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We are in Kingston upon Thames today, | 0:00:02 | 0:00:04 | |
just ten miles southwest of Charing Cross Station. | 0:00:04 | 0:00:08 | |
But there is something very funny going on in this town. | 0:00:08 | 0:00:12 | |
Either they've got a drunken telephone engineer, | 0:00:12 | 0:00:16 | |
or we're all going to find our phones are out of order, | 0:00:16 | 0:00:19 | |
or we're going to press Button B. | 0:00:19 | 0:00:22 | |
I don't know. But let's go bargain hunting, eh? | 0:00:22 | 0:00:25 | |
It's here at the Kingston Antiques Centre | 0:00:52 | 0:00:55 | |
that our teams are going to be let loose | 0:00:55 | 0:00:57 | |
with their £300 to find three items in an hour. | 0:00:57 | 0:01:00 | |
So let's have a sneaky beak at what's coming up. | 0:01:00 | 0:01:03 | |
The Reds realise there is only one direction that matters. | 0:01:04 | 0:01:07 | |
It's got a purpose, but is it pointing to a profit? I don't know. | 0:01:07 | 0:01:11 | |
And the Blues know exactly what they want. | 0:01:12 | 0:01:15 | |
Are we in the game... | 0:01:15 | 0:01:16 | |
-for fun? Or are we in the game to win it? -To win it. | 0:01:16 | 0:01:20 | |
But who will be today's winner at auction? | 0:01:20 | 0:01:23 | |
AUCTIONEER MUMBLES | 0:01:23 | 0:01:25 | |
Come on! | 0:01:27 | 0:01:29 | |
Yes! You got it. | 0:01:29 | 0:01:31 | |
Let's meet the teams. | 0:01:31 | 0:01:32 | |
On Bargain Hunt today, we have a team of work colleagues - | 0:01:34 | 0:01:39 | |
Patty and Ben. | 0:01:39 | 0:01:41 | |
And a team of friends for the Blues - Lana and Charlotta. | 0:01:41 | 0:01:45 | |
-Hello, everyone. -ALL: Hello, Tim! -Hi, hi. | 0:01:45 | 0:01:48 | |
Now, listen, Patty, how long have you known Ben for? | 0:01:48 | 0:01:50 | |
-Ooh, about five years. -Have you? | 0:01:50 | 0:01:52 | |
-Yes, he was a student before he worked with us. -What do you do? | 0:01:52 | 0:01:55 | |
We are both radiographers. | 0:01:55 | 0:01:57 | |
-How long have you been doing this radiography? -33 years. -33 years? | 0:01:57 | 0:02:00 | |
-Yes. -Were you one of the youngest radiographers when you got your job? | 0:02:00 | 0:02:03 | |
-Yes, of course. -In the UK, or in the world maybe. | 0:02:03 | 0:02:07 | |
-What do you like to collect, Patty? -At the moment, it's glasses. | 0:02:07 | 0:02:10 | |
-How many pairs have you got? -Oh, about 300 or so. -You haven't! | 0:02:10 | 0:02:13 | |
-I haven't counted them lately. -Would you call yourself obsessed at all? | 0:02:13 | 0:02:16 | |
-Yeah, a bit. -A bit? -I've got to stop. -Have you? -Yes, of course. | 0:02:16 | 0:02:19 | |
Now, Ben, when you're not working as a radiographer, | 0:02:19 | 0:02:22 | |
what do you get up to? | 0:02:22 | 0:02:23 | |
All kinds... all sports, badminton, a bit of go-karting. | 0:02:23 | 0:02:27 | |
-I'm starting to get into triathlons. -Are you? | 0:02:27 | 0:02:31 | |
I consider myself a bit of a triathlete. | 0:02:31 | 0:02:33 | |
And for the triathlon, you have to run a bit, | 0:02:33 | 0:02:35 | |
you have to swim a bit and you have to bike a bit, don't you? | 0:02:35 | 0:02:38 | |
-Swim, cycle, run. -Yeah. How are you getting on with it? | 0:02:38 | 0:02:41 | |
Usually near the bottom. | 0:02:41 | 0:02:43 | |
-But I am trying hard. -Well, there you go. And it's good fun, though? | 0:02:43 | 0:02:45 | |
-Yeah. -It gets you out and about and keeps you out of mischief. | 0:02:45 | 0:02:48 | |
-Absolutely. -What do you like to collect, Ben? | 0:02:48 | 0:02:50 | |
I'm not as an avid collector as Patty, but I like military things. | 0:02:50 | 0:02:55 | |
I've got a few model racing cars at home as well. | 0:02:56 | 0:02:58 | |
But they've got to be in mint condition. | 0:02:58 | 0:03:00 | |
-Mint? -Oh, yes, in the box. | 0:03:00 | 0:03:02 | |
Well, that is a very good principle actually with those things. | 0:03:02 | 0:03:04 | |
Don't touch it if it isn't mint. | 0:03:04 | 0:03:06 | |
So what are you two going to be buying today between you two? | 0:03:06 | 0:03:08 | |
-We'd both like to get something scientific. -Yeah. | 0:03:08 | 0:03:11 | |
-Cos of our background. -Well, lovely, and very good luck. | 0:03:11 | 0:03:13 | |
Lovely to see you. | 0:03:13 | 0:03:15 | |
Now, Lana, how far back do you go with your future mother-in-law? | 0:03:15 | 0:03:19 | |
-12 years. -And Lana calls you Mama? | 0:03:19 | 0:03:22 | |
Yeah. My children call me Mama. | 0:03:22 | 0:03:24 | |
So sweet. Lana, what do you do for a living, darling? | 0:03:24 | 0:03:28 | |
Currently deputy manager for a care home | 0:03:28 | 0:03:30 | |
supporting people with autism and learning disabilities. | 0:03:30 | 0:03:33 | |
Right. | 0:03:33 | 0:03:34 | |
Soon to be a behavioural specialist across the company. | 0:03:34 | 0:03:37 | |
-What do you do in that line of work? -Well, you... | 0:03:37 | 0:03:42 | |
Take a person and if they've got some behavioural issues | 0:03:42 | 0:03:46 | |
or areas that might help improve their lives, | 0:03:46 | 0:03:48 | |
I would analyse the behaviours and then try to put | 0:03:48 | 0:03:52 | |
an intervention in place to make their lives better, really. | 0:03:52 | 0:03:55 | |
-Charlotta, you come from the Low Countries. -Yes, I'm a Dutch girl. | 0:03:55 | 0:03:58 | |
-You're a Dutch girl? -Yep. -What do you do to keep yourself busy? | 0:03:58 | 0:04:02 | |
I'm a shopkeeper during the day. | 0:04:02 | 0:04:05 | |
-Yes. -And as a hobby, I play poker. | 0:04:05 | 0:04:07 | |
-Do you? -I am a poker player, yes. | 0:04:08 | 0:04:11 | |
-Have you got that deadpan face, then? -OK, yes, yes. | 0:04:11 | 0:04:14 | |
-So you sit there with... -Yeah! | 0:04:14 | 0:04:16 | |
You sit there with a flush and you don't get pink. | 0:04:16 | 0:04:18 | |
No, no, no. | 0:04:18 | 0:04:19 | |
-Charlotta, you're not a big gambler, are you? -No, not really. | 0:04:19 | 0:04:23 | |
What do you mean "really"? | 0:04:23 | 0:04:24 | |
-A game costs £10. -Only £10 a game? -Yeah. | 0:04:25 | 0:04:28 | |
But you have got experience in the antiques business, haven't you? | 0:04:28 | 0:04:31 | |
-A bit, yes. -What do you mean a bit? | 0:04:31 | 0:04:33 | |
-I used to have a table in Portobello Road. -Well, there you are. | 0:04:33 | 0:04:36 | |
-She's a Portobello Road dealer. My gosh. -I'm a market girl. | 0:04:36 | 0:04:39 | |
You are a market girl, so you know how to drive a hard bargain. | 0:04:39 | 0:04:42 | |
Absolutely. | 0:04:42 | 0:04:43 | |
What sort of things did you sell in your time at Portobello? | 0:04:43 | 0:04:46 | |
Silver. | 0:04:46 | 0:04:47 | |
Are you going to be going for silver today? | 0:04:47 | 0:04:49 | |
-I would love to buy some silver. Maybe some Dutch silver. -Yes. | 0:04:49 | 0:04:53 | |
And you're going to guide Lana through the minefield | 0:04:53 | 0:04:55 | |
that is antiques? | 0:04:55 | 0:04:56 | |
-Yes. -That's the one, yeah. -Is that true? | 0:04:56 | 0:04:58 | |
And of course, you're going to have your expert. | 0:04:58 | 0:05:00 | |
Anyway, now the money moment. £300 a piece. There you go - £300. | 0:05:00 | 0:05:04 | |
You know the rules. Your experts await, and off you go! | 0:05:04 | 0:05:07 | |
And very, very good luck. | 0:05:07 | 0:05:10 | |
Mm... Poker player, eh? | 0:05:10 | 0:05:12 | |
Now, let's meet our experts. | 0:05:14 | 0:05:16 | |
Ever-patient Kate Bliss will be assisting the Reds. | 0:05:16 | 0:05:19 | |
And David Harper will be getting his teeth stuck | 0:05:21 | 0:05:24 | |
into finding bargains for the Blues. | 0:05:24 | 0:05:25 | |
Patty and Ben, you're going to love this antique centre. | 0:05:30 | 0:05:33 | |
Any ideas what you might be looking for? | 0:05:33 | 0:05:35 | |
-Something scientific? We're both in the... -Practical. -Yeah. | 0:05:35 | 0:05:38 | |
Practical stuff. | 0:05:38 | 0:05:40 | |
Ooh, I think this is going to sound a bit exotic. | 0:05:40 | 0:05:42 | |
-We've got Lana and Charlotta. -Charlotta, perfect. Yes. | 0:05:42 | 0:05:45 | |
