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Royal palaces like Kensington Palace and Buckingham Palace | 0:00:03 | 0:00:07 | |
are all very fine and large, | 0:00:07 | 0:00:08 | |
but this is Alexandra Palace. | 0:00:08 | 0:00:10 | |
Literally a palace built for the people | 0:00:12 | 0:00:15 | |
and today, it's stuffed up with antique treasure. | 0:00:15 | 0:00:19 | |
So, let's go bargain hunting, yeah! | 0:00:19 | 0:00:23 | |
Palatial and architecturally magnificent, | 0:00:51 | 0:00:55 | |
Alexandra Palace today is home to antique and pop-up vintage stalls. | 0:00:55 | 0:01:02 | |
In fact, 100 of them. | 0:01:02 | 0:01:04 | |
But our teams, of course, | 0:01:04 | 0:01:05 | |
only get the usual £300 and an hour to bag three items. | 0:01:05 | 0:01:10 | |
Let's have a quick preview as to what's coming up. | 0:01:10 | 0:01:13 | |
-The Reds have a smashing time... -..in gold. -In gold? | 0:01:13 | 0:01:16 | |
CRASH Ooh! | 0:01:16 | 0:01:18 | |
A Minton lid has gone. | 0:01:18 | 0:01:21 | |
-That would be a breakage. -We're going to have to buy it. | 0:01:21 | 0:01:24 | |
That would be a breakage. I'm so sorry, sir. | 0:01:24 | 0:01:27 | |
-..whilst zee Bleus work their French charm. -Alors, ca, c'est combien? | 0:01:27 | 0:01:33 | |
-Tout l'ensemble? -Tout l'ensemble? -Oui. -65. -Ah, non. C'est trop. | 0:01:33 | 0:01:38 | |
-But who will be the ultimate victor at auction? -Come on, baby... | 0:01:38 | 0:01:44 | |
-Oh, it's brilliant! -Let's meet the teams. | 0:01:44 | 0:01:46 | |
Well, on Bargain Hunt today, we are keeping it all in the family | 0:01:48 | 0:01:53 | |
because, for the Reds, we have Sarah and her grandfather Freddie | 0:01:53 | 0:01:58 | |
and, for the Blues, we have Sarah and her mother-in-law Sue. | 0:01:58 | 0:02:04 | |
-Welcome, everybody. Hello. -ALL: Hello. -Lovely to see you. | 0:02:04 | 0:02:07 | |
-Now, Sarah. -Hello. -What do you do for a job of work? | 0:02:07 | 0:02:10 | |
-I am an HR assistant in the motor industry. -Are you? -Yes. | 0:02:10 | 0:02:13 | |
What does that mean? | 0:02:13 | 0:02:15 | |
I provide HR to about 600 employees for a European head office. | 0:02:15 | 0:02:20 | |
-Do you really? -Yes. -That's a big old job, though, isn't it? 600 people. | 0:02:20 | 0:02:24 | |
Yes, and that's just permanent people so we have lot of contractors | 0:02:24 | 0:02:27 | |
-and temps. -Gosh. -So it's a busy job. | 0:02:27 | 0:02:30 | |
-It says here that you're incredibly fit. -Ooh. -Ooh? -A little bit. | 0:02:30 | 0:02:33 | |
What do you mean, a little bit? | 0:02:33 | 0:02:34 | |
Do you like to go running? What do you like to do? | 0:02:34 | 0:02:36 | |
I run to my grandad's a couple of times a week. | 0:02:36 | 0:02:38 | |
He lives about a mile away so I do a two-mile run. | 0:02:38 | 0:02:40 | |
-Yes. -Three times a week, I would say. | 0:02:40 | 0:02:42 | |
Freddie, you were once upon a time | 0:02:42 | 0:02:44 | |
one of the Magnificent Nine bus drivers. | 0:02:44 | 0:02:47 | |
I was one of the first one-man bus drivers in High Wycombe. | 0:02:47 | 0:02:51 | |
There was nine of us | 0:02:51 | 0:02:53 | |
and it was at a time when the company was trying to save a bit of money. | 0:02:53 | 0:02:59 | |
-Surprise, surprise. -Yes. | 0:02:59 | 0:03:01 | |
And it turned out to be quite a nice job, but we had to stay together | 0:03:01 | 0:03:06 | |
-because some of the lads wasn't all that keen on it at the time. -No. | 0:03:06 | 0:03:11 | |
-And so... -They'd pick on you, would they? | 0:03:11 | 0:03:13 | |
-Not, I wouldn't say, pick on us. You know... -They weren't happy. | 0:03:13 | 0:03:18 | |
It was a bit dodgy at the time, but they got over it | 0:03:18 | 0:03:21 | |
and that's how we called ourselves the Magnificent Nine. | 0:03:21 | 0:03:24 | |
How many years did you drive the buses for, then? | 0:03:24 | 0:03:27 | |
I was conductor for three and a half years, driver three and a half years. | 0:03:27 | 0:03:31 | |
So that was seven in London | 0:03:31 | 0:03:33 | |
and then I drove the bus for 25 years in High Wycombe. | 0:03:33 | 0:03:37 | |
Now, why are you two going to make such a great team today? | 0:03:37 | 0:03:40 | |
Is it going to be youthful enthusiasm with age and experience? | 0:03:40 | 0:03:44 | |
Well, I think we'll beat the Blues, so I'd say no more. THEY LAUGH | 0:03:44 | 0:03:48 | |
Oh, right. That determined, are you? | 0:03:48 | 0:03:50 | |
-You happy with that, Sarah? -Yes, happy with that. -OK, fine. | 0:03:51 | 0:03:54 | |
Anyway, very good luck. So, Blues. | 0:03:54 | 0:03:57 | |
Tell me, Sarah, how long have you known your mother-in-law for? | 0:03:57 | 0:04:00 | |
-I've known Sue for 16 years. -Have you? | 0:04:00 | 0:04:02 | |
-How long have you been married for? -I've been married for nine. | 0:04:02 | 0:04:05 | |
So there's a big old gap there. | 0:04:05 | 0:04:07 | |
-Is that the longest engagement in northern Europe? -Seven years. | 0:04:07 | 0:04:10 | |
-Seven years you were engaged! -Yes. -What was going wrong? -Erm... | 0:04:10 | 0:04:15 | |
I was just weighing it up with regards to my mother-in-law. | 0:04:15 | 0:04:18 | |
-If she'd be suitable or not. -Exactly. Yes. | 0:04:18 | 0:04:20 | |
So you thought a good few years and you looked at her | 0:04:20 | 0:04:23 | |
-and you thought, in the end, she'll do. -I'll commit, she'll do. | 0:04:23 | 0:04:26 | |
-And you committed. -Yes, I committed. -All right, lovely. | 0:04:26 | 0:04:28 | |
-Now, you've got a baby. -Yes, Joshua. -Josh, how old's he? -16 months. | 0:04:28 | 0:04:33 | |
-Is he trouble? -No, he's lovely. -Is he? -He's a joy. | 0:04:33 | 0:04:36 | |
-Oh, isn't that sweet? -He's a very good baby. | 0:04:36 | 0:04:38 | |
Now, Sue, it says here that you're a retired teacher. | 0:04:38 | 0:04:41 | |
Yes, a long time ago, but, yes, I taught French for 31 years. | 0:04:41 | 0:04:46 | |
-You never did! That is perfect, isn't it? -Yes. | 0:04:46 | 0:04:49 | |
Yes, it was great fun. | 0:04:49 | 0:04:50 | |
Took lots of exchanges abroad. | 0:04:50 | 0:04:53 | |
And had a few adventures taking kids across Paris on the underground. | 0:04:53 | 0:04:57 | |
-Losing a few here... -Just a few, yes. -..losing a few there. | 0:04:57 | 0:05:00 | |
-A few nervous breakdowns. -Yeah, no, great. Now, you're retired. -Yes. | 0:05:00 | 0:05:04 | |
-What do you get up to? -Oh, it's permanent holiday, Tim. | 0:05:04 | 0:05:08 | |
Mainly bowling because I'm quite sporty and it's a marvellous sport. | 0:05:08 | 0:05:12 | |
-I recommend it to anybody. -And it's very social, isn't it? | 0:05:12 | 0:05:15 | |
-Incredibly so. -Yeah. -You meet thousands of people. | 0:05:15 | 0:05:18 | |
And they're all good fun, they're all out to have a good time. | 0:05:18 | 0:05:20 | |
You clearly get on splendidly, you two. | 0:05:20 | 0:05:22 | |
-Are you going to make a great team? -We are indeed. | 0:05:22 | 0:05:25 | |
-Are you going to lash up these Reds? -Oh, yes. -Oh, yes. | 0:05:25 | 0:05:28 | |
-Blue army. -OK, fine. We'll come to the money moment now. £300 apiece. | 0:05:28 | 0:05:33 | |
-There's your £300. -Thank you. -£300. You know the rules. | 0:05:33 | 0:05:35 | |
