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In the past, the county of Hertfordshire | 0:00:05 | 0:00:08 | |
has had regal connections. | 0:00:08 | 0:00:10 | |
Nowadays, much of it sits in what is called the London commuter belt, | 0:00:10 | 0:00:15 | |
so it could have what they call "rail connections". | 0:00:15 | 0:00:19 | |
HE LAUGHS | 0:00:19 | 0:00:20 | |
Let's go bargain-hunting! Yeah. | 0:00:20 | 0:00:23 | |
Briefly home to Henry VIII's second wife, | 0:00:49 | 0:00:53 | |
Anne Boleyn, | 0:00:53 | 0:00:55 | |
Sawbridgeworth stands beside the River Stort, | 0:00:55 | 0:00:59 | |
a river rich in variety | 0:00:59 | 0:01:02 | |
and history. | 0:01:02 | 0:01:04 | |
The big question is today for our teams, will they finish up any richer or will they get the chop? | 0:01:04 | 0:01:10 | |
Coming up later on in the show... | 0:01:13 | 0:01:15 | |
..the Reds lose a needle in a haystack. | 0:01:16 | 0:01:18 | |
I've not lost them, where were they? | 0:01:18 | 0:01:20 | |
I saw them two minutes ago. | 0:01:20 | 0:01:22 | |
And the Blues head right off track. | 0:01:22 | 0:01:26 | |
HE LAUGHS | 0:01:26 | 0:01:27 | |
-It's ghastly! -I know, it's hideous. -It's absolutely horrendous! -I totally agree. | 0:01:27 | 0:01:32 | |
Let's meet today's teams. | 0:01:32 | 0:01:35 | |
On the show today we have two teams of friends. | 0:01:36 | 0:01:39 | |
We have Patricia and Stavey for the Reds, | 0:01:39 | 0:01:42 | |
and Myra and Sheila for the Blues. Hello, everyone. | 0:01:42 | 0:01:46 | |
ALL: Hello. | 0:01:46 | 0:01:47 | |
You two are the best of friends, but it wasn't always like that, was it? | 0:01:47 | 0:01:52 | |
It definitely wasn't always like that. | 0:01:52 | 0:01:54 | |
Did you hate each other once? | 0:01:54 | 0:01:55 | |
I wouldn't go as far as "hate", but let's just say | 0:01:55 | 0:01:57 | |
-it was tense. -Was it? | 0:01:57 | 0:01:59 | |
I wouldn't say tense. We don't even agree now, do we? | 0:01:59 | 0:02:02 | |
We looked at each other and I remember thinking, | 0:02:02 | 0:02:05 | |
"She's a bit common." | 0:02:05 | 0:02:07 | |
Oh! Well, that's nice(!) | 0:02:07 | 0:02:09 | |
What did you think? | 0:02:09 | 0:02:10 | |
I won't tell. It's not good on air. | 0:02:10 | 0:02:13 | |
We can't blaspheme at lunchtime. | 0:02:13 | 0:02:16 | |
But how many years ago was this, when you did first meet? | 0:02:16 | 0:02:19 | |
BOTH: 21 years ago. | 0:02:19 | 0:02:21 | |
Really? You were children. | 0:02:21 | 0:02:23 | |
-Absolutely. -Yes. | 0:02:23 | 0:02:24 | |
-But you patched up your differences... -We did. | 0:02:24 | 0:02:27 | |
..and became best mates. Isn't that nice? | 0:02:27 | 0:02:29 | |
Good. | 0:02:29 | 0:02:30 | |
Patricia, it says here you're a bit of a thrill-seeker. | 0:02:30 | 0:02:33 | |
I've done abseiling for charity, 150 feet down | 0:02:33 | 0:02:36 | |
a building, done a skydive last year. | 0:02:36 | 0:02:39 | |
That was good fun? | 0:02:39 | 0:02:41 | |
-Fantastic. -So it is high-octane adrenaline that gets you running? | 0:02:41 | 0:02:44 | |
You could say so. You want to make sure life keeps up its pace, you don't want it to tail off. | 0:02:44 | 0:02:49 | |
That's where I'm at, really. | 0:02:49 | 0:02:50 | |
How are you rating the excitement of coming on Bargain Hunt on your scale of one to ten? | 0:02:50 | 0:02:54 | |
Is it like jumping out of an aeroplane? | 0:02:54 | 0:02:56 | |
It's a nine, let's see if we can get to a ten. | 0:02:56 | 0:02:59 | |
Ha-ha, how sweet. | 0:02:59 | 0:03:02 | |
Stavey, you're pretty active, too. | 0:03:02 | 0:03:04 | |
Do you do this high-jumping business or not? | 0:03:04 | 0:03:06 | |
No, my fear of heights won't allow me to go that far | 0:03:06 | 0:03:08 | |
but I tend to go for the outdoors. I love to salsa | 0:03:08 | 0:03:10 | |
and combine music with festivals, | 0:03:10 | 0:03:12 | |
so dancing is my thing. | 0:03:12 | 0:03:14 | |
SHE GIGGLES | 0:03:14 | 0:03:15 | |
The outdoor life. | 0:03:15 | 0:03:17 | |
The outdoor life. | 0:03:17 | 0:03:18 | |
What do you know about collectables and antiques? | 0:03:18 | 0:03:22 | |
Tim, I have to confess | 0:03:22 | 0:03:23 | |
I don't know much at all. | 0:03:23 | 0:03:25 | |
I am not a collector of antiques, | 0:03:25 | 0:03:27 | |
but I do have a keen eye for bargains. | 0:03:27 | 0:03:29 | |
I think you will do jolly well. Very good luck, girls. | 0:03:29 | 0:03:31 | |
-BOTH: Thank you. -Lovely to see you. | 0:03:31 | 0:03:34 | |
So, there you have it. | 0:03:34 | 0:03:36 | |
This is fun, isn't it? | 0:03:36 | 0:03:38 | |
You two also met some years ago? | 0:03:38 | 0:03:40 | |
Yes, some years ago. | 0:03:40 | 0:03:42 | |
It was at New College of Speech & Drama. | 0:03:42 | 0:03:44 | |
We were students together. | 0:03:44 | 0:03:47 | |
Myra, the creative arts | 0:03:47 | 0:03:49 | |
are now a big part in your life? | 0:03:49 | 0:03:51 | |
Yes, but I have switched now to more writing. | 0:03:51 | 0:03:54 | |
I belong to a couple of writing clubs | 0:03:54 | 0:03:56 | |
and I also like to pen poems. | 0:03:56 | 0:03:58 | |
-Oh. -Not fruity sonnets but more little ditties. | 0:03:58 | 0:04:02 | |
Sheila, you also have a love of entertaining, | 0:04:02 | 0:04:05 | |
and it's not on the stage any more? | 0:04:05 | 0:04:07 | |
No, I like to cook... | 0:04:07 | 0:04:09 | |
for friends and family. | 0:04:09 | 0:04:11 | |
When you have done all this cookery | 0:04:11 | 0:04:13 | |
for your mates and you have them round, | 0:04:13 | 0:04:15 | |
do they get the full monty and laid-up table and all that? | 0:04:15 | 0:04:19 | |
Yes, they get some antique plates sometimes | 0:04:19 | 0:04:21 | |
and some nice glasses, if I can be bothered to wash them up. | 0:04:21 | 0:04:25 | |
I think it makes a difference, don't you? | 0:04:25 | 0:04:28 | |
-Presentation is all. -I think it is. -It looks better. | 0:04:28 | 0:04:30 | |
Do you think you will get on all right today? | 0:04:30 | 0:04:33 | |
No bickering? | 0:04:33 | 0:04:34 | |
BOTH: No. | 0:04:34 | 0:04:35 | |
We are great pals. | 0:04:35 | 0:04:37 | |
We do a lot of this together. | 0:04:37 | 0:04:38 | |
You go "van-tiquing" or whatever they call it? | 0:04:38 | 0:04:43 | |
-"Junking," I think. -What fun. | 0:04:43 | 0:04:45 | |
£300 apiece. | 0:04:45 | 0:04:47 | |
Here we go with the £300 to the left and £300 to the right. | 0:04:47 | 0:04:52 | |
Very good luck, and you know the rules. | 0:04:52 | 0:04:54 | |
Your experts are waiting and off you go! | 0:04:54 | 0:04:57 | |
Let's meet the experts helping out today's teams. | 0:04:57 | 0:05:00 | |
Up against the clock and striking at the heart of the Reds, | 0:05:02 | 0:05:04 | |
Natasha Raskin. | 0:05:04 | 0:05:06 | |
And Charlie Ross is hoping to bowl our Blue maidens | 0:05:06 | 0:05:10 | |
well and truly out. | 0:05:10 | 0:05:12 | |
Come on, girls! | 0:05:12 | 0:05:15 | |
My word, you have to be fit doing this buying lark. | 0:05:15 | 0:05:18 | |
Absolutely. | 0:05:18 | 0:05:19 | |
Off left. | 0:05:19 | 0:05:22 | |
You will find the energy from somewhere, trust me. | 0:05:22 | 0:05:26 | |
Armed with £300, both teams must now find three items | 0:05:26 | 0:05:28 | |
in under an hour to take to auction. The challenge is on! | 0:05:28 | 0:05:33 | |
