Always good to live on the edge, Blues. Job done. | 0:20:11 | 0:20:13 | |
Now, Kate has found something of interest for our posties. | 0:20:15 | 0:20:18 | |
We've got three pieces over the Cabinet here that we're looking at. | 0:20:18 | 0:20:22 | |
We've got this lovely pig pin cushion which is smaller than the one | 0:20:22 | 0:20:25 | |
we looked that previously, but it's marked at 195. | 0:20:25 | 0:20:29 | |
So let's discount that, but what we've got here are two little stamp holders, | 0:20:29 | 0:20:34 | |
now given you're postmen, I think they're pretty appropriate? | 0:20:34 | 0:20:37 | |
-Yeah, they do fit, don't they? -They do. | 0:20:37 | 0:20:40 | |
Now, this is the nicer example because it's a double one, | 0:20:40 | 0:20:43 | |
so you could fit two stamps in here. | 0:20:43 | 0:20:45 | |
Do you see, it's got two compartments. | 0:20:45 | 0:20:47 | |
And this one is properly hallmarked for English silver. | 0:20:47 | 0:20:51 | |
However, it is £95. | 0:20:51 | 0:20:54 | |
This one, is smaller with one compartment. | 0:20:55 | 0:20:59 | |
-It hasn't got the full hallmark but it's a lot cheaper. -Yeah. | 0:20:59 | 0:21:04 | |
-And the gentleman has said we can have it for 50. -Right. | 0:21:04 | 0:21:07 | |
What do you think? | 0:21:07 | 0:21:08 | |
I think you've got slightly more chance with the cheaper one. | 0:21:10 | 0:21:14 | |
-With that one. -I do, what do we think? -What you think? -I... | 0:21:14 | 0:21:17 | |
-..we'll go with this one, shall we? -Which one? -The smaller one, yeah? | 0:21:17 | 0:21:20 | |
-So that is 50, he can do that for 50. Last, final answer... -Done. | 0:21:20 | 0:21:25 | |
My final answer is, don't you think we should have the double one? | 0:21:25 | 0:21:29 | |
You prefer the double one? | 0:21:29 | 0:21:31 | |
Well no, it's not my decision, you like small one? | 0:21:31 | 0:21:34 | |
-I'm thinking of the profit. -Are you decisive in your jobs? | 0:21:34 | 0:21:37 | |
-It depends. -I am. | 0:21:38 | 0:21:39 | |
SHE LAUGHS | 0:21:39 | 0:21:41 | |
So final answer, we're gonna go for this one? | 0:21:41 | 0:21:43 | |
-We're going for the little one, yeah. -OK, we've got it, final item. | 0:21:43 | 0:21:47 | |
-We've done it. -Brilliant. -Thank you. -Well done. -Sigh of relief. | 0:21:47 | 0:21:50 | |
Well done, Reds. | 0:21:50 | 0:21:52 | |
# Here I am, signed, sealed, delivered, I'm yours. # | 0:21:52 | 0:21:55 | |
Cor! Stop the clock. 60 minutes have gone by in a flash. | 0:21:55 | 0:22:00 | |
Let's check out what the Red Team bought, Eh? | 0:22:00 | 0:22:02 | |
They spent £127 on the 1930s Ruskin pottery lamp base. | 0:22:02 | 0:22:07 | |
The Victorian silver and cut glass cruet set set them back £80. | 0:22:11 | 0:22:17 | |
And the Edwardian silver stamp case in the form of an envelope cost them £50. | 0:22:17 | 0:22:22 | |
Well, chaps, that was exciting, wasn't it? | 0:22:23 | 0:22:25 | |
-Brilliant, really good fun. -Yeah, you had a great time. | 0:22:25 | 0:22:27 | |
-Now, which is your favourite piece, Andy? -The cruet set. | 0:22:27 | 0:22:29 | |
-Cruet, what about you, Stuart? -Yeah, I think I'm going with that one. | 0:22:29 | 0:22:33 | |
-Is that going to bring the biggest profit? -I think so, yeah. | 0:22:33 | 0:22:35 | |
-How much did you spend in total? -We spent £257. | 0:22:35 | 0:22:39 | |
That is such a good amount of money. £43 of leftover lolly. | 0:22:39 | 0:22:43 | |
-That's mature, 257. Isn't it? -There was no stopping them. | 0:22:43 | 0:22:48 | |
Lovely, I love it. OK, there we go, that's slightly warm. Very good. | 0:22:48 | 0:22:52 | |
That's a depleted haul for you, Kate Bliss. | 0:22:52 | 0:22:55 | |
-But that won't stop you, girl, will it? -Not if I can help it. -Quite! | 0:22:55 | 0:22:59 | |
Anyway, good luck, good luck, good luck, meanwhile, | 0:22:59 | 0:23:02 | |
