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Norfolk, dubbed Nelson Country after Horatio Lord Nelson, | 0:00:02 | 0:00:05 | |
who was born here. | 0:00:05 | 0:00:07 | |
And in the words of the great Horatio, | 0:00:07 | 0:00:10 | |
"Five minutes makes the difference between defeat and victory." | 0:00:10 | 0:00:15 | |
So how about 60 minutes? Let's go bargain-hunting, yeah! | 0:00:15 | 0:00:19 | |
The Norfolk Showground is host to many a county show, | 0:00:45 | 0:00:50 | |
and on today's programme our teams are going head to head | 0:00:50 | 0:00:54 | |
for the honour of being best in show. | 0:00:54 | 0:00:56 | |
But who will be top dog?! | 0:00:56 | 0:00:58 | |
Will it be the Reds, or will it be the Blues? | 0:00:58 | 0:01:01 | |
Let's find out, shall we? | 0:01:01 | 0:01:02 | |
Today, the Reds are working up a thirst. | 0:01:04 | 0:01:06 | |
-Do you like champagne, Jessica? -I love pink champagne. -Do you?! | 0:01:06 | 0:01:10 | |
I love hip flasks, um... and what's inside them, of course. | 0:01:10 | 0:01:14 | |
If that was full of a nice claret, it'd be worth double. | 0:01:14 | 0:01:18 | |
-And the Blues are bang on. -How old do you think that is? | 0:01:19 | 0:01:22 | |
-Uh...Victorian. -Well, good, yeah, how did you know that? | 0:01:22 | 0:01:25 | |
-I read the label. -Did you? You didn't have to... | 0:01:25 | 0:01:28 | |
Before all that, let's get acquainted. | 0:01:29 | 0:01:32 | |
Well, it's fathers and daughters, the theme of our programme today, | 0:01:32 | 0:01:37 | |
and for the Reds we've got James and Jessica, | 0:01:37 | 0:01:39 | |
and for the Blues we've got Stephen and Olivia. | 0:01:39 | 0:01:42 | |
-Hello, everyone. -Hello! | 0:01:42 | 0:01:44 | |
Now, Jimmy, what's this about you knocking around with royalty, then? | 0:01:44 | 0:01:47 | |
Yeah, I was ten years in Saudi Arabia, in Riyadh, the capital. | 0:01:47 | 0:01:50 | |
-I taught at King Faisal School... -Did you? | 0:01:50 | 0:01:53 | |
..which had all the sons of princes and kings, | 0:01:53 | 0:01:56 | |
and I had a thoroughly good time. | 0:01:56 | 0:01:58 | |
And did you drag the kids with you? Everybody went to live out there? | 0:01:58 | 0:02:01 | |
-The whole lot. -I was dragged in. -Well, I went first... -Yeah, yeah. | 0:02:01 | 0:02:05 | |
..and when I found it was great, I brought the family over. | 0:02:05 | 0:02:08 | |
So, Jess, when you were there, | 0:02:08 | 0:02:09 | |
-presumably you went to a lot of markets. -Loads. | 0:02:09 | 0:02:12 | |
-You like a bit of shopping. -Yes. | 0:02:12 | 0:02:14 | |
You're going to like it on Bargain Hunt, then, aren't you? | 0:02:14 | 0:02:17 | |
-So any techniques, how to haggle well? -Embarrassingly, yes. | 0:02:17 | 0:02:22 | |
-I was led astray by Dad's friend. We used to go to souks. -Roger, yes. | 0:02:22 | 0:02:27 | |
Roger, and he used to teach us to get the stall owner like this. | 0:02:27 | 0:02:32 | |
-No! -And just slap him. -Progressively getting harder. | 0:02:32 | 0:02:36 | |
-Harder, and he would drop the price. -Really? -Yes. | 0:02:36 | 0:02:38 | |
I suggest you don't try that today here in Norwich, right? | 0:02:38 | 0:02:42 | |
Cos you try that technique and you might not get on so terribly well. | 0:02:42 | 0:02:46 | |
-No! -Anyway, so you've learned how to do it, anyway... -Yes. | 0:02:46 | 0:02:49 | |
..which is perfect. | 0:02:49 | 0:02:50 | |
Will you be buying things like that today, do you think? | 0:02:50 | 0:02:53 | |
Well, I'd love to come across some Middle Eastern things, | 0:02:53 | 0:02:55 | |
-but there's no guarantee. -No, no. | 0:02:55 | 0:02:57 | |
-But I will keep my eyes peeled. -Keep your eye peeled. | 0:02:57 | 0:02:59 | |
I have every confidence in you, you international couple, you, | 0:02:59 | 0:03:02 | |
which is going to be so much fun. Anyway, good luck. | 0:03:02 | 0:03:05 | |
Now, for the Blues, Stephen, you're a man of many talents, | 0:03:05 | 0:03:09 | |
-but essentially of the agrarian variety. -That's correct, yes. | 0:03:09 | 0:03:12 | |
-You farm here. -Yes, I do, I've been farming here all my life. | 0:03:12 | 0:03:14 | |
And what's so great about Norfolk as a farming place? | 0:03:14 | 0:03:17 | |
-Because it's very flat, right? -Well, it is, yes, | 0:03:17 | 0:03:19 | |
so you haven't got too many hills to worry about going up and down, | 0:03:19 | 0:03:22 | |
but we love it here, I wouldn't want to live anywhere else, to be honest. | 0:03:22 | 0:03:25 | |
-You also like to do a bit of acting. -Yes. -What sort of productions? | 0:03:25 | 0:03:28 | |
Well, I do a lot of local stuff. | 0:03:28 | 0:03:30 | |
I was Judas in Jesus Christ Superstar in the spring. | 0:03:30 | 0:03:33 | |
-Were you? Were you? -Yes, and I've been in The Crucible | 0:03:33 | 0:03:36 | |
and many various things over the years. | 0:03:36 | 0:03:38 | |
-You're pretty hot property, then. -Well, I quite enjoy it. -What fun! | 0:03:38 | 0:03:41 | |
What does the daughter think about going and seeing the father? | 0:03:41 | 0:03:44 | |
-Is that good fun? -Yeah, it is, cos I do a little bit myself as well. | 0:03:44 | 0:03:47 | |
-Oh, do you? -Yeah. -It's a thespian family, then! | 0:03:47 | 0:03:50 | |
-A little bit. -That's amazing, isn't it? | 0:03:50 | 0:03:52 | |
So, Olivia, you were born on the farm, right? | 0:03:52 | 0:03:55 | |
Yeah, lived there my whole life. | 0:03:55 | 0:03:57 | |
-You've got a bit of a thing about tractors, haven't you? -Yeah, I do. | 0:03:57 | 0:04:00 | |
I do a tractor run every year, | 0:04:00 | 0:04:03 | |
which is a group of women all dressed in pink, | 0:04:03 | 0:04:06 | |
and raise money for, uh... Cancer Research. | 0:04:06 | 0:04:09 | |
-Really? -Yes. -I mean, it must be quite a sight. | 0:04:09 | 0:04:11 | |
-Yeah, it's a real spectacle. -So how many women and how many tractors? | 0:04:11 | 0:04:15 | |
This year, cos it was the tenth anniversary, | 0:04:15 | 0:04:17 | |
-there was 160 tractors. -No! -Yeah. | 0:04:17 | 0:04:19 | |
-All driven by women, all in pink? -All in pink, all driven by women. | 0:04:19 | 0:04:22 | |
Where do you drive to and from, then? | 0:04:22 | 0:04:24 | |
We go through places like Harleston, hundreds of people, | 0:04:24 | 0:04:28 | |
100 people lining the streets. | 0:04:28 | 0:04:29 | |
I think you're going to have good fun today. | 0:04:29 | 0:04:31 | |
Will you be buying anything agriculturally related, | 0:04:31 | 0:04:33 | |
do you think, on the show? | 0:04:33 | 0:04:34 | |
-Well, I think if we can find anything. -Yeah. | 0:04:34 | 0:04:37 | |
-But we'll keep an open mind. -Open mind, that is the way to proceed. | 0:04:37 | 0:04:41 | |
And now you get the money moment, £300 apiece. | 0:04:41 | 0:04:43 | |
There's your £300, Jess. There you go, Olivia. | 0:04:43 | 0:04:46 | |
You know the rules, your experts await, and off you go! | 0:04:46 | 0:04:49 | |
And very, very, very good luck. Ladies in pink on tractors, eh? | 0:04:49 | 0:04:53 | |
OK, that's today's family teams, | 0:04:53 | 0:04:56 | |
but who's here to help them out? | 0:04:56 | 0:04:59 | |
Lifting the veil on the antiques world for the Reds, | 0:04:59 | 0:05:02 | |
it's Caroline Hawley. | 0:05:02 | 0:05:04 | |
And hoping to change the fortunes of the Blues, it's Thomas Plant. | 0:05:04 | 0:05:09 | |
James, Jessica, what's the plan of action today? | 0:05:09 | 0:05:11 | |
What are you looking for? Do you agree, are you falling out, what? | 0:05:11 | 0:05:14 | |
-Um... -We're going to try and agree. | 0:05:14 | 0:05:16 | |
