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We're on Anglesey today, close to RAF Valley, | 0:00:03 | 0:00:07 | |
former home of the Duke and Duchess of Cambridge. | 0:00:07 | 0:00:11 | |
Our mission today is simple, our teams have 60 minutes | 0:00:11 | 0:00:14 | |
to find three items with £300 to take and sell at auction. | 0:00:14 | 0:00:18 | |
So, chocks away, chaps, and let's go bargain hunting! Yeah! | 0:00:18 | 0:00:22 | |
The Duchess herself has been known to shop here. | 0:00:50 | 0:00:53 | |
In fact, I had a nice chat with her the last time I was here. | 0:00:53 | 0:00:57 | |
How smooth is that? | 0:00:57 | 0:00:58 | |
And I expect she had more than £300 to spend, | 0:00:58 | 0:01:01 | |
because that's all our teams have got, and an hour, | 0:01:01 | 0:01:04 | |
but how will they get on here at the Mona Showground? | 0:01:04 | 0:01:08 | |
Let's have a quick squint at what's coming up. | 0:01:08 | 0:01:11 | |
'Today the Reds err on the side of caution.' | 0:01:11 | 0:01:13 | |
And I think if you've got a suspicion about something, | 0:01:13 | 0:01:16 | |
got a bit of a hunch, usually it's best to follow it. | 0:01:16 | 0:01:18 | |
I think maybe let's come back for it. Bear that price in mind, | 0:01:18 | 0:01:21 | |
but I do think maybe that's one to bear in mind, | 0:01:21 | 0:01:23 | |
I like that, I like it a lot. | 0:01:23 | 0:01:25 | |
But can the Blues be swayed? | 0:01:25 | 0:01:27 | |
I'm going to defer to your judgment, | 0:01:27 | 0:01:29 | |
I'm going to give you a clue, though, and the clue is... | 0:01:29 | 0:01:32 | |
'And what did I do to deserve this?!' | 0:01:33 | 0:01:35 | |
But before we give the game away, let's meet the teams. | 0:01:38 | 0:01:41 | |
Well, on today's show, we've got two teams of lovebirds | 0:01:41 | 0:01:45 | |
who just can't get enough of one another. | 0:01:45 | 0:01:48 | |
For the Reds, we've got Ash and Julie | 0:01:48 | 0:01:49 | |
and, for the Blues, we have Helen and Graham. Hello, everyone. | 0:01:49 | 0:01:52 | |
-Hi, Tim. -Hello! -Lovely to see you. | 0:01:52 | 0:01:55 | |
Now, you've given up the rat race, you two, | 0:01:55 | 0:01:57 | |
and are living in rural Wales, is that right? | 0:01:57 | 0:01:59 | |
Yes, yes, we decided to give everything up, didn't we? | 0:01:59 | 0:02:02 | |
-We did, yeah. -Give up our jobs, sell our house and move to Wales. | 0:02:02 | 0:02:06 | |
-And has it been successful? -Oh, wonderful. -Is it? -Yes. | 0:02:06 | 0:02:08 | |
-Best thing we've ever done. -Yeah, it is, marvellous. | 0:02:08 | 0:02:11 | |
-Now, Julie, it says here you've got a soul connection. -Oh, yes. | 0:02:11 | 0:02:14 | |
-Is it religious or musical? -Musical. -Ah, tell us about it. | 0:02:14 | 0:02:17 | |
Stax Of Soul, that's where Ashley and I met. | 0:02:17 | 0:02:19 | |
-He was with his friends and I was with mine... -Yes. | 0:02:19 | 0:02:21 | |
-And he saw me dancing on the dance floor, didn't you? -I did. | 0:02:21 | 0:02:24 | |
-And decided to come and chat me up. -Right. | 0:02:24 | 0:02:26 | |
So, we started going out from then and we started following them | 0:02:26 | 0:02:30 | |
-and then we got engaged at one of their shows as well. -Did you? | 0:02:30 | 0:02:33 | |
Yes, and we both kept half the ticket. You know when we first went? | 0:02:33 | 0:02:38 | |
-Yes. -They gave us a ticket and they ripped it in half. | 0:02:38 | 0:02:40 | |
-We both kept our half. -Did you? -Yes. -And do you ever put them together? | 0:02:40 | 0:02:44 | |
-Yes, we've got them in a frame... -Nestling up. | 0:02:44 | 0:02:46 | |
-Yes, because when we got engaged we got all their autographs. -Did you? | 0:02:46 | 0:02:49 | |
Put them in a frame. | 0:02:49 | 0:02:51 | |
You'd better tell, | 0:02:51 | 0:02:52 | |
for the audience who don't know what Stax Of Soul are all about, | 0:02:52 | 0:02:55 | |
give us the lowdown on Stax Of Soul. | 0:02:55 | 0:02:57 | |
It's a group that sings soul music | 0:02:57 | 0:02:59 | |
and we love dancing to that. | 0:02:59 | 0:03:00 | |
-They have a horn section and everything. -Yes, yeah. | 0:03:00 | 0:03:03 | |
-Now, Ash, you like crawling round the garden. -I love crawling... | 0:03:03 | 0:03:06 | |
Taking photographs. | 0:03:06 | 0:03:07 | |
Yes, yes, I love crawling round the garden, | 0:03:07 | 0:03:09 | |
-it's like being a child again with me camera. -Hmm. | 0:03:09 | 0:03:11 | |
Since giving up work, I've treated myself to a digital camera | 0:03:11 | 0:03:15 | |
and found a macro lens. | 0:03:15 | 0:03:16 | |
I've started looking through this macro lens at amazing creatures - | 0:03:16 | 0:03:20 | |
insects - and I'm hooked. | 0:03:20 | 0:03:23 | |
I spend hours upon hours chasing butterflies and grasshoppers | 0:03:23 | 0:03:26 | |
and all types of creatures. | 0:03:26 | 0:03:28 | |
It must be quite a sight in your garden, really. | 0:03:28 | 0:03:30 | |
I can't believe the amount of life that is in a back garden. | 0:03:30 | 0:03:34 | |
I must have found easily 200, 300 different insects | 0:03:34 | 0:03:38 | |
in the back garden. | 0:03:38 | 0:03:39 | |
Anyway, are you going to get on all right, do you think, | 0:03:39 | 0:03:41 | |
-for the shopping today? You're not going to fall out, are you? -No, no. | 0:03:41 | 0:03:44 | |
-I'll do as I'm told. -Yeah. | 0:03:44 | 0:03:46 | |
Yeah, you know the rules! Very good, Ash. | 0:03:46 | 0:03:49 | |
-I've learned the hard way. -Good luck. -Thank you. | 0:03:49 | 0:03:52 | |
Anyway, nice to see you. Good. | 0:03:52 | 0:03:54 | |
Now, Blues, you're another couple that spend a lot of time together. | 0:03:54 | 0:03:57 | |
-Tell us about your whirlwind romance. -Well, we met in work. | 0:03:57 | 0:04:01 | |
We went on our first date in the January. | 0:04:01 | 0:04:04 | |
We were engaged ten weeks later. | 0:04:04 | 0:04:07 | |
And we got married three years after that. | 0:04:07 | 0:04:10 | |
-Brilliant. And the rest is history, as they say. -Yeah. | 0:04:10 | 0:04:14 | |
Now, Graham, you met at work, then. So what do you actually get up to? | 0:04:14 | 0:04:17 | |
We run courses teaching life skills in the community. | 0:04:17 | 0:04:20 | |
Things that me and you take for granted every day of your life. | 0:04:20 | 0:04:23 | |
-Right. And, Helen, you like to do a bit of travelling. -I do. | 0:04:23 | 0:04:26 | |
Yeah, I've been very fortunate, | 0:04:26 | 0:04:29 | |
I've managed to be able to travel extensively throughout Europe | 0:04:29 | 0:04:32 | |
and to other parts of the world as well. | 0:04:32 | 0:04:34 | |
-This is on holiday or work or what? -Both. -Is it? -Both, yeah. | 0:04:34 | 0:04:37 | |
What sort of places have you been to? | 0:04:37 | 0:04:39 | |
This year we managed to get to Australia, which was great, | 0:04:39 | 0:04:42 | |
holiday of a lifetime. | 0:04:42 | 0:04:44 | |
Graham's got family there, I've got family there. | 0:04:44 | 0:04:46 | |
-I haven't seen my family since I was seven years old. -Oh, gosh! -So... | 0:04:46 | 0:04:51 | |
-That was quite emotional then, really. -It was. -Yeah. | 0:04:51 | 0:04:54 | |
And, um, how are you going to find shopping together on Bargain Hunt? | 0:04:54 | 0:04:58 | |
I think we both know each others' strengths, don't we? So... | 0:04:58 | 0:05:01 | |
Yeah, with work, we spend a lot of time together, | 0:05:01 | 0:05:04 | |
so I think we'll do well. | 0:05:04 | 0:05:06 | |
Do you know anything about antiques? | 0:05:06 | 0:05:07 | |
-No. -OK. You're bound to do very well! | 0:05:07 | 0:05:11 | |
-Now the money moment - £300 apiece. There's your £300. -Thank you. | 0:05:11 | 0:05:14 | |
You know the rules, your experts await, | 0:05:14 | 0:05:16 | |
and off you go! And very, very, very good luck. | 0:05:16 | 0:05:19 | |
