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Welcome to Hemswell in Lincolnshire. | 0:00:07 | 0:00:10 | |
This former RAF base is home to one of the largest | 0:00:10 | 0:00:14 | |
antiques centres in Europe, so what are we waiting for? | 0:00:14 | 0:00:18 | |
Let's go bargain hunting, yeah! | 0:00:18 | 0:00:20 | |
Will our Red and Blue teams be full of the joys of spring today? | 0:00:47 | 0:00:53 | |
Will they trot around the antiques centres with gay abandon? | 0:00:53 | 0:00:57 | |
I don't know. Let's have a quick squint as to what's coming up. | 0:00:57 | 0:01:01 | |
'The Reds find that a sporting background comes in handy.' | 0:01:02 | 0:01:06 | |
Oh! | 0:01:07 | 0:01:08 | |
'While one of the Blues seems to have gone missing.' | 0:01:09 | 0:01:12 | |
-Alison's gone very quiet. -Yeah, Alison. Alison. | 0:01:12 | 0:01:15 | |
Hold on, where's Alison gone?! | 0:01:15 | 0:01:17 | |
'But it looks like both Blues are back in force at the auction.' | 0:01:17 | 0:01:21 | |
-Sold! -Ohhhh! | 0:01:21 | 0:01:23 | |
'Let's meet the teams.' | 0:01:23 | 0:01:24 | |
Well, this is fun, isn't it? | 0:01:26 | 0:01:27 | |
We've got two teams of girls on our show today. | 0:01:27 | 0:01:31 | |
We've got Jojo and Andrea, and cousins Alison and Mary. | 0:01:31 | 0:01:35 | |
-Hello, everyone. -Hello. -Hello, Tim. | 0:01:35 | 0:01:37 | |
Great to see you. Now, Jojo, shall I call you Rainbow? | 0:01:37 | 0:01:40 | |
You can if you like, everybody else does. | 0:01:40 | 0:01:42 | |
From a child, I've just grew up watching Rainbow Brite | 0:01:42 | 0:01:44 | |
and Rainbow obviously with Zippy and Bungle and everyone, | 0:01:44 | 0:01:47 | |
-it's just grown into a crazy obsession. -Has it? | 0:01:47 | 0:01:50 | |
Now, you're never happier, Jojo, than when you're knee-deep in mud, | 0:01:50 | 0:01:53 | |
-is that right? -It is, yeah. -Why's that? | 0:01:53 | 0:01:55 | |
I'm a big festival-goer, I love festivals. Big, small... | 0:01:55 | 0:01:59 | |
You've got that kind of "flower power" look! | 0:01:59 | 0:02:01 | |
These dresses are very much taking me to a place | 0:02:02 | 0:02:06 | |
that's very, very muddy. | 0:02:06 | 0:02:07 | |
Yeah, that's how I like it, in me wellies and me skirt | 0:02:07 | 0:02:10 | |
-and dancing around. -Sounds extraordinary. | 0:02:10 | 0:02:13 | |
-Now, Andrea, are you mad about rainbows? -Only this one, Tim. | 0:02:13 | 0:02:16 | |
Ah, how sweet! What do you like, then? What's your favourites? | 0:02:16 | 0:02:20 | |
-I like fairies and butterflies. -Do you collect them? -I do, yeah. | 0:02:20 | 0:02:23 | |
Are you going to be looking for fairies and whatnot | 0:02:23 | 0:02:26 | |
-on Bargain Hunt today? -Most definitely, yeah. | 0:02:26 | 0:02:28 | |
You stand a fair chance of driving your expert completely mad! | 0:02:28 | 0:02:32 | |
And you're also very good on a bit of a hook and wool job, aren't you? | 0:02:32 | 0:02:36 | |
-I wouldn't say very good, I've taught myself to crochet. -Ah! | 0:02:36 | 0:02:40 | |
I've made Jo three slippers. | 0:02:40 | 0:02:43 | |
-None of them match. -None of them match. | 0:02:43 | 0:02:45 | |
-Oh, yeah. What, they're all left feet? -Half a pillowcase. | 0:02:45 | 0:02:50 | |
-You're that good? -I'm that good! -Yeah, well, that sounds great fun. | 0:02:50 | 0:02:53 | |
Now, you haven't always been the best of mates, have you? | 0:02:53 | 0:02:56 | |
Er, no, around seven years ago, we met through a mutual friend in a pub, | 0:02:56 | 0:03:00 | |
we didn't see eye-to-eye on something | 0:03:00 | 0:03:02 | |
and we didn't see each other for five years, | 0:03:02 | 0:03:04 | |
-and then boom. -Here we are again. | 0:03:04 | 0:03:06 | |
Two years later we've been living together like best of friends. | 0:03:06 | 0:03:09 | |
That's nice. It's lovely when all these things come right, isn't it? | 0:03:09 | 0:03:12 | |
-It's lovely. -You're really close friends now, | 0:03:12 | 0:03:14 | |
and that's the most important thing. | 0:03:14 | 0:03:15 | |
That's what I like to hear. They're my girls. | 0:03:15 | 0:03:18 | |
Anyway, now, Alison, you work in a garden centre, which means | 0:03:18 | 0:03:21 | |
you've got incredibly green fingers, right? | 0:03:21 | 0:03:23 | |
-Erm, not really. -What do you mean "not really?" | 0:03:23 | 0:03:25 | |
-You'd have my colleagues in stitches at work if you said that. -Really? | 0:03:25 | 0:03:28 | |
-Yeah. -Why has none of that garden centre culture rubbed off on you? | 0:03:28 | 0:03:32 | |
-I pick up bits here and there. -Do you? -Yeah. | 0:03:32 | 0:03:34 | |
I bet you're modest about it. | 0:03:34 | 0:03:37 | |
Have you got your own hormone rooting powder? | 0:03:37 | 0:03:39 | |
THEY LAUGH | 0:03:39 | 0:03:40 | |
-Would you like some?! -No, come on! | 0:03:40 | 0:03:44 | |
So, it's more like retail sales and it happens to be in a garden centre? | 0:03:44 | 0:03:48 | |
-Yes, I'm better at the giftware. -Are you? -Yes. | 0:03:48 | 0:03:50 | |
-What do you like best in the giftware? -Ooh, glassware. -Do you? | 0:03:50 | 0:03:55 | |
Bronzes. Expensive things. | 0:03:55 | 0:03:57 | |
You're going to be rather good on Bargain Hunt, aren't you? | 0:03:57 | 0:04:00 | |
-Going out spotting the classy stuff. -I do like spending money, yes. | 0:04:00 | 0:04:04 | |
Now, Mary, it says here you're a floral artist. | 0:04:04 | 0:04:07 | |
That's what I used to do, you see, until recently when I retired, so... | 0:04:07 | 0:04:11 | |
-You can't have retired! -I have, Tim, yes. | 0:04:11 | 0:04:13 | |
-Why have you taken such early retirement? -To enjoy myself! | 0:04:13 | 0:04:17 | |
Oh, I see. Got your own dried oasis? | 0:04:17 | 0:04:19 | |
Gosh, you know words like oasis! | 0:04:19 | 0:04:21 | |
What you don't know about it in nobody's business. | 0:04:22 | 0:04:25 | |
It's true though, isn't it? Without the oasis, where would you be? | 0:04:25 | 0:04:28 | |
Absolutely. You'd be nowhere. | 0:04:28 | 0:04:30 | |
You've won a gold medal though, haven't you, at the old Chelsea? | 0:04:30 | 0:04:32 | |
-Hmm. -Tell us about that. | 0:04:32 | 0:04:34 | |
I can't take all the accolade - | 0:04:34 | 0:04:36 | |
I did do it with another lady from the flower club that we belong. | 0:04:36 | 0:04:40 | |
I mean, the icing on the cake was that we got the best | 0:04:40 | 0:04:43 | |
exhibit in the show, so that was... | 0:04:43 | 0:04:46 | |
I rest my case. | 0:04:46 | 0:04:47 | |
The woman is clearly very, very modest. | 0:04:47 | 0:04:50 | |
THEY LAUGH | 0:04:50 | 0:04:51 | |
So you two girls, have you got any tactics today? | 0:04:51 | 0:04:53 | |
Are we going to buy a flower arranging kit | 0:04:53 | 0:04:55 | |
or are we branching out? | 0:04:55 | 0:04:57 | |
I think Alison said, "Big and bold", didn't you? | 0:04:57 | 0:04:59 | |
Yeah. Spend it. | 0:04:59 | 0:05:01 | |
We like to spend it. | 0:05:01 | 0:05:02 | |
Well, to do that you're going to need your £300. | 0:05:02 | 0:05:05 | |
£300 apiece, here we go. | 0:05:05 | 0:05:06 | |
-£300, Jojo. Well done. -Thank you. | 0:05:06 | 0:05:08 | |
There you go, £300. | 0:05:08 | 0:05:10 | |
You know the rules. Your experts await and off you go! | 0:05:10 | 0:05:13 | |
And very, very, very good luck. | 0:05:13 | 0:05:15 | |
See? I do know about dried oasis. | 0:05:15 | 0:05:18 | |
Moving across to our equally knowledgeable experts. | 0:05:18 | 0:05:23 | |
Hoping to ring up a profits for the reds is Philip Serrell. | 0:05:23 | 0:05:26 | |
