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We're at the Newark Showground today, all primed and ready to go, | 0:00:03 | 0:00:07 | |
so, no dawdling! | 0:00:07 | 0:00:10 | |
Let's go bargain hunting! Yeah! | 0:00:10 | 0:00:12 | |
Nottinghamshire, home to the Sherwood Forest, | 0:00:38 | 0:00:41 | |
and in the 18th century, this area was simply stiff with highwaymen | 0:00:41 | 0:00:46 | |
hiding in trees. | 0:00:46 | 0:00:47 | |
Today, though, will our teams be able to stand up to | 0:00:47 | 0:00:51 | |
the challenge and deliver a decent profit over at the auction? | 0:00:51 | 0:00:55 | |
Here's a quick sneak preview as to what's coming up. | 0:00:55 | 0:00:58 | |
How hard did you push him? | 0:00:59 | 0:01:00 | |
Well, from 180 to 120, I think that's quite good. | 0:01:00 | 0:01:03 | |
The harsh reality of the competition hits home for the Reds. | 0:01:03 | 0:01:06 | |
-It's harder than you think, isn't it? -It is hard. | 0:01:06 | 0:01:08 | |
We'll have to ask for 125, and if not, | 0:01:09 | 0:01:11 | |
we're buying the cheapest thing that he's got on his stall. | 0:01:11 | 0:01:14 | |
Right, come on then. We'll run! | 0:01:14 | 0:01:16 | |
And the pressure is getting to the Blues too. The girls are on the run. | 0:01:16 | 0:01:21 | |
Well, we've got boys versus girls today, and they're all good friends. | 0:01:21 | 0:01:24 | |
-Right, everybody? -Yes. -Yes, Tim. -And welcome to Bargain Hunt. | 0:01:24 | 0:01:28 | |
Now, how did you two meet, you boys? | 0:01:28 | 0:01:30 | |
Well, we first met in a little town called Penistone | 0:01:30 | 0:01:33 | |
up in South Yorkshire. | 0:01:33 | 0:01:35 | |
We bought a house on a new housing development | 0:01:35 | 0:01:38 | |
and the sales agent, a lady called Geraldine, knocked on my door | 0:01:38 | 0:01:41 | |
and told me that there was a chap moving in next door | 0:01:41 | 0:01:43 | |
who had no mates, and I thought, "Hang on a second, Geraldine. | 0:01:43 | 0:01:46 | |
"He's got no friends for a reason! | 0:01:46 | 0:01:48 | |
"I'm not sure I want to socialise with this type of person!" | 0:01:48 | 0:01:50 | |
Well, quite! Could be dodgy! | 0:01:50 | 0:01:52 | |
Yes, so erm... But we went out for a drink, didn't we? | 0:01:52 | 0:01:54 | |
I remember it slightly different. | 0:01:54 | 0:01:56 | |
I believe I was sent there to help you to eat curries | 0:01:56 | 0:02:02 | |
and speak to women! | 0:02:02 | 0:02:05 | |
Well, anyway, the two roles bonded together and you became great mates. | 0:02:05 | 0:02:09 | |
-Yes. -And you're keen on mountain biking? | 0:02:09 | 0:02:11 | |
Yes, just recently, cos my knees have stopped working, | 0:02:11 | 0:02:14 | |
so myself and Darren and a few mates, | 0:02:14 | 0:02:17 | |
we get out on our bikes quite regularly | 0:02:17 | 0:02:18 | |
and we did the Trans Pennine Trail, which is 230 miles, | 0:02:18 | 0:02:23 | |
from one side of the country to the other. | 0:02:23 | 0:02:25 | |
-My gosh, that is a ride, isn't it? -Yeah. | 0:02:25 | 0:02:27 | |
-How were your knees after that? All right? -Not too bad. | 0:02:27 | 0:02:29 | |
-It was my bum that hurt! -Anyway, Darren, | 0:02:29 | 0:02:31 | |
when you're not cycling with Matt, what do you get up to? | 0:02:31 | 0:02:34 | |
About a year ago I picked up a sport called Octopush | 0:02:34 | 0:02:37 | |
or underwater hockey. I found that there was a club near me and, | 0:02:37 | 0:02:41 | |
-well, a small hockey stick... -Yeah. -..a pair of flippers, a snorkel | 0:02:41 | 0:02:46 | |
and a pair of budgie smugglers, | 0:02:46 | 0:02:48 | |
-and I was all right. -So, you had all the right investment, then. | 0:02:48 | 0:02:52 | |
So what do you do in this funny sport, then? | 0:02:52 | 0:02:54 | |
It's like a combination of hockey and rugby underwater. | 0:02:54 | 0:02:58 | |
-Really? -It's a very tough sport. -What an extraordinary thing. | 0:02:58 | 0:03:00 | |
Sounds like a magical partnership we've got going on. | 0:03:00 | 0:03:04 | |
What fun! Anyway, good luck. | 0:03:04 | 0:03:06 | |
Now, girls. Louise, you're quite a musician. Tell us about that. | 0:03:06 | 0:03:09 | |
Um, yes. I started doing brass, which I never thought I'd be able | 0:03:09 | 0:03:12 | |
to do really, cos I can't even play a recorder! | 0:03:12 | 0:03:16 | |
-Have you got the puff though? -Yeah, just about! | 0:03:16 | 0:03:19 | |
But, yeah, I'm in Dinnington Colliery Training Band, | 0:03:19 | 0:03:23 | |
so it's just, like, at weekends we do things like charity raising | 0:03:23 | 0:03:26 | |
and going out to old people's homes and things, and playing at weekends | 0:03:26 | 0:03:30 | |
-and at people's birthdays, and things like that. -What fun! | 0:03:30 | 0:03:32 | |
So is this like the movie Brassed Off? | 0:03:32 | 0:03:34 | |
-Sort of, yeah. -Oh, lovely. And good fun? -Yeah, it's good fun. | 0:03:34 | 0:03:37 | |
Now, just tell us about that piece of jewellery you've got on, | 0:03:37 | 0:03:40 | |
cos that's a mammoth good luck horseshoe, is it? | 0:03:40 | 0:03:42 | |
Yeah, it's going to bring us some good luck, hopefully! | 0:03:42 | 0:03:45 | |
Well, there you go. You may need it up against these boys, I tell you. | 0:03:45 | 0:03:49 | |
Now, Beth, you're another creative soul. Tell us about your creativity. | 0:03:49 | 0:03:53 | |
Oh, I do all sorts, really. I'm well into, like, arts and crafts. | 0:03:53 | 0:03:56 | |
I started out at uni, in illustration, | 0:03:56 | 0:03:59 | |
so I do, like, a lot of greetings cards and drawings, | 0:03:59 | 0:04:03 | |
and then I do, like, knitting and crochet is quite a new thing. | 0:04:03 | 0:04:05 | |
-I learned that last year. -Did you? | 0:04:05 | 0:04:07 | |
So I'm doing, like, granny blankets and stuff. | 0:04:07 | 0:04:10 | |
Is this how you spend your evenings, or do you go out much? | 0:04:10 | 0:04:12 | |
-Yeah, I go out as well! -Oh, that's fair enough. | 0:04:12 | 0:04:14 | |
And you collect as well as create? | 0:04:14 | 0:04:17 | |
I like, sort of, '50s sort of stuff, | 0:04:17 | 0:04:19 | |
but I've recently got the taste for, like... | 0:04:19 | 0:04:22 | |
kitsch kind of ornaments. | 0:04:22 | 0:04:24 | |
-Oh, yeah? -Which are quite tacky! -Terrible. | 0:04:24 | 0:04:27 | |
Are you going to be going for this stuff on Bargain Hunt today? | 0:04:27 | 0:04:30 | |
-Well, maybe. -Really? -I don't know. We'll see. -Are you quite confident? | 0:04:30 | 0:04:34 | |
Yeah, yeah. | 0:04:34 | 0:04:36 | |
Well, for Christmas, Beth bought me, from a charity shop, | 0:04:36 | 0:04:38 | |
-the Bargain Hunt board game. -Oh, lovely. | 0:04:38 | 0:04:41 | |
So in preparation, we played that with us friends, and we did win, we won. | 0:04:41 | 0:04:44 | |
-Did you? -So, we think it might be a good sign for today. | 0:04:44 | 0:04:47 | |
I'm not sure that is going to be | 0:04:47 | 0:04:49 | |
the qualification to beat all qualifications, | 0:04:49 | 0:04:51 | |
but you never know, and that's the joy of the show. | 0:04:51 | 0:04:53 | |
Anyway, now is the moment to give you £300 apiece. £300... | 0:04:53 | 0:04:56 | |
-Thank you very much. -You know the rules, your experts await, | 0:04:56 | 0:04:59 | |
and off you go and very, very, very good luck! | 0:04:59 | 0:05:03 | |
Octo-pushy, eh? | 0:05:03 | 0:05:05 | |
Let's meet the experts. | 0:05:06 | 0:05:08 | |
Aiming for victory for the Reds, it's Natasha Raskin. | 0:05:09 | 0:05:12 | |
And hoping to spot a few bargains for the Blues, it's Paul Laidlaw. | 0:05:12 | 0:05:16 | |
Darren, you've got no taste! Is this true? | 0:05:17 | 0:05:19 | |
-I know what I like. And I like what I know. -OK. -And I'll stick to it. | 0:05:19 | 0:05:24 | |
Right, so no messing around. Matt, what are you thinking? | 0:05:24 | 0:05:26 | |
He's got a wardrobe full of bad shirts! | 0:05:26 | 0:05:28 | |
There's no way I'm letting him pick anything! | 0:05:28 | 0:05:31 | |
You're passionate about food, cooking and music, yeah? | 0:05:31 | 0:05:34 | |