-So are you guys excited? -Oh, yes! -So excited! | 0:05:16 | 0:05:19 | |
I can sense you're quite excited. Are you this excited on the farm? | 0:05:19 | 0:05:23 | |
I'm always excited a lot of the time. | 0:05:23 | 0:05:25 | |
Things that I like, I'll have the final say, | 0:05:25 | 0:05:28 | |
and if he has more knowledge, he'll have the final say. | 0:05:28 | 0:05:31 | |
-Does Dad have more knowledge? -Of course! -Yeah, he's wiser, older. | 0:05:31 | 0:05:34 | |
-Good! You've trained your daughter well. -I have, actually. | 0:05:34 | 0:05:36 | |
-Right, come on, let's go. -I wasn't expecting that. -Let's go shopping! | 0:05:36 | 0:05:40 | |
-How are we going to cope? -I figure it's going to be a nightmare. | 0:05:40 | 0:05:42 | |
-Is your daughter always like this? -Certainly is. -Oh, my God! | 0:05:42 | 0:05:46 | |
No time for reflection, teams, step to it! | 0:05:46 | 0:05:50 | |
It won't fit on my head. | 0:05:50 | 0:05:52 | |
Because you've got a big head or a small head? | 0:05:52 | 0:05:54 | |
-A perfect fit! -I've got a big head! -Perfect, is it an opera top hat? | 0:05:54 | 0:05:58 | |
Opera... No, it's not. Opera top hats collapse, | 0:05:58 | 0:06:00 | |
and then when you want them to go, you go...and it goes... | 0:06:00 | 0:06:03 | |
-Oh, brilliant. -It pops out. | 0:06:03 | 0:06:05 | |
-But no. -SHE LAUGHS | 0:06:05 | 0:06:07 | |
I've got a really big head. | 0:06:07 | 0:06:09 | |
-Nothing fits me. -It would look good if it was the right size. | 0:06:10 | 0:06:13 | |
Yeah, absolutely, absolutely. | 0:06:13 | 0:06:14 | |
Do you know, top hats are good when they fit me. | 0:06:14 | 0:06:16 | |
-If they fit me, they're worth buying. -Oh, really? | 0:06:16 | 0:06:18 | |
Because our heads have just got bigger and bigger and bigger, | 0:06:18 | 0:06:21 | |
as the generations have gone on, it's all that protein we eat. | 0:06:21 | 0:06:25 | |
Ah... | 0:06:25 | 0:06:27 | |
Who'd have thought you could tell all that from a top hat? | 0:06:27 | 0:06:30 | |
You're amazing, Thomas. | 0:06:30 | 0:06:32 | |
-Do you like champagne? -I love pink champagne. -Do you? | 0:06:32 | 0:06:36 | |
-Pink is my favourite. Champagne flute. -You like the flutes better? | 0:06:36 | 0:06:41 | |
-I think the flutes are nice. I'd like to hold it like that. -I don't. | 0:06:41 | 0:06:44 | |
-I think they are more elegant. -I think those are really elegant. | 0:06:44 | 0:06:47 | |
-Shall we see how much they are? -Yes. | 0:06:47 | 0:06:49 | |
-Are they individually...? -£145. | 0:06:53 | 0:06:55 | |
For all of them? For the whole thing? | 0:06:55 | 0:06:57 | |
-Yes. -For six. -I think that is a lot of money. -Too much. -Yeah. | 0:06:59 | 0:07:03 | |
I expect a magnum of champagne for that, as well. Come on. | 0:07:03 | 0:07:06 | |
-Move on, Jessica. -Let's go. -I would. Pink champagne as well! | 0:07:06 | 0:07:09 | |
-How much for the box of keys? -65 is the best. | 0:07:16 | 0:07:20 | |
-How much? -£65. | 0:07:20 | 0:07:24 | |
They are good things, are they? | 0:07:24 | 0:07:26 | |
Something in an auction, a box of keys, it is just a good lot, | 0:07:26 | 0:07:29 | |
-isn't it? -I quite like them. -Go on, go on, Steve! -All right. | 0:07:29 | 0:07:35 | |
-What was she saying? -65 is the best. Go and negotiate. -OK. | 0:07:35 | 0:07:38 | |
How do you think he'll do? | 0:07:38 | 0:07:41 | |
Erm... See if he turns on the charm. I don't know! | 0:07:41 | 0:07:44 | |
-Is he a charmer, your old man? -A little bit! -Is he? -Go on, Dad! | 0:07:44 | 0:07:49 | |
Now, can I spot a theme emerging in the Red camp with this decanter? | 0:07:49 | 0:07:54 | |
-I don't think it has got a lot of age to it. -No, it hasn't. | 0:07:54 | 0:07:57 | |
And it is obviously a glass with a plated mount. What sort of price? | 0:07:59 | 0:08:03 | |
SELLER: 135. | 0:08:03 | 0:08:05 | |
-I think that is way too much money. -Because of the age? | 0:08:05 | 0:08:09 | |
Yes, I think so. It is a lovely thing. Hello, sir. | 0:08:10 | 0:08:13 | |
I mean, what would you...? | 0:08:13 | 0:08:15 | |
What would the mileage be with the price tag? | 0:08:15 | 0:08:18 | |
If that was full of a nice claret, it would be worth double. | 0:08:18 | 0:08:21 | |
-You would probably see double of it! -Oh, you would! | 0:08:21 | 0:08:25 | |
I think it is lovely, | 0:08:25 | 0:08:27 | |
but I think it is too expensive to sell again at a profit. | 0:08:27 | 0:08:30 | |
-Thanks very much. -Thank you very, very much. | 0:08:30 | 0:08:32 | |
-Caught Jessica's eye from across the room. -It did. | 0:08:32 | 0:08:36 | |
So, has Stephen proved to be a smooth operator with those keys? | 0:08:36 | 0:08:40 | |
It is amazing, somebody has sprayed them. | 0:08:40 | 0:08:43 | |
Put them around photo frames. | 0:08:43 | 0:08:45 | |
-Have you got anywhere yet? What are you doing, just chatting? -Yeah! | 0:08:45 | 0:08:49 | |
-Have you got a price yet? -Well, we've got to find out. | 0:08:49 | 0:08:51 | |
-So, madam, what is your best price on these? -65 is the best. | 0:08:53 | 0:08:57 | |
How about 50? | 0:08:57 | 0:08:59 | |
-How about no? -60? -60? -55. -No. | 0:08:59 | 0:09:02 | |
-Why not? -65. -60. -Well done. | 0:09:02 | 0:09:06 | |
-What do you think? -I like... I think we should go with it. | 0:09:06 | 0:09:10 | |
-We can do a lot with them. -First lot? | 0:09:10 | 0:09:12 | |
-That's fab, isn't it? -One down. -Let's go. | 0:09:13 | 0:09:16 | |
Well done, Blues, locking down your first buy within 12 minutes. | 0:09:16 | 0:09:21 | |
Now, has James clocked a bargain too? | 0:09:21 | 0:09:24 | |
-Caroline? Jess? -Oh, what's he found? | 0:09:24 | 0:09:28 | |
Sorry, James, we continued on our merry way. | 0:09:29 | 0:09:32 | |
All right, what do you think about the clock? | 0:09:32 | 0:09:35 | |
Do you know, that is lovely. | 0:09:35 | 0:09:36 | |
-It is quite nice condition. -Definite Chinese vibe to it. | 0:09:37 | 0:09:41 | |
-Yeah, absolutely. What sort of price is it though? -495 on there. | 0:09:41 | 0:09:46 | |
-How much?! -495, yeah. -Do you know how much money we have? | 0:09:46 | 0:09:49 | |
I have had a word with the gentleman, | 0:09:49 | 0:09:51 | |
and he is prepared to do that for 190. | 0:09:51 | 0:09:54 | |
-Apparently he has had a good day. -He has had a jolly good day! | 0:09:54 | 0:09:58 | |
And I'm having a good day if he will... | 0:09:58 | 0:10:00 | |
And he will let it go at 190? | 0:10:00 | 0:10:01 | |
-He will let it go at 190. -What do you think, Jessica? | 0:10:01 | 0:10:03 | |
-Are you happy with that? -I like it. -Shall we shake the gentleman's hand? | 0:10:03 | 0:10:06 | |
-I definitely like it. -Yes, please do! | 0:10:06 | 0:10:08 | |
Thank you very much. Good luck, sir. | 0:10:08 | 0:10:10 | |
-Thank you very much. -That is brilliant. | 0:10:10 | 0:10:12 | |
-A very, very quick decision. -Excellent. | 0:10:12 | 0:10:15 | |
Goodness me, Jimmy. | 0:10:15 | 0:10:17 | |
That is a big spend for your first buy. | 0:10:17 | 0:10:19 | |
-I love things like that. -Why do you like things like this? -I don't know. | 0:10:20 | 0:10:23 | |
-I just love the whole musical instruments thing. -Do you play? | 0:10:23 | 0:10:26 | |
No, I don't play anything, to my shame. But I do like them. | 0:10:26 | 0:10:29 | |
It had a mini spider on it. | 0:10:29 | 0:10:31 | |
PRRRRP! | 0:10:31 | 0:10:34 | |
Not that good, I know! But regimental things are quite popular. | 0:10:34 | 0:10:38 | |
And, funnily enough, the Royal Welch Fusiliers, | 0:10:38 | 0:10:41 | |
