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Now, here's a recipe for success - | 0:00:05 | 0:00:08 | |
take 300 smackers, mix it up | 0:00:08 | 0:00:11 | |
with some teams, | 0:00:11 | 0:00:13 | |
add an hour's shopping and a pecan professional or two, | 0:00:13 | 0:00:19 | |
turn up the heat, sit back, have a cup of tea and... | 0:00:19 | 0:00:22 | |
Let's go bargain hunting, yeah! | 0:00:22 | 0:00:25 | |
Today, we have popped to Peterborough, | 0:00:51 | 0:00:53 | |
where the East of England Showground | 0:00:53 | 0:00:55 | |
plays host to today's festival of antiques. | 0:00:55 | 0:00:59 | |
Let us hope that our teams have got their wits about them, | 0:00:59 | 0:01:02 | |
because this is one of the largest antique fairs in Britain. | 0:01:02 | 0:01:06 | |
Let's take a quick shufty as to what is coming up. | 0:01:06 | 0:01:09 | |
The Reds get loved up. | 0:01:12 | 0:01:14 | |
Bianca, well done. | 0:01:14 | 0:01:17 | |
Where's my kiss? | 0:01:17 | 0:01:18 | |
While the Blues get X-rated. | 0:01:21 | 0:01:24 | |
Oh, hang on, it is one of those rude things. Oh, very rude! Oh, wow! | 0:01:24 | 0:01:30 | |
-So rude, it's... -Oh, my word! | 0:01:30 | 0:01:33 | |
Oh, dear! | 0:01:33 | 0:01:35 | |
My children might be watching! | 0:01:35 | 0:01:37 | |
So, let's meet the teams. | 0:01:37 | 0:01:40 | |
So, on today's programme, we have a merry mix of matrimony, | 0:01:40 | 0:01:44 | |
because we have two happily married teams. | 0:01:44 | 0:01:46 | |
For the Reds, we've got Bianca and Lee. And for the Blues, | 0:01:46 | 0:01:49 | |
we have Gilly and Richard. Hello, everyone. | 0:01:49 | 0:01:51 | |
-ALL: Hello, Tim. -Great to see you. | 0:01:51 | 0:01:53 | |
Now, Lee, you have been together for 20 years, right? | 0:01:53 | 0:01:56 | |
-Yeah. -Where did you meet? -We met in Spain. | 0:01:56 | 0:01:59 | |
When the holiday came to the end, what happened? | 0:01:59 | 0:02:01 | |
Bianca basically said, | 0:02:01 | 0:02:03 | |
"If you want me, you'll have to come and get me in Holland." | 0:02:03 | 0:02:05 | |
So you were back and forth to Holland for a bit? | 0:02:05 | 0:02:07 | |
Yeah, we kept going over and visiting each other. | 0:02:07 | 0:02:10 | |
Holland is a beautiful country, but I was living with my mother | 0:02:10 | 0:02:13 | |
and father at the time, and they had a £500 phone bill come through. | 0:02:13 | 0:02:17 | |
So, my dad sat me down and told me I better make a few decisions. | 0:02:19 | 0:02:22 | |
It reversed then. I said to her, | 0:02:22 | 0:02:23 | |
"If you want me, you'll have to come and get me." | 0:02:23 | 0:02:25 | |
-Oh, right. -Which meant she moved to England. | 0:02:25 | 0:02:27 | |
And after 20 years, you decided to have a big career change. | 0:02:27 | 0:02:31 | |
Yes, indeed. I was an electrical engineer | 0:02:31 | 0:02:33 | |
and the shift work was not the best for bringing up a young family. | 0:02:33 | 0:02:36 | |
-No. -So I decided to have a change of career. | 0:02:36 | 0:02:39 | |
And I run an online clothing business now. | 0:02:39 | 0:02:43 | |
You do something completely different, don't you, Bianca? | 0:02:43 | 0:02:45 | |
Yes, I do. | 0:02:45 | 0:02:46 | |
I've been trained to work with people of learning disabilities. | 0:02:46 | 0:02:50 | |
-Hm-mm. -I've done that for about ten years. | 0:02:50 | 0:02:52 | |
And then I have been a teaching assistant for a few years. | 0:02:52 | 0:02:56 | |
You are both into a bit of football coaching. Tell us about that. | 0:02:56 | 0:03:00 | |
My little ones, my three and four-year-old, | 0:03:00 | 0:03:03 | |
they went to football training. | 0:03:03 | 0:03:05 | |
-So I...joined them? And help them coach now. -Oh, right. | 0:03:05 | 0:03:09 | |
I've got about 12 little boys and girls running around, | 0:03:09 | 0:03:12 | |
trying to play a bit of football. | 0:03:12 | 0:03:14 | |
-And you go around to help, Lee, do you? -No, not with the girls, no. | 0:03:14 | 0:03:17 | |
-What do you do, then? -I do the teenagers. -Oh, do you? | 0:03:17 | 0:03:20 | |
Yeah, under 15 at the moment. It is coined FC. | 0:03:20 | 0:03:23 | |
And I run the side with a friend of mine, called Duncan. | 0:03:23 | 0:03:25 | |
And, yeah, it has been a challenge, | 0:03:25 | 0:03:27 | |
but we are slightly turning the corner now, so... | 0:03:27 | 0:03:30 | |
And would you say that you two are pretty competitive | 0:03:30 | 0:03:32 | |
-because of the football? -Oh, yes. | 0:03:32 | 0:03:34 | |
-Do you want to win today? -I want to survive today. | 0:03:34 | 0:03:37 | |
That will be a win for me. | 0:03:37 | 0:03:38 | |
The wife wants to win and the man wants to survive. | 0:03:38 | 0:03:41 | |
OK, we got the message there. Anyway, good luck. | 0:03:41 | 0:03:44 | |
Now, turning to the Blues. | 0:03:44 | 0:03:46 | |
Gilly, it was a huge leap of faith, wasn't it, when you first met? | 0:03:46 | 0:03:50 | |
Yes, you could say that. | 0:03:50 | 0:03:52 | |
I was working for the Sunday Times Magazine and they asked me | 0:03:52 | 0:03:56 | |
to do a piece about parachuting for the first time, | 0:03:56 | 0:03:59 | |
what it was like to do the training and then jumping out of the airplane. | 0:03:59 | 0:04:02 | |
-Yes. -And Richard was the freelance photographer who the magazine | 0:04:02 | 0:04:06 | |
commissioned to take the picture. | 0:04:06 | 0:04:08 | |
And that was the first time I met him. 35 years on, two kids and... | 0:04:08 | 0:04:12 | |
Clearly, something is working. Excellent. | 0:04:12 | 0:04:14 | |
But now you're semiretired. What do you get up to? | 0:04:14 | 0:04:16 | |
Well, we have a dog | 0:04:16 | 0:04:19 | |
and I do quite a bit of training with her, | 0:04:19 | 0:04:22 | |
cos I like having a well-trained dog. | 0:04:22 | 0:04:24 | |
-Is she good? -She's very good, actually. | 0:04:24 | 0:04:26 | |
-Now, you've written a book, too, haven't you? -Oh, yes. | 0:04:26 | 0:04:28 | |
Well, that was largely through Richard, | 0:04:28 | 0:04:30 | |
because he did a lot of work with the Red Arrows. | 0:04:30 | 0:04:33 | |
We decided that we really should do a book about them, so we did. | 0:04:33 | 0:04:36 | |
We spent a year with the Red Arrows. And I flew with them | 0:04:36 | 0:04:39 | |
-a couple of times, which was very exciting. -Yeah, I bet. | 0:04:39 | 0:04:42 | |
Now, Ricardo, tell us about your love of photography. | 0:04:42 | 0:04:46 | |
Well, it wasn't love at first sight. I did a bit of fine art at college. | 0:04:46 | 0:04:50 | |
I didn't ever study photography, I just borrowed a camera, | 0:04:50 | 0:04:54 | |
read the instructions that came with it | 0:04:54 | 0:04:55 | |
and just sort of learned it by doing, really. | 0:04:55 | 0:04:58 | |
Is he just being modest here? He is a very good photographer, isn't he? | 0:04:58 | 0:05:01 | |
-He is, yes. -Well, there you are. Love it, don't you, | 0:05:01 | 0:05:03 | |
when a man tells you all he does is read the back of the packet. | 0:05:03 | 0:05:05 | |
Now, on your trip to the stalls today, are you going to have | 0:05:05 | 0:05:08 | |
your eyes peeled for anything in particular? | 0:05:08 | 0:05:10 | |
-I like old toys. -Do you? -Yes, we do. -Amusing. -Yes. | 0:05:10 | 0:05:14 | |
Mechanical toys? | 0:05:14 | 0:05:16 | |
-Yes. -Musical toys? | 0:05:16 | 0:05:18 | |
