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We've come to beautiful Builth Wells in Mid Wales, | 0:00:04 | 0:00:07 | |
an area renowned for its agricultural heritage. | 0:00:07 | 0:00:11 | |
So let's be bullish about this. Ha-ha! | 0:00:11 | 0:00:14 | |
Let's go Bargain Hunting. Yeah. | 0:00:14 | 0:00:17 | |
Today we are at the Royal Welsh Showground, which is normally | 0:00:44 | 0:00:48 | |
a great shop window for the farming community. | 0:00:48 | 0:00:51 | |
But today it's going to be a great shop window for Bargain Hunt, | 0:00:51 | 0:00:55 | |
with the Red team and the Blue team each needing to find three items | 0:00:55 | 0:00:59 | |
to take away and hopefully sell for a profit later at auction. | 0:00:59 | 0:01:04 | |
Let's take a sneaky peek as to what's coming up, eh? | 0:01:04 | 0:01:07 | |
On today's show, Phil goes begging for profit. | 0:01:08 | 0:01:11 | |
-Here we are. -I could walk around with that, couldn't I? | 0:01:11 | 0:01:14 | |
It was made for me, this was. | 0:01:14 | 0:01:16 | |
And then...for forgiveness. | 0:01:16 | 0:01:18 | |
Do you do confessions? | 0:01:18 | 0:01:20 | |
The Blues try and drive the price down. | 0:01:21 | 0:01:22 | |
-We've got to make a profit. -Just a little bit. | 0:01:24 | 0:01:27 | |
Tweak it, a little bit. Please. | 0:01:27 | 0:01:29 | |
And then back up again. | 0:01:29 | 0:01:30 | |
-Come on, come on, come on. More. -65. | 0:01:30 | 0:01:34 | |
So let's meet today's teams. | 0:01:34 | 0:01:37 | |
Well, we have a team of friends on today's programme. | 0:01:37 | 0:01:41 | |
Well, they're friends at the moment. | 0:01:41 | 0:01:43 | |
It's Judy and Jane. | 0:01:43 | 0:01:46 | |
And for the Blues we have a daughter-and-father combo, | 0:01:46 | 0:01:49 | |
Fionella and Malcolm. Hello, everyone. | 0:01:49 | 0:01:51 | |
-ALL: -Hello! | 0:01:51 | 0:01:53 | |
Hello, hello, hello. | 0:01:53 | 0:01:54 | |
Now, Judy, I don't have to ask you what your profession is. | 0:01:54 | 0:01:57 | |
-No, we've both rather given it away today. -You're sporting dog collars. | 0:01:57 | 0:02:00 | |
-We are. -So what is the good bits about being a vicar? | 0:02:00 | 0:02:04 | |
It's incredibly varied. | 0:02:04 | 0:02:06 | |
You never know quite what you're going to be doing from day to day. | 0:02:06 | 0:02:09 | |
Just being part of a local community | 0:02:09 | 0:02:12 | |
and there for people whatever is going on in their lives, | 0:02:12 | 0:02:14 | |
the difficult and the great, is a privilege. | 0:02:14 | 0:02:17 | |
But you had another life as a vet. | 0:02:17 | 0:02:19 | |
I did. Yes, yes. | 0:02:19 | 0:02:21 | |
I qualified as a vet at Bristol and then I taught vet students | 0:02:21 | 0:02:26 | |
and ended up specialising in horse colic. | 0:02:26 | 0:02:29 | |
If you want to know anything about horse gut, I'm your person! | 0:02:29 | 0:02:32 | |
So, what happened? | 0:02:32 | 0:02:34 | |
Where was your epiphany? That you were dealing with horse guts | 0:02:34 | 0:02:36 | |
one minute, and you thought, "I can't stick this any more... | 0:02:36 | 0:02:39 | |
-No, no, no. -"..I'm moving on." | 0:02:39 | 0:02:41 | |
It had been a background thought since I was about 15 that | 0:02:41 | 0:02:44 | |
at some point some kind of full-time Christian work was in the offing. | 0:02:44 | 0:02:48 | |
So, Jane, how long have you known Judy for? | 0:02:48 | 0:02:51 | |