I say, very glamorous. What are we going to be looking for, Charlotta? | 0:05:45 | 0:05:48 | |
I would like a little bit of silver | 0:05:48 | 0:05:50 | |
and maybe a bit of jewellery with a little bit of glam. | 0:05:50 | 0:05:52 | |
-I want my furniture. -Furniture? Hm. -Yep. The bigger the better. | 0:05:52 | 0:05:57 | |
-Lana, do we do glam? -We do do glam. -Do we? -Yeah. -Do we do bling? | 0:05:57 | 0:06:00 | |
We do bling. | 0:06:00 | 0:06:01 | |
Right, teams, your 60 minutes starts now! | 0:06:01 | 0:06:04 | |
BELL DINGS | 0:06:04 | 0:06:06 | |
-Let's go for it! -Let's go. | 0:06:06 | 0:06:08 | |
Let's go. | 0:06:08 | 0:06:10 | |
-Go on and hide me. -It says no ducks allowed. Oh, dear. | 0:06:10 | 0:06:13 | |
-Test me. I love it. -OK, how old is he? -Oh! | 0:06:15 | 0:06:18 | |
Hang on a minute - why are you drawn to that? | 0:06:20 | 0:06:22 | |
Well, I have no men. | 0:06:22 | 0:06:24 | |
Well, he's only 85 quid, not bad for a man, is he? | 0:06:25 | 0:06:27 | |
Yeah, he's very cheap, very cheap, yeah. | 0:06:27 | 0:06:29 | |
Oh, I don't know. He looks ARMLESS to me. | 0:06:29 | 0:06:31 | |
-Quite elegant. -It's very ladylike, isn't it? -Yes, it's quite low. -Yeah. | 0:06:31 | 0:06:35 | |
Low chair, low price maybe, Kate. | 0:06:35 | 0:06:37 | |
It might be a little nursing chair cos often they were very low. | 0:06:37 | 0:06:40 | |
It's not really for sitting on for any length of time, | 0:06:40 | 0:06:44 | |
so you've got to sort of take that into account | 0:06:44 | 0:06:46 | |
-when you're thinking about the price. -Hm. | 0:06:46 | 0:06:48 | |
So at auction, I would probably put an estimate in the current | 0:06:48 | 0:06:51 | |
market of sort of £30-50. | 0:06:51 | 0:06:54 | |
Something like that, maybe a little bit less, even. | 0:06:54 | 0:06:56 | |
That's a retail price, that's a fair retail price, | 0:06:56 | 0:06:59 | |
but it's just about how commercial it might be at the auction. | 0:06:59 | 0:07:02 | |
Yeah. OK, well we will move on and see what else we have. | 0:07:02 | 0:07:05 | |
We can always come back to it. Let's keep going. | 0:07:05 | 0:07:08 | |
You can indeed, Reds. There is still plenty to see. | 0:07:08 | 0:07:11 | |
Meanwhile, the Blues are looking at a silver bar brooch | 0:07:11 | 0:07:14 | |
priced up at £18. | 0:07:14 | 0:07:15 | |
-Has it got a meaning at all, you think? -Yeah, I think so. | 0:07:16 | 0:07:19 | |
Looks Victorian, doesn't it? It's very Victorian in its shape. | 0:07:19 | 0:07:21 | |
-Yeah. -And is it silver? | 0:07:21 | 0:07:23 | |
-Well, it's got markings. -OK, what do they say? -It's got a little flower. | 0:07:25 | 0:07:29 | |
-If you look at it that way... -OK. -What is it now? | 0:07:29 | 0:07:32 | |
-It's an anchor. -Right, and what does that mean, Charlotta? -Birmingham. | 0:07:32 | 0:07:35 | |
Well done! Fantastic. What a dream team. | 0:07:35 | 0:07:38 | |
-OK, so date is...circa 1900s, so very late. -Yeah. | 0:07:38 | 0:07:43 | |
-Oh, there you go, it says 1896. -Shall we think about it? | 0:07:43 | 0:07:46 | |
-Let's think about it. -Do you want to think? That's fine. | 0:07:46 | 0:07:49 | |
It's a good start. | 0:07:49 | 0:07:50 | |
On the back burner it goes. So, from one cabinet to another. | 0:07:50 | 0:07:54 | |
What have the Reds spotted now? | 0:07:54 | 0:07:55 | |
-What is that at the front there, Kate? -I don't know. | 0:07:55 | 0:07:57 | |
-It might be compass, maybe. -Is that a compass? Ben likes compasses. | 0:07:57 | 0:08:00 | |
Do you? Could we have a little look in here, please? | 0:08:00 | 0:08:03 | |
There's all sorts of things. We've got medals... | 0:08:03 | 0:08:05 | |
We've got what looks like a little Dinky Toy in the back there. | 0:08:05 | 0:08:09 | |
Lovely, thanks Matthew. | 0:08:09 | 0:08:11 | |
-So, let's have a little look. -That one's got a case. -Yes. | 0:08:11 | 0:08:15 | |
Does it work? | 0:08:15 | 0:08:16 | |
Do you know what date it would be? | 0:08:16 | 0:08:18 | |
-Well, it certainly looks like World War II to me. -£125. | 0:08:18 | 0:08:21 | |
Is that commercial, do you think? | 0:08:21 | 0:08:23 | |
They are collectible. | 0:08:23 | 0:08:25 | |
It was probably a standard-issue one, | 0:08:25 | 0:08:28 | |
so I don't think it's particularly rare. | 0:08:28 | 0:08:30 | |
It got a purpose, but is it pointing to a profit? | 0:08:30 | 0:08:33 | |
125 is the price. | 0:08:33 | 0:08:35 | |
Why don't we leave it to Matthew to see what the best price would be. | 0:08:35 | 0:08:39 | |
That would be great. | 0:08:39 | 0:08:40 | |
Thank you very much. | 0:08:40 | 0:08:42 | |
So, as the Reds wait on a price, | 0:08:42 | 0:08:44 | |
David is trying to impress the Blues. | 0:08:44 | 0:08:46 | |
-It's a little ebony box. -Yeah. -So, it's a piece of tree. -Yeah. | 0:08:46 | 0:08:50 | |
See the nice little thread there? All in wood. Beautifully turned. | 0:08:50 | 0:08:55 | |
Great colour. Then, on the top, we have it mounted in silver. | 0:08:55 | 0:09:00 | |
Hallmarked in Birmingham in 1919. | 0:09:00 | 0:09:03 | |
That is as immaculate as it was the day it was made. | 0:09:03 | 0:09:09 | |
It just needs a little bit of polish on there. | 0:09:09 | 0:09:11 | |
-Yeah, that's not a big deal. -And engrave it. | 0:09:11 | 0:09:13 | |
I think that is a cracking little object. | 0:09:13 | 0:09:16 | |
What's it worth? | 0:09:16 | 0:09:17 | |
-15? -But will they get it for that price? | 0:09:18 | 0:09:22 | |
The Reds are still waiting for prices on their items. | 0:09:22 | 0:09:24 | |
Here is Matthew. | 0:09:24 | 0:09:26 | |
I've spoken to the dealer. | 0:09:26 | 0:09:27 | |
-They are happy to do £80 on the compass for you. -Right. | 0:09:27 | 0:09:30 | |
And the lady with the chair would do £50. | 0:09:30 | 0:09:33 | |
-Oh, that's great. All right, well, let's keep that in mind. -All right. | 0:09:33 | 0:09:37 | |
-Lovely, thanks, Matthew. -Very lovely. Thank you. | 0:09:37 | 0:09:39 | |
-Shall we go this way? -Yes. | 0:09:39 | 0:09:40 | |
-Now, what can they get the ebony box for? -Let's bring in the lovely Vera. | 0:09:40 | 0:09:43 | |
Yeah. | 0:09:43 | 0:09:44 | |
-Hi, Vera. -Hello. | 0:09:44 | 0:09:47 | |
I think you know where this is going. | 0:09:47 | 0:09:48 | |
-Can that be eight pounds? -No, but it could be 12. | 0:09:48 | 0:09:53 | |
Can it be ten? | 0:09:53 | 0:09:55 | |
-Go on, then. -Are you happy at ten? | 0:09:57 | 0:09:59 | |
I think that's a very good deal that she did. A very good deal. | 0:09:59 | 0:10:03 | |
There is profit in that at ten. Vera, thank you very much indeed. | 0:10:03 | 0:10:07 | |
And with that, the Blues bought their first item. Well done. | 0:10:07 | 0:10:10 | |
I'm liking this chair, Kate. More than the previous chair we saw. | 0:10:12 | 0:10:16 | |
-Oh, really? -It's more practical. -Mm-hm. -Also quite decorative. | 0:10:16 | 0:10:19 | |
It looks in reasonable condition. | 0:10:19 | 0:10:21 | |
-I prefer that as well to the other one. -Do you? | 0:10:21 | 0:10:24 | |
Now, this is really interesting | 0:10:24 | 0:10:25 | |
because I think the earlier chair is very traditional, very Edwardian. | 0:10:25 | 0:10:29 | |
-This is '30s. -Yeah. | 0:10:29 | 0:10:31 | |
Quite Art Deco in shape with that tall back. | 0:10:31 | 0:10:34 | |
This one is oak with what's known as a bergere back, | 0:10:34 | 0:10:37 | |
which is the word for that cane work. | 0:10:37 | 0:10:40 | |
I'm just going to jump in there and have a closer look. | 0:10:40 | 0:10:43 | |
So this is very '30s with that carved little piece here. | 0:10:43 | 0:10:47 | |
-It almost looks like a sunburst, kind of. -Yes, it is. It's... | 0:10:47 | 0:10:50 | |
Let's lift the cushion up, cos this is important | 0:10:50 | 0:10:53 | |
what the bottom is like. | 0:10:53 | 0:10:54 | |
So, you've got a solid seat there which I'm pretty sure | 0:10:54 | 0:10:57 | |
has been replaced. | 0:10:57 | 0:10:58 | |
I think originally the seat would have been bergere as well, | 0:10:58 | 0:11:01 | |
quite possibly. | 0:11:01 | 0:11:02 | |