-Yeah! -Does that help us today? -Uh... -Possibly... | 0:05:34 | 0:05:37 | |
-Help me here, please, help me! -Yeah, of course. | 0:05:37 | 0:05:42 | |
Right, teams, you're on the clock. Get shopping. | 0:05:42 | 0:05:44 | |
These old bikes...? | 0:05:46 | 0:05:48 | |
-The tricycle? -Old bikes, OK, so. | 0:05:48 | 0:05:50 | |
No, I think it's one of these things that probably has | 0:05:50 | 0:05:54 | |
an appeal for interior decor purposes. | 0:05:54 | 0:05:56 | |
So, the boys are already checking out the wheels - and meanwhile, | 0:05:56 | 0:05:59 | |
Paul's got some advice for the girls. | 0:05:59 | 0:06:01 | |
If it grabs your attention, we're in business. | 0:06:01 | 0:06:04 | |
If it doesn't, we just keep moving, yeah? | 0:06:04 | 0:06:06 | |
Of course, it's up to you, but I don't know. | 0:06:06 | 0:06:08 | |
-I like the look of it, but maybe we'll come back to it. -OK, OK, yeah. | 0:06:08 | 0:06:12 | |
-What do you like? -This one. -Nope. -No? OK. | 0:06:12 | 0:06:14 | |
But it grabbed THEIR attention, Paul. | 0:06:14 | 0:06:16 | |
-Technically, "tat." -Oh, yeah, OK. | 0:06:16 | 0:06:20 | |
So, I'm not a trainspotter, but, is something like that, um...? | 0:06:20 | 0:06:25 | |
-It's heavy. It's cast iron. -Oh, my goodness. | 0:06:25 | 0:06:28 | |
-Dear me, that has got some weight to it. -It has! | 0:06:28 | 0:06:30 | |
There's a lot of "Buyer, beware," isn't there, | 0:06:30 | 0:06:32 | |
when it comes to these sort of things. Is it reproduction? | 0:06:32 | 0:06:35 | |
But the fact that it's cast iron, it's a great big lump of metal, | 0:06:35 | 0:06:38 | |
the auction's in Derby, it's a Derby sign, it's in three figures. | 0:06:38 | 0:06:44 | |
You can put it down, you can put it down! Oh, my goodness! | 0:06:44 | 0:06:47 | |
-Are you weakening? -So, what would be your best price, sir? | 0:06:47 | 0:06:51 | |
95, it could be. | 0:06:51 | 0:06:53 | |
-95, OK. -It's clean, the lettering is nice and crisp and sharp. | 0:06:53 | 0:06:57 | |
Sometimes, if they get to be rusty, it can get very pitted | 0:06:57 | 0:07:02 | |
-and unreadable. -Yeah. -But it's nice and crisp. | 0:07:02 | 0:07:04 | |
Someone will have repainted this at some stage. | 0:07:04 | 0:07:06 | |
It has been restored. I mean, we couldn't bring you down to 80? | 0:07:06 | 0:07:10 | |
-No, sadly. -85? | 0:07:10 | 0:07:11 | |
-85? -I'll do 90. -You'll do 90. | 0:07:12 | 0:07:16 | |
I think it's too much. What do you think, Darren? | 0:07:16 | 0:07:18 | |
I think we should have a bit of a think about it. | 0:07:18 | 0:07:21 | |
-NATASHA LAUGHS -My gut says that we should go for that. | 0:07:21 | 0:07:23 | |
If you listen to Natasha, the estimate's 60 to 80. | 0:07:23 | 0:07:28 | |
We're paying above that, aren't we? 90's the lowest. | 0:07:28 | 0:07:31 | |
Darren, your call, go on. | 0:07:31 | 0:07:32 | |
-Let's do it. -OK. | 0:07:32 | 0:07:34 | |
Oh, my goodness! He's doing it! OK, shall we shake on it? | 0:07:34 | 0:07:37 | |
It's the polite thing to do. Thank you very much. | 0:07:37 | 0:07:40 | |
The Reds are chuff-chuffed with that, their first item. | 0:07:40 | 0:07:43 | |
I think it's just me that wants that. | 0:07:44 | 0:07:47 | |
-Why do you want that? -I just like it. | 0:07:47 | 0:07:49 | |
No, that's not lined up with the rest of it though. | 0:07:49 | 0:07:52 | |
Brass, I think, patinated brass, and it's a Viking longboat. | 0:07:52 | 0:07:55 | |
I don't think it'd make any money, but I just kind of like it. | 0:07:55 | 0:07:58 | |
Why are we looking at it, then? | 0:07:58 | 0:08:00 | |
I mean, seriously, you've got to have some conviction. | 0:08:00 | 0:08:03 | |
-You started saying, "I like that." -I know, I do, | 0:08:03 | 0:08:06 | |
but we're not in unison on this, so we can't go with that, I don't think. | 0:08:06 | 0:08:10 | |
-Well, there's a clock ticking. -It would depend how much it was. | 0:08:10 | 0:08:13 | |
There's a wee bit of substance to it. It's brass, oxidised. | 0:08:13 | 0:08:17 | |
Longboat... I've got to be honest with you, there's some work in that. | 0:08:17 | 0:08:22 | |
It is Tron Art of Denmark, no surprise about the origin. | 0:08:22 | 0:08:26 | |
But I've got to be honest with you... | 0:08:26 | 0:08:29 | |
Earlier we saw something I referred to as tat - this is not tat. | 0:08:29 | 0:08:32 | |
It may not be your taste, but it's not tat, | 0:08:32 | 0:08:34 | |
-because there's workmanship in that. -Yeah. | 0:08:34 | 0:08:36 | |
You know, someone modelled it, it's cast in brass then it's | 0:08:36 | 0:08:40 | |
multi-piece construction all wired together. | 0:08:40 | 0:08:42 | |
It might not be to your taste, | 0:08:42 | 0:08:44 | |
but you cannot knock it as junk, because it's not. | 0:08:44 | 0:08:47 | |
There's liking it, and then there's being able to live with it. | 0:08:47 | 0:08:50 | |
-Could you live with it? -Yeah, I'd have that in me house! | 0:08:50 | 0:08:54 | |
-Beth? -I wouldn't. -Is that absolute? Is there any...? | 0:08:54 | 0:08:58 | |
I wouldn't have it in my house, but... | 0:08:58 | 0:09:01 | |
-someone might enjoy it. -What's it worth? | 0:09:01 | 0:09:03 | |
-I don't know. -Fiver? -It might be worth 20 or 30 quid. -Oh, that's... | 0:09:03 | 0:09:06 | |
It might be priced up at a fiver, in which case, | 0:09:06 | 0:09:08 | |
that would be looking good. It might be priced up at 30 | 0:09:08 | 0:09:11 | |
and then that's looking bad. Are we going to ask the question? | 0:09:11 | 0:09:13 | |
Yeah, go ask him. | 0:09:13 | 0:09:15 | |
Right, it's your baby. Get in there. | 0:09:15 | 0:09:17 | |
I wanted to know what's your price on your longship? | 0:09:17 | 0:09:19 | |
-20. -20. | 0:09:19 | 0:09:22 | |
-Is there no...? -I'd do 15. | 0:09:22 | 0:09:24 | |
I don't know. We're taking a risk on it. | 0:09:24 | 0:09:26 | |
What do you reckon? See, there's some nice symptoms there. | 0:09:26 | 0:09:31 | |
-Yeah! Yeah, go on, then. -Yay! Get in! | 0:09:31 | 0:09:34 | |
-Shake hands! -Thank you. | 0:09:34 | 0:09:36 | |
THEY LAUGH | 0:09:36 | 0:09:37 | |
Nice one! It's getting better by the minute! | 0:09:37 | 0:09:40 | |
Right, so that's one down. Let's go. | 0:09:40 | 0:09:42 | |
If you were taking a stroll in the 18th century in the fresh air, | 0:09:46 | 0:09:50 | |
there's probably one thing for certain that | 0:09:50 | 0:09:53 | |
you would have about your person. | 0:09:53 | 0:09:56 | |
It's a wee snuffbox, isn't it? | 0:09:56 | 0:09:57 | |
Mashed up tobacco, mixed with some aromatic stuff to make it | 0:09:57 | 0:10:01 | |
smell nice, and you shove a pinch of that up your hooter | 0:10:01 | 0:10:04 | |
and immediately feel a bit better. | 0:10:04 | 0:10:06 | |
Actually, these snuffboxes are extremely collectable. | 0:10:06 | 0:10:10 | |
It's made of an unusual material - looks like ivory, but it's not. | 0:10:10 | 0:10:15 | |
It's blond horn. | 0:10:15 | 0:10:17 | |
And once upon a time, | 0:10:17 | 0:10:18 | |
this horn was attached to the top of a bovine-type creature, | 0:10:18 | 0:10:23 | |
I reckon a water buffalo, | 0:10:23 | 0:10:25 | |
and I think that water buffalo came from India. | 0:10:25 | 0:10:28 | |
This isn't in a variety of pieces, it's one bit of horn, | 0:10:28 | 0:10:32 | |
that has been steamed and shaped. | 0:10:32 | 0:10:35 | |
And to make it grip, | 0:10:35 | 0:10:36 | |
you've nailed inside a little bit of pine or softwood, | 0:10:36 | 0:10:40 | |
so when the snuff's inside, you snick it shut like that | 0:10:40 | 0:10:43 | |
and it ain't going to open. But this has not been made, necessarily, | 0:10:43 | 0:10:46 | |
by a professional snuffbox maker. It's been made by | 0:10:46 | 0:10:50 | |
an amateur craftsman, who I think has been part of | 0:10:50 | 0:10:54 | |
the Portuguese-Indian Empire, and he's done it in exactly 1811. | 0:10:54 | 0:11:01 | |
How can I be certain of that? | 0:11:01 | 0:11:03 | |
Because, glory of glory, turn it upside down and it says 1811. | 0:11:03 | 0:11:08 | |