-Yeah. -Tinplate toys? -Yes. -Soft toys? | 0:05:18 | 0:05:20 | |
-Hm, yes. -Gosh, we're going to have a good play today, aren't we? | 0:05:20 | 0:05:23 | |
Anyway, now the money moment. £300 apiece. There is £300. | 0:05:23 | 0:05:26 | |
You know the rules. Your experts await. And off you go! | 0:05:26 | 0:05:29 | |
And very, very good luck. | 0:05:29 | 0:05:31 | |
I think I'm going to go Dutch. | 0:05:31 | 0:05:34 | |
Helping our team spend wisely, are our experts. | 0:05:34 | 0:05:39 | |
Putting on a brave face of it with the Reds is David Harper. | 0:05:39 | 0:05:44 | |
And for the Blues, a sight for sore eyes - it's Kate Bliss. | 0:05:45 | 0:05:48 | |
-Hey, you two! -Hello. -How are you fixed? -Fine. | 0:05:51 | 0:05:54 | |
-Are you ready? -Yes! | 0:05:54 | 0:05:57 | |
So, do you two agree on everything? | 0:05:57 | 0:05:59 | |
-No, not at all, David. -Nothing? Bianca? | 0:05:59 | 0:06:02 | |
-Absolutely nothing. -Oh, my gosh! | 0:06:02 | 0:06:04 | |
-Tell me what we are going to be looking for. -Something interesting. | 0:06:04 | 0:06:07 | |
-Beautifully designed. -Right. | 0:06:07 | 0:06:09 | |
-Um, cheap. -Sounds good. | 0:06:09 | 0:06:13 | |
I would like some silver little bits, but things that you can use. | 0:06:13 | 0:06:16 | |
OK, great. What are we going to look for, Lee? | 0:06:16 | 0:06:18 | |
I'm going to let you and Bianca lead me today, if that's OK. | 0:06:18 | 0:06:21 | |
So we are going to wear the trousers. | 0:06:21 | 0:06:23 | |
-Well, I'm definitely wearing the trousers. -Indeed, you are. | 0:06:23 | 0:06:26 | |
Something tells me that you two are going to be incredibly | 0:06:26 | 0:06:29 | |
competitive, is that right? | 0:06:29 | 0:06:31 | |
Oh, I don't know. I mean... Yes. | 0:06:31 | 0:06:34 | |
Let's go! Come on. | 0:06:34 | 0:06:35 | |
60 minutes of fun and laughter, are you ready? | 0:06:35 | 0:06:38 | |
-I'm ready. -Let's go. | 0:06:38 | 0:06:40 | |
All right, teams, your time starts now. | 0:06:41 | 0:06:43 | |
There's a spotlight over there, which looks rather interesting. | 0:06:55 | 0:06:59 | |
Gosh, didn't take Richard long, did it? | 0:06:59 | 0:07:01 | |
-I know, but we've got to keep him under control. -Rein him in! | 0:07:01 | 0:07:05 | |
-What have you spotted? -Well, it's... | 0:07:05 | 0:07:07 | |
I don't know what it is, actually, but it looks jolly interesting. | 0:07:07 | 0:07:11 | |
It is something you could wire up and fire a light onto a wall or... | 0:07:11 | 0:07:14 | |
It's fantastic you spotted this | 0:07:14 | 0:07:16 | |
cos these are really in vogue at the moment. | 0:07:16 | 0:07:18 | |
You know, people love them for their studio apartments. | 0:07:18 | 0:07:21 | |
It has got a great retro feel. It's, I guess, 1950s. | 0:07:21 | 0:07:24 | |
It is essentially a spotlight. | 0:07:24 | 0:07:27 | |
Originally, they would have used them on a stage. | 0:07:27 | 0:07:30 | |
If we just turn it over, | 0:07:30 | 0:07:32 | |
-we've got the name... -Yeah. -..on the back there. There we go. | 0:07:32 | 0:07:37 | |
So, we've got Strand, who are the leading names, actually, | 0:07:37 | 0:07:41 | |
in these aluminium lights. | 0:07:41 | 0:07:43 | |
But the other thing I see is that if we look at the plug here, | 0:07:43 | 0:07:47 | |
-it has been what is called PAT tested. -Right. | 0:07:47 | 0:07:49 | |
Now, every electrical item which comes for sale, | 0:07:49 | 0:07:52 | |
particularly at auction, has to be tested for safety. | 0:07:52 | 0:07:55 | |
So it is all tested and ready to go. | 0:07:55 | 0:07:57 | |
-Just a question of the price. -Yes. | 0:07:57 | 0:07:59 | |
-Excuse me, sir, how much are you looking for? -135. | 0:07:59 | 0:08:03 | |
Almost half our budget in one fell swoop. | 0:08:03 | 0:08:05 | |
Yes, but we might be able to get a... Can you help us on this? | 0:08:05 | 0:08:09 | |
We want to win this game. | 0:08:09 | 0:08:12 | |
I'll take a fiver off, 130, that's it, mate. | 0:08:12 | 0:08:14 | |
I reckon you'd stand more chance negotiating with Blackbeard, | 0:08:14 | 0:08:18 | |
the pirate, than this guy, Blues. | 0:08:18 | 0:08:20 | |
I have seen these go at auction for less than £100. | 0:08:20 | 0:08:22 | |
I have seen them go for a couple of hundred pounds. It's a gamble. | 0:08:22 | 0:08:26 | |
It's a gamble. I can't tell you it is a dead cert. | 0:08:26 | 0:08:28 | |
-It is a great thing, though, it is a great object. -Yeah, OK. | 0:08:28 | 0:08:32 | |
-Yeah. -Um, 125? | 0:08:32 | 0:08:35 | |
All right, 128, that's it, deal. | 0:08:35 | 0:08:37 | |
-Yeah? Shall we do it? -Yeah. | 0:08:37 | 0:08:39 | |
Brilliant, we've got a deal. Well done, first purchase. | 0:08:39 | 0:08:43 | |
Thank you very much. | 0:08:44 | 0:08:47 | |
Strike a light, that was an impressive start. | 0:08:47 | 0:08:51 | |
Now, what can the Reds do? | 0:08:51 | 0:08:53 | |
-Do you like that? -It's beautiful. -Do you? | 0:08:53 | 0:08:56 | |
Now, you think that is going to be heavy. Have a feel of that. | 0:08:56 | 0:08:59 | |
-It's not heavy at all, is it? -No. | 0:09:01 | 0:09:03 | |
Because it has been designed and made to be used to carry things. | 0:09:03 | 0:09:06 | |
So the things it is going to carry are going to be decanters, | 0:09:06 | 0:09:09 | |
glasses, bottles. | 0:09:09 | 0:09:11 | |
They're going to be heavy, | 0:09:11 | 0:09:12 | |
-so the tray itself doesn't want to be too heavy, does it? -No. | 0:09:12 | 0:09:15 | |
So, OK, I think it screams Chinese. | 0:09:15 | 0:09:18 | |
You've got the dragon, which, of course, | 0:09:18 | 0:09:20 | |
is an auspicious creature in China. | 0:09:20 | 0:09:22 | |
He's a good luck charm, he looks after you. | 0:09:22 | 0:09:25 | |
He is a high-ranking creature. | 0:09:25 | 0:09:27 | |
And you can tell how high-ranking he is also by the number of claws. | 0:09:27 | 0:09:32 | |
It has got one, two, three, four, five. | 0:09:32 | 0:09:35 | |
That is as many claws as a Chinese dragon could ever have. | 0:09:35 | 0:09:38 | |
There were times in Chinese history where only the Emperor, | 0:09:38 | 0:09:42 | |
his entourage and his family could own anything representing | 0:09:42 | 0:09:46 | |
a dragon with five claws. | 0:09:46 | 0:09:48 | |
So it is referred to as the Imperial Dragon. | 0:09:48 | 0:09:51 | |
Has somebody famous made this or...? | 0:09:51 | 0:09:53 | |
Is it mass-produced, is it single production? How many? | 0:09:53 | 0:09:57 | |
It is almost both. | 0:09:57 | 0:09:58 | |
It is handmade, | 0:09:58 | 0:10:00 | |
but it is mass-produced in a factory situation. | 0:10:00 | 0:10:03 | |
Circa 1920s, probably for us, | 0:10:03 | 0:10:06 | |
the Brits living in Hong Kong. | 0:10:06 | 0:10:08 | |
It is a functional tray. | 0:10:08 | 0:10:10 | |
How much do you think this would make at auction? | 0:10:10 | 0:10:12 | |
You would be surprised how little they make. | 0:10:12 | 0:10:14 | |
You know, it might be 50 to 90. It might make 100. | 0:10:14 | 0:10:18 | |
I love it. How do you feel? | 0:10:18 | 0:10:20 | |
I love it, but we need to make profit, don't we? | 0:10:20 | 0:10:22 | |
-It is priced at 90 sheets, I think. -Yep. | 0:10:22 | 0:10:26 | |
It is priced at what, sorry? | 0:10:26 | 0:10:27 | |
90 sheet... £90. | 0:10:27 | 0:10:29 | |
-90 sheets? -Yeah. | 0:10:29 | 0:10:31 | |
Yeah, sheets, pound notes. Come on, David. | 0:10:31 | 0:10:33 | |
