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We're at Europe's largest antiques fair | 0:00:06 | 0:00:10 | |
with loads of goods from far and wide. | 0:00:10 | 0:00:13 | |
We've got two teams who are raring to get going, so let's do it! | 0:00:13 | 0:00:17 | |
Let's go bargain hunting. Yeah! | 0:00:17 | 0:00:20 | |
We've come to Newark Showground | 0:00:46 | 0:00:48 | |
because there's something big in town. | 0:00:48 | 0:00:51 | |
2,500 stalls spread over 84 acres. | 0:00:51 | 0:00:56 | |
But with all this choice, is it going to be too much for our teams? | 0:00:56 | 0:01:01 | |
Here's a quick peek as to what's coming up. Woo-hoo! | 0:01:01 | 0:01:04 | |
Today, the Reds want it, but will they get it? | 0:01:06 | 0:01:08 | |
We'll hang back. SHE GASPS | 0:01:08 | 0:01:10 | |
They're on our stand! The blue team are on it! | 0:01:10 | 0:01:12 | |
-While everything's just magic for the Blues. -What a team. | 0:01:15 | 0:01:19 | |
As I said at the beginning, you guys are magic. | 0:01:19 | 0:01:22 | |
But before we give the game away, let's meet the teams. | 0:01:26 | 0:01:30 | |
So it's couples versus couples today. | 0:01:32 | 0:01:35 | |
For the Reds, we've got a couple, Adam and Amy, | 0:01:35 | 0:01:39 | |
versus the Blues, Esme and Stephen. | 0:01:39 | 0:01:41 | |
Hello, everyone. Lovely to see you. | 0:01:41 | 0:01:44 | |
Now, Amy, you met while you were studying. Is that right? | 0:01:44 | 0:01:47 | |
We did, we did. We were together in the third year of university, | 0:01:47 | 0:01:50 | |
but we met on the first year. | 0:01:50 | 0:01:52 | |
But we didn't become a couple until the end, did we? Right at the end. | 0:01:52 | 0:01:55 | |
-And you were studying what? -Theatre Arts. -Oh, right. | 0:01:55 | 0:01:58 | |
-So, are you an actress? -I was more backstage roles. | 0:01:58 | 0:02:02 | |
I like to do things like set design and costume and props and things, | 0:02:02 | 0:02:05 | |
-while Adam was a lot better at acting. -Oh, really? | 0:02:05 | 0:02:08 | |
-Adam's really good. -That is a partnership, isn't it? | 0:02:08 | 0:02:11 | |
-I mean, not everybody can be in front of the cameras. -Definitely. -Somebody's got to sort it all out. | 0:02:11 | 0:02:15 | |
But three years later, actually, | 0:02:15 | 0:02:17 | |
-you've got your feet on the ground now. -I do indeed, yes. | 0:02:17 | 0:02:20 | |
I run and manage a podiatry clinic. | 0:02:20 | 0:02:22 | |
So we sort out any sort of foot problem that you can possibly have | 0:02:22 | 0:02:25 | |
and deal with them on a day-to-day basis. | 0:02:25 | 0:02:27 | |
It's a funny old business, people's feet, isn't it? | 0:02:27 | 0:02:30 | |
It's something that goes wrong more often than not. | 0:02:30 | 0:02:33 | |
In the summer, it's not great either because they're a lot more smelly. | 0:02:33 | 0:02:36 | |
You must have to get a couple of clothes pegs out. | 0:02:36 | 0:02:39 | |
We have to get the gloves on and the masks on and get quite close up. | 0:02:39 | 0:02:43 | |
-Adam, it says here you're a sales advisor. -I am. | 0:02:43 | 0:02:46 | |
But you have worked as a pawn broker too. | 0:02:46 | 0:02:48 | |
Yes, my previous job was working at a pawn brokers. | 0:02:48 | 0:02:51 | |
I like to think, from that, I know a quite a little bit about jewellery. | 0:02:51 | 0:02:54 | |
-Are you interested in gem stones and all that? -I am, yeah. | 0:02:54 | 0:02:57 | |
I just like the colours of them really, in all honesty, | 0:02:57 | 0:03:00 | |
that's the first thing that brought my eye to them, | 0:03:00 | 0:03:02 | |
but I've learned a little bit more about it since so I've got a bit of interest in it. | 0:03:02 | 0:03:06 | |
So what is your plan today on Bargain Hunt? Do you have one? | 0:03:06 | 0:03:09 | |
We've got a little bit of a plan. | 0:03:09 | 0:03:12 | |
Obviously, we want to save some money for our expert. | 0:03:12 | 0:03:14 | |
-But we're looking for something that's... -A bit interesting. | 0:03:14 | 0:03:18 | |
-It's all down to price, is it? -It's what's going to make a profit. | 0:03:18 | 0:03:20 | |
To Adam, it's down to price, I like things that are a bit different | 0:03:20 | 0:03:23 | |
so something that will stand out, definitely. | 0:03:23 | 0:03:26 | |
Well, it'll be fun anyway and thank you very much for joining us. Good. | 0:03:26 | 0:03:29 | |
Now, Esme, how did you two meet? | 0:03:29 | 0:03:31 | |
We met in our local pub on a Saturday night | 0:03:31 | 0:03:34 | |
and, following that day, we spent about three weeks together... | 0:03:34 | 0:03:38 | |
-Talking on the phone and stuff. -..talking on the phone. | 0:03:38 | 0:03:43 | |
-You now have a daughter. -We do. We've got four daughters between us. | 0:03:43 | 0:03:47 | |
-Have you? -But we've got a daughter together, Maria. She's one. | 0:03:47 | 0:03:51 | |
-How nice. You're in your first week of your new job. -I am. | 0:03:51 | 0:03:56 | |
-It's taking the 999 operator calls. -Oh, is it? | 0:03:56 | 0:03:59 | |
Obviously, high pressure, stressful job, very important job as well, | 0:03:59 | 0:04:04 | |
because the first point of contact in an emergency. | 0:04:04 | 0:04:08 | |
Obviously, you phone 999, it's sort of life-threatening, | 0:04:08 | 0:04:12 | |
time critical issues, really. | 0:04:12 | 0:04:15 | |
They're speaking to me, so big responsibility on my shoulders. | 0:04:15 | 0:04:18 | |
What sort of training do you have to do for that job? | 0:04:18 | 0:04:21 | |
Well, in total, there's going to be six or seven weeks | 0:04:21 | 0:04:25 | |
of full-time training. | 0:04:25 | 0:04:27 | |
That's learning all the rules, the systems, the laws. | 0:04:27 | 0:04:30 | |
-Good luck with it. -Thank you. | 0:04:30 | 0:04:33 | |
Stephen, it says here you've got a few tricks up your sleeve. | 0:04:33 | 0:04:36 | |
I don't keep tricks up my sleeve apart from an ace, | 0:04:36 | 0:04:39 | |
which I like to keep there just in case. | 0:04:39 | 0:04:42 | |
I've been doing magic for about 25 years now, | 0:04:42 | 0:04:45 | |
semi-professionally I would like to say. | 0:04:45 | 0:04:47 | |
I go out and perform at a few weddings and parties and stuff. | 0:04:47 | 0:04:51 | |
But I also teach magic and I also create magic | 0:04:51 | 0:04:54 | |
and sell it at conventions to other magicians. | 0:04:54 | 0:04:57 | |
So, do you intend, between you, to pull a rabbit out of the hat today? | 0:04:57 | 0:05:00 | |
-Yeah, we hope so. -We'd like a massive profit, hopefully. | 0:05:00 | 0:05:04 | |
-Yeah, yeah. -A massive profit. -We'll be on the case. -You never know! | 0:05:04 | 0:05:08 | |
Anyway, £300 apiece, you've got the money, you know the rules | 0:05:08 | 0:05:12 | |
and your experts await. Off you go! Very good luck. | 0:05:12 | 0:05:15 | |
There could be some magic today. | 0:05:15 | 0:05:18 | |
So, who are today's experts? | 0:05:18 | 0:05:19 | |
Aye, aye! We've got Chris Gower on the lookout for the Reds. | 0:05:21 | 0:05:25 | |