Well, whatever next! | 0:05:19 | 0:05:21 | |
Grinding on and on and on... | 0:05:26 | 0:05:29 | |
is Christina Trevanion. | 0:05:29 | 0:05:31 | |
It's not the first time he's made an ass of himself | 0:05:32 | 0:05:34 | |
and probably not the last... | 0:05:34 | 0:05:36 | |
it's Paul Laidlaw. | 0:05:36 | 0:05:37 | |
What are we going to do? Have we got a plan? | 0:05:41 | 0:05:43 | |
Yeah, we've got a plan. | 0:05:43 | 0:05:44 | |
First of all, we've got our shopping list - | 0:05:44 | 0:05:46 | |
-something silver. -I'm sorry, a shopping list?! | 0:05:46 | 0:05:49 | |
Yeah, a shopping list. Never go out without a shopping list... | 0:05:49 | 0:05:52 | |
There isn't a grand plan, but we're looking at... | 0:05:52 | 0:05:55 | |
-Anything that we like, like toys or silver or jewellery. -OK. | 0:05:55 | 0:05:57 | |
We'll know when we see it. | 0:05:57 | 0:05:59 | |
-Something decorative. -OK. | 0:05:59 | 0:06:00 | |
And something quirky. | 0:06:00 | 0:06:02 | |
Quirky! We like quirky. | 0:06:02 | 0:06:05 | |
Brilliant, so anything that you are both passionate about, | 0:06:05 | 0:06:08 | |
that you really, really like. | 0:06:08 | 0:06:09 | |
Let's go for it. OK, let's go. | 0:06:09 | 0:06:11 | |
Hats off! Your preparation I am impressed by. | 0:06:11 | 0:06:14 | |
Whether it'll pan out or not, we'll see. Come on. | 0:06:14 | 0:06:17 | |
-Oh, there's a man with a whip. -Watch out, teams, | 0:06:18 | 0:06:20 | |
it looks like there's no messing about with this dealer. | 0:06:20 | 0:06:23 | |
Or else! | 0:06:23 | 0:06:24 | |
Over here, yes. | 0:06:24 | 0:06:26 | |
Guys, what do you think about this? | 0:06:27 | 0:06:29 | |
-That's quite nice, hidden behind there. -It's unusual. | 0:06:29 | 0:06:33 | |
It is unusual. It's a 19th century pine cherub, | 0:06:33 | 0:06:35 | |
so, it looks to me like it would have been part | 0:06:35 | 0:06:38 | |
of some sort of church interior, | 0:06:38 | 0:06:39 | |
possibly a pew or something like that. | 0:06:39 | 0:06:41 | |
I think it's got quite mass appeal, it's a nice thing. | 0:06:41 | 0:06:44 | |
-What's your thoughts? -Can I just...? -Yeah, of course. | 0:06:44 | 0:06:47 | |
-It's quite tactile, yeah. -65... | 0:06:47 | 0:06:49 | |
-There is what looks like a bit of a split. -It's got a headache. | 0:06:49 | 0:06:53 | |
Shall we find out how much? | 0:06:53 | 0:06:54 | |
Yeah, sure. I mean, I think...to be honest, | 0:06:54 | 0:06:57 | |
it's marked up at £65 | 0:06:57 | 0:06:58 | |
and it's obviously been in a church where it's been painted, | 0:06:58 | 0:07:01 | |
so we've got a bit of paint here. | 0:07:01 | 0:07:03 | |
-Yeah. -I just like it and its sort of rustic charm. -40 would be lovely. | 0:07:03 | 0:07:06 | |
-I think 30 would be even better. -Well, I think that! Go on, then! | 0:07:06 | 0:07:10 | |
Now, shall we...? I'm going to brave the whip! | 0:07:10 | 0:07:12 | |
Actually, do you want to do this, or do you want me to go in? | 0:07:12 | 0:07:15 | |
-It's up to you. -Come on. Come hither! | 0:07:15 | 0:07:18 | |
TRADER LAUGHS | 0:07:18 | 0:07:19 | |
-Leaving your whip, sir? -This just caught my eye here. | 0:07:19 | 0:07:22 | |
-Ah, yes, lovely, isn't it? -Yeah, well, it's not that lovely. | 0:07:22 | 0:07:25 | |
-He has got a bit of a headache. -It's got a big crack, yes. | 0:07:25 | 0:07:28 | |
-It's got lots of woodworm in it. -Yes. -It's got paint on it. -Yes. | 0:07:28 | 0:07:32 | |
-Are you sure you want to buy this? -You've marked it up at all of £65. | 0:07:32 | 0:07:36 | |
-I know, I know. -I think that's probably a little bit high. | 0:07:36 | 0:07:39 | |
-What's your best? -The very best? -Yes, the very best. | 0:07:39 | 0:07:42 | |
-The very, very best. -Very best. -£40. | 0:07:42 | 0:07:44 | |
-£40. -If that came in to my auction house, | 0:07:44 | 0:07:47 | |
I would put it somewhere in the region of maybe £30 to £50. | 0:07:47 | 0:07:50 | |
So, £40 is mid-estimate. | 0:07:50 | 0:07:51 | |
We're not going to make massive amounts of money on it. | 0:07:51 | 0:07:54 | |
Is there any more leverage in that price? Could I get you down to...? | 0:07:54 | 0:07:58 | |
£39.99. | 0:07:58 | 0:07:59 | |
Oh, go on, do us 35. | 0:07:59 | 0:08:01 | |
-35. -50. -35. -55. | 0:08:01 | 0:08:04 | |
-35. -60! -No! | 0:08:04 | 0:08:06 | |
-You're going the wrong way! -I know, I like going the wrong way. | 0:08:06 | 0:08:09 | |
35, go on. | 0:08:09 | 0:08:10 | |
-Please! -35, OK, then. -Brilliant. -What a star! Thank you very much. | 0:08:10 | 0:08:13 | |
'Well, the sight of it | 0:08:13 | 0:08:15 | |
'certainly whipped these guys into action from the off. | 0:08:15 | 0:08:18 | |
'We're only a few minutes in and these Reds have already | 0:08:18 | 0:08:21 | |
'bagged their first item.' | 0:08:21 | 0:08:23 | |
Now, have the Blues spotted a bit of bling? | 0:08:28 | 0:08:30 | |
Oh, I don't know about the bling. I see some class there. | 0:08:30 | 0:08:33 | |
Oh, that Paul likes a bit of class | 0:08:33 | 0:08:35 | |
and, who knows, with a little bit of luck...? | 0:08:35 | 0:08:37 | |
-Is it going to be lucky for us? -Oh, I don't know. It's blue. | 0:08:37 | 0:08:40 | |
It's a riding crop, isn't it? | 0:08:40 | 0:08:42 | |
-Yes. -What are the blue stones? -They're not sapphires. | 0:08:42 | 0:08:45 | |
-Are we looking at precious metal, though? -It's silver. | 0:08:45 | 0:08:47 | |
And gold, or...? | 0:08:47 | 0:08:49 | |
I don't know about the gold. | 0:08:49 | 0:08:51 | |
I don't know whether it is gold or not, it hasn't been tested. | 0:08:51 | 0:08:53 | |
Oh, in that case, you're taking a punt. | 0:08:53 | 0:08:55 | |
Keep it on the back burner, maybe. | 0:08:55 | 0:08:57 | |
Yeah, because we're only a few minutes in. | 0:08:57 | 0:08:59 | |
We know where the stall is. | 0:08:59 | 0:09:00 | |
-OK, right, well, thank you very much for that. -Thank you for your time. | 0:09:00 | 0:09:03 | |
That Graham's not taking any chances yet. | 0:09:03 | 0:09:06 | |
But Julie on the Reds is keeping the flame burning. | 0:09:06 | 0:09:09 | |
-Lamps. -Wall lights. | 0:09:09 | 0:09:10 | |
-I hope so! -Oh, OK. Oh, those are quite nice, aren't they? | 0:09:12 | 0:09:15 | |
It's like a ship's one, isn't it? Yes, look. | 0:09:15 | 0:09:18 | |
-Oh, that's clever, isn't it? -That way and that way, | 0:09:18 | 0:09:21 | |
so it's like... | 0:09:21 | 0:09:22 | |
-they're made for a boat, I presume. -Well... | 0:09:22 | 0:09:25 | |
just take that for me just a minute. Let's just see... | 0:09:25 | 0:09:29 | |
OK, well, that would make sense cos we've got this dolphin here. | 0:09:29 | 0:09:32 | |
I have to be honest, | 0:09:32 | 0:09:34 | |
I'm not sure that that fitting started life with it. | 0:09:34 | 0:09:38 | |
-Can you just see how the brass is different colours? -Ah! | 0:09:38 | 0:09:40 | |
See how that almost looks like sort of a bit lacquered, a bit painted? | 0:09:40 | 0:09:43 | |
And I think if you've got a suspicion about something, | 0:09:43 | 0:09:46 | |
if you've got a bit of a hunch, usually it's best to follow it. | 0:09:46 | 0:09:48 | |
-Having said that, have you seen a price on them? -Um... | 0:09:48 | 0:09:51 | |
Pair of ship's lamps, £110. | 0:09:51 | 0:09:53 | |
£110. I'm just not sure... | 0:09:53 | 0:09:56 | |
She's wary of those. | 0:09:56 | 0:09:57 | |
-You think that bit has been married to that bit. -Absolutely. | 0:09:57 | 0:10:00 | |
-Yeah, technical terms, I like it. It's a marriage! -Made in heaven. | 0:10:00 | 0:10:04 | |
Aww! | 0:10:04 | 0:10:05 | |
Like our team. | 0:10:05 | 0:10:07 | |
'And what a lovable team, you are.' | 0:10:07 | 0:10:08 | |
I like them very much and, like I say, I like the movement on them, | 0:10:08 | 0:10:11 | |
just not sure about these things. | 0:10:11 | 0:10:13 | |
