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The teams sure have their work cut out today | 0:00:02 | 0:00:05 | |
because Hungerford is not short of an antique shop or two. | 0:00:05 | 0:00:09 | |
In fact, there are over 100 dealers in this arcade alone. | 0:00:09 | 0:00:14 | |
So, let's go Bargain Hunting! Yeah! | 0:00:14 | 0:00:17 | |
How lovely to be in Hungerford. | 0:00:39 | 0:00:42 | |
Deep in the heart of picturesque Berkshire, | 0:00:42 | 0:00:45 | |
it really is an antique lover's paradise. | 0:00:45 | 0:00:48 | |
Each of our teams gets £300 and an hour to shop for three objects | 0:00:48 | 0:00:51 | |
and the team wins that makes the most profit or the smallest loss. | 0:00:51 | 0:00:56 | |
On today's show, the Reds are hard to impress... | 0:00:58 | 0:01:01 | |
-I thought you were going to show us something really, like... -Hideous? | 0:01:01 | 0:01:05 | |
-Yeah. -Don't sound so surprised! | 0:01:05 | 0:01:09 | |
..and the Blues are all confused. | 0:01:09 | 0:01:11 | |
-So we need Nick again now. -I'm Nick. | 0:01:11 | 0:01:13 | |
No... Who's the other one? | 0:01:13 | 0:01:16 | |
-Alex? -Alex! | 0:01:16 | 0:01:18 | |
Well, it's all about girls on the show today. | 0:01:18 | 0:01:21 | |
For the Reds, we have twins Lucy and Sophie, and for the Blues, | 0:01:21 | 0:01:24 | |
it's friends Liz and Lyn. | 0:01:24 | 0:01:26 | |
Hello, everyone. | 0:01:26 | 0:01:28 | |
-ALL: Hello! -Lovely to see you. | 0:01:28 | 0:01:30 | |
Now, you're obviously not identical twins, but you describe yourself | 0:01:30 | 0:01:34 | |
as a double act, a force to be reckoned with. | 0:01:34 | 0:01:37 | |
Yeah, I guess you could say that. | 0:01:37 | 0:01:39 | |
We play in a band together, at the moment. | 0:01:39 | 0:01:41 | |
So Lucy's the lead guitarist and I play the bass. | 0:01:41 | 0:01:44 | |
-What's it called, your band? -The Colliding Lemons. | 0:01:44 | 0:01:47 | |
-Rather sweet. -It seemed a good idea at the time! | 0:01:47 | 0:01:49 | |
It's about six years old, but it's just stuck with us. | 0:01:49 | 0:01:52 | |
Sounds pretty juicy to me! | 0:01:52 | 0:01:54 | |
-Lucy, you're the little sister, why's that? -I am one minute younger. | 0:01:54 | 0:01:58 | |
-Oh, are you? -Yeah. But I also get treated | 0:01:58 | 0:02:00 | |
-like the younger one as well. -You're very competitive. | 0:02:00 | 0:02:03 | |
Yeah, we are quite competitive, with each other. | 0:02:03 | 0:02:05 | |
-We've played a lot of sport growing up. -What sort of games do you play? | 0:02:05 | 0:02:08 | |
Netball, football, all sorts over the years. Basketball. | 0:02:08 | 0:02:12 | |
Name the sport, we've kind of done it at some point. | 0:02:12 | 0:02:15 | |
-You have an incredible knowledge of antiques. -Well... -Well... | 0:02:15 | 0:02:18 | |
Our grandmother does. | 0:02:18 | 0:02:20 | |
She tried to help us out with a few things. | 0:02:20 | 0:02:23 | |
She gave us some tips for coming on here. | 0:02:23 | 0:02:25 | |
-So, you're looking forward to this? -We are, yeah. -OK, fine. | 0:02:25 | 0:02:28 | |
I'll give you your cash in just a moment. | 0:02:28 | 0:02:31 | |
-Anyway, over to you girls. Now, Liz, you're a retired nurse. -I am. | 0:02:31 | 0:02:34 | |
-How long have you been retired for? -About eight years now. | 0:02:34 | 0:02:38 | |
-And you've got a few animals. -We have. We've got three dogs, | 0:02:38 | 0:02:41 | |
-and chickens. I have...40 chickens. -And you've got some ducks. | 0:02:41 | 0:02:47 | |
Yeah. We just enjoy them. It's such fun. | 0:02:47 | 0:02:52 | |
It was your hobby really that brought you and Lyn together. | 0:02:52 | 0:02:55 | |
-It was, yes. -Yes. | 0:02:55 | 0:02:57 | |
-So, Lyn, you're also no stranger to the chicken world. -I've got 49. | 0:02:57 | 0:03:02 | |
You've got 49 chickens! | 0:03:02 | 0:03:04 | |
-And your house is crammed full of chicken ornaments. -I'm afraid it is. | 0:03:04 | 0:03:07 | |
-Tell us about those. -Well, once you start having something, | 0:03:07 | 0:03:12 | |
-people give you the appropriate gifts, don't they? -Yes. -She's as bad. | 0:03:12 | 0:03:17 | |
-She's got chicken ornaments as well. -Oh, has she? | 0:03:17 | 0:03:19 | |
So what's your antiques knowledge like, between you? | 0:03:19 | 0:03:23 | |
Pretty...average, reasonable, because we do a lot of outside auctions, | 0:03:23 | 0:03:29 | |
country stuff, rural crafts. | 0:03:29 | 0:03:31 | |
And you've got a particular eye for Moorcroft too. | 0:03:31 | 0:03:34 | |
Yes, but it's so expensive. | 0:03:34 | 0:03:35 | |
-Yeah. And you also like buying a bit of wood. -Yes. | 0:03:35 | 0:03:38 | |
Any old bit of wood. | 0:03:38 | 0:03:39 | |
So, watch out, dealers, that's all I can say! Now, £300 apiece. | 0:03:39 | 0:03:44 | |
There's your £300. You know the rules, | 0:03:44 | 0:03:46 | |
your experts await, and off you go, | 0:03:46 | 0:03:48 | |
and very, very, very good luck! | 0:03:48 | 0:03:50 | |
Whatever next? | 0:03:50 | 0:03:52 | |
Our teams race off on their buying bonanza. | 0:03:54 | 0:03:57 | |
And trying to rein them in today are our two experts. | 0:03:57 | 0:04:01 | |
Chomping at the bit for the Blues, it's Nick Hall. Steady! | 0:04:01 | 0:04:07 | |
And on the lookout for a real winner is Kate Bateman. | 0:04:07 | 0:04:11 | |
So, "owl" they do? | 0:04:12 | 0:04:14 | |
So, my little poultry buyers, are we egg-cited about today? | 0:04:14 | 0:04:18 | |
-Very excited! -Oh, very excited! -Going to work well as a team, aren't we? | 0:04:18 | 0:04:22 | |
-Definitely. -Game plan? | 0:04:22 | 0:04:24 | |
-Well, Moorcroft, I like, but I know it's expensive. -Can do well. | 0:04:24 | 0:04:27 | |
-Art Deco. -Brilliant. -Lots of things. Reclamation. | 0:04:27 | 0:04:30 | |
Now, that is interesting. That can do really well. | 0:04:30 | 0:04:32 | |
We've got a good antiques centre to go and look in here. | 0:04:32 | 0:04:35 | |
-I think there are lots of things cheap-cheap. -So cheap! -Oh! | 0:04:35 | 0:04:39 | |
Don't you just love it when a plan comes together? | 0:04:39 | 0:04:42 | |
-Meanwhile, with the Reds... -I don't think we've got | 0:04:42 | 0:04:44 | |
a real plan today, Kate. We're going to go with the flow a bit | 0:04:44 | 0:04:46 | |
-and just see what takes our fancy. -Right, OK. Nothing specific, then? | 0:04:46 | 0:04:50 | |
We could look for pairs of items and pick up on the twin thing. | 0:04:50 | 0:04:53 | |
Like cruet sets, two of everything! | 0:04:53 | 0:04:57 | |
We have to look. | 0:04:58 | 0:05:01 | |
-This is quite interesting, look. -The jug? -This blue and white jug, there. | 0:05:01 | 0:05:05 | |
-It's quite pretty. -It's Chinese porcelain. It's 18th Century. | 0:05:05 | 0:05:10 | |
£90, he's got on it. | 0:05:10 | 0:05:12 | |
Yeah, that sounds promising, girls. | 0:05:12 | 0:05:15 | |
The Oriental market is on fire in the salerooms. | 0:05:15 | 0:05:18 | |
It's got a crack in the handle. | 0:05:18 | 0:05:19 | |
With the lack of a lid and a crack, I'm hoping they can do us | 0:05:19 | 0:05:22 | |
-a bit of a deal on it. -60? -Worth an ask. | 0:05:22 | 0:05:25 | |
-Worth an ask. -If you flutter your eyelids at him. -No! | 0:05:25 | 0:05:28 | |
Liz can do that one! | 0:05:28 | 0:05:30 | |
Let's leave Liz fluttering for her buy and catch up with the Reds. | 0:05:30 | 0:05:34 | |
Look, girls, what about this? This is a twin thing, look. | 0:05:34 | 0:05:37 | |
Twin scent bottles, joined at the bottom. Oh, hello. | 0:05:37 | 0:05:41 | |
Can we get a price on something, please? | 0:05:41 | 0:05:43 | |
It's small, it's attractive. It's kind of what we had in mind. | 0:05:43 | 0:05:46 | |