I've known her for 20 years, when she arrived as our vicar | 0:02:51 | 0:02:54 | |
and I was, innocently, not a vicar at the time. | 0:02:54 | 0:02:57 | |
You're relatively new to the Church, aren't you? | 0:02:57 | 0:03:00 | |
Yes. I've not been a vicar for more than six years. | 0:03:00 | 0:03:05 | |
-Before that I was a teacher, a geography teacher. -Oh, yes. | 0:03:05 | 0:03:08 | |
I decided really - this doesn't sound too good - that there would be | 0:03:08 | 0:03:11 | |
a point when I couldn't run up sand dunes any more. | 0:03:11 | 0:03:13 | |
What are your tactics going to be today? | 0:03:13 | 0:03:16 | |
Are you going to spend all the cash? Spend every last penny? | 0:03:16 | 0:03:19 | |
-No, I don't think so. -You're not? -We're very careful. -A bit cautious. | 0:03:19 | 0:03:22 | |
-Oh, yes. -You'll regard it as the collection money? -I think so. | 0:03:22 | 0:03:26 | |
-Exactly. -It's on loan. -Good stewardship. | 0:03:26 | 0:03:29 | |
-That's a better word. -Everything is stewardship. | 0:03:29 | 0:03:32 | |
Good fun. Lovely to meet you. | 0:03:32 | 0:03:34 | |
-Now, Fionella. It says here that you're an estate agent. -I am indeed. | 0:03:34 | 0:03:38 | |
-Well done, for your pains. -Absolutely. | 0:03:38 | 0:03:41 | |
-Some people are very rude about estate agents, aren't they? -They are. | 0:03:41 | 0:03:45 | |
-That's incredibly unfair. -Unfairly, really. | 0:03:45 | 0:03:48 | |
-Do you love your job? -I really do. | 0:03:48 | 0:03:50 | |
-I get paid to talk to people all day. -Yes. And you like that? | 0:03:50 | 0:03:54 | |
Yes, generally I do. Most people are really nice. | 0:03:54 | 0:03:58 | |
There's an awful lot of ground to cover here | 0:03:58 | 0:04:00 | |
at the Royal Welsh Showground and you are very fit, right? | 0:04:00 | 0:04:03 | |
-Because you like to run. -I do like to run, yes. | 0:04:03 | 0:04:06 | |
-I hope that'll be to our advantage. -In a big fair like this, it probably will. | 0:04:06 | 0:04:09 | |
Absolutely. I want to get there first before the other team! | 0:04:09 | 0:04:13 | |
-Now, Malcolm. You also like to keep fit, don't you? -I do, I do. | 0:04:13 | 0:04:17 | |
I walk seven miles to the baths in Shrewsbury. | 0:04:17 | 0:04:19 | |
-Do you? -Then swim for 40 minutes, 45 minutes. | 0:04:19 | 0:04:23 | |
-Do you mind my asking how old are you? -77. -Are you? | 0:04:23 | 0:04:25 | |
Malcolm, it's not so often we have a person on the show | 0:04:25 | 0:04:29 | |
who has been awarded an MBE. | 0:04:29 | 0:04:31 | |
So congratulations for that. Tell us about the circumstances. | 0:04:31 | 0:04:34 | |
My wife and I, we do foster. | 0:04:34 | 0:04:36 | |
My wife has fostered longer than I have because I worked, | 0:04:36 | 0:04:39 | |
I was a car salesman. | 0:04:39 | 0:04:41 | |
When I retired I became the foster carer's assistant | 0:04:41 | 0:04:45 | |
and we really, really enjoyed it. | 0:04:45 | 0:04:48 | |
-And how many children have you fostered? -Just over 140. | 0:04:48 | 0:04:52 | |
Have you really? That is quite something. | 0:04:52 | 0:04:55 | |
-Do you guys ever get together at auctions? -Yes, we do go to auctions. | 0:04:55 | 0:04:59 | |
-But we don't give Dad a free rein very often. -Why is that? | 0:04:59 | 0:05:02 | |
Because he buys things nobody else wants | 0:05:02 | 0:05:04 | |
