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Today, we've pulled in to Derby and we're at the Roundhouse, | 0:00:05 | 0:00:10 | |
the world's oldest surviving railway roundhouse. | 0:00:10 | 0:00:14 | |
So, it's full steam ahead and let's go bargain hunting, yeah. | 0:00:14 | 0:00:19 | |
The antiques fair here attracts all sorts of dealers | 0:00:47 | 0:00:51 | |
with bargains that are up for grabs, but it's up to our teams | 0:00:51 | 0:00:54 | |
to dig out those bargains that are brilliant here in Derby. | 0:00:54 | 0:00:59 | |
Let's have a quick peek as to what's coming up. | 0:00:59 | 0:01:01 | |
-The Reds are being devious... -I'll read it for you. | 0:01:04 | 0:01:07 | |
-I think it says -£5. I think you could be right, you know. | 0:01:07 | 0:01:10 | |
Pick a window, you're going through it. | 0:01:10 | 0:01:13 | |
..whilst the Blues face the hard sell. | 0:01:13 | 0:01:16 | |
STALLHOLDER: I'll do it for £40. | 0:01:16 | 0:01:19 | |
Oh, he's a right salesman. | 0:01:19 | 0:01:21 | |
But who will be the ultimate victor at auction? | 0:01:22 | 0:01:25 | |
Oh, ho, ho! | 0:01:25 | 0:01:27 | |
Let's meet the teams. | 0:01:31 | 0:01:32 | |
So, on today's show, we've got a team of partners, Jo and Dave, | 0:01:35 | 0:01:41 | |
and for the Blues, the mother-and-daughter combo | 0:01:41 | 0:01:44 | |
from heaven, Jill and Hattie. | 0:01:44 | 0:01:46 | |
-Hello, everyone. -ALL: Hello. -Lovely to see you. | 0:01:46 | 0:01:48 | |
Now, Dave. It says here that you're good with wires and weights. | 0:01:48 | 0:01:52 | |
-I'm an electrician, self-employed. -Sparks? -Er, yes. | 0:01:52 | 0:01:56 | |
I also do personal training part-time. | 0:01:56 | 0:01:59 | |
So I develop nutrition | 0:01:59 | 0:02:01 | |
and exercise plans for a small number of clients at my gym at home. | 0:02:01 | 0:02:05 | |
-That sounds pretty entrepreneurial. -Thank you. | 0:02:05 | 0:02:07 | |
How many other personal trainer-cum-electricians do you know? | 0:02:07 | 0:02:12 | |
-Er... None. There's just me. -There you go. -Very unique. | 0:02:12 | 0:02:15 | |
It's a pretty unusual combination. | 0:02:15 | 0:02:17 | |
I can get rid of your beer belly and wire your house at the same time. | 0:02:17 | 0:02:20 | |
And give you a nasty shock. | 0:02:20 | 0:02:22 | |
-Yes. Sometimes, yeah. -Well, that's brilliant. | 0:02:22 | 0:02:25 | |
What's this about your love of Roman history? | 0:02:25 | 0:02:28 | |
Always been interested in it since I was young. | 0:02:28 | 0:02:31 | |
The history, the architecture... We went to Rome last year, me and Jo. | 0:02:33 | 0:02:38 | |
-Really amazing. Loved it. -It's good fun, though, isn't it? | 0:02:38 | 0:02:41 | |
-Doing all of that. -And what brought you together, Jo? | 0:02:41 | 0:02:44 | |
Our paths crossed about ten years ago at a dinner, | 0:02:44 | 0:02:49 | |
-but we actually met in a pub and got together from the pub. -Did you? | 0:02:49 | 0:02:53 | |
-You didn't want your house rewiring or anything like that? -No. No, no. | 0:02:53 | 0:02:56 | |
-Change a few plugs? -No. -No, quite. So, what do you do for a living, Jo? | 0:02:56 | 0:03:00 | |
I work for the University of Nottingham | 0:03:00 | 0:03:02 | |
in the purchasing, ordering chemicals and lab equipment | 0:03:02 | 0:03:06 | |
and stationery for the Centre for Biomolecular Science, | 0:03:06 | 0:03:09 | |
-which is a research building. -Sounds complicated. | 0:03:09 | 0:03:12 | |
-It's not too bad. -Is it not too bad? | 0:03:12 | 0:03:13 | |
-It sounds more complicated than what it is. -Yeah. | 0:03:13 | 0:03:15 | |
And your other half is a health fan | 0:03:15 | 0:03:18 | |
-so you must do something special to keep fit. -I do. I do pole dancing. | 0:03:18 | 0:03:22 | |
-I say dancing with an edge because it's more fitness. -Is it? -Yeah. | 0:03:22 | 0:03:26 | |
-Got your own pole? -I have got my own pole, yes. | 0:03:26 | 0:03:29 | |
-Do you do it professionally? -No, I don't. | 0:03:29 | 0:03:31 | |
-I'm not that great so it's never too serious. -Well, I don't know. | 0:03:31 | 0:03:34 | |
You have to start somewhere. I've never tried pole dancing myself. | 0:03:34 | 0:03:37 | |
It's good. There's a lot of men that do it, if you want to. | 0:03:37 | 0:03:40 | |
-Oh, really? -I've actually had a little go as well. | 0:03:40 | 0:03:42 | |
It is harder than it looks. | 0:03:42 | 0:03:44 | |
So, what will you guys be buying, do you think, today on Bargain Hunt? | 0:03:44 | 0:03:47 | |
Erm... I like sort of '80s stuff, so maybe... | 0:03:47 | 0:03:51 | |
Quite a mixture between you, isn't it? | 0:03:51 | 0:03:52 | |
Ancient civilisations and 1980s, so it's going to be interesting. | 0:03:52 | 0:03:56 | |
Good luck with that. | 0:03:56 | 0:03:58 | |
-Now, Hattie. You have a great love of animals. -Yes, I do. | 0:03:58 | 0:04:02 | |
I'm studying zoology at the University of Leicester. | 0:04:02 | 0:04:04 | |
I'm in my second year now, so yes, it's going good. | 0:04:04 | 0:04:08 | |
-And why zoology? -I don't know. | 0:04:08 | 0:04:10 | |
I've just always loved animals, really, | 0:04:10 | 0:04:12 | |
-and I get to go on a few different field trips. -Yes. | 0:04:12 | 0:04:14 | |
I'm going to Kenya in September to study... | 0:04:14 | 0:04:16 | |
-There's a few wild animals there. -..baboons. -Yeah. | 0:04:16 | 0:04:19 | |
So, hopefully they won't bite me or anything. They're quite aggressive. | 0:04:19 | 0:04:23 | |
Well, you just have to be friendly, I suppose, | 0:04:23 | 0:04:25 | |
-and learn some baboon grunts. -Maybe. | 0:04:25 | 0:04:27 | |
-Do they teach you how to grunt at university? -I don't think so, no. | 0:04:27 | 0:04:30 | |
-Yes, they do. -They do? Says the mother, with feeling. | 0:04:30 | 0:04:34 | |
But is it really primates that you're interested in? | 0:04:34 | 0:04:37 | |
Yeah, I'd like to travel a bit after uni, so... | 0:04:37 | 0:04:40 | |
So how do you spend your spare time, when you're not chasing the apes? | 0:04:40 | 0:04:43 | |
I quite like fundraising and volunteering. | 0:04:43 | 0:04:45 | |
I'm currently training to do the Leicester half-marathon. | 0:04:45 | 0:04:48 | |
And I've done a scuba diving course as well, recently. | 0:04:48 | 0:04:51 | |
-Have you? -Yeah. -Jill, it says here you work for an IT company. | 0:04:51 | 0:04:54 | |
-Tell us about that. -I do. | 0:04:54 | 0:04:56 | |
I work with a team of people that put in proposals to customers | 0:04:56 | 0:04:59 | |
and that can be written documents or video or presentations, so... | 0:04:59 | 0:05:04 | |
-Lovely. -Yep. They're a good team. -Do you have an interest in antiques? | 0:05:04 | 0:05:08 | |
I do. My father used to take me to antique fairs when I was in my teens | 0:05:08 | 0:05:12 | |
and I bought my first antique chair when I was 22. | 0:05:12 | 0:05:16 | |
And now we live in a 500-year-old cottage, | 0:05:16 | 0:05:18 | |
so there are lots of things to buy | 0:05:18 | 0:05:20 | |
and we're always on the lookout for interesting items. | 0:05:20 | 0:05:23 | |
Very good. So, will you get on, do you think, with your daughter today? | 0:05:23 | 0:05:26 | |
-I hope so. Harriet's a keen bargain spotter. -Oh. | 0:05:26 | 0:05:30 | |
-Of course, she's a student. -Yeah, you've got to be. | 0:05:30 | 0:05:32 | |
Drive them down on the price. That's the spirit. | 0:05:32 | 0:05:35 | |
Anyway, now, the money moment. £300 apiece. There you go, Jo. | 0:05:35 | 0:05:39 | |
