Browse content similar to Ardingly 22. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we're in Ardingly in West Sussex. | 0:00:04 | 0:00:07 | |
Did you know that recently they unearthed dinosaur remains | 0:00:07 | 0:00:11 | |
around these parts that date back 140 million years? | 0:00:11 | 0:00:15 | |
Gosh, let's hope our teams have their wits about them today, | 0:00:15 | 0:00:19 | |
so that they don't get the ROAR end of a deal. | 0:00:19 | 0:00:23 | |
Who writes this stuff?! | 0:00:23 | 0:00:25 | |
Anyway, no time to muck about. | 0:00:25 | 0:00:27 | |
Let's go Bargain Hunting, yeah! | 0:00:27 | 0:00:29 | |
We're at the Ardingly International Antiques & Collectors Fair. | 0:00:52 | 0:00:56 | |
There's that many stalls around here, | 0:00:56 | 0:00:58 | |
I hope our teams don't go dizzy! | 0:00:58 | 0:01:00 | |
Let's have a sneaky peek as to what's coming up. | 0:01:00 | 0:01:04 | |
'There's a difference of opinion over a rather pleasant pheasant.' | 0:01:06 | 0:01:09 | |
And we also have got to buy a grand object. | 0:01:09 | 0:01:11 | |
-So why are you looking at that? -THEY LAUGH | 0:01:11 | 0:01:14 | |
'A certain someone is being rather flash with the cash.' | 0:01:15 | 0:01:18 | |
Get your cash out! | 0:01:18 | 0:01:20 | |
'And over at the auction, the teams are praying for profits. | 0:01:20 | 0:01:22 | |
'And the excitement is rising.' | 0:01:25 | 0:01:27 | |
Oh! Yes! | 0:01:27 | 0:01:28 | |
Gosh, we've got some top teams on the show today. | 0:01:30 | 0:01:33 | |
For the Reds, we've got sisters Kate and Rachel. | 0:01:33 | 0:01:36 | |
For the Blues, we have Megan and Lauren. | 0:01:36 | 0:01:38 | |
-Hello, everyone. -ALL: Hello! | 0:01:38 | 0:01:40 | |
That's rather lovely. | 0:01:40 | 0:01:41 | |
Now, Kate, you're studying for your PhD, is it? | 0:01:41 | 0:01:44 | |
Yeah, in neuroscience. | 0:01:44 | 0:01:45 | |
What are you studying in the brainbox department? | 0:01:45 | 0:01:47 | |
I put people in a brain scanner | 0:01:47 | 0:01:49 | |
and I'm trying to see what chemicals underlie schizophrenia. | 0:01:49 | 0:01:53 | |
That's quite something. And what have you discovered so far? | 0:01:53 | 0:01:55 | |
I'm about to analyse my results | 0:01:55 | 0:01:57 | |
so fingers crossed there's actually something there! | 0:01:57 | 0:01:59 | |
-Otherwise it's a PhD in nothing at all. -Yep! THEY LAUGH | 0:01:59 | 0:02:02 | |
-No pressure, thanks! -No, no, no. | 0:02:02 | 0:02:04 | |
But, I mean, you must have a hint of a tint that there's something amiss? | 0:02:04 | 0:02:07 | |
-It's looking OK. -Is it? -Yeah, I hope. -Good. -Yeah. | 0:02:07 | 0:02:11 | |
So, this is an incredibly intense job because it's very responsible | 0:02:11 | 0:02:14 | |
and everything else. What do you do to relax? | 0:02:14 | 0:02:16 | |
-I like to try and travel around. -Do you? -Yeah. | 0:02:16 | 0:02:18 | |
What sort of places do you like to travel? | 0:02:18 | 0:02:20 | |
-This year, I've been to Japan and then India. -What, the two? | 0:02:20 | 0:02:23 | |
-Yeah, both of them. -Really? Gosh, you've been scooting on. | 0:02:23 | 0:02:26 | |
What do you get up to in Japan? | 0:02:26 | 0:02:28 | |
-I ate lots of interesting food. -Raw fish? -Yeah, raw fish. | 0:02:28 | 0:02:31 | |
-Seaweed? -Yeah. | 0:02:31 | 0:02:33 | |
Drank lots of sake, did some karaoke. It's good. | 0:02:33 | 0:02:35 | |
And then you pinged into India. | 0:02:35 | 0:02:37 | |
Yeah, I went to India. I went to a Hindu wedding. Seven days of dancing and drinking. | 0:02:37 | 0:02:41 | |
-Seven days? -Yeah, it's very long. It's very intense. | 0:02:41 | 0:02:43 | |
-Quite tiring, that, isn't it? -Yeah. | 0:02:43 | 0:02:44 | |
Rachel, what do you do for a living, darling? | 0:02:44 | 0:02:47 | |
I work on a psychiatric ward as a support worker. | 0:02:47 | 0:02:49 | |
-Oh, right, similar business to the sister, really. -Exactly. | 0:02:49 | 0:02:51 | |
In the business together. | 0:02:51 | 0:02:53 | |
I guess it's the sort of job | 0:02:53 | 0:02:54 | |
where you do get very close to your patients. | 0:02:54 | 0:02:56 | |
Yeah, yeah. They're really nice, yeah, exactly. | 0:02:56 | 0:02:59 | |
It can be a bit tough, sometimes, but it's enjoyable. | 0:02:59 | 0:03:01 | |
-But you can take it, right? -Yeah, yeah. | 0:03:01 | 0:03:03 | |
Also, like your sister, you're an adventurer-er. | 0:03:03 | 0:03:05 | |
Yeah, because I live in Sheffield, there's lots to explore cos the Peaks are nearby. | 0:03:05 | 0:03:08 | |
Ever had any incidents when walking? | 0:03:08 | 0:03:11 | |
Well, not walking, really, | 0:03:11 | 0:03:13 | |
but one time I went hitchhiking with my friend and the police | 0:03:13 | 0:03:16 | |
-stopped us because they thought that we were 12-year-old runaways! -THE SISTERS LAUGH | 0:03:16 | 0:03:21 | |
but it all worked in our favour in the end | 0:03:21 | 0:03:23 | |
-because they just gave us a lift to our destination! -Oh! | 0:03:23 | 0:03:26 | |
So it all worked out fine in the end! | 0:03:26 | 0:03:27 | |
A free police car lift. How lovely's that? | 0:03:27 | 0:03:30 | |
-Are you looking forward to the Bargain Hunt? -Yes! -Oh, yes, so much. | 0:03:30 | 0:03:33 | |
-Good. I think I'm getting that vibe from you. -THEY LAUGH | 0:03:33 | 0:03:36 | |
So, that sounds good fun. | 0:03:36 | 0:03:37 | |
-Anyway, good luck. -Thank you! | 0:03:37 | 0:03:38 | |
Now, here we move over. | 0:03:38 | 0:03:40 | |
-Megan. -Mm-hm? -How did you two meet? | 0:03:40 | 0:03:42 | |
Well, we both met at university. | 0:03:42 | 0:03:44 | |
We're in our second year now at Goldsmiths | 0:03:44 | 0:03:46 | |
and we were on the same course. | 0:03:46 | 0:03:48 | |
We had some seminars together so we struck up a friendship. | 0:03:48 | 0:03:52 | |
Good. And you present a radio programme? | 0:03:52 | 0:03:54 | |
-Yes. I started the radio programme in my first year. -Yes. | 0:03:54 | 0:03:57 | |
It's called Nut Roast. | 0:03:57 | 0:03:58 | |
I pick the nuttiest news from the week and then sort of | 0:03:58 | 0:04:01 | |
-give it a roast on the show. -Oh, right. | 0:04:01 | 0:04:04 | |
It was a very ambitious idea, I think. | 0:04:04 | 0:04:06 | |
-It was sometimes just a bit rambling and confusing. -Was it? -But I enjoyed it. | 0:04:06 | 0:04:10 | |
Now, Lauren, what is it that you study at university? | 0:04:10 | 0:04:12 | |
I study politics with Megan. | 0:04:12 | 0:04:14 | |
It's a really interesting course, actually, so at Goldsmiths, it's actually quite an arty university | 0:04:14 | 0:04:19 | |
-and that kind of, like, seeps into everything. -Mmm. | 0:04:19 | 0:04:21 | |
So, like, for example, | 0:04:21 | 0:04:22 | |
we did a module last term on politics of the vision, | 0:04:22 | 0:04:25 | |
which was also how politics affects film and art | 0:04:25 | 0:04:28 | |
and the media, things like that. | 0:04:28 | 0:04:30 | |
-Right. So, arty politics? -Yeah, it's really interesting, isn't it? | 0:04:30 | 0:04:33 | |
Yeah, we enjoy it a lot. | 0:04:33 | 0:04:34 | |
You've done a bit of travelling in your time, haven't you, Lauren? | 0:04:34 | 0:04:37 | |
In summer 2013, I went interrailing with a friend of mine. | 0:04:37 | 0:04:40 | |
We did kind of a bit of mainland Europe and then Italy. | 0:04:40 | 0:04:44 | |
That was a lot of fun. | 0:04:44 | 0:04:46 | |
Great, but not up to Tokyo in the morning and India in the afternoon, eh? | 0:04:46 | 0:04:51 | |
-Like some people round here. -No, not quite that exciting. | 0:04:51 | 0:04:53 | |
I mean, that is quite the little trip, isn't it? | 0:04:53 | 0:04:55 | |
But Megan's thinking of hopefully going to Nepal in the summer. | 0:04:55 | 0:04:58 | |