-What is the damage? Oh, my gosh, no! Don't even look! -What is it? | 0:05:46 | 0:05:52 | |
-£195. -Oh! -That's probably a little bit too much, | 0:05:52 | 0:05:55 | |
-but it is a beautiful thing. -It's very beautiful, yeah. | 0:05:55 | 0:05:58 | |
In the meantime, the Blues are ready to schmooze. | 0:05:58 | 0:06:01 | |
Alex, hi. What's the SP on the jug? | 0:06:01 | 0:06:06 | |
Well, as you know, Chinese, it's going up at the moment. | 0:06:06 | 0:06:09 | |
-I'm hoping this one's going down. -Yeah. | 0:06:09 | 0:06:12 | |
He's reluctant to go any further than 80, I'm afraid. | 0:06:12 | 0:06:15 | |
There's no profit left in it. | 0:06:15 | 0:06:16 | |
Oh, dear, we still haven't got anything, then. | 0:06:16 | 0:06:19 | |
We've got to keep those peepers peeled and find something else. | 0:06:19 | 0:06:22 | |
Well, that didn't go to plan. Maybe the Reds are having more luck. | 0:06:24 | 0:06:27 | |
19th-Century celluloid purse, which is kind of bizarre. | 0:06:27 | 0:06:32 | |
Celluloid is like what they made early film out of. | 0:06:32 | 0:06:34 | |
It's basically really early plastic. I think that's quite cool. | 0:06:34 | 0:06:37 | |
-I think that's really cool. -I really like it. -It's a lot, at 120. | 0:06:37 | 0:06:40 | |
It would be very hard to make a profit, but it's a gorgeous thing. | 0:06:40 | 0:06:43 | |
We can keep that on the back burner because that's actually really nice. | 0:06:43 | 0:06:46 | |
-I do like that. -It's girlie. -And it's girlie. -Yeah. | 0:06:46 | 0:06:48 | |
Lynn is on the lookout for some Art Deco. | 0:06:48 | 0:06:52 | |
That's the sort of look that we need to go for - | 0:06:52 | 0:06:55 | |
really exotic dancing girls. | 0:06:55 | 0:06:58 | |
Ideally, as scantily clad as possible. | 0:06:58 | 0:07:00 | |
If we can find that look in our budget, we're quids in. | 0:07:00 | 0:07:03 | |
That would be worth it. | 0:07:03 | 0:07:05 | |
Come on, girls, nearly halfway through | 0:07:08 | 0:07:11 | |
and it's time to cock-a-doodle-do a deal. | 0:07:11 | 0:07:14 | |
-No pressure, but, you know, we need to start buying. -Yeah. -Right. | 0:07:14 | 0:07:18 | |
Isn't there a lovely Ming vase somewhere that we've missed | 0:07:18 | 0:07:21 | |
amongst all of this stuff? | 0:07:21 | 0:07:23 | |
Maybe not a Ming vase, but Nick has spotted a bling vase. | 0:07:23 | 0:07:26 | |
Brace yourselves. Do you like this vase on the corner here? | 0:07:29 | 0:07:33 | |
-Yeah, I do. -Yeah, it's not bad. -Do you both like it? -Yeah. | 0:07:33 | 0:07:36 | |
I think it's got a really nice decorative appeal about it. | 0:07:36 | 0:07:40 | |
It's iridescent glass made by a firm called Royal Brierley. | 0:07:40 | 0:07:44 | |
-Now, people collect Royal Brierley. -Is it worth the price? | 0:07:44 | 0:07:48 | |
Well, they've got £58 on it. | 0:07:48 | 0:07:50 | |
I think at auction, it would quite easily, or should make, £40 or £50. | 0:07:50 | 0:07:55 | |
-So, if we can get that down a bit. -40? 35? -Worth a try. | 0:07:55 | 0:07:59 | |
Let's get Alex, let's get moving. | 0:07:59 | 0:08:01 | |
Another twin scent bottle? | 0:08:01 | 0:08:03 | |
Oh, look, another twin... Oh, God, 190 again. | 0:08:03 | 0:08:06 | |
At least they're consistent at £190, you know! | 0:08:06 | 0:08:10 | |
-Do you like that? -Yes, but we don't want | 0:08:11 | 0:08:14 | |
two practically the same, do we? | 0:08:14 | 0:08:16 | |
Well, why not, if they sell? | 0:08:16 | 0:08:19 | |
Nick's got the knack on this. It's all about profit. | 0:08:19 | 0:08:23 | |
This is from the 1960s. It's Scandinavian glass. | 0:08:23 | 0:08:26 | |
Oh, that does well. | 0:08:26 | 0:08:27 | |
Yeah, Scandinavian glass is really in at the moment. | 0:08:27 | 0:08:30 | |
-And you see that shape and that colour? -Yeah. -Yes. | 0:08:30 | 0:08:33 | |
Very specific to a designer called Per Lutken. | 0:08:33 | 0:08:36 | |
-His glasswork is on the up at the moment. -Is that one worth 55? | 0:08:36 | 0:08:41 | |
I would estimate that to make between £40 and £70 at auction. | 0:08:41 | 0:08:45 | |
Ah, Alex is back with the answer. | 0:08:45 | 0:08:47 | |
Well, I haven't actually got a price yet | 0:08:47 | 0:08:49 | |
because you didn't notice the chip. | 0:08:49 | 0:08:53 | |
Gosh, you're quite right, we hadn't seen that. | 0:08:53 | 0:08:56 | |
I'd be more inclined now | 0:08:56 | 0:08:58 | |
to have a stab at the Scandinavian glass vase there. | 0:08:58 | 0:09:03 | |
Yeah, I like the look of that. Is it perfect, Alex? | 0:09:03 | 0:09:06 | |
-Can you check? -Well, it looks good to me. | 0:09:06 | 0:09:08 | |
It's well signed on the bottom, you can see there. | 0:09:08 | 0:09:11 | |
-It's got Lutken's monogram on it. -Yeah, it has. | 0:09:11 | 0:09:14 | |
It's got a registration number. - It's quite heavy, is it? | 0:09:14 | 0:09:17 | |
And a minimalistic look for modern homes. | 0:09:17 | 0:09:19 | |
-Very stylish, very in vogue at the minute. -I like that. | 0:09:19 | 0:09:21 | |
We've got a chance of selling something like that. | 0:09:21 | 0:09:24 | |
-I quite like that, too. So, what's the price? -55. | 0:09:24 | 0:09:27 | |
-And we're going to offer? -40. -Well, that's a strong possible, | 0:09:27 | 0:09:30 | |
but we've still got three things to buy and not got anything. | 0:09:30 | 0:09:33 | |
-We've got barely half an hour left, so come on. -Let's get on. | 0:09:33 | 0:09:36 | |
Whilst Alex goes off to find a best price, | 0:09:37 | 0:09:40 | |
our twins are all of a-dither. | 0:09:40 | 0:09:43 | |
I think that might be too small. | 0:09:43 | 0:09:44 | |
I don't think it's old enough. | 0:09:44 | 0:09:46 | |
What do you think of that sewing kit? | 0:09:46 | 0:09:48 | |
-We're terrible together, aren't we? -You are useless. | 0:09:48 | 0:09:51 | |
These two are all over the place. | 0:09:51 | 0:09:53 | |
I mean, oh, my goodness, it's really hard to spend money | 0:09:53 | 0:09:55 | |
and they seem to like different things | 0:09:55 | 0:09:57 | |
so I've really got my work cut out. | 0:09:57 | 0:09:59 | |
I wish we'd more room for haggling | 0:09:59 | 0:10:02 | |
because I really like that lacquered case. | 0:10:02 | 0:10:04 | |
We all liked that, didn't we? | 0:10:04 | 0:10:06 | |
It's worth a go, but how much was it? 120. | 0:10:06 | 0:10:08 | |
Right, have a look, see what you think. | 0:10:11 | 0:10:13 | |
-Oh, it's pretty cute. -Oh, it's pretty sweet. | 0:10:13 | 0:10:15 | |
It's ripped a bit there. Will that affect the value? | 0:10:15 | 0:10:18 | |
It will a bit because, obviously, it's not perfect, | 0:10:18 | 0:10:20 | |
but it's not the worst case. The outside's the most important, | 0:10:20 | 0:10:23 | |
-with the inlay. -Yeah... -And that looks OK. | 0:10:23 | 0:10:26 | |
It looks really nice. I like that. | 0:10:26 | 0:10:28 | |
We want to get that as low as possible. | 0:10:28 | 0:10:29 | |
-Try them on 60 quid and see what they say. -It's worth a shot. | 0:10:29 | 0:10:32 | |
I know they won't! I know they won't, but try them | 0:10:32 | 0:10:35 | |
and then get their very best price. | 0:10:35 | 0:10:36 | |
When they've sat down and start crying, then ask them again. | 0:10:36 | 0:10:41 | |
What about the globe? | 0:10:41 | 0:10:44 | |
Oh, man alive! | 0:10:44 | 0:10:47 | |
-Oh, I love that. -I love that. -Hold on, let's put this back. | 0:10:47 | 0:10:50 | |
I thought it was going to be a puzzle or something, like a game. | 0:10:50 | 0:10:53 | |
-That is pretty cool. Do you like that? -I do. | 0:10:53 | 0:10:56 | |
That's really nice, how much is it? | 0:10:56 | 0:10:57 | |
It's 79, which is a heck of a lot, but it's really cool. | 0:10:57 | 0:11:01 | |
I mean, loads of people collect globes. | 0:11:01 | 0:11:03 | |