Now, the other thing to take into consideration is the cushion. | 0:11:02 | 0:11:05 | |
The thing about the cushion is you've got to be careful that | 0:11:05 | 0:11:08 | |
it's not foam-filled | 0:11:08 | 0:11:10 | |
because a lot of auction houses will not sell anything | 0:11:10 | 0:11:13 | |
that is foam-filled because it doesn't comply | 0:11:13 | 0:11:16 | |
with modern fire regulations. | 0:11:16 | 0:11:18 | |
They can't legally sell it. | 0:11:18 | 0:11:20 | |
The good news is about this one is | 0:11:20 | 0:11:22 | |
-you can feel that it's actually full of springs. -Oh, great. | 0:11:22 | 0:11:25 | |
You haven't got foam in there. | 0:11:25 | 0:11:27 | |
So, that's good news. | 0:11:27 | 0:11:29 | |
Now, the question is - what somebody would pay for this. | 0:11:29 | 0:11:33 | |
-The ticket price is 58. Beech-framed they say. -Beech? | 0:11:34 | 0:11:37 | |
-It does look like oak, doesn't it? -It could well be beech. | 0:11:37 | 0:11:40 | |
-That looks like oak to me. -I would bid on this chair. | 0:11:40 | 0:11:43 | |
I probably wouldn't bid, myself, on the previous chair. | 0:11:43 | 0:11:46 | |
We probably need to go and get Matthew, then. | 0:11:46 | 0:11:48 | |
Whilst the Reds consider the bergere chair, | 0:11:48 | 0:11:50 | |
the Blues are also honing in on yet more four-legged items. | 0:11:50 | 0:11:55 | |
Wow. | 0:11:55 | 0:11:56 | |
-What do you think of those chairs? -I think they're lovely. -Nice. | 0:11:56 | 0:11:59 | |
They're really nice. | 0:11:59 | 0:12:00 | |
I like the left one very much because it is a clear one. | 0:12:00 | 0:12:03 | |
-The other one looks slightly greyish. -OK. | 0:12:03 | 0:12:06 | |
A real design icon, I think, that chair, isn't it? | 0:12:06 | 0:12:08 | |
It's the Ghost Chair designed by Philippe Starck. | 0:12:08 | 0:12:12 | |
So it's quite a well-known brand, well-known name, | 0:12:12 | 0:12:14 | |
-well-known designer. -What sort of period are we? | 0:12:14 | 0:12:17 | |
Oh, gosh, very modern. | 0:12:17 | 0:12:18 | |
-I mean, late... -'50s, '60s, '70s? | 0:12:18 | 0:12:20 | |
No, no, no, absolutely late 20th century. | 0:12:20 | 0:12:23 | |
-Oh, right. -Yeah, but absolutely cool. | 0:12:23 | 0:12:25 | |
I would love to go for that if you are in agreement. | 0:12:25 | 0:12:28 | |
So at least if it collapses we don't to actually get hurt. | 0:12:28 | 0:12:31 | |
Yeah, then we go home quickly and leave her alone here. Yeah. | 0:12:31 | 0:12:34 | |
-Yeah. -How does that feel? -Game of chess, anyone? | 0:12:35 | 0:12:37 | |
HE CHUCKLES | 0:12:37 | 0:12:39 | |
-Does that feel good? -Feels good. -Very good. OK. | 0:12:39 | 0:12:42 | |
So, pick it up, have a look on the underside, | 0:12:42 | 0:12:44 | |
make sure there is no damage or repairs. | 0:12:44 | 0:12:46 | |
-And this should be a mark there, Lana, as well. Turn it around. -Ugh. | 0:12:46 | 0:12:51 | |
-That's it. -What do I do? -And on the back of the chair... Just here. | 0:12:51 | 0:12:55 | |
There we are. Isn't that just lovely? | 0:12:55 | 0:12:58 | |
-Yeah, a few scratches. It looks a bit dirty, but nice. -Come on, then. | 0:12:58 | 0:13:03 | |
-Let's have a team discussion. -Yeah. -OK, time is really... | 0:13:03 | 0:13:07 | |
-I've got a price in my mind. -OK. | 0:13:07 | 0:13:08 | |
-What is that? What is the price? -35, £40. | 0:13:08 | 0:13:12 | |
-Stay there. -Yeah. -Talk about it. I'll have a word with somebody. | 0:13:12 | 0:13:15 | |
Thank you so much. | 0:13:15 | 0:13:16 | |
So whilst David heads off to negotiate | 0:13:16 | 0:13:18 | |
on the asking price of £65, it's back to the Reds. | 0:13:18 | 0:13:21 | |
But they haven't moved. | 0:13:21 | 0:13:23 | |
What do you think of this table? | 0:13:23 | 0:13:25 | |
I like it. It's nicely turned and everything. | 0:13:25 | 0:13:28 | |
But, again, it it's dark, dark wood, isn't it? | 0:13:28 | 0:13:32 | |
It's for a certain kind of household which doesn't exist anymore. | 0:13:32 | 0:13:35 | |
Well, Victorian pieces have gone down in price. | 0:13:35 | 0:13:38 | |
Generally speaking, that's true. But it's a lovely decorative piece. | 0:13:38 | 0:13:42 | |
It's quite sought after by an interior designer | 0:13:42 | 0:13:45 | |
who might be looking for something a bit more interesting. | 0:13:45 | 0:13:48 | |
It's all in quite good order and it's not too bad on price. | 0:13:48 | 0:13:52 | |
-It's OK on the price, isn't it? -Have a little look, Patty. | 0:13:52 | 0:13:55 | |
-What does it say? -It's 135. | 0:13:55 | 0:13:57 | |
Now, I wouldn't want to pay 135. | 0:13:57 | 0:13:59 | |
At auction, it might make anything from £70-100. | 0:13:59 | 0:14:06 | |
So what do you think of the two? What you think maximum for the two? 150? | 0:14:06 | 0:14:09 | |
You think that would be...? | 0:14:09 | 0:14:11 | |
I think we need to talk to Matt. See what he can do for us. Matthew! | 0:14:11 | 0:14:15 | |
And is if by magic, Matthew appears. | 0:14:15 | 0:14:17 | |
Oh, hi, there. Thanks ever so much. | 0:14:17 | 0:14:19 | |
Matthew, we really like this chair. You've got it priced at 58. | 0:14:19 | 0:14:25 | |
We were wondering what the best would be on that. | 0:14:25 | 0:14:28 | |
But also, if we took the games table as well, what you could do. | 0:14:28 | 0:14:32 | |
OK. | 0:14:32 | 0:14:33 | |
So the Reds are awaiting some furniture prices. | 0:14:33 | 0:14:36 | |
What about the Blues and their furniture? | 0:14:36 | 0:14:38 | |
Right, OK, situation is that in an antiques centre, | 0:14:38 | 0:14:41 | |
-so they're not all here, the dealers. -OK. | 0:14:41 | 0:14:43 | |
They are making a call to see what the best price is. | 0:14:43 | 0:14:45 | |
-While the phone call is being made, we need to look and scout. -OK. | 0:14:45 | 0:14:48 | |
So, turn around, there is a cabinet. | 0:14:48 | 0:14:50 | |
Look and scout in that cabinet. | 0:14:50 | 0:14:52 | |
With both teams waiting on price news, I'm in a reflective mood. | 0:14:52 | 0:14:57 | |
The peculiar thing about this business is that when you get up in | 0:14:57 | 0:15:00 | |
the morning, you have no idea what you might find that particular day. | 0:15:00 | 0:15:06 | |
Well, today, I found these two. | 0:15:06 | 0:15:10 | |
On the face of it, they're incredibly spangley, aren't they? | 0:15:11 | 0:15:15 | |
That's because they are both made of solid silver. | 0:15:15 | 0:15:19 | |
This silver has been nicely cleaned. | 0:15:19 | 0:15:21 | |
When I first saw them, I thought, "What a lovely pair of frames." | 0:15:21 | 0:15:25 | |
But if I put them side-by-side, | 0:15:25 | 0:15:28 | |
the one on this side has got a beaded curved pediment to it. | 0:15:28 | 0:15:33 | |
And the one on this one has got what is called | 0:15:33 | 0:15:36 | |
a swan-neck pediment to it. | 0:15:36 | 0:15:39 | |
The swan neck flanks the mask of an angel, | 0:15:39 | 0:15:43 | |
and then running down the sides of the frame, there are two niches - | 0:15:43 | 0:15:47 | |
each in the form of an oval shell containing a couple of saints. | 0:15:47 | 0:15:53 | |
If we look at the other frame, you can see it follows the same theme. | 0:15:53 | 0:15:58 | |
The difference in the pediment that I pointed out, | 0:15:58 | 0:16:01 | |
and then we have a saint - probably St Peter - | 0:16:01 | 0:16:04 | |
standing in the middle with a couple of draped columns | 0:16:04 | 0:16:07 | |
either side of him. | 0:16:07 | 0:16:09 | |
Here, the sides are entirely made up of beading and foliage. | 0:16:09 | 0:16:14 | |
Most silver is marked, and indeed these pieces are marked. | 0:16:14 | 0:16:18 | |
Over here, we've got | 0:16:18 | 0:16:20 | |
a very badly struck mark which seems to be a monarch's mug shot. | 0:16:20 | 0:16:25 | |
Over here, there's an oddball mark that has two Xs | 0:16:25 | 0:16:29 | |
and another device next to it. | 0:16:29 | 0:16:31 | |
Frankly, to decipher these marks is quite beyond me. | 0:16:31 | 0:16:36 | |
But I know that the quality of the manufacture in these two | 0:16:36 | 0:16:41 | |
