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We're in the heart of East Sussex today in the picturesque | 0:00:09 | 0:00:13 | |
town of Lewes, to be precise, which is steeped in history. | 0:00:13 | 0:00:17 | |
The big question today is are our Bargain Hunters about | 0:00:17 | 0:00:20 | |
to make their own little bit of history? Let's find out! | 0:00:20 | 0:00:25 | |
Let's go bargain hunting, yeah! | 0:00:25 | 0:00:27 | |
Now, there are four antique centres to choose from, three items | 0:00:57 | 0:01:02 | |
to buy, two experts to help them, but only one Bargain Hunt. | 0:01:02 | 0:01:08 | |
So, let's have a quick peek as to what's coming up. | 0:01:08 | 0:01:12 | |
There's dissent in the ranks for the Reds... | 0:01:13 | 0:01:16 | |
-Would you have that in your home? -Yeah, I would. Yeah, yeah. | 0:01:16 | 0:01:19 | |
I wouldn't. | 0:01:20 | 0:01:21 | |
..and the Blues drive a very hard bargain. | 0:01:24 | 0:01:26 | |
-You know, these people do have to eat. -Yeah. -Do they? | 0:01:26 | 0:01:29 | |
When they go home at night and they have their baked beans on toast, | 0:01:29 | 0:01:33 | |
if they're lucky, they might have an egg. | 0:01:33 | 0:01:35 | |
But if we don't pay enough, they can't have an egg. | 0:01:35 | 0:01:38 | |
They can't have an egg. | 0:01:38 | 0:01:39 | |
So, it's a battle of the sexes on today's programme. | 0:01:39 | 0:01:43 | |
For the Reds, we've got Kevin and Adam and for the Blues, | 0:01:43 | 0:01:47 | |
we've got the double L's. | 0:01:47 | 0:01:49 | |
We've got Leslie and Liz. Hello, everyone. | 0:01:49 | 0:01:51 | |
ALL: Hello! | 0:01:51 | 0:01:52 | |
Very nice to see you. | 0:01:52 | 0:01:53 | |
So, you guys are in red today but you ought to be in blue | 0:01:53 | 0:01:55 | |
-because you're both cops. -Yes, that's right. -That's right, yes. | 0:01:55 | 0:01:58 | |
-And where are you based? -We were based at Kingston. | 0:01:58 | 0:02:01 | |
-That's where we met about 20 years ago. -20 years ago, yeah. | 0:02:01 | 0:02:04 | |
And then we met up quite a little time after that. Didn't we? | 0:02:04 | 0:02:07 | |
Yeah, at Heathrow, which I now still work at. | 0:02:07 | 0:02:09 | |
-This police job isn't the first job you've ever had, is it? -It's not. | 0:02:09 | 0:02:12 | |
I've done some weird and wonderful jobs in the past. | 0:02:12 | 0:02:15 | |
-You've worked on a farm in Australia. -Yes, I have, yeah. | 0:02:15 | 0:02:17 | |
We were the first six-man team to pick pumpkins in Australia | 0:02:17 | 0:02:22 | |
-and we picked 25 tonnes in one day. -Get away! -No, it's true. | 0:02:22 | 0:02:26 | |
And you're keen on the old scuba? | 0:02:26 | 0:02:28 | |
Yes, I'm a scuba diving instructor as well. | 0:02:28 | 0:02:30 | |
-And when you're not working, what do you like to get up to? -I like to play the ukulele. -Never! | 0:02:30 | 0:02:34 | |
That's what my wife says. | 0:02:34 | 0:02:37 | |
And you've done a fair amount of travelling, have you, Adam? | 0:02:37 | 0:02:39 | |
Uh, yeah, I have. | 0:02:39 | 0:02:40 | |
When I was 33, I took a career break from the police | 0:02:40 | 0:02:44 | |
and went travelling round the world. | 0:02:44 | 0:02:46 | |
I went to... | 0:02:46 | 0:02:47 | |
India, Hong Kong, Thailand, Cambodia... | 0:02:47 | 0:02:53 | |
-Gosh. -..Vietnam, Australia... | 0:02:53 | 0:02:55 | |
You went round the world then, did you? | 0:02:55 | 0:02:56 | |
Well, I was originally going to go for a year and a half | 0:02:56 | 0:02:59 | |
but I ended up cutting it short. I only went for 80 days in the end. | 0:02:59 | 0:03:02 | |
-I missed my wife who was my then girlfriend so I came home. -Right. | 0:03:02 | 0:03:05 | |
So, how do you think you'll get on today, boys? | 0:03:05 | 0:03:07 | |
-Oh, we're going to win. -Are you? -Yeah. -Well, there you go. | 0:03:07 | 0:03:10 | |
You're two highly respected officers. | 0:03:10 | 0:03:12 | |
I'm sure you'll be highly respected at the end of this performance too. | 0:03:12 | 0:03:15 | |
Anyway, good luck with that. | 0:03:15 | 0:03:16 | |
-Now, girls, are you quaking in your boots? -Yes. -I don't blame you. | 0:03:16 | 0:03:19 | |
Now, Liz, it says here that you're mad keen on driving. | 0:03:19 | 0:03:21 | |
Yes, that's very true. | 0:03:21 | 0:03:23 | |
I have a coach licence, | 0:03:23 | 0:03:24 | |
-and I passed my coach licence on Friday 13th of June '88. -Ah. | 0:03:24 | 0:03:29 | |
And then I worked for a company in Billingshurst for about | 0:03:30 | 0:03:35 | |
-ten years and then I moved onto Cranleigh. -Right. -And I'm working for a company in Cranleigh now. | 0:03:35 | 0:03:39 | |
And you're pretty fond of your motors too, aren't you? | 0:03:39 | 0:03:42 | |
Oh, I love my motors. I have two little Morrises. | 0:03:42 | 0:03:45 | |
I have Doris the Morris, who's a white convertible, | 0:03:45 | 0:03:47 | |
-and Marigold, who's a green saloon. -And what are they, Morris 1000s? | 0:03:47 | 0:03:51 | |
-Morris 1000s, yeah. -Ah, lovely, jolly good. -They're proper cars. | 0:03:51 | 0:03:54 | |
-What about the gee-gees? -The gee-gees, yes. | 0:03:54 | 0:03:56 | |
I did a lot of riding back in 1972 | 0:03:56 | 0:04:01 | |
with my lovely horse, Sam Weller. | 0:04:01 | 0:04:03 | |
I rode at Windsor and we won the Hunter class and then we went | 0:04:03 | 0:04:06 | |
through to the Supreme Championship and we won. | 0:04:06 | 0:04:08 | |
I don't believe it! We have a supreme champion here! | 0:04:08 | 0:04:11 | |
-And then we qualified for Wembley. -Gosh. | 0:04:11 | 0:04:14 | |
-So we went to Wembley and we were fourth. -Well done! What a thrill! | 0:04:14 | 0:04:17 | |
-So, very good. -Yeah, well done. | 0:04:17 | 0:04:19 | |
And now, Liz, you have a lifelong passion for art. | 0:04:19 | 0:04:21 | |
I have, yes. It's part of my family. | 0:04:21 | 0:04:25 | |
My grandfather was one of the earliest people to do lantern slides, | 0:04:25 | 0:04:30 | |
or slides, as we now know them, and so I was brought up with looking at art, | 0:04:30 | 0:04:36 | |
particularly photography so... | 0:04:36 | 0:04:37 | |
You won a painting competition when you were a nippper. | 0:04:37 | 0:04:40 | |
Yes, the Harrogate Festival Of Visual Arts | 0:04:40 | 0:04:43 | |
-and LS Lowry presented me with my prize. -Did he really? | 0:04:43 | 0:04:47 | |
And I have his autograph. | 0:04:47 | 0:04:48 | |
So, have you known each other for years, you two? | 0:04:48 | 0:04:51 | |
Well, about eight years now we've known each other. | 0:04:51 | 0:04:53 | |
Where did you meet? | 0:04:53 | 0:04:54 | |
We met at a bridge club, | 0:04:54 | 0:04:56 | |
very near me and we actually got talking, | 0:04:56 | 0:04:59 | |
I suppose about four years ago or three years ago about antiques | 0:04:59 | 0:05:04 | |
and things like that and then I said, "Liz, how about Bargain Hunt?" | 0:05:04 | 0:05:07 | |
-And she said, "Yeah, let's have a go." -And here you are today. | 0:05:07 | 0:05:11 | |
-And here we are today. -Yes. -Lovely. | 0:05:11 | 0:05:12 | |
Anyway, it's great to have you on the show. In fact, | 0:05:12 | 0:05:14 | |
so great I'm going to give you £300. There you are. £300 apiece. | 0:05:14 | 0:05:18 | |
