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Today we've headed east. | 0:00:02 | 0:00:04 | |
Well, to the east of England, actually, to Peterborough, | 0:00:04 | 0:00:07 | |
where there are 1,700 stalls waiting for us to do our stuff, | 0:00:07 | 0:00:12 | |
so what are we waiting for? Let's go bargain hunting! | 0:00:12 | 0:00:16 | |
Apparently, this antiques festival attracts | 0:00:40 | 0:00:44 | |
the top end of 15,000 people, | 0:00:44 | 0:00:46 | |
but fortunately, our teams are relatively easy to spot, | 0:00:46 | 0:00:51 | |
so let's take a peek as to what's coming up. | 0:00:51 | 0:00:54 | |
Both teams find themselves really up against it. | 0:00:54 | 0:00:58 | |
-Seven minutes. -Oh, no! | 0:00:58 | 0:00:59 | |
Time's running! | 0:00:59 | 0:01:01 | |
But who will be the ultimate victor at auction? | 0:01:01 | 0:01:04 | |
Well done, girls. Winners. | 0:01:04 | 0:01:06 | |
-Sold! -This is looking seriously good. | 0:01:06 | 0:01:08 | |
But before all that, let's meet today's teams. | 0:01:08 | 0:01:11 | |
So, on Bargain Hunt today | 0:01:13 | 0:01:15 | |
we have a team of friends. | 0:01:15 | 0:01:17 | |
Well, they're friends at the moment. | 0:01:17 | 0:01:20 | |
We have Amy and we have Dawn. Welcome. | 0:01:20 | 0:01:22 | |
And for the Blues we have father and son combo Stevie and Craig. | 0:01:22 | 0:01:27 | |
Lovely to see you. | 0:01:27 | 0:01:28 | |
Now, Amy, how did you two first meet? | 0:01:28 | 0:01:31 | |
Well, we both enrolled on an access to higher education course | 0:01:31 | 0:01:35 | |
and we've been friends ever since. | 0:01:35 | 0:01:37 | |
You've had a previous career before you went for further education. | 0:01:37 | 0:01:41 | |
Well, I actually originally went to do nursing, | 0:01:41 | 0:01:44 | |
but then changed my mind | 0:01:44 | 0:01:46 | |
and ended up applying for a place on a psychology degree. | 0:01:46 | 0:01:50 | |
Are you going to become a clinical psychologist? Is that the plan? | 0:01:50 | 0:01:53 | |
That is the plan, yes. | 0:01:53 | 0:01:55 | |
Ideally, I'd like to be working in the neuroscience side of it, | 0:01:55 | 0:01:59 | |
because I have a vested interest in patients with Alzheimer's | 0:01:59 | 0:02:03 | |
and Parkinson's, things like that. | 0:02:03 | 0:02:05 | |
It's quite a good old path, that, isn't it? | 0:02:05 | 0:02:07 | |
Yeah, and it's not cheap either. | 0:02:07 | 0:02:10 | |
But if you've got the ambition and you've got the ability, | 0:02:10 | 0:02:13 | |
-why not go for it? -Exactly. | 0:02:13 | 0:02:14 | |
Dawn, you've got plans to be in the nursing profession too. | 0:02:14 | 0:02:18 | |
I have, yes. I'm just in my first year of my adult nursing degree | 0:02:18 | 0:02:22 | |
and I hope one day I'll be a Macmillan nurse. | 0:02:22 | 0:02:24 | |
And what were you doing before you're doing what you're doing now? | 0:02:24 | 0:02:27 | |
I worked in schools. My last job was with special needs children. | 0:02:27 | 0:02:30 | |
So you decided that nursing might be the next logical step? | 0:02:30 | 0:02:33 | |
The caring profession was always kind of in me, I think. | 0:02:33 | 0:02:35 | |
And what about your interest in antiques and collectibles? | 0:02:35 | 0:02:38 | |
At one point, I like to think I was a little bit clever | 0:02:38 | 0:02:41 | |
and I used to buy little pin dishes and cool pottery on the internet. | 0:02:41 | 0:02:46 | |
-You know - last-minute buys, 99p specials. -Oh, yes. | 0:02:46 | 0:02:48 | |
And thought maybe I could make a bit of a profit. | 0:02:48 | 0:02:51 | |
Never really made that much of a profit. | 0:02:51 | 0:02:52 | |
When you say you thought you were, I bet you were jolly clever at it. | 0:02:52 | 0:02:56 | |
-Didn't do too bad. -Well, there we are. | 0:02:56 | 0:02:58 | |
-It's certainly not as easy as some people make it look. -Yes. | 0:02:58 | 0:03:01 | |
-But quite fun to have a go at. -Oh, yeah. | 0:03:01 | 0:03:02 | |
All right, well, there's going to be a lot for you to go at, I tell you, | 0:03:02 | 0:03:05 | |
with your £300. Anyway, good luck, girls. | 0:03:05 | 0:03:07 | |
Now, Steve, it says here that your interest in antiques | 0:03:07 | 0:03:10 | |
started when you were a nipper. | 0:03:10 | 0:03:11 | |
That's right, yep. I've been in the glazing industry for 30-odd years. | 0:03:11 | 0:03:15 | |
I used to do a lot of work on churches, | 0:03:15 | 0:03:17 | |
doing a bit of putty bashing here and there, glazing. | 0:03:17 | 0:03:20 | |
That's what got me involved in antique glass. | 0:03:20 | 0:03:22 | |
Over the years, obviously the double glazing side came in, | 0:03:22 | 0:03:25 | |
so I went over to the dark side. | 0:03:25 | 0:03:26 | |
But when it comes to this old glazing, the old leadlight glazing, | 0:03:26 | 0:03:30 | |
-that was quite a skilful business, wasn't it? -Yeah. | 0:03:30 | 0:03:33 | |
The damaged ones - | 0:03:33 | 0:03:34 | |
you get children throwing little stones or birds flying in, | 0:03:34 | 0:03:37 | |
so we did a lot of repair work, | 0:03:37 | 0:03:38 | |
which involves peeling the lead back, | 0:03:38 | 0:03:40 | |
taking the old piece out and trying to match the glass in. | 0:03:40 | 0:03:43 | |
-That's the hardest bit. -Yeah. | 0:03:43 | 0:03:45 | |
Some of the glass had been there hundreds of years, | 0:03:45 | 0:03:47 | |
so we've got to get something that's very close, | 0:03:47 | 0:03:49 | |
but still wants to look right | 0:03:49 | 0:03:51 | |
-when you're stood there singing your heart out. -Exactly. | 0:03:51 | 0:03:53 | |
Craig, what's it like working with your dad | 0:03:53 | 0:03:55 | |
in the double glazing business? | 0:03:55 | 0:03:56 | |
-It's a nightmare. -Is it? -Absolute nightmare. | 0:03:56 | 0:03:58 | |
-You've got to keep an eye on him at all times. -Really? | 0:03:58 | 0:04:01 | |
Is he good on cost control? | 0:04:01 | 0:04:02 | |
-He's not bad. -I bet he's good on controlling your wages. | 0:04:02 | 0:04:05 | |
He is. Definitely on a Friday. | 0:04:05 | 0:04:07 | |
Friday afternoon, about five o'clock, he is. | 0:04:07 | 0:04:09 | |
And what do you get up to when you're not working? | 0:04:09 | 0:04:12 | |
I'm a sport person. I play for my local football team. | 0:04:12 | 0:04:15 | |
I think they just ring me up for the numbers, really. | 0:04:15 | 0:04:18 | |
And antiques - what do you know about antiques? | 0:04:18 | 0:04:20 | |
Not a great deal. | 0:04:20 | 0:04:21 | |
-You'll do very well on this programme. -I'm relying on Dad. | 0:04:21 | 0:04:24 | |
I'm relying on Dad for that one. | 0:04:24 | 0:04:26 | |
Well, right on. Anyway, here we go, look. | 0:04:26 | 0:04:28 | |
-£300. -Thank you. | 0:04:28 | 0:04:30 | |
You know the rules, your experts await and off you go! | 0:04:30 | 0:04:33 | |
Very, very, very good luck. | 0:04:33 | 0:04:35 | |
Double glazing, eh? Hmm... | 0:04:35 | 0:04:36 | |
Now, let's meet our experts, who are both in "reflective" mode today. | 0:04:38 | 0:04:42 | |
David Harper hopes to strike the right chord for the Reds | 0:04:42 | 0:04:46 | |
and in the driving seat for the Blues is Kate Bliss. | 0:04:46 | 0:04:49 | |
-Are you excited? -Very excited. -Raring to go? -Just a bit, like. | 0:04:49 | 0:04:53 | |
We're up bright and early this morning to study everything. | 0:04:53 | 0:04:55 | |
Good morning. | 0:04:55 | 0:04:57 | |
What are we going to be looking for, Dawn? | 0:04:57 | 0:04:58 | |
Maybe some Victoriana. | 0:04:58 | 0:05:00 | |
-Victoriana? My gosh! -Something with a story. | 0:05:00 | 0:05:02 | |
-Do you like something with a story? -I love a story. | 0:05:02 | 0:05:04 | |
I love a story! Amy? | 0:05:04 | 0:05:06 | |