-It's tin. -Yeah. -And for sewing people, that's pretty cool. | 0:11:03 | 0:11:07 | |
Yeah. It looks in quite good condition as well. | 0:11:07 | 0:11:10 | |
It is. I mean, there's a few scratches and stuff. | 0:11:10 | 0:11:12 | |
It's not great, but you expect that. | 0:11:12 | 0:11:14 | |
If you could get that for 50 quid, I reckon that's a goer. | 0:11:14 | 0:11:18 | |
-Do you like it? -Yeah, I love it. -We like that, don't we? -It's quirky. | 0:11:18 | 0:11:21 | |
Definitely not seen anything like that | 0:11:21 | 0:11:23 | |
and it could potentially appeal to collectors. | 0:11:23 | 0:11:25 | |
Have we got an answer on our case? | 0:11:25 | 0:11:27 | |
-Yes, but you're not going to like it. -We're not going to like it? | 0:11:27 | 0:11:30 | |
-Oh, no. -All right. -Her very, very best is £90. -90. | 0:11:30 | 0:11:35 | |
-But she couldn't go anywhere near 60. -OK. | 0:11:35 | 0:11:37 | |
-Is it the same lady that's got this one? -It is. -OK. | 0:11:37 | 0:11:41 | |
Would you also ask her about the globe? Would she do 50 on that? | 0:11:41 | 0:11:44 | |
She's got 79. | 0:11:44 | 0:11:46 | |
Kate's got the weight of the world on her shoulders. | 0:11:46 | 0:11:49 | |
Still no buys for the Reds, and the Blues have started flapping. | 0:11:49 | 0:11:53 | |
-What have you done with Lynn? -I don't know. | 0:11:53 | 0:11:55 | |
-She wanders off all the time. -Does she? | 0:11:55 | 0:11:57 | |
Lynn, where are you? What are you doing? | 0:11:57 | 0:11:59 | |
I'm trying to find something chickeny. | 0:11:59 | 0:12:01 | |
I can't find anything. | 0:12:01 | 0:12:03 | |
-You've been scratching around, have you? -Yes! | 0:12:03 | 0:12:06 | |
-What's the news on the Lutken vase? -40 is fine. | 0:12:08 | 0:12:12 | |
-Oh, right, we'll have that. -That's great. -Deal done, thank you. | 0:12:12 | 0:12:14 | |
-Thank you, Alex, for your help. -Right, purchase one. | 0:12:14 | 0:12:17 | |
An impeccable deal, girls, well done. | 0:12:17 | 0:12:20 | |
Crikey! Are the Reds ready to shell out as well? | 0:12:21 | 0:12:24 | |
Please tell us good news... | 0:12:24 | 0:12:26 | |
No! Come on! | 0:12:26 | 0:12:27 | |
Her very, very best on that is 65. | 0:12:27 | 0:12:31 | |
-Oh, my goodness, 65... -That's a shame. | 0:12:31 | 0:12:35 | |
It IS very unusual. | 0:12:35 | 0:12:37 | |
SHE SIGHS | 0:12:37 | 0:12:39 | |
-I would be happy to go for it. -Do you think you should have a go? | 0:12:39 | 0:12:43 | |
It's right... I think it's going to be a very slim margin | 0:12:43 | 0:12:46 | |
if you do make a profit at all on it, but, to be fair, | 0:12:46 | 0:12:50 | |
you don't see them very often and it's rare and it's small. | 0:12:50 | 0:12:53 | |
-I think, actually, maybe you should go for it. -Are you happy to gamble? | 0:12:53 | 0:12:56 | |
-I think we should. -You've got to buy something, ladies. -OK. -OK. | 0:12:56 | 0:12:59 | |
-Let's break our duck and get it. -I'm really happy with that. -65? -Yes. | 0:12:59 | 0:13:03 | |
-Do it. -OK. -We'll have it. | 0:13:03 | 0:13:05 | |
Thank you very much. Tell her yes, quick. Yay! | 0:13:05 | 0:13:09 | |
First item pinned down for the Reds. | 0:13:09 | 0:13:12 | |
Now, could it be item two for the Blues? | 0:13:12 | 0:13:15 | |
This top shelf here, you've got | 0:13:15 | 0:13:16 | |
a lovely array of '60s and '70s ceramics | 0:13:16 | 0:13:19 | |
and it would fit nicely with the Lutken glass vase, wouldn't it? | 0:13:19 | 0:13:23 | |
What I can tell you is, these German pieces that you can see either end, | 0:13:23 | 0:13:29 | |
they've got that real thick glaze, is what we call fat lava. | 0:13:29 | 0:13:34 | |
It's a modern trend of collecting and it's rising. | 0:13:34 | 0:13:37 | |
So you've got two pieces here to look at. | 0:13:37 | 0:13:40 | |
-You've got the yellow and the blue. -They're not expensive, are they? | 0:13:40 | 0:13:43 | |
If we could get them for between 40 and £50 for the two of them, | 0:13:43 | 0:13:46 | |
it'd be a really nice smart purchase, and put them together. | 0:13:46 | 0:13:49 | |
-Yeah. -We need Nick again now. -No, I'm Nick. | 0:13:49 | 0:13:52 | |
-No... Who's the other one? -Alex. -Alex. -Alex! | 0:13:52 | 0:13:55 | |
Kate has no doubts about the origin of what she's just spotted. | 0:13:57 | 0:14:01 | |
It's a Japanese vase from Kutani. | 0:14:01 | 0:14:02 | |
I'd like to have a look at that. | 0:14:02 | 0:14:04 | |
Please don't have a massive crack right down the middle or something. | 0:14:06 | 0:14:09 | |
-Let's have a quick look. -So, is that hand-painted, then? | 0:14:09 | 0:14:12 | |
That's all hand done. Look at the quality of that. | 0:14:12 | 0:14:14 | |
I really like the detail. | 0:14:14 | 0:14:15 | |
Yeah, there's no obvious chips or anything like that on there. | 0:14:15 | 0:14:18 | |
No chips, good genuine dirt inside it. | 0:14:18 | 0:14:20 | |
And that's a bit of a firing... | 0:14:20 | 0:14:23 | |
that's happened in the firing, this bubbling, | 0:14:23 | 0:14:25 | |
and you can't really read the signature, | 0:14:25 | 0:14:28 | |
but it's nice, and I think for 25 quid, | 0:14:28 | 0:14:31 | |
-20 to 30 in the sale... -I think we've got ourselves a bargain. | 0:14:31 | 0:14:35 | |
And did you know, Kutani means "nine valleys" in Japanese? | 0:14:35 | 0:14:39 | |
-What's her best price? It's 25. -£20. -20? Oh! | 0:14:39 | 0:14:43 | |
- Could you do it for 15? - I'll have to go and ring them. | 0:14:43 | 0:14:46 | |
Oh, go on, please. Every penny counts. Yes, please. | 0:14:46 | 0:14:49 | |
The lowest you can go, Rita, that would be brilliant. | 0:14:49 | 0:14:51 | |
Try them at ten and see if they cry first! | 0:14:51 | 0:14:53 | |
Come on, Alex, what's your best price? | 0:14:53 | 0:14:57 | |
-42 and they're yours. -Yes. | 0:14:57 | 0:14:58 | |
-Go for it. -Yes. -I think we're there, aren't we? You've got a deal. | 0:14:58 | 0:15:01 | |
-Thank you, Alex, you've done well for us. -Thank you very much. | 0:15:01 | 0:15:04 | |
After being cooped up in the shop, the girls decide | 0:15:05 | 0:15:08 | |
to make a break for it and head for the reclamation yard. | 0:15:08 | 0:15:11 | |
-You've still got your bonus buy. -Still the bonus buy, of course. | 0:15:11 | 0:15:15 | |
-The instructions are not to buy any more vases. -No more? | 0:15:15 | 0:15:17 | |
-Are you sure you've had enough? -We've got three already! | 0:15:17 | 0:15:20 | |
Crikey! Consider yourself told, Nick. | 0:15:20 | 0:15:22 | |
-OK? -Come on, then. -Off we go. | 0:15:22 | 0:15:24 | |
Hey-up! Rita's back for the Reds. | 0:15:26 | 0:15:28 | |
-Good news. -Yay! Thanks, Rita, what is it? What is it? | 0:15:28 | 0:15:31 | |
-£15. -15 quid? Deal! | 0:15:31 | 0:15:33 | |
Quick, shake her hand, shake her hand. Hey, that's a great deal. | 0:15:33 | 0:15:37 | |
-Thanks, Rita. -Thank you very much. -Excellent. -Two in the bag. | 0:15:37 | 0:15:40 | |
Two in the bag. | 0:15:40 | 0:15:42 | |
That's all well and good, girls, but the clock is still ticking. | 0:15:42 | 0:15:45 | |
-We've got no time, have we? -You have no time. | 0:15:45 | 0:15:47 | |
You've got about ten minutes to buy something really good. | 0:15:47 | 0:15:50 | |
For the Blues, some reclamation is stealing their hearts. | 0:15:50 | 0:15:55 | |
What would its use have been originally? | 0:15:55 | 0:15:58 | |
Well, I don't know, but I would put it on a wall as a decoration. | 0:15:58 | 0:16:01 | |
'They're absolutely in their element,' | 0:16:01 | 0:16:03 | |
these ladies. I can't keep track of them. | 0:16:03 | 0:16:05 | |
You think you know where they are and they've disappeared somewhere else. | 0:16:05 | 0:16:09 | |
You'd be surprised how expensive these things are. | 0:16:09 | 0:16:13 | |