and then we have to resell them again at a loss. | 0:05:04 | 0:05:06 | |
I see! It's that good a business, is it? | 0:05:06 | 0:05:09 | |
No, what it is, Tim, the poor old auctioneer's struggling there | 0:05:09 | 0:05:13 | |
to get a bid, and I think I'll start the bidding off for him. | 0:05:13 | 0:05:16 | |
Of course nobody else bids and it's knocked down to me. | 0:05:16 | 0:05:20 | |
On that happy note I think we should have our £300. | 0:05:20 | 0:05:23 | |
-Here comes the £300, there we go. £300. -Thank you. | 0:05:23 | 0:05:26 | |
You know the rules. Your experts await, and off you go! | 0:05:26 | 0:05:29 | |
Godspeed. | 0:05:30 | 0:05:32 | |
Let's get things started and meet today's experts. | 0:05:32 | 0:05:36 | |
Rooting around for the Reds, it's Phil Serrell. | 0:05:36 | 0:05:39 | |
And aiming to rake in a profit for the Blues, it's Ben Cooper. | 0:05:41 | 0:05:45 | |
What are you looking to buy, do you think? | 0:05:45 | 0:05:47 | |
We're looking for, I think, small items, intricately made. | 0:05:47 | 0:05:53 | |
-Small and intricate? -Yes. | 0:05:55 | 0:05:57 | |
-Is that not you? -But you've got me! | 0:05:57 | 0:05:59 | |
-I like silver. -Right. -And something that is unusual. | 0:05:59 | 0:06:04 | |
-And is going to make us a profit. -And quirky. | 0:06:04 | 0:06:07 | |
I'm kind of hoping that with you two we might get a bit of divine help. | 0:06:07 | 0:06:10 | |
I think we might need it. | 0:06:10 | 0:06:12 | |
Get skating, teams, cos your time starts now. | 0:06:12 | 0:06:16 | |
TRAIN WHISTLE | 0:06:16 | 0:06:17 | |
-Let's do it. -Come on, let's do it. Come on. | 0:06:17 | 0:06:19 | |
-Come on, let's have a go. -OK. | 0:06:19 | 0:06:21 | |
We need to speed up. | 0:06:21 | 0:06:23 | |
Very much a gentleman's thing. It's quite cool, isn't it? | 0:06:27 | 0:06:30 | |
What about one of these retro deckchairs? What do you think, Dad? | 0:06:30 | 0:06:33 | |
-Do you like them? -Yes, I think they are very now, and what people like. | 0:06:33 | 0:06:36 | |
-Do you know how to put them together? -They just fold up, don't they? | 0:06:36 | 0:06:39 | |
Do you like that or not? | 0:06:39 | 0:06:41 | |
-Silence... -I'm not sure, I'm not sure. -Silence means rubbish. | 0:06:42 | 0:06:46 | |
-Silence says, no, we don't really like it. -Follow me, follow me. | 0:06:46 | 0:06:49 | |
-Oh. -Oh, dear. | 0:06:49 | 0:06:50 | |
Oh, Lordy! Here's a fact. | 0:06:50 | 0:06:52 | |
Deckchairs were first used on the decks of ocean liners in the 1860s. | 0:06:52 | 0:06:57 | |
-Is it a retro one? -It's not so much about age, | 0:06:57 | 0:06:59 | |
what you are trying to find is something which will make a profit. | 0:06:59 | 0:07:02 | |
-A profit, yes. -How much have you got on the deckchair? -20 each for those. | 0:07:02 | 0:07:05 | |
-They're 20 each? -OK. | 0:07:05 | 0:07:07 | |
-How are you feeling? -And how much for us? -20 each! | 0:07:07 | 0:07:11 | |
Oh, we've got to make a profit. | 0:07:11 | 0:07:13 | |
-Just, just, just a little bit... -Tweak it a little bit. | 0:07:13 | 0:07:16 | |
-Just tweak a little bit. -We'll go 16, then. | 0:07:16 | 0:07:19 | |
-16. -16. -I think the gentleman is being very... -Fair. -..fair. -Yes. | 0:07:19 | 0:07:23 | |
Could we put it behind for just, like, ten minutes? | 0:07:23 | 0:07:27 | |
And we will come back to you? Fab. Let's do it. | 0:07:27 | 0:07:29 | |