You know the rules, your experts await and off you go! | 0:05:18 | 0:05:21 | |
And very, very, very good luck. | 0:05:21 | 0:05:24 | |
Let's meet the experts. | 0:05:24 | 0:05:26 | |
Keeping the Red team in check, it's Catherine Southon. | 0:05:28 | 0:05:32 | |
And sticking his oar in for the Blues, it's Thomas Plant. | 0:05:32 | 0:05:36 | |
Adam, Kevin, £300 burning away in our pockets, | 0:05:37 | 0:05:42 | |
what are we going to do with the money? Do we have a plan? | 0:05:42 | 0:05:46 | |
-Oh, yeah, definitely. -What are we going to be buying today? -Um... | 0:05:46 | 0:05:49 | |
Looking for something like pretty little furniture pieces. | 0:05:49 | 0:05:52 | |
-Sort of silver. -Silver. | 0:05:52 | 0:05:55 | |
I think we're going on the charm offensive. | 0:05:55 | 0:05:57 | |
-Oh! -If that doesn't work, we're going to go good cop, bad cop. -Yeah. | 0:05:57 | 0:06:01 | |
If that doesn't work, we're just going to wing it. | 0:06:01 | 0:06:03 | |
-Something to do with... -Art Nouveau, really. -Art Nouveau? Hmm. | 0:06:03 | 0:06:06 | |
-Well, that's my favourite subject. -Is it? | 0:06:06 | 0:06:08 | |
-And the young style, just like you two. In we go. -OK. -Thank you. | 0:06:08 | 0:06:12 | |
Watch out. | 0:06:12 | 0:06:13 | |
# Whoop, whoop That's the sound of the police | 0:06:13 | 0:06:16 | |
# Whoop, whoop That's the sound of the police... # | 0:06:16 | 0:06:18 | |
Lots of goodies. | 0:06:18 | 0:06:19 | |
# Girls just want to have fun... # | 0:06:19 | 0:06:24 | |
I like little boxes. Anything that's small and box-like. | 0:06:25 | 0:06:30 | |
-Kevin, look at this. -What's that, Ad? What have you found? | 0:06:30 | 0:06:33 | |
-It looks like a Hindu cow or something. -Indian, it could be. | 0:06:33 | 0:06:38 | |
-Is it incredibly light? -Yeah, very light. | 0:06:38 | 0:06:40 | |
Yeah, I wouldn't say it's great, to be honest. | 0:06:40 | 0:06:42 | |
Do you think there will be any people | 0:06:42 | 0:06:44 | |
-that are interested in Indian bulls at the auction? -Fair enough. | 0:06:44 | 0:06:49 | |
-Yeah, there we are. J S&S - an Art Nouveau copper jug. -Yeah. -Price? | 0:06:51 | 0:06:56 | |
-£28 it is. -I quite like that. -It is quite nice, actually. | 0:06:56 | 0:06:59 | |
It is very nice. | 0:06:59 | 0:07:00 | |
Well, you just don't see very much these days | 0:07:00 | 0:07:03 | |
-and it has that nice sort of organic bit. -It does. | 0:07:03 | 0:07:05 | |
Quite a commercial piece. | 0:07:05 | 0:07:06 | |
Arts and Crafts copper is being made quite commercial. | 0:07:06 | 0:07:09 | |
-So that would be quite good to go for, that sort of thing? -It would be. -Oh. | 0:07:09 | 0:07:13 | |
-Has that got silver on it? -A hickory shafted cane. -Right. -Or holly. | 0:07:16 | 0:07:20 | |
-Oh, it's holly? -Could be. -They use those for horses, the whip that's used for driving horses. | 0:07:20 | 0:07:26 | |
Is there any label on it? What does the label say? | 0:07:26 | 0:07:29 | |
-It just says stick and it says £23. -Is it a woman's one? | 0:07:29 | 0:07:33 | |
-No, it's a man's one. -Is it? -It's quite short then. | 0:07:33 | 0:07:37 | |
-They were a bit smaller then, weren't they? -Yeah. | 0:07:37 | 0:07:40 | |
-I think that's rather fun. -It is rather fun. | 0:07:40 | 0:07:43 | |
Can you see if there's a mark on there? | 0:07:43 | 0:07:45 | |
-It's quite badly worn, to be honest. -Is it? -It is, it looks very sort of squashed. -Look, it's all sort of... | 0:07:45 | 0:07:50 | |
-Oh, is it? Oh, right, OK. -I think we ought to carry on. -OK, carry on. | 0:07:50 | 0:07:53 | |
I'll put that back very carefully. | 0:07:53 | 0:07:54 | |
-No sticking around for the Blues then. -Do you like the toys? | 0:07:54 | 0:07:57 | |
Do they come in their original packaging? | 0:07:57 | 0:07:59 | |
Is that what people are after these days? | 0:07:59 | 0:08:01 | |
Yes, that is important, also being in mint condition. | 0:08:01 | 0:08:03 | |
Sometimes when the boxes haven't even been opened. | 0:08:03 | 0:08:06 | |
When you've got a stall like that where they sell these, | 0:08:06 | 0:08:08 | |
they know the prices, they know what they're worth | 0:08:08 | 0:08:10 | |
-and we're not going to beat this. -Sure. Sure. | 0:08:10 | 0:08:12 | |
-We've always got the cow as back up, haven't we? So... -No, I've changed my mind about the cow. | 0:08:12 | 0:08:20 | |
We've agreed to disagree on the cow. | 0:08:20 | 0:08:22 | |
-Just looking at what that was. -What what was? -These, what are these? | 0:08:22 | 0:08:26 | |
-That's a baby's rattle. -Yeah. | 0:08:26 | 0:08:29 | |
It's been thrown across the room a few times. | 0:08:29 | 0:08:32 | |
-And in the red corner, a box. -I like the boxes. | 0:08:32 | 0:08:36 | |
Well, you have good taste. This is known as Tunbridge ware. | 0:08:36 | 0:08:39 | |
You see all those little tiny mosaics of different coloured woods, | 0:08:39 | 0:08:42 | |
so I think that's probably a Rosewood box. | 0:08:42 | 0:08:45 | |
And they're all laid in sort of geometric shapes. | 0:08:45 | 0:08:49 | |
The only thing I would say, sadly, is this is | 0:08:49 | 0:08:53 | |
-not quite as collectable at the moment as it once was. -OK. | 0:08:53 | 0:08:58 | |
-BUT there's some very nice pieces there. -Now, talking of boxes... | 0:08:58 | 0:09:02 | |
I just like this little stamp box. | 0:09:02 | 0:09:05 | |
You can use it so it's going to be left out | 0:09:05 | 0:09:08 | |
-and people can admire the top. -It's very pretty, the top, isn't it? | 0:09:08 | 0:09:12 | |
-It's lovely. -Shall we have a look at that? -Are the Reds being box clever? | 0:09:12 | 0:09:16 | |
-I love that little box there. -Little money box. How much is on that? | 0:09:16 | 0:09:20 | |
-Oh, £90. -Oh, I thought it said £40. -Oh, dear. | 0:09:20 | 0:09:24 | |
Cor, boxes are popular today. | 0:09:25 | 0:09:27 | |
-It's a very sweet stamp box, isn't it? -Yeah, first class, second class. | 0:09:27 | 0:09:32 | |
-First class, second class. -It's got a sloping interior so you can get them out easily. -Oh, really? | 0:09:32 | 0:09:38 | |
-How clever! -Not the oldest thing. It's only £23. | 0:09:38 | 0:09:42 | |
-Wouldn't a philatelist quite like that? -A phil... | 0:09:42 | 0:09:45 | |
-That's a good name, isn't it? -It's a good name. -A good word, philatelist. | 0:09:45 | 0:09:49 | |
-It's the battle of the boxes. -£90 for something really quite simple. | 0:09:49 | 0:09:55 | |
-Yeah. -It is nice, there's no real damage there | 0:09:55 | 0:09:58 | |
because these little pieces can come out quite easily. | 0:09:58 | 0:10:01 | |
It is in nice condition. | 0:10:01 | 0:10:02 | |
That's what I would say. | 0:10:02 | 0:10:03 | |
I think we'd make more money with the Hindu cow. | 0:10:03 | 0:10:06 | |
If we could get that a lot cheaper... | 0:10:08 | 0:10:10 | |
-Do you want to ask what he can... -£60? If he can do it for £60... | 0:10:10 | 0:10:17 | |
While the Reds are trying to close a deal, | 0:10:17 | 0:10:19 | |
Thomas is opening Pandora's box for the Blues. | 0:10:19 | 0:10:22 | |
-OK, I'm going to be slightly controversial here. -OK. | 0:10:22 | 0:10:25 | |