Your experts await and off you go. Very, very, very good luck. | 0:05:35 | 0:05:40 | |
Gosh, what fun we're going to have today. | 0:05:40 | 0:05:42 | |
Now, let's meet our experts. | 0:05:46 | 0:05:48 | |
Here to keep the Reds on the rails is Kate Bliss. | 0:05:49 | 0:05:52 | |
And ready to milk some profit for the Blues is David Harper. | 0:05:54 | 0:05:57 | |
Oh, my gosh, I can't believe it. Mother-in-law and daughter-in-law. | 0:06:02 | 0:06:05 | |
-Yes, yes, yes. -Do we get on well? -Well, that's questionable, David. | 0:06:05 | 0:06:08 | |
Oh, my gosh! | 0:06:08 | 0:06:10 | |
Sarah and Freddie, this is a fantastic location. | 0:06:10 | 0:06:12 | |
What are you going to be looking for? | 0:06:12 | 0:06:14 | |
-A bargain. A big bargain. -A big bargain. That sounds great, Freddie. | 0:06:14 | 0:06:18 | |
-We're looking for something unusual and exciting. -Oh, wow. | 0:06:18 | 0:06:20 | |
-Sounds like you. -A little bit. -SHE LAUGHS | 0:06:20 | 0:06:23 | |
-A little bit of vintage. -Good. Good combination. | 0:06:23 | 0:06:26 | |
-60 minutes starts now, let's go. -Let's find it. | 0:06:26 | 0:06:28 | |
-What about you, Sarah? -Something that's really high-quality. | 0:06:28 | 0:06:31 | |
We don't want any tat. We don't want anything that's chipped. | 0:06:31 | 0:06:33 | |
We want something in really pristine condition. | 0:06:33 | 0:06:35 | |
-Wonderful. Let's get at it. -Let's go. | 0:06:35 | 0:06:38 | |
Right, teams. Your 60 minutes starts now. | 0:06:38 | 0:06:42 | |
BELL RINGS | 0:06:42 | 0:06:44 | |
Ooh, that's lovely, Freddie. | 0:06:50 | 0:06:52 | |
It's a leather field case with fitted silver-plated sandwich box | 0:06:52 | 0:06:56 | |
and two glass flasks with silver-plated stoppers. Around 1920. | 0:06:56 | 0:07:01 | |
-Nearly as old as you. -THEY LAUGH | 0:07:01 | 0:07:03 | |
Cheeky! | 0:07:03 | 0:07:05 | |
-I like that. -You tell her, Freddie. -It is lovely, Freddie. | 0:07:05 | 0:07:09 | |
-Do you know what...? -Do you like it? -It's... Yes, pop it on there. | 0:07:09 | 0:07:12 | |
So you've got a sandwich box | 0:07:12 | 0:07:15 | |
-on the inside, there. -Do you like it? -It's lovely. | 0:07:15 | 0:07:17 | |
It's silver-plated rather than silver. | 0:07:17 | 0:07:20 | |
-Oh, it's silver-plated, not solid silver. -Not solid silver. | 0:07:20 | 0:07:24 | |
Is that for sandwiches? | 0:07:24 | 0:07:26 | |
-Yes. -Not very big. -Or, do you know what they used to have? | 0:07:26 | 0:07:29 | |
Gentlemen, who took a travelling case like this, | 0:07:29 | 0:07:33 | |
used to have sandwiches, | 0:07:33 | 0:07:35 | |
but very often they'd take a slab of fruitcake | 0:07:35 | 0:07:38 | |
because the dried fruit would be really sustaining | 0:07:38 | 0:07:42 | |
and would be better than sandwiches. | 0:07:42 | 0:07:44 | |
-OK. -But I think this is more of a luxury item for the gentry. | 0:07:44 | 0:07:49 | |
-Do you like it? -I really like it, yeah. | 0:07:49 | 0:07:51 | |
What I like is, you've got the cork in the top there which seals it up. | 0:07:51 | 0:07:57 | |
The tops are obviously original. They fit really well. | 0:07:57 | 0:08:00 | |
Considering it's 1920, it's in good condition. | 0:08:00 | 0:08:04 | |
You've got the original strap there, | 0:08:04 | 0:08:06 | |
the original leather-covered buckle which is rather nice. | 0:08:06 | 0:08:10 | |
The price seems a bit high, don't it? | 0:08:10 | 0:08:12 | |
At auction, I can see it doing anything from...worst scenario, £60, | 0:08:12 | 0:08:18 | |
to best scenario, it might make £100. | 0:08:18 | 0:08:21 | |
You've got 95 on the ticket, madam. What would be your very best? | 0:08:21 | 0:08:25 | |
-I'd do 80 and that would be it. -You'd do 80. | 0:08:25 | 0:08:27 | |
You wouldn't take 75, would you? STALLHOLDER: 80. | 0:08:27 | 0:08:30 | |
80. | 0:08:30 | 0:08:31 | |
-What do you think? Should we take a chance? -Shall we? You decide. | 0:08:33 | 0:08:37 | |
-Shall we? -I think go for it. -Yeah. OK. -We'll go for it. -£80. -Done. Deal. | 0:08:37 | 0:08:42 | |
-OK, we're done. -That was quick work, Reds. | 0:08:42 | 0:08:45 | |
Only five minutes in, and the first item is in the bag. | 0:08:45 | 0:08:48 | |
With any luck, that travel case will take you far. | 0:08:48 | 0:08:51 | |
Now, it seems Sue has found a French stall | 0:08:54 | 0:08:56 | |
and can brush up her language skills. | 0:08:56 | 0:08:58 | |
Do it in French. | 0:08:58 | 0:09:00 | |
-Alors, ca, c'est combien? Tout l'ensemble? -Tout l'ensemble? -Oui. -65. | 0:09:00 | 0:09:05 | |
Ah, non. C'est trop. | 0:09:05 | 0:09:06 | |
To you and me, "That's too much dosh." | 0:09:06 | 0:09:08 | |
-58. -58, non. C'est toujours... | 0:09:08 | 0:09:11 | |
Sorry, are you speaking Martian? | 0:09:11 | 0:09:12 | |
Non, non, c'est francais. | 0:09:12 | 0:09:14 | |
OK. What are these pots representing? | 0:09:14 | 0:09:16 | |
So that's...sugar, flour, coffee, spices, tea and pepper. | 0:09:16 | 0:09:23 | |
You know what's nice about that? It is complete. | 0:09:23 | 0:09:25 | |
You've got that French chic-ness to it. You've got the Art Deco feel. | 0:09:25 | 0:09:28 | |
-Sarah, what are your thoughts? -I like it. What's, erm... | 0:09:28 | 0:09:31 | |
-What's the price? -STALLHOLDER: 65. | 0:09:31 | 0:09:34 | |
Any room for...? I mean, after the French, I mean, come on. | 0:09:34 | 0:09:38 | |
I think she said 50. | 0:09:38 | 0:09:39 | |
-Yeah, fif... SUE: But that's still a bit dear. -50, yeah. -Not 50. | 0:09:39 | 0:09:44 | |
-I said 58. -Shall we have a look at one of them? | 0:09:44 | 0:09:47 | |
Let me just collect the coffee. | 0:09:47 | 0:09:50 | |
We're looking at an Art Deco shape. Probably '40s. | 0:09:50 | 0:09:53 | |
-It's Second World War-ish, isn't it? -Yes. | 0:09:53 | 0:09:55 | |
And they're not the best quality. | 0:09:55 | 0:09:56 | |
You're not buying quality, you're buying the style. | 0:09:56 | 0:09:59 | |
And if you look at the decoration, they're transfers. | 0:09:59 | 0:10:01 | |
The kind of thing, as a kid, you'd put on your arm. | 0:10:01 | 0:10:03 | |
-OK. -So they're never going to be great quality. | 0:10:03 | 0:10:05 | |
-They've just got the look. -OK. -Yes. They're quite charming. | 0:10:05 | 0:10:08 | |
Are they worth the £58? | 0:10:08 | 0:10:10 | |
-I would go 55. -Yeah, 55. -Deal, 55? | 0:10:10 | 0:10:14 | |
-Deal. -Oh, la, la! | 0:10:14 | 0:10:16 | |
Now the Blues also have an item under their belts. | 0:10:16 | 0:10:20 | |
And we're just ten minutes into the shop. | 0:10:20 | 0:10:22 | |
-You don't like that, surely? -Don't you like that, Freddie? -No. Oh, no! | 0:10:30 | 0:10:37 | |
-Please. -Gladstone bag. -If I had that, I'd put it in the bin. -Would you? | 0:10:37 | 0:10:41 | |
You speak your mind, Freddie. | 0:10:41 | 0:10:42 | |
-Do you not want to know the price on this, Freddie? -How much is it? | 0:10:42 | 0:10:46 | |
-HE GASPS -95. -Same price as the thing we just bought. | 0:10:46 | 0:10:48 | |
Would you still put it in the bin? | 0:10:48 | 0:10:50 | |
It's not my cup of tea. Is it yours? | 0:10:52 | 0:10:54 | |
I wouldn't go on holiday with it, no. | 0:10:54 | 0:10:57 | |
It's a Gladstone bag and the thing about Gladstone bags | 0:10:57 | 0:11:00 | |