Stavey and Patricia, your hour of bargain-hunting | 0:05:33 | 0:05:37 | |
is about to begin. We are surrounded by treasures, | 0:05:37 | 0:05:40 | |
but what are you thinking? | 0:05:40 | 0:05:41 | |
I'm thinking something practical but pretty. | 0:05:41 | 0:05:44 | |
I love it. All the Ps, | 0:05:44 | 0:05:47 | |
and, Patricia, what are you thinking? | 0:05:47 | 0:05:50 | |
Along the same lines of pretty but functional. | 0:05:50 | 0:05:53 | |
I like your thinking, I think we have a lot to see, | 0:05:53 | 0:05:56 | |
so let's head off. | 0:05:56 | 0:05:58 | |
I don't see anything I want to buy. | 0:06:02 | 0:06:04 | |
You haven't seen half the things, girls. | 0:06:04 | 0:06:08 | |
It's no good saying, " I can't see anything I want to buy." You haven't looked! | 0:06:08 | 0:06:12 | |
-You keep whizzing round! -I'm doing my best. | 0:06:12 | 0:06:14 | |
Calm down, Charlie. | 0:06:14 | 0:06:16 | |
You have only just started to shop. | 0:06:16 | 0:06:18 | |
Whizz, whizz. They need to concentrate. | 0:06:18 | 0:06:22 | |
Charlie must be feeling the pressure. It could be his age. | 0:06:22 | 0:06:25 | |
Hi, I heard you saying | 0:06:25 | 0:06:28 | |
you were looking for something pretty and functional. | 0:06:28 | 0:06:30 | |
We have an old bird cage which has never been seen | 0:06:30 | 0:06:33 | |
by any customers here. | 0:06:33 | 0:06:35 | |
It is definitely worth a look. | 0:06:35 | 0:06:36 | |
Thank you. Do you mind if I take it? | 0:06:36 | 0:06:38 | |
-Please do. -That's fab. | 0:06:38 | 0:06:40 | |
-PATRICIA: -What colour is that? -It is patinated metal, | 0:06:40 | 0:06:44 | |
so it has been painted up | 0:06:44 | 0:06:45 | |
and I really like it. What do you think? | 0:06:45 | 0:06:47 | |
I do like the designs on it. | 0:06:47 | 0:06:49 | |
There is an ageing look, which is in, isn't it? | 0:06:49 | 0:06:52 | |
-Exactly. -Would you keep a bird in it nowadays? | 0:06:52 | 0:06:55 | |
Is there any other use for it? | 0:06:55 | 0:06:56 | |
I think it is a shabby-chic interior design kind of thing. | 0:06:56 | 0:07:00 | |
These are used for, increasingly, putting in flowers for weddings | 0:07:00 | 0:07:03 | |
and things. People have flower arrangements coming out | 0:07:03 | 0:07:06 | |
of the metal, and I think it is really a bit of an all-rounder. | 0:07:06 | 0:07:09 | |
Have you seen the price tag, ladies? | 0:07:09 | 0:07:12 | |
It is £35. | 0:07:12 | 0:07:14 | |
I have to say exactly reasonable. | 0:07:14 | 0:07:16 | |
So it is ticking off the practical. | 0:07:16 | 0:07:18 | |
but what do you think about the pretty? | 0:07:18 | 0:07:21 | |
You mentioned shabby-chic, so it is not something you would have to tart up to sell? | 0:07:21 | 0:07:24 | |
If this were to come perfect, | 0:07:24 | 0:07:26 | |
I don't think it would have that | 0:07:26 | 0:07:28 | |
retro-vintage feel, so I think the fact it is a little shabby-chic | 0:07:28 | 0:07:31 | |
could work in its favour. At £35.. | 0:07:31 | 0:07:34 | |
What is the best price? | 0:07:34 | 0:07:36 | |
I can ask the dealer. | 0:07:36 | 0:07:38 | |
How low can they go? | 0:07:38 | 0:07:40 | |
So you want to go for it? | 0:07:40 | 0:07:42 | |
-PATRICIA: -Yes, please. | 0:07:42 | 0:07:43 | |
-NICK: -I'll see what I can do and come back. | 0:07:43 | 0:07:46 | |
Thank you so much. | 0:07:46 | 0:07:48 | |
Let's see what Nick can do for us. | 0:07:48 | 0:07:51 | |
Last time we saw the Blues, they were arguing. Now it appears they want to break into song. | 0:07:52 | 0:07:57 | |
So, after me... | 0:07:57 | 0:07:58 | |
# Moon River | 0:07:58 | 0:08:01 | |
# Wider than a mile | 0:08:01 | 0:08:03 | |
# I'm crossing you in style some day... # | 0:08:03 | 0:08:07 | |
Well, anyway. | 0:08:08 | 0:08:11 | |
It's ghastly! | 0:08:11 | 0:08:13 | |
I know, it's hideous! | 0:08:13 | 0:08:14 | |
Absolutely horrendous! | 0:08:14 | 0:08:15 | |
I totally agree with you. | 0:08:15 | 0:08:17 | |
But coming from an era when people had these gramophones in their sitting rooms, | 0:08:17 | 0:08:21 | |
by Dansette, HMV. | 0:08:21 | 0:08:24 | |
That is just a small copy | 0:08:24 | 0:08:26 | |
of one of those awful bits of furniture. | 0:08:26 | 0:08:28 | |
Strangely, the full-size ones now are making money. | 0:08:28 | 0:08:32 | |
Can you buy different records for it or does it only do one tune? | 0:08:32 | 0:08:36 | |
-Now you've broken it. -I haven't! | 0:08:36 | 0:08:38 | |
Perhaps I have. No, I haven't. | 0:08:39 | 0:08:42 | |
One can buy different records, do you think? How exciting(!) | 0:08:42 | 0:08:47 | |
How much is it? Are you seriously thinking of buying this? | 0:08:47 | 0:08:50 | |
Absolutely. | 0:08:50 | 0:08:51 | |
But, Sheila, if you buy it, it's yours! | 0:08:51 | 0:08:53 | |
£16. | 0:08:53 | 0:08:55 | |
You really want it? | 0:08:55 | 0:08:57 | |
We need to have a system here. | 0:08:57 | 0:08:59 | |
Let Sheila buy something. | 0:08:59 | 0:09:01 | |
I'll let you buy something and see who makes the most! | 0:09:01 | 0:09:05 | |
-Or the biggest loss. -All right, then. | 0:09:05 | 0:09:07 | |
Then we'll have a third thing we all agree on. | 0:09:07 | 0:09:10 | |
-That's good. -Strangely, I think that is the most ghastly thing I've ever seen in my life. | 0:09:10 | 0:09:14 | |
That's why I like it. | 0:09:14 | 0:09:16 | |
But that doesn't mean | 0:09:16 | 0:09:17 | |
it will fail in the auction, does it? | 0:09:17 | 0:09:19 | |
Shall we send her away and do a deal? | 0:09:19 | 0:09:22 | |
The best price you can get. | 0:09:22 | 0:09:24 | |
-Come back with a smile on your face. -I'll try. | 0:09:24 | 0:09:26 | |
We'll see if we can find something while you do that. | 0:09:26 | 0:09:29 | |
Blimey O'Riley! | 0:09:29 | 0:09:32 | |
Although Charlie is not particularly pleased with the choice of item, | 0:09:36 | 0:09:39 | |
hopefully Sheila will come back with a decent price. | 0:09:39 | 0:09:42 | |
Meanwhile, how are our little Red chicklings getting on | 0:09:42 | 0:09:46 | |
waiting for a price on the bird cage? | 0:09:46 | 0:09:48 | |
Nick, how did you do? | 0:09:48 | 0:09:51 | |
Dealer said £28. | 0:09:51 | 0:09:53 | |
For £28, we're beating the retail price. Absolutely brilliant. | 0:09:53 | 0:09:57 | |
What do you think? | 0:09:57 | 0:09:59 | |
I say deal. | 0:09:59 | 0:10:01 | |
-It's a goer? -Yes. | 0:10:01 | 0:10:02 | |
Thank you for your hard work. £28, it is. | 0:10:02 | 0:10:06 | |
Well done, Reds. | 0:10:06 | 0:10:08 | |
Try and cage that excitement, will you? | 0:10:08 | 0:10:10 | |
So that is your first item bought. | 0:10:10 | 0:10:12 | |
What news on the Blues' novelty music box? | 0:10:12 | 0:10:15 | |
How have you done? | 0:10:15 | 0:10:17 | |
Not very well, I'm afraid. | 0:10:17 | 0:10:19 | |
-14. -Oh, God! | 0:10:19 | 0:10:21 | |
-What do we think? -We think no. | 0:10:21 | 0:10:23 | |
We both think no, but | 0:10:23 | 0:10:25 | |
we can carry on looking. | 0:10:25 | 0:10:27 | |
We know we have that in the bank, as it were, | 0:10:27 | 0:10:30 | |
and if we can't find anything else, we can say, "Sheila, you win, "we'll have that." | 0:10:30 | 0:10:34 | |
-Fair enough. -Are we happy with that, then? | 0:10:34 | 0:10:37 | |
-Yes. -Do you think that's the way to play it? -It's a deal. | 0:10:37 | 0:10:39 | |