There you go, Jill. You know the rules. Your experts await. | 0:05:39 | 0:05:41 | |
And off you go. And very, very, very good luck. | 0:05:41 | 0:05:44 | |
I don't think pole dancing's for me. | 0:05:44 | 0:05:46 | |
Now, let's meet our experts. | 0:05:48 | 0:05:50 | |
The Reds will be assisted by our pin-up boy, Nick Hall. | 0:05:52 | 0:05:55 | |
And making the Blues' blood pressure rise is Jonathan Pratt. | 0:05:58 | 0:06:02 | |
Here we are, Reds, walking round and round the Roundhouse. | 0:06:04 | 0:06:07 | |
-Full of energy? Ready to roll? -Yes, we're ready for it, yes. | 0:06:07 | 0:06:09 | |
What's going to catch your eye today? What are you looking for? | 0:06:09 | 0:06:12 | |
Oh, quality items, Jonathan, really. Maybe little trinket boxes. | 0:06:12 | 0:06:17 | |
-A bit quirky. Maybe functional. -Functional. | 0:06:17 | 0:06:20 | |
With other uses, yeah. | 0:06:20 | 0:06:21 | |
Well, I'm into my Roman history a lot, so anything with a Roman theme. | 0:06:21 | 0:06:25 | |
-Antiquities. -Antiquities, yes. -I like that, good. -I'm into Wade. | 0:06:25 | 0:06:29 | |
Wade, so ceramics. Pottery, ceramics, all that sort of thing. | 0:06:29 | 0:06:32 | |
Well, I'm sure there's plenty here of functional and useful objects. | 0:06:32 | 0:06:36 | |
Come on, let's go. | 0:06:36 | 0:06:37 | |
-Let's get stuck in. Come on. -Yes. -OK. | 0:06:38 | 0:06:40 | |
Absolutely, teams. Time to get stuck in. Your 60 minutes starts now. | 0:06:41 | 0:06:46 | |
TRAIN WHISTLE | 0:06:46 | 0:06:48 | |
Seems the Blues want to sniff out a bargain. | 0:06:50 | 0:06:52 | |
Perfume bottles, Jonathan. Do they sell well now? | 0:06:53 | 0:06:56 | |
It depends on who it's by. | 0:06:56 | 0:06:57 | |
If they're glass perfume bottles then it's got to be | 0:06:57 | 0:07:00 | |
-someone like Lalique, something collectable like that. -OK. | 0:07:00 | 0:07:03 | |
What you want to do is buy one that was made in the '20s, not the '80s. | 0:07:03 | 0:07:06 | |
-Yes, sure. -Because there was a lot of reproductions | 0:07:06 | 0:07:08 | |
-done in the last 20 years. -Yeah. | 0:07:08 | 0:07:10 | |
I was also thinking about a bit of silver. | 0:07:12 | 0:07:15 | |
-A bit of silver always sells nice. -You're right. They sell very well. | 0:07:15 | 0:07:18 | |
Little silver boxes, or anything like that. | 0:07:18 | 0:07:21 | |
Small silver is very collectable. | 0:07:21 | 0:07:23 | |
A hat for Hattie, eh? It almost matches the colour of your hair too! | 0:07:23 | 0:07:28 | |
My head's too big for it. | 0:07:28 | 0:07:30 | |
What's this, Jonathan? | 0:07:37 | 0:07:38 | |
What is that? A balloon tyre gauge. | 0:07:40 | 0:07:43 | |
So you put that over the little nipple on your car tyre | 0:07:43 | 0:07:46 | |
and it blows out the middle and it tells you what the pressure is. | 0:07:46 | 0:07:49 | |
It's worth having in the car, I must say. | 0:07:49 | 0:07:51 | |
-But it's not worth anything. -Not really resalable. | 0:07:51 | 0:07:53 | |
Feeling the pressure, Blues? | 0:07:55 | 0:07:56 | |
-So, what have you found? -A nice dragonfly brooch. -OK. | 0:07:59 | 0:08:03 | |
-Erm, just to tell you, they're marcasite. -OK. | 0:08:03 | 0:08:06 | |
In case you thought they were diamonds. It's cut metal. | 0:08:06 | 0:08:08 | |
-STALLHOLDER: It's silver. -It'll be sterling silver. OK. | 0:08:08 | 0:08:11 | |
What sort of money is it? | 0:08:11 | 0:08:12 | |
Now you have to deal with my terrible handwriting. | 0:08:13 | 0:08:16 | |
DAVE: I'll read it for you. I think it says £5. | 0:08:17 | 0:08:19 | |
I think you could be right, you know. | 0:08:19 | 0:08:22 | |
Pick a window, you're going through it. | 0:08:22 | 0:08:25 | |
-I think that's a no. -It's 110 on that one. -How much, sorry? -110. | 0:08:25 | 0:08:29 | |
I mean, there are certain things which I think would sell better. | 0:08:29 | 0:08:31 | |
I mean, there's a nice Arts and Crafts one there. | 0:08:31 | 0:08:34 | |
That's nine carat gold. | 0:08:34 | 0:08:35 | |
Marked on the back. It's a blue zircon. Little freshwater pearl. | 0:08:36 | 0:08:40 | |
-But the design is Merle Bennett. -Oh. -Ah, magic. -Good name. -That's a name. | 0:08:40 | 0:08:45 | |
STALLHOLDER: And you've got the little coat | 0:08:45 | 0:08:48 | |
and the MB in front for Merle, Bennett and Co, the design. | 0:08:48 | 0:08:52 | |
And what sort of money's that? That's the all-important question. | 0:08:52 | 0:08:55 | |
-I've got 195 on it. -It's doable, just. -I can do 120. | 0:08:55 | 0:08:59 | |
-Well, that's getting close. -It is. It's not bad for a start. | 0:08:59 | 0:09:03 | |
STALLHOLDER: Cheeky! THEY LAUGH | 0:09:03 | 0:09:06 | |
what about 105? | 0:09:06 | 0:09:07 | |
-110 and I might let you live. -I think it's decision time. | 0:09:08 | 0:09:12 | |
I think 110's the death. | 0:09:12 | 0:09:13 | |
-Yeah. -There's going to be a yay or nay and it's you two's decision. | 0:09:13 | 0:09:17 | |
-I'm going to go for yes. -We should go for it. -Yes, I think so. | 0:09:17 | 0:09:20 | |
-Yes, please. -Super. -Without crushing it, thank you very, very much. | 0:09:20 | 0:09:24 | |
Thank you. | 0:09:24 | 0:09:26 | |
Buy one. Well done, team. | 0:09:26 | 0:09:28 | |
That was quick work, Reds. | 0:09:28 | 0:09:29 | |
That's your first purchase made in under ten minutes. | 0:09:29 | 0:09:32 | |
I like your decisiveness. | 0:09:32 | 0:09:33 | |
Meanwhile, it does seem those Blues have a nose for a perfume atomiser. | 0:09:36 | 0:09:41 | |
Is there anything here that really catches your eye? | 0:09:42 | 0:09:46 | |
-Is that glass or ceramic? -It's glass. -It's glass, OK. | 0:09:46 | 0:09:49 | |
That's really strange, actually, isn't it? | 0:09:49 | 0:09:51 | |
Little atomiser for your perfume. | 0:09:51 | 0:09:53 | |
-It's a simple French moulded glass. -How much? -How much is on it? -120. | 0:09:53 | 0:09:58 | |
It's meant to look like a slice of agate. | 0:09:58 | 0:10:00 | |
That's what it's meant to be. You know, a banded gemstone. | 0:10:00 | 0:10:04 | |
And there are people who just simply collect these things. | 0:10:04 | 0:10:07 | |
So what's your very best? STALLHOLDER: 45. | 0:10:07 | 0:10:09 | |
-Do you really like it? -I like it. | 0:10:09 | 0:10:11 | |
My feeling is that, you know, we've got loads of time. | 0:10:11 | 0:10:13 | |
This will be the first thing | 0:10:13 | 0:10:15 | |
that you're actually, seriously contemplating buying. | 0:10:15 | 0:10:17 | |
Walk away, come back, when you've seen what else there is available. | 0:10:17 | 0:10:21 | |
-We could come back. -Could you put it on one side for us? | 0:10:21 | 0:10:23 | |
STALLHOLDER: Absolutely. No problem. | 0:10:23 | 0:10:25 | |
-Thank you. -Or if you want to do the deal now, do it for £40. | 0:10:25 | 0:10:28 | |
Oh, he's a right salesman! | 0:10:30 | 0:10:31 | |
It's got to go. It's genuinely got to. | 0:10:31 | 0:10:33 | |
I don't want to be packing things up. JILL: What do you want to say? | 0:10:33 | 0:10:36 | |
-I like it. -OK. Let's go for it. | 0:10:36 | 0:10:38 | |
Yeah, we'll do 40. | 0:10:38 | 0:10:40 | |
-There we are, that's it. -Thank you. | 0:10:40 | 0:10:42 | |
Quick work too, Blues. That's your first item bought. Now it's one-all. | 0:10:42 | 0:10:47 | |
-Nick? -Nick! | 0:10:48 | 0:10:49 | |
-Jo's found something she likes. -Hello, what have you found, you two? | 0:10:50 | 0:10:53 | |
-You know how we're into Romans? -I wondered where you'd gone. | 0:10:53 | 0:10:56 | |