Yeah. I'm hoping it will be sort of lightweight trekking. | 0:04:58 | 0:05:01 | |
I don't think I could do Everest this time. | 0:05:01 | 0:05:02 | |
Yeah, high altitude training, you've done it? | 0:05:02 | 0:05:05 | |
No, I haven't done any training yet and I do have quite a queasy stomach, | 0:05:05 | 0:05:08 | |
so perhaps I need to bone up on a bit of that. | 0:05:08 | 0:05:10 | |
I'd keep off the yak milk if I were you. | 0:05:10 | 0:05:13 | |
Yes, no, I will try to avoid that. | 0:05:13 | 0:05:15 | |
-That's not so good if you're tender in the tummy department. -OK. | 0:05:15 | 0:05:18 | |
What about getting on with Bargain Hunt today? | 0:05:18 | 0:05:20 | |
Have you got any ideas what you might be doing? | 0:05:20 | 0:05:22 | |
Well, we're hoping to spend as much of the money as possible | 0:05:22 | 0:05:24 | |
-and just sort of... -That's our aim. -..be decisive. | 0:05:24 | 0:05:27 | |
Be decisive and spend the lot. I love the sound of this. | 0:05:27 | 0:05:29 | |
In fact, it is a moment for the £300. £300 apiece. | 0:05:29 | 0:05:33 | |
-You looking forward to this, Raquel? There you go. -Amazing. -Look at that cash. | 0:05:33 | 0:05:36 | |
You know the rules. | 0:05:36 | 0:05:37 | |
Your experts await and off you go and very, very, very good luck! | 0:05:37 | 0:05:41 | |
Mmm, queer stuff, yak milk. | 0:05:41 | 0:05:43 | |
'And, of course, our two tenacious teams need two exuberant experts. | 0:05:46 | 0:05:51 | |
'Hi-de-hi! | 0:05:51 | 0:05:52 | |
'It's Charles Hanson with the Reds. | 0:05:52 | 0:05:55 | |
'And drawing the battle lines | 0:05:55 | 0:05:56 | |
'with the Blues is Charlie Ross. | 0:05:56 | 0:05:58 | |
'Uh-oh. | 0:06:08 | 0:06:09 | |
'We've got an early showdown. | 0:06:09 | 0:06:11 | |
'Play nice, now, teams.' | 0:06:11 | 0:06:13 | |
-So, what's the plan, Charlie? -Beat you. | 0:06:13 | 0:06:15 | |
-Really? -Absolutely thrash you. -Yeah, yeah. | 0:06:15 | 0:06:17 | |
With these girls, I can't go wrong. | 0:06:17 | 0:06:19 | |
-I've got Lauren with the lenses. -Yeah. -And magnificent Megan. | 0:06:19 | 0:06:22 | |
Well, I've got my flaming Rachel on the right-hand side here. | 0:06:22 | 0:06:25 | |
Shall we go shopping? Come on, we're going shopping. | 0:06:25 | 0:06:27 | |
THEY CHATTER EXCITEDLY | 0:06:27 | 0:06:29 | |
'OK, skipadees, what's the plan?' | 0:06:29 | 0:06:32 | |
What are we after today? | 0:06:32 | 0:06:33 | |
Well, we're looking for something unique and maybe a bit garish. We want something different. | 0:06:33 | 0:06:37 | |
Do I get a feeling today I'm amidst big spenders? | 0:06:37 | 0:06:41 | |
-Yep, indeed. -I can already feel a hole burning in my pocket. | 0:06:41 | 0:06:44 | |
I would like a big, loud, expensive object. | 0:06:44 | 0:06:47 | |
You are going to spend all your money? | 0:06:47 | 0:06:49 | |
I have no issue spending other people's money. | 0:06:49 | 0:06:51 | |
Let's face up to this, teams. | 0:06:51 | 0:06:53 | |
-Your 60 minutes starts now. -WHISTLE BLOWS | 0:06:53 | 0:06:55 | |
-Well, I have got the spot for you and it's inside. -Excellent. | 0:06:55 | 0:06:58 | |
-Jewellery...? -'Well, the Reds are already inside | 0:06:58 | 0:07:00 | |
'and getting down to business.' | 0:07:00 | 0:07:02 | |
I like that sort of design. | 0:07:02 | 0:07:03 | |
-A mean buy. -A mean buy. -I like you. | 0:07:03 | 0:07:05 | |
Thank you. | 0:07:05 | 0:07:06 | |
What I think we've got here is a very, very nice square | 0:07:06 | 0:07:08 | |
hobnail cut decanter. | 0:07:08 | 0:07:10 | |
If you feel how sharp the crevices are, we know it's been cut, | 0:07:10 | 0:07:15 | |
but what is nice is the fact that that collar, | 0:07:15 | 0:07:18 | |
-which is shiny... -Yeah. -..is silver. | 0:07:18 | 0:07:21 | |
-And the hallmark is hallmarked for London. -OK. -Ooh. | 0:07:21 | 0:07:25 | |
Because, can you make out, second in, a leopard's head? | 0:07:25 | 0:07:29 | |
-Oh, right! -And that's a hallmark for London. | 0:07:29 | 0:07:31 | |
This was made, I think, in about 1925-1930, | 0:07:31 | 0:07:35 | |
so it's what you might call a George V | 0:07:35 | 0:07:38 | |
London silver-collared decanter and stopper | 0:07:38 | 0:07:41 | |
-for maybe red wine. -BOTH: Ah! | 0:07:41 | 0:07:43 | |
And what are we today? | 0:07:43 | 0:07:44 | |
-BOTH: We're the Red team! -We're the Red team, | 0:07:44 | 0:07:46 | |
so let's toast to that | 0:07:46 | 0:07:48 | |
and it might be a good medium buy. What's it worth? | 0:07:48 | 0:07:52 | |
50 quid? | 0:07:53 | 0:07:54 | |
'A very confident guess there, Kate. | 0:07:54 | 0:07:56 | |
'Our stallholder's not as confident. | 0:07:56 | 0:07:59 | |
'He's a tad shy, bless him.' | 0:07:59 | 0:08:00 | |
£65 on that, yeah. | 0:08:00 | 0:08:02 | |
We might have to barter you down a bit for that one. | 0:08:02 | 0:08:05 | |
Well, if you want to make an offer, you can do, yeah. | 0:08:05 | 0:08:07 | |
I would like to have it in at perhaps between 40 and £60, | 0:08:07 | 0:08:12 | |
so to me, I might just take the rough and tumble now on. | 0:08:12 | 0:08:15 | |
-Sir, would you take £40? -£40 is a little bit low for me but... | 0:08:15 | 0:08:20 | |
-There's a few scuffs. -Look at the ladies. -There's a few scuffs! | 0:08:20 | 0:08:23 | |
-The hour is just dawning. -KATE LAUGHS | 0:08:23 | 0:08:25 | |
-I'll tell you what I could do. For one, I'll do it for 45. -OK. | 0:08:25 | 0:08:28 | |
-Look at me. I think so! -Yeah, 45? -Shake his hand. | 0:08:28 | 0:08:31 | |
'There's no messing with you two girls. | 0:08:31 | 0:08:33 | |
'Ten minutes in, one item down, I'm loving your work!' | 0:08:33 | 0:08:37 | |
-A few nice things here. -Yeah, that's rather lovely, isn't it? | 0:08:39 | 0:08:42 | |
The screen caught my eye. The decoration is really beautiful. | 0:08:42 | 0:08:44 | |
-They're lacquered panels. -OK. | 0:08:44 | 0:08:46 | |
Inset with mother-of-pearl. | 0:08:46 | 0:08:48 | |
How much for the screen? | 0:08:48 | 0:08:50 | |
-The screen is 90. -I quite enjoy the... | 0:08:50 | 0:08:52 | |
I can do it for 70 if that helps. | 0:08:52 | 0:08:54 | |
Oh, OK. | 0:08:54 | 0:08:55 | |
Perhaps if you could bring it down, maybe, to 55? | 0:08:55 | 0:08:58 | |
-Hang on. -THEY LAUGH | 0:08:58 | 0:09:00 | |
-60 but that's it. -Don't look so downtrodden! | 0:09:01 | 0:09:04 | |
I just want a profit! | 0:09:04 | 0:09:05 | |
Do you like it, girls? | 0:09:05 | 0:09:07 | |
Do we have, like, a rough date on it? | 0:09:07 | 0:09:09 | |
About 1910, 1920s? | 0:09:09 | 0:09:11 | |
Absolutely. The Edwardian period, although it isn't English. | 0:09:11 | 0:09:14 | |
Yeah, I'm a fan. | 0:09:14 | 0:09:15 | |
And I think, at £60, that is quite a good price. | 0:09:15 | 0:09:18 | |
I think we should take it. | 0:09:18 | 0:09:20 | |
Yeah, I think we should. | 0:09:20 | 0:09:21 | |
It's clean, it's all there. | 0:09:21 | 0:09:23 | |
-And it would just make a nice decorative item. -Get your money out, Charlie. | 0:09:23 | 0:09:26 | |
-Get your cash out for the girls! -THEY LAUGH | 0:09:26 | 0:09:29 | |
20. 40. 60. | 0:09:29 | 0:09:32 | |
-I love it when they pay, don't you? -Yeah! -THEY LAUGH | 0:09:32 | 0:09:34 | |
Come on, girls. | 0:09:34 | 0:09:36 | |
RACHEL LAUGHS | 0:09:37 | 0:09:38 | |
-Good morning. -We don't really like glass. | 0:09:39 | 0:09:42 | |
'I'm sorry, you don't like glass? | 0:09:42 | 0:09:44 | |
'What do you think the decanter is made out of that you've just bought? | 0:09:44 | 0:09:48 | |
'Aye, aye, what's Kate spotted?' | 0:09:48 | 0:09:49 | |
-Do you use a microscope ever, Kate? -I used to use microscopes. | 0:09:49 | 0:09:52 | |
-Yes, I did, yeah. -They're quite nice, aren't they? | 0:09:52 | 0:09:54 | |