-Slightly controversial. -Mh-hm. | 0:10:25 | 0:10:26 | |
I think it's a real cop-out buying something which is marked at £23. | 0:10:26 | 0:10:30 | |
-In this cabinet here... -Yes? -..are a number of little boxes. | 0:10:30 | 0:10:36 | |
-You've got enamel boxes, porcelain boxes, papier mache boxes. -OK. | 0:10:36 | 0:10:41 | |
I think if you want to play the game, | 0:10:41 | 0:10:45 | |
and we want to win, I think we buy the lot. | 0:10:45 | 0:10:49 | |
We buy all the boxes and it's one lot of boxes and it will appeal. | 0:10:49 | 0:10:53 | |
-That's a brilliant idea! -You like that idea? -I do! | 0:10:53 | 0:10:56 | |
-You could get a good discount by buying them all. -Exactly. | 0:10:56 | 0:10:59 | |
He's thinking outside the box there. | 0:10:59 | 0:11:01 | |
-We're wondering what you could do for us with this. -Let's have a look. | 0:11:01 | 0:11:05 | |
Cos we really love it. | 0:11:05 | 0:11:07 | |
-If you do love it then you won't mind paying 80 quid, will you? -80? | 0:11:07 | 0:11:12 | |
Could you do it a little bit less than that for us? | 0:11:12 | 0:11:14 | |
I'll tell you, you can have it for 70 quid but that's it. | 0:11:14 | 0:11:17 | |
-It's nice, but I don't love it. -I'll hang on to it for you. | 0:11:17 | 0:11:21 | |
-Yeah, put it to one side. -So that box is shelved for the Reds. | 0:11:21 | 0:11:25 | |
-Now, Thomas, we're counting on you. -So, we've got one, two, three, four, five, six... | 0:11:25 | 0:11:30 | |
-Seven with the stamp. -OK. -Shall we get them out? -Yes. -Get them all out. | 0:11:30 | 0:11:36 | |
# Little boxes on the hillside | 0:11:36 | 0:11:39 | |
# Little boxes made of ticky tacky | 0:11:39 | 0:11:42 | |
# Little boxes, little boxes | 0:11:42 | 0:11:44 | |
# Little boxes all the same | 0:11:44 | 0:11:47 | |
# There's a green one and pink one | 0:11:47 | 0:11:50 | |
# And a blue one and a yellow one | 0:11:50 | 0:11:53 | |
# And they're all made out of ticky tacky | 0:11:53 | 0:11:56 | |
# And they all look just the same... # | 0:11:56 | 0:11:59 | |
-Well, with 10% off, that comes to £80. -Yeah, and another 20... | 0:11:59 | 0:12:04 | |
-And another 10, that would be... -He's shaking his head slowly. -70. -70? | 0:12:04 | 0:12:11 | |
-Yeah. -So it's £10 a box? -That was the most expensive one, wasn't it? | 0:12:11 | 0:12:16 | |
What he's done is that was 23 and he's marked it down to 20, | 0:12:16 | 0:12:19 | |
so he's already done us 10%... | 0:12:19 | 0:12:21 | |
-Right, OK. -..off already. | 0:12:21 | 0:12:22 | |
You know, these people do have to eat. | 0:12:22 | 0:12:24 | |
When they go home at night and they have their baked beans on toast, | 0:12:24 | 0:12:28 | |
if they're lucky, they might have an egg. | 0:12:28 | 0:12:30 | |
But if we don't pay enough, they can't have an egg. | 0:12:30 | 0:12:32 | |
They can't have an egg. You see? It's very unfair. | 0:12:32 | 0:12:35 | |
-I know, but we're out to do well. -I know we're out to do well. | 0:12:35 | 0:12:38 | |
We want to win! We want the gavel. | 0:12:38 | 0:12:40 | |
-I know you want to win, you want the golden gavel. -Yes. | 0:12:40 | 0:12:42 | |
I understand, I do understand. | 0:12:42 | 0:12:44 | |
Well, you know, forego an egg tonight and 65? | 0:12:44 | 0:12:48 | |
-No, I have to stick to 70, I'm afraid. -Right, OK. £70? -Yes. | 0:12:48 | 0:12:53 | |
-You're happy? -I think you should buy them. -Yeah. -Let's go for it. | 0:12:53 | 0:12:56 | |
-I mean, I like them. -Oh! I'm exhausted. | 0:12:56 | 0:12:58 | |
All this talk of eggs, eh? Thomas has had "en-oeuf" already. | 0:12:58 | 0:13:03 | |
-Deal. -Thank you. -Thank you very much. -Thank you, thank you. | 0:13:03 | 0:13:06 | |
Thank you very much. Thank you. | 0:13:06 | 0:13:09 | |
That's cracking. One deal done, Blues. | 0:13:09 | 0:13:12 | |
Now, what's Catherine taken a shine to? | 0:13:12 | 0:13:15 | |
-I quite like that. -Manly! | 0:13:15 | 0:13:19 | |
-Wow, they're quite heavy. -What is that? -A ship's lantern. -A ship's light? | 0:13:19 | 0:13:23 | |
A ship's light. | 0:13:23 | 0:13:25 | |
You get so many reproductions of these, so many. | 0:13:25 | 0:13:28 | |
I think that's a definite possibility. | 0:13:28 | 0:13:31 | |
Do you want to see how much... | 0:13:31 | 0:13:34 | |
-Shall we all go? -Yes. -OK. | 0:13:34 | 0:13:36 | |
-Strength in numbers. -Strength in numbers. Steven. -Yes? | 0:13:36 | 0:13:41 | |
-We rather like these ship's lights. -Strictly speaking, they should be 170 so... | 0:13:45 | 0:13:51 | |
-150's about as much as... -How about 130? | 0:13:51 | 0:13:54 | |
I'm being cheeky but.... | 0:13:54 | 0:13:56 | |
No, it's going to be on my head if it is. | 0:13:56 | 0:13:58 | |
I'll tell you what, we'll split the difference. 140. | 0:13:58 | 0:14:01 | |
-I'll take that risk. -I quite like that price. | 0:14:01 | 0:14:05 | |
-I noticed a pen there that was interesting. -That was lovely. | 0:14:05 | 0:14:09 | |
-That was really nice. -It was a similar price to this. -Where in? | 0:14:09 | 0:14:12 | |
-Back where Kev saw the little moneybox. -Oh, the Tunbridge ware? | 0:14:12 | 0:14:15 | |
-Yeah, there was a quill. -Oh, OK, well do you want to... | 0:14:15 | 0:14:19 | |
-That cabinet's still open, isn't it? -I think so, yeah. | 0:14:19 | 0:14:22 | |
Do you want to quickly go and grab that? | 0:14:22 | 0:14:23 | |
-Is Adam steering the Reds off course? -It was up here, I saw erm... | 0:14:23 | 0:14:27 | |
-This pen here. -I think that's really special, actually. | 0:14:29 | 0:14:32 | |
-Look at the design on that. -So, the boys are back at the Tunbridge ware. | 0:14:32 | 0:14:36 | |
But what have the girls found? | 0:14:36 | 0:14:37 | |
That was the other thing we were looking at. | 0:14:37 | 0:14:40 | |
-Some of the old glasses, were they called something stem? -Cotton twist. | 0:14:40 | 0:14:44 | |
Cotton twist in there. What else is it called in Italian? | 0:14:44 | 0:14:49 | |
-Oh, I don't know. -A thousand canes. Millefiori. -Oh. -Oh, right! | 0:14:49 | 0:14:55 | |
So those are canes. Millefiori canes. Cotton twist canes. | 0:14:55 | 0:14:58 | |
-It's got... -What's it called? -Pontil. -Pontil. You're quite right. | 0:14:59 | 0:15:03 | |
You're quite right. Well done. | 0:15:03 | 0:15:05 | |
-And the gold flecks inside there are aventurine inclusions. -Right. | 0:15:05 | 0:15:10 | |
-Oh, my goodness. -Something's crystal clear. | 0:15:10 | 0:15:12 | |
That TP sure knows his glass. | 0:15:12 | 0:15:14 | |
What you need to do is angle it. This is the way. | 0:15:14 | 0:15:18 | |
Angle it and look at the edge of the base, the rim, | 0:15:18 | 0:15:21 | |
where it would have sat on a table and look at it with detail | 0:15:21 | 0:15:26 | |
and you've got to see if you can see some tiny, tiny scratch marks on it. | 0:15:26 | 0:15:31 | |
-A bit. -A bit. You can see a bit, can you? -Yes. Not much. | 0:15:31 | 0:15:35 | |
-Does that mean it's old? -Yes. You're looking for wear. | 0:15:35 | 0:15:40 | |
And that slight wear from moving, when your staff have been in. | 0:15:40 | 0:15:44 | |
-You both have staff, don't you? -No. -No? What is this? | 0:15:44 | 0:15:48 | |