-What have you got? -A Roman helmet. -Gosh. | 0:10:56 | 0:10:58 | |
-It's about as Roman as I am, isn't it? -THEY LAUGH | 0:10:58 | 0:11:01 | |
It's got no age to it, but I do like the bog brush on the top. | 0:11:01 | 0:11:06 | |
Yeah, that's nice. Might come in handy. | 0:11:06 | 0:11:07 | |
What would be quite Roman, then, Nick. | 0:11:09 | 0:11:11 | |
-Careful with that top! -Careful. -Careful. Easy does it. | 0:11:13 | 0:11:16 | |
It's Royal Worcester potpourri. It's porcelain. | 0:11:16 | 0:11:19 | |
-STALLHOLDER: It's £290. -Yeah. -JILL: Put the top back. -Yeah, yeah. | 0:11:20 | 0:11:25 | |
-It's not really... -I nearly dropped it. | 0:11:25 | 0:11:28 | |
Yeah, walk away from Worcester, Hattie. | 0:11:28 | 0:11:30 | |
OK. Thank you. | 0:11:30 | 0:11:31 | |
-So, is this doing it for you? -Definitely. -I love this. | 0:11:33 | 0:11:36 | |
-I like the colours. -The Asian market is voracious at the moment. | 0:11:36 | 0:11:39 | |
Now, this is Japanese rather than Chinese, | 0:11:39 | 0:11:43 | |
but it's got all the decorations. | 0:11:43 | 0:11:45 | |
You've got this wonderful dragon over the top, there. | 0:11:45 | 0:11:47 | |
Hand-painted enamels. | 0:11:47 | 0:11:50 | |
Even a set of marks as well. What sort of money is it? | 0:11:50 | 0:11:53 | |
-STALLHOLDER: 120's the best on it. -OK. But it's a good pot, really. | 0:11:53 | 0:11:57 | |
Have a look. See what you think. | 0:11:57 | 0:11:59 | |
-Oops. -Oh, don't do that! I could see the budget disappearing then. -Yes. | 0:11:59 | 0:12:03 | |
-Straightaway. -DAVE: Yeah, I like it. Yeah. I think we should... | 0:12:03 | 0:12:06 | |
-It's one to put on the back burner, I think. -Of course. | 0:12:06 | 0:12:09 | |
-We'll have a look round a little bit more. -OK, thank you. -We'll be back. | 0:12:09 | 0:12:14 | |
-All right. Thank you ever so much for that. -Thank you. | 0:12:14 | 0:12:17 | |
Something to think about, Reds. | 0:12:17 | 0:12:18 | |
Meanwhile, time for our experts to have team chats. | 0:12:18 | 0:12:21 | |
I like winning, OK? | 0:12:22 | 0:12:24 | |
-So -do we. I like winning, | 0:12:24 | 0:12:26 | |
and you stand the best bet if you buy well, | 0:12:26 | 0:12:30 | |
-and you buy what's right for the auction. -Yeah. | 0:12:30 | 0:12:32 | |
That's really key, | 0:12:32 | 0:12:33 | |
but, in this instance, if you see something you really like, | 0:12:33 | 0:12:36 | |
well, step outside the box. | 0:12:36 | 0:12:37 | |
-Whatever you like. -We'll keep an open mind. -Yes. -Yes, absolutely. | 0:12:37 | 0:12:41 | |
We're halfway through the shop. | 0:12:42 | 0:12:44 | |
We've had half an hour. We've got one buy in the bag. | 0:12:44 | 0:12:46 | |
We've got a few back burners now. We've got the Japanese vase. | 0:12:46 | 0:12:49 | |
We've got the military helmets. | 0:12:49 | 0:12:51 | |
Erm... So in the next ten minutes, | 0:12:51 | 0:12:54 | |
-I'd like us to find our second buy, if we can. -Yeah. | 0:12:54 | 0:12:57 | |
OK, so just step the pace up. | 0:12:57 | 0:13:00 | |
-OK, lead from the front. March. -Let's go. -Come on. -Full-on. | 0:13:00 | 0:13:05 | |
By the right. Quick march! | 0:13:05 | 0:13:08 | |
-Now, if I'm not mistaken... -RINGING | 0:13:08 | 0:13:11 | |
..this is the unmistakable ring of fine porcelain. | 0:13:11 | 0:13:13 | |
It's all right. Erm, that's German hard-paste porcelain. | 0:13:15 | 0:13:19 | |
Flower-decorated. This is very traditionally German. | 0:13:19 | 0:13:23 | |
You've got a crossed-swords mark on there, which is... | 0:13:23 | 0:13:26 | |
is the Meissen mark. That is a Meissen mark. | 0:13:26 | 0:13:29 | |
It's a 19th-century plate, I'd say. | 0:13:29 | 0:13:32 | |
I can't see it being any older than that. | 0:13:32 | 0:13:34 | |
They did various different types of flowers. | 0:13:34 | 0:13:36 | |
Indianische Blumen or Indian flowers, | 0:13:36 | 0:13:37 | |
Deutsche Blumen, German flowers. | 0:13:37 | 0:13:40 | |
You know, I think they even did English...flowers. So, quite pretty. | 0:13:40 | 0:13:45 | |
Quite a nice cabinet thing. | 0:13:45 | 0:13:48 | |
This is hard-paste porcelain | 0:13:48 | 0:13:49 | |
so this is what people refer to as "true porcelain." | 0:13:49 | 0:13:52 | |
It's white china rock, white china clay. | 0:13:52 | 0:13:54 | |
As opposed to European and English porcelain | 0:13:54 | 0:13:56 | |
which is soft-paste porcelain. They've priced this at 65. | 0:13:56 | 0:13:59 | |
How much would it sell for, Jonathan, do you think? | 0:13:59 | 0:14:02 | |
-Maybe up to £50. -Right, OK. -£50-60. -So we'd need to be buying it for 40. | 0:14:02 | 0:14:07 | |
-At the most. -£30, yeah. | 0:14:07 | 0:14:10 | |
Excuse me? What's your best price, please? | 0:14:12 | 0:14:15 | |
40? | 0:14:18 | 0:14:20 | |
-JILL: Would you take 30? -Keep going, keep going. -Go on, then. | 0:14:20 | 0:14:23 | |
-£30, do you think? £30? -Are you happy with that? -Yeah. | 0:14:23 | 0:14:26 | |
-It's a bargain. -It's in nice condition. Thank you very much. | 0:14:26 | 0:14:30 | |
Wonderful. £30. I think it's a nice buy for £30. Thank you very much. | 0:14:30 | 0:14:33 | |
Well, everything's smelling of roses for the Blues. | 0:14:34 | 0:14:38 | |
That's the second purchase made. Well done. | 0:14:38 | 0:14:40 | |
So, whilst the teams continue their shopping and sealing deals, | 0:14:40 | 0:14:43 | |
I have a seal of my own I'd like to show you. | 0:14:43 | 0:14:45 | |
If you were to write a letter in the 18th century, | 0:14:47 | 0:14:49 | |
it could be a bit tricky, because there's no Post Office | 0:14:49 | 0:14:52 | |
and there's no daily delivery or collection. | 0:14:52 | 0:14:56 | |
And it could take weeks | 0:14:56 | 0:14:57 | |
to send a letter from one end of the country to the other. | 0:14:57 | 0:15:02 | |
No first-class service | 0:15:02 | 0:15:04 | |
at that period. | 0:15:04 | 0:15:06 | |
So what would you do? | 0:15:06 | 0:15:07 | |
You'd sit at a desk like this, you'd write your letter, | 0:15:07 | 0:15:10 | |
and to ensure that that letter is not tampered with, | 0:15:10 | 0:15:14 | |
you'd probably have one of these. | 0:15:14 | 0:15:17 | |
A little desk seal. | 0:15:17 | 0:15:19 | |
Now, what's special about this desk seal is the colour and the gilding. | 0:15:19 | 0:15:24 | |
If you look at the colour, it is the colour of a mineral. | 0:15:24 | 0:15:29 | |
It looks like an agate that happens to be sealing wax red, | 0:15:29 | 0:15:34 | |
but actually, it's a type of glass. | 0:15:34 | 0:15:37 | |
A type of glass called lithyalin, which is a peculiar glass | 0:15:37 | 0:15:41 | |
produced in Bohemia and invented by a geezer in 1829. | 0:15:41 | 0:15:47 | |
And then somebody's gone over the seal, very, very finely. | 0:15:47 | 0:15:51 | |
The gilder that's done this has created a lattice-work effect | 0:15:51 | 0:15:56 | |
that has been applied on the surface of the seal, which is faceted, | 0:15:56 | 0:16:01 | |
so that you can grip it hard when you come to seal your letter. | 0:16:01 | 0:16:04 | |
You'd melt some sealing wax | 0:16:04 | 0:16:06 | |
and apply the seal to the molten sealing wax. | 0:16:06 | 0:16:10 | |
But today, we're going to use a piece of this stuff. | 0:16:10 | 0:16:13 | |
So, pretend that's a piece of molten sealing wax. | 0:16:13 | 0:16:17 | |
You'd take your rare seal. | 0:16:17 | 0:16:20 | |
You'd apply it to the surface like that. | 0:16:20 | 0:16:23 | |
