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We're in East Sussex, today, | 0:00:08 | 0:00:11 | |
scouring the antiques centres of Lewes | 0:00:11 | 0:00:14 | |
to the right of me and the left of me. | 0:00:14 | 0:00:17 | |
So, what are we waiting for? Let's go bargain hunting! Yeah! | 0:00:17 | 0:00:21 | |
Lewes is famous for its quaint streets, ancient buildings, | 0:00:47 | 0:00:52 | |
antiques centre and, of course, its world-renowned Bonfire Night, | 0:00:52 | 0:00:56 | |
which attracts 80,000 people | 0:00:56 | 0:00:59 | |
to this small town. Let's hope that our teams today | 0:00:59 | 0:01:03 | |
don't have fireworks as they rocket round the shops | 0:01:03 | 0:01:08 | |
in search of those elusive bargains. | 0:01:08 | 0:01:11 | |
Right now, though, let's have a sneak preview as to how they got on. | 0:01:11 | 0:01:14 | |
So, coming up on today's show, the Reds take control... | 0:01:16 | 0:01:19 | |
-It's not doing it for me. -Is it not? | 0:01:19 | 0:01:20 | |
-It doesn't excite you? -No. | 0:01:20 | 0:01:23 | |
-..the Blues lose control... -I love this! | 0:01:23 | 0:01:25 | |
Put it down. | 0:01:25 | 0:01:26 | |
Can you control him? | 0:01:26 | 0:01:28 | |
..and we just can't control ourselves at the auction. | 0:01:28 | 0:01:30 | |
But, before we give too much away, let's meet the teams. | 0:01:33 | 0:01:36 | |
Right! On today's show, we have a married couple | 0:01:36 | 0:01:41 | |
and a team of just good friends, today. | 0:01:41 | 0:01:44 | |
For the Reds, we have Adrian and Lisa, | 0:01:44 | 0:01:46 | |
and, for the Blues, we have Perry and Kelly. Hello, everyone. | 0:01:46 | 0:01:50 | |
-Hello! -Hello! -Lovely to see you. | 0:01:50 | 0:01:52 | |
Now, Adrian, you were in the gaming business. Tell us about that. | 0:01:52 | 0:01:55 | |
That's right. I've been working in video games for about 26 years | 0:01:55 | 0:01:59 | |
and it's been really good. I mean, I love gaming. | 0:01:59 | 0:02:02 | |
Yeah, and you had a lot to do with the old Xbox, didn't you? | 0:02:02 | 0:02:05 | |
Yes, I was recruited as part of the team that actually launched the | 0:02:05 | 0:02:08 | |
original Xbox into Europe, so it was a team that was formed up there | 0:02:08 | 0:02:11 | |
and I worked with that team for about six years. | 0:02:11 | 0:02:14 | |
-I bet that was a pretty successful launch. -Yes, it was. -I would say! | 0:02:14 | 0:02:17 | |
No, brilliant. Now, Lisa, you're a long way from home | 0:02:17 | 0:02:19 | |
here down in Sussex. | 0:02:19 | 0:02:21 | |
-I am indeed, yes. -Cos where's home? -Tipperary. | 0:02:21 | 0:02:24 | |
-"It's a long way to Tipperary." -It is. -And what dragged you over here? | 0:02:24 | 0:02:28 | |
-To do my nurse training 21 years ago. -Right. | 0:02:28 | 0:02:31 | |
So, for 21 years I've heard, "It's a long way home for you, love." | 0:02:31 | 0:02:35 | |
I'm sorry for labouring that point. | 0:02:35 | 0:02:37 | |
-And you, like Adrian, are keen on games and competition. -Yes. | 0:02:37 | 0:02:41 | |
When Adrian and I got together, we started playing board games. | 0:02:41 | 0:02:44 | |
-Right. -So, I was introduced to those with him. | 0:02:44 | 0:02:46 | |
There's a group of us that play and they all come round, | 0:02:46 | 0:02:48 | |
-we'll cook dinner... -Oh, really? So, it's a really social arrangement. | 0:02:48 | 0:02:51 | |
Oh, very much so, yes. It's a good group of us. | 0:02:51 | 0:02:54 | |
So, today, you're going to be super-competitive then, aren't you? | 0:02:54 | 0:02:57 | |
-Absolutely. -Yes, you are. | 0:02:57 | 0:02:58 | |
OK, well, I hope those skills prove to be useful for you. | 0:02:58 | 0:03:02 | |
-Anyway, good luck. Now, for the Blues, Kelly. -Hello. | 0:03:02 | 0:03:06 | |
-You've just graduated. -I have, yes. -What have you been up to? | 0:03:06 | 0:03:08 | |
I did a Master's Degree in Criminology | 0:03:08 | 0:03:11 | |
and I just graduated in the summer. | 0:03:11 | 0:03:14 | |
-Well done. -Yeah. -So, that's how many years of hard graft? | 0:03:14 | 0:03:16 | |
-About four and a half... -Right. -..five, yeah. | 0:03:16 | 0:03:19 | |
And why did you get into criminology then, | 0:03:19 | 0:03:21 | |
what was so special about that? | 0:03:21 | 0:03:23 | |
I've always really enjoyed looking at why crimes are committed and | 0:03:23 | 0:03:28 | |
I want to, maybe, go into probation, become a probation officer. | 0:03:28 | 0:03:33 | |
And, um, you've been working | 0:03:33 | 0:03:35 | |
while you've been doing your university degree. | 0:03:35 | 0:03:38 | |
Yeah, I've been working at the Dome Cinema in Worthing, which is | 0:03:38 | 0:03:42 | |
-one of the oldest working cinemas in the country. -Mm-hm. | 0:03:42 | 0:03:45 | |
It's a really beautiful building, so, it's really nice to work there | 0:03:45 | 0:03:48 | |
-and show people around and give a brief history of the building. -Super. | 0:03:48 | 0:03:52 | |
Well, that sounds lovely. Perry, what do you get up to? | 0:03:52 | 0:03:55 | |
I'm a salesman now, working with my dad. We work for a company that | 0:03:55 | 0:04:00 | |
manufactures bi-resin flooring, special flooring. | 0:04:00 | 0:04:02 | |
And what do you like to do in your spare time, Perry? | 0:04:02 | 0:04:05 | |
-I play the ukulele. -You don't! -Yes. -Really? -Yeah. -How'd you learn that? | 0:04:05 | 0:04:10 | |
-Well, I met Kelly at the Dome Cinema where I used to work. -Right. | 0:04:10 | 0:04:13 | |
And my friend Pete, he used to play the guitar, | 0:04:13 | 0:04:16 | |
-and we used to play in the foyer. -Right. A bit of busking on the side! | 0:04:16 | 0:04:20 | |
-Yeah. -So, what's your strategy going to be between you, today? -Spend big. | 0:04:20 | 0:04:23 | |
-You want to spend big, don't you? -What do you want to do? | 0:04:23 | 0:04:26 | |
-I'm not so sure, not so sure about spending big. -Cautious, are you? | 0:04:26 | 0:04:29 | |
-Yeah. -And do you know anything about antiques at all? | 0:04:29 | 0:04:32 | |
-A little bit, not too much. -OK, what about you, Perry? | 0:04:32 | 0:04:34 | |
Not really, but I'm looking for something maybe novelty or | 0:04:34 | 0:04:37 | |
-something that stands out. -You've been watching Bargain Hunt a bit? | 0:04:37 | 0:04:40 | |
-Yeah. -You'll be absolutely fine. | 0:04:40 | 0:04:42 | |
-Now, your £300 moment. There you go, £300. -Thank you. | 0:04:42 | 0:04:46 | |
You know the rules, your experts await, and off you go, | 0:04:46 | 0:04:49 | |
and very, very, very good luck. | 0:04:49 | 0:04:51 | |
Now, we need some experts. | 0:04:51 | 0:04:53 | |
Weighing everything up for the Reds today, we have... | 0:04:53 | 0:04:55 | |
And never mind words per minute, Thomas Plant is ready to hunt out | 0:04:59 | 0:05:03 | |
three items in 60 minutes for the Blues. | 0:05:03 | 0:05:05 | |
I think you two are very competitive. | 0:05:08 | 0:05:12 | |
-Am I right or am I right? -There's a gamer in me, I think so. -Definitely. | 0:05:12 | 0:05:16 | |
-Who's going to be in charge today? -Perry. | 0:05:16 | 0:05:18 | |
-Perry! Really? -Yeah! | 0:05:18 | 0:05:20 | |
What are we going to buy? What are we looking for? | 0:05:20 | 0:05:23 | |
I think, sort of, small silverware, collectables, maybe military. | 0:05:23 | 0:05:28 | |
As you're so young, if you don't mind me saying, | 0:05:28 | 0:05:30 | |
-I was thinking something more moderne. -Yeah. -Yeah. -Yes? | 0:05:30 | 0:05:33 | |
