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Our Reds and Blues are here at the Westpoint Arena just outside Exeter. | 0:00:05 | 0:00:10 | |
They're poised, they're primed, | 0:00:10 | 0:00:12 | |
they're ready for a bit of antiques action, so let's get busy! | 0:00:12 | 0:00:16 | |
Let's go bargain hunting, yeah! | 0:00:16 | 0:00:18 | |
Our teams, as ever, have £300 and an hour to shop | 0:00:46 | 0:00:50 | |
for three items to sell on later at auction. | 0:00:50 | 0:00:53 | |
And here is a quick taste as to what's coming up. | 0:00:54 | 0:00:57 | |
-Our Reds go for some bullish negotiations. -Can we start again? | 0:00:59 | 0:01:04 | |
-Start again? -At 30? -60. | 0:01:04 | 0:01:07 | |
Whilst the Blues take a more diplomatic approach. | 0:01:08 | 0:01:12 | |
-You should be a politician, you know that? -Am I diplomatic? | 0:01:12 | 0:01:15 | |
You are so good, it's unbelievable. | 0:01:15 | 0:01:17 | |
But will our teams keep their cool | 0:01:18 | 0:01:21 | |
as things start heating up at the auction? | 0:01:21 | 0:01:23 | |
-I can't look. -Right, let's meet today's teams. | 0:01:23 | 0:01:27 | |
Well, we are, as they say, keeping everything in the family today. | 0:01:28 | 0:01:32 | |
Because, for the Reds, we have mother and daughter, Val and Lucy, | 0:01:32 | 0:01:36 | |
and for the Blues, we have Gerald and Amanda, father and daughter. | 0:01:36 | 0:01:40 | |
Hello, everyone. | 0:01:40 | 0:01:41 | |
-Hello! -Now, Val, tell me about your amazing career, darling. | 0:01:41 | 0:01:45 | |
I always wanted to be an air stewardess, | 0:01:45 | 0:01:47 | |
and I joined British Airways when I was much younger, | 0:01:47 | 0:01:50 | |
and flew for several years on overseas division. | 0:01:50 | 0:01:53 | |
You've also then done what after the flying? | 0:01:53 | 0:01:56 | |
I had three children, and then joined the NHS as | 0:01:56 | 0:01:59 | |
a horticultural therapist for mental health patients. | 0:01:59 | 0:02:03 | |
Really, how lovely is that? | 0:02:03 | 0:02:04 | |
It was really good, | 0:02:04 | 0:02:05 | |
and they offered nurse training for people who were interested, | 0:02:05 | 0:02:09 | |
and I went on and did my degree, and I've been a nurse for seven years. | 0:02:09 | 0:02:13 | |
You're amazing. | 0:02:13 | 0:02:14 | |
Now, Lucy, it says here that you enjoy working with words. | 0:02:14 | 0:02:18 | |
Yeah, so I did my degree in English | 0:02:18 | 0:02:20 | |
and then I did an internship at a glossy women's magazine. | 0:02:20 | 0:02:24 | |
I've worked my way up through magazines, so that's what | 0:02:24 | 0:02:28 | |
I do now, and I'm a managing editor | 0:02:28 | 0:02:30 | |
on lots of different magazine titles. | 0:02:30 | 0:02:32 | |
The magazine business has been phenomenal, hasn't it, | 0:02:32 | 0:02:35 | |
-in this country over the last 10 or 20 years? -It has, it has. | 0:02:35 | 0:02:37 | |
What about your tactics today? | 0:02:37 | 0:02:38 | |
What sort of things are you and your mother going to go for? | 0:02:38 | 0:02:41 | |
We decided on something practical, | 0:02:41 | 0:02:43 | |
something beautiful, and something collectable. | 0:02:43 | 0:02:46 | |
That's what we're going to try and do. | 0:02:46 | 0:02:47 | |
That sounds like a journalist's answer to me. | 0:02:47 | 0:02:50 | |
That's what we're going to try. | 0:02:50 | 0:02:51 | |
You've worked all that out, haven't you? | 0:02:51 | 0:02:53 | |
Well, very good luck with it and lovely to meet you. | 0:02:53 | 0:02:55 | |
Now, Amanda, you like the bright lights and a bit of grease paint. | 0:02:55 | 0:02:58 | |
-I do, yes. -You're a performer yourself. | 0:02:58 | 0:03:00 | |
-I am, yes. -Tell us about that. | 0:03:00 | 0:03:02 | |
I went to the Guildford School of Acting | 0:03:02 | 0:03:03 | |
and then spent several years in London treading the boards. | 0:03:03 | 0:03:07 | |
Then I came back to Somerset, | 0:03:07 | 0:03:09 | |
and now I run a performing arts school with my mum. | 0:03:09 | 0:03:11 | |
How lovely is that? So the circle has been completed in a way. | 0:03:11 | 0:03:15 | |
-Yes, absolutely. -What did you do when you were in London? | 0:03:15 | 0:03:18 | |
All sorts of things. | 0:03:18 | 0:03:19 | |
Lots of forgotten musicals, and I did pantomime, | 0:03:19 | 0:03:23 | |
all sorts of different theatre genres. | 0:03:23 | 0:03:25 | |
-Oh, no, you didn't! -Oh, yes, I did! | 0:03:25 | 0:03:27 | |
-So you sing a bit, do you? -I do, yes. -Lovely. | 0:03:27 | 0:03:29 | |
You don't have a little tune up your sleeve | 0:03:29 | 0:03:31 | |
you'd like to share with us do you, by any chance? | 0:03:31 | 0:03:33 | |
What would you like to hear? | 0:03:33 | 0:03:34 | |
I want you to give us a little trill of your favourite musical. | 0:03:34 | 0:03:37 | |
My favourite musical? | 0:03:37 | 0:03:39 | |
Probably Phantom of the Opera, actually. | 0:03:39 | 0:03:41 | |
-OK, go for it, girl! -Oh, lordy! OK. | 0:03:41 | 0:03:43 | |
# Wishing you were somehow here again | 0:03:43 | 0:03:49 | |
# Wishing you were somehow near | 0:03:49 | 0:03:53 | |
# Sometimes it seemed if I just dreamed | 0:03:54 | 0:03:57 | |
# Somehow you would be here. # | 0:03:57 | 0:04:03 | |
What about that? That is a bit of quality. That is, isn't it? | 0:04:03 | 0:04:06 | |
Just off pat like that. I'm incredibly impressed, and well done. | 0:04:06 | 0:04:11 | |
Look at your dad, he's puffed up with pride! | 0:04:11 | 0:04:15 | |
-Now, Gerald, you've retired as an engineer. -Yes. -What do you do now? | 0:04:15 | 0:04:19 | |
-I do help with the studio. -Oh, you do a bit of dancing? -No, no, no. | 0:04:19 | 0:04:23 | |
-All the maintenance. -Oh, maintenance. -Yes. | 0:04:23 | 0:04:28 | |
It's rather boring, but somebody's got to do it. | 0:04:28 | 0:04:30 | |
And you volunteer a bit too, don't you? | 0:04:30 | 0:04:32 | |
Yes, I do, I work for a charity, a wildlife rescue charity. | 0:04:32 | 0:04:36 | |
And what sort of animals have you had to pick up? | 0:04:36 | 0:04:39 | |
-From a deer down to a fieldmouse. -Gosh. | 0:04:39 | 0:04:41 | |
-But my favourite are swans. -Aren't they rather vicious things? | 0:04:41 | 0:04:44 | |
No, they're not. Not really. | 0:04:44 | 0:04:47 | |
Do they like a ride in the back of your car, do they? The average swan? | 0:04:47 | 0:04:50 | |
-Yes, but they are restrained. -Oh, they're restrained. | 0:04:50 | 0:04:53 | |
-Are you looking forward to the challenge? -Absolutely. -So are we. | 0:04:53 | 0:04:56 | |
Now the money moment. Here we come. Here comes the 300 smackers. | 0:04:56 | 0:05:00 | |
£300 apiece. You know the rules, your experts await, and off you go. | 0:05:00 | 0:05:05 | |
And very, very, very good luck. Poor old swan. | 0:05:05 | 0:05:08 | |
Now, let's meet our experts. | 0:05:10 | 0:05:12 | |
Adding a bit of sparkle to the Red team today is Kate Bliss. | 0:05:12 | 0:05:15 | |
And hunting for microscopic prices for the Blues is David Harper. | 0:05:16 | 0:05:20 | |
So, Val and Lucy, | 0:05:23 | 0:05:24 | |
we have a huge hangar here stuffed full of antiques. | 0:05:24 | 0:05:28 | |
Have you any idea what you might be looking for? | 0:05:28 | 0:05:30 | |
-I think silver, and jewellery, maybe. -Right. | 0:05:30 | 0:05:33 | |