Art Deco. | 0:05:06 | 0:05:07 | |
Art Deco? Fantastic! | 0:05:07 | 0:05:09 | |
-Right, teams, are you ready? -BOTH: Yay! | 0:05:10 | 0:05:13 | |
-Let's go! -Let's crack on. | 0:05:13 | 0:05:14 | |
Your 60 minutes starts now. | 0:05:14 | 0:05:17 | |
No, no, no. | 0:05:17 | 0:05:18 | |
Down there, Kate. There's enough plastics there. | 0:05:18 | 0:05:20 | |
-What have you spotted? -I like the sewing box. | 0:05:20 | 0:05:22 | |
My grandmother had something very similar, but nothing like this. | 0:05:22 | 0:05:25 | |
Sell it to Dawn, tell her all about it. | 0:05:25 | 0:05:27 | |
Come on, bring it out. | 0:05:27 | 0:05:29 | |
-Try harder. -Yeah. | 0:05:29 | 0:05:31 | |
How old do you think that is? | 0:05:31 | 0:05:33 | |
Maybe, like, '40s? | 0:05:33 | 0:05:35 | |
Yeah, I think you're absolutely right. | 0:05:35 | 0:05:37 | |
Hinges look very Victorian, don't you? | 0:05:37 | 0:05:38 | |
-Yeah. -But they're not, it's just the style. | 0:05:38 | 0:05:41 | |
Made from plywood, I think. | 0:05:41 | 0:05:43 | |
The materials themselves are quite cheap, | 0:05:43 | 0:05:45 | |
so I suppose made during a time when supplies of solid timbers, | 0:05:45 | 0:05:51 | |
teaks, mahoganies, were very restricted. | 0:05:51 | 0:05:53 | |
This is just after the Second World War, probably. | 0:05:53 | 0:05:56 | |
I like the sewing box idea, but I'm not sure about this particular one. | 0:05:56 | 0:05:59 | |
We can keep it in the bank, though, can't we? | 0:05:59 | 0:06:01 | |
I think it's a little bit shabby. | 0:06:01 | 0:06:03 | |
OK. | 0:06:03 | 0:06:05 | |
I quite like it, but... | 0:06:05 | 0:06:06 | |
-What's it going to make in auction, this is the thing. -How much is it? | 0:06:06 | 0:06:09 | |
-40... -£40. | 0:06:09 | 0:06:10 | |
-I'd say it's more 20. -You might be very lucky for that to make £40, | 0:06:10 | 0:06:14 | |
-anywhere near. -I'd think you'd have to really appreciate... | 0:06:14 | 0:06:17 | |
-Vintage is in but I don't think it's 40 quid. -Shall we keep looking...? | 0:06:17 | 0:06:21 | |
-It's a good warm-up. It's a warm-up, isn't it? -Yeah. | 0:06:21 | 0:06:23 | |
-OK, we'll leave it there for now. -Yeah. | 0:06:23 | 0:06:26 | |
That's right, take your time, and don't get "stitched" up. Ha! | 0:06:26 | 0:06:30 | |
Meanwhile, Kate has spotted a rather nice piece of glass. | 0:06:30 | 0:06:33 | |
-It's in the style of Lalique. -Yeah. | 0:06:34 | 0:06:36 | |
-It's definitely not Lalique. -No. | 0:06:36 | 0:06:38 | |
This is moulded, | 0:06:38 | 0:06:40 | |
but I like it cos you've got some very geometric things, | 0:06:40 | 0:06:43 | |
which are quite Art Deco. | 0:06:43 | 0:06:45 | |
You've also got wings, | 0:06:45 | 0:06:46 | |
which are very reminiscent of the Art-Deco period. | 0:06:46 | 0:06:48 | |
It was an age of speed | 0:06:48 | 0:06:50 | |
and wings were used a lot. | 0:06:50 | 0:06:53 | |
You think of car mascots with the Spirit of Ecstasy, | 0:06:53 | 0:06:56 | |
with wings outstretched. | 0:06:56 | 0:06:58 | |
-I quite like that. -Think there's any age to it? | 0:06:58 | 0:07:01 | |
I would say it's certainly 20th century. | 0:07:01 | 0:07:04 | |
It's in the Art-Deco style, | 0:07:04 | 0:07:06 | |
but I think it's probably quite a bit later. | 0:07:06 | 0:07:08 | |
-'50s, '60s, maybe. -What sort of value do you think we're looking at? | 0:07:08 | 0:07:12 | |
I don't know. We'll have to go and ask. | 0:07:12 | 0:07:14 | |
-You have a little look here while I go and have a word. -Thank you. | 0:07:14 | 0:07:17 | |
Whilst the Blues wait on a price for the bowl, | 0:07:17 | 0:07:20 | |
David has a challenge for the Reds. | 0:07:20 | 0:07:22 | |
There's a good tester, then - what is that? | 0:07:22 | 0:07:25 | |
-Pewter? -Some sort of mould? | 0:07:25 | 0:07:27 | |
-Oh, no, it's... -What's it for? | 0:07:27 | 0:07:29 | |
-Feel it, it's lead, isn't it? -Is it lead? -Got to be lead, hasn't it? | 0:07:29 | 0:07:32 | |
Got the weight of lead, hasn't it? | 0:07:32 | 0:07:34 | |
What was it made for, do you think? | 0:07:34 | 0:07:36 | |
-Tobacco? -Well done, you! | 0:07:37 | 0:07:39 | |
-Did that just come to you from nowhere? -Yeah. | 0:07:39 | 0:07:41 | |
But do you like it? Do you love it or not? | 0:07:41 | 0:07:43 | |
-I like it, but I don't know what you'd use it for. -Are we saying no? | 0:07:43 | 0:07:47 | |
-Yes. -I say no. | 0:07:47 | 0:07:48 | |
OK. We're saying no. | 0:07:48 | 0:07:50 | |
Kate has chatted to a shy stallholder | 0:07:50 | 0:07:52 | |
away from our cameras and now has a price update on the glass bowl. | 0:07:52 | 0:07:56 | |
Right, guys, I thought it was rather nice. | 0:07:56 | 0:07:58 | |
-Go on. -The stallholder thinks it is period, it's '30s, | 0:07:58 | 0:08:02 | |
and it's very definitely French. | 0:08:02 | 0:08:04 | |
-The bad news is... -Yes? | 0:08:04 | 0:08:07 | |
-..it's £190! -Oh, dear. | 0:08:07 | 0:08:09 | |
That's the best price, so obviously that's a huge chunk of our budget. | 0:08:09 | 0:08:13 | |
-No? -No. -No, no. | 0:08:13 | 0:08:16 | |
We can always come back to it, so we'll put it back for now | 0:08:16 | 0:08:19 | |
and have a little think. Carefully put it back. | 0:08:19 | 0:08:22 | |
Move on and have a think, Blues. | 0:08:22 | 0:08:24 | |
Seems the Reds are of the same mind. | 0:08:24 | 0:08:27 | |
Right, you two, you've had two or three good warm-ups, right? | 0:08:27 | 0:08:32 | |
-But you've bought nothing and you've had... -They're rubbish! | 0:08:32 | 0:08:34 | |
..21 minutes. | 0:08:34 | 0:08:37 | |
Hey, no need to panic, | 0:08:37 | 0:08:38 | |
because neither have the Blues. However, they look set for takeoff. | 0:08:38 | 0:08:42 | |
Whoo! | 0:08:43 | 0:08:45 | |
What do you think, guys? | 0:08:45 | 0:08:46 | |
-That's different, innit? -That's a bit of fun. | 0:08:46 | 0:08:48 | |
Little bit of a chip to the paint there. | 0:08:48 | 0:08:51 | |
Douglas DC-3, that's the plane. | 0:08:51 | 0:08:53 | |
That's not liable to be silver on top, is it? | 0:08:53 | 0:08:55 | |
No, that's chrome-plated. | 0:08:55 | 0:08:57 | |
Do you think the plane's a 1950s plane? | 0:08:58 | 0:09:00 | |
No, I'd say it's an earlier plane, maybe? | 0:09:00 | 0:09:02 | |
Hmm, I'm not sure. | 0:09:02 | 0:09:04 | |
I'd say the lighter's probably '70s. Difficult to say. | 0:09:04 | 0:09:06 | |
What about the price? | 0:09:06 | 0:09:08 | |
35 is on there. | 0:09:08 | 0:09:09 | |
I'd really like it at £10-£15, I think. | 0:09:09 | 0:09:11 | |
I think somebody would have a go at that for a bit of fun. | 0:09:11 | 0:09:14 | |
-I think so, yeah. -What do you think? -I think it's got to be 30 quid. | 0:09:14 | 0:09:17 | |
-Really. -It's got to be 30? -Yeah. | 0:09:17 | 0:09:19 | |
What do you think? | 0:09:21 | 0:09:22 | |
I don't know. I'd prefer, like you said... | 0:09:22 | 0:09:24 | |
-I think that could be the quirky item we're looking for. -Could be for 25. | 0:09:24 | 0:09:27 | |
Does it come with a full fuel tank? | 0:09:27 | 0:09:29 | |
-Would have paid 28 for a full tank. -STALLHOLDER: 25 quid. | 0:09:31 | 0:09:33 | |
-25? -Yeah. -What do you reckon, guys? | 0:09:33 | 0:09:36 | |
-I think so. -Let's go for it. -Is that OK? | 0:09:36 | 0:09:38 | |
-It's a good boy's toy. -Yeah, yeah. | 0:09:38 | 0:09:40 | |
-Thank you very much. -Thank you very much, young man. | 0:09:40 | 0:09:43 | |
-OK. -Thank you. | 0:09:43 | 0:09:44 | |
Fasten your seat belts - the Blues are away. | 0:09:44 | 0:09:47 | |
Despite the huge number of dealers here, | 0:09:47 | 0:09:49 | |
just as soon as the Blues jet off... | 0:09:49 | 0:09:51 | |
-Art-Deco tiles. -..the Reds check in at the same stall. | 0:09:51 | 0:09:55 | |