silver frames is very high. | 0:16:41 | 0:16:43 | |
You have to form the figures of the saints, | 0:16:43 | 0:16:46 | |
you have to give the silver this very rich texture, | 0:16:46 | 0:16:50 | |
and you do that by hitting a small blunt instrument | 0:16:50 | 0:16:54 | |
against these in between services, which is called matting, | 0:16:54 | 0:16:59 | |
and you do that not once, not twice, | 0:16:59 | 0:17:01 | |
but several hundred thousand times | 0:17:01 | 0:17:04 | |
over the surface of the entire piece, | 0:17:04 | 0:17:07 | |
which gives it this textured look. | 0:17:07 | 0:17:10 | |
So, when were they made? | 0:17:10 | 0:17:12 | |
And where were they made? | 0:17:12 | 0:17:14 | |
Well, my best guess would be that these frames weren't made | 0:17:14 | 0:17:19 | |
in Europe at all. | 0:17:19 | 0:17:21 | |
I think they were made by a colonial silversmith in one | 0:17:21 | 0:17:25 | |
of the Spanish or Portuguese territories in South America. | 0:17:25 | 0:17:30 | |
In the 17th century, | 0:17:30 | 0:17:31 | |
the Spanish were removing vast amounts of silver in South America. | 0:17:31 | 0:17:37 | |
And, it's quite likely that these two frames were made there | 0:17:37 | 0:17:41 | |
at that time and then brought back to Europe. | 0:17:41 | 0:17:44 | |
There is a risk factor involved in acquiring silver of this type - | 0:17:44 | 0:17:49 | |
if you are wrong and it's a late 19th-century reproduction | 0:17:49 | 0:17:52 | |
and it was simply churned out in some quantity in Holland, say, | 0:17:52 | 0:17:57 | |
the value of these two frames might only be as much as £300 or £400. | 0:17:57 | 0:18:03 | |
If you are right, though, and they were made in Columbia, or Peru, | 0:18:03 | 0:18:08 | |
or Brazil in the 17th, early 18th century, you would have | 0:18:08 | 0:18:13 | |
a pair of frames that could be worth as much as £1,500 to £2,000. | 0:18:13 | 0:18:18 | |
What was the asking price? £380 for the two. | 0:18:19 | 0:18:23 | |
Do you fancy a punt? I think yes, don't you? | 0:18:23 | 0:18:26 | |
Back to the shopping, and with just the one purchase made | 0:18:28 | 0:18:31 | |
so far by the Blues, both teams are still waiting for prices. | 0:18:31 | 0:18:35 | |
Here we are, here we are. Get ready. Brace yourselves. | 0:18:35 | 0:18:38 | |
-They will do 35 on the chair. -35? -I think that's fantastic. | 0:18:38 | 0:18:42 | |
-Thank you very much. Yes. -Happy? -Yes, very happy. -Lovely. | 0:18:42 | 0:18:45 | |
-Tell them it's sold. -Thank you so much. -Brilliant. | 0:18:45 | 0:18:47 | |
Thank you for doing that. | 0:18:47 | 0:18:49 | |
Well done, Blues. That's your second purchase made. | 0:18:49 | 0:18:51 | |
Wasting no time, the Reds have moved up a floor as news on the chair | 0:18:51 | 0:18:55 | |
and table finally arrives. | 0:18:55 | 0:18:57 | |
-Great, now you are in charge of upstairs, aren't you? -Yeah. | 0:18:57 | 0:19:00 | |
First of all, any news from Matthew? | 0:19:00 | 0:19:02 | |
We asked him about a couple of prices. | 0:19:02 | 0:19:03 | |
That's right, now he's gone down to 65 on the table, 45 on the chair. | 0:19:03 | 0:19:09 | |
The table was priced at 135, so that's a fantastic discount. | 0:19:09 | 0:19:13 | |
Yeah, very generous. | 0:19:13 | 0:19:14 | |
The chair was priced at 58, so that's come down to 45. | 0:19:14 | 0:19:19 | |
So, altogether we are looking at, what, 110 for the two items. | 0:19:19 | 0:19:23 | |
-Go for it, definitely. -What do you think, Patty? -Definitely! | 0:19:23 | 0:19:26 | |
-Definitely. -I'm sold. I'm sold. -Good. -Let's do it. | 0:19:26 | 0:19:30 | |
That's a pretty firm "Yes, please," I think. | 0:19:30 | 0:19:33 | |
But we still need a third item and time is ticking, literally in here. | 0:19:33 | 0:19:37 | |
We have about 15 minutes which isn't long. | 0:19:37 | 0:19:40 | |
Could we also have a look | 0:19:40 | 0:19:42 | |
-at the telescope? -CLOCKS CHIME | 0:19:42 | 0:19:44 | |
Gosh, all the clocks are working in here, aren't they? | 0:19:44 | 0:19:47 | |
-They've all struck at the same hour. -Let's have a look at it. | 0:19:47 | 0:19:50 | |
Lovely, thank you very much. Thank you, Marion. | 0:19:50 | 0:19:53 | |
So, let's leave the Reds looking at the telescope. | 0:19:53 | 0:19:56 | |
Meanwhile, the Blues have found yet more furniture. | 0:19:56 | 0:20:00 | |
-OK, tell us why you like that. -I don't know. I just like the style. | 0:20:00 | 0:20:04 | |
But then, I guess it's quite particular. | 0:20:04 | 0:20:06 | |
Someone is going to have to like it in auction, aren't they? | 0:20:06 | 0:20:08 | |
Yeah, but you know, it is very much the market, isn't it? | 0:20:08 | 0:20:11 | |
It's 1950s, looks like a melamine kind of top. | 0:20:11 | 0:20:14 | |
I think it probably is. | 0:20:14 | 0:20:17 | |
-Oh, look it's a cocktail cabinet! -Nice, that's why I like it. | 0:20:17 | 0:20:20 | |
Is it going to make money, though? That's the thing. | 0:20:20 | 0:20:22 | |
I don't think it is. I like it, but... | 0:20:22 | 0:20:24 | |
I think it's 100-150 in auction. | 0:20:24 | 0:20:27 | |
-However, I'd like to see it in a 20th-century sale. -Forget it. | 0:20:27 | 0:20:30 | |
Keep it in mind because time is running out. | 0:20:30 | 0:20:32 | |
If we went out of time, we're going to have to dash an offer of 150 | 0:20:32 | 0:20:35 | |
and try to get it. | 0:20:35 | 0:20:36 | |
-Exactly. Good thinking. -Come on, then, but well spotted. | 0:20:36 | 0:20:39 | |
So, the Blues are leaving the sideboard to one side | 0:20:39 | 0:20:41 | |
and are the Reds still focused on the telescope? | 0:20:41 | 0:20:44 | |
-What do we have here? World War II telescope. -£85. -Canadian. | 0:20:44 | 0:20:49 | |
It's probably three draw, so it pulls out like so. | 0:20:49 | 0:20:53 | |
-And it pulls out here. -Oh. | 0:20:53 | 0:20:55 | |
SHE GASPS Wow. | 0:20:55 | 0:20:57 | |
Now, this would be... Oh, look, now this is the good bit. | 0:20:57 | 0:21:00 | |
Look. We've got Telescope Signalling REL Canada. | 0:21:00 | 0:21:05 | |
-I mean, that has to be... -1942. -I like it. | 0:21:08 | 0:21:11 | |
I think 85 is a bit too much. | 0:21:13 | 0:21:15 | |
I'm thinking, really, it could be £20-30 at auction. | 0:21:15 | 0:21:18 | |
We've only got one more to buy. Oh, here is Marion. | 0:21:18 | 0:21:22 | |
Hi, Marion. What news? Come on in. | 0:21:22 | 0:21:24 | |
Well, I spoke in to the dealer and we can go down to 70. | 0:21:24 | 0:21:28 | |
Very fairly priced for your antiques centre, | 0:21:28 | 0:21:31 | |
but we've got to put them into an auction. | 0:21:31 | 0:21:33 | |
Well, what about 65 on that. Will that help? | 0:21:33 | 0:21:37 | |
Do you know what I think, you two? I think we've got about ten minutes. | 0:21:37 | 0:21:41 | |
We've got two items. | 0:21:41 | 0:21:42 | |
I think we should have another very quick look around here | 0:21:42 | 0:21:45 | |
-and we can always come back to these. -Yep. | 0:21:45 | 0:21:47 | |
-Is that all right, Marion? -Yeah, that'll be fine. | 0:21:47 | 0:21:49 | |
-I'll put it back. -Thank you very much. | 0:21:49 | 0:21:51 | |
This way, guys. On the double. | 0:21:51 | 0:21:53 | |
So, the telescope is put on one side, | 0:21:53 | 0:21:55 | |
but what have the Blues spotted now? | 0:21:55 | 0:21:57 | |
-This. -Oh, do you like that? OK. What is it? | 0:21:57 | 0:22:01 | |
-A box. -A box, yeah. -Sounds good to me, yes. | 0:22:01 | 0:22:04 | |
Good colour, isn't it? Good colour. | 0:22:04 | 0:22:07 | |
-Oh, look, those metal things with... how you call...hinges. -Hinges. | 0:22:07 | 0:22:10 | |
Let's have a look at that. Let's have a look at this then, Charlotta. | 0:22:10 | 0:22:13 | |
-Yeah. -So it's a little Victorian box. | 0:22:13 | 0:22:16 | |
Could have been a tool box, storage box. | 0:22:16 | 0:22:17 | |
So it's almost like an industrial-quality thing, isn't it? | 0:22:17 | 0:22:20 | |
-Yeah, and lots and lots of handles. -Handles. Let's have a look. | 0:22:20 | 0:22:24 | |
-Well, look at that. -Gosh, yes. | 0:22:24 | 0:22:26 | |
