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We're on the island of Anglesey today. | 0:00:08 | 0:00:10 | |
Dublin's that way, Liverpool's that way. | 0:00:10 | 0:00:12 | |
All the antiques are that way so let's go bargain-hunting, yeah. | 0:00:12 | 0:00:17 | |
The Mona Showground is the venue for our teams today. | 0:00:45 | 0:00:50 | |
Each with £300 and an hour to shop for three items, | 0:00:50 | 0:00:53 | |
there should be no stopping them. | 0:00:53 | 0:00:56 | |
So, let's have a quick peek as to what's coming up. | 0:00:56 | 0:00:59 | |
The Reds need to focus on the job in hand. | 0:01:03 | 0:01:05 | |
-Got another item to buy and not much time to do it. -Oh, my. | 0:01:07 | 0:01:10 | |
While the Blues seem to have a one-track mind. | 0:01:10 | 0:01:12 | |
-Is it a stagecoach lamp? -It's a carriage lamp. | 0:01:12 | 0:01:15 | |
What is the obsession with lights? I was looking at that lamp. | 0:01:15 | 0:01:19 | |
But before we give too much away, let's meet the teams. | 0:01:19 | 0:01:22 | |
Now, we have two teams of friends on the show today. | 0:01:24 | 0:01:27 | |
For the Reds we have Nicky and Marian | 0:01:27 | 0:01:30 | |
and for the Blues, Alex and Hayley. Hello, everyone. Lovely to see you. | 0:01:30 | 0:01:34 | |
Now, Marian, you had a very important experience this year. | 0:01:34 | 0:01:38 | |
-I went to Glastonbury for the first time. -You never did! -I have. | 0:01:38 | 0:01:42 | |
-You raver. -And I've got a ticket for next year. -Have you? | 0:01:42 | 0:01:47 | |
-What tempted you? -My son. -Oh, was it? | 0:01:47 | 0:01:50 | |
-He said I had to go before a certain age and I did. -Good for him. | 0:01:50 | 0:01:54 | |
What was the best bit at Glastonbury? | 0:01:54 | 0:01:57 | |
Watching Professor Green was brilliant. | 0:01:57 | 0:02:00 | |
-And the London Community Gospel Choir was amazing. -How long did you go for? | 0:02:00 | 0:02:06 | |
-Five nights. -You were there for the full Monty, then. Good for you. | 0:02:06 | 0:02:10 | |
-It says that you've also found your calling. -Yes, modern jive. | 0:02:10 | 0:02:14 | |
-This year, I jived through Cuba. -How did you find Havana? | 0:02:15 | 0:02:19 | |
Havana, different. Scary. | 0:02:19 | 0:02:22 | |
And you go into a cafe and they dance and sing | 0:02:22 | 0:02:25 | |
and do whatever they do with the music. | 0:02:25 | 0:02:27 | |
-At the cafe table. -It's great. | 0:02:27 | 0:02:30 | |
Nicky, you've got a bit of passion in you, too. Tell us about it. | 0:02:30 | 0:02:33 | |
I'm a big Madness fan so I'm reliving my youth, | 0:02:33 | 0:02:37 | |
following Madness around the country. | 0:02:37 | 0:02:39 | |
How many times have you seen them? | 0:02:39 | 0:02:41 | |
-20-something. -And you collect things connected with Madness. | 0:02:41 | 0:02:46 | |
Yes, we've got a games room at home | 0:02:46 | 0:02:49 | |
and it's full of Madness memorabilia, | 0:02:49 | 0:02:52 | |
bunting and pictures. | 0:02:52 | 0:02:54 | |
Does this mean you've got another half who is equally mad about it? | 0:02:54 | 0:02:57 | |
No, he doesn't like Madness at all. | 0:02:57 | 0:02:59 | |
How do you girls think you are going to get on together? All right? | 0:03:00 | 0:03:04 | |
I think we'll do well. | 0:03:04 | 0:03:05 | |
We work OK together, so I'm sure we'll shop OK together. | 0:03:05 | 0:03:08 | |
It will be interesting for us to see, and good luck today. | 0:03:08 | 0:03:11 | |
Thank you very much. | 0:03:11 | 0:03:13 | |
-Now, Alex, you're a thespian. -Yes. -Tell us about that. | 0:03:13 | 0:03:16 | |
I started doing a little bit of amateur dramatics after I left school | 0:03:16 | 0:03:19 | |
but in the past 12 months I've gone into a bit of professional acting. | 0:03:19 | 0:03:24 | |
I'm in quite a few well-known adverts at the moment | 0:03:24 | 0:03:27 | |
and will be over the next 12 months or so. So keep an eye out. | 0:03:27 | 0:03:30 | |
What sort of things do your adverts advertise? | 0:03:30 | 0:03:33 | |
At the moment, mostly cars. | 0:03:33 | 0:03:35 | |
It's not only on screen that you do entertaining things | 0:03:35 | 0:03:38 | |
because you think you could teach us a thing or two, don't you? | 0:03:38 | 0:03:41 | |
Nothing personal, but I do like to dabble behind the camera, | 0:03:41 | 0:03:44 | |
as well. And I've created a series on a well-known internet programme site. | 0:03:44 | 0:03:51 | |
-Is it doing well? Are you getting a few hits? -It's doing very well. | 0:03:51 | 0:03:54 | |
A few episodes have over 19,000 views | 0:03:54 | 0:03:56 | |
so I'm very impressed with myself indeed. | 0:03:56 | 0:03:58 | |
Hayley, you also enjoy treading the boards, darling. Tell us about that. | 0:03:58 | 0:04:02 | |
Yes, I've done that since leaving school and one year, when | 0:04:02 | 0:04:05 | |
we were doing a production of Sweeney Todd, | 0:04:05 | 0:04:08 | |
I played the part of Mrs Lovett. | 0:04:08 | 0:04:11 | |
It was a very warm evening in Liverpool | 0:04:11 | 0:04:13 | |
and we had all of the windows and doors open. | 0:04:13 | 0:04:16 | |
At the end of the play my character has an accident with an oven. | 0:04:16 | 0:04:22 | |
At that point I had to let out a blood-curdling scream. | 0:04:22 | 0:04:26 | |
So I did that and it went down very well, and we were packing up | 0:04:26 | 0:04:29 | |
and getting changed and ready to go home | 0:04:29 | 0:04:31 | |
and suddenly the neighbourhood was flooded with police. | 0:04:31 | 0:04:34 | |
One of the neighbours had reported hearing a female in distress. | 0:04:34 | 0:04:38 | |
My screaming face was all over the local press. | 0:04:39 | 0:04:43 | |
-Now, how do you feel about taking £300? -Fantastic. | 0:04:43 | 0:04:47 | |
Everybody happy with taking the £300? Glad to hear that. | 0:04:47 | 0:04:51 | |
You know the rules, your experts await and off you go | 0:04:51 | 0:04:54 | |
and very good luck. | 0:04:54 | 0:04:56 | |
Hoping to come up stinking of roses is... | 0:05:00 | 0:05:05 | |
And going all flower power on us is... | 0:05:07 | 0:05:10 | |
Hey, man. Cool. | 0:05:10 | 0:05:13 | |
-Ladies, I'm loving this. A bit of girl power. -Definitely. | 0:05:15 | 0:05:19 | |
What's going to appeal to you? Can you say? | 0:05:19 | 0:05:21 | |
-I think you are looking for... -I like lighting. | 0:05:21 | 0:05:23 | |
I wouldn't mind looking at some lamps. | 0:05:23 | 0:05:26 | |
-I'd like a nice piece of jewellery. -OK. | 0:05:26 | 0:05:30 | |
I'm getting competitiveness. We've only just started. | 0:05:30 | 0:05:34 | |
Just a small, small... | 0:05:34 | 0:05:37 | |
Look, we're surrounded by these beautiful antiques. Let's go. | 0:05:37 | 0:05:40 | |
Here's a stall. Let's have a look. Is this you? Thanks very much. | 0:05:40 | 0:05:46 | |
Right, the clock's started, teams, | 0:05:46 | 0:05:49 | |
and the Reds aren't wasting any time. | 0:05:49 | 0:05:51 | |
This stall caught my eye because it is really brightly coloured. | 0:05:51 | 0:05:56 | |
-Good, good. -I love that orange. | 0:05:56 | 0:05:58 | |
You do remember we have a budget of £300? | 0:05:58 | 0:06:02 | |
Let's get her away from the orange. | 0:06:02 | 0:06:05 | |
You've got expensive taste, Nicky. | 0:06:05 | 0:06:07 | |
Now the Blues are trying to get a slice of the action. | 0:06:09 | 0:06:13 | |
That's the opening of Wembley Stadium. How interesting. | 0:06:13 | 0:06:17 | |
It's got its packaging, for what it's worth. | 0:06:17 | 0:06:21 | |
Just a little cardboard carton. And Wembley Stadium of old is no more. | 0:06:21 | 0:06:26 | |