So what then is the big plan today? | 0:05:33 | 0:05:36 | |
I think it's buy cheap, make big profits. | 0:05:36 | 0:05:39 | |
OK, she's a bit cute, isn't she? | 0:05:39 | 0:05:41 | |
Yes, she's always is. | 0:05:41 | 0:05:43 | |
I'm looking for practical things, | 0:05:43 | 0:05:45 | |
chairs, small tables, that kind of thing. | 0:05:45 | 0:05:47 | |
-We're after the golden gavel. -Is that right? | 0:05:47 | 0:05:49 | |
-Is that the aim? -The golden gavel? -The golden gavel. | 0:05:49 | 0:05:52 | |
-OK, shall we make it a golden gavel episode? -Yes. -Right. | 0:05:52 | 0:05:56 | |
-60 minutes to get a golden gavel. Let's go. -Okey-doke. | 0:05:56 | 0:05:59 | |
Pretty and practical. Yes, I like the sound of that. | 0:05:59 | 0:06:01 | |
Right, off you go, teams. Your 60 minutes starts now. | 0:06:04 | 0:06:07 | |
-The trick is to dive in. -Okey-doke. -And don't be afraid. | 0:06:08 | 0:06:12 | |
And quick off the mark, the Reds home in on a compact case. | 0:06:12 | 0:06:17 | |
I really, really like these. Is that fabric inlaid into the top? | 0:06:17 | 0:06:21 | |
No, that's actually enamelled, | 0:06:21 | 0:06:23 | |
and it's a style of enamel called guilloche enamel where the | 0:06:23 | 0:06:27 | |
silver's actually engine-turned, and then the molten glass, | 0:06:27 | 0:06:30 | |
if you like, the enamel, is put on top, | 0:06:30 | 0:06:34 | |
so you get this lovely sheen. | 0:06:34 | 0:06:36 | |
And you open it up, | 0:06:36 | 0:06:37 | |
this is where your powder would have been, of course, and you have a | 0:06:37 | 0:06:41 | |
lovely mirror, so you could just use it as a little mirror today. | 0:06:41 | 0:06:45 | |
And there's a date letter here, in a hallmark, which is | 0:06:45 | 0:06:49 | |
the letter H, for Birmingham, where the silver was actually tested. | 0:06:49 | 0:06:52 | |
-185 though, girls. -Perhaps something to think about. | 0:06:52 | 0:06:55 | |
-What would be your best on that? -150. -150. | 0:06:55 | 0:07:00 | |
Shall we put it to one side and think about it? Thank you so much. | 0:07:00 | 0:07:03 | |
-We might well come back. -Thank you very much. | 0:07:03 | 0:07:05 | |
-I think onwards and upwards, girls. -Yes. | 0:07:05 | 0:07:07 | |
Absolutely, Reds, onwards and upwards. | 0:07:07 | 0:07:10 | |
But are those Blues moving in the right direction? | 0:07:10 | 0:07:14 | |
As the ship is rocking around, of course, the compass remains level. | 0:07:14 | 0:07:18 | |
-That's right. -Then you fire it up, and you give it light. -Yes, I see. | 0:07:18 | 0:07:21 | |
They make fantastic table lamps now. | 0:07:21 | 0:07:24 | |
Would you have that in your house, Amanda? | 0:07:24 | 0:07:26 | |
I think if I had an old-fashioned property, it'd be fantastic. | 0:07:26 | 0:07:29 | |
But I think in modern houses, it might not be quite the thing. | 0:07:29 | 0:07:32 | |
That was quite diplomatic, I must say. And the real answer is... | 0:07:32 | 0:07:36 | |
No. | 0:07:36 | 0:07:37 | |
Yes. | 0:07:37 | 0:07:39 | |
Very diplomatic, Amanda. | 0:07:39 | 0:07:41 | |
Now, it looks like the Reds want to stir things up. | 0:07:41 | 0:07:44 | |
-Anna, what do you think of this spoon rack? -I really like that. | 0:07:44 | 0:07:47 | |
-I do. -Have you seen the price tag? | 0:07:47 | 0:07:51 | |
-Maybe a bit over our budget. -Even including the spoons. | 0:07:51 | 0:07:55 | |
-You have a good eye though, Val. -Thank you. -What's that down here? | 0:07:55 | 0:07:58 | |
What's this, do you think? | 0:07:58 | 0:08:00 | |
This is an old panel, and this is the sort of thing | 0:08:00 | 0:08:03 | |
people are buying and incorporating into some panelling. | 0:08:03 | 0:08:06 | |
-What sort of price have you got on the panel? -395. -395. | 0:08:06 | 0:08:10 | |
Way over budget, folks! | 0:08:10 | 0:08:12 | |
Clearly ladies with expensive tastes. | 0:08:12 | 0:08:15 | |
Now back to the Blues, who are aiming on a high score. | 0:08:15 | 0:08:18 | |
-Doesn't that get you excited? No? -No, it doesn't. | 0:08:18 | 0:08:23 | |
You're hard to please, you two. It's a gaming marking board for a pub. | 0:08:23 | 0:08:28 | |
Now, come on, that's good fun, isn't it? | 0:08:28 | 0:08:31 | |
So we're playing darts, we're just sharing a 10 gallon barrel of ale, | 0:08:31 | 0:08:37 | |
and we've got a darts competition going on, and that's what this is, | 0:08:37 | 0:08:41 | |
and, of course, provided by a tobacco maker | 0:08:41 | 0:08:44 | |
who are advertising their wares, | 0:08:44 | 0:08:46 | |
to the unsuspecting drunken dart player. | 0:08:46 | 0:08:49 | |
It would be really good if you had a games room or something like that. | 0:08:49 | 0:08:52 | |
Do you have a games room, Amanda? | 0:08:52 | 0:08:53 | |
Not lucky enough for that, unfortunately. | 0:08:53 | 0:08:56 | |
-She hasn't got enough time. -No, I don't have enough time to play. | 0:08:56 | 0:08:59 | |
What age do you think we're looking at? | 0:08:59 | 0:09:01 | |
Oh, well, I don't know. '40s or '50s? | 0:09:01 | 0:09:05 | |
I think so, yes. | 0:09:05 | 0:09:07 | |
So we're harking back to your childhood days, aren't we? | 0:09:07 | 0:09:10 | |
-This must be a nostalgic moment for you. -Is it evoking memories? | 0:09:10 | 0:09:14 | |
No. | 0:09:14 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:17 | |
Shall we ask the lovely chap if he can come and talk to us? | 0:09:17 | 0:09:22 | |
Can you really, really tempt us? | 0:09:22 | 0:09:24 | |
I did play a bit for this one. | 0:09:25 | 0:09:28 | |
Erm, but I was going keep to 40. | 0:09:28 | 0:09:31 | |
-Ouch! -But I know you've got to make a profit. -We're trying, aren't we? | 0:09:31 | 0:09:36 | |
-I'll go 35. -35. 30 quid? -I can't do it. | 0:09:36 | 0:09:40 | |
I'd love to, but it has to be 35. | 0:09:40 | 0:09:43 | |
-32? -God, he's good, isn't he? | 0:09:43 | 0:09:45 | |
Let me just make a quick point here, that's a very interesting point. | 0:09:45 | 0:09:49 | |
You've just said 32. What happens if this lovely gentleman says 32? | 0:09:49 | 0:09:55 | |
-You've bought it. You just bought it. -Thank you, sir. | 0:09:55 | 0:09:58 | |
You've just bought it. | 0:09:58 | 0:09:59 | |
Oh, my gosh, we got our first item. That's so exciting. | 0:09:59 | 0:10:02 | |
-Are you pleased with that? -I am, yes. | 0:10:02 | 0:10:05 | |
Indeed, you have just bought your first item, Amanda. | 0:10:05 | 0:10:08 | |
Well done, and how exciting. | 0:10:08 | 0:10:10 | |
And, as ever, Kate has her eye on the clock. | 0:10:10 | 0:10:13 | |
Ladies, just come and have a look at this. Come around. | 0:10:14 | 0:10:17 | |
Now, Lucy, you like vintage things, don't you? | 0:10:17 | 0:10:21 | |
This is a little bit more... | 0:10:21 | 0:10:22 | |
What can you tell me about this? | 0:10:22 | 0:10:24 | |
Well, these are in fashion at the moment. | 0:10:24 | 0:10:25 | |
-This is an industrial, electric clock. -Do you know how old it is? | 0:10:25 | 0:10:29 | |
-'50s, maybe? -I really like that. -It's that sort of style. | 0:10:29 | 0:10:33 | |
Make no mistake, this has not got fancy workings, | 0:10:33 | 0:10:37 | |
-this is an electric clock. -Is it battery? | 0:10:37 | 0:10:39 | |
No, no, it would have been mains. | 0:10:39 | 0:10:41 | |