This theme was made cheaply, but made to last for a very long time. | 0:22:26 | 0:22:28 | |
-Yeah. -And it has. | 0:22:28 | 0:22:30 | |
-So, well constructed, good colour. Time is running out. -Nice article. | 0:22:30 | 0:22:34 | |
-Would you use that as a coffee table? -Yes. Nice. -Very nice. | 0:22:34 | 0:22:37 | |
-OK, you two stay here. I'll go and get a price. -OK, great. -Thank you. | 0:22:37 | 0:22:41 | |
Look, there's a Sputnik lamp. I was born the day Sputnik went up. | 0:22:42 | 0:22:46 | |
-SHE LAUGHS -Were you? -Yes. | 0:22:46 | 0:22:49 | |
So what date... When was that, Patty? | 0:22:49 | 0:22:52 | |
Oh, well, actually it was the 4th of October, '57. | 0:22:52 | 0:22:54 | |
325, Patty, is on that, a little bit out of our reach. | 0:22:54 | 0:22:57 | |
Yeah, I think it is. | 0:22:57 | 0:22:58 | |
That Sputnik type thing though over there. | 0:22:58 | 0:23:00 | |
But, again, everything is too expensive. | 0:23:00 | 0:23:02 | |
Right, you two. OK, here we go, right? | 0:23:02 | 0:23:04 | |
-Two prices. -Yeah. -The French sideboard 245. -Right. | 0:23:04 | 0:23:09 | |
Yeah, from 275. | 0:23:09 | 0:23:10 | |
The pine box - 55 is the very best price. | 0:23:10 | 0:23:15 | |
Ah, we were thinking 40, 45. | 0:23:15 | 0:23:18 | |
It's not going to happen. It's 55 or nothing. Where are we? | 0:23:18 | 0:23:21 | |
What have we got in reserve? The two pieces. | 0:23:21 | 0:23:23 | |
Yeah. Well, our choice... | 0:23:23 | 0:23:26 | |
We saw the brooch first, but are we in the game | 0:23:26 | 0:23:30 | |
for fun or are we in the game to win it? | 0:23:30 | 0:23:32 | |
-To win it. -Then we go for the brooch. | 0:23:32 | 0:23:34 | |
But we don't know how much the brooch is. | 0:23:34 | 0:23:36 | |
Hang on, we've got one minute. | 0:23:36 | 0:23:37 | |
-Shall I get a price on it? Stay there. -Yes, please. -Thank you. | 0:23:37 | 0:23:40 | |
Guys, we have got literally a minute left. | 0:23:40 | 0:23:43 | |
We've got to make a decision. | 0:23:43 | 0:23:44 | |
I like the telescope but you say it's too expensive, | 0:23:44 | 0:23:47 | |
so shall we try again? | 0:23:47 | 0:23:48 | |
I think we need Marion and I think we need to talk price. | 0:23:48 | 0:23:51 | |
-Absolutely. -See if we can do any better. -OK. | 0:23:51 | 0:23:53 | |
-Marion, are you about? -Yes. | 0:23:53 | 0:23:55 | |
Great, Marion, come on in. | 0:23:55 | 0:23:57 | |
We all really tight for time and we're struggling rather. | 0:23:57 | 0:24:00 | |
We do like the telescope | 0:24:00 | 0:24:01 | |
but I think it's a wee bit too expensive for us. | 0:24:01 | 0:24:03 | |
Can we do anything else at all? | 0:24:03 | 0:24:04 | |
Well, we've gone to 65. Let's do another five - 60. | 0:24:04 | 0:24:08 | |
-OK. -All right? | 0:24:08 | 0:24:10 | |
Could you do 55 just for us? | 0:24:10 | 0:24:12 | |
-It's pushing it but I'll do it. REDS: -Thank you. | 0:24:13 | 0:24:16 | |
-55, happy? -Yes. | 0:24:16 | 0:24:18 | |
Wonderful. Marion, thank you so much. | 0:24:18 | 0:24:20 | |
-BOTH: -Thank you. | 0:24:20 | 0:24:22 | |
-Basically, we're scuppered. -Yeah. -Right? | 0:24:22 | 0:24:24 | |
-We have to buy something in the next 15 seconds. -Yeah. -OK. | 0:24:24 | 0:24:27 | |
-You can buy the brooch for ten pounds. -Right. | 0:24:27 | 0:24:29 | |
You can buy the French cabinet for 245 or the pine box for 55. | 0:24:29 | 0:24:35 | |
What are we doing? | 0:24:35 | 0:24:36 | |
-The brooch. -The brooch. | 0:24:36 | 0:24:38 | |
-The brooch. -HE WHISTLES | 0:24:38 | 0:24:39 | |
-Hallelujah. -Nice. | 0:24:39 | 0:24:41 | |
BELL RINGS | 0:24:41 | 0:24:42 | |
Wow, that was tight because those 60 minutes are up. | 0:24:42 | 0:24:45 | |
Let's check out what the Red Team bought, eh? | 0:24:45 | 0:24:48 | |
A 1930s framed nursing chair with bergere back was £45. | 0:24:48 | 0:24:52 | |
They're gambling £65 on this early 20th-century mahogany | 0:24:55 | 0:24:58 | |
inlaid games table. | 0:24:58 | 0:25:00 | |
And finally, they spotted the Second World War | 0:25:01 | 0:25:04 | |
brass telescope, which cost them £55. | 0:25:04 | 0:25:08 | |
-So, was that great or was it great? -Yeah, great. -Very exciting. | 0:25:08 | 0:25:10 | |
It was great. Now tell me, how much did you spend? | 0:25:10 | 0:25:13 | |
-£165. -£165 is mature. | 0:25:13 | 0:25:15 | |
-£135 of leftover lolly. -Yes. | 0:25:15 | 0:25:17 | |
-Who's got that? -I have. -Have you? Well done. | 0:25:17 | 0:25:19 | |
-There you go. -Very good, lovely. | 0:25:19 | 0:25:21 | |
-Which is your favourite piece? -My favourite piece is the chair. | 0:25:21 | 0:25:24 | |
-What about you, Ben? -Uh, probably the telescope. | 0:25:24 | 0:25:26 | |
Telescope's a favourite. Is that going to bring the biggest profit? | 0:25:26 | 0:25:29 | |
Um... I don't think so. | 0:25:29 | 0:25:31 | |
-No. -I think... -You don't see a profit through that? | 0:25:31 | 0:25:33 | |
Well, no, I do, but not the biggest profit. | 0:25:33 | 0:25:35 | |
The biggest profit, fair enough. | 0:25:35 | 0:25:36 | |
What is going to bring the biggest profit? | 0:25:36 | 0:25:38 | |
-I think the chair. -Do you? -I think the chair. | 0:25:38 | 0:25:40 | |
-You think the chair? -Yes. -OK, fine. | 0:25:40 | 0:25:42 | |
Well, we'll find out in a minute. | 0:25:42 | 0:25:43 | |
-Kate Bliss, here's a nice lump of money for you, darling. -It is. | 0:25:43 | 0:25:46 | |
-Look at that. -And what are you going to do? | 0:25:46 | 0:25:48 | |
I might go slightly down at the rustic route. | 0:25:48 | 0:25:52 | |
Anyway, super-duper. Why don't we, right now, though, | 0:25:52 | 0:25:55 | |
check out what the Blue Team bought, eh? | 0:25:55 | 0:25:57 | |
A silver-mounted dressing table container was ten pounds. | 0:25:57 | 0:26:00 | |
A Philippe Starck Louis Ghost chair cost a clear £35. | 0:26:00 | 0:26:06 | |
And, finally, they're pinning their hopes on this silver bar brooch | 0:26:06 | 0:26:09 | |
for ten pounds. | 0:26:09 | 0:26:11 | |
-Well, that was fun, girls, wasn't it? -Yes indeed. | 0:26:11 | 0:26:13 | |
Cor, Charlotta, you don't half know your silver. | 0:26:13 | 0:26:15 | |
I love it, yes. I really like it. Yes. | 0:26:15 | 0:26:17 | |
Excellent. Which is your favourite piece? | 0:26:17 | 0:26:19 | |
-I think, out of the pieces, we bought a chair. -Yes. | 0:26:19 | 0:26:22 | |
It is a Perspex... | 0:26:22 | 0:26:24 | |
Yeah. | 0:26:24 | 0:26:26 | |
Perspex chair, I love that. | 0:26:26 | 0:26:27 | |
-You like that? It's your favourite? -Yes, yes. | 0:26:27 | 0:26:29 | |
-Do you agree with that? -Yeah, I'd agree with that. | 0:26:29 | 0:26:31 | |
-It's nice. -Which is going to bring the biggest profit? | 0:26:31 | 0:26:34 | |
-Maybe the brooch. -Maybe the brooch. | 0:26:34 | 0:26:36 | |
-Do you agree with that. -Yes, maybe the brooch. | 0:26:36 | 0:26:38 | |
Because we went on the cheap today. | 0:26:38 | 0:26:40 | |
-Did you? -Yeah. For the cheap, yeah. | 0:26:40 | 0:26:41 | |
OK, well, how much did you spend in total? | 0:26:41 | 0:26:43 | |
Uh, we've spent 55. | 0:26:43 | 0:26:45 | |
On all three pieces? | 0:26:45 | 0:26:47 | |
-Yeah. -Very good, isn't it? -This is a joke, isn't it? | 0:26:47 | 0:26:49 | |
Did you really? £55? | 0:26:49 | 0:26:50 | |
Yes, we went for the win, you see. | 0:26:50 | 0:26:53 | |
OK. You've gone for the jugular, I'd say. | 0:26:53 | 0:26:55 | |
-THEY LAUGH -OK. 55 is £245. | 0:26:55 | 0:26:57 | |
I don't think I've ever had so much left over. | 0:26:57 | 0:27:01 | |
-Like £245. -I know. | 0:27:01 | 0:27:02 | |
-You're girls. I thought you'd go out there. -It's terrible. | 0:27:02 | 0:27:05 | |
-Big spenders, yeah. -Big spenders, but not at all. | 0:27:05 | 0:27:07 | |
Well, here we go. Our only hope for a clean sweep is David Harper. | 0:27:08 | 0:27:12 | |
Big hope, oh, my gosh, but they're in it to win it, | 0:27:12 | 0:27:15 | |
as they have said, and I think this is part of their tactic. | 0:27:15 | 0:27:17 | |
-Yeah, well, fair enough. -It's all based on price with you two, | 0:27:17 | 0:27:20 | |