-Pounds. -I've never heard of that before. -No? -90 sheets? | 0:10:33 | 0:10:36 | |
90 sheets, yeah. | 0:10:36 | 0:10:38 | |
OK, let's find out how many sheets we have to give him. Hello. | 0:10:38 | 0:10:41 | |
Can we ask you how many sheets we need to give you to buy this? | 0:10:41 | 0:10:45 | |
-80. -80? | 0:10:45 | 0:10:46 | |
Listening to your advice, we're not going to make that much money, | 0:10:46 | 0:10:49 | |
if anything, on it at auction. | 0:10:49 | 0:10:51 | |
-Yes. -Will you not budge on 80 at all? | 0:10:51 | 0:10:54 | |
All I can do 75, that's it. | 0:10:54 | 0:10:55 | |
OK, so it's 75 sheets or nothing. What do you think, Bianca? | 0:10:57 | 0:11:00 | |
I think we should buy it. That's my buy, then, | 0:11:00 | 0:11:02 | |
because I do like the dragons and I do really like what it is for. | 0:11:02 | 0:11:06 | |
-We want it. -Shake the man's hand. Thank you. -Thank you very much. | 0:11:06 | 0:11:10 | |
Just the job for your Chinese take away. | 0:11:10 | 0:11:13 | |
I knew you could carry it off, Reds. Now, what is this? | 0:11:13 | 0:11:17 | |
Richard is seeking further enlightenment. | 0:11:17 | 0:11:20 | |
I've just had a word with the gentleman and he has pointed | 0:11:20 | 0:11:23 | |
out that George Jensen lighter, which is really stylish. | 0:11:23 | 0:11:29 | |
That's lovely. | 0:11:29 | 0:11:30 | |
It is very '30s, actually, in design, | 0:11:30 | 0:11:33 | |
-with its geometric finish on it. -I wonder how much it is. | 0:11:33 | 0:11:37 | |
-How much is it, Richard, do we know? -140. | 0:11:37 | 0:11:40 | |
140... Let's just have a little look. | 0:11:40 | 0:11:43 | |
So we've got...we've got Denmark, 95S, | 0:11:43 | 0:11:46 | |
so it is sterling standard silver. | 0:11:46 | 0:11:48 | |
And then we've got, the very important thing, | 0:11:48 | 0:11:50 | |
the George Jensen market just here, this little oval here. | 0:11:50 | 0:11:53 | |
May I just sort of...see? | 0:11:53 | 0:11:56 | |
I would say, although it is '30s in style, with the little oval | 0:11:56 | 0:12:00 | |
mark there, I think it probably dates from the sort of '50s. | 0:12:00 | 0:12:03 | |
So, we've already spent 128. | 0:12:03 | 0:12:05 | |
This is 140 at the moment. | 0:12:05 | 0:12:07 | |
Can you do anything for us, sir? | 0:12:07 | 0:12:09 | |
-I could come down to 120. -OK. -That will be bottom line. -So 120. | 0:12:09 | 0:12:14 | |
-So that takes us up to 248. -Gosh. | 0:12:14 | 0:12:17 | |
I see it at auction, because it has got the Jensen name, | 0:12:17 | 0:12:21 | |
-at probably 80 to 120. You will get that sort of... -See, we are going... | 0:12:21 | 0:12:26 | |
We're going to get ourselves into trouble, I think, | 0:12:26 | 0:12:29 | |
because it is a lot of money. | 0:12:29 | 0:12:31 | |
Unless you can come down to 100, | 0:12:31 | 0:12:33 | |
and then we'd have to think seriously. | 0:12:33 | 0:12:36 | |
-Sorry, I just can't do that. -OK. | 0:12:36 | 0:12:38 | |
I'm going to stick on 120, I'm afraid. | 0:12:38 | 0:12:41 | |
Yeah. OK, thank you. | 0:12:41 | 0:12:42 | |
Well, thank you very much for your help. | 0:12:42 | 0:12:44 | |
I think, time is ticking, let's leave it where it is. | 0:12:44 | 0:12:47 | |
We can always come back if we need to. | 0:12:47 | 0:12:50 | |
-I like that little bit there. -Do like that? -Yeah. It's a pencil, isn't it? | 0:12:57 | 0:13:01 | |
That might be too much for us. Madam, Can we talk to you? | 0:13:01 | 0:13:04 | |
It is nine carat and it is Sampson Mordan. | 0:13:04 | 0:13:07 | |
Best on that is going to be...120. | 0:13:07 | 0:13:10 | |
-Can we have a look at it? -Of course you can. -Would you mind? | 0:13:11 | 0:13:15 | |
There are certain names in this business that can send | 0:13:15 | 0:13:19 | |
a shiver up your spine. | 0:13:19 | 0:13:20 | |
-I've got taste. -I love the turquoise. | 0:13:20 | 0:13:22 | |
Also, you can see, it's the original pencil. | 0:13:22 | 0:13:25 | |
Yeah, OK. | 0:13:25 | 0:13:27 | |
Now, you've got a very good eye. Tell us why you like that. | 0:13:27 | 0:13:30 | |
Because of that little blue thing in the middle. And it is useful. | 0:13:30 | 0:13:35 | |
You could use it, absolutely right. The turquoise is lovely. | 0:13:35 | 0:13:38 | |
Lee, have a look at that. | 0:13:38 | 0:13:41 | |
To be honest with you, I thought it was silver initially, | 0:13:41 | 0:13:43 | |
until the lady said nine carat, and then my ears did prick up. | 0:13:43 | 0:13:46 | |
Now, what makes this so special is the name - | 0:13:46 | 0:13:49 | |
Sampson Mordan - | 0:13:49 | 0:13:51 | |
a real top-flight producer of silver and gold objects. | 0:13:51 | 0:13:57 | |
That is probably not the original box, | 0:13:57 | 0:13:59 | |
because that would have come in a fitted box. | 0:13:59 | 0:14:01 | |
So that pencil would've had a fitted groove cut out of a box, | 0:14:01 | 0:14:04 | |
and it would fit in perfectly. | 0:14:04 | 0:14:05 | |
-Yes. -It is very posh. It is very upmarket. | 0:14:05 | 0:14:08 | |
I think it's estimate should be 80-120, personally, | 0:14:08 | 0:14:12 | |
-as an auction estimate. -Would you like to buy this? | 0:14:12 | 0:14:14 | |
Because I already had my choice, haven't I? | 0:14:14 | 0:14:17 | |
If we obviously get it down to the right price, it is worth going for. | 0:14:17 | 0:14:20 | |
-Wouldn't you say so? -Well, shall we ask the lovely lady? | 0:14:20 | 0:14:22 | |
-What could we do on price? Bear in mind... -I can't do less than one. | 0:14:22 | 0:14:26 | |
-Really? Bianca, would you pay £100 for it? -I think I would. -Lee? | 0:14:26 | 0:14:31 | |
Listen, David, I said I'd trust you before today, so I'm going | 0:14:31 | 0:14:34 | |
to trust you both, reluctantly Bianca, | 0:14:34 | 0:14:37 | |
and we'll...we'll have this for 100. | 0:14:37 | 0:14:40 | |
OK, well, let's have that. | 0:14:40 | 0:14:41 | |
This is where the business gets thrilling, | 0:14:41 | 0:14:44 | |
when you handle objects like that. | 0:14:44 | 0:14:45 | |
-So well done, well bought. -Thank you. | 0:14:45 | 0:14:48 | |
-Thank you so much. -Thanks a lot. -Thank you very much. | 0:14:48 | 0:14:51 | |
The nine carat gold pencil holder is a classy object indeed. | 0:14:51 | 0:14:55 | |
Let's hope the punters are drawn to it at the auction. | 0:14:55 | 0:14:58 | |
-All, it is a little Buddha. A fat Buddha. -Very fat. | 0:15:01 | 0:15:04 | |
Oh, hang on, it is one of those rude rings. Oh, very rude! | 0:15:04 | 0:15:09 | |
Oh, wow! | 0:15:09 | 0:15:10 | |
-It's a tacky little... -Don't look. -Now that is educational! -Blimey! | 0:15:10 | 0:15:14 | |
-That is so rude... -Oh, my word! | 0:15:16 | 0:15:18 | |
-Oh, dear! -My children might be watching! | 0:15:20 | 0:15:23 | |
Trust you, Richard(!) | 0:15:23 | 0:15:25 | |
I can pick them, can't I? I like it, actually. | 0:15:25 | 0:15:27 | |
Let's have a closer look at him. What is he made of? He's very heavy. | 0:15:27 | 0:15:30 | |
Let's have a little look at the underneath without looking at that. | 0:15:30 | 0:15:34 | |
And I can see... I'm going to have to get my glass out. | 0:15:34 | 0:15:37 | |
-And I am looking at the material. -Right. -Not the design. | 0:15:37 | 0:15:41 | |
Yes, yes, we believe you, Kate. | 0:15:41 | 0:15:43 | |
I thought at first it might be resin, but it's too heavy. | 0:15:43 | 0:15:47 | |