Amy, you like that, eh? | 0:09:55 | 0:09:57 | |
-I do. -And they match your trousers, David. | 0:09:57 | 0:10:00 | |
Well, I'm going to do a bit more testing on you two. | 0:10:00 | 0:10:02 | |
Quite heavy. | 0:10:02 | 0:10:04 | |
I like the colours. I really like the colours. | 0:10:04 | 0:10:06 | |
Do you like the design? | 0:10:06 | 0:10:08 | |
I do, actually. I like the fact it's all crackled as well. | 0:10:08 | 0:10:11 | |
That's probably the finish, actually. | 0:10:11 | 0:10:13 | |
That's probably how they were originally. | 0:10:13 | 0:10:15 | |
It's Art Nouveau. | 0:10:15 | 0:10:16 | |
Yeah, very clever(!) You've just read that. | 0:10:16 | 0:10:19 | |
What date does that mean? | 0:10:19 | 0:10:20 | |
I'm sure it's 1920s. | 0:10:20 | 0:10:22 | |
-So wrong. -I got it the wrong way round. | 0:10:22 | 0:10:24 | |
You did. '20s is Art Deco. | 0:10:24 | 0:10:26 | |
-BOTH: Oh! -1925 onwards. | 0:10:26 | 0:10:28 | |
Art Nouveau - 1890 to about the beginning of the First World War, | 0:10:28 | 0:10:32 | |
because if you think about it, | 0:10:32 | 0:10:34 | |
when the First World War arrives in 1914, | 0:10:34 | 0:10:37 | |
no-one is that interested | 0:10:37 | 0:10:38 | |
in all these flash, floral, organic designs, | 0:10:38 | 0:10:41 | |
because the world is just exploding, | 0:10:41 | 0:10:43 | |
so Art Nouveau pretty much comes to an end. | 0:10:43 | 0:10:45 | |
So what do we think about the cracks, though? | 0:10:45 | 0:10:47 | |
-Well, the crazing is OK, the cracks aren't good. -No. | 0:10:47 | 0:10:51 | |
Shall we ask this lovely gentleman? | 0:10:51 | 0:10:53 | |
Allowing for the fact that four are broken, | 0:10:53 | 0:10:55 | |
I put it at 145, | 0:10:55 | 0:10:57 | |
so I'm not too far away from that, so I will take 120. | 0:10:57 | 0:11:02 | |
I'm going to let Amy be the decider. | 0:11:02 | 0:11:05 | |
As she wanted an Art-Deco/Art-Nouveau piece. | 0:11:05 | 0:11:09 | |
-So basically the responsibility is on your shoulders. -Fantastic(!) | 0:11:09 | 0:11:13 | |
-I'm feeling so relaxed right now. -So am I! | 0:11:13 | 0:11:14 | |
If it all goes wrong, it's got nothing to do with us. | 0:11:14 | 0:11:17 | |
This now, that's it? That's the bet? | 0:11:17 | 0:11:18 | |
-We'll have them. -We're going to do it. | 0:11:18 | 0:11:20 | |
Thank you very much. Shake the man's hand. | 0:11:20 | 0:11:22 | |
- Thank you very much. - Thank you. | 0:11:22 | 0:11:24 | |
So after half an hour out on the tiles with David, | 0:11:24 | 0:11:28 | |
the Reds make their first purchase. | 0:11:28 | 0:11:30 | |
Over to the Blues and Craig is playing detective. | 0:11:30 | 0:11:33 | |
There's a name here. | 0:11:33 | 0:11:35 | |
Kate, for the stamp, JC Vickery, is that? | 0:11:35 | 0:11:38 | |
Let's have a little look. | 0:11:38 | 0:11:39 | |
JC Vickery. | 0:11:39 | 0:11:41 | |
That's quite nice. Regents Street, | 0:11:41 | 0:11:44 | |
-and the maker, yes, JCV you've got as the initials on there. -Yep. | 0:11:44 | 0:11:49 | |
-How much is that, please? -95, that one. -95. | 0:11:49 | 0:11:52 | |
It's a lovely quality piece. | 0:11:52 | 0:11:54 | |
Is there any movement on that at all, on the price? | 0:11:54 | 0:11:57 | |
Not a lot. I can go ten, 85. | 0:11:57 | 0:12:00 | |
-85. -I paid a fair bit for it. -Yeah. | 0:12:00 | 0:12:02 | |
-It's lovely condition. -It is a lovely quality piece. | 0:12:02 | 0:12:05 | |
85... | 0:12:05 | 0:12:07 | |
CRAIG: I think it's too much. | 0:12:07 | 0:12:08 | |
-I don't think it's going to bring us a huge profit. -No. -No. | 0:12:08 | 0:12:10 | |
Unfortunately. It's a lovely thing, | 0:12:10 | 0:12:12 | |
but at auction I don't think it's going to bring us very much. | 0:12:12 | 0:12:15 | |
Yep, if you're unsure, move on, Blues. | 0:12:16 | 0:12:18 | |
Now, I've got the chance to have a poke around. | 0:12:18 | 0:12:21 | |
But talk about a distraction! | 0:12:21 | 0:12:23 | |
Oh, hello, Tim! | 0:12:23 | 0:12:25 | |
Ah, this is a moment, isn't it? | 0:12:25 | 0:12:28 | |
-Look at those trousers. -I knew you'd be jealous. | 0:12:28 | 0:12:31 | |
Did you buy 'em here? | 0:12:31 | 0:12:32 | |
-I did not! -BOTH: They had to be specially made! | 0:12:32 | 0:12:36 | |
-Anyway, how's the shop going? All right? -Oh, it's very stressful. | 0:12:36 | 0:12:39 | |
Have you bought anything yet? | 0:12:39 | 0:12:40 | |
-Yes, one thing. -One thing? -Yes. -On his recommendation? | 0:12:40 | 0:12:43 | |
-No. -It's on my head. | 0:12:43 | 0:12:46 | |
Is it? Oh, Amy. | 0:12:46 | 0:12:48 | |
You've got Dawn patrol with you, haven't you? | 0:12:48 | 0:12:50 | |
-Who's going to be there for you. -She's reining me in a bit. | 0:12:50 | 0:12:53 | |
Make sure everything's all right. | 0:12:53 | 0:12:55 | |
-Yes? -Yes! -Anyway, very good luck, all right? | 0:12:55 | 0:12:57 | |
-Well done, team. -See you soon! -Bye! -Thank you! | 0:12:57 | 0:13:00 | |
-There's another minute wasted! -Yep. | 0:13:00 | 0:13:02 | |
I'll give you a minute wasted. | 0:13:02 | 0:13:04 | |
In this game, it's all about seat-of-your-pants stuff. | 0:13:04 | 0:13:08 | |
Anyway, moving on and Steve is still looking | 0:13:08 | 0:13:10 | |
for that elusive piece of glass. | 0:13:10 | 0:13:13 | |
Thank you very much. | 0:13:13 | 0:13:14 | |
-Look at that! -That's different, isn't? | 0:13:15 | 0:13:17 | |
You could say that. | 0:13:17 | 0:13:19 | |
It's very tactile, isn't it? | 0:13:19 | 0:13:21 | |
-That's... What do you reckon, Craig? -That's quite nice, actually. | 0:13:21 | 0:13:24 | |
-I do like that. -Can I just have a look at the bottom? | 0:13:24 | 0:13:26 | |
-There's certainly not much age to that. -Isn't there? | 0:13:26 | 0:13:29 | |
You're being very diplomatic, Kate. | 0:13:29 | 0:13:31 | |
I think the bloke who was heating it up | 0:13:31 | 0:13:33 | |
it seems he was trying to get it off the end of his thing | 0:13:33 | 0:13:35 | |
and it kept twisting round and he's ended up with that! | 0:13:35 | 0:13:38 | |
You're not selling it to me. | 0:13:38 | 0:13:40 | |
I'm trying to get the price down before we start. | 0:13:40 | 0:13:42 | |
What sort of price are we looking at? | 0:13:42 | 0:13:45 | |
I'd do that one for £20. | 0:13:45 | 0:13:46 | |
You've got to imagine this in a saleroom full of antiques. | 0:13:46 | 0:13:51 | |
It has its own niche - it is a piece of Murano, | 0:13:51 | 0:13:55 | |
it's not pretending to be old. | 0:13:55 | 0:13:56 | |
-Would you class that as an antique of the future? -Er... | 0:13:56 | 0:13:59 | |
If somebody bought that now, | 0:13:59 | 0:14:00 | |
would they think, "In a couple of years' time, I think that'd look..." | 0:14:00 | 0:14:03 | |
They could put it back in auction and think, "Hmm..." | 0:14:03 | 0:14:05 | |
I think you need more than a couple of years. | 0:14:05 | 0:14:07 | |
-Couple? You sure? -Yeah, like, quite a lot more than a couple of years. | 0:14:07 | 0:14:10 | |
It's not going to cost us a lot of money if it goes wrong. | 0:14:10 | 0:14:13 | |
It's not, | 0:14:13 | 0:14:15 | |
but then we could buy something else which could get us a good profit, | 0:14:15 | 0:14:18 | |
so we're buying that instead of something which has more potential. | 0:14:18 | 0:14:22 | |
I know, I can see how struck you are on it. | 0:14:22 | 0:14:25 | |
There is Murano collectors as well, isn't there? | 0:14:25 | 0:14:27 | |
There are Murano collectors indeed, yeah. | 0:14:27 | 0:14:29 | |
Now you've done it, haven't you? | 0:14:29 | 0:14:30 | |
-You certainly wanted a piece of glass, didn't you? -I did. | 0:14:30 | 0:14:33 | |
-Is it worth a punt? -I think so. | 0:14:33 | 0:14:36 | |
-I think so. -OK, let's make a decision. | 0:14:36 | 0:14:38 | |