we're going to check out what the Blue Team bought, aren't we? | 0:23:02 | 0:23:05 | |
The little bear was just right for the Blues at £80. | 0:23:05 | 0:23:09 | |
They pay £10 for the two Edwardian silver handled button hooks. | 0:23:10 | 0:23:15 | |
And finally, the pair of terracotta twin handle pots cost them £80. | 0:23:16 | 0:23:21 | |
-Now, tell me, Susan, which is your favourite piece? -The teddy bear. | 0:23:23 | 0:23:27 | |
Susan's bear, so yes. | 0:23:27 | 0:23:28 | |
-It's got to be, it's got your name on it. OK, what about you? -Yeah, it's the bear. | 0:23:28 | 0:23:32 | |
It's the favourite, it it's not going to bring the biggest profit? | 0:23:32 | 0:23:35 | |
-No, it's not. -What's going to be the biggest profit? | 0:23:35 | 0:23:37 | |
-I think it's the silver hooks. -OK, do you agree with that? | 0:23:37 | 0:23:40 | |
-Agree. -You're very welded up you two, which is lovely. | 0:23:40 | 0:23:43 | |
-And what did you spend in total? -We spent £170. | 0:23:43 | 0:23:46 | |
£170, so I get £130 of leftover lolly, please. That's marvellous. | 0:23:46 | 0:23:51 | |
-There's your 130, I won't count it, I trust you. -No, no. | 0:23:51 | 0:23:53 | |
-You won't count it because you trust them? -Oh I trust them. | 0:23:53 | 0:23:56 | |
Every body is just so trusting and loving on the show. | 0:23:56 | 0:23:59 | |
David, what are you going to spend all that cash on? | 0:23:59 | 0:24:01 | |
-You know that they say that compliments get you everywhere? -Oh yes. | 0:24:01 | 0:24:05 | |
I'm going to buy something that might sort of fall into that category. | 0:24:05 | 0:24:10 | |
-In the complimentary end? -Yeah. | 0:24:10 | 0:24:12 | |
-Girl complimentary or boy complimentary? -No, not you! These two! | 0:24:12 | 0:24:17 | |
-I thought you cared too? -Oh I do, I do. -Very good fun. | 0:24:17 | 0:24:22 | |
Meanwhile, we're going to have a look at a curious collection | 0:24:22 | 0:24:25 | |
in an even more curious house. | 0:24:25 | 0:24:28 | |
I'm in Exmouth at A La Ronde, a unique 16 sided, | 0:24:44 | 0:24:50 | |
National Trust property that was built at the end of the 18th century | 0:24:50 | 0:24:54 | |
by a brace of cousins, Jane and Mary Parminter. | 0:24:54 | 0:24:59 | |
These girls had travelled extensively in Europe and wanted to develop a country retreat, | 0:24:59 | 0:25:06 | |
so built this place as a reminder of what they loved in Italy and as | 0:25:06 | 0:25:11 | |
a space to house their considerable collection of collectables. | 0:25:11 | 0:25:16 | |
Jane and Mary were away on their grand tour | 0:25:27 | 0:25:30 | |
from June 1784 for about seven years. | 0:25:30 | 0:25:36 | |
Now that's quite some gap year! | 0:25:36 | 0:25:39 | |
And as incredible collectors throughout their lives, | 0:25:39 | 0:25:43 | |
it isn't surprising they brought back a whole lot of souvenirs. | 0:25:43 | 0:25:47 | |
Now, once upon a time this was a standard 1780s or 1790s | 0:25:47 | 0:25:52 | |
mahogany breakfront bookcase, until the girls got at it | 0:25:52 | 0:25:56 | |
and decided the central section would be far better as a place | 0:25:56 | 0:26:01 | |
to display part of their collections. | 0:26:01 | 0:26:04 | |
So, one of these shelves contains small shells, | 0:26:04 | 0:26:08 | |
all beautifully compartmentalised in their little boxes. | 0:26:08 | 0:26:13 | |
And above that, a shelf with geological specimens, | 0:26:13 | 0:26:17 | |
including Derbyshire Blue John, a piece of Egyptian porphyry. | 0:26:17 | 0:26:22 | |
And here, some Algerian onyx. So, let's have a delve inside, shall we? | 0:26:22 | 0:26:28 | |
It's latex glove time, to protect the contents. | 0:26:28 | 0:26:32 | |
Let's have a little grab, shall we? | 0:26:33 | 0:26:36 | |
Here is a beautifully carved, if rather distressed, coconut. | 0:26:36 | 0:26:43 | |
And I think this dates from the period of the French Revolution. | 0:26:43 | 0:26:47 | |