When your staff are in cleaning the house, moving backwards | 0:15:48 | 0:15:53 | |
and forwards, it gets wear on it. | 0:15:53 | 0:15:56 | |
Rub your finger around the top rim. | 0:15:56 | 0:15:58 | |
No broken bits. | 0:15:58 | 0:16:01 | |
Just make sure there are no chips, nibbles, bites, cracks. | 0:16:01 | 0:16:05 | |
And I'll do one final thing. OK. | 0:16:05 | 0:16:08 | |
GLASS PINGS | 0:16:08 | 0:16:09 | |
Yes. No cracks. | 0:16:09 | 0:16:11 | |
GLASS PINGS | 0:16:11 | 0:16:13 | |
I think it's going to be early 20th century, | 0:16:13 | 0:16:15 | |
especially with that wear around it. What do you think this could be? | 0:16:15 | 0:16:19 | |
-39. -39. Normally that would be...we'd take 10% off. | 0:16:21 | 0:16:26 | |
Could we do 33? | 0:16:28 | 0:16:31 | |
-30. -I'm a simple man. I've got two very intelligent females here | 0:16:31 | 0:16:35 | |
who can think more than I can think. | 0:16:35 | 0:16:38 | |
OK. I'm under pressure now. So, 30 then. | 0:16:38 | 0:16:42 | |
-Thank you. -Thank you, ladies. -Thank you very much. | 0:16:42 | 0:16:45 | |
That deal is ringing true for the Blues. That's their second buy. | 0:16:45 | 0:16:49 | |
This is late 19th century. | 0:16:52 | 0:16:54 | |
-Really lovely. -I think this is the first item we've all agreed on. | 0:16:54 | 0:16:58 | |
-I do quite like that. It's quite quirky. -I agree that it's lovely. | 0:16:58 | 0:17:01 | |
It's just the price, isn't it? Let's go see what he can say. | 0:17:01 | 0:17:05 | |
What can you do for us? | 0:17:11 | 0:17:13 | |
-145 should be. -145. -Should be. | 0:17:13 | 0:17:17 | |
-But might not be. -135. | 0:17:17 | 0:17:20 | |
135, so it's a case of do we buy this or do we buy this? | 0:17:20 | 0:17:24 | |
I prefer the lanterns for the price. OK. Catherine. | 0:17:24 | 0:17:29 | |
-Can you do 135 on those? -Go on, Steve. -Go on, 135. Time's running on. | 0:17:29 | 0:17:35 | |
135. 135. Decisions. | 0:17:35 | 0:17:38 | |
-Let's do the lanterns. -Manly lamps, 135. -Let's do it. | 0:17:38 | 0:17:42 | |
What a manly pair. The boys have made their first deal. | 0:17:42 | 0:17:45 | |
-Happy? -I am, yes. | 0:17:45 | 0:17:47 | |
I do quite like this shop. Can we look in this area here? | 0:17:47 | 0:17:50 | |
-We missed it. -You don't want to go out? -Just five minutes. | 0:17:50 | 0:17:53 | |
-I know we haven't got much time left. -OK. Let's go and have a look. | 0:17:53 | 0:17:57 | |
I want to show you two things here. | 0:17:57 | 0:17:59 | |
-I love this. -I hoped you were going to say that. | 0:17:59 | 0:18:03 | |
A lovely large Victorian pewter meat platter with the tree drainer. | 0:18:03 | 0:18:09 | |
You put your hot water in there. Fabulous bit of pewter. | 0:18:09 | 0:18:13 | |
Great bracket for it. | 0:18:13 | 0:18:15 | |
To top it off. I think, out of all of this, | 0:18:15 | 0:18:18 | |
if you're going to have this, you're going to want this with it as well. | 0:18:18 | 0:18:22 | |
1897. This is dated AA. So it's probably from a country house. | 0:18:22 | 0:18:27 | |
I was going to offer, out of these two, | 0:18:27 | 0:18:30 | |
£195, because we've got £200 left. | 0:18:30 | 0:18:34 | |
Gives me a fiver to spend. | 0:18:34 | 0:18:36 | |
Do you think that can be done? | 0:18:36 | 0:18:39 | |
-I'll have to phone them. -That's 160. That's 105. | 0:18:39 | 0:18:44 | |
So I'm nearly there. | 0:18:44 | 0:18:46 | |
I'll ring. | 0:18:48 | 0:18:49 | |
195 leaves me a fiver. | 0:18:50 | 0:18:52 | |
Thomas is setting himself up for a challenge there. | 0:18:52 | 0:18:55 | |
I think the police have got a lead. | 0:18:55 | 0:18:58 | |
-Ello, ello, ello. -Down there. | 0:18:58 | 0:19:00 | |
-Down there. -What have we found? -Let's have a look. | 0:19:00 | 0:19:04 | |
-Oh, truncheons. -A truncheon. A police truncheon. | 0:19:04 | 0:19:07 | |
-Is it an old one? -It looks old. -They don't issue them any more. | 0:19:07 | 0:19:11 | |
It's certainly got quite a bit of age to it. | 0:19:11 | 0:19:14 | |
I love this leather strap. It's lovely, isn't it? | 0:19:14 | 0:19:16 | |
It's not Victorian but it's probably '20s, '30s. | 0:19:16 | 0:19:20 | |
There'll be a lot of retired police officers | 0:19:20 | 0:19:22 | |
that might like something like this. | 0:19:22 | 0:19:25 | |
You're narrowing your market, aren't you? What's the price on it? | 0:19:25 | 0:19:28 | |
-£35. -We've got to get this. -Have you? -I think it's fate. | 0:19:28 | 0:19:32 | |
-Not for that price. -I think we have to buy this. -Yeah, go on. | 0:19:32 | 0:19:36 | |
-Ah. You're not Steve. -Nothing gets past you, Adam. -We really like this. | 0:19:36 | 0:19:41 | |
Could you do us a good deal on this? | 0:19:41 | 0:19:43 | |
-30? -We were thinking a little bit lower than that. | 0:19:43 | 0:19:47 | |
-We've already bought an item from here. -25 would probably be OK. | 0:19:47 | 0:19:51 | |
Even though we've already bought something from here before? | 0:19:51 | 0:19:54 | |
-Top marks for trying. -She's tempted, she's tempted. | 0:19:55 | 0:19:59 | |
-I think we should go... -22. | 0:19:59 | 0:20:01 | |
I think that's a nice price. | 0:20:01 | 0:20:03 | |
We'll do it. | 0:20:03 | 0:20:04 | |
-Shall we shake on that? Thank you. -Nice one. | 0:20:04 | 0:20:07 | |
That's two down and one to go. | 0:20:07 | 0:20:09 | |
-What do you think they'll make on it? -Kitchenalia is popular these days. | 0:20:11 | 0:20:15 | |
It really has a huge appeal. | 0:20:15 | 0:20:17 | |
Erm. We're spending a lot of money. | 0:20:17 | 0:20:20 | |
There could be a profit. Let's see. | 0:20:20 | 0:20:22 | |
-What's the story? -195. | 0:20:22 | 0:20:25 | |
-Well done, that is fantastic. -Happy? | 0:20:25 | 0:20:28 | |
-Very happy. Thank you very much. -It's a bit bold and daring. | 0:20:28 | 0:20:32 | |
Of course. It leaves me a fiver, thanks. | 0:20:32 | 0:20:34 | |
So, the Blues have cracked it. | 0:20:34 | 0:20:37 | |
And the Reds are trying somewhere new. | 0:20:38 | 0:20:41 | |
-How does this feel? -Erm. | 0:20:41 | 0:20:45 | |
-What are you going to find for £5? -Don't worry. | 0:20:45 | 0:20:47 | |
Let me organise that. Let's go and have a cup of tea. | 0:20:47 | 0:20:51 | |
Whilst the Blues are off for a brew, the Reds are getting ahead. | 0:20:51 | 0:20:55 | |
So we've got a big old chunk of bronze here. It's been nicely cast. | 0:20:55 | 0:21:01 | |
It's really nicely modelled. We've got a side-on view there. | 0:21:01 | 0:21:05 | |
-Possibly of the young Augustus. Do you like it? -I do. -It's quite nice. | 0:21:05 | 0:21:10 | |
It's very heavy. I'm just worried it's a bit broken. | 0:21:10 | 0:21:15 | |
It's a bit damaged at the bottom, unfortunately. | 0:21:15 | 0:21:18 | |
Ideally, it would be nicely mounted on a new piece of marble. | 0:21:18 | 0:21:23 | |
-And then it's fine. -It's really nicely... | 0:21:23 | 0:21:25 | |
-Could you do us a good price on that? -Bearing in mind it's damaged. | 0:21:25 | 0:21:29 | |
-Bearing in mind we're in the last... -We've got three minutes. | 0:21:30 | 0:21:34 | |
Well, 85. | 0:21:34 | 0:21:36 | |
Would you do 70? | 0:21:36 | 0:21:38 | |
-75. -What do you reckon? | 0:21:39 | 0:21:42 | |