And pumping up the profits for the Blues, it's Anita Manning. | 0:05:27 | 0:05:30 | |
Guys, we've got £300, we've got an hour. | 0:05:31 | 0:05:34 | |
-Do you think we're going to be able to magic up some profits? -Easy. | 0:05:34 | 0:05:38 | |
Absolutely. I love your confidence. | 0:05:38 | 0:05:40 | |
Amy, what are you looking for today? | 0:05:40 | 0:05:42 | |
-Something a bit different, something a bit weird. -I like that very much. | 0:05:42 | 0:05:46 | |
-We're not going to put all our eggs in one basket. -Very sensible. | 0:05:46 | 0:05:50 | |
Probably three different categories, a bit of silver, | 0:05:50 | 0:05:52 | |
-a bit of jewellery. -Something obscure, a bit weird. | 0:05:52 | 0:05:55 | |
Very obscure, a bit weird. | 0:05:55 | 0:05:57 | |
-And Adam? -I've got a history in pawn broking, so I would say something sparkly. -Fantastic! | 0:05:57 | 0:06:02 | |
You know exactly what you're doing, that's what I like. | 0:06:02 | 0:06:05 | |
Let's go! | 0:06:05 | 0:06:06 | |
So why don't we let our feet do the walking? | 0:06:06 | 0:06:09 | |
Yes, and I'll do the talking! Your 60 minutes starts now! | 0:06:10 | 0:06:14 | |
This is the palace of our dreams. We're going to make a mint here. | 0:06:15 | 0:06:18 | |
-Wow! A splash of colour here. -Yes, there's definitely a lot of colour. | 0:06:22 | 0:06:26 | |
-Lot of colour. -I like everything. | 0:06:26 | 0:06:29 | |
Well, Amy is a bit of a gem herself. | 0:06:29 | 0:06:31 | |
Right, what can the Blues dish us up? | 0:06:31 | 0:06:34 | |
That's a nice wee tray. Silver, Walker & Hall. | 0:06:36 | 0:06:41 | |
There'll be a hallmark there, but the dealer has looked up | 0:06:41 | 0:06:44 | |
and discovered that it's Birmingham 1905 | 0:06:44 | 0:06:48 | |
so it's just at the beginning of the 20th century. | 0:06:48 | 0:06:51 | |
And it's very nicely decorated. | 0:06:51 | 0:06:54 | |
It's a nice pierced little dish, | 0:06:54 | 0:06:56 | |
but it's the first thing we've looked at, | 0:06:56 | 0:07:00 | |
so let's keep it in mind and we can always come back. | 0:07:00 | 0:07:03 | |
But remember, time does slip away fast in this game, | 0:07:04 | 0:07:07 | |
especially in a fair of this size. | 0:07:07 | 0:07:10 | |
Let's go inside. | 0:07:11 | 0:07:12 | |
Yeah, I think that's where the jewellery and silver will be. | 0:07:12 | 0:07:15 | |
All the shiny stuff for you! | 0:07:15 | 0:07:17 | |
What's that Amy's eyeing up now? | 0:07:17 | 0:07:20 | |
I don't know if they're a bit too quirky! | 0:07:20 | 0:07:22 | |
-You like the eyeballs? -I do like them. | 0:07:22 | 0:07:25 | |
-Lots of sparkly things for you there. -Yeah, there is, isn't there? | 0:07:26 | 0:07:30 | |
Amy, if Adam was to offer you any of those, which one would you go for? | 0:07:34 | 0:07:39 | |
-This one. -Funny enough, I would too. | 0:07:39 | 0:07:42 | |
Yeah, well, I have to be with her, to be honest! | 0:07:42 | 0:07:45 | |
But, yeah, I like that one. | 0:07:45 | 0:07:47 | |
Shall we find out how much that one is? | 0:07:47 | 0:07:49 | |
-What would be your best price? -90, I think. | 0:07:49 | 0:07:53 | |
-I could do that at 90 for you. -Do 90? | 0:07:53 | 0:07:55 | |
What do you think, Chris? | 0:07:55 | 0:07:57 | |
I think it's well worth 90, but we've always got to consider | 0:07:57 | 0:08:01 | |
-we're here to make a profit. -Yes. -Yes. | 0:08:01 | 0:08:03 | |
-Thank you, sir, do you mind if we put this..? -Been a pleasure. | 0:08:03 | 0:08:07 | |
-Have a good look round and enjoy it. -Thank you. -Thank you very much. | 0:08:07 | 0:08:10 | |
So no ring yet for Amy, | 0:08:12 | 0:08:13 | |
but have the Blues managed to pin anything down? | 0:08:13 | 0:08:17 | |
-Have you seen something? -Yeah. | 0:08:17 | 0:08:20 | |
-We quite like that little pin sort of... -A tie pin or is a brooch pin? | 0:08:20 | 0:08:23 | |
-Brooch pin thing. -Could we have a wee look at that? | 0:08:23 | 0:08:27 | |
That's great. Thank you very much. What do you think to that? | 0:08:27 | 0:08:31 | |
-It's very pretty. -Is the price on it? -Yeah, she's got in at £47. | 0:08:31 | 0:08:35 | |
-Can I have a wee look at it? -Yeah, course. | 0:08:35 | 0:08:38 | |
The first thing I can see is that it's 15 carat and that's good. | 0:08:38 | 0:08:43 | |
It's a high carat gold, so that is an indication of some quality. | 0:08:43 | 0:08:48 | |
15 carat was one of the British standards for high quality gold | 0:08:48 | 0:08:53 | |
until 1932, so at least the team can be certain | 0:08:53 | 0:08:56 | |
-it was made before then. -I think it's very sweet. | 0:08:56 | 0:08:59 | |
What we have here are little rubies and seed pearls. | 0:08:59 | 0:09:03 | |
It's a nice combination. | 0:09:05 | 0:09:07 | |
It is wee. Who's good at bargaining? | 0:09:07 | 0:09:11 | |
Me, I hope. Excuse me. | 0:09:11 | 0:09:14 | |
-Hiya. -Hello. -We really like this. | 0:09:14 | 0:09:17 | |
Obviously the price tag says 47. | 0:09:17 | 0:09:20 | |
-35. -Would you do 30? | 0:09:20 | 0:09:23 | |
35 is the best. | 0:09:23 | 0:09:26 | |
-What do you think? That's not bad. -No, I like it. | 0:09:26 | 0:09:29 | |
-Would you split the difference? 32.50? -32. | 0:09:29 | 0:09:32 | |
-32. Thank you very much. -Do you have a wee box we could put it in? | 0:09:32 | 0:09:36 | |
Yes, you're right, Anita, it's all in the presentation. | 0:09:36 | 0:09:39 | |
That's one down, two to go, well done. Yeah, brilliant. | 0:09:40 | 0:09:43 | |
Well done indeed. We're about 15 minutes in so, Reds, | 0:09:43 | 0:09:46 | |
it's about time you served something up. | 0:09:46 | 0:09:49 | |
What would this have been used for? | 0:09:51 | 0:09:53 | |
This is a 1930s salad bowl with original '30s salad servers. | 0:09:53 | 0:09:57 | |
This is in great condition. | 0:09:57 | 0:09:59 | |
Americans go crazy for this sort of thing. | 0:09:59 | 0:10:02 | |
Do you know what else I like about it? | 0:10:02 | 0:10:04 | |
This cartouche here, no-one's put their engraving on | 0:10:04 | 0:10:07 | |
so whoever buys this could put their own initials on. | 0:10:07 | 0:10:11 | |
-I like the idea of that. -And the bowl here's perfect. I love that. | 0:10:11 | 0:10:15 | |
-How much is it? -Well, it's £160. -OK. | 0:10:15 | 0:10:18 | |
-It's a lot of money. -It is. | 0:10:18 | 0:10:21 | |
I know that these things sell well at auction, though, you know. | 0:10:21 | 0:10:25 | |
-OK. -Let's find out. -Yeah, let's find out. | 0:10:25 | 0:10:28 | |
-How much is this, please? -140. -140's the best? | 0:10:28 | 0:10:31 | |
-That's still quite a bit. -That's nearly half of our budget. -Yeah. | 0:10:35 | 0:10:39 | |
Do you think it will go? | 0:10:39 | 0:10:41 | |
On a good day, if I have to be honest, | 0:10:41 | 0:10:44 | |
150, 160 would be its maximum. It's not ever going to make £200. | 0:10:44 | 0:10:50 | |
Again, I think this should go on our possible list. | 0:10:50 | 0:10:53 | |
-A come back to list. -We're still early on the game. | 0:10:53 | 0:10:56 | |
I think that's so elegant. | 0:10:56 | 0:10:57 | |