So we're in the middle of the Napoleonic Wars, | 0:11:08 | 0:11:10 | |
and this Portuguese craftsman is making a delicious snuffbox | 0:11:10 | 0:11:14 | |
over there in India. | 0:11:14 | 0:11:16 | |
The condition is brilliant, it's an extraordinary horn survival, | 0:11:16 | 0:11:21 | |
and as such, to a collector, might be worth as much as £200 to £300. | 0:11:21 | 0:11:27 | |
What would it cost you here today in Newark? | 0:11:27 | 0:11:30 | |
It could be yours for 80 quid. Now, that's not to be sniffed at, is it? | 0:11:30 | 0:11:35 | |
So, the teams have an item each and the Reds are on the move. | 0:11:36 | 0:11:40 | |
That gas pump, gas pump. | 0:11:40 | 0:11:42 | |
If that has a price tag on it of less than £200, | 0:11:42 | 0:11:44 | |
-I'd be very surprised. -It's going to be very expensive. | 0:11:44 | 0:11:48 | |
Very expensive. | 0:11:48 | 0:11:49 | |
-550. -Oh! -Gosh. -I mean, isn't that a stand-out piece? | 0:11:49 | 0:11:52 | |
-Yeah. -I think it's encouraging, because, see this panel here | 0:11:52 | 0:11:56 | |
and see the font - what does it remind you of? | 0:11:56 | 0:11:58 | |
-Well, the sign we've just bought. -The sign we've just bought! -Yeah. | 0:11:58 | 0:12:01 | |
It shows you that there's a market for this kind of thing. | 0:12:01 | 0:12:03 | |
-Yeah, what did we get ours for? 90 quid? -90 quid. | 0:12:03 | 0:12:06 | |
You don't want to sell this for 90? | 0:12:06 | 0:12:08 | |
-TRADER: Sorry. -No? OK! -THEY LAUGH | 0:12:08 | 0:12:10 | |
Well, is the writing on the wall for the Reds? | 0:12:10 | 0:12:13 | |
It could be a sign! | 0:12:13 | 0:12:15 | |
-12 minutes. -Really? -This is good, good! We are ahead of the game. | 0:12:15 | 0:12:18 | |
Have you got a strategy, spend-wise? Are you skinflints, or...? | 0:12:18 | 0:12:22 | |
We were thinking two cheap and then one more expensive. | 0:12:22 | 0:12:26 | |
-OK. -Yeah, like the two cheap ones, hopefully, under £20 spending. | 0:12:26 | 0:12:29 | |
-Whoa! -Yeah. | 0:12:29 | 0:12:30 | |
You'll have to suffer the wrath of Tim if you go down that route, | 0:12:30 | 0:12:34 | |
-but I'm with you! -You tell them, Paul! | 0:12:34 | 0:12:36 | |
I think our teams are indulging in their passions today. | 0:12:36 | 0:12:39 | |
I'm inquisitive about this one. What have we got? | 0:12:39 | 0:12:41 | |
So we've got our balls... | 0:12:41 | 0:12:44 | |
and then, in here, we've got scoreboard... | 0:12:44 | 0:12:48 | |
Oh, we've got the nets that actually screw onto the table. | 0:12:48 | 0:12:51 | |
The original instructions, aye. | 0:12:51 | 0:12:53 | |
All right, OK. I quite like this. | 0:12:53 | 0:12:55 | |
So I think it's probably going to be 20th century. | 0:12:55 | 0:12:58 | |
-There must be something missing. -Do you think that's for the cues? | 0:12:58 | 0:13:01 | |
It might have been for the cues. £180 is the price tag. | 0:13:01 | 0:13:05 | |
For me, it's far too high. | 0:13:05 | 0:13:06 | |
I'd be looking to get this around £80, £90, something like that. | 0:13:06 | 0:13:10 | |
I think we should speak to the gentleman, see what we can do | 0:13:10 | 0:13:13 | |
and make a decision from there. | 0:13:13 | 0:13:15 | |
They're not going to give it away, | 0:13:15 | 0:13:17 | |
but let's see the best that we can do. | 0:13:17 | 0:13:18 | |
-OK. -OK. -Shall we leave you to it? | 0:13:18 | 0:13:21 | |
No rest for Darren. He's off to pocket a deal. | 0:13:21 | 0:13:23 | |
< Anything specific you're looking for? | 0:13:23 | 0:13:25 | |
-We're looking for... -BOTH: -A bargain. | 0:13:25 | 0:13:28 | |
The Blues certainly seem to be in unison now. | 0:13:28 | 0:13:30 | |
-I walked into that one, didn't I?! -Yeah! | 0:13:30 | 0:13:33 | |
-It's mad! -It's not antique, is it? I do love it though. | 0:13:33 | 0:13:36 | |
-How old is that? '70s? -How much is it? | 0:13:36 | 0:13:39 | |
-'70s bike, is it? '70s? -Yeah, yeah. | 0:13:39 | 0:13:41 | |
I can't really ride a bike though, so... | 0:13:41 | 0:13:43 | |
You don't need to, you just sit on the back! | 0:13:43 | 0:13:46 | |
You don't want to take that home. | 0:13:46 | 0:13:48 | |
I'll tell you the very, very base on it, was 170, the very base. | 0:13:48 | 0:13:51 | |
Right, we need to move on, I think. We're beat here. | 0:13:51 | 0:13:54 | |
My friend, good to see you, buddy. | 0:13:54 | 0:13:56 | |
Yous will regret it! THEY LAUGH | 0:13:56 | 0:13:59 | |
So, the girls are passing on the tandem. | 0:13:59 | 0:14:01 | |
How did you get on? | 0:14:01 | 0:14:02 | |
It's not good news. 120. | 0:14:02 | 0:14:05 | |
-120. It's a bit rich, isn't it? -It is a bit rich. | 0:14:05 | 0:14:07 | |
How hard did you push him? | 0:14:07 | 0:14:09 | |
-Well, from 180 to 120, I think that's quite good. -Yeah. | 0:14:09 | 0:14:12 | |
What do you think, though, given the advice we've had? | 0:14:12 | 0:14:15 | |
I honestly don't think we should go for it, not at that price, | 0:14:15 | 0:14:18 | |
-not at the moment. -Yeah. -OK, I agree. I'm happy with that. -Good. -Move on? | 0:14:18 | 0:14:23 | |
Thank you very much. | 0:14:23 | 0:14:24 | |
Well, that snookered the Reds, then. | 0:14:24 | 0:14:27 | |
Right, how long have we got left, Paul? | 0:14:27 | 0:14:28 | |
-Uh, 20 minutes! 20 minutes! We're not panicking yet. -Aren't we? | 0:14:28 | 0:14:34 | |
Yeah, we're panicking, we're totally panicking! | 0:14:34 | 0:14:36 | |
Would you believe that we have less than 20 minutes left? | 0:14:38 | 0:14:41 | |
-Oh! -I don't want to scare you! | 0:14:41 | 0:14:43 | |
We've found something that both of you like. Why do you like it? | 0:14:44 | 0:14:47 | |
I know why you like it. | 0:14:47 | 0:14:49 | |
-It's awful! -It's hideous. -It's awful. | 0:14:49 | 0:14:51 | |
-Oh, be nice, Paul! -But, I'm desperate. See this? | 0:14:51 | 0:14:55 | |
This is Laidlaw desperate! And I'm going to... | 0:14:55 | 0:14:59 | |
I love this(!) This is the nicest thing I've ever seen(!) | 0:14:59 | 0:15:02 | |
Oh, no, that's horrendous! | 0:15:02 | 0:15:03 | |
-What is it? 1950s. -Really? -Kitsch. | 0:15:03 | 0:15:05 | |
It's either a very small dog or a massive lantern. | 0:15:05 | 0:15:08 | |
Cos that's what it is. It is a Chinese lantern. | 0:15:08 | 0:15:10 | |
I think it might be French and 1950s. | 0:15:10 | 0:15:13 | |
Many would say 1930s and suggest Deco. I think it's '50s Moderne. | 0:15:13 | 0:15:19 | |
This is in base metal, patinated, I don't think that's even brass. | 0:15:19 | 0:15:24 | |
Moulded glass with a bit of nasty gilding on it. | 0:15:24 | 0:15:26 | |
I am being scathing, but let's... Serious hat on. | 0:15:26 | 0:15:31 | |
You like it. It taps into that whole kitsch aesthetic | 0:15:31 | 0:15:35 | |
and if you saw that illuminated in the right environment, | 0:15:35 | 0:15:37 | |
I think it would be charming. | 0:15:37 | 0:15:39 | |
And you're going to get a laugh if nothing else. | 0:15:39 | 0:15:41 | |
It's the only horrible thing that | 0:15:41 | 0:15:43 | |
-we've seen that Beth doesn't like! -THEY LAUGH | 0:15:43 | 0:15:45 | |
-It's hideous, but I do quite like it. -Well, this is, this is, this is... | 0:15:45 | 0:15:48 | |
-We need a price on it. -Why do we keep finding ourselves | 0:15:48 | 0:15:51 | |
with things that we hate, but we love? | 0:15:51 | 0:15:52 | |
-I can't help it, it's just my taste. -That lamp's not expensive! | 0:15:52 | 0:15:56 | |
Tell me that's not expensive! | 0:15:56 | 0:15:58 | |
-25. -What's it worth to you? | 0:15:58 | 0:16:00 | |
-You love it, remember. -I'd pay about £15 for it, I think. | 0:16:00 | 0:16:02 | |
-Yeah, I'd pay about 15. -There you go. | 0:16:02 | 0:16:04 | |
I'd buy it for myself for my house. | 0:16:04 | 0:16:06 | |
What I'm loving is the agreement - you both like it, you both know what | 0:16:06 | 0:16:09 | |
you want to pay for it, but this is the lady you've got to convince. | 0:16:09 | 0:16:13 | |
BOTH: Please! | 0:16:13 | 0:16:15 | |
Start crying! Start crying! Start crying! | 0:16:15 | 0:16:17 | |
-OK. -Seriously? | 0:16:17 | 0:16:18 | |
