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Today, the show comes to you from north of the border. | 0:00:09 | 0:00:12 | |
We are in Edinburgh. | 0:00:12 | 0:00:14 | |
They are a top lot around here, I can tell you, | 0:00:14 | 0:00:16 | |
and gagging to do some decent deals. | 0:00:16 | 0:00:20 | |
So, let's not mess about... | 0:00:20 | 0:00:23 | |
Let's go Bargain Hunting, yeah! | 0:00:23 | 0:00:26 | |
Today, we are at the Royal Highland Centre, | 0:00:53 | 0:00:57 | |
and more specifically, | 0:00:57 | 0:00:58 | |
the Lowland Hall. | 0:00:58 | 0:00:59 | |
And with 4,200 metres for our teams to trot around, | 0:01:01 | 0:01:05 | |
there are bound to be some highs and lows on today's show. | 0:01:05 | 0:01:08 | |
Coming up, the Blues have drawn up an item hit list. | 0:01:11 | 0:01:14 | |
Knocked two things off the list. Not too bad. | 0:01:14 | 0:01:16 | |
This is Wemyss ware here. | 0:01:16 | 0:01:18 | |
That was on our list, wasn't it? Yeah, you had that on the list? | 0:01:18 | 0:01:22 | |
But at the auction, it's the Reds that are all smiles. | 0:01:22 | 0:01:25 | |
?80, you've doubled your money. Look at those girls! | 0:01:25 | 0:01:30 | |
Which of our teams will come out on top? | 0:01:30 | 0:01:33 | |
Let's get acquainted, shall we? | 0:01:33 | 0:01:35 | |
Well, we are all frightfully pally on today's programme because, | 0:01:35 | 0:01:38 | |
for the Reds, we have a team of best friends - Marie and Linda - | 0:01:38 | 0:01:42 | |
and for the Blues, we have a mother | 0:01:42 | 0:01:44 | |
and daughter combo who are also very good friends - Claire and Jean. | 0:01:44 | 0:01:47 | |
Hello, everyone. TEAMS: Hello. | 0:01:47 | 0:01:49 | |
Good. Now, Marie, you have known each other for 30 years? | 0:01:49 | 0:01:52 | |
And you met in kindergarten. I wish. | 0:01:52 | 0:01:55 | |
Linda was a teenager and I was just... | 0:01:55 | 0:01:58 | |
just a little bit older than that. | 0:01:58 | 0:02:00 | |
But, yes, we met working in Paisley, on the west of Scotland. | 0:02:00 | 0:02:03 | |
We worked for a company that employed people to go | 0:02:03 | 0:02:07 | |
and work in Saudi Arabia to build a city in the desert. | 0:02:07 | 0:02:11 | |
And who's teaching what the local protocols are? | 0:02:11 | 0:02:14 | |
The burqa, when to say hello... | 0:02:14 | 0:02:16 | |
That was my department's responsibility, yeah. | 0:02:16 | 0:02:18 | |
So we had to learn quite a lot about it. I bet you did. | 0:02:18 | 0:02:21 | |
And then try and explain it to a whole series of tradesmen, | 0:02:21 | 0:02:24 | |
really, who were going to be there for six months to a year. | 0:02:24 | 0:02:27 | |
Exactly. Linda, we are doubly blessed in having you today | 0:02:27 | 0:02:30 | |
because you have travelled all the way from London. Yes. | 0:02:30 | 0:02:32 | |
That's where you work, is it? I do work in London, yes. | 0:02:32 | 0:02:35 | |
What do you do there? | 0:02:35 | 0:02:36 | |
I work for a city think tank. I'm the office manager there, | 0:02:36 | 0:02:40 | |
so I do everything from filing, account, payroll... | 0:02:40 | 0:02:42 | |
Just make sure everybody... | 0:02:42 | 0:02:44 | |
You're keeping all the big thinkers on track, are you? Yes, I am. | 0:02:44 | 0:02:48 | |
So, how are you going to beat these Blues, then, today? | 0:02:48 | 0:02:51 | |
We are going to buy cheap, sell high. Are you? Maybe. | 0:02:51 | 0:02:56 | |
Have you consulted the think tank about this? | 0:02:56 | 0:02:59 | |
What does the think tank have to say? | 0:02:59 | 0:03:01 | |
They'd have charged us far too much for that. | 0:03:01 | 0:03:04 | |
However it works out, you'll have a great time, I hope. | 0:03:04 | 0:03:06 | |
Now, the competition. | 0:03:06 | 0:03:07 | |
Claire, it says here that you are a bit of a singer. Yes, yes. | 0:03:07 | 0:03:11 | |
I sang in Tenerife in the '90s, a Tina Turner tribute show. | 0:03:11 | 0:03:16 | |
Did you really? Yes. I love that. | 0:03:16 | 0:03:18 | |
Are you going to give us a turn, are you going to give us | 0:03:18 | 0:03:20 | |
a bit of a trill? OK. As long as you are going to join in. | 0:03:20 | 0:03:24 | |
You've to do that finger thing. | 0:03:24 | 0:03:25 | |
Are we ready for the finger...? | 0:03:25 | 0:03:27 | |
We like a bit of finger clapping. OK, come on, kid. | 0:03:27 | 0:03:29 | |
# Left a good job in the city | 0:03:29 | 0:03:33 | |
# Workin' for the man | 0:03:34 | 0:03:36 | |
# Every night and day | 0:03:36 | 0:03:39 | |
# But I never lost a minute of sleep | 0:03:39 | 0:03:44 | |
# Worryin' 'bout the way things might have been, oh | 0:03:44 | 0:03:50 | |
# Big wheels keep on turnin'... # | 0:03:50 | 0:03:53 | |
Here comes the mother! | 0:03:53 | 0:03:54 | |
I think that will probably do. That is so cool. | 0:03:54 | 0:03:57 | |
No, seriously, you have to be so brave. | 0:03:57 | 0:04:00 | |
Did you know I was going to ask you to have a little sing? No. | 0:04:00 | 0:04:03 | |
No, I didn't. And up she comes and she does it. | 0:04:03 | 0:04:05 | |
I think that is so cool. | 0:04:05 | 0:04:07 | |
Do you not sing anymore, then? I sang for a little while in a duo. | 0:04:07 | 0:04:11 | |
And then I had my son and we kind of had put it all on a shelf. | 0:04:11 | 0:04:16 | |
Now, Jean, you are retired? Yes, I am. | 0:04:16 | 0:04:17 | |
What did you do before you retired? | 0:04:17 | 0:04:19 | |
I worked in a laboratory office for some time. | 0:04:19 | 0:04:22 | |
And I worked at Nairn, the linoleum people, | 0:04:22 | 0:04:25 | |
in the offices there as well. | 0:04:25 | 0:04:27 | |
And do you miss it? No. No! | 0:04:27 | 0:04:30 | |
That is the honest answer. I miss the company, but not the work. | 0:04:30 | 0:04:34 | |
So what do you get up to in your retirement? I go to yoga classes. | 0:04:34 | 0:04:38 | |
Oh! Do you do lotus position? A bit of it, mm-hm. | 0:04:38 | 0:04:42 | |
Not revealing anything, a very sensible woman. | 0:04:43 | 0:04:45 | |
So what are your tactics today, then, girls? | 0:04:45 | 0:04:47 | |
We have got a list of the things we are to look for. Really? | 0:04:47 | 0:04:50 | |
Will you reveal that during the shopping process? | 0:04:50 | 0:04:53 | |
We will, yeah. You're just teasing us now, aren't you, Jean? | 0:04:53 | 0:04:56 | |
That's the answer. | 0:04:56 | 0:04:57 | |
Anyway, talking of teasing, here comes your ?300, | 0:04:57 | 0:05:00 | |
?300 to go and spend. You know the rules. Your experts await. | 0:05:00 | 0:05:04 | |
And off you go! | 0:05:04 | 0:05:05 | |
And very, very, very good luck. What a great voice, eh? | 0:05:05 | 0:05:08 | |
And of course, our two experts are ready in the wings. | 0:05:10 | 0:05:13 | |
For the Reds, just like that, it's... | 0:05:13 | 0:05:15 | |
And Caroline Hawley is a big fan of the Blues. | 0:05:18 | 0:05:21 | |
Do you have a game plan, either of you? | 0:05:26 | 0:05:28 | |
Well, I kind of am thinking that, you know, buy low, sell high is the hope. | 0:05:28 | 0:05:32 | |
But I do like a bit of Art Deco, and that comes a bit expensive. It does. | 0:05:32 | 0:05:36 | |
Oh, gosh, you have got a list! A long list. | 0:05:36 | 0:05:38 | |
Are these my instructions? This is options. Options. Options. | 0:05:38 | 0:05:43 | |
I just want to buy something that I would probably have in my own | 0:05:43 | 0:05:46 | |
house, really. Well, they are both very, very good things to do. | 0:05:46 | 0:05:49 | |
So let's go and start, shall we? OK. Excellent. | 0:05:49 | 0:05:52 | |
That's a very good tip - | 0:05:52 | 0:05:54 | |
"Please note, faded labels means old stock." | 0:05:54 | 0:05:58 | |
Excellent. We've been doing our homework. Brilliant. | 0:05:58 | 0:06:02 | |
Thank you very much. Right, no pressure. | 0:06:02 | 0:06:04 | |
Come on, ladies. Okey-dokey. | 0:06:04 | 0:06:06 | |