-You plug it in? -Yes. -Oh, so you have to wire it. | 0:10:41 | 0:10:45 | |
I still think even though you might have to wire it to the mains, | 0:10:45 | 0:10:48 | |
the people looking for something authentic, or a particular | 0:10:48 | 0:10:51 | |
style, which that is, I still think they might go for it. | 0:10:51 | 0:10:54 | |
It's all about the price. What's your absolute rock bottom? | 0:10:54 | 0:10:59 | |
-I'll do it for 70, I really can't come down less than that. -Yeah. | 0:10:59 | 0:11:03 | |
-I think that's something else we'll have to... -I would go for that. | 0:11:03 | 0:11:06 | |
Would you? Could you just bring it under the 70? | 0:11:06 | 0:11:09 | |
Just thinking of the bids, how they go up? | 0:11:09 | 0:11:12 | |
-68? -65 for cash? -65 for cash, even? | 0:11:12 | 0:11:15 | |
-OK. -Wonderful, thank you very much indeed. -Thanks so much. | 0:11:17 | 0:11:21 | |
Officially, with time on their side, the Reds make their first purchase. | 0:11:21 | 0:11:26 | |
Congratulations. | 0:11:26 | 0:11:27 | |
-Well done, girls, first purchase. -I love that. | 0:11:27 | 0:11:30 | |
Yeah, it's fantastic. | 0:11:30 | 0:11:31 | |
It's now 1-1 and both teams want to track down some bling. | 0:11:31 | 0:11:35 | |
Let's find a good silver store. | 0:11:35 | 0:11:37 | |
-We have a look at some more silver? -Yes. | 0:11:37 | 0:11:40 | |
-Beautiful. -Those sort of things, there, see that? -What do you like? | 0:11:40 | 0:11:43 | |
They're sort of rattles and teething... | 0:11:43 | 0:11:46 | |
Amanda, let's have you choose which one you'd like to look at. | 0:11:46 | 0:11:49 | |
Seeing as we're the Blue team and this one has a blue ribbon, | 0:11:49 | 0:11:52 | |
-I think that might be an omen. Is that all right? -OK. | 0:11:52 | 0:11:55 | |
I think your dad knows all about that, don't you? | 0:11:55 | 0:11:58 | |
-Teething for a baby. -Yeah. | 0:11:58 | 0:12:00 | |
-HE CHEWS -Yeah. | 0:12:00 | 0:12:02 | |
-I've never seen a baby do that before. -No, no, no! | 0:12:02 | 0:12:05 | |
-And is it a rattle as well? -Yeah. | 0:12:05 | 0:12:06 | |
It can be. Keeps them happy, doesn't it? | 0:12:06 | 0:12:08 | |
So it's made from mother-of-pearl on the handle. | 0:12:08 | 0:12:12 | |
-And then solid silver. -Yes. | 0:12:12 | 0:12:13 | |
And what are we depicting there in this scene? | 0:12:13 | 0:12:16 | |
It's Little Boy Blue, come blow your horn. | 0:12:16 | 0:12:19 | |
Aw! That's reasonably rare for a little silver teething rattle, | 0:12:19 | 0:12:23 | |
-to have been distinctly made for a boy. -Yes. | 0:12:23 | 0:12:26 | |
So, hallmarks, let's have a look. So we have the Crown for Chester. | 0:12:26 | 0:12:31 | |
-And then a G. Is that 1890? -1890. There we are. I thought it was. | 0:12:31 | 0:12:36 | |
-That's rather nice. -What was your best price? | 0:12:36 | 0:12:40 | |
-£90. -90. 75? | 0:12:40 | 0:12:43 | |
I'm afraid I'm going to have to... | 0:12:44 | 0:12:47 | |
be firm and say no. | 0:12:47 | 0:12:50 | |
-Can you try a bit harder? -85, it needs to be. -OK. -I'm there. -OK. | 0:12:50 | 0:12:57 | |
-What do you think? -Well, I think it would be marvellous at... | 0:12:57 | 0:13:00 | |
To be really mercenary, | 0:13:00 | 0:13:02 | |
I'd love it at £50 or £60 but it's not going to happen. | 0:13:02 | 0:13:05 | |
-It's a beautiful thing. -Have a chat. | 0:13:05 | 0:13:09 | |
-Shall we go with it? -Yeah. -OK. | 0:13:09 | 0:13:11 | |
Thank you very much. | 0:13:11 | 0:13:12 | |
After rattling on, the Blues have made their second purchase. | 0:13:12 | 0:13:16 | |
-Two objects in 25 minutes. -Yeah. -We're doing well. | 0:13:17 | 0:13:20 | |
What would we really like to buy now? What shall we get? | 0:13:20 | 0:13:23 | |
-Maybe some glassware? -OK. Shall we go on a glass hunt? -Lovely. | 0:13:23 | 0:13:26 | |
Let's go and get some glass. | 0:13:26 | 0:13:27 | |
Now, the Reds have also honed in on a silver item | 0:13:27 | 0:13:31 | |
in the form of a rather interesting bookmark. | 0:13:31 | 0:13:34 | |
Now, as a horticulturalist, | 0:13:34 | 0:13:35 | |
-a little trowel might be quite appropriate for you. -It's lovely. | 0:13:35 | 0:13:38 | |
We've got a nice clear hallmark on here. | 0:13:38 | 0:13:42 | |
Quite often, these are just marked sterling. It's 1908 in date. | 0:13:42 | 0:13:46 | |
-100 years old. -Edwardian. -It is over 100 years. | 0:13:46 | 0:13:49 | |
And do you think these kind of things are collectable, | 0:13:49 | 0:13:53 | |
would people collect a bookmark? | 0:13:53 | 0:13:54 | |
Yes, in fact, in the past I've seen these at auction, | 0:13:54 | 0:13:57 | |
they do quite well. And it is functional as well as decorative | 0:13:57 | 0:14:00 | |
-because it is a little bookmark. -That's lovely. | 0:14:00 | 0:14:02 | |
-What's the best price the lady could do? -55? | 0:14:02 | 0:14:04 | |
45 would be your best. | 0:14:04 | 0:14:07 | |
Is that your absolute rock bottom? | 0:14:07 | 0:14:09 | |
I'll do 40 and that's the absolute best. | 0:14:09 | 0:14:12 | |
So, decision, ladies, what do we think? | 0:14:12 | 0:14:14 | |
I decided on the clock, so you decide. | 0:14:14 | 0:14:17 | |
-No, no, if you're happy with that... -I think 40 is good. | 0:14:17 | 0:14:20 | |
It's very pretty and it's got lovely detailing on the handle. | 0:14:20 | 0:14:23 | |
It has. Done! | 0:14:23 | 0:14:25 | |
-Thank you very much. -Thank you. | 0:14:25 | 0:14:28 | |
So, a quick decision on item number two for the Reds. | 0:14:28 | 0:14:31 | |
Now, both teams are halfway through the shop. | 0:14:31 | 0:14:33 | |
-What're you looking at? -Those very tall glasses. -OK. | 0:14:33 | 0:14:36 | |
I don't think they're old. | 0:14:36 | 0:14:38 | |
-No, I don't really like them. -Don't you? -No. | 0:14:38 | 0:14:41 | |
Is it because the basin isn't big enough to get enough wine in, | 0:14:41 | 0:14:44 | |
-Amanda? -That's right. -Yes! Very good point, very good point. | 0:14:44 | 0:14:47 | |
Yeah! That's way too small for a decent glass of wine. | 0:14:47 | 0:14:51 | |
You're an old hand at this, aren't you, this antique hunting? | 0:14:52 | 0:14:55 | |
-Well, we like to try. -We've done a bit. | 0:14:55 | 0:14:57 | |
-Where do you go? -We like to go to Shepton Mallet. | 0:14:57 | 0:15:01 | |
Shepton Mallet is our main one. | 0:15:01 | 0:15:02 | |
And we try to play the Bargain Hunt game and we've given ourselves | 0:15:02 | 0:15:06 | |
-an hour and what would you buy in that hour? -Really? | 0:15:06 | 0:15:10 | |
But we've always failed miserably! | 0:15:10 | 0:15:12 | |
Hear that? That's what I call dedication to the cause. | 0:15:12 | 0:15:16 | |
I wonder if that chair, that stick back one, with the teddy on it... | 0:15:16 | 0:15:20 | |
-Yes. This one here? -Yeah. | 0:15:20 | 0:15:23 | |
Single dining chairs are dead. They do not sell well at auction. | 0:15:25 | 0:15:29 | |
Children's chairs, yes, they are quite commercial. | 0:15:29 | 0:15:31 | |
-Just take a look at this and imagine it like that. -Has it been cut down? | 0:15:31 | 0:15:36 | |
It has indeed. I think these are legs from a different chair. | 0:15:36 | 0:15:40 | |
-Can you see how they join the seat? -And, look, there's another leg hole. | 0:15:40 | 0:15:44 | |
