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Trusty seadogs like Sir Francis Drake and Sir Walter Raleigh | 0:00:08 | 0:00:13 | |
hail from these parts... Morning. | 0:00:13 | 0:00:15 | |
..so, why don't you join me on the antique version of | 0:00:15 | 0:00:20 | |
Life On The Ocean Wave? And let's go bargain hunting! Yeah! | 0:00:20 | 0:00:24 | |
Here at the Devon County Showground, there are 400 bustling stalls | 0:00:53 | 0:00:58 | |
that go to make up this busy antiques fair. | 0:00:58 | 0:01:03 | |
In these unchartered waters, our two teams of landlubbers are about | 0:01:03 | 0:01:08 | |
to set sail in their pursuit of profit, | 0:01:08 | 0:01:11 | |
so let's take a quick squint at the voyage ahead. | 0:01:11 | 0:01:15 | |
The Reds want to explore all possibilities... | 0:01:18 | 0:01:20 | |
Do you know what, Debs? | 0:01:20 | 0:01:21 | |
In that hat, you look like an early explorer in the jungle | 0:01:21 | 0:01:25 | |
looking at botanical specimens! | 0:01:25 | 0:01:27 | |
I feel like saying, "Dr Livingstone, I presume?" | 0:01:27 | 0:01:30 | |
..while the Blues lack awareness of time. | 0:01:30 | 0:01:32 | |
Could you hold that one for us? Is that all right, a minute? | 0:01:32 | 0:01:35 | |
Oh, no, that's fine. We're got about 14 hours, that's perfectly OK. Yeah. | 0:01:35 | 0:01:39 | |
Let's meet today's teams. | 0:01:39 | 0:01:41 | |
Well, we've got two teams of friends on the show today. | 0:01:43 | 0:01:45 | |
Well, they're friends at the moment. | 0:01:45 | 0:01:47 | |
For the Reds, we've got Debs and Julie, | 0:01:47 | 0:01:50 | |
-and, for the Blues, we've got Sally and Susan. Hello, everyone. -Hello! | 0:01:50 | 0:01:54 | |
-Hello! -Very nice to see you. | 0:01:54 | 0:01:55 | |
Now, what's this about you two being steampunkers? | 0:01:55 | 0:01:59 | |
-Oh, steampunk is a Victorian sci-fi look at the past. -Oh, yeah? | 0:01:59 | 0:02:05 | |
-So, how many steampunkers ordinarily get together then? -Oh, thousands... | 0:02:05 | 0:02:10 | |
-Of an outing? Do you really? -Yeah. -What would you dress up in? | 0:02:10 | 0:02:12 | |
I've got a persona that's a Martian ethno-biologist. | 0:02:12 | 0:02:16 | |
-So, she's red, combat and studies Martians. -You ever seen a Martian? | 0:02:16 | 0:02:21 | |
No, but nobody else has either, so I'm free. | 0:02:21 | 0:02:24 | |
Now, Jules, which era are you in? Are you looking at Martians then? | 0:02:24 | 0:02:29 | |
I like the Victorian side of it and very much the gothic side of it, | 0:02:29 | 0:02:33 | |
so a vampire sort of character, very dark, very gothic. | 0:02:33 | 0:02:37 | |
I like schools and things like that. | 0:02:37 | 0:02:39 | |
But you can see into the future, darling. | 0:02:39 | 0:02:42 | |
I've been a Tarot reader for over 30 years now, and I'm a Reiki master. | 0:02:42 | 0:02:47 | |
So, can you get into an energy groove | 0:02:47 | 0:02:50 | |
and predict how much profit you're going to make today on Bargain Hunt? | 0:02:50 | 0:02:53 | |
Well, I've had my pendulum out, | 0:02:53 | 0:02:55 | |
-and I think we're going to make a good profit. -Do you? -Yes. | 0:02:55 | 0:02:58 | |
-I shall hold you to that... -Yes! | 0:02:58 | 0:02:59 | |
..when we get to the auction a bit later on. That's marvellous. Good. | 0:02:59 | 0:03:03 | |
Well, Sally, you two are not only good friends, | 0:03:03 | 0:03:07 | |
-but you also work together. -We do. -Yes, we do. | 0:03:07 | 0:03:09 | |
Yes, we work at A La Ronde, which is the local National Trust property | 0:03:09 | 0:03:12 | |
-near Exmouth. -Yes, and you are the manager. -Yeah. | 0:03:12 | 0:03:16 | |
-And, Susan, you are a room guide? -Yes, I am. | 0:03:16 | 0:03:18 | |
Well, by a curious quirk of coincidence, A La Ronde, | 0:03:18 | 0:03:23 | |
the lovely National Trust house just down the road where these two | 0:03:23 | 0:03:26 | |
come from, we're going to visit on this programme a bit later on, | 0:03:26 | 0:03:29 | |
so we're going to see exactly what it's like where you hang out. | 0:03:29 | 0:03:33 | |
And how long have you been working at the National Trust for? | 0:03:33 | 0:03:36 | |
-Um, I've been with the National Trust about 28 years. -Have you? -Yes. | 0:03:36 | 0:03:39 | |
You went as a child. | 0:03:39 | 0:03:41 | |
-Oh, how kind! -They have this child entry, don't they? | 0:03:41 | 0:03:44 | |
Um, so what's so special about A La Ronde to you? | 0:03:44 | 0:03:47 | |
Oh, well, it is the most quirky, | 0:03:47 | 0:03:49 | |
unusual building with an amazing story. | 0:03:49 | 0:03:54 | |
Now, Susan, tell me about your room guide duties. | 0:03:54 | 0:03:57 | |
I could be in a room to answer any questions and, hopefully, | 0:03:57 | 0:04:01 | |
tell them everything that I know about the story of A La Ronde. | 0:04:01 | 0:04:04 | |
-Or I could do guided tours. Or I could be a rover, Tim. -Could you? | 0:04:04 | 0:04:09 | |
-Yes. -What do a rover do? -A rover... -Woof! -I knew you'd do that! | 0:04:09 | 0:04:13 | |
Oh, did you? It's so predictable! | 0:04:13 | 0:04:15 | |
A rover will go around to allow anybody to have a tea break | 0:04:15 | 0:04:19 | |
-or a coffee break. -Oh, I see, that's what a rover does. | 0:04:19 | 0:04:21 | |
So, are you two going to get on all right, today? | 0:04:21 | 0:04:24 | |
-We're not going to have any falling out, are we? -No! -No! -Just like that! | 0:04:24 | 0:04:28 | |
"No!" I love that. What great grins. Anyway, it says it all. | 0:04:28 | 0:04:32 | |
The joy of being on Bargain Hunt, eh? Here comes your £300. | 0:04:32 | 0:04:35 | |
So, there's your £300. | 0:04:35 | 0:04:37 | |
You know the rules, your experts await and off you go! | 0:04:37 | 0:04:40 | |
And very, very, very good luck! See you later over at the house, Sal! | 0:04:40 | 0:04:44 | |
Now, let's meet our experts. | 0:04:44 | 0:04:46 | |
Showgirl Kate Bliss will be performing for the Reds. | 0:04:46 | 0:04:49 | |
And aspiring Bond baddie, David Harper, will be assisting the Blues. | 0:04:51 | 0:04:55 | |
I'm guessing from the hat, Debs, that you're very stylish ladies. | 0:04:57 | 0:05:02 | |
-We try. -Yes. -We try. -Yes. -Of a certain era. | 0:05:02 | 0:05:04 | |
What is it you're going to be looking out for? | 0:05:04 | 0:05:07 | |
-Weird and wonderful. -OK. | 0:05:07 | 0:05:09 | |
So, come on then, you two, what tactics have we got? | 0:05:09 | 0:05:12 | |
-Well, we're looking for something quirky. -Ooh! | 0:05:12 | 0:05:14 | |
-And something oriental would be nice. -Ooh! | 0:05:14 | 0:05:17 | |
-Do we all like oriental? -We do. | 0:05:17 | 0:05:18 | |
We're, you know, not going out with a master plan, | 0:05:18 | 0:05:20 | |
-just something that we go, "Ooh!" -Bizarre. | 0:05:20 | 0:05:23 | |
-So, we want to go, "Ooh!" -Yes! -Yes! -That's the reaction. | 0:05:23 | 0:05:26 | |
-Let's get started. -OK. | 0:05:26 | 0:05:27 | |
-And I might leave you £5. -You can leave me £1, it doesn't bother me. | 0:05:27 | 0:05:32 | |
-Are you ready? -Yes. -We are. -Here we go. | 0:05:32 | 0:05:35 | |
Right, off you go, teams. Your 60 minutes starts now. | 0:05:35 | 0:05:39 | |
As our Red explorers delve into the past and our Blues are intent | 0:05:39 | 0:05:43 | |
on finding Eastern treasures, this shop promises to be great fun. | 0:05:43 | 0:05:47 | |
-Can we get a note out of it? -Do you play, Debs? | 0:05:53 | 0:05:55 | |
No, I don't, but I'm willing to have a go. | 0:05:55 | 0:05:58 | |
BUGLE BLOWS WITHOUT SOUND | 0:05:59 | 0:06:01 | |
No, I don't play! | 0:06:01 | 0:06:03 | |
Maybe not. Put this back then. | 0:06:03 | 0:06:04 | |
Don't want anybody keeling over today. | 0:06:04 | 0:06:07 | |