Elegant but a rather high price to pay for a salad. | 0:10:59 | 0:11:02 | |
Come on, you lot, time's a-ticking and I could do with a wee dram. | 0:11:04 | 0:11:08 | |
Have you found more shiny, sparkly things? | 0:11:08 | 0:11:11 | |
-We're having a bit of a disagreement about this one. -Oh, right. Aha. | 0:11:11 | 0:11:15 | |
It looks Indian. | 0:11:15 | 0:11:17 | |
-It might be like a low-grade silver. -Mm-hm. | 0:11:17 | 0:11:21 | |
It looks as if that could be a little tot measure. | 0:11:23 | 0:11:28 | |
That's what I was thinking, for whiskies. | 0:11:28 | 0:11:30 | |
I think the bottle's the original bottle for it. | 0:11:30 | 0:11:34 | |
£68 when it's not silvered | 0:11:34 | 0:11:36 | |
but you're taking a change on somebody thinking | 0:11:36 | 0:11:39 | |
that's quite an interesting item. | 0:11:39 | 0:11:43 | |
I think maybe, if the price, if we get the price right... | 0:11:43 | 0:11:47 | |
I'm going to try at 50. | 0:11:47 | 0:11:50 | |
If he says no, how about 55? | 0:11:50 | 0:11:53 | |
-Yeah. -I'll try. | 0:11:53 | 0:11:55 | |
If you've got a good feeling about it, then I trust you. | 0:11:55 | 0:11:58 | |
Sometimes it's a good idea just to use your instinct. | 0:11:58 | 0:12:02 | |
-Yeah, I do, I trust you. If you're wrong, I'll say after. -No worries. | 0:12:02 | 0:12:07 | |
-I'll go and smile nicely. -Yeah, go on, then. | 0:12:07 | 0:12:10 | |
Give it your best shot, Stephen. | 0:12:10 | 0:12:11 | |
You Reds, we're coming up to the halfway mark | 0:12:11 | 0:12:14 | |
so I need you to break the mould and buy something. | 0:12:14 | 0:12:17 | |
What are they? | 0:12:17 | 0:12:19 | |
-Are they moulds? -These are moulds. Oh, I see, it's on a tray. | 0:12:19 | 0:12:23 | |
-OK. -OK, it's on a tray. | 0:12:23 | 0:12:25 | |
-What would they be used for? -Jellies, mousses. | 0:12:28 | 0:12:31 | |
-So they are literally food moulds. -They look lovely. | 0:12:31 | 0:12:35 | |
-These are all fish. -Yeah. | 0:12:35 | 0:12:36 | |
-It wouldn't be jelly in the shape of fish. -OK. | 0:12:36 | 0:12:40 | |
It would be mousse or something else. | 0:12:40 | 0:12:42 | |
Beautifully culinary, | 0:12:42 | 0:12:44 | |
set and then turned over quickly and just gently... | 0:12:44 | 0:12:48 | |
Wiggle them out. I like that, I think that's cute. | 0:12:48 | 0:12:51 | |
-Eight pounds. -Eight pounds. | 0:12:52 | 0:12:56 | |
Eight pounds? | 0:12:56 | 0:12:57 | |
It's not a work of art. | 0:12:58 | 0:13:00 | |
It's a piece of late Victorian kitchen memorabilia, possibly French | 0:13:00 | 0:13:06 | |
because the French did a lot more of these sort moulds. | 0:13:06 | 0:13:09 | |
Do you think somebody might attach that to something | 0:13:09 | 0:13:12 | |
-and have it on display, possibly? -Definitely, yeah, yeah, yeah. | 0:13:12 | 0:13:16 | |
I like a lot of things which this lady's got. | 0:13:16 | 0:13:19 | |
-Yeah, I've seen a couple of things, yeah. -What's this? | 0:13:19 | 0:13:22 | |
-A miniature letter rack. -Aw! | 0:13:22 | 0:13:26 | |
You'd hang this, flip these out | 0:13:27 | 0:13:31 | |
-or possibly for menu cards. -Yeah. | 0:13:31 | 0:13:35 | |
It's only £12, it's a nice little... | 0:13:35 | 0:13:38 | |
It's really nice, I really like that. | 0:13:38 | 0:13:41 | |
It's along the same sort of lines as this. It's got a nice feel about it. | 0:13:41 | 0:13:44 | |
Sure, sure. A nice homely feel about it. | 0:13:44 | 0:13:47 | |
We're building up a real list, aren't we? | 0:13:47 | 0:13:50 | |
A buy would have been better. | 0:13:50 | 0:13:51 | |
So, Stephen, any joy on the bottle sleeve? | 0:13:51 | 0:13:54 | |
-Got it for 55. -Yeah. -Are you happy? -I'm well happy. Well happy for that. | 0:13:56 | 0:14:00 | |
-That's two down, two down. -Yes, two down. What a team. | 0:14:00 | 0:14:05 | |
As I said at the beginning, you guys are magic. | 0:14:05 | 0:14:08 | |
Yes, and the trick is to actually purchase something | 0:14:08 | 0:14:12 | |
and I mean you, Red team. | 0:14:12 | 0:14:13 | |
Do you know, can I really shock you here? | 0:14:16 | 0:14:19 | |
We think we've taken minutes, right, we've taken half an hour. | 0:14:19 | 0:14:22 | |
We're halfway through. Nothing! Nothing! | 0:14:22 | 0:14:25 | |
And the Blue team only have one item left to find. | 0:14:25 | 0:14:29 | |
So, Reds, look carefully | 0:14:29 | 0:14:31 | |
as there could be something right under your nose. | 0:14:31 | 0:14:35 | |
This lovely walnut snuff box. | 0:14:35 | 0:14:39 | |
Very nice. Nice Victorian piece that. | 0:14:39 | 0:14:42 | |
I'll tell you what else is really different. | 0:14:42 | 0:14:46 | |
This light wood, blonde wood. | 0:14:46 | 0:14:49 | |
Do you know what it is? | 0:14:49 | 0:14:51 | |
Are they parts from inside a watch? | 0:14:51 | 0:14:53 | |
-100% right. Isn't that nice? -I wouldn't have said that. | 0:14:53 | 0:14:58 | |
-It's very nice, I think we should get these two things. -Definitely. | 0:14:58 | 0:15:01 | |
-And use it as one lot. -Yeah. | 0:15:01 | 0:15:03 | |
Because whoever likes this is bound to like this. | 0:15:03 | 0:15:06 | |
-So I think we should make this an attractive... -I think that's an idea. | 0:15:06 | 0:15:09 | |
-Shall we ask the dealer? -Yes, please. | 0:15:09 | 0:15:11 | |
Madam, we're taken with a lot of your things | 0:15:11 | 0:15:15 | |
-but these two things in particular. -55. | 0:15:15 | 0:15:18 | |
-55! -55. | 0:15:18 | 0:15:20 | |
-I don't think we can say no, can we? -No. -I don't think we can. | 0:15:20 | 0:15:23 | |
No. Deal. | 0:15:23 | 0:15:25 | |
-Thank you very much. -Thank you. | 0:15:25 | 0:15:27 | |
At last, you've made your first purchase. | 0:15:27 | 0:15:30 | |
-We still like the salad bowl, don't we? -Yeah. -Yeah. | 0:15:30 | 0:15:34 | |
Shall we try sending her along first? Shall we do that? | 0:15:34 | 0:15:39 | |
-See what you can do. -Shall we just hold back, Adam? | 0:15:39 | 0:15:41 | |
-I think that's probably a good idea. -You've got a job on your hands. | 0:15:41 | 0:15:44 | |
-Shall we try it? -We'll try it. -Blink. -Let's hope it's still there. | 0:15:44 | 0:15:48 | |
We'll hang back, Chris. | 0:15:50 | 0:15:52 | |
-SHE GASPS -They're on our stand! | 0:15:52 | 0:15:54 | |
The Blue team are on it. | 0:15:54 | 0:15:56 | |
That's why it's not always wise to walk away from a sale. | 0:15:57 | 0:16:01 | |
But while the Blues are dangerously close to that salad bowl, | 0:16:01 | 0:16:04 | |
is there anything you can go back for? | 0:16:04 | 0:16:07 | |
-She's packing up. -She's packing up. -Well, if she's packing up... | 0:16:08 | 0:16:11 | |
We can go and ask her quickly for the little thing, the drawers, | 0:16:11 | 0:16:14 | |
-the little paper holders. -Do you like them? -I like them. | 0:16:14 | 0:16:18 | |
-I prefer them to the fish. -I don't know if I prefer the fish or them. | 0:16:18 | 0:16:22 | |
Why don't we do the same? Buy the two things together. | 0:16:22 | 0:16:25 | |