But I mean, we could always come back. | 0:10:13 | 0:10:16 | |
I think maybe let's come back for them, | 0:10:16 | 0:10:17 | |
-let's bear that price in mind and come back for them. -OK. | 0:10:17 | 0:10:20 | |
Oh, I see. Put them back on the back burner then... | 0:10:20 | 0:10:23 | |
Well, we're now 15 minutes in | 0:10:28 | 0:10:30 | |
and our Blue team still need to find all three items. | 0:10:30 | 0:10:34 | |
-Oh, that's nice. -I like that. -You know what this is, don't you? | 0:10:34 | 0:10:36 | |
I've certainly used a few of those. | 0:10:36 | 0:10:39 | |
It's a crown cap opener, | 0:10:39 | 0:10:40 | |
but this ain't your cast-iron key-ring affair, | 0:10:40 | 0:10:43 | |
your pub bottle of brown ale. | 0:10:43 | 0:10:45 | |
Look at the quality in that. | 0:10:45 | 0:10:47 | |
-Georg Jensen ring a bell? "George Jensen", Georg Jensen. -Right. | 0:10:48 | 0:10:52 | |
Extremely important Scandinavian silver worker and designer | 0:10:52 | 0:10:57 | |
who, funnily enough, in his early career, | 0:10:57 | 0:10:59 | |
designed cutlery, | 0:10:59 | 0:11:01 | |
but now we associate the Jensen brand | 0:11:01 | 0:11:03 | |
with jewellery, silverware, | 0:11:03 | 0:11:06 | |
and just exquisite design. | 0:11:06 | 0:11:09 | |
Very nicely executed silver handle here, | 0:11:09 | 0:11:12 | |
sterling silver - great, we've got that assurance, | 0:11:12 | 0:11:15 | |
we know what we're talking about. | 0:11:15 | 0:11:17 | |
But nicely marked - Georg Jensen, Denmark. | 0:11:17 | 0:11:19 | |
That's a good object, that's a superior... | 0:11:19 | 0:11:22 | |
Actually, I defy you to find a better crown cap opener. | 0:11:22 | 0:11:27 | |
-I think that's the mother of them all. -I'd use it. -What price is it? | 0:11:27 | 0:11:30 | |
Shall we say, what... | 0:11:30 | 0:11:32 | |
HE INHALES SHARPLY | 0:11:32 | 0:11:33 | |
-Deep intake of breath! -It was! | 0:11:33 | 0:11:35 | |
This is your auctioneer's hedge - 80 to 120. | 0:11:35 | 0:11:40 | |
-Shall we ask the lady? -Yeah, go ahead. | 0:11:40 | 0:11:42 | |
Tell us the best price on that, please? | 0:11:43 | 0:11:45 | |
-120. -120. -That was my high estimate. | 0:11:47 | 0:11:50 | |
-It's a nice thing. -Yeah. | 0:11:50 | 0:11:51 | |
-You'll never get another one, will you? -No. | 0:11:51 | 0:11:53 | |
Is there any way on Earth that could be £80? | 0:11:53 | 0:11:57 | |
No, sorry, no. | 0:11:57 | 0:11:58 | |
How close can we get to that? | 0:11:58 | 0:12:00 | |
-100 and that's it. -100. | 0:12:00 | 0:12:03 | |
It's got a great name. | 0:12:03 | 0:12:04 | |
-I defy you to find me another and £100... -£99, it's a deal. | 0:12:04 | 0:12:10 | |
-OK. -£99! | 0:12:10 | 0:12:12 | |
'Who knows? That £1 could make all the difference. | 0:12:12 | 0:12:14 | |
'Well done, Graham! That's item number one for the Blues.' | 0:12:14 | 0:12:17 | |
Thanks, madam. Wonderful. What a nice thing. | 0:12:17 | 0:12:20 | |
Now, both teams have each bought one item, | 0:12:21 | 0:12:24 | |
but we're nearing the halfway mark. | 0:12:24 | 0:12:27 | |
Oh, that's beautiful, | 0:12:27 | 0:12:28 | |
that Carlton Ware piece there | 0:12:28 | 0:12:30 | |
is a really rare pattern. | 0:12:30 | 0:12:32 | |
Twice the budget, but, hey, let's dream. | 0:12:32 | 0:12:35 | |
Nothing wrong with dreams - as long as you wake up. | 0:12:36 | 0:12:38 | |
Here we are. | 0:12:40 | 0:12:41 | |
That's quite fun, what's that? | 0:12:41 | 0:12:43 | |
Mabel Lucie or Lucie Attwell's Fairy Tree biscuit money box - | 0:12:43 | 0:12:46 | |
that's quite sweet, isn't it? | 0:12:46 | 0:12:48 | |
A money box... What, biscuit money box? | 0:12:48 | 0:12:50 | |
Oh, I see, so you put your money in there... | 0:12:50 | 0:12:52 | |
Oh, that's quite cute, isn't it? Yeah. And, also, there is | 0:12:52 | 0:12:56 | |
a really big following for Mabel Lucie Attwell's things, | 0:12:56 | 0:12:58 | |
so just the fact that you've got | 0:12:58 | 0:12:59 | |
all these wonderful illustrations on here. | 0:12:59 | 0:13:01 | |
We have got a bit of damage, but... Let's see. Where's our stallholder? | 0:13:01 | 0:13:05 | |
-The stallholder's this gentleman. Sorry, could you just...? -Hi, there. | 0:13:05 | 0:13:08 | |
-How much is on your biscuit box? -How much is it? | 0:13:08 | 0:13:10 | |
-200. -Oh, is it?! Oh! | 0:13:10 | 0:13:13 | |
If it came in to me, initially, I'd say sort of maybe £60 to £100. | 0:13:13 | 0:13:17 | |
Um, 200, obviously is quite a lot of money. | 0:13:17 | 0:13:19 | |
Yeah, I don't think he's going to drop to 60, is he? | 0:13:19 | 0:13:21 | |
Well, probably not, but I do think that's one to bear in mind. | 0:13:21 | 0:13:24 | |
-I like that. -Yeah, it is nice. | 0:13:24 | 0:13:25 | |
Of course, she has a sweet tooth, that Christina. | 0:13:25 | 0:13:28 | |
Now, it looks like it's the Blues' turn to light the way. | 0:13:29 | 0:13:33 | |
These are glass, enamelled and gilt baluster oil lamps. | 0:13:33 | 0:13:38 | |
May I? Is this OK? | 0:13:38 | 0:13:39 | |
Yeah. If you lift them up straight, you're OK. | 0:13:39 | 0:13:42 | |
That one needs reseating, I think. This piece... | 0:13:42 | 0:13:46 | |
-Yeah. -That needs reseating. But apart from that, | 0:13:46 | 0:13:49 | |
-they're not broken or damaged, they're... -OK. | 0:13:49 | 0:13:52 | |
You are tapping into the whole Napoleon thing, | 0:13:52 | 0:13:54 | |
which is a big international collecting field, let me assure you. | 0:13:54 | 0:13:58 | |
Napoleonic, let's call it. A pair - uncommon. | 0:13:58 | 0:14:01 | |
And they are today - as they were when they were new - | 0:14:03 | 0:14:06 | |
showy pieces. | 0:14:06 | 0:14:07 | |
Helen, gaffer, what are you saying? | 0:14:07 | 0:14:11 | |
-Could you live with them? -No! -No! -So, we're of one mind here! | 0:14:11 | 0:14:16 | |
-But I think somebody else... -Someone might. -I think they might. | 0:14:16 | 0:14:19 | |
What's the best price? | 0:14:19 | 0:14:21 | |
If you want those, forget the price that's on there. | 0:14:21 | 0:14:24 | |
-I'll let you have the pair for 45. -45. | 0:14:24 | 0:14:27 | |
Yeah, that's basically cost, so it's a... | 0:14:27 | 0:14:29 | |
I'm going to defer to your judgment. | 0:14:29 | 0:14:32 | |
Um, I'm going to give you a clue, though, and the clue is... | 0:14:32 | 0:14:36 | |
-It's a gift, OK. -It's a gift, I'll tell you that. | 0:14:37 | 0:14:40 | |
-From 95, we'll have them for 45. -You decide. -Yeah. | 0:14:40 | 0:14:44 | |
-Thank you, my love. -Didn't beat about the bush there. -Thank you. | 0:14:44 | 0:14:47 | |
I'm not kissing you! | 0:14:47 | 0:14:49 | |
-THEY LAUGH -You can have a kiss, not a problem. | 0:14:49 | 0:14:51 | |
Give the man a kiss. | 0:14:51 | 0:14:52 | |
Well, that sealed the deal. | 0:14:54 | 0:14:55 | |
Well done, Blues, that leaves you with one item left to find, | 0:14:55 | 0:14:59 | |
while the Reds are still angling for their second item. | 0:14:59 | 0:15:02 | |
-What's that there? Just have a little look at that. -What's that? | 0:15:06 | 0:15:10 | |
Oh, it's got a mark on it. | 0:15:10 | 0:15:11 | |
OK, so that's signed Lalique, France, | 0:15:11 | 0:15:14 | |
-which is a late mark, Lalique. -Yes. | 0:15:14 | 0:15:16 | |
But nice thing, very nice thing. | 0:15:16 | 0:15:17 | |
-Lalique is very collectible. -It sure is. | 0:15:17 | 0:15:20 | |
Rene Lalique was one of the great designers of the 20th century. | 0:15:20 | 0:15:24 | |
He was a French artist, jeweller, and innovator, | 0:15:24 | 0:15:27 | |
but he's most famous for his glassware. | 0:15:27 | 0:15:29 | |
-Where's our...? -Excuse me. -Where's our man? Hello. | 0:15:29 | 0:15:33 | |
-What have you got on your...? -We have 115 on it. Um... | 0:15:33 | 0:15:36 | |
The very best I could do on it would be 90. | 0:15:38 | 0:15:40 | |