-Would you have that in your home? -Yeah, I would, yeah. | 0:21:42 | 0:21:45 | |
I wouldn't. THEY LAUGH | 0:21:46 | 0:21:48 | |
-Doesn't seem to fit the profile for Kevin. -One minute. | 0:21:48 | 0:21:52 | |
-Do it. Let's do it. -60 seconds. Let go for it. | 0:21:52 | 0:21:56 | |
-OK. 75. -Thank you. -It's been a pleasure. | 0:21:56 | 0:21:58 | |
Well, they found their man. Just in the nick of time. | 0:21:58 | 0:22:01 | |
Tick-tock, time's up. Let's check out what the Red team bought. | 0:22:01 | 0:22:05 | |
The boys took a shine to the manly pair of lanterns, paying £135. | 0:22:05 | 0:22:11 | |
They didn't beat around the bush for their second buy. | 0:22:12 | 0:22:14 | |
They had to have the truncheon for £22. And it's a bust. | 0:22:14 | 0:22:18 | |
Well, a plaque of Emperor Augustus, actually. | 0:22:18 | 0:22:21 | |
The boys paid £75 for their third item. | 0:22:21 | 0:22:24 | |
-So, chaps, how are we? -Very good. | 0:22:25 | 0:22:28 | |
How was your hour with Catherine Southon? | 0:22:28 | 0:22:31 | |
It was a lot of fun. It was a lot of fun. | 0:22:31 | 0:22:34 | |
Well, you're looking very well on this. You're both still smiling. | 0:22:34 | 0:22:37 | |
Excellent. Kevin, which is your favourite piece? | 0:22:37 | 0:22:39 | |
-The pair of lanterns. -And do you agree with that? | 0:22:39 | 0:22:41 | |
I'd have to agree with Kev. I would go for the lanterns as well. | 0:22:41 | 0:22:44 | |
-Super. So you spent in total? -232. -May I have £68 of leftover lolly? | 0:22:44 | 0:22:50 | |
Thank you very much. That's it. So it goes straight across, look. | 0:22:50 | 0:22:54 | |
-Lovely. Wonderful. -And your plan, Catherine? | 0:22:54 | 0:22:58 | |
My plan is I don't have one. | 0:22:58 | 0:23:01 | |
-Oh, good. -But I'm not going to buy a cow. -OK. -Going to buy what? -A cow. | 0:23:01 | 0:23:07 | |
-Don't ask. -No. I would suggest not. Very expensive to keep cows. | 0:23:07 | 0:23:12 | |
Anyway, good luck. | 0:23:12 | 0:23:13 | |
Meanwhile, why don't we check out what the Blue team bought? | 0:23:13 | 0:23:16 | |
The Blue team bought a job-lot of boxes for their first purchase. | 0:23:16 | 0:23:19 | |
Seven for £70. | 0:23:19 | 0:23:22 | |
Their story took a twist | 0:23:22 | 0:23:24 | |
when they spent £30 on the Venetian glass bowl. | 0:23:24 | 0:23:27 | |
The girls went big with their last buy, £195 on the meat dish and pan. | 0:23:27 | 0:23:33 | |
OK, girls. What a thrill that was. Thomas Plant for a whole hour. | 0:23:35 | 0:23:40 | |
-I know. -So, which is your favourite item? -The Venetian glass. | 0:23:40 | 0:23:44 | |
-What about you, Liz? -I think the Venetian glass. | 0:23:44 | 0:23:47 | |
-And is that going to bring the biggest profit? -I think it will. | 0:23:47 | 0:23:50 | |
I'm not sure. I think it might be the last item which is two items, | 0:23:50 | 0:23:54 | |
which is the big carving plate. And with the saucepan, I think that | 0:23:54 | 0:23:59 | |
-might... -That could do the biggest profit? -I think it could do. | 0:23:59 | 0:24:02 | |
We've got a slightly mixed message there which is lovely, | 0:24:02 | 0:24:05 | |
but one thing's for certain. You spent a lot of money, didn't you? | 0:24:05 | 0:24:08 | |
-Yes. -How much? -£295. -Very good. This is a challenge. | 0:24:08 | 0:24:13 | |
£5 of leftover lolly. Just the bare fiver goes to T Plant. | 0:24:13 | 0:24:18 | |
-Is this your favourite moment, Tom? -I love having a fiver. | 0:24:19 | 0:24:23 | |
-It's a challenge. -You don't get much for a fiver these days, do you? | 0:24:23 | 0:24:26 | |
Basically, you can't go wrong, Tom. | 0:24:26 | 0:24:28 | |
TOM LAUGHS | 0:24:28 | 0:24:30 | |
I mean, for an auctioneer, £5, £10. | 0:24:30 | 0:24:32 | |
-You've doubled your money before you can say Jack Sprout. -Absolutely. | 0:24:32 | 0:24:35 | |
And while Thomas gets his nose to the grindstone for the girls, | 0:24:35 | 0:24:38 | |
I'm going to take you on a little trip. | 0:24:38 | 0:24:41 | |
I've brought you to Shalford Mill, | 0:24:44 | 0:24:47 | |
an 18th-century, pretty water mill on the | 0:24:47 | 0:24:51 | |
outskirts of the enchanting village of Shalford, just outside Guildford. | 0:24:51 | 0:24:55 | |
Let's have a look, shall we? | 0:24:55 | 0:24:57 | |
Flour milling has flourished here from the medieval to Victorian times. | 0:24:59 | 0:25:03 | |
The current mill still houses some 19th-century machinery, | 0:25:03 | 0:25:07 | |
gears and pulleys, sack hoists and a water wheel. | 0:25:07 | 0:25:11 | |
But it's not just the mill itself that attracts visitors to | 0:25:13 | 0:25:16 | |
this National Trust property. | 0:25:16 | 0:25:19 | |
I'm going to join Polly Bagnall who's going to tell us some more. | 0:25:19 | 0:25:21 | |
-Good morning, Polly. -Good morning. -How very nice to see you. | 0:25:21 | 0:25:24 | |
Now, I know the milling industry has had its ups and downs | 0:25:24 | 0:25:28 | |
but tell us about the history of this particular mill. | 0:25:28 | 0:25:30 | |
There was a mill on this site and there is one | 0:25:30 | 0:25:33 | |
recorded in the Doomsday Book, so since medieval times. | 0:25:33 | 0:25:36 | |
This actual mill was built in about 1739 by John Mildred from Guildford. | 0:25:36 | 0:25:41 | |
And it's quite unusual. | 0:25:41 | 0:25:43 | |
It's got beautiful, scalloped, clay tiles on the outside, | 0:25:43 | 0:25:46 | |
so it's quite a grand mill. | 0:25:46 | 0:25:47 | |
But it would've only been run by about two men. | 0:25:47 | 0:25:50 | |
The grinder and a boy. | 0:25:50 | 0:25:52 | |
It was very busy, all through the 1700s, 1800s, | 0:25:52 | 0:25:56 | |
but around the end of the 1800s, | 0:25:56 | 0:25:59 | |
there was no great demand for English wheat. | 0:25:59 | 0:26:02 | |
It was cheaper to import it from abroad. | 0:26:02 | 0:26:05 | |
So, by 1914 this mill was pretty much defunct. | 0:26:05 | 0:26:10 | |
It was old machinery and obsolete. | 0:26:10 | 0:26:12 | |
And how did this mill become National Trust property? | 0:26:12 | 0:26:15 | |
That's a very interesting story | 0:26:15 | 0:26:16 | |
because at that point there was an awful lot of road-building | 0:26:16 | 0:26:20 | |
and all from London down to here, there were houses going up. | 0:26:20 | 0:26:25 | |
Two women came down from London and they wanted to save a little | 0:26:25 | 0:26:28 | |
bit of rural England and so they took the mill. | 0:26:28 | 0:26:31 | |
But it was in a sorry state and they said, "Let's repair it," | 0:26:31 | 0:26:35 | |
and they had to raise money. They weren't any ordinary women. | 0:26:35 | 0:26:38 | |
-They were Ferguson's Gang. -Who were Ferguson's Gang? | 0:26:38 | 0:26:42 | |
Well, there were five women. They were quite well educated. | 0:26:42 | 0:26:47 | |
Some from very wealthy families, | 0:26:47 | 0:26:48 | |
some from less so and had to earn a living. | 0:26:48 | 0:26:50 | |
But they were bright and had a great sense of fun and were in their twenties. | 0:26:50 | 0:26:55 | |
And they decided to get together | 0:26:55 | 0:26:57 | |
and they had funny names, like Sister Agatha, | 0:26:57 | 0:27:00 | |