is they open up very wide. They've got a framework on them. | 0:11:00 | 0:11:04 | |
I love it, myself, but I think 95 is a bit expensive. So let's move on. | 0:11:04 | 0:11:08 | |
-OK. -Yeah. I don't like it anyway. | 0:11:08 | 0:11:11 | |
Seems Freddie has some strong likes and dislikes. | 0:11:11 | 0:11:13 | |
Best try something else, Kate. | 0:11:13 | 0:11:15 | |
Let's just have a little look. Is it Dinky underneath? Yes, here we go. | 0:11:21 | 0:11:24 | |
-Dinky... -It's not a thing I would buy myself. | 0:11:24 | 0:11:28 | |
-You know. -Liverpool. -I can't see that making any profit. | 0:11:28 | 0:11:30 | |
-You can't see that? -No. -Your enthusiasm's killing me, Freddie. | 0:11:30 | 0:11:35 | |
-Let's put it back for now. -Yeah, we may... -There's plenty to look at. | 0:11:35 | 0:11:38 | |
We may have to come back. | 0:11:38 | 0:11:39 | |
-Are they silver? -No, they'll be plated. -Oh, right. | 0:11:43 | 0:11:46 | |
-Are you two quite romantic? -A little bit. | 0:11:46 | 0:11:48 | |
Can I show you something that I think is quite romantic? | 0:11:48 | 0:11:50 | |
Can I have a look inside that box? Would you mind? | 0:11:50 | 0:11:53 | |
-The little box there, little enamel box. -I did spot that. -It's pretty. | 0:11:53 | 0:11:56 | |
Isn't that just absolutely lovely? | 0:11:56 | 0:11:59 | |
-A present from Leominster. -Yes. -So it's a novelty gift. | 0:11:59 | 0:12:03 | |
-Have a look. -Oh, and it has a mirror! -It has a mirror. | 0:12:03 | 0:12:05 | |
-Is it for patches or something? -Yes, it's a patch box. | 0:12:05 | 0:12:08 | |
And you can tell the different between a patch box | 0:12:08 | 0:12:10 | |
and a pill box because of the mirror. | 0:12:10 | 0:12:13 | |
-Yes. -So, if it's for pills, you don't need a mirror. -I love it. | 0:12:13 | 0:12:16 | |
There's a little bit of romance behind the idea of patches. | 0:12:16 | 0:12:19 | |
The patch would be placed strategically on a lady's face | 0:12:19 | 0:12:22 | |
depending on her mood. | 0:12:22 | 0:12:23 | |
And depending on whether she was single, engaged, | 0:12:23 | 0:12:26 | |
-looking for a husband, looking for fun... -I didn't know. | 0:12:26 | 0:12:29 | |
And the patches came in all different shapes and sizes | 0:12:29 | 0:12:32 | |
and if you placed a little spot, a little patch, here, | 0:12:32 | 0:12:35 | |
it might indicate that you were... | 0:12:35 | 0:12:38 | |
possibly available. I think it's late 18th, early 19th century. | 0:12:38 | 0:12:42 | |
So that might well have been around the time of the Napoleonic Wars. | 0:12:42 | 0:12:46 | |
Chipped and damaged, obviously affects it. | 0:12:46 | 0:12:49 | |
And they were made in quite big numbers. Is that priced at 30? | 0:12:49 | 0:12:53 | |
-I'm afraid that says 38. -It looks like 30 to me. | 0:12:54 | 0:12:56 | |
-It looks like 30 to me. -I should think we can do it for 30. | 0:12:56 | 0:12:59 | |
-Would be the best on it. -Better be sure. | 0:12:59 | 0:13:00 | |
You might get a trickle of profit. You might. | 0:13:00 | 0:13:04 | |
Well, how about 25? | 0:13:04 | 0:13:06 | |
I'll do it for 28, but that's going to be it. Because it's a rare object. | 0:13:06 | 0:13:09 | |
26? | 0:13:09 | 0:13:10 | |
27 and that's it. | 0:13:12 | 0:13:13 | |
-27 for a Georgian patch box? -Yes. -Is it ours? -Yes! -Is that ours? | 0:13:13 | 0:13:17 | |
-So I can throw it in the air and celebrate. -Yes, 27, deal. -Thank you. | 0:13:17 | 0:13:21 | |
Well done, Blues. That's two items down. | 0:13:21 | 0:13:23 | |
At this rate, the Reds won't be a PATCH on this team. | 0:13:23 | 0:13:26 | |
How do you get the money out? | 0:13:30 | 0:13:31 | |
Oh, is there some money in there? | 0:13:31 | 0:13:33 | |
I don't know how you get it out though. You'd have to smash it. | 0:13:34 | 0:13:37 | |
It's like one of those Terramundi things | 0:13:37 | 0:13:39 | |
where you have to smash them out... | 0:13:39 | 0:13:40 | |
Yes, careful how you put that down, Kate. | 0:13:40 | 0:13:42 | |
-Can we get anything in gold? -In gold? | 0:13:44 | 0:13:46 | |
-CRASH Ooh! -Oops! Oh, no. | 0:13:46 | 0:13:47 | |
-What's happened? -A Minton lid has gone. | 0:13:47 | 0:13:51 | |
-That would be a breakage. -We're going to have to buy it. | 0:13:51 | 0:13:54 | |
-That would be a breakage. I'm so sorry, sir. -Oh, no. Poor Sarah. | 0:13:54 | 0:13:58 | |
-Looks like an insurance claim for us. -It would have to be me. | 0:13:58 | 0:14:01 | |
-Oh, I'm so sorry! -Well, it looked as though it was all stuck on. | 0:14:01 | 0:14:04 | |
No, it wasn't stuck on. | 0:14:04 | 0:14:06 | |
As a tip, in future, when you pick up vases, just take the lid off first. | 0:14:06 | 0:14:10 | |
Good tip, sir. Now, I have a question for you. | 0:14:10 | 0:14:13 | |
Do you ever fancy buying a piece of history for yourself? | 0:14:15 | 0:14:20 | |
In a plastic envelope, I've found these three photographs | 0:14:20 | 0:14:24 | |
and this shot shows an occasion | 0:14:24 | 0:14:27 | |
which is clearly of national importance. | 0:14:27 | 0:14:30 | |
We've got a senior military man here, who could be a Field Marshall. | 0:14:30 | 0:14:34 | |
I don't know. He's got a great stripe running up his trouser leg. | 0:14:34 | 0:14:39 | |
But the character I can recognise, behind in the second row, | 0:14:39 | 0:14:43 | |
is Lord Louis Mountbatten. | 0:14:43 | 0:14:46 | |
Cousin to the Queen and, of course, at one time, Admiral of the Fleet. | 0:14:46 | 0:14:52 | |
The senior military men are all wearing black armbands. | 0:14:52 | 0:14:57 | |
So this could be a moment that commemorates | 0:14:57 | 0:15:00 | |
a funeral of a famous personage. | 0:15:00 | 0:15:03 | |
Bit more research required on that. But extremely interesting. | 0:15:04 | 0:15:09 | |
The photograph in the frame is much easier to identify. | 0:15:09 | 0:15:13 | |
It is, of course, Edward, Prince of Wales. | 0:15:13 | 0:15:16 | |
And if you look very carefully, down in this right-hand corner, | 0:15:16 | 0:15:20 | |
it says, "Copyright Canada 1919." | 0:15:20 | 0:15:26 | |
This is the moment | 0:15:26 | 0:15:27 | |
when Edward went on a tour around the world to the dominions | 0:15:27 | 0:15:32 | |
and colonies, basically to say | 0:15:32 | 0:15:34 | |
thank you very much for the sacrifice and contribution | 0:15:34 | 0:15:37 | |
that all those countries made to the Great War in supporting Great Britain. | 0:15:37 | 0:15:42 | |
And at this moment, he's visiting the dominion of Canada. | 0:15:42 | 0:15:45 | |
He, of course, became King Edward VIII but, tragically, | 0:15:45 | 0:15:50 | |
only for one year. | 0:15:50 | 0:15:52 | |
Because he abdicated. | 0:15:52 | 0:15:54 | |
And when he abdicated in 1936, just before Christmas, | 0:15:54 | 0:15:59 | |
it was because of this woman, Mrs Wallace Simpson. | 0:15:59 | 0:16:03 | |
And we see her in a photograph that's dated on, the back, | 0:16:03 | 0:16:06 | |
9th of the 9th, 1945. | 0:16:06 | 0:16:09 | |
We see her in this original photograph, seated | 0:16:09 | 0:16:13 | |
in a society pose, if you like, unusually not wearing white gloves. | 0:16:13 | 0:16:19 | |
Nearly all the photographs of the Duchess of Windsor | 0:16:19 | 0:16:23 | |
are with her wearing white gloves. Why? | 0:16:23 | 0:16:26 | |
