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There's no cattle, sheep, poultry or pigs. | 0:00:02 | 0:00:05 | |
They've all been swapped for antiques today | 0:00:05 | 0:00:08 | |
here at the East of England Showground. | 0:00:08 | 0:00:11 | |
Our Peterborough teams are going to have to | 0:00:11 | 0:00:13 | |
shop for some prime stock, though, | 0:00:13 | 0:00:15 | |
to sell at auction. And who will be best in show? | 0:00:15 | 0:00:19 | |
Well, we'll be the judge of that. | 0:00:19 | 0:00:21 | |
Right now, though, let's go Bargain Hunting, yeah. | 0:00:21 | 0:00:25 | |
Hundreds and hundreds of stallholders, | 0:00:47 | 0:00:49 | |
thousands and thousands of visitors. | 0:00:49 | 0:00:52 | |
Each of our teams today have a tough challenge | 0:00:52 | 0:00:56 | |
because they need to pick three pieces from Peterborough | 0:00:56 | 0:01:00 | |
with potential profit. | 0:01:00 | 0:01:02 | |
How did they get on? | 0:01:02 | 0:01:03 | |
Let's take a sneaky peek as to what's coming up. | 0:01:03 | 0:01:06 | |
On today's show, Tom asks the Reds to play a guessing game. | 0:01:06 | 0:01:11 | |
-The dragon? -Not the dragon. | 0:01:11 | 0:01:13 | |
-Not this? -No. | 0:01:13 | 0:01:14 | |
-It's this one, Thomas. -No. Definitely not. | 0:01:14 | 0:01:16 | |
But it's anyone's guess | 0:01:16 | 0:01:18 | |
if the Blues can manage to find anything in an hour. | 0:01:18 | 0:01:20 | |
Focus, focus, focus! | 0:01:20 | 0:01:24 | |
And guess who's coming up trumps at auction. | 0:01:24 | 0:01:27 | |
How much fun was that? | 0:01:27 | 0:01:29 | |
How much fun was that? | 0:01:29 | 0:01:31 | |
That's all for later. Let's meet the teams. | 0:01:31 | 0:01:34 | |
Well, we've got some cracking teams on the show today. | 0:01:34 | 0:01:38 | |
For the Reds, we've got husband and wife Phil and Kate. | 0:01:38 | 0:01:42 | |
And for the Blues, we've got half-brothers Alec and Ian. | 0:01:42 | 0:01:46 | |
-Hello, everyone. -OTHERS: -Hello. | 0:01:46 | 0:01:47 | |
Lovely to see you. Now, you two. How did you both meet? | 0:01:47 | 0:01:52 | |
Well, I was in a pub with some friends | 0:01:52 | 0:01:54 | |
standing there with a pint and she walked in and I went... | 0:01:54 | 0:01:59 | |
-And fell in love. -How lovely is that? | 0:02:00 | 0:02:03 | |
But this is a year or two back, isn't it? | 0:02:03 | 0:02:05 | |
Yes, nearly 30 years back. | 0:02:05 | 0:02:07 | |
I mean, that is something else, isn't it? | 0:02:07 | 0:02:08 | |
-That's a romance. -Yeah. | 0:02:08 | 0:02:10 | |
Let's hope you don't fall out as a result of being on Bargain Hunt. | 0:02:10 | 0:02:13 | |
-That won't happen. -There's always a chance. | 0:02:13 | 0:02:15 | |
Now, Phil, you're a bit of a drama and English teacher. | 0:02:15 | 0:02:20 | |
Used to be, yes. Many years ago, I was a drama and English teacher. | 0:02:20 | 0:02:23 | |
But then I packed it in and I now run my own little business in training. | 0:02:23 | 0:02:27 | |
-Do you? -Yes, presentation skills | 0:02:27 | 0:02:29 | |
or leadership or negotiating or whatever. | 0:02:29 | 0:02:32 | |
So you're still teaching, really? | 0:02:32 | 0:02:34 | |
Yeah, I suppose so, in an adult sort of way. | 0:02:34 | 0:02:36 | |
-And I lard it with a bit of drama. -Exactly. | 0:02:36 | 0:02:39 | |
Now, tell me, Kate, about your connection to Beatrix Potter. | 0:02:39 | 0:02:43 | |
Well, the publishing firm that she used was my grandma's, | 0:02:43 | 0:02:47 | |
father and uncle's firm. | 0:02:47 | 0:02:48 | |
-Was that Warne? -It was. You know your stuff, yeah. | 0:02:48 | 0:02:51 | |
So my gran was a Warne, she was their little girl at the time, | 0:02:51 | 0:02:55 | |
and Beatrix Potter used to go around to the house a lot | 0:02:55 | 0:02:57 | |
and she used to write her stories often for children that she knew, | 0:02:57 | 0:03:01 | |
so she wrote some of the stories for my gran. | 0:03:01 | 0:03:03 | |
Oh, how lovely. | 0:03:03 | 0:03:04 | |
The one that's called The Two Bad Mice | 0:03:04 | 0:03:06 | |
which is about a doll's house - | 0:03:06 | 0:03:07 | |
and it was my gran's doll's house and it was dedicated to her. | 0:03:07 | 0:03:10 | |
Oh, how sweet is that? | 0:03:10 | 0:03:11 | |
She was actually engaged to my uncle, late uncle. | 0:03:11 | 0:03:14 | |
Oh, really? | 0:03:14 | 0:03:15 | |
But he died of TB before they could get married. | 0:03:15 | 0:03:17 | |
And was that the sort of loss of the love of her life? | 0:03:17 | 0:03:20 | |
Yeah, she never married, she was a spinster and... | 0:03:20 | 0:03:23 | |
And this is all in the movie, isn't it? | 0:03:23 | 0:03:25 | |
-Yeah. Ewan McGregor played my uncle. -Did he? Gosh. | 0:03:25 | 0:03:28 | |
-Enjoyed that. -What fun, though, to have those connections. Fantastic. | 0:03:28 | 0:03:32 | |
-Well, I hope you enjoy the experience. -Thanks. | 0:03:32 | 0:03:34 | |
Lovely to meet you. Now, Alec, what do you do for a living? | 0:03:34 | 0:03:37 | |
Well, I'm an anaesthetic and recovery practitioner | 0:03:37 | 0:03:39 | |
and I work in a London hospital. | 0:03:39 | 0:03:41 | |
So, effectively, I provide, you know, assistance to the anaesthetists | 0:03:41 | 0:03:45 | |
and the surgeons in the anaesthetic rooms. | 0:03:45 | 0:03:47 | |
It's a lovely job. | 0:03:47 | 0:03:49 | |
-Now, you're keen gardener, Alec. -I am. | 0:03:49 | 0:03:51 | |
I like to recycle things like old wardrobes to make my raised beds... | 0:03:51 | 0:03:55 | |
-You don't. -I do. | 0:03:55 | 0:03:56 | |
-You take a wardrobe and you plant it? -An old one. | 0:03:56 | 0:03:59 | |
You know, it lasts maybe one or two years and it sits down there | 0:03:59 | 0:04:01 | |
and you bang a few things on the side | 0:04:01 | 0:04:03 | |
and you chuck a few peas in and the odd tomato | 0:04:03 | 0:04:05 | |
and it all comes up an absolute treat. | 0:04:05 | 0:04:07 | |
And you haven't actually sort of like chopped down a rainforest | 0:04:07 | 0:04:09 | |
it's all a bit of recycled wood, it looks absolutely fantastic | 0:04:09 | 0:04:12 | |
-and my raspberries are legendary. -Are they? | 0:04:12 | 0:04:14 | |
I bet you've got a good raspberry, too. | 0:04:14 | 0:04:16 | |
-Now, Ian. -Hi. | 0:04:16 | 0:04:18 | |
It's more pitches than wardrobes for you, isn't it? | 0:04:18 | 0:04:21 | |
It is, it is. | 0:04:21 | 0:04:22 | |
Yeah... Tell us about your refereeing skills. | 0:04:22 | 0:04:25 | |
Well, I like to think I'm a fairly good referee, | 0:04:25 | 0:04:28 | |
I've been doing it 18 years. | 0:04:28 | 0:04:30 | |
I now do it for youth football | 0:04:30 | 0:04:32 | |
cos I can't keep up with the youngsters - | 0:04:32 | 0:04:34 | |
they're too fast down the wing - | 0:04:34 | 0:04:36 | |
so I do it through age group 13s to 14s. | 0:04:36 | 0:04:38 | |
Not exactly little titches, though, a lot of them, are they? | 0:04:38 | 0:04:41 | |
No, no, I try to keep up with them, and I'm managing it at the moment. | 0:04:41 | 0:04:45 | |
And enjoying it, so that's a win-win. | 0:04:45 | 0:04:47 | |
-Now, what do you collect? -Oh, I love silver milk jugs. | 0:04:47 | 0:04:51 | |
I never use them, you know, they're just in a cabinet. | 0:04:51 | 0:04:53 | |
-How many have you got? -30. -No. -Yeah. | 0:04:53 | 0:04:56 | |
-What got you into that? -I just love the style of them. | 0:04:56 | 0:04:59 | |
But what fascinates me most is the history behind them. | 0:04:59 | 0:05:03 | |
You know, where was the inspiration for the jugs. | 0:05:03 | 0:05:06 | |
And you must have learnt a lot on Bargain Hunt over the years? | 0:05:06 | 0:05:10 | |
Oh, invaluable. | 0:05:10 | 0:05:11 | |
Invaluable. And that is the right answer. | 0:05:11 | 0:05:13 | |
Now, £300 apiece, here we go. £300. | 0:05:13 | 0:05:15 | |
-Thank you. -300 smacks. -KATE: -Thank you. | 0:05:15 | 0:05:17 | |
You know the rules, your experts await, and off you go! | 0:05:17 | 0:05:21 | |
And very, very, very good luck. Oh, what joy. | 0:05:21 | 0:05:24 | |
That's the team. Now, let's meet today's experts. | 0:05:25 | 0:05:28 | |
Steering the Reds | 0:05:29 | 0:05:30 | |
through calm waters, it's Captain... | 0:05:30 | 0:05:32 | |
Ahoy there. | 0:05:32 | 0:05:34 | |
And hoping to snap up some bargains for the Blues, it's... | 0:05:34 | 0:05:37 | |
Now, what are the teams looking for today? | 0:05:40 | 0:05:42 | |
You know what? I haven't got a clue. | 0:05:42 | 0:05:44 | |
