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Today, we've headed to the beautiful city of Lincoln, | 0:00:02 | 0:00:04 | |
where we are guaranteed thrills, spills | 0:00:04 | 0:00:08 | |
and, you never know... | 0:00:08 | 0:00:10 | |
even the occasional profit. | 0:00:10 | 0:00:13 | |
So, let's go bargain hunting, yeah! | 0:00:13 | 0:00:15 | |
Our American cousins are | 0:00:39 | 0:00:41 | |
well familiar with the name Lincoln. | 0:00:41 | 0:00:44 | |
The word itself means a settlement by a pool or river | 0:00:44 | 0:00:47 | |
and the Americans have got hundreds of them all over the States. | 0:00:47 | 0:00:50 | |
But for us true Brits, there is only one Lincoln, and that's | 0:00:50 | 0:00:54 | |
in Lincolnshire - here - | 0:00:54 | 0:00:57 | |
which is where we began our search. | 0:00:57 | 0:01:00 | |
And here's a sneaky peak as to what's coming up. Oh, yeah. | 0:01:00 | 0:01:03 | |
On today's show, the Reds are a bit trigger-happy... | 0:01:06 | 0:01:10 | |
-Is that all right, Aaron? -It's a bit late now, but... | 0:01:10 | 0:01:13 | |
It's a good job I like it. | 0:01:13 | 0:01:15 | |
..while the blues reveal their secret weapon. | 0:01:15 | 0:01:17 | |
You've worked some magic there, Dolly. I don't know how you did it, but you did. | 0:01:17 | 0:01:21 | |
-No, no. -Just a weensy bit because, look, I'm a pensioner and... | 0:01:21 | 0:01:25 | |
Dolly, you are piece of work, if I can say that. | 0:01:25 | 0:01:28 | |
It has been a pleasure working with you. | 0:01:28 | 0:01:32 | |
That's all for later, but first, let's meet the teams. | 0:01:32 | 0:01:35 | |
Well, we're keeping it in the family today on Bargain Hunt, | 0:01:36 | 0:01:40 | |
with a mother and son combo, Val and Aaron for the Reds. | 0:01:40 | 0:01:45 | |
And for the blues, we have grandma and granddaughter, Karen and Dolly. | 0:01:45 | 0:01:49 | |
Hello, everyone. | 0:01:49 | 0:01:51 | |
-Hello, Tim. -Lovely to see you. | 0:01:51 | 0:01:53 | |
Now, Aaron, apart from the obvious maternal connection here, | 0:01:53 | 0:01:56 | |
you actually share similar interests with your mother, don't you? | 0:01:56 | 0:01:59 | |
Yes, we do. We are both big football fans. | 0:01:59 | 0:02:03 | |
Unfortunately, Mum supports Man Utd and I support Arsenal. | 0:02:03 | 0:02:07 | |
But the important thing, I guess, is they both play in red. | 0:02:07 | 0:02:10 | |
Yes, well, that's a start, isn't it? | 0:02:10 | 0:02:12 | |
And you see each other every week. | 0:02:12 | 0:02:14 | |
You go and visit your mother awake a dutiful son? | 0:02:14 | 0:02:16 | |
I certainly do, and benefit from baby-sitting for my young son. | 0:02:16 | 0:02:21 | |
-Oh, really? What is your little boy called? -Alec. -Alec! | 0:02:21 | 0:02:24 | |
So, what do you do to unwind, apart from playing with Alec? | 0:02:24 | 0:02:28 | |
I'm playing hockey. That's probably the main sport that I got into | 0:02:28 | 0:02:31 | |
when I was seven years old. When I'm not doing that, I'm kick boxing. | 0:02:31 | 0:02:34 | |
Are you going to give us a kick, then? Go on. | 0:02:34 | 0:02:36 | |
Chuck your leg up and give us a... Oh, my God. | 0:02:36 | 0:02:39 | |
Yes, that's what you call a sporting kick, isn't it? | 0:02:39 | 0:02:43 | |
I knew I was going to regret that. Thank you very much. | 0:02:43 | 0:02:45 | |
Now, Val, you're retired, | 0:02:45 | 0:02:48 | |
which you clearly did incredibly early. | 0:02:48 | 0:02:50 | |
-And after 39 years' worth of teaching... -Yes. | 0:02:50 | 0:02:54 | |
-Gosh... -I know. | 0:02:54 | 0:02:55 | |
-That is quite an achievement. -I loved it. Absolutely wonderful. | 0:02:55 | 0:02:58 | |
-And you like to do a bit of globetrotting? -I love it, yes, | 0:02:58 | 0:03:01 | |
especially America. | 0:03:01 | 0:03:02 | |
I love going with my husband all the way around America, | 0:03:02 | 0:03:05 | |
-to different places, but we love Arizona the best. -Do you? Glorious. | 0:03:05 | 0:03:09 | |
Anyway, now, what do you know about antiques, you two? | 0:03:09 | 0:03:11 | |
-Well, I like collecting paintings. -Do you? -Yes. | 0:03:11 | 0:03:14 | |
-Is that what you're going to go for it today? -Yes, absolutely. | 0:03:14 | 0:03:17 | |
Well, you never know, such a nice, speculative area, isn't it? | 0:03:17 | 0:03:20 | |
-All sorts of extraordinary things can happen. -Yes. | 0:03:20 | 0:03:22 | |
And we really hope they're going to happen to you too. | 0:03:22 | 0:03:25 | |
Thank you very much for joining us. | 0:03:25 | 0:03:27 | |
Now, Karen, you're no stranger to the odd antique, are you? | 0:03:27 | 0:03:30 | |
No, my dad used to work as an auctioneer in his part-time, so... | 0:03:30 | 0:03:33 | |
-Did he? -Yes. -Oh! Did I ever come across him? | 0:03:33 | 0:03:36 | |
No, I don't think he's ever met you, no. I think he would have told me. | 0:03:36 | 0:03:39 | |
Wow. Now, you like to do a little bit of travel too, don't you? | 0:03:39 | 0:03:41 | |
Yes, yes. | 0:03:41 | 0:03:43 | |
I just spent the last, well, just under a year travelling, | 0:03:43 | 0:03:46 | |
so I did America. | 0:03:46 | 0:03:47 | |
I've done that two years in a row and I've backpacked in Australia as well. | 0:03:47 | 0:03:51 | |
And what sort of things did you get up to in America? | 0:03:51 | 0:03:53 | |
I worked at a Girl Scout camp for two years. | 0:03:53 | 0:03:55 | |
It was really rustic. I don't think people thought I'd last, but I loved it. | 0:03:55 | 0:03:59 | |
You did, because you're tough, right? Very nice, too. | 0:03:59 | 0:04:02 | |
Now, Dolly, you've lady very interesting life. Tell us about it. | 0:04:02 | 0:04:06 | |
I was an evacuee at four and a half, | 0:04:06 | 0:04:09 | |
when the War began. | 0:04:09 | 0:04:11 | |
Well, it's a very strange thing for us, isn't it? | 0:04:11 | 0:04:13 | |
We can't contemplate whole families being carved up, | 0:04:13 | 0:04:17 | |
little ones being sent from their parents, | 0:04:17 | 0:04:20 | |
and you were only four and a half, | 0:04:20 | 0:04:22 | |
and you went to complete strangers. | 0:04:22 | 0:04:23 | |
I did, but I had an absolutely lovely house | 0:04:23 | 0:04:27 | |
and a lovely family. | 0:04:27 | 0:04:29 | |
-And...I had a lovely War. -Well, how sweet is that? | 0:04:29 | 0:04:32 | |
So, when did you retire? | 0:04:32 | 0:04:34 | |
I retired 19 years ago. | 0:04:34 | 0:04:36 | |
And what do you get up to in your retirement? | 0:04:36 | 0:04:38 | |
-Well, I go sequence dancing. -Do you? | 0:04:38 | 0:04:41 | |
Three times a week. | 0:04:41 | 0:04:43 | |
Just tell me, what is sequence dancing? | 0:04:43 | 0:04:44 | |
Well, it's sort of ballroom, you're in a circle, like... | 0:04:44 | 0:04:49 | |
And you're all doing the same thing. | 0:04:49 | 0:04:51 | |
-Oh, yes. What, you go to the left, you go to the right? -Yeah, yeah. | 0:04:51 | 0:04:55 | |
You twiddle round and up and down, and cock your legs and do the hand. | 0:04:55 | 0:04:58 | |
-Do you have a little gin and tonic well you're there too? -No, no, no, | 0:04:58 | 0:05:01 | |
they won't allow that is because we're all old dears, aren't we? | 0:05:01 | 0:05:04 | |
-We can't go out like that, can we? -What do you mean, old dears? | 0:05:04 | 0:05:08 | |
-Can't you have a gin and tonic? -Yes, but quietly. | 0:05:08 | 0:05:11 | |
Go quietly, oh, I see. | 0:05:11 | 0:05:13 | |
