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We're in Nottinghamshire today | 0:00:05 | 0:00:06 | |
at the Newark International Antiques and Collectors Fair. | 0:00:06 | 0:00:11 | |
There's no excuses for our teams today, because... | 0:00:11 | 0:00:15 | |
there are 2,500 stalls here for them to choose from. | 0:00:15 | 0:00:20 | |
Let's go bargain hunting! | 0:00:20 | 0:00:22 | |
This site truly is huge - | 0:00:48 | 0:00:50 | |
84 acres in total, of which over seven acres | 0:00:50 | 0:00:55 | |
are under cover inside. | 0:00:55 | 0:00:57 | |
Coming up on today's show, the Reds are jumping for joy. | 0:01:00 | 0:01:03 | |
SHE SQUEALS | 0:01:03 | 0:01:05 | |
Whilst the Blues are taking the strategic approach. | 0:01:08 | 0:01:11 | |
You said to me early on, | 0:01:11 | 0:01:14 | |
-"We're going to go in quick and buy something cheap." -Yeah. | 0:01:14 | 0:01:17 | |
THEY LAUGH | 0:01:17 | 0:01:19 | |
Well, on today's programme we've got a couple of couples. | 0:01:19 | 0:01:23 | |
For the Reds we've got Helena and David | 0:01:23 | 0:01:25 | |
and for the Blues we've got Nick and Linda. | 0:01:25 | 0:01:29 | |
-Hello, everyone. -Hello. -Hello, Tim. | 0:01:29 | 0:01:30 | |
How did you two meet? | 0:01:30 | 0:01:32 | |
We met at Sutton House in Hackney. | 0:01:32 | 0:01:34 | |
I was a conservation intern | 0:01:34 | 0:01:36 | |
-and David was a conservation volunteer, weren't you? -Were you? | 0:01:36 | 0:01:40 | |
So I was in charge of him. | 0:01:40 | 0:01:42 | |
And you took one look at him and you thought, | 0:01:42 | 0:01:43 | |
"I think I could conserve this one." | 0:01:43 | 0:01:45 | |
-Over a Worcester tea service. -Is that what it was? | 0:01:45 | 0:01:48 | |
-You were cleaning it at the time, were you? -I was. | 0:01:48 | 0:01:51 | |
So is this essentially a National Trust-led profession, | 0:01:51 | 0:01:55 | |
or will you come and do conservation for any old bod? | 0:01:55 | 0:01:58 | |
I actually work at Tatton Park in the mansion there | 0:01:58 | 0:02:02 | |
-monitoring the collection. -All that gorgeous Gillow furniture? -Yes. | 0:02:02 | 0:02:06 | |
Are you a collector, Helena? | 0:02:06 | 0:02:08 | |
I am, I like to do myself as a collector. | 0:02:08 | 0:02:10 | |
-What do you collect? -I collect Russian lacquer boxes, | 0:02:10 | 0:02:13 | |
but I'm more interested | 0:02:13 | 0:02:14 | |
in the actual pictures on the surface of the boxes. | 0:02:14 | 0:02:17 | |
-So, you like those little boxes. -I do. | 0:02:17 | 0:02:19 | |
Will you be buying them today on Bargain Hunt when you get a chance? | 0:02:19 | 0:02:22 | |
I'll be looking for some Russian pieces, definitely. | 0:02:22 | 0:02:25 | |
Now, David, when you're not struggling away and fretting | 0:02:25 | 0:02:28 | |
about all this history, what do you do to relax? | 0:02:28 | 0:02:31 | |
Well, I have a particular technique for dealing with all of that stress. | 0:02:31 | 0:02:35 | |
I do Kundalini yoga. | 0:02:35 | 0:02:36 | |
Do you? What's Kundalini Joker? | 0:02:36 | 0:02:39 | |
Well, yoga which most people know, of the hatha type, | 0:02:39 | 0:02:43 | |
is holding positions and so forth. | 0:02:43 | 0:02:45 | |
-Yeah, lotus position! -That's one of those. | 0:02:45 | 0:02:47 | |
I know about that... | 0:02:47 | 0:02:49 | |
Have you tried that one? | 0:02:49 | 0:02:51 | |
What, lotus position? A few years ago! | 0:02:51 | 0:02:53 | |
I don't think I'd be flexible enough now. | 0:02:53 | 0:02:56 | |
But tell us about this... What is it? | 0:02:56 | 0:02:57 | |
-Kundalini yoga. -Oh, Kundalini yoga. Very good. | 0:02:57 | 0:03:01 | |
It focuses on movement, so it's not about holding a position, | 0:03:01 | 0:03:04 | |
it's about actual movement and breath. | 0:03:04 | 0:03:07 | |
Cos once you're happy in yourself then you're not so worried | 0:03:07 | 0:03:10 | |
about what you look like or how fat you are or things like that. | 0:03:10 | 0:03:14 | |
No need to be personal! | 0:03:14 | 0:03:16 | |
HE LAUGHS | 0:03:16 | 0:03:17 | |
So once you deal with the mental state, | 0:03:17 | 0:03:19 | |
-the physical state will follow. -Yeah. | 0:03:19 | 0:03:21 | |
Well, I suggest if you get a bit stressed out today | 0:03:21 | 0:03:24 | |
with the shopping, you just have a quick lie down. | 0:03:24 | 0:03:27 | |
Sounds like the business, really. I could do with some of that. | 0:03:27 | 0:03:30 | |
Anyway, very good, and good luck, team. | 0:03:30 | 0:03:32 | |
Now, Linda, you have been working in a very challenging field | 0:03:32 | 0:03:36 | |
and it's nothing to do with agriculture. | 0:03:36 | 0:03:37 | |
I've been a social worker for 22 years now. | 0:03:37 | 0:03:41 | |
But for the last five years I've been a social work consultant | 0:03:41 | 0:03:44 | |
with Sheffield City Council. | 0:03:44 | 0:03:46 | |
Basically, what that means is that I'm responsible for mentoring | 0:03:46 | 0:03:49 | |
and supporting social workers in their first year of practice | 0:03:49 | 0:03:53 | |
-just out of training. -They really need help. | 0:03:53 | 0:03:55 | |
Yeah, a lot of handholding cos it's a very stressful job. | 0:03:55 | 0:03:58 | |
Now, Nick, it says here that you're a no-nonsense presenter. | 0:03:58 | 0:04:01 | |
What does that mean? | 0:04:01 | 0:04:02 | |
Well, absolutely, Tim. | 0:04:02 | 0:04:03 | |
Nick's No-nonsense Review is something we set up, | 0:04:03 | 0:04:06 | |
-not because we're simply bluff Yorkshire people. -No. | 0:04:06 | 0:04:09 | |
We've done it because we wanted to address all the nonsense | 0:04:09 | 0:04:12 | |
that is spoken about the caravan industry | 0:04:12 | 0:04:15 | |
by certain groups of people. | 0:04:15 | 0:04:16 | |
So, you take a few trips in your caravan, do you? | 0:04:16 | 0:04:19 | |
-We do. -Regularly. | 0:04:19 | 0:04:21 | |
-Very regularly, at least once a month. -Do you? -Oh, yeah. | 0:04:21 | 0:04:24 | |
-Where do you go? -Well, all over the place, | 0:04:24 | 0:04:27 | |
but we've taken to France. | 0:04:27 | 0:04:28 | |
And, of course, the French take caravanning | 0:04:28 | 0:04:30 | |
quite seriously, don't they? | 0:04:30 | 0:04:31 | |
I mean, a campsite is a campsite in France. | 0:04:31 | 0:04:34 | |
It's a luxury standard, too. | 0:04:34 | 0:04:35 | |
Anyway, I think you're going to do very well on the programme today | 0:04:35 | 0:04:38 | |
and I wish both our teams the very best of luck. | 0:04:38 | 0:04:41 | |
Here's your £300, £300 apiece. | 0:04:41 | 0:04:43 | |
You know the rules, your experts await, and off you go! | 0:04:43 | 0:04:46 | |
And very, very, very, very good luck. | 0:04:46 | 0:04:49 | |
I think I could do with a bit of yoga myself. | 0:04:49 | 0:04:51 | |
With only an hour to shop, | 0:04:53 | 0:04:54 | |
I don't really think there'll be anyone lying down on the job today. | 0:04:54 | 0:04:58 | |
Helping the Reds put a spin on things is Natasha Raskin. | 0:05:00 | 0:05:03 | |
Keeping his eyes on the scoreboard for the Blues is Paul Laidlaw. | 0:05:05 | 0:05:09 | |
History, conservation - that's your world, so what are you thinking? | 0:05:11 | 0:05:14 | |
I am so excited. | 0:05:14 | 0:05:16 | |
I am looking for something Art Deco, maybe Nouveau, | 0:05:16 | 0:05:20 | |
something sculptural and visually appealing, | 0:05:20 | 0:05:22 | |
and I'm going to go with my gut instinct. | 0:05:22 | 0:05:24 | |
OK, and Russia is your bag but, David, what's yours? | 0:05:24 | 0:05:27 | |
Well, I think my role here is really to hold the purse strings. | 0:05:27 | 0:05:31 | |
No-nonsense - is this my clue to your negotiating technique? | 0:05:31 | 0:05:35 | |
-Well, absolutely. -What, is he scary? | 0:05:35 | 0:05:37 | |
-Er, he can be, yeah. -Oh, no. | 0:05:37 | 0:05:40 | |