OK. I think Lalique always sells because it's obviously that name. | 0:15:42 | 0:15:45 | |
Anyone who's interested in early 20th century glass | 0:15:45 | 0:15:48 | |
likes to buy Lalique. | 0:15:48 | 0:15:49 | |
-It's a later example. -Yeah. | 0:15:49 | 0:15:51 | |
If that came in to me, I would put 60 to 100 on it. | 0:15:51 | 0:15:54 | |
-So, it's top end of the estimate. -It's very heavy, isn't it? | 0:15:54 | 0:15:57 | |
Is there anything more that you could do on that, at all? | 0:15:57 | 0:15:59 | |
I'd do it for 80 and that really is cutting it to the bone. | 0:16:01 | 0:16:05 | |
Julie, what's your thoughts on that? | 0:16:05 | 0:16:07 | |
-Let's have a look. -It's a lovely piece. | 0:16:07 | 0:16:09 | |
Really have a good look at it, | 0:16:09 | 0:16:10 | |
because the key to Lalique is condition, OK? | 0:16:10 | 0:16:13 | |
So, see if there are any chips, any nibbles, anything at all, | 0:16:13 | 0:16:17 | |
have a really good look at it. I like the fact that it's signed, | 0:16:17 | 0:16:20 | |
that signature adds on quite a lot of value. | 0:16:20 | 0:16:22 | |
Would you keep it for half an hour? | 0:16:22 | 0:16:23 | |
-Yeah, of course we will, of course we will. -Is that OK? | 0:16:23 | 0:16:26 | |
Let's bear it in mind. | 0:16:26 | 0:16:27 | |
Ah, putting it in the keepnet for a while, eh? | 0:16:27 | 0:16:29 | |
So, teams, how are you feeling at the halfway mark? | 0:16:33 | 0:16:37 | |
I think the first two items that we got are great. I really love them. | 0:16:37 | 0:16:41 | |
I didn't think we'd be buying oil lamps today. | 0:16:41 | 0:16:43 | |
They're really nice and they hit the mark. | 0:16:43 | 0:16:45 | |
Hopefully they'll raise a bit of money on the day. | 0:16:45 | 0:16:47 | |
I'm very aware that we're running out of time, slightly, | 0:16:47 | 0:16:50 | |
-we need two more items. -Right. | 0:16:50 | 0:16:51 | |
Out of the ship's lanterns and the Lalique, what do you think? | 0:16:51 | 0:16:54 | |
I think Lalique is more commercial... | 0:16:54 | 0:16:57 | |
-personally. -What was the best price? | 0:16:57 | 0:16:59 | |
-80. -You've got £300 to spend, so, out of our budget, | 0:16:59 | 0:17:02 | |
it's not a massive percentage. | 0:17:02 | 0:17:04 | |
-No. -I would suggest let's go for the Lalique. -OK. | 0:17:04 | 0:17:06 | |
Is there any more that you can do on that? | 0:17:12 | 0:17:14 | |
-For Ash and for Julie? -Oh, please! -For Ash and for Julie. -She's Irish. | 0:17:14 | 0:17:18 | |
-Is she? -Her parents are Irish. -That's got to be worth £5. | 0:17:18 | 0:17:22 | |
-We'll do it for £75 for you. -Do it for 75. | 0:17:24 | 0:17:26 | |
-Would you guys be happy at £75? Yes? -Yeah, it's a nice piece, the Lalique. | 0:17:26 | 0:17:30 | |
Yeah? Brilliant. Well done, team. Two down. Des, you're a legend. | 0:17:30 | 0:17:34 | |
Thank you. Brilliant. | 0:17:34 | 0:17:36 | |
That's the way to land a fish. Well done, Reds. | 0:17:36 | 0:17:39 | |
Right, we've got two items - the Lalique and the wooden cherub, | 0:17:45 | 0:17:50 | |
so that's £110, so we've got £190 left, | 0:17:50 | 0:17:53 | |
so we need to buy something that we like | 0:17:53 | 0:17:56 | |
and we're not putting a price on it, we're just going to... | 0:17:56 | 0:17:59 | |
Go and grab it. | 0:17:59 | 0:18:00 | |
Grab away! There's loads to choose from in this fair. | 0:18:00 | 0:18:05 | |
It's Murano. | 0:18:09 | 0:18:11 | |
It's Venetian glass. | 0:18:11 | 0:18:13 | |
It's got it's original label. | 0:18:13 | 0:18:15 | |
It's tapping into a whole look, | 0:18:15 | 0:18:18 | |
this funky, retro thing. | 0:18:18 | 0:18:20 | |
-I liked it. -It's a very nice bowl. -Lovely. | 0:18:20 | 0:18:23 | |
Nice to have the original label on it as well. | 0:18:23 | 0:18:25 | |
Do you know? I think that seals the deal, doesn't it? | 0:18:25 | 0:18:27 | |
Without the original label, it's just another retro piece of glass. | 0:18:27 | 0:18:31 | |
-But it isn't. -But it's Venetian. That's striking, isn't it? | 0:18:31 | 0:18:35 | |
Murano glass comes from the Island of Murano, | 0:18:35 | 0:18:39 | |
3km north of Venice in Italy. | 0:18:39 | 0:18:42 | |
It became the centre of Venetian glass-making back in 1291 | 0:18:42 | 0:18:46 | |
when glassworks were moved out of Venice itself | 0:18:46 | 0:18:49 | |
to reduce the risk of fires | 0:18:49 | 0:18:51 | |
as many of the buildings were then built of wood. | 0:18:51 | 0:18:54 | |
-Early '60s, I would have thought. -No reason to argue with that. | 0:18:54 | 0:18:57 | |
There's real work in this! | 0:18:57 | 0:18:59 | |
And it was probably quite expensive back in the day, 50 year ago. | 0:18:59 | 0:19:02 | |
We've got 35, but I'd like you to do some work on that. Can you? | 0:19:02 | 0:19:06 | |
Not very much. | 0:19:06 | 0:19:08 | |
-I think it's quite priced to sell. Maybe 32. -What? | 0:19:08 | 0:19:12 | |
A tiny bit more, maybe? | 0:19:12 | 0:19:13 | |
30 and that'd be it. | 0:19:15 | 0:19:16 | |
I think that's the price | 0:19:16 | 0:19:17 | |
and, again, I think we're in this situation, | 0:19:17 | 0:19:19 | |
I think you've got a vendor that's giving you a great deal | 0:19:19 | 0:19:22 | |
on an interesting thing, | 0:19:22 | 0:19:23 | |
you've just got to decide, "Do I want it or not?" | 0:19:23 | 0:19:25 | |
-What do you think? -Yes. -Yes? She said yes. | 0:19:25 | 0:19:28 | |
-We'll wrap it. -You got it. | 0:19:28 | 0:19:30 | |
-Thank you, Carly. -Thank you very much. | 0:19:30 | 0:19:32 | |
Thank you. | 0:19:32 | 0:19:33 | |
-Thanks a lot. -Well, you said decorative - | 0:19:33 | 0:19:36 | |
if that ain't, I don't know what is. | 0:19:36 | 0:19:38 | |
'So, you managed to stick to your own plan. Well done, Blues. | 0:19:38 | 0:19:42 | |
'Now, you Reds, this is your five-minute warning.' | 0:19:42 | 0:19:45 | |
What do you think of this? | 0:19:45 | 0:19:46 | |
Picture frame - £39. | 0:19:47 | 0:19:50 | |
£39. OK. The birds aren't as well moulded as perhaps they could be. | 0:19:50 | 0:19:55 | |
It probably started life as a clock rather than a picture frame. | 0:19:55 | 0:19:59 | |
It's a nice piece of marble, though, isn't it? | 0:19:59 | 0:20:02 | |
Do you think if we got that for 30...? | 0:20:02 | 0:20:04 | |
-I think you'd want it for less than that. -Oh, do you? -Yeah. | 0:20:04 | 0:20:07 | |
It's a fairly mediocre thing, | 0:20:07 | 0:20:09 | |
it's not going to be a one-off thing, but if you really like it | 0:20:09 | 0:20:12 | |
and you're buying it with a passion, see what you can get that for. | 0:20:12 | 0:20:15 | |
If you can get it for £20...go for it. Go on. Do your best negotiating. | 0:20:15 | 0:20:19 | |
What's your very, very best on it? | 0:20:19 | 0:20:21 | |
Oh, she's nodding! | 0:20:21 | 0:20:22 | |
Oh, he's giving her a kiss! | 0:20:22 | 0:20:24 | |
-I don't want to watch! -Right. -How much have we got it for? | 0:20:24 | 0:20:28 | |
-27. -Yay! -Well done. -Well done, team. | 0:20:28 | 0:20:31 | |
Put it there, well done. | 0:20:31 | 0:20:33 | |
-That was hard work. -And you gave her a kiss. -I know! | 0:20:33 | 0:20:35 | |
Time's up! Let's weigh up how our teams have got on. | 0:20:35 | 0:20:39 | |
First up for the Reds was the cherub. | 0:20:41 | 0:20:43 | |
They feel it's got the potential to fly at auction, | 0:20:43 | 0:20:46 | |
so they bought it for £35. | 0:20:46 | 0:20:49 | |
Then they opted for the Lalique glass fish and hooked it for £75. | 0:20:49 | 0:20:53 | |
Finally, Ash and Julie thought the marble picture frame | 0:20:55 | 0:20:59 | |
would show their best side and fixed the price at £27. | 0:20:59 | 0:21:03 | |
Gosh, you've been a handful, haven't you? | 0:21:03 | 0:21:05 | |
I don't know how you've survived, Chrissy, I really don't. | 0:21:05 | 0:21:09 | |