-Thank you! -Woo-hoo! Get in there! | 0:16:18 | 0:16:21 | |
Well, the Blues are tickled pink by the lamp, | 0:16:21 | 0:16:23 | |
and they're not the only ones. | 0:16:23 | 0:16:25 | |
-We've got a nanosecond left, and something else to buy. -BOTH: I know. | 0:16:25 | 0:16:28 | |
Keep looking. Is there anything else here that you both love? | 0:16:28 | 0:16:31 | |
Yeah - with 20 minutes left on the clock, | 0:16:31 | 0:16:33 | |
there's no time to waste, teams. | 0:16:33 | 0:16:35 | |
What about those scales there? Is that...? | 0:16:35 | 0:16:37 | |
-Those scales are lovely. -They're too modern, or...? -I don't think they're | 0:16:37 | 0:16:40 | |
-very modern, I just think they're going to be expensive. -Oh, right. | 0:16:40 | 0:16:43 | |
-I've got expensive taste, haven't I? -88. -You do. £88? Do you know what? | 0:16:43 | 0:16:48 | |
That's actually less scary than I thought. Let's have a look at them. | 0:16:48 | 0:16:52 | |
We've got a little drawer there. | 0:16:52 | 0:16:54 | |
Very late 19th century I would say, and I like them. | 0:16:54 | 0:16:58 | |
£88 is a bit rich, but I don't think I would quibble | 0:16:58 | 0:17:00 | |
if we got them for about 55, 50, 55. | 0:17:00 | 0:17:03 | |
What do you think? | 0:17:03 | 0:17:05 | |
-Yeah, that sounds reasonable. -I quite like that. -How does it work? | 0:17:05 | 0:17:08 | |
-You have to pull that? Ah! -Exactly. | 0:17:08 | 0:17:09 | |
Maybe they're a little newer than they seem, | 0:17:10 | 0:17:13 | |
but they are for decorative purposes. | 0:17:13 | 0:17:15 | |
So, I don't think we need to worry too much about the age. | 0:17:15 | 0:17:17 | |
What do you think? | 0:17:17 | 0:17:19 | |
Let's go for it. Let's go and have a chat. | 0:17:19 | 0:17:21 | |
88 on them. How would you feel about 50? | 0:17:21 | 0:17:24 | |
-No haggling price. £60. -£60. -I think that's a fair reduction. | 0:17:24 | 0:17:29 | |
-I think it is a fair reduction. -I'm happy with the price. | 0:17:29 | 0:17:32 | |
What do you think, Darren? | 0:17:32 | 0:17:33 | |
On balance, I think that's probably all right! | 0:17:33 | 0:17:35 | |
Easy, Matt! That's my line! | 0:17:35 | 0:17:37 | |
Yes, well, I think it's a deal. What do you think? | 0:17:37 | 0:17:40 | |
You've got to shake on it. | 0:17:40 | 0:17:41 | |
-All right. -Thank you very much. Thank you. | 0:17:41 | 0:17:44 | |
Well done, boys. Your second item, and you certainly managed | 0:17:45 | 0:17:48 | |
to lose a few pounds off the marked price there. | 0:17:48 | 0:17:51 | |
It's a Hardy's vintage fishing rod. Two piece, 65... | 0:17:52 | 0:17:56 | |
It's enough. | 0:17:56 | 0:17:58 | |
Doulton Natural Foliage Ware, I love that as a series. But it... | 0:17:58 | 0:18:04 | |
I'd call that a wine glass! | 0:18:04 | 0:18:05 | |
-THEY LAUGH -Hardcore! | 0:18:05 | 0:18:08 | |
-They're not jumping out. I don't mind the fishing rod. -I like it. | 0:18:08 | 0:18:11 | |
You like? Like and don't mind. | 0:18:11 | 0:18:13 | |
-That's not bad. -I'm not overly bothered about the pot, though. | 0:18:13 | 0:18:16 | |
I understand that, I understand that. Do we keep looking? | 0:18:16 | 0:18:20 | |
-We're not doing very well. -They were close, they were close. | 0:18:20 | 0:18:23 | |
No, they're just not biting, Paul. | 0:18:23 | 0:18:25 | |
-So, we've got 150 left. We've got exactly half left. -Let's try | 0:18:25 | 0:18:28 | |
-and keep it cheap this time. -OK, keep it cheap. -OK. -OK, right. | 0:18:28 | 0:18:31 | |
-It's harder than you think, isn't it? -It is hard. | 0:18:33 | 0:18:35 | |
You're not wrong there, Matt, and the clock is ticking. | 0:18:35 | 0:18:38 | |
Well, plenty up here. Let's go. We're going to do it. Ten minutes! | 0:18:38 | 0:18:41 | |
Come on, girls! I think it's decision time! | 0:18:41 | 0:18:44 | |
-We really want the tandem, but it's too much. -Ah, now, see, see! | 0:18:44 | 0:18:47 | |
You could go back there, but if you do, you're committed to | 0:18:47 | 0:18:50 | |
buying something off that stall, because we can't look. | 0:18:50 | 0:18:53 | |
-We have to run right across there and haggle. -How much was it? -175. | 0:18:53 | 0:18:56 | |
-So we CAN afford it. -But it needs to be less than that. -175. | 0:18:56 | 0:19:00 | |
-Shall we go and try? -If you can get it for 125, you're in with a punt. | 0:19:00 | 0:19:03 | |
Do you think we can...? Do you want to go for it and beg? | 0:19:03 | 0:19:05 | |
We'll ask for 125, and if not, | 0:19:05 | 0:19:07 | |
we're buying the cheapest thing that he's got on his stall. | 0:19:07 | 0:19:10 | |
Right. Come on then, we'll run. | 0:19:10 | 0:19:12 | |
-Are we running? -Yes, we are! We're running! Come on! Run, run! | 0:19:12 | 0:19:16 | |
So, the girls are hot-footing it to the bike | 0:19:18 | 0:19:20 | |
but the boys are still browsing. | 0:19:20 | 0:19:22 | |
Right, OK, OK. This looks like a nice stall. Nice things here. | 0:19:22 | 0:19:25 | |
-What about this tea caddy here? -TRADER: It's decorative. | 0:19:25 | 0:19:27 | |
It is decorative. | 0:19:27 | 0:19:29 | |
Yeah, it's inscribed, isn't it? | 0:19:29 | 0:19:31 | |
TRADER: Yes, and it's very of the moment, | 0:19:31 | 0:19:34 | |
being Chinese as well, which is quite hot. | 0:19:34 | 0:19:37 | |
I mean, it's quite tricky to age these Asian things. | 0:19:37 | 0:19:39 | |
I mean, what's your gut feeling as to its age? | 0:19:39 | 0:19:41 | |
I'd say about, sort of 1920. | 0:19:41 | 0:19:44 | |
I like that, actually. And what's your price on that? | 0:19:44 | 0:19:46 | |
-£30. -£30. Oh, that's quite fair. I mean... -I'm very cheap! | 0:19:46 | 0:19:51 | |
I mean, what do you think? | 0:19:51 | 0:19:52 | |
It's a fair price, but it is a wee bit tricky to tell exactly | 0:19:52 | 0:19:56 | |
how old this is, but it's in lovely condition. | 0:19:56 | 0:19:59 | |
It's got that gorgeous gilt decoration on it. | 0:19:59 | 0:20:01 | |
It's got exactly what you would expect from oriental decoration. | 0:20:01 | 0:20:05 | |
It even says, "With best compliments for Lo King Kee, Hankow, China." | 0:20:05 | 0:20:08 | |
That's a real seller for me. | 0:20:08 | 0:20:10 | |
Would you take 20 for that? | 0:20:10 | 0:20:12 | |
-I can't, really. 25 and that's it. -25. | 0:20:12 | 0:20:15 | |
And that is very, very reasonable. | 0:20:15 | 0:20:16 | |
I think, before we agree, I think | 0:20:16 | 0:20:18 | |
I'll tell you why I think it's reasonable because boxes are in, | 0:20:18 | 0:20:20 | |
people are buying lovely boxes, decorative things. | 0:20:20 | 0:20:23 | |
-Very good sellers. -Tea is in. | 0:20:23 | 0:20:25 | |
All things to do with tea, China, they're selling well, | 0:20:25 | 0:20:27 | |
and I think, for 25 quid, she's doing us a real favour. | 0:20:27 | 0:20:31 | |
-You've sold it. Go on, let's go. -Oh, my goodness! | 0:20:31 | 0:20:33 | |
Shall we shake on it? | 0:20:33 | 0:20:35 | |
Oh, thank you so much. You're very kind. Thank you very much. £25. | 0:20:35 | 0:20:39 | |
Well done, Reds, you can go for a cuppa. Whereas the Blues... | 0:20:39 | 0:20:43 | |
Right, through here. Short cut! | 0:20:43 | 0:20:45 | |
It's still there, it's still there. It's over there. | 0:20:45 | 0:20:48 | |
Look, it's still there. | 0:20:50 | 0:20:52 | |
You guys love this tandem. | 0:20:52 | 0:20:55 | |
Right, dude, we're back. Get real with the bike, man, get real! | 0:20:55 | 0:20:59 | |
Honestly, I bought it to tour the world, right, | 0:20:59 | 0:21:01 | |
and I've decided to change my plans, right? | 0:21:01 | 0:21:04 | |
It's going to make 100 quid, isn't it? A second-hand tandem? | 0:21:04 | 0:21:07 | |
It's not! It's beautiful! Show me another one in here the day. | 0:21:07 | 0:21:11 | |
-Seriously, is it 175 quid? -I need that, Paul, every penny. | 0:21:11 | 0:21:13 | |
Oh! Woo, woo, woo! | 0:21:13 | 0:21:15 | |
Right, I reckon it's worth... | 0:21:15 | 0:21:18 | |
Maybe that is the mother of all tandems! | 0:21:18 | 0:21:21 | |