There's another leg hole, well spotted. | 0:15:44 | 0:15:47 | |
-So the whole proportions of the piece are wrong. -Yeah, sure. | 0:15:47 | 0:15:49 | |
OK. Great, thank you. | 0:15:49 | 0:15:52 | |
As the Reds are brought down to size, | 0:15:52 | 0:15:54 | |
the Blues are also feeling pretty compact. | 0:15:54 | 0:15:57 | |
You know, if you're going to buy a compact, I think you'd want one, | 0:15:57 | 0:16:00 | |
for auction purposes, you want a silver one or a gold one. | 0:16:00 | 0:16:04 | |
I think you'd need to put a few of these together | 0:16:04 | 0:16:06 | |
to make an auction lot. | 0:16:06 | 0:16:08 | |
They're not making fortunes. They are selling for 10, £20 apiece. | 0:16:08 | 0:16:12 | |
-They're sort of on the money. -In fairs like this. | 0:16:12 | 0:16:15 | |
So in auction, you're going to be | 0:16:15 | 0:16:17 | |
-very lucky to get... -To make a profit. | 0:16:17 | 0:16:19 | |
Maybe we should think about something else. | 0:16:19 | 0:16:21 | |
We can always come back and buy half a dozen compacts in the final moments. | 0:16:21 | 0:16:24 | |
There's enough there, there will be some left, all right? | 0:16:24 | 0:16:27 | |
-Come on. -Come on then. | 0:16:27 | 0:16:28 | |
So, it's not just the Reds that are drawn to the compacts. | 0:16:30 | 0:16:33 | |
But will this item be our team's choice for their final buys? | 0:16:33 | 0:16:37 | |
20 minutes left. | 0:16:37 | 0:16:39 | |
I suppose some people might collect them. | 0:16:39 | 0:16:41 | |
So are you keen on sticks, you girls? | 0:16:41 | 0:16:43 | |
-Well, yeah, nice for country walk. -Bit of a whack. -Exactly. | 0:16:43 | 0:16:47 | |
-So, you having a good time with Kate? -Yes. | 0:16:47 | 0:16:49 | |
She just saved us from making a big mistake on a chair. | 0:16:49 | 0:16:51 | |
-It's all going really well. -They never sell well. | 0:16:51 | 0:16:54 | |
It's just nudging and directing a little bit, isn't it? | 0:16:54 | 0:16:57 | |
-Yeah, good advice. -Anyway, you've spent how much so far? -£105. | 0:16:57 | 0:17:02 | |
You've spent £105 and you've got one more item to find. | 0:17:02 | 0:17:04 | |
-Going to buy something really expensive? -Oh, yeah, we're trying. | 0:17:04 | 0:17:08 | |
-Blow the budget. -Well, time ticks on, and good luck. -Thank you. | 0:17:08 | 0:17:12 | |
After that little update, the Blues are trying to bag a bargain. | 0:17:12 | 0:17:16 | |
Amanda, are you into this vintage scene? | 0:17:16 | 0:17:19 | |
They are very beautiful, I have to say. | 0:17:19 | 0:17:21 | |
It's not something I personally collect. | 0:17:21 | 0:17:23 | |
-You should be a politician, you know that? -Am I diplomatic? | 0:17:23 | 0:17:26 | |
-You are so good, it's unbelievable. -You certainly are. | 0:17:26 | 0:17:30 | |
-I... -I think they're pretty, | 0:17:30 | 0:17:32 | |
but it's not tempting me to part with money. | 0:17:32 | 0:17:35 | |
-OK. So do you really like them, then? -No! | 0:17:35 | 0:17:40 | |
There we go. That's the honest answer. | 0:17:40 | 0:17:42 | |
They're starting to run out of time now as both teams reach | 0:17:42 | 0:17:45 | |
the final 10 minutes. Panic is starting to set in. | 0:17:45 | 0:17:49 | |
Oh! | 0:17:49 | 0:17:51 | |
-Panicking yet? -Slightly. -I thought you were. | 0:17:51 | 0:17:53 | |
Right, down here, girls. | 0:17:53 | 0:17:56 | |
We've been down. We've been down there, have we been down there? | 0:17:56 | 0:17:59 | |
Yes, we've been down there. | 0:17:59 | 0:18:01 | |
Let's look at the price, though, we're so short of time. 68. | 0:18:01 | 0:18:04 | |
-I'm not sure that's for us. -No. | 0:18:04 | 0:18:05 | |
Moving on. Has David finally seen the light? | 0:18:05 | 0:18:09 | |
There is something there that I quite like, | 0:18:09 | 0:18:11 | |
this Persian hanging lamp. | 0:18:11 | 0:18:13 | |
-Could be. -You like the look of it? | 0:18:13 | 0:18:15 | |
-Tell the truth. No, no, do your usual. -Shall I be... | 0:18:15 | 0:18:18 | |
-OK, I'm going to ask you a question. -OK. -Amanda, I really like that. | 0:18:20 | 0:18:23 | |
-What do you think? -Go on, Amanda, do your thing. | 0:18:23 | 0:18:26 | |
-It's not necessarily to my taste. -OK. | 0:18:26 | 0:18:29 | |
-But I could see it in the right sort of place. -OK. | 0:18:29 | 0:18:31 | |
Said like a true pro. | 0:18:31 | 0:18:33 | |
-So you don't want me to handle it then? -Go on, have a look. -Oh, go on! | 0:18:33 | 0:18:38 | |
-Why not? -OK, thank you. | 0:18:38 | 0:18:40 | |
I just like the style. | 0:18:40 | 0:18:42 | |
It's very interior design, it's very busy. | 0:18:42 | 0:18:47 | |
And I can see it lit up. | 0:18:47 | 0:18:49 | |
You know, the more you say, I can see a big church candle in there. | 0:18:50 | 0:18:54 | |
Yes. Absolutely right. That's where you drop your church candle. | 0:18:54 | 0:18:59 | |
You plonk that lid on, and you can sit it on a table. | 0:18:59 | 0:19:02 | |
-Or you can hang it from the ceiling. -Yes, yes. | 0:19:02 | 0:19:06 | |
So, made from copper, and we've got lots of things going on here. | 0:19:06 | 0:19:10 | |
We've got peacocks, foliage, it's very Moorish. | 0:19:10 | 0:19:14 | |
-Yes, it is, actually. -Like North Africa. | 0:19:14 | 0:19:17 | |
-There's a lot going on. -68. | 0:19:17 | 0:19:19 | |
-What sort of cheeky offer do you think we should go in with? -50? | 0:19:19 | 0:19:23 | |
-Let's ask him. -55, I could do. | 0:19:23 | 0:19:26 | |
-It's got 68 on at the moment? -Yes. | 0:19:26 | 0:19:28 | |
Is it going to make 30 quid and you're going to blow 25, | 0:19:28 | 0:19:32 | |
or are you going to get two people with a bit of oomph about them | 0:19:32 | 0:19:36 | |
seeing its potential and saying to themselves, "I'll pay £100 for it"? | 0:19:36 | 0:19:40 | |
-What was your best price? -Bottom line would be 50, there we are. -50. | 0:19:40 | 0:19:45 | |
-I think we might go with that one, yes. -Shall we do it? -Yeah. | 0:19:45 | 0:19:49 | |
-Go on, be positive. -Yes. -Yes! -Yes! -Well done, we've done it. | 0:19:49 | 0:19:55 | |
You certainly have done it, David. And well done. | 0:19:55 | 0:19:58 | |
That's your Blue team done and dusted. Three items duly purchased. | 0:19:58 | 0:20:02 | |
With minutes to go, Kate suddenly spots something Scottish and furry. | 0:20:03 | 0:20:07 | |
-There's a sporran on here. That's a bit different. -Yes, yes. | 0:20:07 | 0:20:11 | |
-Now, they're silver-plated. It's a bit wacky, isn't it? -It is. | 0:20:11 | 0:20:16 | |
This is quite a nice one. It's got a bit of age to it, you can see. | 0:20:16 | 0:20:20 | |
Leather, we've got real leather. | 0:20:20 | 0:20:22 | |
We've got "Made in Scotland" up here, which suggests fairly late. | 0:20:22 | 0:20:26 | |
I would maybe say '50s. And I think that's sheep's wool. | 0:20:26 | 0:20:31 | |
-It looks sort of quite vintage. -Definitely. | 0:20:31 | 0:20:34 | |
Still in really good condition. | 0:20:34 | 0:20:36 | |
At auction, I've seen these go for 30, | 0:20:36 | 0:20:38 | |
I've seen the really unusual ones go for 50 plus. | 0:20:38 | 0:20:41 | |
What's the best on this? | 0:20:41 | 0:20:43 | |
Well, I've got 55 on it. | 0:20:43 | 0:20:44 | |
-40? -40? How about 45? | 0:20:44 | 0:20:48 | |
-How about 41 for a pretty girl? -Two pretty girls. -Thank you! | 0:20:48 | 0:20:53 | |