-I like quirky things. -Quirky? Quirky. Military. | 0:05:33 | 0:05:37 | |
Shall we have some fun? | 0:05:37 | 0:05:38 | |
-Yes, let's. -Come on, then, let's go. | 0:05:38 | 0:05:41 | |
Right, time to get stuck in, teams. The clock has started. | 0:05:41 | 0:05:44 | |
-Careful! -Have fun! I've locked you in now. | 0:05:45 | 0:05:48 | |
-Doors are locked. -Doors are locked. | 0:05:48 | 0:05:50 | |
You're not getting out until you buy something! | 0:05:50 | 0:05:52 | |
Well, not until you find three items, Blues. | 0:05:52 | 0:05:55 | |
Now, how much is that doggy in the window? | 0:05:55 | 0:05:58 | |
He is adorable! Hello, Mr! | 0:05:58 | 0:06:01 | |
Come on, Catherine! We're not looking at pups now. | 0:06:01 | 0:06:04 | |
Come on! We've got things to buy... | 0:06:04 | 0:06:06 | |
-Oh, he's so sweet! -..bargains to find! -Bye-bye! | 0:06:06 | 0:06:08 | |
Absolutely, Adrian. | 0:06:08 | 0:06:10 | |
See, the Blues aren't wasting any time. | 0:06:11 | 0:06:14 | |
I like this. | 0:06:14 | 0:06:15 | |
-You like this? -Yeah. | 0:06:15 | 0:06:17 | |
Why do you like that? | 0:06:17 | 0:06:18 | |
-Because it's really different. -It is, isn't it? | 0:06:18 | 0:06:21 | |
-Yeah, it's really different. -It's moderne. -It is moderne. | 0:06:21 | 0:06:24 | |
-It's got a movement. -It has, yeah. -My mum would love it. | 0:06:24 | 0:06:28 | |
THEY LAUGH | 0:06:28 | 0:06:29 | |
-We're not buying for your mother. -I know. | 0:06:29 | 0:06:32 | |
-How much is it? -175. | 0:06:32 | 0:06:34 | |
-Um... -That's so nice. -..it's an alabaster base... | 0:06:34 | 0:06:38 | |
you see there. | 0:06:38 | 0:06:39 | |
And then it's got this sort of brass sculptural design | 0:06:39 | 0:06:42 | |
with these three ribbons. | 0:06:42 | 0:06:44 | |
Almost like a flame, isn't it? | 0:06:44 | 0:06:47 | |
-Do you like it? -Yeah. -It's signed here. | 0:06:47 | 0:06:49 | |
Um, well, what do you think? You said your mum would like it. | 0:06:51 | 0:06:54 | |
-Is your mother a child of the '70s? -Um... | 0:06:54 | 0:06:58 | |
-yeah, '60s and '70s. -'60s and '70s, well, that's the date, it's 1970s. | 0:06:58 | 0:07:02 | |
-Early '70s, I would have thought. -Yeah. | 0:07:02 | 0:07:04 | |
And how much do you think that would bring? | 0:07:04 | 0:07:06 | |
Well, it's a difficult one. It's not traditional. | 0:07:06 | 0:07:08 | |
-It's very different, isn't it? -Yes. -Yeah. | 0:07:08 | 0:07:10 | |
-Well, that's what we're looking for, so... -Yeah. -And it's... | 0:07:10 | 0:07:13 | |
-It's a bit of novelty. -Absolutely, and... | 0:07:13 | 0:07:17 | |
I think, in the right place... | 0:07:17 | 0:07:19 | |
in the right sale, it could make maybe £300, £400. | 0:07:19 | 0:07:22 | |
-Really? -Yeah, cos it's signed, | 0:07:22 | 0:07:24 | |
it's been made by somebody, um, it's got a fabulous look. | 0:07:24 | 0:07:28 | |
We just need to get that price down for us to give you that opportunity. | 0:07:28 | 0:07:32 | |
This is the dealer, Mark. | 0:07:32 | 0:07:34 | |
What would be your best price? | 0:07:34 | 0:07:36 | |
-That absolute best would be 130. -130! | 0:07:36 | 0:07:40 | |
Would you do 125? | 0:07:41 | 0:07:42 | |
-Yes, -go on, then. Yeah? Brilliant. | 0:07:44 | 0:07:45 | |
-Whoa! Well done. -Thank you very much. | 0:07:45 | 0:07:47 | |
125, first purchase. Yeah, well done, well spotted. | 0:07:47 | 0:07:50 | |
-KELLY: -It's a risk, but... -Yeah, but, you know... | 0:07:50 | 0:07:52 | |
-You pick and I'll negotiate. -No, you can pick the next one. -OK. | 0:07:52 | 0:07:56 | |
That's your task set then, Perry. And good start, Blues, one down. | 0:07:56 | 0:08:01 | |
Now, the Reds have spotted some kitchenalia, but what is it? | 0:08:01 | 0:08:04 | |
-Well, actually, it says here, "Magic Marmalade Cutter." -Oh! | 0:08:05 | 0:08:08 | |
You're into kitchenalia, aren't you? Aren't you good at cooking? | 0:08:08 | 0:08:11 | |
Yeah, but I thought that was a tool for the shed. | 0:08:11 | 0:08:14 | |
Well, yes, you're not much good, are you? | 0:08:14 | 0:08:16 | |
I don't even recognise kitchenalia! | 0:08:16 | 0:08:18 | |
-It's not doing it for me. -Is it not? -No. | 0:08:18 | 0:08:20 | |
If we didn't know what it was, it's not a good sign. | 0:08:20 | 0:08:23 | |
No, it's not a good sign. | 0:08:23 | 0:08:24 | |
Very true that, Lisa, and I see Perry is taking his quest seriously. | 0:08:24 | 0:08:29 | |
I really like that, I think it's a bit different. | 0:08:29 | 0:08:31 | |
What do you think? Do you like it? | 0:08:31 | 0:08:33 | |
I like just the compass bit, but I don't like the whole thing together. | 0:08:33 | 0:08:36 | |
Well, you've got to have the whole thing together in the sale... | 0:08:36 | 0:08:39 | |
-I know. -..I'm sorry about that. | 0:08:39 | 0:08:41 | |
-It's just... -But I don't know if it just looks like a bit of... | 0:08:41 | 0:08:44 | |
-A bit of old what? -..rubbish. PERRY LAUGHS | 0:08:44 | 0:08:48 | |
-That's you told! -Is she always this honest? -Yes. | 0:08:48 | 0:08:50 | |
I am, yeah. | 0:08:50 | 0:08:52 | |
This is a binnacle, which means that | 0:08:52 | 0:08:54 | |
it always stays level whatever the ship is doing, | 0:08:54 | 0:08:57 | |
whatever sort of tilt it's on. Um... | 0:08:57 | 0:09:02 | |
it looks like it could be... | 0:09:02 | 0:09:04 | |
I wonder if that actually fits up... | 0:09:04 | 0:09:06 | |
-Would you mind holding that for a second? -Fits in there. | 0:09:06 | 0:09:09 | |
Well, it does fit in, but I wonder if that goes up in there | 0:09:09 | 0:09:13 | |
and maybe I'm sort of hoping. | 0:09:13 | 0:09:15 | |
No, I'm hoping... | 0:09:15 | 0:09:16 | |
Maybe Mark can shed some light on this. | 0:09:18 | 0:09:21 | |
Mark... | 0:09:21 | 0:09:22 | |
-it does screw in there, doesn't it? -It does screw in there, but I think | 0:09:22 | 0:09:25 | |
-it's going to need longer screws. -Yeah. | 0:09:25 | 0:09:28 | |
-A bit of TLC. -That's £20 off this price then. | 0:09:28 | 0:09:31 | |
-You are outrageous! I think this is youth, isn't it? -Yeah! | 0:09:31 | 0:09:35 | |
-What would be the best price for that? -65. -Hmm. | 0:09:35 | 0:09:37 | |
-Even though the screws don't fit? -You can buy some. | 0:09:37 | 0:09:40 | |
-You can buy screws. -We'll keep it as a Plan B then. -Yeah. | 0:09:41 | 0:09:45 | |
We do love a Plan B, Blues, whereas the Reds still need a Plan A. | 0:09:45 | 0:09:49 | |
-Doesn't excite you? -No. | 0:09:50 | 0:09:52 | |
To be honest, how many people would want to buy a second-hand brush. | 0:09:52 | 0:09:55 | |
Somebody else's brush. | 0:09:55 | 0:09:57 | |
-It is showy. It would have been one of a pair. -Ah, OK. | 0:09:57 | 0:10:02 | |
You've got to find something, Reds. | 0:10:02 | 0:10:05 | |
I've spotted a Keith Murray 1950s... | 0:10:05 | 0:10:07 | |
..mug, and... | 0:10:11 | 0:10:12 | |
that's quite a nice... He used to work for... | 0:10:13 | 0:10:16 | |
he's a designer for Wedgwood. | 0:10:16 | 0:10:17 | |
-Oh! -OK, he's quite... | 0:10:17 | 0:10:20 | |
in vogue, I mean, his stuff does... | 0:10:20 | 0:10:22 | |
is quite collectable. | 0:10:22 | 0:10:23 | |
-Do you think it's worth getting the key to have a...? -Yeah, maybe. | 0:10:23 | 0:10:26 | |
I'd like to take that one seriously, actually. | 0:10:26 | 0:10:29 | |
-Take it seriously. -Yeah. -Why? | 0:10:29 | 0:10:31 | |
-Have you not been taking anything else seriously? -Well, no... | 0:10:31 | 0:10:33 | |
Are you not taking this seriously? Am I wasting my time? | 0:10:33 | 0:10:38 | |