-It's still only £20 or thereabouts. -Possibly cheaper? -Shall we do that? | 0:16:25 | 0:16:29 | |
-Possibly even cheaper. -Get the fish, get the letter holder too. | 0:16:29 | 0:16:33 | |
-Yeah. -Yeah? -Shall we do that? Do you want me to go and get them? -Yeah. | 0:16:34 | 0:16:38 | |
-Or shall we all go? -Let's go. -Come on. -Let's go get them. | 0:16:38 | 0:16:43 | |
You do that. | 0:16:43 | 0:16:44 | |
But what have the Blues sniffed out? | 0:16:46 | 0:16:48 | |
Quite a nice wee box. | 0:16:48 | 0:16:50 | |
It's like a leather box with this white metal little plate | 0:16:50 | 0:16:54 | |
or little oval in here. | 0:16:54 | 0:16:56 | |
It's made of leather which has been tooled round here to form | 0:16:58 | 0:17:01 | |
a very nice pattern. | 0:17:01 | 0:17:03 | |
I think it's late 19th century, early 20th century. | 0:17:03 | 0:17:06 | |
It would have belonged to a lady of some standing. | 0:17:08 | 0:17:12 | |
The little perfume decanters are lovely. | 0:17:12 | 0:17:15 | |
-They are a ruby glass and they have these nice little dimples. -Yeah. | 0:17:16 | 0:17:21 | |
-I quite like that. -Yeah, I did like them. | 0:17:21 | 0:17:24 | |
When you told me that it was perfume bottles in a box at £110, | 0:17:24 | 0:17:29 | |
I thought it sounds too much. | 0:17:29 | 0:17:32 | |
But you've picked up a nice quality item. | 0:17:32 | 0:17:34 | |
I mean, what women wouldn't want that sat on their chest of drawers next to their bed? | 0:17:34 | 0:17:39 | |
-I think it's stunning. -It's really all got to do with price. | 0:17:39 | 0:17:42 | |
-Yeah. Again, yeah. -Are you going to try and...? | 0:17:42 | 0:17:45 | |
If that was in, if that was in auction, | 0:17:45 | 0:17:48 | |
I would probably be estimating it £60-£80. | 0:17:48 | 0:17:54 | |
-Ah, right. -But it might do more than that. | 0:17:54 | 0:17:57 | |
-What do you think? -I don't think they'll drop to £80, | 0:17:57 | 0:17:59 | |
but it's up to you. | 0:17:59 | 0:18:01 | |
-It's up to you. -Do you want to try? -Yeah. | 0:18:03 | 0:18:05 | |
I can always ask, there's no harm in asking, is there? | 0:18:05 | 0:18:08 | |
-See if you can get it for 50. -Yeah. -You won't. | 0:18:08 | 0:18:11 | |
-I'll go and ask now. -Go and ask and see how you do on that. | 0:18:11 | 0:18:15 | |
Remember, the value at auction | 0:18:15 | 0:18:17 | |
is only what someone is willing to pay for it. | 0:18:17 | 0:18:20 | |
Now, we're in the final 15 minutes | 0:18:22 | 0:18:24 | |
so were the Reds quick enough to wrap up a deal? | 0:18:24 | 0:18:27 | |
-Thank you very much. Here we go, guys. -Lovely. | 0:18:27 | 0:18:30 | |
You've got one, you've got the other. | 0:18:30 | 0:18:32 | |
That looks more like fish and chips than antiques. | 0:18:32 | 0:18:34 | |
Anyway, well done for getting them both for £15. | 0:18:34 | 0:18:37 | |
-Happy? -Yeah. -Very happy. -Now it's the salad bowl. -Definitely. | 0:18:37 | 0:18:42 | |
But those Blues are still on that stall. | 0:18:42 | 0:18:45 | |
So, if you want that bowl, Amy, you may just need to sneak in and get it. | 0:18:45 | 0:18:49 | |
-Shall I just get it? -I think you have to. | 0:18:49 | 0:18:51 | |
We might have to lick our wounds and go for it. | 0:18:51 | 0:18:54 | |
-140. -Are we all happy about it? | 0:18:54 | 0:18:57 | |
-You'd better go. -140. | 0:18:57 | 0:18:59 | |
Let's send her, she's the envoy now. | 0:18:59 | 0:19:01 | |
Can we please have it for 140? Will that be all right? | 0:19:04 | 0:19:07 | |
Sorted! That's your third item done. | 0:19:07 | 0:19:10 | |
Have the Blues also struck their final deal on the perfume bottles for £80? | 0:19:10 | 0:19:17 | |
Three items. You've done it all yourself. | 0:19:17 | 0:19:20 | |
-I couldn't have asked for a better team. -Aw! | 0:19:20 | 0:19:24 | |
Time's up. Let's check out what fishy business those Reds got up to. | 0:19:26 | 0:19:29 | |
Adam and Amy were drawn to this snuff box and specimen box | 0:19:32 | 0:19:36 | |
and got them for one lot for £55. | 0:19:36 | 0:19:39 | |
Then they got fish and rack for £15. | 0:19:41 | 0:19:43 | |
And finally they threw this salad bowl into the mix for £140. | 0:19:45 | 0:19:50 | |
Well, we got it in the end, didn't we, against all the odds, | 0:19:51 | 0:19:54 | |
that salad bowl. My goodness it was hard work. | 0:19:54 | 0:19:56 | |
-Not salad weather though, is it? -Not at all. -It's chilly enough. Gosh. | 0:19:56 | 0:20:01 | |
Now, tell me which is your favourite bit, Amy? | 0:20:01 | 0:20:04 | |
I preferred the specimen, the little trinket specimen box we got. | 0:20:04 | 0:20:07 | |
That was your favourite? Do you agree with that, Ad? | 0:20:07 | 0:20:10 | |
-Um, I think, I like the letter holder myself. -Did you? | 0:20:10 | 0:20:13 | |
Is that going to bring the biggest profit? | 0:20:13 | 0:20:16 | |
No, I think it possibly might be Amy's favourite that makes | 0:20:16 | 0:20:19 | |
-the biggest profit. -OK. And you spent how much? -£210 in total. | 0:20:19 | 0:20:22 | |
Lovely, I'd like £90 of my favourite lolly please. | 0:20:22 | 0:20:25 | |
Thank you very much, Adam. That seems all present and correct. | 0:20:25 | 0:20:29 | |
-Thank you very much. -A little challenge for you. | 0:20:29 | 0:20:31 | |
-It's a decent amount, isn't it? Thank you. -No problem. | 0:20:31 | 0:20:34 | |
Good luck, Chris. Good luck, team. | 0:20:34 | 0:20:36 | |
Why don't we check out what the Blue team bought, eh? | 0:20:36 | 0:20:38 | |
Esme and Stephen were willing to pin their hopes on this 15 carat | 0:20:38 | 0:20:43 | |
pearl and ruby brooch. £32 paid. | 0:20:43 | 0:20:47 | |
They then slipped in this bottle sleeve and cover for £55. | 0:20:49 | 0:20:53 | |
And for their final item, they tapped into these | 0:20:54 | 0:20:57 | |
ruby glass perfume bottles and secured them for £80. | 0:20:57 | 0:21:00 | |
-So, how was it for you? Lovely? -Amazing. | 0:21:04 | 0:21:06 | |
Was it amazing, amazing? How much did you spend? | 0:21:06 | 0:21:09 | |
-We spent £167. -You spent 167. | 0:21:09 | 0:21:12 | |
I would like 133, please. | 0:21:12 | 0:21:15 | |
-I've got that for you here. -Thank you very much. | 0:21:15 | 0:21:17 | |
Tell me, Stephen, which is your favourite piece? | 0:21:17 | 0:21:20 | |
It's got to be the first piece which was the brooch with the rubies and diamonds. | 0:21:20 | 0:21:24 | |
-That's your favourite favourite? -Yes. -Do you agree with that? | 0:21:24 | 0:21:27 | |
Not really! | 0:21:27 | 0:21:28 | |
I chose two little perfume bottles in a leather box. | 0:21:30 | 0:21:33 | |
They're my personal favourite. | 0:21:33 | 0:21:35 | |
Are they going to bring the biggest prize? | 0:21:35 | 0:21:37 | |
-I think they are. -Stephen? -Probably the bottle, the middle one. | 0:21:37 | 0:21:40 | |
We're probably both wrong. It's probably the bottle we bought in the middle. | 0:21:40 | 0:21:44 | |
Were they all over the place for the shopping like this? | 0:21:44 | 0:21:47 | |
-No, they were perfect. -Were they perfect? | 0:21:47 | 0:21:49 | |