Give it a little press down onto the molten wax and remove it smartly. | 0:16:23 | 0:16:29 | |
And, hey presto. It reveals what the script says. | 0:16:29 | 0:16:33 | |
Which is, "Pishobury," which is the name of a house. | 0:16:33 | 0:16:38 | |
"Sawbridgeworth, Hertfordshire." | 0:16:38 | 0:16:40 | |
Now, if you were to go and look up Pishobury, | 0:16:41 | 0:16:43 | |
you'd find that this is a famous house | 0:16:43 | 0:16:47 | |
that was given once by Henry VIII to Anne Boleyn... | 0:16:47 | 0:16:52 | |
as a wedding gift. | 0:16:52 | 0:16:54 | |
And by about 1829, which is when this seal was made, | 0:16:54 | 0:16:59 | |
they decided not to have a coat of arms, | 0:16:59 | 0:17:01 | |
but simply engrave the seal with the name of the house. | 0:17:01 | 0:17:05 | |
So whoever was sealing a letter in the house could do so | 0:17:05 | 0:17:09 | |
with security and you could see where it's come from. | 0:17:09 | 0:17:12 | |
Isn't that clever? | 0:17:12 | 0:17:14 | |
Well, is it worth anything? | 0:17:14 | 0:17:16 | |
Yes. It is. | 0:17:16 | 0:17:18 | |
Because of the rarity of the glass - | 0:17:18 | 0:17:20 | |
glass buyers love things made of this rare glass. | 0:17:20 | 0:17:25 | |
And also, it would appeal to the seal collectors, | 0:17:25 | 0:17:28 | |
who love accoutrements to put on desks. | 0:17:28 | 0:17:31 | |
And, as a result, this thing, in the right auction, | 0:17:31 | 0:17:34 | |
could bring anywhere between £300 and £400. | 0:17:34 | 0:17:37 | |
And its cost? Well, I found it on my travels for £40. | 0:17:38 | 0:17:43 | |
So this thing gets, for me, the seal of approval. | 0:17:43 | 0:17:47 | |
Back to the shopping now, and it's 2-1 up to the Blues. | 0:17:48 | 0:17:52 | |
And Nick is keen for his Red cats to be shown the mouse. | 0:17:52 | 0:17:55 | |
Now, be prepared to be dazzled and amazed, | 0:17:57 | 0:18:00 | |
intrigued and hopefully not disappointed. | 0:18:00 | 0:18:03 | |
I've found a little thing here which is very much a collector's item. | 0:18:03 | 0:18:07 | |
And I love this stuff. Ta-dah! | 0:18:07 | 0:18:10 | |
-Ashtray. -It's an ashtray. There's no flies on you, is there? He's good. | 0:18:10 | 0:18:14 | |
It's not just an ashtray, though. It's an ashtray with a mouse. | 0:18:14 | 0:18:17 | |
You ever heard of a cabinet-maker called the Mouseman? | 0:18:17 | 0:18:20 | |
-No. -No. | 0:18:21 | 0:18:22 | |
It was a Yorkshireman, name of Thompson, | 0:18:22 | 0:18:26 | |
who was the most celebrated cabinet-maker | 0:18:26 | 0:18:30 | |
of his time and his era. | 0:18:30 | 0:18:31 | |
And his signature was this mouse. | 0:18:31 | 0:18:34 | |
And he is very collectable, not just in Yorkshire, | 0:18:34 | 0:18:37 | |
but right across the UK. | 0:18:37 | 0:18:39 | |
And he eventually set up a whole furniture studios, | 0:18:39 | 0:18:42 | |
every piece carved with a mouse. | 0:18:42 | 0:18:44 | |
-OK. -Have I sold it to you yet? -You're selling me it now. -Erm... | 0:18:44 | 0:18:47 | |
-Yeah, definitely. -What's the price on it? | 0:18:47 | 0:18:50 | |
Good question. So, we're looking at a ticket price of £75. | 0:18:50 | 0:18:55 | |
Now, I've seen these. I've sold these. | 0:18:55 | 0:18:57 | |
Generally, you put them in at £50-70, that sort of ball-park area. | 0:18:57 | 0:19:01 | |
So it's a case of if we can get that down a bit. What do you think? | 0:19:01 | 0:19:04 | |
-Yeah. -Yeah, I like it. I like the Mouseman story behind it. | 0:19:04 | 0:19:09 | |
A bit of a tale. | 0:19:09 | 0:19:10 | |
Bit of a tale. No pun intended. | 0:19:10 | 0:19:13 | |
-Not at all. -Is he always like this? -He is. | 0:19:13 | 0:19:15 | |
-If we go for it, it's on his neck. -OK. | 0:19:15 | 0:19:17 | |
Right, so... | 0:19:17 | 0:19:19 | |
Are you happy enough with it for me to go | 0:19:19 | 0:19:20 | |
and ask the question about the best price we can get? | 0:19:20 | 0:19:23 | |
-Definitely. -I'll do that for you. OK. | 0:19:23 | 0:19:24 | |
Do you like that sort of stuff? | 0:19:28 | 0:19:30 | |
Or that vase in the corner? | 0:19:30 | 0:19:31 | |
Big chap, like that? | 0:19:31 | 0:19:33 | |
-Just out of interest. -I quite like these. But this is Poole, isn't it? | 0:19:33 | 0:19:36 | |
It is Poole, yes. All right, fine. Fine, fine. No. | 0:19:36 | 0:19:39 | |
-Lead a horse to water... -But you can't make it drink. | 0:19:39 | 0:19:42 | |
I hear you, Jonathan. | 0:19:42 | 0:19:44 | |
Keep looking, Blues. | 0:19:44 | 0:19:45 | |
Now, with news of a price for the Mouseman ashtray, over to Nick. | 0:19:45 | 0:19:49 | |
Right, guys. | 0:19:49 | 0:19:50 | |
-If you want it today, here and now, it's going to cost you £60. -Yep. | 0:19:50 | 0:19:55 | |
It's a little bit of a gamble. | 0:19:55 | 0:19:57 | |
But it's got potential. Do you like it enough to have a gamble? | 0:19:57 | 0:20:00 | |
I like a bit of a gamble, and I like it enough, yeah. So... | 0:20:00 | 0:20:03 | |
I'll let him choose. | 0:20:03 | 0:20:05 | |
-She chose the first one, I'm going to choose this one. -That's right. | 0:20:05 | 0:20:08 | |
-You've got the bling. You've got the mouse. -I've got the bit of wood. THEY LAUGH | 0:20:08 | 0:20:12 | |
-Isn't life always like that? -Yes, yes. -So what do you think? | 0:20:12 | 0:20:15 | |
For item two? | 0:20:15 | 0:20:16 | |
-Yes. I like it. -Right. OK. I will go and give the lady some money, | 0:20:16 | 0:20:19 | |
get this packed up, and then we're going to go and get our last thing. | 0:20:19 | 0:20:23 | |
-OK. -Well done, Reds. The cats have at last caught their mouse. | 0:20:23 | 0:20:28 | |
Now both teams have two items apiece. | 0:20:28 | 0:20:30 | |
Keen to get the last item in their Bargain Hunt shopping basket, | 0:20:32 | 0:20:35 | |
the Blues have spotted some Satsuma ware. | 0:20:35 | 0:20:37 | |
Well, that's rather fun, isn't it? That's Japanese. | 0:20:39 | 0:20:43 | |
Is it quite expensive? It's Satsuma. It's from Kyoto. | 0:20:43 | 0:20:47 | |
That's where the original Satsuma pottery was made. | 0:20:47 | 0:20:50 | |
This is...a hint of the 20th century, | 0:20:50 | 0:20:52 | |
sort of late-19th,early-20th-century aesthetic style. | 0:20:52 | 0:20:56 | |
Very nicely decorated. It is good quality. | 0:20:56 | 0:20:59 | |
What's the market like for these at the moment? | 0:20:59 | 0:21:01 | |
The Japanese haven't got a great deal of money at auction. | 0:21:01 | 0:21:04 | |
They're not buying as strongly as they used to, to be fair. | 0:21:04 | 0:21:07 | |
The best will always sell. | 0:21:07 | 0:21:08 | |
It's hard to say whether or not that is rare enough to wet their whistle. | 0:21:08 | 0:21:13 | |
What's your very best that you'd take on that? | 0:21:13 | 0:21:17 | |
110? 120? | 0:21:17 | 0:21:19 | |
-Perhaps 120, you'd take? -STALLHOLDER: 120. | 0:21:19 | 0:21:21 | |
OK, so you'd go down as far as 120. | 0:21:21 | 0:21:22 | |
It's a beautiful shape. It's nicely painted. The condition's good. | 0:21:22 | 0:21:26 | |
I'd like to have a little run around, | 0:21:26 | 0:21:28 | |
see if we can find anything else and then...maybe come back to it. | 0:21:28 | 0:21:32 | |
-I think we should possibly go and see... Go to the other room. -Yeah. | 0:21:32 | 0:21:37 | |
Let's waste no more time. | 0:21:37 | 0:21:39 | |
As ever, time is always of the essence. | 0:21:39 | 0:21:43 | |
There was that nice Japanese vase, wasn't there? | 0:21:43 | 0:21:45 | |
-Now, that was within budget. -He offered us 110. -110, 120, wasn't it, | 0:21:45 | 0:21:49 | |
