Browse content similar to Norfolk 25. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today we've come to the east of England, to Norfolk. | 0:00:03 | 0:00:07 | |
Not so much as to look at the man-made wonders like the Broads | 0:00:07 | 0:00:13 | |
but to find some man-made wonders of our own. | 0:00:13 | 0:00:17 | |
Let's go bargain hunting, yeah! | 0:00:17 | 0:00:20 | |
It may surprise you to know that pool frogs, here in Norfolk, | 0:00:49 | 0:00:53 | |
have their very own local accent. | 0:00:53 | 0:00:56 | |
And let's hope that none of our contestants croak either. | 0:00:56 | 0:01:00 | |
The Reds need to make a panic phone-call. | 0:01:02 | 0:01:04 | |
Could you ring him really quickly? Please! | 0:01:04 | 0:01:07 | |
-I will ring him really quickly. -Really quickly! | 0:01:07 | 0:01:10 | |
And the Blues are lining up for an identity parade. | 0:01:11 | 0:01:14 | |
-There is, isn't there? -There is, there is, I can see it. | 0:01:14 | 0:01:19 | |
I see the smile and the skin tone...yeah! | 0:01:19 | 0:01:22 | |
Let's meet today's teams. | 0:01:23 | 0:01:25 | |
On the show today, we have two teams of married couples who also | 0:01:25 | 0:01:31 | |
know each other and co-incidentally are also friends, which is lovely. | 0:01:31 | 0:01:35 | |
So, for the Reds we have Alwyn and Rita | 0:01:35 | 0:01:38 | |
and for the Blues it's Claire and Richard. | 0:01:38 | 0:01:40 | |
-Hello, everyone. -TOGETHER: Hello, Tim! | 0:01:40 | 0:01:42 | |
Very nice to see you. | 0:01:42 | 0:01:43 | |
Now, Alwyn, you have been married for more than 30 years, | 0:01:43 | 0:01:46 | |
how did it all start? | 0:01:46 | 0:01:47 | |
When they rationed petrol, which was back in '73 and I worked as | 0:01:47 | 0:01:51 | |
a BT engineer at the time. So, I cut off the phone of the local garage | 0:01:51 | 0:01:55 | |
up at the telephone exchange and then I went down to repair it. | 0:01:55 | 0:01:59 | |
So, when I got there I walked in and said, | 0:01:59 | 0:02:01 | |
"I've come to repair the phone." | 0:02:01 | 0:02:03 | |
So I said, "I'll just sort it out for you." | 0:02:03 | 0:02:05 | |
Made a pretence of going under the table to look at the wiring... | 0:02:05 | 0:02:08 | |
-As you do. -Well, as you do. | 0:02:08 | 0:02:10 | |
And there was this pair of legs with these very, very short, | 0:02:10 | 0:02:12 | |
red hot pants, you see, facing me. | 0:02:12 | 0:02:14 | |
So I thought, "Mmmm, this is interesting." | 0:02:14 | 0:02:17 | |
So what did you do, reverse her charges? | 0:02:17 | 0:02:19 | |
LAUGHTER | 0:02:19 | 0:02:20 | |
Now, listen, you've put down your BT engineer's tool box now | 0:02:20 | 0:02:24 | |
-and you've picked up a spade. -I do landscape gardening now. | 0:02:24 | 0:02:27 | |
We used to run a garden centre - my daughter runs it now for us. | 0:02:27 | 0:02:30 | |
-I mean, you say "we", so, Rita, you do this too, do you? -Oh, yes, yeah. | 0:02:30 | 0:02:34 | |
And would you say you're the creative part of the partnership? | 0:02:34 | 0:02:37 | |
Definitely! | 0:02:37 | 0:02:39 | |
-Al's got more, sort of, brunt. -Muscle? Yes. | 0:02:39 | 0:02:41 | |
And I'm more, well...you do a bit of creating a bit as well, don't you? | 0:02:41 | 0:02:44 | |
-Yes, if I let him. -Yeah, be careful. | 0:02:44 | 0:02:46 | |
I could tell from that glance, he wasn't quite so keen on that one. | 0:02:46 | 0:02:49 | |
LAUGHTER | 0:02:49 | 0:02:50 | |
And you were once in a 1960s pop-group? | 0:02:50 | 0:02:53 | |
Yeah, called The Termites. | 0:02:53 | 0:02:54 | |
My sister and myself, we've always sang, ever | 0:02:54 | 0:02:57 | |
since we were about three or four, and when we were 13 | 0:02:57 | 0:03:00 | |
and 14, we were working in a club and there was a talent scout there | 0:03:00 | 0:03:06 | |
and he heard us singing Tell Me with our group, and he said, | 0:03:06 | 0:03:10 | |
"I want you, girls, to record that for me." | 0:03:10 | 0:03:12 | |
-As The Termites? -As The Termites. | 0:03:12 | 0:03:14 | |
-I hope you've got a few vinyl copies of this, have you? -Yeah. | 0:03:14 | 0:03:17 | |
You have, tucked away somewhere. | 0:03:17 | 0:03:19 | |
Well, I think there's only one. | 0:03:19 | 0:03:20 | |
Anyway, very good luck. | 0:03:20 | 0:03:22 | |
Lovely to meet you. | 0:03:22 | 0:03:23 | |
OK, Blues, you're not going to stand for any funny business | 0:03:23 | 0:03:26 | |
from that lot, cos you are or were both in the police force, right? | 0:03:26 | 0:03:29 | |
-That's right, we were. -That's right. | 0:03:29 | 0:03:31 | |
Wearing the correct colour, then. | 0:03:31 | 0:03:32 | |
We are the team in blue. | 0:03:32 | 0:03:34 | |
And did you meet when you were working on the police force? | 0:03:34 | 0:03:36 | |
-Yeah, we met in the police bar. -Did you? | 0:03:36 | 0:03:39 | |
Yeah, one evening I went in and Richard was there and I was like, | 0:03:39 | 0:03:42 | |
-"Oooh, I rather like him!" -Yes. | 0:03:42 | 0:03:44 | |
-And it was caramba! -It was. | 0:03:44 | 0:03:46 | |
Now, you've given up the police and gone in for the fluffy creatures. | 0:03:46 | 0:03:49 | |
Yes, that's right. | 0:03:49 | 0:03:50 | |
Four years ago, we opened an animal boarding | 0:03:50 | 0:03:53 | |
-business for guinea pigs and rabbits. -No! | 0:03:53 | 0:03:56 | |
Yeah...looking after little ones | 0:03:56 | 0:03:58 | |
while people go off on their holidays. | 0:03:58 | 0:03:59 | |
-I don't believe it! -It's been really popular. | 0:03:59 | 0:04:02 | |
Are there enough guinea pigs and rabbits to make the thing thrive? | 0:04:02 | 0:04:05 | |
-Surprisingly enough, there is, Tim. -Really? -There's plenty. | 0:04:05 | 0:04:09 | |
Now, Richard, tell me, | 0:04:09 | 0:04:10 | |
do you miss anything, not being in the police force any more? | 0:04:10 | 0:04:13 | |
No. I had a great time for 30 years in the police, and I worked in | 0:04:13 | 0:04:16 | |
investigations and intelligence and finished up as detective inspector. | 0:04:16 | 0:04:20 | |
-Did you? -So I had a good career. | 0:04:20 | 0:04:22 | |
-But there's a bit of a buzz about you, isn't there? -Well, yeah. | 0:04:22 | 0:04:24 | |
One of my passions is bee keeping. | 0:04:24 | 0:04:27 | |
I started that a couple of years ago, erm, and it's developing nicely. | 0:04:27 | 0:04:31 | |
So do you have several hives in different locations? | 0:04:31 | 0:04:34 | |
I've got a couple of hives in different locations. In fact, | 0:04:34 | 0:04:37 | |
one of the hives we've got is in Al and Rita's old garden centre. | 0:04:37 | 0:04:41 | |
-Oh, I see. -Down near the polytunnels. | 0:04:41 | 0:04:42 | |
This really is a close friendship. | 0:04:42 | 0:04:44 | |
We are. | 0:04:44 | 0:04:46 | |
We are going to be in trouble today! | 0:04:46 | 0:04:48 | |
Whoever wins is going to be very pleased. | 0:04:48 | 0:04:50 | |
There'll only be one winner! LAUGHTER | 0:04:50 | 0:04:53 | |
Anyway, very good luck. Now, here comes your £300, there we go. | 0:04:53 | 0:04:58 | |
You know the rules, your experts await and off you go! | 0:04:58 | 0:05:01 | |
Very, very, very good luck! Gosh, what fun! | 0:05:01 | 0:05:05 | |
Now, let's meet our experts spreading the Bargain Hunt | 0:05:10 | 0:05:13 | |
gospel today! | 0:05:13 | 0:05:15 | |
Helping out the Reds, Caroline Hawley believes it could be | 0:05:15 | 0:05:18 | |
worth more than you think! | 0:05:18 | 0:05:19 | |
And championing the question, "What's your very, very best?" | 0:05:21 | 0:05:24 | |
is Thomas Plant, who'll be assisting the Blues. | 0:05:24 | 0:05:27 | |
So, Rit, you used to be a rock star? | 0:05:29 | 0:05:32 | |
Yes, I did, in the '60s. | 0:05:32 | 0:05:33 | |