Now, how are you going to beat these Reds today? That's what I want to know. | 0:05:13 | 0:05:16 | |
-We're going to try our very hardest, aren't we? -Mm. | 0:05:16 | 0:05:19 | |
Anyway, we're looking forward to it. You get your money moment now, | 0:05:19 | 0:05:23 | |
this is the £300, £300 coming your way. You know the rules. | 0:05:23 | 0:05:26 | |
Your experts await, and off you go! | 0:05:26 | 0:05:28 | |
And very, very, very good luck. | 0:05:28 | 0:05:30 | |
I think I could do with a bit of this sequence dancing. | 0:05:30 | 0:05:33 | |
Converting knowledge into profit for the Reds is Charles Hanson. | 0:05:38 | 0:05:41 | |
And Paul Laidlaw will be searching out a steal for the Blues. | 0:05:44 | 0:05:47 | |
This is your momentous hour, what's the plan? | 0:05:49 | 0:05:52 | |
What on earth are we doing here? What's the craic? | 0:05:52 | 0:05:54 | |
We're going to go and find something | 0:05:54 | 0:05:56 | |
very unusual hidden away somewhere. | 0:05:56 | 0:05:58 | |
We'd like to find something quite elegant, like ladylike, wouldn't we? | 0:05:58 | 0:06:01 | |
Like fashion or jewellery. | 0:06:01 | 0:06:03 | |
Dolly, are we of one mind? | 0:06:03 | 0:06:05 | |
No. | 0:06:05 | 0:06:06 | |
I'd like to buy something weird and wonderful | 0:06:09 | 0:06:12 | |
for about £30, | 0:06:12 | 0:06:13 | |
but makes about 300. | 0:06:13 | 0:06:16 | |
Oh, is that all you want, Dolly? | 0:06:16 | 0:06:18 | |
There's a guy over there that does that sort of stuff. | 0:06:18 | 0:06:20 | |
Good golly, Dolly. | 0:06:20 | 0:06:22 | |
Now, that's the way to make some lolly. | 0:06:22 | 0:06:24 | |
Right, now, teams, start the clock. Let's go. | 0:06:24 | 0:06:27 | |
-DUMMY MUTTERS -Yeah. | 0:06:27 | 0:06:30 | |
-Let's do it. -Follow me. | 0:06:30 | 0:06:32 | |
I think we should go round there and go left, don't you? | 0:06:32 | 0:06:35 | |
Well, I love that decisiveness and the instinct. | 0:06:35 | 0:06:37 | |
The wee kiddies folding chair? | 0:06:45 | 0:06:48 | |
£55. It's enough money, in all honesty. | 0:06:48 | 0:06:50 | |
How old do you think it is? | 0:06:50 | 0:06:52 | |
It could be as late as the 1920s or as early as the 1890s. | 0:06:52 | 0:06:55 | |
Totally agree with your taste, I love your taste. | 0:06:55 | 0:06:58 | |
-I just don't like the price. -It's too expensive, no, no. | 0:06:58 | 0:07:00 | |
Good, good. You keep picking stuff up like that, Dolly, that'll work. | 0:07:00 | 0:07:03 | |
So, you have good taste, girls, but remember, | 0:07:03 | 0:07:06 | |
do control those purse strings. | 0:07:06 | 0:07:08 | |
There's a long way to go. | 0:07:08 | 0:07:10 | |
Meanwhile, Aaron's spotted something. | 0:07:10 | 0:07:12 | |
-Bring that out, Aaron, let's have a look at it. -Look at that. | 0:07:12 | 0:07:15 | |
That's amazing, yeah. | 0:07:15 | 0:07:17 | |
I could see that in my grandma's old study. | 0:07:17 | 0:07:20 | |
-Yes, definitely. -That's the kind of thing that she would love. -Yes. | 0:07:20 | 0:07:23 | |
-So, what decade's this, Aaron? -I'm getting '80s. -'80s. -'70s. | 0:07:23 | 0:07:28 | |
You think it is? That sort of era of Dynasty and Dallas and all of that. | 0:07:28 | 0:07:31 | |
-Yes. -As a work of art, it's a marvel, but will it get a phone bid? | 0:07:31 | 0:07:34 | |
PHONE RINGS | 0:07:34 | 0:07:35 | |
-Hello? -Not a chance. | 0:07:35 | 0:07:37 | |
No, OK. We'll leave you, thanks a lot, yeah. Thanks a lot. | 0:07:37 | 0:07:40 | |
-OK, all the best. -Ciao, Charlie. | 0:07:40 | 0:07:41 | |
Right then, girls, so what other items take your fancy? | 0:07:43 | 0:07:46 | |
I like these. | 0:07:46 | 0:07:48 | |
-And I love that. -I like this. -They're loving everything here, | 0:07:48 | 0:07:52 | |
and what we need to do is love something at the right money. | 0:07:52 | 0:07:55 | |
Come on, teams, no buys between you yet. | 0:07:57 | 0:08:00 | |
Oh, hold on. Charlie could be onto something. | 0:08:00 | 0:08:02 | |
You know, the joy of this business, Val, | 0:08:02 | 0:08:05 | |
it's like a liquorice all sort, isn't it? | 0:08:05 | 0:08:07 | |
You've got so many objects, so many colours, | 0:08:07 | 0:08:10 | |
-and the eyes dart everywhere. -Yes, they do. | 0:08:10 | 0:08:13 | |
There is one thing I've seen that I quite like, | 0:08:13 | 0:08:16 | |
purely because it's decorative - that bowl. | 0:08:16 | 0:08:19 | |
-Do you like it? -Yes, I do. | 0:08:19 | 0:08:20 | |
-I like the colours on that. That's nice, that. -I do. | 0:08:20 | 0:08:23 | |
It's decorative art. It's 1920s. | 0:08:23 | 0:08:26 | |
-I love the colours of it. -Why? | 0:08:26 | 0:08:28 | |
I just find it really colourful, really bright. | 0:08:28 | 0:08:31 | |
It's something I can see sitting in your living room, actually. | 0:08:31 | 0:08:34 | |
Yes, and what's the bird in the middle? | 0:08:34 | 0:08:36 | |
Is it supposed to be a swan, a peacock? | 0:08:36 | 0:08:39 | |
Now, birds aren't my forte. It could be a griffin. | 0:08:39 | 0:08:42 | |
Now, just hold the base like that, on one hand, | 0:08:42 | 0:08:44 | |
and just give it a big tap. | 0:08:44 | 0:08:47 | |
Does it ring? | 0:08:47 | 0:08:48 | |
-There we go, the big test. -Flick it. | 0:08:48 | 0:08:50 | |
Uh...no. | 0:08:50 | 0:08:53 | |
-I think it's cracked. Hold on... -Really? | 0:08:53 | 0:08:56 | |
-Yeah, it's cracked. -Aww. | 0:08:56 | 0:08:58 | |
Yes, it's been cut, what a shame. | 0:08:58 | 0:09:00 | |
I can't see a crack anywhere but, by doing that, | 0:09:00 | 0:09:03 | |
that dull, low thud isn't a good sign. | 0:09:03 | 0:09:06 | |
But it is decorative, yeah. | 0:09:06 | 0:09:09 | |
-Sir, may I ask you how much, please, is this bowl? -15. | 0:09:09 | 0:09:12 | |
-15, and between friends? -15. | 0:09:12 | 0:09:14 | |
-Thanks, mate. -That you told, then, Carlos. | 0:09:14 | 0:09:17 | |
It's a bit crazed and it is cheap at £15 | 0:09:17 | 0:09:20 | |
because, of course, it is a decorative art from the '20s and | 0:09:20 | 0:09:25 | |
it's made by the New Hall Works in Hanley, | 0:09:25 | 0:09:28 | |
in what we call the boumier ware style. | 0:09:28 | 0:09:30 | |
Do you see a profit at £15? | 0:09:30 | 0:09:32 | |
Do you know? If this came into my sale room, all day long... | 0:09:32 | 0:09:36 | |
I would guide it to fetch between £20 and £30. | 0:09:36 | 0:09:39 | |
So, I can guarantee you a pinch of a profit, but that... | 0:09:39 | 0:09:43 | |
isn't very good. Do you want it? | 0:09:43 | 0:09:46 | |
-Yes. -For £15, it's... -Yes. | 0:09:46 | 0:09:48 | |
-Is it a trophy? -Yes. -Is it a winner? -Yes. | 0:09:48 | 0:09:51 | |
We'll take it, shall we, guys? Where's he gone? Let's give him a shout. | 0:09:51 | 0:09:54 | |
1-0, then, to the Reds. | 0:09:54 | 0:09:56 | |
Best you go and make friends with the dealer, eh, Charles? | 0:09:56 | 0:09:59 | |
Now, are the blues any closer to finding their first buy? | 0:09:59 | 0:10:03 | |
Oh, look at that. | 0:10:03 | 0:10:04 | |
A wee Gladstone-type bag. | 0:10:04 | 0:10:06 | |
The luggage does well at the moment. | 0:10:06 | 0:10:08 | |
I think we need one that that's in better condition than that, | 0:10:08 | 0:10:11 | |
-but luggage is good. -Come on, I want to get on. | 0:10:11 | 0:10:13 | |
Crikey, there's no holding Dolly back. | 0:10:15 | 0:10:17 | |
Right, Reds, could this be item number two for you? | 0:10:17 | 0:10:21 | |
Val, what have you seen? | 0:10:21 | 0:10:22 | |