-Never mind. Did you have a good time? -Oh, brilliant. | 0:21:09 | 0:21:11 | |
I think that was patently obvious. Um, which is your favourite piece? | 0:21:11 | 0:21:15 | |
-The cherub. -Was it? -Yeah. -OK, do you agree with that? -No, picture frame. | 0:21:15 | 0:21:19 | |
Picture frame. What sort of cash did you spend? | 0:21:19 | 0:21:22 | |
-137. -137. I'd like 163, please. -Yes. -If you've got that. | 0:21:22 | 0:21:28 | |
-You'll be lucky if you get that off her, Tim. -Hey, I know. | 0:21:28 | 0:21:31 | |
-She doesn't like doing it, does she? -I know, I hate it. | 0:21:31 | 0:21:34 | |
She's all right taking it. | 0:21:34 | 0:21:35 | |
-Oh, dear, oh, dear! Right then. -Thank you very much. | 0:21:35 | 0:21:37 | |
-Good luck with your trawl, Christina. -Thank you, kindly. | 0:21:37 | 0:21:40 | |
Meanwhile, we're going to check out what the Blue team bought, aren't we? | 0:21:40 | 0:21:43 | |
Graham and Helen got their silver | 0:21:43 | 0:21:45 | |
in the form of this George Yensen bottle opener | 0:21:45 | 0:21:48 | |
and they capped the price at £99. | 0:21:48 | 0:21:50 | |
Paul thought for their quirky buy, | 0:21:50 | 0:21:52 | |
they should go with the pair of gimballed oil lamps for £45. | 0:21:52 | 0:21:57 | |
And they fulfilled their decorative dream with this Murano glass bowl. | 0:21:57 | 0:22:00 | |
£30 paid. | 0:22:00 | 0:22:02 | |
-Now, Helen, Graham, did you have a good time? -Yes. -Superb. | 0:22:03 | 0:22:06 | |
Which is your favourite piece, Graham? | 0:22:06 | 0:22:08 | |
-Um, I'm going to go for the oil lamps. -The oil lamps? | 0:22:08 | 0:22:10 | |
-Yes, the oil lamps. -Do you agree with that, Hels? | 0:22:10 | 0:22:12 | |
-No, I like the bottle opener. -The bottle opener's your favourite. | 0:22:12 | 0:22:15 | |
-What's going to bring the biggest profit, Graham? -The oil lamps. | 0:22:15 | 0:22:18 | |
-Pair of oil lamps. -You agree with that, love? | 0:22:18 | 0:22:20 | |
-No, the bottle opener. -Quite close, aren't they? | 0:22:20 | 0:22:23 | |
They agree a lot. Great, how much did you spend? | 0:22:23 | 0:22:25 | |
We've spent £174. | 0:22:25 | 0:22:27 | |
£174...I'd like 126, please. | 0:22:27 | 0:22:30 | |
Thank you very much, straight over to Laidlaw. | 0:22:30 | 0:22:33 | |
Now, with all your canny Scottish, Celtic charm, | 0:22:33 | 0:22:36 | |
what are you going to come up with with that, do you think? | 0:22:36 | 0:22:39 | |
Today, I think I found something that will bring me luck. | 0:22:39 | 0:22:42 | |
-Will it bring them luck, though? -I sincerely hope so. | 0:22:42 | 0:22:45 | |
Good luck, anyway. Good luck, good luck and good luck. | 0:22:45 | 0:22:48 | |
Now, why don't you have a bird's-eye at a bargain that I've found | 0:22:48 | 0:22:52 | |
that could just sink or swim - | 0:22:52 | 0:22:54 | |
or just sail away. | 0:22:54 | 0:22:56 | |
Increasingly, I find myself attracted to old period photographs. | 0:23:03 | 0:23:09 | |
This image is incredibly evocative | 0:23:09 | 0:23:12 | |
of the period of war. | 0:23:12 | 0:23:14 | |
What we've got is a troop ship | 0:23:14 | 0:23:16 | |
clearly drawn up at some docks | 0:23:16 | 0:23:19 | |
with civilians on the side of the dock | 0:23:19 | 0:23:22 | |
waving goodbye to the ship. | 0:23:22 | 0:23:24 | |
An emotional moment for all concerned. | 0:23:24 | 0:23:28 | |
I particularly like this gent in the bowler hat, | 0:23:28 | 0:23:31 | |
with his missus beyond, | 0:23:31 | 0:23:33 | |
wearing one of those | 0:23:33 | 0:23:34 | |
typically late-Victorian, incredibly elaborate big hats. | 0:23:34 | 0:23:38 | |
And then there's this urchin wearing a cap, | 0:23:38 | 0:23:42 | |
looking cheekily at the camera. | 0:23:42 | 0:23:45 | |
What we have is the name of the vessel | 0:23:45 | 0:23:47 | |
scratched into the negative - the Orotava. | 0:23:47 | 0:23:51 | |
And if you do your research on that vessel, | 0:23:51 | 0:23:53 | |
you'll find that this ship was launched in 1889, | 0:23:53 | 0:23:58 | |
principally for the Valparaiso to Liverpool run, | 0:23:58 | 0:24:01 | |
which it did for a couple of years | 0:24:01 | 0:24:04 | |
and then it transferred to sending goods from Britain to Australia, | 0:24:04 | 0:24:09 | |
which it did until 1899, | 0:24:09 | 0:24:11 | |
when it became a troop ship for the Boer War. | 0:24:11 | 0:24:15 | |
And I guess this image is from the Boer War period. | 0:24:15 | 0:24:19 | |
You've got a mixture of troops wearing various headgear. | 0:24:19 | 0:24:24 | |
A Glengarry look, this chap's wearing a tam-o'-shanter, | 0:24:24 | 0:24:27 | |
so clearly some Scottish regiments here, | 0:24:27 | 0:24:31 | |
and one or two slouch hats. | 0:24:31 | 0:24:33 | |
But if you look really carefully, you can see their expressions, | 0:24:33 | 0:24:37 | |
so gin-clear is this photographic print. | 0:24:37 | 0:24:40 | |
Just look at the raw youth of some of these young soldiers. | 0:24:40 | 0:24:44 | |
What are they thinking about | 0:24:44 | 0:24:47 | |
as they're about to leave on their campaign? | 0:24:47 | 0:24:51 | |
The history of ships and war is often intermingled. | 0:24:51 | 0:24:55 | |
In this image, we've got a ship called the Ortega, | 0:24:55 | 0:25:00 | |
which was a freighter and, in 1914, | 0:25:00 | 0:25:04 | |
at the outbreak of the First World War, | 0:25:04 | 0:25:07 | |
this ship found itself off South American waters, | 0:25:07 | 0:25:10 | |
approaching the Magellan Strait. | 0:25:10 | 0:25:13 | |
Unfortunately for her, | 0:25:13 | 0:25:15 | |
she encountered the German cruiser, the Dresden. | 0:25:15 | 0:25:18 | |
The Dresden fired a broadside at this ship | 0:25:18 | 0:25:22 | |
as if indicating that it should surrender, | 0:25:22 | 0:25:25 | |
but Captain Douglas Reid Kinnier | 0:25:25 | 0:25:28 | |
was not for surrendering. | 0:25:28 | 0:25:30 | |
He turned tail and ran for it. | 0:25:30 | 0:25:33 | |
This vessel's maximum speed was 14 knots | 0:25:33 | 0:25:36 | |
and the Dresden could steam forward at 20 knots, | 0:25:36 | 0:25:40 | |
so this was going to be no contest. | 0:25:40 | 0:25:42 | |
The Dresden was going to catch up, | 0:25:42 | 0:25:46 | |
except that Captain Kinnier | 0:25:46 | 0:25:48 | |
cunningly took his vessel into some shallow water, | 0:25:48 | 0:25:51 | |
which was a dangerous thing to do, | 0:25:51 | 0:25:54 | |
which the Dresden couldn't approach, | 0:25:54 | 0:25:56 | |
and for 100 miles, he navigated this ship through those shallows | 0:25:56 | 0:26:01 | |
so that he could eventually escape. | 0:26:01 | 0:26:03 | |
He was a brave man. | 0:26:03 | 0:26:05 | |
He had 300 French reservists on board and a valuable cargo | 0:26:05 | 0:26:10 | |
and he did not want to surrender them. | 0:26:10 | 0:26:12 | |
In fact, they were safely delivered to Rio de Janeiro a little later | 0:26:12 | 0:26:17 | |
and, for that, he got the DSO - | 0:26:17 | 0:26:19 | |
the Distinguished Service Order. | 0:26:19 | 0:26:22 | |
All that history is available to any one of us | 0:26:22 | 0:26:26 | |
coming to a fair like this and having a poke about. | 0:26:26 | 0:26:30 | |
What does it cost you to acquire such original photographic material? | 0:26:30 | 0:26:35 | |
Well, the large troop-ship image could be yours for £40 | 0:26:35 | 0:26:39 | |
and the small merchant one for £20. | 0:26:39 | 0:26:42 | |
Now, that's no price, is it, for patriotism. | 0:26:42 | 0:26:45 | |
Right, off to the auction then. | 0:26:53 | 0:26:55 | |
All out and done? | 0:27:12 | 0:27:14 | |
Well, we've come a heck of a long way from Anglesey, | 0:27:14 | 0:27:16 | |
clean across the principality, across the M6, | 0:27:16 | 0:27:19 | |
and into Marshall's Salesroom in Knutsford to be with Nick Hall. | 0:27:19 | 0:27:22 | |
-Nick, good morning to you. -Welcome, Tim. | 0:27:22 | 0:27:24 | |