And beefing it up for the blues is Charles Hanson. | 0:05:29 | 0:05:32 | |
Have you really got no idea at all what you're going to buy? | 0:05:33 | 0:05:37 | |
-Not a clue. -Cos you're very green fingered, aren't you? | 0:05:37 | 0:05:40 | |
-Well, yeah, a bit, Charles. -No idea? | 0:05:40 | 0:05:42 | |
No. Rainbows, butterflies... | 0:05:42 | 0:05:45 | |
But when it comes to antiques... | 0:05:45 | 0:05:48 | |
-We're not. -Not at all. | 0:05:48 | 0:05:49 | |
What do you mean, rainbows and butterflies? | 0:05:49 | 0:05:51 | |
-Rainbows and butterflies. -She likes rainbows, I like butterflies. -Great. | 0:05:51 | 0:05:56 | |
-We've no plan - just go for it. -OK. | 0:05:56 | 0:05:58 | |
-Wing it. -We'll just wing it, then. | 0:05:58 | 0:05:59 | |
We'll have a go at winging it - | 0:05:59 | 0:06:01 | |
that's very different. | 0:06:01 | 0:06:02 | |
That's it then, teams. | 0:06:02 | 0:06:04 | |
The clock starts now, with an hour to go, and the race is on. | 0:06:04 | 0:06:07 | |
Rainbows and butterflies? | 0:06:12 | 0:06:14 | |
Possibly not Philip's thing. | 0:06:14 | 0:06:16 | |
If you're novices, what's the definition of an antique? | 0:06:19 | 0:06:21 | |
A hundred. Correct. I quite like that bench over there. | 0:06:21 | 0:06:24 | |
-Do you like that bench? -I do like that bench. -I do, yeah. | 0:06:24 | 0:06:27 | |
Good Lord, they like it. | 0:06:27 | 0:06:28 | |
Objects which aren't antiques we call collectors, | 0:06:28 | 0:06:30 | |
and they are objects which define certain styles and decades, | 0:06:30 | 0:06:33 | |
like the Art Deco period, are collectables, OK? | 0:06:33 | 0:06:36 | |
-How much is it? -Oh, it's 1,450. | 0:06:36 | 0:06:40 | |
I've always had a good eye. | 0:06:40 | 0:06:42 | |
Too good an eye for us, Phil. | 0:06:42 | 0:06:44 | |
Get in there and get digging. | 0:06:50 | 0:06:52 | |
THEY LAUGH | 0:06:52 | 0:06:54 | |
I think that's real fun. | 0:06:54 | 0:06:56 | |
I think it's 20 quid... | 0:06:56 | 0:06:58 | |
And it hasn't got the cover on it, and that's £48, | 0:06:58 | 0:07:00 | |
-so I think we'd lose money with that. -Let's not take it then. | 0:07:00 | 0:07:04 | |
Fine. That's sorted that out. The other real telling fact for me | 0:07:04 | 0:07:07 | |
is there's no sign of a rainbow, butterfly... | 0:07:07 | 0:07:10 | |
What was the other thing? | 0:07:10 | 0:07:11 | |
-Fairies. -Fairies, Phil. | 0:07:11 | 0:07:13 | |
The fairies bit worries me actually. | 0:07:13 | 0:07:15 | |
I don't see why it should. | 0:07:15 | 0:07:16 | |
The blues have found something that could come in handy. | 0:07:21 | 0:07:25 | |
-They're quite interesting, aren't they? -Hello. | 0:07:25 | 0:07:27 | |
THEY LAUGH | 0:07:27 | 0:07:29 | |
I don't know. What are they, Charles? | 0:07:29 | 0:07:31 | |
Are they glove stretchers? They're not stretchers, are they? | 0:07:31 | 0:07:35 | |
I've no idea. | 0:07:35 | 0:07:36 | |
They're like a pair of washing up gloves, aren't they? | 0:07:36 | 0:07:38 | |
-They're latex glove moulds. -Are they? -Yeah. -Ah... -It's what it says. | 0:07:38 | 0:07:43 | |
I think they're quite interesting, | 0:07:43 | 0:07:45 | |
but I don't know what we'll do with them, and they are... | 0:07:45 | 0:07:48 | |
-£100 for the pair. -Are they? | 0:07:48 | 0:07:49 | |
Circa 1950s. But I suppose what you could use them | 0:07:49 | 0:07:52 | |
-for is a good pair of book ends as well. -Well, that's true. | 0:07:52 | 0:07:56 | |
I think £100 is too much money for them, | 0:07:56 | 0:07:59 | |
but they're fun and I like your style. | 0:07:59 | 0:08:01 | |
They're quite novel and that's another really important factor - | 0:08:01 | 0:08:04 | |
novelty value. Come on. | 0:08:04 | 0:08:05 | |
Back to the Reds to see if they've found anything novel. | 0:08:07 | 0:08:12 | |
-Did you say you like skiffle? -Yes. -You do. | 0:08:12 | 0:08:15 | |
-Play us a tune, Phil. -I can't. I'm skiffle deaf. | 0:08:19 | 0:08:22 | |
THEY LAUGH | 0:08:22 | 0:08:24 | |
-I like it. -Do you? -Yeah. -Yeah. | 0:08:24 | 0:08:27 | |
This is American, it says so there, look, "Columbus, Ohio." | 0:08:27 | 0:08:31 | |
People buy stuff like this to decorate kitchens. | 0:08:31 | 0:08:33 | |
It's priced up at £25. You know, what's it going to make at auction? | 0:08:33 | 0:08:38 | |
Well, on a bad day it might make about ten or 15 quid, | 0:08:38 | 0:08:40 | |
and on a good day it might make £30/35. | 0:08:40 | 0:08:43 | |
-But it is a bit of fun, isn't it? -I like it. -Do you like it? | 0:08:43 | 0:08:46 | |
-Yeah, I like it. -Shall we hold that? -Yeah. | 0:08:46 | 0:08:48 | |
Yeah, definitely. | 0:08:48 | 0:08:50 | |
-You've got a job. -I've got a skiffle. -Yeah. | 0:08:50 | 0:08:52 | |
SHE LAUGHS | 0:08:52 | 0:08:55 | |
Don't give up the day job, eh? | 0:08:55 | 0:08:57 | |
The Blues mean business. | 0:09:00 | 0:09:01 | |
They've brought out their heavy guns, David, | 0:09:01 | 0:09:04 | |
who's in charge of this section. | 0:09:04 | 0:09:06 | |
Just talk to David. Let David sell it to you, OK? | 0:09:08 | 0:09:11 | |
-David, do you like it? -Yes, these are very nice. | 0:09:11 | 0:09:14 | |
It's not as heavy as I thought it was going to be. | 0:09:14 | 0:09:17 | |
That's not silver top though, is it, David? | 0:09:17 | 0:09:19 | |
SHE CLEARS HER THROAT No. | 0:09:19 | 0:09:21 | |
No, it's not. | 0:09:21 | 0:09:24 | |
Do we need to check the top? | 0:09:24 | 0:09:28 | |
Look at that rim. The question we need to ask ourselves is - | 0:09:30 | 0:09:34 | |
-did that always belong to it? -I don't know. | 0:09:34 | 0:09:36 | |
I think it probably did because the way it sits on that neck, | 0:09:36 | 0:09:40 | |
I'm quite happy it's always been together. | 0:09:40 | 0:09:44 | |
But it's just a bit loose, it's quite light, | 0:09:44 | 0:09:48 | |
but then again we've almost had 20 minutes and... | 0:09:48 | 0:09:52 | |
Do we make David an offer? | 0:09:52 | 0:09:54 | |
-Well, we both like this, don't we? -Well, we did, but the weight... | 0:09:54 | 0:09:57 | |
It doesn't matter though. You know, it's... | 0:09:57 | 0:09:59 | |
- I would think that...£40 would be me. | 0:09:59 | 0:10:03 | |
- 85 on it, so I shall have to ring the dealer at that price. | 0:10:03 | 0:10:06 | |
Shall we do that? Shall we...? Thanks, David. | 0:10:06 | 0:10:10 | |
Good luck with that. | 0:10:12 | 0:10:14 | |
Back to the reds. What have they found here? | 0:10:14 | 0:10:16 | |
Oh, hold on a minute. | 0:10:16 | 0:10:17 | |
-I like that. -Do you? Cotton reels in there... | 0:10:20 | 0:10:24 | |
that's all the different colours, and then the silks at the front. | 0:10:24 | 0:10:27 | |
Priced at £195. | 0:10:27 | 0:10:29 | |
What we really need to do is see if we can find the dealer. | 0:10:29 | 0:10:33 | |
-You wouldn't...? Is this yours? -Yeah, it is, yeah. | 0:10:33 | 0:10:35 | |
-Top man. -Can I help you? -Yeah. Yeah, you can. | 0:10:35 | 0:10:39 | |
-This is priced at 195. -It is, yes. | 0:10:39 | 0:10:42 | |
Right. No messing around, then. What's the very, very best that you can do? | 0:10:42 | 0:10:47 | |
-125. -OK. | 0:10:47 | 0:10:50 | |
-It's nicely decorated on the back. -Is it? Can we have a look at the back? | 0:10:50 | 0:10:54 | |
Oh. | 0:10:54 | 0:10:55 | |
"Sew with pure silk. Perivale...is the perfect thread." | 0:10:55 | 0:10:59 | |
Would 120 buy it? | 0:10:59 | 0:11:02 | |
Today, it would, yes. | 0:11:02 | 0:11:03 | |
-OK. What do you think, girls? -Yeah. -Oh, good. | 0:11:03 | 0:11:05 | |