-Three, even! -Three! | 0:20:53 | 0:20:55 | |
-Can we start again? -Start again? -At 30. -60. | 0:20:55 | 0:20:59 | |
Cheeky! | 0:20:59 | 0:21:00 | |
-Then we come in! -I think we pay 38 for it, done. | 0:21:00 | 0:21:04 | |
Cash, in your hand. | 0:21:04 | 0:21:06 | |
-Well, how about 40? -I think it's not bad. I think it's got a chance. | 0:21:06 | 0:21:11 | |
-It's a really nice, unusual thing. -Yeah, OK. -It's good. -Fantastic. | 0:21:11 | 0:21:15 | |
-We'll do it. -You're welcome, ladies. | 0:21:15 | 0:21:18 | |
Well done, Reds, that's your third and final item bagged. | 0:21:18 | 0:21:21 | |
And congratulations, you've finished shopping. | 0:21:21 | 0:21:25 | |
Time's up! Let's check out what the Red team bought, eh? | 0:21:25 | 0:21:28 | |
Tick-tock. They spent £65 on an electric metal-case wall clock. | 0:21:29 | 0:21:34 | |
They dug up a silver and mother-of-pearl bookmark | 0:21:34 | 0:21:37 | |
in the form of a trowel for £40. | 0:21:37 | 0:21:39 | |
And they also spent £40 on an early 20th-century sporran, as you do. | 0:21:40 | 0:21:44 | |
Yabber, yabber, yabber, yabber, yabber, yabber, yabber. | 0:21:46 | 0:21:49 | |
-I mean, you lot like to chat on, don't you? -We do! -You certainly do. | 0:21:49 | 0:21:52 | |
-Which is your favourite piece? -The sporran. -Really? -Yes. | 0:21:52 | 0:21:57 | |
-Had you had a thing about sporrans? -Never, never touched one or seen one! | 0:21:57 | 0:22:00 | |
And do you agree that the sporran is the favourite piece? | 0:22:00 | 0:22:03 | |
No, my favourite's the clock. | 0:22:03 | 0:22:05 | |
Is that going to bring the biggest profit? | 0:22:05 | 0:22:07 | |
-I think it is, yeah. We got a good deal. -She might be right there. | 0:22:07 | 0:22:10 | |
-OK, fine. You've had a great day being with Kate today? -Yeah! | 0:22:10 | 0:22:14 | |
-We've had a brilliant time. -Jolly nice too. -How much did you spend? | 0:22:14 | 0:22:17 | |
-145. -145, I'd like 155 leftover lolly, please. | 0:22:17 | 0:22:21 | |
Who's got that? Thank you very much. | 0:22:21 | 0:22:23 | |
OK, 155 leftover lolly. What are you going to do with that, Kate Bliss? | 0:22:23 | 0:22:27 | |
-Well, it's quite a solid amount, isn't it? -Solid. | 0:22:27 | 0:22:29 | |
These ladies have been so measured and calculating in their choices. | 0:22:29 | 0:22:33 | |
So I'm going to have to be very careful. | 0:22:33 | 0:22:35 | |
Will you be going for something Scottish themed, do you think? | 0:22:35 | 0:22:38 | |
-Nice kilt to go with your sporran? -Well, I can try. | 0:22:38 | 0:22:41 | |
No, don't! Please! | 0:22:41 | 0:22:43 | |
-We're in the West Country. -This is true. | 0:22:43 | 0:22:45 | |
Very good luck and have a great time. | 0:22:45 | 0:22:47 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:22:47 | 0:22:50 | |
They chalked up £32 for an old advertising scoreboard. | 0:22:51 | 0:22:55 | |
They invested £85 in a Victorian child's silver | 0:22:57 | 0:23:01 | |
and mother-of-pearl rattle. | 0:23:01 | 0:23:03 | |
And they spent £50 on an early 20th-century | 0:23:03 | 0:23:05 | |
Persian copper pierced baluster lamp. | 0:23:05 | 0:23:08 | |
-Had a good time? -Lovely. -Was he good? -Fantastic. | 0:23:11 | 0:23:13 | |
And you spent how much? | 0:23:13 | 0:23:15 | |
-£167. -That's very nice, I'd like 133, please. -Yes, I've got it here. | 0:23:15 | 0:23:18 | |
Which is your favourite piece? | 0:23:18 | 0:23:20 | |
Well, Dad and I have chosen the silver rattle as our favourite piece. | 0:23:20 | 0:23:24 | |
And is that going to bring the biggest profit? | 0:23:24 | 0:23:27 | |
-Yes, we think so. -Do you? So the rest of it's not much cop? | 0:23:27 | 0:23:31 | |
-No, no, we didn't say that! -Thanks for that! -It's a prediction, anyway. | 0:23:31 | 0:23:35 | |
-It's your favourite and the maximum profit is the rattle. -I think so. | 0:23:35 | 0:23:38 | |
Which is handy for teething too, does it do teething? | 0:23:38 | 0:23:41 | |
-Oh, yes, it's a teething rattle. -Oh, lovely. | 0:23:41 | 0:23:44 | |
-Anyway, very good. -I can sense a line coming towards me there, Tim! | 0:23:44 | 0:23:48 | |
No, no, no. So tell me, David, what will you do with all that cash? | 0:23:48 | 0:23:52 | |
I don't know, Tim. We've bought a real eclectic mix of things. | 0:23:52 | 0:23:54 | |
-But nothing particularly feminine, have we? -Something girly? | 0:23:54 | 0:23:59 | |
-Well, you're in touch with your feminine side. -That's right. | 0:23:59 | 0:24:02 | |
Should be what they call a piece of cake. Anyway, off you go, David. | 0:24:02 | 0:24:06 | |
Meanwhile, I'm going to show you a little pooch with a secret. | 0:24:06 | 0:24:10 | |
HE BARKS | 0:24:10 | 0:24:12 | |
Well, as they say, fine things often come in small packages. | 0:24:18 | 0:24:23 | |
So try this thing on for size. | 0:24:23 | 0:24:25 | |
Now, in a fair like this at Westpoint, there are 400-odd stands | 0:24:25 | 0:24:28 | |
and on every stand there are probably 100 and 200 objects. | 0:24:28 | 0:24:32 | |
That is an awful lot of things | 0:24:32 | 0:24:34 | |
to look over before you find your special piece. | 0:24:34 | 0:24:38 | |
And I've found on a stand, just here, this little chap. | 0:24:38 | 0:24:43 | |
What we've got is a spaniel which is dozing on a blue cushion. | 0:24:43 | 0:24:48 | |
Those colours are very typical of Prattware. | 0:24:48 | 0:24:52 | |
The artist who's crudely modelled this in Staffordshire, | 0:24:52 | 0:24:56 | |
at the end of the 18th century, early part of the 19th century, | 0:24:56 | 0:24:59 | |
has got that expression exactly right. | 0:24:59 | 0:25:02 | |
If you look at the palette on this object, | 0:25:02 | 0:25:05 | |
there are deep, rich blues, | 0:25:05 | 0:25:08 | |
and then a gorgeous pattern on the back of the hound | 0:25:08 | 0:25:12 | |
which includes a sort of aubergine-y brown, | 0:25:12 | 0:25:16 | |
and then some yellow blotches and a bit more blue. | 0:25:16 | 0:25:20 | |
What's unusual about the thing, | 0:25:20 | 0:25:22 | |
though, is that the cushion is on a rectangular plinth, | 0:25:22 | 0:25:25 | |
and the rectangular plinth is raised on a tapering stem. | 0:25:25 | 0:25:30 | |
Then you look on the underside and it's slightly domed, | 0:25:30 | 0:25:33 | |
and it's got some more patterning on it. | 0:25:33 | 0:25:36 | |
This is a crude piece of rather naive earthenware. | 0:25:36 | 0:25:40 | |
Not sold for a huge amount of money in a smart London retailers, | 0:25:40 | 0:25:45 | |
but more likely to have been bought and sold | 0:25:45 | 0:25:49 | |
in a fairground in a market town. | 0:25:49 | 0:25:51 | |
But it has got a proper purpose. | 0:25:51 | 0:25:53 | |
The circular base, look, | 0:25:53 | 0:25:55 | |
unscrews like that to reveal a little secret box. | 0:25:55 | 0:26:00 | |
Into which you could keep your jujus. | 0:26:00 | 0:26:03 | |
Jujus, for making your breath smell sweeter. | 0:26:03 | 0:26:08 | |
Little bits of preserved and sugared angelica, | 0:26:08 | 0:26:12 | |
or violet leaves, or little bits of lavender. | 0:26:12 | 0:26:16 | |
This is a feature which is extremely rare. | 0:26:16 | 0:26:19 | |
Have you ever seen an early 19th-century | 0:26:20 | 0:26:23 | |