Um, I suspect it's not, and I suspect it's worth 120 quid. | 0:21:21 | 0:21:25 | |
-Yeah. -So you're taking a punt. | 0:21:25 | 0:21:27 | |
-One original... -150. -No, I couldn't, honestly. | 0:21:27 | 0:21:30 | |
I'd take 160, I'm losing 15 quid at that. | 0:21:30 | 0:21:31 | |
Honestly, this is the new ecological friendly thing! | 0:21:31 | 0:21:36 | |
Everybody's buying them now! | 0:21:36 | 0:21:37 | |
THEY LAUGH | 0:21:37 | 0:21:38 | |
It's a strong and varied pitch. | 0:21:38 | 0:21:41 | |
Take Beth's generous offer of 150. It's a round number, man. | 0:21:41 | 0:21:45 | |
Seal the deal... | 0:21:45 | 0:21:47 | |
and get rid of that bike that's been an albatross round your neck! | 0:21:47 | 0:21:50 | |
TRADER SIGHS AND PAUL LAUGHS | 0:21:50 | 0:21:53 | |
-Yeah! -THEY LAUGH | 0:21:53 | 0:21:57 | |
Cheers! | 0:21:57 | 0:21:59 | |
Hey, you did it. | 0:21:59 | 0:22:00 | |
You spent 15, and then you spent another 15, | 0:22:00 | 0:22:04 | |
and then you waded in deep on a tandem. | 0:22:04 | 0:22:07 | |
You couldn't have scripted this little road trip, could you? | 0:22:07 | 0:22:11 | |
Not even in a Hollywood classic, Paul. Now, come on, girls, | 0:22:11 | 0:22:14 | |
let's get pedalling, shall we? | 0:22:14 | 0:22:16 | |
# Raindrops keep falling on my head | 0:22:16 | 0:22:20 | |
# But that doesn't mean my eyes will soon be turning red... # | 0:22:20 | 0:22:24 | |
Time's up! Let's check out what the Red team removed. | 0:22:25 | 0:22:28 | |
The Reds steamed ahead with the railway sign for £90. | 0:22:31 | 0:22:34 | |
They weighed up their options before choosing their second item. | 0:22:36 | 0:22:39 | |
The set of scales left them £60 lighter. | 0:22:39 | 0:22:43 | |
And, finally, they bagged the tea caddy for 25 notes. | 0:22:43 | 0:22:46 | |
Well, chaps, you were lucky, weren't you? | 0:22:47 | 0:22:49 | |
Natasha, for a whole hour, you took it to the last moment! | 0:22:49 | 0:22:53 | |
Anyway, no wonder you're all smiling. OK, super-duper. | 0:22:53 | 0:22:56 | |
Now, how much did you spend? | 0:22:56 | 0:22:58 | |
-175. -You spent 175. I'd like £125 of leftover lolly, please. | 0:22:58 | 0:23:02 | |
Thank you. £125. Which is your favourite piece? | 0:23:02 | 0:23:06 | |
-Favourite piece is the scales. -Is it? -Yes. -What about you, Matt? | 0:23:06 | 0:23:09 | |
-I like the sign. -The sign is your favourite? -Yes, the weight of it. | 0:23:09 | 0:23:13 | |
Is the sign going to bring your biggest profit, do you think? | 0:23:13 | 0:23:16 | |
-Probably not, no. -Oh. What will, then? | 0:23:16 | 0:23:18 | |
I think, maybe the tea caddy that Natasha got us. | 0:23:18 | 0:23:21 | |
There's a lot of maybes going on here! | 0:23:21 | 0:23:23 | |
Yes, I doubt we'd get any profit, actually. | 0:23:23 | 0:23:25 | |
THEY LAUGH | 0:23:25 | 0:23:27 | |
You're Mr Confident, aren't you?! | 0:23:27 | 0:23:28 | |
Which is your prediction as to the biggest profit, then, Darren? | 0:23:28 | 0:23:31 | |
-I think the sign. -The sign, do you? | 0:23:31 | 0:23:33 | |
-I think the sign's a real collector's item. -I like this. | 0:23:33 | 0:23:35 | |
This is a confident note coming into it. | 0:23:35 | 0:23:38 | |
Now, I can see why it took you for ever, Natasha. | 0:23:38 | 0:23:41 | |
But you've had fun, right? | 0:23:41 | 0:23:42 | |
I had a great time, but hopefully I'll bring them a nice, | 0:23:42 | 0:23:44 | |
-interesting bonus buy. -Is that what you're going for? Interest, are you? | 0:23:44 | 0:23:48 | |
-I think so. -Very nice too. | 0:23:48 | 0:23:49 | |
Why don't you lot shove off while we check out | 0:23:49 | 0:23:52 | |
what the Blue team bought, eh? | 0:23:52 | 0:23:54 | |
The first buy was plain sailing for the Blues - | 0:23:54 | 0:23:56 | |
just £15 for the brass model of a Viking ship. | 0:23:56 | 0:23:59 | |
A further £15 bought them the table lamp. | 0:24:01 | 0:24:03 | |
Small dog, huge lantern... The jury is still out on that one. | 0:24:03 | 0:24:07 | |
And the girls just made it | 0:24:07 | 0:24:09 | |
across the line in time on their bicycle made for two. | 0:24:09 | 0:24:11 | |
That cost them £150. | 0:24:11 | 0:24:14 | |
-OK, now, Louise, Beth. Did you have a good time? -Yeah, yeah, good. | 0:24:14 | 0:24:17 | |
-We had a really good day. -OK, so which is your favourite piece? | 0:24:17 | 0:24:21 | |
-My favourite is the lamp. -Yeah. -Even though it's hideous-looking! | 0:24:21 | 0:24:26 | |
But it appeals, and that's your favourite. OK. Do you agree, Beth? | 0:24:26 | 0:24:29 | |
-I like the lamp as well. -Do you? | 0:24:29 | 0:24:30 | |
Well, I hate it, but I like it as well at the same time. | 0:24:30 | 0:24:34 | |
OK, so this love-hate thing. This means it stirs an emotion, right? | 0:24:34 | 0:24:38 | |
-Yeah! -But will they pay any money for it? | 0:24:38 | 0:24:40 | |
What's going to bring the biggest profit then, you two peas? | 0:24:40 | 0:24:43 | |
-The lamp, definitely the lamp. -I think the Viking ship. -Viking ship? | 0:24:43 | 0:24:47 | |
Well, that's what I liked the most. | 0:24:47 | 0:24:49 | |
As soon as I saw it, I wanted to buy it, | 0:24:49 | 0:24:51 | |
-so I would buy that anyway, probably. -Would you? OK, brilliant, brilliant. | 0:24:51 | 0:24:54 | |
Well, we seem to have got there very beautifully. | 0:24:54 | 0:24:56 | |
And the total amount of spend was? | 0:24:56 | 0:24:58 | |
-180. -180? I'd like £120 of leftover lolly. Who's got that? | 0:24:58 | 0:25:02 | |
-That's me. There we go. It's a bit of a mess. -We don't mind that. | 0:25:02 | 0:25:06 | |
We don't mind a mess, do we, Paulus? | 0:25:06 | 0:25:08 | |
Cash messes? There's nothing the matter with cash! | 0:25:08 | 0:25:10 | |
What are you going to spend it on, Paul Laidlaw? | 0:25:10 | 0:25:12 | |
Do you know, I have no idea. I've been out with these girls | 0:25:12 | 0:25:15 | |
and I've only been focusing on the mission! | 0:25:15 | 0:25:17 | |
Now, I've got to start again. | 0:25:17 | 0:25:18 | |
Well, we've trotted from Newark to be with Charles Hanson at Etwall | 0:25:25 | 0:25:31 | |
just outside Derby, and very, very nice it is to be here, Carlos. | 0:25:31 | 0:25:34 | |
-Tim, welcome. -We've got Matt and Darren, who've gone with their trio. | 0:25:34 | 0:25:38 | |
-Yes. -They've got the Midland Railway notice board. | 0:25:38 | 0:25:41 | |
Now, this is bulletproof, isn't it? Cast iron. | 0:25:41 | 0:25:43 | |
Tim, I think it's a wonderful thing to buy for the auction here | 0:25:43 | 0:25:46 | |
in Derbyshire, because, obviously, Derby is a wonderful railway town. | 0:25:46 | 0:25:49 | |
The railway began in Derby in 1844. | 0:25:49 | 0:25:53 | |
It's amazing these objects, you know, almost like posters, | 0:25:53 | 0:25:56 | |
people do enjoy them. The teams have bought with a good eye. | 0:25:56 | 0:25:59 | |
It's a cracking thing, isn't it? 1899, it's in brilliant condition... | 0:25:59 | 0:26:03 | |
Tim, I think with a wave of enthusiasm | 0:26:03 | 0:26:05 | |
-I hope it might just make up to £100. -Oh, do you? -Yes, I do. | 0:26:05 | 0:26:08 | |
-Well, that's all right. They paid £90. -Good, good. | 0:26:08 | 0:26:10 | |
-So, that's a relief. -Good. -Next is the brass scales. -Yes. | 0:26:10 | 0:26:13 | |
I'll tell you what I like about these, | 0:26:13 | 0:26:16 | |
is the collapsible nature of them. | 0:26:16 | 0:26:18 | |
I like the colour of the box, | 0:26:18 | 0:26:19 | |
I like that you've got very much an early 19th-century set there, | 0:26:19 | 0:26:23 | |
which is so much better than the ordinary Victorian, don't you think? | 0:26:23 | 0:26:26 | |
I think that whenever you look at furniture or veneer | 0:26:26 | 0:26:29 | |
you look at the depth of colour, and it glows, | 0:26:29 | 0:26:31 | |
it has a wonderful patinated look about it. | 0:26:31 | 0:26:35 | |
It's got that depth of the 1820s, 1830s, | 0:26:35 | 0:26:37 | |
and it really is, as you say, a wonderful complete contraption. | 0:26:37 | 0:26:42 | |
Exactly. So, how much for a complete contraption then, Carlos? | 0:26:42 | 0:26:44 | |