Red Biddy, Bludy Beershop and the main person was Bill Stickers. | 0:27:00 | 0:27:04 | |
Rather than just raising money in a normal way, they went round | 0:27:04 | 0:27:08 | |
with masks and capes and went round all their friends and relatives | 0:27:08 | 0:27:11 | |
getting Victorian coins until they'd amassed enough to repair the mill, | 0:27:11 | 0:27:14 | |
-a few hundred pounds. -Bizarre. -And employed an architect to do it. | 0:27:14 | 0:27:19 | |
They gave it to the National Trust and they actually donated | 0:27:19 | 0:27:23 | |
several properties around the south-east. An old priory, | 0:27:23 | 0:27:27 | |
a town hall on the Isle of Wight and large tracts of Cornish coastline. | 0:27:27 | 0:27:31 | |
Throughout the '30s and '40s, they were really active and every time | 0:27:31 | 0:27:36 | |
they got money, they donated it to the National Trust in funny ways. | 0:27:36 | 0:27:40 | |
They would maybe roll it up disguised as a cigar | 0:27:40 | 0:27:43 | |
or inside the body of a carcass of a goose. | 0:27:43 | 0:27:47 | |
And one-time they made an elaborate pineapple that they put | 0:27:47 | 0:27:50 | |
the money inside and took it to the National Trust AGM and presented it | 0:27:50 | 0:27:54 | |
and everyone thought it was a bomb and was really scared. | 0:27:54 | 0:27:57 | |
But it hit the papers. | 0:27:57 | 0:27:59 | |
All their activities got great publicity for the National Trust. | 0:27:59 | 0:28:04 | |
I think they boosted the numbers by about a third | 0:28:04 | 0:28:07 | |
and they raised £1,000, which at that point was a lot of money. | 0:28:07 | 0:28:11 | |
-Did the gang remain secretive? -Oh, indeed. | 0:28:11 | 0:28:13 | |
They even had their own headquarters here at Shalford Mill. | 0:28:13 | 0:28:17 | |
-This is the HQ, is it? -It is. It's where they used to sleep... | 0:28:17 | 0:28:21 | |
All five of them? | 0:28:21 | 0:28:23 | |
-..and cook and eat. All five of them. -Must have been cosy. -It was. | 0:28:23 | 0:28:27 | |
And what we have, which is great, is that they kept a minute book | 0:28:27 | 0:28:32 | |
and in here, all their exploits that featured in the newspapers | 0:28:32 | 0:28:37 | |
of the times. The Times, the Daily Mail. | 0:28:37 | 0:28:40 | |
They stuck in the cuttings and some of the buildings they restored. | 0:28:40 | 0:28:44 | |
And they've also recorded some of their activities that they did | 0:28:44 | 0:28:49 | |
which was just for their enjoyment | 0:28:49 | 0:28:51 | |
and they used to have a ritual haunting of the mill. | 0:28:51 | 0:28:54 | |
Usually around the summer solstice. | 0:28:54 | 0:28:56 | |
It would entail them making a feast in here and then going up to what | 0:28:56 | 0:29:01 | |
they called the Chamber of Horrors, | 0:29:01 | 0:29:02 | |
which was the top gallery of the mill. | 0:29:02 | 0:29:05 | |
They would do chanting and I think we've got something in here. | 0:29:05 | 0:29:09 | |
"On the stroke of midnight, the Right Bludy, | 0:29:09 | 0:29:12 | |
"the Lord Beershop, Bill Stickers and Sister Agatha assembled with their | 0:29:12 | 0:29:16 | |
"weapons in the Chamber of Horrors. | 0:29:16 | 0:29:18 | |
"Solemnly swore the following oath, | 0:29:18 | 0:29:20 | |
"'I swear that at whatever cost, I for one will uphold Ferguson's Gang,'" | 0:29:20 | 0:29:25 | |
and they wrote it in this mockney. It's a bit like modern text speak. | 0:29:25 | 0:29:29 | |
-Polly, your interest in this is not entirely coincidental? -Not at all. | 0:29:29 | 0:29:33 | |
I grew up here and my grandfather was The Artichoke, who was an architect. | 0:29:33 | 0:29:39 | |
He was a conservation architect. | 0:29:39 | 0:29:41 | |
The gang used him to restore and conserve all their buildings. | 0:29:41 | 0:29:46 | |
It is fascinating, that whole era of the 1930s, | 0:29:46 | 0:29:49 | |
'40s and what was happening in rural England. | 0:29:49 | 0:29:53 | |
-These women were quite important. -Exactly. | 0:29:53 | 0:29:55 | |
-Doing their mysterious good deeds. -Indeed. | 0:29:55 | 0:29:58 | |
The big question today is, of course, what good deeds are about to be done | 0:29:58 | 0:30:02 | |
by our teams over at the auction. | 0:30:02 | 0:30:04 | |
Well, what a treat. We're in Wisborough Green, | 0:30:15 | 0:30:17 | |
at Bellmans' saleroom, with Jonathan Pratt. JP, | 0:30:17 | 0:30:20 | |
-good to see you. -And you, Tim. -Let's see what the Reds have got. | 0:30:20 | 0:30:22 | |
-A couple of steaming lanterns. -They're called Round Reds. | 0:30:22 | 0:30:27 | |
I looked and looked and couldn't find a similar example to them. | 0:30:27 | 0:30:31 | |
That will only, I suppose, help. | 0:30:31 | 0:30:32 | |
Yeah, probably. You get the port and starboard ones. The red and green. | 0:30:32 | 0:30:35 | |
The all-round job would be for a special function like your | 0:30:35 | 0:30:39 | |
-being towed at night. -The quality of them is very good. -Exactly. | 0:30:39 | 0:30:43 | |
So how much would the best price be? | 0:30:43 | 0:30:45 | |
£80-120 is my estimate. | 0:30:45 | 0:30:48 | |
Thank you. Catherine found them. She loves all this marine stuff. | 0:30:48 | 0:30:51 | |
She paid £135, which may just be a bit over the top. But not to worry. | 0:30:51 | 0:30:55 | |
We can soon knock them out with the truncheon. | 0:30:55 | 0:30:58 | |
JONATHAN LAUGHS | 0:30:58 | 0:30:59 | |
As truncheons go, this is quite a modern one. | 0:30:59 | 0:31:02 | |
This is like a 20th-century bobby. | 0:31:02 | 0:31:04 | |
And the collectors will be more after 19th-century or earlier. | 0:31:04 | 0:31:09 | |
-Yeah. Early Peelers. -Exactly. | 0:31:09 | 0:31:11 | |
Which are painted and gilt and with a VR monograph instead of a GR. | 0:31:11 | 0:31:16 | |
-This is George V. -How much? | 0:31:16 | 0:31:19 | |
-20 to 40. -OK, £22 paid. | 0:31:19 | 0:31:22 | |
And lastly, we've got what looks like a death mask. But a Roman mask. | 0:31:22 | 0:31:27 | |
-Augustus. How do you rate him? -Nice and decorative. | 0:31:27 | 0:31:32 | |
Nice quality. Not really much more to say about it than that. | 0:31:32 | 0:31:36 | |
It goes into most homes as well. The classical collector, the Victorian | 0:31:36 | 0:31:40 | |
type of house or someone who's interested in modern art. | 0:31:40 | 0:31:43 | |
You could still sit it in the same place. | 0:31:43 | 0:31:44 | |
Just needs a bit of tidying up, chips and marks. | 0:31:44 | 0:31:47 | |
The base isn't terribly good, to be honest, but that can be sorted out. | 0:31:47 | 0:31:50 | |
-Exactly. How much? -60 to 80. -£75. It's a classic, isn't it? | 0:31:50 | 0:31:54 | |
That's it. It's all pretty well on the button. | 0:31:54 | 0:31:57 | |
They may not need their bonus buy, but let's have a look at it anyway. | 0:31:57 | 0:32:01 | |
You gave Catherine £68. Catherine, what did you spend it on? | 0:32:01 | 0:32:04 | |
Well, here we are, chaps. | 0:32:04 | 0:32:07 | |
-A box. -Wow. -Look. | 0:32:07 | 0:32:10 | |
Open it up. Look at that. An artist box. | 0:32:11 | 0:32:15 | |
This is what you would take on your Sunday afternoon | 0:32:15 | 0:32:18 | |
and you'd go out and you'd start painting. Wouldn't you? | 0:32:18 | 0:32:22 | |