-Time's ticking. -That's what I'm thinking. | 0:14:38 | 0:14:40 | |
You're not letting go of it, I can see. | 0:14:40 | 0:14:42 | |
-Could you take a £10 note, madam? -15. | 0:14:42 | 0:14:44 | |
We've got to put it into auction. | 0:14:44 | 0:14:47 | |
Meet me in the middle. | 0:14:47 | 0:14:48 | |
-12. -Have we got a deal? | 0:14:48 | 0:14:50 | |
Yeah, I think we have. Lovely, thank you very much. Thank you. | 0:14:50 | 0:14:53 | |
Ta, ducky. Thank you. | 0:14:53 | 0:14:54 | |
OK, despite Kate's reservations, | 0:14:56 | 0:14:58 | |
the Blues have found their second item, well done. | 0:14:58 | 0:15:01 | |
Now, I have a sticky question for you. | 0:15:01 | 0:15:03 | |
What's a stick pin? | 0:15:03 | 0:15:05 | |
Well, if you want an example of a dead bog-standard stick pin, | 0:15:05 | 0:15:11 | |
this is it. | 0:15:11 | 0:15:13 | |
A slab of gold that's been cut in a heart shape | 0:15:13 | 0:15:17 | |
and then inset with a seed pearl. | 0:15:17 | 0:15:20 | |
You can use them simply to put in a lapel, like this one, | 0:15:20 | 0:15:24 | |
to show that you're in love, | 0:15:24 | 0:15:26 | |
or you could use it, perhaps, as a tie pin, | 0:15:26 | 0:15:29 | |
with a little protector on the end. | 0:15:29 | 0:15:32 | |
If you decided to start your collection of stick pins today, | 0:15:32 | 0:15:37 | |
that one, as a little sweetheart stick pin in gold, | 0:15:37 | 0:15:42 | |
might cost you £30. | 0:15:42 | 0:15:45 | |
Now, this one is much more utilitarian. | 0:15:45 | 0:15:49 | |
M-O-T-H stands for the Memorable Order of Tin Hats. | 0:15:49 | 0:15:55 | |
This is a club that was available to service people | 0:15:55 | 0:15:58 | |
who had served in the First World War, | 0:15:58 | 0:16:00 | |
founded in 1927 in Durban, South Africa, | 0:16:00 | 0:16:05 | |
but it was a place for ex-service people to go | 0:16:05 | 0:16:08 | |
and remember their time in that ghastly conflict, | 0:16:08 | 0:16:12 | |
but because it's non-precious metal, | 0:16:12 | 0:16:15 | |
you could buy it here in Peterborough | 0:16:15 | 0:16:17 | |
for just £3. | 0:16:17 | 0:16:19 | |
But the piece de resistance is in the leather case - | 0:16:19 | 0:16:22 | |
the stick pin case from heaven, | 0:16:22 | 0:16:25 | |
with its gorgeous, rich, green gilt interior | 0:16:25 | 0:16:30 | |
and this stick pin is a cracker. | 0:16:30 | 0:16:35 | |
Look carefully at the mount - it's a tooth from a shark, | 0:16:35 | 0:16:40 | |
once was in the jaws of a shark off the coast of Australia. | 0:16:40 | 0:16:46 | |
How do I know it was off the coast of Australia? | 0:16:46 | 0:16:49 | |
Well, look at the name stamped into the gold on the top. | 0:16:49 | 0:16:54 | |
It's stamped with the maker's name, Basse, | 0:16:54 | 0:16:57 | |
above some numerals which read "15 carat". | 0:16:57 | 0:17:01 | |
this is 15-carat gold that once upon a time was mined | 0:17:01 | 0:17:05 | |
from the South Australian gold reefs | 0:17:05 | 0:17:08 | |
and was formed by an Australian goldsmith called Basse. | 0:17:08 | 0:17:13 | |
What would it cost you? | 0:17:13 | 0:17:15 | |
Well, if you found a dealer who couldn't read the mark, | 0:17:15 | 0:17:18 | |
who didn't realise that Basse was a South Australian goldsmith, | 0:17:18 | 0:17:24 | |
you might be able to buy it for £80 or £90. | 0:17:24 | 0:17:28 | |
On the other hand, if you know all that | 0:17:29 | 0:17:32 | |
and you were to sell it in South Australia, | 0:17:32 | 0:17:34 | |
you'd be quite likely to get the top end | 0:17:34 | 0:17:37 | |
of 500 Australian dollars for it. | 0:17:37 | 0:17:41 | |
And at that, you really ought to bite the dealer's hand off. | 0:17:41 | 0:17:44 | |
Now, back to the shopping, | 0:17:46 | 0:17:47 | |
and are the Reds about to bite a dealer's hands off | 0:17:47 | 0:17:51 | |
to buy their next item? | 0:17:51 | 0:17:52 | |
Remember, purchase-wise, it's 2-1 up to the Blues. | 0:17:52 | 0:17:55 | |
I've got to tell you something - I love an object there. | 0:17:56 | 0:17:59 | |
-That? -Yeah. Shall I tell you what it is? -You'll have to tell us. | 0:18:01 | 0:18:04 | |
-It's a knife box. -Knife box? -A knife box. From 1770, 1790. | 0:18:04 | 0:18:10 | |
There should be a sectioned interior... | 0:18:10 | 0:18:13 | |
And there isn't, no sectioned interior. | 0:18:13 | 0:18:16 | |
-You've got parquetry decoration on the interior. -I do love that. | 0:18:16 | 0:18:19 | |
I love the inside of the lid. | 0:18:19 | 0:18:21 | |
-Yeah, that's about as much as I love, really! -Really? -Yes. | 0:18:21 | 0:18:24 | |
-You don't love the whole body of it? The shape of it? -No! | 0:18:24 | 0:18:28 | |
-But it is a usable thing. -It's been loved a bit too much. | 0:18:28 | 0:18:31 | |
-But that's its character, if you look at... -It's from the 1700s! | 0:18:31 | 0:18:34 | |
-How much is it? -I don't know. I'm going to find out. | 0:18:34 | 0:18:36 | |
-What have we got on the beaten-up knife box? -55. -Really? -Yeah. | 0:18:36 | 0:18:41 | |
-55! It's really beaten up. -Nice try, Dawn. -Lovely colour, though. | 0:18:41 | 0:18:46 | |
-This is lovely. -It's a good colour, the colour is the best part. | 0:18:46 | 0:18:49 | |
The colour is delicious. And the shape is very good. | 0:18:49 | 0:18:52 | |
For me, it's one of my first loves, wood, mahogany, | 0:18:52 | 0:18:54 | |
British cabinet-making. | 0:18:54 | 0:18:56 | |
You passed the responsibility of the tiles to me, | 0:18:56 | 0:19:00 | |
so I'm passing the responsibility of this to you. | 0:19:00 | 0:19:03 | |
If we can get it for 30 quid, it would be... | 0:19:03 | 0:19:06 | |
-I would be happier if it was 30. -I'd be happy at that. | 0:19:06 | 0:19:09 | |
-I can do 45. -45. | 0:19:09 | 0:19:11 | |
-40? Go on. -I can do 40. -40 quid, are we going to have it for 40 quid? | 0:19:11 | 0:19:17 | |
Yes, shake his hand. | 0:19:17 | 0:19:19 | |
-Thank you very much. -Thank you. -Appreciated. Brilliant, lovely. | 0:19:19 | 0:19:23 | |
So, living life on a knife edge, the Reds acquired their second item. | 0:19:23 | 0:19:28 | |
Well done, girls. It's now two-all. | 0:19:28 | 0:19:30 | |
Right, we've got 15 minutes, 15 minutes, you! | 0:19:30 | 0:19:34 | |
-Get moving! -Run, Amy, run! | 0:19:34 | 0:19:37 | |
So, we've got one more item to find, guys. | 0:19:37 | 0:19:38 | |
We haven't spent very much money, so let's find something a bit neater. | 0:19:38 | 0:19:42 | |
Time is ticking, I can't believe how hard this is. | 0:19:42 | 0:19:45 | |
I'm going to start piling the pressure on in a minute. | 0:19:45 | 0:19:47 | |
OK, come on, then. | 0:19:47 | 0:19:48 | |
-OK, let's focus in. -Focus, yeah. -OK. | 0:19:51 | 0:19:54 | |
Yes, focus, teams! | 0:19:54 | 0:19:56 | |
-Look at you two! -Oh, look! -Aren't they gorgeous? | 0:19:56 | 0:19:59 | |
-Oh, my God! -Oh! -We're having a party! | 0:19:59 | 0:20:03 | |
Now, come on, teams, that third item is out there somewhere. | 0:20:03 | 0:20:07 | |
12 minutes, fellas, 12 minutes! Right, where are we going to go? | 0:20:07 | 0:20:12 | |
Don't panic, don't panic! | 0:20:12 | 0:20:14 | |
But the Blues have just remembered something they spotted earlier. | 0:20:14 | 0:20:18 | |
It was really nice quality. Do you want to run back and have a chat? | 0:20:18 | 0:20:22 | |
-I think so, yeah. -Yes? -I think so. | 0:20:22 | 0:20:24 | |
Go for it. | 0:20:24 | 0:20:25 | |
Panic really is starting to set in. Come on, Blues, get those knees up! | 0:20:25 | 0:20:30 | |
-Seven minutes. -Oh, no! Oh, no! -OK, seven minutes. -Right. | 0:20:30 | 0:20:34 | |
-OK, do we still like it? -I do like it, yeah. | 0:20:39 | 0:20:42 | |
-You said you wanted something shiny, didn't you? -Something quirky. | 0:20:42 | 0:20:46 | |