Catherine's renowned as an expert for scientific objects, so as | 0:09:54 | 0:09:59 | |
an auctioneer, I think her passion is behind that sort of object, | 0:09:59 | 0:10:03 | |
so it's worth noting and maybe thinking, | 0:10:03 | 0:10:05 | |
-"Right, what else can we really find of that type?" -Yeah, OK. | 0:10:05 | 0:10:08 | |
'Very shrewd, Carlos. | 0:10:08 | 0:10:10 | |
'He's on the money today. | 0:10:10 | 0:10:11 | |
'We are indeed off to Catherine Southon's auction in Croydon, | 0:10:11 | 0:10:14 | |
'but what's Charlie found?' | 0:10:14 | 0:10:17 | |
-Do you know what that is? -BOTH: No. | 0:10:17 | 0:10:19 | |
I'll give you a clue. | 0:10:19 | 0:10:20 | |
-Hold those up. -Oh. | 0:10:23 | 0:10:25 | |
-What are you going to put in there? -Bookends. -Bookends! -Oh, OK. | 0:10:25 | 0:10:28 | |
Yes, bookends. | 0:10:28 | 0:10:30 | |
Very nice, with parquetry decoration. | 0:10:30 | 0:10:32 | |
BOTH: Mmm. | 0:10:32 | 0:10:33 | |
'Parquetry is a combination of fine and rare woods | 0:10:33 | 0:10:36 | |
'inlaid to create a geometric design. | 0:10:36 | 0:10:39 | |
'However, marquetry is used to describe the same process | 0:10:39 | 0:10:42 | |
'but the decoration is floral.' | 0:10:42 | 0:10:44 | |
Bit old-fashioned, so much that how many do you see now? | 0:10:44 | 0:10:47 | |
-You see quite a few in sales rooms and people tend not to buy them. -Ah. | 0:10:47 | 0:10:51 | |
I don't know whether they don't have books, or whatever, | 0:10:51 | 0:10:53 | |
-but that's a Rolls-Royce one. -Yeah. -I mean, that's a beautiful object. | 0:10:53 | 0:10:56 | |
-Yeah, it is stunning. -It is. | 0:10:56 | 0:10:59 | |
I wonder how much it is. | 0:10:59 | 0:11:00 | |
Do you want to ask, or does it not...? | 0:11:00 | 0:11:02 | |
Well, if they're not selling much in auction, | 0:11:02 | 0:11:05 | |
I think that's something we should consider. | 0:11:05 | 0:11:07 | |
'Still, one to ponder on. | 0:11:07 | 0:11:08 | |
'While you wander on, let's get a time check, Carlos, please.' | 0:11:08 | 0:11:12 | |
We've had 30 minutes already. | 0:11:12 | 0:11:14 | |
-It flies by, so just take it all in. -OK. | 0:11:14 | 0:11:17 | |
What you see. That's quite nice over there, the pheasant. | 0:11:17 | 0:11:20 | |
Do you like that? Is it a table lighter, sir? | 0:11:20 | 0:11:21 | |
'Hang on, Charles, | 0:11:21 | 0:11:22 | |
'you were looking for scientific pieces just a minute ago.' | 0:11:22 | 0:11:25 | |
-I like the function. -I thought you would. | 0:11:25 | 0:11:27 | |
Yeah, cos I didn't expect that at all. | 0:11:27 | 0:11:30 | |
Spin it round. Look at that wonderful cock pheasant's face. | 0:11:30 | 0:11:33 | |
It's one of those...he's nice. | 0:11:33 | 0:11:35 | |
Yeah. Aw. Our taxi driver narrowly missed one of these this morning. | 0:11:35 | 0:11:38 | |
Really? Oh, my goodness me. | 0:11:38 | 0:11:39 | |
-Maybe it's a sign. -It's an omen. -It is a sign. | 0:11:39 | 0:11:42 | |
Clearly it's not stuffed but actually cold painted, | 0:11:42 | 0:11:47 | |
probably over a base metal and it would date, I think, to the | 0:11:47 | 0:11:51 | |
interwar years, so maybe 1930s, thereabouts. | 0:11:51 | 0:11:54 | |
It's quite jazzy. Do you like him, Rachel? | 0:11:54 | 0:11:57 | |
-I do like him. I do like him. I feel it is a sign. -Yeah. | 0:11:57 | 0:12:01 | |
I think that we should buy it. | 0:12:01 | 0:12:02 | |
My only concern is look at the tail, can you see it? | 0:12:02 | 0:12:04 | |
Oh, a little crack here. | 0:12:04 | 0:12:05 | |
There's a small, little...split, | 0:12:05 | 0:12:07 | |
which isn't too desperate... | 0:12:07 | 0:12:09 | |
'Oh, nice nails, Kate.' | 0:12:09 | 0:12:11 | |
Is the price not on it at all? | 0:12:11 | 0:12:12 | |
-It's 145 but I could do a bit better, say 115. -Oh. Yeah, but... | 0:12:12 | 0:12:18 | |
'Looks like John Sergeant. | 0:12:18 | 0:12:19 | |
'Hello, Clash of the Titans?' | 0:12:19 | 0:12:22 | |
Give her a lesson on how to buy. How do you buy? | 0:12:22 | 0:12:24 | |
Well, like the bird, we're pumped up, our chests are out | 0:12:24 | 0:12:27 | |
and we like our bird. | 0:12:27 | 0:12:29 | |
It's a good size, though, isn't it? | 0:12:29 | 0:12:31 | |
We know and we also have got to buy a grand object, | 0:12:31 | 0:12:33 | |
you know, we're going... | 0:12:33 | 0:12:34 | |
-So why are you looking at that? -THEY LAUGH | 0:12:34 | 0:12:38 | |
-Get out of here! -Come on, girls, see you later. | 0:12:38 | 0:12:41 | |
-He's cheeky, he's cheeky. -Get out of here. | 0:12:41 | 0:12:43 | |
'Time to get back down to business.' | 0:12:43 | 0:12:45 | |
What's your very best, sir? | 0:12:45 | 0:12:46 | |
-Well, I'd do 95 to help, but... -Really? | 0:12:46 | 0:12:49 | |
But that would be it. | 0:12:49 | 0:12:50 | |
What do you think? | 0:12:50 | 0:12:51 | |
I think I want it even more cos they want it, so let's go for it. | 0:12:51 | 0:12:55 | |
-Sold! -Yes! | 0:12:57 | 0:12:59 | |
'Whilst the teams continue shopping, I want to show you something | 0:13:00 | 0:13:04 | |
'rather special that I spotted on a recent trip to Northern Ireland.' | 0:13:04 | 0:13:08 | |
When you look around this shop, | 0:13:10 | 0:13:12 | |
practically everything in here is at least 100 years old, | 0:13:12 | 0:13:17 | |
with the exception of one object | 0:13:17 | 0:13:20 | |
and that happens to be this table. | 0:13:20 | 0:13:23 | |
And if you're a fan of what they now call mid-20th century, | 0:13:24 | 0:13:29 | |
or mid-century, things designed in the 1950s and '60s, | 0:13:29 | 0:13:35 | |
this will have considerable appeal. | 0:13:35 | 0:13:37 | |
One particular species interests me | 0:13:39 | 0:13:42 | |
and that's the 1960s furniture | 0:13:42 | 0:13:44 | |
from Scandinavia that's made out of Brazilian rosewood. | 0:13:44 | 0:13:48 | |
And that's the stuff with these dark, chocolaty lines | 0:13:48 | 0:13:53 | |
in a mid-brown colour. | 0:13:53 | 0:13:56 | |
And it's got one or two surprising features. | 0:13:56 | 0:14:00 | |
If I shove the middle section like that, out comes a little platform. | 0:14:00 | 0:14:05 | |
See that? | 0:14:05 | 0:14:06 | |
Framed up in Brazilian rosewood, but inside is a composite material, | 0:14:06 | 0:14:11 | |
that looks a bit like Formica, that is stain and moisture resistant. | 0:14:11 | 0:14:17 | |
So, if I was to use this as a drinks trolley, | 0:14:17 | 0:14:20 | |
and I've got my bottles of drink and I want to pour them | 0:14:20 | 0:14:23 | |
out onto a surface that's not going to stain the polished wood, | 0:14:23 | 0:14:28 | |
I take out that little platform and I do that precise thing. | 0:14:28 | 0:14:33 | |
And that's the idea. | 0:14:33 | 0:14:34 | |
This tray goes in and out | 0:14:34 | 0:14:36 | |
and you have some flexibility. | 0:14:36 | 0:14:39 | |
Bung on it the nuts or the olives or those irritating | 0:14:39 | 0:14:42 | |
bits of sliced lemon when you're preparing drinks. | 0:14:42 | 0:14:47 | |
Absolutely ideal. | 0:14:47 | 0:14:48 | |
Are you impressed? | 0:14:48 | 0:14:50 | |
Yes? | 0:14:50 | 0:14:52 | |
Good. | 0:14:52 | 0:14:53 | |
Because this table has yet another feature. | 0:14:53 | 0:14:56 | |
Take the thumb pieces and give it a bit of a wrench... | 0:14:56 | 0:14:59 | |
Look at that. | 0:15:01 | 0:15:03 | |
The top splits into two parts. | 0:15:03 | 0:15:05 | |
If I slip out that platform | 0:15:05 | 0:15:08 | |
and bung that in the middle, | 0:15:08 | 0:15:11 | |
you've got a little dowel on either side, look, | 0:15:11 | 0:15:13 | |
which receives the insert | 0:15:13 | 0:15:16 | |
and, hey presto, it shuts up. | 0:15:17 | 0:15:19 | |