Right, OK. We've only got started. Only five minutes in. | 0:07:29 | 0:07:33 | |
So let's see what else we can find and maybe come back to this later. | 0:07:33 | 0:07:37 | |
One for the back burner then, Blues, | 0:07:37 | 0:07:38 | |
but there's no time to sit back and relax. | 0:07:38 | 0:07:41 | |
Now, will this make an impression with the Reds? | 0:07:42 | 0:07:45 | |
-What do you think to this? -What is it? -It's an old company seal. | 0:07:45 | 0:07:48 | |
Right, OK. | 0:07:48 | 0:07:50 | |
In the days when any limited company had to have its company seal. | 0:07:50 | 0:07:53 | |
And its own seal. | 0:07:53 | 0:07:55 | |
And here, you stamped it down, | 0:07:55 | 0:07:58 | |
it impressed into the paper what your registration was, effectively. | 0:07:58 | 0:08:02 | |
It's beautiful, actually, isn't it? | 0:08:02 | 0:08:04 | |
Yes, it's quite nice, because that's a locking device there. | 0:08:04 | 0:08:07 | |
You can't actually use it as a seal with that lock in place. | 0:08:07 | 0:08:11 | |
We've got a tonne of seals and all sorts going on. | 0:08:12 | 0:08:16 | |
These are plain ones. | 0:08:16 | 0:08:18 | |
I've got to say, I don't think this box has got anything to do with it, | 0:08:18 | 0:08:21 | |
-but it does the job, doesn't it? -It does. | 0:08:21 | 0:08:23 | |
The real key to all of this - let's just pop it back how it was - | 0:08:23 | 0:08:28 | |
is, in all its glory, do you like it? | 0:08:28 | 0:08:31 | |
-Yes, I do. -Yes. Both of us. | 0:08:33 | 0:08:35 | |
It's £65. | 0:08:36 | 0:08:38 | |
Let me have a word with the dealer and I can see what they can do. | 0:08:38 | 0:08:42 | |
Go and see if you can seal the deal, Phil. | 0:08:42 | 0:08:44 | |
Now, what has Malcolm spotted? | 0:08:44 | 0:08:46 | |
-Who would want to buy that, Dad? -I don't know. | 0:08:49 | 0:08:52 | |
-Is that what they call a mahjong something or...? -Yes, a mahjong set. | 0:08:52 | 0:08:56 | |
-Yes. -But who would want it? -Ben? -Yes? | 0:08:56 | 0:08:59 | |
-Would that be of interest to anybody? -A mahjong set. | 0:08:59 | 0:09:02 | |
What is a mahjong set? | 0:09:02 | 0:09:04 | |
It's a Chinese game and to be honest I have no idea how you play it. | 0:09:04 | 0:09:07 | |
But it's about building walls and so you've got to have all the tiles... | 0:09:07 | 0:09:11 | |
That's the character for chung, which is central. | 0:09:11 | 0:09:14 | |
Often they are made out of ivory. This one's not. | 0:09:14 | 0:09:17 | |
By the looks of things it's a complete set | 0:09:17 | 0:09:20 | |
with some spare blank tiles, which is always useful | 0:09:20 | 0:09:23 | |
because you're bound to lose some. | 0:09:23 | 0:09:25 | |
They're always sought after and I often get asked by people, | 0:09:25 | 0:09:27 | |
-"Have you seen a mahjong set recently?" -Right, OK. | 0:09:27 | 0:09:30 | |
-So it may be... -Yes, but it depends on the price, doesn't it, Ben? -Yes. | 0:09:30 | 0:09:35 | |
-This one's £78. -Yeah. | 0:09:35 | 0:09:38 | |
-It's not a desperately old set... -No. -..looking at the box. | 0:09:38 | 0:09:41 | |
-No, the case is not very old. -No, no. | 0:09:41 | 0:09:44 | |
It's nicely made. | 0:09:44 | 0:09:46 | |
In all honesty I don't think there's going to be much of a profit. | 0:09:48 | 0:09:52 | |
Even if the gentleman would be very kind to us, I still don't think | 0:09:52 | 0:09:56 | |