And it's lovely quality. What is your absolute best, sir? | 0:20:46 | 0:20:49 | |
-80 has got to be the best. -Come on. -I can't go any lower. | 0:20:49 | 0:20:52 | |
-I think we should go for it. -Yeah? | 0:20:52 | 0:20:55 | |
I think at auction, it is the top end, | 0:20:55 | 0:20:57 | |
but it is a lovely quality thing. | 0:20:57 | 0:20:59 | |
You've got the name on it, you've got the makers | 0:20:59 | 0:21:01 | |
and the retailers, it's in great condition, it has got a chance. | 0:21:01 | 0:21:05 | |
-Let's go for it. -Yeah. -Thank you very much. | 0:21:05 | 0:21:07 | |
-Thank you. -Lovely. Thanks. | 0:21:07 | 0:21:09 | |
And with that, the Blues make | 0:21:09 | 0:21:10 | |
their third and final purchase. Congratulations! | 0:21:10 | 0:21:14 | |
Well, some might call it a cricket table, | 0:21:15 | 0:21:17 | |
only because it has got a cricket scene... Oh, dear! | 0:21:17 | 0:21:20 | |
Oh, Lordy. | 0:21:20 | 0:21:21 | |
-Right, that just needs a little bit of restoration... -Really? | 0:21:21 | 0:21:24 | |
But with only a few minutes left, the Reds are still hunting. | 0:21:24 | 0:21:28 | |
You two are not leaving until you have bought something. | 0:21:28 | 0:21:31 | |
-OK, OK. -What if we don't like it? | 0:21:31 | 0:21:33 | |
I don't care, you've got three minutes and 35 seconds. | 0:21:33 | 0:21:36 | |
-You have no choice! Stop being distracting! -Sorry. -Mini axe? | 0:21:36 | 0:21:40 | |
We might need that! | 0:21:40 | 0:21:42 | |
Three minutes. | 0:21:42 | 0:21:44 | |
I don't want this. | 0:21:44 | 0:21:45 | |
-There is a Deco clock. -What's in that cabinet? | 0:21:45 | 0:21:47 | |
It is a smoker's cabinet. Edwardian. | 0:21:47 | 0:21:50 | |
So, that is mahogany with some satinwood banding, | 0:21:50 | 0:21:53 | |
that's quite nice. There is your mixing pot. | 0:21:53 | 0:21:57 | |
What's the best on the tobacco cabinet? | 0:21:57 | 0:22:00 | |
-75? -75, could be 60. | 0:22:00 | 0:22:03 | |
-I quite like it. -I quite like it as well, I think you could get it. | 0:22:03 | 0:22:06 | |
What do you think? | 0:22:06 | 0:22:07 | |
OK, so, it's mahogany, and look, the side linings of the drawers | 0:22:07 | 0:22:12 | |
are also mahogany, that's a good sign of quality. | 0:22:12 | 0:22:15 | |
-There is the original lock, missing its pipes... -How old? | 0:22:15 | 0:22:18 | |
-Edwardian, 1910, so it is a Georgian revival peace. -I really like that. | 0:22:18 | 0:22:23 | |
-Do you like it? We've got 30 seconds. Take your time! -I love it. | 0:22:23 | 0:22:27 | |
-We'll buy it, we'll buy it! -We both love it. -Thank you very much indeed. | 0:22:27 | 0:22:32 | |
-Thank you. -Thank you very much. | 0:22:32 | 0:22:35 | |
You two have been a complete and utter nightmare. | 0:22:35 | 0:22:37 | |
At last, Reds, congratulations! | 0:22:37 | 0:22:40 | |
There has been an awful lot of flying around on today's show. | 0:22:40 | 0:22:43 | |
-Gosh! -I feel I might faint. | 0:22:43 | 0:22:45 | |
CLOCKS TICK | 0:22:45 | 0:22:48 | |
Stop bugging me, will you? Ha-ha! | 0:22:48 | 0:22:50 | |
60 minutes are up, | 0:22:50 | 0:22:51 | |
let's buzz off and check out what the Red team bought, eh? | 0:22:51 | 0:22:54 | |
A set of 12 Art-Nouveau tiles set them back £120. | 0:22:57 | 0:23:02 | |
They forked out £40 for a George III mahogany cutlery box. | 0:23:04 | 0:23:08 | |
And finally, a mahogany smoker's cabinet was bought for £60. | 0:23:11 | 0:23:16 | |
-Amy, Dawn... -Hello. -How was it? -It was fantastic. -Was it? | 0:23:17 | 0:23:22 | |
But nerve-racking! | 0:23:22 | 0:23:23 | |
-Yes. And only an hour, right? -Oh, my goodness! -Just ridiculous. | 0:23:23 | 0:23:27 | |
-Completely underestimated the... -Amy, how much did you spend? | 0:23:27 | 0:23:30 | |
-We spent £220. -£220, lovely number. | 0:23:30 | 0:23:33 | |
Who has got the £80 of leftover lolly? You do? | 0:23:33 | 0:23:36 | |
Thank you very much, that's very kind of you. | 0:23:36 | 0:23:39 | |
Now, which is your favourite piece, Amy? | 0:23:39 | 0:23:41 | |
-Going to have to go with my tiles. -The tiles. | 0:23:41 | 0:23:44 | |
-Do you agree with that, Dawn? -No, I think the cabinet is better. | 0:23:44 | 0:23:47 | |
-Which piece will bring the biggest profit, Dawn? -The cabinet. | 0:23:47 | 0:23:50 | |
The Dawn patrol says the cabinet! Do you agree with that, Amy? | 0:23:50 | 0:23:53 | |
-It's going to have to be the tiles again. -Well, OK! | 0:23:53 | 0:23:55 | |
It's still about those tiles. | 0:23:55 | 0:23:58 | |
-Controversial! -Right, you had a good shop up, David. There is £80. | 0:23:58 | 0:24:00 | |
Absolutely, and right to the wire, Tim. To the wire, wasn't it? | 0:24:00 | 0:24:05 | |
-To the second, every second. -Good luck with your spend, David. | 0:24:05 | 0:24:08 | |
Meanwhile, why don't we check out what the Blue team bought? | 0:24:08 | 0:24:12 | |
They took off with a Douglas DC-3 aircraft cigarette lighter, for £25. | 0:24:12 | 0:24:17 | |
£12 was sculpted from their budget to buy the piece of Murano glass. | 0:24:18 | 0:24:23 | |
And they spent £80 on the last item, a JC Vickery circular silver box. | 0:24:25 | 0:24:31 | |
Now, Steve, Craig, how did you get on with Kate Bliss, all right? | 0:24:33 | 0:24:35 | |
-Spot-on. -Very good, very professional. -She certainly is. | 0:24:35 | 0:24:39 | |
What she doesn't know is nobody's business, right? | 0:24:39 | 0:24:42 | |
-And very blonde as well. -And very blonde! -A bit like my eyebrows. | 0:24:42 | 0:24:45 | |
HE CACKLES | 0:24:45 | 0:24:47 | |
Well, that's one way of putting it, I suppose! | 0:24:47 | 0:24:50 | |
I bet you put in better double glazing than she does, right? | 0:24:50 | 0:24:52 | |
I've not seen her double glazing yet, but I'm pretty confident. | 0:24:52 | 0:24:55 | |
-Now, tell me, how much did you spend, Steve? -£117. | 0:24:55 | 0:24:59 | |
£117, I would like £183, please, of leftover lolly. | 0:24:59 | 0:25:05 | |
Craig, thank you very much, £183. | 0:25:05 | 0:25:08 | |
Now, Craig, which is your favourite piece? | 0:25:08 | 0:25:10 | |
My favourite piece has got to be the silver round box. | 0:25:10 | 0:25:12 | |
-OK, do you agree with that, Steve? -I'm OK with that one, yeah. -Lovely. | 0:25:12 | 0:25:16 | |
And which bit will bring the biggest profit, Stevie? | 0:25:16 | 0:25:18 | |
I'm going again for my little Murano sculpture. | 0:25:18 | 0:25:20 | |
-And do you agree with that, Craig? -Er... No. | 0:25:20 | 0:25:24 | |
What do you think will bring the biggest amount? | 0:25:24 | 0:25:26 | |
I think the aeroplane, the lighter with the aeroplane. | 0:25:26 | 0:25:29 | |
The lighter with the aeroplane on it. | 0:25:29 | 0:25:31 | |
Well, those are our predictions, lovely. | 0:25:31 | 0:25:32 | |
The next thing that's going to be difficult to predict is | 0:25:32 | 0:25:35 | |
-exactly what Kate is going to buy. -Yes. Wouldn't you like to know! | 0:25:35 | 0:25:38 | |
-Be gentle. -I can tell you one thing. | 0:25:38 | 0:25:41 | |
It won't be Murano glass! | 0:25:41 | 0:25:44 | |
-HE LAUGHS -Well, thank you for that. | 0:25:44 | 0:25:47 | |
Anyway, good luck, chaps, have a nice cup of tea, and good luck, Kate. | 0:25:47 | 0:25:51 | |
Now it's time to catch up with our auctioneer. | 0:25:51 | 0:25:55 | |
How lovely is this, to be at Richard Winterton's Lichfield saleroom, | 0:25:56 | 0:26:01 | |
with Richard Winterton himself? | 0:26:01 | 0:26:03 | |
And what a mixture of objects we've got. How exciting! | 0:26:03 | 0:26:05 | |
We've got 12 Art-Nouveau tiles in this frame, which is | 0:26:05 | 0:26:09 | |
pretty hot, isn't it? | 0:26:09 | 0:26:11 | |