Tim, on its original feet we would guide it to fetch...again, | 0:26:44 | 0:26:47 | |
-we are realistic, we want to vroom-vroom. -Oh, yeah? | 0:26:47 | 0:26:51 | |
-So, between £40 and £60. -OK, £60 paid. | 0:26:51 | 0:26:54 | |
But by the time you've accelerated, Charles, with any luck, | 0:26:54 | 0:26:57 | |
we'll be past the starting post. | 0:26:57 | 0:26:58 | |
-Correct. -Now, black lacquered tea caddy. -Yes! | 0:26:58 | 0:27:02 | |
It's a pretty chunky old tea caddy, isn't it? | 0:27:02 | 0:27:04 | |
-I did some research, Tim, into this, and it first came over in 1875. -Ah! | 0:27:04 | 0:27:09 | |
The gilding is in good condition. | 0:27:09 | 0:27:12 | |
It's just a wonderful object from a bygone age, when the history | 0:27:12 | 0:27:15 | |
of tea and the tea ceremony and tea drinking were so exotic. | 0:27:15 | 0:27:19 | |
Yeah, well, there we go. What's your estimate? | 0:27:19 | 0:27:21 | |
I expect it will make between £40 and £60. | 0:27:21 | 0:27:24 | |
-Do you really? Good lord, Charles. £25 paid that is. -Good. | 0:27:24 | 0:27:28 | |
So that should be an automatic profit. | 0:27:28 | 0:27:30 | |
It all depends, really, on how this cast-iron sign goes, | 0:27:30 | 0:27:33 | |
cos if it doesn't do too well, | 0:27:33 | 0:27:35 | |
then the signs are going to be going against our team and they're | 0:27:35 | 0:27:39 | |
going to need the bonus buy, so let's go and have a look at it. | 0:27:39 | 0:27:42 | |
Well, chaps, this is exciting, isn't it? | 0:27:42 | 0:27:44 | |
You gave the girl £125, and I'm going to help her | 0:27:44 | 0:27:48 | |
take off the cloth, and we're going to find out what she spent it on. | 0:27:48 | 0:27:51 | |
Yes! And that is it. | 0:27:51 | 0:27:54 | |
-Oh, right, wow. -There we have a ship's compass. What do you think? | 0:27:54 | 0:27:58 | |
That's really good. | 0:27:58 | 0:27:59 | |
It's early 20th century, it's quite hard to date it, | 0:27:59 | 0:28:02 | |
but what's really nice is that the face is in good order. | 0:28:02 | 0:28:05 | |
No big cracks or smashes and it's moving around. | 0:28:05 | 0:28:07 | |
I didn't pay very much for it. | 0:28:07 | 0:28:09 | |
-OK, then. -What did you pay? -I only paid £30 for it. | 0:28:09 | 0:28:12 | |
-£30! -Excellent. -Yeah, so I think that was quite all right. | 0:28:12 | 0:28:14 | |
I would be disappointed if it didn't make £40, £50 at least. | 0:28:14 | 0:28:17 | |
-So, it's a bit of a gamble, but I love it! -Fantastic! | 0:28:17 | 0:28:21 | |
-We'll go with that. -Excellent. Thank you. | 0:28:21 | 0:28:24 | |
How far are we from the sea here in Derby? | 0:28:24 | 0:28:27 | |
Right! | 0:28:27 | 0:28:29 | |
-There's a canal. -Oh, yes, you go by canal. -There's a canal! | 0:28:29 | 0:28:32 | |
-Take your compass with you. -Oh, dear! Well, hopefully... | 0:28:32 | 0:28:35 | |
There we are. Hold those thoughts from Natasha, all right? | 0:28:35 | 0:28:38 | |
She spent £30. She's saying it should bring at least £40 to £60. | 0:28:38 | 0:28:42 | |
That's what you have to recall at the moment after you've | 0:28:42 | 0:28:45 | |
sold your first three items, | 0:28:45 | 0:28:46 | |
that I ask you whether you want to go with the bonus buy or not. | 0:28:46 | 0:28:49 | |
But right now, for the audience at home | 0:28:49 | 0:28:51 | |
let's find out what the auctioneer thinks about Natasha's compass. | 0:28:51 | 0:28:55 | |
-There you go, Carlos. -Thanks, Tim. | 0:28:57 | 0:28:58 | |
Something for a bit of yachting, I suppose. | 0:28:58 | 0:29:00 | |
Yeah, I admire sailors, because I would not be able to sail. | 0:29:00 | 0:29:04 | |
I think it's a most complex and confusing pastime. | 0:29:04 | 0:29:07 | |
Charles, you would take to it like a duck to water if you had a good go. | 0:29:07 | 0:29:11 | |
It's a lovely object, Tim, and these contraptions again, | 0:29:11 | 0:29:13 | |
with the scientific interest, | 0:29:13 | 0:29:15 | |
there's a huge marketplace for these objects in our salerooms. | 0:29:15 | 0:29:18 | |
-Nice object. -OK, fine. | 0:29:18 | 0:29:19 | |
I have to say, it comes with its sliding lid there, look, | 0:29:19 | 0:29:22 | |
so, you are ready to go to sea, Charles. | 0:29:22 | 0:29:24 | |
Aye-aye, Captain. We think it's worth between £40 and £60. | 0:29:24 | 0:29:27 | |
OK. I think you're going in the right direction, Charles, | 0:29:27 | 0:29:29 | |
-for that compass. £30 paid by Natasha. -Good. | 0:29:29 | 0:29:32 | |
-So, she's done well with that... -She has. | 0:29:32 | 0:29:34 | |
..potentially, if the team decide to go with it. | 0:29:34 | 0:29:37 | |
Anyway, that's it for the Red team. Now, for the Blues. What a mixture! | 0:29:37 | 0:29:40 | |
We've got the Viking sailing ship. | 0:29:40 | 0:29:43 | |
Very, very relevant in today's market | 0:29:43 | 0:29:46 | |
because of all these exhibitions and things relating to the Vikings. | 0:29:46 | 0:29:49 | |
I love history, and that period of the 8th to the 11th century, | 0:29:49 | 0:29:53 | |
it has so much more to reveal, and of course, I think I'm a descendant. | 0:29:53 | 0:29:57 | |
-Hansons come from the Vikings. -Oh, do they? -Exactly. | 0:29:57 | 0:30:00 | |
So, it's something which could perhaps be quite close to my heart. | 0:30:00 | 0:30:04 | |
-I could see you in one of those helmets with the horns, Charles! -Thank you! | 0:30:04 | 0:30:07 | |
But it's a good-looking item. Probably circa 1900. | 0:30:07 | 0:30:10 | |
-OK, well, bearing in mind your Scandinavian roots, Charles... -Yes. | 0:30:10 | 0:30:14 | |
..what's your estimate? | 0:30:14 | 0:30:15 | |
Tim, we hope it will sail away and fly high | 0:30:15 | 0:30:17 | |
and make between £50 and £80. | 0:30:17 | 0:30:19 | |
-Do you really? -Yes, we do. -Gosh! £15 paid. -Is that all? | 0:30:19 | 0:30:22 | |
-That's Louise found that. -Very good, Tim. | 0:30:22 | 0:30:25 | |
Lovely. Now, the table lamp, which is an oddball object really, | 0:30:25 | 0:30:28 | |
-cos it looks a bit like a powder bowl... -Yes, it does. | 0:30:28 | 0:30:31 | |
..from a dressing table, with this woofer next door. | 0:30:31 | 0:30:34 | |
Yes, it does, Tim. I don't know, I think | 0:30:34 | 0:30:35 | |
in the last three or four years we've seen | 0:30:35 | 0:30:37 | |
a re-emergence in terms of interest in these Art Deco | 0:30:37 | 0:30:41 | |
bronzed speltered garnitures, | 0:30:41 | 0:30:43 | |
but it appears to be all original, in nice condition. I think... | 0:30:43 | 0:30:47 | |
But it's a novelty lamp, Charles! It's clever, isn't it? | 0:30:47 | 0:30:49 | |
Yeah, and the canine passion across Derbyshire is huge. | 0:30:49 | 0:30:54 | |
-Well, it screams Art Deco. -It does, Tim. | 0:30:54 | 0:30:56 | |
How much money does it scream to you? | 0:30:56 | 0:30:59 | |
We, Tim, would hope... If I pictured a price now, I think | 0:30:59 | 0:31:01 | |
-it's going to make probably around £45. -Do you really? £15 paid. -£15! | 0:31:01 | 0:31:05 | |
-That's that Beth found that. -Wow! -Clever old Beth. | 0:31:05 | 0:31:09 | |
Now, that Laidlaw, he's challenged us with the tandem bike. | 0:31:09 | 0:31:12 | |
It's a really wonderful bike, and Rudi Altig, | 0:31:12 | 0:31:16 | |
he won his first championship in 1952 and designed the bike, but of | 0:31:16 | 0:31:20 | |
course, with tandems and bikes, they can be very hit and miss at auction. | 0:31:20 | 0:31:23 | |
-Hopefully more hit than miss. -Exactly. -How much, then? | 0:31:23 | 0:31:27 | |
-Between 150 and 250. -OK, well, the Laidlaw paid 150. -Very good. | 0:31:27 | 0:31:31 | |
We know he's very careful when it comes to these things. | 0:31:31 | 0:31:33 | |
So I think this team are going to do all right, | 0:31:33 | 0:31:35 | |
they've got two bargains there and if the bike doesn't let them down | 0:31:35 | 0:31:38 | |
then they'll be away and they won't need their bonus buy | 0:31:38 | 0:31:40 | |
for a change - but let's go and have a look at it, anyway. | 0:31:40 | 0:31:43 | |