So, that's the game plan sorted. | 0:06:06 | 0:06:08 | |
Revved up for an hour on the clock, | 0:06:08 | 0:06:10 | |
and they are off! | 0:06:10 | 0:06:12 | |
Morning. Good morning. How are you today? | 0:06:12 | 0:06:15 | |
When you buy glass, it has got to be... | 0:06:20 | 0:06:22 | |
It's all about name and statement and condition. | 0:06:22 | 0:06:25 | |
And it has got to be low-priced | 0:06:25 | 0:06:27 | |
and something you would put in your home. | 0:06:27 | 0:06:29 | |
You know, if you were to look at things like that, | 0:06:29 | 0:06:32 | |
there's a strong market for Monart. You think it would have legs? | 0:06:32 | 0:06:34 | |
The thing about buying named pieces is that the dealer will know | 0:06:34 | 0:06:39 | |
the name and he'll ultimately know the price. | 0:06:39 | 0:06:41 | |
Do you want to look at it or should we come back to that? | 0:06:41 | 0:06:43 | |
We'll come back to that one. Thank you. | 0:06:43 | 0:06:45 | |
One for the back burner, eh, ladies? | 0:06:45 | 0:06:47 | |
Some good advice, JP. | 0:06:47 | 0:06:49 | |
Meanwhile, Caroline's ruffling some feathers with the Blues. | 0:06:49 | 0:06:53 | |
Oh, I like. Oh, it's lovely. Oh, I do like that. A bit of burlesque. | 0:06:53 | 0:06:57 | |
A bit of burlesque indeed! Oh, yes. | 0:06:57 | 0:07:00 | |
I could just see you doing some burlesque with that, Mum. | 0:07:00 | 0:07:04 | |
You're going to claim that for yourself. | 0:07:04 | 0:07:06 | |
I think I need a bigger fan. | 0:07:06 | 0:07:08 | |
Ostrich feather. | 0:07:08 | 0:07:10 | |
This will just be in plastic, but it's late Victorian, I would say. | 0:07:10 | 0:07:14 | |
Right, OK. It's absolutely gorgeous, | 0:07:14 | 0:07:16 | |
and this would just zhoosh you up a little bit. A bit of zhooshing. | 0:07:16 | 0:07:19 | |
Can you see you in this on stage? Oh, yes. | 0:07:19 | 0:07:22 | |
Do you like it? How much is it? I don't know, should we find out? | 0:07:22 | 0:07:25 | |
Are they a pair, Caroline? No. Well, this one... | 0:07:25 | 0:07:28 | |
Can you see the ribbon in it, holding it together? | 0:07:28 | 0:07:30 | |
This one is very similar. | 0:07:30 | 0:07:32 | |
There is a bit of damage on it and it's missing its ribbon. | 0:07:32 | 0:07:37 | |
OK. So this one is probably nicer quality. | 0:07:37 | 0:07:40 | |
I think that one is better in that it is not damaged | 0:07:40 | 0:07:43 | |
and it has got its ribbon joining it together. | 0:07:43 | 0:07:46 | |
You can, of course, dye this if it doesn't go with your outfit. | 0:07:46 | 0:07:49 | |
Oh, yes. I just think it is gorgeous. I do, I love it. | 0:07:49 | 0:07:53 | |
It makes me want to... The language of fans. | 0:07:53 | 0:07:55 | |
It makes me want to sort of do something with it. | 0:07:55 | 0:07:57 | |
I think they are very sexy. | 0:07:57 | 0:07:59 | |
Excuse me, sir, may I ask you your very best price? | 0:07:59 | 0:08:02 | |
I can do it for ?15. Oh, that is a steal. | 0:08:02 | 0:08:05 | |
That is a very generous offer. | 0:08:05 | 0:08:08 | |
Shall we go for it? | 0:08:08 | 0:08:09 | |
I think we have to go for it. We bought our first item! | 0:08:09 | 0:08:12 | |
Thank you, sir. Thank you. | 0:08:13 | 0:08:16 | |
Excellent. It's gorgeous. | 0:08:16 | 0:08:18 | |
I do like that. Can I have a wee hold of it? Yes! | 0:08:18 | 0:08:21 | |
I didn't want to give it up. I know! | 0:08:21 | 0:08:23 | |
So, those plucky Blues have plumped for some plumage whilst | 0:08:23 | 0:08:27 | |
the Reds have picked up some Poole. | 0:08:27 | 0:08:30 | |
What do you think of that? I quite like this. Do you? Yeah. | 0:08:30 | 0:08:33 | |
It's quite nice. It is a nice shape, nice colours. | 0:08:33 | 0:08:36 | |
Yeah, I think I quite like this. What is it? | 0:08:36 | 0:08:38 | |
It's Poole. Poole Pottery. Yes, | 0:08:38 | 0:08:41 | |
so it's really nice. And the price on that? 40. | 0:08:41 | 0:08:44 | |
It's nice, but what would be your best price? | 0:08:44 | 0:08:46 | |
Might be able to. What have I got on there, please? | 0:08:46 | 0:08:49 | |
Do you think there is a strong demand in Scotland | 0:08:51 | 0:08:53 | |
for Poole Pottery, which is a very southern England thing? | 0:08:53 | 0:08:55 | |
That thing is, if you go out and look at some of the shops | 0:08:55 | 0:08:58 | |
and things at the moment, | 0:08:58 | 0:08:59 | |
the colours and everything are all this mustard-y, orange-y. | 0:08:59 | 0:09:03 | |
Why I'm saying that is, we may not have the buyers come in. | 0:09:03 | 0:09:05 | |
We may not sell it well. People go, | 0:09:05 | 0:09:06 | |
"I don't want to buy that, that's southern English stuff." | 0:09:06 | 0:09:09 | |
How much is on it? Sorry. | 0:09:09 | 0:09:11 | |
35. | 0:09:13 | 0:09:14 | |
35... The Internet might carry it further. | 0:09:14 | 0:09:18 | |
It meets my kind of nice price. | 0:09:18 | 0:09:20 | |
It meets your liking. I like it, yeah. | 0:09:20 | 0:09:22 | |
Shall we take a risk on this one? Could you do 32? | 0:09:24 | 0:09:27 | |
Yeah. OK, 32, yeah, that's fine. | 0:09:27 | 0:09:29 | |
If you really like it, it's not terribly expensive, it is | 0:09:29 | 0:09:32 | |
a name, there is an Internet auction. Yeah. | 0:09:32 | 0:09:35 | |
I see my little, cut-up baguette, bits of bread on that. | 0:09:35 | 0:09:39 | |
Thank you very much. Thank you. Pleasure. Brilliant, so we are? | 0:09:39 | 0:09:43 | |
Purchase number one in minutes only, thank you. Brilliant. Thanks a lot. | 0:09:43 | 0:09:47 | |
That's one apiece already. These girls are going great guns today. | 0:09:47 | 0:09:53 | |
And the Blues are back on the attack. | 0:09:53 | 0:09:56 | |
Well, that's quite sweet. | 0:09:56 | 0:09:58 | |
That's lovely, isn't it? A little dresser. Yeah. | 0:09:58 | 0:10:00 | |
Do you know what I could see that being used for? Jewellery? | 0:10:00 | 0:10:04 | |
Jewellery, yes! We think alike, don't we? | 0:10:04 | 0:10:07 | |
I can see that as a jewellery chest. | 0:10:07 | 0:10:11 | |
Yeah. I like that. | 0:10:11 | 0:10:12 | |
It's mahogany. How old do you think it is? | 0:10:12 | 0:10:14 | |
I would think it is about 1860, 1870. Wow. | 0:10:14 | 0:10:18 | |
Do you think the handles are original? | 0:10:18 | 0:10:20 | |
You're reading my mind, aren't you? Let's have a look. Hang on. | 0:10:20 | 0:10:23 | |
Nice, I like that. I like that. | 0:10:23 | 0:10:25 | |
Right, we'll pull it out and we'll have a look. | 0:10:25 | 0:10:28 | |
Now, it is soft-wood lined, which here, this is pine. OK. | 0:10:28 | 0:10:32 | |
And I think that those are the original handles. | 0:10:32 | 0:10:35 | |
Yeah, cos there's no screws, is there? No. | 0:10:35 | 0:10:38 | |
Is that just a bit of damage? | 0:10:38 | 0:10:39 | |
No, that is where a knot was struck out of the wood. Of course. | 0:10:39 | 0:10:42 | |
Do you see what I mean? You see, I think that is nice. | 0:10:42 | 0:10:45 | |
I would have that for my jewellery. | 0:10:45 | 0:10:47 | |
There is a little bit of veneer... | 0:10:47 | 0:10:50 | |
I know, I want to keep them all. | 0:10:50 | 0:10:52 | |
That's the trouble! This one here has got some damage, can you see? | 0:10:52 | 0:10:56 | |
It's like the veneer off the front. | 0:10:56 | 0:10:58 | |
Yeah, the veneer has come off. Would that bring the price down | 0:10:58 | 0:11:02 | |
significantly? It'll bring the price down, yes, but... | 0:11:02 | 0:11:06 | |
But can we use that as bargaining power? Yes. | 0:11:06 | 0:11:08 | |
Good thinking, Claire. But I think that is gorgeous. | 0:11:08 | 0:11:12 | |
Should we ask the price? Yeah. Hello, sir. Hello. | 0:11:12 | 0:11:15 | |
We are looking at your lovely miniature chest of drawers. | 0:11:15 | 0:11:17 | |
It is a Scottish chest, I believe, is it? | 0:11:17 | 0:11:20 | |