Look at that little meerschaum pipe with the dog on the top of it. | 0:10:22 | 0:10:26 | |
What I like about that is the fact it's in its original case, | 0:10:26 | 0:10:30 | |
of circa 1880 and, of course, back in that Victorian time, | 0:10:30 | 0:10:34 | |
smoking and novelties in shape and size were all also very popular. | 0:10:34 | 0:10:38 | |
I wonder where the owner is of it. | 0:10:38 | 0:10:40 | |
Hi there, boss, how are you? | 0:10:40 | 0:10:42 | |
We've just seen this nice... What have we seen? | 0:10:42 | 0:10:44 | |
A little meerschaum pipe, in its case, | 0:10:44 | 0:10:47 | |
with a dog on the top. | 0:10:47 | 0:10:49 | |
That is really lovely, I do like that. Look at that little dog. | 0:10:52 | 0:10:55 | |
-No, what dog is he? -I think it's a boxer, do you think? -Yeah, pug maybe. | 0:10:55 | 0:11:00 | |
Yes. Aww, that's lovely. | 0:11:00 | 0:11:02 | |
What I love is that if you just close the box as well, | 0:11:02 | 0:11:04 | |
do you see, Aaron? Look at the glow, look at the wear, | 0:11:04 | 0:11:08 | |
look at that back - beautifully worn. | 0:11:08 | 0:11:10 | |
And it would be about 1885-1890. | 0:11:10 | 0:11:13 | |
And it's got novelty value and it's a sort of internet/online lot. | 0:11:13 | 0:11:17 | |
The auction's online. It's the sort of thing, because it's complete, | 0:11:17 | 0:11:21 | |
could do very well. Aaron, are you a fan of it? | 0:11:21 | 0:11:24 | |
I really do like that and, yeah... Being a pet lover, yeah. | 0:11:24 | 0:11:28 | |
-Is it priced or not? -No. -No. What's it worth? | 0:11:28 | 0:11:31 | |
If I asked you a similar question... Often you can be guided | 0:11:31 | 0:11:35 | |
too much by price and ticket tag. | 0:11:35 | 0:11:37 | |
What's it worth? | 0:11:37 | 0:11:38 | |
-40 to 50. -I'd say over £100. -Really? | 0:11:40 | 0:11:43 | |
Oh, Lord. | 0:11:43 | 0:11:45 | |
-40 to 50... -Let's ask our main man. | 0:11:45 | 0:11:47 | |
Sir, how much is it? | 0:11:47 | 0:11:48 | |
It was 45, it can be 40. | 0:11:50 | 0:11:53 | |
Could it...? Could it be 35, do you think? | 0:11:53 | 0:11:57 | |
To give you a fighting chance, it can be. | 0:11:57 | 0:11:59 | |
Oh, thank you. That's really kind of you. | 0:11:59 | 0:12:02 | |
Do you know what? If that came into my auction tomorrow, | 0:12:02 | 0:12:05 | |
I'd happily say to a vendor it's worth between 40 and 60. | 0:12:05 | 0:12:09 | |
-So, 35... -It should do quite well. | 0:12:09 | 0:12:12 | |
I say shake the man's hand. | 0:12:12 | 0:12:14 | |
Thank you very much indeed. | 0:12:14 | 0:12:15 | |
-Thanks a lot. -Cheers. -But you're not a Forest fan. | 0:12:15 | 0:12:18 | |
So, £35 for the hound and two items down. | 0:12:20 | 0:12:23 | |
I'd say that's pretty good going, which is more than I can say | 0:12:23 | 0:12:26 | |
for the Blues, who are still empty handed. | 0:12:26 | 0:12:29 | |
You've had half of your time, girls. | 0:12:31 | 0:12:34 | |
Karen likes... | 0:12:34 | 0:12:36 | |
"Quite nice," this is a reaction. | 0:12:36 | 0:12:38 | |
So, it'll be French, it'll be mid-20th century, | 0:12:38 | 0:12:41 | |
slightly influenced by the Art Deco... | 0:12:41 | 0:12:43 | |
Not bronze, you know, it'll be spelter. | 0:12:43 | 0:12:45 | |
Any damage, any breaks, or chips, or cracks... Yeah, it's fair enough. | 0:12:45 | 0:12:50 | |
-How much is it? -I don't know, what it's worth? It's worth... | 0:12:50 | 0:12:54 | |
30 to 50, £40-£60, something like that. | 0:12:54 | 0:12:57 | |
It looks nicer from that side as well, look. | 0:12:57 | 0:13:00 | |
-Sorry? -We'd love it at 20. -We'd love it at 20. -'Oddly appealing.' | 0:13:00 | 0:13:03 | |
'Come on, Dolly, do your dealing.' | 0:13:03 | 0:13:06 | |
-Is that...? -The deer? -How much is he? | 0:13:06 | 0:13:08 | |
Can he go down to 20? I don't know how much... | 0:13:08 | 0:13:10 | |
-We don't know where it started! -I was looking for at 35. -Aww. | 0:13:10 | 0:13:14 | |
And would you do anything on that? | 0:13:14 | 0:13:16 | |
25. | 0:13:16 | 0:13:17 | |
You were right first time round, Dolly, to be honest with you. | 0:13:17 | 0:13:21 | |
-You guys like it. -I like it, yeah. -I do. -20. | 0:13:21 | 0:13:24 | |
20! Well, yeah. | 0:13:24 | 0:13:26 | |
You've worked magic there, Dolly. I don't know how you did it, but you did. | 0:13:26 | 0:13:29 | |
-Get in, shake his hand! -Ah! | 0:13:29 | 0:13:31 | |
Thank you very much. | 0:13:31 | 0:13:33 | |
'Ah, didn't she do well?' | 0:13:33 | 0:13:34 | |
Dolly, you were amazing there. | 0:13:34 | 0:13:37 | |
"Could that be £20?" And it was £20, as if by magic. | 0:13:37 | 0:13:40 | |
So you keep doing that. And we've got one down. | 0:13:40 | 0:13:42 | |
Hang on, she hasn't finished. What's she spotted now, Paul? | 0:13:42 | 0:13:46 | |
-How much is that? -Are you looking at the clock? -Yeah. | 0:13:46 | 0:13:49 | |
I know you're French, it's lovely. | 0:13:49 | 0:13:52 | |
'Oh, lordy. Flirting will get you everywhere in this game, Dolly.' | 0:13:52 | 0:13:56 | |
The best price - 150. | 0:13:56 | 0:13:59 | |
-Euros? -No. | 0:13:59 | 0:14:01 | |
THEY LAUGH | 0:14:01 | 0:14:03 | |
-Not a weensy-weensy bit down? -No, no, no, no. | 0:14:03 | 0:14:07 | |
We're wading in too deep, too quick here. OK? | 0:14:07 | 0:14:10 | |
-Rein them in, Paul. -Do you...? I've got to ask, why do you...? | 0:14:10 | 0:14:14 | |
-I don't like it. -You don't like it? -I like it. -Are you going to buy it? | 0:14:14 | 0:14:16 | |
No, she likes that. | 0:14:16 | 0:14:18 | |
-Do you like that? -I do. It's eye-catching. -Do you love it? -Mm-hm. | 0:14:18 | 0:14:22 | |
-Wee secret? (I love it.) -I love it. -It's amazing. | 0:14:22 | 0:14:25 | |
Where's it from? | 0:14:25 | 0:14:27 | |
-And industrial chic... Well, it's French... -OK. | 0:14:27 | 0:14:30 | |
..and it's going to date to the mid-20th century. | 0:14:30 | 0:14:33 | |
-Does it not look industrial to you? -It does. -Futurist. | 0:14:33 | 0:14:35 | |
I think it influences the Futurist movement | 0:14:35 | 0:14:38 | |
and these are people that were looking at modernity | 0:14:38 | 0:14:41 | |
and were thinking what they were going to be inhabiting in | 0:14:41 | 0:14:44 | |
-20 years' time, technology! -How much money will it make? | 0:14:44 | 0:14:47 | |
"Does it go?" is a question. Does it work? | 0:14:47 | 0:14:50 | |
Ah, there you go. That's good. That's good. Yeah. | 0:14:51 | 0:14:54 | |
Do you reckon? | 0:14:54 | 0:14:56 | |
You want to buy it, but you want to buy it for £100. | 0:14:56 | 0:14:59 | |
Dolly, given that you seem to exert mind control over dealers, | 0:14:59 | 0:15:03 | |
try and buy that for £100. Do you like it? | 0:15:03 | 0:15:06 | |
I do now if it's... | 0:15:06 | 0:15:07 | |
-Can she do this twice? -I think she can. I've got faith. | 0:15:09 | 0:15:11 | |
-Could you possibly, possibly go down...? -No, no. | 0:15:11 | 0:15:15 | |
Just a weensy bit? | 0:15:15 | 0:15:16 | |
Because look, I'm a pensioner and... THEY LAUGH | 0:15:16 | 0:15:20 | |
And this little girl... | 0:15:20 | 0:15:23 | |
is going to university. | 0:15:23 | 0:15:26 | |
-No, best price 150. -Aww. | 0:15:26 | 0:15:29 | |
-What do you think? -I think it's a lot of money. It's too much. -140. | 0:15:29 | 0:15:33 | |
What do you think? | 0:15:33 | 0:15:35 | |
Do we want it? Do we want it? Are we going to grab it? | 0:15:36 | 0:15:38 | |