With every part and parcel of this shell, most beautifully carved. | 0:26:47 | 0:26:52 | |
How the girls acquired that, I haven't got the faintest idea. | 0:26:53 | 0:26:57 | |
Not far away from that, look, is the delicious looking apple. | 0:26:57 | 0:27:01 | |
Look at that. Isn't that lovely? You could take a bite out of it. | 0:27:01 | 0:27:05 | |
Well, if you tried it you'd have a problem | 0:27:05 | 0:27:07 | |
because this thing is made of stone. Probably alabaster. | 0:27:07 | 0:27:11 | |
A typical tourist piece from Italy | 0:27:11 | 0:27:14 | |
and I just love the way the carver has shoved a little | 0:27:14 | 0:27:18 | |
piece of timber into one end to make it look like a realistic stalk. | 0:27:18 | 0:27:22 | |
Now, if we drop down a shelf or two, here's a slab of wood, look. | 0:27:24 | 0:27:29 | |
Woo-ho, look at that. Now, isn't that interesting? | 0:27:29 | 0:27:34 | |
Because what we've got here is an ancient piece of timber | 0:27:34 | 0:27:37 | |
that's been coated in a sort of gesso substance | 0:27:37 | 0:27:42 | |
and then it's decorated with all sorts of hieroglyphics. | 0:27:42 | 0:27:45 | |
Which looks to me as if it could be a slab from an Egyptian tomb, | 0:27:46 | 0:27:53 | |
possibly from a mummy containing a pharaoh. | 0:27:53 | 0:27:58 | |
How odd is that? | 0:27:58 | 0:27:59 | |
But just the sort of thing that would intrigue the late | 0:28:00 | 0:28:05 | |
Georgian women and they'd want to acquire that | 0:28:05 | 0:28:09 | |
and stick it in their cabinet of curiosities. | 0:28:09 | 0:28:13 | |
Because that's what this is, the curious and obscure. | 0:28:13 | 0:28:17 | |
Look at this, nothing is too humble to attract the attention of the Parminter girls. | 0:28:17 | 0:28:25 | |
It probably came from just down the road on the ex-estuary. | 0:28:25 | 0:28:30 | |
It's a dried pod of seaweed that intrigued them | 0:28:30 | 0:28:33 | |
enough to pop it in their cabinet. | 0:28:33 | 0:28:36 | |
What's going to intrigued us now, | 0:28:36 | 0:28:38 | |
is which of our teams are going to make a profit over at the auction. | 0:28:38 | 0:28:42 | |
Well, we're at Bearnes, Hampton and Littlewoods sale room | 0:28:48 | 0:28:52 | |
with Brian Goodison-Blanks. How are you? | 0:28:52 | 0:28:55 | |
-I'm fine, thank you very much. -Lovely to be here. | 0:28:55 | 0:28:57 | |
Now, first up for the Reds is the Ruskin pottery lamp, do you like that? | 0:28:57 | 0:29:01 | |
I do, I like that it's a rather good piece | 0:29:01 | 0:29:04 | |
-and the colours are good as well. -Fantastic colour. | 0:29:04 | 0:29:07 | |
Very stylish, very kind of modernist, how much do you think for that? | 0:29:07 | 0:29:10 | |
Because it's a later piece about sort of £30-£50 at auction. | 0:29:10 | 0:29:13 | |
Oh dear, oh dear, oh dear. They paid £127. That is an up hill struggle. | 0:29:13 | 0:29:18 | |
-It is towards the top of the retail market for it. -Yeah, you bet it is. | 0:29:18 | 0:29:21 | |
Anyway, there we go. | 0:29:21 | 0:29:23 | |
Next is the cruet which are always difficult things I think, to sell but at least it's silver? | 0:29:23 | 0:29:27 | |
Yes, it's nicely marked on the underside, it's a London maker | 0:29:27 | 0:29:30 | |
and is dated 1889, so it has the hallmarks. | 0:29:30 | 0:29:33 | |
Nice little things for sort of high days and holidays for the table. | 0:29:33 | 0:29:36 | |
So, how much? | 0:29:36 | 0:29:38 | |
I'd say about sort of £60-£70 with the current silver prices. | 0:29:38 | 0:29:41 | |
-They paid £80, so that's about on the button. -About right, yes. | 0:29:41 | 0:29:44 | |
And now they seem to have come up with a first-class idea, | 0:29:44 | 0:29:47 | |
the stamp envelope, do you like that? | 0:29:47 | 0:29:50 | |
It's an interesting little thing, isn't it? | 0:29:50 | 0:29:52 | |