-Mm, OK. -What do you mean, OK? -What would you do with it? | 0:26:11 | 0:26:16 | |
I think the thing is, because they are so stylish, in that German, | 0:26:16 | 0:26:20 | |
late Art Nouveau way, I think that's the whole point of it, isn't it? | 0:26:20 | 0:26:24 | |
It's all happening there in a kind of sick, pea-green colour, | 0:26:24 | 0:26:28 | |
which would be uber popular in Germany in 1900. | 0:26:28 | 0:26:34 | |
-You're really trying to sell it to me! -Yeah, I really am, Rich. | 0:26:34 | 0:26:37 | |
Because for me, that is a very stylish object, | 0:26:37 | 0:26:39 | |
you could put it as a hotplate or something... | 0:26:39 | 0:26:41 | |
To me, I think it would be better having them loose, you could do what you like with them. | 0:26:41 | 0:26:46 | |
We see loads at the back of a washstand. | 0:26:46 | 0:26:48 | |
Do you know, I've got a funny feeling that you no likey! | 0:26:48 | 0:26:51 | |
No, everything's got a price, it depends what they're going to pay for it, but we've put £40-£50, | 0:26:51 | 0:26:55 | |
because that's what you could pick up on the back of a washstand, | 0:26:55 | 0:26:58 | |
and you've got a nice washstand to go with it. | 0:26:58 | 0:27:00 | |
-£120, they paid. -To me, that is a lot of money for that. | 0:27:00 | 0:27:04 | |
You may well be right, actually. | 0:27:04 | 0:27:05 | |
On the other hand, the thrill of the auction is, | 0:27:05 | 0:27:07 | |
-you just can't tell what's going to happen. -You don't. | 0:27:07 | 0:27:10 | |
Moving on, though, to what is the most traditional and kind of | 0:27:10 | 0:27:14 | |
ordinary, in some ways, piece of 18th-century dining room kit. | 0:27:14 | 0:27:20 | |
-Our cutlery box. -I like things like this. Look at the shape of it. | 0:27:20 | 0:27:24 | |
And I know it's distressed, but people do like buying | 0:27:24 | 0:27:28 | |
it like that, in that condition, they can do what they like with it. | 0:27:28 | 0:27:31 | |
It's a nice thing. For £50-£80, that is a good buy for somebody. | 0:27:31 | 0:27:34 | |
-Brave man. £40 paid. -That's OK. -Isn't it good? | 0:27:34 | 0:27:37 | |
If you achieve the estimate, they will all be jumping up and down. | 0:27:37 | 0:27:40 | |
No, you will be jumping. | 0:27:40 | 0:27:42 | |
And lastly, we've got the Edwardian-looking piece of kit, | 0:27:42 | 0:27:45 | |
-a smoker's compendium. -It doesn't do a lot for me. | 0:27:45 | 0:27:49 | |
We see a lot of smoker's cabinets coming through. | 0:27:49 | 0:27:52 | |
It's not of any great quality. | 0:27:52 | 0:27:54 | |
And I can't see what else you would do with it. | 0:27:54 | 0:27:56 | |
And at 50 to 80, I might... Are we miles away? | 0:27:56 | 0:27:58 | |
No, £60, you are spot-on. You can value this kit, I tell you! | 0:27:58 | 0:28:04 | |
We are just a bit off on the secessionist tiles, | 0:28:04 | 0:28:07 | |
-but the rest of it, we're OK. -We are OK. | 0:28:07 | 0:28:09 | |
I think you are absolutely spot-on. But if the tiles | 0:28:09 | 0:28:12 | |
don't do well, in other words, you are right and I'm wrong, | 0:28:12 | 0:28:15 | |
they're going to need their bonus buy, | 0:28:15 | 0:28:17 | |
so let's go and have a look at it. | 0:28:17 | 0:28:19 | |
Amy, Dawn. Now, Amy, you've been in the wars, darling! | 0:28:19 | 0:28:23 | |
I have, a little bit, yes! | 0:28:23 | 0:28:25 | |
What happened, you met a dealer one dark night...? | 0:28:25 | 0:28:27 | |
-THEY LAUGH -No, seriously, what have you done? | 0:28:27 | 0:28:30 | |
-I was riding my friend's horse and we had a parting of ways. -Did you? | 0:28:30 | 0:28:34 | |
You fell off? Oh, dear, how embarrassing! | 0:28:34 | 0:28:36 | |
It was, a little bit, yes! | 0:28:36 | 0:28:37 | |
-But David, more to the point, had £80 of your leftover lolly. -OK. -Oh! | 0:28:37 | 0:28:41 | |
-So... That is a bit underwhelming! -It's not what I expected. | 0:28:41 | 0:28:46 | |
It is a fascinating thing, this, I've never seen anything like it. | 0:28:46 | 0:28:50 | |
Made by Doulton, incredibly good-quality maker, | 0:28:50 | 0:28:54 | |
and retailed by Phillips of Oxford Street, London. | 0:28:54 | 0:28:57 | |
But this is fascinating, the date of 1646, | 0:28:57 | 0:29:01 | |
obviously this is the period around the time of the Civil War, | 0:29:01 | 0:29:04 | |
so it is commemorating something from that time in 1896, | 0:29:04 | 0:29:09 | |
250 years after the event. | 0:29:09 | 0:29:13 | |
-I like it. -How much was it? | 0:29:13 | 0:29:16 | |
-I paid £50 for it. -Oh, OK. -It's different. It's different, David. | 0:29:16 | 0:29:21 | |
-Is that good? -DAWN LAUGHS | 0:29:21 | 0:29:22 | |
-Pretends she doesn't like it. -What did you think it will make? | 0:29:22 | 0:29:25 | |
It might make £100 - a Doulton collector, | 0:29:25 | 0:29:27 | |
somewhere in Australia, might be sat right now in his pyjamas, | 0:29:27 | 0:29:32 | |
ready to bid, that's the exciting bit. | 0:29:32 | 0:29:34 | |
We have a prediction here that Dave thinks it could make north of £50. | 0:29:34 | 0:29:37 | |
-I do. -Rather than south of £50. So, you girls think about it, | 0:29:37 | 0:29:41 | |
you don't have to decide right now. | 0:29:41 | 0:29:43 | |
But we will find out from our auctioneer of the moment | 0:29:43 | 0:29:46 | |
what he thinks about Dave's beaker. | 0:29:46 | 0:29:49 | |
Well, isn't that a gorgeous beaker? | 0:29:50 | 0:29:52 | |
It's got a bit of something going for it, it's not in bad shape, is it? | 0:29:52 | 0:29:55 | |
But it's the research that people would buy this for, | 0:29:55 | 0:29:57 | |
because it's got a registration mark on it, they'd find out about Phillips, | 0:29:57 | 0:30:01 | |
people who like this, that's what they like buying, | 0:30:01 | 0:30:03 | |
they will go off and do a bit of their own research on it. | 0:30:03 | 0:30:06 | |
And Doulton were so clever, because if you | 0:30:06 | 0:30:08 | |
look at the back, there is a seam, that looks like a bit of leather. | 0:30:08 | 0:30:11 | |
-So they tried to make, in stoneware, a leather vessel. -Yup. | 0:30:11 | 0:30:15 | |
That looks as if it is 17th-century, | 0:30:15 | 0:30:17 | |
but doing it at the end of the 19th century, and as you say, | 0:30:17 | 0:30:20 | |
for this commemorative purpose, it's all very clever. | 0:30:20 | 0:30:22 | |
It is very clever, and I always think they just don't make what they | 0:30:22 | 0:30:25 | |
should really make for the amount of work that has gone into it. | 0:30:25 | 0:30:28 | |
How much money do you think it will make? | 0:30:28 | 0:30:30 | |
We've got £30-£40, and it will probably make just the top | 0:30:30 | 0:30:33 | |
end of that, which is no money for that, really. It's a nice object. | 0:30:33 | 0:30:35 | |
£50 paid by David as a bonus buy. | 0:30:35 | 0:30:38 | |
I think it's a clever thing to find, and as you say, | 0:30:38 | 0:30:40 | |
with a bit of research, who knows? | 0:30:40 | 0:30:42 | |
OK, well, that's it for the Reds, thank you, Richard. | 0:30:42 | 0:30:45 | |
Moving on swiftly to the Blues, we have one of those lovely | 0:30:45 | 0:30:49 | |
DC-3 Dakota aircraft cigarette lighter jobbies. | 0:30:49 | 0:30:53 | |
-Always popular, always easy to sell. -What is it worth? | 0:30:53 | 0:30:57 | |
-£20-£30, all day long. -OK, £25 paid, so they paid the right price. | 0:30:57 | 0:31:02 | |
Now, you've got this Murano bit of glass. | 0:31:02 | 0:31:06 | |
To be really honest, Tim, I think it's an absolute load of nonsense. | 0:31:06 | 0:31:10 | |
Oh, great(!) | 0:31:10 | 0:31:12 | |
And for some reason, I put £20-£30 on it and for the life of me, | 0:31:12 | 0:31:15 | |
I don't know why. Because when you look at it, like, here, | 0:31:15 | 0:31:19 | |