we were hovering around? | 0:21:49 | 0:21:51 | |
-Yeah. -That might be worth going back and having another look at. -OK. | 0:21:51 | 0:21:55 | |
And then there were some other bits and bobs we spotted on the way. | 0:21:55 | 0:21:58 | |
-Shall we go and have a look at that vase? -OK. | 0:21:58 | 0:22:00 | |
See what we think and make a decision from there. | 0:22:00 | 0:22:02 | |
-Yep. -Come on, then. | 0:22:02 | 0:22:03 | |
The Reds head back to see the Japanese vase, | 0:22:05 | 0:22:08 | |
and their hopes are high. | 0:22:08 | 0:22:09 | |
There he is. Hello. I told you we'd be back. | 0:22:12 | 0:22:15 | |
Can we have another look at that Japanese vase? | 0:22:15 | 0:22:18 | |
Well, you'll see there's a large space there. | 0:22:18 | 0:22:20 | |
DAVE: It's turned into a plate. | 0:22:20 | 0:22:21 | |
-Oh, no! You've sold it? -I've sold it. | 0:22:21 | 0:22:23 | |
-Oh, no. -He who hesitates... -Oh, what a shame. | 0:22:23 | 0:22:27 | |
-You'll have to settle for something else. -It's gone. | 0:22:27 | 0:22:29 | |
-It's sold. -Gutted. -Right. We're going to have to forget that. | 0:22:29 | 0:22:32 | |
We're going to have to find something else. | 0:22:32 | 0:22:34 | |
And there are a lot of nice things on here to look at. | 0:22:34 | 0:22:38 | |
OK, waste no time. | 0:22:38 | 0:22:39 | |
If we're looking at ceramics while we're here, these are quite nice. | 0:22:39 | 0:22:43 | |
I mean, they've just caught my eye. Have a look. See what you think. | 0:22:43 | 0:22:46 | |
-What sort of money are they? -Er, the best is 70. -So that's got potential. | 0:22:47 | 0:22:52 | |
-What have we got here? -Tek Sing cargo. -Yeah. | 0:22:53 | 0:22:56 | |
Now, this is interesting, because this was a ship, | 0:22:56 | 0:22:59 | |
laden with cargo back in, I think, the 18th century, that sank. | 0:22:59 | 0:23:04 | |
And in the 20th century, | 0:23:04 | 0:23:06 | |
-divers went down and they got all of the cargo out. -Wow. | 0:23:06 | 0:23:10 | |
And it all went to one huge auction | 0:23:10 | 0:23:12 | |
and there was massive, international publicity. | 0:23:12 | 0:23:14 | |
It's got the original label underneath | 0:23:14 | 0:23:18 | |
from that first auction it appeared in. | 0:23:18 | 0:23:21 | |
So that's nice. That's not been taken off. | 0:23:21 | 0:23:23 | |
So it's got provenance. | 0:23:23 | 0:23:25 | |
-Erm... How much is it? -That's a straight 50. | 0:23:25 | 0:23:28 | |
-I was going to offer you 40. -Were you? | 0:23:28 | 0:23:31 | |
-What would you think? -I'd split the difference at 45. | 0:23:31 | 0:23:35 | |
-OK. -I can't do 40. -No, no. | 0:23:35 | 0:23:37 | |
So you've got that at 45. And this Chinese porcelain from a shipwreck. | 0:23:37 | 0:23:43 | |
You've got Austrian vases circa 1900. | 0:23:43 | 0:23:46 | |
These concern me that we haven't got a factory. Although they're pretty. | 0:23:46 | 0:23:50 | |
-I think that's your one. -We'll go for that, then. -At £45. -Yeah. | 0:23:50 | 0:23:53 | |
-Do you want to do the deal? -Yeah, I think so. -Definitely. | 0:23:53 | 0:23:55 | |
Do you want to shake this man's hand | 0:23:55 | 0:23:57 | |
-because he's done us a really good deal there. -Thank you. -Brilliant. | 0:23:57 | 0:24:00 | |
-Thank you very much. -Really appreciate that. Thanks a lot. | 0:24:00 | 0:24:03 | |
Well done, Reds. That's all three items bought. Congratulations. | 0:24:03 | 0:24:07 | |
But as they celebrate their shopping success, | 0:24:07 | 0:24:09 | |
the Blues are still looking for that elusive third item. | 0:24:09 | 0:24:12 | |
-And how long have you got left? -Seven minutes. | 0:24:15 | 0:24:18 | |
Starting to panic, | 0:24:19 | 0:24:21 | |
they're still thinking about the Japanese Satsuma basket. | 0:24:21 | 0:24:23 | |
-We'll have to, then. -What do you want to do? -We'll have to. | 0:24:27 | 0:24:30 | |
-But you both really like it. -We do like it. And it's a quality piece. | 0:24:30 | 0:24:35 | |
If it's the right sale for it, well... | 0:24:35 | 0:24:36 | |
-You wanted to spend a bit, didn't you? -Yeah. -Let's give it a go. | 0:24:36 | 0:24:39 | |
-Take a risk. -I've told you what I think. | 0:24:39 | 0:24:41 | |
The auction price... It may be top of estimate. | 0:24:41 | 0:24:44 | |
-Yeah. -You never know. -But you never know. | 0:24:44 | 0:24:46 | |
-Live bidding on the internet, unusual shape... -Let's go for it. | 0:24:46 | 0:24:50 | |
-Let's go. -Come on, quick. | 0:24:50 | 0:24:51 | |
Decision made. I just hope it's still there. | 0:24:53 | 0:24:56 | |
Right, here we are. Crikey, down to the last wire. | 0:24:59 | 0:25:01 | |
Well, let's not waste any more time. I think we should buy it. | 0:25:01 | 0:25:04 | |
The lady's just over here. We'll take it, please. So that's £120. | 0:25:04 | 0:25:09 | |
-Yes, I could do it for that. -Brilliant. OK, well, we're done. | 0:25:09 | 0:25:11 | |
-That's it. We can stop the clock. Panic over. -That's a relief! | 0:25:11 | 0:25:14 | |
I think you should be pleased. | 0:25:14 | 0:25:16 | |
I think it's a nice object, a nice quality object, nicely decorated. | 0:25:16 | 0:25:19 | |
It's very unusual in its shape. | 0:25:19 | 0:25:21 | |
The lady's said it's had lots of interest here already. | 0:25:21 | 0:25:24 | |
No-one's yet bought it, but... | 0:25:24 | 0:25:25 | |
You stick it in the arena of an auction | 0:25:25 | 0:25:27 | |
and you never know what might happen. | 0:25:27 | 0:25:29 | |
-So there may be a profit in it. -Let's keep our fingers crossed. | 0:25:29 | 0:25:32 | |
Fingers crossed, eh? And, with that... | 0:25:32 | 0:25:35 | |
time's up! Let's check out what the Red team bought, eh? | 0:25:35 | 0:25:37 | |
They're hanging their hopes | 0:25:40 | 0:25:42 | |
on this nine-carat-gold open-work Arts and Crafts pendant | 0:25:42 | 0:25:45 | |
which cost them £110. | 0:25:45 | 0:25:47 | |
A Robert "Mouseman" Thompson oak ashtray set them back a smoking £60. | 0:25:49 | 0:25:55 | |
And finally, they were bowled over by this Chinese Tek Sing | 0:25:57 | 0:26:00 | |
cargo bowl for £45. | 0:26:00 | 0:26:03 | |
-Well, that was fun, wasn't it? -It was, yes. Really enjoyed it. | 0:26:03 | 0:26:06 | |
-So you spent £250? -215. -215. I'd like £85. | 0:26:06 | 0:26:11 | |
-We've been quite thrifty, I think. -Have you? -We have. -OK. | 0:26:11 | 0:26:15 | |
-I'd like £85 of leftover lolly, please. -£85. Here it is. | 0:26:15 | 0:26:18 | |
Yes, please. | 0:26:18 | 0:26:19 | |
Thank you very much. Which is your favourite item? | 0:26:19 | 0:26:22 | |
-Erm, my favourite item is the ashtray. The "Mouseman" ashtray. -OK. | 0:26:22 | 0:26:27 | |
Always a safe bet, that. Jo, what about you? | 0:26:27 | 0:26:30 | |
I'm going for the bowl because of the history of it. | 0:26:30 | 0:26:32 | |
-And is that going to bring the biggest profit? -Yeah, I reckon. | 0:26:32 | 0:26:35 | |
-Do you agree, Dave? -I think that is going to bring the biggest. | 0:26:35 | 0:26:37 | |
-Oh, that's nice. We're all together now. -Thank you. | 0:26:37 | 0:26:40 | |
Over to you, then, Nicholas. How do you see it? | 0:26:40 | 0:26:42 | |
I've got a hard act to follow with the three things that they chose. | 0:26:42 | 0:26:45 | |
-I've got my work cut out to keep that standard up, really. -Have you? | 0:26:45 | 0:26:48 | |
-But then you like a high standard, don't you? -Absolutely. Every time. -THEY LAUGH | 0:26:48 | 0:26:52 | |
Good luck, Nick. | 0:26:52 | 0:26:54 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:26:54 | 0:26:56 | |