-wasn't it? -Yeah, indeed. -It was, yeah. | 0:27:20 | 0:27:22 | |
I'm going to try and buy something different. | 0:27:22 | 0:27:24 | |
Yeah, and spend a lot on it cos you've got a lot to spend. | 0:27:24 | 0:27:26 | |
-THEY LAUGH -Anyway, good fun with that. | 0:27:26 | 0:27:28 | |
Meanwhile, we're all going to trot off brievement to the auction. | 0:27:28 | 0:27:32 | |
Well, we've trotted to Bedford to be at Peacock's auctioneers | 0:27:45 | 0:27:49 | |
to be with Lindsay Vintiner. | 0:27:49 | 0:27:51 | |
-Lindsay, how lovely to see you. -And you. | 0:27:51 | 0:27:53 | |
You're going to need all your strength today, my girl, | 0:27:53 | 0:27:55 | |
because look at this furniture. | 0:27:55 | 0:27:57 | |
First off, you've got this so-called bergere armchair. | 0:27:57 | 0:28:00 | |
We have indeed, yes. | 0:28:00 | 0:28:01 | |
How difficult is this going to be to sell? | 0:28:01 | 0:28:03 | |
Incredibly difficult, I'm afraid, Tim. | 0:28:03 | 0:28:06 | |
It's quite a nice shape, isn't it, | 0:28:06 | 0:28:07 | |
but the caning needs some work doing to it. | 0:28:07 | 0:28:10 | |
-Will you get £20, do you think? -I hope so. -Yeah. -But not much more. | 0:28:10 | 0:28:14 | |
It's a toss up, really, whether you get ten, 20 or 30, isn't it? | 0:28:14 | 0:28:16 | |
It is indeed. | 0:28:16 | 0:28:17 | |
-Yeah. OK, fine. Well, they paid £45 and it's just too much. -It is. | 0:28:17 | 0:28:21 | |
And then they've gone on, look, with the games table. | 0:28:21 | 0:28:24 | |
Falls into the same category, doesn't it? | 0:28:24 | 0:28:26 | |
The brown furniture category sadly. | 0:28:26 | 0:28:28 | |
-What's your estimate? -It's useful. It's a nice size. 20-30. | 0:28:28 | 0:28:32 | |
£20-£30, OK. £65 paid. | 0:28:32 | 0:28:34 | |
And then we move to this telescope, which is at least old. | 0:28:34 | 0:28:38 | |
It is, yes. Anything of military interest is a good seller | 0:28:38 | 0:28:41 | |
-at the moment. -Yeah. -I think we could do quite well with this. | 0:28:41 | 0:28:44 | |
-How much? -40-60. -I think you're in focus there. | 0:28:44 | 0:28:47 | |
£55 they paid. | 0:28:47 | 0:28:48 | |
And I can see it making that. | 0:28:48 | 0:28:50 | |
So that's their only ray of sunshine. | 0:28:50 | 0:28:52 | |
The rest of it, I think, is going to be a disaster | 0:28:52 | 0:28:54 | |
and they'll need their bonus buy. | 0:28:54 | 0:28:55 | |
So let's go and have a look at it. | 0:28:55 | 0:28:56 | |
Wow, this is a big one, as they say. Ha! | 0:28:58 | 0:29:02 | |
£135 of leftover lolly you gave Kate. | 0:29:02 | 0:29:05 | |
-What did you spend it on, Kate? -Well... | 0:29:05 | 0:29:07 | |
I know you wanted some furniture. | 0:29:09 | 0:29:13 | |
Cor, this seems familiar. | 0:29:13 | 0:29:14 | |
Now, remember the Blues were also offered this trunk at £55. | 0:29:14 | 0:29:18 | |
Open it up. It's made of pine | 0:29:18 | 0:29:21 | |
and in pretty original order, I would say. | 0:29:21 | 0:29:24 | |
-How old do you think it is? -Early 20th century, I would say. | 0:29:24 | 0:29:28 | |
If you look at the hinges and the handles, those have certainly | 0:29:28 | 0:29:31 | |
-got a bit of age. -How much did you pay? | 0:29:31 | 0:29:32 | |
-You're straight in there, aren't you? -Well... | 0:29:32 | 0:29:34 | |
On the money. | 0:29:34 | 0:29:35 | |
I paid 55. | 0:29:35 | 0:29:37 | |
Oh. | 0:29:37 | 0:29:38 | |
Now, the reason I bought this is it may look pretty rustic | 0:29:38 | 0:29:41 | |
and distressed, and a bit of a tatty old box, | 0:29:41 | 0:29:45 | |
-but these things are commercial because... -And it's got a flat top. | 0:29:45 | 0:29:48 | |
It has got a flat top, exactly, so you can store it easily, | 0:29:48 | 0:29:51 | |
shove it under a bed. | 0:29:51 | 0:29:53 | |
It's got a nice sort of shabby chic look about it, | 0:29:53 | 0:29:56 | |
which is commercial these days, and £55 I don't think is too bad. | 0:29:56 | 0:30:02 | |
Will it make any money? | 0:30:02 | 0:30:04 | |
Well, your guess is probably as good as mine on this one, Ben. | 0:30:04 | 0:30:07 | |
I can see it making a little bit on the right day, yes. | 0:30:07 | 0:30:10 | |
So, Patty, do you like it or not? | 0:30:10 | 0:30:12 | |
-Iffy. -Iffy. -Iffy. | 0:30:12 | 0:30:14 | |
If you don't see it making a profit and you want to reject it, | 0:30:14 | 0:30:17 | |
then you can do so, but not right now, OK? | 0:30:17 | 0:30:19 | |
-No, open mind. -Have a think about it, let's see how you get on, but | 0:30:19 | 0:30:22 | |
for the audience at home, | 0:30:22 | 0:30:23 | |
let's find out what the auctioneer thinks about Kate's box. | 0:30:23 | 0:30:26 | |
Well, there we go, another clapped out old box, look. | 0:30:26 | 0:30:29 | |
I don't think it's beautiful enough to be a toy box | 0:30:30 | 0:30:33 | |
at the end of the nipper's bed, do you? | 0:30:33 | 0:30:35 | |
-No, it is a bit mean, really, isn't it? I suppose. -Isn't it? | 0:30:35 | 0:30:37 | |
I mean, I don't know. It's come out of a shed. | 0:30:37 | 0:30:40 | |
I just wonder whether, once upon a time, | 0:30:40 | 0:30:43 | |
it wasn't military, that it didn't have shells in it, | 0:30:43 | 0:30:46 | |
or something in it. | 0:30:46 | 0:30:47 | |
It has a sort of wartime feel to it. | 0:30:47 | 0:30:50 | |
Yeah, it would be nice to make that connection, I suppose. | 0:30:50 | 0:30:52 | |
-Yeah, OK. What's your estimate? -Ten to 20. | 0:30:52 | 0:30:54 | |
£55 paid. | 0:30:54 | 0:30:56 | |
So we'll have to hope that the team don't go with the bonus buy, | 0:30:56 | 0:30:58 | |
which they almost certainly are going to be desperately needing. | 0:30:58 | 0:31:02 | |
That's it for the Reds. | 0:31:02 | 0:31:04 | |
Now for the Blues, which looks a bit lonely over there. | 0:31:04 | 0:31:06 | |
What you've got is the ebony dressing table box, | 0:31:06 | 0:31:09 | |
which came out of a huge set. | 0:31:09 | 0:31:11 | |
It would have done, yes. | 0:31:11 | 0:31:12 | |
It is silver mounted at least. | 0:31:12 | 0:31:14 | |
-Anyway, will it make ten pounds? -I hope so. | 0:31:14 | 0:31:16 | |
-Ten to 15. -It should do, shouldn't it? | 0:31:16 | 0:31:18 | |
-Yeah. -They only paid ten pounds, so that's all right. | 0:31:18 | 0:31:20 | |
-Good. -And then you've got the Kartell plastic chair. | 0:31:20 | 0:31:25 | |
-Do you like that? -I like it, yes. -Do you? -Yeah. | 0:31:25 | 0:31:27 | |
It's iconic in its way. | 0:31:27 | 0:31:30 | |
-You see them in hotels, restaurants. -So, what's it worth? -60-100. | 0:31:30 | 0:31:34 | |
Well, they'll be well pleased with that. £35 paid. | 0:31:34 | 0:31:37 | |
-That's absolutely brilliant... -Good. -..Lindsay, thank you. | 0:31:37 | 0:31:40 | |
And, lastly, we've got this very ordinary little bar brooch. | 0:31:40 | 0:31:43 | |
-What's the estimate on the brooch then? -10-20. | 0:31:43 | 0:31:46 | |
Ten to 20, and they paid ten pounds. Perfect. | 0:31:46 | 0:31:48 | |
On that happy note, they're not going to need the bonus buy | 0:31:48 | 0:31:51 | |
but let's go and have a look at it anyway. | 0:31:51 | 0:31:52 | |
Well, girls. | 0:31:53 | 0:31:55 | |
You spent £55, that's all. | 0:31:55 | 0:31:58 | |
Good Lord. | 0:31:58 | 0:32:00 | |
£245 of leftover lolly went to David Harper. | 0:32:00 | 0:32:04 | |
What did you buy, David? | 0:32:04 | 0:32:05 | |
OK, something completely and altogether different. | 0:32:05 | 0:32:10 | |
Oh, that's nice. | 0:32:10 | 0:32:11 | |
-Isn't that lovely? -That's cute. | 0:32:11 | 0:32:13 | |
A boxed Hornby train set, tin plate. | 0:32:13 | 0:32:15 | |
-Especially for the girls. -Especially for the girls. | 0:32:15 | 0:32:18 | |
Girls and boys both enjoy toys, Tim. | 0:32:18 | 0:32:22 | |
-Oh, yes, that's right. -So there we are. | 0:32:22 | 0:32:24 | |
-Particularly train sets. -Yeah, particularly. | 0:32:24 | 0:32:26 | |
-With the instructions... -Nice. | 0:32:27 | 0:32:29 | |
1950s, 1960s, all there, complete, which is why I've bought it. | 0:32:29 | 0:32:36 | |