Wow! So, we're going to be looking for some rock memorabilia. | 0:05:33 | 0:05:36 | |
That would be great! | 0:05:36 | 0:05:38 | |
-So, are we all instep like real bobbies? -Absolutely! | 0:05:38 | 0:05:42 | |
Yeah, definitely. | 0:05:42 | 0:05:44 | |
-So are we going to be instep with buying? -We are. | 0:05:44 | 0:05:46 | |
Yup, we're going to be up there with it. | 0:05:46 | 0:05:48 | |
What about you, Al, what are you into? | 0:05:48 | 0:05:50 | |
Well, I'm kind of into naked women, really. | 0:05:50 | 0:05:52 | |
Ah, indeed...right, there probably won't be too many around today. | 0:05:52 | 0:05:55 | |
Of the bronze variety, I think. | 0:05:55 | 0:05:58 | |
Yeah, we're going to rely heavily on our expert to make us | 0:05:58 | 0:06:00 | |
a whopping profit. | 0:06:00 | 0:06:02 | |
-Well, good luck! -LAUGHTER | 0:06:02 | 0:06:04 | |
Right, so where do we need to be? | 0:06:04 | 0:06:06 | |
Right, get on with it, teams. | 0:06:06 | 0:06:08 | |
Your 60 minutes starts now. | 0:06:08 | 0:06:10 | |
Where's your wife? Oh, there she is, she's gone. | 0:06:10 | 0:06:13 | |
-Oh, look. -Rita's pretty quick off the mark. You go, girl! | 0:06:13 | 0:06:17 | |
-Look at that. -Now, that's nice. | 0:06:17 | 0:06:19 | |
How old would you think that one is, Caroline? | 0:06:19 | 0:06:22 | |
It's an old fire engine, isn't it? | 0:06:22 | 0:06:24 | |
Yeah. | 0:06:24 | 0:06:25 | |
It probably had a string on it at one time, Caroline, | 0:06:25 | 0:06:27 | |
and the bell would go... | 0:06:27 | 0:06:29 | |
Oh, yes... Yes, has it got its dingler in? | 0:06:29 | 0:06:33 | |
'80s, did you say? | 0:06:33 | 0:06:35 | |
-Yeah. -Yeah. OK. | 0:06:35 | 0:06:37 | |
It's quite nice, isn't it? | 0:06:37 | 0:06:39 | |
-£80 is quite a lot of the money, isn't it? -I know, it's quite a lot. | 0:06:39 | 0:06:43 | |
What's the best price you could do on the car for us, please? | 0:06:43 | 0:06:46 | |
Best price for that would be 70 quid. | 0:06:46 | 0:06:50 | |
It's still quite a lot, isn't it? | 0:06:52 | 0:06:53 | |
-I think it needs to be a little bit lower. -Thank you. | 0:06:53 | 0:06:55 | |
Yeah, that would have been nice if it was cheaper. | 0:06:55 | 0:06:58 | |
OK, something to think about, maybe. | 0:06:58 | 0:07:01 | |
Meanwhile, what's Thomas' beady eye spotted? | 0:07:01 | 0:07:04 | |
-I don't like doing this but I've spotted something I quite like. -OK. | 0:07:04 | 0:07:07 | |
It's just up my street. | 0:07:07 | 0:07:09 | |
-OK. -Erm, it's the kettle on stand. Erm, very Art Nouveau. | 0:07:09 | 0:07:14 | |
So, Art Nouveau, do you know what Art Nouveau is? | 0:07:14 | 0:07:16 | |
-It's a time, isn't it? -A period. | 0:07:16 | 0:07:20 | |
This is by someone called WMF. This is a German manufacture. | 0:07:20 | 0:07:24 | |
You see, you've got these stylised flowers. | 0:07:24 | 0:07:27 | |
Yeah, I can see that's very Art Nouveau, isn't it? | 0:07:27 | 0:07:29 | |
Very Art Nouveau, with the copper and the brass, | 0:07:29 | 0:07:32 | |
with the spirit burner here. | 0:07:32 | 0:07:33 | |
Look at these stylised... | 0:07:33 | 0:07:35 | |
-Yeah, it is pretty. -It's very, very stylish. | 0:07:35 | 0:07:39 | |
-If you want one of these, it's the best one to buy. -OK. | 0:07:39 | 0:07:43 | |
All the bits are there. | 0:07:43 | 0:07:44 | |
The interesting thing is...Manning-Bowman, | 0:07:44 | 0:07:47 | |
1904 is the date...8th of November. | 0:07:47 | 0:07:51 | |
Oh, so it's got an exact date! | 0:07:51 | 0:07:52 | |
It's got an exact date, 1904, that's wonderful. | 0:07:52 | 0:07:55 | |
-Is it a different manufacturer at the bottom? -All fits in, all fits in. | 0:07:55 | 0:07:58 | |
-I love it! -Would it be a good seller? | 0:07:58 | 0:08:00 | |
Cos there's a different screw either side there. | 0:08:00 | 0:08:03 | |
-There's a screw missing there. -There's a different screw, yeah. | 0:08:03 | 0:08:05 | |
That's something, that's not great, that. | 0:08:05 | 0:08:08 | |
So, that's a good spot. Well done for that, Richard. | 0:08:08 | 0:08:11 | |
It's your policeman's detective mind coming out. | 0:08:11 | 0:08:15 | |
Watch it, Thomas, he'll be taking down your particulars. | 0:08:15 | 0:08:18 | |
So, what's the very best on this? | 0:08:18 | 0:08:20 | |
-Well, we'll start at 100, is the best. -I know, but...a little bit less. | 0:08:20 | 0:08:25 | |
-Two figures. -85 is the death on it. -Are you sure? -Absolutely positive. | 0:08:25 | 0:08:29 | |
Cos you've got that screw there | 0:08:29 | 0:08:31 | |
and you've got that little bit of damage there. | 0:08:31 | 0:08:33 | |
-Nice subject matter, 85. -It's lovely. -85 is the best on it. | 0:08:33 | 0:08:37 | |
-OK. -I like it. -I like it. | 0:08:37 | 0:08:39 | |
-We've only been shopping for ten minutes. -Yeah. | 0:08:39 | 0:08:42 | |
-I really don't like to buy within the first, you know, 20 minutes. -OK. | 0:08:42 | 0:08:45 | |
I just think that that's good... | 0:08:45 | 0:08:48 | |
It's good but, you know, let's move on. | 0:08:48 | 0:08:51 | |
-OK. -Can we do that? -We can, yeah. | 0:08:51 | 0:08:53 | |
Plenty of time to think about it, Blues, | 0:08:53 | 0:08:55 | |
but back now to the Reds, who are discussing furniture. | 0:08:55 | 0:08:58 | |
G Plan sells very well and I'll tell you another good make, Ercol. | 0:08:58 | 0:09:02 | |
-Yeah. -Yes. -That is worth looking out for. | 0:09:02 | 0:09:05 | |
I wouldn't have thought they are but... | 0:09:05 | 0:09:07 | |
I don't...I mean, they're a nice shape | 0:09:07 | 0:09:09 | |
but I don't think they've got the quality of... | 0:09:09 | 0:09:12 | |
-There's a G Plan set in there. -Is there? | 0:09:12 | 0:09:15 | |
-In the tent? -Yeah. | 0:09:15 | 0:09:17 | |
-Oooh, can we have a look? -By all means. | 0:09:17 | 0:09:19 | |
The G Plan brand was launched in the 1950s, | 0:09:19 | 0:09:22 | |
the brainchild of David Gomme, | 0:09:22 | 0:09:24 | |
the designer at British family firm E Gomme, | 0:09:24 | 0:09:26 | |
who decided to produce a range of furniture which could be | 0:09:26 | 0:09:29 | |
purchased piece-by-piece according to budget. | 0:09:29 | 0:09:32 | |
Consequently, his idea allowed people to buy a simple coffee table | 0:09:32 | 0:09:36 | |
and furnish a whole house with a complete look. | 0:09:36 | 0:09:38 | |
I think these G Plan items are really popular today. | 0:09:39 | 0:09:43 | |
And with the young ones that are buying flats and their first | 0:09:43 | 0:09:46 | |
homes now, this classic, clean, contemporary look is what they want. | 0:09:46 | 0:09:51 | |
What do you think, Caroline? | 0:09:51 | 0:09:53 | |
-It's a bit marked, isn't it? -It's a bit mucky on that one, isn't it? | 0:09:53 | 0:09:57 | |
That does say G Plan underneath, though. | 0:09:57 | 0:09:59 | |
-You've got the name that's in fashion. -Yeah. | 0:09:59 | 0:10:02 | |
I think they're a nice look but they | 0:10:03 | 0:10:07 | |
need to be a little bit better, sir. | 0:10:07 | 0:10:09 | |
-What can you do? -That's been glued as well, look...ten? | 0:10:09 | 0:10:14 | |
HE LAUGHS | 0:10:14 | 0:10:16 | |
-No, what can you do? -Gracious me! | 0:10:16 | 0:10:18 | |
I'll do you 25 and that is as low as I'm going. | 0:10:18 | 0:10:20 | |
I think they need to be 20, really, with that. | 0:10:20 | 0:10:23 | |
This is the only one that needs... Cos it's gone all sticky. | 0:10:23 | 0:10:26 | |
That needs stripping off, don't it? | 0:10:26 | 0:10:28 | |
20 and we'll buy them. | 0:10:28 | 0:10:29 | |
I'll tell you what I'll do, I'll toss you 20 or 25. | 0:10:29 | 0:10:33 | |
-OK. -Yeah? -Yeah, we'll go with that. -Why not. | 0:10:33 | 0:10:36 | |
You going to call? | 0:10:36 | 0:10:38 | |