-We want it, yeah. -Well done, folks, it's a good thing. | 0:15:38 | 0:15:41 | |
-Shake your hand. -Yeah, good. -Merci. Good work. | 0:15:41 | 0:15:45 | |
-Merci. -Merci. | 0:15:45 | 0:15:47 | |
Tres Bien, ladies. | 0:15:47 | 0:15:49 | |
No items for 30 minutes and now two come along at once. | 0:15:49 | 0:15:52 | |
Halfway through and our teams are | 0:15:54 | 0:15:56 | |
level pegging with two items apiece. | 0:15:56 | 0:15:58 | |
Can't relax, but can feel | 0:15:58 | 0:16:00 | |
slightly smug, I would say. | 0:16:00 | 0:16:02 | |
-We're ahead of the game. -I think so. | 0:16:02 | 0:16:05 | |
Excellent. Well, I'm going to leave you to it. | 0:16:05 | 0:16:08 | |
I think it's time for a cuppa. | 0:16:08 | 0:16:10 | |
The Brits, well, some would say | 0:16:10 | 0:16:12 | |
we have an obsession with tea. | 0:16:12 | 0:16:14 | |
And why not? | 0:16:16 | 0:16:17 | |
It's refreshing, it's extremely quenching | 0:16:17 | 0:16:20 | |
and the history of tea drinking in Britain goes way back. | 0:16:20 | 0:16:23 | |
In fact, not only do we have a history as tea drinkers, | 0:16:24 | 0:16:29 | |
but we have a whole lot of accoutrements related to tea | 0:16:29 | 0:16:33 | |
that are extremely collectable. | 0:16:33 | 0:16:36 | |
Not least, I have to say, the tea caddy. | 0:16:36 | 0:16:39 | |
Now I promise you, if you went out around the | 0:16:39 | 0:16:43 | |
2,000 stalls here in Lincoln, | 0:16:43 | 0:16:45 | |
you would find literally hundreds | 0:16:45 | 0:16:48 | |
of little wooden tea caddies. | 0:16:48 | 0:16:50 | |
And I can guarantee you that if you did that search, | 0:16:50 | 0:16:54 | |
you would not find a tea caddy | 0:16:54 | 0:16:56 | |
that is better than this tea caddy. | 0:16:56 | 0:17:00 | |
So, what makes this the most desirable tea caddy amongst | 0:17:00 | 0:17:04 | |
all the hundreds of tea caddies that are sitting out there for sale? | 0:17:04 | 0:17:09 | |
For a kick-off, it's the timber. | 0:17:09 | 0:17:12 | |
If you look carefully at the top, | 0:17:12 | 0:17:14 | |
you'll see lots and lots of whorls. | 0:17:14 | 0:17:17 | |
That's because this bit of timber on the top is a veneer | 0:17:17 | 0:17:21 | |
and a very specially selected veneer, which is called burl, | 0:17:21 | 0:17:26 | |
a tree that, 50 years ago, was scarred by cutting it | 0:17:26 | 0:17:30 | |
in a certain way so that it grew a wart. | 0:17:30 | 0:17:33 | |
A painful wart on that tree, which, | 0:17:33 | 0:17:36 | |
season after season, | 0:17:36 | 0:17:37 | |
grew bigger and bigger until a cabinet maker came along | 0:17:37 | 0:17:40 | |
and he lopped off the wart and then he sliced that wart. | 0:17:40 | 0:17:44 | |
And the result of that sliced wart | 0:17:44 | 0:17:47 | |
is all this busyness. | 0:17:47 | 0:17:49 | |
Not only is the top of this tea caddy covered in burl walnut, | 0:17:49 | 0:17:53 | |
but it continues across the front, | 0:17:53 | 0:17:56 | |
the canted corners, the sides and back. | 0:17:56 | 0:17:59 | |
If you open it up, you've got the traditional two divisions, | 0:18:01 | 0:18:04 | |
but these two divisions have got the original covers | 0:18:04 | 0:18:08 | |
and they too are inlaid in precious burl. | 0:18:08 | 0:18:11 | |
Inside the divisions, | 0:18:11 | 0:18:13 | |
the inner surface is covered in what is left of silver foil that | 0:18:13 | 0:18:18 | |
was used to stop the tea from being | 0:18:18 | 0:18:21 | |
tainted by the timber. | 0:18:21 | 0:18:22 | |
And someone has resisted doing anything about replacing | 0:18:22 | 0:18:27 | |
the silver foil, and that means that this tea caddy | 0:18:27 | 0:18:30 | |
is in near-miraculous, absolutely original condition. | 0:18:30 | 0:18:36 | |
All it needs to do is to go to a cabinet maker | 0:18:36 | 0:18:39 | |
to give it a jolly good clean and polish. | 0:18:39 | 0:18:41 | |
But apart from that, you leave it exactly how it is. | 0:18:41 | 0:18:46 | |
After that refreshing process, this will be worth, | 0:18:46 | 0:18:50 | |
to a connoisseur, between £700 and £900. | 0:18:50 | 0:18:53 | |
What would it cost you down the road there today? | 0:18:53 | 0:18:57 | |
It could be yours for £160. | 0:18:57 | 0:19:00 | |
Now that's what I call a good cuppa. | 0:19:00 | 0:19:03 | |
No tea break for our teams, | 0:19:05 | 0:19:07 | |
as they both have one item left to find and 20 minutes on the clock. | 0:19:07 | 0:19:10 | |
Ahoy there! Let's check in with the Reds. | 0:19:12 | 0:19:15 | |
It's in pretty good condition. | 0:19:15 | 0:19:16 | |
It's scratch built, it's quite crude | 0:19:16 | 0:19:19 | |
and it is of course tin. | 0:19:19 | 0:19:21 | |
So, what's the best price on it? | 0:19:21 | 0:19:23 | |
-Five and a half. -Five and a half? | 0:19:23 | 0:19:25 | |
You mean £55? | 0:19:25 | 0:19:28 | |
-SHE LAUGHS -No, 500. | 0:19:28 | 0:19:30 | |
-OK, OK. -That's a bit too... | 0:19:30 | 0:19:32 | |
How much we got on us? How much have we got on us? | 0:19:32 | 0:19:34 | |
We can't afford it, but that's OK. | 0:19:34 | 0:19:36 | |
If you don't ask, you never get, do you? Thanks a lot. | 0:19:36 | 0:19:38 | |
Mm, nice try. You still have | 0:19:38 | 0:19:40 | |
one more item to chalk up though, Charlie. | 0:19:40 | 0:19:43 | |
Do cows actually wear these? | 0:19:43 | 0:19:46 | |
-I'm sure somewhere they do. -That's so heavy. | 0:19:46 | 0:19:49 | |
Cows only wear bells when their horns don't work, Karen. | 0:19:49 | 0:19:53 | |
Boom, boom. | 0:19:53 | 0:19:55 | |
OK, I'll get my coat. | 0:19:55 | 0:19:57 | |
That looks in good condition, that's nice. | 0:19:57 | 0:19:59 | |
And it looks like it's got a little space | 0:19:59 | 0:20:02 | |
to keep your records at the back. | 0:20:02 | 0:20:04 | |
-Why does it inspire you? Does it take you back? -Yes, it does. | 0:20:04 | 0:20:07 | |
My grandmother had an old wind-up gramophone like this | 0:20:07 | 0:20:11 | |
and she used to play lots of records to me when I was a little girl. | 0:20:11 | 0:20:14 | |
What I like so much, Aaron, is that | 0:20:14 | 0:20:16 | |
stylised chrome plate back because it almost takes you back | 0:20:16 | 0:20:20 | |
to an era of those jazz times, | 0:20:20 | 0:20:23 | |
of the 1930s-'40s. | 0:20:23 | 0:20:25 | |
I think it's that period. | 0:20:25 | 0:20:27 | |
Today, again, in the sale room, whilst these ten years ago | 0:20:27 | 0:20:29 | |
where were two a penny, they again have inspired young collectors. | 0:20:29 | 0:20:33 | |
-Does it work, first of all? -I don't know. -Is the seller here? | 0:20:33 | 0:20:36 | |
Sir, may we have a quick word? | 0:20:36 | 0:20:38 | |
-Yes. -Oh, good. Can you show us how to work it? | 0:20:38 | 0:20:41 | |
You're a good man. | 0:20:41 | 0:20:43 | |
I think... That's it, thanks a lot. We're going to roll back the years. | 0:20:43 | 0:20:46 | |
Are you ready, Val? Give me an old move. Give me a Deco move. | 0:20:46 | 0:20:49 | |
There you go. | 0:20:51 | 0:20:52 | |
MUSIC PLAYS | 0:20:52 | 0:20:54 | |
I like it. I think it's great. | 0:20:55 | 0:20:58 | |
It's not scuffed. It's in good condition. | 0:20:58 | 0:21:02 | |
And the all-important question... | 0:21:02 | 0:21:05 | |
I know. What is the absolute, absolute, absolute best price | 0:21:05 | 0:21:08 | |
you could do for us? | 0:21:08 | 0:21:10 | |
130. | 0:21:10 | 0:21:12 | |