The serpentine that is used is Scottish, yes. | 0:11:20 | 0:11:23 | |
What is your very best price? 120, that's definitely it. | 0:11:23 | 0:11:27 | |
There's a bit of damage on it, as you know. Yeah. | 0:11:27 | 0:11:29 | |
Also has this on it. Yeah. He's batting back, isn't he? | 0:11:29 | 0:11:33 | |
That's OK. You won't go wrong with it. | 0:11:33 | 0:11:34 | |
What was the lowest? 120. 120. | 0:11:34 | 0:11:36 | |
Do you...? I think so. | 0:11:36 | 0:11:39 | |
Be decisive. Do you think so? Do you like it? I love that. | 0:11:39 | 0:11:42 | |
And I love the fact that it has got the original handles. | 0:11:42 | 0:11:45 | |
Is it a deal, do you think? Yeah, go for it. Let's go for it. | 0:11:45 | 0:11:49 | |
Thank you, sir, we shall go for that. Thanks very much. | 0:11:49 | 0:11:51 | |
I can't keep up. Look, two for the Blues in 20 minutes. | 0:11:51 | 0:11:55 | |
This list seems to be doing just the job, Jean. | 0:11:55 | 0:11:58 | |
How about a bit of modern design, ladies? A bit of modern design? | 0:11:58 | 0:12:01 | |
Leather-covered, chrome-framed, steel stool. Oh, yes. | 0:12:01 | 0:12:04 | |
It's probably a copy. | 0:12:04 | 0:12:06 | |
There's an architect, German architect, | 0:12:06 | 0:12:07 | |
called Mies van der Rohe, who designed a chair that has been | 0:12:07 | 0:12:10 | |
ripped off so many times, called the Barcelona chair. | 0:12:10 | 0:12:12 | |
This is the sort of stool that would go with a Barcelona chair. | 0:12:12 | 0:12:15 | |
All the rage, you know, in the city flats. I'd like that. I mean, I... | 0:12:15 | 0:12:18 | |
I've sold the copies of the chairs. | 0:12:18 | 0:12:20 | |
Honestly, if you left me ?200, I'd have a punt at it. | 0:12:20 | 0:12:23 | |
We'll see how much we've got left after the next one. And then we'll | 0:12:23 | 0:12:27 | |
see how much you can negotiate on it. May come back for that. | 0:12:27 | 0:12:29 | |
That's nice, I like that. What would be your best on it? | 0:12:29 | 0:12:32 | |
Death trade would be 200, and that is death. Death would be 200? | 0:12:32 | 0:12:35 | |
Death. Well, we'll bear it in mind. Good, thank you. | 0:12:35 | 0:12:38 | |
That is two thirds of your budget, although you do seem pretty keen. | 0:12:38 | 0:12:42 | |
Definitely another one for the back burner. | 0:12:42 | 0:12:44 | |
Now, back with the Blues and time for some ticking off. | 0:12:44 | 0:12:48 | |
So, Jean, how are we doing? | 0:12:48 | 0:12:50 | |
We've knocked two things off the list. Not too bad. | 0:12:50 | 0:12:52 | |
We got the fans. Yes. Oh, good. And a wooden item. | 0:12:52 | 0:12:57 | |
That's great, two off your list already. OK, no pressure. | 0:12:57 | 0:13:00 | |
Let's go, then. Come on! | 0:13:00 | 0:13:02 | |
One item left with half an hour still on the clock. | 0:13:02 | 0:13:05 | |
What could go wrong? | 0:13:05 | 0:13:07 | |
Meanwhile, the Reds seem to have taken things into their own hands. | 0:13:07 | 0:13:11 | |
What have you done with JP, girls? | 0:13:11 | 0:13:14 | |
Are these cairngorm stones in this long, orby one? | 0:13:14 | 0:13:17 | |
Yes, silver and cairngorm. Yes. ?35. | 0:13:22 | 0:13:26 | |
It's just a kind of clasp. Cos it would go on something quite heavy. | 0:13:26 | 0:13:29 | |
So, ladies, what have we found? A bit of jewellery. | 0:13:29 | 0:13:31 | |
Oh, a Scottish brooch! That's the cairngorm stone. That is silver. | 0:13:31 | 0:13:35 | |
Can I have a look? Yes. Thank you. | 0:13:35 | 0:13:37 | |
It has got a vicious pin on the back. Has it? Is it hallmarked? | 0:13:37 | 0:13:42 | |
Scottish hallmarks. | 0:13:42 | 0:13:43 | |
And what would be your best price for it? 30. 30? | 0:13:43 | 0:13:47 | |
What do you think? | 0:13:47 | 0:13:49 | |
It meets my... When I get these down south... | 0:13:49 | 0:13:53 | |
OK, I clear a lot of houses from people whose family | 0:13:53 | 0:13:55 | |
originate from Scotland, so I see quite a lot of these things, | 0:13:55 | 0:13:57 | |
and we have little brooches and Celtic kilt pins | 0:13:57 | 0:14:00 | |
and we tend to put a group together, | 0:14:00 | 0:14:01 | |
so it is difficult to say what their individual value is. | 0:14:01 | 0:14:04 | |
They're always very popular. And you are in the heart of the buyer here. | 0:14:04 | 0:14:07 | |
You know, also, it's not terribly expensive so it makes it very | 0:14:07 | 0:14:10 | |
easy and affordable to a lot of people in that environment. | 0:14:10 | 0:14:13 | |
There's not a lot of silver there, | 0:14:13 | 0:14:14 | |
so its intrinsic value is very little. | 0:14:14 | 0:14:16 | |
It is more to do with the style and the symbolism, really. Yes. | 0:14:16 | 0:14:19 | |
I like it. I like it. Would you take 28? I'd do 28, yes. Brilliant. | 0:14:19 | 0:14:23 | |
Thank you. Thank you. Thank you. Thank you so much, thank you. | 0:14:23 | 0:14:29 | |
They're making this look far too easy. | 0:14:29 | 0:14:32 | |
That's two each, with just under a half an hour to go. | 0:14:32 | 0:14:35 | |
Oh, there is a lot of great stuff, isn't there? | 0:14:36 | 0:14:39 | |
I know, there is so many nice things. | 0:14:39 | 0:14:41 | |
Which way do you want to go, this way? I'm following you. | 0:14:42 | 0:14:46 | |
You just shop, you don't have to feel the panic yet. | 0:14:46 | 0:14:49 | |
Don't forget to keep checking that list, Jean. | 0:14:49 | 0:14:52 | |
Some Wemyss ware here. | 0:14:52 | 0:14:53 | |
Oh, yeah, that was on our list, wasn't it? | 0:14:54 | 0:14:57 | |
Yeah, you had that on your list. | 0:14:57 | 0:14:58 | |
There is a bit of damage, can you see here? Oh, yeah. | 0:14:58 | 0:15:02 | |
But it does knock the value quite a lot. | 0:15:02 | 0:15:06 | |
A little curling stone. That's sweet, isn't it? | 0:15:11 | 0:15:14 | |
That's rather nice, isn't it? Maybe it's a mustard pot. | 0:15:14 | 0:15:17 | |
You could possibly use it as sugar or preserves or... | 0:15:17 | 0:15:20 | |
You know, it's anything that you can fit a little small spoon in. | 0:15:20 | 0:15:23 | |
It has got to be silver plate, but an ebonised handle | 0:15:23 | 0:15:26 | |
and it was probably made in the '50s or middle of the 20th century. | 0:15:26 | 0:15:29 | |
Yeah, think so. Probably 50s, I would have thought. Absolutely. | 0:15:29 | 0:15:31 | |
It looks kind of '30s, but probably '50s. | 0:15:31 | 0:15:34 | |
Yeah, there is a mark. | 0:15:36 | 0:15:38 | |
Let's have a look. There is a plated mark, as you'd expect. | 0:15:38 | 0:15:40 | |
That's a solid thing, isn't it? And there is no damage. | 0:15:40 | 0:15:43 | |
Run your finger around the rim. | 0:15:43 | 0:15:44 | |
You don't want any chipping or anything. It's rather sweet. | 0:15:44 | 0:15:47 | |
Would you take 40 for just that? Yeah, that's fine. Yes? | 0:15:47 | 0:15:51 | |
Yes, that's good. Lovely, thank you. | 0:15:51 | 0:15:54 | |
That's it done. You do make your mind up, don't you, very quickly? | 0:15:54 | 0:15:56 | |
Yes. It is a cool thing. I think it's lovely. It's nice, yeah. | 0:15:56 | 0:15:59 | |
I like the weight in it. It's good quality, | 0:15:59 | 0:16:01 | |
that's what it is, I think. There's no kind of maker's marks on it? | 0:16:01 | 0:16:05 | |
It just says EPNS under the lid. | 0:16:05 | 0:16:06 | |
You know, electroplated nickel silver. | 0:16:06 | 0:16:08 | |
So that's it, you spent 100 quid. Three items, very well done. | 0:16:08 | 0:16:12 | |
A shake of the hand and the contract is done. Thank you. | 0:16:12 | 0:16:16 | |
You're welcome, cheers. Thanks so much. | 0:16:16 | 0:16:18 | |
That was a good spot, I like it. I think it's a nice... | 0:16:18 | 0:16:20 | |
Yeah, it's a really good... It's a nice novelty. A novelty, it sells. | 0:16:20 | 0:16:23 | |
You take it from here, you put it in an auction | 0:16:23 | 0:16:25 | |