Absolutely, Kate. | 0:06:07 | 0:06:08 | |
Now, the Blues said they wanted something unusual, | 0:06:08 | 0:06:11 | |
so, what have they found here? | 0:06:11 | 0:06:12 | |
-Oh, my goodness... -Why would they have done anything like that? | 0:06:14 | 0:06:17 | |
-STALLHOLDER: -Around South America, | 0:06:17 | 0:06:19 | |
-you'll see sort of shrines on the side of the road... -Right. | 0:06:19 | 0:06:21 | |
..and normally he's the chap that's sat in the middle. | 0:06:21 | 0:06:24 | |
Oh, that's very interesting. | 0:06:24 | 0:06:25 | |
-I mean, I do like the unusual and the quirky... -Yes, but that's... | 0:06:25 | 0:06:28 | |
-It doesn't do it for me. -Nor me! -No. -Nor me! -"Hello, missus!" | 0:06:28 | 0:06:32 | |
-What about you, are you drawn to him? -No, not at all! | 0:06:34 | 0:06:38 | |
Fair enough, Blues. | 0:06:38 | 0:06:39 | |
He might not be your cup of tea, but I'm sure he'll be somebody else's. | 0:06:39 | 0:06:43 | |
Now, how are those Reds getting on? | 0:06:43 | 0:06:45 | |
A dinky little microscope. It's got a box as well. I quite like that. | 0:06:46 | 0:06:50 | |
-Do you? -My husband's a biomedical scientist, so it's kind of... -Ah! | 0:06:50 | 0:06:55 | |
-Cos you're into steampunk, aren't you? -I am, I am. | 0:06:55 | 0:06:57 | |
Which is a combination of sort of interest in Victoriana, | 0:06:57 | 0:07:00 | |
-but also with sci-fi element... -Yeah, it's the two mixed, which... | 0:07:00 | 0:07:03 | |
-Yeah. -..that kind of is, really. -You think that ticks the box? | 0:07:03 | 0:07:06 | |
I quite like that. | 0:07:06 | 0:07:08 | |
Let's have a look at the microscope itself, because, if there's | 0:07:08 | 0:07:11 | |
a nice name on it, this is always a nice thing for collectors. | 0:07:11 | 0:07:15 | |
-Where would it be? -Usually, on the actual... | 0:07:15 | 0:07:18 | |
telescopic bit here, or on the base. | 0:07:18 | 0:07:22 | |
I can't see anything major. | 0:07:22 | 0:07:25 | |
Shall I see if we can see through it? Which is kind of a... | 0:07:25 | 0:07:28 | |
Do you know what, Debs? | 0:07:28 | 0:07:30 | |
In that hat, you look like an early explorer in the jungle | 0:07:30 | 0:07:33 | |
looking at botanical specimens. | 0:07:33 | 0:07:35 | |
I feel like saying, "Dr Livingstone, I presume?" | 0:07:35 | 0:07:38 | |
Dr Livingstone indeed! | 0:07:38 | 0:07:40 | |
It's a fairly standard piece. It's 1900, perhaps a little bit later. | 0:07:40 | 0:07:45 | |
It's not rare, let's make that clear. | 0:07:45 | 0:07:47 | |
Let's have a look at the price. | 0:07:47 | 0:07:49 | |
65. How do you feel about that? | 0:07:49 | 0:07:52 | |
Do you think that's its money? Do you think that's...? | 0:07:52 | 0:07:54 | |
I would put an auction estimate of, probably, um, 20 to 40 on it. | 0:07:54 | 0:07:58 | |
-Oh, so, you think it's... -And hope that somebody would | 0:07:58 | 0:08:00 | |
-really go for it. -It is one of those things. | 0:08:00 | 0:08:02 | |
I said I wanted an "Ooh!" And that made me go "Ooh!" So... | 0:08:02 | 0:08:05 | |
-What do you think about this, Julie? Are you in agreement? -I like it. | 0:08:05 | 0:08:08 | |
-I would say 20 to 30... -OK. -..at an auction. | 0:08:08 | 0:08:12 | |
-I can see our man in the back here. -STALLHOLDER: Hiya! | 0:08:12 | 0:08:16 | |
Hi there. What's the best you could do for us on this? | 0:08:16 | 0:08:19 | |
-Well, there's 65 on it, isn't there? -Hmm. -Uh... | 0:08:19 | 0:08:21 | |
The death would be 40. | 0:08:22 | 0:08:24 | |
The death would be 40. | 0:08:24 | 0:08:26 | |
Well... | 0:08:26 | 0:08:27 | |
it's up to you, honey. I quite like it, but I'm willing to be persuaded. | 0:08:27 | 0:08:32 | |
I think, for that, it's probably worth giving it a go. | 0:08:32 | 0:08:34 | |
-Here you are, sir. -Thank you very much. Thank you. -Thank you. | 0:08:34 | 0:08:38 | |
There we go. The Reds have bought their first item. Congratulations. | 0:08:38 | 0:08:42 | |
But it doesn't look like the Blues are far behind. | 0:08:42 | 0:08:45 | |
What has David spotted here? | 0:08:45 | 0:08:47 | |
What about that table? I mean, I'm drawn to that, very much so. Yeah. | 0:08:47 | 0:08:51 | |
-Sally, Susan, what are your thoughts? -Very intricate. | 0:08:51 | 0:08:53 | |
-A lot of work and detail in it. -Yeah. | 0:08:53 | 0:08:56 | |
-I would have thought it's Chinese, but, then, it could be Indian. -OK. | 0:08:56 | 0:08:59 | |
-Turn of the century. -Mm-hm. It's more Indian. | 0:08:59 | 0:09:03 | |
Yeah, and I think it's late 19th, early 20th century. | 0:09:03 | 0:09:06 | |
It's a hardwood table, but it's construction is quite interesting. | 0:09:06 | 0:09:10 | |
If you notice here, you've got hinges. | 0:09:10 | 0:09:12 | |
Now, why on earth would you have hinges on a table? | 0:09:12 | 0:09:14 | |
-Oh, because it's...well, it should be like an opening. -Well, it folds. | 0:09:14 | 0:09:18 | |
-Oh, it folds. -It will probably fold flat for travelling. | 0:09:18 | 0:09:22 | |
-It is like a campaign piece? -Almost, almost campaign. | 0:09:22 | 0:09:25 | |
Yes, so, you're living in India, | 0:09:25 | 0:09:27 | |
circa 1900 during the days of the Raj | 0:09:27 | 0:09:30 | |
and this is maybe something that was made for westerners | 0:09:30 | 0:09:33 | |
there in India, and it could have been taken as...you know, | 0:09:33 | 0:09:35 | |
you might have gone on a tour of the... | 0:09:35 | 0:09:37 | |
I'm getting a bit romantic here! | 0:09:37 | 0:09:39 | |
You might have gone on a tour of the wilderness, | 0:09:39 | 0:09:41 | |
-and you might just take your furniture with you. -Mmm. | 0:09:41 | 0:09:44 | |
-How fabulous. -I'm worried as to what the price might be. -How much is it? | 0:09:44 | 0:09:48 | |
-What's the best on that? -I can't see anything. | 0:09:48 | 0:09:50 | |
I've got 150 on it, but I'm open to offers. | 0:09:50 | 0:09:54 | |
-Aye, aye. -I think it's going to be 30 to 50 as an estimate. | 0:09:54 | 0:09:57 | |
Are you listening to your expert? | 0:09:57 | 0:09:59 | |
-As I like this gentleman... -Yes! -But everyone likes this gentleman. | 0:09:59 | 0:10:03 | |
..I could be pushed down to about 80. | 0:10:03 | 0:10:06 | |
It is, I think, a very lovely thing and I do love the symbolism here. | 0:10:06 | 0:10:10 | |
You've got the birds, the lovebirds and foliage... | 0:10:10 | 0:10:13 | |
-Yes, it's rather nice. -I think it's fantastic... -Right. -..I really do. | 0:10:13 | 0:10:17 | |
-We'll go for this one. -OK? -Yep. -Lovely. -Thank you very much. | 0:10:17 | 0:10:20 | |
-Thank you very much. -Thank you. | 0:10:20 | 0:10:23 | |
Well done, Blues, that's your first purchase made. | 0:10:23 | 0:10:26 | |
Oh, my! | 0:10:28 | 0:10:30 | |
-THEY LAUGH -Look at that! | 0:10:30 | 0:10:32 | |
Bottom comes to mind. | 0:10:33 | 0:10:34 | |
-Pardon?! -I love that! | 0:10:34 | 0:10:36 | |
Perhaps your shop could end up as a Midsummer's Night's Dream, ladies. | 0:10:37 | 0:10:43 | |
Right, teams, you've had half your shopping time now, get a move on! | 0:10:43 | 0:10:47 | |
Both our teams need to agree a plan of action. | 0:10:47 | 0:10:49 | |
-What about some silver? -I'll have silver. | 0:10:49 | 0:10:51 | |
-I would like to see some nice silver. -I love silver. -Right. | 0:10:51 | 0:10:55 | |
I love everything. | 0:10:55 | 0:10:57 | |
When we walked in, I saw some brooches, | 0:10:57 | 0:10:58 | |
I don't know if they were Bakelite... | 0:10:58 | 0:11:00 | |
-Right. -But they looked quite stylish. | 0:11:00 | 0:11:03 | |
This is your programme, you can do exactly what you want to do, | 0:11:03 | 0:11:05 | |
-but within reason, obviously. -Yes, within reason. | 0:11:05 | 0:11:08 | |
