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Epsom racecourse is the venue for today's show. Hello. | 0:00:08 | 0:00:13 | |
And we'll have no horsing about from our teams either, | 0:00:13 | 0:00:16 | |
so giddy up and let's go bargain hunting. Yeah! | 0:00:16 | 0:00:19 | |
The town of Epsom sits on the chalk downland of the North Downs | 0:00:49 | 0:00:55 | |
here in Surrey. | 0:00:55 | 0:00:57 | |
The big question today is, | 0:00:57 | 0:00:58 | |
which of our teams will chalk up a victory at auction? | 0:00:58 | 0:01:02 | |
Will it be the Reds or will it be the Blues? | 0:01:02 | 0:01:05 | |
Well, punters, let's have a quick peek at what's coming up. | 0:01:05 | 0:01:09 | |
While the Reds put their best hooves forward... | 0:01:11 | 0:01:13 | |
I'm going to unleash you two. | 0:01:13 | 0:01:16 | |
-You're going to be in charge. I'll empower you. Off you go. -Which way? | 0:01:16 | 0:01:19 | |
I don't know! | 0:01:19 | 0:01:21 | |
-..the Blues stumble into worrying territory. -This is... | 0:01:21 | 0:01:25 | |
-Keep me away from here. -OK. -This is my idea of heaven! -Right. | 0:01:25 | 0:01:29 | |
Let's meet the teams. | 0:01:29 | 0:01:30 | |
So, for the Reds today we have a husband and wife combo from heaven. | 0:01:33 | 0:01:38 | |
It's Geoff and Vicky. | 0:01:38 | 0:01:40 | |
And for the Blues, we have mother and son, Angie and Adam. | 0:01:40 | 0:01:44 | |
-Hello, everyone. -ALL: Hello. -Now, Geoffrey, you're the history buff. | 0:01:44 | 0:01:47 | |
What's your special subject? | 0:01:47 | 0:01:49 | |
Well, my special subject is the Battle of Britain. | 0:01:49 | 0:01:51 | |
I answered questions on Mastermind on Chief Marshal Lord Dowding. | 0:01:51 | 0:01:55 | |
-How did you get on? -Lost by a point. Won the specialist subject, though. | 0:01:55 | 0:01:58 | |
-Oh, that's bad luck, isn't it? -I know. | 0:01:58 | 0:02:01 | |
But was it really nerve-racking, that? I bet it was. | 0:02:01 | 0:02:03 | |
It is, just the spotlight on you. And I've come back for more. | 0:02:03 | 0:02:06 | |
Yeah, I know, but we're not going to put you in a black, shiny chair, | 0:02:06 | 0:02:08 | |
we're going to give you money to go out and multiply with. | 0:02:08 | 0:02:11 | |
And buy a black, shiny chair. | 0:02:11 | 0:02:13 | |
Well, maybe, if you think it will make a profit. | 0:02:13 | 0:02:15 | |
Now, Vicky, it says here that you are a pair of romantics. | 0:02:15 | 0:02:18 | |
Yes. We met at a friend's wedding. | 0:02:18 | 0:02:20 | |
He was best man, I was friend of the bride. | 0:02:20 | 0:02:23 | |
He took me to Paris to propose | 0:02:23 | 0:02:25 | |
and we got married the following year on Valentine's Day. | 0:02:25 | 0:02:29 | |
And we just celebrated our silver wedding. | 0:02:29 | 0:02:31 | |
-And he took me back to Paris. -Did he really? | 0:02:31 | 0:02:33 | |
-We stayed near the Eiffel Tower. -I don't believe it! -Yes. | 0:02:33 | 0:02:36 | |
-I mean, how mushy is that? -I know! -And what about antiques knowledge? | 0:02:36 | 0:02:39 | |
-Do you know anything at all? -Not a lot, but I do like Art Deco. | 0:02:39 | 0:02:42 | |
And I like gold jewellery with some lovely coloured stones. | 0:02:42 | 0:02:46 | |
Is that what you're going to be buying today? | 0:02:46 | 0:02:48 | |
-Yes, that's what I would like to buy. -Are you going to blow the lot? | 0:02:48 | 0:02:50 | |
No, we'd like to buy cheap because we like to make lots of profit. | 0:02:50 | 0:02:53 | |
-Well, good luck with that ambition. -Thank you. -Now to the Blues. | 0:02:53 | 0:02:56 | |
-Adam, you're a DJ. -Yes. | 0:02:56 | 0:02:59 | |
-What sort of music do you like? -Reggae music the most. -Do you? -Yeah. | 0:02:59 | 0:03:02 | |
And you've been doing it for how long? | 0:03:02 | 0:03:04 | |
-About 12 years now. -So how many vinyl records have you got? | 0:03:04 | 0:03:07 | |
I've got 1,000 seven-inch singles and 200 or 300 LPs. | 0:03:07 | 0:03:12 | |
Why reggae? What got you going with that? | 0:03:12 | 0:03:14 | |
Erm, I travelled round Australia when I was younger, | 0:03:14 | 0:03:17 | |
working on Aboriginal fairgrounds. | 0:03:17 | 0:03:19 | |
And the guy that ran it was an Aboriginal chap | 0:03:19 | 0:03:22 | |
-and listened to a lot of Bob Marley. -Mm. | 0:03:22 | 0:03:24 | |
And, yeah, I took my inspiration from there. | 0:03:24 | 0:03:27 | |
Angie, you're a great cook. Tell us about that. | 0:03:27 | 0:03:30 | |
You're "queen of the quiche", it says. | 0:03:30 | 0:03:32 | |
I'm not sure about the "great", but I do love cooking. | 0:03:32 | 0:03:35 | |
-And the "quiche queen" has come from this one here, really. -Has it? -Yeah. | 0:03:35 | 0:03:39 | |
All I had for his packed lunch when he was a student one day was a quiche | 0:03:39 | 0:03:42 | |
and he thought it wasn't quite the thing to take in. I said, "That's it." | 0:03:42 | 0:03:45 | |
-So he took it and came back and said they want an order for tomorrow. -Oh! | 0:03:45 | 0:03:49 | |
What, he tried giving it away? And they... | 0:03:50 | 0:03:54 | |
I think they enjoyed the bits they got. | 0:03:54 | 0:03:56 | |
-You like collecting food-related items also? -Yes, I do. | 0:03:56 | 0:03:59 | |
My kitchen is a bit full now, so I've had to stop. | 0:03:59 | 0:04:01 | |
Pie funnels, knife rests, biscuit barrels, yeah. | 0:04:01 | 0:04:05 | |
Are you going to go for a bit of kitchenalia if you find it today? | 0:04:05 | 0:04:08 | |
-I am. -At the right price. -If I find it at the right price, but yes. | 0:04:08 | 0:04:11 | |
Well, talking about price, here comes your £300. There you go. | 0:04:11 | 0:04:14 | |
£300. You know the rules, your experts await, and off you go! | 0:04:14 | 0:04:18 | |
And very, very, very good luck. | 0:04:18 | 0:04:20 | |
Cor, I don't half fancy a bit of quiche myself! | 0:04:20 | 0:04:23 | |
Today, the guiding light for the Reds is Thomas Plant. | 0:04:25 | 0:04:29 | |
And let's unmask the expert for the Blues - it's Claire Rawle. | 0:04:29 | 0:04:33 | |
-Geoff, Vicky, are you excited? -Yeah, absolutely. -Yes, very. | 0:04:42 | 0:04:46 | |
-What are your tactics? -To spend as little as possible. | 0:04:46 | 0:04:49 | |
-4.99, I had in mind. -4.99? -4.99. -Is that right? | 0:04:49 | 0:04:53 | |
Yes, that's right, definitely. You want to make a big profit. | 0:04:53 | 0:04:55 | |
-We want to win. -If you do that, I'll blow the lot on the Bonus Buy. | 0:04:55 | 0:04:59 | |
-Oh, my God! -Oh, no! Oh, no! -Let's go. -OK. | 0:04:59 | 0:05:01 | |
-Strategy today, now then... What's... -I'm going for bargains. -You're going for bargains? | 0:05:01 | 0:05:05 | |
I'm going for bargains. Definitely going for bargains. | 0:05:05 | 0:05:08 | |
-Yeah, yeah. -And Adam? I figure spend big to win big. -Oh, OK. | 0:05:08 | 0:05:12 | |
-So you're going to blow the lot... -And I'm going to rein him in. | 0:05:12 | 0:05:15 | |
-Good, good. -I'm going to rein him in. -Yeah? -Yes. | 0:05:15 | 0:05:18 | |
-And we'll hope to find a happy medium, I guess. -OK. | 0:05:18 | 0:05:21 | |
I fear we may have a couple of spendthrift teams today. | 0:05:21 | 0:05:25 | |
-Right, let's go and see what we can find, shall we? -Excellent. | 0:05:25 | 0:05:28 | |
OK, come on then. | 0:05:28 | 0:05:29 | |
-Yes. -Erm... | 0:05:35 | 0:05:36 | |
Customs and Excise. | 0:05:36 | 0:05:38 | |
Do they sell, as a rule? | 0:05:38 | 0:05:40 | |
Geoff, enough of that! Now, concentrate, you pair. | 0:05:40 | 0:05:44 | |