it's necessarily something that'll be great in a general auction. | 0:09:56 | 0:09:59 | |
OK, well, let's move on. | 0:09:59 | 0:10:01 | |
Back to Phil, who has price news on the seal stamp. | 0:10:01 | 0:10:04 | |
I think she's been really kind to us. She said we can have it for £45. | 0:10:05 | 0:10:09 | |
-45? -There's one crucial question you haven't asked yet. | 0:10:09 | 0:10:12 | |
-What do you think it will sell for? -You've got it! You've got it! | 0:10:12 | 0:10:15 | |
She's got it. | 0:10:15 | 0:10:17 | |
I think if you have a bad day, it's £30. | 0:10:18 | 0:10:20 | |
If you have a good day, it might make 60. | 0:10:20 | 0:10:23 | |
I think it's quirky enough and it's just a lovely-looking piece | 0:10:23 | 0:10:28 | |
-which somebody's used, haven't they, and that's what we wanted. -It's different... | 0:10:28 | 0:10:33 | |
-I wouldn't mind it on my desk. -Are you going to buy it? | 0:10:33 | 0:10:37 | |
-Yes. -You're going to write to the bishop? -Send him a seal. Absolutely. | 0:10:37 | 0:10:41 | |
-Send him a seal. -I think so. | 0:10:41 | 0:10:43 | |
Right, I think you've done really well | 0:10:43 | 0:10:45 | |
because you've only just started, first lot gone. | 0:10:45 | 0:10:48 | |
Well done you. Come on. | 0:10:48 | 0:10:49 | |
And in ten minutes the Reds are stampeding ahead. | 0:10:51 | 0:10:54 | |
One item in the bag. | 0:10:54 | 0:10:56 | |
Are the Blues going to be as snappy? | 0:10:56 | 0:10:57 | |
-Why do you think about this? -Oh! | 0:10:57 | 0:11:00 | |
-Looks like a big crocodile. -Yes. | 0:11:01 | 0:11:03 | |
It's a stationery box, is what it was originally made for. | 0:11:05 | 0:11:08 | |
Date-wise, I would have thought | 0:11:08 | 0:11:09 | |
you're looking around the turn of the century. | 0:11:09 | 0:11:12 | |
In 1947, it became illegal to import crocodile skin | 0:11:12 | 0:11:15 | |
into the UK, but this piece is late 19th century. | 0:11:15 | 0:11:18 | |
Oh, Dundee. | 0:11:18 | 0:11:20 | |
-That wouldn't be Crocodile Dundee, would it? -Er...no. | 0:11:21 | 0:11:25 | |
-No. Oh. -Edwards & Sons, Regent Street. | 0:11:25 | 0:11:29 | |
That will be the retailer and they probably made them as well. | 0:11:29 | 0:11:32 | |
In lovely condition. What you can't fake is patina, | 0:11:32 | 0:11:36 | |
that wonderful word we have in the antiques trade. | 0:11:36 | 0:11:39 | |
You've got this patina, where it's been handled. | 0:11:39 | 0:11:42 | |
Your fingers go there. Lovely marks. | 0:11:43 | 0:11:47 | |
That can't be faked. | 0:11:47 | 0:11:49 | |
-So, it's a great box. It's got 160 on it. -Right. | 0:11:49 | 0:11:52 | |
I'd have thought, if you asked him what his price... | 0:11:52 | 0:11:55 | |
he'd give, probably, about 140. | 0:11:55 | 0:11:57 | |
-I think you'd need to get it a bit lower than that... -OK. | 0:11:57 | 0:12:00 | |
..to be able to make a profit. | 0:12:00 | 0:12:01 | |
-All right. -See if you can use your charm. | 0:12:01 | 0:12:03 | |
-Go on, Dad, see what you can do. -I'll have a word. | 0:12:03 | 0:12:06 | |
Have a word with the gent. | 0:12:06 | 0:12:08 | |
Excuse me, sir. | 0:12:08 | 0:12:09 | |
Now, some words of wisdom from Phil. | 0:12:10 | 0:12:12 | |
-See that there? -Yes. | 0:12:14 | 0:12:16 | |
If you've got a long case clock and the bottom's rotted, | 0:12:16 | 0:12:19 | |
and someone pinches the movement and the hood's a bit warped, | 0:12:19 | 0:12:22 | |