You couldn't go down to 120, | 0:21:13 | 0:21:14 | |
because I think with 120 we stand a brilliant chance of... | 0:21:14 | 0:21:18 | |
Give me the money. | 0:21:18 | 0:21:19 | |
-"Show me the... Give me the money and run." -120? | 0:21:19 | 0:21:23 | |
-Yeah, fine. -Oh, thank you. | 0:21:23 | 0:21:25 | |
Does Aaron have a say here, Ma? | 0:21:25 | 0:21:28 | |
-Is that all right, Aaron? -Well, it's a bit late now, but... | 0:21:28 | 0:21:31 | |
It's a good job I like it. | 0:21:31 | 0:21:33 | |
-TIM WHISTLES -On that note, the Reds are done and dusted. Well done, team. | 0:21:34 | 0:21:38 | |
Which just leaves one Blue item for the full set. | 0:21:38 | 0:21:41 | |
Groovy. | 0:21:41 | 0:21:43 | |
Don't leave Dolly behind, now. | 0:21:45 | 0:21:48 | |
-What about this? -What have you got? | 0:21:49 | 0:21:51 | |
-Ah, yesterday's news. -OK. | 0:21:51 | 0:21:53 | |
Aww. | 0:21:59 | 0:22:00 | |
-A brass slipper box. -Oh, how lovely. | 0:22:02 | 0:22:05 | |
-Do like that? -Is there any value to that? -How are you doing, buddy? | 0:22:05 | 0:22:09 | |
-All right. -My companions love your brass slipper box. | 0:22:09 | 0:22:12 | |
-20 quid, the slipper box. -It's no money, is it? | 0:22:12 | 0:22:15 | |
-Can you believe it's 20 quid? -It's nice, isn't it? | 0:22:15 | 0:22:18 | |
The reason it's 20 quid is... | 0:22:18 | 0:22:20 | |
Old-fashioned. | 0:22:20 | 0:22:22 | |
I get Dolly liking this because | 0:22:22 | 0:22:24 | |
it's a traditional, homey piece. | 0:22:24 | 0:22:27 | |
-Yeah. -But Karen, on the other hand, you're a dark horse. | 0:22:27 | 0:22:30 | |
My mom tells me off for leaving my shoes in the middle of the floor. | 0:22:30 | 0:22:34 | |
Well, look, it's going to date to the interwar period. | 0:22:35 | 0:22:38 | |
Brass-bound wood, and the condition looks fantastic. | 0:22:38 | 0:22:41 | |
You've got no issues there, it's done no work, it's not been abused. | 0:22:41 | 0:22:44 | |
-What do you think? -I like it ever so much, but can we come down a little bit? | 0:22:44 | 0:22:48 | |
-She's in again, she's off. -That's cheap enough, really, to be honest. | 0:22:48 | 0:22:51 | |
Honestly. 17 quid? | 0:22:51 | 0:22:54 | |
17 quid? | 0:22:54 | 0:22:56 | |
-What about 16, and that's it? -Go on, then. | 0:22:56 | 0:22:59 | |
-Thank you so much. -Do you think it'll make any money? | 0:22:59 | 0:23:01 | |
-Yeah, I think it will. -Good job, really. Dolly's done a deal. | 0:23:01 | 0:23:04 | |
I've got to say, the pair of you are something else. | 0:23:04 | 0:23:07 | |
And, Dolly, you are a piece of work, if I can say that. | 0:23:07 | 0:23:11 | |
It has been a pleasure working with you. | 0:23:11 | 0:23:13 | |
-Next time I go shopping, would you come with me? -Yeah. | 0:23:13 | 0:23:16 | |
-Take her everywhere. -Karen, what is she like? | 0:23:16 | 0:23:18 | |
Well done, Blues. Slippers on, now. | 0:23:18 | 0:23:21 | |
Feet up, as time is up. | 0:23:21 | 0:23:23 | |
Well, blow me down, my biggest fan. | 0:23:23 | 0:23:26 | |
Let's check out what the Red team bought | 0:23:26 | 0:23:29 | |
and find out if it was a breeze. | 0:23:29 | 0:23:31 | |
Despite the crack, they were bowled over by the Lusterware at £15. | 0:23:32 | 0:23:36 | |
The meerschaum pipe was up next. They paid £35. | 0:23:38 | 0:23:41 | |
And finally, they danced off with the gramophone for £120. | 0:23:43 | 0:23:48 | |
Now, Val, is it true that you went off-piste and did all sorts | 0:23:50 | 0:23:53 | |
of naughtiness on your own? | 0:23:53 | 0:23:55 | |
I certainly did. I just saw something and I fell in love with it, | 0:23:55 | 0:23:57 | |
-and I bought it without either of them knowing. -Oh, dear. | 0:23:57 | 0:24:01 | |
You could get slapped, you know, for that. | 0:24:01 | 0:24:03 | |
Anyway, so tell me, darling, which is your favourite piece, your third item? | 0:24:03 | 0:24:07 | |
-Oh, my gramophone. -Your gramophone's your favourite? -Yes. | 0:24:07 | 0:24:10 | |
-And does the son agree with that? -Of course not. | 0:24:10 | 0:24:12 | |
-What's your favourite? -The meerschaum pipe. | 0:24:12 | 0:24:14 | |
And is the meerschaum pipe, Aaron, going to bring the biggest profit? | 0:24:14 | 0:24:17 | |
-Absolutely. -I think it might. -So there we've got some predictions. | 0:24:17 | 0:24:21 | |
How much did you spend in to-to? | 0:24:21 | 0:24:23 | |
-I spent £170. -£170. I'd like £130 of leftover lolly, please. | 0:24:23 | 0:24:27 | |
Thank you, Aaron, that's very nice. | 0:24:27 | 0:24:30 | |
I won't bother to count it, I trust you. And it's straight over to Charles Hanson. | 0:24:30 | 0:24:33 | |
-Thanks, Tim. -What are you going to do with that, Carlos? | 0:24:33 | 0:24:35 | |
I think I'll buy something with maybe a hop, skip and a jump, | 0:24:35 | 0:24:39 | |
which has a swagger. | 0:24:39 | 0:24:42 | |
Do you know? Sometimes I think you're off your trolley, mate. | 0:24:42 | 0:24:45 | |
Anyway. Very, very good luck with that. | 0:24:45 | 0:24:46 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:46 | 0:24:50 | |
First up for the Blues was the group of Deco deer. | 0:24:50 | 0:24:53 | |
The buck stopped here at £20. | 0:24:53 | 0:24:57 | |
Closely followed by the Art Deco mantel clock. They paid £140. | 0:24:57 | 0:25:01 | |
And finally, they got all warm and fuzzy over the slipper box, | 0:25:04 | 0:25:07 | |
and paid £16. | 0:25:07 | 0:25:10 | |
Now, Dolly, what's this about you driving hard bargains? | 0:25:10 | 0:25:14 | |
-You've got to, haven't you? That's what we're here for. -Exactly right. | 0:25:14 | 0:25:18 | |
And you have the right attitude. Which is your favourite piece? | 0:25:18 | 0:25:20 | |
Well, I liked the slipper box, | 0:25:20 | 0:25:22 | |
though it isn't the most expensive, but I did like it. | 0:25:22 | 0:25:25 | |
That's your favourite favourite? Isn't that nice? | 0:25:25 | 0:25:27 | |
-Do you have a favourite favourite? -It was the same, the slipper box. | 0:25:27 | 0:25:30 | |
-Is that going to bring the biggest profit? -I don't think so. | 0:25:30 | 0:25:33 | |
-What do you think is going to bring the biggest profit? -I think the clock. -The clock? -Yes. | 0:25:33 | 0:25:37 | |
Well, we've got some predictions, and how much did you spend? | 0:25:37 | 0:25:39 | |
-£176. -Gosh. Can I have £124 of leftover lolly, please? -You can. | 0:25:39 | 0:25:45 | |
-Thank you. -There we go. -Thank you. -And...the last bit. | 0:25:45 | 0:25:49 | |
-Thank you. Very good. There you go, Paul. -Thank you, Tim. | 0:25:49 | 0:25:51 | |
There you go. A nice little challenge for you, | 0:25:51 | 0:25:53 | |
but the challenge to which you are remarkably good at responding, | 0:25:53 | 0:25:57 | |
-I have to say. -That's kind of you, Tim. I do try. -You do. | 0:25:57 | 0:26:00 | |
Anyway, good luck with your search, Paul, | 0:26:00 | 0:26:02 | |
because right now we are going to shove off to the auction. | 0:26:02 | 0:26:05 | |
We've come an hour south from Lincoln to be with Colin Young, | 0:26:10 | 0:26:14 | |
-in his saleroom in Bourne. -It's good to see you here, Tim. | 0:26:14 | 0:26:18 | |
-We're looking forward to great results. -Profits. | 0:26:18 | 0:26:21 | |
-That's what we'll try and get you. -Exactly. | 0:26:21 | 0:26:23 | |
Whether we will with this lot, though, is another matter. | 0:26:23 | 0:26:25 | |
First of all, we've got this Boumier ware bowl. | 0:26:25 | 0:26:29 | |