Yes. | 0:06:26 | 0:06:28 | |
Do you know, it does it for me but I think it's worth £15-25 at auction. | 0:06:28 | 0:06:35 | |
-How much are we saying there? -It says 28. -How does that grab you? | 0:06:36 | 0:06:41 | |
If we can get a bit lower, I'd be more confident with it. | 0:06:41 | 0:06:45 | |
I think you need to get it a lot lower | 0:06:45 | 0:06:47 | |
but it's not out of the question. | 0:06:47 | 0:06:50 | |
-I think it's worth having a punt. -I'm going to try. | 0:06:50 | 0:06:53 | |
-OK, you know what you want to pay for it. -Wish me luck. -Good luck. | 0:06:53 | 0:06:56 | |
Excuse me? | 0:06:56 | 0:06:58 | |
We're looking at £28, and is that your very best on it? | 0:06:59 | 0:07:04 | |
-We'll do it for you for 25. -Can you take maybe, say, £12? | 0:07:04 | 0:07:10 | |
-No, we can't go down to that, I'm afraid. -Can I give you 20, then? | 0:07:10 | 0:07:14 | |
-No, I'm afraid you can't. -He's trying, though. -What did you say, 25? | 0:07:14 | 0:07:19 | |
-OK, we have a deal. -What have you done, Alex? | 0:07:19 | 0:07:23 | |
Have you blown the budget? | 0:07:23 | 0:07:25 | |
-We don't own a cake knife, do we? -Yes, we do. | 0:07:25 | 0:07:28 | |
-OK. Not shy in holding back. You better hit us with it, then. -OK, 25. | 0:07:30 | 0:07:35 | |
OK, you waded in. | 0:07:36 | 0:07:38 | |
You never know who is going to be there so... | 0:07:39 | 0:07:41 | |
-I suspect a shorter leash might be required with Alex? -Maybe. | 0:07:41 | 0:07:46 | |
Come here, you. | 0:07:46 | 0:07:47 | |
He just didn't listen, Paul. You said £15. | 0:07:47 | 0:07:52 | |
But we'll find out later how it gets on. | 0:07:52 | 0:07:54 | |
-Now, are the Reds being any wiser? -We've got these beautiful owls. | 0:07:54 | 0:07:58 | |
Anything with owls on it really sells well. | 0:07:58 | 0:08:00 | |
-Although I have a feeling those will be marked up. -What are they? | 0:08:00 | 0:08:05 | |
They're what we call menu-markers. | 0:08:05 | 0:08:07 | |
You'd have a name card or a menu card in there. | 0:08:07 | 0:08:09 | |
There will be a little slot in the back where you could slot | 0:08:09 | 0:08:12 | |
the card into. But very beautiful. | 0:08:12 | 0:08:15 | |
Sadly, Samson Mordan will be way over your budget, girls. | 0:08:15 | 0:08:19 | |
The enamel on this butterfly here is really beautiful. | 0:08:20 | 0:08:24 | |
It's on its own and unboxed but we can always ask on the price. | 0:08:24 | 0:08:31 | |
Hi there. Could we ask about the butterfly menu-marker? | 0:08:32 | 0:08:35 | |
What's that marked up at? | 0:08:35 | 0:08:37 | |
Often you find these things that were used on a day-to-day basis | 0:08:37 | 0:08:41 | |
-have had a knock. -Enamel's perfect on it. | 0:08:41 | 0:08:45 | |
-It is pretty, isn't it? -Really beautiful. | 0:08:45 | 0:08:50 | |
So that is marked up at £145. | 0:08:50 | 0:08:53 | |
-That's quite a lot. -It is quite a lot. Birmingham 1914. | 0:08:55 | 0:09:01 | |
Would it sell well, being a single one? | 0:09:01 | 0:09:03 | |
It's difficult because a set will always add a premium. | 0:09:03 | 0:09:06 | |
But you'll always have to pay for a set. | 0:09:06 | 0:09:08 | |
One by itself, because it is a butterfly, and the enamel is in good | 0:09:08 | 0:09:13 | |
condition, I think somebody would buy this as a work of art in itself. | 0:09:13 | 0:09:17 | |
Having said that, if I were to put this into my auction house, | 0:09:17 | 0:09:20 | |
I would be looking at somewhere in the region of £60-£100, | 0:09:20 | 0:09:24 | |
maybe 80-120 on a good day. | 0:09:24 | 0:09:25 | |
Would there be any negotiation on the price? | 0:09:25 | 0:09:28 | |
Probably the best I could do on that would be 120. | 0:09:28 | 0:09:31 | |
Which would be towards the top end of my estimate. | 0:09:31 | 0:09:34 | |
So we would have to be fortunate on the auction day. | 0:09:34 | 0:09:36 | |
I think it's one to keep in the pipeline because it is a really | 0:09:36 | 0:09:39 | |
beautiful thing. | 0:09:39 | 0:09:40 | |
So, no buy yet for the Reds | 0:09:41 | 0:09:42 | |
but always good to have something to flutter back to. | 0:09:42 | 0:09:46 | |
Meanwhile, Paul's spotted something of a timepiece. | 0:09:46 | 0:09:49 | |
The clock garniture up there, with the two breezy flanking figures, | 0:09:50 | 0:09:54 | |
-is that your...? -It is, in a way. Hayley, what do you think? | 0:09:54 | 0:09:59 | |
I think we need something that grabs us but has a profit in it, for sure. | 0:09:59 | 0:10:04 | |
We all like a profit, Paul. | 0:10:04 | 0:10:07 | |
-Now, the Reds have gone all modern on us. -I like this vase. | 0:10:10 | 0:10:13 | |
The black and white one? That's fab, isn't it? Marked at £119. | 0:10:14 | 0:10:19 | |
-That would look nice in my house. -What have you got at home? | 0:10:19 | 0:10:21 | |
-You're a bit of an '80s fan, aren't you? -I'm particularly into Madness. | 0:10:21 | 0:10:26 | |
I think you can't listen to Madness and not smile. | 0:10:26 | 0:10:30 | |
-They don't make songs that make you miserable. -She can even do the walk. | 0:10:30 | 0:10:34 | |
Show me the walk. Show me the walk. Go on. | 0:10:36 | 0:10:41 | |
Brilliant. I love it. | 0:10:46 | 0:10:47 | |
I think they need more practice. | 0:10:49 | 0:10:50 | |
And you've not bought anything yet. Come on, girls. | 0:10:53 | 0:10:57 | |
That's enough madness for one day, surely. | 0:10:57 | 0:10:59 | |
The Blues have spotted something. | 0:11:01 | 0:11:03 | |
-That's right up their street. They wanted lights. -There's your lamps. | 0:11:03 | 0:11:07 | |
-Is that what you were talking about? -Yeah, plenty here. -Anything for you? | 0:11:07 | 0:11:11 | |
-That's interesting. -This Art Deco affair here? | 0:11:12 | 0:11:15 | |
Yeah, I like the geometric design. The shape on top I really like. | 0:11:15 | 0:11:19 | |
-That was a head-turner but below it, that's more to my taste. -Right. | 0:11:19 | 0:11:24 | |
-What do you think? -It looks like we've got an alabaster plinth base. | 0:11:24 | 0:11:28 | |
And we've got a cast | 0:11:28 | 0:11:30 | |
and anodised figure of a little girl with a peacock or a pheasant. | 0:11:30 | 0:11:34 | |
It's £50-80 under the hammer. | 0:11:34 | 0:11:37 | |
I suspect it's going to be priced a lot more than that. | 0:11:37 | 0:11:40 | |
-But we have to ask. Open up the dialogue, have we not? -Yes. | 0:11:40 | 0:11:43 | |
-Hello there. Is this yours? -Yes. | 0:11:43 | 0:11:45 | |
My friend Hayley admires your lamps. | 0:11:46 | 0:11:48 | |
The large piece, I really like the geometric design on top. | 0:11:48 | 0:11:51 | |
That's a real head-turner. | 0:11:51 | 0:11:53 | |
As we've come closer, the one below it is more to my taste. | 0:11:53 | 0:11:58 | |
The phenolic one, that's £350. | 0:11:58 | 0:12:01 | |
Right, OK. | 0:12:01 | 0:12:02 | |
The other one is French and that's probably 1930s. | 0:12:02 | 0:12:06 | |
It's an original globe, and those globes, to find them | 0:12:06 | 0:12:09 | |
actually with an original globe on is fairly unusual. | 0:12:09 | 0:12:13 | |
That's around £80, £90. | 0:12:13 | 0:12:16 | |
Right. | 0:12:16 | 0:12:18 | |
The one you like is the one that's got most life in it, | 0:12:18 | 0:12:21 | |
for our purposes, hasn't it? | 0:12:21 | 0:12:23 | |
Are you the kind of man we can haggle with, or not? | 0:12:23 | 0:12:25 | |
I like a good haggle. | 0:12:25 | 0:12:26 | |
Hayley, you like the girl | 0:12:26 | 0:12:28 | |
and that's the one that's the better price. | 0:12:28 | 0:12:30 | |
What could it be? Can you be generous? | 0:12:30 | 0:12:33 | |