-what you do is cut it out and make a cupboard out of the trunk. -Right. | 0:12:22 | 0:12:26 | |
All clever stuff, this. | 0:12:26 | 0:12:28 | |
Wise words, Phil. | 0:12:28 | 0:12:30 | |
How are the Blues getting along with that stationery box? | 0:12:30 | 0:12:33 | |
-How did you get on? -We've cracked it, I think. £110, Ben. | 0:12:35 | 0:12:38 | |
-I think he's been very generous. -That's our first buy. | 0:12:38 | 0:12:41 | |
Shaking his hand, you've done it. | 0:12:41 | 0:12:43 | |
The Blues are moving forward with the box | 0:12:43 | 0:12:45 | |
and both teams have one item each. | 0:12:45 | 0:12:47 | |
We've used up 20 minutes, we've only got one item. | 0:12:47 | 0:12:49 | |
I think we need to crack on. | 0:12:49 | 0:12:51 | |
Let's get into the warmth, we've got two more things to buy. | 0:12:51 | 0:12:54 | |
Come on, let's do it. | 0:12:54 | 0:12:55 | |
I'm already in the warm and I've spotted something | 0:12:55 | 0:12:57 | |
that, at first glance, might not catch your eye. | 0:12:57 | 0:13:00 | |
So, what have we got here? | 0:13:07 | 0:13:08 | |
On the face of it, rather a tatty album. | 0:13:08 | 0:13:12 | |
The spine here, look, has rotted and come away. | 0:13:12 | 0:13:16 | |
And if, as I did, wondering around outside here at Builth Wells, | 0:13:16 | 0:13:23 | |
you passed this too quickly you would miss a real treat. | 0:13:23 | 0:13:27 | |
Because this is a photo album with a difference. | 0:13:29 | 0:13:34 | |
Depress the brass catch to let the spring off to enable the top | 0:13:34 | 0:13:38 | |
to open, and inside that front cover is a rather unusual feature. | 0:13:38 | 0:13:43 | |
Two little catches, look. | 0:13:43 | 0:13:45 | |
If I pull the silk string it opens up a compartment | 0:13:45 | 0:13:48 | |
with two empty sections. | 0:13:48 | 0:13:51 | |
What's all that about? Well, you'll find out in a minute. | 0:13:52 | 0:13:55 | |
Open it up inside and it reveals the standard | 0:13:55 | 0:13:59 | |
late-Victorian photo album image sleeve. | 0:13:59 | 0:14:04 | |
You would tuck into that a snap of your loved one | 0:14:04 | 0:14:07 | |
and indeed it would appear that Idris Fletcher's daughter Marian | 0:14:07 | 0:14:12 | |
once sat inside this album. | 0:14:12 | 0:14:16 | |
But the images of the loved ones have largely been removed | 0:14:16 | 0:14:20 | |
before the album, clearly, went up for sale. | 0:14:20 | 0:14:23 | |
Except that there's one image left and that is of... | 0:14:23 | 0:14:28 | |
"My Dad". | 0:14:28 | 0:14:30 | |
Look at that! | 0:14:30 | 0:14:32 | |
But apart from the interest in the album itself, | 0:14:33 | 0:14:37 | |
this one contains a secret. | 0:14:37 | 0:14:40 | |
To reveal that, all I have to do is to depress the hinge. | 0:14:41 | 0:14:45 | |
Like that. | 0:14:45 | 0:14:46 | |
MUSIC | 0:14:48 | 0:14:50 | |
As if by magic, from within the volume itself, | 0:14:52 | 0:14:56 | |
in the secret base | 0:14:56 | 0:14:59 | |
we have a mechanical musical device. | 0:14:59 | 0:15:03 | |
Isn't that amazing? | 0:15:03 | 0:15:05 | |
This particular type of mechanical musical device is called | 0:15:05 | 0:15:10 | |
a polyphone. | 0:15:10 | 0:15:12 | |
It's a type that uses a thin steel disc | 0:15:12 | 0:15:16 | |
that's been pierced, which enables the tune to play. | 0:15:16 | 0:15:20 | |
This particular steel disc says "Mikado-Walzer". | 0:15:20 | 0:15:26 | |