What can you tell me about Boumier ware? | 0:26:29 | 0:26:32 | |
Not a great deal, really. | 0:26:32 | 0:26:33 | |
I suppose, in a way, it's a little bit, in the market terms, | 0:26:33 | 0:26:36 | |
it's a poor man's Maling, or a Wedgwood, | 0:26:36 | 0:26:39 | |
because it's got this wonderful, lustrous colour about it, | 0:26:39 | 0:26:42 | |
but it is not going to hit the heady heights that you would expect | 0:26:42 | 0:26:45 | |
from those other factories. | 0:26:45 | 0:26:47 | |
-How much? -£25-£40. | 0:26:47 | 0:26:49 | |
No worries at all. £15 paid. | 0:26:49 | 0:26:51 | |
That is the right estimate, Colin Young, thank you very much. | 0:26:51 | 0:26:54 | |
Now, we move to the Victorian era, | 0:26:54 | 0:26:57 | |
when ladies smoked cheroots, | 0:26:57 | 0:27:00 | |
and there's a cheroot holder to die for, with a little dog on it. | 0:27:00 | 0:27:03 | |
-Yeah. -What will it make? -They don't make a lot of money, I'm afraid. | 0:27:03 | 0:27:07 | |
£10-£20. It would have to be a bit more exotic than just a dog on it. | 0:27:07 | 0:27:12 | |
-OK, they paid £35. They paid too much for an old dog, right? -Indeed. | 0:27:12 | 0:27:17 | |
Now. Moving on, then. | 0:27:17 | 0:27:18 | |
We go to this wind-up gramophone, which is a portable, very nice. | 0:27:18 | 0:27:23 | |
I love the chromium detail, don't you? | 0:27:23 | 0:27:25 | |
The kind of Jazz Age zigzags. | 0:27:25 | 0:27:27 | |
Somebody's taken, in detail, quite a lot of trouble with this thing. | 0:27:27 | 0:27:30 | |
And of course it's in brilliant condition, | 0:27:30 | 0:27:32 | |
or it seems to be in brilliant condition. What's it worth? | 0:27:32 | 0:27:35 | |
I've put an estimate of 25 to 40, | 0:27:35 | 0:27:37 | |
which covers what virtually every model of that makes. | 0:27:37 | 0:27:40 | |
That's not enough, Col. | 0:27:40 | 0:27:42 | |
£120, they paid. £120. I mean, that is a stiff old number, isn't it? | 0:27:42 | 0:27:47 | |
-It's a lot. -OK, on that basis they're going to need their bonus buy, | 0:27:47 | 0:27:51 | |
so let's beetle off and have a look at it. | 0:27:51 | 0:27:53 | |
Val, Aaron, this is exciting, isn't it? | 0:27:53 | 0:27:56 | |
In trusting Charles Hanson with £130 of leftover lolly is | 0:27:56 | 0:28:00 | |
a dangerous thing to do at the best of times. | 0:28:00 | 0:28:02 | |
He's looking rather threatening, if you don't mind my saying so. | 0:28:02 | 0:28:05 | |
So rather quickly, Charles, you'd better show us | 0:28:05 | 0:28:07 | |
what you spent the 130 on. | 0:28:07 | 0:28:08 | |
I tried really hard to spend the entire amount, | 0:28:08 | 0:28:11 | |
but I couldn't find that object. | 0:28:11 | 0:28:13 | |
So I bought a bundle of joy, a bundle of joy, all in. | 0:28:13 | 0:28:17 | |
This collection here. Look at them. What do you think? | 0:28:17 | 0:28:22 | |
-Oh! -Do have a handle, and I'll just give you... | 0:28:22 | 0:28:25 | |
-Grab one. -There we go. | 0:28:25 | 0:28:27 | |
And we've got here, for example, | 0:28:27 | 0:28:30 | |
a wonderful East Yorkshire swagger stick, ebonised, | 0:28:30 | 0:28:33 | |
with a plated collar, so it's like that, and you would walk like that. | 0:28:33 | 0:28:36 | |
We've got a lovely cane in my hand here, as well. | 0:28:36 | 0:28:40 | |
Another swagger stick in your hand there. | 0:28:40 | 0:28:42 | |
And they're just, Tim, and team, | 0:28:42 | 0:28:45 | |
a nice collection of 19th-century sticks. | 0:28:45 | 0:28:48 | |
This is also a measure. Can you see? You've got the inches on there. | 0:28:48 | 0:28:53 | |
And this is probably late Victorian, again, 1890. | 0:28:53 | 0:28:56 | |
And, to me, it's a bundle of joy, and it tells a story of history. | 0:28:56 | 0:29:00 | |
I think it's perfect for a retired teacher. | 0:29:00 | 0:29:02 | |
-What, for giving people the stick, Val? -So how much were they? | 0:29:02 | 0:29:06 | |
-They were £40. -Oh! -40. £40. | 0:29:06 | 0:29:10 | |
What do you think? | 0:29:10 | 0:29:12 | |
Not bad for a collection of sticks. | 0:29:12 | 0:29:14 | |
So how much profit do you see in them? | 0:29:14 | 0:29:16 | |
I would hope, perhaps, between anything from between 50 and £100. | 0:29:16 | 0:29:21 | |
-Oh! -Absolutely. -OK, are you happy with that, Val? -Very. -Very. | 0:29:21 | 0:29:25 | |
Now, let's check out what the auctioneer | 0:29:25 | 0:29:26 | |
thinks about Charles's sticks. | 0:29:26 | 0:29:28 | |
OK, Col, here we go, look. Nice collection of stick work. | 0:29:29 | 0:29:33 | |
-What do you make of that lot? -It's a nice little combination, isn't it? | 0:29:33 | 0:29:36 | |
We've got, starting from this side, a bull's-eye-ended dandy cane. | 0:29:36 | 0:29:41 | |
You've got a Rabone-marked dip stick there, swagger stick, | 0:29:41 | 0:29:45 | |
a little bit of a riding crop. That's quite nice as well. | 0:29:45 | 0:29:48 | |
Yeah, good combination. | 0:29:48 | 0:29:49 | |
I think there's nothing there that drags my eye to say this is a fantastic item. | 0:29:49 | 0:29:54 | |
Well, I suppose what are we they going to say on those? | 0:29:54 | 0:29:56 | |
-£50-£80, maybe. -OK, fine. Well, Charles, clever old stick, paid £40. | 0:29:56 | 0:30:01 | |
-So that's OK. -That's all right for those. -Perfect. | 0:30:01 | 0:30:04 | |
Right, moving onto the Blues. | 0:30:04 | 0:30:07 | |
We have got Karen and Dolly, | 0:30:07 | 0:30:09 | |
and their first item is the Art Deco figure, or group, with these deer. | 0:30:09 | 0:30:13 | |
Yeah. | 0:30:13 | 0:30:14 | |
It's an interesting one. I think this isn't all that old. | 0:30:14 | 0:30:17 | |
There's quite a few of these seem to be appearing on the market, | 0:30:17 | 0:30:20 | |
-so my guess is it is probably only £50-£80. -That's all right. | 0:30:20 | 0:30:25 | |
-Is that OK? -Do not worry. £20 paid. | 0:30:25 | 0:30:27 | |
-For £20, it is pretty good, isn't it? -Brilliant. -Well, there we are. | 0:30:27 | 0:30:30 | |
Anyway, good luck with that. Now, you've got this... | 0:30:30 | 0:30:33 | |
Catalogued as a brutalist mantle clock. | 0:30:33 | 0:30:36 | |
-Now, tell me about this, Colin. -Well, it's a bit of an odd thing. | 0:30:36 | 0:30:39 | |
We've actually given it two descriptions - | 0:30:39 | 0:30:41 | |
-Art Deco and brutalist. -It stinks to me of Deco, I have to say. | 0:30:41 | 0:30:45 | |
But you're right. It could be just after the war. | 0:30:45 | 0:30:48 | |
I mean, it's hideous in many respects, | 0:30:48 | 0:30:51 | |
but rather wonderful in another, isn't it? | 0:30:51 | 0:30:53 | |
-It's actually the hideousness of it that I do like. -Yeah. | 0:30:53 | 0:30:56 | |
OK. How much? | 0:30:56 | 0:30:58 | |
-£80-£100. -Fair enough, that's a good punt. | 0:30:58 | 0:31:01 | |
£140, they paid, so they went slightly over the top but why not? | 0:31:01 | 0:31:04 | |
-I mean, find another one. -Precisely. | 0:31:04 | 0:31:06 | |
And the last item, which is the ultimate in traditional 1930s | 0:31:06 | 0:31:11 | |
house furnishing, is this slipper box, in brass. | 0:31:11 | 0:31:16 | |
TIM LAUGHS | 0:31:16 | 0:31:17 | |
-It's fantastic, isn't it? -It is great. | 0:31:17 | 0:31:19 | |
-You don't really see too many of these coming up for auction now. -Not at all. | 0:31:19 | 0:31:23 | |
I remember, at one time, these used to come on the market so regularly. | 0:31:23 | 0:31:26 | |