I could do it for 75. | 0:12:33 | 0:12:35 | |
It's entirely up to you. | 0:12:35 | 0:12:37 | |
I mean, I must admit, I do personally like it. | 0:12:37 | 0:12:40 | |
-It's head over heart here. -Yeah. | 0:12:40 | 0:12:42 | |
I think it's your call, Hayley. | 0:12:42 | 0:12:44 | |
What do your guts tell you? What does your instinct tell you? | 0:12:44 | 0:12:47 | |
Yea or nay? | 0:12:47 | 0:12:48 | |
Let's... You like the first item, I like this. | 0:12:48 | 0:12:51 | |
-And then we'll try and make some money on the third. -Yes. | 0:12:51 | 0:12:53 | |
-Wonderful. Sale. Thank you very much. -Thank you. | 0:12:53 | 0:12:57 | |
-Thank you very much. -Shake the man's hand. -Hope you enjoy it. | 0:12:57 | 0:13:00 | |
So, the Blues are switched on, but the Reds need to march a bit. | 0:13:00 | 0:13:04 | |
-What do you think about this? -Aww, clothes! -Clothes! | 0:13:04 | 0:13:06 | |
We're not here to do clothes shopping, | 0:13:06 | 0:13:09 | |
we're here to shop for antiques. | 0:13:09 | 0:13:10 | |
Vintage is very, very in at the moment. | 0:13:10 | 0:13:12 | |
I've just seen some boots. | 0:13:12 | 0:13:14 | |
Can I have a look at the boots? | 0:13:14 | 0:13:16 | |
See what you think. I'll have a look round here. | 0:13:16 | 0:13:18 | |
Walk away from the boots, girls. | 0:13:18 | 0:13:21 | |
-I love that. -You can't have it. Get out of there. | 0:13:21 | 0:13:24 | |
# You're unbelievable... # | 0:13:24 | 0:13:26 | |
But Hayley's spotted something interesting. | 0:13:29 | 0:13:31 | |
I don't know a lot about medals. | 0:13:31 | 0:13:32 | |
I'm wondering if you do, if there's anything unusual or rare. | 0:13:32 | 0:13:36 | |
There may be a margin in it? | 0:13:36 | 0:13:37 | |
Well, what I see there, in all honesty, | 0:13:37 | 0:13:39 | |
are First and Second World War British campaign medals. | 0:13:39 | 0:13:42 | |
-Right. -Anyone that served got given them | 0:13:42 | 0:13:45 | |
and because there are so many out there, what are they worth? | 0:13:45 | 0:13:48 | |
Burma Star, £25, you know? | 0:13:48 | 0:13:51 | |
These items are very emotive, | 0:13:51 | 0:13:53 | |
but they do have to be at the right price. | 0:13:53 | 0:13:56 | |
Meanwhile, the ladies have found something sparkly. | 0:13:56 | 0:13:58 | |
We've got some good named makers here. | 0:13:58 | 0:14:01 | |
The dress clips, I mean, they scream Art Deco. | 0:14:01 | 0:14:03 | |
This wonderful combination of colours. | 0:14:03 | 0:14:05 | |
And you've got a pair of them, as well, | 0:14:05 | 0:14:07 | |
so you would have worn them on your dress straps. | 0:14:07 | 0:14:09 | |
They're really lovely and sparkly and quite appealing. | 0:14:09 | 0:14:12 | |
Do you think that's saleable? | 0:14:12 | 0:14:13 | |
I do think it's saleable and, of course, | 0:14:13 | 0:14:15 | |
you've got the two of them, as well. | 0:14:15 | 0:14:16 | |
With a nice cocktail dress or something like that. | 0:14:16 | 0:14:19 | |
Yeah, they'd really zhoosh up a nice dress, wouldn't they? | 0:14:19 | 0:14:21 | |
I just think they're really pretty. | 0:14:21 | 0:14:23 | |
They're marked up at £42 for the pair. | 0:14:23 | 0:14:25 | |
What's your thoughts on that? | 0:14:25 | 0:14:27 | |
-Do you like them? -I actually quite like them. | 0:14:27 | 0:14:30 | |
I've never even heard of dress clips. I didn't know they existed. | 0:14:30 | 0:14:34 | |
-Well, you'd wear them on your... -On your strap or something. -Quite. | 0:14:34 | 0:14:37 | |
You'd put them just to zhoosh up a nice dress like that. | 0:14:37 | 0:14:40 | |
What are your thoughts on that? | 0:14:40 | 0:14:41 | |
-I like them. -Those are quite nice. | 0:14:41 | 0:14:43 | |
What do you think they would fetch at the auction? | 0:14:43 | 0:14:45 | |
I think if you were to put them in by themselves, I think | 0:14:45 | 0:14:47 | |
you'd probably be looking at maybe £20 or £30. | 0:14:47 | 0:14:50 | |
They're never going to be big bucks. | 0:14:50 | 0:14:52 | |
-Is this for the pair? -Yes, yes. | 0:14:52 | 0:14:53 | |
Having said that, you have got a missing stone there, | 0:14:53 | 0:14:56 | |
which would be a bit of a worry. | 0:14:56 | 0:14:58 | |
So, maybe we could get that reflected in the price. | 0:14:58 | 0:15:02 | |
They are quite pretty. | 0:15:02 | 0:15:04 | |
Shall we see what we can do? | 0:15:04 | 0:15:06 | |
Where's our lady? | 0:15:06 | 0:15:08 | |
Hi, there. Hello. Hi. | 0:15:08 | 0:15:10 | |
-My ladies have just... Well, I have just... -Fallen in love. | 0:15:10 | 0:15:15 | |
-She's persuaded us. -They're marked up at £42. | 0:15:15 | 0:15:19 | |
What would be the best that you could do on them? | 0:15:19 | 0:15:22 | |
We have got a bit of a missing stone. | 0:15:22 | 0:15:24 | |
Oh, have we got a missing stone? | 0:15:24 | 0:15:26 | |
-Yes. -Sorry, I didn't see that. | 0:15:26 | 0:15:28 | |
It is difficult to see, isn't it? | 0:15:28 | 0:15:31 | |
We've got one there. | 0:15:31 | 0:15:33 | |
And one there, actually. | 0:15:33 | 0:15:35 | |
And one there. So, three missing. | 0:15:35 | 0:15:38 | |
Very, very best price, 25. | 0:15:39 | 0:15:42 | |
What's your thoughts? We've got to agree on this. | 0:15:42 | 0:15:45 | |
-Yes. -Go on, yes. | 0:15:45 | 0:15:47 | |
-Shake the lady's hand? -Yes. -Brilliant. | 0:15:47 | 0:15:50 | |
-Thank you very much. Very kind. -Thank you ever so much. | 0:15:50 | 0:15:52 | |
A great pleasure. I hope you make some money out of them. | 0:15:52 | 0:15:55 | |
So do we. First one down, well done, ladies. | 0:15:55 | 0:15:58 | |
Brilliant, Reds. We love a bit of glitz and glamour on this show. | 0:15:58 | 0:16:01 | |
-Yes. -Yes. Let's go. | 0:16:01 | 0:16:04 | |
Look at that! | 0:16:05 | 0:16:07 | |
Lot of bronzes. | 0:16:07 | 0:16:09 | |
Those brightly coloured pieces keep drawing the Reds in. | 0:16:12 | 0:16:15 | |
See, this is quite funky, isn't it? | 0:16:15 | 0:16:17 | |
Not my cup of tea, necessarily, but it's quite fun. | 0:16:17 | 0:16:20 | |
I don't know whether it's my cup of tea, I just thought it is... | 0:16:20 | 0:16:23 | |
-It's eye-catching. -It's eye-catching, it is. | 0:16:23 | 0:16:25 | |
So, we've got a 1960s French studio pottery cheese platter | 0:16:25 | 0:16:27 | |
with bamboo handle. | 0:16:27 | 0:16:29 | |
I think it's nice. You've got nice, bright colours. | 0:16:29 | 0:16:33 | |
Would it have mass appeal at auction? I don't know. | 0:16:33 | 0:16:37 | |
-I don't know whether it would or wouldn't. -I like that, as well. | 0:16:37 | 0:16:40 | |
This is quite fun, as well. | 0:16:40 | 0:16:41 | |
It's probably more representative of the 1960s. | 0:16:41 | 0:16:46 | |
It's quite funky, isn't it? Have we got a name on this? | 0:16:46 | 0:16:49 | |
-Ah, we've got an impress mark just on there. -What does that mean? | 0:16:49 | 0:16:53 | |
Well, that will be stuck with a name. | 0:16:53 | 0:16:55 | |
It says France and then a model number. | 0:16:55 | 0:16:57 | |
So it's great that you've got that impress mark. | 0:16:57 | 0:16:59 | |
Is this the kind of thing that you wanted to buy today? | 0:16:59 | 0:17:02 | |
I think something a little bit quirky. A little bit different. | 0:17:02 | 0:17:05 | |
Not necessarily ever so old. | 0:17:05 | 0:17:07 | |
I can see that, if we got this at the right price, | 0:17:07 | 0:17:09 | |
it might make a profit. It's stylish, | 0:17:09 | 0:17:11 | |
it's quite funky, it's quite fun. | 0:17:11 | 0:17:13 | |
Like Nicky and Marian, really. | 0:17:13 | 0:17:15 | |
Shall we ask the lady how much? | 0:17:15 | 0:17:16 | |