I don't think so on that one, particularly. | 0:05:44 | 0:05:47 | |
You know, you just went across and you thought, | 0:05:47 | 0:05:49 | |
-"Yeah, there's nothing here." And that's very naughty. -Yeah. | 0:05:49 | 0:05:53 | |
There's a lovely spice jar, there's a piece of Tudric there, | 0:05:53 | 0:05:56 | |
some cribbage, a timepiece. | 0:05:56 | 0:05:58 | |
On here, there are possible items of profit. All on there. | 0:05:58 | 0:06:03 | |
Tudric thing looks nice, because it looks like a set. | 0:06:03 | 0:06:06 | |
-There you are, you see? -Yes. | 0:06:06 | 0:06:07 | |
There you are, you just zipped past the Tudric. | 0:06:07 | 0:06:10 | |
-Yes, it's three pieces, which is unusual. -What's the number, 14...? | 0:06:10 | 0:06:14 | |
-1446. -It's quite a late number in the Tudric range. | 0:06:14 | 0:06:19 | |
-Does it matter that it's got a big dent on that? -Yes. -It does. | 0:06:19 | 0:06:21 | |
Pewter was a very difficult metal. | 0:06:21 | 0:06:23 | |
-But look at that lovely cane handle. -That's beautiful. | 0:06:23 | 0:06:26 | |
-Isn't that beautiful? -It feels so... | 0:06:26 | 0:06:28 | |
-It's quite heavy. -Of course it's heavy! -Yeah. | 0:06:28 | 0:06:31 | |
Put it down. I think we are done with that one. | 0:06:31 | 0:06:33 | |
It's a shame, it's got a dent on it. | 0:06:33 | 0:06:35 | |
-It's nice and it's good that it is named, isn't it? -Yes. | 0:06:35 | 0:06:38 | |
-Let's move on. -Yes, please. | 0:06:38 | 0:06:39 | |
-Found anything you like yet, Blues? -That's a cute little money box. | 0:06:39 | 0:06:43 | |
-Yeah. -George VI cipher on it, so... -Look at these on here. | 0:06:43 | 0:06:47 | |
These are quite collectable, the old sort of car badges. | 0:06:47 | 0:06:50 | |
Yes! Oh, look at these masks. I used to collect masks. | 0:06:50 | 0:06:52 | |
-You've got a bunch of those. -Did you? -Yes. I had to stop. | 0:06:52 | 0:06:55 | |
Well, Angie's certainly not short of ideas, or enthusiasm! | 0:06:55 | 0:06:58 | |
Now, how are the Reds getting on? | 0:06:58 | 0:07:01 | |
Thinking the handbag. | 0:07:01 | 0:07:03 | |
-So which one did you like the most? -Oh, I don't know. | 0:07:03 | 0:07:06 | |
That's more my colouring, this one here. | 0:07:06 | 0:07:08 | |
-So what did you like about this? -I like the colour and the shape. | 0:07:08 | 0:07:12 | |
Yeah, and the fact you've got a nice bit of brass, contrasting brass. | 0:07:12 | 0:07:17 | |
-Very stylish. 1950s. Sort of like an ice bucket bag, isn't it? -Yes. | 0:07:17 | 0:07:22 | |
I think, looking at the price tag, it is going to be too expensive. | 0:07:22 | 0:07:25 | |
-Let's carry on looking. -OK. -Is that all right? -Lovely. -Yeah, fine. | 0:07:25 | 0:07:28 | |
It certainly doesn't fit Geoff's £4.99 brief! | 0:07:28 | 0:07:32 | |
Now, it looks like the Blues have found a familiar stall. | 0:07:34 | 0:07:38 | |
-There's a kitchen thing for you. -Oh, yeah, look, it's spices. -Oh, yes! | 0:07:38 | 0:07:41 | |
-Yes... -Look at that! | 0:07:41 | 0:07:43 | |
-Oh, OK. -Oh, dear. Very nice price, too. -Nothing wrong with that price! | 0:07:43 | 0:07:47 | |
Keep him away from it, for goodness' sake! | 0:07:47 | 0:07:49 | |
-Yeah. -I quite like the pewter jug next to it. -In actual fact, it is collectable. | 0:07:49 | 0:07:52 | |
People like treen, it's kitchenalia, but we need to get it down a reasonable amount from there. | 0:07:52 | 0:07:57 | |
So it depends, you know, they might be negotiable. | 0:07:57 | 0:07:59 | |
-Do you like it, though? -I actually do. I quite like wood as well. | 0:07:59 | 0:08:03 | |
-Nice little spice tower, isn't it? -That would look lovely in your kitchen. | 0:08:03 | 0:08:06 | |
-That's not what you're doing today! -Not that it's... | 0:08:06 | 0:08:08 | |
-the aim of the game today. -You've got to sell this lot, remember! | 0:08:08 | 0:08:11 | |
-Do you want to have a closer look at it? -Yes, I think I would. Yes. | 0:08:11 | 0:08:14 | |
-Treen spice tower. -So you're saying that's the make? | 0:08:15 | 0:08:19 | |
Treen is actually a term for turned wood. It is a wooden object. | 0:08:19 | 0:08:24 | |
Very often, it's fruitwood that they used for treen, because it is a softer wood. | 0:08:24 | 0:08:27 | |
I mean, this will date from the turn of the century. | 0:08:27 | 0:08:29 | |
It could be Edwardian, late Victorian. | 0:08:29 | 0:08:32 | |
-It's got a nice pattern to it. -And you can see it has been used, can't you? -Yes, yeah. | 0:08:32 | 0:08:35 | |
-It is a nice thing. -It's not perfect, but it's... | 0:08:35 | 0:08:38 | |
Yeah, but nice commercial item. | 0:08:38 | 0:08:40 | |
-Would never spend that sort of money. -No. | 0:08:40 | 0:08:42 | |
I don't know, it depends how generous the gentleman is | 0:08:42 | 0:08:45 | |
with his very best price, really. | 0:08:45 | 0:08:47 | |
What is your best price on this one? | 0:08:47 | 0:08:49 | |
-How much have I got on there? -We've got 125 on it at the moment. | 0:08:49 | 0:08:52 | |
The rock bottom is 95. | 0:08:52 | 0:08:54 | |
80? | 0:08:54 | 0:08:56 | |
-I'll take 85. -85? Hmm. | 0:08:56 | 0:08:59 | |
ADAM: Is 80 our...top? | 0:08:59 | 0:09:02 | |
Yeah, I think 80 is... Yeah. | 0:09:03 | 0:09:05 | |
OK, 80, yeah, yeah. | 0:09:05 | 0:09:07 | |
-Sold. -That is beautiful. -Yeah. I think there could be a small profit. | 0:09:07 | 0:09:11 | |
I don't think it'll be a huge profit, but kitchenalia is very collectable. | 0:09:11 | 0:09:14 | |
-It's a very tactile object, isn't it? -Yes. | 0:09:14 | 0:09:17 | |
-As long as you're happy? -Yeah, love it. Yeah, let's do it. | 0:09:17 | 0:09:20 | |
Interesting, we got something that we both like! Ahhh! | 0:09:20 | 0:09:23 | |
So, mother and son are in total agreement. | 0:09:23 | 0:09:25 | |
The Blue team have gone for some treen. | 0:09:25 | 0:09:28 | |
And what are the Reds angling after? | 0:09:28 | 0:09:31 | |
-Stuffed fish? -No, I've eaten, thanks. -You've eaten fish? -Geoff! | 0:09:31 | 0:09:34 | |
The Reds are hooked on fishing at the moment. | 0:09:36 | 0:09:38 | |
-It's acrylic, I think, it's plastic. -Perspex. -Perspex or acrylic, yeah. | 0:09:38 | 0:09:43 | |
-It has got these fishing flies on it. -Let me have a look. | 0:09:43 | 0:09:46 | |
So you've got the Perspex 1960s fisherman's lighter. | 0:09:46 | 0:09:51 | |
It's made in Japan, not made by anybody. | 0:09:51 | 0:09:54 | |
-The best examples are by Dunhill... -Oh, right. | 0:09:54 | 0:09:58 | |
..and they are called aquarium ones. | 0:09:58 | 0:10:00 | |
-It does look very decorative, doesn't it? -Yes. | 0:10:00 | 0:10:03 | |
I think it's a fun thing for fishermen to have. | 0:10:03 | 0:10:05 | |
You've got two types of collector - fishermen and lighter collectors. | 0:10:05 | 0:10:09 | |
-£18 is on it. What's the best on that? -15. | 0:10:09 | 0:10:13 | |
Could you say 12? | 0:10:13 | 0:10:14 | |
Because I'm not a fisherman, so I know nothing about fish! | 0:10:14 | 0:10:17 | |
We love the programme, but I just don't want to lose any money. | 0:10:17 | 0:10:20 | |
-He doesn't want to lose money, does he? -£15, I think... | 0:10:20 | 0:10:22 | |
-Do you want to buy that one? -Yes, we do. | 0:10:22 | 0:10:24 | |
-Yes, please. -Thank you very much. | 0:10:24 | 0:10:26 | |
-Yes, please, can we...? -Bargain. -Thank you. | 0:10:26 | 0:10:28 | |
-SELLER: -Thanks very much. -Thank you. | 0:10:28 | 0:10:30 | |
-Well, first buy. -Thank you. -Thank you. -We're going to move on. | 0:10:30 | 0:10:33 | |
-Cast our net. -Yes. -"Cast our net." He's full of them today, isn't he? | 0:10:33 | 0:10:36 | |