So, as Catherine goes into panic mode... | 0:10:38 | 0:10:41 | |
(He's not taking this seriously.) | 0:10:41 | 0:10:43 | |
..Thomas seems a lot more relaxed. | 0:10:43 | 0:10:45 | |
I'm just observing your looking. | 0:10:45 | 0:10:47 | |
I quite like the way you're doing it separately. It's good. | 0:10:47 | 0:10:49 | |
-Stick together, Perry. -Well, I don't know. | 0:10:49 | 0:10:52 | |
I think separately, cos then you're looking at different things. | 0:10:52 | 0:10:55 | |
And the more you see, the more options you've got, Blues. | 0:10:55 | 0:10:57 | |
Isn't that right, Reds? | 0:10:57 | 0:10:58 | |
I don't know. Is that a tiny chip, or is that a...? | 0:11:01 | 0:11:04 | |
Yeah, it is a tiny chip. | 0:11:06 | 0:11:08 | |
It's very tiny. | 0:11:09 | 0:11:11 | |
Nonetheless, it's a chip. What's on that? | 0:11:11 | 0:11:13 | |
25. | 0:11:13 | 0:11:14 | |
There we are, Keith Murray designed for Wedgwood. | 0:11:16 | 0:11:19 | |
I mean, he was quite ahead of his time, really, I think in the '50s. | 0:11:19 | 0:11:23 | |
And he started off in New Zealand and then he came over here, | 0:11:25 | 0:11:28 | |
and he did lots of different, unusual, | 0:11:28 | 0:11:31 | |
quite funky designs for the time, but he did often work in this | 0:11:31 | 0:11:35 | |
colour and, like, an ivory colour, which is a moonstone colour. | 0:11:35 | 0:11:39 | |
But, I think, with that little chip on there. I know it's tiny... | 0:11:40 | 0:11:45 | |
but it's still there, isn't it? | 0:11:45 | 0:11:48 | |
So close, yet so far, Reds. For items like that, perfection is key. | 0:11:48 | 0:11:53 | |
And it looks like the Blues have found a perfect pair. | 0:11:53 | 0:11:56 | |
Have a look at them, little posy vases. | 0:11:57 | 0:12:00 | |
What do you think that colour is called? | 0:12:00 | 0:12:05 | |
-PERRY: Green. -It's green. Yeah, OK, it's green, | 0:12:05 | 0:12:07 | |
but, funny enough, we call it a really strange word. | 0:12:07 | 0:12:11 | |
-We call it vaseline... -Oh, OK. -..in our business. | 0:12:11 | 0:12:13 | |
And it's 19th century. | 0:12:15 | 0:12:16 | |
Even earlier, the Romans did it as well, | 0:12:16 | 0:12:19 | |
all the way through to, you know, the 1920s... | 0:12:19 | 0:12:21 | |
-Yeah. -..with people like Lalique... | 0:12:21 | 0:12:23 | |
-Mm-hm. -..and Sabino did this sort of vaseline look more of an opalescent. | 0:12:23 | 0:12:28 | |
Turn it over... | 0:12:28 | 0:12:30 | |
and you can see there's a little mark on the base. | 0:12:30 | 0:12:33 | |
-There, can you see that, this here? -Mm-hm. -What's that called? | 0:12:33 | 0:12:36 | |
-I have no idea. -That's called the pontil. | 0:12:36 | 0:12:38 | |
How do you think these are made? | 0:12:38 | 0:12:40 | |
-It's not blown, is it? -Yes. -It is? | 0:12:40 | 0:12:41 | |
-Well, that's why it's got the pontil mark there. -Oh, right. | 0:12:41 | 0:12:44 | |
And the only tools are, literally, a pair of large tongs. | 0:12:44 | 0:12:47 | |
-Oh, wow. -That's the only tools they do to make that. | 0:12:47 | 0:12:49 | |
-Wow, it takes some skill, doesn't it? -Yeah. | 0:12:49 | 0:12:51 | |
-It's really skilled. -And they're really beautiful as well. | 0:12:51 | 0:12:54 | |
They are a pair and they're not bad, are they? | 0:12:54 | 0:12:56 | |
They make a really nice, like, symmetrical piece. | 0:12:56 | 0:12:59 | |
So, what's the best price you can do for these? | 0:12:59 | 0:13:02 | |
They're marked at 89. I can do 80 would have to be the best. | 0:13:02 | 0:13:07 | |
And that's your final offer, is it? | 0:13:07 | 0:13:09 | |
-Go on, a bit more. -Oh! | 0:13:11 | 0:13:13 | |
-OK, 75, now. -75...yeah? -Yeah. -OK, let's go for it. | 0:13:13 | 0:13:17 | |
-Congratulations, second item. -Second one. -Thank you very much. -Thank you. | 0:13:17 | 0:13:22 | |
Well done, Blues, you're on a roll. | 0:13:22 | 0:13:23 | |
Two down, but are the Reds on the slippery slope to nothing? | 0:13:23 | 0:13:27 | |
I love these old sledges. I think they're fantastic. | 0:13:31 | 0:13:34 | |
It's a lot of money. | 0:13:35 | 0:13:36 | |
60 quid on it. 60. | 0:13:37 | 0:13:40 | |
-No? -No, I don't think so. | 0:13:41 | 0:13:43 | |
Now, stop going off-piste, Reds, and back to the job in hand. | 0:13:43 | 0:13:46 | |
Isn't that right, Perry? | 0:13:46 | 0:13:48 | |
-KELLY LAUGHS -Thomas? | 0:13:48 | 0:13:50 | |
What do you think of this watch? | 0:13:50 | 0:13:53 | |
That's your watch! | 0:13:53 | 0:13:55 | |
Well, we've just bought our first two items, | 0:13:56 | 0:13:58 | |
and we're feeling really good about them. | 0:13:58 | 0:14:00 | |
Definitely. I'm confident we're going to make profit. | 0:14:00 | 0:14:03 | |
Yeah, the first one was really different, so... | 0:14:03 | 0:14:05 | |
Definitely, so, one more to go and we'll get the Golden Gavel. | 0:14:05 | 0:14:07 | |
-And it's your turn! -Yeah. | 0:14:07 | 0:14:09 | |
That's you told then. | 0:14:09 | 0:14:10 | |
-Come on, Perry, hurry up. -I'm just looking, I'm looking. | 0:14:10 | 0:14:13 | |
-You're looking. -There's too much. -Yeah! | 0:14:13 | 0:14:15 | |
Look at you looking very fine and dandy! | 0:14:17 | 0:14:19 | |
-Cor! The boy's got style though, Thomas. -How long have we got? | 0:14:19 | 0:14:23 | |
You've got about, sort of... | 0:14:23 | 0:14:25 | |
(I'll tell him 10 minutes, but we've got 20.) | 0:14:25 | 0:14:27 | |
-10 minutes! -10 minutes? -10 minutes. | 0:14:27 | 0:14:29 | |
(We've got a bit more than that.) Come on, hurry up. | 0:14:29 | 0:14:32 | |
Now, now, Tom-Tom. | 0:14:32 | 0:14:33 | |
-Thomas? -Yes? -I love this. | 0:14:33 | 0:14:35 | |
Put it down. | 0:14:35 | 0:14:36 | |
Can you control him? | 0:14:37 | 0:14:39 | |
Well, good luck with that, but you do have two items, Blues, | 0:14:39 | 0:14:42 | |
whereas the Reds have got... | 0:14:42 | 0:14:44 | |
nothing! | 0:14:44 | 0:14:45 | |
-Do you see anything? -Hmm, not really. | 0:14:47 | 0:14:49 | |
But what's got Catherine all excited? | 0:14:49 | 0:14:52 | |
Oh! Lisa, Adrian, come over here. | 0:14:52 | 0:14:54 | |
Your pocket barometer down there, is that working? | 0:14:54 | 0:14:58 | |
This one, down here? | 0:14:58 | 0:14:59 | |
This one? Yeah, it moves. | 0:14:59 | 0:15:02 | |
It moves, right. What have you got on it? | 0:15:02 | 0:15:05 | |
The best I could do is 80. | 0:15:05 | 0:15:08 | |
What do you think about that? | 0:15:08 | 0:15:10 | |
What do they tend to go for at auction? | 0:15:10 | 0:15:12 | |
Around that sort of price, 80, | 0:15:12 | 0:15:14 | |
but I'm thinking that that is quite a big one. What's the maker on it? | 0:15:14 | 0:15:18 | |
What's the name? It doesn't say a name, does it? Oh, that's a shame. | 0:15:18 | 0:15:21 | |
Even without a name, a barometer of this quality will be | 0:15:21 | 0:15:24 | |
sought after by scientific collectors. | 0:15:24 | 0:15:26 | |
Often they're smaller, slightly smaller. | 0:15:28 | 0:15:31 | |
A common name is Negretti & Zambra that you'd get printed on it. | 0:15:31 | 0:15:35 | |
It's a nice red Morocco leather case. | 0:15:35 | 0:15:39 | |
One of the only ways to test it is to put it | 0:15:40 | 0:15:42 | |
-in a plastic bag and... -SHE BLOWS | 0:15:42 | 0:15:44 | |
-..blow into the bag and see if it... -Oh, OK. -£70 and we'll buy it. | 0:15:44 | 0:15:49 | |
I was thinking more 80, but, no, no, 70. | 0:15:49 | 0:15:53 | |
Adrian's not sure. | 0:15:53 | 0:15:54 | |