-Heads. -It's tails. | 0:10:38 | 0:10:40 | |
Oh! | 0:10:40 | 0:10:42 | |
You're rubbish, Rit, I'll divorce you. | 0:10:42 | 0:10:44 | |
-That is fair. -Thank you very much. | 0:10:44 | 0:10:45 | |
-That's OK. -Cheers. | 0:10:45 | 0:10:47 | |
Thank you. | 0:10:47 | 0:10:49 | |
Well, that's a different way to haggle. | 0:10:49 | 0:10:51 | |
That means the Reds have made their first purchase. | 0:10:51 | 0:10:54 | |
On the call of tails, they shelled out | 0:10:54 | 0:10:56 | |
£25 for a nest of tables, well done! | 0:10:56 | 0:10:59 | |
The Blues haven't moved far - they are still on the kettle stall | 0:11:00 | 0:11:04 | |
and are showing interest in something else. | 0:11:04 | 0:11:07 | |
Now then, let's be having you! | 0:11:07 | 0:11:09 | |
-What do we think? -Yeah. -London 'Bobby'. -No. | 0:11:09 | 0:11:11 | |
-No, you don't want to go for The London 'Bobby'? -I think it's lovely. | 0:11:11 | 0:11:14 | |
By Royal Doulton. | 0:11:14 | 0:11:16 | |
Do you think... I mean, I don't know how much it is | 0:11:16 | 0:11:19 | |
but do you think that would be very saleable? | 0:11:19 | 0:11:21 | |
Yes, it is, weirdly enough. | 0:11:21 | 0:11:22 | |
The reason why it's saleable is | 0:11:22 | 0:11:24 | |
because policemen collect police items. | 0:11:24 | 0:11:27 | |
-Police memorabilia. -They do. -Yeah. -All the time. | 0:11:27 | 0:11:29 | |
I don't believe it. | 0:11:29 | 0:11:31 | |
SHE LAUGHS | 0:11:31 | 0:11:32 | |
There is a resemblance! The nose is slightly different. | 0:11:32 | 0:11:35 | |
-There's not much in it. -I see the smile and the skin tone...yeah! | 0:11:35 | 0:11:40 | |
No, I think we can't not have that. | 0:11:40 | 0:11:43 | |
It's not got any damage on it, has it? | 0:11:43 | 0:11:45 | |
-No, it's not got any damage. -What sort of price is it? | 0:11:45 | 0:11:49 | |
Well, I don't know. | 0:11:49 | 0:11:50 | |
-Where's he gone? -Lost the stall-holder. -There he is. | 0:11:50 | 0:11:53 | |
Shall I go and speak... Just have a look along here. | 0:11:53 | 0:11:56 | |
-We'll have a look here. -You go and discuss. | 0:11:56 | 0:11:58 | |
-That sounds like a good idea. -You go and do your thing, Thomas. | 0:11:58 | 0:12:00 | |
Here's an unusual little character. | 0:12:00 | 0:12:02 | |
Do you like things like that? | 0:12:02 | 0:12:04 | |
-No. -No, not at all. | 0:12:04 | 0:12:06 | |
-Right. -OK. | 0:12:06 | 0:12:08 | |
Erm, I've had a chat with the dealer. | 0:12:08 | 0:12:11 | |
He says it's a rare colourway | 0:12:15 | 0:12:18 | |
cos of the silver on the whistle | 0:12:18 | 0:12:21 | |
and the helmet as well...and the buttons. | 0:12:21 | 0:12:24 | |
I would tend to probably believe him. | 0:12:24 | 0:12:27 | |
There are different colourways with Doulton character jugs. | 0:12:27 | 0:12:31 | |
Erm, he had it at 150 and it could be ours at 90. | 0:12:31 | 0:12:35 | |
-Oh... -So, you know, you've got two options, really. | 0:12:35 | 0:12:38 | |
You can either go for the kettle and stand... | 0:12:38 | 0:12:41 | |
So if we went for both, would he come up to a bit of an agreement? | 0:12:41 | 0:12:44 | |
He might do if you went for both. | 0:12:44 | 0:12:46 | |
-Yeah. Just a little bit of a deal if we buy both? -160. | 0:12:46 | 0:12:52 | |
That's 80 each. That's actually not too bad, is it? | 0:12:53 | 0:12:56 | |
-Two items down in the first shop. -Profit in that? | 0:12:56 | 0:12:59 | |
You know, it could be a rare colourway, I just don't know. | 0:12:59 | 0:13:02 | |
I don't think that's too much of bad deal. | 0:13:02 | 0:13:04 | |
-Let's go for it. -Do you want to do those? Do you want to do it? | 0:13:04 | 0:13:07 | |
-I think we should. -Yeah, let's do it. -Do you want to take the risk? | 0:13:07 | 0:13:09 | |
-Yeah, let's take the risk! -Boosh! -Two in 20 minutes. | 0:13:09 | 0:13:12 | |
-We've got plenty of time now to find something really cracking. -Yeah! | 0:13:12 | 0:13:16 | |
Congratulations, Blues. | 0:13:16 | 0:13:17 | |
As you say, two items down and 40 minutes left | 0:13:17 | 0:13:20 | |
to find your third purchase. | 0:13:20 | 0:13:22 | |
Back to Caroline and the Reds. | 0:13:22 | 0:13:24 | |
And they've spotted a coffee set. | 0:13:24 | 0:13:26 | |
So, it's J&G Meakin, England. | 0:13:26 | 0:13:29 | |
Now, England always tells us it's after 1891, | 0:13:29 | 0:13:32 | |
but it's quite considerably after 1891. This is 1970s, I would say. | 0:13:32 | 0:13:37 | |
Absolutely typical, stylistically, | 0:13:37 | 0:13:40 | |
-of the '70s, and it's good colours. -Yes. | 0:13:40 | 0:13:43 | |
-It's very contemporary. -It would go nowadays, wouldn't it? | 0:13:43 | 0:13:45 | |
It would, absolutely and, you know, the long, tall coffee pot here, | 0:13:45 | 0:13:49 | |
-and we've got lots of it. There's six of everything. -Yeah. | 0:13:49 | 0:13:53 | |
-The '70s style is coming back now. -Absolutely. | 0:13:53 | 0:13:55 | |
People are decorating their houses, aren't they, in the '70s style. | 0:13:55 | 0:13:59 | |
It's a timeless style, it's nice quality. | 0:13:59 | 0:14:02 | |
Caroline, that would go with our G Plan coffee table. | 0:14:02 | 0:14:04 | |
It would, absolutely brilliant idea! Yeah, it would. | 0:14:04 | 0:14:07 | |
This is fantastic - it's in great condition and when you | 0:14:07 | 0:14:10 | |
consider it's lasted intact from the '70s...what do you think, Al? | 0:14:10 | 0:14:14 | |
How much is it? | 0:14:14 | 0:14:16 | |
-30 for those. -30, right, OK. | 0:14:16 | 0:14:19 | |
It seems like a lot of stuff for 30 quid. | 0:14:19 | 0:14:21 | |
-Can you do any...? -Well, it does, but... -20? -I can't go to 20...25. | 0:14:21 | 0:14:28 | |
22, yes, please. Because, you know, we've got to try and make | 0:14:28 | 0:14:32 | |
a little bit of... We've got to beat our Blue team. | 0:14:32 | 0:14:34 | |
We do need to beat the Blues, definitely. Go on, then. | 0:14:34 | 0:14:37 | |
-22, thank you! Thank you very much. -Thank you. -Thank you, my love. | 0:14:37 | 0:14:42 | |
-I hope you make a profit. -So do we! | 0:14:42 | 0:14:45 | |
That's a good buy and that's going to look great on our tables, Rit! | 0:14:45 | 0:14:48 | |
Yes! | 0:14:48 | 0:14:49 | |
And that's the second purchase for the Reds. Well done! | 0:14:49 | 0:14:52 | |
There's definitely a '70s vibe going on here. So, it's two-all. | 0:14:52 | 0:14:57 | |
Now, how are those Blues getting on? | 0:14:57 | 0:14:59 | |
I quite like that carved trunk. | 0:14:59 | 0:15:02 | |
-Yeah, it is quite nice. -I quite like that. | 0:15:02 | 0:15:04 | |
Wow! | 0:15:05 | 0:15:07 | |
That's really unusual. | 0:15:07 | 0:15:08 | |
-It's an African woodcarving, isn't it? -Yeah. -What have you seen there? | 0:15:08 | 0:15:11 | |
-I like this. -The trunk. -The trunk? | 0:15:11 | 0:15:13 | |
-Is there any age to it? -Let's have a look, let's open it up. | 0:15:13 | 0:15:17 | |
-I think it's... -You don't think it's got much age to it? | 0:15:18 | 0:15:22 | |
-No, I think it's more touristy than anything. -Yeah, I think so. -Oh, OK. | 0:15:22 | 0:15:25 | |
Made in Africa and probably carved in the '50s. | 0:15:25 | 0:15:29 | |
-It's got a bit of age but not too much. -How much is it? | 0:15:29 | 0:15:33 | |
-Erm, 120. -Is it? | 0:15:33 | 0:15:35 | |
Hmmm, I don't think we'd sell it for much more than that, to be honest. | 0:15:35 | 0:15:38 | |
No, I don't think you would. | 0:15:38 | 0:15:40 | |
-You've got to think about making a profit. -Thank you. | 0:15:40 | 0:15:42 | |
Absolutely right, Thomas. Profit is the name of the game. | 0:15:42 | 0:15:45 | |
Keep on looking. | 0:15:45 | 0:15:46 | |
Oh, what have you seen, Rit? | 0:15:46 | 0:15:48 | |
There's an old Esso petrol can that reminds me | 0:15:48 | 0:15:51 | |