They would make £30, £40, they would. | 0:31:26 | 0:31:29 | |
I think, perhaps, the reason why we don't see them very often now | 0:31:29 | 0:31:33 | |
is because they just don't really make any money. | 0:31:33 | 0:31:36 | |
-No, there's not much point to them. Actually, how much? -£10-£30, maybe. | 0:31:36 | 0:31:40 | |
That's a nice broad estimate. £16 paid. | 0:31:40 | 0:31:43 | |
So, there we go. We'll have to see what happens. | 0:31:44 | 0:31:47 | |
It will all boil down to | 0:31:47 | 0:31:49 | |
whether the brutalist clock is truly brutal or not. | 0:31:49 | 0:31:53 | |
And if it does its worst, they'll need their bonus buy, | 0:31:53 | 0:31:56 | |
so let's go have a look at it. | 0:31:56 | 0:31:58 | |
-Now, Doll, Karen, how are you doing? -Good, thank you. | 0:31:58 | 0:32:01 | |
You gave Paul Laidlaw £124 of leftover lolly. | 0:32:01 | 0:32:05 | |
Paul, show us what you spent the £124 on. | 0:32:05 | 0:32:08 | |
-Ladies, see what you think of this. -Oh! That's silver. | 0:32:08 | 0:32:11 | |
-Yeah. It is silver. -What is it? | 0:32:11 | 0:32:14 | |
That's English silver, and that is a tobacco or snuff pouch, | 0:32:14 | 0:32:18 | |
depending on one's preference. | 0:32:18 | 0:32:20 | |
It's smithed by George Unite, | 0:32:20 | 0:32:22 | |
a highly regarded smith, | 0:32:22 | 0:32:24 | |
and it dates to the early 20th century. | 0:32:24 | 0:32:28 | |
But, how do you get into that? | 0:32:28 | 0:32:30 | |
-Where's the handle? -Do you have to push it? | 0:32:32 | 0:32:34 | |
You are spot on, you are very close. Watch this. | 0:32:34 | 0:32:38 | |
That's it. "Fancy topping up the pipe, old chap?" Little pinch. | 0:32:38 | 0:32:42 | |
-Ta-da! -Ah! -The sophistication in the engineering | 0:32:42 | 0:32:47 | |
and the silversmithing here defies belief, | 0:32:47 | 0:32:50 | |
because that closes near invisibly. | 0:32:50 | 0:32:53 | |
-What do you think of that? -I quite like it. -"Quite"? | 0:32:53 | 0:32:58 | |
-Well, I don't really know much about it. -How much did you pay? | 0:32:58 | 0:33:02 | |
I paid £65. | 0:33:02 | 0:33:05 | |
Very nice. How much profit? | 0:33:05 | 0:33:07 | |
I think that will go down well. | 0:33:07 | 0:33:09 | |
I think that's worth £70-£90, all day long. | 0:33:09 | 0:33:12 | |
-That sounds good, doesn't it? -Well, your pick, girls, after the sale of your first three items, | 0:33:12 | 0:33:16 | |
but right now let's find out what the auctioneer thinks | 0:33:16 | 0:33:18 | |
about the squeezy snuffbox. | 0:33:18 | 0:33:21 | |
-There we go, Colin. -Thank you. | 0:33:22 | 0:33:24 | |
A little box to intrigue. | 0:33:24 | 0:33:27 | |
Now, fairly common at auction. | 0:33:27 | 0:33:30 | |
George Unite, "GU" in there, | 0:33:30 | 0:33:32 | |
so that's going to be a fairly easy thing to throw an estimate | 0:33:32 | 0:33:34 | |
straight at you with - £60-£80. | 0:33:34 | 0:33:36 | |
OK, Paul paid £65 and he's pretty canny. | 0:33:36 | 0:33:39 | |
OK, fine, are you going to be able to squeeze the buyers a bit today, | 0:33:39 | 0:33:42 | |
-do you think? -I'll squeeze as hard as I can. -Look out, buyers. | 0:33:42 | 0:33:47 | |
Very good, Colin. Now, you best grab your gavel, and rush to the rostrum. | 0:33:47 | 0:33:51 | |
Let's get the sale under way. | 0:33:51 | 0:33:54 | |
Now, Aaron, Val, how are you feeling? | 0:33:54 | 0:33:57 | |
-Nervous. -Are you? -Yes. -I mean, it's exciting | 0:33:57 | 0:34:00 | |
because you've had to wait a long time to get to this moment. | 0:34:00 | 0:34:02 | |
We've done the shopping. We've done the leftover lolly, we've done all this business | 0:34:02 | 0:34:06 | |
-and here we are. -I know. -And Colin Young is going to control our destiny. | 0:34:06 | 0:34:09 | |
That's a thought. | 0:34:09 | 0:34:11 | |
Now, for a kick-off, | 0:34:11 | 0:34:12 | |
you've got the Boumier ware lustre, New Hall bowl. Here we go. | 0:34:12 | 0:34:16 | |
Really nice lustrous one. Who's going to start me at £30? | 0:34:16 | 0:34:20 | |
£30, anyone. 30. 20 to go, surely. £20, anybody? | 0:34:20 | 0:34:22 | |
£20, anyone? 20. | 0:34:22 | 0:34:24 | |
-10 from us. -10. | 0:34:24 | 0:34:26 | |
-15, 18. -Yes. -Profit! | 0:34:26 | 0:34:29 | |
£20 bid down here. | 0:34:29 | 0:34:30 | |
-Two again now, surely. -Oh, is it down there? We're moving. | 0:34:30 | 0:34:35 | |
30 bid. 28 bid. | 0:34:35 | 0:34:37 | |
-Internet come in now. -Last call. | 0:34:37 | 0:34:39 | |
No, selling then at £28. | 0:34:39 | 0:34:42 | |
28 is plus £13. You are plus 13. Well done, kids. | 0:34:42 | 0:34:46 | |
That is back of the net. | 0:34:46 | 0:34:48 | |
Now, the cheroot. | 0:34:48 | 0:34:49 | |
The Meerschaum cheroot holder. Multiple bids already. | 0:34:49 | 0:34:52 | |
Plenty of bids. And we start at 12 bid. | 0:34:52 | 0:34:54 | |
15 bid, 18 bid. 20 now. 18 bid. | 0:34:54 | 0:34:57 | |
-Go on. -20 from anywhere else now? 20 bid. At 20 bid. | 0:34:57 | 0:35:01 | |
-Get the internet! -Anyone else want to bite on this one? | 0:35:01 | 0:35:03 | |
At 20 bid. | 0:35:03 | 0:35:04 | |
£20, we're all done. We're in the middle of the room, | 0:35:04 | 0:35:06 | |
-selling at £20. -Sell it for 20, which is minus 15. | 0:35:06 | 0:35:10 | |
You had plus 13, you are now minus 2. | 0:35:10 | 0:35:13 | |
OK, now, here comes the gramophone. | 0:35:13 | 0:35:16 | |
The Gilbert Geisha Gramophone this time. | 0:35:16 | 0:35:19 | |
A nice wind-up one from the age of Jazz. | 0:35:19 | 0:35:22 | |
Who's going to start me at £30? | 0:35:22 | 0:35:25 | |
-Nobody into jazz? £30. -It's lovely. | 0:35:26 | 0:35:29 | |
£30. 20 to go, surely? | 0:35:29 | 0:35:32 | |
20 bid with you. | 0:35:32 | 0:35:34 | |
22 way in the distance. 25, 28. 30. | 0:35:34 | 0:35:37 | |
At 32. 35? | 0:35:37 | 0:35:40 | |
35 bid, 38 now. At 38 on the internet. | 0:35:40 | 0:35:44 | |
Bid 40? That's a no in the room. | 0:35:44 | 0:35:46 | |
All finished and selling then on the internet at £38. | 0:35:46 | 0:35:51 | |
Two bidders on the internet and we'd be there. | 0:35:51 | 0:35:53 | |
Anyway, 38 is two short of 40, which is £82 down the drain. | 0:35:53 | 0:35:57 | |
Plus the two you were down before equals minus 84. | 0:35:57 | 0:36:02 | |
We have to think sticks, right. | 0:36:02 | 0:36:04 | |
-You going to go with the lot of six for £40? -I like them. | 0:36:04 | 0:36:08 | |
I liked them. They were unusual. | 0:36:08 | 0:36:10 | |
-Let's beat the sticks, hey? -Let's put our faith in Charles. | 0:36:10 | 0:36:13 | |
-OK. -You've decided? -Yes. | 0:36:13 | 0:36:15 | |
You're having a punt. | 0:36:15 | 0:36:16 | |
We're going to give it some stick and go with the sticks | 0:36:16 | 0:36:18 | |
and here they come. | 0:36:18 | 0:36:20 | |
Six in the lot, there's plenty to choose from. | 0:36:20 | 0:36:22 | |
Start me straight in at bottom estimate at £50. | 0:36:22 | 0:36:26 | |
50? 30? | 0:36:26 | 0:36:29 | |
£20 anybody? | 0:36:29 | 0:36:31 | |
£10. 10 is down there. | 0:36:31 | 0:36:34 | |
12 bid. 15? | 0:36:34 | 0:36:36 | |
18, 22, 25, 28, 30, 32, 35, 40, 42, | 0:36:36 | 0:36:41 | |
45, 48, 50. 55, 60. At £60 bid. | 0:36:41 | 0:36:46 | |
-At 60, are we all done? -Internet come in. -65 surely? | 0:36:46 | 0:36:50 | |
One person has got a swagger, | 0:36:50 | 0:36:51 | |
it must be the expert! At £60. | 0:36:51 | 0:36:53 | |
Five anywhere else? I will take two. | 0:36:53 | 0:36:56 | |