it looks like the end has been cut off, and what would you do with it? | 0:31:19 | 0:31:22 | |
-It is modernist design, that's what it is. -It's just a twisty bit of... | 0:31:22 | 0:31:25 | |
It looks like leftover glass where someone has got bored, | 0:31:25 | 0:31:28 | |
they have twisted it all up and just sold it on. | 0:31:28 | 0:31:31 | |
-OK, well that's nice! Actually, your estimate is £30-£40. -Is it?! | 0:31:31 | 0:31:35 | |
-Oh, my gosh! -According to the catalogue, you've put £30-£40. | 0:31:35 | 0:31:39 | |
But do not fret, my old friend, because they only paid £12 for it. | 0:31:39 | 0:31:44 | |
So if you can get anything more than £12, you are an all-round hero. | 0:31:44 | 0:31:48 | |
Yes, that's about right. | 0:31:48 | 0:31:50 | |
Now, we've got a bit of quality for you. | 0:31:50 | 0:31:52 | |
The very nice Vickery circular box. | 0:31:52 | 0:31:55 | |
Did that, once upon a time, do you think, come from a dressing case? | 0:31:55 | 0:31:58 | |
I think you're spot-on, and it is corking quality, it's lovely. | 0:31:58 | 0:32:02 | |
-So, how much? -We've gone £70-£80, all day long. -OK, £80 paid. | 0:32:02 | 0:32:07 | |
-That is a good buy. -At a fair! -That is a good buy. | 0:32:07 | 0:32:11 | |
I frankly can't see much going wrong for that team, but if it does, they | 0:32:11 | 0:32:14 | |
will use their bonus buy, perhaps, so let's go and have a look at it. | 0:32:14 | 0:32:17 | |
Now, Steve, Craig, this is exciting, isn't it? | 0:32:17 | 0:32:20 | |
You spent only £117, you've risked it for a biscuit with Kate, | 0:32:20 | 0:32:24 | |
with £183. | 0:32:24 | 0:32:25 | |
Now, she's found something that is very appropriate for you chaps, | 0:32:25 | 0:32:28 | |
and Kate, reveal all. | 0:32:28 | 0:32:30 | |
-Well, we had a lot of fun, chaps, didn't we? -We did, yeah. | 0:32:30 | 0:32:34 | |
And for two cheeky fellas, I thought, | 0:32:34 | 0:32:36 | |
what more could you ask for than a pair of lady's bloomers? | 0:32:36 | 0:32:39 | |
-Oh, my word! -There we go. And I think it's better that way round. | 0:32:39 | 0:32:43 | |
-Right. -So, you've got front bloomers, back bloomers, | 0:32:43 | 0:32:46 | |
but it is, of course, a Vesta case. | 0:32:46 | 0:32:49 | |
Which, in itself, is very collectable. | 0:32:49 | 0:32:52 | |
Lift up the lid, that's where you put your matches. | 0:32:52 | 0:32:57 | |
I would say this is early 20th century in date, Edwardian, | 0:32:57 | 0:33:00 | |
pre-war, it is brass, as you can see, and on the bottom, | 0:33:00 | 0:33:06 | |
you've got this little serrated edge, any ideas what that's for? | 0:33:06 | 0:33:09 | |
-It's your striker, is it? -That's your striker. | 0:33:09 | 0:33:11 | |
Certainly, cheeky things are commercial. | 0:33:11 | 0:33:13 | |
And being a period piece as well, I think | 0:33:13 | 0:33:17 | |
-that's quite a desirable object. -How much did you pay? -How much? | 0:33:17 | 0:33:21 | |
-I paid £80. -80, OK. | 0:33:21 | 0:33:25 | |
What sort of price range are we looking at in auction? | 0:33:25 | 0:33:27 | |
This is a very collectable piece, so I think it's got a chance. | 0:33:27 | 0:33:32 | |
-I would probably estimate it, hand on heart, as £60-£80. -OK. | 0:33:32 | 0:33:36 | |
So, it's the top end, perhaps, of an auction price, but I still think... | 0:33:36 | 0:33:39 | |
-Possible small profit. -A possible teeny bit. -OK. | 0:33:39 | 0:33:42 | |
OK, we've gripped that, chaps. You don't decide right now, you decide later. | 0:33:42 | 0:33:46 | |
But right now, let's find out what the auctioneer thinks about Kate's little box. | 0:33:46 | 0:33:51 | |
-Right, so, Victorian bloomers... -OK. | 0:33:51 | 0:33:54 | |
With a hinged top and a serrated bottom. | 0:33:54 | 0:33:57 | |
-That can only mean one thing. -Good old Vesta case. -Strike a light! | 0:33:57 | 0:34:00 | |
-We see hundreds of them. -Hundreds of them? -Well, loads of those. -Of course. | 0:34:00 | 0:34:04 | |
-We do, all sorts of different and... -But, it's a novelty, isn't it? | 0:34:04 | 0:34:08 | |
-It is. -And it would amuse | 0:34:08 | 0:34:10 | |
a gentleman, who had never seen, perhaps, | 0:34:10 | 0:34:12 | |
ladies' underwear much himself, | 0:34:12 | 0:34:14 | |
to have his matches in such a thing, | 0:34:14 | 0:34:17 | |
and he would then offer it to some other old codger and... | 0:34:17 | 0:34:20 | |
-They would all have a little giggle. -A little nudge-nudge. | 0:34:20 | 0:34:23 | |
You see quite a few of these? | 0:34:23 | 0:34:25 | |
-We do. They make £30-£40. -Do they? Oh, dear, £80 paid by Kate Bliss. | 0:34:25 | 0:34:29 | |
But never mind, perhaps the team won't go with it. | 0:34:29 | 0:34:33 | |
On the other hand, perhaps they might. We'll find out in a minute. | 0:34:33 | 0:34:36 | |
-You taking the sale? -Yes. -Aah! We are in safe hands. | 0:34:36 | 0:34:40 | |
-Now, Dawn, Amy, how are you feeling? -Nervous. | 0:34:46 | 0:34:48 | |
You've hobbled over all right? I tell you, this saleroom is hot! | 0:34:48 | 0:34:52 | |
Look at all these people in here. | 0:34:52 | 0:34:54 | |
-Now, your 12 tiles, the auctioneer doesn't like them at all. -Oh, no! | 0:34:54 | 0:34:58 | |
-So, on that basis... -What does he know? | 0:34:58 | 0:35:01 | |
He has put £40-£50 on them, you paid £120, | 0:35:01 | 0:35:05 | |
so that is a high-risk strategy. And I just hope he's wrong, frankly. | 0:35:05 | 0:35:09 | |
Anyway, here come the tiles. | 0:35:09 | 0:35:11 | |
This set of 12 Art-Nouveau tiles, where are we going to start? | 0:35:11 | 0:35:15 | |
£20 I'm bid. £20, 25. £30, 35, £40. | 0:35:15 | 0:35:20 | |
£50, 50. £50 down here. | 0:35:20 | 0:35:22 | |
At £50 I'm bid, at £50 I'm bid, on my left at £50, | 0:35:22 | 0:35:26 | |
on my left at £50, internet, you're out, back of the room, | 0:35:26 | 0:35:29 | |
you're out, sold, then, at £50. | 0:35:29 | 0:35:33 | |
-Who liked those tiles?! -£50, minus £70. Now, the flatware box. | 0:35:33 | 0:35:38 | |
This is gorgeous. | 0:35:38 | 0:35:40 | |
The George III mahogany flatware box there, | 0:35:40 | 0:35:43 | |
£20 I'm bid. £20 I'm bid. | 0:35:43 | 0:35:45 | |
25, 30, 35, 40. 45, 45, the lady at 45. 45 at the back. | 0:35:45 | 0:35:52 | |
At 45, 45, 45. | 0:35:52 | 0:35:55 | |
You're in profit. | 0:35:55 | 0:35:56 | |
Lady at the back with 45, £45, all finished? | 0:35:56 | 0:36:00 | |
Sold at £45. | 0:36:00 | 0:36:02 | |
Plus £5. | 0:36:02 | 0:36:04 | |
Good, that means overall, you are minus 65, we are | 0:36:04 | 0:36:07 | |
going in the right direction. Now, here comes the cabinet. | 0:36:07 | 0:36:09 | |
With presentation plaque on the top dating 1920, | 0:36:09 | 0:36:13 | |
-£20 I'm bid, £20 I'm bid. At £20, the smoker's cabinet at £20. -No! | 0:36:13 | 0:36:19 | |
£25 I'm bid. Internet bid, 25 I'm bid. | 0:36:19 | 0:36:23 | |
-Internet bid, £30 at the back, £30 in the room. -Come on, come on! | 0:36:23 | 0:36:27 | |
£30 I'm bid, back of the room, sold at £30. | 0:36:27 | 0:36:32 | |
-£30 is cheap! -The sound of pain there. -Minus £30. | 0:36:32 | 0:36:35 | |
-Overall, you are minus £95, girls. -Oh, my gosh. | 0:36:35 | 0:36:39 | |
-It wasn't supposed to be like this, I know. -It wasn't. | 0:36:39 | 0:36:42 | |
That is seriously rough, but you're big girls, you can take it. | 0:36:42 | 0:36:45 | |
-I can, on the chin! -On the chin. | 0:36:45 | 0:36:47 | |
So, what are we going to do with the bonus buy, | 0:36:47 | 0:36:50 | |
-are you going to go with the Doulton beaker? -Yeah. -Yeah. | 0:36:50 | 0:36:52 | |
-Absolutely. -You've got nothing else to do, really! | 0:36:52 | 0:36:55 | |
What's the worst that could happen? | 0:36:55 | 0:36:57 | |