-I like it. -Love it. -We really like it. -£120. | 0:11:05 | 0:11:08 | |
And the least that can make at auction is probably 80 quid, | 0:11:08 | 0:11:12 | |
-isn't it? And if we have a good day... -Probably a bit more. | 0:11:12 | 0:11:15 | |
I like that. Right, done deal. | 0:11:15 | 0:11:18 | |
We'll pay the man. That's two. | 0:11:18 | 0:11:21 | |
-Thank you ever so much. See you later on. -No problem. | 0:11:21 | 0:11:24 | |
-Thank you. -Well done. Well done, ladies. Well done. Top job. | 0:11:24 | 0:11:27 | |
That's one down for the Reds, | 0:11:27 | 0:11:29 | |
but they're obviously still considering that washboard. | 0:11:29 | 0:11:33 | |
Those Blues still don't have a deal and the clock is ticking. | 0:11:33 | 0:11:37 | |
- The best she can do is 65. - 65. Oh, dear. | 0:11:37 | 0:11:41 | |
Right, we've got to make a decision, then. | 0:11:41 | 0:11:44 | |
Its market value at auction, if I could give you an estimate, | 0:11:44 | 0:11:47 | |
would be between 50 and 70, maybe £80, you know. | 0:11:47 | 0:11:52 | |
Well, I think we've got to be in agreement, haven't we? | 0:11:52 | 0:11:54 | |
So... And I don't think you're too... | 0:11:54 | 0:11:57 | |
I'm not committed. Can we pop it back and then come back | 0:11:57 | 0:12:00 | |
when we're really strapped to the last three minutes? | 0:12:00 | 0:12:02 | |
-Yeah, OK. If you're happy to hot foot it later. -Yeah. | 0:12:02 | 0:12:05 | |
-And be a lady on a mission. -Yeah. | 0:12:05 | 0:12:08 | |
I'll just send Alison. | 0:12:08 | 0:12:10 | |
THEY LAUGH | 0:12:10 | 0:12:11 | |
-David, we'll leave it for the time being. -OK. | 0:12:11 | 0:12:14 | |
This is no time to dilly dally, girls, | 0:12:14 | 0:12:17 | |
no matter how speedy Alison is. | 0:12:17 | 0:12:19 | |
Over to the more decisive Reds, then. | 0:12:20 | 0:12:23 | |
That's a funny-looking thing. | 0:12:23 | 0:12:25 | |
-It's every day of the week, isn't it? -Yeah. Oh, that's lovely. | 0:12:25 | 0:12:29 | |
-It looks... -Only £48. | 0:12:30 | 0:12:33 | |
Do you like that, Phil? | 0:12:33 | 0:12:35 | |
Sorrento, this is. | 0:12:35 | 0:12:37 | |
This is olive wood... | 0:12:37 | 0:12:39 | |
and it comes from Jerusalem. | 0:12:39 | 0:12:41 | |
"Sunday, Monday, Tuesday, Wednesday, Thursday, Friday." | 0:12:41 | 0:12:44 | |
-I don't know what you'd put in there. -Letters? -Yeah, you reckon so? | 0:12:44 | 0:12:48 | |
-That's what it says. -Yeah, but you can't always believe what it says. | 0:12:48 | 0:12:51 | |
Which do you prefer out of the two of these? That or that? | 0:12:51 | 0:12:54 | |
-This one. -That one. -You both prefer that. -Yeah. -Really? | 0:12:54 | 0:12:56 | |
OK. | 0:12:58 | 0:12:59 | |
It's just the skiffle, Phil. HE SCOFFS | 0:12:59 | 0:13:02 | |
We'll have a look and come back to it. | 0:13:02 | 0:13:04 | |
Let's leave that there for the minute. | 0:13:04 | 0:13:05 | |
While both teams are still flailing about, | 0:13:08 | 0:13:11 | |
let me show you something which takes me back to my youth. | 0:13:11 | 0:13:14 | |
Do you remember those little bottles of milk that were delivered | 0:13:15 | 0:13:19 | |
to school in a crate that looked remarkably like this? | 0:13:19 | 0:13:23 | |
Except the ones at school weren't smart gilt metal | 0:13:23 | 0:13:28 | |
with a turned marine ivory handle on the top - they were just galvanised. | 0:13:28 | 0:13:33 | |
But the principle is the same. | 0:13:33 | 0:13:35 | |
And, in fact, there are four bottles, | 0:13:35 | 0:13:37 | |
each of which fit beautifully inside the frame...like that. | 0:13:37 | 0:13:43 | |
Milk bottles? I don't think so. | 0:13:43 | 0:13:47 | |
These are individual decanters, beautifully blown. | 0:13:47 | 0:13:50 | |
Look, with faceted sides... | 0:13:50 | 0:13:52 | |
and the star cut base. | 0:13:52 | 0:13:55 | |
The necks and shoulders have all been covered in this silvered metal, | 0:13:55 | 0:14:00 | |
and then that's surmounted by a smart stopper | 0:14:00 | 0:14:03 | |
that's got a cork inside, | 0:14:03 | 0:14:05 | |
meaning that this thing, when it's shaken about a bit, | 0:14:05 | 0:14:09 | |
will remain watertight. | 0:14:09 | 0:14:11 | |
And if you were sitting in a smart dining room in 1910 or 1920, | 0:14:11 | 0:14:17 | |
this crate would be passed around the gentlemen | 0:14:17 | 0:14:20 | |
because inside each of these bottles would be some fiery spirit, | 0:14:20 | 0:14:26 | |
like cherry brandy or sloe gin. | 0:14:26 | 0:14:30 | |
The joke being that what you're passing the bottles | 0:14:30 | 0:14:34 | |
of delicious liqueurs around in looks like a school milk crate. | 0:14:34 | 0:14:39 | |
It's a novelty and a novelty that was made in France because | 0:14:39 | 0:14:44 | |
each of these silver-coloured mounts on the top has what's called | 0:14:44 | 0:14:48 | |
a poissant, | 0:14:48 | 0:14:50 | |
that is French for a mark, | 0:14:50 | 0:14:53 | |
and that mark says above BP, | 0:14:53 | 0:14:57 | |
the initials of the metalworker. | 0:14:57 | 0:15:01 | |
And the gilt metal frame down below has a similar puissant, | 0:15:01 | 0:15:05 | |
except the initials are GP. | 0:15:05 | 0:15:07 | |
It will be perfectly possible to look up these marks | 0:15:07 | 0:15:11 | |
and determine who that maker is. | 0:15:11 | 0:15:13 | |
Was he a Parisian maker? Was he smart? Is he collectable? | 0:15:13 | 0:15:16 | |
And exactly his dates. | 0:15:16 | 0:15:19 | |
But as it is, I think this is an engaging and charming object. | 0:15:19 | 0:15:24 | |
The whole business of decanting liqueurs into little | 0:15:24 | 0:15:28 | |
bottles like this I think is sensible and it is, of course, | 0:15:28 | 0:15:33 | |
these novelties in silver | 0:15:33 | 0:15:35 | |
and silver plate that are desirable on the market today. | 0:15:35 | 0:15:39 | |
And I think, when it's tickled up, it will make a considerable sum. | 0:15:39 | 0:15:44 | |
How much? | 0:15:44 | 0:15:45 | |
Well, not less than £400. | 0:15:45 | 0:15:48 | |
Probably between four and £600. | 0:15:48 | 0:15:50 | |
What would it cost you to buy today? | 0:15:51 | 0:15:54 | |
Here, in Lincolnshire, well, you could take it away for £140. | 0:15:54 | 0:15:59 | |
Cheers. | 0:15:59 | 0:16:01 | |
OK, so far the reds have one item and the blues have none. | 0:16:04 | 0:16:08 | |
Let's see if they're making any progress. | 0:16:08 | 0:16:10 | |
-Look at that. -Oh, yes. -Look at that. Isn't that gorgeous? | 0:16:12 | 0:16:14 | |
Now tell me, is West Kilbride near here? | 0:16:14 | 0:16:17 | |
Oh, Charles! Where is it? | 0:16:17 | 0:16:20 | |
SHE LAUGHS It's in Scotland. | 0:16:20 | 0:16:22 | |
-It sounds a bit Scottish. -You think so? | 0:16:22 | 0:16:25 | |
This is a bowling ball in silver, | 0:16:25 | 0:16:28 | |
presented to President Dr Stephenson and Mrs Stephenson | 0:16:28 | 0:16:32 | |
for the years 1926 and 1927. | 0:16:32 | 0:16:36 | |
Feel the weight of that. | 0:16:36 | 0:16:38 | |
Oh, gosh. | 0:16:38 | 0:16:39 | |
That's a stand, Mary. Hold that as well. | 0:16:39 | 0:16:42 | |
And I've got the label. Isn't that gorgeous? | 0:16:42 | 0:16:44 | |
I think that's rather nice. Alison's gone very quiet. | 0:16:44 | 0:16:47 | |
Alison, Alison... Hold on, where's Alison gone? | 0:16:47 | 0:16:51 | |
-Where is she? -Alison... | 0:16:51 | 0:16:53 | |
Alison, hold that and see... | 0:16:53 | 0:16:55 | |
What I like is the fact that's it's hallmarked here as Glasgow, | 0:16:57 | 0:17:01 | |
carrying the Hibernian mark and also the harp for probably the year | 0:17:01 | 0:17:06 | |