It's unusual because of the construction and it's very thin, unfortunately. | 0:29:52 | 0:29:56 | |
So, it's one of those sort of novelty items, I think. | 0:29:56 | 0:29:59 | |
It's thin, it's not hallmarked, so there are a few things going against it. | 0:29:59 | 0:30:03 | |
What's your estimate? | 0:30:03 | 0:30:05 | |
Well, again because it's not probably hallmarked, £10-£20. | 0:30:05 | 0:30:08 | |
OK, £50 paid. Well, what with that and the Ruskin candlestick, | 0:30:08 | 0:30:11 | |
I'm getting a bit of a killer blow here and they are definitely going to | 0:30:11 | 0:30:15 | |
need their bonus by, so let's go and have a look at it. | 0:30:15 | 0:30:18 | |
Now, Andy, Stu, you've spent up magnificently, you spent 257, | 0:30:18 | 0:30:22 | |
you gave Kate £43. We challenged Kate, what did you find? | 0:30:22 | 0:30:27 | |
Well this is what I found, boys. | 0:30:27 | 0:30:30 | |
It looks like a book, but actually if we opened this lovely spring-loaded catch | 0:30:30 | 0:30:37 | |
like so and have a look inside, you can see | 0:30:37 | 0:30:40 | |
-that actually it's a photograph album. -Very nice. | 0:30:40 | 0:30:44 | |
So what you have is a beautiful Victorian album, great condition | 0:30:44 | 0:30:49 | |
for something that probably 1870 in date, 1880, something like that. | 0:30:49 | 0:30:54 | |
You've got quite a lot of lovely photographs, | 0:30:54 | 0:30:58 | |
but done in a special size, that was literally visiting card size, | 0:30:58 | 0:31:03 | |
which became popular in the late 1850s. | 0:31:03 | 0:31:06 | |
So have a little look. | 0:31:06 | 0:31:08 | |
-Are these popular now? -Very collectable. | 0:31:08 | 0:31:11 | |
-I like them. -Do you...? -What about you? | 0:31:11 | 0:31:13 | |
-Yeah, it's very nice. -How much did you spend? | 0:31:13 | 0:31:16 | |
You left me 43, I spend 40. | 0:31:16 | 0:31:19 | |
-Very good. -Oh. | 0:31:19 | 0:31:21 | |
-That's impressive, isn't it? -How much do you reckon? | 0:31:21 | 0:31:23 | |
How much do I reckon? | 0:31:23 | 0:31:24 | |
I would hope, on a good day - I'm going to stick my neck out now | 0:31:24 | 0:31:28 | |
and say that would make £60-£80. | 0:31:28 | 0:31:31 | |
But we shall have to see. Nothing, I'm afraid, | 0:31:31 | 0:31:33 | |
-is guaranteed at auction. -No. | 0:31:33 | 0:31:35 | |
Nothing, indeed, is guaranteed in life. | 0:31:35 | 0:31:38 | |
No, that's true. | 0:31:38 | 0:31:39 | |
Anyway, right now, let's find out, for the audience at home, whether | 0:31:39 | 0:31:42 | |
the auctioneer is predicting a first-class result on Kate's album. | 0:31:42 | 0:31:46 | |
There we go, Brian. | 0:31:48 | 0:31:49 | |
That's a nice little carte de visite album, isn't it? | 0:31:49 | 0:31:51 | |
It's nicely embossed to the front, and the spring clips there. | 0:31:51 | 0:31:55 | |
Also, it's nicely illustrate inside with plenty of little portraits. | 0:31:55 | 0:31:59 | |
They're wonderful little pieces, | 0:31:59 | 0:32:01 | |
they way they're dressed and their fashions, | 0:32:01 | 0:32:03 | |
and it's a good insight into lives at the time. | 0:32:03 | 0:32:05 | |
Yeah. What is that? Sort of 1880? | 0:32:05 | 0:32:07 | |
About 1880/1890, isn't it? | 0:32:07 | 0:32:09 | |
Particularly with the lithograph of the flowers around the fames. | 0:32:09 | 0:32:12 | |
Yes, just to doll it up a bit. | 0:32:12 | 0:32:14 | |
-Nice little thing. -What do you think it's worth? | 0:32:14 | 0:32:16 | |
-Probably about £30-£40. -OK, fine. | 0:32:16 | 0:32:17 | |
Kate paid 40. And who knows? | 0:32:17 | 0:32:20 | |
It may ignite the enthusiasm of one of your buyers - I hope so. | 0:32:20 | 0:32:24 | |
Anyway, that's it for the Reds, now for the Blues. | 0:32:24 | 0:32:27 | |
This is one of your specialities. | 0:32:27 | 0:32:28 | |
Yes, one of the areas I deal with - we do see a lot of teddies. | 0:32:28 | 0:32:31 | |