-- OK. -It has got a nice look to it, it has got a nice... | 0:15:55 | 0:15:58 | |
It's a good size. | 0:15:58 | 0:15:59 | |
-OK, let's do it. -Yeah? -Yeah. | 0:16:00 | 0:16:03 | |
Shake your hand. I'm glad you're here. | 0:16:03 | 0:16:05 | |
Good. Well done, Catherine. One down. | 0:16:05 | 0:16:07 | |
It's hotting up now! | 0:16:07 | 0:16:08 | |
There's something very nice in this cabinet here. | 0:16:10 | 0:16:13 | |
A blue bottle. | 0:16:13 | 0:16:14 | |
-What, this? -Yeah. | 0:16:14 | 0:16:15 | |
-So, this, the decanter here... -Right. | 0:16:17 | 0:16:19 | |
What would you put in it? | 0:16:20 | 0:16:22 | |
Well, what does it say on the front? | 0:16:22 | 0:16:24 | |
-Rum. -Rum. -So, you put rum in it. | 0:16:24 | 0:16:26 | |
-Makes sense. -But what's this bit called here? | 0:16:26 | 0:16:29 | |
-Come on, Perry, glass expert! -I don't know. -Come on, you've just | 0:16:29 | 0:16:32 | |
bought a piece and it had a little rough patch on the bottom. | 0:16:32 | 0:16:35 | |
-Oh, yeah, you knew that. -It begins with P. -It begins with P. | 0:16:35 | 0:16:37 | |
Pontil, but it's not raised. | 0:16:37 | 0:16:39 | |
-No, cos it's been polished out. -Ah! -Polished-out pontil mark. | 0:16:39 | 0:16:43 | |
-So, does that mean it's a better quality, cos it's been...? -Absolutely. | 0:16:43 | 0:16:47 | |
-It's Bristol Blue glass. -Bristol. -Oh, right. | 0:16:47 | 0:16:49 | |
Bristol Blue glass. William Cookworthy put cobalt | 0:16:49 | 0:16:54 | |
into glass and made this fabulous Bristol Blue glass. | 0:16:54 | 0:16:57 | |
This dates from about 1820. | 0:16:57 | 0:16:59 | |
And you can date it... | 0:17:00 | 0:17:02 | |
-..with that lovely bit of wear. -It's really good quality. | 0:17:02 | 0:17:06 | |
Yeah. You can tell it's Bristol... | 0:17:06 | 0:17:09 | |
because of this violet colour within the glass... | 0:17:09 | 0:17:11 | |
-It's beautiful, isn't it? -Yeah, really nice. -..within the blue. | 0:17:11 | 0:17:14 | |
-I like it. -I really like it. -How much is it, again? | 0:17:14 | 0:17:16 | |
-38? -It's £38. | 0:17:16 | 0:17:18 | |
-Any profit in that? -Yes. -Yeah? | 0:17:18 | 0:17:20 | |
And they've not called it Bristol Blue, | 0:17:20 | 0:17:22 | |
because we're not in that part of the world. | 0:17:22 | 0:17:24 | |
-Hello. -Hello. -What's your best price? | 0:17:24 | 0:17:26 | |
-That's good! -That is good. | 0:17:26 | 0:17:28 | |
-It is good, isn't it? -It's a very old thing. | 0:17:28 | 0:17:29 | |
-It is good, isn't it? -It's one of the oldest things in here. | 0:17:29 | 0:17:32 | |
-It is, isn't it? -Wow, that is lovely, it's beautiful. | 0:17:32 | 0:17:34 | |
-What is...? -Well, 34. -£34. | 0:17:34 | 0:17:36 | |
-Thank you. -Thank you very much. -It's a really nice thing. Well done. | 0:17:36 | 0:17:39 | |
It's really beautiful. | 0:17:39 | 0:17:40 | |
Thomas, a Bristol boy, knows his Bristol Blue. | 0:17:40 | 0:17:43 | |
Great work, Blues. Job done. | 0:17:43 | 0:17:46 | |
Come on, now. | 0:17:46 | 0:17:47 | |
Which is more than can be said for the Reds, | 0:17:47 | 0:17:49 | |
who are now following in the Blues' footsteps. | 0:17:49 | 0:17:52 | |
OK, guys, we have to focus now. | 0:17:54 | 0:17:57 | |
I don't want any, "I'll think about it." I want purchases. | 0:17:57 | 0:18:01 | |
Big purchases! | 0:18:01 | 0:18:03 | |
Listen to your expert, Reds, and eyes down! | 0:18:03 | 0:18:05 | |
Look at this. | 0:18:08 | 0:18:10 | |
-It's big. -It's actually what looks like a plant holder. | 0:18:10 | 0:18:13 | |
-Bring it out, let's have a look. -Right. | 0:18:13 | 0:18:15 | |
Right, OK. Ah, right, so we've got a light fitting in there. | 0:18:16 | 0:18:20 | |
We put this alabaster... | 0:18:20 | 0:18:22 | |
..plinth on the top. | 0:18:23 | 0:18:25 | |
And then, I suppose, we put whatever on there. I don't know... | 0:18:27 | 0:18:31 | |
A hanging plant or something, and then the light... | 0:18:31 | 0:18:33 | |
And then the light will come up and show that... | 0:18:33 | 0:18:36 | |
..it's not antique, that's for sure. | 0:18:36 | 0:18:38 | |
Now, the thing is, if we put this into auction, | 0:18:38 | 0:18:41 | |
-because you have to be very careful with safety measures... -OK. | 0:18:41 | 0:18:44 | |
-They'd snip that... -Plug off. | 0:18:44 | 0:18:46 | |
..plug off, cos they wouldn't be able to test it. | 0:18:46 | 0:18:49 | |
But is it still interesting anyway? | 0:18:49 | 0:18:52 | |
I've never seen anything like it. | 0:18:52 | 0:18:55 | |
-Quirky and different. -Quirky and different. | 0:18:55 | 0:18:58 | |
It's that. Why did you go for this, I'm interested to know? | 0:18:58 | 0:19:02 | |
Well, alabaster, you don't really see much made of that nowadays. | 0:19:02 | 0:19:06 | |
That can be quite delicate, | 0:19:06 | 0:19:07 | |
so I thought a lot of work had gone into producing it. | 0:19:07 | 0:19:09 | |
-Yeah. Michelle? -Hello. -Michelle, the lady who does the biz. | 0:19:09 | 0:19:14 | |
-What's your best price? -60. | 0:19:14 | 0:19:16 | |
- 55? | 0:19:16 | 0:19:18 | |
Go on, Michelle! | 0:19:18 | 0:19:19 | |
It's a big lump taking up your valuable space. | 0:19:20 | 0:19:23 | |
-No, that's OK. -OK, 55. | 0:19:24 | 0:19:26 | |
Deal. | 0:19:26 | 0:19:28 | |
Thank you. | 0:19:28 | 0:19:29 | |
Well done, Reds. That's two down, but only seven minutes left! | 0:19:29 | 0:19:33 | |
-Keep that energy up because we've still got one purchase to make. -OK. | 0:19:33 | 0:19:37 | |
Come on, team. | 0:19:39 | 0:19:40 | |
Now, what's Adrian clocked? | 0:19:42 | 0:19:44 | |
This item here... | 0:19:44 | 0:19:46 | |
It's a lovely shape. It is that real, classic... | 0:19:46 | 0:19:50 | |
-It's almost tulip-shaped, isn't it? -It is, it really is... | 0:19:50 | 0:19:52 | |
And do you think it has age? | 0:19:52 | 0:19:54 | |
-It's going to be, I would say, about 1905. -OK. | 0:19:54 | 0:19:57 | |
It's a very simple movement, | 0:19:57 | 0:19:59 | |
a very simple clock in quite a beautiful, sculptural case. | 0:19:59 | 0:20:06 | |
It's more as just a clock, a functional clock, | 0:20:06 | 0:20:09 | |
than a collector's clock? | 0:20:09 | 0:20:10 | |
You wouldn't get clock collectors really buying it. | 0:20:10 | 0:20:14 | |
-It's more decorative. -OK. | 0:20:14 | 0:20:15 | |
-Hello... -Hello. -..again. | 0:20:15 | 0:20:18 | |
My dear friends like the clock. | 0:20:20 | 0:20:22 | |
It's a very nice, Art Nouveau... | 0:20:22 | 0:20:24 | |
There's probably not an awful lot to it, though, I'm thinking. | 0:20:27 | 0:20:31 | |
Have a feel. | 0:20:31 | 0:20:32 | |
If you've got the right setting, that could look beautiful. | 0:20:32 | 0:20:35 | |
-It's already had some repair, hasn't it? -Yeah. | 0:20:35 | 0:20:39 | |
Michelle's best price is 75, but what does Adrian think? | 0:20:39 | 0:20:43 | |
-ADRIAN: It's a bit too high for us. -A bit top-heavy. -Yeah. | 0:20:43 | 0:20:47 | |
-Put it back. -Yeah? -OK. | 0:20:47 | 0:20:50 | |
Time is ticking, you know, Reds. You need to buy something and quick. | 0:20:50 | 0:20:54 | |
Four minutes left. Panic! What are we going to do? | 0:20:56 | 0:21:00 | |
OK, some small piece of silverware I think for that price. | 0:21:00 | 0:21:02 | |
I think we should be able to get something, some silver. | 0:21:02 | 0:21:04 | |
You don't want to go for the clock? £75? | 0:21:04 | 0:21:06 | |
-No? -No, we decided against that, yeah. | 0:21:08 | 0:21:11 | |