I think it possibly is soapstone. | 0:15:47 | 0:15:49 | |
-The whole appeal is in his surprise underneath. -It is, yes. | 0:15:49 | 0:15:53 | |
So, let's just say. How much is that, please? | 0:15:53 | 0:15:56 | |
-65. -65, hm. | 0:15:56 | 0:15:58 | |
This is so rude even the dealer is hiding his face. | 0:15:58 | 0:16:02 | |
It might be sort of early 20th century in date. | 0:16:02 | 0:16:05 | |
My...slight misgiving is... | 0:16:05 | 0:16:09 | |
..how many there are. | 0:16:11 | 0:16:13 | |
-What is the very best you could do? -45. | 0:16:13 | 0:16:15 | |
-Could you do 40 for us? -Go on, I'll do 40, yeah. | 0:16:17 | 0:16:21 | |
Is it the sort of thing that, you know, appeals to you? | 0:16:21 | 0:16:24 | |
-Well, what can I say? It's only for the fun of it. -But it is fun. | 0:16:24 | 0:16:30 | |
People pick it up and do what you did. | 0:16:30 | 0:16:32 | |
-Hee-hee! -A bit of a shock. | 0:16:32 | 0:16:35 | |
-Let's do it. -Yeah. -Oh, he's... | 0:16:35 | 0:16:37 | |
It's done! Great. Thank you very much. | 0:16:37 | 0:16:41 | |
Buddha's made Kate blush, but will the Blues be blushing | 0:16:43 | 0:16:46 | |
when it goes to auction? We'll soon see. | 0:16:46 | 0:16:49 | |
First, every picture tells a story, but with this one, | 0:16:49 | 0:16:51 | |
you have to look a bit harder. | 0:16:51 | 0:16:53 | |
My gosh, this is a boring looking picture. | 0:16:56 | 0:16:59 | |
Just the sort of thing that in an antiques fair like this, | 0:16:59 | 0:17:02 | |
you just walk straight on by. You don't even inquire about the price. | 0:17:02 | 0:17:07 | |
Well, once upon a time, this picture was a bit brighter. | 0:17:07 | 0:17:12 | |
It had blue in the sky. | 0:17:12 | 0:17:15 | |
These jerseys that the couple of sailors are wearing were coloured. | 0:17:15 | 0:17:20 | |
But it has been hung in the light and, tragically, | 0:17:20 | 0:17:22 | |
the thing has faded. | 0:17:22 | 0:17:24 | |
And that could be why this print was marked up at only £25. | 0:17:24 | 0:17:30 | |
But actually, it is quite interesting. | 0:17:30 | 0:17:32 | |
If you look at the bottom, it says Box & Cox. And what is that about? | 0:17:32 | 0:17:37 | |
Well, if you look it up, it was an incredibly popular comic operetta | 0:17:37 | 0:17:42 | |
that was put to music by Arthur Sullivan, | 0:17:42 | 0:17:46 | |
the famous composer, in 1866. | 0:17:46 | 0:17:49 | |
It told the story of two men, one called Box and one called Cox, | 0:17:49 | 0:17:54 | |
who lived in a room in a boarding house, | 0:17:54 | 0:17:58 | |
except they didn't know they were sharing a room because when Mr Box | 0:17:58 | 0:18:01 | |
went out in the morning, Mr Cox came in and lived in the room. | 0:18:01 | 0:18:05 | |
But what is the relevance of Box & Cox in this particular print? | 0:18:05 | 0:18:11 | |
Well, the next hint is the painter himself - FC Gould, which | 0:18:11 | 0:18:17 | |
stands for Francis Carruthers Gould, | 0:18:17 | 0:18:21 | |
and he was a cartoonist and a satirist. | 0:18:21 | 0:18:23 | |
And what he's done in this satirical cartoon is not to | 0:18:23 | 0:18:28 | |
show political characters, but he is showing two | 0:18:28 | 0:18:32 | |
characters from the most popular of Victorian entertainments - | 0:18:32 | 0:18:38 | |
the comic opera, because the man on the left is Arthur Sullivan | 0:18:38 | 0:18:44 | |
and the man on the right is Mr Gilbert. | 0:18:44 | 0:18:47 | |
They never really got on together, though. | 0:18:47 | 0:18:50 | |
And if you look at their expressions, | 0:18:50 | 0:18:52 | |
they are totally and utterly miserable with one another. | 0:18:52 | 0:18:57 | |
And the date, 1882, is important. | 0:18:57 | 0:19:01 | |
Because at this point in time, | 0:19:01 | 0:19:03 | |
Gilbert and Sullivan had fallen out big time. | 0:19:03 | 0:19:07 | |
And it took all the diplomatic skills of D'Oyly Carte, | 0:19:07 | 0:19:12 | |
their manager, to persuade them to go on. | 0:19:12 | 0:19:15 | |
And indeed they did, eventually. Isn't that interesting? | 0:19:15 | 0:19:18 | |
All these facts wrapped up in a particularly dull | 0:19:18 | 0:19:23 | |
and boring looking cartoon. | 0:19:23 | 0:19:25 | |
You could easily have walked by it on an outside stall here | 0:19:25 | 0:19:30 | |
priced up at £25. | 0:19:30 | 0:19:33 | |
But actually, I think to a Gilbert and Sullivan fan, it is | 0:19:33 | 0:19:37 | |
worth rather more, | 0:19:37 | 0:19:39 | |
perhaps a moody £80 to £120. What do you think? | 0:19:39 | 0:19:44 | |
Back to the shopping. How is it going with the Reds, Dave? | 0:19:48 | 0:19:51 | |
It is all going very well. | 0:19:52 | 0:19:54 | |
A bit interesting that Lee said in the beginning that he was | 0:19:54 | 0:19:57 | |
going to pass the responsibility onto Bianca and me, | 0:19:57 | 0:20:00 | |
but he is making quite a lot of decisions himself in actual fact. | 0:20:00 | 0:20:03 | |
We have bought some interesting things, and they are decisive, | 0:20:03 | 0:20:06 | |
and that is the key with this. | 0:20:06 | 0:20:08 | |
If you muck about, you make no decisions, you end up with no | 0:20:08 | 0:20:11 | |
time, and then you buy potentially really bad things. | 0:20:11 | 0:20:15 | |
Meanwhile, back with the Blues, | 0:20:15 | 0:20:17 | |
and someone needs to curb their enthusiasm. | 0:20:17 | 0:20:19 | |
Well, you girls have better have a shout, really, | 0:20:19 | 0:20:22 | |
because I just want to buy everything. | 0:20:22 | 0:20:24 | |
-Come on. -That's very chivalrous of you. | 0:20:24 | 0:20:26 | |
It's true, that's the trouble. | 0:20:26 | 0:20:28 | |
Come on then, Gilly, let's find something for a lady. | 0:20:28 | 0:20:31 | |
But look over here. | 0:20:33 | 0:20:35 | |
-Yeah. -These things, this is great! -No! | 0:20:35 | 0:20:39 | |
-No, something pretty. -Oh, look at that one! | 0:20:39 | 0:20:42 | |
-Come on. -Come on, let's go. | 0:20:44 | 0:20:46 | |
-You like that? -His toys again. | 0:20:48 | 0:20:50 | |
Leave him behind. | 0:20:52 | 0:20:54 | |
Where are they? | 0:20:54 | 0:20:56 | |
Where have they gone? I've lost them. | 0:20:56 | 0:20:58 | |
Back indoors, the Blues have found something to do with their bread. | 0:21:03 | 0:21:08 | |
We've got 85 on there. | 0:21:08 | 0:21:09 | |
The thing about this one is that | 0:21:09 | 0:21:13 | |
it is made by Sheffield makers | 0:21:13 | 0:21:16 | |
called William Hutton & Sons. | 0:21:16 | 0:21:18 | |
It is silver and hallmarked, as it should be. | 0:21:18 | 0:21:20 | |
Now, William Hutton often made pieces designed | 0:21:20 | 0:21:24 | |
by Christopher Dresser. | 0:21:24 | 0:21:25 | |
This is very much in the manner of Christopher Dresser, | 0:21:25 | 0:21:29 | |
with this triangular loophole. | 0:21:29 | 0:21:32 | |
It is very '30s, very geometric in shape. | 0:21:32 | 0:21:35 | |
-Shall we ask what the best is? -Yes, I think that is a good idea. | 0:21:35 | 0:21:39 | |
Hi there. | 0:21:39 | 0:21:40 | |
What could you do on the toast rack for us? | 0:21:40 | 0:21:43 | |
-You've got 85 on it. -Yes. | 0:21:43 | 0:21:45 | |
My very best...is 75. | 0:21:45 | 0:21:48 | |
-Richard is shaking his head. -Only on the price. | 0:21:48 | 0:21:51 | |
I can see it perhaps not making that much. | 0:21:51 | 0:21:55 | |
I'll take off an extra five if it helps. | 0:21:55 | 0:21:58 | |