-Should I be? -Erm... | 0:05:40 | 0:05:42 | |
We'll see. | 0:05:42 | 0:05:43 | |
-It's her you need to be scared of. -Oh, right! | 0:05:43 | 0:05:46 | |
Well, we will see, because that hangar over there | 0:05:46 | 0:05:48 | |
is full of treasure and we're going to go find it. Come on. | 0:05:48 | 0:05:51 | |
Well, we all know our roles, so let's get on our way. | 0:05:51 | 0:05:53 | |
That's it then, teams, the clock has started. | 0:05:56 | 0:05:59 | |
With an hour to go, the race is on. | 0:05:59 | 0:06:01 | |
I just saw it out of the corner of my eye when we came in. | 0:06:01 | 0:06:04 | |
I absolutely love it. | 0:06:04 | 0:06:06 | |
-Oh, my goodness. -I think it's stunning. | 0:06:06 | 0:06:08 | |
Are you sure you don't just want to clean it? | 0:06:08 | 0:06:10 | |
-Because it is a bit grubby. -We can clean that, though. | 0:06:10 | 0:06:12 | |
I'd like to do a time check, | 0:06:12 | 0:06:14 | |
we're four seconds off the block, that's amazing! | 0:06:14 | 0:06:16 | |
OK, so you clocked that straight away. | 0:06:16 | 0:06:19 | |
It's typical Victorian, isn't it? | 0:06:19 | 0:06:21 | |
Look at how ornate it is. | 0:06:21 | 0:06:22 | |
It's almost like a fancy piece of Kings patterned silver or something. | 0:06:22 | 0:06:25 | |
It's not silver, though, is it? | 0:06:25 | 0:06:27 | |
-No, it's spelter. -Yes. | 0:06:27 | 0:06:29 | |
-It is spelter. -Spelter and copper. | 0:06:29 | 0:06:30 | |
And we know it's copper cos it's oxidised a little, | 0:06:30 | 0:06:33 | |
so it's gone the way that domes go on libraries and things, | 0:06:33 | 0:06:35 | |
that greeny colour. | 0:06:35 | 0:06:37 | |
But I love the ornate feel of it. | 0:06:37 | 0:06:39 | |
It's typical Victorian. | 0:06:39 | 0:06:40 | |
It does have, actually, thinking that you love Russian, | 0:06:40 | 0:06:44 | |
-it's got that real heady sort of feel to it, doesn't it? -It has. | 0:06:44 | 0:06:48 | |
165 I saw there when you flashed the tag - | 0:06:48 | 0:06:51 | |
it is quite a lot, but shall we get a feel of it? | 0:06:51 | 0:06:54 | |
-Shall we see if it's a big lump? -Can I lift it? -Absolutely. | 0:06:54 | 0:06:57 | |
there's probably the odd one or two, you know, defects there | 0:06:57 | 0:07:00 | |
but I think overall it's in good condition, | 0:07:00 | 0:07:03 | |
considering the age, as well. | 0:07:03 | 0:07:05 | |
I didn't see, just when you turned it round here, | 0:07:05 | 0:07:07 | |
we've got almost like a sort of... | 0:07:07 | 0:07:09 | |
-It almost like a religious figure. -A King or a Bishop, isn't it? | 0:07:09 | 0:07:13 | |
Yeah, something like that, so someone in high office, anyway. | 0:07:13 | 0:07:16 | |
And, also, you've got these typical Victorian | 0:07:16 | 0:07:18 | |
kind of Gothic revival, grotesque lions on the side here. | 0:07:18 | 0:07:22 | |
-It's quite desirable. -Mmm, it is quite desirable. | 0:07:22 | 0:07:24 | |
The style is good, you know, it's a kind of stand-out piece, isn't it? | 0:07:24 | 0:07:29 | |
To be honest with you, I think 165 is very punchy. | 0:07:29 | 0:07:33 | |
I'd be looking for it to get to around £100 at the auction. | 0:07:33 | 0:07:37 | |
So, I think that, you know, we're sort of in the territory | 0:07:37 | 0:07:41 | |
where we want to make the price that is lower than the asking price. | 0:07:41 | 0:07:45 | |
But you were excited, I love the fact that we had... | 0:07:45 | 0:07:50 | |
I'm out of breath! So, it's up to you. | 0:07:50 | 0:07:52 | |
If you want to do some negotiating we could ask kindly. | 0:07:52 | 0:07:54 | |
I'd like to. | 0:07:54 | 0:07:55 | |
OK, I think, Helen, this is very much yours, | 0:07:55 | 0:07:58 | |
-so what are you thinking? -Are you willing to come down for 100? | 0:07:58 | 0:08:01 | |
-You want it for 100? -Yes, please. -Go on, you can do it for 100. | 0:08:01 | 0:08:03 | |
Oh! | 0:08:03 | 0:08:05 | |
SHE SQUEALS | 0:08:05 | 0:08:06 | |
-This is very much your piece, so... -I love it. | 0:08:06 | 0:08:08 | |
Thank you very much. OK. | 0:08:08 | 0:08:10 | |
Wow, that was fast off the blocks! | 0:08:12 | 0:08:14 | |
A salad bowl and server. Quite nice, actually, yeah, OK. | 0:08:16 | 0:08:20 | |
-No price on it, must be free. -If only life was like that! | 0:08:20 | 0:08:24 | |
They're a wee bit old hat. | 0:08:24 | 0:08:26 | |
It looks like yesterday's antique to me. | 0:08:26 | 0:08:28 | |
I couldn't have put it better. | 0:08:28 | 0:08:30 | |
So, does that damn it to us? | 0:08:31 | 0:08:32 | |
-I think it might. -I think it does, yeah. | 0:08:32 | 0:08:34 | |
So, I guess that's a no then, Blues, | 0:08:36 | 0:08:38 | |
but the Reds are already eyeing up a second item. | 0:08:38 | 0:08:42 | |
I would put something in the high tens, | 0:08:42 | 0:08:44 | |
something like 60 to 80 on it. | 0:08:44 | 0:08:45 | |
If we get a mad price from the dealer | 0:08:45 | 0:08:47 | |
then we know it's older than it is. | 0:08:47 | 0:08:49 | |
You're going to have to get a good price then, Reds. | 0:08:49 | 0:08:52 | |
-DEALER: -I paid £250 for it. So I would like a profit. | 0:08:52 | 0:08:56 | |
Of course! | 0:08:56 | 0:08:58 | |
Sadly, it's not going to be today, is it?! | 0:08:58 | 0:09:00 | |
Well, you never know, it's not over yet, but it's not going to be us. | 0:09:00 | 0:09:03 | |
But thank you so much for all of your wisdom. | 0:09:03 | 0:09:05 | |
It is no good having expensive tastes on this show. | 0:09:06 | 0:09:09 | |
Natasha, move them on. | 0:09:09 | 0:09:11 | |
And come on, Blues, the clock's ticking. | 0:09:12 | 0:09:15 | |
-Just wondering about that, it's silver. -It's silver? | 0:09:15 | 0:09:18 | |
It seems to suggest it is, but I've not seen a hallmark. | 0:09:18 | 0:09:21 | |
-Yeah, there's the hallmark. -Yes, it's got London marks. | 0:09:21 | 0:09:24 | |
It's a trinket box, that's all it is. | 0:09:24 | 0:09:27 | |
-It's got an initial on it, but... -I like the form. | 0:09:27 | 0:09:29 | |
I like this dish top and the oval section of the dish top. | 0:09:29 | 0:09:32 | |
The lid closes well... | 0:09:32 | 0:09:34 | |
A few dings on the site there, Paul, just there. | 0:09:34 | 0:09:37 | |
There are and, in fairness, there's no meat to it. | 0:09:37 | 0:09:39 | |
I think a it's priced very reason... Is that the price? | 0:09:39 | 0:09:42 | |
-That is the price. -Yeah, it's very reasonably priced. | 0:09:42 | 0:09:44 | |
You want to take that home, frankly. | 0:09:44 | 0:09:46 | |
Silver traders are harsh. | 0:09:46 | 0:09:47 | |
They're going to weigh it and value it on that basis. | 0:09:47 | 0:09:51 | |
The price is just a bit too high to get a profit. | 0:09:51 | 0:09:53 | |
Let me show you something that might be closer to sexy. | 0:09:53 | 0:09:56 | |
Silver buttons, Art Nouveau influenced | 0:09:56 | 0:09:58 | |
and presumably of that period. | 0:09:58 | 0:10:00 | |
Birmingham. | 0:10:00 | 0:10:02 | |
They're sweet. Five of those are priced up at £68. | 0:10:02 | 0:10:06 | |
THEY GASP | 0:10:06 | 0:10:08 | |
No, you know, these people are pricing fairly, | 0:10:08 | 0:10:11 | |
I think that's reasonable. | 0:10:11 | 0:10:12 | |
-BUT it's reasonable for you to take home and enjoy. -Yeah. | 0:10:12 | 0:10:16 | |
You take it to option and try to turn up profit, | 0:10:16 | 0:10:18 | |
they're worth £40-£60. | 0:10:18 | 0:10:20 | |
I mean, it really is fairly priced, but is it us here and now? | 0:10:20 | 0:10:24 | |
I don't know. | 0:10:24 | 0:10:26 | |
While the Blues stand and debate, the Reds are motoring on. | 0:10:27 | 0:10:30 | |
These wee salon sofas are absolutely gorgeous. | 0:10:30 | 0:10:33 | |
I mean, it is just joyful, isn't it? | 0:10:33 | 0:10:35 | |
-Do you mind if we have a look? -DEALER: -No, you help yourself. | 0:10:35 | 0:10:37 | |