Crikey, a change of tack in the last few minutes. | 0:21:11 | 0:21:13 | |
Two minutes, how much is that? | 0:21:15 | 0:21:17 | |
-700. -Oh, OK. -Move on. -That's how much I know! | 0:21:17 | 0:21:21 | |
Move on, move on! | 0:21:21 | 0:21:23 | |
I wonder if that's silver, the Claret label? | 0:21:23 | 0:21:25 | |
Is there a price underneath? | 0:21:27 | 0:21:29 | |
-£12, which means it's not silver. -You're running out of options. | 0:21:30 | 0:21:35 | |
OK, this is very, very frightening now. We've got one minute left. | 0:21:35 | 0:21:38 | |
Do we buy the clock, £75, or 60 seconds to get a bit of silver? | 0:21:38 | 0:21:42 | |
What should we do? What should we do? | 0:21:42 | 0:21:44 | |
-Clock. -Clock? -We'll take the clock. -OK, definitely the clock? | 0:21:44 | 0:21:48 | |
-Definitely the clock. -Well done. Three buys. | 0:21:48 | 0:21:51 | |
That was tough. I thought we weren't going to get there. | 0:21:51 | 0:21:54 | |
Woo! | 0:21:54 | 0:21:55 | |
So did I, Catherine! But that's it, Reds, and just in the nick of time. | 0:21:55 | 0:21:59 | |
Now, let's remind ourselves what they bought. | 0:21:59 | 0:22:01 | |
First up, they paid £70 for | 0:22:03 | 0:22:06 | |
the 19th century lacquered brass barometer. | 0:22:06 | 0:22:08 | |
£55 was spent on the alabaster jardiniere with fitted light. | 0:22:09 | 0:22:13 | |
And in the final seconds, | 0:22:16 | 0:22:17 | |
they paid £75 for the Art Nouveau mahogany timepiece. | 0:22:17 | 0:22:21 | |
So, fun or not fun? | 0:22:23 | 0:22:25 | |
-Fun. Stressful, but fun. -Good. -Not as easy as you make it look. | 0:22:25 | 0:22:29 | |
Well, there you are, and you watch the programme quite a bit, | 0:22:29 | 0:22:32 | |
-don't you? -Yes. -Good. Which is your favourite piece, Lisa? | 0:22:32 | 0:22:34 | |
-The pocket barometer. -The pocket barometer is your favourite. | 0:22:34 | 0:22:37 | |
-Do you agree with that? -Yes, it was a lovely piece. -OK. | 0:22:37 | 0:22:40 | |
-Is it going to bring the biggest profit? -Yes! -It is? | 0:22:40 | 0:22:43 | |
I feel the pressure rising. | 0:22:43 | 0:22:44 | |
Well, that's fantastic, isn't it? So, you spent how much? | 0:22:45 | 0:22:48 | |
-200. -£200? I'd like £100 of leftover lolly, please. | 0:22:48 | 0:22:51 | |
-There you are, sir. -Have you got that? Well done, super. | 0:22:51 | 0:22:53 | |
-That goes straight to Catherine. -Thank you. | 0:22:53 | 0:22:56 | |
Now, Catherine, that's a nice amount, 100. | 0:22:56 | 0:22:57 | |
It's a lovely round figure, isn't it? Wonderful. | 0:22:57 | 0:23:00 | |
You're not going to go for anything else scientific, are you? | 0:23:00 | 0:23:03 | |
I...I might. I'm not sure. | 0:23:03 | 0:23:06 | |
I don't know, but these two are difficult to please. | 0:23:06 | 0:23:09 | |
OK, well, there you are. | 0:23:09 | 0:23:11 | |
They always say that the quality floats to the top. | 0:23:11 | 0:23:14 | |
Good luck, Catherine. | 0:23:14 | 0:23:15 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:23:15 | 0:23:18 | |
The Blues love the modern brass abstract sculpture, | 0:23:18 | 0:23:22 | |
which cost them £125. | 0:23:22 | 0:23:23 | |
They paid £75 for the pair of 19th century posy vases. | 0:23:25 | 0:23:29 | |
And, finally, the early 19th century Bristol Blue decanter cost them £34. | 0:23:31 | 0:23:35 | |
OK, Kelly, Perry, how'd you get on? | 0:23:40 | 0:23:42 | |
-Really good, yeah. -Was it good fun? -Yeah, really fun. | 0:23:42 | 0:23:44 | |
How much did you spend in total? | 0:23:44 | 0:23:46 | |
-234. -That's not bad, that's not bad. -I wanted to spend all of it, but... | 0:23:46 | 0:23:50 | |
Did you? Well, you haven't done too badly. I'd like 66 then. | 0:23:50 | 0:23:53 | |
Clickety-clicks. Thank you, 66. | 0:23:53 | 0:23:57 | |
Kelly, tell me, which is your favourite piece? | 0:23:57 | 0:24:00 | |
-I've got two favourites. -The first one, the sculpture thing. Really? | 0:24:00 | 0:24:04 | |
-That's your favourite. -Yeah. -And your second favourite. | 0:24:04 | 0:24:07 | |
My second favourite is the Bristol Blue rum decanter. | 0:24:07 | 0:24:10 | |
-Would you have a third favourite? -No! -One, two, three! -Just the two! | 0:24:10 | 0:24:13 | |
What about you, Perry? | 0:24:13 | 0:24:14 | |
-I like the rum bottle. -The rum bottle's your favourite. | 0:24:14 | 0:24:17 | |
Is that going to bring the biggest profit? | 0:24:17 | 0:24:19 | |
I think so, yeah. We were very excited when he found it, so... | 0:24:19 | 0:24:21 | |
Do you think the rum bottle's going to do best? | 0:24:21 | 0:24:23 | |
-Yeah, I think so, yeah. -OK, lovely. | 0:24:23 | 0:24:25 | |
-OK, you friends. Now, here comes the money to Tom. -Thank you. | 0:24:25 | 0:24:29 | |
There you go, Tom. What are you going to do with the 66 then, Tom? | 0:24:29 | 0:24:32 | |
Well, with the Bristol Blue decanter, I'm going | 0:24:32 | 0:24:34 | |
to continue with our theme of ports, maritime, that kind of thing. | 0:24:34 | 0:24:38 | |
-All that Bristolian stuff? -Yeah. | 0:24:38 | 0:24:40 | |
Well, very good and good luck with that, Tom. | 0:24:40 | 0:24:42 | |
Meanwhile, I'm going to show you something I've found here in Lewes | 0:24:42 | 0:24:45 | |
on a previous visit, so don't be too shell-shocked. | 0:24:45 | 0:24:47 | |
Are you a conchologist? | 0:24:56 | 0:24:59 | |
Well, if you were, you'd collect little object like this, | 0:24:59 | 0:25:03 | |
except that the real conchologist, | 0:25:03 | 0:25:07 | |
the expert who collects specimens of freshwater and saltwater shells, | 0:25:07 | 0:25:14 | |
would probably not be interested in these two, | 0:25:14 | 0:25:18 | |
but, if you like shells, these two objects are intriguing. | 0:25:18 | 0:25:22 | |
This fellow is an abalone shell and you can see the iridescent lines | 0:25:22 | 0:25:29 | |
running through it that make nacre and shells so fascinating. | 0:25:29 | 0:25:35 | |
And this example has been altered and given a practical purpose | 0:25:35 | 0:25:39 | |
because it's been converted into an inkwell. | 0:25:39 | 0:25:42 | |
And if I hinge open the top, look, | 0:25:42 | 0:25:44 | |
there's the detachable glass inkwell. | 0:25:44 | 0:25:47 | |
But just look at how beautifully the craftsman has wrought that | 0:25:48 | 0:25:53 | |
piece of brass into a hinge and pinned it in the two sections. | 0:25:53 | 0:25:59 | |
I guess that was probably done around about 1880 to 1900. | 0:25:59 | 0:26:05 | |
The next door shell is completely different. | 0:26:05 | 0:26:08 | |
It's of a different form and, once upon a time, | 0:26:08 | 0:26:11 | |
contained a venomous sting. | 0:26:11 | 0:26:15 | |
Here, the craftsman has carefully sealed that leading edge, | 0:26:15 | 0:26:19 | |
using another piece of black shell, | 0:26:19 | 0:26:23 | |
effectively making an airtight, all-waterproof vessel | 0:26:23 | 0:26:28 | |
that now contains all these little fellows... | 0:26:28 | 0:26:31 | |
..a series of cocktail sticks. | 0:26:33 | 0:26:36 | |
Each of the cocktail sticks is amusing, because applied to | 0:26:36 | 0:26:40 | |
the end of each of the sticks is another miniature shell. | 0:26:40 | 0:26:45 | |
In fact, it is a plethora of shells. | 0:26:45 | 0:26:49 | |
What would they cost? You could have the abalone shell inkwell | 0:26:49 | 0:26:53 | |
for £30. | 0:26:53 | 0:26:54 | |
And the other little shell with And all those cocktails sticks, | 0:26:54 | 0:26:58 | |
a cool further £15. | 0:26:58 | 0:27:01 | |