There are some rules, you know, yeah. | 0:11:08 | 0:11:10 | |
-So, what did you spot, Julie? -These brooches? -These ones here. | 0:11:10 | 0:11:14 | |
Yeah, I just think foxes and anything with foxes in it are quite | 0:11:16 | 0:11:19 | |
popular at the moment and they're really stylised. | 0:11:19 | 0:11:22 | |
You've actually, unknowingly, | 0:11:22 | 0:11:25 | |
spotted something which is quite iconic for the '60s and '70s. | 0:11:25 | 0:11:29 | |
-Oh, wow! -And they're made by a lady called Lea Stein, | 0:11:30 | 0:11:34 | |
who was very well-known for producing this type of brooch. | 0:11:34 | 0:11:38 | |
Lea Stein is a French artist and accessories maker | 0:11:38 | 0:11:41 | |
known for her compressed plastic buttons, brooches, and bracelets. | 0:11:41 | 0:11:44 | |
She worked with her husband to develop a process of layering | 0:11:44 | 0:11:48 | |
very thin sheets of cellulose acetate, and laminating them. | 0:11:48 | 0:11:52 | |
She has been hailed as one of the most innovative | 0:11:52 | 0:11:55 | |
designers of plastic jewellery of the 20th century. | 0:11:55 | 0:11:57 | |
Which one do you like in particular and then I can go | 0:11:57 | 0:12:00 | |
-and find out some prices. -I like... -Leaping fox? -Yes, the top one. | 0:12:00 | 0:12:03 | |
-This one here? -I just like the colour of that one. -Red fox. -Yeah. | 0:12:03 | 0:12:06 | |
-Can you see it's got that lovely sheen to it? -It's beautiful. | 0:12:06 | 0:12:09 | |
And that's because of the laminated layers. | 0:12:09 | 0:12:12 | |
Well, I'm going to go and see what price we're looking at, | 0:12:12 | 0:12:14 | |
cos I can't see any price tags. | 0:12:14 | 0:12:16 | |
Whilst Kate heads off to find a price on the brooches, | 0:12:18 | 0:12:21 | |
it appears the Blues have been dazzled by silver. | 0:12:21 | 0:12:23 | |
-It's 925, a Continental... -Oh, it's a Continental. | 0:12:25 | 0:12:29 | |
..but it really is so well made. DAVID LAUGHS | 0:12:29 | 0:12:32 | |
Now, if he doesn't put a smile on your face... | 0:12:32 | 0:12:34 | |
You pop his head up...so, you put his matches in there, | 0:12:34 | 0:12:37 | |
stamped 925, so, come on, you've watched this programme, | 0:12:37 | 0:12:40 | |
Susan, what does that mean? | 0:12:40 | 0:12:42 | |
-Well, 925 part silver. -Which means that it's the same standard... | 0:12:42 | 0:12:47 | |
-It's still sterling. -..as British hallmarked silver. -Yeah. | 0:12:47 | 0:12:51 | |
-But you can't date it accurately... -No, I was just thinking that. | 0:12:51 | 0:12:54 | |
..like you can with British hallmarked silver. | 0:12:54 | 0:12:56 | |
-You've seen that, haven't you? -Yeah. | 0:12:56 | 0:12:58 | |
So, you can't put an exact date on him, but it's very sweet. | 0:12:58 | 0:13:02 | |
So, with the Blues unable to confirm numbers, it's a | 0:13:02 | 0:13:05 | |
different story in the Red camp as Kate appears back with price news. | 0:13:05 | 0:13:10 | |
-The ticket price was £55... -Ooh! | 0:13:10 | 0:13:12 | |
-..but, they very kindly said they'll do it for 45. Yeah? -Ah! | 0:13:12 | 0:13:16 | |
I've seen them go for less than that at auction, I've seen them | 0:13:16 | 0:13:19 | |
-go for more. -Yes. -So... -OK. | 0:13:19 | 0:13:21 | |
It's a gamble, but I think it's a great example. | 0:13:21 | 0:13:24 | |
-As I said, it's a really iconic design. -It is, I just love it. | 0:13:24 | 0:13:29 | |
-Great. Shall we do it? -Yeah, let's go for it. -Fantastic. | 0:13:29 | 0:13:32 | |
Well done, Reds. That's item number two in the bag. | 0:13:32 | 0:13:34 | |
Now, back to the Blues, who, clearly, are having a hoot, | 0:13:34 | 0:13:37 | |
having just spotted another owl. | 0:13:37 | 0:13:40 | |
I'll do that for a straight 100. | 0:13:40 | 0:13:42 | |
-So, we have Birmingham and that's the hallmark for 1906. -Right. | 0:13:42 | 0:13:46 | |
-So there is your original fabric. -Yeah. -And...is it for hatpins? | 0:13:46 | 0:13:50 | |
-Yes. -Yeah. So, your pins would sit through there | 0:13:50 | 0:13:53 | |
-and you could put little rings on each side there. -Yes. | 0:13:53 | 0:13:55 | |
It's just the owl too, because people collect owls, don't they? | 0:13:55 | 0:13:58 | |
-They do. -You couldn't do a 90? | 0:13:58 | 0:14:01 | |
I'll split the difference, 95, to give you a chance. | 0:14:01 | 0:14:05 | |
I think it's a lovely thing, | 0:14:05 | 0:14:06 | |
-but there's a good possibility of losing a bit. -Oh, right. | 0:14:06 | 0:14:09 | |
However, time really is pushing on. | 0:14:09 | 0:14:12 | |
-I like it, it's unusual and it's got an owl. -Let's go for it. | 0:14:12 | 0:14:15 | |
Well, that to me is good enough reason to buy it, don't you think? | 0:14:15 | 0:14:18 | |
-Yeah. -Are we going to have it? -Yes. -Yes. -OK, we're going to have | 0:14:18 | 0:14:21 | |
-the owl. Quickly, before they start looking at anything else! -Sorry! | 0:14:21 | 0:14:24 | |
-Thanks very much! -Lovely, thank you. | 0:14:24 | 0:14:27 | |
Right, you've bought an owl for £95. | 0:14:28 | 0:14:32 | |
-Where shall we leave this? -You crazy woman! | 0:14:32 | 0:14:34 | |
OK, the owl is purchase number two for the Blues and, hopefully, | 0:14:34 | 0:14:38 | |
a very wise one at that. | 0:14:38 | 0:14:40 | |
It's now two-all, but the time is starting to tick by pretty quickly. | 0:14:40 | 0:14:44 | |
Teams, you have 20 minutes left. | 0:14:44 | 0:14:46 | |
-We want something that shouts at us. -Yes. | 0:14:46 | 0:14:49 | |
I'll shout at you if you don't finish your shopping on time. | 0:14:49 | 0:14:53 | |
-Is that silver on the top? -It is silver on the top. -Oh, yeah. | 0:14:53 | 0:14:56 | |
-That is a decanter, obviously. Got silver hallmarks here. -Oh, wow! | 0:14:56 | 0:15:02 | |
It's by J&W Deakin, which are very well-known makers, | 0:15:02 | 0:15:05 | |
and we've also got some important letters here. Can you see that? | 0:15:05 | 0:15:09 | |
On the side it says AF. It stands for "As Found", | 0:15:09 | 0:15:12 | |
-which normally implies there's a little bit of damage on it. -Right. | 0:15:12 | 0:15:18 | |
Shall we have a word with the stallholder, see what she thinks? | 0:15:18 | 0:15:21 | |
You say "AF" there, which is very good of you, cos that pinpoints | 0:15:21 | 0:15:24 | |
-there's a little bit of damage, and I'm presuming it's here. -It's there. | 0:15:24 | 0:15:27 | |
Yeah. What's the very best price you could do for us, do you reckon? | 0:15:27 | 0:15:31 | |
55 is the very best. | 0:15:31 | 0:15:32 | |
Hmm. | 0:15:32 | 0:15:34 | |
-I think we'd struggle with the damage. -I'll do 50. | 0:15:34 | 0:15:37 | |
-All right, we'll have a think. Thanks for your help. -OK. | 0:15:38 | 0:15:41 | |
I suggest we have a look round | 0:15:41 | 0:15:43 | |
and if we haven't found anything better, we come back and get it. | 0:15:43 | 0:15:46 | |
-Yup. -Yes? -Yeah. -OK, perfect. -Cor, you're cutting it fine, Kate, | 0:15:46 | 0:15:51 | |
but still a little thinking time left. | 0:15:51 | 0:15:54 | |
David is fully aware, however, that the clock is ticking. | 0:15:54 | 0:15:58 | |
-I know. -Right, ten minutes. -Ten minutes. -So, get looking. -OK. | 0:15:58 | 0:16:01 | |
Could we have a look at the pen knife, please? | 0:16:04 | 0:16:07 | |
Certainly, yes. Here we go. | 0:16:07 | 0:16:08 | |
-OK. -Let David have a look. | 0:16:11 | 0:16:12 | |
Well, hello! That's a little sweetie, isn't it? | 0:16:12 | 0:16:15 | |
-Oh, look at the scissors! -Yes, it is. That's unusual. | 0:16:15 | 0:16:18 | |
-What age is that one, David? -The age is... | 0:16:18 | 0:16:20 | |
Well, I'll give you a little trick. There you go. Have a look there. | 0:16:20 | 0:16:22 | |