Because she had the hands that resembled the hands of a man. | 0:16:26 | 0:16:31 | |
And she didn't like that and she liked to cover them up. | 0:16:31 | 0:16:34 | |
So, quite fun to find a photograph of her without gloves on. | 0:16:34 | 0:16:38 | |
The final photograph in my quartet is of the Duke himself, | 0:16:40 | 0:16:45 | |
seated in 1941. It says on the back, July the 20th, 1941. | 0:16:45 | 0:16:50 | |
Somewhere on July the 20th 1941, the Duke of Windsor | 0:16:50 | 0:16:54 | |
was governor of the Bahamas. | 0:16:54 | 0:16:56 | |
He was sent to the Bahamas to get him out of the way | 0:16:56 | 0:16:59 | |
and transported there in 1940 | 0:16:59 | 0:17:02 | |
for the duration of the Second World War. | 0:17:02 | 0:17:05 | |
The Duke of Windsor liked to smoke his pipe, | 0:17:05 | 0:17:07 | |
and there he is, smoking his pipe. | 0:17:07 | 0:17:09 | |
He also loved little dogs, latterly pug dogs, | 0:17:09 | 0:17:14 | |
but here he seems to have some Highland terriers snapping about. | 0:17:14 | 0:17:19 | |
Probably because he's about to give them a Good Boy Choc Choc Drop. | 0:17:19 | 0:17:22 | |
So, here in Ally Pally, three photographs would cost you £25 | 0:17:23 | 0:17:28 | |
and the framed photograph, the genuine Canadian 1919 one, | 0:17:28 | 0:17:33 | |
could be yours for a similar sum. | 0:17:33 | 0:17:36 | |
What might they be worth if you sold them | 0:17:36 | 0:17:39 | |
in an auction that was related particularly to royal memorabilia? | 0:17:39 | 0:17:43 | |
I don't know. I should think you might double your money. | 0:17:43 | 0:17:46 | |
And that's fair enough, isn't it? | 0:17:46 | 0:17:48 | |
Now, back to the shopping. | 0:17:48 | 0:17:50 | |
It's two-one up to the Blues | 0:17:50 | 0:17:52 | |
and the Reds have found a rather nice silver box. | 0:17:52 | 0:17:55 | |
You've got a bit of class there. | 0:17:55 | 0:17:56 | |
You have got a bit of class, but you have also got | 0:17:56 | 0:17:59 | |
-quite a hefty price tag. -Ooh, hoo hoo! Oh my... Oh. -195. | 0:17:59 | 0:18:04 | |
You'd drop down a lot from that price, would you, my darling? | 0:18:06 | 0:18:09 | |
-I'm starting to flap a bit. -Don't flap. -Yeah, don't flap, Freddie. | 0:18:09 | 0:18:14 | |
I think he's worried about spending too much. | 0:18:14 | 0:18:16 | |
Meanwhile, the Blues have spotted a perfume bottle. | 0:18:16 | 0:18:19 | |
STALLHOLDER: This one's a genuine R Lalique, an early one. | 0:18:19 | 0:18:22 | |
Is that signed? | 0:18:22 | 0:18:23 | |
-He never signed the early ones. -Didn't he? -No. | 0:18:23 | 0:18:26 | |
He just used to do them, take the labels as well. | 0:18:26 | 0:18:28 | |
But you can always tell it's one of his by the tops. | 0:18:28 | 0:18:31 | |
As far as I know, all Lalique pieces, | 0:18:31 | 0:18:34 | |
every Lalique I've ever owned has been signed. | 0:18:34 | 0:18:38 | |
I'm with you on that top. It's very Lalique. | 0:18:38 | 0:18:40 | |
It's that frosted, kind of glazed over. | 0:18:40 | 0:18:43 | |
The bottle itself, I would say, isn't Lalique. | 0:18:43 | 0:18:45 | |
It's just a piece of pressed glass. But how much is it? Is it cheap? | 0:18:45 | 0:18:48 | |
£30. | 0:18:48 | 0:18:50 | |
If that's Rene Lalique and it's 1930s, | 0:18:50 | 0:18:53 | |
it's worth much more than £30. | 0:18:53 | 0:18:55 | |
If it isn't Rene Lalique and we're wrong, | 0:18:56 | 0:18:58 | |
which we can be, it's worth three quid. | 0:18:58 | 0:19:00 | |
If you can get £3 off somebody. | 0:19:02 | 0:19:05 | |
Oh, ho. Over to you two. | 0:19:05 | 0:19:08 | |
-Here. -You're the perfume girl. | 0:19:08 | 0:19:10 | |
-You wouldn't want to spend a lot on it though. -No. Maybe a tenner? | 0:19:10 | 0:19:13 | |
-£10? No, I couldn't do £10. -What's you best deal? -25 would be the best. | 0:19:14 | 0:19:18 | |
Ooh. | 0:19:18 | 0:19:20 | |
It might get bids to a fiver. | 0:19:20 | 0:19:21 | |
Or someone might believe it's Lalique and it might make 50-70. | 0:19:23 | 0:19:28 | |
-Willing to go 20, definitely. -Yeah, go on, then. £20. -You've done a deal. | 0:19:28 | 0:19:33 | |
-A deal. Yep. -OK. | 0:19:33 | 0:19:35 | |
Well done. | 0:19:35 | 0:19:37 | |
Very interesting. Very interesting. | 0:19:37 | 0:19:40 | |
-Right in time too. Three distinctly different things. -Superb. | 0:19:40 | 0:19:43 | |
I'm going to treat you two to the best cup of tea you've ever had. | 0:19:43 | 0:19:47 | |
-You're on. -Congratulations, Blues. All three items bought. | 0:19:47 | 0:19:50 | |
But the Reds still have two more purchases to make | 0:19:50 | 0:19:53 | |
and there's just ten minutes left. | 0:19:53 | 0:19:55 | |
-I quite like that piece. -Now, that is something a little bit different. | 0:19:55 | 0:19:59 | |
We've got a lovely name on there. Do you see that? W Ottway and Co Ltd. | 0:19:59 | 0:20:05 | |
Ealing, London. So not far from here. 1915, which is rather nice. | 0:20:05 | 0:20:10 | |
In lovely condition. Have a little look, Freddie. See what you can spy. | 0:20:10 | 0:20:14 | |
I can't see nothing. | 0:20:19 | 0:20:20 | |
-Oh, I can see a bargain over there. -Good spot, Sarah. So can I. | 0:20:22 | 0:20:26 | |
-Ooh, over there? -I can see through it, yeah. -Can you? | 0:20:26 | 0:20:30 | |
-It probably doesn't help that you've got glasses on. -No. -No. | 0:20:30 | 0:20:35 | |
-What do you think of it? -I really like it. | 0:20:35 | 0:20:37 | |
I like the engraved piece there and I think it's a really unusual piece. | 0:20:37 | 0:20:42 | |
Originally, of course, it would have been | 0:20:42 | 0:20:44 | |
in a leather case which is missing. | 0:20:44 | 0:20:46 | |
But I have to say, despite the lack of case, it's in super condition. | 0:20:46 | 0:20:51 | |
Very often, I mean, it's a practical thing. It was made to be used. | 0:20:51 | 0:20:56 | |
-And you haven't got any major dents or wear in there. -No. -No. | 0:20:56 | 0:21:01 | |
-It's in nice condition. -Mm. -How much is it? -Well, the price tag's 65. | 0:21:01 | 0:21:05 | |
-Not bad. -Let's just see what the gentleman will do. | 0:21:05 | 0:21:07 | |
-What's your very best on that, sir? -55. | 0:21:07 | 0:21:10 | |
-55. -Hurry up, Reds. The clock is ticking. | 0:21:10 | 0:21:14 | |
I think it's quite a good quality. | 0:21:14 | 0:21:17 | |
And I don't think the price is too bad. | 0:21:17 | 0:21:21 | |
-Could you go a little bit more for us? -How about... | 0:21:21 | 0:21:23 | |
-We've got to put it into auction. What do you think, Sarah? -50? | 0:21:23 | 0:21:26 | |
OK, 50, then. | 0:21:26 | 0:21:28 | |
If it hadn't got the name on it, I think 50 would be expensive. | 0:21:28 | 0:21:31 | |
But because it's got the manufacturer, | 0:21:31 | 0:21:34 | |
the retailer's name, and we've got Ealing, London on there | 0:21:34 | 0:21:37 | |
-and a nice date there for 1915. -And it's in quite good condition. | 0:21:37 | 0:21:41 | |
I think it's in great condition. | 0:21:41 | 0:21:42 | |
Just before we do the deal, what else have we got on here? | 0:21:42 | 0:21:45 | |
Because we are tight for time. | 0:21:45 | 0:21:46 | |
-Let's try and double up. -So that's a possible maybe. | 0:21:46 | 0:21:50 | |
You need to make a decision. | 0:21:50 | 0:21:52 | |