I've nearly doubled the length of my drinks table | 0:15:19 | 0:15:22 | |
and I've got my drinks-pouring surface, this time, in the middle. | 0:15:22 | 0:15:26 | |
This is nothing short of genius. | 0:15:27 | 0:15:31 | |
Is this sort of furniture desirable? | 0:15:32 | 0:15:34 | |
It certainly is. | 0:15:34 | 0:15:35 | |
And if you were to scratch around one of those smart shops in London, | 0:15:35 | 0:15:39 | |
you'd find a similar example priced up at about £600. | 0:15:39 | 0:15:44 | |
But what does it cost you, here today in Grey Abbey in Ulster? | 0:15:44 | 0:15:50 | |
This table could be yours for £60. | 0:15:50 | 0:15:53 | |
'Now, back to the shopping in Ardingly and time's a-ticking. | 0:15:55 | 0:15:58 | |
'It's 2-1 to the Reds and there's 20 minutes left. | 0:15:58 | 0:16:01 | |
'Ooh, what have you found, Blues?' | 0:16:01 | 0:16:02 | |
But this is nice as well. What is this? | 0:16:02 | 0:16:04 | |
A bridge set. It's, like, a card game, isn't it? | 0:16:04 | 0:16:06 | |
-Oh, isn't that fun? -BOTH: Yeah. | 0:16:08 | 0:16:10 | |
-With the pencils? -Yeah, and they're all there. | 0:16:10 | 0:16:13 | |
And it's oak. Oh, I'm excited! | 0:16:13 | 0:16:15 | |
-You're excited? -Yes, I'm excited! | 0:16:15 | 0:16:17 | |
What do you think? | 0:16:19 | 0:16:20 | |
I think it's a novelty item. I like its condition. | 0:16:20 | 0:16:23 | |
I have no reason to believe that those aren't even the original | 0:16:23 | 0:16:27 | |
pencils, which they might be, which would be rather lovely. | 0:16:27 | 0:16:30 | |
How much do you reckon that'll go for at auction? | 0:16:30 | 0:16:32 | |
In all honesty? | 0:16:33 | 0:16:35 | |
I would expect it to be estimated at £40-£60. | 0:16:35 | 0:16:39 | |
TOGETHER: OK. | 0:16:39 | 0:16:40 | |
What is the best price you could do? | 0:16:40 | 0:16:42 | |
-What is on it? -65. | 0:16:42 | 0:16:44 | |
It's a question of... | 0:16:44 | 0:16:46 | |
I think if I sold you that for £50, | 0:16:46 | 0:16:49 | |
that gives me a little bit of profit. | 0:16:49 | 0:16:50 | |
Your call. | 0:16:50 | 0:16:52 | |
I think we should go for it. | 0:16:52 | 0:16:53 | |
-Yeah? -Deal? -Deal, then. -Ladies, thank you. | 0:16:53 | 0:16:55 | |
I think that's very generous of you. | 0:16:55 | 0:16:57 | |
'Very good, girls. | 0:16:57 | 0:16:59 | |
'Get your spondoolies out, Rosco, and pay the man. | 0:16:59 | 0:17:02 | |
'That's two apiece now, | 0:17:02 | 0:17:03 | |
'so both teams are looking for their last item.' | 0:17:03 | 0:17:05 | |
Literally, we've got ten minutes. | 0:17:05 | 0:17:07 | |
-Over here is a really interesting... -OK. | 0:17:07 | 0:17:10 | |
'I think Charlie's already been to this stall with the Blues.' | 0:17:10 | 0:17:13 | |
-I love religious paraphernalia. -Oh, do you? -Yeah, yeah. | 0:17:13 | 0:17:17 | |
That's quite interesting. And that's quite nice, you know. | 0:17:17 | 0:17:21 | |
It's lovely. It's from the Roger Haynes collection... | 0:17:21 | 0:17:23 | |
'The Haynes collection belonged to be the late Roger Haynes. | 0:17:23 | 0:17:26 | |
'He was one of the UK's most renowned antiques dealers.' | 0:17:26 | 0:17:29 | |
I think this would have been made in around 1860, | 0:17:30 | 0:17:33 | |
so it's high Victorian, high Gothic, high neo-Gothic | 0:17:33 | 0:17:37 | |
and it's got that feel about it, of the church. | 0:17:37 | 0:17:40 | |
What do you think? | 0:17:40 | 0:17:41 | |
I think it's a water font in the church, | 0:17:41 | 0:17:43 | |
where you bless yourselves as you enter. | 0:17:43 | 0:17:45 | |
I only think that cos of the cross at the top. | 0:17:45 | 0:17:47 | |
-Let's find out a bit more, shall we? -OK, yeah. -Karen? | 0:17:47 | 0:17:50 | |
-Sorry, excuse me. -That's all right. | 0:17:50 | 0:17:51 | |
Function. | 0:17:51 | 0:17:52 | |
-It's an offertory bowl, Charles. -So, like that? | 0:17:52 | 0:17:55 | |
You go around the church with it and collect the contributions. | 0:17:55 | 0:17:58 | |
What's the very best on this, Karen? | 0:17:58 | 0:18:00 | |
It's an old make. | 0:18:00 | 0:18:01 | |
85, you might stand a chance. | 0:18:01 | 0:18:03 | |
Mr Wonnacott would love this. | 0:18:04 | 0:18:06 | |
'I do, indeed, Carlos. Very nice.' | 0:18:06 | 0:18:09 | |
It's quality. My only concern is the condition. You've got a split here. | 0:18:09 | 0:18:12 | |
-Yeah. -Can you see it? It's coming away a bit. | 0:18:12 | 0:18:14 | |
But it's original and the colour is superb. | 0:18:14 | 0:18:18 | |
But its auction market value if it came to my saleroom might | 0:18:18 | 0:18:20 | |
-be between 60 and £100. -Yeah. | 0:18:20 | 0:18:23 | |
So, you've got real scope to lose | 0:18:23 | 0:18:25 | |
-and I think the loss is more than the potential gain. -Yeah. -But I do like it. | 0:18:25 | 0:18:29 | |
'Good advice, Carlos, | 0:18:29 | 0:18:30 | |
'but remember, you're down to your last five minutes now. | 0:18:30 | 0:18:32 | |
'Meanwhile, Roscoe's gone AWOL. | 0:18:32 | 0:18:34 | |
'He's left his team to take another look at those bookends.' | 0:18:34 | 0:18:37 | |
It's just so much better than the average one. | 0:18:38 | 0:18:40 | |
You know, you see a lot of bookends | 0:18:40 | 0:18:44 | |
and they make 30 or 40 quid | 0:18:44 | 0:18:45 | |
and they're a bit boring, but this, with the parquetry, | 0:18:45 | 0:18:49 | |
it's just worth asking. | 0:18:49 | 0:18:51 | |
'Exactly, Charlie. | 0:18:51 | 0:18:52 | |
'If you don't ask, you don't get, in this game. | 0:18:52 | 0:18:54 | |
'Now, how are your team-mates getting on without you?' | 0:18:54 | 0:18:57 | |
Pretty expensive, though. | 0:18:58 | 0:18:59 | |
Certainly a bit of room on there. | 0:18:59 | 0:19:01 | |
-Just butting in, girls. I did go and see the bookends. -Oh, yeah. | 0:19:01 | 0:19:06 | |
And I thought to myself, "If they're 50 quid, we'll buy them. | 0:19:06 | 0:19:09 | |
"If they're 100 quid, we won't buy them." | 0:19:09 | 0:19:11 | |
And he said, "70." | 0:19:11 | 0:19:12 | |
-So, I don't know... -Ooh! | 0:19:12 | 0:19:13 | |
'Oh, is that a no, then?' | 0:19:13 | 0:19:15 | |
Now, what were you looking at? That looked really lovely. | 0:19:15 | 0:19:17 | |
-This cardholder. -Cardcase? -Yeah. | 0:19:17 | 0:19:20 | |
Silver. | 0:19:20 | 0:19:21 | |
-Is it Victorian? -Aye, it's 1900. | 0:19:21 | 0:19:23 | |
So it's Victorian. Last year of Victoria's reign. | 0:19:23 | 0:19:27 | |
Now, I'm just calling it in the last few minutes. | 0:19:27 | 0:19:29 | |
I think we should go for the bookends over this. | 0:19:29 | 0:19:32 | |
-Poor gentleman. -We haven't bought anything silver as of yet, though. | 0:19:34 | 0:19:37 | |
Everything we've bought has been of some form of, like, wood. | 0:19:37 | 0:19:40 | |
I'll tempt you with a price. | 0:19:40 | 0:19:43 | |
175. That's down from 235. | 0:19:43 | 0:19:46 | |
-I think it's a fantastic thing. -Yeah. | 0:19:46 | 0:19:49 | |
But, I think, at auction it would probably make about £150. | 0:19:49 | 0:19:52 | |
-Would it make 160? -SELLER LAUGHS | 0:19:52 | 0:19:54 | |
It is lovely. | 0:19:54 | 0:19:55 | |
And it does go quite well with the bridge set. | 0:19:55 | 0:19:57 | |
I am a fan of it, actually. | 0:19:57 | 0:19:59 | |
-It does, yeah. -We have about four minutes left, girls. | 0:19:59 | 0:20:02 | |
-Shall we go for it? -Yeah... -Right, hang on, hang on. | 0:20:02 | 0:20:05 | |
OK. I'm going to do a Pontius Pilate here. | 0:20:05 | 0:20:08 | |
I'll wash my hands of this. | 0:20:08 | 0:20:09 | |
If you buy it, I... | 0:20:10 | 0:20:13 | |
And I could well be wrong, I often am. | 0:20:13 | 0:20:15 | |
I think you'll lose a bit of money on it, | 0:20:15 | 0:20:17 | |
but I would praise you highly for buying it | 0:20:17 | 0:20:20 | |