Pratt-decorated secret box like this? | 0:26:23 | 0:26:27 | |
Well, in my 50 years of wandering around places like this, | 0:26:27 | 0:26:30 | |
I've never seen one. | 0:26:30 | 0:26:32 | |
And I tell you, this thing is as rare as rare can be. | 0:26:32 | 0:26:36 | |
And if you ever find one like this out there, | 0:26:36 | 0:26:39 | |
for £50, my advice is to hoover it up. | 0:26:39 | 0:26:43 | |
Because it would be your lucky day. | 0:26:43 | 0:26:45 | |
Because the dealer who owns this on the stand just over there | 0:26:45 | 0:26:50 | |
does know what it's worth. | 0:26:50 | 0:26:51 | |
He knows he's got a rare and rather wonderful object | 0:26:51 | 0:26:55 | |
and has priced it accordingly. | 0:26:55 | 0:26:57 | |
Now... Put your teacup down. | 0:26:57 | 0:26:59 | |
Stand by for the valuation. | 0:27:00 | 0:27:02 | |
-He is asking £800. -HE LAUGHS | 0:27:02 | 0:27:06 | |
£800! | 0:27:06 | 0:27:08 | |
I think I'll take it back to him. | 0:27:09 | 0:27:11 | |
Well, we've stayed in Devon | 0:27:25 | 0:27:27 | |
and have come to Bearnes, Hampton and Littlewood's saleroom | 0:27:27 | 0:27:32 | |
to be with Brian Goodison-Blanks. | 0:27:32 | 0:27:34 | |
-Brian, how nice to see you. -Nice to see you. | 0:27:34 | 0:27:36 | |
Now, with the Reds, they've got a weird collection, | 0:27:36 | 0:27:39 | |
including this electric clock. | 0:27:39 | 0:27:40 | |
-Which could have come straight from a schoolroom. -It could have done. | 0:27:40 | 0:27:43 | |
-Or a factory. -It's Temco, so it's the telephone manufacturing company. | 0:27:43 | 0:27:47 | |
-Around about 1950s. -Is it? | 0:27:47 | 0:27:49 | |
Evocative of a period, and just what people want. | 0:27:49 | 0:27:52 | |
It would do, that would look very nice in a kitchen today. | 0:27:52 | 0:27:55 | |
-It would indeed. So, how much? -We're suggesting about £40-£60. | 0:27:55 | 0:27:58 | |
40-60, that kind of tells the right time, doesn't it? | 0:27:58 | 0:28:02 | |
£65 paid. Right, now, moving on, we've got the bookmark. | 0:28:02 | 0:28:06 | |
A little trowel. | 0:28:06 | 0:28:07 | |
It's a fun little thing, novelty bookmark, again, | 0:28:07 | 0:28:10 | |
-sort of Victorian, late Victorian, Edwardian. -How much? | 0:28:10 | 0:28:13 | |
-About £20-£30. -That's curious, because they paid £40. | 0:28:13 | 0:28:17 | |
They paid about twice what your low estimate is. | 0:28:17 | 0:28:19 | |
Still, you never know. | 0:28:19 | 0:28:21 | |
Now, I'm feeling pretty confident about this sporran, how do you feel? | 0:28:21 | 0:28:25 | |
I think that's a rather fun piece. | 0:28:25 | 0:28:27 | |
It's really nicely designed, with the Celtic leather-work | 0:28:27 | 0:28:30 | |
around the metalwork at the top as well. Nicely marked. | 0:28:30 | 0:28:33 | |
And it's got all its dangly bits. | 0:28:33 | 0:28:35 | |
It has, it's all dingly-dangly for you there. | 0:28:35 | 0:28:37 | |
-Basically, this thing is ready to go. -Ready to be worn. | 0:28:37 | 0:28:41 | |
I'd love to know what your estimate is on that. | 0:28:41 | 0:28:43 | |
-It's probably round about £30-40. -Really? Is that all? | 0:28:43 | 0:28:45 | |
Yeah, but the internet interest should take that a lot higher. | 0:28:45 | 0:28:48 | |
I wouldn't be surprised if it made £100, would you? | 0:28:48 | 0:28:51 | |
It should make around £80-100. | 0:28:51 | 0:28:53 | |
Because the team paid £40 and that would seriously help them out. | 0:28:53 | 0:28:56 | |
Irrespective of how the sporran does, here in Devon, | 0:28:56 | 0:29:00 | |
we're going to have a look now at the bonus buy. | 0:29:00 | 0:29:03 | |
-Girls, this is exciting, isn't it? -Yes! | 0:29:04 | 0:29:07 | |
You spent the 145, you gave Kate Bliss £155. | 0:29:07 | 0:29:11 | |
-Kate, what did you find? -Well, girls... | 0:29:11 | 0:29:14 | |
-Oh, wow! -This is what I found. It is of course glass. | 0:29:14 | 0:29:19 | |
And it's a little model of a fawn or a "dem" | 0:29:19 | 0:29:23 | |
-as it's called in French. Because it is French. -It is French. | 0:29:23 | 0:29:27 | |
-And it's by a very well-known glass designer... -Lalique. | 0:29:27 | 0:29:32 | |
-Oh! She's got it! -No, I read it! | 0:29:32 | 0:29:35 | |
You read it! Well, good girl, | 0:29:35 | 0:29:36 | |
because not only do you know it's Lalique, | 0:29:36 | 0:29:38 | |
but you have spotted the very important signature there. | 0:29:38 | 0:29:41 | |
And this was designed as a paperweight, | 0:29:41 | 0:29:43 | |
very closely related to the car mascots that Lalique was known for. | 0:29:43 | 0:29:48 | |
The pieces that were made post-war | 0:29:48 | 0:29:51 | |
are usually just signed Lalique France. | 0:29:51 | 0:29:54 | |
And pre-1945, has this initial, R Lalique, | 0:29:54 | 0:29:57 | |
which is exactly what we've got here. | 0:29:57 | 0:29:59 | |
Now, I would say that this dates from the Art Deco period, | 0:29:59 | 0:30:02 | |
from the 1930s. | 0:30:02 | 0:30:04 | |
How much did you pay for it? | 0:30:04 | 0:30:06 | |
-I paid £90. OK? -I think that seems quite reasonable. | 0:30:06 | 0:30:11 | |
And how much do you think it's worth? At the auction? | 0:30:11 | 0:30:14 | |
Well, I think if the right collector's there, | 0:30:14 | 0:30:16 | |
and the auction is online, I think it should make a healthy profit. | 0:30:16 | 0:30:21 | |
-But I can't guarantee that. -Thank you very much, Kate, for that. | 0:30:21 | 0:30:24 | |
You don't pick it now, you pick it later if you need to. | 0:30:24 | 0:30:27 | |
On that happy note, | 0:30:27 | 0:30:28 | |
let's find out what the auctioneer think about Kate's little fawn. | 0:30:28 | 0:30:32 | |
There we go, Brian. | 0:30:33 | 0:30:34 | |
It's instantly recognisable as Lalique and signed R Lalique. | 0:30:34 | 0:30:38 | |
This one unfortunately probably has had a bit of damage at some point, | 0:30:38 | 0:30:41 | |
somebody's ground off this back edge. | 0:30:41 | 0:30:43 | |
That's why you've got that deep bevel? | 0:30:43 | 0:30:45 | |
-It should be square all the way across. -Right. | 0:30:45 | 0:30:48 | |
And also as well, just on the top here, | 0:30:48 | 0:30:50 | |
probably ground out one or two small chips to the horns. | 0:30:50 | 0:30:54 | |
But a nice little thing, collectors of Lalique, | 0:30:54 | 0:30:56 | |
it's a good piece to start a collection with. | 0:30:56 | 0:30:59 | |
-OK, how much? -About 50, £70. | 0:30:59 | 0:31:02 | |
£90 paid. Still, that's not too far off. That's it from the Reds. | 0:31:02 | 0:31:08 | |
And now for the Blues, who've got the Old Holborn darts scoreboard. | 0:31:08 | 0:31:12 | |
Advertising signs are very popular, | 0:31:12 | 0:31:14 | |
particularly the early enamel on iron. | 0:31:14 | 0:31:17 | |
This one is much later, probably just on tin or aluminium. | 0:31:17 | 0:31:20 | |
So how much do you think it'll bring? | 0:31:20 | 0:31:22 | |
It's had a hard life, so it's probably been in a rough pub. | 0:31:22 | 0:31:25 | |
-And it's probably only about £15-£20. -OK, £32 paid. | 0:31:25 | 0:31:29 | |
I really don't see them getting their money back. | 0:31:29 | 0:31:31 | |
Now, the mother-of-pearl rattle. | 0:31:31 | 0:31:33 | |
I see quite a few of these coming up and the early ones with coral | 0:31:33 | 0:31:36 | |