-1896. -Oh, right. -Do you like it, Sally? -Yes, I do, very much. -Yeah? | 0:16:22 | 0:16:27 | |
-Yes, yes. -Susan, do you like it? | 0:16:27 | 0:16:29 | |
-STALLHOLDER: -I think I can help you a little bit. -Yes. | 0:16:29 | 0:16:31 | |
-You know that's what we're going to ask you! -Yes. | 0:16:31 | 0:16:34 | |
-Let me have a look and see now. -We're trying to make some money! | 0:16:34 | 0:16:37 | |
Would 66 help? | 0:16:37 | 0:16:38 | |
Could it be nearer 50? | 0:16:39 | 0:16:41 | |
I could make it 55, but I can't go any less. | 0:16:41 | 0:16:44 | |
I think at 55, it's a really very tempting price. | 0:16:44 | 0:16:47 | |
Could I just show you...? | 0:16:47 | 0:16:49 | |
Mind you, most of you would say no, I just wouldn't mind just | 0:16:49 | 0:16:52 | |
looking at an item and could you just hold that for us? | 0:16:52 | 0:16:54 | |
-Is that all right, a minute? -Oh, no, that's fine. | 0:16:54 | 0:16:56 | |
We've got about 14 hours. That's perfectly OK. | 0:16:56 | 0:16:59 | |
Sarcasm is the lowest form of wit. | 0:16:59 | 0:17:01 | |
-Next door. -Oh, right, we're going somewhere else. | 0:17:01 | 0:17:03 | |
-Excellent. -Thank you. One moment. | 0:17:03 | 0:17:06 | |
With only minutes left, | 0:17:06 | 0:17:08 | |
the Blues head off to see what Susan has spotted. | 0:17:08 | 0:17:11 | |
Also desperately on the hunt for a third item, | 0:17:11 | 0:17:14 | |
Debs is intrigued by something she's found. | 0:17:14 | 0:17:16 | |
-What is that? -Oh, that is... | 0:17:16 | 0:17:17 | |
-"Telescopic calculator?" -It's a calculator, yes. | 0:17:17 | 0:17:20 | |
You...I'm not exactly sure how it works, actually, | 0:17:20 | 0:17:22 | |
but you line it up... | 0:17:22 | 0:17:25 | |
and do your calculations. | 0:17:25 | 0:17:27 | |
-Do you know? I quite like that. -Yes, it is...it's different, isn't it? | 0:17:27 | 0:17:32 | |
£75, which is quite a lot, | 0:17:34 | 0:17:35 | |
but they are unusual. | 0:17:35 | 0:17:37 | |
-What's the best you can do on that, madam? -The bottom, 50. | 0:17:37 | 0:17:40 | |
-It's got to be 50? -Yeah, it has to be. | 0:17:40 | 0:17:43 | |
-I won't get any profit otherwise. -Hmm. | 0:17:43 | 0:17:46 | |
You heard it from the lady herself. | 0:17:46 | 0:17:49 | |
-So, that's the same as the jug. -It's the same as the decanter. | 0:17:49 | 0:17:51 | |
What a gamble. What a decision! | 0:17:51 | 0:17:54 | |
-Oh! -I would be happy with either... -Yeah. -..I have to say. | 0:17:54 | 0:17:57 | |
-That one. -Go on. -Sure? -Let's go for that one. -Just cos it's...? | 0:17:57 | 0:18:00 | |
-Are we going to do it? -Just cos it's odd. -Yes, because it's weird. -£50? | 0:18:00 | 0:18:03 | |
-50. -Yeah, great, done. -Thank you. -Yes, please. We'll do it. | 0:18:03 | 0:18:08 | |
Well done, Reds. That's your shopping task completed. | 0:18:08 | 0:18:11 | |
But what is it that Susan is so keen to show David? | 0:18:11 | 0:18:15 | |
-Let's have a look at that? -How much is it? | 0:18:15 | 0:18:17 | |
78. | 0:18:17 | 0:18:19 | |
Legras...a good French glass producer. | 0:18:19 | 0:18:22 | |
Normally, they are signed, | 0:18:22 | 0:18:23 | |
but I can tell you the decoration is certainly in the style of Legras. | 0:18:23 | 0:18:28 | |
-Yeah. -The top for certain, | 0:18:28 | 0:18:30 | |
the design and that opaque kind of finish is positively Lalique. | 0:18:30 | 0:18:34 | |
It's very Art Nouveau-y, isn't it? Probably 1920-ish. | 0:18:34 | 0:18:37 | |
Hmm. | 0:18:37 | 0:18:39 | |
-I'm liking it. -Are you? -I am. -What do you think it would do at auction? | 0:18:39 | 0:18:43 | |
-Well, that's a tricky one, isn't it? -What was the best price, please? | 0:18:43 | 0:18:47 | |
-65, really. -65. -65. | 0:18:47 | 0:18:50 | |
I think 40 to 60 would be sensible, so it's sort of on the money. | 0:18:50 | 0:18:53 | |
Well, whichever one would make the most profit is the one to go with. | 0:18:53 | 0:18:56 | |
But, Sally, you did like the little scissors. | 0:18:56 | 0:18:59 | |
-I did like the silver, yes. -So, David, what do you think? | 0:18:59 | 0:19:02 | |
For me, personally, I prefer the bottle, whether it's going to make | 0:19:02 | 0:19:05 | |
any more money or not, but it's just a lovely object. | 0:19:05 | 0:19:07 | |
-That's what I thought. -Decisions, decisions. | 0:19:07 | 0:19:10 | |
I think the silver's possibly... | 0:19:10 | 0:19:12 | |
-a safer bet. -Safer bet. -We'll go for that one. | 0:19:12 | 0:19:15 | |
-Let's go. -You're going to go for the knife. OK, | 0:19:15 | 0:19:17 | |
thank you very much for that, I really appreciate it. | 0:19:17 | 0:19:20 | |
With hardly any time left, the Blues head back for the pen knife. | 0:19:20 | 0:19:23 | |
-Excuse me, I think we'll have the knife. Thank you very much. -Oh, well. | 0:19:25 | 0:19:28 | |
Thank you very much and I'm going to have a very, very strong cup of tea. | 0:19:28 | 0:19:32 | |
-I don't blame you. -I need it! -Absolutely! | 0:19:32 | 0:19:34 | |
Cor, that was cutting it fine. | 0:19:34 | 0:19:35 | |
At last, the Blues make their final purchase, so, well done. | 0:19:35 | 0:19:40 | |
That's it. Abandon ship! Time's up. | 0:19:40 | 0:19:43 | |
Let's remind ourselves what the Red team bought, eh? | 0:19:43 | 0:19:46 | |
They focused £40 of their budget on this | 0:19:46 | 0:19:49 | |
20th century brass student's microscope. | 0:19:49 | 0:19:52 | |
A foxy £45 was spent on a brooch by Lea Stein. | 0:19:53 | 0:19:57 | |
And, finally, they placed a calculated bet of £50 | 0:19:59 | 0:20:02 | |
on this Otis King pocket calculator. | 0:20:02 | 0:20:05 | |
We have got a little bit of unusual... | 0:20:07 | 0:20:09 | |
You have got a little bit of what? | 0:20:09 | 0:20:11 | |
-Unusual. -Unusual? Well, wouldn't that be a surprise! | 0:20:11 | 0:20:14 | |
Now, Debs, tell me, darling, which is your favourite piece? | 0:20:14 | 0:20:17 | |
-I rather like the microscope. -You like the microscope? -I like it. | 0:20:17 | 0:20:20 | |
Do you agree with that? | 0:20:20 | 0:20:22 | |
My favourite piece is the Lea Stein brooch. | 0:20:22 | 0:20:24 | |
Is that going to bring the biggest profit? | 0:20:24 | 0:20:26 | |
-I think the microscope. -You think the microscope. | 0:20:26 | 0:20:28 | |
Do you think the microscope's going to bring the biggest profit? | 0:20:28 | 0:20:31 | |
I'm going to say her brooch just to cover all bases, really. | 0:20:31 | 0:20:34 | |
OK, well, OK, well, there is a third item lurking round somewhere. | 0:20:34 | 0:20:38 | |
-Anyway, so you spent how much? -Um, we spent £135. | 0:20:38 | 0:20:41 | |
£135. Then I would like £165, please. | 0:20:41 | 0:20:45 | |
Oh! | 0:20:45 | 0:20:46 | |
-Do I get the whole bag, or...? -No, no... | 0:20:46 | 0:20:49 | |
OK, you hold on to the bag, I'll take it out of here. All right? | 0:20:49 | 0:20:52 | |
We like to see the colour of the money on this show. | 0:20:52 | 0:20:54 | |
That goes straight across to KB. So, what are you going to do then, KB? | 0:20:54 | 0:20:57 | |
Well, I think it would be rude not to carry on the theme, | 0:20:57 | 0:21:00 | |
-so, weird and wonderful it will be. -Will it? | 0:21:00 | 0:21:02 | |
-Excellent. -Well, good. What could be nicer? | 0:21:02 | 0:21:04 | |
Anyway, relax up, girls, because right not, | 0:21:04 | 0:21:06 | |
we're going to check out what the Blue team bought. | 0:21:06 | 0:21:09 | |
The Anglo-Indian hardwood folding table set them back £80. | 0:21:09 | 0:21:13 | |
Too-wit too-woo! This novelty silver owl | 0:21:16 | 0:21:19 | |
hatpin and ring stand cost them £95. | 0:21:19 | 0:21:22 | |
And they spent a sharp £55 on the early 20th century | 0:21:23 | 0:21:27 | |