But I'm very excited to find out what's there. | 0:05:44 | 0:05:46 | |
Well, anything quirky, anything a little bit funny, | 0:05:46 | 0:05:48 | |
a little bit unusual. | 0:05:48 | 0:05:50 | |
What about you, Kate? | 0:05:50 | 0:05:51 | |
I'm quite into mirrors, I think. I like mirrors. | 0:05:51 | 0:05:53 | |
So basically we are looking at the antique version of you two? | 0:05:53 | 0:05:56 | |
That's it. We'll settle for that. | 0:05:56 | 0:05:58 | |
Right, teams, your 60 minutes starts now. | 0:06:00 | 0:06:02 | |
HORN HOOTS Oh, let's go in there. | 0:06:02 | 0:06:04 | |
-Let's have a little wander around. -Let's go. | 0:06:04 | 0:06:06 | |
-Here we go. Rock and roll. Thank you. -Go. | 0:06:06 | 0:06:09 | |
Ian likes a bit of shiny stuff, that's for sure. | 0:06:12 | 0:06:14 | |
-This is...it's huge, isn't it? -Yeah. | 0:06:14 | 0:06:16 | |
Look at this place. Full of stuff and objects. | 0:06:16 | 0:06:19 | |
So there's going to be something. | 0:06:19 | 0:06:21 | |
-I like silver milk jugs. -You like silver milk jugs? | 0:06:22 | 0:06:25 | |
Cos normally milk jugs would come with the rest of the tea service. | 0:06:25 | 0:06:28 | |
Yeah...but I'm not that rich. So I settle for that. | 0:06:28 | 0:06:32 | |
They're all reproductions, aren't they? | 0:06:35 | 0:06:37 | |
Yeah, they will be. | 0:06:37 | 0:06:38 | |
I see an owl. OWL HOOTS | 0:06:38 | 0:06:42 | |
Wow, it's bewildering, isn't it? There's so much stuff. | 0:06:42 | 0:06:44 | |
Bewildering, yes. | 0:06:44 | 0:06:45 | |
But not to worry, Kate is focused and on the case. | 0:06:45 | 0:06:48 | |
-I found a mirror. -Oh, this is one of Kate's things. | 0:06:50 | 0:06:53 | |
-Oh, Kate... -I like that. | 0:06:53 | 0:06:55 | |
-26 quid. That's quite good. -With a bevelled edge. | 0:06:55 | 0:06:58 | |
Yeah, and look at the beautiful clips. | 0:06:58 | 0:07:00 | |
Got these little clips that dates from about the '50s, 40s/50s. | 0:07:00 | 0:07:04 | |
It's vintage. | 0:07:04 | 0:07:06 | |
You're right, it's vintage. It's vintage stuff. | 0:07:06 | 0:07:09 | |
-Shall we have a look? Just have a quick look? -All right. -So... | 0:07:09 | 0:07:12 | |
Good size. Cardboard back, | 0:07:14 | 0:07:16 | |
so it really is sort of utilitarian to its max. | 0:07:16 | 0:07:20 | |
Yeah. But it's attractive. | 0:07:20 | 0:07:22 | |
Yeah, I like your eye, I like the eye on it. | 0:07:22 | 0:07:25 | |
And the actual quality of the mirror, | 0:07:25 | 0:07:26 | |
it's not silvered, is it? | 0:07:26 | 0:07:28 | |
It's not silvered, it's not gone. | 0:07:28 | 0:07:30 | |
So, now it's chance for Phil to come in and do your bit. | 0:07:30 | 0:07:35 | |
Stand back, darling. | 0:07:35 | 0:07:37 | |
-Yeah. -So, don't mention the figure, see what they can do, | 0:07:38 | 0:07:42 | |
but try and get a one in front of it. | 0:07:42 | 0:07:44 | |
Good tip, Thomas. Right, let's see what Phil can do. | 0:07:44 | 0:07:47 | |
Obviously, we're interested in the mirror. | 0:07:47 | 0:07:49 | |
What would you be prepared to come down to? | 0:07:49 | 0:07:52 | |
-20. -20. | 0:07:52 | 0:07:54 | |
We were rather hoped to have a one in front of the... | 0:07:54 | 0:07:56 | |
18, 18. | 0:07:56 | 0:07:58 | |
-We were hoping 15. -Gosh. | 0:07:58 | 0:08:01 | |
-Would you be able to do... -Let's compromise, 16. | 0:08:01 | 0:08:04 | |
-16. -Is that a good one in front? | 0:08:04 | 0:08:06 | |
Absolutely wonderful. | 0:08:06 | 0:08:07 | |
I think, you know, you should go for that, | 0:08:07 | 0:08:09 | |
it's like a record buy. | 0:08:09 | 0:08:10 | |
Thank you very much for that, that's great. | 0:08:10 | 0:08:12 | |
-Thank you. -Thank you very much. | 0:08:12 | 0:08:14 | |
-Thank you. -That's like shopping in five minutes. | 0:08:14 | 0:08:17 | |
That is A1 shopping skills. | 0:08:17 | 0:08:19 | |
-That's lovely. -Yes, that's the way to do it. | 0:08:19 | 0:08:21 | |
£16 for an Art Deco mirror and plenty of time | 0:08:21 | 0:08:24 | |
to shop for two more items. | 0:08:24 | 0:08:26 | |
-The Blues are also up early. -COCKEREL CROWS | 0:08:28 | 0:08:31 | |
The crowing cockerel has drawn their attention. | 0:08:31 | 0:08:34 | |
See the jug with the hen, as well? The cockerel. | 0:08:34 | 0:08:36 | |
Yeah? Shall we have a look at that? Shall we pick that up? | 0:08:36 | 0:08:39 | |
-It's got a chip on the lip. -Oh, for God's sake! | 0:08:39 | 0:08:43 | |
It's normally... Typical of Wemyss, it's very brittle and very soft. | 0:08:43 | 0:08:46 | |
Wemyss is very brittle, sadly, so that's not unusual. | 0:08:46 | 0:08:50 | |
What about...? What's on your desk stand? That's really unusual. | 0:08:50 | 0:08:52 | |
-That's 140. -£140. | 0:08:52 | 0:08:54 | |
-Is it really?! -Yeah. | 0:08:54 | 0:08:55 | |
-You can have a look at it if you like. -Would you mind? | 0:08:55 | 0:08:58 | |
Yeah, I quite like the look of that. | 0:08:58 | 0:08:59 | |
-Lovely, marvellous. -Shall I hold the lids? | 0:08:59 | 0:09:01 | |
Yeah, you get the lids, that's OK. | 0:09:01 | 0:09:02 | |
-Marvellous. -Oh, there's weight... | 0:09:02 | 0:09:04 | |
Hang on, I have to get me glasses out now. | 0:09:04 | 0:09:06 | |
-OK, so this is... -I'm only 30 if anyone asks. | 0:09:06 | 0:09:08 | |
Is that restoration? Is that restored? | 0:09:08 | 0:09:11 | |
Oh, watch your teeth. | 0:09:11 | 0:09:13 | |
OK, so that's really interesting | 0:09:13 | 0:09:15 | |
Cos I think there's a bit of a restoration across there | 0:09:15 | 0:09:17 | |
and what I'm doing when I'm testing it against my teeth like that, | 0:09:17 | 0:09:20 | |
is basically feeling for that restoration, | 0:09:20 | 0:09:22 | |
which is slightly softer to touch... I know it's... I'm not eating it. | 0:09:22 | 0:09:26 | |
I think it's a lovely thing, guys. | 0:09:26 | 0:09:27 | |
I'm just slightly worried about the extent of the restoration. | 0:09:27 | 0:09:30 | |
OK, well, we can think about it | 0:09:30 | 0:09:32 | |
-and we can come back and see, couldn't we? -Yeah. -Good plan, guys. | 0:09:32 | 0:09:35 | |
Back to the browsing. | 0:09:35 | 0:09:36 | |
The Reds are regrouping and ready to search again. | 0:09:36 | 0:09:39 | |
Is this the way you were going to be going? | 0:09:39 | 0:09:42 | |
Looking at items under a certain figure? | 0:09:42 | 0:09:43 | |
Well, I always thought that was the best way to do it, | 0:09:43 | 0:09:46 | |
and then we leave as much as we can for you to buy in the bonus buy. | 0:09:46 | 0:09:50 | |
-OK, thanks for that. -Yeah, yeah, we trust you. | 0:09:50 | 0:09:52 | |
-Cos we trust you, Tom. -Yeah, I bet you do. | 0:09:52 | 0:09:55 | |
Trust is everything, Thomas. | 0:09:55 | 0:09:57 | |
The Blues are trusting their instinct, too. Another cockerel. | 0:09:57 | 0:10:01 | |
What is it about these plucky characters? | 0:10:01 | 0:10:03 | |
That... Is it a teapot with a cockerel again? | 0:10:03 | 0:10:05 | |
Yeah. | 0:10:05 | 0:10:06 | |
All right, OK, so lovely little teapot there | 0:10:06 | 0:10:08 | |
with a cockerel on the front. | 0:10:08 | 0:10:09 | |
-Dawntee be fraid aut now. -Oh. -Dawntee be fraid aut now. | 0:10:09 | 0:10:13 | |
Sounds Scottish, sounds Scottish, doesn't it? | 0:10:13 | 0:10:15 | |
Very sweet, pretty thing. | 0:10:15 | 0:10:17 | |
There is a collector's market for it but...not today. | 0:10:17 | 0:10:20 | |
Afraid not. Time to move on, though. | 0:10:20 | 0:10:22 | |
Ceramics has beckoned the Blues, too. | 0:10:24 | 0:10:25 | |
Kate has spotted an item that really takes the biscuit. | 0:10:25 | 0:10:29 | |
Oh, look at the gorgeous box. | 0:10:29 | 0:10:31 | |
The Deco box. Yeah, it's gorgeous. It's like a biscuit barrel. | 0:10:31 | 0:10:34 | |
-Oh, it's so stylish. -Can I have a look at it? | 0:10:34 | 0:10:35 | |
-Yeah. -Thank you. -So one would put your... | 0:10:35 | 0:10:38 | |
-Do you want to...? -No, no, no, you go, you go. | 0:10:38 | 0:10:39 | |
-Put your Hobnobs in it. -Your Hobnobs. | 0:10:39 | 0:10:41 | |
-There are other biscuits available. -There are. | 0:10:41 | 0:10:44 | |
No, there are not. | 0:10:44 | 0:10:45 | |
The king of biccies, you know. They're good dunkers. | 0:10:45 | 0:10:48 | |
Good dunkers. Are you a dunker? | 0:10:48 | 0:10:49 | |
-I am very much a dunker, yeah. -We both are. -Oh, really? -Yeah. | 0:10:49 | 0:10:51 | |
I mean, let's have a look at it. | 0:10:51 | 0:10:53 | |