We might find something else, cos it's early days yet. | 0:10:39 | 0:10:42 | |
Come on, then, girls. | 0:10:42 | 0:10:44 | |
You still have time to think about it, girls. | 0:10:44 | 0:10:47 | |
We are now ten minutes into the shop. | 0:10:47 | 0:10:49 | |
What have the Reds spotted? | 0:10:49 | 0:10:51 | |
I am totally drawn to this. | 0:10:53 | 0:10:55 | |
Is that an Art Deco sort of thing? | 0:10:55 | 0:10:58 | |
It is absolutely beautiful. | 0:10:58 | 0:10:59 | |
It's an oversized perfume bottle | 0:10:59 | 0:11:01 | |
but you can see the container for the liquid. | 0:11:01 | 0:11:04 | |
It's tiny, so this is OTT | 0:11:04 | 0:11:08 | |
and pretty fabulous, actually. | 0:11:08 | 0:11:09 | |
Do you think it's worth having a look at? | 0:11:09 | 0:11:11 | |
I'd like to handle it and see. | 0:11:11 | 0:11:14 | |
Although this is an Art Deco reproduction, | 0:11:14 | 0:11:16 | |
antique perfume bottles have been collected for centuries. | 0:11:16 | 0:11:20 | |
Certain Chinese bottles can cost serious money, | 0:11:20 | 0:11:25 | |
but the price of some early Roman pieces start from around £50. | 0:11:25 | 0:11:28 | |
Not bad for a fragrant piece of history, eh? | 0:11:28 | 0:11:31 | |
NICK: It's very, very heavy. | 0:11:31 | 0:11:33 | |
Also, some slight damage inside it. | 0:11:33 | 0:11:37 | |
You can see little glass... | 0:11:37 | 0:11:40 | |
Is that the dipper? | 0:11:40 | 0:11:42 | |
It's very, very heavy. | 0:11:42 | 0:11:44 | |
You have to twist it. | 0:11:44 | 0:11:47 | |
It's beautiful. | 0:11:47 | 0:11:49 | |
I just want to feel it. Ah, that's broken off. | 0:11:49 | 0:11:54 | |
I think everything about | 0:11:54 | 0:11:56 | |
this item smacks of quality. | 0:11:56 | 0:11:58 | |
I think what works in our favour is the fact | 0:11:58 | 0:12:01 | |
that it is broken but the original dipping stick is still in there, | 0:12:01 | 0:12:05 | |
so it would not be a new item attached. We do have the chance | 0:12:05 | 0:12:08 | |
to restore it to its original glory. | 0:12:08 | 0:12:10 | |
Look at the beautiful optical illusion | 0:12:10 | 0:12:13 | |
of the cut-outs inside. It is so beautiful. | 0:12:13 | 0:12:16 | |
Something for a lady to covet. | 0:12:16 | 0:12:18 | |
-70. -It's £70. | 0:12:18 | 0:12:21 | |
But we're here to find a bargain, | 0:12:21 | 0:12:22 | |
so I think we want to see how well we can do. What would be your gut feeling, ladies? | 0:12:22 | 0:12:26 | |
55 would be fantastic to pay for it. | 0:12:26 | 0:12:28 | |
Otherwise, I think it's beautiful and we like it, | 0:12:28 | 0:12:31 | |
but I am not sure we can make much profit on it. | 0:12:31 | 0:12:33 | |
58, max. Yeah, 55. | 0:12:33 | 0:12:35 | |
I'll say it. I can't make the price. | 0:12:35 | 0:12:38 | |
The dealer does. | 0:12:38 | 0:12:39 | |
NATASHA: Thank you so much. | 0:12:39 | 0:12:40 | |
Let's wait here, we await the results. Gosh! | 0:12:40 | 0:12:43 | |
It's like Strictly Come Dancing or something. | 0:12:43 | 0:12:46 | |
The results will be in soon. | 0:12:46 | 0:12:48 | |
As the Reds await news from the pricing panel, | 0:12:49 | 0:12:52 | |
it seems the Blues have spotted a wine coaster. | 0:12:52 | 0:12:56 | |
I wondered what you thought of that, Charlie. | 0:12:56 | 0:12:59 | |
Now, girls, | 0:12:59 | 0:13:01 | |
I like a coaster because that is something | 0:13:01 | 0:13:05 | |
a lot of people would want to use. | 0:13:05 | 0:13:07 | |
It is not just an ornament, is it? | 0:13:07 | 0:13:08 | |
it would look really nice in the middle of a table setting. | 0:13:08 | 0:13:11 | |
-It is silver-plated, not silver. -I'm afraid so. | 0:13:11 | 0:13:14 | |
-EPNS, which stands for... -Electro-plated nickel silver? | 0:13:14 | 0:13:18 | |
Sheila, she's impressive, isn't she? | 0:13:18 | 0:13:21 | |
That, I'm sure, | 0:13:21 | 0:13:23 | |
is faux-tortoiseshell. | 0:13:23 | 0:13:25 | |
If you look at the pattern on it, you can see that's a man-made pattern. | 0:13:25 | 0:13:28 | |
It's very attractive. | 0:13:28 | 0:13:30 | |
However, it is attractive. | 0:13:30 | 0:13:32 | |
And the silver plate looks fairly, in fairly good nick. | 0:13:32 | 0:13:34 | |
It isn't pretty good order. | 0:13:34 | 0:13:36 | |
At auction, I would like to see it make between | 0:13:36 | 0:13:38 | |
£30 and £40. | 0:13:38 | 0:13:39 | |
Do you think we'd get anything off that? | 0:13:39 | 0:13:42 | |
-How much is it? -We live in hope. | 0:13:42 | 0:13:44 | |
It all depends who it belongs to. | 0:13:44 | 0:13:46 | |
Excuse me, my dear. Could we trim it a little? | 0:13:46 | 0:13:49 | |
Do you have permission to trim a little bit? | 0:13:49 | 0:13:51 | |
I would have to contact the dealer. | 0:13:51 | 0:13:53 | |
Do you know the name of the dealer? | 0:13:53 | 0:13:55 | |
-Billy. -Billy! | 0:13:55 | 0:13:57 | |
I think we are of a mind that if we could get that for £25, | 0:13:57 | 0:14:00 | |
we would splash the cash. | 0:14:00 | 0:14:02 | |
BOTH: We would. Happy? BOTH: Yes. | 0:14:02 | 0:14:03 | |
-I'll try. -That is really kind of you, thank you, we will keep our fingers crossed. | 0:14:03 | 0:14:07 | |
Back to the Reds. | 0:14:09 | 0:14:11 | |
As they say on Strictly, the results are in. | 0:14:11 | 0:14:15 | |
OK. | 0:14:15 | 0:14:17 | |
£58. | 0:14:17 | 0:14:19 | |
Brilliant! | 0:14:19 | 0:14:20 | |
That is just perfect! | 0:14:20 | 0:14:22 | |
-Yeah! -Absolutely brilliant. | 0:14:22 | 0:14:24 | |
NICK: Do you want to have a feel of it again? | 0:14:24 | 0:14:26 | |
I think this smells like a profit. | 0:14:26 | 0:14:28 | |
-It's lovely. -I love it. | 0:14:31 | 0:14:33 | |
I think this is gorgeous. | 0:14:33 | 0:14:34 | |
Dancing with joy. The Reds have now made their second purchase. | 0:14:36 | 0:14:40 | |
But, at 30 minutes in, the Blues are yet to buy anything. | 0:14:42 | 0:14:45 | |
So, what's the news on the wine coaster? | 0:14:45 | 0:14:48 | |
The lowest he can go is 30, because he knows | 0:14:48 | 0:14:51 | |
it's a good one, as well. | 0:14:51 | 0:14:52 | |
Oh, they all say that. | 0:14:52 | 0:14:55 | |
That's an interesting one, girls. | 0:14:55 | 0:14:57 | |
I would go with it for that. | 0:14:57 | 0:15:00 | |
It is your choice. | 0:15:00 | 0:15:01 | |
I think it will still make some money, even at that price. | 0:15:01 | 0:15:04 | |
-Yes, let's go for it. -You happy? -Yes. | 0:15:04 | 0:15:07 | |
And I think it is a good thing. | 0:15:07 | 0:15:09 | |
-Thank you. -Thank you very much indeed. | 0:15:09 | 0:15:11 | |
We'll have it, my dear. Tell Billy he is 30 quid richer. | 0:15:11 | 0:15:15 | |
We will keep our fingers crossed. | 0:15:15 | 0:15:17 | |
Finally, something in the bag for the Blues. Well done. | 0:15:17 | 0:15:20 | |
Now, let's catch up with our Reds. | 0:15:20 | 0:15:24 | |
Oh, yeah, that's lovely. | 0:15:24 | 0:15:26 | |
"Slightly larger than usual Victorian trunk..." | 0:15:26 | 0:15:28 | |
-£65. -"Excellent condition | 0:15:28 | 0:15:31 | |
"and quality, inside and out." | 0:15:31 | 0:15:33 | |
I really like that, I think that is absolutely gorgeous. | 0:15:33 | 0:15:36 | |
It looks like wood, doesn't it? | 0:15:36 | 0:15:38 | |
-It's a very nice effect. -I am really surprised it was tin. | 0:15:38 | 0:15:40 | |
I really like it and these trunks | 0:15:40 | 0:15:43 | |