I think we stand an outside chance if we get it for £15 or £20. | 0:17:16 | 0:17:19 | |
Hi, there. We were just looking at this dish here. | 0:17:19 | 0:17:23 | |
What would be your very best price on that? | 0:17:23 | 0:17:25 | |
-Probably do it for 20. -For 20. | 0:17:25 | 0:17:28 | |
What's your thoughts on that, ladies? | 0:17:28 | 0:17:30 | |
Squeeze you down maybe to 18? | 0:17:30 | 0:17:31 | |
It's so tough... | 0:17:31 | 0:17:33 | |
Ideally, we would be looking for £15, that sort of region. | 0:17:33 | 0:17:37 | |
Can't go that low. | 0:17:37 | 0:17:39 | |
I could meet you with 18, but I couldn't go down to 15. | 0:17:39 | 0:17:42 | |
Are you sure? | 0:17:42 | 0:17:43 | |
-Pretty certain. -What's your thoughts, ladies? It's your... | 0:17:43 | 0:17:47 | |
18's not bad. | 0:17:47 | 0:17:49 | |
-Are you happy with that? -I think so. -OK, right. | 0:17:49 | 0:17:53 | |
Thank you very much. | 0:17:53 | 0:17:55 | |
Well done, Reds. That's just one item needed now for both teams. | 0:17:55 | 0:17:59 | |
I don't know quite what I'm looking at. Is it a stagecoach lamp? | 0:17:59 | 0:18:03 | |
-It's a carriage lamp. Yes. -Can I just ask one thing? | 0:18:03 | 0:18:06 | |
What is the obsession with lights? | 0:18:06 | 0:18:08 | |
It's interesting. How much are they? | 0:18:08 | 0:18:11 | |
Is there any money in this? | 0:18:11 | 0:18:12 | |
There can be. If this was in decent condition and it had its partner, | 0:18:12 | 0:18:16 | |
if you could get it for £30 or £40, the pair, | 0:18:16 | 0:18:19 | |
I'd say "OK. It's worth a punt." | 0:18:19 | 0:18:21 | |
-But you wouldn't be making a fortune. -Right. | 0:18:21 | 0:18:23 | |
And we do need to make a fortune, otherwise we're walking home. | 0:18:23 | 0:18:26 | |
I'd like you to make a fortune. | 0:18:26 | 0:18:28 | |
And how are you feeling about it all, Christina? | 0:18:28 | 0:18:31 | |
We've spent very little money, | 0:18:31 | 0:18:33 | |
which in a way is probably a good thing, | 0:18:33 | 0:18:36 | |
in another way, I think, with our third item, | 0:18:36 | 0:18:38 | |
what I'd really like to do is spend big. | 0:18:38 | 0:18:40 | |
-We need to hurry up! -Time's running out! | 0:18:40 | 0:18:42 | |
It's taken so long to pick up two items, hasn't it? | 0:18:42 | 0:18:44 | |
I know, and we haven't spent very much, either. | 0:18:44 | 0:18:46 | |
But I'm not sure I want to blow the budget, really. | 0:18:46 | 0:18:49 | |
-But we do need to spend a bit more. -Yes, I think we do. -Quickly. | 0:18:49 | 0:18:53 | |
You do, Reds. And chop chop. | 0:18:53 | 0:18:57 | |
What is this obsession with lights, Alex? | 0:18:57 | 0:18:59 | |
I was looking at that lamp, as much as I eat my words on lamps. | 0:18:59 | 0:19:04 | |
I quite like that, actually. | 0:19:04 | 0:19:06 | |
Dare I say, it's got a bit of industrial chic going for it. | 0:19:06 | 0:19:09 | |
-I quite like it. -That's an uncommon lamp. | 0:19:09 | 0:19:12 | |
Would we have any trouble with the old wiring? | 0:19:12 | 0:19:14 | |
You cut that flex off, you've got no worries at all. | 0:19:14 | 0:19:16 | |
I think that's extremely unusual. | 0:19:16 | 0:19:18 | |
It's not doing itself justice. | 0:19:18 | 0:19:20 | |
This is chrome plated, bit of chrome polish is going to bring that up. | 0:19:20 | 0:19:23 | |
If you want to touch up these, fair enough. | 0:19:23 | 0:19:25 | |
But, at the end of the day, it dates to when? 1925, 1930. | 0:19:25 | 0:19:29 | |
It wants to show its age. | 0:19:29 | 0:19:31 | |
It's a proper collector's item. | 0:19:31 | 0:19:33 | |
It will be an antique in a decade's time. | 0:19:33 | 0:19:35 | |
And of course... Is this how it works? | 0:19:35 | 0:19:37 | |
See. Look at this reflector. Do you see how it works? | 0:19:37 | 0:19:41 | |
That's really nice. | 0:19:41 | 0:19:43 | |
It's actually rather ingenious, as well as visually striking. | 0:19:43 | 0:19:46 | |
It's a clever design. | 0:19:46 | 0:19:48 | |
So, what are we waiting for, then? Why don't we find out? | 0:19:48 | 0:19:51 | |
Give me two ticks. | 0:19:51 | 0:19:53 | |
That's really good. I can't believe it does that trick, as well. | 0:19:53 | 0:19:55 | |
I know, it's fantastic. I just hope it's a good price. | 0:19:55 | 0:19:58 | |
Oh, here he is, with the news. | 0:19:58 | 0:20:00 | |
-Your last lamp cost you? -75. | 0:20:00 | 0:20:03 | |
-How much do you think that's going to cost you? -55. | 0:20:03 | 0:20:07 | |
Hopefully less than 75. | 0:20:07 | 0:20:09 | |
35. | 0:20:09 | 0:20:11 | |
25? 23? | 0:20:11 | 0:20:14 | |
It's 20 quid! | 0:20:14 | 0:20:15 | |
-Oh, I was try to get a bit lower. That's fantastic. -20 quid? | 0:20:15 | 0:20:18 | |
It's £20. For my money, it's there. | 0:20:18 | 0:20:22 | |
-So, we've done it, guys, yeah? -Yes, we're going for it. -Whoa! | 0:20:22 | 0:20:25 | |
-Two lamps. And a knife that we won't mention. -Never again. | 0:20:25 | 0:20:30 | |
Unless it makes a fortune, | 0:20:30 | 0:20:32 | |
-and then we can eat some humble pie with the knife. -Yes. | 0:20:32 | 0:20:37 | |
A-ha, yes indeed, Hayley. Great, Blues. Shopping done. | 0:20:37 | 0:20:41 | |
But the Reds are running out of time and seen to be in a bit of a panic. | 0:20:41 | 0:20:44 | |
We've got another item to buy and not much time to do it in. | 0:20:44 | 0:20:47 | |
We thought we'd head back towards the menu thing. | 0:20:47 | 0:20:51 | |
We'll see if we can find a fallback, in case | 0:20:51 | 0:20:53 | |
we can't knock him down any more. | 0:20:53 | 0:20:55 | |
We'd like to knock him down a bit more. | 0:20:55 | 0:20:56 | |
-Ladies, if it's still there. -Oh, quick! | 0:20:56 | 0:20:59 | |
Go on, then, Reds! | 0:20:59 | 0:21:01 | |
And, if it's not there, we'll all be in trouble. | 0:21:02 | 0:21:06 | |
So, that's it, there. | 0:21:07 | 0:21:09 | |
Oh, that's lucky. | 0:21:09 | 0:21:10 | |
-OK, right. Hi! -It's still there. | 0:21:10 | 0:21:13 | |
Could we have a look at it again, see what you think? | 0:21:13 | 0:21:15 | |
My ladies aren't keen on this, but I'm saying to them, | 0:21:15 | 0:21:18 | |
it could make a profit at the right price. | 0:21:18 | 0:21:20 | |
-Not keen on the price. -What's your very best? | 0:21:20 | 0:21:23 | |
If I was to give you that at £100, | 0:21:23 | 0:21:25 | |
-you would certainly make a profit on it. -We've got five minutes left. | 0:21:25 | 0:21:28 | |
That's the very best I can do on it. | 0:21:28 | 0:21:30 | |
-100? -Is that the very, very best? -It is. | 0:21:30 | 0:21:33 | |
I've checked it in my itinerary. | 0:21:33 | 0:21:35 | |
-Not even 95? -No, I couldn't. | 0:21:35 | 0:21:36 | |
-Not even another £5? -Oh, go on. | 0:21:36 | 0:21:40 | |
What can I do? Surrounded by three beautiful ladies. | 0:21:40 | 0:21:43 | |
Here we go! Please! | 0:21:43 | 0:21:44 | |
-Oh, go on. -I really think you should go for it, honestly. | 0:21:44 | 0:21:47 | |
I really think we should go for it. | 0:21:47 | 0:21:49 | |
-95. -95? -95. -You happy at that? | 0:21:49 | 0:21:52 | |
Shake the man's hand. Stop the clock! | 0:21:52 | 0:21:55 | |
Hey, that's my line, Christina! | 0:21:55 | 0:21:57 | |
So, let's remind ourselves what they bought. | 0:21:57 | 0:22:00 | |
First up, the girls paid £25 | 0:22:00 | 0:22:03 | |
for the Art Deco style dress clips. | 0:22:03 | 0:22:06 | |
They spent £18 on the retro brown French art pottery dish. | 0:22:06 | 0:22:11 | |
And the silver and blue enamel butterfly menu-holder | 0:22:11 | 0:22:14 | |
fluttered off to auction for £95. | 0:22:14 | 0:22:18 | |
Well, girls, how's it been for you? | 0:22:18 | 0:22:19 | |