It's only afterwards with consideration. | 0:21:49 | 0:21:51 | |
We'll find out at the auction which is the fun bit. Good. | 0:21:51 | 0:21:54 | |
Here you go, Anita, you're going to go shopping. | 0:21:54 | 0:21:57 | |
-Yes, and I'm going to enjoy it with all this money. -I bet you will. | 0:21:57 | 0:22:00 | |
Good luck with that. | 0:22:00 | 0:22:02 | |
Time for a history lesson now and we're off to Derby Cathedral | 0:22:03 | 0:22:07 | |
to find out about a craftsman called Robert Bakewell, | 0:22:07 | 0:22:11 | |
who has nothing to do with the pastry-based confection. | 0:22:11 | 0:22:15 | |
The history of Derby Cathedral goes back centuries. | 0:22:22 | 0:22:25 | |
It's believed it started life as a simple church in the year 943, | 0:22:25 | 0:22:29 | |
evolving over the years to eventually | 0:22:29 | 0:22:32 | |
become a fully-fledged cathedral in 1927. | 0:22:32 | 0:22:35 | |
One of its finest features is the elaborate ironwork of Robert Bakewell. | 0:22:35 | 0:22:40 | |
These are appropriately known as the Bakewell Gates. | 0:22:40 | 0:22:44 | |
Robert Bakewell was born in 1682 in Uttoxeter, | 0:22:47 | 0:22:51 | |
the son of a blacksmith. | 0:22:51 | 0:22:54 | |
At the age of 14, he went to London as an apprentice | 0:22:54 | 0:22:58 | |
and that set him squarely on his path to becoming one of the most | 0:22:58 | 0:23:03 | |
sought after workers in iron in England. | 0:23:03 | 0:23:06 | |
The Bakewell Screen, as it's known, | 0:23:08 | 0:23:11 | |
is made up of wrought iron and forms the central feature. | 0:23:11 | 0:23:15 | |
It's believed to have been commissioned around 1725. | 0:23:15 | 0:23:19 | |
At the top, you can see the royal coat of arms of King George II. | 0:23:21 | 0:23:25 | |
Now we're going to meet Simon Grant-Jones | 0:23:28 | 0:23:31 | |
who's a traditional blacksmith from Dorset | 0:23:31 | 0:23:33 | |
who has a passion for Robert Bakewell. | 0:23:33 | 0:23:36 | |
-Good morning, Simon. -Morning. -Nice to see you. | 0:23:36 | 0:23:38 | |
Tell us what's so special about Robert Bakewell. | 0:23:38 | 0:23:41 | |
Robert Bakewell, he was really our first home-grown | 0:23:41 | 0:23:45 | |
blacksmith of any note. | 0:23:45 | 0:23:47 | |
He did several prestigious commissions | 0:23:47 | 0:23:49 | |
and he returned to this area, the Derbyshire area, | 0:23:49 | 0:23:52 | |
where he did these gates. | 0:23:52 | 0:23:54 | |
Now, what makes these, visually, so charming, I think, | 0:23:54 | 0:23:57 | |
is the application of all the finely wrought foliage | 0:23:57 | 0:24:01 | |
and so forth. How would you go about it? | 0:24:01 | 0:24:05 | |
I mean, take that piece, does that represent the skeleton | 0:24:05 | 0:24:08 | |
of the screen we see behind us? | 0:24:08 | 0:24:11 | |
This is something that I made as part of my training. | 0:24:11 | 0:24:14 | |
It's exactly how Bakewell would have done it. | 0:24:14 | 0:24:17 | |
There's one, two, three scrolls and they're actually welded together, | 0:24:17 | 0:24:20 | |
what we call a branch weld, and then this piece here | 0:24:20 | 0:24:24 | |
is butt-welded onto it, so we've got four pieces. | 0:24:24 | 0:24:27 | |
Then when it comes to the decoration, | 0:24:27 | 0:24:29 | |
the fancy, sexy bit of gilding, how does that come about? | 0:24:29 | 0:24:33 | |
-This is what greatly enhances the piece. -Wow! | 0:24:34 | 0:24:37 | |
Sure does. This is an acanthus leaf. | 0:24:37 | 0:24:40 | |
This is an acanthus leaf. It's a very common form of ornament. | 0:24:40 | 0:24:44 | |
It's loose-leaf gilding and we apply a size, which is a glue. | 0:24:44 | 0:24:48 | |
We let the glue go tacky and then we actually lay on | 0:24:48 | 0:24:51 | |
-very micro thin pieces of real gold. -Right. | 0:24:51 | 0:24:54 | |
23 and three quarter carat gold leaf, this is. | 0:24:54 | 0:24:57 | |
-Which is wafer thin. -That's right, it is. | 0:24:57 | 0:25:00 | |
What sort of tools were used to create these panels? | 0:25:00 | 0:25:03 | |
So, the sort of tools that we would have used would be | 0:25:03 | 0:25:06 | |
-traditional tools like this. -Is that used for this embossing or not? | 0:25:06 | 0:25:12 | |
Yes, yes, this would actually be used over a stake, a lead stake | 0:25:12 | 0:25:15 | |
and you'd actually use this to hammer the edges round. | 0:25:15 | 0:25:18 | |
You'd use different-shaped hammers like that to get the detail in there. | 0:25:18 | 0:25:22 | |
-I see. -Then you'd use straight pane hammers to actually | 0:25:22 | 0:25:25 | |
hammer out the veining on the leaves. | 0:25:25 | 0:25:28 | |
If you had to have a guesstimate as to how long, today, in your forge | 0:25:28 | 0:25:32 | |
it would take you to create this? | 0:25:32 | 0:25:35 | |
-I would think it would be easily five years' work. -Yeah. | 0:25:35 | 0:25:38 | |
And how much do you think Robert Bakewell was paid in 1725 | 0:25:38 | 0:25:43 | |
-for all this work? -I'd really like to know. | 0:25:43 | 0:25:45 | |
£338, ten shillings. | 0:25:45 | 0:25:48 | |
It would be interesting to know what that equates to in today's money. | 0:25:48 | 0:25:51 | |
Well, five years' worth of your time would be a bit more than that, right? | 0:25:51 | 0:25:55 | |
I would hope so, yes. | 0:25:55 | 0:25:57 | |
It's very nice to meet you and thank you very much for that information. | 0:25:57 | 0:26:01 | |
Now we're going to trot off to the auction just outside Derby | 0:26:01 | 0:26:03 | |
to find out what sort of a profit our teams are about to wrought. | 0:26:03 | 0:26:07 | |
I can't tell you how gorgeous it is to be with Isobel Murtough today | 0:26:21 | 0:26:25 | |
at Hansons Auction Room at Etwall on the outskirts of Derby. Isobel. | 0:26:25 | 0:26:30 | |
-Wonderful to have you. -Thank you very much, it's lovely to be back. | 0:26:30 | 0:26:33 | |
Now first up, for Adam and Amy we've got | 0:26:33 | 0:26:37 | |
these two wee bits of tureen. | 0:26:37 | 0:26:40 | |
I mean, I like this, because it's got a concealed hinge | 0:26:41 | 0:26:43 | |
and it's quite cleverly made, but these things, snuff boxes like this, | 0:26:43 | 0:26:47 | |
-are dead bog-standard. -They are. | 0:26:47 | 0:26:48 | |
They're very common, we see them in every sale. | 0:26:48 | 0:26:51 | |
But it's pretty with the mother of pearl inlay. | 0:26:51 | 0:26:53 | |
-It's in reasonable nick. -Yes. Nasty crack there but anyway, as you say | 0:26:53 | 0:26:57 | |
not too bad, which is probably worth, what? Is that worth £10-£15? | 0:26:57 | 0:27:01 | |
-Yes, it's worth £10. -How do you rate yours? | 0:27:01 | 0:27:05 | |
It's very sweet, we've got a lovely 19th=century display box. | 0:27:05 | 0:27:09 | |
-Could be used for gaming with a little dice. -Yes. | 0:27:09 | 0:27:13 | |
-What's inside now? -We've got a couple of watch parts to it. | 0:27:13 | 0:27:16 | |
-Right. -But I don't think they're original to the box. | 0:27:16 | 0:27:20 | |
The two together in one lot. | 0:27:20 | 0:27:24 | |