-Oh, I'm sorry! -How do you survive? | 0:10:36 | 0:10:38 | |
I don't... 25 years on, I don't know! | 0:10:38 | 0:10:41 | |
That's left me reeling. Well done, Reds. Your first item for £15. | 0:10:41 | 0:10:45 | |
What can we buy now? What can we buy now? | 0:10:45 | 0:10:49 | |
Now this, unfortunately... Keep me away from here. | 0:10:49 | 0:10:51 | |
At this table, anything for £3! This is my idea of heaven. | 0:10:51 | 0:10:56 | |
Well, it ain't mine, Ange. | 0:10:56 | 0:10:57 | |
-OK. You've got to remember profit. -I know. -Profits. | 0:10:57 | 0:11:01 | |
Well said, Claire! | 0:11:01 | 0:11:02 | |
One needs to be calculated, controlled and focused on this show. | 0:11:02 | 0:11:06 | |
-SHE GASPS -Look, serviette rings! No, they're not. No, no, go away. | 0:11:06 | 0:11:09 | |
No, it's sugar tongs. I've got a thing about wood today, I think. | 0:11:09 | 0:11:12 | |
-I seem to remember someone likes knife rests. -That's me. | 0:11:12 | 0:11:15 | |
Amongst the napkin rings, sugar tongs... | 0:11:15 | 0:11:18 | |
-They are cute, aren't they? -..bits of wood... | 0:11:18 | 0:11:20 | |
-Oh, look at... Oh! -I like that, but... | 0:11:20 | 0:11:23 | |
-Oh, the opera glasses? -Opera glasses. | 0:11:23 | 0:11:25 | |
Oh, yes, look, you've come clearer now. | 0:11:25 | 0:11:27 | |
-No. -I have to say, I rather love that. | 0:11:27 | 0:11:31 | |
-It's very easy at this stage to start drifting. -Yes, it is. | 0:11:31 | 0:11:34 | |
-I think I'm quite focused. -Right, OK. | 0:11:34 | 0:11:37 | |
-Do you want to wander up here, just in case there's anything else we can focus on? -Y-Y-Yes. | 0:11:37 | 0:11:42 | |
Haven't you focused on enough already, Blues? Let's join the Reds. | 0:11:42 | 0:11:46 | |
It looks like Geoff has spotted some tin. | 0:11:46 | 0:11:49 | |
What do you think of this? I'm a great fan of the Festival of Britain. | 0:11:49 | 0:11:52 | |
-Are you? -Yes. -Why are you such a fan? | 0:11:52 | 0:11:54 | |
Because it's very retro for me, being born in '57. | 0:11:54 | 0:11:57 | |
-It's just before my time. -Giving away your age, Geoff! -Sorry! | 0:11:57 | 0:12:00 | |
One of our friends' uncles, who's dead now, was Abram Games, | 0:12:00 | 0:12:03 | |
-and he designed that logo. -Did he? | 0:12:03 | 0:12:04 | |
-Because it's Festival of Britain, it's a toffee tin. 1951. -Yeah. | 0:12:04 | 0:12:08 | |
What do you really like about it? | 0:12:08 | 0:12:10 | |
I just like the fact that the Festival of Britain was of an era, | 0:12:10 | 0:12:14 | |
it was after the war, things coming forward, people looking at design. | 0:12:14 | 0:12:17 | |
-That is a very iconic logo, isn't it? -Yes. | 0:12:17 | 0:12:21 | |
-What's the best price, please? -The best price would be £10. Yes. | 0:12:21 | 0:12:25 | |
-Do you really want this at a tenner? -Erm, how battered is it? | 0:12:25 | 0:12:28 | |
-Because I couldn't see from here. -Well, it is quite battered. | 0:12:28 | 0:12:30 | |
-I mean, it's 1951. -I think we'll go for that. -You want to go for it? | 0:12:30 | 0:12:34 | |
There are collectors of Festival of Britain. Not just me, so... | 0:12:34 | 0:12:37 | |
-That's a purchase. -SELLER: Thank you very much indeed. Thank you. | 0:12:37 | 0:12:40 | |
-And that's two items down for the Reds. -You've hardly spent anything. | 0:12:40 | 0:12:43 | |
-We've got a lot of money left. -A lot of money left. £25... | 0:12:43 | 0:12:45 | |
-I got the feeling... -Do you mean I can buy some jewellery now? | 0:12:45 | 0:12:48 | |
Well, I was going to say that, you know, Geoff... | 0:12:48 | 0:12:52 | |
-there has been a bit of railroading. -There has been. -I don't mind. | 0:12:52 | 0:12:56 | |
-Are you sure? -I don't mind. -I think it's now your choice. -Yeah. | 0:12:56 | 0:12:59 | |
-But let's see what we can buy. Is that all right? -Yes. | 0:12:59 | 0:13:01 | |
I'm going to unleash you two, but you're going to be in charge. | 0:13:01 | 0:13:05 | |
-I'm going to empower you. Off you go. -Which way? -I don't know! | 0:13:05 | 0:13:09 | |
I don't think the Reds know which way to turn. | 0:13:09 | 0:13:13 | |
But either way, the Blues seem to be following in their footsteps. | 0:13:13 | 0:13:16 | |
-What, the corkscrew? -Yeah. -Yeah... | 0:13:16 | 0:13:18 | |
-Yeah. -You brush away the cobwebs and... | 0:13:18 | 0:13:20 | |
-That's it, take all the dust off it. -That's very pretty, too. | 0:13:20 | 0:13:25 | |
-Sugar tongs! -Yeah. | 0:13:25 | 0:13:27 | |
-That is quite unusual. -No napkin rings, are there? No. | 0:13:27 | 0:13:30 | |
-Avoiding the napkin rings! -That's fine, fine. Corkscrew's nice. | 0:13:30 | 0:13:34 | |
Important thing with corkscrews is to make sure that the | 0:13:34 | 0:13:36 | |
bottom of the worm still has its tip. That one does, OK? | 0:13:36 | 0:13:39 | |
-Got its original brush, got its suspension loop, so, yeah, it's nice. -Let's have a look. | 0:13:39 | 0:13:43 | |
34? Yeah, OK, that's not a million miles out. It's nice. | 0:13:45 | 0:13:48 | |
There's a good market for corkscrews. | 0:13:48 | 0:13:50 | |
They make very good presents or they just look nice in a cabinet. | 0:13:50 | 0:13:52 | |
Will this matter, if it's got a...? | 0:13:52 | 0:13:54 | |
-No, it's part of its age and character. -Well-used, yeah. | 0:13:54 | 0:13:58 | |
The important thing is that it has got the tip to its worm, | 0:13:58 | 0:14:01 | |
so that should be... Yeah, it's not too bad, it's quite sharp. | 0:14:01 | 0:14:03 | |
Brush isn't the end of the world if it's missing, but it's nice it's there. | 0:14:03 | 0:14:06 | |
And the suspension loop is a nice little split ring. | 0:14:06 | 0:14:09 | |
-How old is it? -It's going to be early 1800s. | 0:14:09 | 0:14:11 | |
I mean, it's the standard shape that was made and then | 0:14:11 | 0:14:14 | |
they went in for more technical ones, which make a lot more money. | 0:14:14 | 0:14:16 | |
-So, it's nice. -Yeah, no, it's nice. -Yeah? | 0:14:16 | 0:14:20 | |
-What's your best price on that? SELLER: -Do that for 25. | 0:14:20 | 0:14:23 | |
-What do you think? -Yeah, that's not bad. | 0:14:26 | 0:14:28 | |
It's always nice to get a bit lower, you know. | 0:14:28 | 0:14:30 | |
-Do you think you could come down on that? 22? -I'll do it for 22. | 0:14:30 | 0:14:34 | |
-Yes, yeah. Absolutely. -Are we good with that? | 0:14:34 | 0:14:36 | |
-Yeah, yeah! -You like that, don't you? | 0:14:36 | 0:14:38 | |
Yeah, I really like it. Yeah, yeah, absolutely. Yeah, I like the... | 0:14:38 | 0:14:41 | |
-I've not seen one with the brush before. -Yeah... | 0:14:41 | 0:14:45 | |
Thank you very much indeed. Thank you. Good luck with that. | 0:14:45 | 0:14:47 | |
Let's raise a glass to the Blues' second item. | 0:14:47 | 0:14:51 | |
Now, the last we heard was that Vicky | 0:14:51 | 0:14:53 | |
was on the lookout for something small and sparkly. | 0:14:53 | 0:14:56 | |
That doesn't look much like jewellery to me, Thomas! | 0:14:56 | 0:14:59 | |
So this is spelter, but cold-painted. | 0:14:59 | 0:15:01 | |
It's in good condition. | 0:15:01 | 0:15:03 | |
Not cracked on the base, and it's on your table. | 0:15:03 | 0:15:06 | |
After supper, women go out and talk about fluffy clouds | 0:15:06 | 0:15:09 | |
-and other things and kittens. -Jewellery. -As you do. -As you do. | 0:15:09 | 0:15:12 | |
And the men... | 0:15:12 | 0:15:14 | |
-strike this and they light their cigarettes from it. -Oh, wow. | 0:15:14 | 0:15:17 | |