So, £70. | 0:21:58 | 0:21:59 | |
Would it have a chance at auction? | 0:21:59 | 0:22:02 | |
It's not going to make you a huge profit, I don't think, | 0:22:02 | 0:22:05 | |
but it might have a chance of making you a little one. | 0:22:05 | 0:22:08 | |
-Where does it go, here? -Yes. | 0:22:08 | 0:22:10 | |
Walk away, eh, if you're not sure. | 0:22:10 | 0:22:13 | |
I've got to tell you, I do love that. | 0:22:24 | 0:22:26 | |
It looks like the '70s, like the brown square. | 0:22:26 | 0:22:29 | |
It has a '70s look to it... | 0:22:29 | 0:22:31 | |
-Yeah. -..in a way, so I'm going to give you that, | 0:22:31 | 0:22:34 | |
but you are a long way out, because this is Art Deco. | 0:22:34 | 0:22:37 | |
Let's have a look. So we've got | 0:22:37 | 0:22:39 | |
a simple pink bowl with chrome handles, wooden blocks | 0:22:39 | 0:22:45 | |
and chrome decorative tops. | 0:22:45 | 0:22:47 | |
I mean, it's just fantastic. | 0:22:47 | 0:22:50 | |
How much do you think it is? | 0:22:50 | 0:22:52 | |
It's probably a lot more than what I would give for it. | 0:22:52 | 0:22:55 | |
Well, that's a good... What would you give for it? | 0:22:55 | 0:22:58 | |
Well, at a push, £20? | 0:22:58 | 0:23:01 | |
-20 quid? OK, fair enough. -I do like it, but I think we should... | 0:23:01 | 0:23:06 | |
-have a look around for another five minutes. -Well, OK. | 0:23:06 | 0:23:10 | |
I would dash off with that for 30 quid every day of the week, | 0:23:10 | 0:23:15 | |
but you want to wait a bit? That's fine. | 0:23:15 | 0:23:17 | |
I heard you, David, but I don't think the Reds were listening. | 0:23:17 | 0:23:21 | |
The Blue Team seem to be stuck at the same stall. | 0:23:24 | 0:23:26 | |
-This is the only other thing, guys. -Yes. -Richard, what do think of that? | 0:23:28 | 0:23:33 | |
-I know it is more a lady's piece. -Yes. | 0:23:33 | 0:23:35 | |
It is not something I have an opinion about. | 0:23:35 | 0:23:37 | |
-This doesn't do anything for you at all? -No. -Gilly, what do you think? | 0:23:37 | 0:23:40 | |
-I think it is quite pretty. -Yes, it's Art Deco. It is silver mounted. | 0:23:40 | 0:23:44 | |
-The great thing about it is this stopper. -Yes. | 0:23:44 | 0:23:47 | |
The lady has said it could be 25. | 0:23:47 | 0:23:50 | |
I quite like it, I think that would be... | 0:23:50 | 0:23:53 | |
I see Richard is not in favour of this at all. | 0:23:54 | 0:23:57 | |
You just don't like it, do you? | 0:23:57 | 0:23:58 | |
We have basically got, literally, about five minutes. | 0:23:58 | 0:24:01 | |
I would say, it is either this, the toast rack or | 0:24:01 | 0:24:04 | |
we go back for the lighter, which I know you both really liked. | 0:24:04 | 0:24:08 | |
I do like it, but I am worried about it not making the money. | 0:24:08 | 0:24:10 | |
Well, how about we go back and we say, "Look, | 0:24:10 | 0:24:12 | |
"we already bought from you, can you do anything more on the price?" | 0:24:12 | 0:24:15 | |
Let's charge back and try and get the lighter. | 0:24:17 | 0:24:19 | |
-Shall we run? -Yes, we'll have to. -Quite sure? -Yes. -Yes! | 0:24:19 | 0:24:24 | |
Run, team, run! Time is slipping away, as the Reds have noticed. | 0:24:28 | 0:24:32 | |
-See, that I like, behind you, the hourglass. -That? OK. | 0:24:35 | 0:24:40 | |
I mean, you might tell me to leave it alone straightaway. | 0:24:40 | 0:24:43 | |
No, I wouldn't say that at all, | 0:24:43 | 0:24:45 | |
because I love it when, you know, a team | 0:24:45 | 0:24:49 | |
chooses their objects, because | 0:24:49 | 0:24:51 | |
actually, it is all about you, your taste, what you are drawn to. | 0:24:51 | 0:24:55 | |
-See, that is beautiful. -OK, tell me why that is beautiful. | 0:24:55 | 0:24:58 | |
I've always liked timers, and I think it goes back to childhood | 0:24:58 | 0:25:03 | |
when my mother used to always have one on the side | 0:25:03 | 0:25:05 | |
when she was cooking. | 0:25:05 | 0:25:08 | |
And it's just stuck with me. And this is beautiful. | 0:25:08 | 0:25:10 | |
-I really like this. -It is priced at 50 quid. | 0:25:10 | 0:25:14 | |
Is it worth anything to anybody else, apart from myself, | 0:25:14 | 0:25:17 | |
would you think? | 0:25:17 | 0:25:18 | |
It's probably... It's useful, practical. | 0:25:20 | 0:25:23 | |
It might only get an estimate of 20 to 30, 30 to 50. | 0:25:23 | 0:25:26 | |
Um, but it is the sort of oddity that could make good money. | 0:25:26 | 0:25:30 | |
Should we ask the lady to come and talk to us? | 0:25:30 | 0:25:32 | |
-What will be the best price on that one? -What have I got there? | 0:25:32 | 0:25:36 | |
-50 on it there. -35. | 0:25:36 | 0:25:38 | |
-OK, so it is £35...or nothing. -Yeah. | 0:25:38 | 0:25:42 | |
So, I have to ask you the question, | 0:25:42 | 0:25:44 | |
are we going to have it or are we not going to have it? | 0:25:44 | 0:25:47 | |
-I'll leave it with you two. -Come on. | 0:25:47 | 0:25:49 | |
No, I said I was going to go with you two at the start. | 0:25:49 | 0:25:51 | |
OK, I'll choose that for you. | 0:25:51 | 0:25:54 | |
-We've done it, yes? Third item? -Yes. | 0:25:54 | 0:25:57 | |
Well done, you two. Bianca, well done. | 0:25:57 | 0:25:59 | |
-Lee, well found. -I'm not sure. -Well found. | 0:25:59 | 0:26:02 | |
-Stick with your conviction, you're all right. -We'll see. Thank you. | 0:26:02 | 0:26:06 | |
# Love is all that I can give. # | 0:26:06 | 0:26:08 | |
Where's my kiss? | 0:26:08 | 0:26:11 | |
# Love is more than just a game for two. # | 0:26:11 | 0:26:16 | |
Hey, no time for all that. | 0:26:16 | 0:26:18 | |
The Blues have one minute left, | 0:26:18 | 0:26:19 | |
will they make it back to the lighter in time? | 0:26:19 | 0:26:22 | |
Glad you put your flatties on! | 0:26:22 | 0:26:23 | |
I know, absolutely I did! | 0:26:23 | 0:26:25 | |
We're going to have to get on our knees and beg. | 0:26:25 | 0:26:28 | |
Yeah, that's... | 0:26:28 | 0:26:29 | |
-OK, it's still there. -Yes. | 0:26:31 | 0:26:33 | |
-Go on, Gilly. -100. -I can't do it. | 0:26:33 | 0:26:37 | |
You can't get just a tiny bit below 120? | 0:26:37 | 0:26:40 | |
115. | 0:26:40 | 0:26:42 | |
115? | 0:26:42 | 0:26:43 | |
-Yeah. -We've got 30 seconds. -Brilliant. Thank you very much. | 0:26:43 | 0:26:47 | |
-Thank you. -Thank you so much. | 0:26:47 | 0:26:49 | |
Great, three buys! | 0:26:49 | 0:26:51 | |
And relax! | 0:26:51 | 0:26:54 | |
The 60 minutes is up. Let's check out what the Red Team bought, eh? | 0:26:54 | 0:26:59 | |
They got carried away with a carved wooded drinks tray for £75. | 0:26:59 | 0:27:04 | |
Then they wrote off £100 on a nine carat gold pencil holder. | 0:27:04 | 0:27:09 | |
And just before time ran out, | 0:27:09 | 0:27:12 | |
they bought a brass-framed hourglass for £35. | 0:27:12 | 0:27:15 | |
-Did you have a good time? -I had a lovely time, thank you. | 0:27:16 | 0:27:19 | |
A right giggle, it were. So, what is your favourite piece, actually? | 0:27:19 | 0:27:24 | |
-The hourglass. -The hourglass is your favourite piece, yes? | 0:27:24 | 0:27:28 | |
-And what about you, Bianca, what is your favourite piece? -My pencil. | 0:27:28 | 0:27:32 | |
The pencil, very good. Is it going to make the biggest profit? | 0:27:32 | 0:27:35 | |
-Yes, I think so. -Do you reckon? -Yeah, I do, actually. | 0:27:35 | 0:27:38 | |
You agree with the missus, very sensible. | 0:27:38 | 0:27:40 | |