are really popular at the moment. | 0:15:43 | 0:15:44 | |
In fact, there are a couple down the bottom | 0:15:44 | 0:15:47 | |
about £45 each, different travel trunks. | 0:15:47 | 0:15:50 | |
I thought maybe as a lot, the dealer might give this them for around £80, | 0:15:50 | 0:15:54 | |
maybe even £60 the pair. | 0:15:54 | 0:15:56 | |
They could be quite nice if you want to have a look. They are pretty cool. | 0:15:56 | 0:15:59 | |
Let's have a quick look. | 0:15:59 | 0:16:01 | |
Follow me. I didn't think they'd be your cup of tea. | 0:16:01 | 0:16:05 | |
but now I have heard you talking about this trunk, I am thinking, | 0:16:05 | 0:16:08 | |
"OK..." | 0:16:08 | 0:16:10 | |
Off you go, then, | 0:16:10 | 0:16:12 | |
and do some travel trunk research, girls. | 0:16:12 | 0:16:16 | |
It seems Charlie is getting arty. | 0:16:16 | 0:16:19 | |
What about that, Charlie? | 0:16:20 | 0:16:22 | |
That is very, very nice. | 0:16:22 | 0:16:24 | |
And it is an antique. | 0:16:24 | 0:16:26 | |
I would love to see an initial on it. | 0:16:26 | 0:16:30 | |
Or a name, but you can certainly see | 0:16:30 | 0:16:32 | |
that has real quality. | 0:16:32 | 0:16:35 | |
Charcoal, pencil and gouache, | 0:16:35 | 0:16:38 | |
she is a good-looking woman, | 0:16:38 | 0:16:40 | |
very much a statement of the time. | 0:16:40 | 0:16:42 | |
I should think maybe 1870 or 1880. | 0:16:42 | 0:16:46 | |
Over 100 years old. | 0:16:46 | 0:16:48 | |
We are in a gilt frame, | 0:16:48 | 0:16:49 | |
which I would suspect is a little bit later. | 0:16:49 | 0:16:53 | |
Perhaps an Edwardian frame. | 0:16:53 | 0:16:55 | |
But perfect for the subject, and I would think | 0:16:55 | 0:16:59 | |
the frame is in good condition, | 0:16:59 | 0:17:01 | |
and I have to say I like that very much. | 0:17:01 | 0:17:03 | |
It is £58. Shall we see if we can do something with this? | 0:17:03 | 0:17:06 | |
Yes, please. | 0:17:06 | 0:17:07 | |
-Come over, sir. -I'm Bob. | 0:17:07 | 0:17:09 | |
Charlie, nice to meet you. | 0:17:09 | 0:17:12 | |
-These are my two...mentors. -I'm Sheila. | 0:17:12 | 0:17:15 | |
We love this. | 0:17:16 | 0:17:19 | |
You know what I'm going to say. | 0:17:19 | 0:17:21 | |
We don't love the price. | 0:17:21 | 0:17:23 | |
Only so much that there is no signature on it. | 0:17:23 | 0:17:26 | |
Has it been here years, Bob? | 0:17:26 | 0:17:27 | |
Came in yesterday, that one. | 0:17:27 | 0:17:30 | |
Bob, you have all the language! | 0:17:30 | 0:17:32 | |
Why was it at the back of the pile? | 0:17:32 | 0:17:34 | |
-BOB: -We didn't want you to see it. | 0:17:34 | 0:17:36 | |
You wanted it for yourself? | 0:17:36 | 0:17:38 | |
I'll be honest with you, Bob. I think it might make £45 or £50 at auction. | 0:17:38 | 0:17:42 | |
If it could be bought for £40... | 0:17:42 | 0:17:45 | |
I'll give Julie a ring. | 0:17:45 | 0:17:47 | |
Obviously don't twist her arm. | 0:17:47 | 0:17:50 | |
You can twist it very gently, Bob. | 0:17:50 | 0:17:52 | |
Tell her we don't really like it but we'll take it if it will help, OK? | 0:17:52 | 0:17:56 | |
I think that is the wrong attitude. We love it. | 0:17:56 | 0:17:59 | |
We should not tell fibs. | 0:17:59 | 0:18:02 | |
Off you go then, Bob, and do your stuff. | 0:18:02 | 0:18:04 | |
Just make sure you come back with a decent price. | 0:18:04 | 0:18:06 | |
I've completely lost them. | 0:18:09 | 0:18:10 | |
We came down here, did we? | 0:18:10 | 0:18:12 | |
They're here, they're here. | 0:18:12 | 0:18:14 | |
No, no, no, no. | 0:18:14 | 0:18:16 | |
Is it these trunks here? | 0:18:16 | 0:18:17 | |
You see some trunks? | 0:18:17 | 0:18:19 | |
A trunk with a... | 0:18:19 | 0:18:21 | |
Have I lost them? | 0:18:21 | 0:18:23 | |
I am so sorry. No, I've not lost them. Where were they? | 0:18:23 | 0:18:27 | |
I saw them two minutes ago. | 0:18:27 | 0:18:29 | |
Perhaps we'll come back in a moment, Natasha, | 0:18:29 | 0:18:31 | |
once you have found what you're looking for. | 0:18:31 | 0:18:35 | |
Here is Bob back with news for the Blues. | 0:18:35 | 0:18:39 | |
The lady says yes. | 0:18:39 | 0:18:40 | |
Fantastic! | 0:18:40 | 0:18:42 | |
Bob! | 0:18:42 | 0:18:44 | |
If only we had tried 30. | 0:18:44 | 0:18:46 | |
I'll wrap it up for you. | 0:18:46 | 0:18:48 | |
Thank you very much indeed. | 0:18:48 | 0:18:49 | |
Well done, Sheila. | 0:18:49 | 0:18:51 | |
Sheila the dealer! | 0:18:51 | 0:18:53 | |
THEY LAUGH | 0:18:53 | 0:18:54 | |
So, for the grand sum of £40, | 0:18:54 | 0:18:57 | |
the Blues have bagged themselves a second purchase. | 0:18:57 | 0:18:59 | |
Well done! | 0:18:59 | 0:19:00 | |
Oh, my goodness, this is terrible. I can't actually remember | 0:19:02 | 0:19:04 | |
where I saw them. | 0:19:04 | 0:19:06 | |
These aren't trunks, they're boxes stacked on each other. | 0:19:06 | 0:19:09 | |
Have I lost the plot entirely? | 0:19:09 | 0:19:11 | |
We need to make a decision. I am getting panicky again. | 0:19:11 | 0:19:14 | |
I should have pointed them out to you. | 0:19:14 | 0:19:17 | |
How much time have we got left? | 0:19:17 | 0:19:19 | |
Let's make a decision. | 0:19:19 | 0:19:20 | |
How did I lose them?! | 0:19:20 | 0:19:22 | |
When I saw those two trunks, which I've lost, | 0:19:22 | 0:19:26 | |
because I am an idiot, | 0:19:26 | 0:19:28 | |
I couldn't think they would be something you would be interested in. | 0:19:28 | 0:19:31 | |
But then you just went to that. What do you think? | 0:19:31 | 0:19:33 | |
I think you have talked your way quite well out of that one, Natasha. | 0:19:33 | 0:19:37 | |
We have literally minutes on the clock | 0:19:37 | 0:19:40 | |
and we're thinking about this trunk here. | 0:19:40 | 0:19:42 | |
We love it. What would be your best price? | 0:19:42 | 0:19:45 | |
It is sitting at 65. | 0:19:45 | 0:19:47 | |
We were hoping you might go to, sort of, 48. | 0:19:47 | 0:19:51 | |
-It does say "no trade". -Is that what it means? | 0:19:51 | 0:19:54 | |
I could find out if they are willing. | 0:19:54 | 0:19:57 | |
Would you be so kind? | 0:19:57 | 0:20:00 | |
Thank you very much. | 0:20:00 | 0:20:02 | |
Give me five minutes and I'll get back to you. | 0:20:02 | 0:20:06 | |
But the Reds don't have five minutes | 0:20:06 | 0:20:08 | |
and the Blues need you too, Bob. | 0:20:08 | 0:20:11 | |
We need you in three seconds, Bob. | 0:20:12 | 0:20:14 | |
We are down to about three minutes, Bob. Quick! | 0:20:14 | 0:20:17 | |
There is a pair of silver spoons here | 0:20:17 | 0:20:19 | |
but I suspect, at £220, | 0:20:19 | 0:20:22 | |
-they are very much modern... -Oh, dear. | 0:20:22 | 0:20:24 | |
..rather than Victorian. | 0:20:24 | 0:20:25 | |
I think on the label, if they were Victorian, | 0:20:25 | 0:20:28 | |
it would say Victorian. Thank you. | 0:20:28 | 0:20:31 | |
Can you tell us the age? | 0:20:31 | 0:20:32 | |
I would be able to tell you the age if I can look at the hallmark. | 0:20:32 | 0:20:36 | |
They are Walker & Hall, so they are a good make, | 0:20:36 | 0:20:39 | |
but they are modern. | 0:20:39 | 0:20:41 | |
What do I think they would make at auction? | 0:20:41 | 0:20:43 | |
I think they would make £135/£140 at auction. | 0:20:43 | 0:20:47 | |
But I am probably not going to be able to... | 0:20:47 | 0:20:52 | |