That's interesting. | 0:15:17 | 0:15:19 | |
-Isn't that fun? -How old do you think that is? -This is 1930s. | 0:15:19 | 0:15:22 | |
-What's the price of this? -120. -What is your very best on that? | 0:15:22 | 0:15:25 | |
-Er, 90. -90. | 0:15:28 | 0:15:30 | |
There is some damage in the paintwork there. | 0:15:30 | 0:15:33 | |
There is some damage to the paintwork, which isn't too bad. | 0:15:33 | 0:15:36 | |
-But it's not a piece of jewellery, and I know that. -I know, that's OK! | 0:15:36 | 0:15:38 | |
So I'm just going to put it back, because it's a good thing. | 0:15:38 | 0:15:41 | |
It is a good thing and a good price. | 0:15:41 | 0:15:44 | |
-I could perhaps wear it as a necklace, no? -You can't, no. | 0:15:44 | 0:15:46 | |
-Perhaps we'll come back and... -Perhaps, if we are desperate, we can come back. | 0:15:46 | 0:15:49 | |
-Yes. OK. -I like that, I think they are really good things. | 0:15:49 | 0:15:53 | |
-It's not jewellery... -I know. -..but let's have a look to see what we can find. -OK. Thank you. | 0:15:53 | 0:15:57 | |
-But it's a good thing. Come on. -Thank you very much. | 0:15:57 | 0:16:00 | |
OK, take two. Have another go, Vicky. | 0:16:00 | 0:16:03 | |
What have we got here? | 0:16:09 | 0:16:11 | |
A little sweetheart brooch, you know, that the wives and | 0:16:11 | 0:16:14 | |
girlfriends, what have you, would be given that brooch to wear. | 0:16:14 | 0:16:17 | |
At the start of the First World War, they were the Royal Flying Corps, then they became the RAF. | 0:16:17 | 0:16:21 | |
-So you're just... -That's my mother, actually. -Really? -My mother was... | 0:16:21 | 0:16:24 | |
-Yes, she was. -Oh, right. | 0:16:24 | 0:16:26 | |
And, funnily enough, she was in the WRAF | 0:16:26 | 0:16:28 | |
-and I was in the WRAF for a little bit. -Oh, OK! | 0:16:28 | 0:16:31 | |
So there's quite a nice connection there, but this is really rather... | 0:16:31 | 0:16:34 | |
Yes, yes, they're beautifully made, those, because the wings are | 0:16:34 | 0:16:37 | |
really well detailed and they have got enamel in the middle. | 0:16:37 | 0:16:40 | |
Sometimes diamonds are set in them as well. I don't think that one has. | 0:16:40 | 0:16:43 | |
But, no, it is pretty. | 0:16:43 | 0:16:44 | |
It seems the Blues are hedging their bets over their final buy. | 0:16:44 | 0:16:48 | |
Right, Vicky, this looks a bit more like it! Spoilt for choice. | 0:16:48 | 0:16:52 | |
-Look at that, that's Limoges enamel. -Oh, yeah! -Isn't that beautiful? | 0:16:52 | 0:16:55 | |
-Can we have a look at this? -SELLER: Yeah. | 0:16:55 | 0:16:58 | |
So you've got a crossover ring with diamonds | 0:16:58 | 0:17:00 | |
and a central ruby in the middle there. | 0:17:00 | 0:17:03 | |
-You haven't got the money for that. -No! | 0:17:03 | 0:17:05 | |
And this one here, this one is hallmarked. | 0:17:05 | 0:17:08 | |
Can you see? So this is 18-carat gold. | 0:17:08 | 0:17:11 | |
It's Birmingham, 1903. | 0:17:11 | 0:17:14 | |
And it's what we call gypsy set. | 0:17:14 | 0:17:16 | |
With those stars. 200 for a pretty ring with diamonds in, well made. | 0:17:16 | 0:17:22 | |
-You've got a number of things to choose from. -I know. No, I have. | 0:17:22 | 0:17:25 | |
Now we're in trouble. | 0:17:25 | 0:17:27 | |
But, no, you can carry on looking, or you've got the spelter figure. | 0:17:27 | 0:17:31 | |
What do you think? Spelter figure, we're at the races... | 0:17:31 | 0:17:34 | |
I like the spelter figure, too. I do like the spelter figure. | 0:17:34 | 0:17:38 | |
It's your choice. Jewellery goes out the window. | 0:17:38 | 0:17:41 | |
It can do. I like the spelter figure. | 0:17:41 | 0:17:43 | |
-I think we're going to go for the spelter figure. -Are you? | 0:17:43 | 0:17:46 | |
-You don't want to look at any more of the jewellery? No? -No. | 0:17:46 | 0:17:49 | |
It is a woman's prerogative to change your mind. | 0:17:49 | 0:17:54 | |
That's it, decision made, Vicky. It's spelter, and definitely no... | 0:17:54 | 0:17:58 | |
# Diamonds and pearls... # | 0:17:58 | 0:18:02 | |
No breakthrough yet for the Blues, either. The case is still open. | 0:18:02 | 0:18:06 | |
-Luggage is popular. -It sort of harks back to the golden age of travel, | 0:18:06 | 0:18:09 | |
you take it on the steamboat and... | 0:18:09 | 0:18:11 | |
Yeah, when someone else carries it for you, because these... | 0:18:11 | 0:18:14 | |
These weigh a tonne before you've got anything in them. | 0:18:14 | 0:18:17 | |
-That's original lining. -How much? -65. -Right. | 0:18:17 | 0:18:21 | |
-Yeah, it's a bit... -SELLER: I could do it for 50. | 0:18:21 | 0:18:24 | |
-40? -Couldn't get to 40, no. | 0:18:25 | 0:18:28 | |
I could do 48, and that would be my absolute best. | 0:18:28 | 0:18:31 | |
-So now we have lots of things to focus on. -Yes. -RAF badges... | 0:18:31 | 0:18:36 | |
-They're the ones I like. -The RAF badges? -Yeah. -Yeah, but that's not to say... | 0:18:36 | 0:18:39 | |
I like the family connection in that one, | 0:18:39 | 0:18:41 | |
because, as I say, my mother was in it, I was in the RAF, | 0:18:41 | 0:18:44 | |
-and I think, you know, that would be quite interesting. -Yeah, yeah. | 0:18:44 | 0:18:47 | |
I also, you know, it's like... | 0:18:47 | 0:18:48 | |
-That one. -..that thing of me going back and the things I threw away... | 0:18:48 | 0:18:51 | |
-Yeah, that sort of reminds you of that. -Yes. -Need to it write down. | 0:18:51 | 0:18:55 | |
So, opera glasses, are we going to sort of discount opera glasses? | 0:18:55 | 0:18:59 | |
-I think they are... -Yeah. | 0:18:59 | 0:19:00 | |
Moved on from there? OK. So, RAF is quite a strong contender. | 0:19:00 | 0:19:04 | |
We haven't done best price on that one yet, we need to get that down a bit. | 0:19:04 | 0:19:07 | |
-So, we're down to RAF... -Or this. -What do you reckon? | 0:19:07 | 0:19:11 | |
Well, shall we go and see what the best price is on the RAF wings? | 0:19:11 | 0:19:15 | |
OK, that would be a good idea. Thank you very much. Thank you. Right... | 0:19:15 | 0:19:20 | |
They've got a firm plan, but is the going good for the Reds? | 0:19:20 | 0:19:24 | |
-You want to buy this? -Yes. -Yes. | 0:19:24 | 0:19:26 | |
-The only thing that worries me, if I can say... -I wouldn't worry about it. | 0:19:26 | 0:19:30 | |
-Oh, it's so much fun. -It is fun, it's a good jockey, good colours. | 0:19:30 | 0:19:34 | |
I was worried about you and the jewellery, because jewellery can... | 0:19:34 | 0:19:39 | |
-You can come very unstuck. -Yes. | 0:19:39 | 0:19:41 | |
-But I don't think you'll come unstuck with this. -No. | 0:19:41 | 0:19:43 | |
-So, £90 was the price, wasn't it? -Yeah. | 0:19:43 | 0:19:46 | |
-Thank you. -Third and final item. -Thank you very much. | 0:19:46 | 0:19:49 | |
-Thank you for helping us finish. -That's it, we're done. -We're done! | 0:19:49 | 0:19:53 | |
-Tea time now! -Tea time. -Ah, you know, I don't drink tea. Coffee. | 0:19:53 | 0:19:58 | |
Come on. | 0:19:58 | 0:19:59 | |
Well done, Reds, your third and final item. And with time to spare. | 0:19:59 | 0:20:03 | |
-Claire, what's the news from the stallholder? -£60 is his best price. | 0:20:04 | 0:20:09 | |
Which isn't too bad. | 0:20:09 | 0:20:12 | |
-Most of the value will be in the gold one. -Mm. | 0:20:12 | 0:20:16 | |
I'd have put them at about, maybe, 50-70, if I put them in auction. | 0:20:16 | 0:20:21 | |
But you might, might... | 0:20:21 | 0:20:23 | |