and you get a different environment. Who knows. | 0:16:25 | 0:16:27 | |
Crikey, girls, 20 minutes left, | 0:16:27 | 0:16:29 | |
and you swept the board with your three items. | 0:16:29 | 0:16:32 | |
We are done with the Reds, now time for some teds, eh? | 0:16:32 | 0:16:36 | |
He's a nice old ted, isn't he? He has been well loved. | 0:16:37 | 0:16:41 | |
Yeah, and he's missing a bit of his mohair plush. | 0:16:41 | 0:16:45 | |
But you can tell he's an early one. He has long paws. Right. | 0:16:47 | 0:16:51 | |
And there's a bit of damage here, can you see? Yeah. | 0:16:51 | 0:16:54 | |
And he is straw-filled, I would think. OK. I don't know pricewise. | 0:16:54 | 0:16:58 | |
I can't see any prices. No. Excuse me, how much is your ted, please? | 0:16:58 | 0:17:03 | |
I could do him for 35. | 0:17:03 | 0:17:05 | |
As lovely as he is, I think there's not going to be any profit in that. | 0:17:05 | 0:17:09 | |
What do you think? I think we need to move on. Thank you very much. | 0:17:09 | 0:17:13 | |
We might well be back. We might be back. | 0:17:13 | 0:17:16 | |
Now, girls, don't forget, that clock is still ticking | 0:17:18 | 0:17:21 | |
and you still have your final item to buy. | 0:17:21 | 0:17:23 | |
Let's leave you to it whilst I size up something | 0:17:23 | 0:17:26 | |
I found a little earlier. | 0:17:26 | 0:17:28 | |
Did you ever use a slide rule when you were at school? | 0:17:28 | 0:17:33 | |
Well, if you did, you will be intrigued by this, | 0:17:33 | 0:17:36 | |
which has to be one of the largest slide rules ever produced. | 0:17:36 | 0:17:41 | |
Like all good scientific instruments, | 0:17:41 | 0:17:43 | |
it's marked up with its maker, which is Dring Fage Limited, London. | 0:17:43 | 0:17:49 | |
And if you look them up, you'll find that they were scientific | 0:17:49 | 0:17:51 | |
instrument makers from 1790 until the 1970s. | 0:17:51 | 0:17:57 | |
It's also stamped with a code - DP419 J9 - | 0:17:57 | 0:18:01 | |
which indicates that it was made between 1935 and 1940. | 0:18:01 | 0:18:07 | |
It is also stamped Customs Excise, which is | 0:18:07 | 0:18:10 | |
a big old clue as to what this enormous slide rule was used for. | 0:18:10 | 0:18:15 | |
Customs are duties which are levied on import into a country. | 0:18:15 | 0:18:20 | |
Excise are duties which are levied on things produced in the country. | 0:18:20 | 0:18:25 | |
Most typically, excise is collected on alcohol. | 0:18:25 | 0:18:29 | |
And that is what this slide rule would have been used for. | 0:18:29 | 0:18:33 | |
The design of this slide rule is really neat. | 0:18:33 | 0:18:35 | |
At this end, we've got a cast brass foot. | 0:18:35 | 0:18:40 | |
That is designed to go inside the top edge of a barrel, | 0:18:40 | 0:18:44 | |
like so, it kind of grips it. | 0:18:44 | 0:18:47 | |
And then you've got this pendant brass arm. | 0:18:47 | 0:18:50 | |
And if you slide it like that, that gives you one edge of the barrel. | 0:18:50 | 0:18:56 | |
That lodged under the other one gives you the other edge. | 0:18:56 | 0:18:59 | |
And you can calculate the diameter of the barrel. | 0:18:59 | 0:19:02 | |
This thing should come in a kit with a dipstick, | 0:19:02 | 0:19:06 | |
because sometimes the excise officer wants to be able to calculate | 0:19:06 | 0:19:10 | |
the volume of part of a barrel leaving the brewery. | 0:19:10 | 0:19:15 | |
And the calculation that you do is assisted by the slide rule, | 0:19:15 | 0:19:19 | |
which is made of boxwood, which is the traditional hard and stable | 0:19:19 | 0:19:24 | |
wood for scientific instruments, rules and measures and the like. | 0:19:24 | 0:19:28 | |
And what this hardwood enables the maker to do is to accurately | 0:19:28 | 0:19:34 | |
stamp all these incredibly complicated graduations | 0:19:34 | 0:19:39 | |
so that the calculation can reliably be made. | 0:19:39 | 0:19:42 | |
You don't want a timber that is going to warp or split. | 0:19:42 | 0:19:45 | |
You don't want it to move in any direction | 0:19:45 | 0:19:48 | |
because that will upset the calculating principle. | 0:19:48 | 0:19:51 | |
Down at the other end, | 0:19:51 | 0:19:52 | |
we can see another example of how well this is made. | 0:19:52 | 0:19:56 | |
A piece of cast brass expertly fitted and beautifully crafted | 0:19:56 | 0:20:00 | |
so that it can protect this end from being damaged | 0:20:00 | 0:20:03 | |
if it gets whacked about. | 0:20:03 | 0:20:05 | |
In short, no pun, | 0:20:05 | 0:20:07 | |
if you are a scientific instrument collector, | 0:20:07 | 0:20:10 | |
this is a pretty dreamy object. | 0:20:10 | 0:20:12 | |
And I've noticed over the years that if there is one thing that | 0:20:12 | 0:20:16 | |
sells well consistently, it is rules and measures. | 0:20:16 | 0:20:21 | |
What do I calculate its value at? | 0:20:21 | 0:20:24 | |
Frankly, I couldn't tell you cos I've never seen one of these sold. | 0:20:24 | 0:20:27 | |
What I can tell you, though, is that here in Edinburgh, | 0:20:27 | 0:20:31 | |
you could by this for ?50. | 0:20:31 | 0:20:33 | |
Which is not so much. | 0:20:33 | 0:20:35 | |
If I had a guess at it, I would guess that in a scientific | 0:20:35 | 0:20:39 | |
instrument sale, this thing must be worth in excess of ?200. | 0:20:39 | 0:20:43 | |
Pretty good, eh? | 0:20:43 | 0:20:45 | |
It's back to business. Surely those Blues have found their final item. | 0:20:45 | 0:20:49 | |
Still feeling confident, girls? | 0:20:49 | 0:20:52 | |
Panicking? Yeah, panic mode now. Right. | 0:20:52 | 0:20:54 | |
We need to really get something. | 0:20:54 | 0:20:55 | |
Should we just rush down this stall | 0:20:55 | 0:20:57 | |
and then we'll have another meeting in a minute's time? OK. Come on. | 0:20:57 | 0:21:01 | |
Uh-oh, panic stations, and it was all going so well. | 0:21:01 | 0:21:04 | |
You've got three minutes left, girls. | 0:21:04 | 0:21:07 | |
We've not got time for it. | 0:21:07 | 0:21:10 | |
I think that list of yours has gone out of the window, Jean. | 0:21:10 | 0:21:13 | |
Oh, my goodness! Sorry, sorry. Sorry. | 0:21:13 | 0:21:17 | |
Now, there's a nice tray here. Oh, yeah. Look at this. | 0:21:18 | 0:21:22 | |
Now, do you like that? Is that a good wooden object? | 0:21:22 | 0:21:26 | |
Inlaid tray. Now, it's Edwardian, inlaid. Not too much, is it? | 0:21:26 | 0:21:30 | |
No, I've got enough. Do you like this? It is quite nice, I like that. | 0:21:30 | 0:21:35 | |
I like that more than the teddy. Do you? Yeah. | 0:21:35 | 0:21:38 | |
What is the very, very best on that? You can have that one for 75. | 0:21:38 | 0:21:42 | |
To get a profit, I think it is going to have to be 60 nowadays. | 0:21:42 | 0:21:46 | |
I don't clean anything up. Now, I don't either. | 0:21:46 | 0:21:49 | |
I'm terrible, I'm terrible. 60 and you've got a deal? | 0:21:49 | 0:21:53 | |
I'll have to speak to my husband. | 0:21:53 | 0:21:55 | |
Could you speak to him really quickly? | 0:21:55 | 0:21:56 | |
We've got less than two minutes. | 0:21:56 | 0:21:59 | |
At 60, I think it is all right. | 0:21:59 | 0:22:01 | |
At 75, I think we are going to have to get it anyway, | 0:22:01 | 0:22:04 | |
but I think at 60... Is it OK? Oh, my goodness! | 0:22:04 | 0:22:08 | |
She's phoning him. She's phoning him. | 0:22:08 | 0:22:11 | |
How can this be? | 0:22:11 | 0:22:13 | |
Please don't be engaged! Please do not be engaged! | 0:22:13 | 0:22:17 | |
Less than a minute left. | 0:22:17 | 0:22:19 | |
Too much, honestly. | 0:22:19 | 0:22:20 | |
I don't even know that I could run back for that teddy. | 0:22:20 | 0:22:22 | |
What's the code on it? The code, what's the code? | 0:22:22 | 0:22:25 | |
ADB. ADB. | 0:22:25 | 0:22:28 | |
30 seconds. Yes. | 0:22:28 | 0:22:30 | |
Yes! Yes! Woo-hoo! | 0:22:30 | 0:22:34 | |
Time's up! | 0:22:34 | 0:22:35 | |