We've got little Danish... | 0:21:52 | 0:21:53 | |
Little Danish salts and pepper if you like that sort of thing. | 0:21:53 | 0:21:57 | |
Ooh, they are nice. Can I have a little look at those? | 0:21:57 | 0:21:59 | |
-Yeah, of course. -You wanted silver, Freddie, Sarah. | 0:21:59 | 0:22:02 | |
This is silver, but it's Danish silver. | 0:22:02 | 0:22:05 | |
-And what we've got are a salt and a pepper. -How unusual. | 0:22:05 | 0:22:11 | |
-Can you see the holes in the top? -Yeah. -You have that one, Freddie. | 0:22:11 | 0:22:15 | |
Now, the reason I know they're Danish is because on the bottom | 0:22:15 | 0:22:18 | |
here, we have got 925 | 0:22:18 | 0:22:23 | |
which is the standard for Sterling Silver. | 0:22:23 | 0:22:27 | |
-It stands for 925 parts of silver per thousand parts of alloy. -OK. | 0:22:27 | 0:22:33 | |
So Sterling standard and beautifully enamelled. | 0:22:33 | 0:22:36 | |
This enamel, or liquid glass if you like, | 0:22:36 | 0:22:40 | |
has been overlaid on the silver. | 0:22:40 | 0:22:42 | |
But before they did that, the silver's been engraved | 0:22:42 | 0:22:45 | |
to give this lovely pattern underneath. | 0:22:45 | 0:22:47 | |
-You see, they've got a bit of a shimmer. -Absolutely. | 0:22:47 | 0:22:49 | |
-Shall we just check the condition on that one? -Yes. -Let me just have a little look. | 0:22:49 | 0:22:53 | |
Ah, now that's got a wee bit of damage down here. | 0:22:53 | 0:22:56 | |
-Ah, OK. -Do you see that? Where it's gone orange. | 0:22:56 | 0:22:59 | |
So the enamel's just slightly damaged on there. | 0:22:59 | 0:23:02 | |
But the good thing is, it's at the bottom | 0:23:02 | 0:23:04 | |
-so when this is standing on the table... -You wouldn't notice it. | 0:23:04 | 0:23:07 | |
You don't notice it so much. | 0:23:07 | 0:23:08 | |
If it was at the top, here, it would really shout at you. | 0:23:08 | 0:23:11 | |
What...could you do if we took the two? | 0:23:11 | 0:23:15 | |
-Bearing in mind that one is damaged on the bottom there. -Yeah. | 0:23:15 | 0:23:19 | |
Er... Very best for the pair would be 90. | 0:23:19 | 0:23:22 | |
So if these are 90, the telescope's 50, that's 140. You happy with that? | 0:23:22 | 0:23:27 | |
-Yes. -I think so. -I'm just... I'm happy with that, I'm just... | 0:23:27 | 0:23:31 | |
£90. | 0:23:31 | 0:23:34 | |
Because they're damaged, you can just do another fiver on those? | 0:23:34 | 0:23:37 | |
Just for us? | 0:23:37 | 0:23:38 | |
-85? -Yes, OK. -Yes, so that's 135. -Would you? Wonderful. | 0:23:38 | 0:23:42 | |
-Freddie's in there. It's a done deal. -Congratulations, Reds. | 0:23:42 | 0:23:46 | |
It sure is a done deal, Kate. Because... | 0:23:46 | 0:23:49 | |
Time's up. Let's remind ourselves what the red team bought, eh? | 0:23:49 | 0:23:53 | |
They're hoping an early 20th-century leather travelling case | 0:23:53 | 0:23:56 | |
may well take them a long way for £80. | 0:23:56 | 0:24:00 | |
They focused £50 on this early 20th-century style brass telescope. | 0:24:00 | 0:24:05 | |
And finally, this set of Danish metalware condiments | 0:24:06 | 0:24:09 | |
was picked up for £85. | 0:24:09 | 0:24:11 | |
-Well, that was something, wasn't it, Fred? -Very good. | 0:24:14 | 0:24:17 | |
Right to the last minute. I don't know... | 0:24:17 | 0:24:20 | |
-OK, so which is your favourite piece? -The leather case. | 0:24:20 | 0:24:23 | |
-Sarah, what for you? -I like the salt and pepper. | 0:24:23 | 0:24:26 | |
-Salt and pepper. Favourite. Is that going to bring the biggest profit? -I hope so. | 0:24:26 | 0:24:29 | |
-Yeah. Do you agree with that, Fred-o? -No. -No. | 0:24:29 | 0:24:32 | |
-I think the leather case will. -You're obsessed by that. Yeah, lovely. | 0:24:32 | 0:24:35 | |
-Hope so, anyway. -Why not? And how much did you spend altogether? | 0:24:35 | 0:24:39 | |
-215. -£215. | 0:24:39 | 0:24:42 | |
I'd like £85 of leftover lolly, please. | 0:24:42 | 0:24:44 | |
-£85. You don't like passing this over much, do you? -No. | 0:24:45 | 0:24:49 | |
No, not at all. | 0:24:49 | 0:24:50 | |
-OK, fine. £85 goes straight over to KB. -Lovely. | 0:24:50 | 0:24:54 | |
Kate, what are you doing to spend it on, darling? | 0:24:54 | 0:24:57 | |
Might stick with something shiny. | 0:24:57 | 0:24:58 | |
Really? You've got the mark of these two, haven't you? | 0:25:00 | 0:25:03 | |
Anyway, relax up, team. | 0:25:03 | 0:25:05 | |
Meanwhile, we're going to check out what the blue team bought, aren't we? | 0:25:05 | 0:25:08 | |
A graduated set of six French kitchen containers | 0:25:08 | 0:25:11 | |
was acquired for the culinary cost of £55. | 0:25:11 | 0:25:15 | |
An 18th-century English enamel patch box cost them £27. | 0:25:16 | 0:25:21 | |
And finally, a Lalique-style glass scent bottle | 0:25:21 | 0:25:24 | |
was purchased for a fragrant 20. | 0:25:24 | 0:25:27 | |
OK, Blues, we're cleared for landing. | 0:25:27 | 0:25:29 | |
-Ne-yow... Lovely. -THEY LAUGH | 0:25:29 | 0:25:32 | |
-Was it that much fun? -Teamwork, teamwork. -Teamwork! | 0:25:32 | 0:25:35 | |
-Was it that much fun, Sarah? -It was great. Oh, yes. | 0:25:35 | 0:25:37 | |
-Spending somebody else's money, eh? -It was brilliant. | 0:25:37 | 0:25:39 | |
-With your mother-in-law? -Yes. -And DH. -Yes. -DH? Hello. | 0:25:39 | 0:25:44 | |
OK, which is your favourite piece, Sarah, please. | 0:25:44 | 0:25:47 | |
The Lalique, I think. The bottle. | 0:25:47 | 0:25:49 | |
The Lalique bottle is your favourite. Um... Mother-in-law? | 0:25:49 | 0:25:52 | |
-The patch box. -The patch box? -Yes. Lovely story. | 0:25:52 | 0:25:56 | |
-And is that going to bring the biggest profit? -I hope so. | 0:25:56 | 0:25:58 | |
What's your prediction for the biggest profit, Sarah? | 0:25:58 | 0:26:01 | |
-Oh, I think it has to be the patch box. -The patch box? -Yes, definitely. | 0:26:01 | 0:26:04 | |
-OK, fine. And you spent how much altogether? -£102. | 0:26:04 | 0:26:08 | |
102, then I would like 198, please. | 0:26:08 | 0:26:13 | |
From somebody. And... | 0:26:13 | 0:26:16 | |
we're going to gather this together | 0:26:16 | 0:26:17 | |
and pass it on to the ultimate shepherd of these things. | 0:26:17 | 0:26:20 | |
What are you going to spend it on, David? | 0:26:20 | 0:26:22 | |
Well, it's a bit scary. Look, they're all packing up, aren't they? | 0:26:22 | 0:26:25 | |
-I'm got a lot of money so the pressure is on, you know. -OK, fine. | 0:26:25 | 0:26:28 | |
Good luck, David. Good luck, girls. | 0:26:28 | 0:26:30 | |
Meanwhile, we're going to head off, hotfoot, to the auction. | 0:26:30 | 0:26:33 | |
So, we've trotted from central London out to Bedfordshire | 0:26:45 | 0:26:49 | |
to the county town of Bedford, | 0:26:49 | 0:26:52 | |
to Peacock's Auction Room to be with Lindsay Vintiner. | 0:26:52 | 0:26:56 | |
-Lindsay, how lovely to see you. -And you too, Tim. | 0:26:56 | 0:26:58 | |
Thank you for having us. | 0:26:58 | 0:26:59 | |
Now, for our Reds today, their first item is this travelling case. | 0:26:59 | 0:27:04 | |
Handsome leather-bound case. | 0:27:04 | 0:27:05 | |
But I've got a question for you. What do you rate that thing as? | 0:27:05 | 0:27:11 | |
Well, it's plated | 0:27:11 | 0:27:13 | |