It's remarkable for any toy made for a child | 0:32:36 | 0:32:39 | |
to still be in original condition with all its bits and pieces | 0:32:39 | 0:32:45 | |
and its box. | 0:32:45 | 0:32:46 | |
And very often the boxes are worth more money than the objects | 0:32:46 | 0:32:49 | |
they once housed because they were always destroyed, | 0:32:49 | 0:32:51 | |
so there we have it, it's complete. | 0:32:51 | 0:32:53 | |
How much did you pay for it? | 0:32:53 | 0:32:54 | |
Ah, here we go. Straight down to the money. | 0:32:54 | 0:32:57 | |
OK. | 0:32:57 | 0:32:58 | |
We spent £55 on all of our objects. | 0:32:58 | 0:33:00 | |
I spent exactly the same amount of money. | 0:33:00 | 0:33:02 | |
55 on this one piece. | 0:33:02 | 0:33:05 | |
-Do you think it's going to make a profit? -I think it will, yeah. | 0:33:05 | 0:33:08 | |
-How much do you reckon? -Well, I think 50-70, 70-90. | 0:33:08 | 0:33:11 | |
It's got to be that. | 0:33:11 | 0:33:12 | |
And it's all complete. And that is the point, isn't it, really? | 0:33:12 | 0:33:15 | |
-OK, fine, girls, you've gripped that. -Yes, thank you. -Very good. | 0:33:15 | 0:33:18 | |
OK, well, right now let's find out | 0:33:18 | 0:33:20 | |
whether the auctioneer rates David's train set. | 0:33:20 | 0:33:23 | |
Lovely, Lindsay, another little challenge | 0:33:24 | 0:33:26 | |
for you to unpack, darling. | 0:33:26 | 0:33:27 | |
-Thank you very much. -Hmm. | 0:33:27 | 0:33:29 | |
Imagine it's Christmas Day in 1958 and you unwrap this lot, | 0:33:29 | 0:33:34 | |
and there inside, complete with the instructions, | 0:33:34 | 0:33:36 | |
-your Christmas present. -Indeed. -Look, it's all... | 0:33:36 | 0:33:38 | |
-It's all absolutely... -In good condition. -Super. | 0:33:38 | 0:33:41 | |
Pair of Pullman coaches as well. | 0:33:41 | 0:33:43 | |
-Yeah, look at that, cor. -Yeah, a lot going for it, hasn't it? | 0:33:43 | 0:33:45 | |
-Yeah. -Clockwork of course. | 0:33:45 | 0:33:47 | |
O Gauge, tin plate and all of that. OK, how much, then? | 0:33:47 | 0:33:51 | |
-30-40. -OK, £55 paid by David Harper. | 0:33:51 | 0:33:55 | |
So there you have it. | 0:33:55 | 0:33:56 | |
Maybe they'll go with it, maybe they won't. | 0:33:56 | 0:33:58 | |
That's the excitement of the auction. | 0:33:58 | 0:34:00 | |
On commission now at 320. Up £320. | 0:34:00 | 0:34:04 | |
Bids on the book for these now at £320. | 0:34:04 | 0:34:06 | |
322 online now. 324 at the back. | 0:34:06 | 0:34:09 | |
Here now at 324. | 0:34:09 | 0:34:10 | |
At £324 now back of the room. | 0:34:10 | 0:34:12 | |
-GAVEL BANGS -Are you feeling nervous, you two? | 0:34:12 | 0:34:14 | |
-Excited. -Are you? -Really excited. | 0:34:14 | 0:34:16 | |
-You've got a sweepstake at work, have you? -Yes. -Yes. -You have, oh. | 0:34:16 | 0:34:20 | |
-Yes. -So there's an edge to this for you. -There is, yes. | 0:34:20 | 0:34:22 | |
-Yes. -A lot is riding on this. -OK, fine. | 0:34:22 | 0:34:25 | |
Anyway, first up is your nursing chair, the old bergere chair, | 0:34:25 | 0:34:28 | |
and here it comes. | 0:34:28 | 0:34:29 | |
Armchair there. Deco type there. £30 for this chair. 30. | 0:34:29 | 0:34:33 | |
£20 the chair, then. | 0:34:33 | 0:34:35 | |
Anyone interested in the chair? | 0:34:35 | 0:34:37 | |
-Ten anyone? -Come on. | 0:34:37 | 0:34:39 | |
-Come on. -Don't be shy. Ten, lady's bid. Thank you. Now at ten. | 0:34:39 | 0:34:41 | |
-At ten pounds. -HE MOUTHS | 0:34:41 | 0:34:42 | |
Now the cane chair now at ten. | 0:34:42 | 0:34:44 | |
12 anywhere else? | 0:34:44 | 0:34:45 | |
At ten pounds. Now you can't say I'm not trying. At ten pounds now. | 0:34:45 | 0:34:48 | |
At just ten pounds only. | 0:34:48 | 0:34:50 | |
TIM MOCK CRIES Unbelievable. | 0:34:51 | 0:34:54 | |
-Patty, I knew we should have won. -Minus £35. OK. -Patty. | 0:34:54 | 0:34:57 | |
-Stand by for the table. -Come on. | 0:34:57 | 0:34:59 | |
Victorian games table there. | 0:34:59 | 0:35:01 | |
Nicely inlaid this. Up for £20. | 0:35:01 | 0:35:03 | |
Start before it, then. | 0:35:03 | 0:35:04 | |
20. Ten. Tenner again. | 0:35:04 | 0:35:06 | |
Ten, lady's bid. Thank you. | 0:35:06 | 0:35:08 | |
Now at 10. At ten pounds now. | 0:35:08 | 0:35:09 | |
We've got 12 online. 12. | 0:35:09 | 0:35:11 | |
14. 16. | 0:35:11 | 0:35:13 | |
18. At £18 now it's lady's bid. 20. | 0:35:13 | 0:35:17 | |
20 online. 22. At £22. | 0:35:17 | 0:35:20 | |
Now it's the lady's bid. | 0:35:20 | 0:35:21 | |
24. 24 online now. 24. | 0:35:21 | 0:35:24 | |
26. 28. It's going to Belgium at the moment. | 0:35:24 | 0:35:26 | |
At £28 now. 28 bid's online. | 0:35:26 | 0:35:29 | |
-You're out in the room. For just £28. -One more, one more. -Nothing. | 0:35:29 | 0:35:33 | |
-GAVEL BANGS -Cheap enough, isn't it? 28. | 0:35:33 | 0:35:35 | |
That's two off 30. | 0:35:35 | 0:35:37 | |
-35. That's -37. -OK, telescope. | 0:35:37 | 0:35:40 | |
£50 the telescope. | 0:35:40 | 0:35:42 | |
Must be 30. 30 the scope. | 0:35:42 | 0:35:45 | |
I've got £30 bid online. Now at 30. | 0:35:45 | 0:35:47 | |
-Come on, gain your focus. -Up for £30 now. | 0:35:47 | 0:35:49 | |
Bid's online now at 30. | 0:35:49 | 0:35:50 | |
-32. 34. 36. 38. -Come on. Get it. Keep going. Keep going. | 0:35:50 | 0:35:54 | |
-Flat out. Come on. -38. 40. At £40. 45. | 0:35:54 | 0:35:58 | |
-Out at 45, the telescope now selling then. At just £45. -Come on. | 0:35:58 | 0:36:02 | |
-GAVEL BANGS Oh! -How disappointing. | 0:36:02 | 0:36:05 | |
That's minus ten pounds. | 0:36:05 | 0:36:06 | |
You were -72, you're now -82. | 0:36:06 | 0:36:07 | |
-What about the box? -What are you going to do? | 0:36:07 | 0:36:09 | |
-Are you going to go with the box? -Yeah, we're going to go. | 0:36:09 | 0:36:12 | |
Do you want to open the box or not? | 0:36:12 | 0:36:13 | |
-We think it's going to bomb, but we're going with it. -Are you? | 0:36:13 | 0:36:16 | |
-You're absolutely certain you want to go with this box? -Yes. | 0:36:16 | 0:36:19 | |
-Come hell or high water? -Splinters and all. -OK. | 0:36:19 | 0:36:21 | |
Yeah, we're going with the box. | 0:36:21 | 0:36:22 | |
OK, we're going with the box, there's no deflecting. | 0:36:22 | 0:36:24 | |
-And here it comes! -Here we go, £20, are we? | 0:36:24 | 0:36:27 | |
-20. 20, lady's bid straight in. -Yes. | 0:36:27 | 0:36:30 | |
Thank you, she's keen. At £20 now. 22 online now. | 0:36:30 | 0:36:33 | |
-At 22. -Come on. -24. | 0:36:33 | 0:36:35 | |
At £24 now, it's the lady's bid now at 24. | 0:36:35 | 0:36:38 | |
26. New bidder here now. 28. | 0:36:38 | 0:36:40 | |
Look at this, Kate. | 0:36:40 | 0:36:42 | |
-Well, a little way to go. -At 30, 32. £32 now. 32. | 0:36:42 | 0:36:46 | |
-Come on. -Are you sure, madam? It's behind you at just £32. | 0:36:46 | 0:36:49 | |
-GAVEL BANGS -£32. That is £23 down, | 0:36:51 | 0:36:54 | |
which means you are -£105. | 0:36:54 | 0:36:58 | |
-OK. £105 might be a winning score. -It could be. | 0:36:58 | 0:37:01 | |
-So, don't say a word to the Blues, all right? -No. | 0:37:01 | 0:37:04 | |
Lana, Charlotta, do you know how the Reds got on? | 0:37:09 | 0:37:12 | |
-No. -No. | 0:37:12 | 0:37:13 | |
-No, you don't want to know. -OK. | 0:37:13 | 0:37:15 | |
-Moving on. You've got that little ebony table box. -Yes. | 0:37:15 | 0:37:18 | |
Which is very clever to buy for ten pounds. You found it, David, | 0:37:18 | 0:37:20 | |
-I think. -David did. -Ten to £15 is their estimate on that. | 0:37:20 | 0:37:23 | |
-That sounds good. -It came out of a great big set, but so what? | 0:37:23 | 0:37:26 | |
Ten pounds for this, then. Must be ten. | 0:37:26 | 0:37:28 | |
Fiver. I've got ten pounds bid online. Straight in now at ten. | 0:37:28 | 0:37:32 | |
-That's more like it. -12 in the room here now, at 12. At £12 now. | 0:37:32 | 0:37:35 | |
In the room bid now at 12. | 0:37:35 | 0:37:37 | |
-At 12 now. 14. At 14 now. 16. -Good, good. | 0:37:37 | 0:37:40 | |
16 in the room now. At 16. | 0:37:40 | 0:37:42 | |
-18. At £18. 20 I have now. 20. 22. -Yes, come on. | 0:37:42 | 0:37:46 | |
24. Now at 24. | 0:37:46 | 0:37:48 | |