-and all the rest of it, they can make a bit of money. -They can. | 0:31:36 | 0:31:40 | |
But increasingly, more difficult to sell. | 0:31:40 | 0:31:42 | |
They are, because I think the market has moved away | 0:31:42 | 0:31:45 | |
from the later pieces. | 0:31:45 | 0:31:47 | |
It's a collectable that people have fallen out of fashion with. | 0:31:47 | 0:31:51 | |
Slightly. So as a result, what do you think? | 0:31:51 | 0:31:53 | |
-Probably only £30-£50. -£85 paid. | 0:31:53 | 0:31:56 | |
That is a big sum of money to pay for something | 0:31:56 | 0:31:59 | |
that is vaguely out of fashion. | 0:31:59 | 0:32:02 | |
OK, and lastly we've got the lump of copper, | 0:32:02 | 0:32:05 | |
which I have to say is beautifully pierced and all of that. | 0:32:05 | 0:32:09 | |
It very much takes you to the East, doesn't it? | 0:32:09 | 0:32:11 | |
It does, you can imagine a nice candle in there, | 0:32:11 | 0:32:13 | |
-throwing out some interesting light. -Yes. Do you think it's... | 0:32:13 | 0:32:16 | |
Is it Cairo, Egypt, or Damascus? Some sort of place around there? | 0:32:16 | 0:32:20 | |
It's probably similar to Cairo-ware, which we see quite a lot of. | 0:32:20 | 0:32:24 | |
-How much? -Around £30-£50. -I think that's exactly right. | 0:32:24 | 0:32:28 | |
£50 paid, so they're definitely going to need the bonus buy, | 0:32:28 | 0:32:30 | |
that's my prediction, and here it comes. | 0:32:30 | 0:32:33 | |
-Now, Amanda, Gerald, how are you, all right? -Very well, thank you. | 0:32:34 | 0:32:38 | |
You spent 167? Yes, we did. | 0:32:38 | 0:32:40 | |
-You gave the Harper £133. -Yes. | 0:32:40 | 0:32:43 | |
-And David, show us. -OK. | 0:32:43 | 0:32:45 | |
I did say I was going to buy something feminine. | 0:32:45 | 0:32:48 | |
-Is that a necklace? -Not quite! You'd have to have a little neck for that! | 0:32:48 | 0:32:51 | |
-That's beautiful. -Isn't that vintage chic? | 0:32:51 | 0:32:53 | |
It is gorgeous, absolutely lovely. | 0:32:53 | 0:32:56 | |
Amanda, show me your wrist. | 0:32:56 | 0:32:59 | |
-Does that really have to go into the auction? -I'm afraid so! | 0:32:59 | 0:33:02 | |
It's not a personal gift for you! | 0:33:02 | 0:33:04 | |
But it's lovely. | 0:33:04 | 0:33:06 | |
It's white metal, it's probably silver, | 0:33:06 | 0:33:09 | |
but it has no hallmark so we can't guarantee it is silver. | 0:33:09 | 0:33:12 | |
It's Indo-Persian and it's made fantastically. | 0:33:12 | 0:33:15 | |
We've got mother-of-pearl and then painted with enamel decoration | 0:33:15 | 0:33:19 | |
-on top of the mother-of-pearl. -Oh, yes. | 0:33:19 | 0:33:21 | |
-It's just delicious. -Beautiful. How much did you spend? -I paid 45. | 0:33:21 | 0:33:25 | |
Really?! Goodness me! | 0:33:25 | 0:33:29 | |
I mean, that is one deuce of a lot of work, isn't it? | 0:33:29 | 0:33:33 | |
And all in miniature. As you're wearing that, and it's moving about, | 0:33:33 | 0:33:36 | |
it just looks like a lot of fun, funky colours. | 0:33:36 | 0:33:39 | |
You get close in, these are miniature pieces of art. | 0:33:39 | 0:33:42 | |
In their own right. | 0:33:42 | 0:33:44 | |
-Very, very clever. -How much do you think that might make? | 0:33:44 | 0:33:47 | |
You know, with jewellery, especially online, I think | 0:33:47 | 0:33:50 | |
it could make the 80, it could make the 100. | 0:33:50 | 0:33:52 | |
-It's exciting. -And I'm already excited. Anyway, there it is. | 0:33:52 | 0:33:57 | |
You don't pick now, you pick later but let's find out | 0:33:57 | 0:33:59 | |
whether the auctioneer is going to get excited. | 0:33:59 | 0:34:02 | |
Well, I think it's better than at first glance. | 0:34:03 | 0:34:07 | |
It is, it's quite nicely decorated, isn't it? These nice typical scenes. | 0:34:07 | 0:34:11 | |
-It's tourist-ware... -It is. | 0:34:11 | 0:34:14 | |
..from somewhere in Iran or Iraq or that sort of neck. | 0:34:14 | 0:34:18 | |
It is, a decorative piece of costume jewellery, really, isn't it? | 0:34:18 | 0:34:22 | |
-Perfect, perfect. So, what's your estimate? -We're suggesting £30-£50. | 0:34:22 | 0:34:26 | |
OK, £45 paid. I think the Harper's been very cunning with that. | 0:34:26 | 0:34:29 | |
-I think it could take off. Like a magic carpet, isn't it? -It is. | 0:34:29 | 0:34:32 | |
Coming out of Baghdad. That's what we hope for. Thank you. | 0:34:32 | 0:34:36 | |
Now, Val, Lucy, how are you feeling on this bright and breezy day? | 0:34:42 | 0:34:45 | |
-Excited. -Excited but nervous. -Are you? | 0:34:45 | 0:34:48 | |
Is that because you think something is not going to do so well, Val? | 0:34:48 | 0:34:51 | |
-I just get nervous at auctions! -Oh, do you? -Yes! | 0:34:51 | 0:34:54 | |
OK. And what about you, Luce? | 0:34:54 | 0:34:56 | |
-I'm really excited about seeing what happens with the clock. -The clock? | 0:34:56 | 0:34:59 | |
-OK, that's the first item. -What do you think? | 0:34:59 | 0:35:02 | |
I'm thinking this is a really nice period thing. | 0:35:02 | 0:35:05 | |
£40-£60 is his estimate. You paid 65. | 0:35:05 | 0:35:09 | |
And I think it's a bit of tease, that estimate, because it works | 0:35:09 | 0:35:12 | |
and it's got style and it would look lovely in anybody's kitchen. | 0:35:12 | 0:35:16 | |
Is it going to tell the right time? Let's find out. | 0:35:16 | 0:35:19 | |
Lot 186 is the Temco electric metal-cased wall clock. | 0:35:19 | 0:35:23 | |
What will I say for that, £60? | 0:35:23 | 0:35:25 | |
-Should be. -It's on at 40. | 0:35:25 | 0:35:26 | |
It's on at 30. | 0:35:28 | 0:35:29 | |
Oh, dear! Come on, internet! | 0:35:29 | 0:35:31 | |
On at 20. | 0:35:31 | 0:35:33 | |
20, thank you, madam. At 20 I have in the room. | 0:35:33 | 0:35:35 | |
22, internet. 25. 28. | 0:35:35 | 0:35:39 | |
28, 30. 32. | 0:35:40 | 0:35:42 | |
£30, the bid is with the lady. 32, 35. 38, internet. | 0:35:44 | 0:35:48 | |
At 35, and I'm selling, then. | 0:35:50 | 0:35:52 | |
35! | 0:35:52 | 0:35:53 | |
£35! | 0:35:53 | 0:35:56 | |
-Oh, no! -What can you do? -OK, minus £30. | 0:35:56 | 0:35:59 | |
The silver mother-of-pearl handled bookmark. | 0:35:59 | 0:36:02 | |
In the form of a trowel. Birmingham 1908, what do I say, £20? | 0:36:02 | 0:36:06 | |
20 straightaway, thank you very much. At £20, 22 now elsewhere? | 0:36:06 | 0:36:10 | |
At 20 in the doorway, 22 internet? | 0:36:10 | 0:36:12 | |
No, at the maiden bid of £20, then. | 0:36:13 | 0:36:16 | |
-You quite sure? -No, no! | 0:36:16 | 0:36:18 | |
It's in the room at £20. | 0:36:18 | 0:36:20 | |
-So miserable. -It is! -£20 is minus £20. | 0:36:22 | 0:36:26 | |
OK. Now. The pain is over, I hope. | 0:36:26 | 0:36:29 | |
Lot 188, the early 20th-century sporran | 0:36:29 | 0:36:32 | |
with the wool and silver plate mounts, | 0:36:32 | 0:36:36 | |
circa 1910 and interest here with me at 30, five, 40, five, 50. | 0:36:36 | 0:36:40 | |
-Oh, yes. -55, internet. | 0:36:40 | 0:36:43 | |
At 55, internet. 60 now elsewhere. | 0:36:43 | 0:36:46 | |
At £55, the internet has it at 55, and selling now. | 0:36:46 | 0:36:50 | |
£55. £55. Is a miserable plus 15. | 0:36:51 | 0:36:56 | |
-It is a profit. -It is a profit. -But it could easily have made £100. | 0:36:56 | 0:37:00 | |
At 30, 40, 50, you were, you're now minus £35. | 0:37:00 | 0:37:03 | |