Now, Paul Laidlaw, you had £120. What did you buy the girls? | 0:31:44 | 0:31:48 | |
-You've seen it before... -Oh, yeah, I remember that! | 0:31:48 | 0:31:52 | |
-You remember that? -I thought you were going to get the fishing rod, so it's not too bad. | 0:31:52 | 0:31:56 | |
-This was a better buy. -OK. -It's just a Doulton pot. | 0:31:56 | 0:31:59 | |
However, this is from their Natural Foliage Ware series. | 0:31:59 | 0:32:04 | |
It's a proper antique. There's serious design craftsmanship. | 0:32:04 | 0:32:09 | |
Handle it, see how heavy it is. Do you like the feel of the glaze? | 0:32:09 | 0:32:12 | |
Has it got something? Does it do it for you? | 0:32:12 | 0:32:14 | |
It doesn't, really, do it for me to be honest! | 0:32:14 | 0:32:17 | |
Hand it to Beth! Hand it to Beth! | 0:32:17 | 0:32:18 | |
OK, Beth, does it do it for you? | 0:32:18 | 0:32:20 | |
-Uh... -That's a no. | 0:32:20 | 0:32:23 | |
Well, moving on. That's a very nice reaction. Thanks, girls! | 0:32:23 | 0:32:26 | |
Just ask him how much profit it's going to make. | 0:32:26 | 0:32:28 | |
So, how much is it going to sell for, then? | 0:32:28 | 0:32:30 | |
Well, I'll tell you this much, it's going to make a profit. | 0:32:30 | 0:32:32 | |
If I'm unlucky, it makes £20. | 0:32:32 | 0:32:34 | |
Could it make £60? Yes, it could. If the gods are with us, and a few | 0:32:35 | 0:32:40 | |
Doulton collectors that don't have this shape and form like it, | 0:32:40 | 0:32:42 | |
there could be good profit in this, but I'm telling you this much, there is a profit. | 0:32:42 | 0:32:46 | |
OK, we've got the message there. | 0:32:46 | 0:32:48 | |
That's all you really care about - is it going to make a profit? Yes, | 0:32:48 | 0:32:51 | |
he promises you it's going to make a profit, and on that happy note, | 0:32:51 | 0:32:53 | |
let's find out, for the viewers at home, whether the auctioneer thinks it's going to make a profit. | 0:32:53 | 0:32:58 | |
One little pot, look. | 0:32:58 | 0:33:00 | |
-Oh, it's lovely, Tim, isn't it? -Not really. -No, don't you think so? | 0:33:00 | 0:33:03 | |
Well, I think what's lovely about it is the price. | 0:33:03 | 0:33:06 | |
I mean, do you like those bits of Doulton? | 0:33:06 | 0:33:08 | |
I just think, Tim, when you look at this, you've got to | 0:33:08 | 0:33:10 | |
believe that these were leaves that were alive in the 1890s. | 0:33:10 | 0:33:13 | |
-Yeah. -And it's pretty. | 0:33:13 | 0:33:14 | |
-Yeah(!) -So, we envisage it making probably between £30 and £50. | 0:33:14 | 0:33:19 | |
-Well, that's very nice, cos the Laidlaw paid £15. -Oh! | 0:33:19 | 0:33:22 | |
That's why I like it, cos it's only £15 worth. | 0:33:22 | 0:33:25 | |
So for him to find it at 15 is very clever, | 0:33:25 | 0:33:28 | |
and as a bonus buy is a very good buy for his team, | 0:33:28 | 0:33:31 | |
-if they decide to go with it. -Absolutely. | 0:33:31 | 0:33:33 | |
-Now, Carlos, you're taking the sale today? -Tim, I can't wait. | 0:33:33 | 0:33:36 | |
-Oh, we're in safe hands. -I'm in the cockpit, Tim. | 0:33:36 | 0:33:38 | |
Oh. Are we going to take off? | 0:33:38 | 0:33:40 | |
-Matt, Darren, how are you feeling? -Really good. -Nervous. | 0:33:47 | 0:33:49 | |
-You're not nervous, are you? -Oh, I am nervous. -What have you got to be | 0:33:49 | 0:33:52 | |
-nervous about, Matt? -Everything. Every item we've bought. -Do you know, | 0:33:52 | 0:33:55 | |
I've a horrible feeling you might be right! No, that's not the case, | 0:33:55 | 0:33:58 | |
actually. Here comes the railway plaque from heaven! | 0:33:58 | 0:34:00 | |
This is a wonderful Midland Railway notice board. | 0:34:00 | 0:34:03 | |
I've got interest here at £45. I'm asking 50 in the room now. | 0:34:03 | 0:34:07 | |
55, 60, sir, | 0:34:07 | 0:34:09 | |
65, 70, I've got 5, 80. | 0:34:09 | 0:34:13 | |
One more. No? I'm bid £75. | 0:34:13 | 0:34:14 | |
Give me 80 now in the room. Do I see one more bid, surely? | 0:34:14 | 0:34:17 | |
Fair warning. Commission bid on the phone. | 0:34:17 | 0:34:19 | |
-"80, I'm out." 80, I am bid. -Come on! | 0:34:19 | 0:34:23 | |
Do I see 5 now? Fair warning, all done. Bid me a fiver. | 0:34:23 | 0:34:26 | |
-Oh, dear, chaps! -£80, all out. | 0:34:26 | 0:34:30 | |
How disappointing! £80 is minus £10, which is bad luck. | 0:34:30 | 0:34:34 | |
-It's nothing though, is it? -That's not too bad. -It's a whisper. | 0:34:34 | 0:34:36 | |
OK, let's get this back into kilter. | 0:34:36 | 0:34:39 | |
Let's see whether we can balance this out with the scales. | 0:34:39 | 0:34:41 | |
The brass scales, there we are, straight in at £25. | 0:34:41 | 0:34:46 | |
Do I see 30 for it now? 35, 40, sir. | 0:34:46 | 0:34:49 | |
40, I'm out. I've got you. | 0:34:49 | 0:34:50 | |
40, I'm asking 5. On the phone, 45. | 0:34:50 | 0:34:53 | |
45, 50. Look at me. | 0:34:53 | 0:34:55 | |
Look at me! One for the road! | 0:34:55 | 0:34:58 | |
No, he says. 45 I'm bid, do I see 50? | 0:34:58 | 0:35:01 | |
Fair warning, all done. | 0:35:01 | 0:35:02 | |
Oh, dear. Minus £15. No amount of dancing around will get around that. | 0:35:02 | 0:35:08 | |
That's cheap enough, I tell you. | 0:35:08 | 0:35:10 | |
Now - his favourite black tea caddy. | 0:35:10 | 0:35:12 | |
A really interesting late 19th century black lacquered tea caddy. | 0:35:12 | 0:35:16 | |
I'm bid £20 on commission. | 0:35:16 | 0:35:18 | |
I'm asking, the hands go up, 2, 5, 8... I've got 30. | 0:35:18 | 0:35:22 | |
NATASHA GASPS | 0:35:22 | 0:35:24 | |
35 I am bid, I'm asking 40 now. | 0:35:24 | 0:35:27 | |
What a fine box. 40, 5, 50, 5, 60, 5... | 0:35:27 | 0:35:31 | |
I can't handle it, I can't handle it, I can't handle it. | 0:35:31 | 0:35:34 | |
-Look at me. 80! -£80. | 0:35:34 | 0:35:38 | |
85, I've got you. 90... | 0:35:39 | 0:35:41 | |
-Go on! -Go on! Round them up. | 0:35:41 | 0:35:43 | |
Fair warning. Thank you, sir. I sell to you, all done. | 0:35:43 | 0:35:48 | |
-That's fair enough. -Oh, yes! | 0:35:48 | 0:35:49 | |
That's 5 short of 30, | 0:35:49 | 0:35:51 | |
which is plus 65. You lost 25, | 0:35:51 | 0:35:55 | |
which means you're plus 40. | 0:35:55 | 0:35:57 | |
That rather transforms things, doesn't it? | 0:35:57 | 0:35:59 | |
What are you going to do? Are you going to go with the compass or are | 0:35:59 | 0:36:02 | |
-you going to park it? -We're here to enjoy ourselves, we're going to go | 0:36:02 | 0:36:05 | |
-for it. -You are definitely going to do it? -Yes. -You're going to place | 0:36:05 | 0:36:08 | |
-all your faith in Natasha, yes? -Definitely. -OK, fine. -She's more than earned that. | 0:36:08 | 0:36:11 | |
The decision is made, we're going with the bonus buy. | 0:36:11 | 0:36:14 | |
I've got lots of interest in this compass, | 0:36:14 | 0:36:18 | |
and I can begin here with interest at 60. | 0:36:18 | 0:36:21 | |
I'm asking 5, what a wonderful compass! | 0:36:21 | 0:36:23 | |
Maritime interest for the local canals, maybe. | 0:36:23 | 0:36:26 | |
60 I am bid... Not the coast, of course. 60, I'm asking 5 now. | 0:36:26 | 0:36:30 | |
Fair warning, now, bid me a fiver. Come on! All done. | 0:36:30 | 0:36:33 | |
You're out online. Gone. | 0:36:33 | 0:36:34 | |
It's gone, well, how brilliant is that? That's £60, that's plus £30. | 0:36:34 | 0:36:38 | |
You are so clever. Isn't she clever? | 0:36:38 | 0:36:40 | |
-That's a fantastic thing to do. -Brilliant. | 0:36:40 | 0:36:43 | |
Anyway, 40 and 30 is plus 70. That could be a winning score. | 0:36:43 | 0:36:46 | |
Don't say a word to the Blues, all right? | 0:36:46 | 0:36:48 | |
-Nope. -Not a dickybird. OK, brilliant. | 0:36:48 | 0:36:50 | |
-OK, girls, you happy about this? -Yes. | 0:36:57 | 0:37:00 | |
-What do you mean, "Yes?" You sound very... -I think so. | 0:37:00 | 0:37:03 | |
Loulou, you sound very shifty, girl! | 0:37:03 | 0:37:06 | |
Well, I've had time to think about it. | 0:37:06 | 0:37:08 | |
Your first item is the Viking longship, and here it comes. | 0:37:08 | 0:37:12 | |