So, you see, there's not that much to have to shell out. | 0:27:01 | 0:27:04 | |
Well, we've trotted from East Sussex to West Sussex to come to | 0:27:19 | 0:27:22 | |
Wisborough Green, Bellmans Saleroom to be with JP. JP, good morning! | 0:27:22 | 0:27:26 | |
-Good morning to you, Tim. -Lovely to be here. | 0:27:26 | 0:27:28 | |
Now, for the Reds, we've got a large pocket barometer. | 0:27:28 | 0:27:32 | |
I rather like that. | 0:27:32 | 0:27:33 | |
I think it's a good size, I think the dial's nice quality, | 0:27:33 | 0:27:37 | |
the fitted case is in good condition, I think it's a really nice thing. | 0:27:37 | 0:27:40 | |
A sought-after little scientific instrument, | 0:27:40 | 0:27:42 | |
-just typical Catherine Southon purchase... -Yes. -..in good nick. | 0:27:42 | 0:27:46 | |
-£100 to £150. -Is it really? | 0:27:46 | 0:27:47 | |
Cos she paid 70, so she knows her onions and, hopefully, | 0:27:47 | 0:27:51 | |
they'll make a nice profit on that. | 0:27:51 | 0:27:52 | |
The jardiniere stand... | 0:27:52 | 0:27:54 | |
They always sell well enough, because you can use them, | 0:27:54 | 0:27:57 | |
put a plant on them or what not. | 0:27:57 | 0:27:59 | |
-This has the added addition of a light up its centre. -Yeah, yeah. | 0:27:59 | 0:28:03 | |
It becomes a lightsaber... | 0:28:03 | 0:28:05 | |
-Yes! -..in the corner of your living room. How much? | 0:28:05 | 0:28:08 | |
-50 to 70. -OK, they paid £55. They're on the money there. | 0:28:08 | 0:28:11 | |
This is good for this team, I tell you! | 0:28:11 | 0:28:13 | |
And their last item is this rather nicely shaped mantel timepiece. | 0:28:13 | 0:28:19 | |
-I've always quite liked these sort of things. -It's classic, | 0:28:19 | 0:28:21 | |
-isn't it? -It is. There's a balloon-shaped hint of | 0:28:21 | 0:28:23 | |
the Arts and Crafts, Art Nouveau about them. | 0:28:23 | 0:28:26 | |
-Nice enamelled dial. -How much? | 0:28:26 | 0:28:27 | |
-40 to 60. -OK, £75 paid. -But...it could do better. | 0:28:27 | 0:28:32 | |
So, on that happy note, I think they might need their bonus buy, | 0:28:32 | 0:28:35 | |
so let's go and have a look at it. | 0:28:35 | 0:28:38 | |
£200 you spent. You gave the girl £100. Catherine, what did you buy? | 0:28:38 | 0:28:41 | |
-Well, I bought you quite a lot of things. -Ooh! -Ooh! -Oh! | 0:28:41 | 0:28:46 | |
What a nice set of weights, | 0:28:46 | 0:28:48 | |
graduated weights right down to the little baby there. | 0:28:48 | 0:28:52 | |
Is that a full set as it would have come? | 0:28:52 | 0:28:54 | |
Yes, there's eight there, a full set. | 0:28:54 | 0:28:56 | |
Victorian, brass, I mean, you try and lift that heavy one. | 0:28:56 | 0:29:00 | |
-There we are! -Oof! Yeah, I see what you mean. | 0:29:00 | 0:29:02 | |
-It'd make a good doorstop though, wouldn't it? -Yeah. | 0:29:02 | 0:29:05 | |
And I think they look lovely all out, the graduated set. | 0:29:05 | 0:29:08 | |
-Do you like them? -I do, actually. | 0:29:08 | 0:29:09 | |
Getting down to the old money question though, | 0:29:09 | 0:29:11 | |
how much did you pay for them? | 0:29:11 | 0:29:13 | |
-I did pay a little bit more than I wanted to. I paid £100 on them. -Hmm. | 0:29:13 | 0:29:17 | |
-Which was all that you left. -Yeah. -And what do you think they're worth? | 0:29:17 | 0:29:21 | |
Honestly, I think if we're going to make a profit, | 0:29:21 | 0:29:23 | |
it'll make a small profit. | 0:29:23 | 0:29:25 | |
You don't think they'd bring £150? | 0:29:25 | 0:29:27 | |
I'd love to see them bringing that. | 0:29:27 | 0:29:29 | |
I mean, once upon a time, I think they probably could have done, | 0:29:29 | 0:29:32 | |
but I'm not sure. I think, maybe, let's be safe and say £10, £20. | 0:29:32 | 0:29:35 | |
I think it's more pounds than ounces though, don't you? | 0:29:35 | 0:29:39 | |
I think it's pounds and ounces. | 0:29:39 | 0:29:40 | |
Anyway, grip those thoughts, because, right now, we're going | 0:29:40 | 0:29:43 | |
to find out what the auctioneer thinks about Catherine's weights. | 0:29:43 | 0:29:46 | |
-Give me the weight of that. -Oh! | 0:29:48 | 0:29:49 | |
-It'll break the chair! -It is something, isn't it?! | 0:29:50 | 0:29:53 | |
I mean, they are pretty... | 0:29:53 | 0:29:55 | |
It's a nice graduated set, isn't it? | 0:29:55 | 0:29:57 | |
14 pounds down to 1oz, | 0:29:57 | 0:29:59 | |
they look like what might be an associated set to me... | 0:29:59 | 0:30:02 | |
-Yeah. -..because we've got a little knuckle hole there and not there. | 0:30:02 | 0:30:06 | |
They are a set, but they may not all have started off at the same | 0:30:06 | 0:30:10 | |
moment, but not that it matters, they look great together. | 0:30:10 | 0:30:12 | |
-Hmm. -Is it worth a couple of hundred do you think? | 0:30:12 | 0:30:14 | |
Well, I actually have been rather mean and I've put £50 to £70 on them. | 0:30:14 | 0:30:17 | |
-Really? -Yeah. -OK. -Maybe I just added up the number of pounds | 0:30:17 | 0:30:20 | |
there were there, and multiply it by 1 and a half. | 0:30:20 | 0:30:23 | |
Yes! Catherine paid £100. I think you'll be fine with them, really. | 0:30:23 | 0:30:27 | |
Anyway, that's it for the Reds. | 0:30:27 | 0:30:29 | |
Now, for the Blues, and we start off with the Blues with this | 0:30:29 | 0:30:32 | |
amazing abstract sculpture, which, I have to say, | 0:30:32 | 0:30:36 | |
I think is completely hideous! | 0:30:36 | 0:30:38 | |
-Yeah, you went in with amazing there, Tim! -Yeah, I did. | 0:30:38 | 0:30:41 | |
-Amazingly awful. -Yeah, I really... | 0:30:41 | 0:30:43 | |
-I can't express myself strongly enough how much I dislike it. -No. | 0:30:44 | 0:30:48 | |
I mean, I love a bit of contemporary sculpture, but it has to be | 0:30:48 | 0:30:51 | |
cast bronze and have some real quality and guts to it. | 0:30:51 | 0:30:54 | |
Oh, absolutely, and let's just see how he's signed it, look, | 0:30:54 | 0:30:56 | |
in a marker pen! | 0:30:56 | 0:30:57 | |
Yes, um, so, how much, J? | 0:30:57 | 0:31:00 | |
Um, £15 to £25. | 0:31:00 | 0:31:03 | |
-They paid £125 for it. -Oh! | 0:31:03 | 0:31:05 | |
I mean, that is a chasm between the two, isn't it? | 0:31:05 | 0:31:07 | |
-OK, we're all agreed on that, aren't we? -Yeah. | 0:31:07 | 0:31:10 | |
Now, the vaseline vases, they've got a bit of a "frill" about them, | 0:31:10 | 0:31:13 | |
haven't they? | 0:31:13 | 0:31:14 | |
They're very typically 19th century sort of handkerchief type glass, | 0:31:14 | 0:31:18 | |
-I think they might have called them once upon a time. -Yeah. | 0:31:18 | 0:31:20 | |
There's a market for them. | 0:31:20 | 0:31:22 | |
They were fashionable a number of years ago, slightly less now, but... | 0:31:22 | 0:31:25 | |
You could still put your bonbons in, couldn't you? | 0:31:25 | 0:31:27 | |
Yeah, and it has an art glass flavour to them, doesn't it? | 0:31:27 | 0:31:30 | |
Yeah, it's like something of the Powell, but what are they worth? | 0:31:30 | 0:31:33 | |
-20 to 30. -£75 paid. -Hmm. | 0:31:33 | 0:31:36 | |
Then you've got the Bristol Blue wee decanter. | 0:31:36 | 0:31:39 | |
-It's nice. The Bristol glass is very nice, isn't it? -Oh, yeah! | 0:31:39 | 0:31:41 | |
The lovely blue and the gilding, and it's early 19th century, | 0:31:41 | 0:31:44 | |
it's got lots of... And I love this sort of mock label hanging around. | 0:31:44 | 0:31:49 | |
Does it say anything on it? | 0:31:49 | 0:31:50 | |
-It says "Rum." -Oh, does it? | 0:31:50 | 0:31:51 | |