in or around 1926. | 0:17:06 | 0:17:09 | |
And to me, it's just a heavy ball. | 0:17:09 | 0:17:12 | |
-Well, it is. -Is it a heavy price? | 0:17:12 | 0:17:14 | |
No, not really. It's on at £75. | 0:17:14 | 0:17:18 | |
I quite like this and I'm tempted... | 0:17:18 | 0:17:21 | |
to maybe take it downstairs and see if I can do a deal for you. | 0:17:21 | 0:17:26 | |
If it takes your fancy. Look at me. | 0:17:26 | 0:17:29 | |
-Do you like it? -I'll go with you, Charles. -Really? | 0:17:29 | 0:17:32 | |
-And Mary. -I think that was a no, she doesn't, but she's... | 0:17:32 | 0:17:36 | |
It's... It's Edinburgh silver, it's George V, it's 1920s. | 0:17:36 | 0:17:41 | |
I think that could be a good thing at sale. | 0:17:41 | 0:17:44 | |
-Can I go and make an offer? -Yes. | 0:17:44 | 0:17:45 | |
So on at £75. If I get 10% off, I'm going to say we'll take it. | 0:17:45 | 0:17:49 | |
I agree. It may not float her boat, | 0:17:51 | 0:17:53 | |
but they really need to get a move on. | 0:17:53 | 0:17:55 | |
The reds are looking increasingly attached to that skiffle board. | 0:17:58 | 0:18:01 | |
-We'd like to purchase this, please. -(No, we might like to.) | 0:18:01 | 0:18:04 | |
We might like to purchase this, please. | 0:18:04 | 0:18:06 | |
THEY LAUGH | 0:18:06 | 0:18:08 | |
Can you tell us what your best price is on it? | 0:18:08 | 0:18:10 | |
Yeah, I could do you 10%, so I could take £2.50 off. | 0:18:10 | 0:18:14 | |
-Could we do £3? -Yeah, we could make life easy and do it £3. | 0:18:14 | 0:18:19 | |
-Excellent. -That all right? -Well, it's a bit of fun, isn't it? | 0:18:19 | 0:18:21 | |
-Yeah. -A bit of fun. | 0:18:21 | 0:18:24 | |
After all, fun is what it's all about. | 0:18:24 | 0:18:26 | |
The Reds now have two items, but what about those blues? | 0:18:26 | 0:18:29 | |
Charles is back and feeling bullish. | 0:18:32 | 0:18:35 | |
-Any luck? -Yeah. Yeah, I'm going to buy it... -Ooh! | 0:18:37 | 0:18:41 | |
..if you don't mind, | 0:18:41 | 0:18:43 | |
because it is 10%. Priced at £75, the best then can do is £67, | 0:18:43 | 0:18:48 | |
and to me... I think it's worth between £60 and £90, | 0:18:48 | 0:18:53 | |
so to me it's a very bottom estimate to start with. | 0:18:53 | 0:18:56 | |
So if you're OK, I'm going to buy it for £67. | 0:18:56 | 0:18:58 | |
And that's our first item done with, well, actually, | 0:18:58 | 0:19:01 | |
we've had 40 minutes. | 0:19:01 | 0:19:03 | |
So, you know, time is the essence. | 0:19:03 | 0:19:06 | |
Come on, let's get going. | 0:19:06 | 0:19:07 | |
Come on, it's your turn now. | 0:19:07 | 0:19:11 | |
I'm not sure the Blues have quite got the hang of this, | 0:19:11 | 0:19:13 | |
unlike the Reds who have one item to go. | 0:19:13 | 0:19:16 | |
So what's the first thing we want to check with these? | 0:19:18 | 0:19:20 | |
-No chips. -She's on the case, isn't she? | 0:19:20 | 0:19:23 | |
-She's red hot, isn't she? -THEY LAUGH | 0:19:23 | 0:19:26 | |
-Ooh! -Or have they? | 0:19:26 | 0:19:28 | |
-It's a bit wonky, isn't it? -It's a wonky knob. | 0:19:28 | 0:19:31 | |
I mean, if you want to phone up the dealer and ask him what the | 0:19:31 | 0:19:34 | |
-best is for us? -Yeah, I can do that. | 0:19:34 | 0:19:37 | |
I mean, these are millefiori, which is thousands of flowers. | 0:19:37 | 0:19:40 | |
I wonder whether they would actually be knobs off a chest of drawers... | 0:19:40 | 0:19:44 | |
-Right. -..that someone's made into door handles. | 0:19:44 | 0:19:47 | |
And they still sort of work. | 0:19:47 | 0:19:49 | |
But the... It's just a bit off centre, isn't it? | 0:19:50 | 0:19:53 | |
-But you like them, yeah? -Yeah, they're lovely. | 0:19:53 | 0:19:55 | |
So what does the dealer want for them? | 0:19:55 | 0:19:58 | |
-£95. -95. | 0:19:58 | 0:20:00 | |
-Right, can I ask you to do me a favour? -Yes. | 0:20:00 | 0:20:02 | |
£95. | 0:20:02 | 0:20:03 | |
I can't guarantee you we'll have them | 0:20:03 | 0:20:05 | |
but we're going to buy something. | 0:20:05 | 0:20:06 | |
-Could you just hang on to those for half an hour for me? -Certainly. | 0:20:06 | 0:20:09 | |
Is that all right? Put them behind the counter. | 0:20:09 | 0:20:12 | |
Whatever you do, don't let Charlie Hanson see them. | 0:20:12 | 0:20:14 | |
THEY CHUCKLE | 0:20:14 | 0:20:15 | |
And we'll give you a decision in about a half-hour's time. | 0:20:15 | 0:20:19 | |
-OK. -OK, thank you very much. | 0:20:19 | 0:20:22 | |
-So, we've sort of got three bids, haven't we? -Yeah. | 0:20:22 | 0:20:25 | |
Do you know what you might want to buy? I mean do you like those? | 0:20:25 | 0:20:29 | |
-I do like those. -Or I can show you another option. | 0:20:29 | 0:20:31 | |
Show us another option. | 0:20:31 | 0:20:33 | |
Ah, Phil always has something else up his sleeve. | 0:20:33 | 0:20:35 | |
And it looks like Charles might have found something interesting too. | 0:20:38 | 0:20:42 | |
If I can just get it out for the ladies to have a look at. | 0:20:42 | 0:20:45 | |
-There. -Mm. | 0:20:45 | 0:20:47 | |
Thank you very much. | 0:20:47 | 0:20:48 | |
Ooh, isn't it sweet? Something bold you wanted, didn't you, Alison? | 0:20:49 | 0:20:53 | |
-Yeah, something big and bold. -There you go. -Oh, does the top open? | 0:20:53 | 0:20:58 | |
-Caress it. -Steady. | 0:20:58 | 0:21:00 | |
-Look at that, Charles. -Ooh, isn't that pretty? | 0:21:00 | 0:21:03 | |
Now, what we look for, just close that top for me. | 0:21:03 | 0:21:05 | |
Although it's not actually marked silver, | 0:21:05 | 0:21:06 | |
we can still call it silver or white metal. | 0:21:06 | 0:21:09 | |
-Would that be on their dressing table? -Yes, it would. | 0:21:09 | 0:21:11 | |
It would never have sat within, shall we say, a dressing table case. | 0:21:11 | 0:21:15 | |
It would never have been part of a lady's toilet box. | 0:21:15 | 0:21:17 | |
It is a stand-alone object and it's very feminine. | 0:21:17 | 0:21:21 | |
I think it's pretty, I think it's rich, | 0:21:21 | 0:21:23 | |
I think it's great for a Lincoln sale. | 0:21:23 | 0:21:25 | |
Hmmm, what do you think about the price? | 0:21:25 | 0:21:27 | |
You're keen, aren't you? You're very keen. | 0:21:27 | 0:21:29 | |
I think we need David. | 0:21:29 | 0:21:31 | |
-David. -Do your best, David. -What would be the best on that? | 0:21:31 | 0:21:35 | |
-Well, it's got a trade of £6 on it. -Right. Could we go 50? | 0:21:35 | 0:21:41 | |
Yes, it's got the stopper and everything, hasn't it? | 0:21:41 | 0:21:45 | |
-We might be able to stretch it to 50. -You are good. | 0:21:46 | 0:21:49 | |
What do you think, Charles? | 0:21:49 | 0:21:50 | |
I think 50 is a lowish, middle-auction estimate | 0:21:50 | 0:21:55 | |
and it has every chance of making a profit. | 0:21:55 | 0:21:57 | |
It might slip £5 the wrong side but it might profit 20 | 0:21:57 | 0:22:02 | |
and if David was prepared to go at 50, | 0:22:02 | 0:22:04 | |
I would say the hinge is in good condition, the embossed floral | 0:22:04 | 0:22:08 | |
design on that lid is in super condition, | 0:22:08 | 0:22:11 | |
it hasn't been knocked or dented, the glass of the octagonal | 0:22:11 | 0:22:14 | |
form is in good order as well, so I think it's a goer, Alison. | 0:22:14 | 0:22:18 | |
-Go, Charles. -Go, Alison. -Go. -Are you going to buy it? -Yes. | 0:22:18 | 0:22:21 | |
-Shake the man's hand. Name your price now. -£50. -Sold, good job. | 0:22:21 | 0:22:24 | |
Oh, thank you. | 0:22:24 | 0:22:26 | |