Oh, what joy! What joy, we got there in the end. | 0:22:35 | 0:22:39 | |
In the very, very end. | 0:22:39 | 0:22:41 | |
There was less than ten seconds. It was terrible. Terrible! | 0:22:41 | 0:22:45 | |
That was cutting it close, Caroline. | 0:22:45 | 0:22:47 | |
Time to recap on what those Reds bought, eh? | 0:22:47 | 0:22:50 | |
First up, it was a Poole Pottery piece. They paid a dishy ?32. | 0:22:51 | 0:22:55 | |
Next, was the silver brooch that they bagged for ?28. | 0:22:58 | 0:23:02 | |
And finally, can they slide to victory with the glass curling jar? | 0:23:04 | 0:23:08 | |
They paid ?40. | 0:23:08 | 0:23:09 | |
That was pretty cool, girls, wasn't it? Yeah. | 0:23:11 | 0:23:13 | |
Did you enjoy the shopping? Thoroughly. Did you? Yes. | 0:23:13 | 0:23:16 | |
It was a good experience, yeah. | 0:23:16 | 0:23:18 | |
Lovely to be with JP for a half-hour? Yes. Of course. | 0:23:18 | 0:23:21 | |
Exclusive attention. It was. Now, which is your favourite piece? | 0:23:21 | 0:23:25 | |
My favourite piece was probably a little glass curling bowl. | 0:23:25 | 0:23:30 | |
And do you agree with that? | 0:23:30 | 0:23:31 | |
No, my favourite piece was the Poole Pottery. | 0:23:31 | 0:23:33 | |
And is that going to bring the biggest profit? I think it might. | 0:23:33 | 0:23:37 | |
I think it might as well. | 0:23:37 | 0:23:38 | |
I'm hoping that it's maybe an unusual piece that somebody is | 0:23:38 | 0:23:41 | |
looking for their collection. You never can tell. Might do. | 0:23:41 | 0:23:44 | |
Which is interesting. So, how much did you spend in total? | 0:23:44 | 0:23:46 | |
Spent ?100. Who has got ?200 of leftover lolly? | 0:23:46 | 0:23:49 | |
I have. Thank you very much. | 0:23:49 | 0:23:52 | |
Straight over to JP. So what are you going to do with ?200? | 0:23:52 | 0:23:55 | |
Well, I'd love them to think that I can be sort of discrete | 0:23:55 | 0:23:57 | |
and have no idea what I'm going to buy. | 0:23:57 | 0:24:00 | |
But they left me ?200, pretty much knowing what I might buy. Really? | 0:24:00 | 0:24:04 | |
Yeah. Whether I go for it or not is the dynamic. | 0:24:04 | 0:24:06 | |
Well, you keep your tease up, JP. Right now, though, we are | 0:24:06 | 0:24:09 | |
going to find out what the Blue Team bought, aren't we? | 0:24:09 | 0:24:12 | |
First on Jean's list was the ornate fan. They paid out a cool ?15. | 0:24:12 | 0:24:17 | |
The next item to be ticked off was the miniature dressing chest | 0:24:17 | 0:24:21 | |
for ?120. | 0:24:21 | 0:24:23 | |
And they got there in the end. | 0:24:23 | 0:24:25 | |
Their final item was the butler's tray - ?60 paid. | 0:24:25 | 0:24:28 | |
Well, this is a happy trio, isn't it? All the Corinnes, eh? | 0:24:31 | 0:24:34 | |
So, how much did you spend in total, Jean? 195. | 0:24:34 | 0:24:39 | |
And who has got the ?105 of leftover lolly? | 0:24:39 | 0:24:42 | |
My mum has the money. Please, may I have it? Thank you very much. | 0:24:42 | 0:24:45 | |
Thank you. Jean, which is your favourite piece? The fan. | 0:24:45 | 0:24:48 | |
The fan is your favourite. Yes. Do you agree with that? | 0:24:48 | 0:24:51 | |
Oh, I love the fan. It is a bit burlesque. | 0:24:51 | 0:24:53 | |
Is the fan going to bring the biggest profit? | 0:24:53 | 0:24:55 | |
No, I don't think so. What is going to bring the biggest profit? | 0:24:55 | 0:24:59 | |
I think the tray is going to bring the biggest profit. | 0:24:59 | 0:25:01 | |
Have you had a confusing morning, Caroline? | 0:25:01 | 0:25:03 | |
A very confusing morning and a very stressful last moment. | 0:25:03 | 0:25:06 | |
The last moment, yes, absolutely. | 0:25:06 | 0:25:08 | |
But then you like a bit of stress, don't you? I do! It keeps me going. | 0:25:08 | 0:25:11 | |
You thrive on it. Yeah, I do. What are you going to do with the cash? | 0:25:11 | 0:25:14 | |
I've seen something that I like. Really? Yeah. | 0:25:14 | 0:25:17 | |
I'm not going to tell them. I really like it. | 0:25:17 | 0:25:19 | |
Is it going to be really, really profitable? I think so. | 0:25:19 | 0:25:22 | |
And profit's the name of the game, Caroline. | 0:25:24 | 0:25:26 | |
It's time to dash off to the auction. | 0:25:26 | 0:25:28 | |
Well, McTear's is our destination today for the auction, | 0:25:30 | 0:25:34 | |
and Natasha Raskin is our auctioneer. | 0:25:34 | 0:25:38 | |
Natasha, how are you? | 0:25:38 | 0:25:39 | |
I'm great, Tim. I hope you're well, too. I am. I am great, too. | 0:25:39 | 0:25:43 | |
Now, the Poole Pottery plate, which follows the traditional Poole | 0:25:43 | 0:25:48 | |
palette of rather splodgy. Yes, it is perfectly Poole, isn't it? | 0:25:48 | 0:25:52 | |
It's 1970s, it is an Aegean pattern, it is a sort of yacht design. | 0:25:52 | 0:25:56 | |
I've seen it before and, yes, Poole might have had its day, | 0:25:56 | 0:25:59 | |
but I like it for what it is and I quite like the '70s style. | 0:25:59 | 0:26:04 | |
But I think the market decides that it is a little bit dated. | 0:26:04 | 0:26:07 | |
I don't know, anything could happen. | 0:26:07 | 0:26:09 | |
Cos we're not talking big bucks here, are we? How much? 20 to 30. | 0:26:09 | 0:26:13 | |
Come on. ?32 paid. I mean, come on, you're quite right. | 0:26:13 | 0:26:16 | |
For ?32, you buy yourself a little icon from a decade or | 0:26:16 | 0:26:20 | |
two, and there it is. Exactly. | 0:26:20 | 0:26:22 | |
And whether it is the flavour of the moment, it will return. | 0:26:22 | 0:26:24 | |
Now, this little fellow here, looks like a kilt pin, but it's not, | 0:26:24 | 0:26:27 | |
it is too small for a tilt. It's more of a brooch, isn't it? | 0:26:27 | 0:26:30 | |
But it's lovely. It's got that basket hilt sword design, | 0:26:30 | 0:26:33 | |
it's got the hard stone, they always do well. And how much? | 0:26:33 | 0:26:36 | |
Well, a mere ?30 to ?40 will get that for you today. | 0:26:36 | 0:26:39 | |
?28 paid. Oh, yes! Perfect. That looks pretty good. | 0:26:39 | 0:26:42 | |
And this thing, I have to say, I absolutely adore. Yes. | 0:26:42 | 0:26:45 | |
I can't buy it because it is one of our contestants' lots. | 0:26:45 | 0:26:49 | |
Curling, actually, is always collectible. | 0:26:49 | 0:26:51 | |
It's always exciting, especially in this neck of the woods, but UK wide. | 0:26:51 | 0:26:54 | |
So the fact that it is silver-plated doesn't really work against it. | 0:26:54 | 0:26:57 | |
The fact it's lacking its spoon, so what? | 0:26:57 | 0:26:59 | |
It's nicely made, curling is cool, | 0:26:59 | 0:27:02 | |
and hopefully we will get a cool price for it, too. | 0:27:02 | 0:27:04 | |
How cold will the price be? Oh, lukewarm - ?30 to ?40. | 0:27:04 | 0:27:08 | |
OK, ?40 paid. So this team, I think, have done remarkably well. | 0:27:08 | 0:27:11 | |
They have only spent ?100. | 0:27:11 | 0:27:13 | |
I think each of their items are intriguing and stand a good chance | 0:27:13 | 0:27:16 | |
of making a small profit, which is what we are really after. | 0:27:16 | 0:27:19 | |
So, ?200 of leftover lolly. | 0:27:19 | 0:27:21 | |
Whether they'll need their bonus buy or not remains to be seen, | 0:27:21 | 0:27:24 | |
but let's go and have a look at it. | 0:27:24 | 0:27:27 | |
OK, girls, this is exciting, isn't it? We've got a creation here. | 0:27:27 | 0:27:31 | |
You gave JP ?200. Yes. So, JP, show us what you bought, please. | 0:27:31 | 0:27:35 | |
Great. | 0:27:35 | 0:27:36 | |
Whoa! Ooh! | 0:27:36 | 0:27:39 | |
It's a Barcelona stool. | 0:27:39 | 0:27:40 | |
The Barcelona stool was designed in 1929 by Mies van der Rohe | 0:27:40 | 0:27:44 | |
for an exhibition in Barcelona at the time, hence its name. | 0:27:44 | 0:27:48 | |
Architectural-led design, early 20th century, very, | 0:27:48 | 0:27:51 | |
very fashionable. Reproduced, reproduced, reproduced. | 0:27:51 | 0:27:54 | |