So you've got made in England on there. | 0:10:53 | 0:10:55 | |
You hold it, no, you hold it. So I can... | 0:10:55 | 0:10:56 | |
You got made in England there. 170, that will be the mould number. | 0:10:56 | 0:11:00 | |
Actually, I will take it. Actually, I will. | 0:11:00 | 0:11:02 | |
-THOMAS TAPS POT -This is stoneware. | 0:11:02 | 0:11:05 | |
It's a weak material, therefore you don't want... | 0:11:06 | 0:11:09 | |
-You want to check... -Strong enough for Hobnobs? | 0:11:09 | 0:11:11 | |
Strong enough for Hobnobs. Is not like a hard porcelain. No. | 0:11:11 | 0:11:14 | |
It's got a real look with this drip glaze, hasn't it? | 0:11:14 | 0:11:16 | |
-It has, it's got a lovely look. -It's very '30s, isn't it? | 0:11:16 | 0:11:18 | |
-It's immensely '30s. -Bit asymmetrical, as well. | 0:11:18 | 0:11:21 | |
It could go in our kitchen on the shelf, actually. | 0:11:21 | 0:11:23 | |
It's all about somebody else liking it, but it is iconic in its look. | 0:11:23 | 0:11:26 | |
Yeah. Shall we see what they can do? | 0:11:26 | 0:11:29 | |
Yes, I think so. | 0:11:29 | 0:11:30 | |
I think that would be a good idea to see... | 0:11:30 | 0:11:33 | |
That's the way you have it. | 0:11:33 | 0:11:34 | |
Cos you have one clean bit and one bit there. | 0:11:34 | 0:11:36 | |
-One clean bit and one bit there. -Oh, lovely. -That's how you have it. | 0:11:36 | 0:11:39 | |
-Yeah. -And it's marked at 40. What's the best on that? | 0:11:39 | 0:11:44 | |
I could do that for 30. | 0:11:44 | 0:11:45 | |
And if I asked you for 25, where would we be? | 0:11:45 | 0:11:48 | |
-Swing it. -Swing it? -Yeah. -You think so? -Yeah. | 0:11:50 | 0:11:52 | |
-What do you think? -I think so. -Yeah, you love that? -Yeah. | 0:11:52 | 0:11:55 | |
-Deal. -Good man. | 0:11:55 | 0:11:57 | |
If they don't like it, we'll take it. | 0:11:57 | 0:12:00 | |
£25, you can't go wrong. | 0:12:00 | 0:12:01 | |
Well done, Reds. A second buy early. And all within ten minutes. | 0:12:01 | 0:12:05 | |
£25 for a Beswick Art Deco biscuit box. I feel a theme coming on. | 0:12:05 | 0:12:12 | |
-So, two items within ten minutes. -Are we doing well? | 0:12:12 | 0:12:15 | |
-You're doing immensely well. -Speedy. -Speedy. | 0:12:15 | 0:12:18 | |
-Can we just off...steady the bus. -Oh, I see, right. | 0:12:18 | 0:12:22 | |
-Steady the bus. -Yeah, OK, but the brake on. -OK. | 0:12:22 | 0:12:25 | |
Yeah, calm down, you two. | 0:12:25 | 0:12:27 | |
You've got plenty of time to find a third item. | 0:12:27 | 0:12:30 | |
They know what they like - when they like it, they go for it. | 0:12:30 | 0:12:33 | |
They are fabulous. But to my liking, it's a bit quick. | 0:12:33 | 0:12:38 | |
If you see the right thing, | 0:12:38 | 0:12:39 | |
what's the point trailing around for hours on end? | 0:12:39 | 0:12:42 | |
And as her husband, I agree with her. | 0:12:42 | 0:12:44 | |
I'd like them to take a bit more of an easier, steadier pace. | 0:12:44 | 0:12:48 | |
-We'll slow down now, maybe. -Yes. | 0:12:48 | 0:12:49 | |
Yes, we'll start dawdling now. | 0:12:49 | 0:12:51 | |
Dawdle off, then. | 0:12:51 | 0:12:53 | |
The Blues have yet to make any purchases. | 0:12:53 | 0:12:55 | |
-So you better speed up, boys. -Now, what about this Moorcroft? | 0:12:55 | 0:12:58 | |
It's a beautiful bowl, but it's a little bit expensive. | 0:12:58 | 0:13:01 | |
Oh, is it? That's stunning. | 0:13:01 | 0:13:02 | |
That's a bearded iris pattern, really, really beautiful. | 0:13:02 | 0:13:06 | |
It's a duck eggy colour. | 0:13:06 | 0:13:07 | |
Looking at the bottom, we've got this lovely mark. | 0:13:07 | 0:13:09 | |
We've got the impressed mark with the painted signature. | 0:13:09 | 0:13:11 | |
And an impressed mark there. £185. | 0:13:11 | 0:13:14 | |
-And it's got restored... -Oh, more restoration... | 0:13:14 | 0:13:16 | |
-We're littered with restoration today, aren't we? -Yeah. | 0:13:16 | 0:13:18 | |
Let's have a look, see if we can find that chip. | 0:13:18 | 0:13:21 | |
Where, where...? Oh, just there, I think it is. | 0:13:21 | 0:13:23 | |
So that would affect the value, I would imagine, sadly. | 0:13:23 | 0:13:26 | |
-But what do you think, guys? -Love it. | 0:13:26 | 0:13:29 | |
Love the colours. Love the bowl. | 0:13:29 | 0:13:30 | |
I do love it. I do love the Arts and Crafts movement, I love this era. | 0:13:30 | 0:13:33 | |
I love the colours. | 0:13:33 | 0:13:34 | |
It's quite a chunk of money, what's our tactic? | 0:13:34 | 0:13:36 | |
-Are we thinking spending big? -No, we wanted to buy cheap | 0:13:36 | 0:13:39 | |
and sell high, but this is really, really nice. | 0:13:39 | 0:13:41 | |
But the price has to be right. See what you can do. | 0:13:41 | 0:13:44 | |
You've got 185. Is there any movement on that price at all? | 0:13:44 | 0:13:48 | |
-I'll do 150. -150. | 0:13:48 | 0:13:50 | |
Couldn't go a little further for us on this cold day? | 0:13:50 | 0:13:53 | |
-140. -I think it's... Do you think? -Could we just do 135? | 0:13:53 | 0:13:58 | |
And it means you don't have to pack it away. | 0:13:58 | 0:14:01 | |
-138. -138? -138? Happy with 138? -I'm very happy because this lady... | 0:14:01 | 0:14:05 | |
-That's a very funny figure. -..I like her eyes. | 0:14:05 | 0:14:07 | |
-I think her eyes are wonderful. -I've had that said to me before. | 0:14:07 | 0:14:10 | |
I'm not surprised. | 0:14:10 | 0:14:11 | |
Flattery will nearly always get you a better deal, Alec. | 0:14:11 | 0:14:15 | |
Don't drop it. | 0:14:15 | 0:14:17 | |
Thank you so much, I'm really pleased with that. | 0:14:17 | 0:14:19 | |
Gosh, we spent some money, haven't we? | 0:14:19 | 0:14:21 | |
-We did, yeah. Bang goes the strategy. -Yeah. | 0:14:21 | 0:14:23 | |
Indeed. 15 minutes in and the Blues have spent nearly half their money | 0:14:23 | 0:14:27 | |
on their first buy. | 0:14:27 | 0:14:28 | |
£138 for the restored Moorcroft bowl. | 0:14:28 | 0:14:32 | |
All right, OK. | 0:14:32 | 0:14:33 | |
Back on a steady search and as they've got time on their side, | 0:14:33 | 0:14:36 | |
Thomas is keen to play a guessing game. | 0:14:36 | 0:14:40 | |
You know, there's something on that stand which I absolutely... | 0:14:40 | 0:14:43 | |
Can we have a look? | 0:14:43 | 0:14:44 | |
Really? Let me guess what you LOVE on this stand. | 0:14:44 | 0:14:47 | |
-The dragon? -Not the dragon, not Puff. | 0:14:47 | 0:14:50 | |
-Not this? -No, no, no. | 0:14:50 | 0:14:52 | |
-It's this one, Thomas? -No, definitely not. | 0:14:52 | 0:14:55 | |
-OK. -No, it's the bull. | 0:14:55 | 0:14:57 | |
-The bull? -Oh, the bull. | 0:14:57 | 0:14:59 | |
It's too expensive. You won't... | 0:14:59 | 0:15:01 | |
But it's by Arnold Machin, it's a Wedgwood zodiac bull. | 0:15:01 | 0:15:04 | |
-How much is this one? -Careful. -Oh, gosh, I nearly dropped it! | 0:15:04 | 0:15:07 | |
-275. -Oh, right. | 0:15:07 | 0:15:09 | |
Move on then, Reds. Talking of moving... | 0:15:09 | 0:15:11 | |
-Oh, what about...? -What about...? | 0:15:12 | 0:15:16 | |
Halls of Grantham. House furnishers, removals and storage. | 0:15:17 | 0:15:20 | |
-That's nice. -Oh, that's nice. | 0:15:20 | 0:15:22 | |
Are you trying to relive your childhood days? | 0:15:22 | 0:15:25 | |
He's never left it. | 0:15:25 | 0:15:27 | |
-What does it say? -Have we found a price? | 0:15:27 | 0:15:29 | |
-Is there a price on it? -Is this your...? | 0:15:29 | 0:15:31 | |
-Can we ask you a little bit about it? -Yeah, of course. | 0:15:31 | 0:15:34 | |
How much have you got on it, my love? | 0:15:34 | 0:15:36 | |
-The absolute death on that is 160, I'm afraid. -Ooph. | 0:15:36 | 0:15:39 | |
-This is a lovely... -Yeah, it is beautiful, yeah. | 0:15:39 | 0:15:42 | |
Oh, that's a real shame. | 0:15:42 | 0:15:43 | |
Everything we've picked up has been over 160. | 0:15:43 | 0:15:45 | |
We are nothing if not quality hounds, are we? | 0:15:45 | 0:15:48 | |
-Thank you ever so much. -Marvellous. | 0:15:48 | 0:15:50 | |
OK, we'll pop that down for the time being. Thank you. | 0:15:50 | 0:15:52 | |
Come on, you. Get something cheap. | 0:15:52 | 0:15:54 | |
Exactly right, Alec. | 0:15:54 | 0:15:56 | |
Park that van there and remove yourselves pretty sharpish. | 0:15:56 | 0:16:00 | |
It's been quite expensive, hasn't it? We didn't realise. | 0:16:00 | 0:16:02 | |
Well, we do have expensive taste. I mean, we paid out quite a lot | 0:16:02 | 0:16:05 | |