First up is this so-called architectural carving, | 0:27:24 | 0:27:27 | |
which, I have to say, | 0:27:27 | 0:27:28 | |
is one of the worst things I've seen in all my life. | 0:27:28 | 0:27:31 | |
A bit of a whittler's paradise, isn't it? | 0:27:31 | 0:27:33 | |
It's a lump of pine for a kick-off, I mean, | 0:27:33 | 0:27:35 | |
-if you're going to carve, you might as well carve in a hardwood. -Hmm. | 0:27:35 | 0:27:38 | |
And then it's got this great biff out of it | 0:27:38 | 0:27:40 | |
and I think it came from Scandinavia | 0:27:40 | 0:27:42 | |
and, um, I should think it's about 1950s, wouldn't you? | 0:27:42 | 0:27:45 | |
-Yeah, I mean, you'd want it to be Flemish, Medieval... -Yeah. | 0:27:45 | 0:27:48 | |
To have a chance for the collectors to get hooked into it. | 0:27:48 | 0:27:51 | |
£35 was paid for this, | 0:27:51 | 0:27:52 | |
now I find that an unbelievable amount of money. | 0:27:52 | 0:27:55 | |
It's a lot of money for what it is. | 0:27:55 | 0:27:56 | |
We've gone a bit lower than that, £15 to £20. | 0:27:56 | 0:27:59 | |
Anyway, we're on much more reliable territory | 0:27:59 | 0:28:01 | |
with the piece of Lalique, though, aren't we? | 0:28:01 | 0:28:03 | |
Yeah, Lalique's one of those iconic names. | 0:28:03 | 0:28:06 | |
-You can't go far wrong, really. Collectors galore for it. -Yeah. | 0:28:06 | 0:28:09 | |
How much have you put on it, then? | 0:28:09 | 0:28:12 | |
Well, it's a post-war piece, rather than an early, pre-'45 effort. | 0:28:12 | 0:28:16 | |
So 40 to 60, but we might have been conservative on that. | 0:28:16 | 0:28:21 | |
OK. £75 paid. | 0:28:21 | 0:28:23 | |
I mean, they're obviously looking for £80 or £90, | 0:28:23 | 0:28:25 | |
and they may make it. They could easily. | 0:28:25 | 0:28:27 | |
And anybody who's looking for the 1930s couldn't better this, really. | 0:28:27 | 0:28:30 | |
Yeah, nice Art Deco picture frame. | 0:28:30 | 0:28:32 | |
And all of this is in good condition, isn't it? | 0:28:32 | 0:28:34 | |
With these birds holding up the sheets of glass. | 0:28:34 | 0:28:36 | |
Yeah, well, I mean, it's probably spelter, | 0:28:36 | 0:28:38 | |
but it's patinated to give that bronze effect. | 0:28:38 | 0:28:40 | |
-It does the trick, it's got the look. -It's got the look for 1935. -Yeah. | 0:28:40 | 0:28:43 | |
OK, I'm liking that very much. OK, put your bravest hat on. | 0:28:43 | 0:28:46 | |
-What are you going to get for that? -I've put 30 to 40 on it. | 0:28:46 | 0:28:49 | |
-Our lot only paid £27. -It's a good buy, that. | 0:28:49 | 0:28:51 | |
-So, it was a good buy at £27. -Very good. | 0:28:51 | 0:28:53 | |
-I think that's going to do enormously well. -Yeah. | 0:28:53 | 0:28:55 | |
I think the Lalique's going to make them a small profit. | 0:28:55 | 0:28:58 | |
I think this is going to bomb, | 0:28:58 | 0:29:00 | |
in which case they may need the bonus buy, | 0:29:00 | 0:29:02 | |
so let's go and have a look at it. | 0:29:02 | 0:29:03 | |
OK, you chickens. £163 you gave Christina, | 0:29:03 | 0:29:06 | |
-and what did you spend it on? -Well... | 0:29:06 | 0:29:09 | |
-Something chunky by the look of it. -..are you ready? -Yeah. | 0:29:09 | 0:29:12 | |
-THEY GASP Brilliant. -It's a Zimmer frame! | 0:29:12 | 0:29:15 | |
Well, it's a weather vane, obviously. | 0:29:15 | 0:29:18 | |
St George and the dragon, so I felt like I need to repatriate him | 0:29:18 | 0:29:21 | |
to his homeland. | 0:29:21 | 0:29:23 | |
It's a lovely hand-forged example | 0:29:23 | 0:29:25 | |
rather than it just being pressed out, | 0:29:25 | 0:29:27 | |
it's a really good, sturdy thing. I thought, we're here in Cheshire, | 0:29:27 | 0:29:30 | |
-they're got big houses, haven't they? -Yeah. | 0:29:30 | 0:29:32 | |
They might need a weathervane. I paid £60 for him. | 0:29:32 | 0:29:34 | |
And how much do you think you'll get for it? | 0:29:34 | 0:29:36 | |
Well, I would hope that he would make sort of £80 to £100. | 0:29:36 | 0:29:39 | |
If you had to go and buy this again new, | 0:29:39 | 0:29:42 | |
it would cost you a small fortune, so I think he's quite fun. | 0:29:42 | 0:29:46 | |
-What do you think, Jules? -Yes, I like it. -Do you? -Yes, yes, yes. | 0:29:46 | 0:29:49 | |
-It's a chunky one, isn't it? -He's hurricane-proof, isn't he? | 0:29:49 | 0:29:51 | |
He's not going to fall over in the first puff of wind. | 0:29:51 | 0:29:54 | |
-What do you think? -Yes, you did well. -I like it. -Good. | 0:29:54 | 0:29:56 | |
-But we'll see what happens. -See what happens, OK. | 0:29:56 | 0:29:59 | |
You're absolutely right, cos you don't have to decide | 0:29:59 | 0:30:01 | |
until after the sale of your first three items. | 0:30:01 | 0:30:04 | |
But right now, for the viewers at home, | 0:30:04 | 0:30:06 | |
let's find out what the auctioneer thinks about Christina's vane. | 0:30:06 | 0:30:09 | |
Here we go, Nick. | 0:30:09 | 0:30:11 | |
-There we are. -This is a handsome job, isn't it? Don't you think? | 0:30:11 | 0:30:14 | |
It's a good thing, it's a great thing - architectural salvage, | 0:30:14 | 0:30:18 | |
-always a good market for that. -So, it's all complete, yes? | 0:30:18 | 0:30:20 | |
-It's all there, yeah. -All you need is a garage roof to attach it to. | 0:30:20 | 0:30:23 | |
-Yeah, so presumably your bit there just sits on the top... -Just swivels. | 0:30:23 | 0:30:26 | |
-It's a good thing. -OK, it's all together | 0:30:26 | 0:30:28 | |
and it's ready to go. Um, how much? | 0:30:28 | 0:30:30 | |
Well, we've been a tad mean, because it's not an old one. | 0:30:30 | 0:30:33 | |
We've put £30 to £50 on it, | 0:30:33 | 0:30:35 | |
but I could see it pushing on and maybe doubling that. | 0:30:35 | 0:30:38 | |
OK, well, it needs to, | 0:30:38 | 0:30:39 | |
because Christina bought it as a bonus buy and she paid the £60. | 0:30:39 | 0:30:44 | |
Now, we'll move on, neatly, to the Blue team, | 0:30:44 | 0:30:48 | |
who have got an eclectic group there, I think you'll agree. | 0:30:48 | 0:30:51 | |
It's certainly that, Tim. | 0:30:51 | 0:30:52 | |
We kick off with the 20th century icon, old Jensen there in the front. | 0:30:52 | 0:30:56 | |
Oh, yeah, another great name of the 20th century of the design field, | 0:30:56 | 0:31:00 | |
Georg Jensen. It's a nice thing, it's practical, it's collectible, | 0:31:00 | 0:31:03 | |
-it ticks a lot of boxes. -And it's sterling silver. | 0:31:03 | 0:31:06 | |
-Yeah, that's a big, big help as well. -It's a known pattern. | 0:31:06 | 0:31:09 | |
Yeah, the acorn pattern's always popular. | 0:31:09 | 0:31:11 | |
We'll have international bidders live online for that, I'm sure. | 0:31:11 | 0:31:14 | |
OK, so, where do you think we'll get to with the bidding? | 0:31:14 | 0:31:17 | |
Well, we've put 60 to 80 on it. | 0:31:17 | 0:31:19 | |
-Again, it could easily break into three figures. -OK, well, it needs to. | 0:31:19 | 0:31:24 | |
-£99 they paid. Next are the oil lamps. -Yeah. | 0:31:24 | 0:31:26 | |
Apparently, Napoleon and Josephine. | 0:31:26 | 0:31:28 | |
Well, they've got a certain look. | 0:31:28 | 0:31:30 | |
I'm not sure if it's a current and in-vogue look. | 0:31:30 | 0:31:33 | |
What, you think it's a bit old-fashioned | 0:31:33 | 0:31:35 | |
to make these into oil lamps? | 0:31:35 | 0:31:36 | |
Yeah, oil lamps have suffered a bit in recent times. | 0:31:36 | 0:31:39 | |
It's just the quality is the one thing that's niggling at me. | 0:31:39 | 0:31:43 | |
The casting on the bases is not a bad thing, | 0:31:43 | 0:31:45 | |
-but the glass, the paintwork... -So, how much? | 0:31:45 | 0:31:47 | |
-Uh, well, actually we've gone 60 to 80. -Well, that's all right. -Is it? | 0:31:47 | 0:31:51 | |
-£45 they paid. -No, they should do all right then. | 0:31:51 | 0:31:54 | |