-This old drain... -Hoppers, they call them, don't they? -Hoppers. | 0:16:13 | 0:16:16 | |
Rainwater hoppers come in all sorts of shapes and variety of material. | 0:16:16 | 0:16:21 | |
Great if you're restoring a period house, | 0:16:21 | 0:16:23 | |
or you just want to plonk them in the garden. | 0:16:23 | 0:16:26 | |
Ah, Stuart - just the man. | 0:16:26 | 0:16:28 | |
-How are you? All right? -Very well, nice to see you. | 0:16:28 | 0:16:31 | |
Right, hoppers. | 0:16:31 | 0:16:33 | |
Now, what sort of money are they, Stuart? | 0:16:33 | 0:16:36 | |
Something simple like that, £20. | 0:16:36 | 0:16:39 | |
These simple ones here are a tenner. | 0:16:39 | 0:16:42 | |
If you're going to catch the bidder's eye, you want one with a bit of shape and pattern. | 0:16:42 | 0:16:45 | |
What about that one there with that nice work on? | 0:16:45 | 0:16:48 | |
-What's that one? -This one here. | 0:16:48 | 0:16:51 | |
-The one in the front, you mean? -50 quid on that one. | 0:16:51 | 0:16:54 | |
-So that, you would think about 50? -I'd do 50 for that one. | 0:16:54 | 0:16:58 | |
People put them on the walls and then put plants in them. | 0:16:58 | 0:17:01 | |
People use them to restore properties, | 0:17:01 | 0:17:03 | |
that's really what they do - plonk them on the wall. | 0:17:03 | 0:17:05 | |
They look fantastic. | 0:17:05 | 0:17:07 | |
-How near to 40 can we go on that? -Near to 40? Goodness me! | 0:17:07 | 0:17:12 | |
45, then. | 0:17:12 | 0:17:14 | |
I think you've got a good deal there. | 0:17:14 | 0:17:15 | |
I think we've got a good deal. Is that all right, Stuart? | 0:17:15 | 0:17:18 | |
Can we have it? Thank you. | 0:17:18 | 0:17:19 | |
You can't have it, you can have it for £45! | 0:17:19 | 0:17:21 | |
Nice try, Liz! | 0:17:21 | 0:17:23 | |
-Appreciate that, Stuart. -We know you're on our team. | 0:17:23 | 0:17:26 | |
- We love the shoes! - Thank you very much. | 0:17:26 | 0:17:28 | |
And flattery gets you everywhere in this game. | 0:17:28 | 0:17:32 | |
So, the Blues are done and dusted. | 0:17:32 | 0:17:34 | |
Come on, Kate, crack that whip! | 0:17:34 | 0:17:37 | |
We've only got three minutes. Listen, this was a good cabinet. | 0:17:37 | 0:17:41 | |
Look at the back, you see the Keith Murray vase? | 0:17:41 | 0:17:44 | |
That's really cool, ultramodern, Wedgwood. | 0:17:44 | 0:17:46 | |
He's a cool designer and it's very well-known, that style. | 0:17:46 | 0:17:50 | |
If it's in good condition, that's not a bad price. Is it worth a go? | 0:17:50 | 0:17:53 | |
-Because we're running out of time. -I think we should go and get Rita. | 0:17:53 | 0:17:56 | |
-Yeah. -Rita? | 0:17:56 | 0:17:57 | |
And as if by magic... | 0:17:57 | 0:17:58 | |
Hello. Can we look at the Keith Murray vase? | 0:17:58 | 0:18:01 | |
-I thought you were going to show us something really, like... -Hideous? | 0:18:01 | 0:18:04 | |
Yeah. | 0:18:04 | 0:18:05 | |
Don't sound so surprised! | 0:18:05 | 0:18:07 | |
Oh, easy does it, Reet! | 0:18:07 | 0:18:09 | |
I hate this bit. | 0:18:09 | 0:18:10 | |
Right, take a look. Is it perfect? | 0:18:10 | 0:18:13 | |
-It's all right. -Looks OK. | 0:18:13 | 0:18:16 | |
Keith Murray for Wedgwood. | 0:18:16 | 0:18:18 | |
-Yeah, looks in good condition. -It is. | 0:18:18 | 0:18:20 | |
There's a bit of crazing - can you see here? | 0:18:20 | 0:18:22 | |
A little but of crackling on the glaze, but nothing desperate. | 0:18:22 | 0:18:25 | |
I think we should definitely try and get them down on the price, though. | 0:18:25 | 0:18:28 | |
OK. | 0:18:28 | 0:18:29 | |
The owner is away on holiday | 0:18:29 | 0:18:31 | |
so Rita returns with the boss to seal the deal. | 0:18:31 | 0:18:33 | |
We'll do it at 150. | 0:18:33 | 0:18:35 | |
-I'd rather we could go a bit lower. -How lower? | 0:18:35 | 0:18:39 | |
- 130? - Oh, no, that's too low. | 0:18:39 | 0:18:42 | |
-149... -140 would be really good. -If we meet in the middle at 140? | 0:18:42 | 0:18:47 | |
-I'll chance my arm at 140. -OK. | 0:18:47 | 0:18:48 | |
And then if I get beaten up, I know where to come to be looked after. | 0:18:48 | 0:18:52 | |
OK. We won't be here, but that's fine, let's shake on it. | 0:18:52 | 0:18:55 | |
Well, they left it late, but both teams have got three items each. | 0:18:56 | 0:19:01 | |
The 60 minutes are up. Now, what did the Red Team buy again? | 0:19:01 | 0:19:05 | |
They kicked off with a novelty sewing case for £65. | 0:19:07 | 0:19:11 | |
Next up was the Japanese Kutani vase. They paid £15. | 0:19:13 | 0:19:17 | |
And everyone agreed that | 0:19:19 | 0:19:21 | |
the Moonstone vase | 0:19:21 | 0:19:22 | |
was out of this world. £140 paid. | 0:19:22 | 0:19:25 | |
OK, you superlatives sisters, did you have a sensational experience? | 0:19:27 | 0:19:31 | |
-That was brilliant, really fun. -Yeah, really good day. | 0:19:31 | 0:19:34 | |
-Which is your favourite piece? -The small sewing kit in the globe. | 0:19:34 | 0:19:37 | |
-That was a bit of a unique piece. -Yeah. -Would you agree with that? | 0:19:37 | 0:19:40 | |
-I do. I think that was the most... -That's your favourite favourite? | 0:19:40 | 0:19:43 | |
My favourite favourite as well. | 0:19:43 | 0:19:44 | |
-We're bound to agree, though, aren't we? -Not necessarily! | 0:19:44 | 0:19:47 | |
-And how much did you spend? -We spent £220. -220. Can I have the £80? | 0:19:47 | 0:19:52 | |
That's really sweet of you, lovely. | 0:19:52 | 0:19:54 | |
And which piece is going to bring the biggest profit? | 0:19:54 | 0:19:56 | |
-I think the Japanese vase. -Japanese vase? -We did a good deal. | 0:19:56 | 0:19:59 | |
I do agree. I'm not going to scream for the sake of it, | 0:19:59 | 0:20:02 | |
-but I think that was the biggest profit. -It was our cheapest item. | 0:20:02 | 0:20:05 | |
This is twins! So sweet. | 0:20:05 | 0:20:09 | |
OK, KB, there's your leftover lolly and good luck with that. | 0:20:09 | 0:20:12 | |
Have you got any idea what you're going to go and buy? | 0:20:12 | 0:20:15 | |
Well, it would be nice to buy something in pairs, wouldn't it? | 0:20:15 | 0:20:17 | |
-So maybe something like that, I don't know. -All right, good luck. | 0:20:17 | 0:20:20 | |
Meanwhile, why don't we check out what the Blue Team bought, eh? | 0:20:20 | 0:20:23 | |
The Holmegaard vase was their first buy, for £40. | 0:20:23 | 0:20:28 | |
A slender £42 was paid | 0:20:30 | 0:20:32 | |
for the two German fat lava jugs. | 0:20:32 | 0:20:34 | |
And finally, their hopes rest | 0:20:37 | 0:20:39 | |
on the hopper, £45 paid. | 0:20:39 | 0:20:41 | |
Right, then, girls. | 0:20:44 | 0:20:46 | |
So, how was your experience with Nicholas? Was it good? | 0:20:46 | 0:20:49 | |
-Wonderful. -Lovely. -Was it? | 0:20:49 | 0:20:50 | |
Well, you're both looking very happy about it, which is the main thing. | 0:20:50 | 0:20:54 | |
Tell me, Elizabeth, which is your favourite piece? | 0:20:54 | 0:20:56 | |
-I think it's the first vase we bought. -The first vase? | 0:20:56 | 0:20:59 | |
Yes, the Swedish glass... Per Lutken! | 0:20:59 | 0:21:04 | |
-Per Lutken. -Ooh, Lutken! OK, fine. | 0:21:04 | 0:21:08 | |
Does your friend agree? | 0:21:08 | 0:21:10 | |
-No. -No. I don't. We bought a drain hopper. | 0:21:10 | 0:21:13 | |
Don't ask me why, but we did. | 0:21:13 | 0:21:16 | |
It's going to be a plant hopper, and I think that's my favourite. | 0:21:16 | 0:21:19 | |
-That's your favourite, is it? -Yes. | 0:21:19 | 0:21:20 | |
-Is that going to bring the biggest profit, your drain hopper? -No, no. | 0:21:20 | 0:21:23 | |
What's your prediction as to which is going to bring | 0:21:23 | 0:21:25 | |
the biggest profit, Elizabeth? | 0:21:25 | 0:21:27 | |