their ranks in the First World War were quite strong. | 0:10:41 | 0:10:44 | |
And then, about 1915 they set up the Welsh Guards. | 0:10:44 | 0:10:48 | |
And so a lot of people left the Welch Fusiliers | 0:10:48 | 0:10:52 | |
to go to the Welsh Guards. | 0:10:52 | 0:10:54 | |
-OK. -So, you know, I think there is collectable value in this. | 0:10:54 | 0:10:57 | |
I think it is quite cool. Don't you? | 0:10:57 | 0:10:59 | |
-That is quirky. -You spotted it. -Well, I like it. | 0:10:59 | 0:11:02 | |
-But you know, I don't have any idea what the value would be. -It is £55. | 0:11:02 | 0:11:08 | |
-Is it? -I would say it's worth probably 25. I might ask. -OK. | 0:11:08 | 0:11:12 | |
Where has she gone? | 0:11:12 | 0:11:13 | |
So, whilst TP rallies the troops, the Red team search for a miracle. | 0:11:15 | 0:11:20 | |
Could you tell me about this, or how much it is? | 0:11:20 | 0:11:23 | |
I can. This is Miracle. So it has actually got a name. | 0:11:23 | 0:11:27 | |
Which makes it collectable. It is just a bit of costume jewellery. | 0:11:27 | 0:11:32 | |
-And it is very reasonable. -1920s, '30s, is it? | 0:11:32 | 0:11:36 | |
I think it is about '30s, yes. Very reasonable piece. | 0:11:37 | 0:11:41 | |
-And is it a reasonable price? -It is. It's £10. | 0:11:41 | 0:11:45 | |
Right. What do you think? | 0:11:45 | 0:11:48 | |
-£10? I think you love it. -I do. I love these thistles. | 0:11:48 | 0:11:52 | |
-We should go for it. Yeah. -Can you do any better, at all? | 0:11:52 | 0:11:57 | |
The lowest, the very lowest I would go, is eight. | 0:11:57 | 0:11:59 | |
-I think... -I think that's... it's got something, I think. | 0:12:02 | 0:12:04 | |
-OK. OK. -What do you think? -Yeah. -Yes. | 0:12:04 | 0:12:07 | |
-Brilliant. -Fantastic. -Take it for £8. | 0:12:07 | 0:12:09 | |
-Lovely. Deal. -Thank you very much, deal. -Deal. -Thank you. -Thank you. | 0:12:09 | 0:12:13 | |
How different can you get, eh? | 0:12:14 | 0:12:16 | |
From £190 for the clock down to £8 for this brooch. | 0:12:16 | 0:12:20 | |
Maybe they're not the big spenders I thought they were. | 0:12:20 | 0:12:23 | |
-The owner's back here. -OK. -So, I've spoken to him about the bugle. | 0:12:23 | 0:12:26 | |
-Right. -Right. -It's £25. -Really? -Oh! -Do you think that's worth it? | 0:12:26 | 0:12:30 | |
Well, it could be worth a punt. Or I've spotted these - | 0:12:30 | 0:12:34 | |
a Parker pen set from the '70s. | 0:12:34 | 0:12:37 | |
-You've got the fountain pen and the biro and the pencil. -Yep. | 0:12:37 | 0:12:40 | |
It's all there and never been really used. | 0:12:40 | 0:12:43 | |
-In its original... -In its original slip. | 0:12:43 | 0:12:46 | |
Now... I'm a bit of a fan of pens only because | 0:12:46 | 0:12:49 | |
they are quite popular these days cos | 0:12:49 | 0:12:51 | |
they can be posted over the internet. | 0:12:51 | 0:12:52 | |
-Right. -People like pens. | 0:12:52 | 0:12:54 | |
What was it again? What did you say? | 0:12:54 | 0:12:57 | |
-Them? -Yeah. -45's on it... -Yeah. -I'll do it for 30. -£30. -OK. | 0:12:57 | 0:13:03 | |
Still got the original cartridges, you know, | 0:13:05 | 0:13:07 | |
refills that have never been used. | 0:13:07 | 0:13:10 | |
-Oh, yeah. Underneath there. -Goodness. -Isn't that funny! | 0:13:10 | 0:13:13 | |
Just as it came. | 0:13:13 | 0:13:14 | |
-All complete. -It's all complete, isn't it? -Yeah. | 0:13:15 | 0:13:18 | |
-I might try that for 25. -Yeah, I was going to say. A bit lower. | 0:13:18 | 0:13:21 | |
I might just have a quick chat and, er... | 0:13:21 | 0:13:24 | |
-see. Would you be happy at 25? -I think so, wouldn't you? | 0:13:24 | 0:13:28 | |
-You're not giving any... -Well... | 0:13:28 | 0:13:31 | |
-I can see this face. -A pen's a pen, isn't it? | 0:13:31 | 0:13:34 | |
-Do you know what...? -But it's a set. -Mm. | 0:13:34 | 0:13:38 | |
Do you want the bugle instead? | 0:13:38 | 0:13:40 | |
-I prefer the bugle. -What's it going to be, then, Blues? | 0:13:40 | 0:13:45 | |
Are the pens mightier than the... ha... bugle! | 0:13:45 | 0:13:49 | |
-We'll go with the bugle then. -Sure? | 0:13:49 | 0:13:51 | |
You two have got more excitement with the bugle. | 0:13:51 | 0:13:53 | |
I don't want to fall out with you. | 0:13:53 | 0:13:55 | |
You've got more excitement with the bugle. And I will put these aside? | 0:13:55 | 0:13:58 | |
-OK. You might come back. -A pen's a pen. -I might come back. | 0:13:58 | 0:14:00 | |
CHUCKLING | 0:14:00 | 0:14:02 | |
-I may come back. -Bugle it is. -Now that the bugle's only 25... -Yeah. -It could even be better. | 0:14:02 | 0:14:06 | |
-Do you think we can get any less than that? -Maybe. | 0:14:06 | 0:14:08 | |
-He's off. -He's off. | 0:14:08 | 0:14:10 | |
Better go! | 0:14:10 | 0:14:12 | |
So, the Blues opt for the bugle at £25 and with 30 minutes | 0:14:12 | 0:14:16 | |
spent out in the cold they head inside to get warm | 0:14:16 | 0:14:19 | |
and their final item. | 0:14:19 | 0:14:22 | |
-What have you found, James? -You keep a cigar in it. -Oh, wow! | 0:14:22 | 0:14:26 | |
-That's one cigar, isn't it? -That would be... the biggest... | 0:14:27 | 0:14:31 | |
-Do you smoke? -I do. I love them, actually. | 0:14:31 | 0:14:33 | |
-It's the only thing I smoke. -Do you smoke cigars the size of this one? | 0:14:33 | 0:14:37 | |
I've never seen... "Made in Rangoon, The Great Eastern Trading Company." | 0:14:37 | 0:14:41 | |
Mmm, no, at the end of the day it's just a bit of... | 0:14:41 | 0:14:44 | |
metal tubing, it's only that that makes it interesting. | 0:14:44 | 0:14:47 | |
-Yeah, and there's no cigar inside it. -And there's no cigar inside it... | 0:14:47 | 0:14:51 | |
-Or lid. -Or lid. -Or lid. -Well spotted, Jessica. -Oh. | 0:14:51 | 0:14:55 | |
I think that's just been vetoed by your daughter, James. | 0:14:55 | 0:14:58 | |
-I think it has been. OK. -Yeah. -It's a fair veto, I think. | 0:14:58 | 0:15:00 | |
Just a pipe dream! | 0:15:00 | 0:15:02 | |
Yes, just a pipe dream, yes. | 0:15:02 | 0:15:04 | |
Great pun, Jess. Couldn't do it better myself. | 0:15:04 | 0:15:07 | |
GONG CHIMES | 0:15:09 | 0:15:10 | |
You like things which make noises, don't you? | 0:15:10 | 0:15:13 | |
-The bugle and then the dinner gong. -This one, Grandma... | 0:15:13 | 0:15:16 | |
-Had one. -Yes. One like this. -How old do you think that is? -Victorian. | 0:15:16 | 0:15:21 | |
-Good. How did you know that? -I read the label. -Did you? | 0:15:21 | 0:15:24 | |
You didn't have to say. | 0:15:24 | 0:15:27 | |
"Well, actually, Thomas, it's because of the style, you know. | 0:15:27 | 0:15:31 | |
"Don't you know this ornate style here and these grotesques?" | 0:15:31 | 0:15:36 | |
-How much is it? -69 at the moment. -£69? | 0:15:36 | 0:15:40 | |
Who's going to speak to them? | 0:15:40 | 0:15:41 | |
So far, I have to say, you two are appalling at doing the deal. | 0:15:41 | 0:15:49 | |
-OK, right then. -You two have to go and do something magical. | 0:15:49 | 0:15:54 | |
-If you can get it for... -If we can get it for 40. -Start at 35. -35? | 0:15:54 | 0:16:00 | |
-Start at 35 and see what happens. OK? -Is that not taking it... -No! -OK. | 0:16:00 | 0:16:04 | |
It's an offer. Nobody should ever be offended by an offer. Go on. | 0:16:04 | 0:16:08 | |
So, while the Blues haggle, the Reds quibble. | 0:16:13 | 0:16:16 | |
I really like it but I can't imagine it doing very well at auction. | 0:16:16 | 0:16:21 | |
Can't you? Poole, the name Poole. I love hip flasks, | 0:16:21 | 0:16:26 | |