-And you spent how much in toto? -210. | 0:27:40 | 0:27:43 | |
210. I'd like £90 in leftover lolly, please. | 0:27:43 | 0:27:47 | |
Which goes to the other sharp Harper. | 0:27:47 | 0:27:49 | |
-Yes. -Thank you. | 0:27:49 | 0:27:51 | |
And what you going to spend the £90 on, do you think? | 0:27:51 | 0:27:54 | |
-Something I can't possibly resist, Tim. -Really? | 0:27:54 | 0:27:56 | |
-That will be irresistible, then, wouldn't it? -Irresistible, yes. | 0:27:56 | 0:28:00 | |
# That's what you are. # | 0:28:00 | 0:28:02 | |
Anyway, super-duper. Thank you very much, team. | 0:28:02 | 0:28:04 | |
Meanwhile, why don't we check out what the Blue Team bought, eh? | 0:28:04 | 0:28:06 | |
The Blues had a flash of inspiration with the Strand theatrical | 0:28:06 | 0:28:11 | |
spotlight for £128. | 0:28:11 | 0:28:13 | |
They were sitting pretty with the Buddha figure, | 0:28:13 | 0:28:17 | |
with the saucy secret, for £40. | 0:28:17 | 0:28:19 | |
And finally, their imagination was fired by the 1950s Jensen | 0:28:19 | 0:28:23 | |
silver cigarette lighter for £115. | 0:28:23 | 0:28:26 | |
-So, that was good fun, wasn't it? -Great fun. Yes, really good. | 0:28:28 | 0:28:31 | |
Thought you enjoyed it. | 0:28:31 | 0:28:32 | |
-And how much did you spend in toto? -£283. | 0:28:32 | 0:28:36 | |
Did you really? That is mature. | 0:28:36 | 0:28:39 | |
Can I have £17 of leftover lolly, please? Thank you, G. | 0:28:39 | 0:28:44 | |
That's very kind. All together and gathered up. | 0:28:44 | 0:28:47 | |
Now, which is your favourite piece? | 0:28:47 | 0:28:50 | |
Well, for amusement, possibly the Buddha. | 0:28:50 | 0:28:53 | |
But actually, I really like the lighter. | 0:28:53 | 0:28:56 | |
The lighter is your favourite favourite? Do you agree with that? | 0:28:56 | 0:28:59 | |
-I think I do, yes. -You think you do? -Yes. | 0:28:59 | 0:29:01 | |
A bit begrudging, but that's fair enough. | 0:29:01 | 0:29:03 | |
And which bit is going to bring the biggest profit? | 0:29:03 | 0:29:06 | |
I think the lighter, the George Jensen lighter. | 0:29:06 | 0:29:08 | |
-Do you agree with that, G? -Yeah, I think so. -OK, fine. | 0:29:08 | 0:29:11 | |
We've got our predictions, that's perfectly fair. | 0:29:11 | 0:29:14 | |
-Now, only £17. -I know. -..for poor Kate Bliss. | 0:29:14 | 0:29:17 | |
-What are you going to do? -Yeah, what are you going to do? | 0:29:17 | 0:29:20 | |
-What are you going to do? -Hopefully something brilliant. | 0:29:20 | 0:29:22 | |
-I'm going to go and beg, I think. -Yeah. | 0:29:22 | 0:29:24 | |
Well, you can't steal, so it has to be begging. OK. | 0:29:24 | 0:29:27 | |
Well, good luck with that. | 0:29:27 | 0:29:29 | |
Now, it is time to head to the sale room. | 0:29:31 | 0:29:34 | |
Gosh, I'm looking forward to this. | 0:29:39 | 0:29:41 | |
We have come to Litchfield, to Richard Winston's sale room, | 0:29:41 | 0:29:43 | |
to be with Richard Winston. | 0:29:43 | 0:29:45 | |
-Richard, good morning. -Good morning to you. | 0:29:45 | 0:29:47 | |
Cracking to be here. Now, this team has gone overboard on its tray. | 0:29:47 | 0:29:52 | |
-That drinks tray really is elaborately carved, isn't it? -It is. | 0:29:52 | 0:29:56 | |
It doesn't do a lot for me. | 0:29:56 | 0:29:57 | |
It's one of those things, I don't know what you do with it. | 0:29:57 | 0:30:00 | |
Would you display it? Would you really want to use it? | 0:30:00 | 0:30:02 | |
We have gone a measly £20 to £30. You like this, don't you? | 0:30:02 | 0:30:06 | |
I don't know. It is a tour de force, of the carver's art. | 0:30:06 | 0:30:09 | |
You've chipped away with your old chisel | 0:30:09 | 0:30:11 | |
and you've created this fantastic dragon. Book. | 0:30:11 | 0:30:15 | |
God, you've got to admire that, surely. | 0:30:15 | 0:30:17 | |
I admire it thoroughly, but I just think for the commercial market, | 0:30:17 | 0:30:20 | |
what are they going to use it for? | 0:30:20 | 0:30:22 | |
OK, £75 paid. | 0:30:22 | 0:30:23 | |
Next, how do you rate this nine carat gold pencil sleeve with | 0:30:23 | 0:30:27 | |
the turquoise button? Do you like that one? | 0:30:27 | 0:30:29 | |
It is the sort of thing that we do see quite a bit come through. | 0:30:29 | 0:30:32 | |
They do sell well. There it is a good market for it at the price. | 0:30:32 | 0:30:34 | |
They're going to pay £60 to £80 for it. | 0:30:34 | 0:30:36 | |
Well, we paid £100 for it. So you might just get there on a good day. | 0:30:36 | 0:30:40 | |
Yeah, I'm not surprised they paid that sort of money for it, | 0:30:40 | 0:30:43 | |
being nine carat, but I'll do well to get there. | 0:30:43 | 0:30:45 | |
Now, for a personal dislike, we move on to the hourglass, | 0:30:45 | 0:30:50 | |
which I don't have a lot of time for. Ha(!) Frankly. | 0:30:50 | 0:30:53 | |
It is the sort of thing we'd have other brass items | 0:30:53 | 0:30:56 | |
with it just to give it a kick, get it gone. | 0:30:56 | 0:30:58 | |
-A whole box full of the stuff. -OK, so, how much for it on its own? | 0:30:58 | 0:31:01 | |
-Five, ten pounds? -We put £20 on it. -Did you? -Yeah. | 0:31:01 | 0:31:04 | |
Well, £35 was paid by Lee. | 0:31:04 | 0:31:06 | |
He loved it, and who knows, he might be right. | 0:31:06 | 0:31:08 | |
On the other hand, if he is wrong, they're going to need a bonus buy. | 0:31:08 | 0:31:12 | |
So let's go and have a look at it. Thank you. | 0:31:12 | 0:31:15 | |
OK, team, £90 of leftover lolly you had, which you gave to Dave. | 0:31:15 | 0:31:19 | |
And of course, he is renowned for his taste and discrimination | 0:31:19 | 0:31:23 | |
when presented with a chunky amount of money. | 0:31:23 | 0:31:25 | |
So, Dave, show us your worst. | 0:31:25 | 0:31:27 | |
You are absolutely horrible, you know that. | 0:31:27 | 0:31:29 | |
And you know that I couldn't resist. | 0:31:29 | 0:31:32 | |
-Yes. -I' so sorry, I must apologize. Tim, it's beautiful! | 0:31:32 | 0:31:37 | |
It is screaming Art Deco...or something. | 0:31:37 | 0:31:39 | |
I loved it on the day and I tried to make them buy it. | 0:31:39 | 0:31:43 | |
-You've seen it before? -We have. -But you refused. | 0:31:43 | 0:31:47 | |
-David was very happy with it and he has seen potential. -Exactly. | 0:31:47 | 0:31:52 | |
You know, you have to respect the viewpoint that Art Deco is | 0:31:52 | 0:31:55 | |
very popular. I mean, these outset handles and the chrome... | 0:31:55 | 0:31:57 | |
-It's what makes them, Tim. -Exactly. | 0:31:57 | 0:31:59 | |
-The thing is in good condition. -It is. | 0:31:59 | 0:32:01 | |
How much did you spend on this lovely piece? | 0:32:01 | 0:32:04 | |
I went back and I got it for 25, from 30 to 25. | 0:32:04 | 0:32:08 | |
And, you know, for goodness sake, it is a period piece of Art Deco, | 0:32:08 | 0:32:11 | |
it is oozing style. | 0:32:11 | 0:32:13 | |
It is not oozing quality, we're not pretending it is, | 0:32:13 | 0:32:15 | |
but it has got the look, and it is the look for the market today. | 0:32:15 | 0:32:18 | |
That's what I told her. | 0:32:18 | 0:32:20 | |
Well done! You and I should stick together. | 0:32:20 | 0:32:22 | |
And how much do you think this is going to bring at auction? | 0:32:22 | 0:32:25 | |
I think, you know, £20 to £50. | 0:32:25 | 0:32:27 | |
-OK. -It has got to. | 0:32:27 | 0:32:29 | |