-Wonderful. -Has it? -Brilliant. | 0:22:19 | 0:22:21 | |
-Been good, Marian? -Yeah. -Which is your favourite piece? | 0:22:21 | 0:22:24 | |
-I like the brown dish. -Brown dish. | 0:22:24 | 0:22:28 | |
That sounds like a technical term. | 0:22:28 | 0:22:30 | |
What does brown dish translate to in expert speak? | 0:22:30 | 0:22:33 | |
-French art pottery leaf dish. -Very good. | 0:22:33 | 0:22:35 | |
Brown dish. We've got that. | 0:22:35 | 0:22:37 | |
-Which is your favourite piece? -Dress clips. -Dress clips. | 0:22:37 | 0:22:40 | |
Yes, a bit Deco, sparkly. | 0:22:40 | 0:22:41 | |
Are they going to bring the biggest profit? | 0:22:41 | 0:22:43 | |
-Probably the clips. -Probably the clips. | 0:22:43 | 0:22:45 | |
-You've spent how much? -£138. | 0:22:45 | 0:22:48 | |
£138. I would like £162, please. | 0:22:48 | 0:22:51 | |
Coming out, very beautifully presented. | 0:22:51 | 0:22:54 | |
Do you want this £2, as well? | 0:22:54 | 0:22:55 | |
-Yes, I do. -I might need it. | 0:22:55 | 0:22:57 | |
I tell you, this one here, she is very demanding! | 0:22:57 | 0:23:00 | |
-Thank you very much. -She likes the full monty. | 0:23:00 | 0:23:02 | |
Now, what are you going to go and spend it on? | 0:23:02 | 0:23:05 | |
They're quite difficult to please. | 0:23:05 | 0:23:06 | |
I've got to find a nice middle ground. I want to make them happy. | 0:23:06 | 0:23:09 | |
-I hope you're going to spend the lot. -I'll do my very best for you. | 0:23:09 | 0:23:12 | |
I'm sure you will. Good luck with that. | 0:23:12 | 0:23:14 | |
Meanwhile, why don't we check out what the Blue Team bought, hey? | 0:23:14 | 0:23:18 | |
The 1924 Wembley commemorative | 0:23:18 | 0:23:20 | |
cake knife with box cost them £25. | 0:23:20 | 0:23:24 | |
£75 was spent on the mid-20th-century lamp | 0:23:24 | 0:23:28 | |
depicting a girl and a bird. | 0:23:28 | 0:23:31 | |
And, finally, lamp number two was the 1930s chrome | 0:23:31 | 0:23:34 | |
and black painted tilted number which cost £20. | 0:23:34 | 0:23:39 | |
Well, you happy trio. | 0:23:39 | 0:23:40 | |
Now, tell me which is your favourite piece, Hayles? | 0:23:40 | 0:23:43 | |
I like the first lamp we bought, with the girl and the bird. | 0:23:43 | 0:23:46 | |
The first lamp with the girl and the bird. Do you agree with that? | 0:23:46 | 0:23:49 | |
No, mine has to be the knife, the Wembley knife. | 0:23:49 | 0:23:51 | |
That's your favourite favourite? | 0:23:51 | 0:23:53 | |
-My favourite. -But that won't bring the biggest profit, will it? | 0:23:53 | 0:23:56 | |
Possibly not. No, I think the biggest profit | 0:23:56 | 0:23:58 | |
will definitely be the last lamp that we got. | 0:23:58 | 0:24:00 | |
-Do agree with that? -Yeah, it's got the best margin. | 0:24:00 | 0:24:02 | |
How much did you spend in total? | 0:24:02 | 0:24:05 | |
-£120. -£180 for leftover lolly. | 0:24:05 | 0:24:08 | |
Thank you very much. That's a disappointing spend, I have to say. | 0:24:08 | 0:24:12 | |
I saw you young ones going out there and blowing the lot. | 0:24:12 | 0:24:15 | |
But, nevertheless, it means that the old boy's got | 0:24:15 | 0:24:17 | |
a nice wodge to go off with. | 0:24:17 | 0:24:19 | |
What are you going to do with that lot? | 0:24:19 | 0:24:21 | |
Tim, I kid you not. I'm drained. Drained! | 0:24:21 | 0:24:25 | |
Hope something jumps out at me. | 0:24:25 | 0:24:27 | |
OK, well, good luck with it all. | 0:24:27 | 0:24:29 | |
Now, I'm going to show you | 0:24:29 | 0:24:30 | |
a little something that I've found earlier, which just | 0:24:30 | 0:24:33 | |
reinforces why it's a first-class reason to put pen to paper. | 0:24:33 | 0:24:37 | |
What do you do at home with all those irritating little bits | 0:24:43 | 0:24:48 | |
and pieces that are sitting around in the kitchen? | 0:24:48 | 0:24:51 | |
Well, in 1900, in your study, you would have had one of these things. | 0:24:51 | 0:24:56 | |
It's a wirework letter or stationery rack. | 0:24:56 | 0:24:59 | |
And, if you look carefully, the wire is in two strands | 0:24:59 | 0:25:03 | |
and each bit has been interwoven to make a perfect grille. | 0:25:03 | 0:25:08 | |
There's actually quite a lot of work in late-Victorian terms | 0:25:08 | 0:25:12 | |
creating this little novelty. | 0:25:12 | 0:25:14 | |
And then, as if to remind you what it's for, | 0:25:14 | 0:25:17 | |
you put a plaque on the front saying "letters". | 0:25:17 | 0:25:20 | |
Sweet, isn't it? | 0:25:20 | 0:25:22 | |
Well, I think it is. In perfect condition, | 0:25:22 | 0:25:25 | |
just a little bit of cleaning up to the gilding is all it needs. | 0:25:25 | 0:25:28 | |
And the one thing to write home about with regard to this | 0:25:28 | 0:25:31 | |
is the price. | 0:25:31 | 0:25:33 | |
Which is only £20, which I promise you is not expensive. | 0:25:33 | 0:25:37 | |
What happens, though, if your eyesight's a bit dicky? | 0:25:37 | 0:25:40 | |
You reach for your specs, don't you? | 0:25:40 | 0:25:43 | |
This 1930s spectacle case reveals a surprise. | 0:25:43 | 0:25:49 | |
Because the glasses inside don't date from the 1930s. | 0:25:49 | 0:25:53 | |
What's special about them are these folding panels. | 0:25:53 | 0:25:57 | |
Fold that bloke back like that and that fellow back like that | 0:25:57 | 0:26:01 | |
and they go to make side shields, | 0:26:01 | 0:26:04 | |
filled with a fine metal gauze. | 0:26:04 | 0:26:07 | |
Do they fit? | 0:26:07 | 0:26:09 | |
You betcha they fit! | 0:26:09 | 0:26:11 | |
Those wire bits grip your ear holes | 0:26:11 | 0:26:14 | |
and the whole thing wraps around your face perfectly. | 0:26:14 | 0:26:18 | |
And why would you use them? | 0:26:18 | 0:26:20 | |
Because you'd be sitting in a very early motorcar, | 0:26:20 | 0:26:23 | |
probably in 1900, doing 15mph, | 0:26:23 | 0:26:27 | |
on a bright and sunny day, | 0:26:27 | 0:26:28 | |
hence you need the tinted glasses. | 0:26:28 | 0:26:30 | |
What you don't want is dust and muck and flies going into your eyes, | 0:26:30 | 0:26:37 | |
hence these rather chic side mesh grilles | 0:26:37 | 0:26:40 | |
will prevent any of that. | 0:26:40 | 0:26:41 | |
The big question is, do they look cool? Yes. | 0:26:41 | 0:26:44 | |
Do they look £20-worth cool? | 0:26:44 | 0:26:48 | |
Yes. And that is the right answer. | 0:26:48 | 0:26:50 | |
Because that's what these specs would cost you | 0:26:50 | 0:26:53 | |
here in the middle of wet Wales. | 0:26:53 | 0:26:55 | |
What might they be worth? | 0:26:55 | 0:26:57 | |
On a good day, in an optical sale, | 0:26:57 | 0:26:59 | |
I would say between £100 and £200. | 0:26:59 | 0:27:01 | |
Now that is cool. | 0:27:01 | 0:27:03 | |
# Oh, yeah | 0:27:08 | 0:27:11 | |
# Ooh | 0:27:11 | 0:27:12 | |
# Oh, yeah... # | 0:27:12 | 0:27:14 | |
Well, it's very nice to be in Knutsford with | 0:27:14 | 0:27:17 | |
Nick Hall from Frank Marshall auctioneers. | 0:27:17 | 0:27:20 | |
-Nick, good morning to you. -Welcome, Tim. Good morning to you. | 0:27:20 | 0:27:22 | |
For our Reds today, their first item are these Art Deco clips. | 0:27:22 | 0:27:26 | |
Yeah, Art Deco style, I think. | 0:27:26 | 0:27:28 | |
-But decorative, all the same. -Aren't they just? | 0:27:28 | 0:27:30 | |
But missing all these stones. That's a bit of a problem, isn't it? | 0:27:30 | 0:27:33 | |
Yeah, it must have been a raucous night out | 0:27:33 | 0:27:36 | |
at the party they were worn at. | 0:27:36 | 0:27:37 | |
There's a few missing there. | 0:27:37 | 0:27:39 | |
They're collectable, aren't they, Nick? | 0:27:39 | 0:27:41 | |