-Would I? -You would. | 0:32:22 | 0:32:24 | |
You'd have one of those little stools, the collapsible stools. | 0:32:24 | 0:32:26 | |
You'd open it out and sit down and look at the countryside | 0:32:26 | 0:32:29 | |
-and you'd paint. -How much did you pay for it? -I paid £45. | 0:32:29 | 0:32:32 | |
I quite like it, actually. I think that's really nice. | 0:32:32 | 0:32:34 | |
What do you think we'll get for this? | 0:32:34 | 0:32:36 | |
-I think you should make £30 profit on it. 40. -Do you think? -30, 40. | 0:32:36 | 0:32:40 | |
-OK. -OK, chaps. If you need it, you can pick it, | 0:32:40 | 0:32:44 | |
but only after the sale of your first three items, because right now | 0:32:44 | 0:32:47 | |
let's find out from the auctioneer what he thinks | 0:32:47 | 0:32:49 | |
about Catherine's little colour box. | 0:32:49 | 0:32:52 | |
-OK. I know you're very artistic. Good, isn't it? -Windsor and Newton. | 0:32:53 | 0:32:59 | |
I mean, good name for just quality painting products. | 0:32:59 | 0:33:02 | |
It's a mahogany case. | 0:33:02 | 0:33:03 | |
It's got a bit of age and vintage look about it. | 0:33:03 | 0:33:05 | |
It's packed full of paint. You could buy this and go and paint tomorrow. | 0:33:05 | 0:33:09 | |
-How much? -I quite like it. | 0:33:09 | 0:33:12 | |
As a practical object, it's good value for money. Decorative too. | 0:33:12 | 0:33:16 | |
How much money? | 0:33:16 | 0:33:18 | |
-£60-80. -£45 paid by Catherine Southon. | 0:33:18 | 0:33:20 | |
-So I think she's done well. -I think she has too. | 0:33:20 | 0:33:22 | |
That's it for the Reds. Now for the Blues, | 0:33:22 | 0:33:24 | |
who have got that group of pillboxes. | 0:33:24 | 0:33:27 | |
-Modern ones, aren't they? -They're all modern ones. | 0:33:27 | 0:33:29 | |
I have been kind of trying to be generous here. | 0:33:29 | 0:33:32 | |
-£40-60. -Gosh. -This one here is white metal, possibly silver and enamel, | 0:33:32 | 0:33:38 | |
but not terribly nice quality. | 0:33:38 | 0:33:39 | |
And then you've got a few porcelain ones there. | 0:33:39 | 0:33:42 | |
Quite honestly, if I got to 40, I'd be really pleased. | 0:33:42 | 0:33:45 | |
We need to get to 70 and that ain't going to happen. | 0:33:45 | 0:33:47 | |
If we transport ourselves to Italy, we might go to Venice | 0:33:47 | 0:33:51 | |
-and we might pick up a glass bowl like that? -Yeah. | 0:33:51 | 0:33:54 | |
I like this sort of stuff. | 0:33:54 | 0:33:56 | |
I like the quality that goes into making these things. | 0:33:56 | 0:33:58 | |
-You think of those Georgian ale twist glasses. -Yeah. | 0:33:58 | 0:34:02 | |
It's the same thing. | 0:34:02 | 0:34:03 | |
It's lots and lots of canes made smaller and smaller | 0:34:03 | 0:34:05 | |
-and smaller. It's very typically Venetian glass. -But does it sell? | 0:34:05 | 0:34:10 | |
There are collectors of this sort of thing. | 0:34:10 | 0:34:12 | |
-£40-60, I think, is realistic. -That's good. £30 only paid. -OK. | 0:34:12 | 0:34:18 | |
Lastly, and not least, comes the meat platter and the copper pan. | 0:34:18 | 0:34:24 | |
I prefer the pan to the meat platter. | 0:34:24 | 0:34:26 | |
People aren't using sideboards any more. So where would you put this? | 0:34:26 | 0:34:29 | |
You buy it and put it straight back into a cupboard. | 0:34:29 | 0:34:31 | |
This is a nice quality Victorian pan. It's much of a muchness really. | 0:34:31 | 0:34:36 | |
I rate the meat platter at maybe £40, £50, | 0:34:36 | 0:34:39 | |
and then the saucepan, another £20 or something. | 0:34:39 | 0:34:41 | |
-So to me, it's sort of £60, £80. -OK, fine. | 0:34:41 | 0:34:44 | |
-Well, they paid £195... -HE GROANS | 0:34:44 | 0:34:46 | |
..which is a lot of turkey, isn't it? | 0:34:46 | 0:34:48 | |
We just have to hold fast and reckon they will need the bonus buy, | 0:34:48 | 0:34:52 | |
so let's go have a look at it. | 0:34:52 | 0:34:55 | |
-OK, girls. This is fun, isn't it? -It's great fun. | 0:34:55 | 0:34:57 | |
Have you any idea how difficult it is to spend £5 | 0:34:57 | 0:35:01 | |
on an object that's likely to make a profit? | 0:35:01 | 0:35:03 | |
I think we can imagine it. | 0:35:03 | 0:35:05 | |
I tell you, Tom's been through there and back, haven't you? | 0:35:05 | 0:35:09 | |
The thing is, you can buy any old bit of tat, | 0:35:09 | 0:35:13 | |
-but I bought... -BOTH: -Oh! | 0:35:13 | 0:35:14 | |
..a moulded plate, moulded glass, so not the greatest | 0:35:14 | 0:35:18 | |
quality but it's an exhibition piece from 1938 for Glasgow. | 0:35:18 | 0:35:23 | |
-I think that's very clever. -So do I. -I think you've done brilliantly. | 0:35:23 | 0:35:27 | |
Did you pay your whole £5? | 0:35:27 | 0:35:29 | |
That was it. This was marked up at a huge amount more. | 0:35:29 | 0:35:32 | |
-He took pity on me. -And how much do you think it will make? | 0:35:32 | 0:35:36 | |
You've got to double your money. You've got to double your money. | 0:35:36 | 0:35:38 | |
-OK, brilliant. Are you happy with that, girls? -Fantastic. | 0:35:38 | 0:35:41 | |
I think that's a great thing to find for £5, so well done, Tom. | 0:35:41 | 0:35:44 | |
Let's find out from the auctioneer what he thinks about Tom's plate. | 0:35:44 | 0:35:48 | |
JP, you know how difficult it is to find something | 0:35:49 | 0:35:52 | |
for a five pound note in the leftover lolly department. | 0:35:52 | 0:35:54 | |
I think, to be honest, Tom's done rather well. Glasgow 1938. | 0:35:54 | 0:35:58 | |
Impressed with thistles. A little bit of wear to it | 0:35:58 | 0:36:01 | |
but what can you buy for a fiver? | 0:36:01 | 0:36:02 | |
Exactly. So what's your estimate on that? | 0:36:02 | 0:36:05 | |
-10 to 20. -OK, £5 paid. So Thomas Plant has done a blinder, | 0:36:05 | 0:36:08 | |
if the team decide to go with it and that is their next big decision. | 0:36:08 | 0:36:13 | |
There's loads of people here. | 0:36:21 | 0:36:23 | |
They're all buzzing and gagging to get hold of your lots. | 0:36:23 | 0:36:26 | |
What is going to happen, chaps? | 0:36:26 | 0:36:28 | |
We're excited as excited can be to be here with you, | 0:36:28 | 0:36:32 | |
and the first item up are the copper lanterns and here we go. | 0:36:32 | 0:36:36 | |
-I have a bid of £40 commission. -Oh! -At £40 commission. -That's a bit low. | 0:36:36 | 0:36:40 | |
There's 45. And the commission's now gone. 50. | 0:36:40 | 0:36:43 | |
-£50. On the right now, at £50. -It's very low, isn't it? | 0:36:43 | 0:36:48 | |
-55. 60. -Come on. Up. -65. | 0:36:48 | 0:36:52 | |
Has it now standing at the very back at £65. | 0:36:52 | 0:36:55 | |
Come on. I thought the internet would bid for these. | 0:36:55 | 0:36:58 | |
£65. Any more at £65? I'll give you one more chance. No. | 0:36:58 | 0:37:02 | |
£65 still there. Back of the room at 65. | 0:37:02 | 0:37:06 | |
-THEY GROAN -£65. | 0:37:06 | 0:37:08 | |
-That's miserable. -That is minus £70. Lord. | 0:37:08 | 0:37:14 | |
-Here comes the truncheon. -£20 to start me. | 0:37:14 | 0:37:17 | |
Good truncheon here for £20. Lots of 20s. 20 in front. | 0:37:17 | 0:37:22 | |
25 in the yellow. 30. 35. 40. 45. | 0:37:22 | 0:37:25 | |
50. 50 down here. At 50. | 0:37:25 | 0:37:28 | |