We bought two German vases called fat lava. | 0:21:27 | 0:21:31 | |
Oh, yes, I know - those dribbly ones. | 0:21:31 | 0:21:33 | |
I think they might be all right. | 0:21:33 | 0:21:34 | |
-You think they're hot? -I think so. -Lava's like that, isn't it? | 0:21:34 | 0:21:37 | |
-OK, and how much did you spend? -£127. | 0:21:37 | 0:21:40 | |
£127 - does that mean I want £173 of leftover lolly? | 0:21:40 | 0:21:45 | |
-Thank you much. -That's correct. -173. Thank you. -And a little bit extra. | 0:21:45 | 0:21:50 | |
A little bit of shrapnel. Nicholas likes a bit of change. | 0:21:50 | 0:21:53 | |
-Don't you, Nick? -A little bit of extra's always good. | 0:21:53 | 0:21:55 | |
So, what are you going to spend it on? | 0:21:55 | 0:21:57 | |
Hopefully, something that's not going to go down the drain. | 0:21:57 | 0:22:00 | |
-But it will grow into profit! -We hope so. -We hope so, too. | 0:22:00 | 0:22:04 | |
Anyway, very good luck with that. | 0:22:04 | 0:22:05 | |
Meanwhile, I'm going to head off and try and find something | 0:22:05 | 0:22:08 | |
that's positively eye-catching. | 0:22:08 | 0:22:10 | |
It's a marvellous place, Hungerford. A market town, | 0:22:19 | 0:22:21 | |
but removed from the main drag, for example, | 0:22:21 | 0:22:26 | |
is this yard stuffed with architectural | 0:22:26 | 0:22:30 | |
and agricultural antiques | 0:22:30 | 0:22:32 | |
and nowhere more suitable, one might say, | 0:22:32 | 0:22:35 | |
to make a little discovery of this object. | 0:22:35 | 0:22:39 | |
So, what is it? | 0:22:39 | 0:22:40 | |
Well, on the face of it, | 0:22:40 | 0:22:42 | |
it looks like an Art Deco mantel clock case with no clock movement. | 0:22:42 | 0:22:48 | |
That kind of angular surround. | 0:22:48 | 0:22:50 | |
A hint is that the underground colour that you can see here | 0:22:51 | 0:22:55 | |
is black and it's had some thick green camouflage-type paint | 0:22:55 | 0:23:00 | |
painted over it, so that wherever this thing was placed, | 0:23:00 | 0:23:05 | |
it wouldn't be possible to see the case. | 0:23:05 | 0:23:09 | |
Now, round the back, we have got a switch, | 0:23:09 | 0:23:11 | |
a white Bakelite switch that looks just like a switch | 0:23:11 | 0:23:14 | |
that might have come off | 0:23:14 | 0:23:16 | |
one of those mains radio sets from the 1930s or early 1940s. | 0:23:16 | 0:23:21 | |
That's when, I think, this piece of kit dates from. | 0:23:21 | 0:23:26 | |
And on the top, there's a wee spigot - look. | 0:23:26 | 0:23:30 | |
But absolutely nothing else that would identify its purpose at all. | 0:23:30 | 0:23:36 | |
But when I reveal | 0:23:36 | 0:23:38 | |
the additional part, | 0:23:38 | 0:23:41 | |
what is it? | 0:23:41 | 0:23:44 | |
Well, it hinges in two parts like that, | 0:23:44 | 0:23:46 | |
a bit like a clothes hanger, | 0:23:46 | 0:23:48 | |
and it fits on top of the spigot, | 0:23:48 | 0:23:51 | |
on the top of the box. | 0:23:51 | 0:23:54 | |
If you look carefully, | 0:23:54 | 0:23:56 | |
these two parts are fitted with | 0:23:56 | 0:24:00 | |
faceted mirrors and a pair of eyes. | 0:24:00 | 0:24:04 | |
Spooky glass eyes - | 0:24:04 | 0:24:06 | |
yellow surrounds, with black centres. | 0:24:06 | 0:24:10 | |
How weird is that? | 0:24:10 | 0:24:12 | |
Is it a Dalek? Is it going to talk? | 0:24:12 | 0:24:16 | |
Well, if it did talk, | 0:24:16 | 0:24:18 | |
it's almost certain that it would speak to you in French, | 0:24:18 | 0:24:21 | |
because this is a piece of rustic French engineering. | 0:24:21 | 0:24:27 | |
It is a lark lure. | 0:24:27 | 0:24:30 | |
Can you believe it? | 0:24:30 | 0:24:32 | |
They go out | 0:24:32 | 0:24:34 | |
and they set up these lures in the middle of a netted enclosure. | 0:24:34 | 0:24:39 | |
If you turn the switch on and we're lucky... | 0:24:39 | 0:24:42 | |
..the lure starts to spin, | 0:24:43 | 0:24:47 | |
and when it spins, the light catches | 0:24:47 | 0:24:49 | |
each of these faceted mirrored parts. | 0:24:49 | 0:24:52 | |
And if you're a lark flying across at 1,500 feet | 0:24:52 | 0:24:57 | |
and you saw this thing | 0:24:57 | 0:24:58 | |
with the sunlight catching those bits of mirror, | 0:24:58 | 0:25:02 | |
your sharp eyes would draw you down to the ground to investigate. | 0:25:02 | 0:25:06 | |
As you approach, the Frenchman would spring his net and, hey, presto, | 0:25:06 | 0:25:11 | |
that would enclose the area where the lark is making its investigation | 0:25:11 | 0:25:16 | |
and he would be having lark for supper. | 0:25:16 | 0:25:19 | |
Not terribly good news, I have to say, | 0:25:19 | 0:25:22 | |
for the larks, but there you are. | 0:25:22 | 0:25:24 | |
And what might you have to pay for it here in jolly old Blighty? | 0:25:24 | 0:25:27 | |
It could be yours for £110. | 0:25:27 | 0:25:31 | |
MACHINE THRUMS | 0:25:31 | 0:25:34 | |
It has a sort of beat to it, doesn't it? | 0:25:34 | 0:25:36 | |
Well, I can't tell you how incredibly nice it is | 0:25:50 | 0:25:53 | |
to pop from Hungerford to Special Auction Services' saleroom | 0:25:53 | 0:25:57 | |
just outside Newbury to be with my old mate, my old mucker, Tom Plant. | 0:25:57 | 0:26:01 | |
-Tom. -It's a pleasure to have you, Tim. | 0:26:01 | 0:26:03 | |
Nice to have you on the other side of the fence for a change... | 0:26:03 | 0:26:06 | |
-It is, isn't it? -..doing the auctioneering. | 0:26:06 | 0:26:08 | |
-Yeah, which I love, actually. -Which you do. | 0:26:08 | 0:26:10 | |
And we know you're very good at, | 0:26:10 | 0:26:12 | |
and we're about to have an ample demonstration of, we hope. | 0:26:12 | 0:26:16 | |
OK, for the Red Team, | 0:26:16 | 0:26:18 | |
they've gone with this tin-plate sewing necessaire, | 0:26:18 | 0:26:21 | |
which is pretty fantastic, isn't it? | 0:26:21 | 0:26:24 | |
It's delightful. It's just the kind of thing I like. It's collectable. | 0:26:24 | 0:26:28 | |
I love globes anyway, I've an obsession about things like that, | 0:26:28 | 0:26:31 | |
but I like the fact that it's a little sewing necessaire. | 0:26:31 | 0:26:35 | |
Collectable because it's in a globe form, and also, | 0:26:35 | 0:26:38 | |
people who love sewing accessories. | 0:26:38 | 0:26:39 | |
-Hugely desirable. -OK, how much? | 0:26:39 | 0:26:42 | |
-We put it in at 50-70. -Very good, £65 paid. | 0:26:42 | 0:26:47 | |
Next is the Japanese porcelain vase called Kutani. | 0:26:47 | 0:26:52 | |
But that's about the worst example, isn't it? | 0:26:52 | 0:26:54 | |
That's really target practice, to be candid. | 0:26:54 | 0:26:57 | |
We used to have something in Devon called a China shy | 0:26:57 | 0:27:00 | |
and you threw wooden balls at it | 0:27:00 | 0:27:03 | |
and the more you could smash up for £1 a throw, the better. | 0:27:03 | 0:27:06 | |
Oh, fabulous. | 0:27:06 | 0:27:07 | |
And that used to go on stalls like that, yes? | 0:27:07 | 0:27:10 | |
I think it deserves to, really. | 0:27:10 | 0:27:11 | |
Actually, it cost Kate £15. What's it worth? | 0:27:11 | 0:27:15 | |
-Well, we've put it in 20-30. -Have you really? | 0:27:15 | 0:27:17 | |
-The thing is, we try not to encourage bids under £20. -I see. | 0:27:17 | 0:27:23 | |
But you'll do your best, Tom, I know. Thank you. | 0:27:23 | 0:27:25 | |
Lastly is the Keith Murray designed Wedgwood globular pot, | 0:27:25 | 0:27:30 | |
of which there are surprising numbers about. | 0:27:30 | 0:27:33 | |
-The bomb vase. -Is that what it's called? | 0:27:33 | 0:27:36 | |
Well, it looks like an old-fashioned bomb. | 0:27:36 | 0:27:38 | |
Do you remember in Batman and Robin, when they used to have a bomb | 0:27:38 | 0:27:40 | |
thrown in - the Joker used to throw in one of his bombs? | 0:27:40 | 0:27:43 | |