right at the very beginning, but we're now going to go | 0:16:05 | 0:16:07 | |
for cheap and cheerful. Much like ourselves. | 0:16:07 | 0:16:09 | |
Which is what we said right at the very beginning, didn't we, though? | 0:16:09 | 0:16:12 | |
Hmm. Let's see if you can manage that. Back to plan A. | 0:16:12 | 0:16:16 | |
In the meanwhile, Thomas is checking | 0:16:16 | 0:16:18 | |
in which direction the wind is blowing with the Reds. | 0:16:18 | 0:16:20 | |
I quite like the weather vane. | 0:16:20 | 0:16:22 | |
It's nice and weathered as well, isn't it? | 0:16:22 | 0:16:24 | |
Yeah, it's chunky, | 0:16:24 | 0:16:25 | |
it's got a bit of a weight and size to it, hasn't it? | 0:16:25 | 0:16:28 | |
-I like this. I think that's... -It's very decorative, isn't it? | 0:16:28 | 0:16:30 | |
Yeah. It's decorative stuff, I can see its appeal. | 0:16:30 | 0:16:32 | |
-How does it fit on? -You'd need a pole. -You need a pole. | 0:16:32 | 0:16:36 | |
-And it's a -weather vane? Yeah, yeah. | 0:16:36 | 0:16:37 | |
So what does a weather vane do exactly? | 0:16:37 | 0:16:39 | |
-Tells you which way the wind is coming. -Oh, I see. | 0:16:39 | 0:16:42 | |
-So it swivels. -Catches this, blows it round. | 0:16:42 | 0:16:44 | |
-How much is it? -It's £85. | 0:16:44 | 0:16:46 | |
-It goes beyond all your budgets as you've been going. -Yes. | 0:16:46 | 0:16:49 | |
And our strategy. We've got 30 minutes so let's have another... | 0:16:49 | 0:16:52 | |
We can bear that in mind, can't we? | 0:16:52 | 0:16:54 | |
Time to change direction. | 0:16:54 | 0:16:56 | |
Aren't these wacky? | 0:17:05 | 0:17:06 | |
Who would have thought that in 12 solid glass rings, | 0:17:06 | 0:17:11 | |
you could display so much colour and so much variety. | 0:17:11 | 0:17:16 | |
Of course, this could only be done by the Venetians at Murano. | 0:17:16 | 0:17:20 | |
This ring sits snugly on my finger, | 0:17:22 | 0:17:25 | |
it's comfortable to wear | 0:17:25 | 0:17:27 | |
because of the ovoid form of the glass itself | 0:17:27 | 0:17:31 | |
nothing to stick out and catch. | 0:17:31 | 0:17:33 | |
But the decoration itself is similar to canework | 0:17:33 | 0:17:38 | |
which was used by the Murano craftspeople | 0:17:38 | 0:17:41 | |
to create all those paperweights. | 0:17:41 | 0:17:43 | |
Next door to that is a gorgeous green ring. | 0:17:43 | 0:17:47 | |
I'm not sure this isn't my favourite | 0:17:47 | 0:17:49 | |
cos green's one of my favourite colours. | 0:17:49 | 0:17:51 | |
But here we've got three or four shades of green | 0:17:51 | 0:17:54 | |
which have been drawn out into a swirl | 0:17:54 | 0:17:57 | |
that goes from side to side on the ring. | 0:17:57 | 0:17:59 | |
And in between each of the green swirly bits, | 0:17:59 | 0:18:02 | |
there seems to be some metal. | 0:18:02 | 0:18:04 | |
That's called an inclusion. | 0:18:04 | 0:18:07 | |
And next door to that, we've got the same effect | 0:18:07 | 0:18:10 | |
but even more tightly drawn, | 0:18:10 | 0:18:13 | |
this time on a black and silver platinum ground. | 0:18:13 | 0:18:18 | |
Just in these three rings, you have an illustration on the finger | 0:18:18 | 0:18:22 | |
as to how beautiful they look when being worn. | 0:18:22 | 0:18:26 | |
And the rest of them on the table further illustrate the point. | 0:18:26 | 0:18:30 | |
And you might think that to buy a collection of 12 rings like this | 0:18:30 | 0:18:33 | |
would cost you a small fortune. | 0:18:33 | 0:18:34 | |
Well, you'd be wrong. | 0:18:34 | 0:18:36 | |
Poke about, do a deal and you'd find that each of these rings | 0:18:36 | 0:18:41 | |
would cost you no more than three pounds. | 0:18:41 | 0:18:44 | |
-LAUGHS -£36 for the lot. | 0:18:44 | 0:18:48 | |
Now, that is what I call a bargain. | 0:18:48 | 0:18:50 | |
Back to the shopping. And with less than 25 minutes to go, | 0:18:58 | 0:19:01 | |
the Reds have one item to find while the Blues... | 0:19:01 | 0:19:04 | |
Right, let's go, go, go, go in here. | 0:19:04 | 0:19:06 | |
..are on a mission to find two. | 0:19:06 | 0:19:08 | |
-I do love a bit of glass. -Hmm, OK. | 0:19:08 | 0:19:10 | |
Do you know what? I love a challenge. | 0:19:10 | 0:19:13 | |
You are challenging me in the best possible way. | 0:19:13 | 0:19:16 | |
FRENCH ACCENT: A challenge. | 0:19:16 | 0:19:18 | |
I rather like the look of this. What do you think of this, my love? | 0:19:22 | 0:19:26 | |
That is really rather lovely, though. Look at that. | 0:19:26 | 0:19:28 | |
-All the fishes. -Fish. | 0:19:28 | 0:19:30 | |
It's very fishy, yeah. I mean it's a lovely piece of glass. | 0:19:30 | 0:19:33 | |
Glassware - it has be either incredibly useful | 0:19:33 | 0:19:36 | |
or incredibly beautiful in order to sell at auction. | 0:19:36 | 0:19:39 | |
-And I know that you do love your glass. -I do. | 0:19:39 | 0:19:41 | |
I'm a bit worried having looked at this under closer inspection. | 0:19:41 | 0:19:43 | |
-Have you seen...? -Oh. | 0:19:43 | 0:19:46 | |
-That is massively cracked. -It is. | 0:19:46 | 0:19:48 | |
Oh, cracked glass is a no-no. | 0:19:48 | 0:19:50 | |
Unlucky, fella. Yeah, it has to be in good condition, as well. | 0:19:50 | 0:19:53 | |
So, sadly, I think that one has to go back. | 0:19:53 | 0:19:56 | |
It's got to go back. But good spot. | 0:19:56 | 0:19:58 | |
-We are really running out of time. -Move forward then, move forward. | 0:19:59 | 0:20:02 | |
Panic, panic, panic. | 0:20:02 | 0:20:04 | |
While the Blues worry about time, the Reds have time for tea. | 0:20:04 | 0:20:08 | |
-Chrome teapots. -It's eye-catching, isn't it? | 0:20:08 | 0:20:11 | |
It is eye-catching. You get, there's a lot there. | 0:20:11 | 0:20:13 | |
Although this is different, isn't it? | 0:20:13 | 0:20:15 | |
-It's all different. -Yeah. | 0:20:15 | 0:20:17 | |
So would you have those two and the sugar bowl? | 0:20:17 | 0:20:21 | |
-Well, they're... -No, you wouldn't want two teapots. | 0:20:21 | 0:20:23 | |
-It's got three teapots. -Well, I thought that was a coffee pot, no? | 0:20:23 | 0:20:26 | |
Well, it could be a coffee. Yes, it could be coffee. | 0:20:26 | 0:20:28 | |
-Are they the insulated ones? -They are the insulated ones. -Yeah, yeah. | 0:20:28 | 0:20:31 | |
Cos if you lift up... So, Phil, could you...? | 0:20:31 | 0:20:34 | |
-That's it. -Oh, right. Oh! -Yeah. -Isn't that nice? -Aw. | 0:20:34 | 0:20:37 | |
-PHIL LAUGHS -Keeps your tea warm, doesn't it? | 0:20:37 | 0:20:39 | |
-Yeah. -So you've got two teapots and a coffee pot | 0:20:39 | 0:20:42 | |
and a sugar bowl and cover and a tray. | 0:20:42 | 0:20:45 | |
Yeah. | 0:20:46 | 0:20:47 | |
Kate's not convinced. | 0:20:47 | 0:20:48 | |
-I'd rather have a teapot... -Do the lot. -..the milk... | 0:20:48 | 0:20:51 | |
-Do the lot, I say... -I think it gets crowded, don't you? | 0:20:51 | 0:20:53 | |
I wouldn't - you get more bang for your buck. Excuse me. | 0:20:53 | 0:20:56 | |
-So I'll read you the numbers. -STALL HOLDER: Yeah. | 0:20:56 | 0:20:58 | |
-So I've got tray, 18. -Yeah. | 0:20:58 | 0:21:01 | |
-I've got coffee pot, ten. -Yeah. | 0:21:01 | 0:21:04 | |
-I've got sugar bowl, ten. -Yeah. | 0:21:04 | 0:21:06 | |
Then I've got teapot, 20. | 0:21:06 | 0:21:09 | |
And there's nothing on the ribbed example. | 0:21:09 | 0:21:12 | |
-That one? -Yeah. -15. | 0:21:12 | 0:21:14 | |
And then the jug and the thing. | 0:21:14 | 0:21:17 | |
-These are 22? -Yes, that's right. | 0:21:17 | 0:21:19 | |
A full tray at £95. | 0:21:19 | 0:21:22 | |
-Hm... -So, I think 55 is generous, to be honest. -55, yeah? | 0:21:22 | 0:21:27 | |
-55 is a generous offer, I think. -Is it? OK. -Yeah. | 0:21:27 | 0:21:29 | |
-I think that's quite good. So what you want to do? -Buy, buy. | 0:21:29 | 0:21:32 | |
-55. We go for 55. -Thank you so much. That's lovely. -You're welcome. | 0:21:32 | 0:21:35 | |
So, a collection of seven chromed Art Deco pieces | 0:21:35 | 0:21:39 | |
bought as the Reds' third and final buy. | 0:21:39 | 0:21:43 | |
The job lot for £55 and with 15 minutes to spare. | 0:21:43 | 0:21:47 | |
The Blues, in the meanwhile, still need to find two items | 0:21:47 | 0:21:50 | |
and are feeling the pressure. | 0:21:50 | 0:21:52 | |
I am now, I am now really panicking. Er... | 0:21:52 | 0:21:55 | |
-Three items... -Yeah. -..all very similar. | 0:21:55 | 0:21:58 | |
-Yeah. -Yes, in a theme. -In a theme. | 0:21:58 | 0:22:01 | |