-Because it is nice and there is a good market for it. -60? -60. | 0:20:23 | 0:20:28 | |
-Or the luggage? -60 or the luggage? -Yeah. -48. -Mm. | 0:20:28 | 0:20:32 | |
-What do you...? -I'm leaning towards these, | 0:20:33 | 0:20:36 | |
just because I like these more than the luggage. | 0:20:36 | 0:20:38 | |
-I don't know, I think it's nice. -Yeah, yeah. | 0:20:38 | 0:20:41 | |
I mean, there probably is mileage in that. | 0:20:41 | 0:20:42 | |
-It's just like all these things, on the day. -What are you angling towards? | 0:20:42 | 0:20:46 | |
-They are very collectable. -Well, it's me... You know, it's like... | 0:20:46 | 0:20:50 | |
I'm way out of my comfort zone here with £60. | 0:20:50 | 0:20:53 | |
-I mean, I've done the 80... -Yes, yeah, yeah. -Now I'm doing 60! Oh! | 0:20:53 | 0:20:58 | |
So I'm kind of hovering that way, but I like... | 0:20:58 | 0:21:02 | |
It's a good thing. It's not out of the way. | 0:21:02 | 0:21:05 | |
-I think we've still got a bit of mileage in it. -Let's do it. -Yes, let's do it. -Sure? -Yeah. | 0:21:05 | 0:21:10 | |
OK, that's excellent. | 0:21:10 | 0:21:11 | |
I'll go and tell him the good news and get the money sorted. Well done. | 0:21:11 | 0:21:14 | |
-That's it. -That's it! -Wow. -Three done, in the bag. -Fabulous. | 0:21:14 | 0:21:17 | |
Right, that's it. We're past the finishing posts, the race is over. | 0:21:22 | 0:21:26 | |
Let's check out what the Red team bought. | 0:21:26 | 0:21:29 | |
There were no flies on Geoff when he spotted the Blues' first item. | 0:21:29 | 0:21:33 | |
They spent £15 on the Perspex table lighter. | 0:21:33 | 0:21:36 | |
They paid a sweet £10 on the Festival of Britain tin. | 0:21:38 | 0:21:42 | |
And deliberated on their third item, but not for long! | 0:21:42 | 0:21:47 | |
They spent £90 on the racehorse lighter. | 0:21:47 | 0:21:50 | |
Now, tell me, which is your favourite piece? | 0:21:50 | 0:21:52 | |
We bought a little jockey, a man on a stand, | 0:21:52 | 0:21:55 | |
and I thought that was terrific. | 0:21:55 | 0:21:57 | |
-I really thought that was good. -That's your favourite? -Yes. | 0:21:57 | 0:21:59 | |
What about you, Geoffrey? What's your favourite? | 0:21:59 | 0:22:02 | |
I like the Festival of Britain tin. I thought that conjures up an era. | 0:22:02 | 0:22:05 | |
Is that going to bring the biggest profit, Geoffrey? | 0:22:05 | 0:22:07 | |
-I think the horse, the jockey will bring the biggest profit. -I think so. | 0:22:07 | 0:22:12 | |
-And you spent how much? -115. | 0:22:12 | 0:22:16 | |
-115? -Yes. | 0:22:16 | 0:22:18 | |
-So I'd like 185 of leftover lolly. -Doesn't happen very often, this. | 0:22:18 | 0:22:22 | |
-Do I have to? -Yes, you do! 115 isn't a huge total, is it? | 0:22:22 | 0:22:25 | |
I knew you'd tell us off. | 0:22:25 | 0:22:27 | |
Thomas Plant is one of the last big spenders | 0:22:27 | 0:22:30 | |
when it comes to blowing the lot on the leftover lolly! | 0:22:30 | 0:22:34 | |
Believe you me, I've got something in mind | 0:22:34 | 0:22:36 | |
-and I'm going to blow it all. -Good luck, Tom. Good luck, team. | 0:22:36 | 0:22:40 | |
Meanwhile, we'll check out what the Blue team bought. | 0:22:40 | 0:22:44 | |
The Blues looked like seasoned pros, | 0:22:44 | 0:22:47 | |
paying £80 for the spice tower. | 0:22:47 | 0:22:49 | |
They popped their corks over the £22 corkscrew. | 0:22:52 | 0:22:54 | |
And swooped in for the gold and | 0:22:57 | 0:22:59 | |
silver RAF broaches, spending £60. | 0:22:59 | 0:23:02 | |
-Adam and Ange... How did you get on, all right? -I loved it. | 0:23:03 | 0:23:08 | |
-You seemed to be having fun. -I LOVED it. -How much did you spend? | 0:23:08 | 0:23:12 | |
£162. | 0:23:12 | 0:23:14 | |
162? I'd like £138 of leftover lolly, the boy has got that. | 0:23:14 | 0:23:20 | |
-There we go. -Very nice. Thank you very much, Adam - that's great. | 0:23:20 | 0:23:24 | |
-So which is your favourite piece, Ange? -The wooden spice tower. | 0:23:24 | 0:23:28 | |
-Would you go with the spice tower? -No, the corkscrew. -The corkscrew. | 0:23:28 | 0:23:32 | |
-What's going to bring the biggest profit? -The Bonus Buy. | 0:23:32 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:36 | |
And THAT may be the right answer! | 0:23:36 | 0:23:39 | |
But the big challenge is for you, Rawley. | 0:23:39 | 0:23:42 | |
What are you going to do with all that cash? | 0:23:42 | 0:23:44 | |
Spend it, or as much as I can. I've got a few ideas. | 0:23:44 | 0:23:48 | |
-Good luck with that. -Thank you very much. | 0:23:48 | 0:23:50 | |
Meanwhile, we'll trot off to have a look at something that | 0:23:50 | 0:23:52 | |
I found a little earlier. | 0:23:52 | 0:23:54 | |
What do you do if you've got a birthday or special occasion | 0:24:00 | 0:24:03 | |
coming up? | 0:24:03 | 0:24:04 | |
You want to come to one of these fairs and you've only | 0:24:04 | 0:24:07 | |
got £20 in your pocket. | 0:24:07 | 0:24:09 | |
Well, you could do a lot worse | 0:24:09 | 0:24:12 | |
than going to buy a bit of shed work. | 0:24:12 | 0:24:15 | |
Well, I call it shed work | 0:24:15 | 0:24:17 | |
because once upon a time, | 0:24:17 | 0:24:18 | |
a man in a shed with a fret saw made this box. | 0:24:18 | 0:24:22 | |
He wasn't a cabinet-maker, | 0:24:22 | 0:24:24 | |
he wasn't professional in any sense of the word, but probably | 0:24:24 | 0:24:27 | |
in about 1910 or 1920, he had two pieces of contrasting coloured wood. | 0:24:27 | 0:24:33 | |
You have a pattern and with your fret saw, you cut through both of | 0:24:33 | 0:24:36 | |
the sheets and hey presto, you've made yourself a bit of inlay. | 0:24:36 | 0:24:40 | |
If I open it up, | 0:24:40 | 0:24:42 | |
you can see it's got a lovely red silk lined interior, | 0:24:42 | 0:24:46 | |
but the lid is rather poorly perished, | 0:24:46 | 0:24:49 | |
so you can pull that off like that | 0:24:49 | 0:24:52 | |
and reveal on the underside how that fretwork has come together. | 0:24:52 | 0:24:58 | |
But what's inside the box? | 0:24:58 | 0:25:00 | |
A group of medals and tokens that don't relate to the box | 0:25:00 | 0:25:04 | |
but they are, for £20, very interesting. | 0:25:04 | 0:25:08 | |
This one, for example, is called the Bell Medal. | 0:25:08 | 0:25:11 | |
It's cast with an obelisk and some chaps firing muskets. | 0:25:11 | 0:25:17 | |
That's a medal awarded for marksmanship between the First | 0:25:17 | 0:25:22 | |
and Second World Wars. | 0:25:22 | 0:25:23 | |
For me, the most interesting | 0:25:23 | 0:25:25 | |
and potentially valuable medal | 0:25:25 | 0:25:28 | |
is this one - if you look | 0:25:28 | 0:25:30 | |
at the scene itself, it shows two footballers | 0:25:30 | 0:25:33 | |
going to strike a ball. | 0:25:33 | 0:25:36 | |
The background of the medal is cast with the dimpled, sewn | 0:25:36 | 0:25:40 | |
surface of a real football. | 0:25:40 | 0:25:43 | |
If I turn it round, you can see on the back it's entirely plain. | 0:25:43 | 0:25:48 | |
It hasn't been inscribed with a match or a date, | 0:25:48 | 0:25:51 | |
which adds to the sense of mystery with this medal. | 0:25:51 | 0:25:55 | |
With a bit of research, | 0:25:55 | 0:25:56 | |
you might be able to determine what this football medal relates to. | 0:25:56 | 0:26:01 | |
Of course, football is an incredibly popular arena for collectors. | 0:26:01 | 0:26:07 | |
But there you go, you've got the top end of eight pieces | 0:26:07 | 0:26:10 | |
there for under £20 - an ideal collection for a youngster | 0:26:10 | 0:26:16 | |