Chromed steel and leather. Very fashionable at the moment. | 0:27:54 | 0:27:58 | |
When do you think this was made, roughly? | 0:27:58 | 0:28:00 | |
All I've got to go on, really, is the leather has been worn | 0:28:00 | 0:28:02 | |
a bit, so probably the '80s. Probably not earlier than that. | 0:28:02 | 0:28:05 | |
I'd love to think it was earlier, | 0:28:05 | 0:28:06 | |
but then you are talking thousands of pounds. Right. | 0:28:06 | 0:28:08 | |
How much are we talking? We're talking ?200. | 0:28:08 | 0:28:12 | |
Well, that is a great vote of confidence, I have to tell you. | 0:28:12 | 0:28:16 | |
How much do you think it will make? | 0:28:16 | 0:28:17 | |
I'd like to think the estimate at auction would be 200 to 300. | 0:28:17 | 0:28:20 | |
Or 150 to 250. There is ?50 to ?100 profit, possibly. | 0:28:20 | 0:28:23 | |
And that's sticking my neck out there. Aren't I? What do you think? | 0:28:23 | 0:28:27 | |
Like the style, it's very trendy. | 0:28:27 | 0:28:29 | |
But again, it's just whether the people want... | 0:28:29 | 0:28:32 | |
You live and work in London, you go up and down Tottenham Court Road, | 0:28:32 | 0:28:35 | |
you look in some of those smart, contemporary furnishing shops. | 0:28:35 | 0:28:38 | |
Oh, yeah. I mean, the prices make your eyes water, don't they? Yeah. | 0:28:38 | 0:28:42 | |
For contemporary bits of furniture. | 0:28:42 | 0:28:44 | |
What's to stop it making ?400, J? Not a lot. | 0:28:44 | 0:28:46 | |
There you go. Rest with it, girls, think about it. | 0:28:46 | 0:28:48 | |
Right now, though, let's find | 0:28:48 | 0:28:50 | |
out for the viewers at home what the auctioneer thinks about JP's stool. | 0:28:50 | 0:28:54 | |
Ta-dah! There it is, JP's bonus buy. | 0:28:55 | 0:28:58 | |
What a great buy JP has made there. | 0:28:58 | 0:29:01 | |
In the Barcelona design style, | 0:29:01 | 0:29:03 | |
we have got this ottoman here, with the X-frame legs. | 0:29:03 | 0:29:07 | |
It is probably from the mid-20th century, after the famous Ludwig | 0:29:07 | 0:29:11 | |
Mies van der Rohe, who was a real pioneer of design | 0:29:11 | 0:29:14 | |
at the early 20th century. And how good he was, | 0:29:14 | 0:29:17 | |
because that would fit into any contemporary home of any style. | 0:29:17 | 0:29:21 | |
You're right, really. | 0:29:21 | 0:29:22 | |
I mean, it has got a little bit of damage to the webbing | 0:29:22 | 0:29:24 | |
underneath, but I like it very much, I have to say. | 0:29:24 | 0:29:27 | |
Well, I looked up the maker - Form of London - | 0:29:27 | 0:29:29 | |
and I can't seem to find any current output from this manufacturer, | 0:29:29 | 0:29:32 | |
so I think it is a company that has been and gone, which is a good sign. | 0:29:32 | 0:29:35 | |
That dates it. OK, well, how wild are you owing to be? | 0:29:35 | 0:29:37 | |
What is your estimate? | 0:29:37 | 0:29:39 | |
Not too wild, ?70 to ?100. | 0:29:39 | 0:29:41 | |
?200 JP paid for that. | 0:29:41 | 0:29:43 | |
I'm going to regret that 70 to 100, aren't I? Not necessarily, | 0:29:43 | 0:29:46 | |
because I could be smirking on the other side of my face, | 0:29:46 | 0:29:48 | |
looking really sheepish, | 0:29:48 | 0:29:50 | |
but I think it is a ?200 to ?400 jobby, with a bit of luck. | 0:29:50 | 0:29:52 | |
Well, fingers crossed. Well, I'm going to cross everything, actually. | 0:29:52 | 0:29:55 | |
OK, moving on, that's it for the Reds. Now for the Blues. | 0:29:55 | 0:29:58 | |
Do you like the feather fan? That's the first thing. I do. | 0:29:58 | 0:30:01 | |
What lady doesn't need an ostrich-feather fan in her life? | 0:30:01 | 0:30:05 | |
It can both attract attention to you | 0:30:05 | 0:30:08 | |
and then cover up any unwanted attention. I love it. | 0:30:08 | 0:30:12 | |
It is so chic and fabulous. | 0:30:12 | 0:30:14 | |
I absolutely have confidence in this lot. | 0:30:14 | 0:30:16 | |
Well, having said that, how much? Well, 30 to 50. | 0:30:16 | 0:30:19 | |
That's lovely, ?15 paid. Oh, great! Good, good, good. | 0:30:19 | 0:30:23 | |
Good, good, good. Now, the mahogany miniature dressing table looks to me | 0:30:23 | 0:30:26 | |
like a late 19th century sideboard, and me no likey so much. | 0:30:26 | 0:30:30 | |
You don't like it so much. Not so much, no. Do you likey? | 0:30:30 | 0:30:33 | |
I'm going to look to the positive side of things. | 0:30:33 | 0:30:36 | |
Yes, OK, so we can catalogue it quite confidently as a fretwork | 0:30:36 | 0:30:39 | |
design, but they have got a very simple design, and I know | 0:30:39 | 0:30:42 | |
that you have your suspicion that this is quite an amateur-ish piece. | 0:30:42 | 0:30:45 | |
I don't see it... It's not an apprentice piece. Well... | 0:30:45 | 0:30:47 | |
It's more of a man in a shed, really. | 0:30:47 | 0:30:49 | |
It is more shed work than it is apprentice work. | 0:30:49 | 0:30:51 | |
I think it is what it is. Pity about the damage, isn't it? | 0:30:51 | 0:30:55 | |
Yes, a little bit of damage down here. It has got a scar. OK. | 0:30:55 | 0:30:59 | |
So slightly damaged. How much? | 0:30:59 | 0:31:00 | |
Well, ?50 to ?80 isn't going to trouble anyone, is it? No. | 0:31:00 | 0:31:04 | |
I think that is a perfect estimate. | 0:31:04 | 0:31:06 | |
They paid ?120, and I fancy they may have just paid a tad too much, | 0:31:06 | 0:31:09 | |
if I am being perfectly frank. | 0:31:09 | 0:31:11 | |
I think your estimate is peachy. | 0:31:11 | 0:31:12 | |
Now, talking of peachy, how do you feel about this tray? | 0:31:12 | 0:31:15 | |
Um... It doesn't make me feel warm and fuzzy, but I do like it. | 0:31:15 | 0:31:19 | |
I do like that typical Edwardian inlay. | 0:31:19 | 0:31:21 | |
You've got the cross banding and the marquetry and the parquetry | 0:31:21 | 0:31:24 | |
and the brass handles. | 0:31:24 | 0:31:25 | |
And why not have your peaches delivered to you by the butler | 0:31:25 | 0:31:28 | |
on this tray? Why not, Tim? Exactly. | 0:31:28 | 0:31:30 | |
Slightly yesterday's antiques, don't you think? Well... | 0:31:30 | 0:31:34 | |
You know, when you've got this, maybe compare it with a nice | 0:31:34 | 0:31:37 | |
bit of Art Deco cut glass or something else functional. Yes. | 0:31:37 | 0:31:40 | |
This is never going to come cream of the crop, is it? Not really, no. | 0:31:40 | 0:31:43 | |
But that one, ten years ago, | 0:31:43 | 0:31:45 | |
would've made ?120 to ?150 every day of the week. | 0:31:45 | 0:31:48 | |
Now, how much? | 0:31:48 | 0:31:49 | |
Times have changed. We have put it in at only ?40 to ?60. | 0:31:49 | 0:31:52 | |
I think that is the right estimate. ?60 the team paid. | 0:31:52 | 0:31:55 | |
I have a horrible feeling that, apart from the fan, | 0:31:55 | 0:31:58 | |
they may have paid a tad too much for their stuff, in which case, | 0:31:58 | 0:32:01 | |
they are going to need the bonus buy, | 0:32:01 | 0:32:03 | |
so let's go and have a look at it. | 0:32:03 | 0:32:05 | |
Now, Claire, Jean, this is exciting, isn't it? | 0:32:05 | 0:32:07 | |
You gave Caroline ?105. Caroline, what did you buy? | 0:32:07 | 0:32:11 | |
Do you remember me? | 0:32:11 | 0:32:12 | |
It's the teddy! Lovely. Do you remember? Yes, it's lovely. | 0:32:12 | 0:32:16 | |
It's been well loved. He has. | 0:32:16 | 0:32:20 | |
But he's early 20th century, articulated, | 0:32:20 | 0:32:22 | |
and I think he's rather gorgeous. | 0:32:22 | 0:32:24 | |
Teddies normally sell quite well, don't they? They do. | 0:32:24 | 0:32:27 | |
They sell very, very well. | 0:32:27 | 0:32:29 | |
And how many spondulix did you have to spend? 20. | 0:32:29 | 0:32:33 | |
Oh! ?20 in the end. And I think he is well worth ?20. | 0:32:33 | 0:32:37 | |
Oh, yeah. Do you want a cuddle? Give us a hug. Oh, Teddy. | 0:32:37 | 0:32:41 | |