-And we got through it without arguing as well. -Mainly. -Mainly. | 0:22:01 | 0:22:04 | |
-Let's go and have lunch. -Yeah. | 0:22:04 | 0:22:06 | |
-Hey, over here. -WHISTLE BLOWS | 0:22:08 | 0:22:11 | |
I really like the back whistle there. | 0:22:11 | 0:22:12 | |
Girl Guide whistle. Were you in the Girl Guides? | 0:22:12 | 0:22:15 | |
-No, Brownies. -THEY LAUGH | 0:22:15 | 0:22:17 | |
-What's your thoughts? -Right, we're running out of time... | 0:22:17 | 0:22:20 | |
Well, that's what I'm saying. | 0:22:20 | 0:22:21 | |
-But are you hellbent on that? -Yes. | 0:22:21 | 0:22:23 | |
-Right... -Seriously... | 0:22:23 | 0:22:24 | |
-You really, really, really want a Girl Guide... -It's silvery. | 0:22:24 | 0:22:27 | |
If I lose my golden gavel because you've done that... | 0:22:27 | 0:22:29 | |
It's got Girl Guides written all over it, I think that is history. | 0:22:29 | 0:22:32 | |
-I love that. -History?! | 0:22:32 | 0:22:34 | |
I think that's really marvellous. | 0:22:34 | 0:22:36 | |
Yet, that gets, that's caught my eye a treat. | 0:22:36 | 0:22:37 | |
-How much is that then? -That's 58. -Well, let's just have a look at it. | 0:22:37 | 0:22:41 | |
We've got National Rose Society awarded to EH Ackerman, | 0:22:41 | 0:22:44 | |
medal by John Harvey Pinches. | 0:22:44 | 0:22:45 | |
So, Pinches is quite a famous medallion or medal producer. | 0:22:45 | 0:22:49 | |
So six distinct varieties of roses, | 0:22:49 | 0:22:52 | |
Chelsea Flower Show, July 1930, EH Ackerman. | 0:22:52 | 0:22:56 | |
Look how beautiful that is. | 0:22:56 | 0:22:58 | |
The casting on that is quite something. | 0:22:58 | 0:23:02 | |
I mean, I have not seen one of these before. | 0:23:02 | 0:23:03 | |
There are medal collectors, or medallion collectors. | 0:23:03 | 0:23:07 | |
It's in solid silver. | 0:23:07 | 0:23:09 | |
And I just think it's a really lovely thing. | 0:23:09 | 0:23:11 | |
I think it's lovely. I'm really happy with that if... | 0:23:11 | 0:23:13 | |
I mean, £58, see what you can do. I mean, try and get it for cheaper. | 0:23:13 | 0:23:16 | |
I think the fact it's got its original casing... | 0:23:16 | 0:23:18 | |
-Do you like it, Al? -I like this. -Yeah. Come on then. | 0:23:18 | 0:23:21 | |
But I like that tin over there, as well, to be fair. | 0:23:21 | 0:23:23 | |
-That's a different... -But how much is on that tin? | 0:23:23 | 0:23:26 | |
-I haven't looked. -One thing at a time, Ian. | 0:23:26 | 0:23:28 | |
Time, time is of the essence. | 0:23:28 | 0:23:30 | |
All that Girl Guides have brought to our country... | 0:23:30 | 0:23:33 | |
-Focus, focus. -..over many, many years. -Focus, focus! | 0:23:33 | 0:23:36 | |
Well, let's do something with that then. | 0:23:37 | 0:23:39 | |
-It's got £58 on it. -Right. | 0:23:39 | 0:23:42 | |
-Is there anything that you could do on the price? -I could do 50. | 0:23:42 | 0:23:45 | |
Could do £50. OK. | 0:23:45 | 0:23:47 | |
-Shall we just stick with this? -But we've not got much time left! | 0:23:47 | 0:23:50 | |
All right, let's just... | 0:23:50 | 0:23:52 | |
-We'll definitely have that. -We'll definitely have this. | 0:23:52 | 0:23:55 | |
-OK, so we're happy with that at £50? -Yes. | 0:23:55 | 0:23:58 | |
So much confusion, so little focus, | 0:23:58 | 0:24:00 | |
but they've managed to secure this Chelsea Flower Show medallion | 0:24:00 | 0:24:04 | |
for £50 as their second buy. | 0:24:04 | 0:24:06 | |
Now, with only a few minutes ago, | 0:24:06 | 0:24:08 | |
Christina, control the lads, will you? | 0:24:08 | 0:24:10 | |
-Have a look at your tin. You have got two minutes. -Two minutes, right. | 0:24:10 | 0:24:13 | |
Have look at your tin and then come back. | 0:24:13 | 0:24:15 | |
-Hello there. How much have you got on your tin? -That's 25, sir. | 0:24:17 | 0:24:20 | |
25? And is there any movement on that? | 0:24:20 | 0:24:23 | |
20 is the absolute best, I think. | 0:24:23 | 0:24:25 | |
-20? -Yeah. -OK, give me a minute. | 0:24:25 | 0:24:27 | |
I'll just go and tell my colleagues. Thank you. | 0:24:27 | 0:24:29 | |
-OK, time to decide. The tin or....? -What's that there? | 0:24:31 | 0:24:35 | |
Well, that is a nice little penknife | 0:24:35 | 0:24:37 | |
which was tucked in the corner there. | 0:24:37 | 0:24:39 | |
It's silver I think it's a nice little thing. | 0:24:39 | 0:24:41 | |
We've got no time. I think it'll do better... | 0:24:41 | 0:24:43 | |
That's lovely, but, you know, | 0:24:43 | 0:24:44 | |
I think this is, got a bit more chance. | 0:24:44 | 0:24:46 | |
-What's that price? £30? -Yeah. Well, then, fantastic. | 0:24:46 | 0:24:50 | |
Hello! THEY CHUCKLE | 0:24:50 | 0:24:52 | |
You've already been so, so kind. | 0:24:52 | 0:24:54 | |
Is there anything you can do on this for us? | 0:24:54 | 0:24:57 | |
-Let me have a look for you. -I've taken a bit of a shine to that. | 0:24:57 | 0:25:00 | |
-Right, erm. -THEY LAUGH | 0:25:00 | 0:25:03 | |
Well, I could be very generous. How would 15 be? | 0:25:03 | 0:25:06 | |
Thank you so much, dear lady. You're a wonderful person. | 0:25:06 | 0:25:09 | |
You've been very generous. Thank you so much. | 0:25:09 | 0:25:11 | |
Right, teams, your 60 minutes is up. | 0:25:13 | 0:25:15 | |
Mum, can I kiss my friend again? | 0:25:15 | 0:25:17 | |
Boys, seriously, under the... | 0:25:17 | 0:25:19 | |
Sorry. I need a very large gin and tonic and a sit down. | 0:25:19 | 0:25:22 | |
Let's check out what the Red team bought, eh? | 0:25:22 | 0:25:25 | |
A clear early buy for the Reds, an Art Deco mirror for £16. | 0:25:25 | 0:25:30 | |
Looking good, guys. | 0:25:30 | 0:25:32 | |
Next they rolled up a Beswick biscuit box for £25. | 0:25:32 | 0:25:36 | |
And finally, it was tea for two and two for tea. | 0:25:37 | 0:25:40 | |
A collection of 1950s tea ware bought for £55. | 0:25:40 | 0:25:45 | |
-Are you OK, you two? -Yes. -Yeah. -It's a bit cold out here. | 0:25:45 | 0:25:47 | |
-It is cold. -It is a bit chilly. | 0:25:47 | 0:25:49 | |
Now, tell me, darling, which is your favourite piece? | 0:25:49 | 0:25:51 | |
-The biscuit barrel. -Favourite? -Yeah. -Husband? | 0:25:51 | 0:25:54 | |
Erm, I'm going to go for the tray with all the pots of coffee... | 0:25:54 | 0:25:57 | |
-Thermos ware! -That's your favourite? Personal favourite? -Absolutely. | 0:25:57 | 0:26:00 | |
Which is going to bring the biggest profit? | 0:26:00 | 0:26:02 | |
-Obviously the one that I've chosen. -Yeah, I agree with that one. | 0:26:02 | 0:26:05 | |
-You agree with it? -Yeah. -Yeah. -OK, how much should you spend? -£96. | 0:26:05 | 0:26:08 | |
-Please may I have £204? -You can. | 0:26:08 | 0:26:11 | |
Gosh, look at that. And the four. How lovely. | 0:26:11 | 0:26:13 | |
-The all-important four. -Exactly. | 0:26:13 | 0:26:15 | |
Over to Tom Tom. Thank you, Tom. What are you going to do with it? | 0:26:15 | 0:26:19 | |
I think I might find something on your same vein. | 0:26:19 | 0:26:23 | |
-Oh, right. -Ah! -Yes. | 0:26:23 | 0:26:24 | |
-Might have spotted something... -Stylish and '30s. | 0:26:24 | 0:26:26 | |
OK, well, sounds intriguing, and good luck with that, Tom, | 0:26:26 | 0:26:29 | |
because right now, we're going to check out | 0:26:29 | 0:26:31 | |
what the Blue team bought, aren't we? | 0:26:31 | 0:26:33 | |
First up, the Blues were drawn to a Moorcroft bowl | 0:26:33 | 0:26:36 | |
bought for a hefty £138. | 0:26:36 | 0:26:39 | |
The deal was done for £50 on a 1930s Chelsea flower show medal. | 0:26:40 | 0:26:45 | |
And finally, a mother-of-pearl penknife was bought for £15. | 0:26:47 | 0:26:51 | |
-Alec, Ian, how was that for you? -Fantastic. | 0:26:54 | 0:26:56 | |
Slightly expensive taste, perhaps? | 0:26:56 | 0:26:58 | |
Well, we didn't think we had, but clearly, we do have. | 0:26:58 | 0:27:01 | |
How much did you spend? | 0:27:01 | 0:27:02 | |
-£203. -£203. | 0:27:02 | 0:27:04 | |
I'd like £97 of leftover lolly, please. Somebody got that? | 0:27:04 | 0:27:07 | |
THEY LAUGH | 0:27:07 | 0:27:09 | |
Not exactly willing, is he? | 0:27:09 | 0:27:12 | |
So which is your favourite piece, Ian? | 0:27:12 | 0:27:14 | |
-I like the first piece, which was a plate. -Did you? -Yeah. | 0:27:14 | 0:27:18 | |
-OK, which is your favourite piece, Alec? -Well, I favoured the bowl. | 0:27:18 | 0:27:21 | |
I thought the bowl was lovely, but then I quite like the coin. | 0:27:21 | 0:27:23 | |