interested in coins and medals for not a lot of money. | 0:26:16 | 0:26:19 | |
That's what I call positively first-class. | 0:26:19 | 0:26:22 | |
Well, well - all the way from Epsom to Wisborough Green to be at | 0:26:37 | 0:26:40 | |
-Bellman's saleroom with the great JP. How are you, Jonathan? -Oh, sterling! | 0:26:40 | 0:26:45 | |
First up for Geoff and Vicky is the Perspex lighter. | 0:26:45 | 0:26:49 | |
It's copying the Dunhill lighter style. I kind of like it. | 0:26:49 | 0:26:52 | |
We are in the country, fishing. | 0:26:52 | 0:26:54 | |
Less people smoke and it has that connotation, obviously. | 0:26:54 | 0:26:57 | |
-Bit awkward to light the fire with. -Yes. | 0:26:57 | 0:27:00 | |
The thing is that the Dunhill aquarium plastic thing is | 0:27:00 | 0:27:04 | |
worth a couple of thousand pounds now. | 0:27:04 | 0:27:06 | |
-Yes, there's some very rare ones. -Very rare table lighters. | 0:27:06 | 0:27:09 | |
This thing is not one of those, is it? | 0:27:09 | 0:27:12 | |
No, but it is fun | 0:27:12 | 0:27:13 | |
and there's lots of people round here, lots of good fishing around. | 0:27:13 | 0:27:17 | |
-It's not a lot of money. -How much money? -£15-£20. -£15 paid. | 0:27:17 | 0:27:22 | |
Now, I'm really nervous about this Festival of Britain tin. | 0:27:22 | 0:27:26 | |
It's a period which is very fashionable. | 0:27:26 | 0:27:28 | |
They refer to it as mid-century chic, the bunting and cups of tea. | 0:27:28 | 0:27:31 | |
But you want something with Ravilious on it, | 0:27:31 | 0:27:34 | |
something high style from that moment. | 0:27:34 | 0:27:37 | |
Ebonised black finish with traditional strawberry flowers... | 0:27:37 | 0:27:41 | |
-It's far too traditional. -Not a lot of style to it. | 0:27:42 | 0:27:45 | |
No, it needs to be far more outlandish and '50s. | 0:27:45 | 0:27:48 | |
Needs something about it. Black and flowers sadly is not going to sell it. | 0:27:48 | 0:27:52 | |
What's your best estimate on this old tin? | 0:27:52 | 0:27:54 | |
I didn't think they'd have paid much for it | 0:27:54 | 0:27:56 | |
-and I thought sensibly I ought to put £3-£5 on it. -Not enough! | 0:27:56 | 0:28:00 | |
They've paid £10 for it. | 0:28:00 | 0:28:02 | |
This is more believable because it's come from Epsom | 0:28:02 | 0:28:06 | |
and it is a geegee and you could light your cigarette from it, | 0:28:06 | 0:28:09 | |
but the problem is, it's made of spelter. | 0:28:09 | 0:28:11 | |
Yes, absolutely. | 0:28:11 | 0:28:13 | |
It's a nice style and it has a bit of age, I think | 0:28:13 | 0:28:16 | |
probably the middle part of the century again. | 0:28:16 | 0:28:18 | |
People like horses around here and racing. Perfectly decent thing. | 0:28:18 | 0:28:22 | |
-It's a nice ornament. -Just boils down to the price - | 0:28:22 | 0:28:24 | |
-how much? -I thought, sensibly, £40-£60. | 0:28:24 | 0:28:27 | |
That is a sensible estimate - they paid £90. | 0:28:27 | 0:28:29 | |
But we know full well that a sensible estimate can create | 0:28:29 | 0:28:33 | |
-interest. -Exactly. That's what you're a past master at doing. | 0:28:33 | 0:28:37 | |
Let's hope that you're successful, or they'll need | 0:28:37 | 0:28:39 | |
the Bonus Buy, in which case we'll go and have a look at it! | 0:28:39 | 0:28:42 | |
OK, Geoff... | 0:28:42 | 0:28:44 | |
You've spent £115, you've gave Thomas Plant £185, | 0:28:45 | 0:28:48 | |
Thomas - what did you spend it on? | 0:28:48 | 0:28:50 | |
I tried to blow it all, but I didn't quite. | 0:28:50 | 0:28:54 | |
-I bought these fabulous things. You can say, "Oh, wow." -They're fantastic. | 0:28:54 | 0:28:58 | |
They are silver, they are enamel, | 0:28:58 | 0:29:01 | |
-but you're going to ask, "What are they for?" -What are they for? | 0:29:01 | 0:29:04 | |
When one is having a cocktail party, long, tall glasses etc, | 0:29:04 | 0:29:09 | |
you want to know what your glass is, so you take one of these | 0:29:09 | 0:29:12 | |
and clip it to your glass so you know it's your glass. | 0:29:12 | 0:29:15 | |
That's absolutely fantastic. I'll just take one. | 0:29:15 | 0:29:18 | |
Have a look, Vicky, go on. I paid the grand sum of £100. | 0:29:18 | 0:29:23 | |
I thought they were rather nice. Silver and enamel is so popular. | 0:29:23 | 0:29:27 | |
-What do you think it's worth? -£140. | 0:29:27 | 0:29:29 | |
I think there is between 20 and £40 profit there. | 0:29:29 | 0:29:31 | |
I think they're lovely. | 0:29:31 | 0:29:33 | |
-I think someone who likes that will pay a premium. -Silver and enamel. | 0:29:33 | 0:29:37 | |
-Perfect, boxed, done. -Lovely. | 0:29:37 | 0:29:39 | |
Thank you very much, Tom. | 0:29:39 | 0:29:41 | |
You don't pick them now, you pick them later | 0:29:41 | 0:29:43 | |
if you need to after the sale of your first three items. | 0:29:43 | 0:29:46 | |
Right now, for the audience at home, | 0:29:46 | 0:29:48 | |
let's find out what the auctioneer thinks about Tom's little clips. | 0:29:48 | 0:29:52 | |
OK, JP - a test for you. What do you make of those? | 0:29:54 | 0:29:58 | |
So-called glass markers. | 0:29:58 | 0:30:00 | |
Well, they are hallmarked sterling silver, they're from the '30s. | 0:30:00 | 0:30:05 | |
They're rather pretty. They're decorated in enamels. | 0:30:05 | 0:30:07 | |
They're English flowers. | 0:30:07 | 0:30:09 | |
They're display cabinet things. | 0:30:09 | 0:30:11 | |
If you're a botanist, it is a little collectable. Could be useful. | 0:30:11 | 0:30:16 | |
Have you ever seen a cased set of silver gilt | 0:30:16 | 0:30:19 | |
-and enamelled glass markers before, ever? -No. -They've got to be rare. | 0:30:19 | 0:30:25 | |
-Absolutely. -Your estimate, please? -£70-£90. | 0:30:25 | 0:30:28 | |
OK, £100 paid by the Planter and for all we know, | 0:30:28 | 0:30:31 | |
-he could be absolutely correct. -I hope so. | 0:30:31 | 0:30:34 | |
So do I. That's it for the Reds. Now for the Blues, Adam and Angie. | 0:30:34 | 0:30:38 | |
They kick on with this spice tower. | 0:30:38 | 0:30:40 | |
-This is not what it appears to be, is it? -I'm afraid not. | 0:30:40 | 0:30:44 | |
You don't see them that often and when they're nice, | 0:30:44 | 0:30:46 | |
they're done in boxwood and whatnot and are late or mid-19th century. | 0:30:46 | 0:30:49 | |
Very, very smart and quite rare in that respect. | 0:30:49 | 0:30:52 | |
But what got me was the evenness of the colour of the labels, | 0:30:52 | 0:30:56 | |
so I looked a bit closer and you think, | 0:30:56 | 0:30:58 | |
-hang on, they look like they're stained with tea. -Yes. | 0:30:58 | 0:31:00 | |
Look a bit closer, then you think they've probably been produced on a printer at home. | 0:31:00 | 0:31:04 | |
You can just see where they've been cut out. | 0:31:04 | 0:31:06 | |
The real giveaway is that colour underneath - | 0:31:06 | 0:31:08 | |
that's an Indian hardwood. | 0:31:08 | 0:31:10 | |
With hindsight, it's not old, therefore it ain't worth much. | 0:31:10 | 0:31:14 | |
No, I might have been mean, but £15-£25. | 0:31:14 | 0:31:17 | |
Maybe £20-£30, but not £80. | 0:31:17 | 0:31:20 | |
Now, moving on to the corkscrew... | 0:31:20 | 0:31:22 | |
-You sell a lot of wine in this place, don't you? -Yes. | 0:31:22 | 0:31:25 | |
Therefore you have wine collectors. | 0:31:25 | 0:31:27 | |
Are these accoutrements interesting to wine collectors? | 0:31:27 | 0:31:30 | |
That's the people who are going to buy it, absolutely. It is nice. | 0:31:30 | 0:31:33 | |
It has a nice spiralled worm. Nicely defined. | 0:31:33 | 0:31:36 | |