You're a good man, David, that's our second object bought. | 0:22:26 | 0:22:29 | |
Well played, team. | 0:22:29 | 0:22:30 | |
At last, they've got going. | 0:22:32 | 0:22:35 | |
So...that one there, look. | 0:22:35 | 0:22:39 | |
I quite like this chair, let's see what we know about it. | 0:22:39 | 0:22:41 | |
-What's it made of? -Oak. -How do you know that? | 0:22:41 | 0:22:45 | |
Cos it's oak wood. | 0:22:45 | 0:22:47 | |
Well, that's not a bad shout. You're absolutely right, it's oak. | 0:22:47 | 0:22:50 | |
And one of the reasons you can tell oak other than that colour is | 0:22:50 | 0:22:53 | |
this broad grain here. | 0:22:53 | 0:22:55 | |
That's typical of oak. I think it's about 1895-ish. | 0:22:55 | 0:22:58 | |
If you're optimistic, you could call it arts and crafts but it's sort of | 0:22:58 | 0:23:01 | |
almost ecclesiastical in a way and I think it's very much a hall chair. | 0:23:01 | 0:23:04 | |
I mean I know that they'll do that for £120. | 0:23:04 | 0:23:06 | |
If you could get it for 100 quid, | 0:23:06 | 0:23:08 | |
which would you rather have for £5 difference? | 0:23:08 | 0:23:10 | |
That or your knobs? | 0:23:10 | 0:23:11 | |
ANDREA LAUGHS | 0:23:11 | 0:23:12 | |
-I do like a nice, comfy seat. -Do you? Well, you better try it out. | 0:23:12 | 0:23:15 | |
-Does it make loads of money? -Well... | 0:23:15 | 0:23:18 | |
-It's nice. -You know, this is all luck, this business. | 0:23:20 | 0:23:23 | |
Let me go and see if they've had a word with the dealer. | 0:23:23 | 0:23:25 | |
-Mm, it's quite comfy. -You look it. | 0:23:27 | 0:23:30 | |
I'm not really sure this will help very much. | 0:23:32 | 0:23:35 | |
They can't get through to the dealer, OK? | 0:23:35 | 0:23:38 | |
So, at the minute, it was priced up at £145, | 0:23:38 | 0:23:40 | |
they said we can have it for £120. | 0:23:40 | 0:23:42 | |
If we can get it for 100, I'd say definitely have it. | 0:23:42 | 0:23:46 | |
So, you've got the choice, at the minute, the way it stands, | 0:23:46 | 0:23:49 | |
of 95 quid for your knobs or £120 for that. | 0:23:49 | 0:23:53 | |
The things that hold the knobs back for me is that | 0:23:53 | 0:23:55 | |
if you got more of them and you could put them | 0:23:55 | 0:23:59 | |
-on a chest of drawers, I think they'd be fantastic. -Yeah. | 0:23:59 | 0:24:01 | |
-But what are you going to do with them? -Just four knobs. | 0:24:01 | 0:24:05 | |
With just four knobs, | 0:24:05 | 0:24:06 | |
I don't know what you'll ever do with them, really. | 0:24:06 | 0:24:08 | |
-I'd take chair. -We'll go for the chair. | 0:24:08 | 0:24:10 | |
-We're in it to make money, aren't we? -Executive decision says chair. | 0:24:10 | 0:24:13 | |
Right, then what we do is we just wait now | 0:24:13 | 0:24:15 | |
-until such time as they try and get hold of the dealer for us. -Yeah. | 0:24:15 | 0:24:18 | |
-All right? -Yep. -OK, fine. Have I ever missed an opportunity? | 0:24:18 | 0:24:22 | |
-Rest the old legs. Ah. -What a gentleman. | 0:24:23 | 0:24:27 | |
-Nice gin and tonic, girls, that'd be handy now. -That'd be lovely, yeah. | 0:24:27 | 0:24:30 | |
Whilst Philip takes it easy, the Blues are in a real spin. | 0:24:30 | 0:24:35 | |
Try over here. We'll keep dreaming, OK? We are dreaming of a last find. | 0:24:39 | 0:24:43 | |
Come on, we mustn't wilt, OK? | 0:24:43 | 0:24:45 | |
-Two minutes, team. -There's a clock there, Charles. | 0:24:45 | 0:24:48 | |
Oh, that's a gorgeous clock. I think you've found it. | 0:24:48 | 0:24:50 | |
-I think you've got it. How much is it? -I can't see the price. | 0:24:50 | 0:24:53 | |
If it's in budget, you've done really well. | 0:24:53 | 0:24:56 | |
-But I can just see a slight hint. -What? -It says £1,400. -Oh, Charles! | 0:24:56 | 0:25:00 | |
Alison, what are you doing to me? | 0:25:00 | 0:25:02 | |
Oh, do-do-do-do-do-do. | 0:25:03 | 0:25:05 | |
He looks comfortable enough. | 0:25:05 | 0:25:07 | |
-Hello there. -We've just heard we can do it for 100. -Really? | 0:25:10 | 0:25:13 | |
Oh, that's fantastic news. Thanks ever so much. | 0:25:13 | 0:25:16 | |
Well, you tried, Philip. | 0:25:16 | 0:25:18 | |
-See, what I love, Mary, is that lovely inkwell down there. -Mm. | 0:25:25 | 0:25:28 | |
Turned wood, nice condition, novel and for how much? £35. | 0:25:28 | 0:25:33 | |
-With a minute to go, it's cheap. -Mm. -Shall we get it? | 0:25:33 | 0:25:36 | |
No, I like the clock, Charles. | 0:25:36 | 0:25:38 | |
You are adamant to buy a clock, aren't you? | 0:25:38 | 0:25:40 | |
Madam, can we please look at this clock? | 0:25:40 | 0:25:43 | |
Because in the time we've got left, 25 seconds to go, | 0:25:43 | 0:25:45 | |
it's just got to be now, ladies, no messing around. | 0:25:45 | 0:25:49 | |
And you've got to look at the clock without me even handling it. | 0:25:49 | 0:25:52 | |
Give it to her, thank you very much. | 0:25:52 | 0:25:54 | |
-I like it. -OK. What's your best price? | 0:25:54 | 0:25:58 | |
So, your best price, Charles, is 195 with a trade of 10. 185. | 0:25:58 | 0:26:03 | |
-Can't afford it, can we? -Oh, we still can't afford it. -No. | 0:26:03 | 0:26:05 | |
What's your really, really, very, very best for these two ladies, | 0:26:05 | 0:26:09 | |
for my roses today, with ten seconds to go? | 0:26:09 | 0:26:12 | |
-OK, we'll go with 175, how's that? -Oh, wonderful! Yes, we're in. | 0:26:12 | 0:26:16 | |
Give us a kiss, quick. That's a deal. Done. Gone. Sold. | 0:26:16 | 0:26:20 | |
Thank you very much. Oh, my goodness me. | 0:26:20 | 0:26:22 | |
-Do you know what? I haven't even looked at this clock yet. -I know. | 0:26:22 | 0:26:25 | |
I don't know what we've even bought. | 0:26:25 | 0:26:27 | |
We've bought blind for the first ever time | 0:26:27 | 0:26:29 | |
in my history on Bargain Hunt. | 0:26:29 | 0:26:30 | |
Happy days, eh? Thank you. | 0:26:30 | 0:26:33 | |
My goodness, that was right up to the wire and sealed with a kiss. | 0:26:34 | 0:26:37 | |
Time for the teams to stop digging around and for us to find out | 0:26:39 | 0:26:43 | |
whether they're going to rake in a profit. | 0:26:43 | 0:26:47 | |
They paid £120 for the sewing silks display unit. | 0:26:47 | 0:26:50 | |
Next, they've tuned into the washboard for £22. | 0:26:52 | 0:26:56 | |
And the gothic chair bought for £100 completed their trio of purchases. | 0:26:57 | 0:27:03 | |
Now, Jojo, tell me, which is your favourite piece, please? | 0:27:03 | 0:27:06 | |
I like the big sewing box thing with all the little trinket bits in it. | 0:27:06 | 0:27:09 | |
-That's your favourite favourite, is it? -It is. -Andrea, do you agree? | 0:27:09 | 0:27:12 | |
-I agree, totally. -You do? Best to do that. | 0:27:12 | 0:27:15 | |
And is that going to bring the biggest profit? | 0:27:15 | 0:27:17 | |
-No, I don't think so. -What's going to bring the biggest profit then? | 0:27:17 | 0:27:20 | |
-I think it's going to be our big oak chair. -OK. | 0:27:20 | 0:27:22 | |
-So, how much did you spend all round? -We spent £242 altogether. | 0:27:22 | 0:27:26 | |
£242, that's such a mature amount of money. | 0:27:26 | 0:27:28 | |
That's £58 leftover lolly, please. £58, there, you've got it. | 0:27:28 | 0:27:32 | |
Thank you. | 0:27:32 | 0:27:33 | |
-Straight across to P Serrell. -Thank you. -You look like a very happy man. | 0:27:33 | 0:27:36 | |
Yes, well, I have spent an hour looking for butterflies, | 0:27:36 | 0:27:40 | |
-rainbows and fairies. -Have you? -Yes. | 0:27:40 | 0:27:43 | |
I'm going to cross those off my shopping list | 0:27:43 | 0:27:45 | |