of when we first met at the garage! | 0:15:51 | 0:15:53 | |
Everybody was filling up their petrol cans, weren't they? | 0:15:53 | 0:15:55 | |
Yeah, they were and very similar to them as well. | 0:15:55 | 0:15:58 | |
Brings back loads of memories. | 0:15:58 | 0:15:59 | |
-Ah, that's lovely. -You see those old bottles there as well, Rit. | 0:15:59 | 0:16:02 | |
Yeah, I saw those. Bye. | 0:16:02 | 0:16:04 | |
-You romantic pair! -We are, aren't we? | 0:16:04 | 0:16:07 | |
-Oh... -Oh, take a rose. | 0:16:07 | 0:16:10 | |
THEY LAUGH | 0:16:10 | 0:16:12 | |
Ahhh, how sweet. | 0:16:12 | 0:16:14 | |
In search of more bargains, the Blues head inside. | 0:16:14 | 0:16:18 | |
-Look. -What have you found? | 0:16:18 | 0:16:20 | |
A pair of Breton man-and-wife fishermen in a mother of pearl. | 0:16:20 | 0:16:24 | |
-OK, well, we said mother of pearl. -It's sweet, isn't it? | 0:16:24 | 0:16:27 | |
They're pretty. | 0:16:27 | 0:16:28 | |
Look at the light shimmering on those. | 0:16:28 | 0:16:30 | |
They are lovely, I really like those. | 0:16:30 | 0:16:32 | |
-Nice to hang on the wall, isn't it? -Yeah. -I love mother of pearl. | 0:16:32 | 0:16:35 | |
-What's the best on these? -35. | 0:16:35 | 0:16:37 | |
35, OK. | 0:16:37 | 0:16:39 | |
I wouldn't spend more than £30 on them | 0:16:39 | 0:16:41 | |
if I was to buy them at auction, I wouldn't. | 0:16:41 | 0:16:43 | |
-OK, well, thank you for that. -OK. | 0:16:43 | 0:16:45 | |
I wonder if something like a walking stick...an ornamental stick or | 0:16:45 | 0:16:48 | |
something like that. | 0:16:48 | 0:16:49 | |
Literally, we've got minutes, minutes. | 0:16:49 | 0:16:52 | |
Eight minutes to be precise, Thomas. So you need to get a move on! | 0:16:52 | 0:16:55 | |
With the pressure mounting, | 0:16:55 | 0:16:56 | |
the Reds also decide to look for their final item inside. | 0:16:56 | 0:16:59 | |
-Do you like it? -Yeah, I do, actually. | 0:16:59 | 0:17:02 | |
Do you like the silver frame? | 0:17:02 | 0:17:04 | |
-It's not very heavy. -Yeah, it's silver. -It's very light. -Is it? | 0:17:04 | 0:17:08 | |
Well, it'll be...it's wooden-back, the original wooden back. | 0:17:08 | 0:17:12 | |
-That's the original? -Yeah, absolutely original. | 0:17:12 | 0:17:15 | |
-Yeah. -Is it hallmarked? | 0:17:15 | 0:17:17 | |
It will be hallmarked here. The date...it's Walker & Hall, | 0:17:17 | 0:17:21 | |
a very good Sheffield maker, and 1910. | 0:17:21 | 0:17:25 | |
-1910. -So it's an antique. -Yes. | 0:17:26 | 0:17:29 | |
It looks Edwardian shape, doesn't it? | 0:17:29 | 0:17:32 | |
-Yeah, yeah. -And it's silver. | 0:17:32 | 0:17:34 | |
-Nice quality. -Is that it there? | 0:17:34 | 0:17:36 | |
What's the price? | 0:17:36 | 0:17:39 | |
Oooh, 245! What is your very best price on it? | 0:17:39 | 0:17:43 | |
-200. -Could we squeeze you any lower, cos this is our last item now? | 0:17:43 | 0:17:48 | |
-Erm, 190. -180 and we'll do a deal now. | 0:17:49 | 0:17:53 | |
I don't think I can do that. | 0:17:53 | 0:17:55 | |
Please try...ask your lovely daughter and she'll say yes! | 0:17:55 | 0:17:59 | |
-Can we do 180? -I'll need to ring my husband. | 0:17:59 | 0:18:02 | |
Could you ring him really quickly? | 0:18:02 | 0:18:03 | |
-Please! -I will ring him really quickly. | 0:18:03 | 0:18:06 | |
Really, really quickly! | 0:18:06 | 0:18:07 | |
Whilst the Reds wait anxiously on a phone call, | 0:18:07 | 0:18:10 | |
something is about to catch the eyes of the Blues. | 0:18:10 | 0:18:13 | |
Thomas, as you are the expert in jewellery... Oh, I like that! | 0:18:13 | 0:18:16 | |
-Card case, calling card case. -That's nice. -You like that, do you? | 0:18:16 | 0:18:19 | |
-Yeah, I do like that. -So this is a calling card case. | 0:18:19 | 0:18:22 | |
When you turn up to somebody's house, you knock on the door. | 0:18:22 | 0:18:25 | |
Ding-dong. | 0:18:25 | 0:18:26 | |
Or ding-dong, the butler comes in, | 0:18:26 | 0:18:28 | |
you take out your calling card case, you pull out your card, | 0:18:28 | 0:18:31 | |
you present it to the butler and he puts it on a tray | 0:18:31 | 0:18:34 | |
and he shows it to the lady or the gentleman of the house. | 0:18:34 | 0:18:36 | |
-And they decide whether they let you in. -Would like to let you in or not. | 0:18:36 | 0:18:39 | |
I think that's really nice. | 0:18:39 | 0:18:41 | |
-It's very, very pretty. -It is pretty...again, it's mother of pearl, I love mother of pearl. | 0:18:41 | 0:18:45 | |
-Yeah. -Mother of pearl and abalone. -Where do you think they've been made? | 0:18:45 | 0:18:48 | |
It would have been made, probably... It's a difficult one. | 0:18:48 | 0:18:51 | |
Could have been made in this country or could have been made in India. | 0:18:51 | 0:18:55 | |
-Yes, it's a very nice thing. -Is it possible to age that? | 0:18:57 | 0:18:59 | |
Erm, yes, it's... I would say late Victorian. | 0:18:59 | 0:19:02 | |
-Yeah. -Late Victorian, early Edwardian. | 0:19:02 | 0:19:05 | |
-So, looking at 1890... -Can I have a feel? -Yeah, have a feel. | 0:19:05 | 0:19:08 | |
You've got £45 on it, sorry, dragging you around. | 0:19:09 | 0:19:14 | |
-35. -£35? -OK. -See, I think that's nicer than those shells. -Yeah. | 0:19:15 | 0:19:20 | |
-Yeah, I do. I think that's nicer than the shells. -Yeah. | 0:19:20 | 0:19:23 | |
-Do you want that to be your last item? -I think I'd go for that. | 0:19:23 | 0:19:25 | |
Would you do it for 30? | 0:19:25 | 0:19:27 | |
I'd go to 32. | 0:19:27 | 0:19:28 | |
-OK. -Yes. -32 would be great. -32 seems very fair. -Thank you. -Thank you. | 0:19:28 | 0:19:33 | |
-Lovely. -Last item, well done. | 0:19:33 | 0:19:35 | |
-Thank you, yeah. -Are you going to do your thing? -Boosh! | 0:19:35 | 0:19:38 | |
-Third item. -Bound to make a profit. -Thank you. -Hope so. | 0:19:38 | 0:19:41 | |
-Thank you very much. -Excellent, I'm pleased with that. -Well, that's it. | 0:19:41 | 0:19:44 | |
Thank you very much, lovely. | 0:19:44 | 0:19:46 | |
Boosh, indeed, guys! | 0:19:46 | 0:19:48 | |
Well done, that's your last item bought, congratulations! | 0:19:48 | 0:19:51 | |
Meanwhile, the Reds are really up against time. | 0:19:51 | 0:19:54 | |
180. | 0:19:54 | 0:19:56 | |
-180. -180, Rit. -Rit, 180. -180. | 0:19:56 | 0:20:00 | |
-What do you think? -Time's nearly gone. Why don't we go for it? | 0:20:00 | 0:20:03 | |
-It's a nice classic piece. -It is classic. | 0:20:03 | 0:20:07 | |
There's no dents in it, it's in good condition. 180? | 0:20:07 | 0:20:10 | |
-Let's go for it. Thank you. -I can see me in there as well. | 0:20:10 | 0:20:13 | |
Thank you very much. | 0:20:13 | 0:20:15 | |
In the nick of time the Reds make their final purchase, so well done. | 0:20:15 | 0:20:19 | |
The 60 minutes are up. Let's check out what the Red team bought. | 0:20:19 | 0:20:23 | |
The nest of G Plan teak tables cost them £25. | 0:20:25 | 0:20:28 | |
A Meakin coffee set was served up at a hot and steamy £22. | 0:20:30 | 0:20:35 | |
And finally, they spent £180 | 0:20:37 | 0:20:39 | |
on this early-20th-century silver photo frame. | 0:20:39 | 0:20:42 | |
-Was that fun? -That was great. -That was absolutely brilliant. | 0:20:43 | 0:20:46 | |
Had a great day. It's been amazing. | 0:20:46 | 0:20:49 | |
Which is your favourite piece? | 0:20:49 | 0:20:51 | |
I think I like the silver Edwardian photo frame. | 0:20:51 | 0:20:54 | |
-That's your favourite? -Yes. -Do you agree? -I have to agree. | 0:20:54 | 0:20:57 | |
I like that the best as well. | 0:20:57 | 0:20:59 | |
It's no wonder you have been together for 30 years. | 0:20:59 | 0:21:02 | |
I have to agree. She's got my arm up me. | 0:21:02 | 0:21:04 | |