because it's Victorian, | 0:20:20 | 0:20:22 | |
it's silver, it's in good condition and it's nearly all your money. | 0:20:22 | 0:20:27 | |
'And remember, it was you girls who wanted to spend big. | 0:20:27 | 0:20:31 | |
'Decisions, decisions. | 0:20:31 | 0:20:33 | |
'And time for a resolution from the Reds. That clock's ticking, team.' | 0:20:33 | 0:20:36 | |
-We've literally got 180 seconds. -KATE LAUGHS | 0:20:36 | 0:20:40 | |
What do we do, team? | 0:20:40 | 0:20:42 | |
-I think... -What do we do? -..er, time is of the essence. -Yeah, it's... | 0:20:42 | 0:20:46 | |
-One second. Just hold that for a second. -Oh, oh! | 0:20:46 | 0:20:48 | |
'Is that a good idea? You have one minute left.' | 0:20:48 | 0:20:50 | |
How much could that damaged cup be? | 0:20:51 | 0:20:53 | |
60 quid, Charles. | 0:20:53 | 0:20:54 | |
Get rid of it, Karen. £50? | 0:20:54 | 0:20:57 | |
All right, you can have it for 50. | 0:20:57 | 0:20:59 | |
'Without the damage, this Derby mug would actually be worth 300-500.' | 0:20:59 | 0:21:03 | |
We've got a minute to go. We either buy this | 0:21:03 | 0:21:05 | |
mid-19th century oak offertory, or you buy this. | 0:21:05 | 0:21:08 | |
I'm from Derby, and Derby and Chelsea got together in the period. | 0:21:08 | 0:21:13 | |
I'm so precise, because the mark on the base | 0:21:13 | 0:21:16 | |
of the entwined gold anchor and the D for Derby | 0:21:16 | 0:21:19 | |
-means it was made between 1756 and 1769. -Wow. | 0:21:19 | 0:21:25 | |
Isn't that amazing? | 0:21:25 | 0:21:27 | |
And OK, it's damaged, | 0:21:27 | 0:21:29 | |
but it's still together. | 0:21:29 | 0:21:30 | |
It's either that for 50 or it's that for 85. | 0:21:30 | 0:21:34 | |
-You want risk, that's damaged. -OK. | 0:21:34 | 0:21:36 | |
That's overpriced. | 0:21:36 | 0:21:38 | |
What have I done? | 0:21:38 | 0:21:40 | |
-I've given you a bit of a problem. -THEY LAUGH | 0:21:40 | 0:21:42 | |
-But I love that. -I am being sold by the risk. -And I'm a passionate man. | 0:21:42 | 0:21:45 | |
-280 years old. -Yeah! | 0:21:45 | 0:21:46 | |
-Which one? -That one. | 0:21:46 | 0:21:48 | |
-Sister love. -Sister love. -Together. | 0:21:48 | 0:21:50 | |
The sister act is complete. | 0:21:50 | 0:21:52 | |
'Crikey, no pressure, Charles. | 0:21:52 | 0:21:53 | |
'The girls have taken a leap of faith there. | 0:21:53 | 0:21:55 | |
'Well done, Reds. That's you done and dusted. | 0:21:55 | 0:21:58 | |
'Now then, Blues, 30 seconds, you have to make a decision... | 0:21:58 | 0:22:01 | |
'now!' | 0:22:01 | 0:22:02 | |
I say the bookends but we need to go... | 0:22:02 | 0:22:04 | |
-I say we came here to spend our money... -That's true. | 0:22:04 | 0:22:07 | |
..and this is spending our money. | 0:22:07 | 0:22:08 | |
The bookends, we were told, don't always sell | 0:22:08 | 0:22:11 | |
particularly well at auction. | 0:22:11 | 0:22:13 | |
I think we should go for it. | 0:22:13 | 0:22:14 | |
One's safe, one is sensational | 0:22:14 | 0:22:17 | |
but gambly gambly. | 0:22:17 | 0:22:20 | |
Well, gambly gambly, then. | 0:22:20 | 0:22:21 | |
Yep, in the theme of cards and games, let's gamble. | 0:22:21 | 0:22:24 | |
Can it be 150 or...? | 0:22:24 | 0:22:26 | |
It can't be 150. 160 really is the bottom, I'm afraid. | 0:22:26 | 0:22:29 | |
-I'm shaking it for us. -OK. | 0:22:29 | 0:22:31 | |
WHISTLE BLOWS | 0:22:31 | 0:22:32 | |
Stop! | 0:22:32 | 0:22:34 | |
Teams, that's it, time's up. | 0:22:34 | 0:22:37 | |
-You have put you money where your mouths are. -Absolutely. | 0:22:37 | 0:22:41 | |
And I will do the praying. | 0:22:41 | 0:22:43 | |
I'm proud of you girls - a very mature amount of money spent. | 0:22:43 | 0:22:47 | |
Let's remind ourselves what the Red Team bought, eh? | 0:22:47 | 0:22:51 | |
After some banter over the decanter, they decided to buy it for £45. | 0:22:51 | 0:22:55 | |
Next up was the rather pleasant pheasant at £95. | 0:22:57 | 0:23:00 | |
And finally their last minute buy was the Derby porcelain cup for £50. | 0:23:02 | 0:23:07 | |
-Well, that was sparky, wasn't it? -Yeah, it was excellent. -Very, Tim. | 0:23:10 | 0:23:14 | |
Very nice. Now, Raquel, tell me | 0:23:14 | 0:23:15 | |
which was your favourite piece, please. | 0:23:15 | 0:23:17 | |
-Derby cup, I think. -Do you agree with that? -No, I like the booze decanter. | 0:23:17 | 0:23:21 | |
-Do you? -Yeah. -Super. | 0:23:21 | 0:23:23 | |
And is the decanter going to bring the biggest profit, do you think? | 0:23:23 | 0:23:26 | |
It's a safe bet but I don't think it'll bring the biggest profit. | 0:23:26 | 0:23:28 | |
I think the Chelsea Derby will bring the biggest profit. | 0:23:28 | 0:23:31 | |
-Do you think it's going to do that, Raquel? -No, I think the decanter. | 0:23:31 | 0:23:34 | |
-Now, how much did you spend in toto? -Both: £190. | 0:23:34 | 0:23:37 | |
190. I'd like 110 leftover lolly, please. | 0:23:37 | 0:23:39 | |
-Oh, right. -You don't like handing that over one little bit, do you? | 0:23:39 | 0:23:42 | |
-Thank you very much. -But it couldn't go to safer hands. | 0:23:42 | 0:23:44 | |
Thanks, Tim. We had a really brisk and buoyant hour, | 0:23:44 | 0:23:47 | |
so hopefully I can keep it bubbling up and find that elusive bargain. | 0:23:47 | 0:23:50 | |
What is it likely to be, Charles? | 0:23:50 | 0:23:52 | |
Something which, I think, reflects a sister act. | 0:23:52 | 0:23:55 | |
Something which is, I think, shiny, precious. | 0:23:55 | 0:23:58 | |
Settle down, Charles. | 0:23:58 | 0:23:59 | |
Go and have a lie-down, mate. | 0:23:59 | 0:24:01 | |
Meanwhile, why don't we check out what the Blue Team bought, eh? | 0:24:01 | 0:24:05 | |
First up was the dwarf screen. | 0:24:06 | 0:24:08 | |
They settled on £60. | 0:24:08 | 0:24:11 | |
Next was the bridge set, they dealt on £50. | 0:24:11 | 0:24:17 | |
Finally, it was that rather gorgeous silver cardcase. | 0:24:17 | 0:24:20 | |
They settled at £160. | 0:24:20 | 0:24:22 | |
-Well, girls, that was fun, wasn't it? -Very fun. -It was. | 0:24:24 | 0:24:27 | |
-Very fun and you spent a heck of a lot of money. -Yes, we've spent £270. | 0:24:27 | 0:24:31 | |
-We kept to our word, didn't we, on that? -Yes. -Magic. | 0:24:31 | 0:24:34 | |
Please may I have £30 leftover lolly. Thank you, that's very kind. | 0:24:34 | 0:24:38 | |
Now, Megan, tell me, what is your favourite item? | 0:24:38 | 0:24:41 | |
The sort of Japanese style screen because I thought | 0:24:41 | 0:24:44 | |
-I could visualise that in my own house. -And, Lauren, which is your favourite piece? | 0:24:44 | 0:24:48 | |
I was a big fan of the Japanese screen but I did like the cardholder. | 0:24:48 | 0:24:50 | |
-OK, so that was your personal favourite. -Yeah. | 0:24:50 | 0:24:53 | |
Is the cardholder going to bring the biggest profit, please? | 0:24:53 | 0:24:55 | |
-No, I think the Japanese screen probably will. -And you agree? | 0:24:55 | 0:24:58 | |
Yes, no, I agree. I also think the little bridge set | 0:24:58 | 0:25:00 | |
could do quite nicely if there's the right person. | 0:25:00 | 0:25:02 | |
I think you're hedging your bets. | 0:25:02 | 0:25:05 | |
Anyway, 30 miserable pounds goes over to the maestro. | 0:25:05 | 0:25:08 | |
What are you going to do with that, Charlie? | 0:25:08 | 0:25:10 | |
Buy a box of chocolates! | 0:25:10 | 0:25:12 | |
Nothing changes. Anyway, good luck with that. | 0:25:12 | 0:25:15 | |
Make sure they've got soft centres because very shortly we're | 0:25:15 | 0:25:18 | |
going to be heading off to the auction, aren't we? | 0:25:18 | 0:25:20 | |
Well, if you leave Ardingly and go north and turn right, roughly, | 0:25:30 | 0:25:35 | |