-and see what else I can find. -Well, good for you, | 0:27:45 | 0:27:47 | |
and we look forward very much to what you come up with. | 0:27:47 | 0:27:49 | |
But, right now, why don't we check out what the Blue Team bought, eh? | 0:27:49 | 0:27:53 | |
They bought the engraved silver cricket ball for £67. Howzat?! | 0:27:53 | 0:27:58 | |
Hoping for the sweet smell of success, | 0:27:58 | 0:28:00 | |
they paid £50 for the cranberry scent bottle and fittingly, | 0:28:00 | 0:28:03 | |
with only seconds to go, | 0:28:03 | 0:28:05 | |
they spent £175 on what I would call a much-needed timepiece. | 0:28:05 | 0:28:09 | |
-Well, girls, you're looking well satisfied. -Yeah, we are. -Oh. | 0:28:11 | 0:28:15 | |
-That's good. You had a lovely hour with Charles. -Super. | 0:28:15 | 0:28:19 | |
-What was your favourite piece? -Favourite piece? The silver ball. | 0:28:19 | 0:28:22 | |
-Silver ball? -The silver ball on the stand. | 0:28:22 | 0:28:24 | |
-OK, you're on the ball, aren't you? -Oh, yeah. | 0:28:24 | 0:28:27 | |
-Do you agree with that? -No, I like my little cranberry perfume bottle. | 0:28:27 | 0:28:30 | |
Fine, that's your favourite. Is that going to bring the biggest profit? | 0:28:30 | 0:28:34 | |
No, I think I'm going to have to go with Alison's silver ball. | 0:28:34 | 0:28:37 | |
-Silver ball. -OK, and that's what you still think? -I think so, yeah. | 0:28:37 | 0:28:40 | |
-Brilliant. And how much did you spend? -£292. -You didn't. -We did. | 0:28:40 | 0:28:46 | |
-You went right to the edge. -We did, yeah. -So, can I have the £8 then? | 0:28:46 | 0:28:49 | |
£8. | 0:28:49 | 0:28:53 | |
Well, that's a little challenge, isn't it, Charles? | 0:28:53 | 0:28:55 | |
Yeah, it is, cos my girls are really quite upmarket, | 0:28:55 | 0:28:58 | |
they're uptown girls, and I know my ladies like nice things | 0:28:58 | 0:29:02 | |
so it's going to be hard to really delve deep. | 0:29:02 | 0:29:04 | |
You're going to have to dig deep, | 0:29:04 | 0:29:05 | |
that's what you're going to have to do. | 0:29:05 | 0:29:07 | |
Anyway, good luck with that. | 0:29:07 | 0:29:08 | |
Luckily, both teams now have their items. | 0:29:10 | 0:29:13 | |
So, it's off to the sale room. | 0:29:13 | 0:29:15 | |
Well, I always enjoy coming to Lincoln, | 0:29:18 | 0:29:20 | |
particularly when Golding, Young and Mawer is my destination | 0:29:20 | 0:29:24 | |
so it's a treat to be here, Colin Young, thank you for having us. | 0:29:24 | 0:29:27 | |
A great host again, Tim. | 0:29:27 | 0:29:28 | |
First up for the Reds is the oak shop display, which, | 0:29:28 | 0:29:32 | |
I must say, I have a bit of a problem with cos | 0:29:32 | 0:29:34 | |
-I don't rate it as an object that much. Do you like it? -I do. | 0:29:34 | 0:29:39 | |
We've always done really well in Lincoln with bygone items, | 0:29:39 | 0:29:42 | |
shop fittings, | 0:29:42 | 0:29:43 | |
so this is really up our street or up the high street, really. | 0:29:43 | 0:29:46 | |
OK, fine. How much up the high street is it? | 0:29:46 | 0:29:48 | |
Well, I've put an estimate of 50-100 on it and I think it's a great | 0:29:48 | 0:29:51 | |
item and I wouldn't be surprised if it made over £100. | 0:29:51 | 0:29:54 | |
Well, it needs to. £120 paid. Let's see. We will find out. | 0:29:54 | 0:29:58 | |
Next up is the washboard, a bit of kitchenalia. | 0:29:58 | 0:30:01 | |
-Is that going to be popular in Lincoln? -It is indeed. | 0:30:01 | 0:30:03 | |
-Again, a good bygone item, very desirable. -OK, how much? | 0:30:03 | 0:30:08 | |
-Only at £10-20 though. -OK, £22 paid. | 0:30:08 | 0:30:11 | |
So, they've not paid a huge amount of money for it | 0:30:11 | 0:30:14 | |
and it is a bit of fun. | 0:30:14 | 0:30:16 | |
And the last item, which is the big investment, is | 0:30:16 | 0:30:19 | |
the chair behind me which looks as if it's just come out of a church. | 0:30:19 | 0:30:22 | |
I think it has. | 0:30:22 | 0:30:23 | |
Quite a few have come out the churches over the last few years. | 0:30:23 | 0:30:26 | |
Bit of a statement, I suppose, as a hall chair | 0:30:26 | 0:30:28 | |
-but you're not going to have it in the sitting room, are you? -No. | 0:30:28 | 0:30:31 | |
I think that would adorn any hallway gracefully. | 0:30:31 | 0:30:33 | |
And what's it worth, Colin? | 0:30:33 | 0:30:35 | |
80-120 would be a reasonable estimate to place on it. | 0:30:35 | 0:30:38 | |
-OK, £100 paid. -OK. | 0:30:38 | 0:30:40 | |
I fancy they're going to have a difficulty with all these items | 0:30:40 | 0:30:44 | |
and on my rule of thumb, they're going to definitely | 0:30:44 | 0:30:46 | |
need their bonus buy so let's go have a look at it. | 0:30:46 | 0:30:49 | |
-Well, this is fun, isn't it? -It is. -Oh, yes. | 0:30:49 | 0:30:52 | |
What has that rascal, Philip Serrell, | 0:30:52 | 0:30:54 | |
spent your £58 of leftover lolly on? | 0:30:54 | 0:30:57 | |
Are you ready for this? | 0:30:57 | 0:30:59 | |
-Ooh. -What is it? -Oh, it's a unicorn. | 0:30:59 | 0:31:02 | |
-BOTH: Awww. -Amazing. | 0:31:02 | 0:31:04 | |
We've changed from butterflies and fairies | 0:31:04 | 0:31:06 | |
-so I thought it was time to... -I like it. -Really? -Yeah! | 0:31:06 | 0:31:09 | |
-How much did you pay for it? -Oh, I like this, right on the money. £32. | 0:31:09 | 0:31:14 | |
And it's got a bit of age but I'm not sure, in truth, where it's from. | 0:31:14 | 0:31:18 | |
-It's old, though, isn't it? -Yeah, I think that's 18th century. | 0:31:18 | 0:31:21 | |
-Yeah, we like that. -But whether it's come off a cistern or... | 0:31:21 | 0:31:25 | |
Hopper or something. | 0:31:25 | 0:31:26 | |
Yeah, I've just no idea, but I just thought it was a lovely thing. | 0:31:26 | 0:31:29 | |
-I like it. -Do you? -Brilliant, yeah. -Really? | 0:31:29 | 0:31:31 | |
-A little bit of fantasy about it. -Yes. | 0:31:31 | 0:31:33 | |
And what about you, Andrea? What do you like about it, sweetie? | 0:31:33 | 0:31:36 | |
-Same sort of thing, really. -Hm. A bit of age? | 0:31:36 | 0:31:40 | |
-I have fantasies. -Do you? | 0:31:40 | 0:31:42 | |
What is your fantasy vision? | 0:31:42 | 0:31:44 | |
My fantasy for this is that it'll make £50 or £60. It cost me 32. | 0:31:44 | 0:31:46 | |
-Really? -Brilliant. -Yeah. -Excellent. | 0:31:46 | 0:31:49 | |
You don't pick now, you pick after the sale of your first three items, | 0:31:49 | 0:31:52 | |
and you'll have made so much profit by then, you won't need to bother. | 0:31:52 | 0:31:55 | |
Is that right? | 0:31:55 | 0:31:57 | |
-We'll have it anyway, I think. -Oh, no! | 0:31:57 | 0:31:59 | |
Let's see what happens later, | 0:31:59 | 0:32:01 | |
and right now for the audience at home, let's find out | 0:32:01 | 0:32:04 | |
what the auctioneer thinks about Phil's unicorn. | 0:32:04 | 0:32:06 | |
OK, Colin, a heavy weight, look. | 0:32:06 | 0:32:09 | |
-Oh! -It's a chunk, isn't it? -Isn't it just! | 0:32:09 | 0:32:11 | |
There's a lot of lead in that one! | 0:32:11 | 0:32:13 | |
-Is it worth anything? -It is. | 0:32:13 | 0:32:16 | |
Well, the lead itself's probably got to be worth £20, you'd have thought. | 0:32:16 | 0:32:19 | |
I mean, it looks a bit like fire mark, but it's not, is it? | 0:32:19 | 0:32:23 | |
I can't figure out what it was part of. | 0:32:23 | 0:32:26 | |
Why take that corner off? | 0:32:26 | 0:32:28 | |
Unless it's to fit into some sort of frame or something. | 0:32:28 | 0:32:31 | |
A bit of cottage interior. A little furnishing piece - what's it worth? | 0:32:31 | 0:32:36 | |