-We've put a very generous £10-£15. -How much?! | 0:27:24 | 0:27:28 | |
It's going to interest those buyers. | 0:27:28 | 0:27:31 | |
£55 was paid by the team so they're probably not that far off. | 0:27:31 | 0:27:36 | |
I don't want to be depressing them in any way. | 0:27:36 | 0:27:39 | |
Anyway, that's that lot together and I'll pop them back. | 0:27:39 | 0:27:43 | |
Next is a weird lot with six fishy moulds welded together | 0:27:43 | 0:27:48 | |
on a bit of metal plus a letter rack, | 0:27:48 | 0:27:52 | |
so I'm not so keen about that, but what do you think? | 0:27:52 | 0:27:54 | |
They're not my cup of tea. I wouldn't like to put my mousse in the moulds. | 0:27:54 | 0:27:59 | |
-Would you not? -No. | 0:27:59 | 0:28:00 | |
Well, I think, what with the rust and that rather nasty brown stuff in there. | 0:28:00 | 0:28:05 | |
So, um, kitchenalia and a bit of stationery rack, | 0:28:05 | 0:28:09 | |
is something or nothing really, isn't it? How much? | 0:28:09 | 0:28:12 | |
-£5-£10. -Perfect. £15 they paid. | 0:28:12 | 0:28:15 | |
Their last item, though, they have invested heavily in this salad bowl. | 0:28:15 | 0:28:20 | |
I guess it dates from about 1930. | 0:28:20 | 0:28:23 | |
Nice oak bowl with the plated furniture | 0:28:23 | 0:28:26 | |
-and original ceramic liner. -Yes, which is good, isn't it? -Yes. | 0:28:26 | 0:28:29 | |
-What's your estimate? -30-40. | 0:28:29 | 0:28:31 | |
I had a horrible feeling you were going to say that. | 0:28:31 | 0:28:34 | |
-They paid £140 for this. -Wow. | 0:28:34 | 0:28:36 | |
I'm afraid they're unlikely to dig themselves out of that pit | 0:28:36 | 0:28:41 | |
and they're definitely going to need their bonus buy. | 0:28:41 | 0:28:44 | |
-Well, guys, how are you feeling? -Very good, thank you. | 0:28:44 | 0:28:47 | |
You spent a monster amount. You only gave him £90. Chris, what did you spent it on? | 0:28:47 | 0:28:51 | |
Well, I spent every penny of that £90 | 0:28:51 | 0:28:53 | |
and I had to grovel for this. | 0:28:53 | 0:28:56 | |
Voila! | 0:28:56 | 0:28:58 | |
It's an entree dish, a serving dish, tureen, chafing dish. | 0:28:58 | 0:29:04 | |
But what I love about it, it's square and it's quite old. | 0:29:04 | 0:29:09 | |
I think it's early 19th century, perhaps even a bit earlier. | 0:29:09 | 0:29:12 | |
Why don't you take that lid, Amy. | 0:29:12 | 0:29:14 | |
-Adam. It's silver plate not silver. -Right. | 0:29:16 | 0:29:20 | |
£90. | 0:29:20 | 0:29:21 | |
How much profit is it going to make? | 0:29:21 | 0:29:23 | |
Well, it isn't going to make a fortune | 0:29:23 | 0:29:25 | |
but if it makes £110, I'll be very happy. | 0:29:25 | 0:29:27 | |
OK. Lovely. You've got a bit of a prediction there, there might be £20 in it. | 0:29:27 | 0:29:31 | |
That's what you have to weigh up at the moment, critique, | 0:29:31 | 0:29:34 | |
after the sale of your first three items. | 0:29:34 | 0:29:36 | |
Right now, for the audience at home, let's find out | 0:29:36 | 0:29:38 | |
what the auctioneer thinks about Chris's entree dish. | 0:29:38 | 0:29:41 | |
OK, Isobel, there you go. Some more of your favourite plated wares. | 0:29:42 | 0:29:46 | |
Love it! | 0:29:46 | 0:29:48 | |
Well, we have an entree dish here in three parts. | 0:29:49 | 0:29:52 | |
It's electroplate. | 0:29:52 | 0:29:54 | |
Erm... | 0:29:54 | 0:29:56 | |
Cast handle there. | 0:29:56 | 0:29:58 | |
It's got some decorative qualities to it. | 0:29:58 | 0:30:01 | |
Well, I don't know about you, but I see this stuff as being | 0:30:01 | 0:30:05 | |
incredibly difficult to sell in today's market. Who wants it? | 0:30:05 | 0:30:09 | |
That's it, Tim. | 0:30:09 | 0:30:10 | |
Usually we put them in a group lot again with plated wares. | 0:30:10 | 0:30:14 | |
And how much would you expect to get for that one on its jacksie? | 0:30:14 | 0:30:17 | |
-A generous 20 to 30. -OK, £90 paid as a bonus buy. | 0:30:17 | 0:30:22 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:30:22 | 0:30:25 | |
And this looks a bit more promising over here. The seed pearl brooch. | 0:30:25 | 0:30:30 | |
-Do you like that? -I love it. Very pretty. | 0:30:30 | 0:30:32 | |
The rubies and seed pearls, on a 15-carat gold bar, | 0:30:32 | 0:30:36 | |
-it's very evocative of the Edwardian period. -Isn't it just? | 0:30:36 | 0:30:39 | |
And good quality. | 0:30:39 | 0:30:41 | |
Not missing any pearls or any stones, so that's good. | 0:30:41 | 0:30:44 | |
-Hardly been used. -Yes. | 0:30:44 | 0:30:45 | |
And 15-carat, you don't get that today, do you? | 0:30:45 | 0:30:48 | |
No, it was Edwardians that were the last to use it, really. | 0:30:48 | 0:30:51 | |
-Yes, so it proves it has got some age. -Yes. | 0:30:51 | 0:30:54 | |
And I think it is a charming thing. We could get quite worked up about that, couldn't we? | 0:30:54 | 0:30:58 | |
-I think so. -Yeah, how worked up are you going to get? -40 to 60. | 0:30:58 | 0:31:01 | |
That's quite worked up. It's a good deal better than £32 paid, | 0:31:01 | 0:31:04 | |
so that should be a profit, which would be lovely. | 0:31:04 | 0:31:07 | |
And then we've got this white metal, probably Indian, | 0:31:07 | 0:31:11 | |
cos it's got heffalumps on, right? | 0:31:11 | 0:31:13 | |
Yes. I love it. | 0:31:13 | 0:31:14 | |
I think it's lovely decoration and detail with the paste work | 0:31:14 | 0:31:17 | |
and the engraved elephants. I think it's very pretty. | 0:31:17 | 0:31:21 | |
-OK, so what is your estimate, Isabel? -100 to 150. -Wow, £55 paid. | 0:31:21 | 0:31:26 | |
So there is another potential profit there. Super. | 0:31:26 | 0:31:29 | |
And the last item is the leather-covered box with | 0:31:29 | 0:31:33 | |
-the scent decanters in. -Yes, they are very pretty. Love the box. | 0:31:33 | 0:31:37 | |
It's got a nice, probably silver, | 0:31:37 | 0:31:39 | |
cartouche on the top with a family crest. | 0:31:39 | 0:31:43 | |
-And the bottle is really pretty. -In cranberry or something? -Yeah. | 0:31:43 | 0:31:46 | |
Just fish one out. Let's have a bird's-eye. | 0:31:46 | 0:31:49 | |
-Oh, yes, cranberry. Isn't that lovely? -Ever so sweet. | 0:31:49 | 0:31:54 | |
-And you've got a key to the box? -Key to the box. -Oh! | 0:31:54 | 0:31:58 | |
-They are really sweet. -This is magic, isn't it? -Stoppers are in... | 0:31:58 | 0:32:02 | |
well, not too bad order. They are really nice. | 0:32:02 | 0:32:05 | |
OK, well, we like that very much. So how much for that? | 0:32:05 | 0:32:08 | |
-60 to 80. -£80 paid. So they are in the frame. On the face of it, then, | 0:32:08 | 0:32:11 | |
this team are not going to need their bonus buy, | 0:32:11 | 0:32:13 | |
but let's go and have a look at it anyway. | 0:32:13 | 0:32:16 | |
OK, team, you spent 167, you gave Anita Manning £133, | 0:32:16 | 0:32:21 | |
which is quite a lot. | 0:32:21 | 0:32:23 | |
Anita, what did you spend it on? | 0:32:23 | 0:32:24 | |
These guys are mad about magic, and I was looking for a magician's wand | 0:32:24 | 0:32:30 | |