Thank you very much. | 0:10:37 | 0:10:38 | |
I mean I'd be looking for a nice hallmark on this, | 0:10:38 | 0:10:41 | |
so let's see... | 0:10:41 | 0:10:43 | |
I think it's English hallmarks. | 0:10:43 | 0:10:45 | |
What would be your best price on that? | 0:10:45 | 0:10:47 | |
-70. -No lower than 70? | 0:10:47 | 0:10:49 | |
-No, I'm sorry. -No lower than 70. | 0:10:49 | 0:10:51 | |
I mean, it's something to think about. | 0:10:51 | 0:10:53 | |
We've got absolutely gorgeous motifs all over the little sofa. | 0:10:53 | 0:10:57 | |
It's got the beautiful Queen Anne style legs, | 0:10:57 | 0:10:59 | |
so it really is just a beautiful thing. | 0:10:59 | 0:11:02 | |
We've got a very clear maker's mark, Levi & Salaman. | 0:11:02 | 0:11:06 | |
We've got the assay mark, the Birmingham anchor mark, | 0:11:06 | 0:11:09 | |
we've got the date, it's all clear, | 0:11:09 | 0:11:11 | |
this hasn't been rubbed away. | 0:11:11 | 0:11:13 | |
So, well over 100 years old and in absolutely perfect condition. | 0:11:13 | 0:11:18 | |
It's a really tricky one. | 0:11:18 | 0:11:19 | |
I would ask you to think about it and, you know, discuss it, perhaps. | 0:11:19 | 0:11:23 | |
My advice is that we're moving on to a price there | 0:11:23 | 0:11:26 | |
I think the auction estimate would be something like 40-60, or 50-70. | 0:11:26 | 0:11:31 | |
I am tempted not to, but I think maybe we need to. | 0:11:31 | 0:11:35 | |
-Then that's two down. -I think so, as well. | 0:11:35 | 0:11:37 | |
-I think maybe we take the risk. -OK? | 0:11:37 | 0:11:41 | |
Come on, then. It's the end of the day, we'll go for it. | 0:11:41 | 0:11:43 | |
-You want to go for it? -Yes, please. | 0:11:43 | 0:11:45 | |
OK, thank you very much, we'll take that then. | 0:11:45 | 0:11:47 | |
Thank you very much, cheers. | 0:11:47 | 0:11:49 | |
Right, OK, £70. Done. | 0:11:49 | 0:11:50 | |
Thank you. We can go and have a sit down. | 0:11:50 | 0:11:53 | |
No, we can't, cos we've got one more thing to buy! | 0:11:53 | 0:11:55 | |
But that is better than still having all three to buy, like the Blues. | 0:11:58 | 0:12:02 | |
I don't think they've moved off that stall yet. | 0:12:02 | 0:12:05 | |
What's the story with the perfume with the watch holder in the lid? | 0:12:05 | 0:12:09 | |
Is it as good as it looks? | 0:12:09 | 0:12:11 | |
DEALER: I've dated it. It is 1903. | 0:12:11 | 0:12:14 | |
But the watch doesn't work. | 0:12:15 | 0:12:17 | |
That's rather smart, isn't it? | 0:12:17 | 0:12:19 | |
It's a nice piece. | 0:12:19 | 0:12:21 | |
In its favour, it cries out quality. | 0:12:21 | 0:12:22 | |
It cries out originality, as well. | 0:12:22 | 0:12:24 | |
It's not another grenade-form perfume. | 0:12:24 | 0:12:26 | |
-It's unusual, isn't it? -It has this novelty feature. | 0:12:26 | 0:12:30 | |
It could appeal to multiple markets - | 0:12:30 | 0:12:32 | |
the silver buyer, | 0:12:32 | 0:12:33 | |
the private buyer because it's a sexy thing, | 0:12:33 | 0:12:35 | |
make a nice gift, a treat to yourself, | 0:12:35 | 0:12:37 | |
watch collector? Why not? | 0:12:37 | 0:12:39 | |
And it's a lot of money. | 0:12:39 | 0:12:42 | |
The price has given me heart failure. | 0:12:42 | 0:12:44 | |
But, but, but, you've got to ask. Is there a trade price on that? | 0:12:44 | 0:12:50 | |
Give me £200. | 0:12:50 | 0:12:52 | |
You said to me early on, | 0:12:52 | 0:12:53 | |
"We're going to go in quick and we're going to buy something cheap." | 0:12:53 | 0:12:57 | |
THEY LAUGH | 0:12:57 | 0:13:00 | |
-It's just a lot of money. -It's an awful lot of the budget. | 0:13:00 | 0:13:02 | |
I mean, I think if it was one 180 I would be happier. | 0:13:02 | 0:13:05 | |
Oh, you're committing now! You're starting to talk... | 0:13:05 | 0:13:08 | |
Be careful! Yeah, yeah. | 0:13:08 | 0:13:09 | |
That's a bridge too far for me, but have a think about it. | 0:13:09 | 0:13:13 | |
-OK. -All right? -Right. | 0:13:13 | 0:13:14 | |
My feeling is I don't mind taking a risk, | 0:13:14 | 0:13:17 | |
as long as it's a reasonable risk, | 0:13:17 | 0:13:19 | |
and I just wonder what kind of deal we'd get for all three. | 0:13:19 | 0:13:22 | |
HE SUCKS HIS TEETH | 0:13:23 | 0:13:25 | |
All chips in! | 0:13:25 | 0:13:27 | |
-Double or quits, yeah. -Oh, my word. | 0:13:27 | 0:13:29 | |
Well, I like the way you think. | 0:13:29 | 0:13:31 | |
It would work for us if, as a portfolio, | 0:13:31 | 0:13:34 | |
in some way we took the risk out of that | 0:13:34 | 0:13:37 | |
by these being priced competitively. | 0:13:37 | 0:13:39 | |
Goodness, a portfolio - that's a first! | 0:13:40 | 0:13:43 | |
Could these be sold at, I mean, scrap, | 0:13:44 | 0:13:48 | |
to seal a deal and balance the risk? | 0:13:48 | 0:13:51 | |
So that's 55.. | 0:13:53 | 0:13:54 | |
I'd do those for 100 for the two items. | 0:13:54 | 0:13:57 | |
Even if we buy that, they're they still have to be 100? | 0:13:58 | 0:14:01 | |
HE MUTTERS | 0:14:01 | 0:14:03 | |
Let's have a look. | 0:14:03 | 0:14:04 | |
280. That's it. | 0:14:06 | 0:14:08 | |
Don't say it like that, I hate finality! | 0:14:08 | 0:14:10 | |
No, it's easy to do. | 0:14:10 | 0:14:12 | |
-Cos I can sell it some other day. -You can, I know that. | 0:14:12 | 0:14:15 | |
For 280. | 0:14:15 | 0:14:17 | |
There's no more give at all? | 0:14:17 | 0:14:18 | |
DEALER: I've got no more, I've given as much as I can give. | 0:14:18 | 0:14:21 | |
It's up to you. I think what'll happen | 0:14:21 | 0:14:23 | |
if you spend 280, you'll get 280. | 0:14:23 | 0:14:25 | |
I mean, it's obviously your decision. | 0:14:25 | 0:14:28 | |
How do you feel? Do you want to walk away? | 0:14:28 | 0:14:31 | |
We've only spent 20-odd minutes. | 0:14:31 | 0:14:32 | |
-I think we need to look. -Keep looking? | 0:14:32 | 0:14:34 | |
Yeah, I think we can always come back. | 0:14:34 | 0:14:36 | |
If they've gone, they've gone, but... | 0:14:36 | 0:14:38 | |
-Yes? Sure? -You don't look so certain! | 0:14:38 | 0:14:41 | |
I know why you're saying that. Shall we? | 0:14:41 | 0:14:44 | |
Let's have a look. We've got 40 minutes yet. | 0:14:44 | 0:14:46 | |
Man, that was close! | 0:14:46 | 0:14:48 | |
While our teams are up to their ears in shopping, | 0:14:48 | 0:14:50 | |
I've had a little find of my own. | 0:14:50 | 0:14:53 | |
So, what have we got 'ere? | 0:14:53 | 0:14:55 | |
Well, if you were a medical student, your professor would produce this | 0:14:57 | 0:15:01 | |
and he says, "What you need to do is to make an incision | 0:15:01 | 0:15:05 | |
"and then rip the ear open | 0:15:05 | 0:15:07 | |
"and proceed through the ear 'ole tunnel | 0:15:07 | 0:15:10 | |
"into the labyrinth of chambers inside to do your operation | 0:15:10 | 0:15:14 | |
"to remove the mastoid bone." | 0:15:14 | 0:15:16 | |
This object, when it becomes redundant | 0:15:16 | 0:15:19 | |
from a teaching hospital in Hungary, | 0:15:19 | 0:15:22 | |
finds its way to Newark and becomes a collectable. | 0:15:22 | 0:15:26 | |
Now, if you had a nasty skin complaint, | 0:15:26 | 0:15:29 | |
in which case one of these would be handy. | 0:15:29 | 0:15:32 | |
Another plaster of Paris model, this time coloured | 0:15:32 | 0:15:37 | |
and moulded perfectly to represent your skin. | 0:15:37 | 0:15:41 | |
But if you decided that you wanted to go to school | 0:15:41 | 0:15:44 | |
to learn about moo-cows and maybe become a vet, | 0:15:44 | 0:15:48 | |
then one of these is pretty important. | 0:15:48 | 0:15:51 | |
This represents the bit that dangles from underneath the moo-cow. | 0:15:51 | 0:15:57 | |
We have four teats, | 0:15:57 | 0:15:59 | |
and if you're of a squeamish disposition | 0:15:59 | 0:16:01 | |
because you're watching this at lunchtime, | 0:16:01 | 0:16:03 | |