I think £25-£40 should see that through. | 0:32:36 | 0:32:37 | |
Spot on. Philip Serrell paid £32 and he loves all that stuff. | 0:32:37 | 0:32:42 | |
Next, the Blues, who've got the Scottish bowling ball. | 0:32:42 | 0:32:45 | |
Good display item. From here I can see fairly crisp hallmarks on it. | 0:32:45 | 0:32:50 | |
1924, yep. How much? | 0:32:50 | 0:32:52 | |
I suppose it's got to be £40-£60? | 0:32:52 | 0:32:54 | |
OK, £67, paid. So they may've paid a tad over the top for that. | 0:32:54 | 0:32:59 | |
Next, is the cranberry glass little scent bottle, | 0:32:59 | 0:33:01 | |
which is a tiny, wee thing. | 0:33:01 | 0:33:03 | |
Yeah, I think it's quite a sweet little item. | 0:33:03 | 0:33:06 | |
The trouble is the bigger the item, the bigger the value. | 0:33:06 | 0:33:09 | |
And it's quite small, so I'll put 30 to 50 on it. | 0:33:09 | 0:33:12 | |
OK, well, they have paid £50, | 0:33:12 | 0:33:13 | |
so they may've paid a tad towards the top price of that. | 0:33:13 | 0:33:16 | |
Now the timepiece, which is a classic Edwardian look, isn't it? | 0:33:16 | 0:33:19 | |
Yeah, it is. | 0:33:19 | 0:33:21 | |
And the actual case looks really good. | 0:33:21 | 0:33:24 | |
Nice moulding at the bottom. Nice bracket feet, as well. | 0:33:24 | 0:33:27 | |
A fairly glossy and glamorous-looking piece. | 0:33:27 | 0:33:30 | |
-It's definitely made to impress, isn't it? -Yes. -Yeah. | 0:33:30 | 0:33:33 | |
The type of thing you'd see at a few hundreds pounds at retail, | 0:33:33 | 0:33:37 | |
but when it comes to auction 30 to 50 would be a reasonable estimate, | 0:33:37 | 0:33:41 | |
and if it made 70 to 90, you wouldn't bat an eyelid. | 0:33:41 | 0:33:44 | |
Well, you'll have to bat away at something, because they paid £175! | 0:33:44 | 0:33:50 | |
That's taken the your breath away, hasn't it? | 0:33:50 | 0:33:52 | |
Yes. | 0:33:53 | 0:33:55 | |
And on that basis, they're going to need their bonus buy. | 0:33:55 | 0:33:58 | |
Let's go and have a look at it. | 0:33:58 | 0:34:00 | |
Well, girls this is exciting, isn't it? | 0:34:00 | 0:34:02 | |
The sale's started, | 0:34:02 | 0:34:04 | |
and we're going to find out now | 0:34:04 | 0:34:06 | |
what Charles spent your £8 of leftover lolly on. | 0:34:06 | 0:34:09 | |
Tim, I dug deep and for 800p - it wasn't a lot - | 0:34:09 | 0:34:12 | |
but I found a bit of style, a big lump on the silver | 0:34:12 | 0:34:15 | |
in a Celtic-style ring. | 0:34:15 | 0:34:17 | |
-Oh! -Oh! -Look at that! | 0:34:17 | 0:34:18 | |
-Very nice! -Have a handle. -Oh, it's very nice. | 0:34:18 | 0:34:21 | |
-Solid silver? -Yes, Tim. | 0:34:21 | 0:34:23 | |
Solid silver, marked 925, | 0:34:23 | 0:34:25 | |
so more likely to be continental. | 0:34:25 | 0:34:27 | |
It's just got a nice look about it. I've tried it on. | 0:34:27 | 0:34:30 | |
-I'm not really a ring man, but it's quite a weighty ring, Tim. -Mm-hm. | 0:34:30 | 0:34:33 | |
It's decorative. It's got style. | 0:34:33 | 0:34:36 | |
And my ladies who sparkle and glimmer and have a good glint... | 0:34:36 | 0:34:39 | |
-I think it's pretty. -It is nice. -I think it's lovely. | 0:34:39 | 0:34:42 | |
Solid silver, it's bright and breezy, it's Celtic, | 0:34:42 | 0:34:45 | |
it has a kind of traditional look to it. | 0:34:45 | 0:34:47 | |
How much could cost you, Charles? Did you spend all the money? | 0:34:47 | 0:34:50 | |
-It was the whole amount of £8. -Gosh! -But if that doesn't make £15-£25 | 0:34:50 | 0:34:54 | |
I'll be really disappointed. | 0:34:54 | 0:34:56 | |
Well done, Charles. | 0:34:56 | 0:34:58 | |
Well, thank you very much for that, Charles. | 0:34:58 | 0:35:00 | |
Girls, you hang on, because now we'll ask the auctioneer | 0:35:00 | 0:35:03 | |
what he thinks about Charles's ring. | 0:35:03 | 0:35:06 | |
That's, er...gothic. | 0:35:08 | 0:35:10 | |
Hm. A nice Celtic band. | 0:35:10 | 0:35:12 | |
Erm, silver. | 0:35:12 | 0:35:13 | |
Fairly light. | 0:35:13 | 0:35:15 | |
Doesn't look to be very old, | 0:35:15 | 0:35:17 | |
and I would've thought... £10, £20. | 0:35:17 | 0:35:19 | |
-Something like that. -OK. -£10, £30, that range. | 0:35:19 | 0:35:22 | |
That cunning Charles Hanson only paid £8. | 0:35:22 | 0:35:24 | |
-Can't go wrong at that. -I think that's pretty good, isn't it? | 0:35:24 | 0:35:27 | |
-Yeah, it is. Fine. -Makes you want to marry him, really. | 0:35:27 | 0:35:29 | |
Well, perhaps not go that far. | 0:35:29 | 0:35:31 | |
-Anyway, you're taking the sale today, Colin? -I am, indeed. | 0:35:31 | 0:35:34 | |
We're in safe hands. | 0:35:34 | 0:35:36 | |
At 80, bid. 82? 82 on the net. 85? 85. 88? | 0:35:39 | 0:35:41 | |
Do I see any more bids, then, 85? | 0:35:41 | 0:35:43 | |
In the back seated row... Seated, at £85. | 0:35:43 | 0:35:47 | |
-OK, kids? -Yeah. | 0:35:48 | 0:35:50 | |
-Happy? -Excited. | 0:35:50 | 0:35:51 | |
You are so excited, aren't you?! | 0:35:51 | 0:35:53 | |
It is leg-crossingly exciting! | 0:35:53 | 0:35:56 | |
So, what's your prediction of how much profit you're going to make | 0:35:56 | 0:36:00 | |
on the £242 you spent? | 0:36:00 | 0:36:02 | |
Oh, at least £5. | 0:36:02 | 0:36:04 | |
You're that confident! | 0:36:04 | 0:36:06 | |
OK, cross your legs. Be brave, and here we go. | 0:36:06 | 0:36:09 | |
Perival oak shop display cabinet, there we go. | 0:36:09 | 0:36:12 | |
For real silk! | 0:36:12 | 0:36:13 | |
80. £80 bid. Do I see 80? I'll take 50 to go, then. 50? | 0:36:13 | 0:36:16 | |
50 bid. 55 bid. 60? And I'm bid 60. Five? 70 bid, five? | 0:36:16 | 0:36:19 | |
80 bid. Five? 85 bid, 90. And five? 95? And 100? | 0:36:19 | 0:36:23 | |
£100 bid. 10, surely. At £100. And 10 now, surely. At 110 bid. | 0:36:23 | 0:36:27 | |
120, now? | 0:36:27 | 0:36:28 | |
110, is all I'm bid. 120, now surely. | 0:36:28 | 0:36:30 | |
-(Go on!) -110, we're in the room. Are we all done? | 0:36:30 | 0:36:32 | |
At 110, then. On my left, then. Selling at £110. | 0:36:32 | 0:36:35 | |
Oh, bad luck! | 0:36:35 | 0:36:37 | |
110 is minus 10... | 0:36:37 | 0:36:39 | |
-Just almost...! -That is SO close. | 0:36:39 | 0:36:41 | |
That is bottom-clenchingly close! | 0:36:41 | 0:36:45 | |
A vintage washboard there. Who's going to start me at £30? | 0:36:45 | 0:36:47 | |
£20? Ten to go, then. 10? | 0:36:47 | 0:36:49 | |
Fiver to go, surely. Fiver? Five bid. Eight? Eight, bid. Ten? Ten bid. 12. | 0:36:49 | 0:36:52 | |
12 bid. 15? 15 bid. | 0:36:52 | 0:36:53 | |
18 now. At 18, 20? 20, am I bid? 20. Two, now - 22. | 0:36:53 | 0:36:57 | |
At £20 bid. Two or not, now? | 0:36:57 | 0:37:00 | |
Last call at £20. | 0:37:00 | 0:37:01 | |
Oh, no. So close again! | 0:37:01 | 0:37:03 | |
Another clenched moment. | 0:37:03 | 0:37:04 | |
Minus £2. | 0:37:04 | 0:37:06 | |
19th century oak chair in Arts and Crafts style. | 0:37:06 | 0:37:09 | |
There we go, C-12 this one. | 0:37:09 | 0:37:10 | |
80. £80. | 0:37:10 | 0:37:13 | |
-£50. £50. 50. -No...! | 0:37:13 | 0:37:14 | |
£50? | 0:37:14 | 0:37:16 | |
-I thought this was a nice chair. -No...! | 0:37:16 | 0:37:18 | |
30 bid. 40 bid. 50, now? 50. 60? | 0:37:18 | 0:37:21 | |
60 now. I have £50 bid. Five? 55, surely. | 0:37:21 | 0:37:24 | |
At £50. 50 at the back of the room, then? | 0:37:24 | 0:37:26 | |
Five or not now, then? Selling at £50... | 0:37:26 | 0:37:29 | |
Every sting the book, eh? | 0:37:29 | 0:37:31 | |
-That's minus 50. -That's a real bath. | 0:37:31 | 0:37:33 | |
That is 10, 12... That is minus £62. | 0:37:33 | 0:37:36 | |