He's Merrythought. So, the factory was founded in 1930 | 0:32:31 | 0:32:34 | |
and he's very typical mid-20th century. | 0:32:34 | 0:32:36 | |
He's had a hard life - quite a bit of wear to him. | 0:32:36 | 0:32:39 | |
The fact that he's hardly got any fur left, | 0:32:39 | 0:32:41 | |
is that detrimental to the value? | 0:32:41 | 0:32:43 | |
A little bit, | 0:32:43 | 0:32:45 | |
but to some people it's an attractive thing cos he's well-loved. | 0:32:45 | 0:32:47 | |
-OK, so no hair equals well-loved? -It has the label on the foot as well, | 0:32:47 | 0:32:51 | |
so quite popular amongst teddy bear collectors. | 0:32:51 | 0:32:54 | |
Probably about £30-£50. | 0:32:54 | 0:32:56 | |
Oh, dear. £80 paid. | 0:32:56 | 0:32:58 | |
Not popular enough, I'd say. | 0:32:58 | 0:33:00 | |
Now, next are the two button hooks, which have to be the most | 0:33:00 | 0:33:04 | |
useless pieces of kit ever to populate a 21st-century home. | 0:33:04 | 0:33:08 | |
I can't think of anything that you could use them for in the modern day. | 0:33:08 | 0:33:11 | |
-No. -But decorative pieces. -How much? | 0:33:11 | 0:33:14 | |
-We'd suggest £10-£15. -OK. Fine. | 0:33:14 | 0:33:16 | |
£10 paid, so that's easy. | 0:33:16 | 0:33:17 | |
And lastly, we've got the two funerary vases. | 0:33:17 | 0:33:22 | |
Yes, antiquities are always very difficult to give | 0:33:22 | 0:33:25 | |
a valuation on cos you need a great deal of provenance for them. | 0:33:25 | 0:33:28 | |
You would need to know where they were excavated, | 0:33:28 | 0:33:30 | |
-who they were excavated by... -Erm, how much? | 0:33:30 | 0:33:33 | |
-£80-£120. -Really?! -Yes. -Do you think as much as that? | 0:33:33 | 0:33:37 | |
On a good day with a fair wind. | 0:33:37 | 0:33:38 | |
Susan and Helen will be overjoyed cos they only paid £80. | 0:33:38 | 0:33:42 | |
Anyway, that's it. | 0:33:42 | 0:33:43 | |
Let's take a birds eye at the bonus buy. | 0:33:43 | 0:33:45 | |
-OK, girls, this is exciting, isn't it? -Very exciting! | 0:33:47 | 0:33:49 | |
You gave the Harper £130. David, what did you spend it on? | 0:33:49 | 0:33:53 | |
OK. Something very, very special. | 0:33:53 | 0:33:56 | |
-Wow. -Wow. | 0:33:56 | 0:33:57 | |
It's an amazing scientific instrument. | 0:33:57 | 0:34:00 | |
-It's a calendar. -Yeah. | 0:34:02 | 0:34:03 | |
But, you know, we're used to calendars January to December, | 0:34:03 | 0:34:07 | |
this is the year 1900 to the year 2000. | 0:34:07 | 0:34:11 | |
-It's a 100-year-span, perpetual calendar. -It's beautiful. | 0:34:11 | 0:34:14 | |
It is so clever, it's unbelievable. | 0:34:14 | 0:34:17 | |
So how does it work? | 0:34:17 | 0:34:18 | |
It has got the most unbelievably complicated calculus within | 0:34:18 | 0:34:22 | |
the radius of that arc, right? | 0:34:22 | 0:34:25 | |
It is so clever... | 0:34:25 | 0:34:26 | |
Where was it made, Dave? | 0:34:26 | 0:34:28 | |
Made in India, dated on the reverse 1916. | 0:34:28 | 0:34:32 | |
All hand-chased, all hand-decorated. | 0:34:32 | 0:34:35 | |
It's great. How much did it cost? | 0:34:35 | 0:34:36 | |
-£30. -Wow. -Brilliant. | 0:34:36 | 0:34:39 | |
"Wow" exactly. | 0:34:39 | 0:34:40 | |
I can have hours of fun with this, it's ridiculous. | 0:34:40 | 0:34:43 | |
We can tell! | 0:34:43 | 0:34:46 | |
So how much profit do think that would make? | 0:34:46 | 0:34:48 | |
I've never bought anything quite like that before, | 0:34:48 | 0:34:50 | |
so I think 30-50 would be a very sensible estimate. | 0:34:50 | 0:34:53 | |
It could make 100 quid. | 0:34:53 | 0:34:55 | |
-OK, fine. Well, we like it, don't we? -We do. -We do. | 0:34:55 | 0:34:57 | |
You don't have to calculate right now whether you want to take it | 0:34:57 | 0:35:00 | |
or not, you do that after the sale of your first three items. | 0:35:00 | 0:35:03 | |
But let's find out what the auctioneer makes of Dave's calendar. | 0:35:03 | 0:35:07 | |