-and what's inside them, of course. -It doesn't have a lot of age to it. | 0:16:26 | 0:16:29 | |
If it's plated and it's quite new, I think | 0:16:29 | 0:16:31 | |
maybe we won't go for it, to be honest. | 0:16:31 | 0:16:34 | |
Now, are the Blues going for a gong? | 0:16:34 | 0:16:36 | |
-What have you got it for? -The lady will come down to 50. -£19 off. -Yes. | 0:16:37 | 0:16:43 | |
OK. It's not great but it's a start. | 0:16:43 | 0:16:47 | |
Do you think it'll make a profit at that? | 0:16:47 | 0:16:49 | |
It's got the potential of doing OK, but it's also got the potential | 0:16:49 | 0:16:52 | |
of not, of, you know, starting at 20 and then selling for two. | 0:16:52 | 0:16:56 | |
Do you know what I mean? | 0:16:56 | 0:16:58 | |
-You can connect with an item but is it going to make you money? -OK. | 0:16:58 | 0:17:02 | |
I think the two items you've got will, | 0:17:02 | 0:17:04 | |
-and I want you to get a little... -Bit more. | 0:17:04 | 0:17:06 | |
-Come on. -Thank you very much. | 0:17:06 | 0:17:09 | |
-It's very fair, very fair. -We'll carry on. -Carry on. Let's go. | 0:17:09 | 0:17:13 | |
Thank you. | 0:17:13 | 0:17:16 | |
-Seems the gong has gone. -Excuse me, please. | 0:17:16 | 0:17:19 | |
Would it be all right to have a look at one of your items? | 0:17:19 | 0:17:22 | |
Of course you may. What would you like to look at? | 0:17:22 | 0:17:25 | |
Can you tell us anything about your instrument, the mandolin? | 0:17:25 | 0:17:29 | |
-It does have a case. -It has a case? | 0:17:30 | 0:17:33 | |
It does have a case but it's battered. | 0:17:33 | 0:17:36 | |
What's the very, very, very, very best, please? | 0:17:36 | 0:17:38 | |
-One musician to another, come on. -75. -75? | 0:17:38 | 0:17:43 | |
What's the musical market like? This is the problem. | 0:17:45 | 0:17:48 | |
It's a specialist market. It's a nice-looking thing. | 0:17:48 | 0:17:52 | |
You've picked it up because you're a musician. | 0:17:52 | 0:17:54 | |
That's beautiful rosewood, beautifully inlaid. | 0:17:54 | 0:17:56 | |
Inlaid there, isn't it? | 0:17:56 | 0:17:58 | |
I'm not an expert on mandolins but with the tension, | 0:17:58 | 0:18:01 | |
-what can happen is this twists. -It can twist and warp. | 0:18:01 | 0:18:06 | |
The neck can bow either way? | 0:18:06 | 0:18:08 | |
Keep doing this and eventually it'll twist. But it's not. | 0:18:08 | 0:18:11 | |
Could this... Just a tiny little bit more on the price? We're... | 0:18:11 | 0:18:15 | |
-60? -Oh, you're a tough one. 72. -72? | 0:18:15 | 0:18:21 | |
-We were both thinking 60. -We were. -65 then. | 0:18:21 | 0:18:27 | |
65 and done. | 0:18:27 | 0:18:29 | |
-Thank you, sir. -Thank you very, very much. | 0:18:29 | 0:18:33 | |
-You're not coming back again today, are you? -We won't dare. | 0:18:33 | 0:18:38 | |
Well done, Reds, gaining your third and final purchase | 0:18:40 | 0:18:43 | |
with time to spare. | 0:18:43 | 0:18:44 | |
Now, have the Blues managed to hone down their search for item | 0:18:44 | 0:18:48 | |
-number three? -What appealed to you on this? | 0:18:48 | 0:18:51 | |
-I thought it was quite pretty. -It's dead pretty, isn't it? | 0:18:51 | 0:18:54 | |
Do you know what this is called? | 0:18:54 | 0:18:55 | |
It's called millefiori, which is Italian for 1,000 canes. | 0:18:55 | 0:19:00 | |
These are canes of glass | 0:19:01 | 0:19:04 | |
and then they've been all moulded together and then | 0:19:04 | 0:19:06 | |
hand-blown into this vase in the Italian Murano style. | 0:19:06 | 0:19:10 | |
-How old is it? -Well, it's not that old. | 0:19:10 | 0:19:14 | |
With glass, the way to date glass is you look around the rim | 0:19:14 | 0:19:16 | |
and see what wear there is. | 0:19:16 | 0:19:18 | |
There's hardly any wear to this but it is very nice. | 0:19:18 | 0:19:21 | |
-It's got a good look to it. -What do you think? | 0:19:21 | 0:19:24 | |
It's not that old so I wouldn't go a bundle on it. | 0:19:24 | 0:19:28 | |
I wouldn't go a bundle on it, but let's carry on. | 0:19:28 | 0:19:32 | |
We've still got some time. | 0:19:32 | 0:19:34 | |
Oh, well, the search continues but only six minutes left. | 0:19:34 | 0:19:38 | |
That's not much of a cushion. | 0:19:38 | 0:19:39 | |
-Ah, that's made for you. -Get that with the leftover lolly. | 0:19:40 | 0:19:45 | |
Leftover lolly. | 0:19:45 | 0:19:47 | |
Good horse design, agricultural. It reflects you guys, doesn't it? | 0:19:47 | 0:19:52 | |
I just saw it and I thought, I've got no idea. | 0:19:52 | 0:19:55 | |
Words of Thomas. Put it down! | 0:19:55 | 0:19:58 | |
Best keep them in check, Thomas, because time is running out. | 0:19:58 | 0:20:01 | |
-Three minutes left. -Right, OK, so what's it between now? | 0:20:01 | 0:20:04 | |
It is the glass vase and the gong. | 0:20:04 | 0:20:06 | |
-Glass vase and the gong. -Yes. -Right, OK. | 0:20:06 | 0:20:09 | |
-You don't like the fire irons set? -No. -No, OK? | 0:20:09 | 0:20:12 | |
-I do like the glass vase. -OK, we're going to see what she'll do. | 0:20:12 | 0:20:17 | |
-I think we're that desperate, we've got to buy. -OK. | 0:20:17 | 0:20:20 | |
-£34? -£34. -Could you maybe stretch to 30? | 0:20:25 | 0:20:29 | |
I think 30 is too much. | 0:20:29 | 0:20:31 | |
-You would stretch to 30? -Yes, I will. | 0:20:31 | 0:20:35 | |
-28. -No, 30. -What do you reckon? -£30. | 0:20:35 | 0:20:39 | |
You've got no choice. I think we've got to get it. | 0:20:39 | 0:20:42 | |
I really like it, I'll take full responsibility. It is pretty. | 0:20:42 | 0:20:46 | |
It is pretty and I'll tell you what, I trust a lady's eye, because, | 0:20:46 | 0:20:49 | |
-you know, it could be quite good. -OK. | 0:20:49 | 0:20:52 | |
We've bought manly things. Our only female item we've bought. | 0:20:52 | 0:20:56 | |
-Third and final with seconds to spare. -OK. -Brilliant, let's do it. | 0:20:56 | 0:21:00 | |
-Go for it. Well done. -Well done. -Sorry! -Sorry. | 0:21:00 | 0:21:05 | |
So that's £30 and you're all done with seconds to spare. | 0:21:05 | 0:21:09 | |
That's it, time's up. | 0:21:10 | 0:21:12 | |
Let us have a look at what the Red team bought, hey? | 0:21:12 | 0:21:15 | |
They picked up the chinoiserie clock for a bold £190. | 0:21:17 | 0:21:22 | |
Next, they bought the Celtic miracle brooch for a phenomenal £8. | 0:21:22 | 0:21:28 | |
Lastly, they plucked out the mandolin to the tune of £65. | 0:21:28 | 0:21:32 | |
-Was that good or was it good? -It was fantastic. -Marvellous. | 0:21:32 | 0:21:36 | |
You're so cheeky, you two, I tell you. | 0:21:36 | 0:21:39 | |
Jess, which is your favourite piece? | 0:21:39 | 0:21:40 | |
The brooch which has got thistles round the outside. Very pretty. | 0:21:40 | 0:21:45 | |
-Thistles. -Thistles. -Very good. And do you agree with that, Dad? | 0:21:45 | 0:21:50 | |
Mine is the mandolin, actually. | 0:21:50 | 0:21:51 | |
Is it going to bring the biggest profit? | 0:21:51 | 0:21:53 | |
I think with the right buyer, it could do, actually. | 0:21:53 | 0:21:56 | |
-What do you think, Jess? -I think our Chinese clock, which is unusual. | 0:21:56 | 0:22:01 | |
-A bit of Oriental mystery, hey? -Yes. -Exactly. | 0:22:01 | 0:22:04 | |
So, £263 spent, leaving £37. | 0:22:04 | 0:22:08 | |
Caroline, go out there | 0:22:08 | 0:22:09 | |
and convert that into something that is uber-profitable. | 0:22:09 | 0:22:12 | |
-We've got faith. -Have you? -Good, good. | 0:22:12 | 0:22:16 | |
Anyway, enjoy a nice little rest. Meanwhile, | 0:22:16 | 0:22:18 | |
we're going to check out what the Blue team bought, aren't we? | 0:22:18 | 0:22:21 | |