that might magic us up a little bit of profit. | 0:32:30 | 0:32:33 | |
Couldn't find one, | 0:32:33 | 0:32:34 | |
but I bought something which was ve-e-ery similar. | 0:32:34 | 0:32:37 | |
-Oh! -ANITA LAUGHS | 0:32:37 | 0:32:39 | |
This is a choirmaster's baton and it was | 0:32:39 | 0:32:43 | |
used by the choirmaster in the Lambeth Ragged School choir. | 0:32:43 | 0:32:48 | |
And that is inscribed on the little silver band here. | 0:32:48 | 0:32:52 | |
And I thought that was quite charming. Tell me what you think. | 0:32:52 | 0:32:55 | |
-I take it this is silver? -Silver, yes. | 0:32:55 | 0:32:59 | |
-Most important thing - how much did you pay for it? -£60. | 0:32:59 | 0:33:02 | |
-It's a piece... -Yeah! | 0:33:04 | 0:33:06 | |
THEY LAUGH | 0:33:06 | 0:33:08 | |
And choirmasters' batons are collectable. | 0:33:08 | 0:33:10 | |
I was just about to ask that! | 0:33:10 | 0:33:12 | |
-So we could keep our fingers crossed on it. -OK, yeah. | 0:33:12 | 0:33:15 | |
-Very good. -Thank you, Anita. | 0:33:15 | 0:33:17 | |
Meanwhile, we're going to check out with the auctioneer what she thinks of Anita's baton. | 0:33:17 | 0:33:21 | |
Well, that's rather handsome, isn't it? | 0:33:22 | 0:33:24 | |
Yes, sweet little choirmaster's baton. | 0:33:24 | 0:33:27 | |
-Mm-hm. -Yes. It is engraved here by the Lambeth Ragged School. | 0:33:27 | 0:33:32 | |
I think it's relating to a school for the poor | 0:33:32 | 0:33:35 | |
or poor children in Victorian times. | 0:33:35 | 0:33:38 | |
-So they are in rags at school, effectively? -Yeah, yeah. | 0:33:38 | 0:33:41 | |
OK, well, that's a nice historical moment. Thank you for that. | 0:33:41 | 0:33:47 | |
£60 the great Anita Manning has expended. | 0:33:47 | 0:33:50 | |
Will she get her money back, do you think? | 0:33:50 | 0:33:52 | |
I've put 40 to 60, so we could just make it. | 0:33:52 | 0:33:55 | |
Well, that would be brilliant. | 0:33:55 | 0:33:56 | |
Anyway, let's hope it strikes the right note. | 0:33:56 | 0:33:59 | |
Thank you very much, Isabel, and we'll look forward to the auction. | 0:33:59 | 0:34:02 | |
At 25... | 0:34:07 | 0:34:09 | |
Now, Adam and Eve... Sorry, Adam and Amy! | 0:34:09 | 0:34:12 | |
She responded very well to that. | 0:34:13 | 0:34:15 | |
OK, first up are the two wee boxes, and here they come. | 0:34:15 | 0:34:19 | |
Lot 148, the early Victorian burr walnut snuffbox | 0:34:19 | 0:34:22 | |
and the little specimen box. | 0:34:22 | 0:34:24 | |
There we go, two in the lot. | 0:34:24 | 0:34:26 | |
And who will start me at just £10 for the two? | 0:34:26 | 0:34:29 | |
Not expensive for £10 for two. Hands everywhere. | 0:34:29 | 0:34:33 | |
Ten and 12, sir, 12 and 15, | 0:34:33 | 0:34:35 | |
15, 18, 18 and 20. | 0:34:35 | 0:34:38 | |
I have got 20 on the net. | 0:34:38 | 0:34:40 | |
And two, 22, 25, 28. | 0:34:40 | 0:34:43 | |
£25 lady has bid in the centre. | 0:34:43 | 0:34:45 | |
Do I see eight on the net now? | 0:34:45 | 0:34:47 | |
We have done better than I thought already. | 0:34:47 | 0:34:49 | |
And 30, 30 is bid, and two. | 0:34:49 | 0:34:51 | |
At £32, I have... | 0:34:51 | 0:34:53 | |
It's on the net at £32. | 0:34:53 | 0:34:55 | |
Minus £23. I feel there's more money in that somewhere. | 0:34:55 | 0:35:00 | |
-I think it could have done slightly better. -Minus 23, I'm afraid. | 0:35:00 | 0:35:03 | |
Not today. Anyway, now, here comes the oddball moose. | 0:35:03 | 0:35:07 | |
Lot 149. There we go, thank you. | 0:35:07 | 0:35:10 | |
The Edwardian oak and brass wall-mounted menu holder. | 0:35:10 | 0:35:13 | |
And the moose dishes, there we go, two in the lot. | 0:35:13 | 0:35:16 | |
And I have a bid on commission of £10. | 0:35:16 | 0:35:19 | |
£10 I'm bid. 12 I have in room. | 0:35:19 | 0:35:22 | |
15, it is now. 18 is bid, sir. And 20. | 0:35:22 | 0:35:25 | |
-You're in profit, well done. -There we go. | 0:35:25 | 0:35:27 | |
At 20, and two. | 0:35:27 | 0:35:29 | |
22, and five, sir. | 0:35:30 | 0:35:32 | |
25, and eight now. | 0:35:32 | 0:35:34 | |
30 on the aisle, and two now. | 0:35:34 | 0:35:36 | |
At £30... | 0:35:36 | 0:35:38 | |
-That...doubled your money. -Told you. -Very good! | 0:35:38 | 0:35:43 | |
Make no mistake, we'll sell. Do I see two in the room? Two, she's back. | 0:35:43 | 0:35:46 | |
Can't resist. All done at 32? | 0:35:46 | 0:35:50 | |
That is plus 17. You were minus 23, so that means you're minus 6. | 0:35:51 | 0:35:57 | |
Now, here comes the bowl. | 0:35:57 | 0:35:59 | |
150, the early 20th-century oak salad bowl, | 0:35:59 | 0:36:03 | |
with the original ceramic liner, in wonderful condition. | 0:36:03 | 0:36:07 | |
What shall we say? £20. | 0:36:07 | 0:36:08 | |
At 20. I've got £20 standing, and five now. | 0:36:08 | 0:36:11 | |
25, and 30. 30, would you like? | 0:36:11 | 0:36:15 | |
We've got time. | 0:36:15 | 0:36:16 | |
No, she says! At 25 to my right, 30 is it elsewhere? | 0:36:16 | 0:36:20 | |
At £25, do I see 30 on the net? | 0:36:20 | 0:36:23 | |
-Can't bear this. -£25 in the room... -£25! | 0:36:23 | 0:36:27 | |
At £25, gavel is raised and we will sell at 25. | 0:36:27 | 0:36:31 | |
That is minus 115. | 0:36:31 | 0:36:34 | |
And then you had the six before, so it is minus 121. | 0:36:34 | 0:36:38 | |
-So what are we going to do about this entree dish? -121? -121. | 0:36:38 | 0:36:43 | |
-Let's cut our losses. -You're not going to go with it? | 0:36:43 | 0:36:45 | |
-We're not going to go with it. -You're not going with it. | 0:36:45 | 0:36:48 | |
But we're going to sell it anyway, and here it comes. | 0:36:48 | 0:36:51 | |
There we are, the 19th-century, electroplated on copper, | 0:36:51 | 0:36:54 | |
twin-handled entree dish and cover. £20 I'm bid on the internet. | 0:36:54 | 0:36:58 | |
Do I see five in the room now? | 0:36:58 | 0:37:00 | |
At £20, internet bid, do I see five elsewhere? | 0:37:00 | 0:37:03 | |
It's with me at £20 on the net, | 0:37:03 | 0:37:06 | |
but it's selling at £20. | 0:37:06 | 0:37:07 | |
Make no mistake, gavel's raised at 20... | 0:37:07 | 0:37:10 | |
Net takes it. | 0:37:12 | 0:37:13 | |
Anyway, there we are, that's great. | 0:37:13 | 0:37:15 | |
So minus 121 means that this could be equally bad for the Blues | 0:37:15 | 0:37:20 | |
-and you could have a winning score. -It's within reach. | 0:37:20 | 0:37:23 | |
-It is within reach. Well done... -It's possible! -Very beautifully said. | 0:37:23 | 0:37:28 | |
-Anyway, the thing is, don't say a word to the Blues. -Yeah. -OK? | 0:37:28 | 0:37:31 | |
-We won't. -Mum's the word? -Yeah. -Yeah. -Lovely. | 0:37:31 | 0:37:33 | |
-Esme, Stephen, do you know how the Reds got on? -No. -No. | 0:37:39 | 0:37:42 | |
No? Good. We don't want you to. | 0:37:42 | 0:37:44 | |
First up is the brooch, and here it comes. | 0:37:44 | 0:37:48 | |
Showing there, the Edwardian ruby and seed pearl bar brooch, | 0:37:48 | 0:37:51 | |
and lots and lots of interest on commission. | 0:37:51 | 0:37:53 | |
I have two bids and I can start this straight in at £55. 60 is it now? | 0:37:53 | 0:37:59 | |