OK, we are going with the beaker, we believe in Dave's beaker, | 0:36:57 | 0:37:00 | |
-we trust him... -We do, we do! -And we are going with it. | 0:37:00 | 0:37:05 | |
Cross everything, kids. | 0:37:05 | 0:37:06 | |
The Doulton Lambeth stitched leatherware royal commemorative | 0:37:06 | 0:37:09 | |
beaker, commission bids on the book, straight in at £20. | 0:37:09 | 0:37:13 | |
£20 I'm bid, at £20. £20 bid. £20 in the room. Internet, you are out. | 0:37:13 | 0:37:17 | |
25, internet. 30 in the room. £30, 35, internet. £40, room. | 0:37:17 | 0:37:22 | |
-Internet, 45, 45, 45. At 45... -Five more, come on! | 0:37:22 | 0:37:28 | |
-45 in the room now, room is out. -It isn't even breaking even! | 0:37:28 | 0:37:31 | |
All done, sold at £45. | 0:37:31 | 0:37:34 | |
THEY SOB | 0:37:34 | 0:37:36 | |
That was horrible, that was horrible. | 0:37:36 | 0:37:39 | |
It's minus £5, which rounds it up to minus £100. | 0:37:40 | 0:37:44 | |
-That's all right, that's good! -A round figure! -Well done, girls. | 0:37:44 | 0:37:48 | |
Winners! | 0:37:48 | 0:37:50 | |
-In our own special kind of way. -They sold! | 0:37:50 | 0:37:52 | |
They sold, that's true! | 0:37:52 | 0:37:54 | |
-They sold. -Good thinking, positive thinking. | 0:37:54 | 0:37:56 | |
That's very, very, very, very positive, Dawn. | 0:37:56 | 0:37:59 | |
I've seen things that have not sold, though. | 0:37:59 | 0:38:02 | |
Listen, it has been such a bloodbath for you guys, | 0:38:02 | 0:38:04 | |
it's likely to be an equal bloodbath for the Blues. | 0:38:04 | 0:38:07 | |
-So, £100 - minus - could be a winning score! -Who knows? | 0:38:07 | 0:38:12 | |
Well, guys, you were cautious in your purchases, | 0:38:18 | 0:38:21 | |
which may be the right strategy today. | 0:38:21 | 0:38:23 | |
Anyway, the DC-3 lighter, his estimate is £20-£30, | 0:38:23 | 0:38:28 | |
you paid £25, so with any luck, it will take off. | 0:38:28 | 0:38:31 | |
And here it comes. | 0:38:31 | 0:38:33 | |
The Douglas DC-3 aircraft, bid's on the book, £5 bid. | 0:38:33 | 0:38:36 | |
-Five bid, five bid. Five, six, eight, 10, 10, 15, £20. -Come on! | 0:38:36 | 0:38:43 | |
£20 I'm bid, 25, internet. £30, room. £30 in the room, at £30. | 0:38:43 | 0:38:49 | |
-35, internet. 35, internet. £35, are your all out? -You only paid 25. | 0:38:49 | 0:38:53 | |
Sold, then, at £35. | 0:38:53 | 0:38:56 | |
Marvellous. Good old internet. | 0:38:56 | 0:38:59 | |
That is plus £10, super. Now, Murano. | 0:38:59 | 0:39:03 | |
We go to the sculpture now. | 0:39:03 | 0:39:04 | |
£5 to start me, £5 to start me, the sculpture. | 0:39:04 | 0:39:08 | |
Five bid. Five, six, eight, 10, 15... | 0:39:08 | 0:39:11 | |
-Oh, yes! -On my left at £15. -What do you know, Kate? What do you know? | 0:39:11 | 0:39:15 | |
-Left at £15. £15, £15. -I don't believe it! | 0:39:15 | 0:39:19 | |
-I want a written apology. -Brilliant. | 0:39:19 | 0:39:21 | |
-At £15... -I will eat my hat. Well done. -Plus £3, lads. | 0:39:21 | 0:39:27 | |
This is building up rather nicely. | 0:39:27 | 0:39:29 | |
The circular silver box, £70 bid, at £70 I'm bid, at £70, £80, £90. | 0:39:29 | 0:39:34 | |
At £90 I'm bid. At £90, on the book at £90. The room is out. | 0:39:34 | 0:39:40 | |
Get the gavel here, get the gavel here! | 0:39:40 | 0:39:42 | |
At £90, all done? Sold at £90. | 0:39:42 | 0:39:47 | |
Yes! That's very good, £90. | 0:39:47 | 0:39:50 | |
That's plus £10, look, you are plus £23, | 0:39:50 | 0:39:53 | |
you have a profit on all three items, | 0:39:53 | 0:39:55 | |
this is looking seriously good. | 0:39:55 | 0:39:57 | |
Now, what are you going to do about the Vesta case? | 0:39:57 | 0:40:00 | |
I'm not being horrible to Kate, | 0:40:00 | 0:40:02 | |
but I think we are going to have to stick. | 0:40:02 | 0:40:04 | |
-We'll pass on that. -You're going to pass? -Yes, if that's OK. | 0:40:04 | 0:40:06 | |
-The bloomers aren't doing it for you? -No... | 0:40:06 | 0:40:09 | |
Well, they would on a normal day, but not today, no, | 0:40:09 | 0:40:11 | |
thank you very much. | 0:40:11 | 0:40:13 | |
Well, that's so beautifully put! | 0:40:13 | 0:40:15 | |
I mean, there's no denying you, Steve, is there, in this? | 0:40:15 | 0:40:18 | |
-And you are with your dad on this, Craig? -I am. -Exactly. | 0:40:18 | 0:40:21 | |
OK, fine, a united front, you're not going with the bonus buy, | 0:40:21 | 0:40:25 | |
but not to worry, we're going to sell it anyway, | 0:40:25 | 0:40:27 | |
you have preserved your 23 well-earned pounds of profit, | 0:40:27 | 0:40:32 | |
and why don't we see what the bloomers bring right now? | 0:40:32 | 0:40:37 | |
The novelty brass Vesta case there. £5. | 0:40:37 | 0:40:40 | |
£6, £7, £8, £9, | 0:40:40 | 0:40:43 | |
£10, £15, £20, 25, £30, £30 there, | 0:40:43 | 0:40:48 | |
at £30, £30, 35, | 0:40:48 | 0:40:51 | |
35 on my left, £40, internet, 45 on my left, in the room, sold at £45. | 0:40:51 | 0:40:59 | |
Well done, good decision! | 0:40:59 | 0:41:01 | |
Just short of 50, that is minus £35, lads, you have done well there. | 0:41:01 | 0:41:06 | |
-Plus £23, could be a winning score. Say nothing to the Reds. -No. | 0:41:06 | 0:41:09 | |
OK, brilliant. Well done. | 0:41:09 | 0:41:11 | |
Well, what excitement! Haven't we had a great time? | 0:41:18 | 0:41:20 | |
-Yeah, very good day. -We had a great time. | 0:41:20 | 0:41:23 | |
What I find extraordinary on this programme is sometimes, | 0:41:23 | 0:41:26 | |
the chasm that can open up between two teams, | 0:41:26 | 0:41:29 | |
two teams who shopped with the same amount of money in the same | 0:41:29 | 0:41:32 | |
place and sold in the same place, | 0:41:32 | 0:41:34 | |
how can there be such a difference in their performance? | 0:41:34 | 0:41:38 | |
Anyway, without giving anything away, | 0:41:38 | 0:41:40 | |
the runners-up by a good old chasm today are the Reds. | 0:41:40 | 0:41:43 | |
-Oh, no! -I felt that one coming, didn't you? | 0:41:43 | 0:41:46 | |
Minus £100 is the overall number. | 0:41:46 | 0:41:51 | |
-There wasn't much in the way of hope on the horizon, was there? -No. | 0:41:51 | 0:41:55 | |
-The gods weren't with you. -They weren't. | 0:41:55 | 0:41:57 | |
-But anyway, you had a good time? -Lovely. | 0:41:57 | 0:41:59 | |
We've loved having you on the show. | 0:41:59 | 0:42:01 | |
But we are going to be giving folding money to the Blues today. | 0:42:01 | 0:42:06 | |
Just look at Steve and Craig, have you ever seen happiness so...? £23. | 0:42:06 | 0:42:11 | |
-There we go. -Thank you very much. | 0:42:11 | 0:42:14 | |
Not only do you get a splendid heap of cash, you also get | 0:42:14 | 0:42:19 | |
admitted to the ancient and noble order of the Golden Gavellers! Yes! | 0:42:19 | 0:42:25 | |
-Here we go. There's your golden gavel. -Thank you very much. | 0:42:25 | 0:42:29 | |
-Steve, Craig, there you go, boys. -Back of the net! | 0:42:29 | 0:42:33 | |
-And Kate, for your collection. -Thank you very much. | 0:42:33 | 0:42:35 | |
Something to pop on the dressing table at home. | 0:42:35 | 0:42:37 | |
Isn't that marvellous? Anyway, have you had a nice time? | 0:42:37 | 0:42:40 | |
-Absolutely brilliant, thank you. -And it is a triumph, isn't it? An absolute triumph. | 0:42:40 | 0:42:44 | |
Anyway, it's been great to see you, we're going to have a little | 0:42:44 | 0:42:47 | |
kick now, but for a change, we are kicking up our left leg. | 0:42:47 | 0:42:50 | |
We've not done this since about 1948. | 0:42:50 | 0:42:53 | |
So, gird up your loins and get ready for the left kick. | 0:42:53 | 0:42:56 | |
So, join us soon for some more bargain hunting, yes? | 0:42:56 | 0:43:00 | |
-ALL: -Yes! -Oh, I like it! | 0:43:00 | 0:43:01 |