They latched on to the box of keys, paying £60. | 0:22:21 | 0:22:25 | |
Secondly, they mustered up the military bugle for a sound £25. | 0:22:25 | 0:22:31 | |
And finally, the Murano-style glass vase for £35. | 0:22:31 | 0:22:37 | |
-How was it? -Great. | 0:22:37 | 0:22:39 | |
It was really good fun. | 0:22:39 | 0:22:40 | |
-You can't believe the hour goes so quickly, can you? -No. | 0:22:40 | 0:22:43 | |
-They were very excited. -Were they? -Somebody was a little too excited. | 0:22:43 | 0:22:48 | |
OK, well, we might ask who that somebody was. | 0:22:48 | 0:22:51 | |
Which is your favourite piece, Olivia? | 0:22:51 | 0:22:53 | |
I like the vase that we bought, our last item that we bought. | 0:22:53 | 0:22:56 | |
-OK, that is your favourite... favourite. -Yep. | 0:22:56 | 0:22:58 | |
All right. And do you agree with that, Dad? | 0:22:58 | 0:23:00 | |
I prefer the bugle - | 0:23:00 | 0:23:02 | |
-the Royal Welch Fusiliers' bugle. -A bit of militaria. -Yeah. | 0:23:02 | 0:23:05 | |
Is that going to bring the biggest profit, do you think? | 0:23:05 | 0:23:08 | |
-I think so. -We hope so, yes. | 0:23:08 | 0:23:09 | |
-We hope the bugle, yes. -That's your prediction anyway. -Yes. | 0:23:09 | 0:23:12 | |
-And you spent how much? -115. | 0:23:12 | 0:23:14 | |
I'd like 185 of leftover lolly, please. | 0:23:14 | 0:23:16 | |
Thank you. That's it. | 0:23:16 | 0:23:18 | |
That's a good wodge, isn't it? | 0:23:18 | 0:23:20 | |
OK, Tom, for your challenge. | 0:23:20 | 0:23:23 | |
I've got my eye on something and I don't think | 0:23:23 | 0:23:25 | |
-there'll be much change. -Oh, no. | 0:23:25 | 0:23:27 | |
Blow the lot, that's it. | 0:23:27 | 0:23:28 | |
Anyway, very good luck. Meanwhile, why don't we have a look at | 0:23:28 | 0:23:31 | |
two incredibly intricate bits from the 19th century? | 0:23:31 | 0:23:36 | |
So what do you do if you're a high-born Oriental | 0:23:42 | 0:23:45 | |
and you're going out somewhere smart | 0:23:45 | 0:23:48 | |
and you haven't cut one of your fingernails for the last 42 years? | 0:23:48 | 0:23:52 | |
Well, what you do is, you come here to Norwich | 0:23:52 | 0:23:55 | |
to the showground and you find one of these... | 0:23:55 | 0:23:59 | |
HE CHUCKLES | 0:23:59 | 0:24:00 | |
..which is a silver and enamel fingernail guard. | 0:24:00 | 0:24:03 | |
And this sheath fits over the fingernail and onto your pinkie. | 0:24:03 | 0:24:08 | |
It's made of solid silver, | 0:24:08 | 0:24:10 | |
probably around about 1880, | 0:24:10 | 0:24:13 | |
probably in Canton. | 0:24:13 | 0:24:15 | |
On top of the silver | 0:24:15 | 0:24:16 | |
they've laid some wire, | 0:24:16 | 0:24:18 | |
making little cells, and into that | 0:24:18 | 0:24:21 | |
they've inserted some enamel, | 0:24:21 | 0:24:22 | |
and then fired the enamel on top of the silver | 0:24:22 | 0:24:25 | |
and created this decorative effect. | 0:24:25 | 0:24:27 | |
What I want to know is, | 0:24:27 | 0:24:28 | |
how does this weird and wonderful Chinese confection | 0:24:28 | 0:24:32 | |
pitch up here in Norwich? | 0:24:32 | 0:24:34 | |
Well, I haven't got the faintest idea. | 0:24:34 | 0:24:36 | |
All I know is that with a bit of negotiation, | 0:24:36 | 0:24:39 | |
you can buy such a treasure as this for £15, | 0:24:39 | 0:24:43 | |
which is not much per square inch. | 0:24:43 | 0:24:45 | |
Also, you find other delicious confections in silver, | 0:24:45 | 0:24:51 | |
like this little boat. | 0:24:51 | 0:24:52 | |
This looks just like a gondola, doesn't it? | 0:24:52 | 0:24:56 | |
And where do you find gondolas? You find them in Venice. | 0:24:56 | 0:24:58 | |
Except this has nothing to do with Venice | 0:24:58 | 0:25:01 | |
because it was probably made in Malta, | 0:25:01 | 0:25:03 | |
where, in Valletta harbour, | 0:25:03 | 0:25:05 | |
they have similar-looking gondola vessels. | 0:25:05 | 0:25:09 | |
What you need to do is put your close-up lens on | 0:25:09 | 0:25:12 | |
and come and have a look at the way in which this gondola | 0:25:12 | 0:25:15 | |
has been made, because it is made of, literally, | 0:25:15 | 0:25:19 | |
thousands of bits of the finest silver wire you ever did see. | 0:25:19 | 0:25:24 | |
Each of those bits of silver wire has been contorted | 0:25:24 | 0:25:27 | |
into whirls and squirls | 0:25:27 | 0:25:29 | |
that go to make up the patterning on this vessel. | 0:25:29 | 0:25:33 | |
Is that not the most extraordinary thing you ever did see? | 0:25:33 | 0:25:37 | |
Well, it's called "filigree work" and it's very desirable. | 0:25:37 | 0:25:41 | |
Now, for the sharp-eyed amongst you, | 0:25:41 | 0:25:43 | |
you might have noticed that where the people sit | 0:25:43 | 0:25:46 | |
is a mini inkwell and a pounce pot. | 0:25:46 | 0:25:49 | |
And pounce is ground-up volcanic ash | 0:25:49 | 0:25:52 | |
used instead of blotting paper to mop up any spare ink. | 0:25:52 | 0:25:56 | |
The plinth itself is interesting. | 0:25:56 | 0:25:58 | |
That's been applied with some silver foil | 0:25:58 | 0:26:01 | |
and then rippled to make it look like water. | 0:26:01 | 0:26:03 | |
A bit of later black paint, here. | 0:26:03 | 0:26:06 | |
But look at the beautiful way the filigree has been crafted | 0:26:06 | 0:26:09 | |
to make the four bracket feet. | 0:26:09 | 0:26:11 | |
And if you turn it upside down, | 0:26:11 | 0:26:13 | |
even the nuts on the bottom are made of filigree. | 0:26:13 | 0:26:18 | |
The other joyous thing is, if you turn it upside down, | 0:26:18 | 0:26:21 | |
it's got a little sticker on it. What does the sticker say? | 0:26:21 | 0:26:24 | |
£22.50. | 0:26:24 | 0:26:25 | |
Do a bit of negotiation and this confection of the finest wire | 0:26:25 | 0:26:30 | |
you ever did see in all your life | 0:26:30 | 0:26:32 | |
could be yours for £15. | 0:26:32 | 0:26:34 | |
Amazing! | 0:26:34 | 0:26:36 | |
Well, the question is, | 0:26:39 | 0:26:41 | |
will the bidders be taking a punt over at the auction? | 0:26:41 | 0:26:46 | |
Any advance on £50? | 0:26:47 | 0:26:49 | |
It will sell to my maiden bidder for £50. All done? | 0:26:49 | 0:26:52 | |
GAVEL BANGS | 0:26:54 | 0:26:56 | |
Well, how jolly is this, | 0:26:56 | 0:26:57 | |
to come to Diss to be with Elizabeth Talbot, | 0:26:57 | 0:27:00 | |
in the saleroom in Diss? | 0:27:00 | 0:27:02 | |
-How are you? -I'm well, Tim. Thank you. -Good. | 0:27:02 | 0:27:04 | |
-James and Jessica went with this strut timepiece. -Mm-hm. -Any good? | 0:27:04 | 0:27:08 | |
It has the look of the chinoiserie period - early 20th century - | 0:27:08 | 0:27:12 | |
but it's a very basic timepiece, | 0:27:12 | 0:27:14 | |
-decorative rather than anything else. -OK, fine. | 0:27:14 | 0:27:16 | |
-What's your estimate on that? -£70 to £100. -£190 paid. | 0:27:16 | 0:27:20 | |
On the basis of that, | 0:27:20 | 0:27:21 | |
they don't stand a snowflake's chance in a warm place. | 0:27:21 | 0:27:23 | |
-I don't think so. -Good. Um, now, | 0:27:23 | 0:27:26 | |
the little brooch, which is sort of Woolworths, isn't it? | 0:27:26 | 0:27:29 | |
In a polite way, yes, it is. | 0:27:29 | 0:27:31 | |
It's just a stamped metal, tinny type of brooch. | 0:27:31 | 0:27:33 | |
Very much costume jewellery. | 0:27:33 | 0:27:34 | |
-With a bit of glass in it. -Yes. -Yup. | 0:27:34 | 0:27:36 | |
A bluish glass. How much for a lump of blue glass | 0:27:36 | 0:27:38 | |
-in some tin? -We hope it will get £10 to £15. -You are marvellous. | 0:27:38 | 0:27:42 | |