A 1920s moulded agate glass atomiser cost them | 0:26:56 | 0:26:59 | |
a fragrant 40...pounds, that is. | 0:26:59 | 0:27:04 | |
They forked out £30 for a 19th-century Meissen moulded plate. | 0:27:04 | 0:27:08 | |
And this early 20th-century Japanese Satsuma basket set them back £120. | 0:27:09 | 0:27:15 | |
-Right then, mother-and-daughter combo. How was it? -Brilliant. -Good. | 0:27:18 | 0:27:22 | |
-Good fun. -Which is your favourite piece, Hattie? -I'd say the plate. | 0:27:22 | 0:27:25 | |
-The plate. Why? -It's quirky. It's got little insects on it. | 0:27:25 | 0:27:29 | |
Is it a bit you, is it? A bit quirky? | 0:27:29 | 0:27:31 | |
-Well, if you say so. -THEY LAUGH | 0:27:31 | 0:27:33 | |
And which is your favourite, Jill? | 0:27:33 | 0:27:35 | |
-I like the Satsuma ware basket. -That's your favourite. | 0:27:35 | 0:27:38 | |
-Will it bring the biggest profit? -No, I think the plate will. | 0:27:38 | 0:27:41 | |
-OK. -Yeah, me too. -OK. | 0:27:41 | 0:27:43 | |
-How much did you spend in total? -£190. -190. | 0:27:43 | 0:27:47 | |
Right, I'm like 110 of leftover lolly, please. Thank you very much. | 0:27:47 | 0:27:50 | |
Which goes straight across to the maestro, JP. | 0:27:50 | 0:27:52 | |
-Into your hot claw. -Thank you very much. | 0:27:52 | 0:27:54 | |
What are you going to do with it? | 0:27:54 | 0:27:55 | |
Oh, I think I'll be sensible. I might just play for... | 0:27:55 | 0:27:58 | |
You know, play the sensible game. | 0:27:58 | 0:28:00 | |
-It's a ceramics and glass section... -You normally don't! | 0:28:00 | 0:28:02 | |
-No, I don't. This will be the first. -Why break with tradition? | 0:28:02 | 0:28:05 | |
-I want to make money, Tim. -Oh, do you? | 0:28:05 | 0:28:07 | |
Fair enough. We would all like that. Good luck. | 0:28:07 | 0:28:10 | |
Time now for me to head off to the auction. | 0:28:10 | 0:28:12 | |
Just look at whose smiling face we have in front of us today. | 0:28:19 | 0:28:22 | |
It's Richard Winterton of Richard Winterton Auctioneers | 0:28:22 | 0:28:25 | |
of Lichfield in your splendido new premises, Richard. | 0:28:25 | 0:28:28 | |
-I'm delighted to have you as well. -Well, it's really lovely to be back. | 0:28:28 | 0:28:32 | |
Now, for the Reds, | 0:28:32 | 0:28:33 | |
first off is this incredibly impressive | 0:28:33 | 0:28:36 | |
-and enormous piece of jewellery. -THEY LAUGH | 0:28:36 | 0:28:39 | |
-How do you rate that? -We've had a few come through, you know. | 0:28:39 | 0:28:43 | |
-Have you? -Yes. -Ideal for the smaller woman, I'd say. -It is. | 0:28:43 | 0:28:48 | |
Yes, it's just a neat little bit of jewellery, isn't it? | 0:28:48 | 0:28:51 | |
-Seriously, it's a tiny little bit of jewellery, isn't it? -Yeah. | 0:28:51 | 0:28:53 | |
-And that's why we put £50-80 on it. -Quite right too. | 0:28:53 | 0:28:56 | |
Our lot paid £110 for it. | 0:28:56 | 0:28:58 | |
-Which is a fair old whack, isn't it? -It is. | 0:28:58 | 0:29:00 | |
It will have to work hard to get anywhere close. | 0:29:00 | 0:29:02 | |
Next up is the Robert "Mouseman" oak ashtray. | 0:29:02 | 0:29:06 | |
Now, you and I know that every piece of oak | 0:29:06 | 0:29:08 | |
that's carved with a mouse, | 0:29:08 | 0:29:10 | |
-does not come, necessarily, from Thompson, does it? -Correct. | 0:29:10 | 0:29:14 | |
Do you think that's by Robert Thompson? | 0:29:14 | 0:29:16 | |
-I would say it is. -Would you? -Yeah. -OK, fine. -But we see lots of them. | 0:29:16 | 0:29:19 | |
It's got a great name but it's not as though it's rare. | 0:29:19 | 0:29:22 | |
-We would have four or five come through a month. -Would you? | 0:29:22 | 0:29:25 | |
Loads come through. | 0:29:25 | 0:29:26 | |
-OK. -Loads and loads. 40-50, all day long. -Plenty of rodents about, eh? | 0:29:26 | 0:29:30 | |
Loads. | 0:29:30 | 0:29:31 | |
OK. £60 paid. | 0:29:31 | 0:29:32 | |
So, uniquely, our team have paid, it would appear, | 0:29:32 | 0:29:36 | |
a tad more than the estimate for that. | 0:29:36 | 0:29:39 | |
And now we want to transport ourselves to the sunken cargo, | 0:29:39 | 0:29:43 | |
to the hoard that was raised from the deep, along with, I think | 0:29:43 | 0:29:47 | |
in this particular case, 187,000 other pieces | 0:29:47 | 0:29:52 | |
of blue and white porcelain raised from this particular wreck | 0:29:52 | 0:29:56 | |
off the Vietnamese coast. Do you like it? | 0:29:56 | 0:29:58 | |
What I'm sitting here looking at is not actually that bad, | 0:30:00 | 0:30:04 | |
if you like that sort of thing. I can see it. | 0:30:04 | 0:30:06 | |
40-50 we've got on it, and we shouldn't be far away, you know. | 0:30:06 | 0:30:10 | |
-OK, fine. Well, £45 they paid. -That's OK. | 0:30:10 | 0:30:12 | |
It is a relief that we've bought something within | 0:30:12 | 0:30:15 | |
the auctioneer's estimate all round. | 0:30:15 | 0:30:17 | |
All in all, though, it could be a bit dodgy, | 0:30:17 | 0:30:19 | |
in which case, they're going to need their bonus buy. | 0:30:19 | 0:30:21 | |
So, let's go and have a look at it. | 0:30:21 | 0:30:23 | |
-Well, team. This is exciting, isn't it? -Yeah. -Certainly is. | 0:30:23 | 0:30:26 | |
Now, Nick's gone off with your £85 and he's bought your bonus buy. | 0:30:26 | 0:30:31 | |
What did you buy, Nick? | 0:30:31 | 0:30:32 | |
-I've spent the whole blooming lot. -Oh, good. -There you go. | 0:30:32 | 0:30:35 | |
What about that? One each. | 0:30:35 | 0:30:38 | |
Do you know what they are? | 0:30:38 | 0:30:39 | |
-Not a clue. -Interested? -Book ends? | 0:30:39 | 0:30:41 | |
No, they're not bookends. They are actually... | 0:30:41 | 0:30:44 | |
-You know the old 18th- and 19th-century sash window? -Oh, yes. | 0:30:44 | 0:30:46 | |
The old-fashioned ones you have to pull up and down. | 0:30:46 | 0:30:49 | |
Well, to stop them going all the way down, | 0:30:49 | 0:30:50 | |
you would just wedge one of these in either side there | 0:30:50 | 0:30:53 | |
-and the sash window comes down and sits on them. -Oh, OK. | 0:30:53 | 0:30:56 | |
Early 19th century, treacle-glazed pottery, and in decent condition. | 0:30:56 | 0:31:00 | |
I really like them. | 0:31:00 | 0:31:01 | |
-I like them as well. -Yeah, good. -Definitely. | 0:31:01 | 0:31:04 | |
-And how much did you pay for them? -The whole lot, £85. | 0:31:04 | 0:31:06 | |
-The whole lot, yeah, sorry. -£85. Blew the budget. | 0:31:06 | 0:31:09 | |
How much do you think they're worth? | 0:31:09 | 0:31:11 | |
-Hopefully a little bit more. -Yeah. | 0:31:11 | 0:31:13 | |
It's a strange market but they are in good condition | 0:31:13 | 0:31:16 | |
and to find a pair still intact is a nice thing. | 0:31:16 | 0:31:19 | |
That's what it's all about, isn't it? | 0:31:19 | 0:31:21 | |
Remaining intact after all those years. OK, brilliant. | 0:31:21 | 0:31:23 | |
Have a little think about that. | 0:31:23 | 0:31:25 | |
Right now, let's find out, for the audience at home, | 0:31:25 | 0:31:27 | |
what the auctioneer thinks about Nick's feet. | 0:31:27 | 0:31:30 | |
Now... | 0:31:31 | 0:31:32 | |
Richard Winterton, here's a challenge for you. | 0:31:32 | 0:31:35 | |
Were these made, do you think, | 0:31:35 | 0:31:38 | |
to do under the sash to stop the sash from closing? | 0:31:38 | 0:31:43 | |
Or, were they made to elevate | 0:31:43 | 0:31:45 | |
your Victorian piece of mahogany furniture | 0:31:45 | 0:31:48 | |
where the rising damp would otherwise affect | 0:31:48 | 0:31:51 | |