you might like to avert your eyes, because on the back side | 0:16:03 | 0:16:07 | |
we have the partly dissected | 0:16:07 | 0:16:11 | |
inside of the teats. | 0:16:11 | 0:16:13 | |
I think these are joyous objects. | 0:16:13 | 0:16:17 | |
Why? Because they're wacky. | 0:16:17 | 0:16:19 | |
But who would possibly want to buy | 0:16:19 | 0:16:22 | |
these redundant veterinary and medical models? | 0:16:22 | 0:16:26 | |
Well, they'll make your friends laugh or recoil in horror. | 0:16:26 | 0:16:31 | |
Hm! | 0:16:31 | 0:16:32 | |
What would these cost you, these models, | 0:16:32 | 0:16:35 | |
all the way from an eastern European teaching hospital? | 0:16:35 | 0:16:38 | |
Well, the ear 'ole could be yours for £40, | 0:16:38 | 0:16:41 | |
and the epidermis could be yours for £20. | 0:16:41 | 0:16:44 | |
But the teats - that's an UDDER matter. | 0:16:45 | 0:16:50 | |
They'd cost you £40. | 0:16:50 | 0:16:52 | |
For the four. | 0:16:52 | 0:16:54 | |
Let's drop in on the Blues. | 0:16:56 | 0:16:58 | |
CLANG Oh! | 0:16:58 | 0:17:00 | |
Oops! | 0:17:00 | 0:17:01 | |
Perhaps the Reds are having more joy. | 0:17:01 | 0:17:03 | |
-I quite like this one here. -Really? I don't. | 0:17:03 | 0:17:06 | |
If the enamel, if we have a look at it, | 0:17:06 | 0:17:08 | |
if the enamel's in good condition, if it's a lovely box | 0:17:08 | 0:17:11 | |
and if we've maybe got nice lining inside, | 0:17:11 | 0:17:13 | |
-what a gorgeous little item. -Yes. | 0:17:13 | 0:17:14 | |
-Shall we have a look inside if we can? -Yes, please. | 0:17:14 | 0:17:16 | |
Beautifully lined in velvet. | 0:17:16 | 0:17:19 | |
-Is this appealing to your... -It's beautiful. -..historical side? | 0:17:19 | 0:17:22 | |
Yeah, it really is beautiful. | 0:17:22 | 0:17:24 | |
But we don't know the price and we don't have a lot of money left. | 0:17:24 | 0:17:27 | |
THEY LAUGH | 0:17:27 | 0:17:28 | |
-DEALER: -Maybe it will be disappointing then. | 0:17:28 | 0:17:31 | |
-The price is £350. -Oh! My goodness! | 0:17:31 | 0:17:33 | |
Well, even if you were to shave off half of that | 0:17:33 | 0:17:35 | |
we wouldn't be able to afford it. | 0:17:35 | 0:17:37 | |
That's out of their league. | 0:17:38 | 0:17:40 | |
But, back to the Blues - they're up to something. | 0:17:40 | 0:17:44 | |
If we pop back now while we still have a bit of time, | 0:17:44 | 0:17:46 | |
what about that? | 0:17:46 | 0:17:47 | |
Then he hasn't got us over a barrel. | 0:17:48 | 0:17:51 | |
He does. He knows, come on. | 0:17:51 | 0:17:53 | |
If you were playing cards with us now, you'd know you had us. | 0:17:53 | 0:17:57 | |
Hmm.. | 0:17:57 | 0:17:59 | |
All right, well... | 0:17:59 | 0:18:00 | |
-I tell you what, we have got 20 minutes. -Yeah? | 0:18:00 | 0:18:03 | |
This is the time to make the decision | 0:18:03 | 0:18:05 | |
to go and offer him the 270, and if he won't take it... | 0:18:05 | 0:18:09 | |
OK. | 0:18:09 | 0:18:10 | |
..we've still got 20 minutes, and we can be honest with him, be straight. | 0:18:10 | 0:18:13 | |
Do you want to do that and we'll keep looking? | 0:18:13 | 0:18:15 | |
And if you come on fingers and say, "I've bought it, are we happy?" | 0:18:15 | 0:18:18 | |
-Yeah, we'll go with that. -OK, I'll do that. | 0:18:18 | 0:18:20 | |
-But, if not, we've still got options. -Still got 20 minutes. | 0:18:20 | 0:18:24 | |
You guys keep looking. Great plan, Paul, I'll go and do that. | 0:18:24 | 0:18:27 | |
We'll be roughly here. | 0:18:27 | 0:18:28 | |
Good tactics, guys. | 0:18:29 | 0:18:31 | |
So, what are we looking for whilst we've not got much time left? | 0:18:31 | 0:18:34 | |
-I fancy a piece of glassware. -OK. -Maybe, ideally, a piece of Lalique. | 0:18:34 | 0:18:39 | |
Well, how did I know, knowing your penchant for luxury items?! | 0:18:39 | 0:18:43 | |
Or maybe some cranberry glass would be beautiful. A nice vase... | 0:18:43 | 0:18:47 | |
Probably Victorian cranberry glass is a lot more in our price range | 0:18:47 | 0:18:50 | |
than a fancy bit of French Lalique, so let's get looking for it, | 0:18:50 | 0:18:53 | |
because people are going to start wrapping them up. | 0:18:53 | 0:18:56 | |
While Natasha reins in the Reds, | 0:18:56 | 0:18:58 | |
Nick's trying to pull off the deal for the Blues. | 0:18:58 | 0:19:02 | |
They're still looking, so before we end up at panic stations, | 0:19:02 | 0:19:05 | |
if you would do for 270 I'll shake now. | 0:19:05 | 0:19:08 | |
270 cash and I'll shake right now. | 0:19:08 | 0:19:11 | |
I want to do it now before any panic sets in. | 0:19:11 | 0:19:13 | |
270 and we've got a deal. | 0:19:13 | 0:19:15 | |
-Right now we'll do it, while we've still got time. -Yeah, go on, then. | 0:19:15 | 0:19:18 | |
270, it's a deal. | 0:19:18 | 0:19:20 | |
-Done. -Fantastic. | 0:19:20 | 0:19:22 | |
-Well done. -Well done, yeah. | 0:19:22 | 0:19:23 | |
Cheers. | 0:19:23 | 0:19:25 | |
Well, what can I say? They had me over a barrel. | 0:19:25 | 0:19:28 | |
Yeah? | 0:19:28 | 0:19:29 | |
-270. -Oh! | 0:19:29 | 0:19:31 | |
Brother, you did it! | 0:19:34 | 0:19:35 | |
Well, we'll see at the auction. | 0:19:35 | 0:19:37 | |
Yeah, we will. | 0:19:37 | 0:19:39 | |
Auction time. | 0:19:39 | 0:19:41 | |
Talk about the tortoise and the hare. | 0:19:41 | 0:19:43 | |
It's anyone's guess which team will end up at the winning post. | 0:19:43 | 0:19:46 | |
-You like the figure? -Mm. -OK, so let's have a little look. -Yes. | 0:19:50 | 0:19:53 | |
So what have we got? | 0:19:53 | 0:19:54 | |
So it's pretty heavy. I think it's probably bronze. | 0:19:54 | 0:19:58 | |
-So it's a Bergman blackamoor figure. -85. -85. -£85 | 0:19:58 | 0:20:01 | |
It's patinated bronze. | 0:20:01 | 0:20:03 | |
-Are we making a decision? We've just got to go for it. -Yeah. -I like him. | 0:20:03 | 0:20:07 | |
-Let's see if we can get 80. -I think so. | 0:20:07 | 0:20:08 | |
-I think at £85 it's a little bit expensive. -OK. | 0:20:08 | 0:20:11 | |
-We don't have much time to think about it. -Let's try and get it down. | 0:20:11 | 0:20:14 | |
-I'll see what I can do. -Before you go, I'd like a price on this one. | 0:20:14 | 0:20:18 | |
I really like this Russian Orthodox box. | 0:20:18 | 0:20:20 | |
OK, let's have a look. It is marked down as Russian. | 0:20:20 | 0:20:23 | |
It's a nice bit of poker-work. I like it. Boxes are good. | 0:20:23 | 0:20:26 | |
OK, I'm coming back with two prices. | 0:20:26 | 0:20:28 | |
Seriously, guys, we've only got moments left. | 0:20:29 | 0:20:32 | |
-Time to make a decision. -OK, I've got two prices. | 0:20:32 | 0:20:36 | |
-I've got 75 on our Bergman figure and I've got 30 on our box. -Oh! | 0:20:36 | 0:20:40 | |
Which, although Russian in feel, is actually Iranian but it's Eastern. | 0:20:40 | 0:20:45 | |
-OK. -It's a beautiful thing. | 0:20:45 | 0:20:46 | |
-I think boxes are hotter than potentially not bronze. -Yes. -£30. | 0:20:46 | 0:20:50 | |
-Shall we do it? -£30, let's do it. | 0:20:50 | 0:20:52 | |
-£30 and probably about 30 seconds left. -Yay. | 0:20:52 | 0:20:55 | |
We got there. High-fives all round. Thank you so much. | 0:20:55 | 0:20:58 | |
That's it. Time's up. Let's check out what the Red Team bought. | 0:21:00 | 0:21:03 | |
You're not getting "board", are you? | 0:21:03 | 0:21:05 | |
Huh, within minutes, | 0:21:07 | 0:21:08 | |
they spent £100 on this Victorian, Renaissance style ewer. | 0:21:08 | 0:21:12 | |
They then spent £70 on the tiny, hallmarked, silver sofa. | 0:21:14 | 0:21:19 | |
And with just 30 seconds to go, | 0:21:20 | 0:21:22 | |
they splashed out £30 on the decorated box. | 0:21:22 | 0:21:25 | |
-Well, you look very happy. -We are. -And chirpy. | 0:21:27 | 0:21:29 | |
-We are. -Tell me, which is your favourite piece? | 0:21:29 | 0:21:33 | |