Ten years, 15 years ago, | 0:31:54 | 0:31:55 | |
they were £150 to £200 every day of the week, weren't they? | 0:31:55 | 0:31:58 | |
-They were, yeah. -That's where the little change in fashion | 0:31:58 | 0:32:01 | |
has taken a hole. | 0:32:01 | 0:32:03 | |
As opposed to this great lump of Murano glass, | 0:32:03 | 0:32:05 | |
which, ten or 15 years ago, nobody would have been after at all, | 0:32:05 | 0:32:09 | |
-but now it's pretty well on style, isn't it? -Really in vogue. | 0:32:09 | 0:32:11 | |
It's got that lovely '50s, '60s look about it, | 0:32:11 | 0:32:14 | |
it's a big name, Murano, | 0:32:14 | 0:32:15 | |
again, a classic of the 20th century. | 0:32:15 | 0:32:17 | |
-OK, fine, so put your big, brave hat on again. -Hmm. | 0:32:17 | 0:32:20 | |
Big, brave hat on this one - well, £30 to £50, but if two | 0:32:20 | 0:32:24 | |
Murano collectors get stuck into the internet again, this could take off. | 0:32:24 | 0:32:27 | |
They paid £30. Anyway, there we have it. | 0:32:27 | 0:32:29 | |
Difficult to predict whether they'll need their bonus buy or not, | 0:32:29 | 0:32:33 | |
but, whatever, let's go and have a look at it. | 0:32:33 | 0:32:36 | |
He had £126 and the canny Scot's been off. | 0:32:37 | 0:32:40 | |
What did you get, Paul? | 0:32:40 | 0:32:42 | |
Well, I said I was feeling lucky, I'm still feeling lucky, | 0:32:42 | 0:32:45 | |
but you might feel a wee bit of deja vu. | 0:32:45 | 0:32:47 | |
THEY LAUGH | 0:32:47 | 0:32:48 | |
-Oh, right. -Remember this? -We've seen that before. | 0:32:48 | 0:32:51 | |
The first thing we looked at, but you dismissed it out of hand. | 0:32:51 | 0:32:54 | |
Well, I liked it and still like it, | 0:32:54 | 0:32:57 | |
because of the underlying quality of that piece. | 0:32:57 | 0:33:01 | |
The world's full of brooches | 0:33:01 | 0:33:02 | |
and very few of them hold my attention for very long. | 0:33:02 | 0:33:05 | |
This does. | 0:33:05 | 0:33:06 | |
Look at the workmanship here and fine detail. | 0:33:06 | 0:33:10 | |
We've got a riding crop. This is in what I think's unmarked gold. | 0:33:10 | 0:33:14 | |
The little terminal is set with these mysterious blue stones | 0:33:14 | 0:33:19 | |
and dependant from this bar is this rather fine horseshoe. | 0:33:19 | 0:33:25 | |
It all adds up to my mind | 0:33:25 | 0:33:27 | |
to be a gorgeous little brooch | 0:33:27 | 0:33:30 | |
-with a gorgeous little price tag. -So, what was the price? | 0:33:30 | 0:33:33 | |
After a job of work, | 0:33:33 | 0:33:35 | |
-£36. -36. | 0:33:35 | 0:33:37 | |
Oh, yeah, it's a belter. I mean, have you warmed to it? | 0:33:37 | 0:33:40 | |
Well, it's looking a bit prettier. | 0:33:40 | 0:33:42 | |
Best-case scenario, those are sapphires, | 0:33:42 | 0:33:45 | |
it's precious white and yellow metal, | 0:33:45 | 0:33:47 | |
it's worth £150, | 0:33:47 | 0:33:49 | |
and to the end user, it's worth £250. | 0:33:49 | 0:33:52 | |
I'd say that's a canny purchase, wouldn't you? | 0:33:52 | 0:33:54 | |
-Could it be the bit of luck that we need? -Well, absolutely. | 0:33:54 | 0:33:57 | |
It's a horseshoe. It's got everything going for it. | 0:33:57 | 0:33:59 | |
But you'll decide when you've sold the first three items, | 0:33:59 | 0:34:03 | |
but right now, for the audience at home, | 0:34:03 | 0:34:05 | |
let's find one what the auctioneer thinks about Paul's lucky horseshoe. | 0:34:05 | 0:34:07 | |
-Cor, look at that. -Hmm. -Is that not a handsome little piece, Nick? | 0:34:10 | 0:34:14 | |
Very pretty. Yes, a really sweet little thing, actually, that. | 0:34:14 | 0:34:17 | |
Nice quality, well made. | 0:34:17 | 0:34:19 | |
Um... Course, the debate is are they sapphires or are they not? | 0:34:19 | 0:34:23 | |
Well, difficult to be positive unless you take one out, | 0:34:23 | 0:34:26 | |
and you don't want to take one out cos the whole thing will fall apart. | 0:34:26 | 0:34:30 | |
I mean, there are tests that you can do | 0:34:30 | 0:34:31 | |
and what we didn't want to do was, as you say, dismantle it, | 0:34:31 | 0:34:34 | |
we didn't want to scratch the metal doing the testing on it | 0:34:34 | 0:34:37 | |
and damage the look. | 0:34:37 | 0:34:38 | |
So we've put a sort of a loose description, | 0:34:38 | 0:34:41 | |
but it's illustrated, it's online. | 0:34:41 | 0:34:43 | |
The right people will see it, is the important thing. | 0:34:43 | 0:34:45 | |
-So, what's your estimate? -We've gone 40 to 70. | 0:34:45 | 0:34:48 | |
OK, £36 paid by that genius Laidlaw. Are you taking the sale today? | 0:34:48 | 0:34:52 | |
-God willing, yes. -I think we're in safe hands. | 0:34:52 | 0:34:55 | |
30 I'm bid. 40 I'm bid. | 0:35:01 | 0:35:03 | |
-How are you feeling? -Fine, yeah. -Excited? -Nervous. -Nervous! | 0:35:04 | 0:35:08 | |
Do you have a confidence level that's very high, | 0:35:08 | 0:35:11 | |
or are you expecting the worst? What's the plan here, Jules? | 0:35:11 | 0:35:14 | |
-Uh, the worst. -Are you? | 0:35:14 | 0:35:17 | |
Let's crack on with the first item, | 0:35:17 | 0:35:19 | |
which is the carved pine mask, and here it comes. | 0:35:19 | 0:35:22 | |
What's it worth? Where we going to go? £20? Surely worth £20. £15. | 0:35:22 | 0:35:26 | |
Get a 10 for it, come on. £10 somewhere, surely? Where's 10? | 0:35:26 | 0:35:30 | |
What's that? 5? 5 I'm bid. 10 online. We're moving now. | 0:35:30 | 0:35:34 | |
-Gosh, it's exciting. At £10 online. -Go on. | 0:35:34 | 0:35:36 | |
You can't pay that off in weekly instalments either. | 0:35:36 | 0:35:38 | |
At £10, any further bids? We're going to squeeze another one. | 0:35:38 | 0:35:41 | |
£10 I sell, all sure and done? | 0:35:41 | 0:35:45 | |
Minus £25. Would it were another world. It doesn't matter. | 0:35:46 | 0:35:50 | |
Now, here comes the Lalique. | 0:35:50 | 0:35:51 | |
Smart-looking little thing, this, a bit of interest on the book. | 0:35:51 | 0:35:54 | |
I can start in at £20. | 0:35:54 | 0:35:56 | |
20 I start, at £20, the bid's on commission at 20, 25, 30 now. | 0:35:56 | 0:36:00 | |
-Any advance on £30? -Keep going, keep going. | 0:36:00 | 0:36:03 | |
35 new bidder, 35. Any advance on 35? 40. At 40, come on. | 0:36:03 | 0:36:08 | |
-Keep going, keep going. -45, thank you, 45 here. You listening, online? | 0:36:08 | 0:36:12 | |
It's 45 against you, I need another one. Come on. 50, thank you. | 0:36:12 | 0:36:16 | |
-50 I am bid. -Keep going. -It's all online at £55. You sure, sir? | 0:36:16 | 0:36:20 | |
£60, at 60 I'm bid. At £60, the bid's online at £60. You sure? | 0:36:20 | 0:36:24 | |
It's your last chance. It's online at £60. | 0:36:24 | 0:36:26 | |
The hammer's hovering, at 60 I sell. All out and sure? | 0:36:26 | 0:36:30 | |
£60 is minus £15. | 0:36:30 | 0:36:32 | |
Still, it ain't over till the large lady sings, | 0:36:32 | 0:36:35 | |
and here comes your next. | 0:36:35 | 0:36:36 | |
The Art Deco-style red marble | 0:36:36 | 0:36:39 | |
and cast-metal picture frame. | 0:36:39 | 0:36:41 | |
£40 only, not dear at £40. 40? At 30. | 0:36:41 | 0:36:44 | |
30 do I hear? Anyone, anywhere? | 0:36:44 | 0:36:47 | |
-Come on. -£30, come on. -He is trying. -He really is, bless him. | 0:36:47 | 0:36:50 | |
-There's no bids at all. -20 I'm bid, thank you, sir. 20 I'm offered. | 0:36:50 | 0:36:54 | |
At £20 I'm bid, at 20 only. It's worth more than that, come on. £25. | 0:36:54 | 0:36:58 | |
All done. All sure? I'm going to sell then, at 25 with you. | 0:36:58 | 0:37:02 | |
Minus £2. 25, 35, minus 42. | 0:37:02 | 0:37:06 | |
Dear, oh, dear. Minus 42. So, what are we going to do about the old...? | 0:37:06 | 0:37:09 | |
We're going to drown in debt, so... | 0:37:09 | 0:37:11 | |
-let's carry on. -You're going to carry on? -Yes, yes. | 0:37:11 | 0:37:14 | |