Well, that's sorted that lot out. | 0:32:29 | 0:32:31 | |
Let's find out right now, though, what the auctioneer thinks | 0:32:31 | 0:32:34 | |
about Dave's bowl. | 0:32:34 | 0:32:36 | |
Here we are. | 0:32:37 | 0:32:38 | |
You can see the tinned mandarin oranges being | 0:32:38 | 0:32:41 | |
opened in suburbia in 1938 and going into a dish like that, can't you? | 0:32:41 | 0:32:46 | |
You can. | 0:32:46 | 0:32:47 | |
It's not far what off what they are after, that kind of modern look. | 0:32:47 | 0:32:52 | |
But it is just a poor quality thing, isn't it? | 0:32:52 | 0:32:54 | |
Really good quality ones of these are really sought after, | 0:32:54 | 0:32:56 | |
you know, can really do well. | 0:32:56 | 0:32:58 | |
Well, it came from Woolly's, didn't it? | 0:32:58 | 0:33:00 | |
It is the Woolly's variety of the expensive one. | 0:33:00 | 0:33:03 | |
Not too bad at all that. | 0:33:03 | 0:33:05 | |
So, David Harper invested in a very cunning £25. | 0:33:05 | 0:33:09 | |
-So, how much do you think it is going to bring? -£20, 20 to 30. | 0:33:09 | 0:33:12 | |
OK, fine. Well, spot on. Now, another eclectic mix. | 0:33:12 | 0:33:15 | |
Look, we've got the Strand theatre light, | 0:33:15 | 0:33:19 | |
which can bring a substantial amount. | 0:33:19 | 0:33:21 | |
-Yeah, and they are popular. And we've got 80 to 120 on it. -OK. | 0:33:21 | 0:33:26 | |
£128 was paid. | 0:33:26 | 0:33:28 | |
And frankly, it is the modern look, isn't it? And quite fun. | 0:33:28 | 0:33:31 | |
-I can see it making... -It's a good gamble, I like that. | 0:33:31 | 0:33:34 | |
Which is a substantially better item than this Buddha. | 0:33:34 | 0:33:37 | |
I wouldn't even give it house room, | 0:33:37 | 0:33:40 | |
I think we'd just pass over it as quick as we can. | 0:33:40 | 0:33:42 | |
-I think they think it was soapstone. It's not, it's resin. -Oh, is it? | 0:33:42 | 0:33:46 | |
-Double checked it out. -Resin is like plastic, really. | 0:33:46 | 0:33:48 | |
Yes, and they come in the millions into the country. | 0:33:48 | 0:33:51 | |
He's Pu-Tai, isn't he? | 0:33:51 | 0:33:53 | |
One of those fellows with the big tum-tum representing prosperity. | 0:33:53 | 0:33:57 | |
-How much? -20. -£20 on a good day? -Yep. -OK, £40 paid. | 0:33:57 | 0:34:01 | |
So, as you say, we'll move on quickly from that and go to the | 0:34:01 | 0:34:04 | |
George Jensen cased table cigarette lighter. | 0:34:04 | 0:34:06 | |
-That is a good item. -Fabulous item. That is a lovely thing. | 0:34:06 | 0:34:09 | |
-Reasonable condition? -It is, all the way around. | 0:34:09 | 0:34:11 | |
It has got that old thing, got that look to it. | 0:34:11 | 0:34:14 | |
It depends what they paid for it. | 0:34:14 | 0:34:15 | |
We've got a punchy 80 to 100, because it is a quality item. | 0:34:15 | 0:34:19 | |
It needs to make £115, but it has got the right name, | 0:34:19 | 0:34:21 | |
that's the thing. Anyway, there we have it. Very good, Richard. | 0:34:21 | 0:34:24 | |
I think they won't need their bonus buy, | 0:34:24 | 0:34:26 | |
but let's see what was spent on what. | 0:34:26 | 0:34:31 | |
Well, this is exciting, isn't it? | 0:34:31 | 0:34:32 | |
You spent so much cash. | 0:34:32 | 0:34:35 | |
£283 is a good old number. | 0:34:35 | 0:34:38 | |
£17, Kate, that was your challenge. What did you find? | 0:34:38 | 0:34:41 | |
Well, you've got really good taste, Gilly and Richard, | 0:34:41 | 0:34:44 | |
and you did set me a bit of a challenge to find something | 0:34:44 | 0:34:47 | |
that came up to your standards. | 0:34:47 | 0:34:48 | |
And this is what I chose. | 0:34:48 | 0:34:51 | |
It is, of course, a golfing spoon, | 0:34:51 | 0:34:54 | |
or the handle is in the shape of a golf club. | 0:34:54 | 0:34:58 | |
It is fully hallmarked English silver. It dates from 1931. | 0:34:58 | 0:35:03 | |
It is Mappin & Webb, who I am sure you have heard of. | 0:35:03 | 0:35:05 | |
Very good name, associated with quality. | 0:35:05 | 0:35:08 | |
It has got a good weight to it, actually. Have a little feel. | 0:35:08 | 0:35:12 | |
-Golfing items, hugely commercial. -Yes. | 0:35:12 | 0:35:15 | |
There is something engraved in the bowl of the spoon there. | 0:35:15 | 0:35:19 | |
You are eagle-eyed, Richard. | 0:35:19 | 0:35:21 | |
Little initials, that's what you've got there, | 0:35:21 | 0:35:23 | |
which I think, actually, is quite a nice little part of its history. | 0:35:23 | 0:35:27 | |
-Yes. -How much? -How much? -Yes. | 0:35:27 | 0:35:30 | |
The full 17, I'm afraid. | 0:35:30 | 0:35:33 | |
I think that will bring a profit. | 0:35:33 | 0:35:36 | |
-Mm. -40, 50 quid? -Eh... | 0:35:36 | 0:35:38 | |
You don't want much, do you, Gilly? | 0:35:38 | 0:35:41 | |
-So, really, Kate, you're predicting a hole in one, are you? -Absolutely. | 0:35:41 | 0:35:44 | |
-Or a birdie. -A birdie. -What are you predicting, though? | 0:35:44 | 0:35:47 | |
-Well, it ought to make between £20 and £30, I would say. -Perfect. | 0:35:47 | 0:35:50 | |
Well, on that happy note, let's find out | 0:35:50 | 0:35:53 | |
whether the auctioneer likes the golfing teaspoon. | 0:35:53 | 0:35:55 | |
Well, Richard, you only got £17, | 0:35:57 | 0:36:00 | |
is that a good buy for £17? | 0:36:00 | 0:36:01 | |
This is someone who is looking for a little golf club. | 0:36:01 | 0:36:04 | |
-It's sweet, isn't it? -Yes! | 0:36:04 | 0:36:06 | |
£17, in solid silver, dating from 1931, | 0:36:06 | 0:36:09 | |
I would say that that is as cheap as a proverbial bag of fried potatoes. | 0:36:09 | 0:36:13 | |
It has got the golf club on the top, | 0:36:13 | 0:36:14 | |
which gives it a little bit more to go on. | 0:36:14 | 0:36:16 | |
We have got 20 to 30 on it, and I'm sure somebody out there... | 0:36:16 | 0:36:19 | |
At £20 to £30, frankly, it should be just a short putt. | 0:36:19 | 0:36:23 | |
Now it is time to put Richard and our items to the test. | 0:36:25 | 0:36:28 | |
35. £40. 50. | 0:36:29 | 0:36:31 | |
£50 down here. At £50 on bid. | 0:36:31 | 0:36:34 | |
Yours at 50. | 0:36:34 | 0:36:35 | |
-Well, kids, you having fun? -A lot of fun. -I know. | 0:36:36 | 0:36:39 | |
Isn't it lovely to be in this crowded sale room? Don't you think? | 0:36:39 | 0:36:42 | |
Yeah, no, special, special place. Now, moving on, we come to the tray. | 0:36:42 | 0:36:46 | |
There is the tray. It is tray tres bon. | 0:36:46 | 0:36:49 | |
And here it comes. | 0:36:49 | 0:36:51 | |
15. £20, the Internet. | 0:36:51 | 0:36:53 | |
At £20 on bid. | 0:36:53 | 0:36:55 | |
The Internet at £20. | 0:36:55 | 0:36:56 | |
-At £20. -Nothing happening in the room. | 0:36:56 | 0:36:59 | |
Everyone else out. | 0:36:59 | 0:37:00 | |
Sold, then, at £20... | 0:37:00 | 0:37:04 | |
-Internet. -£20. | 0:37:04 | 0:37:06 | |
Well, there we go. | 0:37:06 | 0:37:07 | |
Minus 55. | 0:37:07 | 0:37:10 | |
OK, now we come to the propelling pencil. | 0:37:10 | 0:37:13 | |
Bids on the book. 20. 30. | 0:37:13 | 0:37:15 | |
40. 50. 60. | 0:37:15 | 0:37:17 | |
70 now. 70 bid. | 0:37:17 | 0:37:19 | |
70 bid with me. Internet, you're out. | 0:37:19 | 0:37:21 | |
£70. £70 on bid. | 0:37:21 | 0:37:23 | |
-£90 on bid with the Internet. -Yes! | 0:37:23 | 0:37:26 | |
90 on bid. 90 on bid. At 90. | 0:37:26 | 0:37:28 | |
-Come on! -All done. Sold then at £90. | 0:37:28 | 0:37:32 | |