And how much, do you think? | 0:31:51 | 0:31:54 | |
I would sell it at £50 to £70. | 0:31:54 | 0:31:55 | |
OK, £34 paid. | 0:31:55 | 0:31:57 | |
So, I'm afraid this team appear to have only made one wise buy | 0:31:57 | 0:32:00 | |
and they are definitely, definitely going to need their bonus buy, | 0:32:00 | 0:32:04 | |
so let's go and have a look at it. | 0:32:04 | 0:32:05 | |
We have a two item bonus buy today, don't we, Tom? | 0:32:06 | 0:32:09 | |
-We do, we do. -You had £66, Tom, and I'll take your rag off. | 0:32:09 | 0:32:15 | |
-OK, thank you. -There we go and you can take off mine. | 0:32:15 | 0:32:19 | |
We saw this, didn't we? | 0:32:19 | 0:32:20 | |
-Yes. No, I like it. -Yeah, oh, well, I cos... | 0:32:20 | 0:32:23 | |
it went with your nautical theme. | 0:32:23 | 0:32:26 | |
-Like my compasses... -Yeah, your compasses, your tattoos... | 0:32:26 | 0:32:30 | |
Oh, my Lord! Look at this! How realistic is that?! | 0:32:30 | 0:32:32 | |
That compass against that compass! | 0:32:32 | 0:32:34 | |
So, Tom-Tom, tell us about your bonus buy. | 0:32:34 | 0:32:36 | |
So, ship's binnacle, with the compass, which lives up in here. | 0:32:36 | 0:32:40 | |
-It's missing its glass. We did see this in the shop. -I love it, yes. | 0:32:40 | 0:32:44 | |
I would say it's sort of early 20th century. It could be polished up, | 0:32:44 | 0:32:48 | |
it could be made to look fabulously beautiful... | 0:32:48 | 0:32:51 | |
-Yeah, no, I like it. -..I really do. | 0:32:51 | 0:32:53 | |
And I think you should, you know, do some money. | 0:32:53 | 0:32:56 | |
I know you weren't a fan! | 0:32:56 | 0:32:58 | |
-You don't like it? -I don't like it. -Why not? | 0:32:58 | 0:32:59 | |
I like this, but I don't like this. Yeah. | 0:32:59 | 0:33:01 | |
You spent how much? | 0:33:01 | 0:33:02 | |
-£65. -£65 out of your 66. | 0:33:02 | 0:33:06 | |
-You went right up to the limit there, Tom. -I had... -£1 left. | 0:33:06 | 0:33:09 | |
-A pound left. -So how much, do you think, profit it will make? | 0:33:09 | 0:33:12 | |
-I think you should do sort of £20, £30. -Yeah? -Definitely. | 0:33:12 | 0:33:15 | |
I mean, if there's the right people here, it's a good-looking object | 0:33:15 | 0:33:19 | |
and, I mean, maritime works of art, collectables, are really good. | 0:33:19 | 0:33:22 | |
And let's find out, for the audience at home, | 0:33:22 | 0:33:24 | |
what the auctioneer thinks of Tom-Tom's binnacle. | 0:33:24 | 0:33:27 | |
Right, JP, what direction are you going in? | 0:33:28 | 0:33:31 | |
Oh! Heading south to the warmth. | 0:33:31 | 0:33:33 | |
Marine collectables you're very, very keen on, I know. | 0:33:33 | 0:33:36 | |
We sell them well, we've got a good market for these sorts of things. | 0:33:36 | 0:33:39 | |
-Um, you know, it's not a terribly big example. -Off a yacht, I should think. | 0:33:39 | 0:33:44 | |
Yeah, the condition's OK. | 0:33:44 | 0:33:45 | |
And, for anybody who's into these marine collectables, | 0:33:45 | 0:33:48 | |
absolutely ideal. | 0:33:48 | 0:33:49 | |
So, um, what do you reckon it's likely to bring? | 0:33:49 | 0:33:52 | |
-I think between 60 and 80. -You're on the right course. £65 paid. | 0:33:52 | 0:33:57 | |
-Excellent, and you're taking the sale today. -I am taking the sale. | 0:33:57 | 0:33:59 | |
We are in safe hands. | 0:33:59 | 0:34:01 | |
260. | 0:34:01 | 0:34:03 | |
Any interest at 270? | 0:34:03 | 0:34:04 | |
270. 280 with me. | 0:34:04 | 0:34:06 | |
Adrian, Lisa, how are you feeling? | 0:34:09 | 0:34:11 | |
-Nervous. -Are you? What have you got to be nervous about, Adrian? | 0:34:11 | 0:34:15 | |
I think that the alabaster purchase could have been a wrong 'un. | 0:34:15 | 0:34:19 | |
Do you, really? He's put £50 to £70 on it, which is no worries. | 0:34:19 | 0:34:23 | |
£55 is what you paid. You're on the cusp of making a profit there. | 0:34:23 | 0:34:28 | |
First up is the barometer altimeter and here it comes. | 0:34:28 | 0:34:31 | |
Lot 1765, a late 19th century lacquered brass pocket barometer... | 0:34:31 | 0:34:37 | |
with a lovely scale and fitted case. Start me at £100. | 0:34:37 | 0:34:41 | |
Start me at £100 for it? | 0:34:41 | 0:34:43 | |
For the pocket barometer? | 0:34:43 | 0:34:45 | |
£70 then. Is bid, thank you, at 70. On my right at 70. | 0:34:45 | 0:34:48 | |
-Looking for 5 though. -Come on. -On the right, it's 70. | 0:34:48 | 0:34:51 | |
On the right at £70. Any further interest at £70? | 0:34:51 | 0:34:54 | |
-Come on! -It's usually very, very popular. £70 on the right. | 0:34:54 | 0:34:56 | |
Any more in the room at £70? | 0:34:56 | 0:34:58 | |
All done at 70. | 0:34:58 | 0:34:59 | |
We're cool. £70 is better than a loss. | 0:35:01 | 0:35:03 | |
Lot 1766, an alabaster jardiniere stand with... | 0:35:03 | 0:35:07 | |
Adrian, your favourite piece. | 0:35:07 | 0:35:08 | |
..some type of light. Um... | 0:35:08 | 0:35:11 | |
30, I'm bid. 30, I'm bid for this. | 0:35:11 | 0:35:13 | |
I'll take 5 now. Commission at 30. | 0:35:13 | 0:35:16 | |
£30 commission bid for this lovely alabaster stand | 0:35:16 | 0:35:18 | |
at £30. Surely worth 5 though. | 0:35:18 | 0:35:20 | |
£30. Are we all done? It's a maiden bid of £30. | 0:35:20 | 0:35:23 | |
I can believe this. Adrian, nobody has any taste. | 0:35:23 | 0:35:26 | |
£30 is minus £25. | 0:35:27 | 0:35:29 | |
Lot 1767, an Art Nouveau mahogany and marquetry mantel timepiece. | 0:35:30 | 0:35:35 | |
Late 19th century, Bravingtons, King's Cross and Ludgate Hill. | 0:35:35 | 0:35:38 | |
A popular lot, 45, 60, 65, 70... | 0:35:38 | 0:35:42 | |
-Well done! -£70. | 0:35:42 | 0:35:45 | |
With me at £70. At 70, 75 and 80. | 0:35:46 | 0:35:49 | |
£80 at me, against you at £80. Any more at £80? | 0:35:49 | 0:35:53 | |
85, 90. | 0:35:53 | 0:35:54 | |
-Hey! Look at this! -You loved this, didn't you? | 0:35:54 | 0:35:57 | |
90. I'll sell at £90. | 0:35:57 | 0:36:00 | |
£90 is plus £15, which means, overall, | 0:36:00 | 0:36:03 | |
you are minus £10. | 0:36:03 | 0:36:04 | |
That's pretty cool, guys. | 0:36:04 | 0:36:06 | |
Now, what are you going to do with the bonus buy? | 0:36:06 | 0:36:08 | |
-Are you going to park it or gamble? -Park it. -Park it. | 0:36:08 | 0:36:12 | |
-We're only down a tenner. -Yeah. -No? -No. -You're not going with it. | 0:36:12 | 0:36:15 | |
They're not going with the bonus buy, | 0:36:15 | 0:36:17 | |
but we're going to sell 'em anyway and here they come. | 0:36:17 | 0:36:19 | |
A set of eight Victorian brass graduated weights | 0:36:19 | 0:36:23 | |
and I have bids to start me. | 0:36:23 | 0:36:26 | |
50, 60, 70. | 0:36:26 | 0:36:28 | |
80, 90... | 0:36:28 | 0:36:30 | |
£105. | 0:36:30 | 0:36:33 | |
-Oh! -It's only £5. -It's only a fiver. | 0:36:33 | 0:36:35 | |
110. Dead ahead now. | 0:36:35 | 0:36:38 | |
£110 with you, sir. | 0:36:38 | 0:36:39 | |
No, it's £110 in the centre of the room at £110. Anyone else now? | 0:36:40 | 0:36:43 | |
The phone's not in. It's £110 in the centre of the room at £110. | 0:36:43 | 0:36:46 | |
Selling 110. | 0:36:46 | 0:36:48 | |
It would have made plus £10. | 0:36:49 | 0:36:52 | |
You're £10 down. You'd have been square if you'd gone with it, | 0:36:52 | 0:36:56 | |
so, there we have it, minus £10, | 0:36:56 | 0:36:58 | |
it could easily be a winning score | 0:36:58 | 0:37:00 | |
-I hope, for your sake, that it is. -Fingers still crossed. | 0:37:00 | 0:37:02 | |