Is that going to bring the biggest profits? | 0:21:04 | 0:21:06 | |
We think the G Plan tables. | 0:21:06 | 0:21:11 | |
That is your prediction, good. | 0:21:11 | 0:21:13 | |
-How much did you spend? -227 smackers. | 0:21:13 | 0:21:17 | |
-227, that is three short. So I want 73. -You do. | 0:21:17 | 0:21:21 | |
-That's what I've got in my pocket. -I'll take it from you. | 0:21:21 | 0:21:24 | |
That's very good. Lovely. And that goes straight to Caroline. | 0:21:24 | 0:21:28 | |
Well done, darling. That's not so much, but for a girl of your calibre it should be no problem. | 0:21:28 | 0:21:32 | |
-I can do damage with 73. -Good for you. Thanks, team. | 0:21:32 | 0:21:35 | |
Go and have a nice cup of tea. | 0:21:35 | 0:21:37 | |
Meanwhile, we're going to check out what the Blue team bought. | 0:21:37 | 0:21:40 | |
This Edwardian Art Nouveau kettle and stand | 0:21:40 | 0:21:43 | |
set them back a piping £80. | 0:21:43 | 0:21:46 | |
Evening all! | 0:21:46 | 0:21:48 | |
A Royal Doulton character jug of a London 'Bobby' also cost them £80. | 0:21:48 | 0:21:52 | |
And they spent £32 on this Edwardian mother-of-pearl calling card case. | 0:21:54 | 0:21:59 | |
Well, I do think you're marvellous, you two. I mean, such control. | 0:22:01 | 0:22:04 | |
-Well, we did do our best. -What was the total spend again? -£192. | 0:22:04 | 0:22:10 | |
That is such a mature amount of money. | 0:22:10 | 0:22:12 | |
I mean, these are the forces at its best. | 0:22:12 | 0:22:15 | |
Anyway, I'd like £108 of your leftover lolly, please. | 0:22:15 | 0:22:19 | |
Thank you, darling. You've got the shrapnel. Super. | 0:22:19 | 0:22:22 | |
Which is your favourite piece? | 0:22:22 | 0:22:24 | |
My favourite piece was the Royal Doulton policeman's mug | 0:22:24 | 0:22:27 | |
-because it looked like Richard. -How sweet. | 0:22:27 | 0:22:31 | |
-A mug-shot! -A mug-shot! | 0:22:31 | 0:22:33 | |
-It's his identikit. -The nose was different. | 0:22:33 | 0:22:36 | |
Do you know what? They can put another one on. OK, fine. | 0:22:36 | 0:22:40 | |
Your prediction of favourite piece. | 0:22:40 | 0:22:42 | |
I think the favourite piece was the copper kettle. | 0:22:42 | 0:22:44 | |
-It is all coppers with you lot! -We like coppers. | 0:22:44 | 0:22:47 | |
-What's going to bring the biggest profit? -I think the copper kettle. | 0:22:47 | 0:22:51 | |
-No, I think the mug. We're going to disagree on that. -All right, fine. | 0:22:51 | 0:22:55 | |
We like a bit of disagreement. There you go, £108, my friend. | 0:22:55 | 0:22:59 | |
Nobody better qualified to go off and spend £108. | 0:22:59 | 0:23:03 | |
-No, I'll enjoy spending 108. -I bet you'll blow the lot too. | 0:23:03 | 0:23:06 | |
Anyway, very, very, very, very good luck. | 0:23:06 | 0:23:08 | |
Meanwhile, I'm going to take you on a trip. | 0:23:08 | 0:23:10 | |
A trip back to the 1960s. | 0:23:10 | 0:23:13 | |
Are you one of those young people who are on-trend | 0:23:20 | 0:23:23 | |
and understand about what is retro and what is about hot to trot? | 0:23:23 | 0:23:29 | |
If you are, you will love this object. | 0:23:29 | 0:23:32 | |
What is it? | 0:23:32 | 0:23:34 | |
It is a bit of 1950s, '60s Italian modernism. | 0:23:34 | 0:23:38 | |
What we have here is a hat and coat rack | 0:23:38 | 0:23:42 | |
that is a violent reaction against the previous generation's | 0:23:42 | 0:23:46 | |
desirable hat and coat rack. | 0:23:46 | 0:23:49 | |
The design is completely novel and what I like about this | 0:23:49 | 0:23:53 | |
particular rack is the mixture of materials. | 0:23:53 | 0:23:56 | |
You have got ceramic and some rather thin and miserable | 0:23:56 | 0:24:00 | |
and slightly rusty black wire. | 0:24:00 | 0:24:03 | |
The ceramic is special because these dark black areas are unglazed | 0:24:03 | 0:24:08 | |
and have been scratched with a very sharp tool, | 0:24:08 | 0:24:11 | |
giving you the detail, | 0:24:11 | 0:24:13 | |
like her absolutely fabulous Barbie doll hairdo. | 0:24:13 | 0:24:18 | |
What we have is a series of images of this trendy young girl in 1960. | 0:24:18 | 0:24:24 | |
Here she is wearing one of those froufrou skirts | 0:24:24 | 0:24:27 | |
and clutching a bunch of flowers. | 0:24:27 | 0:24:30 | |
She's going to a ballet course next door, wearing her ballet gear. | 0:24:30 | 0:24:34 | |
The next one shows her in the winter with a trendy duffle coat on. | 0:24:34 | 0:24:37 | |
Then she's playing tennis, gripping her tennis racket. | 0:24:37 | 0:24:41 | |
She's then going skipping, look. | 0:24:41 | 0:24:43 | |
And later on it's a windy, wet day with an umbrella. | 0:24:43 | 0:24:46 | |
Then, the inevitable consequence, perhaps, of all this activity, | 0:24:46 | 0:24:50 | |
you see her in the last plaque pushing along a little pram. | 0:24:50 | 0:24:54 | |
The desirable thing about the black wire are the design | 0:24:54 | 0:24:58 | |
of the pegs themselves. | 0:24:58 | 0:25:00 | |
These are kind of Sputnik-shaped ovals | 0:25:00 | 0:25:03 | |
which are taken together - one in a vertical plane | 0:25:03 | 0:25:06 | |
and one in a horizontal plane. | 0:25:06 | 0:25:08 | |
Ideal for putting the trendy duffle coat down below | 0:25:08 | 0:25:12 | |
and maybe a beret on the upper hook. | 0:25:12 | 0:25:15 | |
What would such an icon of Italian design cost you? | 0:25:15 | 0:25:19 | |
It could be yours today here in Norwich for £45. | 0:25:19 | 0:25:23 | |
Not a lot of lira, that. | 0:25:23 | 0:25:25 | |
Well, we've come 25 miles south from Norwich | 0:25:34 | 0:25:37 | |
to the delightful town of Diss to be with Elizabeth Talbot, | 0:25:37 | 0:25:42 | |
our auctioneer of the moment, from the Diss Auction Rooms. | 0:25:42 | 0:25:46 | |
-Hello, Tim. How are you? -Very good, thank you. | 0:25:46 | 0:25:49 | |
Very, very nice to be here. | 0:25:49 | 0:25:50 | |
-Now, first up for the Reds is this nest of G Plan tables. -Yes. | 0:25:50 | 0:25:54 | |
-Do you like these? -They are OK. | 0:25:54 | 0:25:57 | |
We see a lot of G Plan and I have to say | 0:25:57 | 0:26:00 | |
it's beautiful, quality furniture which they made | 0:26:00 | 0:26:03 | |
and is ongoing with its appreciation within the market | 0:26:03 | 0:26:07 | |
but they're a fairly straightforward nest of tables. | 0:26:07 | 0:26:10 | |
How much are you going to have to pay at auction today to buy these, Elizabeth? | 0:26:10 | 0:26:14 | |
We think £15-£25. | 0:26:14 | 0:26:16 | |
So there you have it. £25 paid by the team. | 0:26:16 | 0:26:20 | |
And then, continuing the theme in our 20th century lot, | 0:26:20 | 0:26:24 | |
we've got a coffee service. | 0:26:24 | 0:26:26 | |
We've got six cups, six saucers, the coffee pot, | 0:26:26 | 0:26:28 | |
-the stylish milk or cream jug. It's marvellous, isn't it? -Yes. | 0:26:28 | 0:26:33 | |
It is very evocative of an era which is now very popular | 0:26:33 | 0:26:37 | |
and the high street are recreating that look in their potteries. | 0:26:37 | 0:26:40 | |
And a bargain to buy at fairs, retail or at auction. How much? | 0:26:40 | 0:26:45 | |
-£20-£30. -I rest my case. | 0:26:45 | 0:26:48 | |
Six cups, all perfect, ready to go. | 0:26:48 | 0:26:51 | |
They were a wedding present in 1972. Nobody's used them. | 0:26:51 | 0:26:55 | |
It's like going down the high street and buying it brand-Harry-spankers. | 0:26:55 | 0:27:00 | |
£22, our team paid. You are estimating £20-£30. | 0:27:00 | 0:27:03 | |
I think it's just bonkers. | 0:27:03 | 0:27:06 | |
Next is the silver strut photo frame, | 0:27:06 | 0:27:09 | |
-or it would make a perfectly nice dressing table mirror. -It would. | 0:27:09 | 0:27:12 | |