It looked like that. But in black. That one's in Moonstone. | 0:27:43 | 0:27:46 | |
-Yeah, with a fuse coming out the top. -With a fuse. | 0:27:46 | 0:27:48 | |
-They call them bomb vases. -You have a vivid imagination, don't you? | 0:27:48 | 0:27:51 | |
-Of course. -Which helps in this business! | 0:27:51 | 0:27:53 | |
-They come in various colours, don't they? -They do. | 0:27:53 | 0:27:55 | |
-That's not a rare colour. -Moonstone. -Moonstone is not rare, | 0:27:55 | 0:27:59 | |
-it's quite common. -Yes. -It's crazed. | 0:27:59 | 0:28:00 | |
I don't really like the fact that there's a few marks on it. | 0:28:00 | 0:28:04 | |
So, if somebody paid £140 for one and was looking to make a profit, | 0:28:04 | 0:28:08 | |
-what would you say? -Not on your Nelly. | 0:28:08 | 0:28:11 | |
-Not on your Nelly. -They're popular at £60-£80. | 0:28:11 | 0:28:14 | |
It is going to be difficult, isn't it? | 0:28:14 | 0:28:16 | |
Chance would be a fine thing, yeah. | 0:28:16 | 0:28:17 | |
In which case, they are going to sorely need their bonus buy, | 0:28:17 | 0:28:21 | |
so let's go and have a look at it. | 0:28:21 | 0:28:23 | |
-OK, Luce, Soph. Excited? -Very, yeah. | 0:28:24 | 0:28:27 | |
I mean, the girl's been out with your £80 of leftover lolly | 0:28:27 | 0:28:31 | |
and she's bought something. Kate Bateman, what have you invested in? | 0:28:31 | 0:28:34 | |
I spent the lot, I'm afraid. | 0:28:34 | 0:28:36 | |
-Ta-da! -Wow! -Wow! -What do you think? | 0:28:36 | 0:28:38 | |
It's a Chinese tea caddy, early 20th-Century, probably about 1920s. | 0:28:38 | 0:28:43 | |
I just like the shape of it. I mean, what do you think? | 0:28:43 | 0:28:45 | |
Wow, it's quite heavy. Heavier than I thought. | 0:28:45 | 0:28:47 | |
If only we were going to get money for weight, we'd do very well. | 0:28:47 | 0:28:50 | |
It's got a little lid that comes off. It's decorated, | 0:28:50 | 0:28:52 | |
it's quite nice. I just thought it was quite a sweet thing | 0:28:52 | 0:28:55 | |
and there are collectors for tea caddies, and Chinese stuff | 0:28:55 | 0:28:58 | |
is quite hot at the moment. | 0:28:58 | 0:28:59 | |
Price-wise, I probably did pay right at the top end of the estimate, | 0:28:59 | 0:29:02 | |
so there's only a chance of a small profit in it, | 0:29:02 | 0:29:04 | |
but I think it's a nice thing, | 0:29:04 | 0:29:06 | |
I think it's got a chance, maybe £20 profit in there somewhere. | 0:29:06 | 0:29:08 | |
-About the £100 mark. -No, I really like it. | 0:29:08 | 0:29:11 | |
I think it's actually got a good detail to it and everything. | 0:29:11 | 0:29:14 | |
It's in keeping with the Oriental vase that we bought as well. | 0:29:14 | 0:29:17 | |
We did have the Kutani vase, exactly. So, you know. | 0:29:17 | 0:29:20 | |
You're not desperately clutching at a straw of hope here, are you? | 0:29:20 | 0:29:24 | |
Well, I think we might need it after our earlier items. | 0:29:24 | 0:29:26 | |
We did go a bit mad. We've blown the whole budget. | 0:29:26 | 0:29:29 | |
-You're not twins for nothing, are you? -All or nothing, that's us. | 0:29:29 | 0:29:32 | |
All or nothing. Smashing job. | 0:29:32 | 0:29:34 | |
Anyway, you don't pick now, you pick later, | 0:29:34 | 0:29:36 | |
after the sale of your first three items. | 0:29:36 | 0:29:38 | |
But let's find out from the auctioneer | 0:29:38 | 0:29:39 | |
what he thinks about Kate's little caddy. | 0:29:39 | 0:29:42 | |
-OK, Tom, one lump or two? -I'm sweet enough! | 0:29:44 | 0:29:48 | |
-Er... -That is the right answer! OK, one tea caddy. | 0:29:48 | 0:29:52 | |
Yes, it's base metal, it's vastly unattractive, | 0:29:52 | 0:29:56 | |
-it's late because of its size. It's not really my cup of tea. -No. | 0:29:56 | 0:30:01 | |
The problem is that cast white metal objects, which is what this is, | 0:30:01 | 0:30:04 | |
generally speaking, are mass produced, aren't they? | 0:30:04 | 0:30:07 | |
-Yes. -And what this is trying to do, with all this elaborate detail, | 0:30:07 | 0:30:11 | |
is to kid you into thinking that once upon a time, | 0:30:11 | 0:30:13 | |
it was beautifully made when, in fact, | 0:30:13 | 0:30:14 | |
it was never beautifully made, it was simply cheaply cast | 0:30:14 | 0:30:18 | |
and mass produced. | 0:30:18 | 0:30:20 | |
Unfortunately, it is, and it's been polished within | 0:30:20 | 0:30:22 | |
an inch of its life, therefore, the copper is bleeding through. | 0:30:22 | 0:30:26 | |
It's the sort of thing that in the old days, you used to get at auction | 0:30:26 | 0:30:29 | |
£20-£30 for, if you were really lucky. What's your estimate? | 0:30:29 | 0:30:33 | |
-30 to 50. -So, things have moved on. | 0:30:33 | 0:30:35 | |
-Well, by a tenner. -By a tenner. | 0:30:35 | 0:30:37 | |
-How much paid? -£80. -Oh! | 0:30:37 | 0:30:39 | |
There you go, see? It's a cardiac arrest, isn't it? | 0:30:39 | 0:30:42 | |
OK, that's it for the Reds. Now for the Blues. | 0:30:42 | 0:30:45 | |
And what a mixture we've got here. | 0:30:45 | 0:30:48 | |
Now, you're nuts about 20th-Century design, | 0:30:48 | 0:30:50 | |
-so you'll like the first bit of glass. -I love Holmegaard glass. | 0:30:50 | 0:30:55 | |
By Per Lutken, circa 1960s. | 0:30:55 | 0:30:57 | |
It's very, um, what shall we say? | 0:30:57 | 0:31:00 | |
-Biomorphic. -Oh, really? | 0:31:00 | 0:31:02 | |
Yeah, it is, isn't it? | 0:31:02 | 0:31:04 | |
I don't know that I know what biomorphic means. | 0:31:04 | 0:31:06 | |
-It's very sort of biologically formed. -Is it? | 0:31:06 | 0:31:09 | |
-It's like a heart. -What's it worth? | 0:31:09 | 0:31:12 | |
-£40-£60. -OK, £40 paid, perfect. | 0:31:12 | 0:31:15 | |
Now, fat lava vases, not my favourite. | 0:31:15 | 0:31:18 | |
They're not my favourite as well but, you know, | 0:31:18 | 0:31:21 | |
the Germans are very clever about these things. | 0:31:21 | 0:31:23 | |
-Really? -There's two numbers on the base. | 0:31:23 | 0:31:24 | |
There is the number of the mould and there's also another number, | 0:31:24 | 0:31:27 | |
and that number stands for the height. How German is that? | 0:31:27 | 0:31:30 | |
They've measured them for you. | 0:31:30 | 0:31:31 | |
-So, 141 is the mould number, 20 is 20cm. -20cm high? | 0:31:31 | 0:31:35 | |
-Well, that's good, isn't it? -Isn't that marvellous? | 0:31:35 | 0:31:37 | |
-I've put 40 to 60. -You've put 40 to 60? £42 paid. | 0:31:37 | 0:31:41 | |
That is a bold, brave and brilliant estimate. Thank you. | 0:31:41 | 0:31:45 | |
And moving on, we go to something that was presumably | 0:31:45 | 0:31:48 | |
nicked from a chapel or a church? | 0:31:48 | 0:31:51 | |
Well, it is, because you've got this Maltese cross. | 0:31:51 | 0:31:53 | |
It's a hopper, and what are you going to do with it? | 0:31:53 | 0:31:56 | |
You're doing up an old house, | 0:31:56 | 0:31:58 | |
you need a hopper to put the downwater pipes into, | 0:31:58 | 0:32:00 | |
it could have a practical architectural function, couldn't it? | 0:32:00 | 0:32:03 | |
But it doesn't really have a modern purpose, unless you're doing | 0:32:03 | 0:32:06 | |
that restoration and you really want something with religious overtones. | 0:32:06 | 0:32:09 | |
Or you want to throw it in the garden as a feature. Daffodils or herbs. | 0:32:09 | 0:32:14 | |
-But anyway, 20-30. -Is that your estimate? -Mmm. -£45 paid. | 0:32:14 | 0:32:18 | |
That could be a bit of a dark hole for them. | 0:32:18 | 0:32:20 | |
In which case, they may need their bonus buy, | 0:32:20 | 0:32:22 | |
and let's go and have a look at it. | 0:32:22 | 0:32:24 | |
This is it, £173 the man had | 0:32:25 | 0:32:28 | |