silver mounted pen knife. | 0:21:27 | 0:21:28 | |
Well, Sally, Susan, that was good, wasn't it? | 0:21:30 | 0:21:32 | |
-It was great fun. -Yeah, a whole hour with David Harper. -Yes! | 0:21:32 | 0:21:35 | |
-How much did you spend? -We spent 230. -That's a good number, isn't it? | 0:21:35 | 0:21:39 | |
-£70 of leftover lolly, please. -Yes, Sally's got that. | 0:21:39 | 0:21:43 | |
Now, Sally, which is your favourite piece? | 0:21:43 | 0:21:45 | |
Well, my favourite piece is the little pen knife thing. | 0:21:45 | 0:21:48 | |
OK, that's your favourite. Do you agree with that, Susan? | 0:21:48 | 0:21:50 | |
Yes, I agree with that. It's quite nice. | 0:21:50 | 0:21:52 | |
Is it going to bring the biggest profit? | 0:21:52 | 0:21:54 | |
-Don't think so. -Don't think so?! -No, possibly not. -What is, then? | 0:21:54 | 0:21:58 | |
Well, it was a table, an Indian table that hopefully might do it. | 0:21:58 | 0:22:03 | |
OK, anyway, here you go, there's a small wadge for you. | 0:22:03 | 0:22:05 | |
-Thank you very much, yeah. -What are you going to do with that? | 0:22:05 | 0:22:08 | |
-Well, we were talking about oriental pieces. -Yes, we were. | 0:22:08 | 0:22:11 | |
We didn't actually buy anything oriental | 0:22:11 | 0:22:12 | |
-and you know I love oriental. -Good luck, David. | 0:22:12 | 0:22:15 | |
Meanwhile, strangely enough, a first on Bargain Hunt, | 0:22:15 | 0:22:18 | |
we're about to do a little visit to the place where | 0:22:18 | 0:22:22 | |
these girls work, A La Ronde, just down the road. | 0:22:22 | 0:22:26 | |
And this is it, A La Ronde, a unique 16-sided house carefully | 0:22:43 | 0:22:50 | |
constructed to enjoy the wonderful views over the Exe Estuary. | 0:22:50 | 0:22:57 | |
The builders were a brace of cousins, | 0:22:57 | 0:23:00 | |
Mary and Jane Parminter, | 0:23:00 | 0:23:03 | |
they constructed the place in the 1790s and they were clearly | 0:23:03 | 0:23:06 | |
women with exquisite taste and a sense of excitement. | 0:23:06 | 0:23:12 | |
Anyway, time now... | 0:23:12 | 0:23:14 | |
to go and see Sal, our Blue team contestant and manager here. | 0:23:14 | 0:23:18 | |
Inspired by their grand tour of Europe and, in particular, by | 0:23:20 | 0:23:24 | |
the 6th century Byzantine basilica of San Vitale at Ravenna, Italy. | 0:23:24 | 0:23:29 | |
Jane and Mary's plans were to build themselves a retreat which | 0:23:29 | 0:23:33 | |
would remind them of their travels | 0:23:33 | 0:23:34 | |
and provide the perfect place to house their acquired souvenirs. | 0:23:34 | 0:23:39 | |
Well, this is exciting, Sal, to be in your pad. | 0:23:39 | 0:23:41 | |
It's quite an extraordinary room this, isn't it? | 0:23:43 | 0:23:45 | |
Cos, being polygonal, you get this oddball shapes | 0:23:45 | 0:23:48 | |
and the windows are extraordinary, aren't they? | 0:23:48 | 0:23:50 | |
It's said that it's designed to maximise the sunlight | 0:23:50 | 0:23:53 | |
coming into the room, but, of course, we want to minimise the sunlight, | 0:23:53 | 0:23:58 | |
so we're able to use the shutters, which are very unusual in this | 0:23:58 | 0:24:02 | |
house, in that, not only do they open outwards, but they slide as well. | 0:24:02 | 0:24:06 | |
Yes, very clever. The whole thing technically is marvellous, | 0:24:06 | 0:24:09 | |
but, as far as the decorative features are concerned, | 0:24:09 | 0:24:13 | |
-this frieze in this room is very strange, isn't it? -Hmm. | 0:24:13 | 0:24:16 | |
It's definitely one of the features of A La Ronde. | 0:24:16 | 0:24:19 | |
So, the Parminter cousins started off one day with a box | 0:24:19 | 0:24:23 | |
full of feathers, hundreds of them, and they created this, did they? | 0:24:23 | 0:24:28 | |
They did. They're said to be inspired by mosaics from Portugal where | 0:24:28 | 0:24:34 | |
Jane Parminter lived for five years. | 0:24:34 | 0:24:36 | |
So, having seen those shapes, she wanted to recreate it in feathers. | 0:24:36 | 0:24:39 | |
The designs are...they're on board, | 0:24:39 | 0:24:42 | |
-and they're stuck down with isinglass. -Right. | 0:24:42 | 0:24:46 | |
-That's a sort of glue, is it? -Yes. | 0:24:46 | 0:24:48 | |
Um, it comes from the bladder of a sturgeon and alcohol. | 0:24:48 | 0:24:52 | |
Well, that's fascinating, isn't it? | 0:24:52 | 0:24:53 | |
Now, Sal, looking at this fireplace, | 0:24:53 | 0:24:56 | |
this shellwork is typical of stuff in this house, isn't it? | 0:24:56 | 0:25:00 | |
It is. | 0:25:00 | 0:25:02 | |
Shellwork was one of the most popular parlour pastimes of the Parminters. | 0:25:02 | 0:25:07 | |
But they didn't just do it in odd little slips like this, | 0:25:07 | 0:25:10 | |
-they went in for it big time. -They did. | 0:25:10 | 0:25:13 | |
You find shellwork all over the house, from the fireboard here, | 0:25:13 | 0:25:17 | |
to other items in this room, and, of course, to The Shell Gallery. | 0:25:17 | 0:25:21 | |
Just tell us about The Shell Gallery. | 0:25:21 | 0:25:23 | |
-It is unique in Britain, isn't it? -Shell grottos were, obviously, | 0:25:23 | 0:25:27 | |
popular at the time, but they were usually outside, but our ladies, | 0:25:27 | 0:25:31 | |
being very independent minded, put theirs at the top of the house. | 0:25:31 | 0:25:35 | |
Has there ever been a calculation of how many shells | 0:25:35 | 0:25:38 | |
-and other objects they stuck to the surface to create it? -There has. | 0:25:38 | 0:25:42 | |
There's said to be around 25,000 shells in the gallery. | 0:25:42 | 0:25:46 | |
That's amazing, isn't it? | 0:25:46 | 0:25:48 | |
To ensure the preservation of The Shell Gallery, | 0:25:48 | 0:25:50 | |
visitors to A La Ronde are not permitted into this part of | 0:25:50 | 0:25:54 | |
the house, but they can take a 360 degree virtual tour | 0:25:54 | 0:25:58 | |
of the gallery on a touch screen computer. | 0:25:58 | 0:26:01 | |
Sal, what are these little scissors used for? | 0:26:02 | 0:26:05 | |
Well, this tiny pair of scissors are just one of the tools that was | 0:26:05 | 0:26:08 | |
-used for cut paperwork. -And what's cut paperwork? | 0:26:08 | 0:26:11 | |
Well, if you'd like to see, I can show you some really | 0:26:11 | 0:26:15 | |
-interesting examples. -Thank you. | 0:26:15 | 0:26:16 | |
So, are these paper, these ones at the bottom? | 0:26:19 | 0:26:22 | |
These are paper, and, as you can see, they're incredibly detailed. | 0:26:22 | 0:26:26 | |
I don't think I've ever seen anything quite so fine. | 0:26:26 | 0:26:29 | |
Those trees with every branch | 0:26:29 | 0:26:32 | |
and leaf on the horizon being cut out like that, I mean, goodness | 0:26:32 | 0:26:37 | |
only knows how many hundreds of hours that would have taken. | 0:26:37 | 0:26:40 | |
Quite extraordinary. Now, Sal, tell me about these chairs. | 0:26:40 | 0:26:44 | |
Well, this is one of the sets of chairs which was | 0:26:44 | 0:26:46 | |
-made for the octagon... -Mm-hm. | 0:26:46 | 0:26:48 | |
..which is the central room in the house and these chairs were | 0:26:48 | 0:26:52 | |
made for the ladies to perch on and, as you can see... | 0:26:52 | 0:26:56 | |
-Little ladies presumably! -Regency ladies. -Regency ladies! | 0:26:56 | 0:27:00 | |
And you can see they've been decorated by the Parminters. | 0:27:00 | 0:27:04 | |
-And this is cut paperwork? -Yes, it is. | 0:27:04 | 0:27:06 | |
Faithful to the end, | 0:27:06 | 0:27:08 | |
the Parminter girls are cutting up pieces of paper to decorate things. | 0:27:08 | 0:27:12 | |
How lovely. So, are you looking | 0:27:12 | 0:27:13 | |
-forward to the auction? -I am. -So am I. | 0:27:13 | 0:27:15 | |