It's a good size for that, actually. It would sensibly switch | 0:27:12 | 0:27:15 | |
to either usage. It's not too fussy. | 0:27:15 | 0:27:18 | |
The simplicity of that design, although it's from 1916, | 0:27:18 | 0:27:21 | |
can look quite modern if you interpret | 0:27:21 | 0:27:23 | |
it as being in a modern setting. | 0:27:23 | 0:27:26 | |
-How much would we get for it at auction? -We hope for £100-£150. | 0:27:26 | 0:27:29 | |
OK, not too bad. £180 they paid. | 0:27:29 | 0:27:32 | |
£100-£150 is a bit of a tease, Elizabeth. | 0:27:32 | 0:27:34 | |
-I like teasing people. -You certainly do! | 0:27:34 | 0:27:37 | |
Anyway, depending on whether you've over-teased or under-teased | 0:27:37 | 0:27:41 | |
will determine whether they make a profit out of the frame | 0:27:41 | 0:27:43 | |
and if they don't, they'll need the bonus buy. | 0:27:43 | 0:27:46 | |
Let's go and have a look at it. | 0:27:46 | 0:27:48 | |
You are very good, you two. 227, you spent. | 0:27:48 | 0:27:52 | |
You gave Caroline £73. What did you spend on? | 0:27:52 | 0:27:56 | |
I spent... | 0:27:56 | 0:27:57 | |
..on these American 1950s original record cases. | 0:27:59 | 0:28:04 | |
-Do you like them? -What's inside? Are they just cases? | 0:28:04 | 0:28:08 | |
They're just cases. | 0:28:08 | 0:28:10 | |
I think this one's been filled in | 0:28:10 | 0:28:12 | |
so they've had records in at one time but no more. | 0:28:12 | 0:28:15 | |
The others have never been used. | 0:28:15 | 0:28:17 | |
They were asking £25 each for them which I think's too much. | 0:28:17 | 0:28:21 | |
So, I got them for £40 for three of them. | 0:28:21 | 0:28:25 | |
-£40 for three. -How much do you reckon they're going to make? | 0:28:25 | 0:28:29 | |
Probably £40 for three of them! | 0:28:29 | 0:28:31 | |
No, I don't know. I think they are interesting. | 0:28:31 | 0:28:34 | |
There's a lot of musical items here for sale. | 0:28:34 | 0:28:38 | |
So we could take... I took a punt. | 0:28:38 | 0:28:41 | |
You can choose to do so or not. | 0:28:41 | 0:28:44 | |
I think they're different, they're very interesting, | 0:28:44 | 0:28:46 | |
-they're very evocative of that Twist And Shout era. -Yeah, definitely. | 0:28:46 | 0:28:51 | |
I hasten to add that Rita is well after this era, thank you very much. | 0:28:51 | 0:28:55 | |
Thank you very much, Rita. I clocked that. | 0:28:55 | 0:29:00 | |
But nevertheless, they are fun, aren't they? | 0:29:00 | 0:29:03 | |
And in good nick, basically. | 0:29:03 | 0:29:05 | |
And if you've got a collection of 45s, | 0:29:05 | 0:29:07 | |
what nicer way of storing them and everything else? | 0:29:07 | 0:29:10 | |
-Thank you, Caroline. -But right now, let's find out | 0:29:10 | 0:29:13 | |
whether the auctioneer finds them groovy. | 0:29:13 | 0:29:15 | |
There we go, Elizabeth. Do you like to do the Twist? | 0:29:17 | 0:29:20 | |
I have done that, actually, and come a-cropper for doing it | 0:29:20 | 0:29:24 | |
-so I'm not doing it again. -You're not? | 0:29:24 | 0:29:27 | |
-They're definitely doing the Twist here, aren't they? -I know. | 0:29:27 | 0:29:30 | |
But this is lovely artwork, actually. It's great fun. | 0:29:30 | 0:29:33 | |
-To have three of them is superb. -It is, isn't it? | 0:29:33 | 0:29:36 | |
I like to think that a collector of 45s, | 0:29:36 | 0:29:39 | |
who could be from any generation, really, | 0:29:39 | 0:29:41 | |
would go for something like this because it is such a cute way | 0:29:41 | 0:29:45 | |
of keeping your precious 45s together. | 0:29:45 | 0:29:48 | |
I think so. If you're that avid a collector of records, | 0:29:48 | 0:29:50 | |
anything that reflects that and emphasises the collection is good. | 0:29:50 | 0:29:56 | |
-What is your estimate on these? -Only £10-£20. -Really? | 0:29:56 | 0:29:59 | |
£40 paid by Caroline. | 0:29:59 | 0:30:01 | |
Anyway, it'll depend on who's here, won't it? | 0:30:01 | 0:30:04 | |
OK, super, that's it for the Reds. Now for the Blues. | 0:30:04 | 0:30:07 | |
And a weird old mix they've got. | 0:30:07 | 0:30:09 | |
Now, first up is the copper and brass, very stylish spirit kettle. | 0:30:09 | 0:30:15 | |
-Look at that. -I think that's a handsome piece. | 0:30:15 | 0:30:19 | |
We see spirit kettles quite often but that, | 0:30:19 | 0:30:21 | |
it's got all the elements which really make that quite special. | 0:30:21 | 0:30:25 | |
I don't think I've seen a more stylish | 0:30:25 | 0:30:27 | |
or more complete one, actually. | 0:30:27 | 0:30:29 | |
-Mmm-hmm. -What do you think it's worth? | 0:30:29 | 0:30:31 | |
-£100-£150. -That's brilliant, £80 paid. | 0:30:31 | 0:30:34 | |
So I think Thomas Plant has done well in guiding them towards that. | 0:30:34 | 0:30:38 | |
Next up is 'allo, 'allo, 'allo. | 0:30:38 | 0:30:41 | |
My least favourite object, really, but how do you rate these things? | 0:30:41 | 0:30:45 | |
Is it difficult or easy in the market with Doulton character jugs? | 0:30:45 | 0:30:48 | |
-At the moment, it's quite difficult. -Is it? | 0:30:48 | 0:30:50 | |
The prices have dropped, | 0:30:50 | 0:30:51 | |
tumbled quite significantly over the last two years or so. | 0:30:51 | 0:30:55 | |
-How low? -£30-50. -That's quite low. -Hmm. | 0:30:55 | 0:30:58 | |
£80 paid, | 0:30:58 | 0:30:59 | |
so that could be a bit of a problem for PC Plod. | 0:30:59 | 0:31:04 | |
-Last is the classic mother of pearl veneered card case. -Yes. | 0:31:04 | 0:31:10 | |
I mean, if we had a pound for every one of these we'd seen, | 0:31:10 | 0:31:13 | |
-we'd be quite well off, wouldn't we? -Absolutely. | 0:31:13 | 0:31:15 | |
They're fairly typical, bit of a cliche, | 0:31:15 | 0:31:18 | |
but the condition of it is nice and it's decorative | 0:31:18 | 0:31:21 | |
and they are always collectors starting out somewhere | 0:31:21 | 0:31:23 | |
wanting to purchase something like that | 0:31:23 | 0:31:25 | |
who can't afford the more expensive ones, | 0:31:25 | 0:31:27 | |
so we've put £30-50 on it, hoping that that will just... | 0:31:27 | 0:31:30 | |
It's called "entry-level". | 0:31:30 | 0:31:32 | |
-Yes. -OK, £32 paid, so that's OK. | 0:31:32 | 0:31:35 | |
I think, basically, depending on Plod, | 0:31:35 | 0:31:37 | |
they're going to be all right, but on the other hand, | 0:31:37 | 0:31:39 | |
they might need the bonus buy, so we better go and have a look at it. | 0:31:39 | 0:31:42 | |
Right, then, Claire, Ricardo, how are you feeling? | 0:31:42 | 0:31:45 | |
-Excited. -Good. -Are you? | 0:31:45 | 0:31:47 | |
It's very important, this leftover lolly moment, | 0:31:47 | 0:31:50 | |
because you gave T Plant £108. | 0:31:50 | 0:31:52 | |
Thomas, reveal all. | 0:31:52 | 0:31:53 | |
-I bought you, as you requested, a piece of jewellery. -OK. | 0:31:55 | 0:31:59 | |
-But it didn't cost the whole £108. Bit of a game. -Good. | 0:31:59 | 0:32:03 | |
-It's nice. -It's very pretty. | 0:32:03 | 0:32:06 | |
It's shakudo ware, Japanese shakudo ware. | 0:32:06 | 0:32:08 | |
It's inlaid onto the silver | 0:32:08 | 0:32:10 | |
and on the reverse is also a design as well. | 0:32:10 | 0:32:12 | |
-You can wear it the other way round? -You can wear it both ways. | 0:32:12 | 0:32:15 | |
-That's my kind of necklace. -It is, isn't it? | 0:32:15 | 0:32:17 | |
-Two for the price of one. -Two for the price of one. | 0:32:17 | 0:32:19 | |
I always like to get a BOGOF deal. | 0:32:19 | 0:32:21 | |
-Yes. -And I got one with this! | 0:32:21 | 0:32:23 | |
-Have a look. -Is that solid silver? -Yes, it is solid. -What's the chain? | 0:32:23 | 0:32:27 | |
It's silver as well. | 0:32:27 | 0:32:28 | |
It's not that old but it is lovely. | 0:32:28 | 0:32:30 | |