I think the jug from the start, the bronze and spelter jug. | 0:21:33 | 0:21:37 | |
That's your favourite? | 0:21:37 | 0:21:38 | |
-That's my favourite. -Do you agree, David? -No. | 0:21:38 | 0:21:40 | |
My favourite... No, no, no. My favourite is the Iranian box. | 0:21:40 | 0:21:43 | |
-Iranian box. -Which we bought right at the very end. | 0:21:43 | 0:21:45 | |
Is that going to bring the biggest profit, your Iranian box? | 0:21:45 | 0:21:48 | |
-Definitely. -I think so. -Do you agree with that? | 0:21:48 | 0:21:50 | |
-I agree with that. -Oh, lovely, we are of one mind, | 0:21:50 | 0:21:53 | |
-which is good. And what did you spend in toto? -We spent £200. | 0:21:53 | 0:21:57 | |
That's a lovely amount. I feel it's a lovely amount, | 0:21:57 | 0:21:59 | |
-don't you? I feel it's an auspicious amount. -Yes. -Yes? | 0:21:59 | 0:22:02 | |
OK, £200, I'd like £100 of leftover money, please. | 0:22:04 | 0:22:07 | |
Thank you very much. Thank you. I'll grab that away. | 0:22:07 | 0:22:09 | |
I won't count it because I trust you. | 0:22:09 | 0:22:11 | |
And it goes straight over to Raskin. | 0:22:11 | 0:22:12 | |
-Thank you. -And goodness only knows what she's going to do with that! | 0:22:12 | 0:22:15 | |
That was mad! | 0:22:15 | 0:22:17 | |
We had all the time in the world and then, no time at all. | 0:22:17 | 0:22:19 | |
So I'm going to take my time to try | 0:22:19 | 0:22:21 | |
and find something great for you guys. | 0:22:21 | 0:22:23 | |
You deserve it. It was brilliant. | 0:22:23 | 0:22:25 | |
OK, well, that's a nice send off, isn't it? | 0:22:25 | 0:22:28 | |
Well, off you trot to do that. Have a nice cuppa tea, teams. | 0:22:28 | 0:22:30 | |
Meanwhile were going to check out | 0:22:30 | 0:22:32 | |
what the Blue Team bought, aren't we? Yeah! | 0:22:32 | 0:22:34 | |
They sniffed out the Edwardian scent bottle for £180. | 0:22:34 | 0:22:39 | |
This set of five Arts and Crafts buttons cost them £45. | 0:22:41 | 0:22:45 | |
And they spent another £45 on the silver lidded trinket box. | 0:22:46 | 0:22:50 | |
Would you say that you were obsessed by silver items, or what? | 0:22:53 | 0:22:56 | |
-It wasn't the plan. -No. | 0:22:56 | 0:22:58 | |
Not the plan at all. | 0:22:58 | 0:22:59 | |
And I said, "I'm certainly not spending over 100 quid on anything." | 0:22:59 | 0:23:03 | |
-And how much did you spend? -270. | 0:23:03 | 0:23:05 | |
Like I say, it's not the plan, is it? Anyway good for you. | 0:23:05 | 0:23:08 | |
-So £30 of leftover lolly, please. -Yes. | 0:23:08 | 0:23:11 | |
-There you go. -Let's hope that | 0:23:11 | 0:23:12 | |
the silver is going to go well in the auction, | 0:23:12 | 0:23:14 | |
otherwise you're in trouble. Super. | 0:23:14 | 0:23:17 | |
Which is your favourite piece? | 0:23:17 | 0:23:19 | |
I think it has to be the box. I really like the shape of that. | 0:23:19 | 0:23:23 | |
-So box for you. And your favourite piece? -The bottle. | 0:23:23 | 0:23:26 | |
I think it's a real quality item. | 0:23:26 | 0:23:28 | |
And will it bring the biggest profit? | 0:23:28 | 0:23:30 | |
It'll either be the biggest profit or the worst defeat on record. | 0:23:30 | 0:23:33 | |
Oh, well, that takes us somewhere, doesn't it? | 0:23:33 | 0:23:35 | |
Which is going to bring the biggest profit, do you think? | 0:23:35 | 0:23:39 | |
-I think it could be the box. -Do you reckon? -Yes. -OK, fine. | 0:23:39 | 0:23:42 | |
Well hang in there. And with 30 paltry pounds... | 0:23:42 | 0:23:45 | |
But it's not the number of pounds | 0:23:45 | 0:23:46 | |
it's what you find with it, isn't it? | 0:23:46 | 0:23:48 | |
Isn't it just? | 0:23:48 | 0:23:50 | |
I think I need to find something that's a fail-safe. | 0:23:50 | 0:23:53 | |
With the shopping all done and dusted, it's time for the auction. | 0:23:54 | 0:23:57 | |
Well, isn't this lovely. | 0:24:00 | 0:24:01 | |
We're in Etwall in Derbyshire, just outside Derby, | 0:24:01 | 0:24:04 | |
and we're with Charles Hanson. | 0:24:04 | 0:24:05 | |
-How are you, Charles? -Long time, no see, Tim. | 0:24:05 | 0:24:07 | |
Long time, no see but it's cracking to be here. | 0:24:07 | 0:24:09 | |
Now, for these Reds, what about | 0:24:09 | 0:24:12 | |
that weird, Gormenghastian type ewer? | 0:24:12 | 0:24:14 | |
Tim, I think it's what you might call a statement piece. | 0:24:14 | 0:24:17 | |
Yes. | 0:24:17 | 0:24:18 | |
And if you are quite haunted and Gothic inspired, | 0:24:18 | 0:24:20 | |
and you might perhaps wear black, it's something which might just | 0:24:20 | 0:24:24 | |
spook your interior and give it a real affection. | 0:24:24 | 0:24:27 | |
Although it looks reproduction, I think | 0:24:27 | 0:24:29 | |
-it's of the late 19th-century and probably Germanic. -Yes. -Yes. | 0:24:29 | 0:24:33 | |
It's come from Austria, | 0:24:33 | 0:24:34 | |
-one of those mad castles with Ludwig of Bavaria. -Correct. | 0:24:34 | 0:24:37 | |
Good. OK, we like that | 0:24:37 | 0:24:39 | |
but it should be one of a pair and on its own, how much? | 0:24:39 | 0:24:44 | |
-Tim, I've guided it to fetch between 60 and £80. -Well done. | 0:24:44 | 0:24:48 | |
-They paid £100. I think they played the ton and they paid plenty. -Yes. | 0:24:48 | 0:24:52 | |
But there we go. | 0:24:52 | 0:24:53 | |
From the sublime to the ridiculous | 0:24:53 | 0:24:55 | |
because that little, miniature sofa is a beautifully crafted | 0:24:55 | 0:24:59 | |
-piece of silver, isn't it? -You almost go from that, as you say, | 0:24:59 | 0:25:02 | |
"garish" to the petite and the beautiful. | 0:25:02 | 0:25:04 | |
And this, obviously, | 0:25:04 | 0:25:05 | |
is a beautiful, Edwardian, miniature salon sofa in silver of that | 0:25:05 | 0:25:09 | |
heightened Rococo feel, made by Levi and Salaman of Birmingham. | 0:25:09 | 0:25:13 | |
And it's beautifully hallmarked. | 0:25:13 | 0:25:16 | |
And you get the internet interest | 0:25:16 | 0:25:17 | |
because it's small and can be mailed easily | 0:25:17 | 0:25:19 | |
around the world. I mean, all that's good, isn't it? | 0:25:19 | 0:25:21 | |
-Absolutely right. -OK, how much, Charles? | 0:25:21 | 0:25:24 | |
Our guide price, I think we've been a bit cautious, | 0:25:24 | 0:25:27 | |
is between £30 and £50. | 0:25:27 | 0:25:28 | |
Is that all? For solid silver?! | 0:25:28 | 0:25:30 | |
-Mm. It's quite light though. -Oh, quite light. | 0:25:30 | 0:25:32 | |
The team paid £70 and I personally would be very disappointed | 0:25:32 | 0:25:35 | |
-if it didn't get close to that. -I agree. | 0:25:35 | 0:25:37 | |
I think you might do by the time you've tempted them, Charles. | 0:25:37 | 0:25:40 | |
The last object, though, this poker-worked, | 0:25:40 | 0:25:43 | |
polychrome, little coffer, where do you think that's come from? | 0:25:43 | 0:25:47 | |
It has that sort of Eastern look about it, that folk art, | 0:25:47 | 0:25:50 | |
and you tend to think maybe Bulgaria, Hungary, that region, | 0:25:50 | 0:25:55 | |
and I'd have thought, Tim, probably age wise 1920s-'30s. | 0:25:55 | 0:25:59 | |
-I think it's a nice interwar object. -How much? | 0:25:59 | 0:26:02 | |
Again we're being quite cautious. | 0:26:02 | 0:26:05 | |
We have guided it between £30 and £40. | 0:26:05 | 0:26:07 | |
I don't think that's cautious. I think that spot-on. | 0:26:07 | 0:26:09 | |
They paid 30. | 0:26:09 | 0:26:10 | |
If you can get anything more than 30, they'll be jumping up and down. | 0:26:10 | 0:26:13 | |
Overall, though, it looks slightly dodgy, in which case | 0:26:13 | 0:26:16 | |
they may need their bonus buy, so let's go and have a look at it. | 0:26:16 | 0:26:19 | |
-Now, Helena and David, this is exciting, isn't it? -It is. | 0:26:19 | 0:26:22 | |
You spent £200, which is a good number. | 0:26:22 | 0:26:24 | |