It's a big drop. | 0:20:52 | 0:20:53 | |
It it's a big drop. | 0:20:53 | 0:20:55 | |
Could he find out what he would do? Cos, Bob, you're pretty good at this sort of thing. | 0:20:55 | 0:20:59 | |
Bob normally goes off and comes back and says yes. | 0:20:59 | 0:21:02 | |
What about the Reds, Bob? | 0:21:02 | 0:21:04 | |
Actually, forget that. | 0:21:04 | 0:21:07 | |
They don't seem to be in any rush at all. | 0:21:07 | 0:21:09 | |
-I spotted it. -No, I spotted it. -I spotted it! | 0:21:09 | 0:21:12 | |
I'm staying out of it. | 0:21:12 | 0:21:14 | |
Are we going to argue? | 0:21:14 | 0:21:15 | |
At least we agreed on it, yeah? | 0:21:15 | 0:21:17 | |
But I did spot it. | 0:21:17 | 0:21:19 | |
And Natasha agreed it was a top price. | 0:21:19 | 0:21:21 | |
I agree that both of you spotted it. | 0:21:21 | 0:21:24 | |
That is the right answer. | 0:21:26 | 0:21:27 | |
What?! You're too diplomatic. | 0:21:27 | 0:21:30 | |
-What's the verdict? -Can't get hold of him. | 0:21:30 | 0:21:32 | |
Right, that's made up our minds. How long have we got, a minute? | 0:21:32 | 0:21:36 | |
-Yep. -OK, Sheila... | 0:21:36 | 0:21:38 | |
The great thing about Bob not being able to get this person on the phone, | 0:21:38 | 0:21:42 | |
and I suspect you probably said to Bob, | 0:21:42 | 0:21:45 | |
"Don't make too much of an effort, Bob..." | 0:21:45 | 0:21:47 | |
I gave him a fiver, actually. | 0:21:47 | 0:21:49 | |
So that you could have that ghastly thing! | 0:21:49 | 0:21:52 | |
-She's got her way! -She has. | 0:21:52 | 0:21:54 | |
Put it there. We've got to buy it | 0:21:54 | 0:21:56 | |
-because we have no more time. -All right, Charlie. | 0:21:56 | 0:21:59 | |
So, the novelty music box | 0:22:01 | 0:22:04 | |
is the Blues' third and final item. | 0:22:04 | 0:22:07 | |
Shopping is over for them. | 0:22:07 | 0:22:09 | |
Go on, Bob. What news for the Reds? | 0:22:09 | 0:22:12 | |
-I can't get hold of the dealer at the moment. -Aw! | 0:22:12 | 0:22:14 | |
But if you're still looking around, I could keep trying for you. | 0:22:14 | 0:22:18 | |
We only have 90 seconds left. | 0:22:18 | 0:22:20 | |
What are you thinking, ladies? | 0:22:20 | 0:22:22 | |
I'm thinking 65 is a bit much. | 0:22:22 | 0:22:26 | |
60 would be lovely. | 0:22:26 | 0:22:28 | |
-You couldn't make your decision...? -Use your discretion, put it down to 60? | 0:22:28 | 0:22:32 | |
-BOB: -I'm not too sure. | 0:22:32 | 0:22:35 | |
We don't want to get you into bother. | 0:22:35 | 0:22:37 | |
-PATRICIA: -Speak for yourself, Tasha. | 0:22:37 | 0:22:39 | |
-BOB: -I can't, because I'd end up paying for it myself. | 0:22:39 | 0:22:43 | |
-Exactly. -It's fair enough. | 0:22:43 | 0:22:45 | |
What do you think? It's cool | 0:22:45 | 0:22:47 | |
and it is bold. | 0:22:47 | 0:22:49 | |
-We've got seconds to go. -We'll take it. | 0:22:49 | 0:22:52 | |
We like it, we'll go for it, yeah? | 0:22:52 | 0:22:53 | |
I wouldn't be too worried. | 0:22:53 | 0:22:55 | |
Bob, £65, it's a deal. | 0:22:55 | 0:22:57 | |
-Thank you very much. -Thanks, girls. | 0:22:57 | 0:23:00 | |
Thank you, Bob. Sorry to put you in a tricky spot. | 0:23:00 | 0:23:03 | |
That's it, the Reds have finished, too. | 0:23:03 | 0:23:05 | |
And with seconds to spare. | 0:23:05 | 0:23:07 | |
Their 60 minutes are up. | 0:23:07 | 0:23:10 | |
Let's remind ourselves what the Red team bought. | 0:23:10 | 0:23:12 | |
They fluttered away the sum of £28 | 0:23:15 | 0:23:17 | |
on this so-called 19th-century bird cage. | 0:23:17 | 0:23:20 | |
A fragrant £58 was sprayed | 0:23:20 | 0:23:23 | |
out for an Art Deco-style scent bottle. | 0:23:23 | 0:23:26 | |
And they packed £65 of their budget | 0:23:26 | 0:23:29 | |
into this tin travelling trunk. | 0:23:29 | 0:23:32 | |
That was nerve-racking stuff, I have to say. | 0:23:32 | 0:23:36 | |
What did you spend altogether? | 0:23:36 | 0:23:37 | |
£151. | 0:23:37 | 0:23:39 | |
I'd like £149, please. | 0:23:39 | 0:23:41 | |
-I have 145. -Have you? | 0:23:41 | 0:23:45 | |
And there's the four. | 0:23:45 | 0:23:46 | |
And that's the folding money. Thank you very much, | 0:23:46 | 0:23:48 | |
that goes over to Natasha. | 0:23:48 | 0:23:50 | |
-Thank you. -Quite a lot, isn't it? | 0:23:50 | 0:23:52 | |
It is quite a lot, | 0:23:52 | 0:23:54 | |
but I could find something still at a bargain, | 0:23:54 | 0:23:56 | |
because these ladies liked a bargain. Not happy with full price. | 0:23:56 | 0:24:00 | |
That is the name of the show. | 0:24:00 | 0:24:02 | |
And that's what we like to hear. | 0:24:02 | 0:24:04 | |
Now, why don't we check out what the Blue team bought? | 0:24:04 | 0:24:09 | |
They poured £30 into the 20th-century | 0:24:09 | 0:24:12 | |
silver-plated wine bottle coaster. | 0:24:12 | 0:24:15 | |
£40 was spent on a 19th-century portrait of a young lady. | 0:24:15 | 0:24:20 | |
And finally, this 1960s novelty music box | 0:24:20 | 0:24:24 | |
was bought for a song. | 0:24:24 | 0:24:26 | |
Just £14. | 0:24:26 | 0:24:29 | |
Sheila, did you have a good time? | 0:24:29 | 0:24:30 | |
-Very good, thank you. -Did he look after you? -Very well. | 0:24:30 | 0:24:33 | |
How much did you spend? | 0:24:33 | 0:24:35 | |
-£84. -On the lot?! | 0:24:35 | 0:24:37 | |
-Yes. -Is that all?! | 0:24:37 | 0:24:39 | |
We surprised ourselves. | 0:24:39 | 0:24:41 | |
When you go out buying frocks, then, | 0:24:41 | 0:24:43 | |
you go for quarter-price frocks? | 0:24:43 | 0:24:45 | |
We're very frugal. | 0:24:45 | 0:24:47 | |
My children used to think shops were called S-A-L-E. | 0:24:47 | 0:24:49 | |
HE LAUGHS | 0:24:49 | 0:24:51 | |
Very good. The careful mother. | 0:24:51 | 0:24:53 | |
OK, so I would like | 0:24:53 | 0:24:56 | |
£216, please. | 0:24:56 | 0:24:58 | |
-There you go. -Thank you very much. | 0:24:58 | 0:25:00 | |
£250. And we get the one bit of jetone. OK, there you go, boy, | 0:25:00 | 0:25:04 | |
a lot of money. I hope you're going to spend the lot. | 0:25:04 | 0:25:06 | |
I certainly will. Every single penny on one item! | 0:25:06 | 0:25:10 | |
That's what I like. Super. | 0:25:10 | 0:25:12 | |
Well, good luck with all of that, Charlie. Meanwhile, I've got a little something to show you | 0:25:12 | 0:25:16 | |
that might be of interest to a bookworm. | 0:25:16 | 0:25:19 | |
Oh, hello. This is interesting, isn't it? | 0:25:26 | 0:25:29 | |
It says on the label, "Carved and inlaid Indian book slide." | 0:25:29 | 0:25:34 | |
Which is, strictly speaking, what this thing is. | 0:25:34 | 0:25:37 | |
Except it's no ordinary bit of carving. | 0:25:37 | 0:25:41 | |
Just look at the way the craftsman has treated this bit of sandalwood. | 0:25:41 | 0:25:47 | |
Tightly carved with crisp foliage and flowers, | 0:25:47 | 0:25:50 | |
and centred by a pair of fighting dogs. | 0:25:50 | 0:25:53 | |
Even more craftsmanship | 0:25:53 | 0:25:56 | |
has been displayed in this inlaid band around that rectangle. | 0:25:56 | 0:26:01 | |
If you hone in, you can see | 0:26:01 | 0:26:03 | |
that here we've got ivory, little chips of it - | 0:26:03 | 0:26:06 | |
and no ivory issues with this because it was made over 100 years ago - | 0:26:06 | 0:26:10 | |
cut into triangles, each of which geometrically fit | 0:26:10 | 0:26:15 | |