you finish up at this gorgeous golf club, | 0:25:35 | 0:25:37 | |
at which you will find Catherine Southon's auction house. | 0:25:37 | 0:25:41 | |
And here we are with Catherine Southon herself. | 0:25:41 | 0:25:44 | |
-Catherine... -Welcome. -..good morning. | 0:25:44 | 0:25:45 | |
-Good morning, Tim. -Thank you for having us. | 0:25:45 | 0:25:48 | |
The Reds are going to be really chuffed with this | 0:25:48 | 0:25:50 | |
because their first item is the cut-glass and silver decanter, | 0:25:50 | 0:25:54 | |
which has been a bit bashed, hasn't it? | 0:25:54 | 0:25:56 | |
Unfortunately, yes, I think maybe | 0:25:56 | 0:25:58 | |
someone's had a bit too many drinks and as they're putting the | 0:25:58 | 0:26:01 | |
stopper back in afterwards, they've bashed the silver rim, | 0:26:01 | 0:26:04 | |
so we've got a few dents around it. | 0:26:04 | 0:26:06 | |
But it's a handsome piece, it looks good. | 0:26:06 | 0:26:09 | |
-OK, how much? -40-60. -OK, £45 paid. | 0:26:09 | 0:26:12 | |
-So that's the right price... -That's fine. | 0:26:12 | 0:26:14 | |
..and we're in the right place. Good. | 0:26:14 | 0:26:16 | |
Next is the cold-painted | 0:26:16 | 0:26:19 | |
spelter pheasant novelty table lighter. | 0:26:19 | 0:26:23 | |
I'm not a big fan of it, myself, but some people like to collect | 0:26:23 | 0:26:28 | |
novelty lighters but I think this is | 0:26:28 | 0:26:30 | |
just a bit too chunky, a bit too big. | 0:26:30 | 0:26:32 | |
-How much? -40-60. | 0:26:32 | 0:26:35 | |
-Really? -That's a bit mean. -OK, £95 they paid. | 0:26:35 | 0:26:38 | |
Which is perhaps enough, I don't know. | 0:26:38 | 0:26:40 | |
I think that's a little bit too much, I might struggle. | 0:26:40 | 0:26:42 | |
Now, lastly, the little bit of Chelsea Derby porcelain which, | 0:26:42 | 0:26:48 | |
in its own right, is as rare as a hen's tooth, isn't it? | 0:26:48 | 0:26:51 | |
Really beautiful, late 18th century. | 0:26:51 | 0:26:54 | |
Beautifully painted, love the ribbed side here. Nice cider mug there. | 0:26:54 | 0:26:59 | |
-But smashed. -Unfortunately, yes. | 0:26:59 | 0:27:01 | |
The bottom's been off and it's been reglued | 0:27:01 | 0:27:04 | |
and that's against it completely. | 0:27:04 | 0:27:07 | |
To my mind, is that worth a £10 note, | 0:27:07 | 0:27:11 | |
or will a collector pay a bit more | 0:27:11 | 0:27:13 | |
because they've just got to have a gold Chelsea Derby | 0:27:13 | 0:27:17 | |
marked piece of porcelain? | 0:27:17 | 0:27:19 | |
Exactly that. They might not have that one piece in their collection | 0:27:19 | 0:27:22 | |
and they might not be able to afford it, if it was perfect, | 0:27:22 | 0:27:25 | |
so why not buy it? And I think it is worth a bit more than a £10 note. | 0:27:25 | 0:27:29 | |
-Like how much? -40-60. | 0:27:29 | 0:27:31 | |
OK, £50 paid. | 0:27:31 | 0:27:33 | |
OK, well, depending on how it all goes, they may or may not | 0:27:33 | 0:27:35 | |
need their bonus buy but let's go and have a look at it. | 0:27:35 | 0:27:39 | |
OK, team, this is fun, isn't it? You spent 190, which is magnificent. | 0:27:39 | 0:27:43 | |
You gave £110 to Carlos Hanson. Charles, what did you buy? | 0:27:43 | 0:27:47 | |
I felt like a soldier, I felt almost Roman and statuesque | 0:27:47 | 0:27:51 | |
because I'm from Derby and from Derby came my old mate, | 0:27:51 | 0:27:55 | |
a Roman soldier. | 0:27:55 | 0:27:57 | |
-Oh, what do you think? -It's actually much prettier than I expected. -Why?! | 0:27:58 | 0:28:03 | |
-I'm sorry. -No faith in you. | 0:28:03 | 0:28:04 | |
-Oh, right. -No, not really! | 0:28:04 | 0:28:06 | |
What I love about this man is that he was made in Derby in the | 0:28:06 | 0:28:10 | |
very early days when we were making porcelain here in England | 0:28:10 | 0:28:15 | |
and indeed Europe because he would go back to around 1770. | 0:28:15 | 0:28:20 | |
-Just have a handle, it's tactile, it's... -What's it made out of? | 0:28:20 | 0:28:24 | |
-He's had a little hand missing and it's been returned. -Well, yes. | 0:28:24 | 0:28:28 | |
Absolutely, there's been some restorations. | 0:28:28 | 0:28:31 | |
-How much did it set us back? -Well, have a guess. | 0:28:31 | 0:28:35 | |
-I'm hoping no more than 80. -It cost me 110! | 0:28:35 | 0:28:38 | |
You've got to go for it. It has such history. | 0:28:40 | 0:28:42 | |
How do you think the damage will do, in terms of profit? | 0:28:42 | 0:28:45 | |
How much do you think we'll make? | 0:28:45 | 0:28:47 | |
I would estimate it between 80-120. | 0:28:47 | 0:28:50 | |
I think it's a gamble worth taking. | 0:28:50 | 0:28:52 | |
-So it's quite taut. -Tim, it's quite taut. | 0:28:52 | 0:28:54 | |
-OK, fine, that's what you have to remember, girls, OK? -BOTH: Yeah. | 0:28:54 | 0:28:57 | |
With our feet on the ground. | 0:28:57 | 0:28:59 | |
You will choose after the sale of your first three items. | 0:28:59 | 0:29:01 | |
But right now, for the audience at home. | 0:29:01 | 0:29:03 | |
Let's find out what the auctioneer thinks about Charles's figure? | 0:29:03 | 0:29:06 | |
OK, Catherine, here's your Charles Hanson. | 0:29:08 | 0:29:11 | |
He loves his 18th century porcelain and, boy, | 0:29:11 | 0:29:14 | |
-has he gone strong with this. -Yes. | 0:29:14 | 0:29:17 | |
Erm, the thing is, it's got a lot against it, Tim. | 0:29:17 | 0:29:21 | |
This is really been through the wars. | 0:29:21 | 0:29:23 | |
The arm's off, the cockerel's tail's off. | 0:29:23 | 0:29:26 | |
All of the side has basically been bashed and repaired. | 0:29:26 | 0:29:29 | |
-You name it, it's gone. -Yeah. | 0:29:29 | 0:29:32 | |
I mean, I don't want to knock somebody's goods | 0:29:32 | 0:29:35 | |
but he's paid 110 for this | 0:29:35 | 0:29:36 | |
and as the bonus buy, it is going to be difficult for the team. | 0:29:36 | 0:29:39 | |
I'm going to really struggle with that. | 0:29:39 | 0:29:41 | |
And what's your estimate though, on a good day, | 0:29:41 | 0:29:43 | |
-putting your best foot forward? -£40-60. -Who knows? | 0:29:43 | 0:29:47 | |
-You may ignite somebody's... -Who knows? -..enthusiasm, | 0:29:47 | 0:29:50 | |
and we could all be proven wrong. | 0:29:50 | 0:29:52 | |
OK, that's it, then, for the Reds. | 0:29:52 | 0:29:54 | |
Now, for Megan and Lauren, | 0:29:54 | 0:29:57 | |
their first piece is the four-fold screen. | 0:29:57 | 0:30:01 | |
We've got the lovely Japanese lacquer and then this | 0:30:01 | 0:30:03 | |
laque burgaute, which is the sort of | 0:30:03 | 0:30:05 | |
chips of mother-of-pearl inlayed into the lacquer. | 0:30:05 | 0:30:09 | |
Do you like that, Catherine? | 0:30:09 | 0:30:10 | |
It does look quite attractive but I wouldn't say it's the best quality. | 0:30:10 | 0:30:14 | |
I don't actually like the frame as much. | 0:30:14 | 0:30:16 | |
-So how much? -60-80. | 0:30:16 | 0:30:18 | |
OK, fine, £60 paid. | 0:30:18 | 0:30:20 | |
So that's the right estimate in the right place. | 0:30:20 | 0:30:22 | |
Right, now, the oak-cased bridge set, | 0:30:22 | 0:30:26 | |
which I guess is an amateur case | 0:30:26 | 0:30:28 | |
done by a man in a shed in about 1925. | 0:30:28 | 0:30:33 | |
It does the business, it holds a nice few sets of cards | 0:30:33 | 0:30:36 | |
and you've got the pencils there as well and the little notebooks. | 0:30:36 | 0:30:39 | |
-Yeah. -And bridge is still a popular game. -Certainly is. | 0:30:39 | 0:30:42 | |
-So how much, then? -30-40. -£50 paid. | 0:30:42 | 0:30:45 | |
And lastly is the Birmingham 1900 cardcase. | 0:30:45 | 0:30:49 | |
People do like cardcases and as far as a cardcase goes, | 0:30:49 | 0:30:54 | |