£8 paid. Super-duper. And let's see if we can | 0:27:42 | 0:27:45 | |
strum forward here with this mandolin. | 0:27:45 | 0:27:49 | |
-Beautifully made... -Yes. -..exquisite objects... | 0:27:49 | 0:27:52 | |
-Yes. -..that make very, very little at auction. | 0:27:52 | 0:27:55 | |
Yes, they're beautifully crafted and it's lovely use of timber, | 0:27:55 | 0:27:58 | |
expensive wood, as it would be in the day, | 0:27:58 | 0:28:00 | |
but they are quite prolific. | 0:28:00 | 0:28:01 | |
-Yes. -A lot of them around. | 0:28:01 | 0:28:03 | |
I quite agree. But for that amount of work | 0:28:03 | 0:28:05 | |
in rosewood, with those fine lines and all the rest of it, | 0:28:05 | 0:28:08 | |
they ought to be worth £200 to £300, right? | 0:28:08 | 0:28:10 | |
-Ideally. -But what are they worth? | 0:28:10 | 0:28:13 | |
-£40 to £60. -There you go. It's not much, is it? -No. | 0:28:13 | 0:28:15 | |
-So they've got some difficulty here, I would say... -Yes. | 0:28:15 | 0:28:18 | |
..principally in the timepiece, in which case | 0:28:18 | 0:28:20 | |
they'll need their bonus buy. We'll go and have a look at it. | 0:28:20 | 0:28:23 | |
So, chaps, leftover lolly went to Caroline. What did you spend it on? | 0:28:24 | 0:28:29 | |
I spent it on... | 0:28:29 | 0:28:31 | |
this for my travelling pals. | 0:28:31 | 0:28:33 | |
-Oh. -Oh-ho. -Wow. | 0:28:33 | 0:28:35 | |
It's a lovely leather suitcase | 0:28:35 | 0:28:39 | |
in nice condition. | 0:28:39 | 0:28:40 | |
-Leather hearts. -Leather hearts. | 0:28:40 | 0:28:42 | |
"Stateroom baggage". Yeah. | 0:28:42 | 0:28:44 | |
But the question is, how much do you think it's going to make in auction? | 0:28:44 | 0:28:47 | |
-What did it cost? -Well, Jessica, James, | 0:28:47 | 0:28:50 | |
-I paid £32. -£32. | 0:28:50 | 0:28:53 | |
And I think it could well double its money. | 0:28:53 | 0:28:55 | |
-Good luck. -Yes. | 0:28:55 | 0:28:57 | |
It feels like we're going on holiday, doesn't it? | 0:28:57 | 0:28:59 | |
-It does. -I'm all excited. | 0:28:59 | 0:29:01 | |
And you've only just met! | 0:29:01 | 0:29:03 | |
THEY LAUGH | 0:29:03 | 0:29:04 | |
-OK, Jess, what do you think about it? -I like it. -You like it. | 0:29:04 | 0:29:06 | |
Fair enough. Say no more. | 0:29:06 | 0:29:07 | |
Jimmy, do you like it or not? | 0:29:07 | 0:29:09 | |
-I do. -It's very characterful, isn't it? -It is. | 0:29:09 | 0:29:12 | |
Just like Caroline. Good. | 0:29:12 | 0:29:13 | |
You watched her lips. She said she's going to double your money. | 0:29:13 | 0:29:16 | |
-OK? Happy with that? -Yes. | 0:29:16 | 0:29:18 | |
On the other hand, you may not need it because you may have made | 0:29:18 | 0:29:21 | |
so much profit that you may not need the bonus buy. | 0:29:21 | 0:29:23 | |
Let's be positive. | 0:29:23 | 0:29:24 | |
But right now, for the audience at home, | 0:29:24 | 0:29:26 | |
let's find out what the auctioneer thinks about Caroline's case. | 0:29:26 | 0:29:29 | |
Right, Elizabeth, a little something for the weekend. | 0:29:31 | 0:29:33 | |
-THEY CHUCKLE -How do you rate this? | 0:29:33 | 0:29:36 | |
Oh, it's a lovely piece of vintage luggage and people do like this. | 0:29:36 | 0:29:40 | |
I mean, they both collect it and some people renovate it and use it, | 0:29:40 | 0:29:44 | |
and have the pleasure of, you know, the well-crafted pieces. | 0:29:44 | 0:29:46 | |
I love the labels on this one. | 0:29:46 | 0:29:48 | |
-I think it gives a bit of atmosphere. -It really does. | 0:29:48 | 0:29:50 | |
A lot of the time, these labels are bogus. | 0:29:50 | 0:29:53 | |
These, I don't think they are. | 0:29:53 | 0:29:55 | |
-No. -I think they really do span a few decades of travel, | 0:29:55 | 0:29:58 | |
which, as you say, is evocative and really rather special. | 0:29:58 | 0:30:02 | |
Um, so it wants tickling up but not much. | 0:30:02 | 0:30:04 | |
What's it worth? | 0:30:04 | 0:30:05 | |
We've put £40 to £60 on that one. | 0:30:05 | 0:30:08 | |
Bravo, | 0:30:08 | 0:30:09 | |
cos £32 was paid by Caroline and I think she's got it spot-on. | 0:30:09 | 0:30:12 | |
That's it for the Reds. Now for the Blues. | 0:30:12 | 0:30:15 | |
They've got a collection of keys, mainly rusty old keys. | 0:30:15 | 0:30:18 | |
What's a group of rusty old keys worth? | 0:30:18 | 0:30:20 | |
Well, round about £20 to £30. | 0:30:20 | 0:30:23 | |
OK. Well, Thomas Plant got very, very worked up about these | 0:30:23 | 0:30:27 | |
and £60 was paid. | 0:30:27 | 0:30:29 | |
So that's a bit of a blow, isn't it? | 0:30:29 | 0:30:31 | |
The bugle for the Welch Fusiliers. | 0:30:31 | 0:30:34 | |
-You couldn't get much further from Wales. -I was going to say, | 0:30:34 | 0:30:37 | |
-geographically it's in totally the wrong place. -Quite. | 0:30:37 | 0:30:40 | |
But militarily it's in a good place because we do have | 0:30:40 | 0:30:43 | |
a good market for items which relate to military history. | 0:30:43 | 0:30:45 | |
-We're hoping that this will sell reasonably well. -Yes. | 0:30:45 | 0:30:49 | |
It's a bit of a boom area as a collectible, isn't it, militaria? | 0:30:49 | 0:30:53 | |
It is. We're going through several years of very important | 0:30:53 | 0:30:55 | |
anniversaries. I think it's just focusing people's appreciation | 0:30:55 | 0:30:58 | |
-and significance on the topic. -Exactly right. | 0:30:58 | 0:31:01 | |
-So how much? -We've put £30 to £40 on that one. | 0:31:01 | 0:31:04 | |
That's a good old blow. £25 paid. | 0:31:04 | 0:31:06 | |
Um, good. | 0:31:06 | 0:31:07 | |
-Now, the Murano-style jug. -Yes. | 0:31:07 | 0:31:10 | |
-Is it Murano? -I would doubt it, to be honest. | 0:31:10 | 0:31:13 | |
-OK. -I mean, who's to say? | 0:31:13 | 0:31:14 | |
But I don't think it's got quite the quality. | 0:31:14 | 0:31:17 | |
-Right, OK. So it's colourful. -Yes. | 0:31:17 | 0:31:20 | |
-It's in good condition. -Yes. -And it's worth what? | 0:31:20 | 0:31:23 | |
-£15 to £25. -OK, £30 paid. | 0:31:23 | 0:31:25 | |
So they're not so far off really. | 0:31:25 | 0:31:27 | |
If they've got a dark hole, it's the keys. | 0:31:27 | 0:31:30 | |
-I think so. -Yeah, you might be struggling at £15 or £20. | 0:31:30 | 0:31:33 | |
-I think so. -They paid £60, in which case they are going to need | 0:31:33 | 0:31:36 | |
their bonus buy, so let's have a look at it. | 0:31:36 | 0:31:38 | |
Olivia, Stephen, happy? | 0:31:39 | 0:31:41 | |
-Yes. -Excited? -Yes. | 0:31:41 | 0:31:43 | |
Good. OK, fine. You spent 115. | 0:31:43 | 0:31:46 | |
You gave TP £185... for his bonus buy. | 0:31:46 | 0:31:51 | |
Thomas, show us what you invested it in. | 0:31:51 | 0:31:53 | |
Well... | 0:31:53 | 0:31:55 | |
I bought this rather fine | 0:31:55 | 0:31:58 | |
enamel and silver bucket | 0:31:58 | 0:32:01 | |
by Roca of Spain. | 0:32:01 | 0:32:03 | |
It is fabulous. | 0:32:03 | 0:32:04 | |
It is an ice bucket par excellence. | 0:32:04 | 0:32:07 | |
If you want your ice in a bucket, | 0:32:07 | 0:32:08 | |
you're going to want it in something like this, aren't you? | 0:32:08 | 0:32:11 | |
-Yes. -You're not giving it any love, are you? | 0:32:11 | 0:32:13 | |
It is so beautifully done. | 0:32:13 | 0:32:15 | |
This enamelwork is very difficult to do. | 0:32:15 | 0:32:18 | |
-I had a £5 note left out of all of this. -Did you really? -Yes. | 0:32:18 | 0:32:22 | |
Yeah, I did. I think it's rather good. | 0:32:22 | 0:32:24 | |
-180 then? -£180. -£180. | 0:32:24 | 0:32:25 | |
-OK. You've got to handle it, Stephen. -Go on. | 0:32:25 | 0:32:28 | |
Thomas will tell you that the body of that thing | 0:32:28 | 0:32:30 | |