At £24 now, it's the lady's bid now. | 0:37:48 | 0:37:51 | |
You're done online. It's the lady's bid now. | 0:37:51 | 0:37:53 | |
-At £24. -Good result. | 0:37:53 | 0:37:55 | |
GAVEL BANGS | 0:37:55 | 0:37:56 | |
-Very good result. That's £14. I'm liking it. -Yeah, so am I. | 0:37:56 | 0:38:00 | |
Now, Philippe Starck. | 0:38:00 | 0:38:02 | |
I've got here just £40 start. It's non-commission now. At 40. | 0:38:02 | 0:38:06 | |
And £40 now. At 40. | 0:38:06 | 0:38:08 | |
45. 50. At £50. | 0:38:08 | 0:38:11 | |
On commission here now at 50. | 0:38:11 | 0:38:12 | |
At £50 now. | 0:38:12 | 0:38:14 | |
-Hey, come on. We're on a roll here. -That's good. | 0:38:14 | 0:38:16 | |
In the room here now at 55. At £55 now the commission's up. | 0:38:16 | 0:38:20 | |
Look at this, gosh. You're going to get above it all two lots. | 0:38:20 | 0:38:23 | |
-Nice. -£55. -Come on. | 0:38:23 | 0:38:24 | |
-GAVEL BANGS -£55 is plus £20. -20, OK. | 0:38:25 | 0:38:28 | |
Thank you very much. | 0:38:28 | 0:38:30 | |
That's £34 you are up there. | 0:38:30 | 0:38:32 | |
Now, your bar brooch for ten pounds. | 0:38:32 | 0:38:34 | |
Sweet little brooch this. Ten pounds for it, then. | 0:38:34 | 0:38:37 | |
Five to get on, then. | 0:38:37 | 0:38:39 | |
Bar brooch. Who's a fiver? | 0:38:39 | 0:38:41 | |
Five is bid at that. Thank you, sir. | 0:38:41 | 0:38:42 | |
At five pounds only now. | 0:38:42 | 0:38:43 | |
-Come on. -At five now. Is there six anywhere else? | 0:38:43 | 0:38:46 | |
At five. Six online here now. | 0:38:46 | 0:38:48 | |
-Six. Eight. Ten. At ten pounds now. -Come on. -Ten. | 0:38:48 | 0:38:52 | |
-12 to my left here now. -Yes! | 0:38:52 | 0:38:54 | |
At £12 now. 12. | 0:38:54 | 0:38:55 | |
Got 16 online now. At 16. Are you 18, sir? | 0:38:55 | 0:38:59 | |
At £16 now. 16. The bid's online, then. | 0:38:59 | 0:39:02 | |
Are you all done? At £16. | 0:39:02 | 0:39:03 | |
18 the lady's bid now. At 18. New bidder here now at 18. | 0:39:03 | 0:39:06 | |
(Golden gavel roll around.) | 0:39:06 | 0:39:07 | |
Lady's now. Are you done online? In the room at £18. | 0:39:07 | 0:39:12 | |
-GAVEL BANGS -18 is plus eight, | 0:39:12 | 0:39:14 | |
which means you are... Eight and four is 12. | 0:39:14 | 0:39:16 | |
Plus 42. | 0:39:16 | 0:39:18 | |
Plus £42. | 0:39:18 | 0:39:19 | |
Yes! Thank you. | 0:39:19 | 0:39:20 | |
You have £42 to go home. | 0:39:20 | 0:39:22 | |
You have a profit on every item, which is really swell. | 0:39:22 | 0:39:25 | |
Now, what are you going to do about this bonus buy lark? | 0:39:25 | 0:39:27 | |
Are you going to preserve your £42 and park the train set | 0:39:27 | 0:39:32 | |
or if you love the train set and you really rate it | 0:39:32 | 0:39:35 | |
and you're prepared to take a hit | 0:39:35 | 0:39:37 | |
if it doesn't get the price? Then that's your punt, girls. | 0:39:37 | 0:39:41 | |
What are you feeling? | 0:39:41 | 0:39:43 | |
How much is it? He said £40? | 0:39:43 | 0:39:45 | |
-55. -55. -55 he paid. | 0:39:45 | 0:39:47 | |
-We stick. -Yeah, we're staying where we are. -OK, fair enough. | 0:39:47 | 0:39:50 | |
We're going to sell the bonus buy | 0:39:50 | 0:39:52 | |
even though you're not going with it, so here it comes. | 0:39:52 | 0:39:54 | |
Nice set this. £50. Start me for the set, then. | 0:39:54 | 0:39:57 | |
£50. | 0:39:57 | 0:39:58 | |
30 to get on, then. | 0:39:58 | 0:39:59 | |
Who's 30 in the room? | 0:39:59 | 0:40:01 | |
20 anyone, then? | 0:40:01 | 0:40:02 | |
20 bid, thank you, sir. At 20. At £20 now. At 20. 22. | 0:40:02 | 0:40:06 | |
At 22. 24, sir. | 0:40:06 | 0:40:08 | |
-24. 26. 28. At £28 now. -Come on. | 0:40:08 | 0:40:12 | |
It's a room bid now at 28. Need. 30 online. | 0:40:12 | 0:40:14 | |
At £28 now. 30. Right at the room here now at 30. | 0:40:14 | 0:40:19 | |
At 30. 32. | 0:40:19 | 0:40:20 | |
£32 now, bid's to my right. 34. | 0:40:20 | 0:40:23 | |
At £34 now. The bid's at the back of the room now at 34. | 0:40:23 | 0:40:26 | |
Not do this. It's the gentleman's bid. At £34. | 0:40:26 | 0:40:30 | |
-Ahh. -Oh, well. | 0:40:30 | 0:40:31 | |
-GAVEL BANGS -£34. | 0:40:31 | 0:40:33 | |
-Good decision, yeah. -Well done. Well done. -It is -21. | 0:40:33 | 0:40:36 | |
I have to tell you, that is... Yeah, you're right. | 0:40:36 | 0:40:38 | |
So you're OK, girls. | 0:40:38 | 0:40:39 | |
Now listen, don't go getting big headed about this, all right? | 0:40:39 | 0:40:42 | |
Don't say a word to the Reds and all will be revealed in a moment, | 0:40:42 | 0:40:44 | |
-all right? -OK. -Well done. | 0:40:44 | 0:40:46 | |
Well, what a jolly programme we have had today. | 0:40:54 | 0:40:57 | |
-It has been so jolly-jolly, hasn't it? -Jolly-jolly. | 0:40:57 | 0:40:59 | |
-Has it been jolly-jolly? -Jolly-jolly-jolly. | 0:40:59 | 0:41:01 | |
Well, there we go. I think it's been so fabulous. | 0:41:01 | 0:41:04 | |
I'm so disappointed we have to have a runner-up. | 0:41:04 | 0:41:06 | |
The runner-up today, by a huge margin, | 0:41:06 | 0:41:08 | |
just happens to be the Reds. | 0:41:08 | 0:41:10 | |
-BOTH: Oh! -Never. | 0:41:10 | 0:41:12 | |
You lost on every single mortal thing, as you well know. | 0:41:12 | 0:41:15 | |
-We lost well, didn't we? -Yeah, you did. | 0:41:15 | 0:41:17 | |
£105 down the proverbial is quite a deep pit to fall into, isn't it? | 0:41:17 | 0:41:22 | |
-It is. -Anyway, there we are. | 0:41:22 | 0:41:25 | |
You've got a sweepstake going on back at the works, right, | 0:41:25 | 0:41:28 | |
with all the consultants and the nurses and everybody else. | 0:41:28 | 0:41:31 | |
We have every sympathy for every one of you who predicted a profit | 0:41:31 | 0:41:35 | |
because it ain't worked out that way. | 0:41:35 | 0:41:36 | |
-But we've had great fun, yes? -Oh, yes. -Yes. | 0:41:36 | 0:41:38 | |
We've loved having you on the show and you had a good time. | 0:41:38 | 0:41:41 | |
-Loved it. -That's the main thing. The victors today | 0:41:41 | 0:41:43 | |
go home with £42, how about that? | 0:41:43 | 0:41:45 | |
-Whoo-hoo! -Hey! | 0:41:45 | 0:41:46 | |
THEY LAUGH | 0:41:46 | 0:41:48 | |
What are you like, eh? | 0:41:48 | 0:41:50 | |
-Are you taking the mickey or something? -Never. | 0:41:51 | 0:41:54 | |
Just cooling yourself down. | 0:41:54 | 0:41:57 | |
-Tim, you... -That is so fun, isn't it? | 0:41:57 | 0:42:00 | |
And it was a perfectly normal bow tie earlier. | 0:42:00 | 0:42:02 | |
Yeah, and then we won. | 0:42:02 | 0:42:04 | |
-Yeah. Thank you so much. -That is fantastic. Isn't that pretty? | 0:42:04 | 0:42:06 | |
OK, here's your £40. | 0:42:06 | 0:42:08 | |
OK. There we go. There's 42. | 0:42:08 | 0:42:10 | |
-Happy? -Very happy. -Very, very happy. | 0:42:10 | 0:42:13 | |
Now, you made £14 on the dressing table pot. | 0:42:13 | 0:42:16 | |
Very good find, David. | 0:42:16 | 0:42:18 | |
The Starck chair made you £20 and eight pounds on the bar brooch | 0:42:18 | 0:42:21 | |
means that you have entitled yourselves to enter the ancient | 0:42:21 | 0:42:26 | |
-and noble... -Yes! -..order of the Golden Gavellers. | 0:42:26 | 0:42:30 | |
THEY CHEER | 0:42:30 | 0:42:33 | |
-Now, your bow tie has wound down, I'm glad to see. -It has. | 0:42:33 | 0:42:37 | |
It's got tangled up in your hair actually. | 0:42:37 | 0:42:39 | |
There we go. | 0:42:39 | 0:42:40 | |
-And one for your collection, David. -Thank you very much. | 0:42:40 | 0:42:43 | |
Very, very nice, which is a great moment for us | 0:42:43 | 0:42:46 | |
cos to make a profit on every single item is a rare occurrence. | 0:42:46 | 0:42:50 | |
-Yes. -And it was even enhanced by the fact that | 0:42:50 | 0:42:54 | |
-you didn't go with the bonus buy. -No, we didn't. | 0:42:54 | 0:42:56 | |
-Sorry. -Which was a pretty clever thing, actually. | 0:42:56 | 0:42:59 | |
Thank you very much for joining us. | 0:42:59 | 0:43:00 | |
-Thank you. -We have had a great day. | 0:43:00 | 0:43:02 | |
Join us soon for some more bargain hunting, yes? | 0:43:02 | 0:43:05 | |
ALL: Yes! | 0:43:05 | 0:43:06 |