with some grey stuff that happens to be cut solid silver, | 0:26:15 | 0:26:20 | |
and because the silver's not been polished | 0:26:20 | 0:26:22 | |
it looks grey and tarnished, | 0:26:22 | 0:26:24 | |
but if this was polished up you'd get a delicious | 0:26:24 | 0:26:27 | |
contrast between the creamy white of the ivory | 0:26:27 | 0:26:30 | |
and the bright silvery metal. But look really closely at it, | 0:26:30 | 0:26:35 | |
because I reckon just in this band around the central panel | 0:26:35 | 0:26:40 | |
there must be the top end of 2,000 or 3,000 little chips, | 0:26:40 | 0:26:45 | |
expertly inlaid and put together to make up that pattern. | 0:26:45 | 0:26:49 | |
So there's a heck of a lot of work in it, | 0:26:49 | 0:26:53 | |
and in India this type of inlay is called Sadeli, | 0:26:53 | 0:26:57 | |
and actually as a book slide it is a little gem. | 0:26:57 | 0:27:00 | |
But, if you don't have a collection of Penguin Classics | 0:27:00 | 0:27:04 | |
to put into this book slide, | 0:27:04 | 0:27:06 | |
why not think about using it for some CDs? | 0:27:06 | 0:27:10 | |
Here we go, look. Piles and piles of CDs. | 0:27:10 | 0:27:13 | |
We've all got 'em, lying around at home | 0:27:13 | 0:27:16 | |
irritatingly bunging up surfaces and falling about, | 0:27:16 | 0:27:21 | |
but if I load up the so-called book slide with a few, | 0:27:21 | 0:27:25 | |
look how effective that is. | 0:27:25 | 0:27:27 | |
So this thing does have a modern, practical purpose. | 0:27:27 | 0:27:31 | |
So how much, then, for the book or CD slide? | 0:27:31 | 0:27:35 | |
Indian, circa 1880, beautifully inlaid, | 0:27:35 | 0:27:40 | |
it could be yours, here today in Sawbridgeworth, | 0:27:40 | 0:27:44 | |
for £50. | 0:27:44 | 0:27:46 | |
Not a lot, eh? | 0:27:46 | 0:27:47 | |
Well, how lovely is this? We've trotted down to London to High Road Auctions, | 0:28:03 | 0:28:06 | |
to be with our auctioneer Ross Mercer. Ross, good morning. | 0:28:06 | 0:28:10 | |
-Good morning, Tim. -Well, we've got a seriously mixed bag today, | 0:28:10 | 0:28:14 | |
kicking off with the rather tatty nicotine-encrusted bird cage. | 0:28:14 | 0:28:19 | |
It's certainly something you'd expect hanging in a Victorian | 0:28:19 | 0:28:23 | |
-tea plantation 150 years ago. -Yeah. | 0:28:23 | 0:28:26 | |
-But it's repro, isn't it? -It is, no great age, Tim. | 0:28:26 | 0:28:29 | |
-Anyway - I don't rate it. -I think it's a bit of fun. | 0:28:29 | 0:28:32 | |
Perhaps £40, £50 on a good day. | 0:28:32 | 0:28:35 | |
OK, I suppose I'm being hard on it. The team paid £28. | 0:28:35 | 0:28:39 | |
Which I suppose is not so much. Next is the Deco-lookalike scent bottle. | 0:28:39 | 0:28:44 | |
Big lump of glass for you. And eminently useful as well. | 0:28:44 | 0:28:48 | |
Now, if this was a period bottle, | 0:28:48 | 0:28:50 | |
if it did date from the '20s, it would be worth a lot of money. | 0:28:50 | 0:28:53 | |
-It would be, yes. Over £1,000. -I mean, a lot of money. | 0:28:53 | 0:28:58 | |
But how do you value a reproduction | 0:28:58 | 0:28:59 | |
when there could be thousands of these? | 0:28:59 | 0:29:02 | |
-On that we've said £30 to £50. -Oof! That's not much, is it? -No. | 0:29:02 | 0:29:06 | |
£58 the team paid, so we'll see what happens. | 0:29:06 | 0:29:09 | |
And lastly, we've got the old tin trunk. | 0:29:09 | 0:29:12 | |
Yes, there has been a revival of vintage luggage recently, | 0:29:12 | 0:29:16 | |
and it's gone hand in hand with vintage costume | 0:29:16 | 0:29:20 | |
and places like Goodwood and Ascot, | 0:29:20 | 0:29:22 | |
and you see these things strapped to the back of classic cars | 0:29:22 | 0:29:24 | |
so I'm hoping someone is going to want that. | 0:29:24 | 0:29:27 | |
-I quite like that. OK, how much? -We've said £30 to £50. | 0:29:27 | 0:29:31 | |
Ooh - £65 paid. | 0:29:31 | 0:29:33 | |
So, apart from the bird cage, | 0:29:33 | 0:29:35 | |
the estimates don't exceed the purchase price, in which case | 0:29:35 | 0:29:37 | |
this team is definitely going to be their bonus buy. | 0:29:37 | 0:29:40 | |
Let's go and have a look at it. | 0:29:40 | 0:29:41 | |
-Now, Patricia, Stavey, this is exciting, isn't it? -BOTH: -Yes. | 0:29:42 | 0:29:45 | |
£149 is a small fortune to entrust to someone so young. | 0:29:45 | 0:29:51 | |
Now, Natasha, show us your worst. | 0:29:51 | 0:29:54 | |
OK, ladies... | 0:29:54 | 0:29:56 | |
We have got this ceiling lamp. | 0:29:56 | 0:29:59 | |
Art Deco ceiling lamp, oak and fretwork and nice tassels. | 0:29:59 | 0:30:04 | |
-What do you think? You look absolutely devastated. -Oh, my God. | 0:30:04 | 0:30:08 | |
But I love it, and I thought it sort of fitted in with the things | 0:30:08 | 0:30:11 | |
that you were buying. | 0:30:11 | 0:30:12 | |
OK, Stavey, tell us what you're thinking, | 0:30:12 | 0:30:14 | |
you're making these grunting noises here. | 0:30:14 | 0:30:17 | |
I need to know. | 0:30:17 | 0:30:20 | |
-It's unusual. -You think it's hideous. | 0:30:20 | 0:30:22 | |
-She hates it. -I'm not, like, jumping at it, | 0:30:22 | 0:30:25 | |
-but it's unusual. -OK. | 0:30:25 | 0:30:27 | |
What are you thinking, Patricia? | 0:30:27 | 0:30:29 | |
I don't like it. I don't like it. | 0:30:29 | 0:30:32 | |
-Tell us what you really think(!) -No. I don't like it at all. | 0:30:32 | 0:30:35 | |
Do you think it looks a bit tatty? | 0:30:35 | 0:30:36 | |
Yeah, it does, even with the trims. | 0:30:36 | 0:30:39 | |
You'd have to trim it all off, then it would just be a square. | 0:30:39 | 0:30:43 | |
Now, you have to ask the big question. | 0:30:43 | 0:30:46 | |
And the big question is, how much of the £149 did the chicken spend on it? | 0:30:46 | 0:30:51 | |
-Well, I hope it weren't too much. -£42 I spent. | 0:30:51 | 0:30:55 | |
And I reckon it should garner at the auction | 0:30:55 | 0:30:58 | |
something in the region of 50, 55. | 0:30:58 | 0:31:01 | |
Do you like it any more now that you know it only cost £42? | 0:31:01 | 0:31:06 | |
-No! -No. OK. | 0:31:06 | 0:31:08 | |
Well, your moment to decide | 0:31:08 | 0:31:10 | |
will come after the sale of your first three items. | 0:31:10 | 0:31:14 | |
But right now, for the audience at home let's find out what | 0:31:14 | 0:31:16 | |
the auctioneer thinks about the lampshade. | 0:31:16 | 0:31:19 | |
And as if by magic, rising from the floor, like the phoenix, | 0:31:20 | 0:31:25 | |
-a light fitting. -Fret cut... | 0:31:25 | 0:31:28 | |
Looks like something made in a shed to me. | 0:31:28 | 0:31:31 | |
-I think it's shed work. -I don't think you're far off there. | 0:31:31 | 0:31:34 | |
-What do you think it's worth? £10? -On a good day probably £20 to £40. | 0:31:34 | 0:31:38 | |
If someone enjoys their early oak. | 0:31:38 | 0:31:40 | |
OK. £42 paid. | 0:31:40 | 0:31:42 | |
They're going to have to be very, very lucky. I'll try my best. | 0:31:42 | 0:31:45 | |
Oh, I'm sure you will. | 0:31:45 | 0:31:46 | |
Well, on that basis I'm going to pop it down there, | 0:31:46 | 0:31:49 | |
where it belongs, on the deck. | 0:31:49 | 0:31:51 | |
Right - that's it for the Reds, and now moving on to the Blues, | 0:31:51 | 0:31:55 | |
who have been truly eclectic here. | 0:31:55 | 0:31:57 | |
We've got a really nasty reproduction | 0:31:57 | 0:32:00 | |