Would you like a hug? Yes, I want to hug. | 0:32:44 | 0:32:46 | |
This, I think, it's nice. | 0:32:46 | 0:32:47 | |
And I think he's going to do all right. How much? | 0:32:47 | 0:32:50 | |
Do you think there's some profit in it, then? Yes, I do. Up to 40. | 0:32:50 | 0:32:53 | |
I think he is going to get between ?30 and ?40. | 0:32:53 | 0:32:55 | |
You could double your money. Yes. OK, well, you happy with that? | 0:32:55 | 0:32:58 | |
BOTH: Yes. | 0:32:58 | 0:32:59 | |
You don't pick now, you pick after the sale of your first three items. | 0:32:59 | 0:33:02 | |
Right now, for the audience, | 0:33:02 | 0:33:03 | |
let's find out what the auctioneer thinks about Caroline's ted. | 0:33:03 | 0:33:07 | |
Now, Natasha, did you have a teddy? | 0:33:08 | 0:33:11 | |
Um, I didn't have a head turner like this, no. | 0:33:11 | 0:33:14 | |
I have to say, whoever did own this teddy, they cuddled it an awful lot. | 0:33:14 | 0:33:17 | |
Didn't they. He has been well loved. | 0:33:17 | 0:33:19 | |
Do you think two or three generations might have cuddled it? | 0:33:19 | 0:33:21 | |
Cos it could date from the '30s, couldn't it? Well, it could, yes. | 0:33:21 | 0:33:24 | |
I wouldn't go any earlier, might go a touch later. | 0:33:24 | 0:33:26 | |
But I am no expert when it comes to teddy bears. OK, well, how | 0:33:26 | 0:33:29 | |
carried away do you think they'll get with our ted? | 0:33:29 | 0:33:31 | |
Not much above ?30 to ?40. | 0:33:31 | 0:33:33 | |
Doesn't need to, cos Caroline only paid ?20. | 0:33:33 | 0:33:36 | |
Oh, good on her. Good on her. Yes. | 0:33:36 | 0:33:39 | |
Anyway, we will find out in a minute. Thank you. | 0:33:39 | 0:33:41 | |
When all will be revealed, as Natasha is taking to the rostrum. | 0:33:41 | 0:33:45 | |
Go on, bid ?30. | 0:33:45 | 0:33:46 | |
Now, Marie, Linda, how are you feeling? Well, a wee bit nervous. | 0:33:49 | 0:33:52 | |
A wee bit nervous, yeah. What have you got to be nervous about? | 0:33:52 | 0:33:54 | |
Nothing really. Now there you are. | 0:33:54 | 0:33:57 | |
When you think about it, this is just pure pleasure, isn't it? | 0:33:57 | 0:34:01 | |
Yes. Unalloyed pleasure. | 0:34:01 | 0:34:03 | |
For a kickoff, you've got the Aegean patterned Poole plate. | 0:34:03 | 0:34:06 | |
All right? You didn't pay much, ?32. | 0:34:06 | 0:34:08 | |
She has estimated ?20 to ?30. All right. | 0:34:08 | 0:34:10 | |
It is what it is. | 0:34:10 | 0:34:12 | |
Now, here is an icon of the 1970s. | 0:34:12 | 0:34:16 | |
We have a Poole Pottery dish. | 0:34:16 | 0:34:18 | |
It depicts a yacht of sail, and surely all you sailors, | 0:34:18 | 0:34:21 | |
we know you've got your boats parked outside. | 0:34:21 | 0:34:23 | |
Let's see if we can get just ?30 for this. | 0:34:23 | 0:34:26 | |
Come on now, who is bidding at ?30? Let's get started at 30. | 0:34:26 | 0:34:29 | |
20 then. Let's get ?20. | 0:34:29 | 0:34:31 | |
Come on now. Do we see it, 20? | 0:34:31 | 0:34:34 | |
I'll take ten, then. | 0:34:34 | 0:34:35 | |
?10, a meagre ?10. | 0:34:35 | 0:34:37 | |
And where is 15, please? 15. | 0:34:37 | 0:34:39 | |
20? No. 20 online. | 0:34:39 | 0:34:40 | |
25? Yes, 25. | 0:34:40 | 0:34:42 | |
You said online might do it. Come on, come on. | 0:34:42 | 0:34:44 | |
Up it goes. More! | 0:34:44 | 0:34:46 | |
?25, and that's last call now. | 0:34:46 | 0:34:48 | |
Oh, no. I think we are done. 25. | 0:34:48 | 0:34:51 | |
25 is minus seven. | 0:34:51 | 0:34:52 | |
Not so far off, actually. | 0:34:52 | 0:34:54 | |
But I think your brooch is fab. You paid 28. | 0:34:54 | 0:34:57 | |
And surely we can start the bidding at ?25. No, we can't. ?40 to start. | 0:34:57 | 0:35:01 | |
Surely we'll get 30. Come on now. | 0:35:01 | 0:35:03 | |
30 online, straightaway. ?30. | 0:35:03 | 0:35:04 | |
35, thank you. Against you online, it is 35 in the room. | 0:35:04 | 0:35:07 | |
Now 40. 45. Go on. | 0:35:07 | 0:35:10 | |
Looking for 50. I want ?70. | 0:35:10 | 0:35:12 | |
45 on the aisle. At ?45. No, no, no, keep going! | 0:35:12 | 0:35:16 | |
50. 50! 55? | 0:35:16 | 0:35:18 | |
No, ?50, thank you for getting us there. | 0:35:18 | 0:35:20 | |
At ?50, are we all done? | 0:35:20 | 0:35:22 | |
It's ?50 and last call. | 0:35:22 | 0:35:24 | |
?50 on 28. | 0:35:24 | 0:35:25 | |
?50 on... That's 30. | 0:35:25 | 0:35:27 | |
Plus 22 on there. Thanks very much. | 0:35:27 | 0:35:30 | |
Now, the curling stone. | 0:35:30 | 0:35:32 | |
Who doesn't love this? | 0:35:32 | 0:35:34 | |
A silver-plated and glass curling stone preserve jar. | 0:35:34 | 0:35:37 | |
Now we have a good opening bid of ?40 on our preserve jar. | 0:35:37 | 0:35:40 | |
?40, who is bidding 50? | 0:35:40 | 0:35:42 | |
At 45 even. 45... | 0:35:42 | 0:35:44 | |
There we go, 50. This will do well. This will do well, don't worry. | 0:35:44 | 0:35:47 | |
I'm out. It's 55 on the Internet. | 0:35:47 | 0:35:49 | |
Whose bidding 60? 60, new bidder. Yes! At ?60 in the room. | 0:35:49 | 0:35:52 | |
65 now. 70? ?70 is bid. | 0:35:52 | 0:35:55 | |
It's such a good thing, though. | 0:35:55 | 0:35:56 | |
It's lovely. I like it. 75. 80? | 0:35:56 | 0:35:59 | |
I'm liking it more. | 0:35:59 | 0:36:00 | |
I'm really getting in love with it. | 0:36:00 | 0:36:02 | |
Are we all done then? It's ?80. | 0:36:02 | 0:36:05 | |
We are selling at 80. | 0:36:05 | 0:36:06 | |
Money! Look at those girls! | 0:36:06 | 0:36:08 | |
That's plus 40 on that. | 0:36:08 | 0:36:10 | |
You had 15 before, you're plus ?55. | 0:36:10 | 0:36:13 | |
Now, you have ?55, could be a winning score, all right? | 0:36:13 | 0:36:16 | |
You got cash in your back pocket. | 0:36:16 | 0:36:17 | |
What are you going to do about the Barcelona stool? | 0:36:17 | 0:36:21 | |
I think we may... RED TEAM: Park it. | 0:36:21 | 0:36:24 | |
I'm sorry. Park it? Park it. | 0:36:24 | 0:36:26 | |
And you said that in harmony, you said park. | 0:36:26 | 0:36:30 | |
I can tell you now what her estimate is, which is ?70 to ?100. | 0:36:30 | 0:36:34 | |
?200 was paid. She doesn't rate it. | 0:36:34 | 0:36:36 | |
I personally think she is wrong. I think it is a really nice thing. | 0:36:36 | 0:36:39 | |
If it gets picked up now, it is going to make a lot of money. | 0:36:39 | 0:36:42 | |
If it doesn't, it doesn't. So here it is. We're going to see it sold. | 0:36:42 | 0:36:45 | |
This is a beauty! | 0:36:45 | 0:36:46 | |
A chrome and black leather Barcelona ottoman, | 0:36:46 | 0:36:49 | |
after Ludwig Mies van der Rohe, no less. | 0:36:49 | 0:36:52 | |
Who is bidding ?80 on this ottoman? | 0:36:52 | 0:36:54 | |
You need this at ?80, it's fabulous. | 0:36:54 | 0:36:56 | |
Who is bidding 60, then?, | 0:36:56 | 0:36:58 | |
Come on now. I'm going to burst into tears about it. | 0:36:58 | 0:37:00 | |
Gosh! Who is bidding ?60 online? | 0:37:00 | 0:37:02 | |
?60, we are off the mark, so let's get five. 65. | 0:37:02 | 0:37:05 | |
I'm looking for 65. At ?60 for this ottoman. | 0:37:05 | 0:37:09 | |
Are we sure we're done? | 0:37:09 | 0:37:10 | |
At 65 online. That did it for you. At 65. | 0:37:10 | 0:37:13 | |
I'm looking for 70. Gosh, it's slow. | 0:37:13 | 0:37:14 | |
At 65, I'm looking for 70. She's struggling. At ?65... | 0:37:14 | 0:37:18 | |
Are we done at 65...? | 0:37:18 | 0:37:20 | |
65. That's ?65 to you. ?65 on the Internet. | 0:37:20 | 0:37:25 | |
It has gone on the Internet for ?65. | 0:37:25 | 0:37:27 | |
That's remarkable. Yeah, it's remarkable. | 0:37:27 | 0:37:31 | |
Anyway, there we go, it's -135. | 0:37:31 | 0:37:33 | |
You parked it. Yeah. You did the right thing, you girls. | 0:37:33 | 0:37:36 | |
They are very, very canny, these girls. I take my hat off to them. | 0:37:36 | 0:37:39 | |
Cos if it was me, I would have been tempted with that lot. | 0:37:39 | 0:37:42 | |