and you would expect to find your sandwiches in there. | 0:27:13 | 0:27:17 | |
Erm, Mr Munnings, I suppose, would take this on a trip out | 0:27:17 | 0:27:21 | |
when he's painting and he'll have his sandwiches | 0:27:21 | 0:27:24 | |
and a few glasses of his favourite tipple in a travelling case. | 0:27:24 | 0:27:28 | |
I'm not sure they're quite up to today's standard | 0:27:28 | 0:27:31 | |
of sandwiches in scale. | 0:27:31 | 0:27:32 | |
But, um...maybe cake. We'll go with cake. | 0:27:32 | 0:27:35 | |
-So, how do you estimate a thing like that, Lindsay? -Well, we think 30-40. | 0:27:35 | 0:27:40 | |
-Erm... It's nice quality and a good gentleman's piece. -Yeah. | 0:27:40 | 0:27:44 | |
Yeah, no, I quite agree with you. Actually, they paid £80 for it. | 0:27:44 | 0:27:48 | |
Freddie went perhaps a little over the top there. | 0:27:48 | 0:27:51 | |
-Next up is the so-called three drawer telescope. -Yes. | 0:27:51 | 0:27:56 | |
-That is not so hot, is it? -It's not, I'm afraid. It is fairly modern. | 0:27:56 | 0:28:00 | |
The patine on it's not right. The inscription is all completely wrong. | 0:28:00 | 0:28:03 | |
We think it's brand spanking new, I'm afraid, Tim. | 0:28:03 | 0:28:05 | |
-What's it likely to be worth, Lindsay? -We think 15-25. | 0:28:05 | 0:28:09 | |
-Ooh. -Fingers crossed. | 0:28:09 | 0:28:11 | |
-Oof. £50 paid. -Right. | 0:28:11 | 0:28:13 | |
So that could be a big problemo. Um... | 0:28:13 | 0:28:17 | |
-And lastly, I have to say, very smart condiments. -Indeed, yes. | 0:28:17 | 0:28:21 | |
-I like them. -They're great, aren't they? | 0:28:21 | 0:28:23 | |
They're Danish, they're silver, they're enamelled. They're a great colour. | 0:28:23 | 0:28:26 | |
Can imagine them on your Christmas dining table. | 0:28:26 | 0:28:29 | |
They're just the right colours for it. | 0:28:29 | 0:28:31 | |
-Erm...sadly the red one is damaged. -Little chip, yeah. | 0:28:31 | 0:28:34 | |
It has got a chip out the enamel which is difficult to repair. | 0:28:34 | 0:28:38 | |
But they're still lovely objects | 0:28:38 | 0:28:39 | |
and the market is strong for this type of collectable. | 0:28:39 | 0:28:42 | |
-How much, then, Lindsay? -40-60. -40-60. OK, they paid £85. | 0:28:42 | 0:28:47 | |
Um... Just a tad too much on that. Way too much on the telescope | 0:28:47 | 0:28:52 | |
and perhaps a tad too much on the travelling case | 0:28:52 | 0:28:55 | |
means that they're going to need their bonus buy in my prediction. | 0:28:55 | 0:28:58 | |
So, let's go and have a look at it. | 0:28:58 | 0:29:00 | |
Well, team, you gave Kate £85 of leftover lolly. | 0:29:01 | 0:29:05 | |
-Kate, what did you spend it on? -Well, I promised something shiny. | 0:29:05 | 0:29:08 | |
And shiny it is. | 0:29:08 | 0:29:10 | |
What do you think? | 0:29:10 | 0:29:12 | |
-Can I? -Absolutely. Have a little feel, Freddie. | 0:29:12 | 0:29:15 | |
So, it is, of course, a candlestick. | 0:29:15 | 0:29:17 | |
Known as a dwarf candlestick, because of the size. | 0:29:17 | 0:29:20 | |
And it's in a very distinctive style which is known as Robert Adam style | 0:29:20 | 0:29:25 | |
after an iconic architect and designer | 0:29:25 | 0:29:27 | |
who was actually in the 18th century. | 0:29:27 | 0:29:29 | |
But this is dated to 1908 so it's actually Edwardian in date | 0:29:29 | 0:29:34 | |
and has a very, I think, elegant and understated style about it | 0:29:34 | 0:29:39 | |
with these lovely swags and little borders around the outside. | 0:29:39 | 0:29:44 | |
-I like it. -How much did you pay for it? | 0:29:44 | 0:29:46 | |
-I paid £20. -Ooh! -You done very well. | 0:29:46 | 0:29:50 | |
-You think, Freddie? -I think so. | 0:29:50 | 0:29:52 | |
-Have you got good vibes? -Yeah. -Yeah, I think that's a bargain, don't you? | 0:29:52 | 0:29:55 | |
How much do you think it will make as auction? | 0:29:55 | 0:29:57 | |
Well, I really hope it will make more than 20. | 0:29:57 | 0:30:00 | |
I've got every confidence in it. I think it was a snip at £20. | 0:30:00 | 0:30:04 | |
It's small in size and there may have been a pair to it originally, | 0:30:04 | 0:30:08 | |
-but for £20, a silver candlestick. -I like it. | 0:30:08 | 0:30:12 | |
Hopefully, you can't go wrong. | 0:30:12 | 0:30:14 | |
-Good. -I think you're right. -Well, we like those sentiments, don't we? | 0:30:14 | 0:30:17 | |
Anyway, you don't pick now, | 0:30:17 | 0:30:19 | |
you pick after the sale of your first three items. | 0:30:19 | 0:30:21 | |
But right now, for the audience at home, | 0:30:21 | 0:30:23 | |
let's find out what the auctioneer thinks about Kate's little stick. | 0:30:23 | 0:30:26 | |
-So, Lindsay, there's a little treat for you. -Right. Thank you, Tim. | 0:30:28 | 0:30:32 | |
Neo-classical in design. | 0:30:32 | 0:30:34 | |
Miniature dwarf candlestick. | 0:30:34 | 0:30:36 | |
-At a price, it'll sell, won't it? -20-30. -Really? | 0:30:36 | 0:30:40 | |
-Oh, that's excellent because Kate's only paid £20. -OK. | 0:30:40 | 0:30:42 | |
-So that's pretty good. -Stand a good chance then. | 0:30:42 | 0:30:45 | |
Anyway, that's it for the Reds. | 0:30:45 | 0:30:46 | |
Moving on, rather beautifully, to the Blues. | 0:30:46 | 0:30:49 | |
We have got a graduated set of kitchen pots from France. | 0:30:49 | 0:30:54 | |
They're a nice little set, graduated... | 0:30:54 | 0:30:56 | |
They're transfer printed, so... | 0:30:56 | 0:30:58 | |
-They're OK. -When do you date them? | 0:30:59 | 0:31:01 | |
Are they '30s or are they 1950s, do you think? | 0:31:01 | 0:31:03 | |
I think they're '40s/'50s, yeah. They're somewhere around there. | 0:31:03 | 0:31:06 | |
There's a market for them | 0:31:06 | 0:31:07 | |
but they're not going to pay a lot for them. | 0:31:07 | 0:31:09 | |
-OK, how much will they pay then, do you think, Lindsay? -10-20. | 0:31:09 | 0:31:12 | |
-Is that all? -Yes. -Do you know, I think you're right. | 0:31:12 | 0:31:14 | |
£55 was paid by Sue. I think she's completely bonkers. | 0:31:14 | 0:31:18 | |
Anyway, we won't tell her that. | 0:31:18 | 0:31:20 | |
Now, moving on, we have at last got a period antique little something! | 0:31:20 | 0:31:25 | |
-Indeed, yes. Very nice. -A patch box. -Indeed. -Do you like that? | 0:31:25 | 0:31:29 | |
I do. I really like that. | 0:31:29 | 0:31:31 | |
Probably by Bilston, the enamel patch box, 18th century. | 0:31:31 | 0:31:35 | |
We've got a little bit of damage to the edge, | 0:31:35 | 0:31:37 | |
but it's just a lovely little present for someone. | 0:31:37 | 0:31:39 | |
-So, how much then, do you think? -50-80. -Do you really? | 0:31:39 | 0:31:43 | |
-Well, that's marvellous. £27 was paid. -OK, yeah. | 0:31:43 | 0:31:45 | |
So that seems to be a profitable buy. | 0:31:45 | 0:31:47 | |
And lastly, the smallest and most miserable little scent bottle, | 0:31:47 | 0:31:51 | |
I think I've ever seen. | 0:31:51 | 0:31:53 | |
-But it is a period one, isn't it? -It is. It is a Coty. | 0:31:53 | 0:31:56 | |
Lalique did make scent bottles for them, | 0:31:56 | 0:31:58 | |
-but this one is just a mass-produced example. -Is it? -We think, yeah. | 0:31:58 | 0:32:02 | |
-How much for that one? -Five to ten. | 0:32:02 | 0:32:04 | |
OK. £20 paid so that might be a bit lightweight. | 0:32:04 | 0:32:08 | |