It is down to the hourglass to save us. | 0:37:32 | 0:37:35 | |
Yeah, minus ten pounds. | 0:37:36 | 0:37:38 | |
Next up is the hourglass, and here it comes. | 0:37:40 | 0:37:42 | |
30. 20. 10 up. | 0:37:42 | 0:37:44 | |
£5 to start me. £5 for the hourglass. | 0:37:44 | 0:37:46 | |
£5. 6£. | 0:37:46 | 0:37:48 | |
£8, Internet. £10 in the room. | 0:37:48 | 0:37:51 | |
-I've not lost as much as you pair. -£10 in the room. | 0:37:51 | 0:37:54 | |
At £10, there at 10... | 0:37:54 | 0:37:56 | |
I can't bear this. Oh! Back in. | 0:37:56 | 0:37:58 | |
15. 20. | 0:37:58 | 0:38:00 | |
The time has come for this. | 0:38:00 | 0:38:01 | |
On my left at £20. All done. | 0:38:01 | 0:38:03 | |
Sold at 20. | 0:38:03 | 0:38:06 | |
Your bid, thank you. | 0:38:06 | 0:38:07 | |
-OK. -Minus £15. | 0:38:07 | 0:38:10 | |
OK, 55, 65... Minus £80. | 0:38:10 | 0:38:13 | |
Things are not as hot as they might have been, Lee. | 0:38:13 | 0:38:16 | |
I should never have listened to them. | 0:38:16 | 0:38:18 | |
So, I tell you what, why don't you | 0:38:18 | 0:38:20 | |
make the decision about the pink bowl? | 0:38:20 | 0:38:22 | |
I don't think we need to decide anything on that, do we? | 0:38:22 | 0:38:25 | |
-No, you're definitely going to go with it? -Oh, yes. | 0:38:25 | 0:38:27 | |
I thought you were going to say that. | 0:38:27 | 0:38:29 | |
It is pink, it is in great condition. | 0:38:29 | 0:38:31 | |
It probably came from Woolworth's in 1935, and here it comes. | 0:38:31 | 0:38:34 | |
And it looks jolly good, doesn't it? | 0:38:34 | 0:38:36 | |
Ten to start me, anyway you like. | 0:38:36 | 0:38:38 | |
£5. | 0:38:38 | 0:38:39 | |
£5 bid at the very back. | 0:38:39 | 0:38:41 | |
£6. £7. £8. | 0:38:41 | 0:38:43 | |
-£10. £15. -Go on, go on. | 0:38:43 | 0:38:46 | |
There at 15. 15. 15. | 0:38:46 | 0:38:48 | |
-£15 on my left. -Come on! -At 15... | 0:38:48 | 0:38:51 | |
All out. Sold then, £15. | 0:38:51 | 0:38:55 | |
Ouch. | 0:38:55 | 0:38:56 | |
£15 is minus £10, | 0:38:56 | 0:38:58 | |
which takes you neatly to minus £90. | 0:38:58 | 0:39:01 | |
-All right? -Not too bad. -Not too bad, is it, really? | 0:39:01 | 0:39:04 | |
-No, we did really well. -Universally bad result on absolutely every item. | 0:39:04 | 0:39:11 | |
-Do we get a badge for that? -No, you don't. -That could be good. | 0:39:11 | 0:39:14 | |
We don't have losers anymore, we only have runners-up, all right? | 0:39:14 | 0:39:17 | |
But you never know, with this performance today, | 0:39:17 | 0:39:20 | |
-minus £90 could be a winning score. -It could be. | 0:39:20 | 0:39:22 | |
-Guys. -Hopefully. -So no despair, Lee. -Come On! Come on, Lee! | 0:39:22 | 0:39:27 | |
-Happy, Blues? -Nervous. -Been chatting to those Reds? -No. -No? -No. | 0:39:33 | 0:39:38 | |
OK, lovely. Now, first up is your number one banker, | 0:39:38 | 0:39:42 | |
we hope, which is the Strand theatre lights, here it comes. | 0:39:42 | 0:39:45 | |
Theatre spotlight. Commission bids are on it. £50 I bid. | 0:39:45 | 0:39:49 | |
£50 on bid. £50. | 0:39:49 | 0:39:51 | |
£60. £70. £80. £90. | 0:39:51 | 0:39:55 | |
-£100. 110. -Yes! | 0:39:55 | 0:39:57 | |
110 here. At 110. | 0:39:57 | 0:39:59 | |
110. 110 on the front. | 0:39:59 | 0:40:01 | |
-120. -Yes! That's the one. | 0:40:01 | 0:40:03 | |
-Go on. -130. -Yes! | 0:40:03 | 0:40:05 | |
130. 130. | 0:40:05 | 0:40:07 | |
Sold at 130. Yours it is. | 0:40:07 | 0:40:10 | |
You are so lucky, you two. | 0:40:10 | 0:40:13 | |
Lucky in love and lucky in lots. | 0:40:13 | 0:40:16 | |
OK, that is plus £2. Now, | 0:40:16 | 0:40:19 | |
resin Buddha. | 0:40:19 | 0:40:20 | |
Now we go to the Buddha, Lot 49. | 0:40:20 | 0:40:23 | |
£5 to start me, the Buddha. | 0:40:23 | 0:40:25 | |
Five, I've got. Six on bid. | 0:40:25 | 0:40:26 | |
Seven at bid. Eight on bid. | 0:40:26 | 0:40:29 | |
Ten on bid. | 0:40:29 | 0:40:30 | |
£10 on bid. In the room at £10. In the room at £10. | 0:40:30 | 0:40:33 | |
And away at £10. Sold at £10. | 0:40:33 | 0:40:37 | |
Minus 30. | 0:40:37 | 0:40:38 | |
-Minus 28. -We're in trouble. | 0:40:40 | 0:40:44 | |
-Yes. -Lovely George Jensen silver | 0:40:44 | 0:40:45 | |
framed table cigarette lighter, then. | 0:40:45 | 0:40:47 | |
Commission bids walking all over it. 60. Five. 70. 80. | 0:40:47 | 0:40:52 | |
£80 at bid. 90 in the room. 90 right away, at £90. | 0:40:52 | 0:40:56 | |
At £90 in the room. At £90 in the room. At £90. | 0:40:56 | 0:41:00 | |
At £90. Away at £90. You are all out, Internet is gone. | 0:41:00 | 0:41:04 | |
Sold at 90. | 0:41:04 | 0:41:06 | |
90 is minus 25. | 0:41:06 | 0:41:09 | |
You had 28, so that means you are | 0:41:09 | 0:41:12 | |
minus 53. | 0:41:12 | 0:41:13 | |
53 smackers. | 0:41:13 | 0:41:16 | |
Sorry about that. Jensen never performed. | 0:41:16 | 0:41:19 | |
The Buddha never did its business. | 0:41:19 | 0:41:22 | |
-What are you going to do, you going to go with the golf club? -Yes. -Yes? | 0:41:22 | 0:41:24 | |
-Yes. -We are going with the bonus buy, and here it comes. | 0:41:24 | 0:41:27 | |
The little Mappin & Webb silver golf club teaspoon. | 0:41:27 | 0:41:30 | |
Nothing in my book, | 0:41:30 | 0:41:32 | |
so we start off, I'm in your hands. £10 to start me. | 0:41:32 | 0:41:35 | |
£10. £12. 15. | 0:41:35 | 0:41:36 | |
18. £20. | 0:41:36 | 0:41:39 | |
25. To the lady at 25. | 0:41:39 | 0:41:41 | |
At 25 to the lady. All finished. | 0:41:41 | 0:41:43 | |
Sold at 25. | 0:41:43 | 0:41:46 | |
Yours it is, thank you. | 0:41:46 | 0:41:47 | |
Well done, Kate. You are justified. | 0:41:47 | 0:41:49 | |
Well, plus £8. Actually, that's very good. | 0:41:49 | 0:41:52 | |
That means you are now minus £45. | 0:41:52 | 0:41:55 | |
Which is not so bad, really. | 0:41:55 | 0:41:57 | |
That could be a winning score. Say not a word to anybody | 0:41:57 | 0:42:00 | |
and all will be revealed in a moment. | 0:42:00 | 0:42:03 | |
-Thank you very much. -BOTH: Thank you. | 0:42:03 | 0:42:05 | |
OK, teams, been chatting? | 0:42:10 | 0:42:13 | |
-No. -Not about... | 0:42:13 | 0:42:14 | |
Not about IT, that is, profits, or should I say losses, which is | 0:42:14 | 0:42:19 | |
what applies to both teams today. | 0:42:19 | 0:42:21 | |
Fairly substantial losses, too. | 0:42:21 | 0:42:23 | |
It is just that one team has made double the losses of the other, | 0:42:23 | 0:42:28 | |
and that makes them the runners-up. | 0:42:28 | 0:42:30 | |
-And that team are the Reds. -Oooh! | 0:42:30 | 0:42:33 | |
Minus £90 is a bit of a number, I have to say. | 0:42:35 | 0:42:39 | |
All my predictions went completely up the spout, so what do I know? | 0:42:39 | 0:42:44 | |
-And Bianca's. -Thanks very much. | 0:42:44 | 0:42:46 | |
But you, Lee, are as pure as the driven snow. | 0:42:46 | 0:42:49 | |
-But you've enjoyed it, Bianca? -I've loved it, thank you. | 0:42:49 | 0:42:52 | |
We've loved having you, Lee. You've enjoyed it, really? | 0:42:52 | 0:42:55 | |
-Yeah, it has been good fun. -Thank you for being such good sports. | 0:42:55 | 0:42:58 | |
But the winners today managed to win by losing £45. | 0:42:58 | 0:43:02 | |
-Not too bad, is it? -No. | 0:43:02 | 0:43:04 | |
-Not in the scale of things. -Not in the scale of th... | 0:43:04 | 0:43:06 | |
Anyway, we had a great day. Join us soon for some more bargain hunting. | 0:43:06 | 0:43:10 | |
Yes? Yes! | 0:43:10 | 0:43:12 |