-is a sheet of copper. Right, Thomas? -Yes. | 0:32:30 | 0:32:32 | |
The sheet of copper has then been fired | 0:32:32 | 0:32:36 | |
with its enamel surface, | 0:32:36 | 0:32:39 | |
to deliberately and artfully create that brown, bubbly business... | 0:32:39 | 0:32:42 | |
-Absolutely. -..which is the enamelling. | 0:32:42 | 0:32:44 | |
-I do like the look of it. -It is good, isn't it? Yeah. | 0:32:44 | 0:32:47 | |
-What do you think it's going to make? -It's a good question. | 0:32:47 | 0:32:49 | |
They do a lot of 20th century here at Gaze's. | 0:32:49 | 0:32:51 | |
It could, if somebody falls in love with it, | 0:32:51 | 0:32:53 | |
make a bit of money. | 0:32:53 | 0:32:55 | |
But it could just bomb. | 0:32:55 | 0:32:57 | |
I do like the look of it. What do you think, dear? | 0:32:57 | 0:32:59 | |
Um, er... | 0:32:59 | 0:33:01 | |
-It's all right. -Yeah, OK. Not very much. | 0:33:01 | 0:33:03 | |
-Not much. -Olivia, it's not your cup of tea?. -It's not, but... | 0:33:03 | 0:33:07 | |
-it's not hideous. -OK. Thanks, Tom, for the lowdown on that. | 0:33:07 | 0:33:10 | |
But right now, let's find out, for the audience at home, | 0:33:10 | 0:33:13 | |
what the auctioneer thinks about Tom's bucket. | 0:33:13 | 0:33:16 | |
Well, there's a nice little bucket, isn't it? | 0:33:16 | 0:33:18 | |
Well, I like this. | 0:33:18 | 0:33:20 | |
I think it's got lovely quality and style to it, simple though it is. | 0:33:20 | 0:33:23 | |
And where's the design... The design is in | 0:33:23 | 0:33:26 | |
this rather nicely looped handle, isn't it, | 0:33:26 | 0:33:28 | |
and the blob-a-lob on the end - concealed hinge? | 0:33:28 | 0:33:31 | |
Less is more and I think the more you look at it, | 0:33:31 | 0:33:33 | |
the more appreciative you can be of it. | 0:33:33 | 0:33:36 | |
Tell me, how much? | 0:33:36 | 0:33:37 | |
£60 to £80 on this. | 0:33:37 | 0:33:39 | |
£180 paid by the Planter. | 0:33:39 | 0:33:41 | |
-OK, are you taking the sale today? -I am. | 0:33:41 | 0:33:44 | |
We're in safe hands. | 0:33:44 | 0:33:46 | |
Jess, James, we're on the edge now. | 0:33:53 | 0:33:57 | |
We're on the precipice. | 0:33:57 | 0:33:58 | |
-Oh... -Anything could happen. | 0:33:58 | 0:34:00 | |
What's your prediction, Jimmy? How are we going to get on? | 0:34:00 | 0:34:03 | |
-Well, colossal profits really. -Really? -Yes. | 0:34:03 | 0:34:06 | |
-Full of gung ho confidence? -Full of gung ho. | 0:34:06 | 0:34:08 | |
Daughter ditto? | 0:34:08 | 0:34:09 | |
Complete opposite. | 0:34:09 | 0:34:11 | |
Oh... | 0:34:11 | 0:34:12 | |
-I'm expecting to crash and burn. -Oh, don't be like this. | 0:34:12 | 0:34:16 | |
How can there be this yawning gap between the family? | 0:34:16 | 0:34:19 | |
-There is, isn't there? -I know. -It's a rift. -A rift! | 0:34:19 | 0:34:22 | |
We can't see this, can we, James? | 0:34:22 | 0:34:24 | |
First up is the chinoiserie timepiece. | 0:34:24 | 0:34:26 | |
And here it comes. | 0:34:26 | 0:34:28 | |
Lot 40 - the chinoiserie decorated clock. | 0:34:28 | 0:34:31 | |
I have interest on the sheets and I start at £75. | 0:34:31 | 0:34:35 | |
-She starts at £75. -85. | 0:34:35 | 0:34:38 | |
90. 5. 100. 110. 110. With me at 110. 120 the lady. | 0:34:38 | 0:34:43 | |
-130. 140. 150. -Hey. -150. Still with me at 150. Looking for 60. | 0:34:43 | 0:34:48 | |
It's a lovely piece. £150 only. Surely worth more? At 150. | 0:34:48 | 0:34:53 | |
-Are you all done? -I can't bear it. £150 is where we're at, | 0:34:53 | 0:34:57 | |
which is -£40, which is nothing like as bad as it could've been. | 0:34:57 | 0:35:00 | |
-Right, James? -True. That's true. | 0:35:00 | 0:35:01 | |
That is true. Now, watch the brooch. | 0:35:01 | 0:35:05 | |
A brooch. Start me at £10. | 0:35:05 | 0:35:07 | |
£10 on the pretty one there. At £10 surely? | 0:35:07 | 0:35:10 | |
5 I'll take. 5 is bid. Middle bid at 5. | 0:35:10 | 0:35:13 | |
Now gentleman's bid 6 is seated. | 0:35:13 | 0:35:14 | |
8 got. 10 bid. 12 I have. 15... | 0:35:14 | 0:35:18 | |
(Might make a profit.) | 0:35:18 | 0:35:19 | |
..20. 2... | 0:35:19 | 0:35:22 | |
22 standing on the aisle. At 22. Now looking for 5. | 0:35:22 | 0:35:24 | |
25 - new bidder. | 0:35:24 | 0:35:26 | |
25 on the brooch. Any advance? | 0:35:26 | 0:35:28 | |
It's marvellous. £25. I can't believe it. | 0:35:28 | 0:35:32 | |
Isn't she brilliant? Give her a kiss. | 0:35:32 | 0:35:34 | |
Give her a kiss. Quick. Lovely. | 0:35:34 | 0:35:36 | |
25. So you're +17 on that. | 0:35:36 | 0:35:38 | |
Look out, here comes Ferrari's mandolin. | 0:35:38 | 0:35:40 | |
We have a cased early 20th century Ferrari & Co, | 0:35:40 | 0:35:43 | |
Napoli, spruce-topped, rosewood bowl-backed mandolin. There it is | 0:35:43 | 0:35:47 | |
with its case. This is a lovely item. | 0:35:47 | 0:35:49 | |
A low start at just £22. 22. 25. | 0:35:49 | 0:35:53 | |
28. 30 in the room and I'm out. 32, new bidder. 35. 38. | 0:35:53 | 0:35:58 | |
40. 2. 45. 48. 50. 5. 60. 5... | 0:35:58 | 0:36:03 | |
-Ooh! -..70. 5. 80, new bidder just behind. | 0:36:03 | 0:36:07 | |
85. Moving upstairs at 90. | 0:36:07 | 0:36:09 | |
Are you all out downstairs? You can come back. 95! Oh, 100 at the front. | 0:36:09 | 0:36:13 | |
We're coming to the front at 100. | 0:36:13 | 0:36:15 | |
Where's 10? £100. | 0:36:15 | 0:36:17 | |
It will sell. | 0:36:17 | 0:36:19 | |
-Yes! -Yes! -That's so good! That is +£35. | 0:36:19 | 0:36:24 | |
That means you are now +£12, | 0:36:24 | 0:36:25 | |
all thanks to that thing. It was a good one, wasn't it? | 0:36:25 | 0:36:28 | |
Now, what are we going to do about the old bag, eh? | 0:36:28 | 0:36:31 | |
-Are you going to... -Old bag, Tim?! | 0:36:31 | 0:36:33 | |
I'm sorry! | 0:36:33 | 0:36:34 | |
-Excuse me! -How insulting! | 0:36:34 | 0:36:36 | |
-What are we going to do though? -I want to go with it. | 0:36:36 | 0:36:39 | |
-You want to go with it. -I really like it. | 0:36:39 | 0:36:41 | |
-Yup. -You've made your decision | 0:36:41 | 0:36:44 | |
and here it comes! | 0:36:44 | 0:36:45 | |
Lot 46 now. A fine piece of vintage luggage here. | 0:36:45 | 0:36:49 | |
It's the Nan Hing Leather Company suitcase. | 0:36:49 | 0:36:52 | |
Start me at 50. A fine suitcase. £50. A good, practical size. | 0:36:52 | 0:36:56 | |
20, sir? | 0:36:56 | 0:36:58 | |
20 bid. We're starting at 20. Must be worth more than £20. | 0:36:58 | 0:37:02 | |
22 is seated. 25. 28. And 30. 2. | 0:37:02 | 0:37:06 | |
35... | 0:37:06 | 0:37:07 | |
-Come on. -Go on. -Please? | 0:37:07 | 0:37:09 | |
..40. Thank God. | 0:37:09 | 0:37:10 | |
40 standing. At 40. Made a bid at 40. 2 I'll take. It's a super price. | 0:37:10 | 0:37:15 | |
At £40. On the aisle at 40. | 0:37:15 | 0:37:17 | |
GAVEL BANGS | 0:37:17 | 0:37:18 | |
£40 is brilliant. On her low estimate it shows an £8 profit. | 0:37:18 | 0:37:21 | |
You can't ask for more than that, can you? | 0:37:21 | 0:37:23 | |
You are £20 | 0:37:23 | 0:37:25 | |
better off than you were seven minutes ago. | 0:37:25 | 0:37:27 | |
-How good is that? Happy with that? -Fantastic. | 0:37:27 | 0:37:29 | |
-Very happy. -That could be a winning score today. | 0:37:29 | 0:37:31 | |
It deserves to be a winning score. Don't say a word to the Blues. | 0:37:31 | 0:37:34 | |
-Mum is the word. -Thank you, Caroline. | 0:37:34 | 0:37:37 | |
-Thank YOU, Caroline. Well done. -Yes. | 0:37:37 | 0:37:40 | |
Olivia, Stephen, have you been talking to the Reds? | 0:37:48 | 0:37:51 | |
-We haven't. -You haven't. So you don't know how well or badly they did? | 0:37:51 | 0:37:54 | |