Yeah, costume jewellery sells well. The condition is a factor. | 0:27:41 | 0:27:43 | |
So, how much? | 0:27:43 | 0:27:45 | |
-£10, £15. -OK, £25 paid. | 0:27:45 | 0:27:47 | |
So they're near enough on the money. | 0:27:47 | 0:27:49 | |
Next is the so-called Vallauris-style dish. | 0:27:49 | 0:27:54 | |
I mean, for me, I really hate this treacly stuff. | 0:27:54 | 0:27:56 | |
You either like it or you loathe it, | 0:27:56 | 0:27:58 | |
and I'm afraid it doesn't do it for me. They paid £18. | 0:27:58 | 0:28:01 | |
Well, there is a little bit of a market now | 0:28:01 | 0:28:03 | |
for this retro '60s design. | 0:28:03 | 0:28:05 | |
We haven't gone crazy, we've got £25, £30 on it. | 0:28:05 | 0:28:08 | |
And, quite frankly, for £18, what you get for your money. | 0:28:08 | 0:28:10 | |
-It's in good condition. That's the main thing. -It is. | 0:28:10 | 0:28:13 | |
-And it's sort of interior designer friendly. -Yes. All right, fine. | 0:28:13 | 0:28:16 | |
25 to 30. Well, they'll be delighted if you get anywhere near that, Nick. | 0:28:16 | 0:28:19 | |
Now, the last item is the butterfly menu-holder, which is | 0:28:19 | 0:28:23 | |
their big ticket number. | 0:28:23 | 0:28:25 | |
OK. There's a little bit of an issue with this. | 0:28:25 | 0:28:28 | |
We've catalogued it to the hallmark and the hallmark is quite clear | 0:28:28 | 0:28:31 | |
and on the base and the hallmark is genuine 1914. | 0:28:31 | 0:28:35 | |
It's the enamel butterfly that is rested on the top. | 0:28:35 | 0:28:38 | |
He hasn't been there since 1914. | 0:28:38 | 0:28:42 | |
OK, fine. So it flitted in later. Got welded on. | 0:28:42 | 0:28:44 | |
So, a bit of alteration there, | 0:28:44 | 0:28:46 | |
-which I guess will affect the value somewhat? -It would. | 0:28:46 | 0:28:49 | |
I mean, if the whole thing was genuine, it would | 0:28:49 | 0:28:51 | |
easily make £100, £150, if not more. | 0:28:51 | 0:28:54 | |
We've put £50-£80, cos it's decorative, | 0:28:54 | 0:28:58 | |
although not truly original. | 0:28:58 | 0:29:00 | |
Well, this may be a body blow for the team, because they paid £95. | 0:29:00 | 0:29:04 | |
But there we are. You never know. OK, Nick. Thanks very much for that. | 0:29:04 | 0:29:06 | |
On the basis that the butterfly might be a bit off kilter, | 0:29:06 | 0:29:09 | |
they'll need their bonus buy. So, let's go and have a look at it. | 0:29:09 | 0:29:13 | |
Well, this is exciting, isn't it? | 0:29:13 | 0:29:14 | |
-Very exciting. -You gave £162. | 0:29:14 | 0:29:16 | |
-It's a lot of money, isn't it? -It is! | 0:29:16 | 0:29:18 | |
And Christina, you are known as a spendthrift. | 0:29:18 | 0:29:20 | |
You love to go out and blow the lot, I know. | 0:29:20 | 0:29:23 | |
So show us what you blew the lot on. | 0:29:23 | 0:29:25 | |
-You ready? -Yes, ready for this. | 0:29:25 | 0:29:26 | |
-There you go. -Wow. -Do you know what it is? | 0:29:26 | 0:29:29 | |
-A letter-opener, I'm guessing. -Yes, exactly. | 0:29:29 | 0:29:31 | |
-Before the days of e-mails, we actually had post. -It's a dog! | 0:29:31 | 0:29:34 | |
THEY LAUGH | 0:29:34 | 0:29:36 | |
She's quick, isn't she? | 0:29:36 | 0:29:37 | |
It's a retriever. | 0:29:37 | 0:29:39 | |
How much did you spend? | 0:29:39 | 0:29:42 | |
I spent all of £7 on it. | 0:29:42 | 0:29:44 | |
Really? £7? | 0:29:44 | 0:29:47 | |
I gave you £162, you promised me | 0:29:47 | 0:29:49 | |
you were going to blow the lot! | 0:29:49 | 0:29:50 | |
How much do you think it will actually fetch? | 0:29:50 | 0:29:53 | |
Well, if that came into my auction house, | 0:29:53 | 0:29:55 | |
I'd put maybe £25-£30 on it. | 0:29:55 | 0:29:57 | |
It's a nice thing. | 0:29:57 | 0:29:59 | |
Which means it's an extremely good buy for £7. | 0:29:59 | 0:30:01 | |
-Do agree with that? -Definitely. -Lovely. | 0:30:01 | 0:30:03 | |
I think the girls are feeling quite warm about this. Good. | 0:30:03 | 0:30:06 | |
Right, on that happy note, why don't we find out | 0:30:06 | 0:30:09 | |
from the auctioneer for the viewers at home, of course, what he thinks? | 0:30:09 | 0:30:13 | |
There we go. One letter knife for the use of. | 0:30:13 | 0:30:17 | |
A nice gun dog on the end there. | 0:30:17 | 0:30:18 | |
Yes, it's sort of country pursuits friendly, isn't it, really? | 0:30:18 | 0:30:21 | |
We're in the heart of Cheshire here. Someone will be interested, | 0:30:21 | 0:30:24 | |
just as a little knick-knack for the desk. | 0:30:24 | 0:30:26 | |
No, very nice. How much do you rate that at? | 0:30:26 | 0:30:28 | |
-We put £10, £15 on it. -OK, fine. | 0:30:28 | 0:30:31 | |
-She only paid -£7. Brilliant. | 0:30:31 | 0:30:33 | |
That seems to be a bit of a snip. | 0:30:33 | 0:30:35 | |
That's it for the Reds. Now for the Blues. | 0:30:35 | 0:30:37 | |
The British Empire Exhibition Wembley commemorative cake knife. | 0:30:37 | 0:30:41 | |
Yeah, there's a mouthful. A mouthful of cake, if you like. | 0:30:41 | 0:30:44 | |
I mean, marvellous, isn't it, that in those pulsating | 0:30:44 | 0:30:46 | |
days in between the wars, such a thing would have been produced? | 0:30:46 | 0:30:49 | |
Yeah. There is a following. | 0:30:49 | 0:30:51 | |
Again, it hits that sort of retro, nostalgia market. | 0:30:51 | 0:30:54 | |
Not in great condition. In a bit of a box. | 0:30:54 | 0:30:57 | |
OK, how much, Nicholas? | 0:30:57 | 0:30:58 | |
Well, because of the condition of the box, 10 to 15. | 0:30:58 | 0:31:01 | |
OK, £25 paid. | 0:31:01 | 0:31:02 | |
Still close enough on that. | 0:31:02 | 0:31:04 | |
Next, it's the figural lamp that looks mid-'30s, | 0:31:04 | 0:31:08 | |
but might be a few years out of period. | 0:31:08 | 0:31:10 | |
-How do you rate that? -We've catalogued it as mid-20th century. | 0:31:10 | 0:31:13 | |
My gut feeling is, it's probably '50s. | 0:31:13 | 0:31:15 | |
But still, it's got the Art Deco look. | 0:31:15 | 0:31:18 | |
There is a following for it. | 0:31:18 | 0:31:20 | |
-How much? -£25, £30. | 0:31:20 | 0:31:22 | |
-£75 paid. -Ouch. | 0:31:22 | 0:31:24 | |
If the casting had been crisper and better, | 0:31:24 | 0:31:26 | |
as the '30s ones would have been, it would have sailed away past 75. | 0:31:26 | 0:31:30 | |
But it's later, and the quality is apparent. | 0:31:30 | 0:31:34 | |
Now, as to the last table lamp, | 0:31:34 | 0:31:36 | |
that is very much of its period, isn't it? | 0:31:36 | 0:31:38 | |
Slightly flecked chrome, a bit of bent pipe work. | 0:31:38 | 0:31:42 | |
Could be the handlebar off a Sunbeam motorbike, don't you think? | 0:31:42 | 0:31:45 | |
-I like that story. -You'd buy that? -I think I might. | 0:31:45 | 0:31:48 | |
How much would you pay to buy that? | 0:31:48 | 0:31:50 | |
Well, we put £30-£50 on it. | 0:31:50 | 0:31:53 | |
Say no more. £20 paid. That's a very fair estimate. | 0:31:53 | 0:31:56 | |
-They'll bite your hand off if you get more than 20. -Yeah. | 0:31:56 | 0:31:59 | |
-I'm hopeful that we get somewhere near that. -They only spent £120. | 0:31:59 | 0:32:03 | |
I bet they don't really need their bonus buy, | 0:32:03 | 0:32:06 | |
but let's go and have a look at it anyway. | 0:32:06 | 0:32:08 | |
Well, what's all this, then? Where's Hayley? | 0:32:08 | 0:32:10 | |
Well, unfortunately, Tim, she is not very well at all. | 0:32:10 | 0:32:14 | |
-Oh, dear. -She had a slight problem with her appendix, | 0:32:14 | 0:32:16 | |
but luckily, the good old NHS came along and have saved her. | 0:32:16 | 0:32:19 | |
-But she's better? -She's better. She's on the mend. -She's on the mend. | 0:32:19 | 0:32:21 | |