bottle coaster, in my view, with a plastic bottom. Am I being unkind? | 0:32:00 | 0:32:04 | |
No. It follows the Sheraton period, | 0:32:04 | 0:32:08 | |
however, its quality doesn't really | 0:32:08 | 0:32:11 | |
add up to anything antique, and we've catalogued it accordingly. | 0:32:11 | 0:32:15 | |
-What's your estimate? -Well, on that we've said £20 to £40. | 0:32:15 | 0:32:19 | |
OK. They paid 30. | 0:32:19 | 0:32:21 | |
And having been really rude about it it'll probably go and make £200 | 0:32:21 | 0:32:24 | |
and I'll look really stupid, | 0:32:24 | 0:32:26 | |
-but I don't care. -I'll do my best. -That's how I feel about it! | 0:32:26 | 0:32:29 | |
On the other hand, I'm quite fond of Smiler there on the wall. | 0:32:29 | 0:32:34 | |
Yeah. She has everything going for her. | 0:32:34 | 0:32:36 | |
-Right age, good-looking and nicely executed. -How much? | 0:32:36 | 0:32:41 | |
Well, we've said £80 to £120. | 0:32:41 | 0:32:42 | |
Have you? Gosh. £40 they paid. | 0:32:42 | 0:32:44 | |
Very good. | 0:32:44 | 0:32:46 | |
Their final item, which has come all the way from Japan, I suspect, | 0:32:46 | 0:32:50 | |
-in about 1960, the stereo radiogram. -It's special, Tim. | 0:32:50 | 0:32:54 | |
-Is it your favourite? -Erm...no. | 0:32:54 | 0:32:57 | |
However, I can tell it's one of yours. | 0:32:57 | 0:32:59 | |
-Yes. -It doesn't do a great deal for me, however, there are collectors | 0:32:59 | 0:33:02 | |
out there who would thoroughly enjoy taking that home with them. | 0:33:02 | 0:33:05 | |
-Yes. -We've said £10 to £20. | 0:33:05 | 0:33:07 | |
They paid £14 for it. | 0:33:07 | 0:33:09 | |
On that basis I think this team could just get about get away with it. | 0:33:09 | 0:33:12 | |
They may not need their bonus buy but let's go and have a look at it anyway. | 0:33:12 | 0:33:16 | |
-Well, girls, this is exciting. -It certainly is. -Totally. | 0:33:17 | 0:33:19 | |
I don't know what Charlie's got up to underneath there. | 0:33:19 | 0:33:22 | |
I'm very, very pleased with this lot. | 0:33:22 | 0:33:24 | |
It's a gamble, but it's something that took my eye | 0:33:24 | 0:33:28 | |
the moment we went into the shop. | 0:33:28 | 0:33:29 | |
95 I spent, so about half what you gave me. | 0:33:29 | 0:33:33 | |
Ooh... | 0:33:34 | 0:33:36 | |
Got a giggle, if nothing else. | 0:33:36 | 0:33:37 | |
That's marvellous, isn't it? | 0:33:39 | 0:33:41 | |
It's gone down quite well. | 0:33:41 | 0:33:43 | |
-Do you know what it is? -They're egg cups, aren't they? -They are. | 0:33:43 | 0:33:46 | |
-And an egg coddler? No? -Boiler. -Yep. Boiler. Coddler. | 0:33:46 | 0:33:50 | |
-And it's pure Art Nouveau. -It is. | 0:33:50 | 0:33:54 | |
And it's made by a man called Carl Deffner, who is German. | 0:33:54 | 0:33:59 | |
He worked in metalwork and some of his items make - I'm not | 0:33:59 | 0:34:04 | |
saying this will - but some of his items make a huge amount of money. | 0:34:04 | 0:34:08 | |
And you can see - well, I can see why. | 0:34:08 | 0:34:10 | |
-I think they are extremely stylish. -They are. | 0:34:10 | 0:34:13 | |
Whether somebody wants an egg coddler and egg cups is | 0:34:13 | 0:34:16 | |
-anybody's guess. -It's lovely. I really like that. | 0:34:16 | 0:34:19 | |
-I just think it's down to chance. -What did you pay again? -95. -Mm. | 0:34:19 | 0:34:22 | |
How do you feel, Sheil? | 0:34:22 | 0:34:24 | |
Well, I think we might take a punt, but we'll have to discuss it. | 0:34:24 | 0:34:28 | |
Nearer the time. Depending on how well our other items do! | 0:34:28 | 0:34:31 | |
You're absolutely right. You don't have to pick now. | 0:34:31 | 0:34:34 | |
You pick after the sale of your first three items in a moment. | 0:34:34 | 0:34:37 | |
But right now, for the audience at home, | 0:34:37 | 0:34:38 | |
let's find out what the auctioneer thinks about Charlie's egg boiler. | 0:34:38 | 0:34:42 | |
-Well, look at this, Ross. How do you rate this? -I like it, Tim. | 0:34:44 | 0:34:48 | |
Nice example of Carl Deffner's work. | 0:34:48 | 0:34:51 | |
An eminent metalworker in Germany in the Art Nouveau period | 0:34:51 | 0:34:54 | |
and it's got real style. | 0:34:54 | 0:34:56 | |
I mean, if you didn't like the rest of it, | 0:34:56 | 0:34:58 | |
-you've got six jolly good egg cups. -That's right. -Marvellous. | 0:34:58 | 0:35:01 | |
We've said £80-120, which I think is pretty fair for what it is. | 0:35:01 | 0:35:06 | |
OK, well, Charlie Ross will be delighted because he paid | 0:35:06 | 0:35:09 | |
£95 as a bonus buy and he needs you to sell it for £100, frankly. | 0:35:09 | 0:35:13 | |
But we're about to find out at the auction. | 0:35:13 | 0:35:15 | |
-How excited are you? -Oh, I'm nervous. -Are you? | 0:35:24 | 0:35:27 | |
What have you got to be nervous about? | 0:35:27 | 0:35:30 | |
-Oh, I don't know, it just seems scary. -Does it scare you? -Yes. | 0:35:30 | 0:35:34 | |
-Are you frightened at all? -Erm, no. | 0:35:34 | 0:35:36 | |
-Calm as a cucumber, what can I say? -OK. Children, here it comes, then. | 0:35:36 | 0:35:40 | |
First up is the bird cage and here she comes. | 0:35:40 | 0:35:42 | |
Lot 64 is the decorative 19th-century style bird cage, | 0:35:42 | 0:35:48 | |
surely £10 somewhere. | 0:35:48 | 0:35:49 | |
Come along. At £10. 15, bid 20. | 0:35:49 | 0:35:52 | |
And 5. At £25, I'm bid at 25. | 0:35:52 | 0:35:55 | |
28, if it helps you? 28. | 0:35:55 | 0:35:58 | |
I've changed his mind. | 0:35:58 | 0:35:59 | |
30 now from the internet, at £30. All done and selling at £30... | 0:35:59 | 0:36:04 | |
-Yes! -£30. That's it. Plus £2, that's all we need, kids. -Oh... | 0:36:06 | 0:36:09 | |
Now, here's your scent bottle. Let's get on with this. | 0:36:11 | 0:36:15 | |
Here it is, the Art Deco style clear and black glass Goliath | 0:36:15 | 0:36:19 | |
scent bottle. There we are. | 0:36:19 | 0:36:20 | |
£100 surely somewhere. 50, then. Come along. 50 bid. | 0:36:20 | 0:36:24 | |
£50's bid, £50's bid! | 0:36:24 | 0:36:26 | |
5, 60, 5, 70, 5, | 0:36:26 | 0:36:28 | |
80, 5, 90, 5... | 0:36:28 | 0:36:31 | |
-Yes, yes! -95 bid, 100. Someone's happy! | 0:36:31 | 0:36:33 | |
And 10. 120. | 0:36:33 | 0:36:36 | |
130. At £130... | 0:36:36 | 0:36:37 | |
-Yes! -He hasn't finished. | 0:36:37 | 0:36:39 | |
At £130... | 0:36:39 | 0:36:42 | |
-140 now. -Oh, my God! -Yes! | 0:36:42 | 0:36:44 | |
At £140 now. Done and selling as we are. | 0:36:46 | 0:36:50 | |
At £140... | 0:36:50 | 0:36:52 | |
I can't believe it. Well, that's 60. | 0:36:53 | 0:36:58 | |
And that would be 40, and that would be 40. That is plus 82. | 0:36:58 | 0:37:02 | |
Next lot, then, is lot 66. | 0:37:02 | 0:37:05 | |
The late 19th/early 20th century travelling trunk. There we are. | 0:37:05 | 0:37:09 | |
- £10. surely. - Oh, my God. | 0:37:09 | 0:37:11 | |
-along. -Ten?! -£10 bid. 15 now. | 0:37:11 | 0:37:13 | |
-Come on. -20. At 20, bid 5. | 0:37:13 | 0:37:16 | |
At £25 at the back... 25. | 0:37:16 | 0:37:19 | |
40 now. And 5. | 0:37:19 | 0:37:21 | |
-Seriously, I can't argue with that at 45. -I can't deal with this. | 0:37:21 | 0:37:24 | |
On my right now. Going across the seas at 50. Still going. | 0:37:24 | 0:37:27 | |
Last chance at 50. Done and selling at £50. | 0:37:27 | 0:37:31 | |