We're with Brian Goodison-Blanks today at | 0:27:30 | 0:27:32 | |
Bearnes Hampton & Littlewood saleroom | 0:27:32 | 0:27:34 | |
just up the road from Exeter. | 0:27:34 | 0:27:36 | |
-How are you, Brian? -Fine, thank you very much. | 0:27:36 | 0:27:38 | |
Very nice to see you again. | 0:27:38 | 0:27:40 | |
Now, the Reds have come up with the student microscope. | 0:27:40 | 0:27:42 | |
Is this the sort of thing to give to a six-year-old? | 0:27:42 | 0:27:44 | |
It would be a lovely little present for a six-year-old, isn't it? | 0:27:44 | 0:27:47 | |
It would get them away from the computer screen and get them out | 0:27:47 | 0:27:50 | |
-in the garden. -Think of all the bugs you could shove under the lens. | 0:27:50 | 0:27:53 | |
It's a nice little thing because it's, you know, | 0:27:53 | 0:27:56 | |
-it's well crafted and well made. -And you've got a box. | 0:27:56 | 0:27:59 | |
And you've got the box with some of the glass slides in to | 0:27:59 | 0:28:01 | |
-make your own slides with as well. -What's it worth? | 0:28:01 | 0:28:03 | |
Probably about sort of £20 to £30. | 0:28:03 | 0:28:05 | |
OK, £40 paid, so they're in more or less the right... | 0:28:05 | 0:28:08 | |
-Around the same sort of price. -Lovely. | 0:28:08 | 0:28:09 | |
Well, we'll see what happens with that. | 0:28:09 | 0:28:11 | |
And now for something completely different... | 0:28:11 | 0:28:13 | |
-this red plastic brooch. -Yes, it's quite an interesting thing, isn't it? | 0:28:13 | 0:28:17 | |
It's Lea Stein and there's quite a sort of strong following for them. | 0:28:17 | 0:28:20 | |
How much is that one worth, do you think? | 0:28:20 | 0:28:22 | |
-Probably about sort of £20 to £40. -20 to 40? | 0:28:22 | 0:28:24 | |
£45 paid, so they might have paid a tad too much for that, | 0:28:24 | 0:28:27 | |
but at least we'll be able to calculate the profits or losses, | 0:28:27 | 0:28:31 | |
thanks to the rather excellent Otis King calculator. | 0:28:31 | 0:28:34 | |
-They were produced in very, very large numbers. -Were they? -Yes. | 0:28:34 | 0:28:39 | |
We had one a few weeks ago with the case and the instructions as well. | 0:28:39 | 0:28:43 | |
How much did you get for that one? | 0:28:43 | 0:28:45 | |
-About £5. -Oh, dear. I'm getting a sickly feeling here. | 0:28:45 | 0:28:48 | |
Do you know our team paid £50 for this, | 0:28:48 | 0:28:50 | |
and you're suggesting it might just make the 5. | 0:28:50 | 0:28:52 | |
-Yes. -Is that true? | 0:28:52 | 0:28:54 | |
I think so, because it's worn | 0:28:54 | 0:28:55 | |
-and the case is sort of...in quite bad condition, so... -Oh, dear. | 0:28:55 | 0:28:59 | |
I don't need a calculator to work out that they're definitely | 0:28:59 | 0:29:02 | |
going to need their bonus buy, so let's go and have a look at it. | 0:29:02 | 0:29:05 | |
-Debs, Jules, how are you feeling? -Good, thank you. | 0:29:06 | 0:29:09 | |
This is the leftover lolly moment. £165 you gave Kate Bliss. | 0:29:09 | 0:29:13 | |
Kate, what did you spend it on? | 0:29:13 | 0:29:14 | |
Well, I promised you, if I remember rightly, weird and wonderful, girls. | 0:29:14 | 0:29:18 | |
-You did. -And, to some, these would be weird and wonderful. -Oh! -Oh! | 0:29:18 | 0:29:22 | |
-And, for steampunkers... -They're fantastic! | 0:29:22 | 0:29:24 | |
..they might be quite appropriate. Have a little look. | 0:29:24 | 0:29:26 | |
-She's straight in there. Pouring over them. -Oh, they're beautiful. | 0:29:26 | 0:29:30 | |
Let me tell you a little bit about them. | 0:29:30 | 0:29:33 | |
-They are, of course, opera glasses. -Mm-hm. | 0:29:33 | 0:29:35 | |
They date from the late 19th century, early 20th century, | 0:29:35 | 0:29:40 | |
-I would say. They are gilt metal and mother-of-pearl. -It's really lovely. | 0:29:40 | 0:29:44 | |
-And how much? -Yes. -Just give me a second. | 0:29:44 | 0:29:47 | |
Well, I didn't blow the lot, you'll be relieved to know. I spent £50. | 0:29:47 | 0:29:52 | |
-Oh! That's good. -I like those. -How much do you think they'll make? | 0:29:52 | 0:29:55 | |
-I would hope there's a small profit. -Mmm. -There you go. | 0:29:55 | 0:29:58 | |
You've heard the prediction. | 0:29:58 | 0:30:00 | |
Feast your thoughts on that, cos, right now, for the viewers at home, | 0:30:00 | 0:30:04 | |
let's find out what the auctioneer thinks about Kate's opera glasses. | 0:30:04 | 0:30:08 | |
OK, Brian, I feel an aria coming on. | 0:30:08 | 0:30:11 | |
-They're certainly good for the opera, aren't they? -They certainly are. | 0:30:11 | 0:30:14 | |
They're a rather nice little pair of mother-of-pearl case | 0:30:14 | 0:30:16 | |
-opera glasses by Dolland of London. -Mm-hm. | 0:30:16 | 0:30:18 | |
They're in good condition, actually, there's no chips to the cases. | 0:30:18 | 0:30:21 | |
It's a little bit loose on the handle, | 0:30:21 | 0:30:23 | |
-but these date from around about 1910. -Yeah, I guess so. | 0:30:23 | 0:30:26 | |
Kate Bliss is pinning all her hopes on magnifying a profit here, | 0:30:26 | 0:30:30 | |
so how do you rate 'em? | 0:30:30 | 0:30:31 | |
We've estimated them sort of 30 to 40, | 0:30:31 | 0:30:33 | |
-but they could take a flyer with the internet. -OK. £50 she paid. | 0:30:33 | 0:30:37 | |
So, it's going to be an uphill struggle, I'm afraid, | 0:30:37 | 0:30:39 | |
but then you're not afraid of an uphill struggle, are you? | 0:30:39 | 0:30:42 | |
-Not at all, it's a challenge. -It's a challenge! That's it. | 0:30:42 | 0:30:45 | |
Anyway, that's it now for the Reds. | 0:30:45 | 0:30:47 | |
Now for the Blues with two rather lonely looking items on the table, | 0:30:47 | 0:30:50 | |
but, first, it's the elaborately carved hardwood square top table. | 0:30:50 | 0:30:55 | |
-That is a peach, isn't it? -It is, isn't it? | 0:30:55 | 0:30:57 | |
It's quite a well-carved thing. It's a sort of tiffin table, isn't it? | 0:30:57 | 0:31:02 | |
Tiffin! A bit of afternoon tea. | 0:31:02 | 0:31:03 | |
A bit of tucker, but, once upon a time, | 0:31:03 | 0:31:05 | |
that was a slab of plain hardwood | 0:31:05 | 0:31:08 | |
and this Indian craftsperson has done hundreds of hours on that top. | 0:31:08 | 0:31:13 | |
-Wow! -Yes, they've done quite a lot of work and extensive work to | 0:31:13 | 0:31:16 | |
-the edges as well in the pierce working. -How well's this one | 0:31:16 | 0:31:19 | |
-going to do, Brian? -I suggest it's probably about £80 to £120. | 0:31:19 | 0:31:22 | |
Well, that's brilliant. £80 paid. | 0:31:22 | 0:31:24 | |
How's the hatpin stand market at the moment? | 0:31:24 | 0:31:27 | |
So, hatpin stands and novelty ring holders are very good | 0:31:27 | 0:31:29 | |
-and very popular. -Good. | 0:31:29 | 0:31:31 | |
This one, unfortunately, there's a little bit of damage to the back. | 0:31:31 | 0:31:34 | |
-How much? -Well, we're probably suggesting about £15 to £20... -What?! | 0:31:34 | 0:31:38 | |
Well, with the silver prices as they are at the moment and, also, | 0:31:38 | 0:31:42 | |
the damage to it, but, again, with the internet, we've got | 0:31:42 | 0:31:44 | |
-people who are interested in owls, so... -£15 to £20! | 0:31:44 | 0:31:48 | |
It's got an owl on the top! That's supposed to be a wise purchase! | 0:31:48 | 0:31:52 | |
£95 paid. £15 to £25 is the estimate. | 0:31:52 | 0:31:56 | |
They're not going to be happy about that. | 0:31:56 | 0:31:58 | |
Now, moving on to the pen knife, which is a little darling, isn't it? | 0:31:58 | 0:32:02 | |
It is a wonderful little piece, isn't it? | 0:32:02 | 0:32:04 | |
And the sort of thing that would have been worn by a lady on a chatelaine | 0:32:04 | 0:32:07 | |