Well, support the girl. | 0:37:14 | 0:37:16 | |
We're going to go with the bonus buy then, and here it comes. | 0:37:16 | 0:37:18 | |
Good bit of architectural salvage, all the rage at the moment. | 0:37:18 | 0:37:21 | |
I've got to start straight in on commissions. | 0:37:21 | 0:37:23 | |
-I start the bidding at £50. -Oh, that's not bad, eh? | 0:37:23 | 0:37:27 | |
-And 55, and 60, 65. -Good. -80, 85's against you, at 80. | 0:37:27 | 0:37:32 | |
At the back, £80 I have, at 80 now. | 0:37:32 | 0:37:35 | |
With me at 80, and 85, I'll take, and 90. | 0:37:35 | 0:37:38 | |
I've got £90 bidding online. | 0:37:38 | 0:37:40 | |
-That's good. -I can't believe it! | 0:37:40 | 0:37:43 | |
You need to revive me... | 0:37:43 | 0:37:45 | |
And don't stop there, come on. | 0:37:45 | 0:37:47 | |
This is blowing a bit of a gale now. | 0:37:47 | 0:37:49 | |
-Tim, I did it! I did it! -Go on! | 0:37:49 | 0:37:50 | |
-Online, 110, 130... -Ah! | 0:37:50 | 0:37:54 | |
130, we're in the money here! | 0:37:54 | 0:37:56 | |
-Someone's happy in the back at 130, 140. -Go on, go on, go on! Get it on! | 0:37:56 | 0:38:01 | |
The bid's online at 140. 150. | 0:38:01 | 0:38:04 | |
-New blood back in the room. -Steady! | 0:38:04 | 0:38:06 | |
-He's not finished. -150, 160. | 0:38:06 | 0:38:09 | |
170, 170 now. At 170, keep coming, come on, don't stop. | 0:38:09 | 0:38:12 | |
170, 180. | 0:38:12 | 0:38:14 | |
£180, the bid's online. At £180, | 0:38:14 | 0:38:17 | |
I sell. All sure and done? | 0:38:17 | 0:38:19 | |
-180. -Get in there! | 0:38:20 | 0:38:22 | |
-Fantastic! -Thank you! -That is plus £120. | 0:38:22 | 0:38:26 | |
Tim, I'm giving you the kiss, I don't care! It's fantastic! | 0:38:26 | 0:38:29 | |
This is unusual. | 0:38:29 | 0:38:31 | |
That is amazing. | 0:38:31 | 0:38:33 | |
120 less the 42 of losses | 0:38:33 | 0:38:36 | |
would be £80. | 0:38:36 | 0:38:38 | |
-You are plus £78. -What a stonker! Well done, well done. | 0:38:38 | 0:38:42 | |
-Well done, you. Well done, you. -Settle done, all right? | 0:38:42 | 0:38:45 | |
-Don't say a word to the Blues. -No. | 0:38:45 | 0:38:48 | |
Right then, so, first up is | 0:38:54 | 0:38:56 | |
the Jensen bottle opener, and here it comes. | 0:38:56 | 0:38:58 | |
What's it worth? £80? £60? | 0:38:58 | 0:39:01 | |
50? Come on! It's Georg Jensen, it's silver. | 0:39:01 | 0:39:04 | |
50 I'm bid. At 50, 55, 60, 65. 70, you say. 70 I've got. | 0:39:04 | 0:39:09 | |
Straight in then. At £70. Bid's at 70. | 0:39:09 | 0:39:12 | |
-At £70... -I thought someone out there online would like it. | 0:39:12 | 0:39:15 | |
70 it is, on my right, at £70. | 0:39:15 | 0:39:17 | |
No further bids, all sure, nothing online. 70 I sell. | 0:39:17 | 0:39:22 | |
I don't believe it. £70 is minus 29. | 0:39:22 | 0:39:26 | |
That is a body blow. | 0:39:26 | 0:39:28 | |
That's a body blow. | 0:39:28 | 0:39:30 | |
Now. | 0:39:30 | 0:39:31 | |
It's a pair of early 20th century oil lamps, they're milk glass | 0:39:31 | 0:39:35 | |
and nicely decorated with portraits of Napoleon and Josephine. | 0:39:35 | 0:39:39 | |
What are they worth? £80? | 0:39:39 | 0:39:41 | |
80? 60? | 0:39:41 | 0:39:42 | |
-50, come on. For the pair, not each. £50. 50 for them. -That's not much. | 0:39:42 | 0:39:47 | |
Come on, £40. £40! | 0:39:47 | 0:39:49 | |
-£30. -£30! -30 I'm bid, 40 online. | 0:39:49 | 0:39:54 | |
Still in? 45. | 0:39:54 | 0:39:56 | |
Back in the room at 45 now. | 0:39:56 | 0:39:57 | |
45 only - for the pair. | 0:39:57 | 0:39:59 | |
At 45 I'm selling for sure. Last chance. | 0:39:59 | 0:40:03 | |
-Wiped its face. -You could have been luckier! | 0:40:03 | 0:40:06 | |
Not tonight, Josephine! | 0:40:06 | 0:40:07 | |
Right, now, here comes the Murano. | 0:40:07 | 0:40:09 | |
Now, what's it worth? | 0:40:09 | 0:40:11 | |
£50. £40. | 0:40:11 | 0:40:13 | |
-30. At £30. -£30! -25 then. Get the ball rolling. | 0:40:13 | 0:40:18 | |
Let's get a bid in the air, come on. £20. | 0:40:18 | 0:40:20 | |
Thank you, sir. 20 I'm bid, right at the back there. | 0:40:20 | 0:40:23 | |
Any advance on £20 and it's not dear at that. £20 only. At 20 I'll sell. | 0:40:23 | 0:40:27 | |
All quiet. Hammer's hovering - with you, sir. | 0:40:27 | 0:40:30 | |
Minus £10, so that's minus £39. | 0:40:31 | 0:40:33 | |
You guys were seriously unlucky, in my opinion. | 0:40:33 | 0:40:37 | |
That is the most disappointing result. Anyway, here we go. | 0:40:37 | 0:40:40 | |
What are you going to do about the brooch? | 0:40:40 | 0:40:42 | |
-Are you going to run with the brooch? -We vote...yeah! | 0:40:42 | 0:40:45 | |
It might bring us some luck! | 0:40:45 | 0:40:48 | |
OK, here we go then, and here comes the brooch. | 0:40:48 | 0:40:50 | |
I've got a little bit of commission interest. I'm straight in at 30. | 0:40:50 | 0:40:53 | |
At £30, with me on the book now at 30. | 0:40:53 | 0:40:56 | |
At 30 bid, at £30, 35 online. | 0:40:56 | 0:40:58 | |
-(Come on.) -Commissions are out, it's all online. | 0:40:58 | 0:41:01 | |
-Nothing in the room? It's all online? -Oh...! -All sure? All done? | 0:41:01 | 0:41:05 | |
At 35 only. | 0:41:05 | 0:41:07 | |
Oh, no! | 0:41:09 | 0:41:10 | |
£35 is minus £1. | 0:41:11 | 0:41:13 | |
Which rounds it very beautifully to minus 40, yes. | 0:41:14 | 0:41:18 | |
Anyway, go out of here looking confident. | 0:41:18 | 0:41:21 | |
Don't say a word to the Reds | 0:41:21 | 0:41:22 | |
and all will be revealed in a moment. | 0:41:22 | 0:41:24 | |
What bad luck, eh? | 0:41:24 | 0:41:26 | |
Well, a vast chasm, at the last moment, | 0:41:32 | 0:41:35 | |
opened up between the teams today, | 0:41:35 | 0:41:39 | |
who, as I say, had done very, very badly on their own account, | 0:41:39 | 0:41:43 | |
until an expert's bonus buy just happened | 0:41:43 | 0:41:46 | |
to come out of nowhere | 0:41:46 | 0:41:48 | |
and take them to another place. And as a result, | 0:41:48 | 0:41:51 | |
the runners-up by a long chalk today | 0:41:51 | 0:41:54 | |
are the Blues. | 0:41:54 | 0:41:56 | |
THEY CHEER AND LAUGH | 0:41:56 | 0:41:57 | |
Bad luck, Blues. The water didn't go down your gutter, did it? No. | 0:41:57 | 0:42:02 | |
-We were unlucky. -I know. Well, bad luck about all of that. | 0:42:02 | 0:42:06 | |
I think it could have gone the other way, actually, | 0:42:06 | 0:42:08 | |
with a bit of good fortune, but it wasn't with you. | 0:42:08 | 0:42:10 | |
-But have you had a nice time, Helen? -Yeah. -Graham, was it good for you? | 0:42:10 | 0:42:13 | |
Paul, you can take it on the chin, can't you? | 0:42:13 | 0:42:16 | |
And have to, occasionally. | 0:42:16 | 0:42:18 | |
Anyway, the victors today, | 0:42:18 | 0:42:20 | |
who managed to lose on every single item that they bought, | 0:42:20 | 0:42:24 | |
but, as I say, Christina's weather vane | 0:42:24 | 0:42:28 | |
made a profit of £120. | 0:42:28 | 0:42:29 | |
You were £42 down the proverbial, | 0:42:29 | 0:42:32 | |
then along came £120 profit, | 0:42:32 | 0:42:34 | |
which means you go home with £78. | 0:42:34 | 0:42:36 | |
-Yay! -Thank you very much. | 0:42:36 | 0:42:39 | |
Which is why this programme is such a thrill, | 0:42:39 | 0:42:41 | |
because you never know what is going to happen. | 0:42:41 | 0:42:44 | |
A great thrill at the end of our show, and well done, team. | 0:42:44 | 0:42:47 | |
And it couldn't have happened to a nicer couple, I tell you. | 0:42:47 | 0:42:51 | |
Anyway, join us soon for some more bargain hunting. Yes? Yes! | 0:42:51 | 0:42:55 | |
I know you're sitting there thinking, | 0:42:57 | 0:42:59 | |
"I could have done better than that!" | 0:42:59 | 0:43:02 | |
Well, what's stopping you? | 0:43:02 | 0:43:04 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:04 | 0:43:08 | |
It'll be splendid to see you! | 0:43:08 | 0:43:10 |