I would. Anyway, ?55. Thanks very much. | 0:37:42 | 0:37:44 | |
Don't say a word to the Blues. No. It could be a winning score. | 0:37:44 | 0:37:47 | |
Could be. It's folding money to take home, what could be nicer than that? | 0:37:47 | 0:37:50 | |
Blue Team, how are you feeling? Fine. Excellent. | 0:37:59 | 0:38:02 | |
Do you know how the Reds got on? No! No. | 0:38:02 | 0:38:04 | |
Were they quite closed about that? | 0:38:04 | 0:38:07 | |
Very. Oh, yeah. Well, there you go. | 0:38:07 | 0:38:08 | |
OK, now, your white ostrich fan. | 0:38:08 | 0:38:10 | |
I'm not so sure that they're ivory sticks. | 0:38:10 | 0:38:13 | |
They could be ivorine, those sticks. I don't think they're ivory sticks. | 0:38:13 | 0:38:16 | |
I think they are ivorine. | 0:38:16 | 0:38:17 | |
And ivorine is another word for plastic, actually. Right. | 0:38:17 | 0:38:20 | |
It sounds so much nicer. | 0:38:20 | 0:38:21 | |
I don't think it makes any difference, frankly, to the | 0:38:21 | 0:38:23 | |
end value. No. | 0:38:23 | 0:38:25 | |
Just if you were exporting them outside the EU, | 0:38:25 | 0:38:27 | |
you wouldn't need a CITES certificate. Of course, yes. | 0:38:27 | 0:38:31 | |
If it's plastic. And I think it is ivorine. But anyway, there we are. | 0:38:31 | 0:38:35 | |
It's only ?15. | 0:38:35 | 0:38:36 | |
And the auctioneer, she loves it. 30 to 50, she thinks it is worth. | 0:38:36 | 0:38:39 | |
Excellent. You only paid 15. | 0:38:39 | 0:38:41 | |
So she reckons you'll double or triple your money, so that's good. | 0:38:41 | 0:38:44 | |
And here comes your fan. | 0:38:44 | 0:38:45 | |
A 19th-century white ostrich fan. It is a fabulous thing. | 0:38:45 | 0:38:49 | |
It has got nice pierced sticks. And let's see if we can get ?50. | 0:38:49 | 0:38:52 | |
Come on, ?50 for this fan. | 0:38:52 | 0:38:54 | |
Let's get 30, then. That's a... Who is bidding ?30? | 0:38:54 | 0:38:57 | |
Straightaway online, you are in at ?30. | 0:38:57 | 0:39:00 | |
And five. Yes! You doubled your money. | 0:39:00 | 0:39:02 | |
At ?35, where's 40? | 0:39:02 | 0:39:04 | |
35... Come on now, don't cool down. Well done, Caroline. | 0:39:04 | 0:39:08 | |
At ?35. | 0:39:08 | 0:39:10 | |
At 35. Come on! | 0:39:10 | 0:39:12 | |
At ?35 for sale... | 0:39:12 | 0:39:15 | |
Last call. | 0:39:15 | 0:39:16 | |
?35, I'm loving it. That's plus ?20, girls. | 0:39:16 | 0:39:19 | |
OK, now, this retched | 0:39:19 | 0:39:22 | |
dressing chest. | 0:39:22 | 0:39:23 | |
A Scottish mahogany miniature dressing chest with a nice | 0:39:23 | 0:39:26 | |
fret-cut raised panel. | 0:39:26 | 0:39:28 | |
And what can we say about this? | 0:39:28 | 0:39:29 | |
Someone likes it. We have got an opening bid here of 65. | 0:39:29 | 0:39:33 | |
65, that's OK. At ?65, where is 70? | 0:39:33 | 0:39:37 | |
At ?65, 70? 75. I'm looking for 80. | 0:39:37 | 0:39:40 | |
At ?75, I'm looking for 80. | 0:39:40 | 0:39:42 | |
Who is bidding? 80. 85 I've got. | 0:39:42 | 0:39:45 | |
Where's 90? | 0:39:45 | 0:39:46 | |
At ?85, where is 90? | 0:39:46 | 0:39:47 | |
Come on now! ?90. | 0:39:47 | 0:39:50 | |
I'm out, but you're in, Internet. At ?90. 90. | 0:39:50 | 0:39:53 | |
Come one, come on. | 0:39:53 | 0:39:55 | |
At ?90, are we all done? Who is bidding 95? Anywhere in the room? | 0:39:55 | 0:39:58 | |
Fair warning, then, it is ?90, and we'll sell. | 0:39:58 | 0:40:02 | |
It's minus ?30, which means overall, you are minus ?10. | 0:40:02 | 0:40:05 | |
But don't despair, cos we've got the tray to follow. | 0:40:05 | 0:40:08 | |
An Edwardian mahogany marquetry oval Butler's tray with | 0:40:08 | 0:40:12 | |
a foliate inlaid decoration. | 0:40:12 | 0:40:14 | |
Let's get bidding at ?40. | 0:40:14 | 0:40:16 | |
Will you start the bidding at 30? Will you appease me at ?30? | 0:40:16 | 0:40:19 | |
It needs to be 100. | 0:40:19 | 0:40:21 | |
At ?30, who is bidding 35? | 0:40:21 | 0:40:24 | |
At ?30, are we all done? Oh, no. | 0:40:24 | 0:40:26 | |
No! Oh, no. | 0:40:26 | 0:40:28 | |
Come on! At ?40. Yes! | 0:40:28 | 0:40:30 | |
Do we see five? At ?40, | 0:40:30 | 0:40:32 | |
we're getting there. It's ?40. | 0:40:32 | 0:40:34 | |
I think we are done now. It's ?40. | 0:40:34 | 0:40:37 | |
Last call, 40. | 0:40:37 | 0:40:39 | |
Kids, ?40 is minus ?20, | 0:40:39 | 0:40:41 | |
which means overall, you are minus ?30. | 0:40:41 | 0:40:43 | |
Are you going to go with the teddy or what? We have to go with teddy. | 0:40:43 | 0:40:47 | |
I think we do. You're going to go with teddy, OK. | 0:40:47 | 0:40:49 | |
You paid ?20. | 0:40:49 | 0:40:50 | |
I can tell you now, the auctioneer has estimated ?30 to ?40. | 0:40:50 | 0:40:53 | |
Oh, we are going to be in profit. Well, you could be, couldn't you? | 0:40:53 | 0:40:56 | |
Something potty could happen. I'm being positive. | 0:40:56 | 0:40:58 | |
Here comes the bald teddy. | 0:40:58 | 0:40:59 | |
Look at this face! | 0:40:59 | 0:41:01 | |
How can you resist this early 20th century gold plush teddy bear? | 0:41:01 | 0:41:06 | |
Will you bid ?40 for this wee teddy? | 0:41:06 | 0:41:09 | |
Give teddy a home for ?40. Go on now. | 0:41:09 | 0:41:12 | |
?30, then. | 0:41:12 | 0:41:13 | |
Who's bidding ?30? Don't make me ask you twice for ?30. | 0:41:13 | 0:41:18 | |
Exactly right. 20. Oh, come on now. | 0:41:18 | 0:41:20 | |
Look at him, he's looking at you. | 0:41:20 | 0:41:22 | |
He's got a wee wonky smile and everything. | 0:41:22 | 0:41:23 | |
?20. Any bidders? It's hard work, isn't it? There's 20. | 0:41:23 | 0:41:27 | |
It appeals to someone at home. ?20, I'm looking for 25 next. | 0:41:27 | 0:41:31 | |
At ?20, will you bid 25? | 0:41:31 | 0:41:34 | |
It is ?20. | 0:41:34 | 0:41:35 | |
And that looks like all we're getting here. | 0:41:35 | 0:41:38 | |
At ?20, are we all done for this teddy bear...? | 0:41:38 | 0:41:42 | |
?20. All that, "Let's give it a bit of love." Anyway... | 0:41:42 | 0:41:46 | |
It has wiped its face. Let you down, Teddy has. Oh, Teddy! | 0:41:46 | 0:41:50 | |
"Oh, Teddy(!)" I never liked him anyway. | 0:41:50 | 0:41:54 | |
Here we go. | 0:41:54 | 0:41:55 | |
I was just friendly with it to go with the flow. | 0:41:55 | 0:41:58 | |
Anyway, overall, girls, you are still minus ?30, | 0:41:58 | 0:42:02 | |
which could be a winning score, so say not a word to jolly old Reds, | 0:42:02 | 0:42:05 | |
OK? Poker face. Poker, that's it. | 0:42:05 | 0:42:08 | |
Well, we have had a thoroughly overexciting day, haven't we? | 0:42:17 | 0:42:20 | |
We certainly have. Has it not been just brilliant? Yes. | 0:42:20 | 0:42:23 | |
And vaguely exhausting through all the excitement. | 0:42:23 | 0:42:26 | |
Anyway, we have winners. | 0:42:26 | 0:42:27 | |
And we don't have losers anymore, we simply have runners-up. | 0:42:27 | 0:42:30 | |
And the runners-up today by a chalk are the Blues. | 0:42:30 | 0:42:32 | |
Minus ?30, which is normally a winning score on this programme, | 0:42:32 | 0:42:37 | |
but not today! I can tell you. Anyway, OK? | 0:42:37 | 0:42:39 | |
Did you have a good time? | 0:42:39 | 0:42:41 | |
Oh, we've had a great time. You've been very sporting. | 0:42:41 | 0:42:43 | |
Thank you very much. | 0:42:43 | 0:42:44 | |
The victors today, going home with ?55... Oh! | 0:42:44 | 0:42:48 | |
Marie, here you go, doll. Thank you. That's good, ?55. | 0:42:48 | 0:42:51 | |
You have been very, very canny, as they say north of the border. | 0:42:51 | 0:42:55 | |
Have you enjoyed it? Thoroughly. Very good, thanks so much. Good. | 0:42:55 | 0:42:58 | |
Linda, been good for you? It's been a great, great time. | 0:42:58 | 0:43:00 | |
We are so proud of you. | 0:43:00 | 0:43:01 | |
Anyway, it has been a super show, so super, in fact, join us | 0:43:01 | 0:43:05 | |
soon for some more bargain hunting. Yes? Yes! | 0:43:05 | 0:43:08 |