-No idea. -OK, that's great. We don't want you to know either. | 0:37:54 | 0:37:57 | |
Now, Olivia, I have to ask you, | 0:37:57 | 0:37:59 | |
-are you having any second thoughts about anything? -Um... | 0:37:59 | 0:38:03 | |
not second thoughts. I'm a bit dubious on a couple of them. | 0:38:03 | 0:38:07 | |
Like what? | 0:38:07 | 0:38:08 | |
I just don't think the keys are going to do very well. | 0:38:08 | 0:38:11 | |
Funnily enough, nor do I. | 0:38:11 | 0:38:12 | |
And nor does the auctioneer. | 0:38:13 | 0:38:15 | |
She's put £20 to £30 on that box, which you paid | 0:38:15 | 0:38:18 | |
£60 for. We'll see what happens. | 0:38:18 | 0:38:20 | |
-Yes. -Anything else you're feeling shifty about? | 0:38:20 | 0:38:23 | |
-Well, we're not too certain about the vase either. -No. | 0:38:23 | 0:38:26 | |
-Are you not? -It was a panic buy. | 0:38:26 | 0:38:28 | |
Was it? Well, you had to grab it, didn't you, Olivia? | 0:38:28 | 0:38:31 | |
And you had to go with something. You paid £30. | 0:38:31 | 0:38:33 | |
She's estimated £15 to £25. I wouldn't worry about it. | 0:38:33 | 0:38:36 | |
It's very decorative and it's not chipped. It's not bust. | 0:38:36 | 0:38:38 | |
Somebody will have a go at it. | 0:38:38 | 0:38:41 | |
It'll be fine, all right? First up though are the dodgy ones. | 0:38:41 | 0:38:44 | |
The keys. Here they come. | 0:38:44 | 0:38:46 | |
Lot 62 now. The collection of 19th-century keys in a tobacco box. | 0:38:46 | 0:38:51 | |
Interest on the sheets nonetheless, | 0:38:51 | 0:38:53 | |
and I start here at £12. | 0:38:53 | 0:38:55 | |
-Ooh, 12. -£12 bid. And 15. 18. 20... | 0:38:55 | 0:38:57 | |
Oh, dear. | 0:38:57 | 0:38:58 | |
..22. 25. 28. 30 in the room. At 30. 32 the lady. 32 is the lady. | 0:38:58 | 0:39:04 | |
Ahead of me at 32. I'm looking for 5. | 0:39:04 | 0:39:06 | |
-Come on. -At £32. Any advance? | 0:39:06 | 0:39:09 | |
You never know when they might come in useful. At £32. | 0:39:09 | 0:39:11 | |
GAVEL BANGS | 0:39:11 | 0:39:12 | |
32. It hasn't crept enough. | 0:39:12 | 0:39:14 | |
32 is 8 off 40. | 0:39:14 | 0:39:16 | |
That's -28 but it could have been a lot worse. | 0:39:16 | 0:39:18 | |
Right, here comes the bugle. Stand by. | 0:39:18 | 0:39:21 | |
The Royal Welch Fusiliers. | 0:39:21 | 0:39:22 | |
It's travelled a few miles to get here but there it is, look. | 0:39:22 | 0:39:25 | |
And I start at £20. | 0:39:25 | 0:39:27 | |
£20 is bid. At 20. 22. 25. | 0:39:27 | 0:39:30 | |
28. And 30. | 0:39:30 | 0:39:32 | |
32. 35. 38. And 40... | 0:39:32 | 0:39:34 | |
Oh, she's sitting on bids. | 0:39:34 | 0:39:37 | |
..It is with me at 45. I've lost you on my right. 45 I have. Where's 8? | 0:39:37 | 0:39:42 | |
It's a good bugle. At 48. And 50. | 0:39:42 | 0:39:44 | |
And again it's with me at 50. Worth a try. 55 is the gallery. 60 I have. | 0:39:44 | 0:39:49 | |
65 in the gallery. Any advance? | 0:39:49 | 0:39:51 | |
GAVEL BANGS | 0:39:51 | 0:39:53 | |
Yes! 65. Look at that! | 0:39:53 | 0:39:54 | |
-You may know what you're talking about. Well done. -That is £40. | 0:39:54 | 0:39:58 | |
I can't believe it! £40 profit! | 0:39:58 | 0:40:00 | |
OK, that means overall you're +12. | 0:40:00 | 0:40:02 | |
Stand by for the twin-handled glass vase. | 0:40:02 | 0:40:05 | |
Millefiori, twin-handled glass vase. | 0:40:05 | 0:40:07 | |
There it is. A pretty shade of blue. | 0:40:07 | 0:40:09 | |
Start me at 20. | 0:40:09 | 0:40:10 | |
Murano style for you at 20. 10 I'll take. | 0:40:10 | 0:40:13 | |
Somebody bid! | 0:40:13 | 0:40:15 | |
I'm not liking the look of this. | 0:40:15 | 0:40:17 | |
-It is pretty. -Where's 12? | 0:40:17 | 0:40:19 | |
Surely worth more? At £10. | 0:40:19 | 0:40:21 | |
Where's the 12? At £10. It will sell, if you're all done, at £10. | 0:40:21 | 0:40:25 | |
-Oh, no. -I can't bear it. | 0:40:25 | 0:40:27 | |
-GAVEL BANGS -Oh, no, baby! | 0:40:27 | 0:40:28 | |
£10 is -£20. | 0:40:28 | 0:40:30 | |
You had £12. You're now -8. | 0:40:30 | 0:40:32 | |
-My, God! -How bad can that be? That's rotten, isn't it? | 0:40:32 | 0:40:35 | |
-Never mind. -Oh, dear. So what are you going to do? | 0:40:35 | 0:40:38 | |
You are -£8. | 0:40:38 | 0:40:39 | |
Are you going to risk it for the old Spanish bucket? | 0:40:39 | 0:40:43 | |
-I think we'll... -At £180? | 0:40:43 | 0:40:46 | |
-I think 180 is a bit stiff, don't you? -No, we can't go with it. | 0:40:46 | 0:40:49 | |
-We're not going with it. -No? Even though you really, really liked it? | 0:40:49 | 0:40:53 | |
Um... | 0:40:53 | 0:40:54 | |
-No? -I don't think so. -The bucket is coming up right now. | 0:40:54 | 0:40:58 | |
Lot 69 next. The Spanish, silver and enamel | 0:40:58 | 0:41:00 | |
ice bucket by J Roca. | 0:41:00 | 0:41:02 | |
This is a wonderful, stylish piece. Start me at 50. | 0:41:02 | 0:41:06 | |
(Oh, no...) | 0:41:06 | 0:41:08 | |
£50. At £50? | 0:41:08 | 0:41:10 | |
Good quality here. | 0:41:10 | 0:41:11 | |
40 I'll take on the ice bucket. | 0:41:11 | 0:41:14 | |
-Come on. 40, sir? 40 I have by the door. At 40. I'm looking for -2. No. | 0:41:14 | 0:41:18 | |
It's not a lot. Should be worth more. Come on. | 0:41:18 | 0:41:21 | |
At £40. Where are you at 2? | 0:41:21 | 0:41:23 | |
It's a maiden bid. Can I not tempt you to more? | 0:41:23 | 0:41:25 | |
At £40. All done? | 0:41:25 | 0:41:27 | |
GAVEL BANGS | 0:41:27 | 0:41:28 | |
-That is wicked, Tom, isn't it? -It's shocking. | 0:41:28 | 0:41:31 | |
That is shocking. It's -140. | 0:41:31 | 0:41:33 | |
We're going to glaze over that. | 0:41:33 | 0:41:35 | |
Your score - you didn't go with the bonus buy, thank goodness - | 0:41:35 | 0:41:38 | |
is -£8. Yes? Overall, -£8 could be a winning score. | 0:41:38 | 0:41:42 | |
True. | 0:41:42 | 0:41:43 | |
On this programme it normally is. So don't say a word to the Reds | 0:41:43 | 0:41:47 | |
until we get our little conflab, all right? | 0:41:47 | 0:41:49 | |
OK. Super. Good stuff. | 0:41:49 | 0:41:51 | |
-Well, teams, been chatting about the score? -ALL: No, we haven't. | 0:41:58 | 0:42:02 | |
No, you haven't. Not at all. | 0:42:02 | 0:42:04 | |
So you genuinely have no idea who is ahead and who is behind? | 0:42:04 | 0:42:06 | |
-No. -No. -On Bargain Hunt, | 0:42:06 | 0:42:08 | |
we don't have losers - we only have runners-up. | 0:42:08 | 0:42:11 | |
And I regret to tell you that the runners-up today | 0:42:11 | 0:42:13 | |
-by a chalk are the Blues. -BLUES: Oh! | 0:42:13 | 0:42:16 | |
-£8! | 0:42:16 | 0:42:18 | |
Which ordinarily on Bargain Hunt would be a winning score, all right? | 0:42:18 | 0:42:21 | |
-Without any shadow of doubt. Have you had a good time? -Lovely. | 0:42:21 | 0:42:25 | |
-Has it been good? -Lovely. -You've been fantastic on the show. | 0:42:25 | 0:42:28 | |
A glorious father and daughter duo. Thank you. | 0:42:28 | 0:42:31 | |
But the victors today are going home with money. | 0:42:31 | 0:42:33 | |
They're going home with £20! | 0:42:33 | 0:42:34 | |
-Hooray(!) -Oh-ho-ho! | 0:42:34 | 0:42:36 | |
Look at her face - lighting up like a National cash register. | 0:42:36 | 0:42:40 | |
It makes it all worthwhile. | 0:42:40 | 0:42:42 | |
Did you have a good time? | 0:42:42 | 0:42:44 | |
-Amazing. -Fantastic. -Caroline is just fantastic. | 0:42:44 | 0:42:47 | |
Isn't she extraordinary? Yeah, she's just the business. | 0:42:47 | 0:42:49 | |
Join us soon for some more bargain hunting! Yes? | 0:42:49 | 0:42:52 | |
ALL: Yes! | 0:42:52 | 0:42:54 | |
THEME TUNE PLAYS | 0:42:54 | 0:42:56 |