to buy something enormous, by the look of it. | 0:32:28 | 0:32:30 | |
-Nick, show us. -Really big and heavy. -Get ready! | 0:32:30 | 0:32:33 | |
-Oh! -Oh, chickens! | 0:32:34 | 0:32:36 | |
-Chickens for my two ladies. -Oh, lovely. | 0:32:36 | 0:32:39 | |
-I spent a "poultry" £45. -That was good. -£45. | 0:32:39 | 0:32:43 | |
Now, solid silver covered in gilt, gold-leaf gilt, | 0:32:43 | 0:32:47 | |
and then enamelled over the top. | 0:32:47 | 0:32:49 | |
1951, Adie Brothers. Do you like? | 0:32:49 | 0:32:53 | |
-Very much. -All for £45. -You did well there. -I did. | 0:32:53 | 0:32:57 | |
-I was scratching around for those. -Aw! | 0:32:57 | 0:32:59 | |
You knew who they'd fit, didn't you? | 0:32:59 | 0:33:02 | |
I thought they were a perfect fit for you both. | 0:33:02 | 0:33:04 | |
Are they going to make a lot of money? | 0:33:04 | 0:33:06 | |
Well, hopefully, we'll be crowing with success. | 0:33:06 | 0:33:09 | |
THEY LAUGH | 0:33:09 | 0:33:10 | |
I think there's a profit left in it. I think they're £50, £60. | 0:33:10 | 0:33:13 | |
-£45? -Yeah. | 0:33:13 | 0:33:14 | |
Let's take that one out, and you have a little handle of that. | 0:33:14 | 0:33:17 | |
-They're very pretty. -Yeah. | 0:33:17 | 0:33:19 | |
Can you identify whether this is a rare breed or not, girls? | 0:33:19 | 0:33:23 | |
It's just a common chicken. | 0:33:23 | 0:33:24 | |
It's actually a cockerel, it's not a chicken. | 0:33:24 | 0:33:28 | |
Well, you've just basically got to like alcohol to like these. | 0:33:28 | 0:33:31 | |
She's all right! | 0:33:31 | 0:33:33 | |
I don't think it's necessarily got to be a chicken fancier. | 0:33:33 | 0:33:36 | |
-I think you could have these in your display cabinet. -They're lovely. | 0:33:36 | 0:33:40 | |
On that happy note, | 0:33:40 | 0:33:41 | |
let's check out what the auctioneer thinks about the cocktail sticks. | 0:33:41 | 0:33:44 | |
Right, then, Tom, something to stick your olive in. | 0:33:47 | 0:33:50 | |
-Do you like a Martini? -I do, quite. | 0:33:50 | 0:33:52 | |
-I quite like a Martini. -Do you? | 0:33:52 | 0:33:54 | |
-A dirty one. -Do you? -With an olive. -Who today... | 0:33:54 | 0:33:57 | |
I know cocktails are all the rage, but do people really have | 0:33:57 | 0:34:00 | |
silver-gilt cocktail sticks with cockerels on the end | 0:34:00 | 0:34:02 | |
and they say, this is the tail of a cock? | 0:34:02 | 0:34:04 | |
It's a bit funny, and also, you have lots of vintage collectors out there. | 0:34:04 | 0:34:10 | |
-Exactly. -These date from 1950s, they are silver and enamel. | 0:34:10 | 0:34:13 | |
-Pity no case. -Pity not six. | 0:34:13 | 0:34:16 | |
-Pity not six? Yes, that's a point. -It's five. | 0:34:16 | 0:34:18 | |
I hadn't noticed there were only five. | 0:34:18 | 0:34:22 | |
One's been lost, the dealer's thrown the case away, | 0:34:22 | 0:34:25 | |
shoved five on a thing. You're so right, Tom! | 0:34:25 | 0:34:27 | |
We've put them in at £50-£80. | 0:34:27 | 0:34:30 | |
-That's very generous. -It is, actually. -For five. | 0:34:30 | 0:34:32 | |
It is generous. | 0:34:32 | 0:34:34 | |
OK, fine. Anyway, £45 paid by Nick. | 0:34:34 | 0:34:36 | |
-We'll have to hope for the best, won't we? -Absolutely. | 0:34:36 | 0:34:39 | |
We'll look to you for double-yolkers. | 0:34:39 | 0:34:41 | |
-Soph, how are you feeling? -Yeah, not too bad, bit nervous. -Are you? | 0:34:47 | 0:34:49 | |
I don't think we're going to make a lot of money today. | 0:34:49 | 0:34:52 | |
You don't think so? What about you, Luce? | 0:34:52 | 0:34:54 | |
Fairly confident on a couple of items, yeah. | 0:34:54 | 0:34:56 | |
Which are your most confident pieces? | 0:34:56 | 0:34:58 | |
-I like the Japanese vase. -You like the Japanese vase? | 0:34:58 | 0:35:00 | |
I think we'll do pretty well on that, yeah. | 0:35:00 | 0:35:02 | |
Do you? £15, you paid for that. It's not a lot of money, is it? | 0:35:02 | 0:35:05 | |
It's not. Can't do too wrong. | 0:35:05 | 0:35:07 | |
First up is the little sewing case, which should be your banker, | 0:35:07 | 0:35:11 | |
and that is really a very rare object, I have to tell you. | 0:35:11 | 0:35:15 | |
Here we go. | 0:35:15 | 0:35:17 | |
-Cor, look at that. Doesn't that look lovely? -It looks good up there. | 0:35:17 | 0:35:21 | |
Delightful thing. £30. £30. | 0:35:21 | 0:35:24 | |
Any advance at 30? | 0:35:24 | 0:35:25 | |
Five, 40. Five, 50. | 0:35:25 | 0:35:27 | |
50, we have. 55. Do we have 60? | 0:35:27 | 0:35:30 | |
And we have £55. Do we have 60? | 0:35:30 | 0:35:33 | |
-- Keep going! Keep going! - Do we have 60? -Uh-oh. | 0:35:33 | 0:35:37 | |
New bidder! | 0:35:37 | 0:35:38 | |
Do we have 60? £60, are we all done? | 0:35:38 | 0:35:41 | |
70? £60? Come on, then... | 0:35:41 | 0:35:44 | |
-Oh, that's a shame. -And that's your banker. | 0:35:44 | 0:35:46 | |
-That was our banker. -Downhill from here, Tim. | 0:35:46 | 0:35:49 | |
-Well, I don't know about that. -I think we were unlucky. | 0:35:49 | 0:35:51 | |
So do I. Minus £5. | 0:35:51 | 0:35:54 | |
Porcelain vase. Start me here, £10. | 0:35:54 | 0:35:56 | |
£10 for the porcelain vase. | 0:35:56 | 0:35:58 | |
£10 for the porcelain vase? | 0:35:58 | 0:36:00 | |
At £10. 10, I've got. | 0:36:00 | 0:36:02 | |
10. It's in the room at 10. | 0:36:02 | 0:36:04 | |
Any advance at £10? | 0:36:04 | 0:36:06 | |
At £10 against your... | 0:36:06 | 0:36:08 | |
12, sir. Was that a bid or were you pointing? | 0:36:08 | 0:36:10 | |
It is a bid. Go on! | 0:36:10 | 0:36:12 | |
You were pointing. | 0:36:12 | 0:36:13 | |
It's very dangerous to point. | 0:36:13 | 0:36:15 | |
LAUGHTER | 0:36:15 | 0:36:17 | |
Especially at the auctioneer. | 0:36:17 | 0:36:18 | |
10, I have. I have 10. | 0:36:18 | 0:36:20 | |
I have £10. Are we done? | 0:36:20 | 0:36:22 | |
Are you sure you don't want this at 12? | 0:36:22 | 0:36:24 | |
10 I've got. All done, then, at 10. | 0:36:24 | 0:36:28 | |
£10 is minus £5 - | 0:36:28 | 0:36:29 | |
there's a bit of a pattern going on here. | 0:36:29 | 0:36:32 | |
-It's not a big loss. -It's not too bad. | 0:36:32 | 0:36:34 | |
This could be the killer, though. | 0:36:34 | 0:36:37 | |
Very attractive piece of 20th-Century classic design. | 0:36:37 | 0:36:42 | |
Start me here at £60. At £60, I have. | 0:36:42 | 0:36:45 | |
65, 70. | 0:36:45 | 0:36:48 | |
75. 80. | 0:36:48 | 0:36:49 | |
80 against you. | 0:36:49 | 0:36:51 | |
Go on, 85. 85 we have | 0:36:51 | 0:36:53 | |
in the room. 85. | 0:36:53 | 0:36:55 | |
We have 90 now. | 0:36:55 | 0:36:56 | |
You sure? 90... | 0:36:56 | 0:36:59 | |
-What did we pay for it? -140. | 0:36:59 | 0:37:01 | |
It's not so bad, it's not so bad! | 0:37:01 | 0:37:03 | |
Are we done at 90? 90 once. 90 twice... | 0:37:03 | 0:37:08 | |
-£90. 90 it is. -£90. | 0:37:08 | 0:37:10 | |
Bad luck, girls, that's minus 50. | 0:37:10 | 0:37:12 | |
So that's minus 60, overall. | 0:37:12 | 0:37:15 | |
What are you going to do about this bonus buy, then? | 0:37:15 | 0:37:17 | |
-We'll have to go for it now. -We've got nothing to lose, have we? | 0:37:17 | 0:37:20 | |
-Yeah. -You don't have to, you know. -You don't have to. | 0:37:20 | 0:37:22 | |
And, in fact, the way it's going, it might lose some money. | 0:37:22 | 0:37:25 | |
I mean, minus £60 is potentially a winning score, isn't it? | 0:37:25 | 0:37:29 | |
-I think we should risk it. -Oh, go on, let's risk it. Shall we? | 0:37:29 | 0:37:32 | |
You sure you want to do this? | 0:37:32 | 0:37:34 | |
Yeah, let's risk it. You only live once. | 0:37:34 | 0:37:36 | |
All right, fine. You're going to go with the bonus buy. | 0:37:36 | 0:37:39 | |
-You sure you want to? -It's too late now. -No, you can change your mind. | 0:37:39 | 0:37:42 | |