You gave Natasha £100, Which is good number. | 0:26:24 | 0:26:27 | |
What did you spend it on, Natasha? | 0:26:27 | 0:26:29 | |
-Well, I spent it on a... -Oh! | 0:26:29 | 0:26:32 | |
..late-Victorian, double cornucopia vase. | 0:26:32 | 0:26:35 | |
Beautiful. | 0:26:35 | 0:26:37 | |
Oh, do you know, I thought of you both? | 0:26:37 | 0:26:39 | |
I thought of stately homes | 0:26:39 | 0:26:41 | |
and I thought of something that just packs a punch | 0:26:41 | 0:26:44 | |
but is also quite discreet, that you would have on the mantelpiece. | 0:26:44 | 0:26:47 | |
-Which you put flowers in here? -It is a vase, yes, yes. | 0:26:47 | 0:26:50 | |
The thing about it is quite often you do see them with no adornments, | 0:26:50 | 0:26:53 | |
but they are chic if they have nice arrangements in them as well. | 0:26:53 | 0:26:56 | |
They are officially vases but quite often, especially ones like this | 0:26:56 | 0:26:59 | |
that are double, quite often just doing the talking all on their own. | 0:26:59 | 0:27:02 | |
It's not really my type of thing but it's quite interesting. | 0:27:02 | 0:27:05 | |
These are lovely, that the little rams' heads. So, is it Victorian? | 0:27:05 | 0:27:09 | |
I don't think it is a repro, later 20th-century piece. | 0:27:09 | 0:27:13 | |
My gut feeling is that it is period, and I love it. | 0:27:13 | 0:27:16 | |
I really, really love it. | 0:27:16 | 0:27:17 | |
Doesn't look like it's been used even. | 0:27:17 | 0:27:19 | |
No, somebody's been too terrified to even touch it | 0:27:19 | 0:27:22 | |
until Natasha came along. | 0:27:22 | 0:27:23 | |
And here we are. And now it's bobbing around like a good 'un. | 0:27:23 | 0:27:26 | |
-How much did you spend? -What you think, Natasha? | 0:27:26 | 0:27:29 | |
I spent £40 on it, which is not small change, as you know. | 0:27:29 | 0:27:32 | |
But I do think that it has a fighting chance. | 0:27:32 | 0:27:34 | |
The fact that it's a double vase might well | 0:27:34 | 0:27:37 | |
double our chances of making a profit on it. | 0:27:37 | 0:27:40 | |
-Would you pay £40 for it? -No. -No? | 0:27:40 | 0:27:42 | |
Honestly, I wouldn't. | 0:27:42 | 0:27:44 | |
HELENA LAUGHS | 0:27:44 | 0:27:45 | |
And David doesn't really like it | 0:27:47 | 0:27:49 | |
and 'er indoors wouldn't pay the money for it. | 0:27:49 | 0:27:51 | |
-But apart from that, everything's going... -I do love it. | 0:27:51 | 0:27:54 | |
I thought I was going to have you swooning over this. | 0:27:54 | 0:27:57 | |
I thought, "National Trust. Yes." Oh, my goodness! | 0:27:57 | 0:27:59 | |
You put your trust in me, maybe it was the wrong idea, | 0:27:59 | 0:28:01 | |
-but I hope it does well for you. -Thank you. | 0:28:01 | 0:28:04 | |
Anyway, we shall see. | 0:28:04 | 0:28:05 | |
Right, now though let's find out what the auctioneer | 0:28:05 | 0:28:08 | |
thinks about Natasha's little vases. | 0:28:08 | 0:28:10 | |
-OK, Charles, there's an unusual object. -It is, Tim, isn't it? | 0:28:11 | 0:28:14 | |
You see these cornucopia vases individually on a plaque. | 0:28:14 | 0:28:18 | |
I don't think I've ever seen to join together | 0:28:18 | 0:28:21 | |
on a porcelain plaque, have you? | 0:28:21 | 0:28:23 | |
No, Tim, you're quite right. | 0:28:23 | 0:28:24 | |
In style it's what we call the Rococo revival, | 0:28:24 | 0:28:27 | |
originally made probably 1820, 1830 and then | 0:28:27 | 0:28:31 | |
revised by the likes of Copeland or Minton in the 1880s-1900 period. | 0:28:31 | 0:28:37 | |
I suppose it's that age. What I love are these rams' heads - | 0:28:37 | 0:28:40 | |
that great neoclassical motif - | 0:28:40 | 0:28:41 | |
and they've got that lovely burnished, worn look about them. | 0:28:41 | 0:28:44 | |
Nice object, Tim. | 0:28:44 | 0:28:46 | |
I think it's worth today at auction between £30, £40 £50. | 0:28:46 | 0:28:50 | |
OK, well, Natasha paid £40. I think she's been very cunning with that. | 0:28:50 | 0:28:54 | |
I can see it making 70 or 80, quite frankly. I think it's quite unusual. | 0:28:54 | 0:28:58 | |
Now, I'll push that carefully, look, to the front. | 0:28:58 | 0:29:01 | |
And moving on from the Reds, we're coming to the Blues, look. | 0:29:01 | 0:29:05 | |
And you've got the scent bottle - | 0:29:05 | 0:29:07 | |
that green scent bottle - which has an unusual feature, doesn't it? | 0:29:07 | 0:29:09 | |
Yes, | 0:29:09 | 0:29:11 | |
it is unusual because the way the silver plaques were applied | 0:29:11 | 0:29:14 | |
you tend to think, "Gosh, did they always belong on there?" | 0:29:14 | 0:29:17 | |
They are embellished in a fairly ad hoc way. | 0:29:17 | 0:29:19 | |
But William Comyns a wonderful maker. | 0:29:19 | 0:29:22 | |
But what is really unusual, Tim, is, when you open the lid up, | 0:29:22 | 0:29:25 | |
you've got this very peculiar pocket watch stand | 0:29:25 | 0:29:28 | |
within the actual lid of the hinged cover. | 0:29:28 | 0:29:32 | |
So I suspect that, rather than being a scent bottle, | 0:29:32 | 0:29:36 | |
it could be an inkwell. | 0:29:36 | 0:29:37 | |
-Yes. -And a desk piece for a gentleman. -Yes. -Or a lady. | 0:29:37 | 0:29:40 | |
-It's a nice thing. -Tim, it's frivolous. | 0:29:40 | 0:29:42 | |
-You've got a couple in a parkland setting. It's very romantic. -Yes. | 0:29:42 | 0:29:46 | |
-And you love the romantic. -I do, Tim. -Yes. | 0:29:46 | 0:29:48 | |
How much do you like that? | 0:29:48 | 0:29:50 | |
Our guide price is between £150 and £200. | 0:29:50 | 0:29:52 | |
OK. Spot-on. £180 they paid. | 0:29:52 | 0:29:54 | |
They spent their money, they took a chance and, as we know, | 0:29:54 | 0:29:57 | |
Charles, he who dares sometimes wins. | 0:29:57 | 0:29:59 | |
Exactly. Life in the short-term, yes. | 0:29:59 | 0:30:01 | |
Moving on them, you got the Arts and Crafts buttons. | 0:30:01 | 0:30:04 | |
They're not too tinny and weren't we elegant back then? | 0:30:04 | 0:30:08 | |
-You still carry that on, the elegance and... -Oh, yes. | 0:30:08 | 0:30:10 | |
-..sophistication in dress - wearing the fob chain. -Oh, yes. | 0:30:10 | 0:30:13 | |
-Today we don't tend to wear them, these wonderful buttons. -Sadly not. | 0:30:13 | 0:30:16 | |
And it should be an inspiration for fashion designers to go and buy | 0:30:16 | 0:30:19 | |
these things up and stitch them onto some of their bespoke clothes. | 0:30:19 | 0:30:23 | |
Correct, Tim. | 0:30:23 | 0:30:24 | |
-They definitely are wonderful accessories. -And Birmingham 1901 - | 0:30:24 | 0:30:28 | |
-the dawn of the 20th century, as well. -How much in the auction? | 0:30:28 | 0:30:31 | |
Because it's really missing one to make the set of six - there's | 0:30:31 | 0:30:34 | |
only five - we put a guide price on of between £40 and £60. | 0:30:34 | 0:30:38 | |
OK, £45 paid. | 0:30:38 | 0:30:39 | |
Which just illustrates that they're jolly cheap. | 0:30:39 | 0:30:42 | |
-They are. -And lastly, | 0:30:42 | 0:30:43 | |
we've got the rather intriguing shaped little trinket box. | 0:30:43 | 0:30:47 | |
Tim, it is a peculiar shape, | 0:30:47 | 0:30:49 | |
and the way that lid is slightly concave, you tend to think, | 0:30:49 | 0:30:53 | |
"Gosh, could it be a big, overgrown snuffbox?" | 0:30:53 | 0:30:55 | |
And do you know what, it came out of a dressing table set? | 0:30:55 | 0:30:58 | |
If you look at the shape of that, it is EXACTLY the shape | 0:30:58 | 0:31:02 | |
-of an ivory topped hairbrush. -Yes. | 0:31:02 | 0:31:04 | |
-How many hairbrushes have we seen like that? -Exactly. You're right. | 0:31:04 | 0:31:08 | |
So what you've got is a case | 0:31:08 | 0:31:09 | |
that had half a dozen ivory topped hairbrushes in | 0:31:09 | 0:31:12 | |
and the shape of the silver boxes is to mirror the hairbrush. | 0:31:12 | 0:31:16 | |