-Yeah. -Now, just to recap, then, you gave £180 to your man. | 0:32:21 | 0:32:25 | |
And, Paul Laidlaw, what did you spend the 180 on? | 0:32:25 | 0:32:29 | |
-Well, Tim, I've got this... piece of madness! -Wow! | 0:32:29 | 0:32:33 | |
And the reason behind this...? | 0:32:34 | 0:32:37 | |
Well, the reason behind me buying this clockwork alarm bell, | 0:32:37 | 0:32:41 | |
is that I've never seen one before. | 0:32:41 | 0:32:44 | |
Look at that. | 0:32:44 | 0:32:45 | |
Age-wise, surely late 19th century. | 0:32:45 | 0:32:48 | |
An iron framework, which is very splendid, | 0:32:48 | 0:32:51 | |
and, fingers crossed, moment of truth, I think if I pull on this... | 0:32:51 | 0:32:54 | |
DINGING | 0:32:54 | 0:32:56 | |
-A bit genteel, very civilised. -Can I feel it? -Go for it. | 0:32:56 | 0:32:59 | |
And it's got quite a weight on it as well, hasn't it? | 0:32:59 | 0:33:02 | |
-It has substance to it. -How much did you spend? -I spent £40 on that. | 0:33:02 | 0:33:06 | |
-Hmm, I think... -It's a gamble, I don't mind telling you. | 0:33:06 | 0:33:09 | |
It's one of those things. | 0:33:09 | 0:33:10 | |
I think it's really rare, but if it falls on stony ground, | 0:33:10 | 0:33:13 | |
-it's worth £20. -There's a lot of mystery in this, isn't there? | 0:33:13 | 0:33:15 | |
Yeah, so you've not seen one? | 0:33:15 | 0:33:17 | |
-I've never seen one like it in all my life. -That's reassuring. | 0:33:17 | 0:33:19 | |
-Well, thanks. -Safe to say, I haven't seen one either. -Well, there you go. | 0:33:19 | 0:33:23 | |
I guess, if the sale's online, and somebody kind of twigs the clockwork bell business, it might... | 0:33:23 | 0:33:27 | |
-Fingers crossed! -Cross everything! On that happy note... | 0:33:27 | 0:33:30 | |
why don't we check out, for the audience at home, | 0:33:30 | 0:33:33 | |
what the auctioneer thinks about the old bell? | 0:33:33 | 0:33:36 | |
Right, then, Nick, does this ring the right bell with you? | 0:33:37 | 0:33:40 | |
HE LAUGHS It's an oddity, isn't it, really? | 0:33:40 | 0:33:43 | |
The key to the value of this is knowing where it's come from, | 0:33:43 | 0:33:46 | |
what's its use is, and then targeting two collectors of that genre. | 0:33:46 | 0:33:50 | |
And we don't know the answer to the question. Sadly. | 0:33:50 | 0:33:52 | |
I mean, it could be military, | 0:33:52 | 0:33:54 | |
-but you'd think it would have WD or something stamped on it. -Yeah, I don't know. | 0:33:54 | 0:33:58 | |
I mean, there are collectors for this sort of thing out there. | 0:33:58 | 0:34:00 | |
-I don't think they're going to pay a lot for it. -No? -I hope I'm wrong. | 0:34:00 | 0:34:03 | |
-OK, then, what's your estimate? -£15-£25 with a question mark over it. | 0:34:03 | 0:34:07 | |
And Paul Laidlaw paid the £40 for it and he clearly rates it. | 0:34:07 | 0:34:11 | |
He may well know something we don't. | 0:34:11 | 0:34:13 | |
-Anyway, we'll find out in a minute. Thanks, Nick. -OK. | 0:34:13 | 0:34:16 | |
Last chance... | 0:34:21 | 0:34:22 | |
-Well, this is fun, isn't it? -Yes. -Yes. -Are you excited? | 0:34:22 | 0:34:26 | |
-Yes. -Not nervous at all? -No, not at all. | 0:34:26 | 0:34:29 | |
OK, you've got the butterfly menu-holder, | 0:34:29 | 0:34:32 | |
which, I'm afraid to report, | 0:34:32 | 0:34:33 | |
that the enamel butterfly bit is not the same period as the silver base. | 0:34:33 | 0:34:39 | |
-Oh, no! -But still a very pretty thing. -Yes. Still pretty. | 0:34:39 | 0:34:42 | |
£50-£80 is his estimate. £95 paid. | 0:34:42 | 0:34:46 | |
But he's bound to say, from the rostrum, | 0:34:46 | 0:34:49 | |
that the top is later to the bottom. | 0:34:49 | 0:34:51 | |
And it's terribly difficult to spot that, I have to say. | 0:34:51 | 0:34:54 | |
It's got a perfectly clear hallmark. Stand by, girls. First lot coming up, | 0:34:54 | 0:34:57 | |
and here they come. | 0:34:57 | 0:34:59 | |
Lot number 30 is a pair of Art Deco style dress clips. | 0:34:59 | 0:35:02 | |
Very smart, very decorative. Bid me away £20. Come on, £20? £15? 10? | 0:35:02 | 0:35:07 | |
Where's 10? Come on, who's in at £10? 10 online, thank you. | 0:35:07 | 0:35:10 | |
-At £10, had £10... -Come on. -Any advance on 10? | 0:35:10 | 0:35:14 | |
At 10, come on, squeeze a bit more. It's £10 only. | 0:35:14 | 0:35:17 | |
Not each, for the pair! Come on, £10. | 0:35:17 | 0:35:20 | |
-At £10, the bid's online... -Oh-oh. -Oh, dear. -At £10 only. | 0:35:20 | 0:35:25 | |
-That's £15, girls. -Someone got a bargain! | 0:35:26 | 0:35:28 | |
-That's pretty well on trend, isn't it? -Yes. -I'm afraid. | 0:35:28 | 0:35:32 | |
OK, now, the French dish. | 0:35:32 | 0:35:34 | |
Lot 31 is the Vallauris-style French art pottery dish, circa 1960s. | 0:35:34 | 0:35:40 | |
Good look about it. Where are we going to go? £30? 30? 25? £20? | 0:35:40 | 0:35:46 | |
-Come on, smart bit of French artwork. -Yes. | 0:35:46 | 0:35:48 | |
'60s designer, retro-chic. Come on. £20? | 0:35:48 | 0:35:51 | |
£20 somewhere, surely? Where's 20? 15? | 0:35:51 | 0:35:54 | |
Come on, don't make me beg. Come on, £10? | 0:35:54 | 0:35:57 | |
Surely, someone in the room. At £10? £10 only. | 0:35:57 | 0:35:59 | |
Is this microphone working(?) Can you hear me(?) Come on. | 0:35:59 | 0:36:02 | |
-Surely, someone somewhere. £10, do I hear? Thank you, madam. -Hooray! | 0:36:02 | 0:36:06 | |
10 I'm bid. Hammer's hovering now, and I will sell at £10 if sure. | 0:36:06 | 0:36:11 | |
£10 is a very good price for that. | 0:36:11 | 0:36:13 | |
Minus £8. Now here we come with the menu-holder. Look at that. | 0:36:15 | 0:36:19 | |
A silver and blue guilloche enamel butterfly menu-holder. | 0:36:19 | 0:36:22 | |
Levi & Salaman, Birmingham 1914, '15. | 0:36:22 | 0:36:25 | |
That is the hallmark on the base. | 0:36:25 | 0:36:27 | |
However, the top section has been later added. | 0:36:27 | 0:36:31 | |
Just so that you're aware. OK. £50 for it? | 0:36:31 | 0:36:35 | |
-50? 40? 30? £30? -Oh, no. | 0:36:35 | 0:36:38 | |
-It's so beautiful. Come on! -Come on, who's in? | 0:36:38 | 0:36:41 | |
A nice hallmarked silver base. Enamelled top. 20 online. | 0:36:41 | 0:36:44 | |
-5, 30. It's online at 30. -Come on, more, more, more. -£30. Any advance? | 0:36:44 | 0:36:51 | |
-35. At 35. 40? -Dire straits. -Any advance? The bid's online at £40. | 0:36:51 | 0:36:56 | |
-The room's quiet. It's all online. At 40, -5... 45. | 0:36:56 | 0:37:01 | |
£50? Come on. | 0:37:01 | 0:37:03 | |
£50. And 5. 55. It's online at 55. | 0:37:03 | 0:37:07 | |
They're waking up, they're waking up. | 0:37:07 | 0:37:10 | |
Any more? The tension is killing. | 0:37:10 | 0:37:12 | |
Come on. £55 online. 55 if you're sure. | 0:37:12 | 0:37:15 | |
£55 is minus £40. | 0:37:15 | 0:37:17 | |
That means, girls, you're minus £63. | 0:37:17 | 0:37:20 | |
Sorry about that. | 0:37:20 | 0:37:21 | |
So, what are we going to do about the letter-opener? | 0:37:21 | 0:37:23 | |
-Are we going to go with it? -Yes, definitely. It's lovely. | 0:37:23 | 0:37:26 | |
-What more can you lose? -Exactly! In for a penny... | 0:37:26 | 0:37:29 | |
So, we've decided we're going with the letter knife. And here it comes. | 0:37:29 | 0:37:33 | |
Lot 36 is the brass letter-opener. | 0:37:33 | 0:37:37 | |
Nicely cast on the end with the retriever and pheasant. | 0:37:37 | 0:37:40 | |
Nice-looking thing, this. Where are we going to go? | 0:37:40 | 0:37:42 | |
I've got commission interest. | 0:37:42 | 0:37:43 | |
I'll start the bidding straight in at 10. £10. At £10. | 0:37:43 | 0:37:46 | |