-OK, so how much did you pay for this? -How much do you think? | 0:32:30 | 0:32:34 | |
Erm, I would say | 0:32:34 | 0:32:36 | |
-£90. -No! 40, yes! | 0:32:36 | 0:32:39 | |
-ALL: 40?! -£40. | 0:32:39 | 0:32:40 | |
-40?! -40! -£40. | 0:32:40 | 0:32:42 | |
That's a naughty 40, I'd say. | 0:32:42 | 0:32:44 | |
-I'm quite impressed with that, Thomas. -That's nice. | 0:32:44 | 0:32:47 | |
I'm liking that a lot. | 0:32:47 | 0:32:48 | |
-I don't think I'd be wearing it, but... -Not on a Saturday night. | 0:32:48 | 0:32:50 | |
CLAIRE AND RICHARD: Maybe Friday. | 0:32:50 | 0:32:52 | |
Well, we're very, very happy with that. | 0:32:54 | 0:32:56 | |
-Well done, TP, you've had the right response. -Well done. | 0:32:56 | 0:32:58 | |
Why don't we find out | 0:32:58 | 0:32:59 | |
whether our female auctioneer has a similar vibration. | 0:32:59 | 0:33:03 | |
That's rather beautiful, isn't it? | 0:33:04 | 0:33:06 | |
Oh! Yes, it's beautiful work | 0:33:06 | 0:33:08 | |
and it's very wearable. | 0:33:08 | 0:33:10 | |
-Wouldn't be to everybody's taste. -Really? -Yes. | 0:33:10 | 0:33:13 | |
Cos when you look at it, | 0:33:13 | 0:33:14 | |
each of those little goldy bits is gold hammered into the iron, | 0:33:14 | 0:33:19 | |
as is the silvery stuff, and then the back's solid silver, isn't it? | 0:33:19 | 0:33:23 | |
They're borrowing very much from the designs | 0:33:23 | 0:33:26 | |
and techniques of making the bronze vases with the inlay. | 0:33:26 | 0:33:29 | |
The Japanese are very skilful at compromising. | 0:33:29 | 0:33:32 | |
But this is a tourist market piece, isn't it? | 0:33:32 | 0:33:34 | |
-It is, really. -Well, it's quite girly. | 0:33:34 | 0:33:36 | |
How much is the girly price, then? | 0:33:36 | 0:33:38 | |
The girly price is £30-40. | 0:33:38 | 0:33:40 | |
-That's a very good girly price. -Thank you. -£40 paid. | 0:33:40 | 0:33:42 | |
Absolutely charming. Thank you, Elizabeth. | 0:33:42 | 0:33:44 | |
-Almost as charming as you. -Thank you. You'll say anything, Tim. | 0:33:44 | 0:33:48 | |
AUCTIONEER CALLS OUT | 0:33:48 | 0:33:51 | |
It has taken off, this one, at 270. | 0:33:51 | 0:33:53 | |
Any advance on 270? | 0:33:53 | 0:33:55 | |
Well, kids, this is exciting, isn't it? | 0:33:55 | 0:33:57 | |
-Mmm! -This is my favourite part. | 0:33:57 | 0:34:00 | |
-Is it? -Mmm-hmm! -The G-Plan teak tables are great, aren't they? | 0:34:00 | 0:34:04 | |
-Yeah. -I really rate these things. She's only put £15-25 on. | 0:34:04 | 0:34:07 | |
You paid £25, so you really ought to get a profit off those. | 0:34:07 | 0:34:10 | |
You should. Then you've got the Meakin coffee service. | 0:34:10 | 0:34:13 | |
-I just can't believe you paid £22 for that. -Yeah, I know. | 0:34:13 | 0:34:16 | |
She's estimated £20-30. | 0:34:16 | 0:34:18 | |
That, again, should be £50 worth. | 0:34:18 | 0:34:20 | |
I think both of those are going to do really well. | 0:34:20 | 0:34:23 | |
She's estimated 100-150 on the silver frame. | 0:34:23 | 0:34:26 | |
-You paid £180. -Yeah... | 0:34:26 | 0:34:28 | |
Otherwise, we've got the record cases to fall back on, | 0:34:28 | 0:34:30 | |
which was a £40 investment. | 0:34:30 | 0:34:32 | |
Anyway, super. | 0:34:32 | 0:34:34 | |
First lot up, then, is the G-Plan tables and here they come. | 0:34:34 | 0:34:37 | |
Lot 84, the nest of three G-Plan teak tables, | 0:34:37 | 0:34:40 | |
stylish and solid all at the same time. | 0:34:40 | 0:34:42 | |
Look at those - good interest here, starting at £10. | 0:34:42 | 0:34:46 | |
£10 bid, at 10, I'll take 12. | 0:34:46 | 0:34:48 | |
Come on, £10, where's 12? Now's your chance. | 0:34:48 | 0:34:50 | |
12 bid, 15. | 0:34:50 | 0:34:52 | |
18, 20. | 0:34:52 | 0:34:53 | |
-20 on commission, I have. -No punning. | 0:34:53 | 0:34:56 | |
It's £20 with me. Come on, surely worth more. | 0:34:56 | 0:34:59 | |
For three of them at £20. Any advance? | 0:34:59 | 0:35:02 | |
Surely! | 0:35:02 | 0:35:03 | |
Oh, £20! | 0:35:03 | 0:35:06 | |
-Minus -£5. Lot 85, the 1970s Meakin coffee service. | 0:35:06 | 0:35:11 | |
Six place settings and it's in good order | 0:35:11 | 0:35:14 | |
-and I start here at £12. -Oh, that's a low start! | 0:35:14 | 0:35:18 | |
-Couldn't buy a cup for that. -At 12, I have. | 0:35:18 | 0:35:21 | |
15, gallery. 18, I have. 20 bid, 22. | 0:35:21 | 0:35:25 | |
Are you sure, at 22... | 0:35:25 | 0:35:27 | |
THEY GROAN | 0:35:27 | 0:35:29 | |
At the £22, the whole set and selling. | 0:35:29 | 0:35:32 | |
£22, you've wiped your face. | 0:35:32 | 0:35:34 | |
You've wiped your face. | 0:35:36 | 0:35:37 | |
Lot 86, the Walker & Hall silver photograph frame. It's circa 1916. | 0:35:37 | 0:35:42 | |
-Good-sized frame, this one. -It's a whopper. | 0:35:42 | 0:35:45 | |
It is a whopper. | 0:35:45 | 0:35:47 | |
And I'll start here at just £60. £60 bid. | 0:35:47 | 0:35:51 | |
65 and 70. | 0:35:51 | 0:35:53 | |
5 and 80. | 0:35:53 | 0:35:54 | |
-5 and 90. -Come on. | 0:35:54 | 0:35:57 | |
5, 100. | 0:35:57 | 0:35:58 | |
110, 120. | 0:35:58 | 0:36:00 | |
130, 140. | 0:36:00 | 0:36:02 | |
150, 160. | 0:36:02 | 0:36:04 | |
Oh, come on! Come on. | 0:36:04 | 0:36:06 | |
160 on my commission, the net is out. | 0:36:06 | 0:36:07 | |
It's 160 on commission now. Is the room coming in? | 0:36:07 | 0:36:10 | |
At 160 I do have on commission, any advance on £160? | 0:36:10 | 0:36:14 | |
I can't bear it, Caroline. | 0:36:14 | 0:36:16 | |
-160. -Oh, it was close. | 0:36:16 | 0:36:18 | |
It's just missing, isn't it? | 0:36:18 | 0:36:21 | |
£20 on that, that's minus £25. | 0:36:21 | 0:36:23 | |
So there you have it, minus 25. It's nothing. | 0:36:23 | 0:36:26 | |
It's nothing. | 0:36:26 | 0:36:27 | |
It's not even a spit. | 0:36:27 | 0:36:28 | |
-No, that's not bad, is it? -Not even a spit, Ri. | 0:36:28 | 0:36:32 | |
What are you going to do about the record case? | 0:36:32 | 0:36:35 | |
We're going to go for them. | 0:36:35 | 0:36:37 | |
We're going to go for them. | 0:36:37 | 0:36:39 | |
-Definitely, yeah. -Yes. -OK, fine. | 0:36:39 | 0:36:41 | |
The decision's made. | 0:36:41 | 0:36:43 | |
We're going to go with the record cases | 0:36:43 | 0:36:44 | |
and try and make a record loss... | 0:36:44 | 0:36:46 | |
I mean, a record profit! | 0:36:46 | 0:36:47 | |
Lot 19. | 0:36:47 | 0:36:49 | |
Oh, these are unusual - | 0:36:49 | 0:36:50 | |
we have three 1950s American record cases and I start at £10. | 0:36:50 | 0:36:54 | |
£10 I have, where's 12? | 0:36:54 | 0:36:57 | |
Look for 12 now, that's good value each. | 0:36:57 | 0:36:59 | |
Come on... 12 bid, 15. | 0:36:59 | 0:37:01 | |
18, 20. | 0:37:01 | 0:37:02 | |
22, 25. | 0:37:02 | 0:37:04 | |
Don't give up now, sir. At 25, where's 8? | 0:37:04 | 0:37:07 | |
Where is the 8?! | 0:37:07 | 0:37:09 | |
Vinyl is all back in fashion. At 25, where's 8? Any advance on 25? | 0:37:09 | 0:37:14 | |
£25, it's minus £15, which equals... Overall, you're minus £40. | 0:37:14 | 0:37:20 | |
Oh, what a lovely score! | 0:37:20 | 0:37:23 | |
-Oh, that's amazing. -Well, there we are. | 0:37:23 | 0:37:25 | |
Minus £40. It could have been very different, I have to say. | 0:37:25 | 0:37:28 | |
On the other hand... | 0:37:28 | 0:37:29 | |
BOTH: ..it could still be a winning score! | 0:37:29 | 0:37:31 | |
You've watched the programme before! | 0:37:31 | 0:37:33 | |
-So not a word to the Blues. -No, no, no. -Thanks very much. | 0:37:33 | 0:37:36 | |
Now, your kettle, your WMF kettle, | 0:37:42 | 0:37:45 | |
has to be one of the fabbest of fab WMF kettles. | 0:37:45 | 0:37:48 | |
-Oh, good. -The auctioneer's put £100-150 on it. She rates it. | 0:37:48 | 0:37:53 | |