Yes! That's all right! | 0:37:32 | 0:37:34 | |
That is minus £15. | 0:37:34 | 0:37:36 | |
Which means it is plus 69, kids. | 0:37:36 | 0:37:40 | |
-It's not bad. -So what are you going to do about this old shade, then? | 0:37:40 | 0:37:43 | |
-Are you going to go with the shade or not? -No, thank you. | 0:37:43 | 0:37:46 | |
-Look at his face. -That's definitely it. -All right. | 0:37:46 | 0:37:49 | |
We're not going with the bonus buy. | 0:37:49 | 0:37:51 | |
We'll sell the shade anyway, just to find out | 0:37:51 | 0:37:53 | |
whether Natasha was right or not. And here it comes. | 0:37:53 | 0:37:55 | |
Lot 70 is the rather fun | 0:37:55 | 0:37:58 | |
ceiling pendant shade. | 0:37:58 | 0:38:00 | |
How do you value it? | 0:38:00 | 0:38:01 | |
-Come along. A couple of pounds, surely. -A couple of pounds? | 0:38:01 | 0:38:04 | |
A couple of pounds?! | 0:38:04 | 0:38:06 | |
£2 bid. 3. 5. 8, sir. | 0:38:06 | 0:38:08 | |
Bid 10. Come on, I'll marry you if you bid 10. £10. | 0:38:08 | 0:38:12 | |
12. | 0:38:12 | 0:38:13 | |
-£15. 20 now in the seating. -Come on, sir. | 0:38:13 | 0:38:17 | |
At £20 only. All done? 22 now. | 0:38:17 | 0:38:20 | |
-22. Come back in. -£22. On the internet at 22. | 0:38:20 | 0:38:24 | |
-£22, good decision, girls. -Great. Yeah. | 0:38:24 | 0:38:28 | |
I don't care what Natasha has to say about it. | 0:38:28 | 0:38:30 | |
You've played this very, very, very well, girls. | 0:38:30 | 0:38:34 | |
-And you got £69, you don't say a word to the Blues, right? -No. | 0:38:34 | 0:38:38 | |
-Lips are sealed. -Look, in fact, a bit depressed when you go out. | 0:38:38 | 0:38:41 | |
-The smiles are giving it away! -Let's practise. -Can you do depressed? | 0:38:41 | 0:38:45 | |
You can do depressed very well. That's marvellous! | 0:38:45 | 0:38:48 | |
That's scarily real. | 0:38:48 | 0:38:50 | |
Don't burst into tears! | 0:38:50 | 0:38:52 | |
440. | 0:38:53 | 0:38:55 | |
£1,900. | 0:38:55 | 0:38:56 | |
Now, Myra, Sheila, do you know how the Reds got on? | 0:39:02 | 0:39:05 | |
-No. No idea. -That's good. OK, on that happy note, then... -Yes. | 0:39:05 | 0:39:10 | |
We're off! Here comes the wine bottle coaster. | 0:39:10 | 0:39:12 | |
Lot 86 is the rather nice 20th-century silver-plated | 0:39:12 | 0:39:15 | |
square wine bottle coaster. I know this was one of Tim's favourites(!) | 0:39:15 | 0:39:20 | |
How do you value it? Ought to be £10, surely. £10 bid. 12. 14. | 0:39:20 | 0:39:24 | |
16. | 0:39:24 | 0:39:25 | |
At £16, bid 18. At £18, bid 20. | 0:39:25 | 0:39:29 | |
And 5 I have for you. Done and selling. | 0:39:29 | 0:39:32 | |
£30. 32. 35, sir? | 0:39:32 | 0:39:35 | |
At £32. Last chance at 32. | 0:39:35 | 0:39:38 | |
£32, you've made a profit. I now have to eat my words. £32. | 0:39:39 | 0:39:44 | |
£32 is plus £2. Here we go. | 0:39:44 | 0:39:46 | |
The head and shoulder portrait of a young lady, | 0:39:46 | 0:39:50 | |
nice-looking portrait. | 0:39:50 | 0:39:52 | |
Any interest at £10? | 0:39:52 | 0:39:53 | |
£10?! He's estimated 80-120. | 0:39:53 | 0:39:58 | |
At £10 I have. | 0:39:58 | 0:40:00 | |
On my left at £10 only. | 0:40:00 | 0:40:02 | |
You're going to break someone's heart here. All done and selling | 0:40:02 | 0:40:05 | |
at 10? | 0:40:05 | 0:40:06 | |
Sheila! It's not only "Oh, Sheila," I can tell you. | 0:40:06 | 0:40:10 | |
£10 is minus 30. Look out. | 0:40:10 | 0:40:13 | |
Now, the musical box. | 0:40:13 | 0:40:15 | |
The next lot, ladies and gentlemen, is lot 88. | 0:40:15 | 0:40:17 | |
1960s novelty music box. Lot 88. | 0:40:17 | 0:40:21 | |
The bids start with me at a couple of pounds, surely. | 0:40:21 | 0:40:24 | |
-Two pounds! -Two pounds I'm bid. Four. Six now. | 0:40:24 | 0:40:28 | |
Six pounds, bid eight. £10 I have, sir. At £10. | 0:40:28 | 0:40:33 | |
You've just set the world record. | 0:40:33 | 0:40:35 | |
Last chance at £10. | 0:40:35 | 0:40:37 | |
-Well, I give up. £10 is minus £4. -Honestly! | 0:40:37 | 0:40:41 | |
-I'm so sorry... -Good job we've got a sense of humour. | 0:40:41 | 0:40:44 | |
It is! You're going to need it. You're minus 34, less 2. You're minus 32. | 0:40:44 | 0:40:48 | |
-And that's a stinker, isn't it? -I really am surprised at that. | 0:40:48 | 0:40:52 | |
What are we doing about the bonus buy? | 0:40:52 | 0:40:54 | |
Going with the egg belt boiler or not? | 0:40:54 | 0:40:55 | |
-Yes, please, because we both like it. -Yeah. | 0:40:55 | 0:40:58 | |
The next lot, 92, Carl Deffner. There we are. | 0:40:58 | 0:41:02 | |
It's the egg warmer, how do you value it? | 0:41:02 | 0:41:05 | |
Ought to be £10, come along. | 0:41:05 | 0:41:06 | |
Any interest at £10? | 0:41:06 | 0:41:07 | |
-£10?! -£10, surely? | 0:41:07 | 0:41:11 | |
15, 20 now. 25. | 0:41:11 | 0:41:13 | |
30 now. 35. 40 now. | 0:41:13 | 0:41:16 | |
£50 now on the internet, at £50. | 0:41:16 | 0:41:19 | |
-Now we're going. -55. 60. | 0:41:19 | 0:41:21 | |
This is better. | 0:41:21 | 0:41:23 | |
-70 now. -Thank you. -Come on! | 0:41:23 | 0:41:27 | |
At £75, on the internet at 75... | 0:41:27 | 0:41:30 | |
Last chance at 75. | 0:41:30 | 0:41:32 | |
£75, Charlie, we got to a number eventually | 0:41:33 | 0:41:37 | |
but unfortunately it's a minus 20 number. You went with the bonus buy. | 0:41:37 | 0:41:42 | |
You were brave. You trusted your man and I think rightly, but overall... | 0:41:42 | 0:41:46 | |
-You were robbed. You were robbed. -Overall, you are minus 52. | 0:41:46 | 0:41:50 | |
Just don't say a word to those Reds, all right? | 0:41:50 | 0:41:52 | |
We're too ashamed, we won't! | 0:41:52 | 0:41:54 | |
Well, teams, this is fun, isn't it? | 0:42:03 | 0:42:06 | |
-Have you been chatting and revealing the results to one another? -No. | 0:42:06 | 0:42:09 | |
It's the secret! OK. | 0:42:09 | 0:42:11 | |
Well, I have to reveal that there is a chasm between our teams today. | 0:42:11 | 0:42:15 | |
It's almost as if we had been in different auction rooms. | 0:42:15 | 0:42:18 | |
And the sufferers are, I am afraid to say, | 0:42:18 | 0:42:22 | |
the Blues. | 0:42:22 | 0:42:23 | |
Minus £52 is the number. And I don't think we want to be dwelling on it. | 0:42:24 | 0:42:29 | |
-No. -Anyway, have you had a nice time? | 0:42:29 | 0:42:32 | |
-Oh, absolutely. -Well, there you are. Good. We've loved having you | 0:42:32 | 0:42:35 | |
on the show. Just bad luck with the results. | 0:42:35 | 0:42:37 | |
Because the victors today are going to go home with £69. | 0:42:37 | 0:42:41 | |
Whoo! | 0:42:41 | 0:42:43 | |
See what I mean? It is possible. | 0:42:43 | 0:42:45 | |
Here comes the 65, and then you get these four little smackers, look. | 0:42:45 | 0:42:51 | |
-There we go. How good is that? -I'm thinking I... I actually feel... | 0:42:51 | 0:42:54 | |
-That's a meal out for two. -It's a meal out for two. -Which restaurant? | 0:42:54 | 0:42:58 | |
OK, you've got your head screwed on there, Patricia. | 0:42:58 | 0:43:01 | |
It's been lovely having you on the show. Congratulations. | 0:43:01 | 0:43:04 | |
You did really well. | 0:43:04 | 0:43:05 | |
Thank you very much, Natasha, for everything. It's been such fun. | 0:43:05 | 0:43:08 | |
Why don't you join us soon for some more bargain-hunting? | 0:43:08 | 0:43:11 | |
-Yes? -ALL: Yes! | 0:43:11 | 0:43:12 |