-and a gentleman on the end of a watch chain. -Exactly. | 0:32:07 | 0:32:09 | |
And it's got a little pair of scissors | 0:32:09 | 0:32:11 | |
and that beautiful kind of cable twist pattern on the silver. | 0:32:11 | 0:32:16 | |
-What is your estimate? -It's about sort of £10 to £15. -I knew it! | 0:32:16 | 0:32:21 | |
£55 they paid for that knife. | 0:32:21 | 0:32:22 | |
Ah, well, you see, the thing, unfortunately, it's fashion. | 0:32:22 | 0:32:25 | |
Anyway, very, very interesting. Thank you very much. | 0:32:25 | 0:32:27 | |
But they're going to need their bonus buy, | 0:32:27 | 0:32:30 | |
so let's go and have a look at it. | 0:32:30 | 0:32:31 | |
-Now, girls, you spent 230. -Yes, that's right. | 0:32:31 | 0:32:34 | |
You managed to restrain yourself to that extent. | 0:32:34 | 0:32:36 | |
-There was £70 went to the Harper. -Yeah. -And he loves the bonus buy. | 0:32:36 | 0:32:40 | |
-Are you ready? -Yes, we are. -OK, good. | 0:32:40 | 0:32:42 | |
-Well, we talked about the orient. -Yes. -Loving oriental items. -Yes. | 0:32:42 | 0:32:46 | |
Feast your eyes on something terribly oriental. | 0:32:46 | 0:32:51 | |
She's nice! | 0:32:51 | 0:32:52 | |
-Brilliant. -Do you know who it is? | 0:32:52 | 0:32:54 | |
-No. -It's Guanyin. | 0:32:54 | 0:32:56 | |
-Oh, yes. -Oh. -The Buddhist goddess of mercy. | 0:32:56 | 0:32:59 | |
-We might need some, so she might come in handy. -No, I like it. | 0:32:59 | 0:33:03 | |
She's a hard stone. | 0:33:03 | 0:33:05 | |
One of the down sides with hard stones or jade is they're | 0:33:05 | 0:33:07 | |
actually quite brittle and, if you look at the head, | 0:33:07 | 0:33:09 | |
she's had a bit of a tough life. | 0:33:09 | 0:33:11 | |
-I was going to say is there any damage? -Just a bit. -Just a bit. | 0:33:11 | 0:33:14 | |
-So her head's been off and glued back. -Just a bit! | 0:33:14 | 0:33:16 | |
-What's the matter with her fingers then? -She might be missing a couple. | 0:33:16 | 0:33:19 | |
-Oh, missing a couple of fingers, right. -And how old is she? | 0:33:19 | 0:33:22 | |
Well, it's very difficult. The stone itself is multi-millions, | 0:33:22 | 0:33:25 | |
I would say that she is late 19th, early 20th century. | 0:33:25 | 0:33:29 | |
-How much of our money did you spend on this? -Well... -Good question. | 0:33:29 | 0:33:33 | |
-Thank you. -That's the best question. -Isn't it? Hardly any. £20. -Really? | 0:33:33 | 0:33:38 | |
-Really? -I'd buy her for £20 every day of the week. | 0:33:38 | 0:33:41 | |
-That's amazing, actually. -And what do you think she will make? | 0:33:41 | 0:33:44 | |
I think there's profit. | 0:33:44 | 0:33:45 | |
-I think we might go double bubble and get £40 for her. -Yeah. | 0:33:45 | 0:33:48 | |
Which would be very nice. 100% margin. That's what I'm looking for. | 0:33:48 | 0:33:52 | |
You don't have to pick now. | 0:33:52 | 0:33:54 | |
You pick later if you need to, but now, why don't | 0:33:54 | 0:33:56 | |
we find out what the auctioneer thinks about Dave's little Guanyin. | 0:33:56 | 0:34:00 | |
OK. There you go, Brian. Something to thrill you. | 0:34:01 | 0:34:05 | |
She's been through the wars a bit, hasn't she? | 0:34:05 | 0:34:07 | |
-She's had a hard old life. -She has. | 0:34:07 | 0:34:09 | |
She's much later than the sort of 17th, 18th century pieces. | 0:34:09 | 0:34:13 | |
She also probably would have had a hardwood stand. | 0:34:13 | 0:34:15 | |
She has some damage at the base as well. | 0:34:15 | 0:34:17 | |
She's got a damaged base, no stand, a bad bash on the head | 0:34:17 | 0:34:20 | |
and missing her fingers. I think we're getting the message here. | 0:34:20 | 0:34:23 | |
What's your estimate? | 0:34:23 | 0:34:24 | |
Uh, well, in her condition and the age, we'd say sort of £20 to £40. | 0:34:24 | 0:34:27 | |
-He will be delighted, cos he only paid £20. -Oh, right. | 0:34:27 | 0:34:30 | |
-So, he probably will turn a profit on his bonus buy. -Possibly. | 0:34:30 | 0:34:33 | |
OK, well, that's absolutely marvellous. | 0:34:33 | 0:34:36 | |
-Now, Brian, are you taking the sale today? -I am, yes. -Very good. | 0:34:36 | 0:34:38 | |
We're in safe hands. | 0:34:38 | 0:34:39 | |
Debs and Jules, we've got the brass student microscope. | 0:34:47 | 0:34:52 | |
Not such a hot estimate on that, I'm afraid. £20 to £30. £40 paid. | 0:34:52 | 0:34:56 | |
The Lea Stein brooch, £45 paid. £20 to £40 is the estimate. | 0:34:56 | 0:35:02 | |
And the calculator, he really doesn't like this thing. | 0:35:02 | 0:35:06 | |
He's put £5 to £10 on it. | 0:35:06 | 0:35:08 | |
And, otherwise, you've got the opera glasses to fall back on. | 0:35:08 | 0:35:11 | |
Anyway, first up is the student's microscope and here it comes. | 0:35:11 | 0:35:14 | |
A nice little microscope there, get the kids outside with this one, | 0:35:14 | 0:35:17 | |
and what can I say for that? Here with me at 20, and do I see 5 now? | 0:35:17 | 0:35:20 | |
At £20 with me, and 25, 30. 5? With me at 30, then. Looking for 5. | 0:35:20 | 0:35:25 | |
5 online now. With me at 30. 35, 40, and 5? | 0:35:25 | 0:35:30 | |
-No, commissions with me here in the book then at £40. -Ooh! | 0:35:30 | 0:35:34 | |
-£40! Well done. £40, wiped its face. -Yeah. -Well, it overtook his estimate, | 0:35:34 | 0:35:39 | |
-which is great. Will the same thing happen now? -Number 19 | 0:35:39 | 0:35:43 | |
is the 3D fox brooch by Lea Stein. And commissions again, 25, 30, 5, 40. | 0:35:43 | 0:35:49 | |
-£40 with me. Do I see 5 now? -Yeah, go on. -£40 I am bid. 5, 5 now. | 0:35:49 | 0:35:54 | |
45, thank you, sir. 50 with me and 5, sir? | 0:35:54 | 0:35:58 | |
55. I'm out then. It's in the room at 55. | 0:35:58 | 0:36:00 | |
I'm selling then to the gentleman seated at the back at 55. | 0:36:02 | 0:36:05 | |
-Look at that, girls. Plus £10. -Yes! -That's a proper job. | 0:36:05 | 0:36:09 | |
Now, the pocket calculator. | 0:36:09 | 0:36:10 | |
Lot 120 is the Otis King pocket calculator. | 0:36:10 | 0:36:14 | |
It shouldn't be hard to handle. Now, and what am I safe for this? £20? | 0:36:14 | 0:36:18 | |
-Go on, go on. -20? 10? | 0:36:18 | 0:36:21 | |
Start at 5, somebody. | 0:36:21 | 0:36:23 | |
5 I have here and 6 to the gentleman. 7, madam. 8, 9. 10. 12. | 0:36:23 | 0:36:29 | |
15... Are you sure it adds up? At 12 seated here then, 15 elsewhere. | 0:36:29 | 0:36:34 | |
-Come on. -New blood, new blood. -16, 18, 20. | 0:36:34 | 0:36:37 | |
At 18 to the lady in front and centre there at 18. You quite sure, then? | 0:36:37 | 0:36:40 | |
-Selling now at 18. -Oh, no, girls. | 0:36:40 | 0:36:43 | |
£18 is two off 20, which is 30 short of 50, | 0:36:43 | 0:36:46 | |
so that is minus 32, which means, overall, you're minus 22. | 0:36:46 | 0:36:49 | |
Now, what are you going to do about the opera glasses? | 0:36:49 | 0:36:53 | |
-Are you going to risk it? -Go for it. -Yes, go for it. | 0:36:53 | 0:36:55 | |
We're going with the bonus buy then. The decision is made. | 0:36:55 | 0:36:58 | |
I can tell you now, the auctioneer's estimate is 30 to 40, but, | 0:36:58 | 0:37:01 | |
as his estimates has been exceeded in each and every instance... | 0:37:01 | 0:37:05 | |
perhaps he's wrong and you could be right. | 0:37:05 | 0:37:07 | |
Anyway, here comes the bonus buy. | 0:37:07 | 0:37:08 | |
The Dolland of London opera glasses there. What do I say for those? | 0:37:08 | 0:37:12 | |
£20? | 0:37:12 | 0:37:14 | |
It's on at 20. | 0:37:14 | 0:37:15 | |
It's on at 10. 20 I'll take here, and 20 here. | 0:37:15 | 0:37:18 | |
And 5 now elsewhere or 2 if you like. | 0:37:18 | 0:37:20 | |
At £20 only, 22, 25, 28, 30, 2, 35, 38, 35 here, | 0:37:20 | 0:37:28 | |