Right then... Here we go, Brian. | 0:35:09 | 0:35:11 | |
-What do you think of that? -That's rather good fun, isn't it? | 0:35:11 | 0:35:14 | |
-I think it's super. -It's excellent. | 0:35:14 | 0:35:15 | |
And to have all the dates worked out from 1900 through to 2000, from | 0:35:15 | 0:35:20 | |
the early 20th century to the end of the 20th century, it's a good piece. | 0:35:20 | 0:35:23 | |
Yes, it sure is. | 0:35:23 | 0:35:24 | |
It's a bygone from the time of the Raj, I'd guess, yes? | 0:35:24 | 0:35:28 | |
It is. It's dated on the back as 1916 with the patent number. | 0:35:28 | 0:35:31 | |
Obviously, out of date now, | 0:35:31 | 0:35:33 | |
but a nice little souvenir of the 20th century. | 0:35:33 | 0:35:35 | |
What's it worth? | 0:35:35 | 0:35:36 | |
-It's probably, at the moment, about £15-£25. -OK. | 0:35:36 | 0:35:39 | |
It needs to £30 plus to make David Harper happy, | 0:35:39 | 0:35:42 | |
but maybe the team won't go with it. | 0:35:42 | 0:35:44 | |
That is the fun of the auction, yes? | 0:35:44 | 0:35:47 | |
-Yes, it is. -Yes, it is. | 0:35:47 | 0:35:48 | |
Andy, Stewart, this is good, isn't it? | 0:35:56 | 0:35:59 | |
I mean, look at this lovely auction room, | 0:35:59 | 0:36:01 | |
stuffed up with people, all come here to buy your Ruskin lamp. | 0:36:01 | 0:36:04 | |
-That's the one. -That's the one we need them to buy. | 0:36:04 | 0:36:06 | |
Anyway, you paid £127 for it, | 0:36:06 | 0:36:08 | |
his estimate is pretty miserable at £30-£50. | 0:36:08 | 0:36:11 | |
Thank you very much(!) | 0:36:11 | 0:36:12 | |
He clearly doesn't know about the wonders of Ruskin. | 0:36:12 | 0:36:15 | |
Let us hope that the Ruskin will take off. | 0:36:15 | 0:36:17 | |
It's the first item and it's coming up now. | 0:36:17 | 0:36:20 | |
Lot 152 is the Ruskin pottery lamp base - 1930s, conical form. | 0:36:20 | 0:36:25 | |
And interest here with me at 35. 40. | 0:36:25 | 0:36:30 | |
At £40 here. Five elsewhere now? | 0:36:30 | 0:36:33 | |
At £40. 45. | 0:36:33 | 0:36:35 | |
50. Five? 60. Five? | 0:36:35 | 0:36:37 | |
-65. 70. Five? -Come on! | 0:36:37 | 0:36:40 | |
With me, commission bid at £70 then. | 0:36:40 | 0:36:42 | |
-And five now told elsewhere. -Come on! | 0:36:42 | 0:36:44 | |
My commission bid then at £70. | 0:36:44 | 0:36:46 | |
And selling at 70... | 0:36:46 | 0:36:48 | |
Bad luck, chaps. | 0:36:48 | 0:36:49 | |
That's a shame. | 0:36:49 | 0:36:51 | |
£70. That's 30 off. Minus 57. | 0:36:51 | 0:36:55 | |
Look out here comes the cruet. | 0:36:55 | 0:36:57 | |
London maker there for the four-bottled cruet. | 0:36:57 | 0:36:59 | |
And commissions here with me at 45, 48. | 0:36:59 | 0:37:02 | |
£48 I have. | 0:37:02 | 0:37:04 | |
Do I have 50 in the room at all? | 0:37:04 | 0:37:06 | |
50 I have. I am out then at £50. | 0:37:06 | 0:37:08 | |
That's very cheap! | 0:37:08 | 0:37:10 | |
-At £50 beside me. -Oh, come on! | 0:37:10 | 0:37:13 | |
£50 only then. Selling then at £50... | 0:37:13 | 0:37:16 | |
Minus £30. | 0:37:16 | 0:37:17 | |
That's not right either, I can tell you that. | 0:37:17 | 0:37:20 | |
We're cruising for a losing. | 0:37:20 | 0:37:22 | |
Lot 154 is the sterling stamp case and commissions with me at 8, 10, 12. | 0:37:22 | 0:37:30 | |
£12 I have. 14 now? | 0:37:30 | 0:37:32 | |
14, 16, 18 - commissions out. It's £18 here. | 0:37:33 | 0:37:37 | |
£20, anybody else? | 0:37:37 | 0:37:39 | |
Quite sure then. | 0:37:39 | 0:37:40 | |
20 internet. 22, sir? 22. | 0:37:40 | 0:37:42 | |
-25 internet. -Oh, hang on. | 0:37:42 | 0:37:45 | |
No, £22. The bidding's now in the room at £22. | 0:37:45 | 0:37:48 | |
25 on the internet now. | 0:37:48 | 0:37:49 | |
28, sir? | 0:37:49 | 0:37:50 | |
28. 30 now internet? | 0:37:50 | 0:37:52 | |
Oh, come on up. | 0:37:52 | 0:37:54 | |
Anybody else at 30 then? | 0:37:54 | 0:37:56 | |