-But don't say a word to the Blues, all right? -No worries. | 0:37:02 | 0:37:04 | |
-Well done. -Great team, thank you very much. -Thank you. | 0:37:04 | 0:37:07 | |
90, waits... | 0:37:07 | 0:37:08 | |
Kelly, Perry, the high risk sculpture is first | 0:37:19 | 0:37:22 | |
and here it comes. | 0:37:22 | 0:37:23 | |
Lot 1783 C4, a brass abstract sculpture. I've got £10 to start me. | 0:37:23 | 0:37:31 | |
Oh, no! | 0:37:33 | 0:37:34 | |
10, 25. Oh, crikey, it's running up on the internet. | 0:37:34 | 0:37:37 | |
30 on the book then, at £30, internet, against you. | 0:37:37 | 0:37:40 | |
35, 40, £40, anyone else in the room? 45, 50. | 0:37:40 | 0:37:43 | |
£50, internet. 55. | 0:37:43 | 0:37:46 | |
-55, 60. -Look at this, kids. | 0:37:46 | 0:37:48 | |
65! £65. On the internet at £65. | 0:37:48 | 0:37:52 | |
70 on the net now. It's still climbing. | 0:37:52 | 0:37:55 | |
At £70, 75 on the internet now. | 0:37:55 | 0:37:57 | |
-Hey! -Not too bad in the end! | 0:37:57 | 0:37:59 | |
-£80. -Keep going! -They haven't seen it. -It's rolling on! | 0:37:59 | 0:38:04 | |
90, it is, 90. Are the kids bidding for you? | 0:38:04 | 0:38:07 | |
At £90! (Shh!) | 0:38:07 | 0:38:09 | |
-Look at this! -On the net now at 100. | 0:38:09 | 0:38:12 | |
Any more at £100? 110 on the internet. | 0:38:12 | 0:38:15 | |
-£120 on the internet! -Come on! -Yes, yes! | 0:38:15 | 0:38:18 | |
Yes! | 0:38:18 | 0:38:19 | |
£130 on the internet, £140 on the internet. | 0:38:19 | 0:38:23 | |
-How good is that?! -Result! -Yes! -Oh, brilliant! | 0:38:23 | 0:38:26 | |
150, 160 on the internet. 170, 180 on the internet. | 0:38:27 | 0:38:32 | |
-190! -Yes! Look at these kids! | 0:38:32 | 0:38:36 | |
Oh, look at that! | 0:38:36 | 0:38:38 | |
-Good taste, Tommy! -That's so fantastic. | 0:38:40 | 0:38:42 | |
I give up! 220! 230! | 0:38:42 | 0:38:45 | |
240 on the internet! | 0:38:45 | 0:38:48 | |
£240! | 0:38:48 | 0:38:50 | |
£260 on the internet. | 0:38:50 | 0:38:53 | |
They're going to make two grand! You wait! | 0:38:53 | 0:38:55 | |
270 on the internet. £270. | 0:38:55 | 0:38:58 | |
Are you done yet? Are you finished at £270? | 0:38:59 | 0:39:03 | |
Yes! | 0:39:05 | 0:39:07 | |
This is the business! Well done, JP! Whoop! | 0:39:07 | 0:39:10 | |
-Well done, JP! -And it's all down to these guys. | 0:39:12 | 0:39:15 | |
Lot 1784, | 0:39:15 | 0:39:18 | |
a pair of 19th century vaseline glass posy vases with 50 I am bid. | 0:39:18 | 0:39:23 | |
Where's 5? Commission bid at £50. Anyone in the room joining in? | 0:39:23 | 0:39:26 | |
-£50, on the book at 50. -50, go on. -Quiet on the internet. | 0:39:26 | 0:39:31 | |
It's a commission at £50. Selling, commission, 50. | 0:39:31 | 0:39:35 | |
£50 is minus £25. | 0:39:35 | 0:39:36 | |
Lot 1785, an early 19th century Bristol Blue glass mallet | 0:39:37 | 0:39:41 | |
-shaped decanter and stopper. -This should do well. -Start me £50 for it. | 0:39:41 | 0:39:45 | |
£50 for it, a lovely decanter this. £30 then. | 0:39:45 | 0:39:48 | |
It's got to be worth £30, surely. Come on, where's the hands for £30? | 0:39:48 | 0:39:52 | |
-£20, then. Ooh, 30, there we are on the internet! -Oh! | 0:39:54 | 0:39:57 | |
35 in the room. At the front now at 35. | 0:39:58 | 0:40:01 | |
Are you going to go 40, internet? | 0:40:01 | 0:40:03 | |
-You're in profit. -Excellent. -£40, internet bid then at £40. | 0:40:03 | 0:40:07 | |
Selling to the net at 40. | 0:40:07 | 0:40:09 | |
40 is plus 6, so you are 126. | 0:40:10 | 0:40:14 | |
Do you want to go with the bonus buy? | 0:40:14 | 0:40:16 | |
-What's it to be? -Um... -I don't want to, but it's up to you. | 0:40:16 | 0:40:20 | |
Don't go for it. No. | 0:40:20 | 0:40:21 | |
No? Don't apologise. | 0:40:21 | 0:40:23 | |
My dad said if I make a profit, he'll wash my car, so... | 0:40:23 | 0:40:26 | |
-He wants his car washed! -I'm keeping the profit! | 0:40:26 | 0:40:28 | |
Your dad's very generous. | 0:40:28 | 0:40:31 | |
You're not going with the bonus buy, but | 0:40:31 | 0:40:32 | |
we're going to sell it anyway and here it comes. | 0:40:32 | 0:40:34 | |
A brass ship's binnacle case by Henry Hughes and Son, | 0:40:34 | 0:40:37 | |
with a gimbal mounted compass. Start me, £60, surely it's worth £60. | 0:40:37 | 0:40:42 | |
Start me at £60 for it. There we are, £60 dead ahead. £60 is bid. | 0:40:42 | 0:40:46 | |
Now, looking for 5. Come on, internet! 65, there we are. 70, sir? | 0:40:46 | 0:40:50 | |
Go on, one more. You were so determined. | 0:40:50 | 0:40:52 | |
70 at the back of the room. The back of the room at 70. | 0:40:52 | 0:40:55 | |
Are you going to go one more, internet? | 0:40:55 | 0:40:56 | |
70 at the back of the room. | 0:40:56 | 0:40:58 | |
Selling for the last time then at £70. | 0:40:58 | 0:41:01 | |
-That's marvellous. £70. Well done, Tom. -That's really good. | 0:41:01 | 0:41:04 | |
Honour is preserved. You missed out on a fiver, | 0:41:04 | 0:41:07 | |
but you haven't risked it. Well done, team. | 0:41:07 | 0:41:09 | |
That's absolutely marvellous. Don't tell the Reds a thing, all right? | 0:41:09 | 0:41:12 | |
-OK. -And we'll reveal all in a minute. Serious brilliant. Very exciting. | 0:41:12 | 0:41:16 | |
Back of the room at 90. | 0:41:16 | 0:41:18 | |
No? Back of the room at £90. | 0:41:18 | 0:41:21 | |
It's £90. Ladies' bid at 90, fair warning. Selling at £90. | 0:41:21 | 0:41:24 | |
Reds and Blues, shopping in the same environment, | 0:41:30 | 0:41:34 | |
selling in the same saleroom, | 0:41:34 | 0:41:36 | |
but with a result that is so wildly different. | 0:41:36 | 0:41:41 | |
And I'm afraid to say that our runners-up today | 0:41:41 | 0:41:43 | |
by a big old chalk are the Reds. | 0:41:43 | 0:41:46 | |
Oh, dear! | 0:41:46 | 0:41:47 | |
Minus £10 is the overall score. | 0:41:47 | 0:41:51 | |
I mean, it could have been very different | 0:41:51 | 0:41:53 | |
and it should have been very different, | 0:41:53 | 0:41:55 | |
but, actually, minus £10 is normally a winning score, but not today. | 0:41:55 | 0:41:58 | |
-I hope you've enjoyed it. -Next time. -Yeah. -Next time! | 0:41:58 | 0:42:01 | |
That is the way to look. Anyway, very nice to see you. | 0:42:01 | 0:42:04 | |
But the victors today and going home with £126! | 0:42:04 | 0:42:08 | |
-Woo! Thank you! -£126! | 0:42:08 | 0:42:12 | |
-I'll have that. -Look at that! | 0:42:12 | 0:42:14 | |
-Perry's grabbing that. You get the £1. -Wow, thanks, Perry! | 0:42:15 | 0:42:18 | |
Well, I think... | 0:42:18 | 0:42:20 | |
if one has anything to say about the result today, it is | 0:42:20 | 0:42:23 | |
-quite extraordinary as far as the sculpture's concerned. -It was. | 0:42:23 | 0:42:26 | |
I've never seen two young people happier with | 0:42:26 | 0:42:29 | |
a result ever in my life. | 0:42:29 | 0:42:31 | |
Cos you proved yourselves today, cos, overall, £126 is a big number. | 0:42:31 | 0:42:37 | |
-Yeah. -Definitely. -Are you pleased? -Very pleased. -Very. | 0:42:37 | 0:42:39 | |
-There you are. Kelly, you happy? -Very happy. | 0:42:39 | 0:42:41 | |
You're going to be serving a few people in the cinema now with | 0:42:41 | 0:42:44 | |
-a bit of pleasure, aren't you? -Yes, I am. -Remind them, exactly right. | 0:42:44 | 0:42:48 | |
Keep grinning all the way to Worthing. | 0:42:48 | 0:42:50 | |
Anyway, it's been lovely to see you. | 0:42:50 | 0:42:52 | |
Join us soon for some more bargain hunting. Yes? Yes. | 0:42:52 | 0:42:55 |