62, and 65 on the net. At 65. | 0:36:56 | 0:37:00 | |
70 is the last call. Are you sure? | 0:37:00 | 0:37:03 | |
No, selling on the net then at £65. | 0:37:03 | 0:37:06 | |
-Well done. -65. Well, that's plus £25. | 0:37:07 | 0:37:10 | |
That is better than a kick in the proverbial, isn't it? | 0:37:10 | 0:37:12 | |
That takes you down from 84 to 64 | 0:37:12 | 0:37:15 | |
that takes you down to 59. Minus £59. | 0:37:15 | 0:37:19 | |
-It could have been worse. -It could but it could have been so much better, couldn't it? | 0:37:19 | 0:37:24 | |
Anyway, such is life , baby. | 0:37:24 | 0:37:26 | |
The thing is, say nothing to the Blues. | 0:37:26 | 0:37:28 | |
Well, this is exciting, isn't it? Do you know how the Reds got on? | 0:37:34 | 0:37:39 | |
-No, they haven't told us. -Very, very good. | 0:37:39 | 0:37:42 | |
-Very secretive. -I don't want them to tell you. | 0:37:42 | 0:37:45 | |
OK. First up then is the little deer and the doe reclining, | 0:37:45 | 0:37:50 | |
Art Deco, and here it comes. | 0:37:50 | 0:37:52 | |
French Art Deco figure group, | 0:37:52 | 0:37:54 | |
standing and recumbent deer on an onyx base. | 0:37:54 | 0:37:57 | |
A great little lot there. Starting at £80? 50? £30? | 0:37:57 | 0:38:02 | |
Look at what we're selling here. | 0:38:02 | 0:38:04 | |
20 to go. It's venison at this price. | 0:38:04 | 0:38:06 | |
£20 bid. 22, 25, 28, 30, 32, 35, | 0:38:06 | 0:38:11 | |
38, 40, 42, 45, | 0:38:11 | 0:38:16 | |
48, 50, 55, 60. | 0:38:16 | 0:38:19 | |
£60 bid. Five surely? | 0:38:19 | 0:38:21 | |
I'll take two if it's going to help either of you. | 0:38:21 | 0:38:24 | |
At 62, 65. 68 now? No. 65. | 0:38:24 | 0:38:28 | |
68 anywhere else? | 0:38:28 | 0:38:30 | |
Front has it then. Selling at £65. | 0:38:30 | 0:38:33 | |
£65 is plus £45, look at that! | 0:38:33 | 0:38:38 | |
£45 just like that. | 0:38:38 | 0:38:40 | |
-Now, stand by for the so-called brutalist clock. -Oh, the clock. | 0:38:40 | 0:38:44 | |
A mantle clock, a very, very unique item. | 0:38:44 | 0:38:47 | |
Who's going to start me at £100? | 0:38:47 | 0:38:50 | |
What shall we say for this? £100. 80 to go then surely. | 0:38:50 | 0:38:54 | |
50 if we have to. | 0:38:54 | 0:38:56 | |
£50? | 0:38:56 | 0:38:58 | |
30? 30 is your bid. | 0:38:58 | 0:39:02 | |
I'll take five if you like. | 0:39:02 | 0:39:04 | |
Let's go slowly. 30 bid. Five now, surely. | 0:39:04 | 0:39:08 | |
Any more now? 35, 40, 45. | 0:39:08 | 0:39:11 | |
It ought to be over £100 for this. 45, 50, 55, 60. | 0:39:11 | 0:39:15 | |
There's an awful lot of clock there for £60. | 0:39:15 | 0:39:18 | |
Anybody else going to join in? | 0:39:18 | 0:39:20 | |
The whole world's seen it on the net, | 0:39:20 | 0:39:22 | |
do you have any bids from the world? No, so it's in the room then | 0:39:22 | 0:39:25 | |
and it's selling, then, you've all decided, at £60. | 0:39:25 | 0:39:28 | |
-No. £60, that's minus £80. -I thought it was a good clock. | 0:39:28 | 0:39:32 | |
-It was a good clock. -Minus 80. | 0:39:32 | 0:39:34 | |
There we go, Lot 140 is | 0:39:34 | 0:39:36 | |
the early 20th century slipper box. | 0:39:36 | 0:39:38 | |
Who's going to start me at £40? | 0:39:38 | 0:39:40 | |
Really nice embossing on this. 40? | 0:39:40 | 0:39:42 | |
30 to go then. £30. | 0:39:44 | 0:39:46 | |
£20. | 0:39:46 | 0:39:48 | |
Just think, when you get home with your pipe and slippers. | 0:39:48 | 0:39:50 | |
£20? £10? | 0:39:50 | 0:39:53 | |
Uh-oh! | 0:39:53 | 0:39:55 | |
Doesn't anybody use these any more? | 0:39:55 | 0:39:56 | |
£10? | 0:39:56 | 0:39:58 | |
£5? £5 bid. Six? | 0:39:58 | 0:40:02 | |
At £5, six on the internet, | 0:40:02 | 0:40:04 | |
thank goodness for the internet! | 0:40:04 | 0:40:05 | |
8 bid - the excitement continues. | 0:40:05 | 0:40:08 | |
All the action is over the world. | 0:40:08 | 0:40:10 | |
Somebody bidding on the internet! | 0:40:10 | 0:40:12 | |
We're at eight. | 0:40:12 | 0:40:14 | |
May I say nine? If it's going to help people out. | 0:40:14 | 0:40:16 | |
Nine bid. | 0:40:16 | 0:40:17 | |
Do I see 10? 10 on the internet. | 0:40:17 | 0:40:20 | |
11 surely? He says, let them have it. | 0:40:20 | 0:40:23 | |
Any more bids then? Selling at £10. | 0:40:23 | 0:40:27 | |
£10 equals minus £6, which means overall you're minus £41. | 0:40:27 | 0:40:33 | |
-Now, what about the snuffbox? -We definitely love it. -We love it. | 0:40:33 | 0:40:38 | |
The auctioneer loved it too cos he put 60-80 on. | 0:40:38 | 0:40:41 | |
You paid 65, Paul. He rates it as a bonus buy. | 0:40:41 | 0:40:44 | |
Let us hope that he is right. | 0:40:44 | 0:40:46 | |
George V Silver snuffbox by George Unite. | 0:40:46 | 0:40:50 | |
Who's going to start me at £50? | 0:40:50 | 0:40:53 | |
A low start. 50, and we'll count from there. At 50. 55 anywhere else? | 0:40:53 | 0:40:58 | |
£50 bid. At 55. A bidder hovering. £60 bid. | 0:40:58 | 0:41:01 | |
At £60. Five surely. | 0:41:01 | 0:41:04 | |
At £60 bid. Any more now? At 60. I'll offer it at 2. | 0:41:04 | 0:41:07 | |
Please. | 0:41:07 | 0:41:08 | |
At 60 are we all done? It takes all my commission bids out. | 0:41:08 | 0:41:11 | |
At 60. Done and finished at £60. | 0:41:11 | 0:41:15 | |
£60, Paul, is minus £5, | 0:41:15 | 0:41:18 | |
which means, overall, it is minus £46. | 0:41:18 | 0:41:23 | |
Minus £46. | 0:41:23 | 0:41:25 | |
Don't say a word to the Reds and all will be revealed in a moment. | 0:41:25 | 0:41:28 | |
Thank you very much. | 0:41:28 | 0:41:30 | |
-Well, what excitement today. You teams been chatting at all? -No. | 0:41:37 | 0:41:41 | |
-Not about the score. -Not a word. | 0:41:41 | 0:41:43 | |
It's no secret that neither team is walking home with a profit today. | 0:41:43 | 0:41:47 | |
So it's just a question of the scale of the losses today, I'm afraid. | 0:41:47 | 0:41:52 | |
It's barely close enough to count, | 0:41:52 | 0:41:54 | |
but the team with marginally more losses than the others are the Reds. | 0:41:54 | 0:41:59 | |
Oh! | 0:41:59 | 0:42:01 | |
And your minus score totals 59, OK? | 0:42:01 | 0:42:05 | |
-Right. -Which is bad luck, isn't it? -It is. | 0:42:05 | 0:42:07 | |
I mean, minus £82 on that wretched gramophone was a body blow | 0:42:07 | 0:42:12 | |
from which anybody would find it difficult to recover. | 0:42:12 | 0:42:16 | |
But Hanson came to the fore with his £25 bonus buy, | 0:42:16 | 0:42:21 | |
which was really kind on the old sticks, but it wasn't enough. | 0:42:21 | 0:42:24 | |
Anyway, minus £59. | 0:42:24 | 0:42:26 | |
Lovely mother and son team. You've been brave and great. | 0:42:26 | 0:42:30 | |
-Thank you and we've loved you. -Thank you very much. -It's been wonderful. | 0:42:30 | 0:42:34 | |
But the victors today, grandma and granddaughter | 0:42:34 | 0:42:38 | |
go away with no cash but the victory sign and minus £46. | 0:42:38 | 0:42:44 | |
So not a great score, I have to say, | 0:42:45 | 0:42:48 | |
but a score that is sufficient to keep you ahead. | 0:42:48 | 0:42:51 | |
-Yes. -Was it good for you? -It was great. Loads of fun, thanks. | 0:42:51 | 0:42:55 | |
I'm very, very pleased. And good for you, Paul. | 0:42:55 | 0:42:58 | |
And, as usual, a pleasure to see you on the show. | 0:42:58 | 0:43:01 | |
So, here we go. Join us soon for some more bargain-hunting. Yes? | 0:43:01 | 0:43:04 | |
ALL: Yes! | 0:43:04 | 0:43:06 |