There it is. I've got a couple of bids here at £18. | 0:37:12 | 0:37:16 | |
That's my bid, bid me 20. 20, 2, 5. | 0:37:16 | 0:37:20 | |
I've got 8, 30, I'm out. | 0:37:20 | 0:37:22 | |
£30 I'm bid. | 0:37:22 | 0:37:24 | |
-Come on, man! -5, 40. | 0:37:24 | 0:37:25 | |
-Yes! -One more. 35, 40. | 0:37:25 | 0:37:29 | |
-One more, sir. -Go on! | 0:37:29 | 0:37:31 | |
45! | 0:37:31 | 0:37:33 | |
-Madam. You're hovering, sir, again. One more. -Go on! | 0:37:33 | 0:37:37 | |
-Like a hovercraft... 55! -ALL: Yes! | 0:37:37 | 0:37:40 | |
-That's the badger! -Well, thank you very much. 50 I am bid. | 0:37:40 | 0:37:43 | |
Do I see 5 now? Fair warning, all done. The gentleman secures it. | 0:37:43 | 0:37:46 | |
Fair warning. Yes, we are. | 0:37:46 | 0:37:48 | |
Well done, girls. That's plus £35. How good is that? | 0:37:48 | 0:37:52 | |
-£35 profit on the first item. -Your cut! | 0:37:52 | 0:37:54 | |
OK. Now, here comes the Deco lamp. | 0:37:54 | 0:37:57 | |
It's Art Deco, it's a table lamp and figure with a Chinese lantern. | 0:37:57 | 0:38:01 | |
A wonderful lot with a dog. | 0:38:01 | 0:38:02 | |
I am only bid 10, 12, 15, £18. It's cheap. Bid me 20. | 0:38:02 | 0:38:08 | |
22, 5, 8, 30. | 0:38:08 | 0:38:11 | |
Lady in red, you're in online. Do I see 5 now? Online, bid me a fiver. | 0:38:11 | 0:38:15 | |
-35, 40. One more? -Go on! | 0:38:15 | 0:38:17 | |
35 your bid, sir. Bid me 40 now. | 0:38:17 | 0:38:20 | |
35 I am bid. 40, 5. | 0:38:20 | 0:38:22 | |
The dog says yes. 45! | 0:38:23 | 0:38:25 | |
-50 online! -Yes! -55! -Go for it! | 0:38:25 | 0:38:29 | |
Against the world, sir, one more in Derbyshire! Stroke the dog! | 0:38:29 | 0:38:33 | |
5 online, 60! | 0:38:34 | 0:38:36 | |
One more. Are you sure? | 0:38:36 | 0:38:39 | |
Bid me 70. There are two conflicting bids. | 0:38:39 | 0:38:41 | |
-There are two on the internet battling it out. -One more. | 0:38:41 | 0:38:45 | |
It could be yours, or I sell on the internet at £70. | 0:38:45 | 0:38:49 | |
45, 55, 60. It's £55 that, plus £55. | 0:38:49 | 0:38:54 | |
Look at that! £55! | 0:38:54 | 0:38:57 | |
German Rudi Altig world champion tandem bike. There we are. | 0:38:57 | 0:39:01 | |
It'll keep you fit. | 0:39:01 | 0:39:03 | |
-It's a super example... -Keep two of you fit. | 0:39:03 | 0:39:05 | |
Commission bids at 110, | 0:39:05 | 0:39:08 | |
120, | 0:39:08 | 0:39:10 | |
-130... -Oh, Charles! -Do I see 140? | 0:39:10 | 0:39:13 | |
-"130, 140, I'm out." -I can't bear it, girls! | 0:39:13 | 0:39:18 | |
We are going, going, gone, at £140. | 0:39:18 | 0:39:22 | |
-Fair warning. -That's so unfortunate. | 0:39:22 | 0:39:25 | |
Oh, dear. Minus £10, that is bad luck. Nevertheless, you're plus 80, | 0:39:25 | 0:39:30 | |
which is nothing short of miraculous, isn't it? | 0:39:30 | 0:39:33 | |
-And you were shifty... -Yeah. -..and nervous about it? | 0:39:33 | 0:39:35 | |
Listen, girls, there's no shame in that. | 0:39:35 | 0:39:37 | |
Good. £80 could be a winning score. | 0:39:37 | 0:39:39 | |
What are you going to do about the jardiniere, | 0:39:39 | 0:39:41 | |
are you going to risk another 15? | 0:39:41 | 0:39:42 | |
-No. -No. -Definitely not. | 0:39:42 | 0:39:45 | |
-I don't know. -Oh! -You did sell it to me. -You sold it well. | 0:39:45 | 0:39:49 | |
You don't like it, but you want to make a profit on something. | 0:39:49 | 0:39:51 | |
You're in for a punt. | 0:39:51 | 0:39:53 | |
-Yeah, go on. -Yeah, go on, then. | 0:39:53 | 0:39:55 | |
-We'll do it. -You're going to do it? -We're doing it, we're doing it. | 0:39:55 | 0:39:59 | |
-Don't have to. -No, we're doing it. -Definitely? | 0:39:59 | 0:40:01 | |
Fair enough. You've trusted Paul, | 0:40:01 | 0:40:03 | |
and we're going with the bonus buy and here it comes. | 0:40:03 | 0:40:06 | |
A really fabulous Royal Doulton jardiniere. There we are. | 0:40:06 | 0:40:09 | |
And I'm bid here... | 0:40:09 | 0:40:10 | |
£12. | 0:40:10 | 0:40:12 | |
15 and I'm out. I'm asking 18, 18, 20. There's hands everywhere. | 0:40:12 | 0:40:16 | |
-22, 5, 8, 30. -Hey, look! -Yay! | 0:40:16 | 0:40:20 | |
-2, 5... -See?! You've got to trust him! | 0:40:20 | 0:40:24 | |
Are you sure? Fair warning, all done. 40. | 0:40:24 | 0:40:27 | |
5. The wife's nudging you, 45. | 0:40:27 | 0:40:30 | |
-50. £45 on the front row. We say... -He's got £45. | 0:40:30 | 0:40:34 | |
Internet is out as well, and gone. | 0:40:34 | 0:40:36 | |
Yes, very good. That is plus 30, which means, overall, girls, | 0:40:36 | 0:40:40 | |
you are plus £110. | 0:40:40 | 0:40:42 | |
-PAUL LAUGHS -Listen, you were brave, | 0:40:42 | 0:40:44 | |
you went with the bike. You just missed on that, | 0:40:44 | 0:40:47 | |
but everything else is just perfect. | 0:40:47 | 0:40:48 | |
-That could be a winning score... -I am surprised. -You are surprised? | 0:40:48 | 0:40:51 | |
Are you really surprised? You didn't think anything was going to make | 0:40:51 | 0:40:55 | |
-anything. There you are. -I thought it would be three no sales. | 0:40:55 | 0:40:57 | |
Anyway, you've done well. Don't say a word to the Reds | 0:40:57 | 0:41:00 | |
and all will be revealed in a moment. | 0:41:00 | 0:41:01 | |
-OK. -Well done, anyway. -Thank you. -Thank you very much, Paul. | 0:41:01 | 0:41:04 | |
Well, isn't this lovely? | 0:41:11 | 0:41:13 | |
-You teams have not been chatting with one another, have you? -ALL: No. | 0:41:13 | 0:41:16 | |
So you have no idea where the individual scores are, do you? | 0:41:16 | 0:41:20 | |
Who is ahead and who is behind? | 0:41:20 | 0:41:22 | |
Both teams are looking remarkably cocky, | 0:41:22 | 0:41:24 | |
because you are going home with profits, both of you, aren't you? | 0:41:24 | 0:41:27 | |
-Oh! -And you're going home with substantial profits for | 0:41:27 | 0:41:30 | |
both teams, which is really exciting. | 0:41:30 | 0:41:33 | |
But it's just which team is marginally ahead | 0:41:33 | 0:41:36 | |
or not in the profits stakes, because it happens | 0:41:36 | 0:41:39 | |
so rarely that we make substantial profits for each team. | 0:41:39 | 0:41:45 | |
-I can't deal with it! -Oh, no! | 0:41:45 | 0:41:46 | |
Well, of course, we can't have two teams of winners. | 0:41:46 | 0:41:49 | |
You have to have a team of runners-up | 0:41:49 | 0:41:51 | |
and the runners-up today, by a chalk, | 0:41:51 | 0:41:53 | |
just happen to be... | 0:41:53 | 0:41:56 | |
-the Reds! -Oh, no! How did that happen?! | 0:41:56 | 0:41:58 | |
NATASHA LAUGHS | 0:41:58 | 0:42:00 | |
But you are runners-up today, taking home the masterly sum of £70. | 0:42:00 | 0:42:05 | |
How about that? £70. | 0:42:05 | 0:42:07 | |
£65 on that black lacquered tea caddy did a lot to pull back | 0:42:07 | 0:42:14 | |
the earlier losses. Yes, chaps? | 0:42:14 | 0:42:16 | |
-Yes, it did. -It certainly did. It was a great team effort. -It was. | 0:42:16 | 0:42:19 | |
And £70 is a very serious chunk of money. And I congratulate you. | 0:42:19 | 0:42:23 | |
But it is not a substantial enough chunk to defeat the Blues, oh, no. | 0:42:23 | 0:42:28 | |
Who are going home with £110! | 0:42:28 | 0:42:31 | |
-Look at that! -APPLAUSE | 0:42:31 | 0:42:33 | |
£35 off that Viking jobby, | 0:42:33 | 0:42:35 | |
£55 off the table lamp, | 0:42:35 | 0:42:39 | |
which was brilliant. | 0:42:39 | 0:42:40 | |
Then you had a slight hiccup with the tandem bicycle, | 0:42:40 | 0:42:42 | |
which spoilt your chances of getting the Golden Gavel, | 0:42:42 | 0:42:46 | |
and then in came Laidlaw with the most hideous - I mean, | 0:42:46 | 0:42:49 | |
most marvellous jardiniere, which made a profit of £30, | 0:42:49 | 0:42:52 | |
so well done for that. | 0:42:52 | 0:42:53 | |
I trusted you in the end, didn't I? | 0:42:53 | 0:42:55 | |
But the greatest fun of all, yes? | 0:42:55 | 0:42:57 | |
-To win all round and have such fun. -So good. -Very good. | 0:42:57 | 0:43:00 | |
Anyway, so much fun. | 0:43:00 | 0:43:02 | |
-Why don't you join us soon for some more bargain hunting? Yes? -ALL: YES! | 0:43:02 | 0:43:06 |