the delicate veneer on your Victorian chest of drawers? | 0:31:51 | 0:31:55 | |
I think they're for furniture, the feet. | 0:31:55 | 0:31:57 | |
And I think they are George Skey, which were made not far away | 0:31:57 | 0:32:02 | |
from here, in Tamworth. | 0:32:02 | 0:32:04 | |
-Georgeski? Was he a Pole? -George Skey. S-K-E-Y. -Oh, George Skey. | 0:32:04 | 0:32:10 | |
-OK, fine. -And we do see these come through. This sort of pottery. | 0:32:10 | 0:32:14 | |
They're not marked. But we always attribute to good old Skey. | 0:32:14 | 0:32:19 | |
Are they rare, then, or do you see lots of them here? | 0:32:19 | 0:32:21 | |
No, we see quite a few come through. | 0:32:21 | 0:32:23 | |
Erm, we've got 30-40, which should make it quite easy. | 0:32:23 | 0:32:27 | |
Nick Hall paid £85 for them as a bonus buy. | 0:32:27 | 0:32:32 | |
That's it for the Reds. | 0:32:32 | 0:32:33 | |
Moving on to the Blues, we've got the moulded glass atomiser. | 0:32:33 | 0:32:39 | |
-Yeah. -Which is in agate glass. -Bit dull. Boring. -Deco. -Yeah. | 0:32:39 | 0:32:46 | |
Float your boat? | 0:32:46 | 0:32:47 | |
Not really, no. I have to say. | 0:32:47 | 0:32:49 | |
-I mean, the best agate glass is that malachite stuff. -Yes. | 0:32:49 | 0:32:52 | |
It's in your face, it's really bright and breezy. | 0:32:52 | 0:32:54 | |
Some of the bright yellows are nice. Don't you think? | 0:32:54 | 0:32:57 | |
I mean, it's very grey. What's it worth? | 0:32:57 | 0:32:59 | |
-We've gone quite a punchy 30-40. -You need to. -Do we? | 0:32:59 | 0:33:03 | |
-Yes, Jonathan Pratt paid £40 for that. -Did he? -He did. | 0:33:03 | 0:33:07 | |
And somehow, if it's listed on the internet, | 0:33:07 | 0:33:10 | |
I can see atomiser collectors, maybe... | 0:33:10 | 0:33:13 | |
You know, there is a little bit of hope there, internet-type hope. | 0:33:13 | 0:33:17 | |
So he might just get away with it. | 0:33:17 | 0:33:19 | |
Now, the Meissen plate. | 0:33:19 | 0:33:20 | |
It's got the crossed swords marked | 0:33:20 | 0:33:22 | |
but I'm pretty sure it's 20th century. | 0:33:22 | 0:33:24 | |
-Out of a big service, what's it worth? -£40-50. -Is it really? | 0:33:24 | 0:33:29 | |
-Oh, well, he's bought well there, then, because £30 was paid. -OK. | 0:33:29 | 0:33:33 | |
-So that's all right. -Happy with that. | 0:33:33 | 0:33:36 | |
And what about the Japanese Satsuma moon vase? | 0:33:36 | 0:33:41 | |
People get all... Don't they? Get excited with this Oriental... | 0:33:41 | 0:33:44 | |
-They get gooey. -Yeah. -The trouble is, it's Japanese | 0:33:44 | 0:33:47 | |
-and the Japanese is not the same as the Chinese. -Completely different. | 0:33:47 | 0:33:50 | |
Completely different market. So that's for a kick-off. | 0:33:50 | 0:33:52 | |
The tightness of the flowers just isn't there. | 0:33:52 | 0:33:54 | |
-There's lots of decoration, but it's not really good decoration. -Yeah. | 0:33:54 | 0:33:57 | |
-And I tell you, we see a lot of this. -Yes. -A lot come through. | 0:33:57 | 0:34:02 | |
-What's it worth? -£40-60. -There you go. £120 paid. | 0:34:02 | 0:34:07 | |
On that happy note, then, | 0:34:07 | 0:34:08 | |
they're definitely going to need their bonus buy, | 0:34:08 | 0:34:10 | |
so let's go and have a butcher's. | 0:34:10 | 0:34:13 | |
OK, kids, this is fun, isn't it? You gave JP £110. | 0:34:13 | 0:34:18 | |
JP, what did you spend it on? | 0:34:18 | 0:34:20 | |
£110 is a lot of money. | 0:34:22 | 0:34:24 | |
Makes me rather nervous sometimes when I'm given so much money, | 0:34:24 | 0:34:26 | |
so I dealt a safe bet there and I bought that. | 0:34:26 | 0:34:30 | |
OK. Erm... | 0:34:30 | 0:34:32 | |
Because the Chinese market is so good, | 0:34:33 | 0:34:36 | |
and because I rather like this sort of thing anyway. | 0:34:36 | 0:34:38 | |
I kind of like the Orient. It's a blue, decorated ginger jar. | 0:34:38 | 0:34:42 | |
It's lacking its cover. | 0:34:42 | 0:34:44 | |
That's not too much of a problem. But it has got some age. | 0:34:44 | 0:34:48 | |
-How old is it? -It's certainly 19th century. | 0:34:48 | 0:34:51 | |
Nicely decorated, with these motifs on the side which probably | 0:34:51 | 0:34:54 | |
mean... I don't know, "wellbeing" or something along those lines. | 0:34:54 | 0:34:57 | |
-Probably says "ginger," doesn't it? -Er, ginger. Hello, ginger. | 0:34:57 | 0:35:00 | |
-Could be, couldn't it? It had ginger in it. -It's a ginger jar. | 0:35:00 | 0:35:04 | |
-I could say ginger, yes. Exactly. -How much did you... -£30. | 0:35:04 | 0:35:07 | |
-Oh. OK. -There we go. -And how much profit do you think it will make? | 0:35:07 | 0:35:10 | |
I think it's worth £30-50. Honestly, that's what I think, anyway. | 0:35:10 | 0:35:14 | |
Well, we watched his lips. We saw all that, right? | 0:35:14 | 0:35:16 | |
We'll relate that to the end product in a moment. | 0:35:16 | 0:35:19 | |
Right now, though, you have a cogitate, cos we're going to, | 0:35:19 | 0:35:22 | |
for the audience at home, ask the auctioneer to look at JP's pot. | 0:35:22 | 0:35:27 | |
Here it comes, Richard. There's the ginger jar from heaven. | 0:35:27 | 0:35:31 | |
Well, at least we've got Chinese this time. | 0:35:31 | 0:35:33 | |
Exactly, but made in 1990 | 0:35:33 | 0:35:36 | |
or the year 2000 or 2010, methinks. | 0:35:36 | 0:35:41 | |
-Oh, I think that's a bit mean. -Do you? -Bit older than that, isn't it? | 0:35:41 | 0:35:44 | |
Do you? What, 1955? | 0:35:44 | 0:35:46 | |
-You think that's 1950s, do you? -I do. | 0:35:46 | 0:35:48 | |
That why we've only got £30 on it. So that's all right, then. | 0:35:48 | 0:35:51 | |
-Well, that's OK. You've got £30 on it? -£30. | 0:35:51 | 0:35:53 | |
JP bought it as a bonus buy for £30. | 0:35:53 | 0:35:55 | |
He's done well. And if you get 40, they'll all be jumping up and down. | 0:35:55 | 0:35:59 | |
Talking about jumping up and down, you are taking the sale today, | 0:35:59 | 0:36:01 | |
-aren't you? -I am. I'm looking forward to it. | 0:36:01 | 0:36:03 | |
That's enough to make anybody jump up and down. Thank you, Richard. | 0:36:03 | 0:36:06 | |
30, sold it once. 30... | 0:36:09 | 0:36:12 | |
Now, Jo and Dave, how are you feeling? | 0:36:12 | 0:36:14 | |
-All right? -Yes, very confident. -Happy with this? -Yes. | 0:36:14 | 0:36:17 | |
Are you? That's what I like to hear. | 0:36:17 | 0:36:18 | |
Your first item is your big investment, your £110 investment | 0:36:18 | 0:36:23 | |
in the Bennett pendant, so all I can say is good luck with that. | 0:36:23 | 0:36:27 | |
And here it comes. | 0:36:27 | 0:36:28 | |
So, we go to Lot 800. | 0:36:28 | 0:36:31 | |
The nine-carat Merle Bennett Arts and Crafts open pendant there. | 0:36:31 | 0:36:35 | |
A good name. Commission bids, bid, £20, I'm bid. | 0:36:35 | 0:36:38 | |
£20, I'm bid. £30, internet. 35 in the room. 35, I'm bid. | 0:36:38 | 0:36:42 | |
£40, the internet. 45 in the room. 50, internet. 60 in the room. | 0:36:42 | 0:36:47 | |
-70, internet. 80 in the room. -Keep going. -90, internet. | 0:36:47 | 0:36:51 | |
100 in the room. 100 in the room. | 0:36:51 | 0:36:53 | |
100 I'm bid. In the room at 100. | 0:36:53 | 0:36:55 | |
-Internet's out at 100. -More. -Come on. -All done. Sold, at 100. | 0:36:55 | 0:37:01 | |
-Yours it is at 100. -Oh, £100. | 0:37:01 | 0:37:03 | |
So it's just £10 off, but you've done it! | 0:37:03 | 0:37:05 | |
-More or less. -We now go to 801. The good old Mouseman ashtray there. | 0:37:05 | 0:37:11 | |