And actually, the medal and the knife is really good too. But... | 0:27:23 | 0:27:26 | |
-Everything, in fact. -Seeing as you've asked for | 0:27:26 | 0:27:28 | |
a single answer there, I will say it was the bowl also. | 0:27:28 | 0:27:31 | |
-Do they go on like this all the time? -I'm afraid we did. -Oh, Lordy. | 0:27:31 | 0:27:34 | |
My face actually aches from laughing. | 0:27:34 | 0:27:36 | |
That will be most of the programme used up then. | 0:27:36 | 0:27:38 | |
OK, which piece is going to bring the biggest profit in one sentence? | 0:27:38 | 0:27:42 | |
-Oh, the Moorcroft, without a doubt. -You think? -I think the knife. | 0:27:42 | 0:27:46 | |
-Do you? -Mm. -Give it the knife, hey? -Yeah. | 0:27:46 | 0:27:48 | |
-Now, moving on, very, very quickly. -Thank you kindly. -There you go, CT. | 0:27:48 | 0:27:51 | |
-Brilliant. -You are unbelievable, everybody knows it. | 0:27:51 | 0:27:54 | |
-Now you've got to live up to it. -Yeah, and panic, thanks. | 0:27:54 | 0:27:57 | |
Good luck with that. | 0:27:57 | 0:27:58 | |
Meanwhile, we're shuffling off to the auction | 0:27:58 | 0:28:00 | |
where we hope it's going to be more work! | 0:28:00 | 0:28:02 | |
Yeah! | 0:28:02 | 0:28:03 | |
I've arrived at Richard Winterton's saleroom in the city of Lichfield. | 0:28:03 | 0:28:07 | |
And I'm with the man himself whose gavel is ready to get into gear. | 0:28:07 | 0:28:10 | |
Richard, good morning to you. | 0:28:11 | 0:28:13 | |
And good morning to you, and welcome to our lovely city. | 0:28:13 | 0:28:16 | |
Thank you. | 0:28:16 | 0:28:17 | |
Now, for the Reds, they've definitely got | 0:28:17 | 0:28:20 | |
what you might call a Deco-y theme to their purchases. | 0:28:20 | 0:28:24 | |
First off is the mirror, which is described as Art Deco | 0:28:24 | 0:28:28 | |
but actually, it could be 1950s, couldn't it? | 0:28:28 | 0:28:30 | |
-Yeah, could easily. -Yeah. | 0:28:30 | 0:28:31 | |
It's not spotted or scratched. It's ready to go. What's it worth? | 0:28:31 | 0:28:36 | |
Erm, it's the sort of thing | 0:28:36 | 0:28:37 | |
that we'd put four or five together in a lot. | 0:28:37 | 0:28:40 | |
Individually, yeah, it might make ten pounds. | 0:28:40 | 0:28:42 | |
OK, £16 they paid, so they may get out of trouble with that. | 0:28:42 | 0:28:46 | |
Next, we've got the biscuit box | 0:28:46 | 0:28:48 | |
which very much has the look of speed about it, doesn't it? | 0:28:48 | 0:28:51 | |
-It does. -It does look like '30s. | 0:28:51 | 0:28:52 | |
Yeah, you know, it's popular. | 0:28:52 | 0:28:54 | |
There's still people do, you know, like... | 0:28:54 | 0:28:56 | |
There are Beswick collectors out there, | 0:28:56 | 0:28:58 | |
but that kind of Deco, sort of, look, £20, 20 to 30. | 0:28:58 | 0:29:01 | |
-OK. £25 paid, so they paid the right price again, well done. -Yeah. | 0:29:01 | 0:29:04 | |
And then there's a collection of this chromium-plated stuff. | 0:29:04 | 0:29:07 | |
-Do you rate it? -Not particularly. | 0:29:07 | 0:29:08 | |
-You don't? -No, OK, fine. | 0:29:08 | 0:29:10 | |
15 to 25. | 0:29:10 | 0:29:11 | |
-Each? -HE LAUGHS | 0:29:11 | 0:29:14 | |
-They were doing oh-so well. -£15 to £25 then. | 0:29:14 | 0:29:16 | |
They paid £55. | 0:29:16 | 0:29:18 | |
I'm not surprised they paid that, but if we get that, I'll... | 0:29:18 | 0:29:22 | |
-You would be surprised? -Yeah. | 0:29:22 | 0:29:23 | |
OK. Well, that's your challenge. | 0:29:23 | 0:29:25 | |
And in case you fail, they'll need their bonus buy, | 0:29:25 | 0:29:28 | |
so let's go and have a look at it. | 0:29:28 | 0:29:30 | |
OK, last of the big spenders, you two. | 0:29:30 | 0:29:33 | |
£96. £204 you had, Tom. | 0:29:33 | 0:29:36 | |
-Did that burn a hole in your pocket? -It did burn a hole in my pocket... | 0:29:36 | 0:29:39 | |
-Good. -..but I wanted to continue our theme... | 0:29:39 | 0:29:42 | |
-..and... -Oh! -..we have the mirror, we have the tea set... | 0:29:43 | 0:29:47 | |
-That's lovely. -It's nice. | 0:29:47 | 0:29:48 | |
-..and this would adorn the mantelpiece. -It would. | 0:29:48 | 0:29:52 | |
-A proper, Bakelite vintage clock by Jaz. -Oh, it's gorgeous. | 0:29:52 | 0:29:55 | |
-It's an alarm as well. -And does it work? | 0:29:55 | 0:29:57 | |
It does. It has been refurbed. Have a look. | 0:29:57 | 0:29:58 | |
-It's got a look about it, hasn't it? -How much was it? | 0:29:58 | 0:30:01 | |
Well, there is a story in that. | 0:30:01 | 0:30:03 | |
Now, you spent a total of £96, | 0:30:03 | 0:30:06 | |
and I thought, "Well, maybe I should try and match it in one item." | 0:30:06 | 0:30:09 | |
And it was priced at 130, but I managed to buy it for £80. | 0:30:09 | 0:30:13 | |
-So you think there's some profit in it? -You reckon? | 0:30:13 | 0:30:15 | |
Well, there could be a small profit, a small profit, I'm thinking. | 0:30:15 | 0:30:18 | |
-Right. -All right. Thinking it through? -Thinking about it. | 0:30:18 | 0:30:21 | |
-I'm not sure that there's a profit in that. -We'll think... Yes, yes. | 0:30:21 | 0:30:24 | |
Well, you decide after the sale of your first three items. | 0:30:24 | 0:30:27 | |
But right now, for the viewers at home, | 0:30:27 | 0:30:28 | |
let's find out what the auctioneer thinks about Tom Tom's clock. | 0:30:28 | 0:30:31 | |
More of the same, I'd say. | 0:30:31 | 0:30:33 | |
Thomas Plant has gone out to buy something | 0:30:33 | 0:30:36 | |
that he knows will be popular with his team. | 0:30:36 | 0:30:39 | |
But that has at least got a real bit of style about it in my view. | 0:30:39 | 0:30:44 | |
Yeah, I quite like this. | 0:30:44 | 0:30:46 | |
I have to say, I do. You know, I do like it. | 0:30:46 | 0:30:48 | |
It's got that look, hasn't it? With the Bakelite and the... | 0:30:48 | 0:30:51 | |
I love the colour as well. I think it's... | 0:30:51 | 0:30:53 | |
And they talk about the jazz age and it says Jaz on it | 0:30:53 | 0:30:55 | |
and it's a French movement, | 0:30:55 | 0:30:56 | |
and it's an alarum and its got that Cubist look. | 0:30:56 | 0:30:59 | |
-And it's 20 to 30. -Is that all? | 0:30:59 | 0:31:02 | |
Well, I think that's a good... Well, for what it is, 20 to 30... | 0:31:02 | 0:31:05 | |
Ah, I think that is cheap. Come on, Richard. | 0:31:05 | 0:31:07 | |
-It's got to be 50 to 80. -It could get to 40. No, no, no. | 0:31:07 | 0:31:11 | |
-Won't it get to £80? -Oh, I don't think so. | 0:31:11 | 0:31:13 | |
That's what Thomas Plant paid for it. | 0:31:13 | 0:31:14 | |
Do you think that's £80? Can you see £80 in that? | 0:31:14 | 0:31:17 | |
-Yes, at top end, I think it could make £80. -OK, OK. | 0:31:17 | 0:31:20 | |
Well, that's only me saying that. That doesn't mean it will do. | 0:31:20 | 0:31:23 | |
-You're the maestro with the gavel. -Yeah. | 0:31:23 | 0:31:26 | |
OK, well, I'm going to pop it down on there then. | 0:31:26 | 0:31:28 | |
It's got half a chance to. | 0:31:28 | 0:31:29 | |
-It's a nice looker, isn't it? -Exactly. -Yeah. | 0:31:29 | 0:31:31 | |
-Just like you, Richard. -Yeah. -Right. | 0:31:31 | 0:31:32 | |
That's it now, for the Reds. | 0:31:32 | 0:31:34 | |
Moving on to the Blues is the Moorcroft Pottery bowl. | 0:31:34 | 0:31:37 | |
Now, there is an auction favourite. | 0:31:37 | 0:31:41 | |
It is... | 0:31:41 | 0:31:43 | |
The only worry is that it's been heavily restored. | 0:31:43 | 0:31:47 | |
We've still got £100 on it cos it's a good part and it's a good look. | 0:31:47 | 0:31:50 | |
-If it didn't have the restorations, you'd be, you know... -200 to 300. | 0:31:50 | 0:31:53 | |
Oh, yeah, easy. Double that. Well over. | 0:31:53 | 0:31:54 | |
Well, £138 was paid. | 0:31:54 | 0:31:57 | |
That would tell me that they knew there was restorations | 0:31:57 | 0:31:59 | |
for that price. | 0:31:59 | 0:32:00 | |
So we might or might not get out of trouble with that, | 0:32:00 | 0:32:03 | |
but at least you put 100 on it, which is encouraging, thank you. | 0:32:03 | 0:32:06 | |
Now, the person that won that medal at Chelsea in 1930 | 0:32:06 | 0:32:10 | |
would have been so chuffed, wouldn't they? | 0:32:10 | 0:32:12 | |
It's a real bit of horticultural history. | 0:32:12 | 0:32:14 | |
But is anybody going to buy it? | 0:32:14 | 0:32:16 | |
I'm struggling to think who, what market's going to be there. | 0:32:16 | 0:32:19 | |
You know, the John Pinches, the name, the box is great. | 0:32:19 | 0:32:23 | |