What do you want to do? You going with it? | 0:37:42 | 0:37:44 | |
They're going with the bonus buy. | 0:37:44 | 0:37:46 | |
On the last count, they're going with the bonus buy! Here it comes. | 0:37:46 | 0:37:48 | |
There we are, the tea caddy here. | 0:37:48 | 0:37:50 | |
Bids here with me. | 0:37:50 | 0:37:52 | |
30, 30, 30 I have. | 0:37:52 | 0:37:53 | |
At 30, at 30, at 30... | 0:37:53 | 0:37:55 | |
Oh, come on! | 0:37:55 | 0:37:57 | |
At 35, 35, and coming back in. | 0:37:57 | 0:37:59 | |
At 35 it is. Any advance on £35? | 0:37:59 | 0:38:01 | |
-I can't listen. -How much did we pay? -£80. | 0:38:01 | 0:38:04 | |
£35. | 0:38:04 | 0:38:07 | |
£35. | 0:38:07 | 0:38:08 | |
Which is minus £45. | 0:38:08 | 0:38:10 | |
Which means overall, you're minus 105. | 0:38:10 | 0:38:14 | |
-Oh, my goodness. -Oh, dear. | 0:38:14 | 0:38:15 | |
Now, that, too, could still be a winning score. | 0:38:15 | 0:38:18 | |
-We shall see. -I did try and put you off, girls. | 0:38:18 | 0:38:20 | |
-Anyway, there we are. -That's all right. | 0:38:20 | 0:38:23 | |
You are such fun, you two. Anyway, there it is. | 0:38:23 | 0:38:26 | |
It might be a winning score. | 0:38:26 | 0:38:28 | |
Don't say a word to the Blues | 0:38:28 | 0:38:29 | |
and I will reveal all later. | 0:38:29 | 0:38:31 | |
-Do you know how the Reds got on? -BOTH: No idea. | 0:38:38 | 0:38:41 | |
-No idea. They went by looking a bit scared, yeah? -Little bit glum. | 0:38:41 | 0:38:44 | |
Oh, did they look glum? | 0:38:44 | 0:38:45 | |
Of course, that could be a double ploy, you know. | 0:38:45 | 0:38:47 | |
You never know. | 0:38:47 | 0:38:49 | |
-Anyway, your cockerels, all five of them. -Not done a runner yet, then! | 0:38:49 | 0:38:52 | |
No, they haven't. We're still clucking about with them. OK. | 0:38:52 | 0:38:56 | |
Anyway, hang on in there and seize that thought, | 0:38:56 | 0:38:58 | |
because first up, it is the Holmegaard vase, and here it comes. | 0:38:58 | 0:39:02 | |
Circa 1960 by Per Lutken. | 0:39:02 | 0:39:04 | |
Lovely-looking thing, this one. | 0:39:04 | 0:39:06 | |
I can start the bidding here | 0:39:06 | 0:39:08 | |
at £20. Start here at 20. | 0:39:08 | 0:39:11 | |
20 I have. 20 at the back. | 0:39:11 | 0:39:12 | |
£22. 25. | 0:39:12 | 0:39:14 | |
28. | 0:39:14 | 0:39:15 | |
30... | 0:39:15 | 0:39:17 | |
One more. 32. | 0:39:17 | 0:39:19 | |
32. 35. | 0:39:19 | 0:39:22 | |
-At 35... -Extracting blood. -Oh, no! | 0:39:22 | 0:39:25 | |
Go on... 35 I have. | 0:39:25 | 0:39:29 | |
At 35 all done. Selling at 35. | 0:39:29 | 0:39:31 | |
Oh, dear, bad luck. | 0:39:31 | 0:39:33 | |
-Minus £5. -Oh, no, we lost. | 0:39:33 | 0:39:34 | |
OK, lava pottery jugs, here we come. | 0:39:34 | 0:39:37 | |
1970s Fat Lava. | 0:39:37 | 0:39:39 | |
Fat Lava. Fabulous name. | 0:39:39 | 0:39:41 | |
West German pottery jug. | 0:39:41 | 0:39:43 | |
Start me at 40. 40? | 0:39:43 | 0:39:46 | |
OK, 20, then. £20. | 0:39:46 | 0:39:49 | |
At £20... | 0:39:49 | 0:39:51 | |
At 20, 20, 20. | 0:39:51 | 0:39:53 | |
No bids? I don't believe it. | 0:39:53 | 0:39:55 | |
20 I've got. 20, there's a hand. | 0:39:55 | 0:39:58 | |
It's a cheap lot. | 0:39:58 | 0:40:00 | |
This is ridiculous, isn't it? | 0:40:00 | 0:40:01 | |
25... 28... | 0:40:01 | 0:40:03 | |
Go on, one more. | 0:40:03 | 0:40:05 | |
-28, yes? -Crikey. | 0:40:05 | 0:40:08 | |
30... 35? Nope? 35 it is. | 0:40:08 | 0:40:11 | |
By the door at 35. | 0:40:11 | 0:40:12 | |
At 35, will I sell? 35! | 0:40:12 | 0:40:15 | |
Uh-oh. That's minus £7, girls, | 0:40:15 | 0:40:18 | |
so that's minus 12 at the moment. | 0:40:18 | 0:40:21 | |
So it comes to the hopper. | 0:40:21 | 0:40:22 | |
This is your Victorian cast-iron hopper. | 0:40:22 | 0:40:26 | |
If you're doing up a house, or I was more thinking a garden feature. | 0:40:26 | 0:40:30 | |
You could plant some nice flowers | 0:40:30 | 0:40:31 | |
in here, it'd be lovely. | 0:40:31 | 0:40:32 | |
He's trying. Very trying. | 0:40:32 | 0:40:36 | |
Start me at £10 for the hopper. | 0:40:36 | 0:40:38 | |
£10 I've got. Any advance? | 0:40:38 | 0:40:41 | |
This lady has at 12. | 0:40:41 | 0:40:43 | |
15. 18. | 0:40:43 | 0:40:45 | |
20. | 0:40:45 | 0:40:46 | |
20. 20, I have. | 0:40:46 | 0:40:48 | |
With you, madam, don't worry. | 0:40:48 | 0:40:50 | |
Don't bet against yourself. | 0:40:50 | 0:40:52 | |
LAUGHTER | 0:40:52 | 0:40:53 | |
£20. 22. 28. 30. | 0:40:53 | 0:40:56 | |
-35... -Come on! | 0:40:56 | 0:40:57 | |
35. 35. Shake of the head. | 0:40:57 | 0:40:59 | |
At 35, I have, for the hopper. | 0:40:59 | 0:41:01 | |
At 35, all done... | 0:41:01 | 0:41:03 | |
Well, he's done better than he thought he was going to do, | 0:41:03 | 0:41:05 | |
which means, overall, you're minus 22. | 0:41:05 | 0:41:07 | |
-Minus 22? -Yeah. Which is nothing, I tell you, girls. | 0:41:07 | 0:41:10 | |
In relation to some of the losses... | 0:41:10 | 0:41:13 | |
-OK, so what are we going to do about the cockerel thingies? -Going for it. | 0:41:13 | 0:41:17 | |
-Are you? -Yes. -Why's that. -Because it's chickens! -Because it's chickens. | 0:41:17 | 0:41:22 | |
That's a very good reason. | 0:41:22 | 0:41:24 | |
We're definitely going with it cos it's to do with chicken. | 0:41:24 | 0:41:27 | |
Cockerel sticks, | 0:41:27 | 0:41:29 | |
in silver gilt, circa 1951, | 0:41:29 | 0:41:31 | |
Birmingham. | 0:41:31 | 0:41:33 | |
Birds starting with me here, | 0:41:33 | 0:41:35 | |
straight in at £45. | 0:41:35 | 0:41:37 | |
Well done! | 0:41:37 | 0:41:40 | |
Any advance on 45? 50. | 0:41:40 | 0:41:42 | |
At 50, it is, in the room. | 0:41:42 | 0:41:44 | |
Any advance? I am out. | 0:41:44 | 0:41:46 | |
-At £50. -Profit. -Selling at 50. | 0:41:46 | 0:41:50 | |
-Are we done? -It's the only profit you've made. | 0:41:50 | 0:41:52 | |
Well done. £50. | 0:41:52 | 0:41:54 | |
Plus £5, which is marvellous. | 0:41:54 | 0:41:56 | |
That is super. | 0:41:56 | 0:41:57 | |
That means you're minus £17. | 0:41:57 | 0:41:58 | |
-It could be worse. -It could be - a lot worse. | 0:41:58 | 0:42:01 | |
Well, we've had some whopping losses today. | 0:42:08 | 0:42:11 | |
In fact, we've had an over-whopping loss, | 0:42:11 | 0:42:14 | |
and our over-whopping loss today has come from The Reds. | 0:42:14 | 0:42:17 | |
-No! -Aw! | 0:42:17 | 0:42:19 | |
It has been a shocking performance for you girls today, hasn't it? | 0:42:19 | 0:42:23 | |
Lucy and Soph and Kate... | 0:42:23 | 0:42:26 | |
-Really, it's minus, minus all the way, and it adds up to 105. -Oh! | 0:42:26 | 0:42:30 | |
-It was a tough crowd. -It was a hard sell, wasn't it? | 0:42:30 | 0:42:34 | |
But you have been brilliant, the three of you. | 0:42:34 | 0:42:37 | |
I mean, you've responded with the British style of things, | 0:42:37 | 0:42:41 | |
which is marvellous. Nothing's got you down. | 0:42:41 | 0:42:43 | |
-It hasn't, no. -Quite right. | 0:42:43 | 0:42:44 | |
We've loved having you on the show. You've been great for us. Thank you. | 0:42:44 | 0:42:47 | |
And to reveal the victors today... | 0:42:47 | 0:42:50 | |
Well done, you've won by only losing £17. | 0:42:50 | 0:42:53 | |
Wowee(!) | 0:42:53 | 0:42:55 | |
Which, in the scale of things, is not too bad, actually. | 0:42:55 | 0:42:58 | |
No, seriously. Lovely profit, thank you, on the Bonus Buy. | 0:42:58 | 0:43:01 | |
That's a nice fiver, which reduced the necessary a bit. | 0:43:01 | 0:43:04 | |
It's been a delight. I hope you've enjoyed it. | 0:43:04 | 0:43:06 | |
-We've loved it. -Well, we've loved having you too. | 0:43:06 | 0:43:08 | |
In fact, join us soon | 0:43:08 | 0:43:10 | |
-for some more bargain hunting, yes? -ALL: Yes! | 0:43:10 | 0:43:13 |