Then you've got your London 'Bobby' Doulton character jug. | 0:37:53 | 0:37:56 | |
She says that the market's really off for these. | 0:37:56 | 0:38:00 | |
She's put £30-50 on - even though it's rare, | 0:38:00 | 0:38:02 | |
£80 you will not stand a chance of making, so she says. | 0:38:02 | 0:38:06 | |
-OK. -OK? You've got the calling case. | 0:38:06 | 0:38:08 | |
30-50 on that, you paid £32, | 0:38:08 | 0:38:11 | |
so she's predicting a good profit on two and not so hot on the other. | 0:38:11 | 0:38:15 | |
And if all else fails, you've got the necklace to fall back on, right? | 0:38:15 | 0:38:18 | |
We're all dead keen about that for £40. | 0:38:18 | 0:38:20 | |
Anyway, super, very good. | 0:38:20 | 0:38:22 | |
First up, then, is the kettle and stand and here it comes. | 0:38:22 | 0:38:24 | |
Lot 106 now, | 0:38:24 | 0:38:26 | |
the Edwardian WMF copper and brass spirit kettle and stand. | 0:38:26 | 0:38:30 | |
Good, stylish piece in lovely order. | 0:38:30 | 0:38:32 | |
Where am I safe for this? Start me at 100. | 0:38:32 | 0:38:35 | |
-Very stylish. -Somebody wants it. | 0:38:35 | 0:38:37 | |
Somebody, somebody. | 0:38:37 | 0:38:39 | |
50, if it helps. | 0:38:39 | 0:38:41 | |
50 bid, sir. | 0:38:41 | 0:38:42 | |
50, I have. A middle bid at £50. | 0:38:42 | 0:38:44 | |
How disappointing. Here it is at 50 in the middle. Any advance on £50? | 0:38:44 | 0:38:48 | |
It will sell to my maiden bidder for £50, all done? | 0:38:48 | 0:38:51 | |
-That's terrible, £50. -It happens. -Minus 30, it happens, I'm afraid. | 0:38:53 | 0:38:58 | |
-It's the only one we had any hope with. -Well... | 0:38:58 | 0:39:01 | |
Lot 107, the Royal Doulton rare character jug of The London 'Bobby'. | 0:39:01 | 0:39:07 | |
I have interest on the sheets. I start at just £10. | 0:39:07 | 0:39:10 | |
£10 bid, looking for 12. | 0:39:10 | 0:39:13 | |
A rare Calloway here for £10. 12 bid, 15. | 0:39:13 | 0:39:16 | |
-Come on, come on. Little bit more. -Come on, come on. | 0:39:16 | 0:39:19 | |
15 is back on my sheets, looking for 18. 18 is on the internet. | 0:39:19 | 0:39:22 | |
On the internet! | 0:39:22 | 0:39:24 | |
At 20 on the internet. 22 is bid. | 0:39:24 | 0:39:26 | |
It's getting there, it's getting there. | 0:39:26 | 0:39:28 | |
Come on, come on. | 0:39:28 | 0:39:29 | |
28, I have. 30 bid. £30. Where's the 2 again now? | 0:39:31 | 0:39:35 | |
-£30. -She's trying hard for us. | 0:39:35 | 0:39:37 | |
35 is on the internet, the lady's out. | 0:39:40 | 0:39:42 | |
Any advance? | 0:39:42 | 0:39:44 | |
-OK, never mind. -Did she say 35? | 0:39:44 | 0:39:47 | |
It was 35, which is 5 off 40. | 0:39:47 | 0:39:48 | |
It's minus 45, which means you're minus 75. | 0:39:48 | 0:39:51 | |
Look out, here comes the calling card case. | 0:39:51 | 0:39:54 | |
Lot 108, we have the Edwardian mother of pearl calling card case. | 0:39:54 | 0:39:57 | |
Pretty piece, 20 to start. 20 bid, the front. | 0:39:57 | 0:40:00 | |
At £20, where's 2? 22 is the gallery. | 0:40:00 | 0:40:03 | |
-25, 28, 30... -Yes! | 0:40:03 | 0:40:05 | |
..2, 35... | 0:40:05 | 0:40:07 | |
-You're in profit. -..38. | 0:40:07 | 0:40:08 | |
40. | 0:40:08 | 0:40:10 | |
40's downstairs, a gentleman nearer to me at 40. | 0:40:10 | 0:40:13 | |
I'm looking for 2 elsewhere. | 0:40:13 | 0:40:14 | |
At £40 and selling. | 0:40:14 | 0:40:16 | |
Plus £8, well done, kids. | 0:40:17 | 0:40:20 | |
Plus £8, that's very nice. | 0:40:20 | 0:40:23 | |
Minus 67. | 0:40:23 | 0:40:25 | |
Minus 67. | 0:40:25 | 0:40:26 | |
-Pleased about that, Carrie? -Oh, yeah. | 0:40:27 | 0:40:29 | |
-But minus 67's a bit of a body blow, isn't it? -It certainly is, yeah. | 0:40:29 | 0:40:33 | |
So what are we going to do about this, then? | 0:40:33 | 0:40:35 | |
-Are we going to go with the necklace? -I think we'll have to. | 0:40:35 | 0:40:37 | |
We were going to anyway, because we love it. | 0:40:37 | 0:40:39 | |
-We're going to give it a run. -Definitely going to go for it. | 0:40:39 | 0:40:42 | |
I don't blame you. So that's what you're going to do. | 0:40:42 | 0:40:44 | |
-Here we go. -Lot 112. | 0:40:44 | 0:40:47 | |
The Japanese shakudo ware necklace. | 0:40:48 | 0:40:51 | |
Interest on the sheet show here. Nice start at just £28. | 0:40:51 | 0:40:55 | |
£28 on the little necklace. | 0:40:55 | 0:40:57 | |
At 28, 30 you've got, 32, | 0:40:57 | 0:40:59 | |
35, 38, | 0:40:59 | 0:41:00 | |
-40, -2... Yes! -..45, 48, | 0:41:00 | 0:41:03 | |
at 50, I'm out. | 0:41:03 | 0:41:05 | |
It's the lady, middle at 50. Where's the 5? | 0:41:05 | 0:41:08 | |
55 is bid. | 0:41:08 | 0:41:10 | |
60. | 0:41:10 | 0:41:11 | |
5, | 0:41:11 | 0:41:12 | |
7... Yes, Tom. | 0:41:12 | 0:41:14 | |
70 with the lady. Are you sure, sir? | 0:41:14 | 0:41:16 | |
Missing out. 75 is bid. | 0:41:16 | 0:41:18 | |
-75! -80. -She's going again. | 0:41:18 | 0:41:20 | |
80, still with the lady at 80. | 0:41:20 | 0:41:22 | |
Any advance on £80? | 0:41:22 | 0:41:24 | |
-HAMMER BANGS -The man's a genius. -Well done, Tom. | 0:41:24 | 0:41:26 | |
Plus £40. | 0:41:27 | 0:41:29 | |
It's so good, isn't it? £40 profit. Doubled your money, good boy. | 0:41:29 | 0:41:33 | |
-That takes the losses down to minus... -27. -..£27. | 0:41:33 | 0:41:37 | |
She's quite quick! | 0:41:37 | 0:41:38 | |
She's quick, I tell you, when it comes to the money. | 0:41:38 | 0:41:41 | |
-She is. -Minus £27. | 0:41:41 | 0:41:42 | |
-Superb. Isn't that so good? -Brilliant. | 0:41:42 | 0:41:45 | |
Listen, minus £27 could be a winning score, | 0:41:45 | 0:41:47 | |
so say not a word to the Reds. | 0:41:47 | 0:41:49 | |
-No! -Thank you. -How exciting! Well done, Tom. | 0:41:49 | 0:41:51 | |
Well, well, well, teams, what an appalling day it's been today. | 0:41:57 | 0:41:59 | |
Nobody's going home with any cash... | 0:42:01 | 0:42:03 | |
THEY GROAN | 0:42:03 | 0:42:04 | |
..but it's just a question of the scale of the losses. | 0:42:04 | 0:42:07 | |
-Have you been chatting, you lot? -ALL: No. | 0:42:07 | 0:42:09 | |
No, you have not been revealing anything to anybody. | 0:42:09 | 0:42:11 | |
Well, I can tell you that the team | 0:42:11 | 0:42:14 | |
with the worst tally of losses today by a chalk | 0:42:14 | 0:42:17 | |
are the Reds. | 0:42:17 | 0:42:19 | |
I mean, minus £40 is actually not that much to be down the proverbial. | 0:42:20 | 0:42:25 | |
-You had that nice, white face on the coffee set. -That was the positive. | 0:42:25 | 0:42:29 | |
The G-Plan tables were an acute disappointment all round, | 0:42:29 | 0:42:32 | |
so that wasn't so hot. | 0:42:32 | 0:42:33 | |
And then the record cases didn't perform, | 0:42:33 | 0:42:35 | |
but it's not too bad and I hope you had a nice time. | 0:42:35 | 0:42:38 | |
-We've had an amazing time. -Great, Tim. | 0:42:38 | 0:42:39 | |
Thank you very much for joining us. | 0:42:39 | 0:42:41 | |
But the team that win today, by only losing £27, are the Blues. | 0:42:41 | 0:42:45 | |
-THEY CHEER -Which is good, isn't it? | 0:42:45 | 0:42:47 | |
You were helped out considerably by Thomas's £40 profit on the necklace. | 0:42:47 | 0:42:51 | |
-Yes! -That did it. -So that is a result, Tom, so well done for that, | 0:42:51 | 0:42:55 | |
but the rest of it was basically a bit of a shambles. | 0:42:55 | 0:42:57 | |
It was terrible. Really bad. | 0:42:57 | 0:42:59 | |
I should stick to the day job, if I were you, | 0:42:59 | 0:43:01 | |
-even though you are successful today and are our winners. -OK. | 0:43:01 | 0:43:05 | |
-Fantastic. -To wit, I congratulate you. | 0:43:05 | 0:43:07 | |
Anyway, join us soon for some more bargain hunting. | 0:43:07 | 0:43:09 | |
Yes? | 0:43:09 | 0:43:10 | |
ALL: Yes! | 0:43:10 | 0:43:12 |