You know, it shouts quality at you. | 0:32:23 | 0:32:25 | |
-I would worry. We've got 15 to 20 on it. -Yeah. | 0:32:25 | 0:32:28 | |
£50 is the price that was paid for that. | 0:32:28 | 0:32:31 | |
OK, there's a big question mark hanging over that. | 0:32:31 | 0:32:34 | |
Anyway, old fruit, how do you rate the fruit knife? | 0:32:34 | 0:32:38 | |
I like it, and these are always popular. | 0:32:38 | 0:32:40 | |
You know, there's a growing thing for these fruit knives. | 0:32:40 | 0:32:43 | |
It's nicely, you know, marked with the silver. | 0:32:43 | 0:32:45 | |
Yeah, it's a seller all day long. | 0:32:45 | 0:32:47 | |
-20 to 30. -OK, £15 paid. -That's good. That's OK. | 0:32:47 | 0:32:50 | |
-So £15 was cheap, wasn't it? -Yeah, I like that. -You like it. | 0:32:50 | 0:32:53 | |
And after all this schmoozing around, | 0:32:53 | 0:32:55 | |
they may or may not need their bonus buy, | 0:32:55 | 0:32:57 | |
but let's go and have a look at it. | 0:32:57 | 0:32:59 | |
Ian, Alec, how are you? Tickety-boo. | 0:33:00 | 0:33:02 | |
Very well. Thank you for asking. | 0:33:02 | 0:33:04 | |
-Good for you. Now, you spent £203, which is magnificent. -We did, yeah. | 0:33:04 | 0:33:08 | |
You gave 'er indoors £97. | 0:33:08 | 0:33:11 | |
-You can clearly went out and found something enormous. -Yeah. | 0:33:11 | 0:33:13 | |
What was it? | 0:33:13 | 0:33:15 | |
-Go on. -Do you want to go for it, Alec? -Can I? -Yeah. -All right. | 0:33:15 | 0:33:17 | |
Oh. Er... | 0:33:19 | 0:33:21 | |
Yes! THEY LAUGH | 0:33:21 | 0:33:24 | |
-We loved that, didn't we? -Oh, yes. Without a doubt. | 0:33:24 | 0:33:26 | |
He was going berserk over this thing. | 0:33:26 | 0:33:28 | |
I said, "You're not having it, | 0:33:28 | 0:33:29 | |
"We've got no time, we've got to... Come away from it." | 0:33:29 | 0:33:32 | |
Believe it or not, believe it or not, we almost ran out of time. | 0:33:32 | 0:33:35 | |
I mean, I know it's difficult to believe | 0:33:35 | 0:33:37 | |
-because of the amount of chat... -BOTH: That's brilliant. | 0:33:37 | 0:33:39 | |
-Happy? -I'm thrilled. -I give you your whistle. -What's so brilliant? | 0:33:39 | 0:33:42 | |
-Absolutely thrilled. -It is... What is it? | 0:33:42 | 0:33:44 | |
Why did you love it so much? | 0:33:44 | 0:33:45 | |
Well, it's a commemorative thing for Girl Guides, | 0:33:45 | 0:33:48 | |
but I just think it's the history behind it. | 0:33:48 | 0:33:51 | |
My mum said to me, she said, | 0:33:51 | 0:33:52 | |
"It's always better to have a Girl Guide in your pocket | 0:33:52 | 0:33:55 | |
-"than a Brownie in your pants." -Yes! -So that's... | 0:33:55 | 0:33:58 | |
And that is why I fell in love with it. | 0:33:58 | 0:34:01 | |
And do you know something? | 0:34:01 | 0:34:02 | |
Do know something, Ian? | 0:34:02 | 0:34:04 | |
Your mother was exactly right. | 0:34:04 | 0:34:05 | |
I can't remember, how much were they asking for it? | 0:34:05 | 0:34:07 | |
-Five quid, no, 15. -£412. | 0:34:07 | 0:34:09 | |
-15? Oh, I spent a fiver on it. -OK. -Well done. | 0:34:09 | 0:34:12 | |
So it's five pound's worth of whistle. | 0:34:12 | 0:34:15 | |
-And do we have a projected value? -I have no idea! | 0:34:15 | 0:34:19 | |
-Does it really matter? -It's priceless. -Exactly, it's priceless. | 0:34:19 | 0:34:22 | |
-That's what it is. -It's priceless. -It's brilliant. | 0:34:22 | 0:34:24 | |
-I'm thrilled. Thank you for that. -You're very welcome. Any time. | 0:34:24 | 0:34:27 | |
Well, you've made a geezer very happy. | 0:34:27 | 0:34:29 | |
Oh, excellent. | 0:34:29 | 0:34:30 | |
So let's find out for the audience at home | 0:34:30 | 0:34:32 | |
whether you've made the auctioneer happy. | 0:34:32 | 0:34:34 | |
OK, Richard, whet that one for me. | 0:34:35 | 0:34:37 | |
-Look at that, hey. -Chromium plate. | 0:34:37 | 0:34:41 | |
-Think it's 1950s. -I think it is, isn't it? Girl Guides. | 0:34:41 | 0:34:44 | |
I've never seen one... I've never seen one with... | 0:34:44 | 0:34:46 | |
That written with Girl Guides on before, I have to say. | 0:34:46 | 0:34:48 | |
No, me neither. | 0:34:48 | 0:34:49 | |
Has it got some commercial value? | 0:34:49 | 0:34:52 | |
I don't know. | 0:34:52 | 0:34:53 | |
You know, we've got ten pounds on it. | 0:34:53 | 0:34:55 | |
-Actually, Christina, as a bonus buy, paid a five-pound note for it. -OK. | 0:34:55 | 0:35:00 | |
Excellent. Thank you very much, Ricardo. | 0:35:00 | 0:35:02 | |
-And very, very, very good luck. -Yep, thank you. | 0:35:02 | 0:35:04 | |
Phil, Kate, look at all these people jammed in here. | 0:35:12 | 0:35:15 | |
-It's good, isn't it? -Look like buyers to me, Tim. | 0:35:15 | 0:35:17 | |
They look like buyers. | 0:35:17 | 0:35:19 | |
Let's hope they're Art Deco buyers, cos that's all you've got to sell. | 0:35:19 | 0:35:22 | |
-Yeah. -Anyway, and the first lot up is the Art Deco mirror, | 0:35:22 | 0:35:24 | |
-and here it comes. -AUCTIONEER: -There is the mirror. | 0:35:24 | 0:35:27 | |
Where are you going to be for that mirror? Five pounds. | 0:35:27 | 0:35:29 | |
-Five to start me. Five, I'm bid. Six, I'm bid. -Come on, come on. | 0:35:29 | 0:35:32 | |
Eight, I'm bid. Eight pound right away | 0:35:32 | 0:35:34 | |
In the room at eight pound. Ten pounds. £15, the internet. | 0:35:34 | 0:35:37 | |
-'£20, the room.' -Yes! -Yes! | 0:35:37 | 0:35:38 | |
-'25, the internet.' -Look, you're in profit. | 0:35:38 | 0:35:40 | |
That's marvellous. | 0:35:40 | 0:35:41 | |
25, I'm bid. 25, I'm bid. 25, I'm bid. | 0:35:41 | 0:35:44 | |
Sold then at 25. | 0:35:44 | 0:35:47 | |
That is plus nine pounds. | 0:35:47 | 0:35:49 | |
You're nine pounds up just like that. Isn't that good? | 0:35:49 | 0:35:51 | |
-Yes. -Wonderful. -Perfect. | 0:35:51 | 0:35:53 | |
Now, the biscuit barrel. | 0:35:53 | 0:35:54 | |
Five pounds again, start me. Nothing on my book. | 0:35:54 | 0:35:57 | |
Five, six, eight, ten, 15... | 0:35:57 | 0:36:00 | |
-You get a lot of biscuits in. -'15. Down there at 15.' | 0:36:00 | 0:36:02 | |
-£15, I'm bid at 15, 15. -Come on, come on. | 0:36:02 | 0:36:05 | |
-£20. -Thank you. Good girl. | 0:36:05 | 0:36:06 | |
£25. 25. On my left at 25. | 0:36:06 | 0:36:10 | |
£25 on the left. | 0:36:10 | 0:36:12 | |
Selling at 25. | 0:36:12 | 0:36:14 | |
Aw... | 0:36:14 | 0:36:15 | |
£25. Wiped its face. | 0:36:15 | 0:36:17 | |
No pain, no gain, no profit, no loss. Right. | 0:36:17 | 0:36:21 | |
Now, here comes the tea ware. Stand by. | 0:36:21 | 0:36:23 | |
1950s. This will take you back, some of you. | 0:36:23 | 0:36:26 | |
£15, I'm bid. 15, 20. Five here. 30 in the room. 30. | 0:36:26 | 0:36:31 | |
-I'm bid in the room at £30. -Keep going. | 0:36:31 | 0:36:33 | |
£30. £30 in the room. £30 in the room. | 0:36:33 | 0:36:37 | |
All done. Sold at 30. | 0:36:37 | 0:36:41 | |
Oh, no. £30 is minus £25. | 0:36:41 | 0:36:44 | |
You had nine pounds before, | 0:36:44 | 0:36:46 | |
which means you are now minus £16. | 0:36:46 | 0:36:50 | |
But what are we going to do about the Bakelite clock? | 0:36:50 | 0:36:53 | |
You can park it and maybe have a winning score at minus 16. | 0:36:53 | 0:36:56 | |
-No, let's go for it. -You want to go for it? | 0:36:56 | 0:36:57 | |
-Why wouldn't we? -Or do you want to have a punt? | 0:36:57 | 0:37:00 | |
The old Bakelite clock, do you reckon it's going to beat 80? Thomas... | 0:37:00 | 0:37:03 | |
-I can't say anything. -No, you're not allowed. -Not allowed. | 0:37:03 | 0:37:06 | |
-No, it's not going to do it. -You're not going to go for it? | 0:37:06 | 0:37:08 | |
We're going to park our loss. | 0:37:08 | 0:37:10 | |
OK, we're not going with the bonus buy, | 0:37:10 | 0:37:11 | |
but we're going to sell it anyway. | 0:37:11 | 0:37:13 | |
You may have done a wise move | 0:37:13 | 0:37:14 | |
cos the auctioneer's estimate is only 20 to 30 on this, so let's see. | 0:37:14 | 0:37:18 | |
Here we go. | 0:37:18 | 0:37:19 | |
Quality pure fantastic item. Where are you going to be? | 0:37:19 | 0:37:21 | |
Interest is on the book. I have £20. £20. 25, £30. 35. | 0:37:21 | 0:37:27 | |
35, I'm bid. | 0:37:27 | 0:37:28 | |
£40, 45, £50, 55. | 0:37:28 | 0:37:31 | |
-Oh. -Not bad. | 0:37:31 | 0:37:33 | |
55, I'm bid. £55. | 0:37:33 | 0:37:35 | |
-Go on! -£55. | 0:37:35 | 0:37:37 | |
£55. The room is out. At £55. | 0:37:37 | 0:37:39 | |
Sensible move, you two. Sensible move. | 0:37:39 | 0:37:42 | |