there's a lot of decoration on there and it hasn't been cleaned too much. | 0:30:54 | 0:30:57 | |
So you've got a nice decoration there and nice clear hallmarks. | 0:30:57 | 0:31:02 | |
-I would say 100-150 on that. -Would you? They paid 160. -Oh, did they? | 0:31:02 | 0:31:06 | |
-Yeah. -Oh, we might struggle on that. -To get to 160? -Yes. | 0:31:06 | 0:31:09 | |
Well, if it is a struggle for you, Catherine, | 0:31:09 | 0:31:11 | |
they're going to need their bonus buy, | 0:31:11 | 0:31:13 | |
so let's go and have a look at it. | 0:31:13 | 0:31:15 | |
-Well, girls, you're looking keen. -Always. -We are. -Always, I love it. | 0:31:15 | 0:31:19 | |
OK, you spent 270, which is magnificent. | 0:31:19 | 0:31:21 | |
You gave Charlie Ross £30. | 0:31:21 | 0:31:23 | |
Charlie, what did you spend it on? | 0:31:23 | 0:31:25 | |
Well, you did such a good job, girls, spending all the money. | 0:31:25 | 0:31:27 | |
I was left with a miserable £30 and I didn't even spend all of that. | 0:31:27 | 0:31:31 | |
-Oh, wow. -But I bought you a profit. Are you pleased to hear that? -Yes. | 0:31:31 | 0:31:35 | |
Oh-h! | 0:31:35 | 0:31:37 | |
Well, that's a positive reaction. | 0:31:37 | 0:31:40 | |
Now, this is a parallel rule from the 19th century. | 0:31:40 | 0:31:43 | |
It's ebony and brass. | 0:31:43 | 0:31:45 | |
It lacks a maker's name, which I'm a little bit disappointed by. | 0:31:45 | 0:31:49 | |
But for £10, I thought it was a steal | 0:31:49 | 0:31:51 | |
and the bonus here is that this was next to it and the guy said, | 0:31:51 | 0:31:55 | |
"Well, there's an old spirit level there, | 0:31:55 | 0:31:57 | |
"would you like me to chuck that in with it?" | 0:31:57 | 0:31:59 | |
And I said, "Rather!" | 0:31:59 | 0:32:01 | |
Because I think that's worth a fiver on its own. | 0:32:01 | 0:32:04 | |
I think that's probably 1910-1920. | 0:32:04 | 0:32:07 | |
But, frankly, at 10 quid for the two. | 0:32:07 | 0:32:10 | |
Don't say no, girls. | 0:32:10 | 0:32:11 | |
No, I think this is quite sweet as well | 0:32:11 | 0:32:14 | |
because you see spirit levels now and they're sort of plasticy. | 0:32:14 | 0:32:17 | |
-They're horrible, aren't they? Exactly. -Not very pretty. | 0:32:17 | 0:32:21 | |
Do you think it will be an issue that it doesn't have the maker's...? | 0:32:21 | 0:32:25 | |
No, I just think that it'll only make 20 or 30, | 0:32:25 | 0:32:27 | |
whereas if it had a maker's name it might make 40-60. | 0:32:27 | 0:32:30 | |
-Well, I think that sounds like an impressive potential profit. -Yeah. | 0:32:30 | 0:32:35 | |
Well, you don't pick now, you pick later if you want to. | 0:32:35 | 0:32:38 | |
But right now, for the audience at home, | 0:32:38 | 0:32:39 | |
let's find out what the auctioneer thinks about Charlie's instruments. | 0:32:39 | 0:32:45 | |
Now, Catherine, I need you to level with me. | 0:32:45 | 0:32:48 | |
What do you think of this lot? | 0:32:48 | 0:32:49 | |
Very nice. I mean, an ebony parallel rule there. | 0:32:49 | 0:32:53 | |
So this would have been used on a ship to look at your charts, | 0:32:53 | 0:32:56 | |
to do your mapping. | 0:32:56 | 0:32:57 | |
And then we've got a little spirit level there, which is fine. | 0:32:57 | 0:33:01 | |
This has come out of your toolbox, hasn't it? | 0:33:01 | 0:33:03 | |
They do the business, yeah. It would have been nice to have | 0:33:03 | 0:33:06 | |
a name on but that's probably me being a bit picky. | 0:33:06 | 0:33:09 | |
I mean, it's lovely, the hinges are there, it works. | 0:33:09 | 0:33:12 | |
Well, it's Charlie Ross's bonus buy from heaven because he only had £30 | 0:33:12 | 0:33:15 | |
and he has bought both of these pieces for £10. | 0:33:15 | 0:33:19 | |
-Brilliant. -How about that? | 0:33:19 | 0:33:21 | |
-What's your estimate? -Well, I put 30-50 on it. | 0:33:21 | 0:33:24 | |
-There you are, that's why the man's a genius. -He is a genius. | 0:33:24 | 0:33:27 | |
Mark you, you've got to sell them for more than £10, | 0:33:27 | 0:33:29 | |
that's your next challenge, Catherine. | 0:33:29 | 0:33:32 | |
-I will do my very best for everybody. -Of that, I have no doubt. | 0:33:32 | 0:33:36 | |
160 in the room. 35... | 0:33:38 | 0:33:42 | |
This is amazing, isn't it? | 0:33:42 | 0:33:44 | |
You got that decanter and stopper that's a bit | 0:33:44 | 0:33:46 | |
bruised on the top, Charles found it for you. | 0:33:46 | 0:33:48 | |
We could all do with a swig. Look out, here we go. | 0:33:48 | 0:33:51 | |
Lot 144 is a George V silver mounted | 0:33:51 | 0:33:54 | |
cut-glass decanter and stopper. | 0:33:54 | 0:33:57 | |
£50 I'm looking for, £50. | 0:33:57 | 0:33:59 | |
Who's going to give me 50? | 0:33:59 | 0:34:01 | |
Come on, think of the amount of drink you can get in there. | 0:34:02 | 0:34:04 | |
£50. Any interest at 50? | 0:34:04 | 0:34:07 | |
40 then. | 0:34:07 | 0:34:09 | |
40 is bid, thank you, 40. | 0:34:09 | 0:34:11 | |
Would you like to go 5? | 0:34:11 | 0:34:13 | |
Are you sure? £40 standing. | 0:34:13 | 0:34:15 | |
It's standing at £40. Thank you, 5. | 0:34:15 | 0:34:19 | |
-50, 55. -Profit! | 0:34:19 | 0:34:21 | |
55, I have seated at £55. | 0:34:21 | 0:34:24 | |
£55, any more at 55 then? | 0:34:24 | 0:34:26 | |
55, I will sell at seated. | 0:34:26 | 0:34:29 | |
55, 60, 5. | 0:34:29 | 0:34:31 | |
70, 5. | 0:34:31 | 0:34:34 | |
-Go on, sir! -75 seated. | 0:34:34 | 0:34:37 | |
75 all done. | 0:34:37 | 0:34:39 | |
That is plus £30. | 0:34:39 | 0:34:40 | |
-That's great! -Great cackle there. | 0:34:47 | 0:34:51 | |
A very impressive table piece. | 0:34:51 | 0:34:54 | |
We have an early 20th century, | 0:34:54 | 0:34:55 | |
cold-painted spelter pheasant table lighter. | 0:34:55 | 0:34:58 | |
£40, £40, it is £40. | 0:34:58 | 0:35:01 | |
-Gorgeous, come on. -Come on! | 0:35:01 | 0:35:04 | |
5. 45. 45. One more. | 0:35:04 | 0:35:06 | |
Yes, 5, 50 we've got. | 0:35:08 | 0:35:12 | |
-£50. -Come on! -Any more at £50? | 0:35:12 | 0:35:14 | |
I'm selling at £55 now. | 0:35:14 | 0:35:16 | |
60, they all want it now. | 0:35:16 | 0:35:18 | |
60, 5. | 0:35:18 | 0:35:20 | |
-It's a slow build. -One more? 65. | 0:35:20 | 0:35:22 | |
Do you want one more? | 0:35:22 | 0:35:24 | |
ALL: Yeah! | 0:35:24 | 0:35:25 | |
Do you want one more? No. £65 seated at 65 in the aisle. | 0:35:25 | 0:35:30 | |
Any more at 65 then? All done. | 0:35:30 | 0:35:32 | |
-65. -OK, OK. | 0:35:32 | 0:35:35 | |
-I'm sorry, that's minus £30. -Oh, no. | 0:35:35 | 0:35:38 | |
-Don't give us that look! -No, I... | 0:35:38 | 0:35:40 | |
-OK, at least we got... -At least it went. | 0:35:40 | 0:35:43 | |
Lot 146, we have an 18th century Chelsea Derby porcelain cider mug. | 0:35:43 | 0:35:48 | |
It has been restored on the bottom but it's a jolly nice piece, | 0:35:48 | 0:35:52 | |
beautifully painted there. | 0:35:52 | 0:35:54 | |
And who will give me £40? Any interest at 40? | 0:35:54 | 0:35:58 | |
£40, come on. 40, please, 40. | 0:35:58 | 0:36:01 | |
30 then. £30, any interest at 30? | 0:36:01 | 0:36:05 | |
She's really begging. | 0:36:05 | 0:36:06 | |
It's here to be sold today. | 0:36:06 | 0:36:07 | |
£30, thank you. | 0:36:07 | 0:36:09 | |
£30. £30. It's sad. | 0:36:09 | 0:36:13 | |
It began so well. | 0:36:13 | 0:36:15 | |
£30, I will sell for 30. £30, any more at 30 then? | 0:36:15 | 0:36:18 | |
£30? | 0:36:18 | 0:36:20 | |
-Well, she's tried, Charles. -She did. -She's tried really hard. | 0:36:20 | 0:36:24 | |
That's minus £20. Overall you're minus £20. | 0:36:24 | 0:36:27 | |
So what are you going to do about the bonus buy? | 0:36:27 | 0:36:29 | |
-Are you going to park it? -We're minus 20. | 0:36:29 | 0:36:31 | |
-We're going for it. -We've got nothing to lose. | 0:36:31 | 0:36:34 | |