£20 I'm bid again. Five, 30, five, 40, five, 50. | 0:37:11 | 0:37:17 | |
50 on the internet. | 0:37:17 | 0:37:18 | |
-60 on the internet. 70 on the internet. -Oh, ho, ho! | 0:37:18 | 0:37:21 | |
-80 on the internet. -The room is out. | 0:37:21 | 0:37:25 | |
-We are £80. Sold at £80. -That's more like it. | 0:37:25 | 0:37:29 | |
£80 is plus £20 which means you are plus £10. You're back in profit. | 0:37:29 | 0:37:34 | |
There we see, there, the cargo bowl. Commission bids are in. | 0:37:34 | 0:37:37 | |
-I'm starting at 20. I'm five, I'm 30, I'm five, I'm 40. £40. -Come on. | 0:37:37 | 0:37:42 | |
50. 60. | 0:37:42 | 0:37:45 | |
-70 in the room. 70 in the room. 70 in the room. -This is hot. | 0:37:45 | 0:37:49 | |
-You're all finished, then. Sold at 70. -£70. -That's pretty good. | 0:37:49 | 0:37:55 | |
That is plus £25. | 0:37:55 | 0:37:57 | |
Oh, we love it. Plus the ten before, you are plus £35. | 0:37:57 | 0:38:01 | |
You have made a profit of £35. | 0:38:01 | 0:38:03 | |
Against all predictions, you've done it. | 0:38:03 | 0:38:05 | |
-How hot is that? -We always knew, didn't we? -Gosh, Richard's doing very well. | 0:38:05 | 0:38:09 | |
Now, what are you going to do? Are you going to preserve the £35 | 0:38:09 | 0:38:12 | |
or are you going to go with the treacle-glazed lions? | 0:38:12 | 0:38:15 | |
-We'll stick with that. We'll stick. -You're not going to go with them. | 0:38:15 | 0:38:18 | |
-No. -No, no bonus buy. OK, fine. That's your decision. | 0:38:18 | 0:38:20 | |
-You agree with that, Jo? -Yeah, why not? -OK, fine. | 0:38:20 | 0:38:22 | |
But anyway, we're going to sell them, and here they come. | 0:38:22 | 0:38:25 | |
£20 I'm bid. With me. £20 I'm bid. £20 I'm bid. £25 I'm bid. | 0:38:25 | 0:38:30 | |
30 I'm bid. 35 I'm bid. 40 I'm bid. £40 I'm bid. | 0:38:30 | 0:38:36 | |
£40 I'm bid. £40. Far left at £40. All done. Sold, then, at £40. | 0:38:36 | 0:38:42 | |
£40 it sold for. Let's treat it as sold. | 0:38:42 | 0:38:44 | |
Which would have been a loss of £45 but you didn't go with it. | 0:38:44 | 0:38:48 | |
You stuck with your instinct and it is £35 worth of profit. | 0:38:48 | 0:38:52 | |
Now, that could be a winning score. It should be a winning score. | 0:38:52 | 0:38:55 | |
-It's not bad. -Don't say a word to the Blues, all right? | 0:38:55 | 0:38:57 | |
-We won't. -And all will be revealed in a moment. Thank you very much, team. | 0:38:57 | 0:39:00 | |
Jill, how excited are you on the excitement scale? | 0:39:05 | 0:39:08 | |
-Ten out of ten, I think. -Are you? Are you fizzing up? -I can't wait. -Good. | 0:39:08 | 0:39:13 | |
First item up to sell now is going to be the atomiser. | 0:39:13 | 0:39:17 | |
And here it comes. | 0:39:17 | 0:39:18 | |
Now, 822, we go. The moulded glass tom... Erm, atom-a-sier... Oh... | 0:39:18 | 0:39:25 | |
-822 is a perfume bottle! -LAUGHTER | 0:39:25 | 0:39:28 | |
-But I've got seven bids on the book... -Ooh! | 0:39:28 | 0:39:31 | |
And I can tell you, I'm at 28. £30, 35, £40. 45 with me. | 0:39:31 | 0:39:35 | |
45, 45, 45, 45. | 0:39:35 | 0:39:38 | |
£50 in the room. 50 in the room. 50 in the room. 50 in the room! | 0:39:38 | 0:39:43 | |
-You're all finished, then. Sold then at £50. -£50 is plus £10. | 0:39:43 | 0:39:49 | |
I'm loving it. Now, Meissen. | 0:39:49 | 0:39:51 | |
We go to the Meissen. It's £20 I'm bid. 25. 30. 35. 40. 45 in the room. | 0:39:51 | 0:39:58 | |
45 in the middle of the room. At 45. Sold, then, at £45. | 0:39:58 | 0:40:03 | |
£45 is plus £15. So I'm liking the sound of this. | 0:40:03 | 0:40:07 | |
Two profits on the trot. Now, Satsuma ware. | 0:40:07 | 0:40:10 | |
Lot 842. Commissions again, I'm £20 bid. 25. 30. 35. 40. | 0:40:10 | 0:40:17 | |
£40 on the internet. 45. 50. 60. With me. 60 with me. | 0:40:17 | 0:40:22 | |
-70 on the internet. -We're getting there. -70 on the internet. | 0:40:22 | 0:40:25 | |
Room is out. 70 on the internet. You're all finished, then. Sold. | 0:40:25 | 0:40:28 | |
You're minus 50. So that means you're minus £25. | 0:40:28 | 0:40:33 | |
-What are we going to do with the ginger jar? -Go for it. | 0:40:33 | 0:40:35 | |
Are you going to do it? OK. | 0:40:35 | 0:40:37 | |
Up comes the ginger jar and we're going with the bonus buy. | 0:40:37 | 0:40:40 | |
There's the blue and white. The ginger jar. 828. Nothing on my book. | 0:40:40 | 0:40:44 | |
Where are we going to start? £10 a start. £10 to start me. | 0:40:44 | 0:40:47 | |
£10 I'm bid. 15, the internet. 20 in the room? 20 in the room. | 0:40:47 | 0:40:52 | |
25, internet. You're out. 25 I'm bid. Says no. 25 the internet. | 0:40:52 | 0:40:58 | |
-Oh, no, J... -All done. Sold at 25. | 0:40:58 | 0:41:02 | |
Goes 25. | 0:41:03 | 0:41:04 | |
Minus £5 which means overall, girls and J, that you are minus £30. | 0:41:04 | 0:41:11 | |
-Could be a winning score, though. -Could be a winning score. | 0:41:11 | 0:41:14 | |
£30, minus £30. Could be a winning score, could be a winning score. | 0:41:14 | 0:41:19 | |
Be optimistic and all will be revealed in a moment. | 0:41:19 | 0:41:21 | |
-OK, teams. Was that fun or was it fun? -We had a great time. | 0:41:27 | 0:41:29 | |
It was fun, yes. | 0:41:29 | 0:41:31 | |
And nobody's been talking to one another about the results at all? | 0:41:31 | 0:41:34 | |
-No. -OK, cos there is a world of difference, I'm afraid, for the two teams today. | 0:41:34 | 0:41:37 | |
Can't believe they bought in the same place | 0:41:37 | 0:41:39 | |
and they have very good experts and all the rest of it. | 0:41:39 | 0:41:41 | |
Cos one team is, I'm afraid, down the proverbial, | 0:41:41 | 0:41:44 | |
and that team that's down the proverbial is the Blues. | 0:41:44 | 0:41:47 | |
Yeah! | 0:41:47 | 0:41:49 | |
-Minus £30, hey. You were robbed, weren't you? -Yeah. | 0:41:49 | 0:41:52 | |
First of all, you get a profit on your scent bottle. | 0:41:52 | 0:41:55 | |
Then you get a profit on your Meissen plate | 0:41:55 | 0:41:57 | |
and then you have a thumping loss with that wretched Satsuma. | 0:41:57 | 0:42:00 | |
-And it didn't do you any good, did it? -No, I'm afraid not. | 0:42:00 | 0:42:03 | |
Minus 30, because you were really, really close, but for that piece. | 0:42:03 | 0:42:07 | |
I know. | 0:42:07 | 0:42:08 | |
And that is just the luck of the game. | 0:42:08 | 0:42:10 | |
But you've been frightfully British and very, very brave | 0:42:10 | 0:42:12 | |
and I love you for it. | 0:42:12 | 0:42:14 | |
-And you have a nice time. -Yes. -We've had a great time. | 0:42:14 | 0:42:16 | |
We've loved having you on the show. | 0:42:16 | 0:42:17 | |
Well, I'm actually going to hand out some dosh. | 0:42:17 | 0:42:19 | |
A rare moment for Bargain Hunt. | 0:42:19 | 0:42:21 | |
Here comes £35 which is principally made up by your cargo bowl. | 0:42:21 | 0:42:27 | |
That was very clever, me having been rude about it. Made you £25. | 0:42:27 | 0:42:31 | |
Then Mr Thompson, Mr Mouseman, he did you OK for another £20, | 0:42:31 | 0:42:35 | |
which is perfect. | 0:42:35 | 0:42:37 | |
You avoided the bonus buy like the plague which was clever of you too. | 0:42:37 | 0:42:41 | |
-Good move. -And you've preserved your profits, so well done. | 0:42:41 | 0:42:45 | |
-Thank you. -Money going home. In fact, we've had such great fun. | 0:42:45 | 0:42:48 | |
-Why don't you join us soon, for some more bargain hunting. Yes? -ALL: Yes! | 0:42:48 | 0:42:52 |