All done. Selling at 55. | 0:37:42 | 0:37:45 | |
55 is minus 25. | 0:37:45 | 0:37:47 | |
As it is, you didn't go with the bonus buy, | 0:37:47 | 0:37:49 | |
you parked it with losses of only £16, | 0:37:49 | 0:37:52 | |
so you could win on that. | 0:37:52 | 0:37:53 | |
-Have you been talking to the Reds? -BOTH: No. | 0:38:01 | 0:38:03 | |
We don't want you to cos we don't want you to know what their score is | 0:38:03 | 0:38:06 | |
so it doesn't influence your decisions | 0:38:06 | 0:38:08 | |
when it comes to the bonus buy, all right? | 0:38:08 | 0:38:09 | |
So this is all a bit secret. You don't know, so that's fantastic. | 0:38:09 | 0:38:13 | |
Now, first up is going to be your Moorcroft bowl, | 0:38:13 | 0:38:15 | |
and here it comes. | 0:38:15 | 0:38:16 | |
It's the orchard design, impressed marks. | 0:38:16 | 0:38:19 | |
There we go. Lovely thing. | 0:38:19 | 0:38:21 | |
Where are you going to be? Start me at 100. 80, £50. | 0:38:21 | 0:38:23 | |
-CAROLINE GASPS -50, I've got. 50, I'm bid. | 0:38:23 | 0:38:25 | |
-60, I'm bid. -It's beautiful. | 0:38:25 | 0:38:27 | |
-60, I'm bid. -£60, I'm bid. | 0:38:27 | 0:38:29 | |
70, I'm bid. 70, right away. In the room at 70. | 0:38:29 | 0:38:32 | |
-Internet, you're out. -No! More, more, more. | 0:38:32 | 0:38:35 | |
£80, the internet. £80. £90, the room. | 0:38:35 | 0:38:37 | |
It's getting there. | 0:38:37 | 0:38:38 | |
'£90, the room. £90, the room. Internet is out then.' | 0:38:38 | 0:38:41 | |
-It's in the room. -No, keep going. | 0:38:41 | 0:38:43 | |
We are selling then at £90. | 0:38:43 | 0:38:45 | |
Oh, no! | 0:38:45 | 0:38:46 | |
-I can't bear it. -That hurt. | 0:38:46 | 0:38:48 | |
That is minus £48. | 0:38:48 | 0:38:50 | |
-That's a big hit. -That IS a big hit. | 0:38:50 | 0:38:53 | |
Little medallion now, and a nice little box with it. | 0:38:53 | 0:38:56 | |
Chelsea Flower Show. | 0:38:56 | 0:38:57 | |
All you keen on the Flower Show, this is one for you. | 0:38:57 | 0:39:00 | |
Where are you going to be? £20, 15. | 0:39:00 | 0:39:02 | |
'Fiver to go. Five pounds to start me.' | 0:39:02 | 0:39:04 | |
Little white medallion. There it is. | 0:39:04 | 0:39:06 | |
Five pounds, six pounds, eight pounds, ten pounds. | 0:39:06 | 0:39:09 | |
-We loved this! -I know. | 0:39:09 | 0:39:10 | |
The room, £15. £15. | 0:39:10 | 0:39:12 | |
It's beautiful. | 0:39:12 | 0:39:14 | |
£15, you're all done. | 0:39:14 | 0:39:17 | |
£20. The lady has come in at £20. | 0:39:17 | 0:39:20 | |
No-one will ever know that you didn't win it at the Flower Show. | 0:39:20 | 0:39:23 | |
-LAUGHTER -Yours, madam. It's all yours. | 0:39:23 | 0:39:25 | |
-Aw... -Minus £30. | 0:39:25 | 0:39:27 | |
My heart! | 0:39:27 | 0:39:29 | |
You're minus 78, bros. | 0:39:29 | 0:39:31 | |
THEY SPEAK OVER EACH OTHER | 0:39:31 | 0:39:32 | |
The silver and mother-of-pearl folding fruit knife. | 0:39:32 | 0:39:35 | |
Always popular these are. Growing market. | 0:39:35 | 0:39:37 | |
Ten pound, I'm bid. 15, 18, 20. | 0:39:37 | 0:39:40 | |
'Five with me.' | 0:39:40 | 0:39:41 | |
-With me at 25. -Recoup some losses. | 0:39:41 | 0:39:45 | |
25. All done? | 0:39:45 | 0:39:46 | |
25. | 0:39:46 | 0:39:48 | |
-Perfect. -A profit! -Well done. | 0:39:48 | 0:39:50 | |
That is plus ten pounds. You were minus 78 before. | 0:39:50 | 0:39:53 | |
You are now minus 68, OK? | 0:39:53 | 0:39:55 | |
Say that quietly. | 0:39:55 | 0:39:56 | |
Minus 68. So what are we going to do about the whistle? | 0:39:56 | 0:39:59 | |
-Well, let's have a think. Yeah! -Yeah. -Yeah. -Definitely. | 0:39:59 | 0:40:02 | |
OK, fine. They're going with the bonus buy. | 0:40:02 | 0:40:04 | |
I can tell you now that the auctioneer has estimated ten to £15. | 0:40:04 | 0:40:07 | |
-Ooh. -That's good. -Might double our money. | 0:40:07 | 0:40:09 | |
He didn't know why he has, but that's fair enough. | 0:40:09 | 0:40:11 | |
-He has. -Cos he has taste. -Is that what it is? OK, fine. | 0:40:11 | 0:40:15 | |
-Five pounds paid for the whistle... -I can't believe it's double figures. | 0:40:15 | 0:40:18 | |
..let's see what happens, and here it comes. | 0:40:18 | 0:40:20 | |
Nothing on my book. Where are we going to be? | 0:40:20 | 0:40:22 | |
Start me. Five pounds. | 0:40:22 | 0:40:23 | |
-Go on! -Yes! -'Five pounds.' -Come on. | 0:40:23 | 0:40:27 | |
Five pounds. Six pounds, the internet. | 0:40:27 | 0:40:29 | |
-'Eight pounds, the room.' -Yeah! Oh! | 0:40:29 | 0:40:31 | |
At eight pounds, the room. | 0:40:31 | 0:40:33 | |
You've been a bit... Ten pound, front row. | 0:40:33 | 0:40:36 | |
-Ten! -Ooh! There you go, see. | 0:40:36 | 0:40:38 | |
Her on the front row at ten pounds. Ten pounds. | 0:40:38 | 0:40:40 | |
-Come on! -And another. £12. | 0:40:40 | 0:40:43 | |
BLUES: Yes! | 0:40:43 | 0:40:44 | |
I'll take 14. | 0:40:44 | 0:40:46 | |
-14. -Yes! Look at that. | 0:40:46 | 0:40:49 | |
-Come on. -Keep with me. One little one. 15. | 0:40:49 | 0:40:52 | |
15. | 0:40:52 | 0:40:53 | |
THEY CHEER Yes! Oh, you beauty. | 0:40:53 | 0:40:56 | |
£15, the whistle. | 0:40:56 | 0:40:57 | |
It's got a good blow on it, I can tell you. £15. | 0:40:57 | 0:41:00 | |
For old times' sake! | 0:41:00 | 0:41:02 | |
That's what it's for. That's what we're here for. | 0:41:02 | 0:41:04 | |
-£15... -BANGS GAVEL | 0:41:04 | 0:41:07 | |
-£15. -Yes! Thank you very much, thank you very much. | 0:41:07 | 0:41:10 | |
Plus ten pounds then. That's very nice. Which means overall, | 0:41:10 | 0:41:13 | |
you're only minus 58. | 0:41:13 | 0:41:15 | |
TEAM: Yay! | 0:41:15 | 0:41:17 | |
Just take away the minus figure and it's quite acceptable. | 0:41:17 | 0:41:19 | |
And who knows? That could be a winning score. | 0:41:19 | 0:41:22 | |
So say nothing to the Reds and all will be revealed in a moment. | 0:41:22 | 0:41:25 | |
-Not a word. -Well done. Very sporting, chaps. | 0:41:25 | 0:41:27 | |
How much fun was that? | 0:41:27 | 0:41:29 | |
How much fun was that? | 0:41:29 | 0:41:30 | |
Well, it is marvellous, isn't it? | 0:41:37 | 0:41:39 | |
-Happy, everybody? -KATE: Hm... IAN: -Tickety-boo. Maybe. | 0:41:39 | 0:41:41 | |
-Been chatting? -No, no. -Not happy. -I'm marvellously happy. | 0:41:41 | 0:41:46 | |
Marvellously, and so am I marvellously happy. | 0:41:46 | 0:41:48 | |
In fact, it's been a great day. | 0:41:48 | 0:41:49 | |
It's no secret, though, that neither team | 0:41:49 | 0:41:51 | |
is going home with any profits today, which is a sadness | 0:41:51 | 0:41:55 | |
because we've had a lovely programme. | 0:41:55 | 0:41:57 | |
And it's simply a question of the scale of the losses | 0:41:57 | 0:42:00 | |
to determine who is ahead and who is behind, | 0:42:00 | 0:42:02 | |
because we don't have losers any more, we only have runners-up. | 0:42:02 | 0:42:06 | |
And the runners-up by a fair old chalk are the Blues. | 0:42:06 | 0:42:09 | |
-LAUGHTER AND CHEERS CHRISTINA: -Aw! | 0:42:09 | 0:42:12 | |
But you can reassure yourselves that you made the substantial profit | 0:42:12 | 0:42:17 | |
-on the fruit knife... -We did. | 0:42:17 | 0:42:20 | |
-..and on the bonus buy, so well done for that. -Lovely. | 0:42:20 | 0:42:22 | |
But it wasn't enough to staunch the losses of that Moorcroft pot... | 0:42:22 | 0:42:26 | |
-Sadly. -..for example, which was a pity. | 0:42:26 | 0:42:28 | |
Thank you for all your humour | 0:42:28 | 0:42:30 | |
and for keeping us well and truly bubbling along, all right? | 0:42:30 | 0:42:34 | |
-Ditto. -It has been great fun. Thanks so much. -It has been. | 0:42:34 | 0:42:36 | |
-Smashing to meet you. -Well done, you pair. -Thank you. | 0:42:36 | 0:42:38 | |
How lovely. Magnanimous in defeat | 0:42:38 | 0:42:41 | |
because you're the winners today by only losing £16. | 0:42:41 | 0:42:44 | |
-BOTH: Yes. -Which is nothing, is it? -Absolutely. | 0:42:44 | 0:42:46 | |
Started off with a nice profit on the Deco mirror, yes? | 0:42:46 | 0:42:49 | |
And then we had our wiped face | 0:42:49 | 0:42:51 | |
and then it went down the proverbial a little bit, didn't it? | 0:42:51 | 0:42:53 | |
-It did. -Yeah, a bit. | 0:42:53 | 0:42:55 | |
So we're all ring-fenced and secure. | 0:42:55 | 0:42:58 | |
-Congratulations. -Thank you. -Thanks. -Victors! Such fun. | 0:42:58 | 0:43:01 | |
Join us soon for some more Bargain Hunting? | 0:43:01 | 0:43:03 | |
-Yes? -ALL: Yes! | 0:43:03 | 0:43:04 |