-OK, you're going with the bonus buy. -Faith in you, Charles. | 0:36:34 | 0:36:37 | |
You really want to have a run, don't you? | 0:36:37 | 0:36:38 | |
OK, fine, they really, really want to have a go. | 0:36:38 | 0:36:41 | |
Thank you, lot 150. We have another piece of Derby. | 0:36:41 | 0:36:45 | |
An 18th century porcelain Derby figure. | 0:36:45 | 0:36:48 | |
We have a little bit of damage there but I would like £30, please, | 0:36:48 | 0:36:52 | |
to get this started. Come on, £30. | 0:36:52 | 0:36:56 | |
£30. Come on, 18th century Derby piece. | 0:36:56 | 0:37:00 | |
Is bid. Thank you. £30 on the net. £30. | 0:37:00 | 0:37:03 | |
On the net, any more at £30? | 0:37:03 | 0:37:04 | |
-It's so cheap. -They've not seen it. | 0:37:04 | 0:37:07 | |
£30, against you in the room at £30. | 0:37:07 | 0:37:09 | |
£30, no? | 0:37:09 | 0:37:10 | |
You're all shaking your heads. | 0:37:10 | 0:37:13 | |
-£30 then, all done. 30. -£30. | 0:37:13 | 0:37:16 | |
-OK, that's 70, that's minus £80. -Absolute joke. | 0:37:16 | 0:37:19 | |
So that means overall minus £100. | 0:37:19 | 0:37:23 | |
-I'm sorry. -That's spectacular. -We're still in with a chance. -You do. -Yes. | 0:37:23 | 0:37:28 | |
-You are an amazing, amazing woman. -Silver linings. | 0:37:28 | 0:37:30 | |
Anyway, there we are. | 0:37:30 | 0:37:32 | |
OK, well, good fun anyway. Thank you very much. | 0:37:32 | 0:37:34 | |
Don't say a word to the Blues. | 0:37:34 | 0:37:36 | |
Girls, do you know how those Reds got on? | 0:37:41 | 0:37:45 | |
-Not at all. -No. -Good, we don't want you to. | 0:37:45 | 0:37:48 | |
First up is your screen and here it comes. | 0:37:48 | 0:37:50 | |
This is lot 163. | 0:37:50 | 0:37:52 | |
A small early 20th century Japanese folding screen with | 0:37:52 | 0:37:56 | |
the mother-of-pearl and I would like £50 for this. Is bid. | 0:37:56 | 0:38:01 | |
-£50 straightaway. -Straight in there, girls. | 0:38:01 | 0:38:04 | |
Don't let it go just for £50. | 0:38:04 | 0:38:06 | |
Any more at 50? 5, 60, 5, 70... | 0:38:06 | 0:38:11 | |
-You're in profit. -No more? Are you sure? | 0:38:11 | 0:38:15 | |
£70. Any more at £70. £70 then. | 0:38:15 | 0:38:19 | |
All done, lady's bid at £70. | 0:38:19 | 0:38:22 | |
-How much did you sell it for? -£70. | 0:38:22 | 0:38:24 | |
70 is perfect, you've made a £10 profit on that. | 0:38:24 | 0:38:27 | |
Megan is the screen warrior, which is very good. | 0:38:27 | 0:38:30 | |
Oh, I'm worried about this one. | 0:38:30 | 0:38:32 | |
With pencils, with cards | 0:38:34 | 0:38:36 | |
and I would like £30. | 0:38:36 | 0:38:39 | |
£30, he's bid, thank you. | 0:38:39 | 0:38:41 | |
-30. -Well done, madam. -£30, any more at 30? | 0:38:41 | 0:38:45 | |
Nice oak case. 35, £35. | 0:38:45 | 0:38:50 | |
£35, come on, we've even got the pencils there. | 0:38:50 | 0:38:53 | |
35, where were we? 40. 5. | 0:38:53 | 0:38:56 | |
50. 55? No more. | 0:38:56 | 0:38:58 | |
50. £50 I've got. £50. | 0:38:58 | 0:39:02 | |
-£50, any more at 50? -We want one more. | 0:39:02 | 0:39:04 | |
-£50 then. -One more for the golden gavel. | 0:39:04 | 0:39:06 | |
All done at £50 then. Going once, going twice, it's sold. | 0:39:06 | 0:39:12 | |
No trumps, wiped its face. | 0:39:12 | 0:39:14 | |
-Not a loss. -Not a loss but no profit. | 0:39:19 | 0:39:22 | |
Lot 165 is a Victorian silver cardcase, beautifully embossed, | 0:39:22 | 0:39:28 | |
it's a really nice cardcase here and I would like a... | 0:39:28 | 0:39:31 | |
-Where should we start? We've got 55, 60. With me at 60. -Oh, come on. | 0:39:31 | 0:39:36 | |
Any more at 60? 65. £65. I've got 75 on the net. 80, where are we? | 0:39:36 | 0:39:42 | |
-85, 90, 5. -Come on. -100. | 0:39:42 | 0:39:46 | |
-110, 120, 130. -Oh, we're nearly there. | 0:39:46 | 0:39:50 | |
You sure? 130, | 0:39:50 | 0:39:52 | |
£130. One more? | 0:39:52 | 0:39:55 | |
-Yes! Come on! -130, £130. | 0:39:55 | 0:39:57 | |
£130, any more? It's a very pretty case at 130. | 0:39:58 | 0:40:03 | |
130, no more? 130. | 0:40:03 | 0:40:05 | |
All done at 130. | 0:40:05 | 0:40:08 | |
-It's yours. -What's he going to sell it for? -Minus £30. | 0:40:08 | 0:40:12 | |
So that means overall you are minus £20 after all that shemozzle. | 0:40:12 | 0:40:17 | |
Having got up there with the screen, | 0:40:17 | 0:40:19 | |
you've been dragged down by the cardcase. | 0:40:19 | 0:40:21 | |
-Chin up, darling, chin up. -So are we going to go for the bonus buy? | 0:40:21 | 0:40:24 | |
-Yes, we are, we love it. -I think we should. | 0:40:24 | 0:40:26 | |
A whole lot hinges on this, doesn't it? | 0:40:26 | 0:40:29 | |
Lot 169. | 0:40:30 | 0:40:32 | |
We have a 19th century ebony parallel rule at the top there | 0:40:32 | 0:40:37 | |
and the associated but jolly nice brass and oak spirit level. | 0:40:37 | 0:40:41 | |
-£20, come on, £20. Is bid, thank you. £20. -Doubled our money. | 0:40:41 | 0:40:46 | |
£20, any more at 20? | 0:40:46 | 0:40:48 | |
22, 5, 28, 30, 5. | 0:40:48 | 0:40:53 | |
We're in profit! | 0:40:53 | 0:40:56 | |
40, £40, your bid at 40. £40. | 0:40:56 | 0:40:59 | |
-5, 50? -Oh, yes! | 0:40:59 | 0:41:02 | |
-50? -£45. Do you want another? | 0:41:02 | 0:41:07 | |
-A tenner well invested, wasn't it? -£45, 50? Why not? | 0:41:07 | 0:41:11 | |
-50, yes! -£50. | 0:41:11 | 0:41:12 | |
I will sell at 50. All done, £50? | 0:41:12 | 0:41:16 | |
Go with that, girls. | 0:41:16 | 0:41:18 | |
-That is so good, isn't it? -Give me a kiss, darling. | 0:41:18 | 0:41:21 | |
Oh, yes. Oh, yes. | 0:41:21 | 0:41:23 | |
Covered in kisses. So that means overall you're plus £20. | 0:41:23 | 0:41:28 | |
That could be a wining score, thanks to Charlie Ross, our legend. | 0:41:28 | 0:41:32 | |
Say nothing to the Reds and all will be revealed in a moment. | 0:41:32 | 0:41:35 | |
Thank you very much. | 0:41:35 | 0:41:37 | |
The rivalry between these teams today is extreme. | 0:41:42 | 0:41:48 | |
They look young and lovely | 0:41:48 | 0:41:50 | |
but actually they are fearsome with one another. | 0:41:50 | 0:41:52 | |
So you've not been talking about the scores? | 0:41:52 | 0:41:55 | |
-ALL: No. -Not at all. | 0:41:55 | 0:41:56 | |
Well, I can reveal there is a chasm between the two teams today. | 0:41:56 | 0:42:00 | |
-Yes! And the team that is way behind are the Reds. -ALL: Yeah! | 0:42:00 | 0:42:06 | |
Started out beautifully. | 0:42:06 | 0:42:09 | |
Plus £30 on that decanter. | 0:42:09 | 0:42:12 | |
Nobody would have predicted a £30 profit on that | 0:42:12 | 0:42:15 | |
and it went downhill all the way after that. | 0:42:15 | 0:42:17 | |
And what can I say, really, apart from bad luck? | 0:42:17 | 0:42:20 | |
Did you enjoy the experience? | 0:42:20 | 0:42:21 | |
-Lovely. -Yep, yep. -Good. OK, well, we've loved having you on the show. | 0:42:21 | 0:42:25 | |
I'm sorry it turned out to be such a disaster for you. | 0:42:25 | 0:42:28 | |
All I can say is better luck next time | 0:42:28 | 0:42:30 | |
because the Blues are going home with £20 profit. | 0:42:30 | 0:42:33 | |
-TOGETHER: Yay! -There you go, Megan. | 0:42:33 | 0:42:35 | |
Well done. £10 off that screen, which is great. | 0:42:35 | 0:42:39 | |
And then, of course, that fantastic bonus buy, Charlie. | 0:42:39 | 0:42:42 | |
That parallel ruler, £40 profit. | 0:42:42 | 0:42:44 | |
Super-duper. Overall, plus 20. | 0:42:44 | 0:42:47 | |
-Well done. -Thank you. -Yeah. | 0:42:47 | 0:42:49 | |
Thank you and thank you, Charlie, for making our day so blissful. | 0:42:49 | 0:42:53 | |
It's been such fun. Join us soon for some more Bargain Hunting. | 0:42:53 | 0:42:56 | |
-Yes? -ALL: Yes! | 0:42:56 | 0:42:59 |