Everything about it seems fine for the 19th century, | 0:31:36 | 0:31:39 | |
-but not particularly exciting. -How much? | 0:31:39 | 0:31:43 | |
-£30-£50. -Very nice - £22 paid. | 0:31:43 | 0:31:46 | |
They paid the right price for that and it is a period object. | 0:31:46 | 0:31:50 | |
Now, the nostalgic interest in anything connected with | 0:31:50 | 0:31:53 | |
Britain's military history is powerful still, isn't it? | 0:31:53 | 0:31:56 | |
-Absolutely. -People like military broaches, do they? | 0:31:56 | 0:31:59 | |
They're very interested in medals and all sorts of things like that. | 0:31:59 | 0:32:03 | |
He's got a gold one, silver one, both decorated with enamels. | 0:32:03 | 0:32:06 | |
Going to have some sort of collectability, | 0:32:06 | 0:32:08 | |
-but not terribly exciting. -How excited can you get? | 0:32:08 | 0:32:11 | |
I got excited enough to say £30-£40. | 0:32:11 | 0:32:13 | |
About half as excited as you need to be. £60 paid. | 0:32:13 | 0:32:17 | |
-Is this listed on the Internet? -Absolutely. -That's fine. | 0:32:17 | 0:32:21 | |
Anyway, overall, I think the spice tower has done it for them | 0:32:21 | 0:32:25 | |
and they'll need their Bonus Buy, so let's go and have a look at it. | 0:32:25 | 0:32:29 | |
You spent 162, you gave the Rawle 138 - Claire, | 0:32:31 | 0:32:35 | |
what did you spend £138 on? | 0:32:35 | 0:32:38 | |
Well, not quite as much as that, but this is what I bought you. | 0:32:38 | 0:32:42 | |
-Interesting. -So... -What is it? -It's a box. | 0:32:42 | 0:32:45 | |
Yes, it is a box! | 0:32:45 | 0:32:47 | |
It's actually a late Victorian stamp box. | 0:32:47 | 0:32:50 | |
It's embossed leather over wood... | 0:32:50 | 0:32:53 | |
Will they know what it is, though? | 0:32:53 | 0:32:55 | |
-Yes. -Have you put some stamps in there to show them what it is? | 0:32:55 | 0:32:58 | |
-You don't have to. -A few Penny Blacks! | 0:32:58 | 0:33:00 | |
Tuppenny Blue would be better! | 0:33:00 | 0:33:03 | |
There are good collectors out there | 0:33:03 | 0:33:05 | |
for stamp boxes and anything postage related. | 0:33:05 | 0:33:07 | |
I just thought it was an unusual one. | 0:33:07 | 0:33:09 | |
So, how much did you pay for it? | 0:33:09 | 0:33:11 | |
I spent £40 on it, so I didn't blow a huge amount. | 0:33:11 | 0:33:14 | |
-I think it ought to make 50, £60... -Nice prediction, there. | 0:33:14 | 0:33:19 | |
I think it's lovely, actually. | 0:33:20 | 0:33:22 | |
I think you've excited the right reaction | 0:33:22 | 0:33:25 | |
and on that happy note, why don't we find out what the auctioneer | 0:33:25 | 0:33:27 | |
thinks about Claire's little box? | 0:33:27 | 0:33:29 | |
Well, this is a first-class effort, look. It being a stamp box. | 0:33:31 | 0:33:34 | |
It's nice and decorative. There are people who collect stamps | 0:33:34 | 0:33:37 | |
and maybe they want to put their collection in a little box! | 0:33:37 | 0:33:40 | |
The exterior makes it look rather old, actually, | 0:33:40 | 0:33:42 | |
but I don't think it is... That is rather clean inside. | 0:33:42 | 0:33:46 | |
-It doesn't look like it's ever been used, frankly. -No. | 0:33:46 | 0:33:49 | |
I think it's perfectly all right, don't you? | 0:33:49 | 0:33:51 | |
It just wants a little bit of furniture polish on that | 0:33:51 | 0:33:54 | |
-leather to jolly it up a bit. How much? -£20-£30. -£40 paid. | 0:33:54 | 0:33:58 | |
Claire really rates it. I think she might just get there. | 0:33:58 | 0:34:02 | |
Thank you very much, JP. | 0:34:02 | 0:34:03 | |
1,400. 1,450. | 0:34:05 | 0:34:08 | |
-Happy, Geoff? -Absolutely. -We're on the edge. -Yes. -Nervy? | 0:34:08 | 0:34:12 | |
-Yes, I am! -Could be. | 0:34:12 | 0:34:14 | |
Now, your Perspex table lighter with all those flies in it, £15 paid. | 0:34:14 | 0:34:20 | |
£15-£20 is his estimate, so you should be safe on that. | 0:34:20 | 0:34:23 | |
The sweet tin nobody found particularly sweet, I have to say. | 0:34:23 | 0:34:28 | |
£10 you paid for that, | 0:34:28 | 0:34:29 | |
he's put the lowest possible amount he can put on, which is £3-£5. | 0:34:29 | 0:34:34 | |
He thinks you'll be jolly lucky if you get £3-£5. | 0:34:34 | 0:34:37 | |
-Got to carry the can for that. -The racehorse lighter is the jammy one. | 0:34:37 | 0:34:42 | |
-£90 you paid, 40 to 60 is his estimate. -Ooh. | 0:34:42 | 0:34:47 | |
Otherwise, you've got the glass markers to fall back on. | 0:34:47 | 0:34:50 | |
First up is the table lighter and here it comes. | 0:34:50 | 0:34:53 | |
A 1960s Perspex table lighter and | 0:34:53 | 0:34:56 | |
the body encloses six fishing flies. | 0:34:56 | 0:34:58 | |
I can start with me, I've got £10 to bid. | 0:34:58 | 0:35:01 | |
Looking for 15, now. 15, 20. | 0:35:01 | 0:35:05 | |
£20 against you, commission bid at 20, where's five? 25 back in... | 0:35:05 | 0:35:10 | |
30 anywhere? Lady's bid on the left at £25. Internet, are you out? | 0:35:10 | 0:35:14 | |
No further bidding at £25, lady's bid, 25. | 0:35:14 | 0:35:18 | |
Plus £10, congratulations you two. | 0:35:18 | 0:35:21 | |
How good is that? Cool. | 0:35:21 | 0:35:23 | |
Now, here's the Festival of Britain tin - are we going to eat our words here? | 0:35:23 | 0:35:27 | |
And I can start at £10. | 0:35:27 | 0:35:30 | |
THEY CHEER | 0:35:30 | 0:35:31 | |
£10 bid. I'll take 15 if you like. With me at £10. | 0:35:31 | 0:35:35 | |
15 anywhere? £10 commission bid. 12 if you want to come in another one. | 0:35:35 | 0:35:41 | |
Surely at £12? I've got £10 on the book. Any more at £10? | 0:35:41 | 0:35:45 | |
At £10, I'm selling to the book at 10. | 0:35:45 | 0:35:48 | |
Anyway, wiped its face. | 0:35:48 | 0:35:50 | |
That's perfectly good. Hurray! | 0:35:50 | 0:35:52 | |
It's a cold-painted spelter table lighter modelled as a bay | 0:35:52 | 0:35:55 | |
racehorse with a jockey. Start me at £60 for this. £60, the racehorse. | 0:35:55 | 0:35:59 | |
40 front now. Where's 45? 45... | 0:35:59 | 0:36:02 | |
-50. -Worth more than that. -55, 60. 65, 70. | 0:36:02 | 0:36:07 | |
75 seated left... | 0:36:07 | 0:36:10 | |
-Uh-oh. Oh, come on! -Please, please. | 0:36:10 | 0:36:13 | |
At £75, are we all out at £75? | 0:36:13 | 0:36:16 | |
-Selling... -Oh! -£75. | 0:36:16 | 0:36:19 | |
£75, bad luck - that's -15. | 0:36:19 | 0:36:22 | |
You had plus £10, you're now minus £5. | 0:36:22 | 0:36:26 | |
-The roller coaster of Bargain Hunt! -We were so close! | 0:36:26 | 0:36:29 | |
What are you going to do? | 0:36:29 | 0:36:31 | |
Because minus £5 could be a winning score, | 0:36:31 | 0:36:34 | |
or do you risk £100 on the Bonus Buy, which is Thomas's pick? | 0:36:34 | 0:36:38 | |
-You don't have to go with it. -I think we're going to go for it. | 0:36:38 | 0:36:43 | |
-I think we should. -It's lovely. We're going to go for it. | 0:36:43 | 0:36:47 | |
We're going with the Bonus Buy and here it comes. | 0:36:47 | 0:36:50 | |
Set of six George V silver and enamel glass markers, Birmingham | 0:36:50 | 0:36:53 | |
1930, modelled as flowers, rather pretty | 0:36:53 | 0:36:55 | |
and fitted in a case there. | 0:36:55 | 0:36:57 | |
Start me... Start me at £50 for these. Sterling silver, £50. | 0:36:57 | 0:37:02 | |
Surely worth 50... 50 on the net, thank you. Looking for five now. | 0:37:02 | 0:37:06 | |
Internet bid at £50. Surely worth five in the room. | 0:37:06 | 0:37:09 | |
Internet is getting it at 50. 55, thank you. Against you, Internet. | 0:37:09 | 0:37:14 | |