Who's next with a little bit more? Come on, surely worth more. | 0:37:46 | 0:37:49 | |
10 with me. At £10. Yes? Come on. Yeah, 15. 20? 20 against. At 20. | 0:37:49 | 0:37:54 | |
-At £20, try another. -Well done. Look at that. | 0:37:54 | 0:37:57 | |
Nothing else, nothing online? It's £20, then. The commissions have it. | 0:37:57 | 0:38:01 | |
Selling at £20... | 0:38:01 | 0:38:03 | |
£20 is not bad. That's plus £13... | 0:38:03 | 0:38:06 | |
-Well done, Christina. -Which takes you down to around minus 50, | 0:38:06 | 0:38:08 | |
-which is nothing, really. -Yay! -That's not bad. -That's not bad. | 0:38:08 | 0:38:11 | |
And the way things are looking today, that could be a winning score. | 0:38:11 | 0:38:14 | |
-You never know. -You never know. | 0:38:14 | 0:38:16 | |
-Say nothing to the Blues, all right? -No. | 0:38:16 | 0:38:18 | |
-OK, Alex, have you been speaking to Hayley? -I have indeed. -Have you? | 0:38:24 | 0:38:27 | |
I tell you what we can do. | 0:38:27 | 0:38:28 | |
If you like, we'll sell the first three items, | 0:38:28 | 0:38:31 | |
and in that pause when we try and decide about the bonus buy, | 0:38:31 | 0:38:34 | |
if you can get her online in that little pause, she can be involved in the choice. | 0:38:34 | 0:38:38 | |
-Fantastic. -With her perforated appendix, poor thing. | 0:38:38 | 0:38:41 | |
-Anyway, first up is your cake knife. And here it comes. -Thank you. | 0:38:41 | 0:38:46 | |
Lot number 52 is the Wembley 1924 commemorative cake slice. | 0:38:46 | 0:38:50 | |
Nice little lot. £10 for it, come on. £10 anywhere? | 0:38:50 | 0:38:53 | |
Surely, bid me at 10. At 10, £10 only. | 0:38:53 | 0:38:56 | |
Not a lot of money for a great bit of British history. | 0:38:56 | 0:38:59 | |
At £10, anywhere, surely? Thank you. Online. Someone's awake. | 0:38:59 | 0:39:03 | |
At £10. 10, I'm bidding. At £10. At £10 online. The room's quiet. | 0:39:03 | 0:39:08 | |
He's in. 15. Thank you, sir. A little bit more, do I hear? | 0:39:08 | 0:39:11 | |
The bid's in the room at £15. Come on, online. One bid's not enough. | 0:39:11 | 0:39:15 | |
Let's see another one. At £15, it's in the room. I will sell. | 0:39:15 | 0:39:18 | |
-£15 is minus £10. Bad luck. -We are in trouble. | 0:39:20 | 0:39:23 | |
-It's going to be used as a weapon. -Now this is the Deco style lamp. | 0:39:23 | 0:39:27 | |
The mid-20th-century Art Deco style lamp. There we are. | 0:39:27 | 0:39:31 | |
Smart figurative piece, this. Nice lamp. Where are we going to go? | 0:39:31 | 0:39:34 | |
£30 for it? £30? Come on. £20? Thank you, madam. 20 I'm bid. | 0:39:34 | 0:39:39 | |
At £20. 5 I'm offered. At 25. 30. 5. 40. £40. | 0:39:39 | 0:39:44 | |
-Try another. -Come on, come on. -I've got 50 seated. At 50 bid. | 0:39:44 | 0:39:49 | |
Any advance on 50 now? At £50, the bid's in the room. | 0:39:49 | 0:39:52 | |
At £50, all done, are you sure? | 0:39:52 | 0:39:54 | |
-£50. It's minus £25. -No! -No? | 0:39:54 | 0:39:58 | |
Lot 54 is another lamp. Another smart, iconic, '30s design. | 0:39:58 | 0:40:03 | |
Chrome and black-painted desk lamp. | 0:40:03 | 0:40:05 | |
Where are we going to go with this one? £30 for it? | 0:40:05 | 0:40:08 | |
Smart-looking thing, this, at £30. 25? 20? Come on, surely £20? | 0:40:08 | 0:40:13 | |
-Good-looking Deco lamp like this. -I'm surprised at that. | 0:40:13 | 0:40:16 | |
At £20 only for it? Thank you, sir. 20 I'm bid. Any advance on 20 now? | 0:40:16 | 0:40:20 | |
All done, you sure? I have to sell, £20. Hammer's hovering. | 0:40:20 | 0:40:23 | |
Uh-oh. £20. | 0:40:23 | 0:40:25 | |
It's wiped its face. It's minus £35. This is not looking so swift. | 0:40:25 | 0:40:29 | |
Get on the phone, quick! | 0:40:29 | 0:40:30 | |
Let's just try and get the girl and give her the bad news. | 0:40:30 | 0:40:33 | |
It may not help her recovery much. | 0:40:33 | 0:40:35 | |
We're here at the auction and we are currently on minus £35. | 0:40:35 | 0:40:40 | |
-So, do you think we should go for the bonus buy? -At £50... | 0:40:40 | 0:40:44 | |
-I think we should go for it as well. -She thinks you should go for it? | 0:40:44 | 0:40:47 | |
-She thinks we should go for it. -Tell her to get better soon, | 0:40:47 | 0:40:50 | |
-and we'll ring her with the result in a minute, all right? -Get better soon. | 0:40:50 | 0:40:53 | |
That's the decision made. We'll go with the bonus buy. Here it comes. | 0:40:53 | 0:40:57 | |
The late 19th-, early 20th-century wall-hanging, clockwork, | 0:40:57 | 0:41:01 | |
manual-operated alarm bell. | 0:41:01 | 0:41:03 | |
Nice bit of social history, this, the alarm bell. | 0:41:03 | 0:41:06 | |
Where are we going to go with it? £20? £20? 15? | 0:41:06 | 0:41:09 | |
Not a lot of money, surely. £10? Who's in at £10? | 0:41:09 | 0:41:12 | |
Interesting mechanism and all in working order. Thank you, madam. | 0:41:12 | 0:41:15 | |
-10 I'm bid. At -10... That's old money, that. -15 online. | 0:41:15 | 0:41:18 | |
Try now there, come on. £15. It's only money, madam. 18 I'll take. | 0:41:18 | 0:41:22 | |
18 I'm bid. I have a 20 online if you're still awake. | 0:41:22 | 0:41:25 | |
-Come on, come on. -20. It's online. Room's quiet. 20 I'll sell. | 0:41:25 | 0:41:30 | |
-£20. -Argh! | 0:41:31 | 0:41:33 | |
Minus £20. Means it's minus 55. | 0:41:33 | 0:41:36 | |
I don't think we'll ring Hayley with that. | 0:41:36 | 0:41:39 | |
-No. Too unsettling. -I think you'd better go and see her and tell her. | 0:41:39 | 0:41:43 | |
Anyway, minus £55 might be a winning score, | 0:41:43 | 0:41:46 | |
but don't say a word to the Reds, and all will be revealed in a moment. | 0:41:46 | 0:41:50 | |
-Thank you very much. -Thank you. | 0:41:50 | 0:41:51 | |
Well, it's no secret that today has been an absolute disaster all round, right? | 0:41:56 | 0:42:00 | |
-You been chatting, you lot? -No. -No. -Not at all. -No? | 0:42:00 | 0:42:03 | |
Well, you'll be glad to hear | 0:42:03 | 0:42:05 | |
that you're almost equally bad as one another. | 0:42:05 | 0:42:08 | |
And in fact, there is only a £5 note between the teams today. | 0:42:08 | 0:42:13 | |
The team that has managed to score marginally more | 0:42:13 | 0:42:16 | |
in the way of losses today... | 0:42:16 | 0:42:18 | |
-are the Blues. -Ah. | 0:42:18 | 0:42:21 | |
No! | 0:42:21 | 0:42:23 | |
-You have managed to lose £55. -How did we do that? -Which is... | 0:42:23 | 0:42:28 | |
I'm so sorry about Hayley, but perhaps it's the best place to be. | 0:42:28 | 0:42:32 | |
-Yes. -In bed for the day rather than suffer this. | 0:42:32 | 0:42:35 | |
-Has it been a great experience, Alex? -A fantastic experience all round. | 0:42:35 | 0:42:38 | |
Well, we've loved having you on the show and we want Hayley to get better, | 0:42:38 | 0:42:41 | |
-so go and give her a squeeze and all our love, all right? -I shall do. -Very good. | 0:42:41 | 0:42:45 | |
And congratulations to the Reds, who managed to lose £50. | 0:42:45 | 0:42:48 | |
They too made no profits on anything at all | 0:42:48 | 0:42:51 | |
until they came along with the brass letter-opener, courtesy of Christina, | 0:42:51 | 0:42:55 | |
where they made a profit, which was a joyous thing to see, wasn't it? | 0:42:55 | 0:42:59 | |
-Yes. -Was it good fun? -Brilliant. Fantastic. -Was it? | 0:42:59 | 0:43:01 | |
-Well, we've loved having you. Congratulations. -Thank you. -Well done, team. | 0:43:01 | 0:43:05 | |
It's been such fun, | 0:43:05 | 0:43:06 | |
why don't you join us soon for some more bargain-hunting - yes? | 0:43:06 | 0:43:09 | |
ALL: Yes! | 0:43:09 | 0:43:11 |