So what we feel about the Lalique then? | 0:37:03 | 0:37:05 | |
Let's go with it. | 0:37:05 | 0:37:07 | |
OK, for the third and final time, Mum says let's go with it, | 0:37:07 | 0:37:10 | |
we're going to go with it. See what happens, | 0:37:10 | 0:37:12 | |
the die is cast and here comes the fawn. | 0:37:12 | 0:37:14 | |
I can't look. | 0:37:14 | 0:37:15 | |
Lot 192 is the Lalique glass model of a fawn, signed R Lalique, | 0:37:15 | 0:37:19 | |
and various interests here. | 0:37:19 | 0:37:21 | |
At 30, five, 40, five, 50, five, 60. | 0:37:21 | 0:37:26 | |
£60 here. | 0:37:26 | 0:37:27 | |
Five now elsewhere? 65, 70, five, | 0:37:27 | 0:37:30 | |
80, five, 80, five, 90, five. | 0:37:30 | 0:37:32 | |
You're in profit. Well done, Kate Bliss. | 0:37:32 | 0:37:34 | |
£100 I have. Five now. | 0:37:34 | 0:37:36 | |
-At 100, commission has it with me at 100, five internet? -What a relief. | 0:37:36 | 0:37:40 | |
It's with me then at £100, five at all elsewhere, | 0:37:40 | 0:37:43 | |
last chance then, selling at £100. | 0:37:43 | 0:37:46 | |
-£100. It's plus £10. Well done, Kate Bliss. -Thank you. | 0:37:47 | 0:37:51 | |
That is positively blissful. Which means you are only minus £25. | 0:37:51 | 0:37:55 | |
-That's not too bad. -Which is barely a wink in this game. -It is. | 0:37:55 | 0:37:58 | |
Don't say a word to the Blues, all right? OK. | 0:37:58 | 0:38:01 | |
-Mum is the word, Mum. -Yes. | 0:38:01 | 0:38:03 | |
-So, have you been chatting to the Reds? -No, not at all. | 0:38:13 | 0:38:16 | |
Good. We don't want that. Now, the old Holborn advertising scoreboard | 0:38:16 | 0:38:21 | |
-has an estimate on £15-£20. -Right. | 0:38:21 | 0:38:24 | |
-You paid £32, on the recommendation of David. -Thank you! | 0:38:24 | 0:38:29 | |
Now, Amanda, Gerald, here we go. Old Holborn. | 0:38:29 | 0:38:32 | |
Lot 203 is the 1940s, 1950s Old Holborn advertising scoreboard. | 0:38:32 | 0:38:37 | |
Showing there for you. And interest here with me at eight, 10, 12, £15. | 0:38:37 | 0:38:43 | |
18 I have. I am out then, commission is out, it's £18 in the room. | 0:38:43 | 0:38:47 | |
And 20 now. 20 internet. 22, sir? 25 internet. | 0:38:47 | 0:38:51 | |
-Come on! -Bidding stands in the room at 22. Quite sure then? | 0:38:51 | 0:38:54 | |
At £22, and five now? | 0:38:54 | 0:38:56 | |
25 seated. 28? 28, 30? 32. | 0:38:56 | 0:39:02 | |
30 seated. 32 elsewhere? At £30, gentlemen in the glasses. | 0:39:02 | 0:39:06 | |
-Oh, so close! -All done at 30? | 0:39:06 | 0:39:08 | |
THEY GROAN | 0:39:10 | 0:39:12 | |
£30, David, there's no shame in that. Minus two pounds. | 0:39:12 | 0:39:15 | |
It's not even 3%. Now, here comes the rattle. | 0:39:15 | 0:39:18 | |
-Lovely there. -And here with me at 18, 20, | 0:39:21 | 0:39:24 | |
22, 25. 25 I have. | 0:39:24 | 0:39:27 | |
28 elsewhere? At 25, 28 with Howard. | 0:39:27 | 0:39:31 | |
I'm out then. | 0:39:31 | 0:39:32 | |
At 28, 30, 32, 35, | 0:39:32 | 0:39:34 | |
38, 40, 42, 45. | 0:39:34 | 0:39:38 | |
42, here then, five, internet? I saw you flashing. | 0:39:38 | 0:39:41 | |
At 42, the bid is in the room then, at 42. | 0:39:41 | 0:39:43 | |
Five, internet, you quite sure? | 0:39:43 | 0:39:45 | |
Another chance? All done then, at £42? | 0:39:45 | 0:39:49 | |
-Oh, no! -£43 off! | 0:39:49 | 0:39:53 | |
Minus £43. Plus the two is minus 45. | 0:39:53 | 0:39:58 | |
OK, now. Go, Persian lamp! | 0:39:58 | 0:40:03 | |
And again, interest here with me at 20, two, 25, | 0:40:03 | 0:40:06 | |
28, 30. £30 here. | 0:40:06 | 0:40:09 | |
32 elsewhere now? | 0:40:09 | 0:40:10 | |
Commission's with me at £30, do I see two at all? | 0:40:11 | 0:40:14 | |
It's like walking through porridge. | 0:40:14 | 0:40:16 | |
At £30, commission bid with me and I'll sell. | 0:40:16 | 0:40:19 | |
-Oh! -Did he sell it for £30? -He did. | 0:40:20 | 0:40:23 | |
-His favourite. Minus 20 is minus £65. -OK. | 0:40:23 | 0:40:29 | |
It's quite a big old turn, that, isn't it? | 0:40:29 | 0:40:31 | |
-Shouldn't be like this. -No! | 0:40:31 | 0:40:35 | |
-OK, so what are we going to do? -We're going definitely with... | 0:40:35 | 0:40:38 | |
-We're going with the bonus buy. -Go with the Persian bracelet? | 0:40:38 | 0:40:41 | |
OK, I can tell you what its estimate is, £30-£50. | 0:40:41 | 0:40:44 | |
-I mean, you have to have faith. -Yes, yes, yes! | 0:40:44 | 0:40:46 | |
-Because it's a peach of a buy. -We live on hope. | 0:40:46 | 0:40:50 | |
Say £30? | 0:40:50 | 0:40:51 | |
-£20, then, ladies? -Nothing on the internet. | 0:40:54 | 0:40:56 | |
10 to start, 10, thank you, I have. 12, 12, sir, 12. 15? | 0:40:56 | 0:41:00 | |
18, 18, 20. | 0:41:00 | 0:41:02 | |
No, at £18 then, at 18 I have seated. 20 elsewhere at all? | 0:41:02 | 0:41:07 | |
At £18 only. Quite sure then at 18? | 0:41:07 | 0:41:11 | |
-Oh! -Lordy, Lordy, Lord preserve us. | 0:41:12 | 0:41:15 | |
£18 is two short of 20. That means it's minus 27. | 0:41:15 | 0:41:20 | |
Which is two, six, seven, that's minus 92. | 0:41:20 | 0:41:23 | |
-OK, minus £92? -I think I could weep. | 0:41:23 | 0:41:26 | |
-We'll chat it all through in a minute. -Thank you. | 0:41:26 | 0:41:29 | |
-Don't say a word to the Reds. -No, we won't. -Thank you. | 0:41:29 | 0:41:32 | |
We have, um, had an appalling day, basically. | 0:41:42 | 0:41:46 | |
And for one particular team, it's been more than appalling | 0:41:46 | 0:41:48 | |
-and that team happens to be the Reds. -Oh! | 0:41:48 | 0:41:51 | |
Yes... I'm sorry about that. | 0:41:51 | 0:41:54 | |
I got it the wrong way round! | 0:41:54 | 0:41:56 | |
Ohhh! | 0:41:56 | 0:41:57 | |
It's actually the Blues! | 0:41:57 | 0:41:59 | |
CHEERING AND LAUGHTER | 0:41:59 | 0:42:01 | |
Doesn't happen often, but we might as well revel in it! There we are. | 0:42:01 | 0:42:06 | |
-These girls! -I was sure! -Anyway, it's the Blues. -Excellent. | 0:42:08 | 0:42:13 | |
Haven't done so well. Actually, it's really, really bad, isn't it? | 0:42:13 | 0:42:16 | |
Minus £65 and then you went with the bonus buy | 0:42:16 | 0:42:19 | |
-and then it finished up at minus 92. Really wasn't so hot. -Not really. | 0:42:19 | 0:42:22 | |
-We'll gloss over that, has it been fun? -It's been wonderful. | 0:42:22 | 0:42:25 | |
It's been marvellous seeing you both. | 0:42:25 | 0:42:27 | |
-Thank you very much, David, for nothing. -Thank you! | 0:42:27 | 0:42:30 | |
Anyway, Reds, so, you're victorious. | 0:42:30 | 0:42:33 | |
I'm sorry to give you a nasty turn like that. | 0:42:33 | 0:42:35 | |
You did make a profit, a beautiful profit, a beautiful, | 0:42:35 | 0:42:37 | |
-beautiful profit on your Lalique. -A weenie one. | 0:42:37 | 0:42:40 | |
On your Lalique fawn, that was marvellous. | 0:42:40 | 0:42:42 | |
-And then the sporran, that made a profit, didn't it? -Yeah. | 0:42:42 | 0:42:45 | |
Little hairy profit. Not much of a profit, but there we are. | 0:42:45 | 0:42:49 | |
-Otherwise, nothing to write home about. -Sadly, no, which is a shame. | 0:42:49 | 0:42:53 | |
-But anyway, there we are. Had a good time, Val? -Fabulous. -Luce? | 0:42:53 | 0:42:57 | |
-Fantastic day. -Kate? -Fantastic day. -We've loved having you. | 0:42:57 | 0:42:59 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:42:59 | 0:43:02 |