Look at that! | 0:37:59 | 0:38:01 | |
At £55, it's on commission at 60 now. | 0:38:01 | 0:38:04 | |
At £55, it's a really good buy. | 0:38:04 | 0:38:07 | |
Come on, come on, some more! | 0:38:07 | 0:38:09 | |
At £55, 60? | 0:38:09 | 0:38:12 | |
Selling, gavel is raised, are you sure? Don't miss it for one. | 0:38:12 | 0:38:15 | |
At £55... | 0:38:15 | 0:38:17 | |
Plus £23. OK, now, here comes the bottle sleeve. | 0:38:18 | 0:38:22 | |
171, the 19th-century Indian white metal bottle sleeve. | 0:38:22 | 0:38:26 | |
There we go. £50. Can I tempt you? | 0:38:26 | 0:38:28 | |
I can. On the aisle at £50, I'm bid. | 0:38:28 | 0:38:31 | |
Gentleman's bid of £50. Five is it now? | 0:38:31 | 0:38:34 | |
So we're not in a loss. Go on, one more. | 0:38:34 | 0:38:37 | |
It's at £55. Gentleman has bid on the aisle at 55. | 0:38:37 | 0:38:41 | |
Wiped its face. Marvellous. That's OK, no profit, no loss. | 0:38:41 | 0:38:45 | |
No pain, no gain. Never mind. Next is the box with the perfume bottles. | 0:38:45 | 0:38:52 | |
To the early 20th-century leather box. This is really pretty. | 0:38:52 | 0:38:55 | |
And what shall we say? Just £40. | 0:38:55 | 0:38:57 | |
Oh, no. | 0:38:57 | 0:38:59 | |
At £40, and five is it now? | 0:38:59 | 0:39:01 | |
45, and 50. | 0:39:01 | 0:39:03 | |
50. Yeah, it's going, it's going. | 0:39:03 | 0:39:06 | |
65 and 70. | 0:39:06 | 0:39:08 | |
75. | 0:39:08 | 0:39:10 | |
Oh, it's getting there. | 0:39:10 | 0:39:12 | |
Come on, come on. Two more. | 0:39:12 | 0:39:14 | |
Five is it now? | 0:39:14 | 0:39:16 | |
At £70 I am bid, or we'll sell. | 0:39:16 | 0:39:18 | |
Gavel is raised and selling at 70. | 0:39:18 | 0:39:21 | |
Bad luck. That's minus 10, but that's jolly close. Well done. | 0:39:22 | 0:39:26 | |
Which means overall you're plus 13, so you are in profit, | 0:39:26 | 0:39:29 | |
you have 13 notes to take home. | 0:39:29 | 0:39:31 | |
That is a happy place to be. | 0:39:31 | 0:39:34 | |
Now, what are you going to do with this baton business? | 0:39:34 | 0:39:36 | |
What do you reckon? 60 paid for it. You decide. | 0:39:36 | 0:39:39 | |
You can go home with the £13. | 0:39:39 | 0:39:43 | |
Or you can go into the bonus buy. | 0:39:43 | 0:39:46 | |
I'm just one of those people that just says we're only here once. | 0:39:46 | 0:39:49 | |
-Go for it, then. -Yeah. -We'll go for it. | 0:39:49 | 0:39:51 | |
-You don't...? I can't tell you! -No, no... | 0:39:51 | 0:39:56 | |
-Let's take the 13, then. Take 13, yeah. -I'll let you decide. | 0:39:56 | 0:40:00 | |
-Yeah, we'll take the 13, then. -What are we going to do, then? | 0:40:00 | 0:40:03 | |
We've gone one place, come back to the other place, | 0:40:03 | 0:40:05 | |
we've gone off the other place, we come back again. | 0:40:05 | 0:40:08 | |
-So, seriously, you're not going to go with it? -No. | 0:40:08 | 0:40:11 | |
I think, I think...Esme really wants to have a go at it. | 0:40:11 | 0:40:14 | |
-Yeah, we're going with it. -No, no! -But then again, perhaps she doesn't! | 0:40:14 | 0:40:18 | |
-I got confused. I was confused! -She doesn't? | 0:40:18 | 0:40:20 | |
-She doesn't want to go with it? -No... -No, you don't want to go with it? -No. | 0:40:20 | 0:40:23 | |
We're not going with it any more. | 0:40:23 | 0:40:25 | |
We're not going with the bonus buy but we're going to sell it anyway. | 0:40:25 | 0:40:28 | |
-Here it comes. -AUCTIONEER: 176. | 0:40:28 | 0:40:30 | |
There we are, we have the Victorian white metal choirmaster's baton. | 0:40:30 | 0:40:34 | |
Start with me at £10. Do I see 12 in the room? | 0:40:34 | 0:40:37 | |
At 10 with me, and 12 is it? | 0:40:37 | 0:40:39 | |
On the book at £10, got 12 on the net. | 0:40:39 | 0:40:42 | |
£15 on commission. 18 is it now? | 0:40:42 | 0:40:45 | |
20, 20, and five now. | 0:40:45 | 0:40:47 | |
At 20 I have to my right. | 0:40:47 | 0:40:49 | |
And five. 25, 30. | 0:40:49 | 0:40:52 | |
And we are selling at 25. | 0:40:52 | 0:40:54 | |
You made the right decision, kids. 25. Five off 40. | 0:40:55 | 0:41:00 | |
That is, well, that's amazing, isn't it? Amazing. | 0:41:00 | 0:41:05 | |
At 25, that's five off 30. So that is minus 35. | 0:41:05 | 0:41:09 | |
Doesn't apply, though, cos you stuck with your gut instinct, | 0:41:09 | 0:41:12 | |
which means you are plus £13. Which could be a winning score. | 0:41:12 | 0:41:16 | |
Don't say a word to anybody and all will be revealed in a moment. | 0:41:16 | 0:41:19 | |
Well done. | 0:41:19 | 0:41:20 | |
-Been chatting? -No. -No? No? No. | 0:41:26 | 0:41:29 | |
Well, I have to reveal, I'm afraid, quite a painful process. | 0:41:29 | 0:41:32 | |
We don't have losers any more, we have runners-up, | 0:41:32 | 0:41:34 | |
and the runners-up by a long chalk today are the Reds. | 0:41:34 | 0:41:38 | |
Oh, I'm so sorry! | 0:41:38 | 0:41:40 | |
£17 was the best you achieved on those moose moulds with | 0:41:40 | 0:41:47 | |
the stationery rack attached, | 0:41:47 | 0:41:49 | |
which was the weirdest grouping I think I've ever seen! | 0:41:49 | 0:41:53 | |
-Otherwise, it was a lot of minus scores. -Yeah. | 0:41:53 | 0:41:56 | |
I mean, I'm sorry, darling. Just didn't go your way, did it? | 0:41:56 | 0:41:59 | |
-It didn't. -No, it didn't! | 0:41:59 | 0:42:02 | |
Anyway, there we are, we all learn a lesson, right? | 0:42:02 | 0:42:04 | |
And that's what goes to make us British and so great. | 0:42:04 | 0:42:08 | |
Thank you, team, because on the other side, | 0:42:08 | 0:42:10 | |
you're going to go home with money. £13 worth. | 0:42:10 | 0:42:14 | |
-There we go, there's the tenner. -Thank you. | 0:42:14 | 0:42:16 | |
Esme and Stephen, this is for you to share, which is lovely. | 0:42:16 | 0:42:20 | |
£23 was the profit on your first lot, | 0:42:20 | 0:42:24 | |
then you had a wiped face and then the leather box with | 0:42:24 | 0:42:27 | |
the little ruby glass stoppers made a loss of £10. | 0:42:27 | 0:42:30 | |
But that still gave you £13 of profit. | 0:42:30 | 0:42:33 | |
You didn't go with the bonus buy, which was a jolly good thing! | 0:42:33 | 0:42:36 | |
And, as a result, you walk home with your £13. How does it feel? | 0:42:36 | 0:42:40 | |
-Pretty good. -All good. -Does it? -Yeah. -Does it? | 0:42:40 | 0:42:43 | |
-Well, I am very pleased. -A bit more, but that's all right. | 0:42:43 | 0:42:45 | |
You would like some more?! Greedy guts! | 0:42:45 | 0:42:47 | |
Just to make a profit on this programme is a considerable | 0:42:47 | 0:42:50 | |
achievement, so well done. And it has been great having you here. | 0:42:50 | 0:42:53 | |
-In fact, join us soon for some more bargain-hunting, yes? -ALL: Yes! | 0:42:53 | 0:42:57 | |
I know you're sitting there thinking, | 0:42:58 | 0:43:00 | |
"I could have done better than that!" Well, what's stopping you? | 0:43:00 | 0:43:05 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:05 | 0:43:09 | |
It'll be splendid to see you. | 0:43:09 | 0:43:12 |