I couldn't quite picture it | 0:31:16 | 0:31:17 | |
-but you've pictured it for me. -That is it. -Yes. | 0:31:17 | 0:31:19 | |
Mappin & Webb, they were great makers, weren't they? | 0:31:19 | 0:31:22 | |
Absolutely. They were formed way back in 1774. What a great object. | 0:31:22 | 0:31:25 | |
OK, how much? | 0:31:25 | 0:31:27 | |
-Our guide price for the auction will be between £40 and £60. -Excellent. | 0:31:27 | 0:31:31 | |
£45 paid. | 0:31:31 | 0:31:32 | |
Well, we'll soon find out, whether this rich treasure | 0:31:32 | 0:31:35 | |
of silver that the Blue Team plumped for is going to pay off or not. | 0:31:35 | 0:31:39 | |
And in case not, let's go and check out their bonus buy. | 0:31:39 | 0:31:43 | |
Right, Nick, Linda, excitement. You spent very well. | 0:31:44 | 0:31:48 | |
You spent 270. You gave your man £30. | 0:31:48 | 0:31:52 | |
Paul Laidlaw, what did you spend it on? | 0:31:52 | 0:31:54 | |
I spent it on, I'm sorry to say, MORE silver! | 0:31:54 | 0:31:56 | |
What is it with us and silver today? | 0:31:56 | 0:31:59 | |
-Ooh. -There you go. Look at that. | 0:31:59 | 0:32:01 | |
-It's a pendant necklace, clearly. -German. | 0:32:01 | 0:32:03 | |
Have you ever seen one like that? | 0:32:03 | 0:32:05 | |
The central element is an Imperial German Iron Cross. | 0:32:05 | 0:32:08 | |
-Ah. -Oh, yeah. | 0:32:08 | 0:32:09 | |
After the Victoria Cross, | 0:32:09 | 0:32:11 | |
-is that the most famous gallantry award in the world? -Of course! | 0:32:11 | 0:32:15 | |
-It's going to date to the 1914-18 war era. -Wow. | 0:32:15 | 0:32:19 | |
And it was bought by some German soldier for his sweetheart or wife. | 0:32:19 | 0:32:25 | |
-Go on, how much did it cost? -I blew the lot. | 0:32:25 | 0:32:28 | |
-It cost me £30. -30 quid? -But then you only had the £30. -Yes. -Yes. | 0:32:28 | 0:32:32 | |
Can you believe you can buy that for £30? | 0:32:32 | 0:32:34 | |
-I think you've done really well there. -How would you value it? | 0:32:34 | 0:32:37 | |
-It's got to be worth £30-£50. -Surely? -It's got to be worth that. | 0:32:37 | 0:32:39 | |
You've got your prediction. It's an ace object, he says. | 0:32:39 | 0:32:44 | |
Why don't we find out right now | 0:32:44 | 0:32:46 | |
whether it gets the AWARD from our auctioneer today? | 0:32:46 | 0:32:50 | |
There you go, Charles. | 0:32:52 | 0:32:53 | |
This is a typical bit of bonus buying from the Laidlaw. | 0:32:53 | 0:32:57 | |
It's an object which obviously has emotion | 0:32:57 | 0:32:59 | |
because it captures obviously what, in current interests, | 0:32:59 | 0:33:02 | |
is from the First World War - but on the other side. | 0:33:02 | 0:33:05 | |
And the equivalent exists in the UK. | 0:33:05 | 0:33:08 | |
-So, I guess that's the same in Germany. -Absolutely, Tim. | 0:33:08 | 0:33:11 | |
It's 800 standard, isn't it? So that is continental. | 0:33:11 | 0:33:13 | |
It's stamped 800, Tim. | 0:33:13 | 0:33:14 | |
I've never seen one before and it's a very interesting | 0:33:14 | 0:33:18 | |
keepsake which would have been retained within Germany and somehow | 0:33:18 | 0:33:21 | |
has come over here, perhaps with a relation. | 0:33:21 | 0:33:24 | |
So, what's your estimate, then? | 0:33:24 | 0:33:25 | |
It's an interesting object because the market for | 0:33:25 | 0:33:28 | |
militaria and regalia really is very buoyant at the moment. | 0:33:28 | 0:33:31 | |
We've put a guide price on of between 30 and 50. | 0:33:31 | 0:33:33 | |
-It could really motor. -OK. | 0:33:33 | 0:33:35 | |
Well, Paul Laidlaw was only given £30 of leftover lolly. | 0:33:35 | 0:33:38 | |
He's blown the lot. | 0:33:38 | 0:33:40 | |
All £30 on it. He clearly rates it, | 0:33:40 | 0:33:43 | |
so it'll be interesting to see if the team go with it. | 0:33:43 | 0:33:45 | |
-Thank you, Charles. -Tim, a pleasure. -Brilliant stuff. | 0:33:45 | 0:33:48 | |
-Now, Helena and David, this is exciting, isn't it? -It certainly is. | 0:33:54 | 0:33:57 | |
I think we have to be positive. All right, you spent £200. | 0:33:57 | 0:34:00 | |
You were brave, you were big, you were strong, you deserve to do well. | 0:34:00 | 0:34:04 | |
Your first item, which is the ewer, is coming up now. | 0:34:04 | 0:34:07 | |
Is a mid-to-late-Victorian copper and spelter overlaid ewer. | 0:34:07 | 0:34:10 | |
There we are. It's grotesque, | 0:34:10 | 0:34:12 | |
but that's a term of endearment. I haven't seen one before. | 0:34:12 | 0:34:15 | |
-I bid £20. That's my bid. -Oh. -On, come on. Come on! | 0:34:15 | 0:34:18 | |
20 I'm bid, but it is period. I'm asking five. Come on! | 0:34:18 | 0:34:21 | |
What an object! 20. I'll take 2. 22 I'm bid. I'm out. 5. 8. 30? | 0:34:21 | 0:34:27 | |
Are you sure, sir? | 0:34:27 | 0:34:29 | |
I'm asking 30. | 0:34:29 | 0:34:30 | |
-Oh-oh. -Come on, internet. | 0:34:30 | 0:34:32 | |
-You're all out. -Oh, no, I can't bear it. | 0:34:32 | 0:34:35 | |
£28. | 0:34:35 | 0:34:38 | |
I shall say, going, going, Oh, dear, gone. | 0:34:38 | 0:34:42 | |
OK, fine. That's 2 off 30. That's -72. | 0:34:42 | 0:34:46 | |
That's quite a big old wodge, that, | 0:34:46 | 0:34:48 | |
--72, but still we can claw it back. -We will. Come on. | 0:34:48 | 0:34:51 | |
Let's claw it back with the sofa. Let's be positive. | 0:34:51 | 0:34:54 | |
Little silver sofa. It really is sweet, from 1907. | 0:34:54 | 0:34:57 | |
I'm bid, straight in I've a couple of commission birds, | 0:34:57 | 0:35:01 | |
I've got 22, | 0:35:01 | 0:35:02 | |
25, 28, 30, and 2, 5, 8, 42, 5... | 0:35:02 | 0:35:06 | |
-45, that's a bit more like it. -..Bid me 50 now. | 0:35:06 | 0:35:09 | |
45. 50. Online, do I see 5 now? | 0:35:09 | 0:35:12 | |
55 rest of the world. Derbyshire 60? | 0:35:12 | 0:35:15 | |
-Come on. -60, online? Do I see 5 now? | 0:35:15 | 0:35:17 | |
-Come on, Derbyshire. -60, I'll come to the room first. £60? -Go on. | 0:35:17 | 0:35:20 | |
£60 the lady on the second row. 5 online. 70? | 0:35:20 | 0:35:24 | |
-Yes. Yes. Come on. Come on. -Online, 70? | 0:35:24 | 0:35:27 | |
-Are you sure? -Oh, go on. Go on. -Go on. -Please? -On the net £65. | 0:35:27 | 0:35:30 | |
-Come on. -Mrs Cox, bid me 70, why not? 70 I'm bid. -Oh, yes! | 0:35:30 | 0:35:35 | |
Five online now? Make a name, online. Come on, bid me a fiver. | 0:35:35 | 0:35:38 | |
-Go on! -Or I sell at £70. | 0:35:38 | 0:35:42 | |
-And gone. -Well done. Wiped its face. Very good. | 0:35:42 | 0:35:46 | |
Coming up for you now is a very, very nice Eastern box. | 0:35:46 | 0:35:49 | |
Full of charm. It's what we call "folk art". | 0:35:49 | 0:35:52 | |
Circa 1910 to 20, and I'm bid nothing. Please start me off. | 0:35:52 | 0:35:57 | |
Do I see £15? Surely £15? | 0:35:57 | 0:36:00 | |
15. How much? 5. £5. | 0:36:00 | 0:36:03 | |
Thanks for coming(!) Oh, well. Five pounds. Any more? Five pounds. | 0:36:03 | 0:36:08 | |
Thanks. Eight. Ten. | 0:36:08 | 0:36:10 | |
12. 15? She's out. £12. | 0:36:10 | 0:36:12 | |
-15. 18. 20. 2? -He's on 22. Oh, come on. | 0:36:12 | 0:36:17 | |
-At £20. Gone. -Oh. -Sold it for £20. | 0:36:17 | 0:36:22 | |
Which is, I'm afraid, -£10. | 0:36:22 | 0:36:24 | |
-72 before. You're now -82 | 0:36:24 | 0:36:27 | |
-Oh... -So what are we going to do about the double cornucopia vase? | 0:36:27 | 0:36:30 | |
-We have to go for it. -We have to go with it. | 0:36:30 | 0:36:32 | |
-Desperation. -We're going with it now. | 0:36:32 | 0:36:35 | |
-It's our only hope. It's our only hope. -Yes, we're going with that. | 0:36:35 | 0:36:38 | |
So, we're going with the double cornucopia? | 0:36:38 | 0:36:40 | |
-OK, are we going to do that? -Yes. -Yes. -Are you happy? OK. | 0:36:40 | 0:36:43 | |
The decision is made. | 0:36:43 | 0:36:44 | |
And here it comes, the bonus buy. Here we go. | 0:36:44 | 0:36:46 | |