But their big problem is going to be the storage containers, I think. | 0:32:08 | 0:32:12 | |
And that means they are going to need their bonus buy, I think, | 0:32:12 | 0:32:15 | |
so, let's go and have a look at it. | 0:32:15 | 0:32:16 | |
-Well, girls, you gave David Harper a fortune, didn't you? £198. -Yeah. -OK. | 0:32:18 | 0:32:23 | |
Looks substantial, so let's gather round while David does his reveal. | 0:32:23 | 0:32:28 | |
What did you spend £198 on, Dave? | 0:32:28 | 0:32:31 | |
Not quite 198. Take off 100 and a bit, and I spent £90. | 0:32:31 | 0:32:38 | |
Oh, dear. THEY LAUGH | 0:32:38 | 0:32:39 | |
Don't look too impressed. Just control yourselves. | 0:32:39 | 0:32:42 | |
It's an early 20th-century box. | 0:32:42 | 0:32:46 | |
I'm describing it as an artisan's box. | 0:32:46 | 0:32:49 | |
Others may describe it as a tool box. But I think it is absolutely... | 0:32:49 | 0:32:54 | |
-Ooh, I like that. -..gorgeous. This is not for a plumber or a joiner. | 0:32:54 | 0:32:58 | |
This is for an artisan. That's my thought. | 0:32:58 | 0:33:01 | |
What I adore about that, is it's completely well used and patinated. | 0:33:01 | 0:33:07 | |
Does it have any profit in it? | 0:33:07 | 0:33:08 | |
-Well, you know, it's a tricky one, isn't it? -TIM LAUGHS | 0:33:08 | 0:33:12 | |
-Um... -Answer a straight question! | 0:33:12 | 0:33:14 | |
Quite possibly not. | 0:33:14 | 0:33:16 | |
Judging by the response that everyone seems to have to it. | 0:33:16 | 0:33:20 | |
-Gone down very well(!) -Thank you very much, Dave. | 0:33:20 | 0:33:23 | |
-Some days, he's good days. Some days, he's not so good days. -No. | 0:33:23 | 0:33:27 | |
And on that happy note, | 0:33:27 | 0:33:29 | |
why don't we check out what the auctioneer thinks about Dave's box? | 0:33:29 | 0:33:32 | |
As if by magic, comes David's tool box. | 0:33:34 | 0:33:37 | |
-Lindsay, you're bound to love this. -Well, erm... | 0:33:37 | 0:33:40 | |
I hate to admit it, | 0:33:40 | 0:33:41 | |
but I have got one at home which I put my costume jewellery in. | 0:33:41 | 0:33:44 | |
Did you pay a lot for yours to put the jewellery in? | 0:33:44 | 0:33:47 | |
-About a tenner, I think. -Did you? -Yeah. | 0:33:47 | 0:33:50 | |
So would that mean that you think | 0:33:50 | 0:33:51 | |
this bonus buy's worth about a tenner then? | 0:33:51 | 0:33:53 | |
-Yes. -You do. -I do. Maybe 20. -10-20. | 0:33:53 | 0:33:57 | |
If we have... | 0:33:57 | 0:33:58 | |
I'm afraid David Harper, who spent £90 on that, | 0:33:58 | 0:34:01 | |
if he persuades his team to take that as a bonus buy, | 0:34:01 | 0:34:06 | |
I can confidently predict they are going to be torpedoed. | 0:34:06 | 0:34:09 | |
-They are, I'm afraid. -Are you taking the sale today? -I am indeed, yes. | 0:34:09 | 0:34:12 | |
We're in safe hands. | 0:34:12 | 0:34:14 | |
On commission, up, 320, up, 340... £20, 22 online now. | 0:34:14 | 0:34:18 | |
24 at the back, keying out. 24. At £24 at the back of the room. | 0:34:18 | 0:34:22 | |
How are you feeling, Freddie? You feeling a bit nervous? | 0:34:22 | 0:34:26 | |
-Bit shaky, yeah. -Yeah. Don't worry. | 0:34:26 | 0:34:28 | |
-If you need to hang on to somebody, you can hang on to me. -Yeah, OK. | 0:34:28 | 0:34:31 | |
-All right. -Well, first up, then, | 0:34:31 | 0:34:33 | |
is the leather travelling case with the decanters and the sandwich box. | 0:34:33 | 0:34:36 | |
Here it comes. | 0:34:36 | 0:34:38 | |
Nice lot this, for your travels. There we go. £50 start me for it. | 0:34:38 | 0:34:41 | |
50. Must be 20 to start if you're interested. 20's all I'm bid now. | 0:34:41 | 0:34:46 | |
20. At £20, 22, lady's bid now, 22. | 0:34:46 | 0:34:48 | |
24, 26, | 0:34:48 | 0:34:50 | |
28, 30, | 0:34:50 | 0:34:52 | |
32, 34, | 0:34:52 | 0:34:54 | |
36, 38, 40. | 0:34:54 | 0:34:57 | |
45, 50, 55... | 0:34:57 | 0:34:59 | |
-Come on, baby! -At £60 now. The bid's in the room now. | 0:34:59 | 0:35:03 | |
At 60. | 0:35:03 | 0:35:04 | |
-65, lady's bid now. -Hey, 65. -Eh? | 0:35:04 | 0:35:07 | |
-At 70, 75... -70. -80. | 0:35:07 | 0:35:10 | |
-At £80 now. The bid's here now at 80. Come on. -One more! | 0:35:10 | 0:35:13 | |
-We're in the money here! -Gentleman's bid now. -Go on. -At just £80... | 0:35:13 | 0:35:16 | |
-Oh, yes, yes, yes. -Yes! -I knew you'd change your mind. | 0:35:16 | 0:35:19 | |
-At 85. -We're in the money, baby. | 0:35:19 | 0:35:22 | |
It's the lady's bid now at 85, 90. He's back in now, 90. Can't resist. | 0:35:22 | 0:35:27 | |
-At £90 now. It's the gentlemen's bid. -(How much?) -90. | 0:35:27 | 0:35:30 | |
At £90. | 0:35:30 | 0:35:31 | |
-Yes! -Yes. -That's very good. -Well done, Freddie. | 0:35:33 | 0:35:36 | |
-You have got a good eye. -We're in money. -Well done, Freddie. | 0:35:36 | 0:35:39 | |
-That's all right. -Who said it couldn't make money? | 0:35:39 | 0:35:41 | |
-She did. -Yeah. She's wrong. -She's wrong. -Excellent. -What's now? | 0:35:41 | 0:35:45 | |
-Now, telescope. -It's an attractive thing, isn't it? | 0:35:45 | 0:35:47 | |
But sadly, reproduction. We'll try and sell it, here we go. | 0:35:47 | 0:35:50 | |
£20 to start me, are we? | 0:35:50 | 0:35:52 | |
20? Ten to get on then. Come on, guys. Ten is all I have here now. | 0:35:52 | 0:35:55 | |
Ten, at £10. 12 here now. 12. At 12. | 0:35:55 | 0:35:59 | |
14, are we? 14. 16. At 16 now. | 0:35:59 | 0:36:02 | |
It's on the front row here now. 16. At 16. 18 online now, at 18. 20. | 0:36:02 | 0:36:08 | |
At £20, now. It's on the front row now at 20. At £20. 22. At £22. | 0:36:08 | 0:36:13 | |
24 online now. At 24. At 24. 26. At £26. It will suit you. | 0:36:13 | 0:36:19 | |
It's a lady's bid. It's in the room, then, at £26. | 0:36:19 | 0:36:23 | |
£26 is four short of 30 so that's minus 24. | 0:36:25 | 0:36:29 | |
You were plus ten, you're now minus 14. | 0:36:29 | 0:36:32 | |
OK, here we go. Now, the Danish enamel. There it comes. | 0:36:32 | 0:36:35 | |
There we go. £100? 100. 50 get on, surely? | 0:36:35 | 0:36:39 | |
50? I've got just £40 start. | 0:36:39 | 0:36:41 | |
If we lead from the book now. 40. 45 in the room now. | 0:36:41 | 0:36:45 | |
50, 55, | 0:36:45 | 0:36:46 | |
60, 65, | 0:36:46 | 0:36:48 | |
70, 75. That clears my book. | 0:36:48 | 0:36:50 | |
It's a lady's bid then. | 0:36:50 | 0:36:52 | |
-At 75, then, we're all done? -Come on! -Oh, dear. -Lady's bid, £75. | 0:36:52 | 0:36:56 | |
£75 which means it's minus £10, | 0:36:57 | 0:37:00 | |
-which means you are minus £24 overall. -Not so good. | 0:37:00 | 0:37:04 | |
-Are you going to go with the candlestick? -Definitely. | 0:37:04 | 0:37:06 | |
-Definitely are, yes. -It's got to be cheap, that candlestick. | 0:37:06 | 0:37:09 | |
At £20. So you're going to go with it. We're going to go with the bonus buy and here it comes. | 0:37:09 | 0:37:13 | |
Right now we have the silver dwarf candlestick now. Nice stick, this. | 0:37:13 | 0:37:18 | |
£20 start me, are we? 20? | 0:37:18 | 0:37:21 | |
20's bid online, thank you. At £20. Straight in this time now at 20. | 0:37:21 | 0:37:25 | |
22, lady's bid, thank you. At 22. | 0:37:25 | 0:37:27 | |
At 22. 24 online now. 24. | 0:37:27 | 0:37:30 | |