I told you to be brave. | 0:37:36 | 0:37:38 | |
By crikey, you have been. | 0:37:40 | 0:37:42 | |
I'm so proud of you, kids. | 0:37:43 | 0:37:45 | |
Now, what are we going to do about the plaque? | 0:37:45 | 0:37:47 | |
-Are you going to go with it? -Going with it. -I like it. | 0:37:47 | 0:37:49 | |
-Yeah. -We love it. -It's heavyweight. Let's look for a heavy profit. | 0:37:49 | 0:37:52 | |
Here it comes. | 0:37:52 | 0:37:53 | |
Lot number 188 is an 18th century lead plaque. | 0:37:53 | 0:37:56 | |
Who's going to start me at £70? | 0:37:56 | 0:37:58 | |
£70? 50 to go then. 50, anybody? £30, anybody? | 0:37:58 | 0:38:01 | |
At 30. It's here to be sold. £30, anyone? £20, anyone? | 0:38:01 | 0:38:03 | |
20 over there. £20, I'm bid. 2 now. | 0:38:03 | 0:38:05 | |
£20, I'm bid. 2 again now surely. 2 now. | 0:38:05 | 0:38:07 | |
At 20. 2 now, surely. At 20, are we all done? | 0:38:07 | 0:38:10 | |
At 20. Nobody else interested? | 0:38:10 | 0:38:12 | |
-This is painful. -That does surprise me. | 0:38:12 | 0:38:13 | |
We're all done. We'll go to a maiden bid then of £20. | 0:38:13 | 0:38:17 | |
That's minus £12. 62, 72, minus 74. | 0:38:17 | 0:38:21 | |
All right, don't reveal Anything to the Blues. | 0:38:22 | 0:38:25 | |
-We'll talk about it soon, yeah? -Yep. -Good luck, kids. | 0:38:25 | 0:38:27 | |
Thank you very much. | 0:38:27 | 0:38:28 | |
Ali, Mary, how are you feeling? | 0:38:35 | 0:38:38 | |
-Fine, fine. -Confident? -Yeah. -Yeah. | 0:38:38 | 0:38:41 | |
Full of confidence. | 0:38:41 | 0:38:43 | |
There's nothing that you bought that you wish you hadn't bought? | 0:38:43 | 0:38:45 | |
Could you ask Alison? | 0:38:45 | 0:38:47 | |
-Alison? -Could be the clock. | 0:38:47 | 0:38:50 | |
-The clock? -Could be a bit of a let down. | 0:38:50 | 0:38:52 | |
The lovely thing is that you've got Charles beside you supporting you. | 0:38:52 | 0:38:57 | |
Oh, absolutely, yes. | 0:38:57 | 0:38:58 | |
First up is your Scottish silver bruised bowling ball. | 0:38:58 | 0:39:02 | |
-Here it comes. -Who's going to put me straight in, £30 for this? | 0:39:02 | 0:39:04 | |
£30 for the silver there? £30. | 0:39:04 | 0:39:06 | |
-CHARLES: -It's neat. | 0:39:06 | 0:39:07 | |
2 now do I see? £30 bid, 2 again. | 0:39:07 | 0:39:09 | |
£30, it's your bid at 30. 2 coming in? | 0:39:09 | 0:39:11 | |
Nobody else interested, then going at £30. | 0:39:11 | 0:39:15 | |
GROANING | 0:39:15 | 0:39:16 | |
-I'm sorry. -Oh, Charles. -I'm bruised as well now, I'm bruised as well. | 0:39:16 | 0:39:19 | |
I'm sorry. | 0:39:19 | 0:39:20 | |
Late 19th early 20th century tinted scent bottle this time. | 0:39:20 | 0:39:23 | |
There we go, what shall we say for this? Start me at 50 for it. 50? | 0:39:23 | 0:39:26 | |
30 to go then. 30. 20 I'll take. 20. £20, I'm bid. | 0:39:26 | 0:39:30 | |
Paid 50. | 0:39:30 | 0:39:31 | |
At £30 surely. 30 bid. 32 now? At £30 bid. | 0:39:32 | 0:39:36 | |
£30, are we all done? 2 is the last call then? | 0:39:36 | 0:39:38 | |
-CHARLES: -Come on. -AUCTIONEER: -At £30, all done. | 0:39:38 | 0:39:41 | |
Minus £20. OK, come on, it's the clock now. | 0:39:41 | 0:39:45 | |
I think we're going to need a group hug here. | 0:39:45 | 0:39:47 | |
Save us. Please, save us. | 0:39:47 | 0:39:49 | |
Late 19th early 20th century burr yew wood mantle time piece. | 0:39:49 | 0:39:52 | |
We're going to start straight in at top estimate. 50 bid. 50, 60 now. | 0:39:52 | 0:39:55 | |
Let's go. | 0:39:55 | 0:39:56 | |
At 50 bid. 60 anywhere else surely? | 0:39:56 | 0:39:58 | |
60. 5. Bid 70. At £70 I'm bid. 5 now. | 0:39:58 | 0:40:01 | |
75, bid 80. | 0:40:01 | 0:40:03 | |
5. Bid 90. | 0:40:03 | 0:40:05 | |
-95. 100. -Bid 5. It's going. | 0:40:05 | 0:40:07 | |
120. 130 now. 130 with you. | 0:40:07 | 0:40:10 | |
140 here. | 0:40:12 | 0:40:13 | |
At 140. Is it all over at 140? Are there any more bids now? | 0:40:13 | 0:40:16 | |
You're out in the room this time. You're out on the net. | 0:40:16 | 0:40:19 | |
At £140, last call then. | 0:40:19 | 0:40:21 | |
Oh! 40, 60, 70. That's minus 35. | 0:40:23 | 0:40:27 | |
I can't bear it. That's 72, that's minus 92, chickens. | 0:40:27 | 0:40:32 | |
Minus 92. | 0:40:32 | 0:40:33 | |
-It could be so much worse. -It could be so much worse. | 0:40:33 | 0:40:36 | |
His estimate of 30-50 on your Edwardian clock and you made £140. | 0:40:36 | 0:40:40 | |
-That's cool. -That was exciting. It was so exciting. | 0:40:40 | 0:40:44 | |
It is exciting, isn't it? Just not exciting enough. | 0:40:44 | 0:40:48 | |
Anyway, there we go. What are we going to do about the ring? | 0:40:48 | 0:40:51 | |
-Yeah, yeah. -I think so. -Take a chance. | 0:40:51 | 0:40:55 | |
Take a chance on Charles. OK, let's see if we can claw a bit back. | 0:40:55 | 0:40:59 | |
Here it comes. | 0:40:59 | 0:41:00 | |
Here's the silver Celtic band ring. There we go. | 0:41:00 | 0:41:03 | |
Who's going to start me at £20? 20. | 0:41:03 | 0:41:05 | |
£20, anyone? I'll take 10 to go then. | 0:41:05 | 0:41:07 | |
10, 12. 15 do I see? | 0:41:07 | 0:41:09 | |
You're in profit. | 0:41:09 | 0:41:10 | |
The charge is on. | 0:41:10 | 0:41:12 | |
£20 I'm bid. £20 bid. 20 and 2. | 0:41:12 | 0:41:14 | |
2 bid at 2. 5 now. 5. 28 now? 25 at the back of the room. | 0:41:14 | 0:41:18 | |
£25 bid, it's the last call. Back of the room. I'll sell now at £25. | 0:41:18 | 0:41:21 | |
£25. You have just made plus £17. The man's a genius, clearly. | 0:41:23 | 0:41:29 | |
£17, just made. That's brilliant. Isn't that good? | 0:41:29 | 0:41:33 | |
You're minus £75, which is nothing, really. | 0:41:33 | 0:41:37 | |
Minus £75 could be a winning score. | 0:41:37 | 0:41:39 | |
Remember, if it's been as flat as a pancake in the auction for you, | 0:41:39 | 0:41:42 | |
it's probably been as flat as a pancake for the Reds. | 0:41:42 | 0:41:45 | |
In which case, you could be victors today. | 0:41:45 | 0:41:48 | |
So don't say a word to the Reds. Keep quiet. | 0:41:48 | 0:41:52 | |
Well, teams, what an appalling result all round. | 0:41:57 | 0:42:01 | |
An appalling result all round. | 0:42:01 | 0:42:03 | |
But we have great excitement, Because despite these heavy losses, | 0:42:03 | 0:42:07 | |
there is just £1 between the teams today. | 0:42:07 | 0:42:10 | |
LAUGHTER | 0:42:10 | 0:42:11 | |
So you've all done equally badly. | 0:42:13 | 0:42:16 | |
So, which is the team that's done oh, so marginally worse? | 0:42:18 | 0:42:24 | |
It's the Blues. | 0:42:24 | 0:42:25 | |
GROANING AND CHEERING | 0:42:25 | 0:42:27 | |
LAUGHTER | 0:42:27 | 0:42:29 | |
Minus £75, just as well your ring, Charles, | 0:42:29 | 0:42:34 | |
the bonus buy made £17 worth of profit, which was a stellar result. | 0:42:34 | 0:42:38 | |
-I congratulate you, mate, on that. -Thank you. | 0:42:38 | 0:42:40 | |
But, overall, girls, you are just by a whisker behind. | 0:42:40 | 0:42:44 | |
The victors today... Jojo, Andrea, you've done it. | 0:42:44 | 0:42:48 | |
You've managed it by making not a profit on a jot | 0:42:48 | 0:42:51 | |
across the whole series, so that's quite something, isn't it? | 0:42:51 | 0:42:54 | |
-Seriously, you had a nice time, Jojo? -Absolutely. | 0:42:54 | 0:42:57 | |
-Andrea, been good for you? -Great time. | 0:42:57 | 0:42:58 | |
You've been a great sport here, Phil. Thank you very much. | 0:42:58 | 0:43:01 | |
Thank you for joining us. Join us soon for some more Bargain Hunting. | 0:43:01 | 0:43:04 | |
-Yes?! -ALL: Yes! | 0:43:04 | 0:43:05 |