Quite sure then? Selling now at £28. | 0:37:56 | 0:37:58 | |
That is a loss of £22, which means, overall, you're minus 109. | 0:38:00 | 0:38:05 | |
Are you going to go with the bonus...? | 0:38:05 | 0:38:06 | |
Since we're in a good position, I think we should! | 0:38:06 | 0:38:09 | |
I dread to see what your awful position is! | 0:38:09 | 0:38:11 | |
What do you reckon? | 0:38:11 | 0:38:13 | |
-Yeah. -Yeah. -Go for it. -You going to do it? | 0:38:13 | 0:38:15 | |
-We're going to go for it. -All right, fine, here it comes. | 0:38:15 | 0:38:17 | |
Many family portraits. | 0:38:17 | 0:38:19 | |
One of the railway porter also, | 0:38:19 | 0:38:20 | |
so interesting little album there for you. | 0:38:20 | 0:38:22 | |
And commissions here with me at 22, 25. | 0:38:22 | 0:38:26 | |
£25 I have. | 0:38:26 | 0:38:27 | |
28 elsewhere? | 0:38:27 | 0:38:29 | |
At £25 only for the little album there. | 0:38:29 | 0:38:32 | |
28 on the internet. | 0:38:32 | 0:38:33 | |
It's on the internet at 28. | 0:38:33 | 0:38:35 | |
30 in the room, at all? | 0:38:35 | 0:38:36 | |
-This is a steal. -At £28 I have then on the internet. | 0:38:36 | 0:38:39 | |
30 at all? | 0:38:39 | 0:38:41 | |
Quite sure then? I'm selling on the internet at £28 only. | 0:38:41 | 0:38:45 | |
28... | 0:38:45 | 0:38:47 | |
Is minus £12. | 0:38:47 | 0:38:49 | |
Which is minus £121 with the minus sign in front of it. | 0:38:49 | 0:38:54 | |
Oh, dear. But it's gone badly for you, it could go badly for them | 0:38:55 | 0:38:59 | |
and that would mean that 121 is a winning score. | 0:38:59 | 0:39:01 | |
You never know! | 0:39:01 | 0:39:03 | |
Mm... | 0:39:03 | 0:39:04 | |
Helen, Susan, do you know how the Reds got on? | 0:39:09 | 0:39:12 | |
-No. -No. | 0:39:12 | 0:39:13 | |
Did they look depressed when they went out, those posties? | 0:39:13 | 0:39:15 | |
-They were smiling! -That's good! | 0:39:15 | 0:39:17 | |
Well, they're postmen, aren't they? | 0:39:17 | 0:39:19 | |
They are, that's true. | 0:39:19 | 0:39:20 | |
That's what you expect. | 0:39:20 | 0:39:21 | |
OK, first up is the Merrythought teddy. | 0:39:21 | 0:39:26 | |
The mid-20th century Merrythought blonde teddy bear. | 0:39:26 | 0:39:29 | |
What am I saying for him? | 0:39:29 | 0:39:30 | |
£30? | 0:39:30 | 0:39:31 | |
£30 a teddy bear? | 0:39:31 | 0:39:33 | |
-Come on... -Start at 20, the teddy bear. | 0:39:33 | 0:39:35 | |
10. Thank you. 12. 15. 18. | 0:39:35 | 0:39:38 | |
20. 20 I have. | 0:39:38 | 0:39:40 | |
-Oh, he's so lovely. -I know. -I can't bear for him to go... | 0:39:40 | 0:39:42 | |
At 20 then, here with me at 20. | 0:39:42 | 0:39:44 | |
Looking for two elsewhere... | 0:39:44 | 0:39:46 | |
Quite sure then for the lovely bear? | 0:39:46 | 0:39:48 | |
At 20 then... | 0:39:48 | 0:39:50 | |
Like I say, condition in teddy bears is very, very important. | 0:39:50 | 0:39:55 | |
-I love him. -Well, they will at £20! | 0:39:55 | 0:39:57 | |
Minus 60. | 0:39:57 | 0:39:58 | |
Right. Here we go, the button hooks. | 0:39:58 | 0:40:00 | |
Birmingham 1901 and 1904, so the button hooks there. | 0:40:00 | 0:40:03 | |
What do I say for those? | 0:40:03 | 0:40:05 | |
£20? £10 to start then. | 0:40:05 | 0:40:08 | |
10 I have. 12 now elsewhere? | 0:40:08 | 0:40:10 | |
At the opening bid of £10 then. | 0:40:10 | 0:40:12 | |
£10 has wiped its face - no profit, no loss. No pain, no gain. | 0:40:13 | 0:40:17 | |
Here we go, now your pots. | 0:40:17 | 0:40:19 | |
It's the pair of twin-handled pots in the Greek style after the antique. | 0:40:19 | 0:40:24 | |
And here with me at 35, 45, 50. | 0:40:24 | 0:40:27 | |
£50 I have. | 0:40:27 | 0:40:29 | |
Five, do I see elsewhere? | 0:40:29 | 0:40:31 | |
Commission bid is with me at 50. Five, internet? | 0:40:31 | 0:40:33 | |
No. £50 is here with me then. | 0:40:33 | 0:40:35 | |
50. Five at all elsewhere? | 0:40:35 | 0:40:37 | |