-Come on, they're worth more. -60 by the mirror. £60. | 0:37:14 | 0:37:18 | |
Internet, you've stopped now. £60 on the right, any more at 60? | 0:37:18 | 0:37:22 | |
-Last chance everybody else, £60 with you, sir, and selling... -Oh, no! | 0:37:22 | 0:37:26 | |
At £60. | 0:37:26 | 0:37:28 | |
£60 is minus £40, which means overall you're minus £45. Well... | 0:37:28 | 0:37:32 | |
You followed your instincts. | 0:37:32 | 0:37:35 | |
We wanted them. We wanted to take them for ourselves. | 0:37:35 | 0:37:38 | |
-You wanted to take them home. -There we go. | 0:37:38 | 0:37:41 | |
Anyway, don't say a word to the Blues, because minus £45 could be | 0:37:41 | 0:37:46 | |
a winning score. If things go really go badly for them, it might be! | 0:37:46 | 0:37:50 | |
Bid dead ahead at 60. Thank you, at 60. Where's the five, now? | 0:37:50 | 0:37:53 | |
Lady's bid, looking for five... | 0:37:53 | 0:37:55 | |
Now, Angie - you're a bit of atremble here - are you excited? | 0:38:01 | 0:38:04 | |
-I am. I am, really! -Yeah, she is trembling! | 0:38:04 | 0:38:07 | |
Your first item is the treen spice tower. | 0:38:07 | 0:38:10 | |
Jonathan Pratt has looked at this very carefully | 0:38:10 | 0:38:13 | |
because he's really worried about it. He says it's not old. | 0:38:13 | 0:38:16 | |
He's catalogues it as late 20th century. | 0:38:16 | 0:38:19 | |
He thinks it's come in from India or a foreign place. It's a copy. | 0:38:19 | 0:38:24 | |
His estimate is £15-£25. | 0:38:24 | 0:38:26 | |
The treen corkscrew however, he's put £30-£50 on, it's | 0:38:26 | 0:38:29 | |
perfectly nice, genuine thing with its little badger brush and whatnot. | 0:38:29 | 0:38:32 | |
£22 paid, so that should show you a decent profit. | 0:38:32 | 0:38:36 | |
Then the sweetheart broaches he likes enough to | 0:38:36 | 0:38:40 | |
put £30-£40 on and you paid 60. | 0:38:40 | 0:38:42 | |
They're not particularly encouraging estimates, I have to say, | 0:38:42 | 0:38:45 | |
but that doesn't mean everything. | 0:38:45 | 0:38:47 | |
At the end of the day, you've got the little stamp-box to fall back on. | 0:38:47 | 0:38:50 | |
First up is the spice tower and here it comes. | 0:38:50 | 0:38:53 | |
Here we have the nice treen spice tower. | 0:38:53 | 0:38:56 | |
Commission bid I can start at 20, £25. | 0:38:56 | 0:38:59 | |
30 clears commission now at 30. | 0:38:59 | 0:39:02 | |
35, standing. 40. 45. 50 anywhere else? 50 waving at the back. | 0:39:02 | 0:39:08 | |
50 anywhere else? 50 at the back. | 0:39:08 | 0:39:10 | |
Surely worth another five? It's £50 far left. | 0:39:10 | 0:39:13 | |
Fair warning at £50... | 0:39:13 | 0:39:16 | |
Well done that man! £50 is minus 30. | 0:39:16 | 0:39:18 | |
He didn't announce it as being reproduction, | 0:39:18 | 0:39:20 | |
he didn't announce it as late, he did it as nicely as possible. | 0:39:20 | 0:39:24 | |
Anyway, next up is the treen corkscrew. | 0:39:24 | 0:39:27 | |
Early 19th-century treen corkscrew. A nice little example, that. | 0:39:27 | 0:39:30 | |
Surely worth £30 to start me. 30. 30. Could be useful. | 0:39:30 | 0:39:34 | |
-There we are, that did it! -Oh, well done, you got 30! | 0:39:36 | 0:39:39 | |
I've got 30 at the front. Any further bidding at £30? | 0:39:39 | 0:39:43 | |
At 30 I'll sell, then. The maiden bid, the lady's bid at £30. | 0:39:43 | 0:39:47 | |
Last chance... | 0:39:47 | 0:39:50 | |
Plus £8. That is a profit of £8, well done. | 0:39:50 | 0:39:53 | |
That means you're only minus 22. | 0:39:53 | 0:39:55 | |
A gold and enamel RAF sweetheart brooch. | 0:39:55 | 0:39:58 | |
That one is nine carat and you have a nice little silver | 0:39:58 | 0:40:01 | |
and enamel one as well. Start me off at £30 for the two. | 0:40:01 | 0:40:04 | |
Nice bit of wartime history there at £30. | 0:40:04 | 0:40:06 | |
Internet bid straight in at 30 now. At 30 I'm bid. Looking for 35. | 0:40:06 | 0:40:09 | |
30 internet. Surely worth five in the room. | 0:40:09 | 0:40:12 | |
35, thank you. Anyone else now? | 0:40:12 | 0:40:15 | |
40 on the Internet. Five anywhere else? Internet bid getting it at 40. | 0:40:15 | 0:40:21 | |
Last chance in the room £40... | 0:40:21 | 0:40:24 | |
Selling at 40, all done... | 0:40:24 | 0:40:26 | |
Oh, dear, £40 is minus £20. Minus £20 and £22 is minus £42. | 0:40:26 | 0:40:32 | |
-That's not so hot, that, is it? -Not really. -It could be a winning score. | 0:40:32 | 0:40:37 | |
What are you going to do? Risk it and go for the stamp box or stick? | 0:40:37 | 0:40:41 | |
-What's it going to be? -We're going for it. | 0:40:42 | 0:40:44 | |
-That's the decision, you're going with the Bonus Buy? -Yes. | 0:40:44 | 0:40:48 | |
-That's a defo. -Defo. -Right. | 0:40:48 | 0:40:49 | |
Now you've made that decision, I can tell you what the auctioneer's | 0:40:49 | 0:40:53 | |
estimate is, which isn't so brilliant, £20-£30! | 0:40:53 | 0:40:55 | |
Let's hope he's well and truly wrong, | 0:40:55 | 0:40:58 | |
because coming up right now is the stamp box. | 0:40:58 | 0:41:01 | |
Nice example there. | 0:41:01 | 0:41:02 | |
Start me at £20 for the box. | 0:41:02 | 0:41:04 | |
£20 for the box. Surely worth £20? | 0:41:04 | 0:41:07 | |
-Where is £20? -Where is £20? -It's got to go at £10. Do I see £10? | 0:41:07 | 0:41:12 | |
Someone in the room put their hand up for £10. Back of the room, £10. | 0:41:12 | 0:41:16 | |
It's £10, maiden bid at £10. 12, surely? At £10, I'll sell at £10. | 0:41:16 | 0:41:20 | |
Are you all done? It's going. Last chance. All done. £10. | 0:41:20 | 0:41:25 | |
£10 is minus £30 which means overall you're minus £72. | 0:41:25 | 0:41:30 | |
-Oh, no! -I liked it. | 0:41:30 | 0:41:32 | |
-I -liked it. I don't like it now! I've gone off that! | 0:41:32 | 0:41:36 | |
-What have we got? -Minus 72. | 0:41:36 | 0:41:39 | |
That could be a winning score, so say not a word to the Reds, | 0:41:39 | 0:41:42 | |
all right? All will be revealed in a moment. | 0:41:42 | 0:41:45 | |
Thanks so much, good sports. | 0:41:45 | 0:41:47 | |
It's £150, 160 Internet. | 0:41:47 | 0:41:49 | |
Clears it now. | 0:41:49 | 0:41:51 | |
Well, I can reveal it's been an appalling day today! | 0:41:56 | 0:41:59 | |
Nobody's going home with any cash, it all looks very minus minus to me! | 0:41:59 | 0:42:04 | |
Just a question of the scale of the losses. | 0:42:04 | 0:42:06 | |
The team that are marginally behind | 0:42:06 | 0:42:08 | |
in the loss stakes are the Blues. | 0:42:08 | 0:42:11 | |
Minus £72. | 0:42:11 | 0:42:13 | |
I mean, it started out pretty well, didn't it? | 0:42:13 | 0:42:18 | |
You got £8 from a corkscrew and that's the top | 0:42:18 | 0:42:21 | |
-and bottom of the profits today! But not to worry. -No! | 0:42:21 | 0:42:25 | |
-You're not fussed, are you, Angie? Adam? -No. Not at all. | 0:42:25 | 0:42:28 | |
-It's just the taking part that matters! -Unless you win! | 0:42:28 | 0:42:33 | |
It's been great having you on the show. | 0:42:33 | 0:42:35 | |
The victors today, you've won by only losing £45, the Reds! | 0:42:35 | 0:42:38 | |
You started out with a £10 profit, | 0:42:38 | 0:42:41 | |
then it went completely down the old proverbial from there on in. Yes? | 0:42:41 | 0:42:45 | |
-Yes. -Had a nice time? -Great time. -Fabulous. -Been good for you? | 0:42:45 | 0:42:49 | |
-Yes, great crowd, great crew. -Great crowd, great crew! | 0:42:49 | 0:42:52 | |
It's been such fun. Join us soon for some more bargain-hunting, yes? | 0:42:52 | 0:42:55 | |
ALL: Yes! | 0:42:55 | 0:42:57 |