Wonderful late-Victorian, maybe Edwardian, double cornucopia vase. | 0:36:46 | 0:36:51 | |
I've got interest here. Straight in at £20. It's very unusual this. | 0:36:51 | 0:36:55 | |
-20. Bid me -2. Go on. | 0:36:55 | 0:36:57 | |
20 I'm bid. What a fine object. 20 I'm only bid. Bid me 2 now. | 0:36:57 | 0:37:01 | |
-One more do I see? -Why's it so low? -Going once, going twice. All done. | 0:37:01 | 0:37:05 | |
Sold. | 0:37:05 | 0:37:07 | |
So it sold for £20. | 0:37:08 | 0:37:10 | |
Which means you're -£20, which means you are -102. | 0:37:10 | 0:37:13 | |
-Oh, my goodness. -Oh, dear | 0:37:13 | 0:37:15 | |
You never know, that might be a winning score | 0:37:15 | 0:37:17 | |
so don't say a word to the Blues, all right? | 0:37:17 | 0:37:19 | |
-You've been so brave, you two. -We have, haven't we? -You have. | 0:37:19 | 0:37:22 | |
It must be the yoga. | 0:37:22 | 0:37:23 | |
-Are you happy? -Yes. Absolutely. -OK. | 0:37:30 | 0:37:31 | |
Well that's marvellous. I'm pleased to see you're happy. | 0:37:31 | 0:37:34 | |
-Have you chatted anything through with the Reds? -Nothing at all. | 0:37:34 | 0:37:37 | |
OK, fine. Your first lot is coming up now. Here it comes. | 0:37:37 | 0:37:40 | |
Probably an inkwell or maybe a scent bottle. It has a dual purpose. | 0:37:40 | 0:37:43 | |
I got for commission bids. I can start this is at 160, 170, | 0:37:43 | 0:37:50 | |
-180, 190... -Yes! -..200, 210... | 0:37:50 | 0:37:56 | |
-Yes! -..220 I'm bid. | 0:37:56 | 0:37:57 | |
Bid me 230. | 0:37:57 | 0:37:59 | |
230. 240. Online, bid me 250. I've got 260. | 0:37:59 | 0:38:04 | |
-Internet, bid me 270 -That's marvellous, isn't it? | 0:38:04 | 0:38:08 | |
-It's a warm feeling, isn't it? -It's a very rare object. | 0:38:08 | 0:38:10 | |
We sell this lot, make no mistake, at £270, all done and gone. | 0:38:10 | 0:38:17 | |
-Yes, well done. -Whoo-hoo! -That is marvellous. That is +£90. | 0:38:17 | 0:38:22 | |
Nice work. Straight up and no worries. | 0:38:22 | 0:38:25 | |
Well done, Paul, that was a good spot. | 0:38:25 | 0:38:28 | |
Now, here we come with the buttons. | 0:38:28 | 0:38:29 | |
We have five wonderful, Edwardian, Arts and Crafts, silver buttons. | 0:38:29 | 0:38:34 | |
I've got 18, 20, 2, and 5, 25, 8 and 30. Bid me five. | 0:38:34 | 0:38:39 | |
35. 8. 40. Internet, 5 do I see? | 0:38:39 | 0:38:43 | |
-40. I'm asking 5 now. Online? You're out. -Go, Charles. | 0:38:43 | 0:38:48 | |
-Go, Charles. Go, Charles. -You're hovering. | 0:38:48 | 0:38:50 | |
Make no mistake, the lady is in at £40. Fair warning. Yes, we are. | 0:38:50 | 0:38:56 | |
-Oh, bad luck. That's -£5. So close. -Close, but no cigar. | 0:38:56 | 0:39:00 | |
OK, here we go. Here comes the trinket box. | 0:39:00 | 0:39:02 | |
A very nice Edwardian | 0:39:02 | 0:39:04 | |
silver, importantly it's made by Mappin & Webb, 1906. | 0:39:04 | 0:39:08 | |
Bid me 40 now. It's solid silver. 45. 50. 50, I'm out. | 0:39:08 | 0:39:12 | |
I'm asking five now. | 0:39:12 | 0:39:14 | |
You're all right. You're all right. | 0:39:14 | 0:39:16 | |
5 I'll take. £50. 5 online. | 0:39:16 | 0:39:18 | |
5? Back in a sec, sir. 5. 60? | 0:39:18 | 0:39:21 | |
5 online. You're first, sir. 5? "No," he says. At £65. | 0:39:21 | 0:39:26 | |
Going, all done, at £65. | 0:39:26 | 0:39:29 | |
Selling. Yes, we are. Sold. | 0:39:29 | 0:39:31 | |
£65 is +£20. You had £90. | 0:39:31 | 0:39:34 | |
That's £110. | 0:39:34 | 0:39:35 | |
Less the £5 of losses is +105. | 0:39:35 | 0:39:40 | |
-Happy with that? -Yeah. -I have to say I do feel good. | 0:39:40 | 0:39:43 | |
-Thank you. -That's pretty good, isn't it? | 0:39:43 | 0:39:45 | |
What are you going to do about the pendant? The Iron Cross? | 0:39:45 | 0:39:47 | |
-We've had a tip, trust in Paul. -TIP, trust in Paul. | 0:39:47 | 0:39:52 | |
That's a very good by-line, isn't it? | 0:39:52 | 0:39:55 | |
Well, there we go. All right, you're going to do it? | 0:39:55 | 0:39:57 | |
-I think we should do it. Do you? -I think we should go for it. | 0:39:57 | 0:39:59 | |
I hope that trust won't be misplaced. I'm sure it won't. | 0:39:59 | 0:40:03 | |
Anyway, that's your decision. | 0:40:03 | 0:40:04 | |
-Trust in Paul? -Yes. -That's your tip? | 0:40:04 | 0:40:06 | |
Everybody happy? Happy to go with the bonus buy. | 0:40:06 | 0:40:09 | |
Thank you very much and here it comes. | 0:40:09 | 0:40:11 | |
Interesting World War I silver enamelled Iron Cross pendant. | 0:40:11 | 0:40:14 | |
There we are. 18. The net's going wild. I've got 20, 2, 5, 30. | 0:40:14 | 0:40:20 | |
Online, bid me 5. | 0:40:20 | 0:40:23 | |
-5, 40. -Yeah, look at this. -Online 40. 5. 50. 5. 60. -Paul Laidlaw. | 0:40:23 | 0:40:31 | |
No, the man on the aisle is in. I sell to you sir. I'm asking 60. | 0:40:31 | 0:40:36 | |
60, Miss Hornblower. I've got you. 60. 5? Look at me, sir, | 0:40:36 | 0:40:41 | |
one for the road. | 0:40:41 | 0:40:43 | |
5. 70. 5. Are you sure? Well, thank you ever so much, sir. | 0:40:43 | 0:40:48 | |
70 I'm bid. Do I see 5 now? | 0:40:48 | 0:40:50 | |
Fair warning. All done. I sell to a lady at £70. All out. | 0:40:50 | 0:40:55 | |
-£70. That's +£40. -Well done you. -A good team that. | 0:40:55 | 0:41:00 | |
-Well done. -£40 profit. Well done, Paul Laidlaw. | 0:41:00 | 0:41:03 | |
I feel like awarding you the Iron Cross. | 0:41:03 | 0:41:05 | |
Anyway, perfect stuff. | 0:41:07 | 0:41:09 | |
That means overall you are +£145, which is folding money. | 0:41:09 | 0:41:15 | |
Don't say a word to the Reds | 0:41:15 | 0:41:17 | |
and everything will be revealed in a moment. Well done, team. Super. | 0:41:17 | 0:41:21 | |
-Well done, Paul. Thank you. -Nice one. Yeah. | 0:41:21 | 0:41:23 | |
Well, well, well. This has been an amazing programme. Had fun? | 0:41:30 | 0:41:35 | |
I mean, AMAZING! | 0:41:35 | 0:41:36 | |
Talk about poles apart. | 0:41:36 | 0:41:39 | |
I cannot remember a programme | 0:41:39 | 0:41:41 | |
where the poles have been further separated. | 0:41:41 | 0:41:45 | |
And I'm afraid in the non-profit pole, the prize has to go today... | 0:41:45 | 0:41:51 | |
to the Red Team, | 0:41:51 | 0:41:53 | |
who've managed to lose £102. | 0:41:53 | 0:41:56 | |
-Oh-ho-ho... There's no point in rubbing it in, is there? -No. | 0:41:56 | 0:42:00 | |
Pretty difficult to lose that amount of money. | 0:42:00 | 0:42:03 | |
Well, no, not on this programme it's not. | 0:42:03 | 0:42:05 | |
-We made it look easy. -Not at all. | 0:42:05 | 0:42:08 | |
The closest you got to anything was a wiped face | 0:42:08 | 0:42:10 | |
and there's nothing shameful in that. | 0:42:10 | 0:42:12 | |
But apart from that, I see no point in picking over this corpse. | 0:42:12 | 0:42:17 | |
-It hurts. -It doesn't really matter, does it? -No. | 0:42:17 | 0:42:19 | |
It's a question of taking yourself, | 0:42:19 | 0:42:21 | |
-David, to another plane, right... -Exactly. | 0:42:21 | 0:42:24 | |
..very successfully. And you had a good time, yes? | 0:42:24 | 0:42:26 | |
-Yes. -Seriously, joking apart, we've loved having you on the show. | 0:42:26 | 0:42:29 | |
And thank you for coming. The victors today go home with £145! | 0:42:29 | 0:42:34 | |
-Yay! -Oh, my goodness. | 0:42:34 | 0:42:36 | |
And that is why the poles are far apart on this programme today. | 0:42:36 | 0:42:40 | |
£145 is a phenomenal profit and well done. | 0:42:40 | 0:42:43 | |
-Did you enjoy it, Nick? -Loved it. -Yes? | 0:42:43 | 0:42:45 | |
Linda, what are you going to spend the money on? | 0:42:45 | 0:42:47 | |
Oh, it'll buy a few pints down the pub. | 0:42:47 | 0:42:49 | |
That's the RIGHT answer! | 0:42:49 | 0:42:51 | |
Anyway, | 0:42:52 | 0:42:53 | |
such fun. Join as soon for some more bargain-hunting. Yes? | 0:42:53 | 0:42:56 | |
ALL: Yes! | 0:42:56 | 0:42:58 |