Where's the other hand that went up? Are you coming back in? | 0:37:28 | 0:37:30 | |
-50 down front. OK. He says no. 50 down here. -Come on! | 0:37:30 | 0:37:34 | |
Your bid at £50. All done at £50. Last chance. | 0:37:34 | 0:37:37 | |
-50. -£50. Eight short of 30. | 0:37:37 | 0:37:40 | |
That is plus 28. 28, which means... | 0:37:40 | 0:37:44 | |
-..you're minus 42. -Here we go. Here is the bronze. | 0:37:45 | 0:37:48 | |
£60 to start me for this. £60. | 0:37:48 | 0:37:52 | |
40, then. There's 40 now. Front here at £40. | 0:37:52 | 0:37:55 | |
Surely worth more. It's £40 down the front. Where's the five? | 0:37:55 | 0:37:58 | |
-Where's the five? -Are we all done at £40? | 0:37:58 | 0:37:59 | |
No other interest in the room at £40? I'll sell then to you, sir, | 0:37:59 | 0:38:03 | |
down on the right at £40. | 0:38:03 | 0:38:05 | |
That's minus 77. | 0:38:05 | 0:38:07 | |
We should have bought three truncheons. | 0:38:07 | 0:38:09 | |
-What are we going to do about the paintbox? -We've got to go for it. | 0:38:09 | 0:38:12 | |
-We've definitely got to go for it. -You're going with it? -Yeah. | 0:38:12 | 0:38:15 | |
-We've got nothing to lose. -Nothing to lose at all. -Go for it. | 0:38:15 | 0:38:19 | |
Bids with me at 55. 65. £75. Straight in at £75. | 0:38:19 | 0:38:23 | |
-Oh, 75 straight in. -Oh, my God. | 0:38:23 | 0:38:25 | |
£75. Where's 80? Do I see £80. | 0:38:25 | 0:38:28 | |
-I told you it was a good one. -Yeah. | 0:38:28 | 0:38:31 | |
Any more in the room? There's someone twitching out there on the internet. | 0:38:31 | 0:38:34 | |
-If you're going to bid again, bid now. -Go on, twitch. -Come on. | 0:38:34 | 0:38:38 | |
-85 anywhere else? -Come on. -Selling at £80. | 0:38:38 | 0:38:43 | |
Still twitching there. £80. | 0:38:43 | 0:38:46 | |
-Well, £80 is plus £35. -It's something. | 0:38:46 | 0:38:50 | |
That is minus £42. That, chaps, could be a winning score. | 0:38:50 | 0:38:55 | |
-OK, girls. Do you know how the boys got on? -No. -Fine. | 0:39:00 | 0:39:03 | |
Anyway, you've got your little collection of pill and stamp boxes. | 0:39:03 | 0:39:06 | |
You paid £70. The auctioneer's been a bit sniffy about them. | 0:39:06 | 0:39:10 | |
£40-60 is his estimate. | 0:39:10 | 0:39:12 | |
-That is a bit cruel. -We'll see how you go and here they come. | 0:39:12 | 0:39:15 | |
And with bids on the book, I'm starting at 60. With me at £60. | 0:39:15 | 0:39:20 | |
-Look at that! That's remarkable! -£60. Looking for five now. | 0:39:20 | 0:39:24 | |
-Surely worth five. It's £60 with me. -More, more. | 0:39:24 | 0:39:28 | |
65 and 70. 75 and 80. | 0:39:28 | 0:39:31 | |
Look at that! | 0:39:31 | 0:39:32 | |
We'll eat our words, won't we, JP? | 0:39:34 | 0:39:36 | |
Are we all done at £80? I shall sell at £80. | 0:39:36 | 0:39:40 | |
-That is remarkable. -Well done. Well done. | 0:39:41 | 0:39:44 | |
A Venetian glass hexagonal bowl. | 0:39:44 | 0:39:46 | |
Bids on this to start me. 25. £35. | 0:39:46 | 0:39:51 | |
-We're in profit before we start. -40. 45. You sure? | 0:39:51 | 0:39:55 | |
-One more might do it, sir. £45. 50 in the room now. -50. -55? | 0:39:55 | 0:40:00 | |
You both want it now at 50. 50 dead set. | 0:40:00 | 0:40:03 | |
-This is good. -This is good. | 0:40:03 | 0:40:05 | |
Come on now. | 0:40:07 | 0:40:08 | |
£50 in the centre. I'll sell it at 50. It's yours, sir. £50. | 0:40:08 | 0:40:11 | |
50. Sold it for £50, which is plus £20. Very good. | 0:40:11 | 0:40:15 | |
You're plus 30. Now, stand by. | 0:40:15 | 0:40:19 | |
Someone start me 60 for this. £60. | 0:40:19 | 0:40:21 | |
£60 for the lot. | 0:40:21 | 0:40:23 | |
-Bid. -Oh, no. No. | 0:40:23 | 0:40:27 | |
£20. Stop me at 20. There's 20 there. | 0:40:27 | 0:40:30 | |
25 anywhere else? £20 I have at the front. | 0:40:30 | 0:40:33 | |
-It's a long climb. -A very long climb. | 0:40:33 | 0:40:36 | |
30. 35. | 0:40:36 | 0:40:38 | |
35, now with you, sir. £35. | 0:40:38 | 0:40:40 | |
Oh, no! | 0:40:40 | 0:40:42 | |
£35. Are you all done? It's £35 and selling. | 0:40:42 | 0:40:46 | |
You've lost your way with that one, Tom-Tom. | 0:40:46 | 0:40:48 | |
That is minus 160, which doesn't sound too bad if you say it quickly. | 0:40:48 | 0:40:53 | |
Look, gilt plate. You going to go with that? Bonus buy. Why not? | 0:40:53 | 0:40:57 | |
-Why not? -It's a no-brainer. -Nothing to lose. -We're unified in that. | 0:40:57 | 0:41:00 | |
The moulded glass and gilt plate, | 0:41:00 | 0:41:01 | |
commemorating the Tower Of Empire Exhibition in Glasgow in 1938. | 0:41:01 | 0:41:05 | |
Someone start me at £10. There's 10 in the yellow. Thank you at 10. | 0:41:05 | 0:41:08 | |
-Oh, good. -£10 is bid. Looking for 12 now. Dead ahead at 10. | 0:41:08 | 0:41:12 | |
Got to be worth 12. Do you want to come in at 12? No. | 0:41:12 | 0:41:15 | |
10 at the back of the room. Anyone else at £12? Come on. | 0:41:15 | 0:41:17 | |
-Let's go for 12. It's only £2 more. -Come on! | 0:41:17 | 0:41:21 | |
10 it is then. At £10. | 0:41:21 | 0:41:24 | |
Selling for 10. | 0:41:24 | 0:41:25 | |
Which is plus £5, which means overall you're minus 125. | 0:41:25 | 0:41:29 | |
If you say that very quietly. | 0:41:29 | 0:41:31 | |
Today's programme hinges on the extent of losses. | 0:41:36 | 0:41:40 | |
The team that has managed to clock up substantially more losses | 0:41:40 | 0:41:44 | |
than the other is, of course, the Blues. | 0:41:44 | 0:41:47 | |
-Oh! -Minus £125 is quite a score. | 0:41:47 | 0:41:50 | |
-Yeah. -Really, a position you could not recover from. | 0:41:50 | 0:41:55 | |
Minus £160 on the pewter meat plate. That was a death blow. | 0:41:55 | 0:42:00 | |
Otherwise, you got a profit on every lot. | 0:42:00 | 0:42:03 | |
You got a profit on the bonus buy. You got a profit on the other two | 0:42:03 | 0:42:06 | |
-but that meat plate. You were sunk. -Absolutely. -Disaster. | 0:42:06 | 0:42:10 | |
-But you've been incredibly sporting about this. -They were very nice. | 0:42:10 | 0:42:14 | |
-They were just the wrong buyers. -Exactly. You have got it so right. | 0:42:14 | 0:42:18 | |
But you and your mate, Liz, are lovely when it comes to | 0:42:18 | 0:42:22 | |
sportsmanship because you haven't let this get you down, have you? | 0:42:22 | 0:42:25 | |
-No, course not. -Hope you've enjoyed the experience. -It's been terrific. | 0:42:25 | 0:42:28 | |
Bad luck about that plate. Otherwise you'd have been swimming. | 0:42:28 | 0:42:31 | |
Anyway, good fun. But the victors today who've managed to win by only | 0:42:31 | 0:42:34 | |
losing £42 are our boys in blue. I mean red. | 0:42:34 | 0:42:38 | |
You were £77 down the proverbial until Catherine came to the fore | 0:42:38 | 0:42:42 | |
with her lovely paintbox. | 0:42:42 | 0:42:44 | |
-That paintbox made £35, so well done, Catherine. -Thank you. | 0:42:44 | 0:42:47 | |
You are minus £42, but the victors today, and I congratulate you. | 0:42:47 | 0:42:51 | |
-Thank you. -Good fun. | 0:42:51 | 0:42:52 | |
It's been so much fun, you should join us soon for some more | 0:42:52 | 0:42:55 | |
-bargain-hunting. Yes?! -ALL: -Yes! | 0:42:55 | 0:42:57 |