-Come on. -You quite sure then? Selling at 50... | 0:40:37 | 0:40:40 | |
-Oh! -£50. Go, pots! | 0:40:40 | 0:40:43 | |
I'm sorry to say, that's minus £30. | 0:40:43 | 0:40:45 | |
My heart was about to leap. | 0:40:45 | 0:40:48 | |
..Bits that come off on your hands. | 0:40:48 | 0:40:50 | |
That, overall, is minus £90. | 0:40:50 | 0:40:53 | |
-That's bad luck, girls. -That is not good. | 0:40:53 | 0:40:55 | |
The calendar has got to bring it all back, hasn't it? | 0:40:55 | 0:40:59 | |
-Yeah. -Yes. -Going to do it? -Yeah? -Definitely. | 0:40:59 | 0:41:02 | |
We've got nothing to lose! | 0:41:02 | 0:41:03 | |
OK, you're going with the bonus buy and here it comes. | 0:41:03 | 0:41:05 | |
Lot 175 then is the early 20th century | 0:41:05 | 0:41:09 | |
Indian brass perpetual calendar. | 0:41:09 | 0:41:12 | |
What do I say for that? £20? | 0:41:12 | 0:41:14 | |
He's got no bids. | 0:41:14 | 0:41:16 | |
-It's on at £10, if you wish? -Nothing on the internet. | 0:41:16 | 0:41:18 | |
£10 I have here. Thank you, sir. | 0:41:18 | 0:41:20 | |
12 now elsewhere? | 0:41:20 | 0:41:22 | |
At £10 only. Do I see £12 at all? | 0:41:22 | 0:41:24 | |
David, you can't put your hand up. | 0:41:24 | 0:41:26 | |
15. 18? | 0:41:26 | 0:41:28 | |
-20? -Go on! | 0:41:28 | 0:41:30 | |
20 I have online. | 0:41:30 | 0:41:31 | |
At £20. | 0:41:31 | 0:41:32 | |
22 - there's two internet bidders now at 22. | 0:41:32 | 0:41:35 | |
25 now? 25 - do you wish to come back in, sir? | 0:41:35 | 0:41:38 | |
-Go on! -No? | 0:41:38 | 0:41:39 | |
Two internet bidders then, taking it to £22. | 0:41:39 | 0:41:43 | |
I'm sure that's it then at £22... | 0:41:43 | 0:41:45 | |
Minus £8. | 0:41:46 | 0:41:48 | |
That is minus £98. | 0:41:48 | 0:41:50 | |
The thing is, it could be a winning score, minus £98. | 0:41:50 | 0:41:53 | |
Don't say a word to those boys, all right? | 0:41:53 | 0:41:54 | |
-OK. -OK. -You know how cocky they are, all right? | 0:41:54 | 0:41:56 | |
We will reveal all in this competitive equation | 0:41:56 | 0:41:59 | |
in just a moment. Thanks very much. | 0:41:59 | 0:42:00 | |
-Thank you. -Thank you. | 0:42:00 | 0:42:03 | |
Well, well, well, how are we, teams? | 0:42:07 | 0:42:09 | |
Brilliant, thank you! | 0:42:09 | 0:42:10 | |
Boys been chatting to the girls, have they? | 0:42:10 | 0:42:12 | |
No! | 0:42:12 | 0:42:14 | |
Well, that's good cos we've kept it secret. | 0:42:14 | 0:42:17 | |
Why? I don't know, | 0:42:17 | 0:42:19 | |
because both teams have made WHOPPING losses. | 0:42:19 | 0:42:23 | |
I mean, towards the top of the scale losses, uniquely. | 0:42:23 | 0:42:27 | |
But one team has made a tad more than the other | 0:42:27 | 0:42:29 | |
and that happens to be... | 0:42:29 | 0:42:31 | |
-the Reds. -GROANING | 0:42:31 | 0:42:33 | |
Bad luck, chaps, you were the runners-up. | 0:42:33 | 0:42:35 | |
But it all was absolutely appalling, wasn't it? | 0:42:35 | 0:42:38 | |
-It was. -There was no profit on any of these things. -Disappointed. | 0:42:38 | 0:42:41 | |
It was disappointing, wasn't it? | 0:42:41 | 0:42:43 | |
There was no fire in a bidder's belly that I detected, | 0:42:43 | 0:42:47 | |
but would have to say that I'd stick with the postman's job. | 0:42:47 | 0:42:51 | |
Anyway, super-duper. Thanks very much, chaps. | 0:42:51 | 0:42:54 | |
It's been lovely seeing you. | 0:42:54 | 0:42:55 | |
But the victors, today who have managed to win by only | 0:42:55 | 0:42:58 | |
losing £98 are of course the girls. | 0:42:58 | 0:43:00 | |
I wish I could say that you made a few profits to | 0:43:00 | 0:43:02 | |
achieve your minus £98, but you are going away proud and victorious, | 0:43:02 | 0:43:07 | |
which is a glory. Anyway, it's been such fun. | 0:43:07 | 0:43:09 | |
Join us soon for some more bargain hunting, yes? | 0:43:09 | 0:43:12 | |
ALL: Yes! | 0:43:12 | 0:43:13 |