26, lady's bid now, at 26. At 26. | 0:37:30 | 0:37:33 | |
28. At 28 now. 30. At £30 now. | 0:37:33 | 0:37:36 | |
It's a room bid. 34. At 34. | 0:37:36 | 0:37:39 | |
36 at the back now. At 36. | 0:37:39 | 0:37:40 | |
38. At 38 now. | 0:37:40 | 0:37:42 | |
The bid's in the room here now. 38. At 38 now. Sweet little stick, this. | 0:37:42 | 0:37:46 | |
-At 38 now. It's a lady's bid now. You're out online. -Bit more. | 0:37:46 | 0:37:49 | |
At just £38. | 0:37:49 | 0:37:51 | |
Well done, Kate. £38 is plus £18 | 0:37:51 | 0:37:55 | |
which very, very sadly means you are minus £6 overall. | 0:37:55 | 0:37:59 | |
Which is nothing, isn't it? And that could be a winning score. | 0:37:59 | 0:38:02 | |
Now, have you been talking to the Reds? Do you know how they got on? | 0:38:07 | 0:38:10 | |
-No. -No, no. -You haven't got the faintest idea. Very good. | 0:38:10 | 0:38:13 | |
You've got your six storage jars coming up now and here they come. | 0:38:13 | 0:38:16 | |
Interesting lot, these. There we go. £20 start me for them? 20, are we? | 0:38:16 | 0:38:21 | |
Must be a tenner. Come on, guys. Ten. | 0:38:21 | 0:38:24 | |
I'm going to have to say the word - five? Five, thank you. | 0:38:24 | 0:38:27 | |
I've got now five. At fine only now. Six. At six. Eight, ten, | 0:38:27 | 0:38:33 | |
12, 14, 16. | 0:38:33 | 0:38:36 | |
At 16. The bid's in the room here now at 16. | 0:38:36 | 0:38:38 | |
18. To my left now at 18. | 0:38:38 | 0:38:40 | |
-20. At £20 now. 22. -Long way to go. | 0:38:40 | 0:38:44 | |
At 22. 24. At £24 now. | 0:38:44 | 0:38:46 | |
The bid's in the room now at 24. At £24. 24. The bid's over here. | 0:38:46 | 0:38:51 | |
You're all done? At £24 only. | 0:38:51 | 0:38:54 | |
-24 is minus 31. -Ouch. | 0:38:54 | 0:38:57 | |
-Oh, dear. -Ooh, la, la. -Sorry, David. -Oh, no. | 0:38:57 | 0:38:59 | |
-Come on, Dave, let's win it all back. -Let's go. | 0:38:59 | 0:39:01 | |
Let's win it all back, eh? Come on, then. | 0:39:01 | 0:39:03 | |
The 18th-century patch box there. | 0:39:03 | 0:39:05 | |
Sweet little lot, this. Make a lovely present for someone. | 0:39:05 | 0:39:08 | |
-I've got to go in at just £40 on the book. -Oh, good. -Now at 40. | 0:39:08 | 0:39:12 | |
45, 50, 55. | 0:39:12 | 0:39:14 | |
Clears my book now at 55. At 55. 60 online now. | 0:39:14 | 0:39:18 | |
-At 60, five. At £65 now. -65! | 0:39:18 | 0:39:21 | |
-70. -Look at that, 70! -Five, at £75 now. | 0:39:21 | 0:39:25 | |
-The bid's in the room now. Just £75 only. -I can't bear it. | 0:39:25 | 0:39:29 | |
That's marvellous. That's plus £48. | 0:39:29 | 0:39:32 | |
-£48. -Wow. -Look at that. Now, the scent bottle. | 0:39:32 | 0:39:36 | |
There we go now, the Lalique style. Interesting lot, this. | 0:39:36 | 0:39:39 | |
-I've got to start at a tenner on the book now. -Ten. -Ten. | 0:39:39 | 0:39:42 | |
12 in the room now. At 12. 14, 16, | 0:39:42 | 0:39:45 | |
-18. At £18 now. -Come on. | 0:39:45 | 0:39:47 | |
-Bid's on commission. 20 in the room now. -Yes. -22 on commission. | 0:39:47 | 0:39:51 | |
-Yes, it profited. -At just £22 only. -Well done. | 0:39:51 | 0:39:54 | |
-£2. -That's fantastic. -Plus £2. -Fantastic. | 0:39:56 | 0:39:59 | |
There's the sweet smell of success there. Anyway, you were 17 before. | 0:39:59 | 0:40:03 | |
You've got that £2. You're now plus £19, OK? Now, the tool box. | 0:40:03 | 0:40:08 | |
What are you going to do about the tool box? | 0:40:08 | 0:40:10 | |
Do you want to risk it for a biscuit or hang on to your £19? | 0:40:10 | 0:40:12 | |
-Do you mind if we hang...? -Of course, I don't mind. | 0:40:13 | 0:40:16 | |
-You've picked some lovely things. -Listen, course, I don't mind. | 0:40:16 | 0:40:19 | |
-We're not going with the bonus buy? -No, sorry. | 0:40:19 | 0:40:21 | |
We're not going with the artisan's box. | 0:40:21 | 0:40:23 | |
-But, we're going to sell it anyway. -Yeah. -Just to see what happens. | 0:40:23 | 0:40:28 | |
Anyway, here it comes. | 0:40:28 | 0:40:29 | |
No contents, sadly. It's just a box you're buying here. | 0:40:29 | 0:40:32 | |
I've got a tenner bid for it now. Ten, at £10. | 0:40:32 | 0:40:35 | |
the bid's on commission for this box. 12. 14. | 0:40:35 | 0:40:39 | |
At 14. | 0:40:39 | 0:40:40 | |
16, lady's bid now at 16. 18. At £18 now. 20. | 0:40:40 | 0:40:44 | |
At £20 now. It's the lady's bid now at 20. | 0:40:44 | 0:40:47 | |
22, 24. At £24. 26. | 0:40:47 | 0:40:51 | |
-At 26 now, 28. -Are there no artists in the room? -28. Come on, sir. | 0:40:51 | 0:40:55 | |
At 28. 30. | 0:40:55 | 0:40:57 | |
At £30 now. 30. 32, lady's bid now. | 0:40:57 | 0:40:59 | |
-34. At 34. -Come on! -£36 now. | 0:40:59 | 0:41:03 | |
It's the lady's bid, 36. | 0:41:03 | 0:41:04 | |
-What happened to the women of Bedford? -40. | 0:41:04 | 0:41:06 | |
-At £40. -£40! -Getting carried away now at 40. At £40. | 0:41:06 | 0:41:09 | |
There's nothing in it. You do you that, don't you? 45. At 45. | 0:41:09 | 0:41:13 | |
Gentleman's bid now at 45. | 0:41:13 | 0:41:15 | |
-Gentleman's bid now. -Come on! -At £45. -No! | 0:41:15 | 0:41:18 | |
-No. -£45. -I'm so sorry. -£45. -Good decision. -Is minus £45 on that. | 0:41:19 | 0:41:26 | |
Her very best estimate was £10-20. You made £45 on it so that's... | 0:41:26 | 0:41:29 | |
-No shame in that, David. -Better than my French tins. | 0:41:29 | 0:41:31 | |
Oh, yeah, well done(!) | 0:41:31 | 0:41:32 | |
Anyway, so, girls. You didn't go with the bonus buy. | 0:41:32 | 0:41:35 | |
You preserved your winnings which are plus £19 | 0:41:35 | 0:41:37 | |
which could easily be a winning score today. | 0:41:37 | 0:41:39 | |
-So, say nothing to the Reds, OK? -OK. -Well done. | 0:41:39 | 0:41:42 | |
Sadly, on Bargain Hunt, we can only have one team of winners | 0:41:48 | 0:41:52 | |
and one team of runners up and the runners up today, | 0:41:52 | 0:41:56 | |
by a slight chalk, are the Reds. | 0:41:56 | 0:41:59 | |
Ooh! | 0:41:59 | 0:42:00 | |
Started off so beautifully, Fred, didn't it? Plus £10. | 0:42:02 | 0:42:06 | |
Then you went into a slide. | 0:42:06 | 0:42:08 | |
Then you trusted your expert with her little candlestick | 0:42:08 | 0:42:11 | |
but it wasn't enough to take you into profit. | 0:42:11 | 0:42:13 | |
-And your score is minus £6. -Oh. -We tried. -You tried very hard. | 0:42:13 | 0:42:18 | |
-In fact, Fred, you've been very trying. -THEY LAUGH | 0:42:18 | 0:42:22 | |
Anyway, bad luck, Reds. But it's lovely to see you. | 0:42:22 | 0:42:24 | |
But the victors today, who go home with £19, | 0:42:24 | 0:42:29 | |
and here are your £19, kids. | 0:42:29 | 0:42:32 | |
£48 on your patch box, profit, was something else, wasn't it? | 0:42:32 | 0:42:37 | |
That really resuscitated the balance. | 0:42:37 | 0:42:40 | |
And you didn't go with the bonus buy, | 0:42:40 | 0:42:42 | |
which is a very wise move, so that's brilliant, isn't it? | 0:42:42 | 0:42:45 | |
-Brilliant. -Are you happy, you too? -Very happy. | 0:42:45 | 0:42:47 | |
Yeah, well, you should be very happy too. | 0:42:47 | 0:42:49 | |
We've had a splendid day. | 0:42:49 | 0:42:50 | |
So splendid, why don't you join us soon for some more bargain hunting. | 0:42:50 | 0:42:54 | |
-Yes? -ALL: Yes! | 0:42:54 | 0:42:55 |