on the counter then at 35. | 0:37:28 | 0:37:29 | |
38 I'm looking for. | 0:37:29 | 0:37:31 | |
No, do I see it at all at 35 and I'll sell? | 0:37:31 | 0:37:33 | |
THEY GROAN | 0:37:33 | 0:37:34 | |
-35 he sold. -Sorry, ladies. -Minus £15. | 0:37:34 | 0:37:39 | |
22, 32, 37, minus 37. But, listen, girls, don't despair. | 0:37:39 | 0:37:43 | |
-As you say, it's not too bad, Julie. -No, it isn't. | 0:37:43 | 0:37:46 | |
-It might be a winning score. -Yes. -Don't say a word. | 0:37:46 | 0:37:49 | |
-No, we won't. -We won't. | 0:37:49 | 0:37:51 | |
£50 only then to internet. | 0:37:51 | 0:37:53 | |
No? Selling then at £50. | 0:37:54 | 0:37:55 | |
-Now, Sally, Susan, do you know how the Reds got on? -No. -No. -No? | 0:38:03 | 0:38:07 | |
We don't want you to. | 0:38:07 | 0:38:09 | |
First up is the folding Anglo-Indian table and here it comes. | 0:38:09 | 0:38:13 | |
Commission bids here with me at 60, 5, 70, 5, 80. £80 I have. | 0:38:13 | 0:38:19 | |
85 elsewhere. | 0:38:19 | 0:38:20 | |
At £80, commission's with me. 85 then? | 0:38:21 | 0:38:24 | |
Quite sure, then? Is it going to stick at 80? | 0:38:24 | 0:38:26 | |
-80?! -At £80, 85 elsewhere. Are you quite sure then? | 0:38:26 | 0:38:30 | |
We're all done at 80. | 0:38:30 | 0:38:31 | |
-Wiped it's face at £80. Oh! -I thought that was going. | 0:38:32 | 0:38:36 | |
-I thought it was going. -Yeah. -He had a ring. | 0:38:36 | 0:38:39 | |
Now, let's see what happens here. | 0:38:39 | 0:38:41 | |
I've got 25. 28 I have. 30 now? 30. 32, internet? | 0:38:41 | 0:38:45 | |
32. 35, telephone? | 0:38:47 | 0:38:48 | |
-(Telephone!) -Telephone! | 0:38:48 | 0:38:50 | |
35. 40. 45. 50, now, telephone? | 0:38:50 | 0:38:53 | |
50 on the telephone and 5 now, internet? | 0:38:54 | 0:38:56 | |
55 and 60 now? At £60 on the telephone then. £65 in the room. | 0:38:56 | 0:39:01 | |
Thank you, sir. | 0:39:01 | 0:39:02 | |
70? | 0:39:02 | 0:39:04 | |
70. 5? | 0:39:04 | 0:39:05 | |
75. 80? | 0:39:05 | 0:39:07 | |
-80. 85? -Go on! -85. 90? | 0:39:07 | 0:39:10 | |
90. 5? | 0:39:12 | 0:39:13 | |
At £90 on the telephone then. Are you all done now? | 0:39:14 | 0:39:17 | |
-It's on the telephone at 90. -Go on! | 0:39:17 | 0:39:19 | |
£90! Oh, girls! I can't bear it! | 0:39:19 | 0:39:22 | |
Minus £5. | 0:39:22 | 0:39:24 | |
-That is the longest haul to £90. -That was, wasn't it? | 0:39:24 | 0:39:26 | |
OK, now the pen knife. | 0:39:26 | 0:39:28 | |
What am I saying for that? £20? | 0:39:28 | 0:39:30 | |
Do I see 20? | 0:39:30 | 0:39:32 | |
20 straightaway. Thank you, madam. At £20 and 2 if you like. | 0:39:32 | 0:39:35 | |
At £20, seated. Maiden bid at 20. 22 now at all? To internet? | 0:39:35 | 0:39:40 | |
No, at £20 to the lady then. Maiden bid at 20. Are you quite sure, then? | 0:39:40 | 0:39:44 | |
-No! No! -She's going to get it. -In the room at £20 then. | 0:39:44 | 0:39:48 | |
ALL GROAN | 0:39:48 | 0:39:49 | |
-No! Oh! £20... -That was painful. | 0:39:49 | 0:39:53 | |
..minus £35 equals minus £40. | 0:39:53 | 0:39:57 | |
You girls, you was robbed! | 0:39:57 | 0:39:59 | |
-We was robbed. -Robbed and bled dry. | 0:39:59 | 0:40:01 | |
What are we going to do about this Guanyin business then? | 0:40:01 | 0:40:05 | |
-In for a penny, in for a pound. -Do you reckon? -Yes. -Yes. | 0:40:05 | 0:40:08 | |
You're going to go with the carving and I don't blame you. | 0:40:08 | 0:40:11 | |
Now the decision's made, I can tell you | 0:40:11 | 0:40:12 | |
-the auctioneer's estimate is £20 to £40. -Oh, well. | 0:40:12 | 0:40:15 | |
So, he does see a profit, despite the damage and this, that and | 0:40:15 | 0:40:17 | |
the other, and here it comes. | 0:40:17 | 0:40:19 | |
The goddess of mercy there, and what do I say to her? £40? | 0:40:19 | 0:40:22 | |
Interest here at China and the UK, so we have 30 in the UK, 35, China. | 0:40:22 | 0:40:26 | |
-Hello! -35, China, thank you. -Come on, UK! -45, China? 45, thank you. | 0:40:26 | 0:40:32 | |
-50 now, UK. 55, 60. -Come on! -Ireland's in there now as well. | 0:40:32 | 0:40:35 | |
55 and 60, 5... | 0:40:35 | 0:40:38 | |
-Look at that! -It's like Eurovision, isn't it? | 0:40:38 | 0:40:41 | |
At £60 in the UK, China's back in at 65 and 70 now. | 0:40:41 | 0:40:44 | |
There's millions of Chinese. We could be at this for weeks. | 0:40:44 | 0:40:47 | |
-She's going to China! -She's going home! | 0:40:47 | 0:40:51 | |
Have mercy on us all. At £65, 70 now. | 0:40:51 | 0:40:54 | |
At 70 to the UK this time. 75, China. | 0:40:54 | 0:40:57 | |
-Perhaps it's staying here. -75 and 80 now. -Come on, China. | 0:40:57 | 0:41:01 | |
The bid is with China on the internet at £75. 80 now. | 0:41:01 | 0:41:04 | |
What about Ireland? | 0:41:05 | 0:41:07 | |
They've gone. And what I see here, at £75, it's going to China. | 0:41:07 | 0:41:11 | |
Are we all done then in the room? | 0:41:11 | 0:41:13 | |
At £75 on the internet. | 0:41:13 | 0:41:15 | |
-£75! -Thank you! -£75, what about that?! That, you clever man, | 0:41:17 | 0:41:22 | |
-is plus 55. Yes? -Yes. -Which is super duper. | 0:41:22 | 0:41:24 | |
-You were minus 40, which means you're plus 15. -Yes! It's a profit! | 0:41:24 | 0:41:28 | |
Listen, there is some justice in life after all, which is marvellous. | 0:41:28 | 0:41:32 | |
That is a proper result. | 0:41:32 | 0:41:33 | |
It means you're going home with some profits and, who knows, | 0:41:33 | 0:41:36 | |
this could be a winning score and how chuffed we'd all be about that. | 0:41:36 | 0:41:39 | |
At £10 then... | 0:41:41 | 0:41:42 | |
Now, listen, teams. | 0:41:49 | 0:41:50 | |
I have to reveal that one sad team today is slightly behind the other, | 0:41:50 | 0:41:55 | |
they're normally called losers, but we don't have losers any more. | 0:41:55 | 0:41:58 | |
They're called runners-up and the runners-up, by a fair old chalk, | 0:41:58 | 0:42:01 | |
happen to be the Reds. | 0:42:01 | 0:42:04 | |
Oh, goodness! | 0:42:04 | 0:42:05 | |
You had a wiped face, you had plus £10, | 0:42:05 | 0:42:08 | |
-and then that calculator came along. -Yes. | 0:42:08 | 0:42:10 | |
-Now, that did not add up, did it? -No. | 0:42:10 | 0:42:12 | |
And then the opera glasses, they didn't add up either. | 0:42:12 | 0:42:14 | |
-That means minus £37. -Oh. | 0:42:14 | 0:42:16 | |
I'm really sorry about that, because it started out so much better. | 0:42:16 | 0:42:19 | |
-It did, it did. -Yeah, but you enjoyed it? -Brilliant. -Yes. | 0:42:19 | 0:42:22 | |
You've got to say that these steampunkers, | 0:42:22 | 0:42:24 | |
they are something, I say! | 0:42:24 | 0:42:25 | |
Thank you very much. But the victors today, | 0:42:25 | 0:42:28 | |
going home with profits, thank God! | 0:42:28 | 0:42:30 | |
You're going home with £15. How lovely is that? | 0:42:30 | 0:42:33 | |
Oh, folding money, Tim! | 0:42:33 | 0:42:34 | |
As a result of the brilliant David Harper coming through with | 0:42:34 | 0:42:37 | |
-the £55 profit on that ghastly, I mean, on that lovely... -Oh! | 0:42:37 | 0:42:40 | |
-How dare you?! -..green carving! -Goddess, have mercy! | 0:42:40 | 0:42:44 | |
-How he did that, I do not know! -Goddess, have mercy on us. | 0:42:44 | 0:42:47 | |
-But, anyway, it was marvellous, wasn't it? -Yes, it was. | 0:42:47 | 0:42:49 | |
And we had such a good time, Sal, over at La Ronde too, | 0:42:49 | 0:42:53 | |
so thank you very much for having us there. | 0:42:53 | 0:42:55 | |
So, a triple pleasure for us today. Anyway, great fun. | 0:42:55 | 0:42:58 | |
You've got your £15. | 0:42:58 | 0:43:00 | |
Well done, David Harper, and join us soon for some more bargain hunting! | 0:43:00 | 0:43:03 | |
-Yes? -ALL: Yes! | 0:43:03 | 0:43:05 |