Do you remember in the lid of this album we had some compartments? | 0:15:26 | 0:15:31 | |
Funnily enough the compartments are exactly the right size | 0:15:31 | 0:15:35 | |
for these polyphone discs. | 0:15:35 | 0:15:36 | |
So effectively you would have some spare discs | 0:15:36 | 0:15:39 | |
in the lid of the photograph album, | 0:15:39 | 0:15:42 | |
so when you get fed up with one tune, rather like a CD, you change them. | 0:15:42 | 0:15:47 | |
You bring out some fresh music, which is quite fun. | 0:15:47 | 0:15:51 | |
In fact, it's a lot of fun, | 0:15:51 | 0:15:53 | |
and that's why this thing is such an amazing find. | 0:15:53 | 0:15:57 | |
These polyphones come in all sorts of shapes and sizes. | 0:15:58 | 0:16:02 | |
If you're a collector of mechanical music you simply have to have one | 0:16:02 | 0:16:06 | |
of every example in your collection. | 0:16:06 | 0:16:09 | |
A little fellow like this, | 0:16:09 | 0:16:11 | |
of no great quality but interesting as a novelty | 0:16:11 | 0:16:15 | |
to a mechanical music fan, | 0:16:15 | 0:16:17 | |
could be worth as much as £150-£250. | 0:16:17 | 0:16:23 | |
What would it cost you here in Builth Wells | 0:16:23 | 0:16:26 | |
wandering around an outside stand? | 0:16:26 | 0:16:29 | |
It could be yours for £10. | 0:16:30 | 0:16:32 | |
Now, that's what I call music to my ear. | 0:16:34 | 0:16:36 | |
MUSIC | 0:16:38 | 0:16:39 | |
Back to the shopping and both teams have one item each | 0:16:43 | 0:16:46 | |
and with just over 20 minutes on the clock. | 0:16:46 | 0:16:48 | |
So, Blues, what's the plan? | 0:16:48 | 0:16:50 | |
-We need some purchases. -We've only got one thing bought at the moment. | 0:16:53 | 0:16:56 | |
Yeah, we've got one thing on standby as well. | 0:16:56 | 0:16:59 | |
-There's always a deckchair to fall back on. -Yeah, literally! | 0:16:59 | 0:17:03 | |
-These are topical, aren't they? -Oh, look! | 0:17:05 | 0:17:08 | |
-No, no! No, no, no, no! -We could have... | 0:17:08 | 0:17:11 | |
Guide Me Oh Thou Great Redeemer, Come All Ye Faithful. | 0:17:11 | 0:17:14 | |
-What's that? -How about, God loveth a cheerful giver? | 0:17:14 | 0:17:17 | |
I could walk round with that, couldn't I? Made for me, this was. | 0:17:17 | 0:17:21 | |
-I think we should be restoring that to somebody, don't you? -£98. -£98? | 0:17:21 | 0:17:25 | |
-What sort of wood is that? -Expensive! | 0:17:25 | 0:17:28 | |
No divine inspiration there, then. | 0:17:28 | 0:17:30 | |
We haven't looked at many things, have we? Is that all right, though? | 0:17:30 | 0:17:34 | |
You best had, though - time's ticking. | 0:17:34 | 0:17:38 | |
I quite like these bowls and things. | 0:17:38 | 0:17:40 | |
Is there anything else that takes your shine? | 0:17:40 | 0:17:42 | |
-I quite like the shape of this. -Do you? -A malt shovel. -A malt shovel. | 0:17:42 | 0:17:46 | |
-A malt shovel? -For shovelling malt. -That's all right. | 0:17:46 | 0:17:49 | |
Why do you like it? Why do you like it? | 0:17:49 | 0:17:52 | |
There is the feel of it, there's the... Is it old? | 0:17:52 | 0:17:55 | |
Yeah, I would think that's 19th century. | 0:17:55 | 0:17:57 | |
It looks as if it's done some work but that wouldn't matter, would it? | 0:17:57 | 0:18:00 | |
No, that actually adds to it. That's what we call patina. | 0:18:00 | 0:18:04 | |
-Patina. -Right. -How much is it? | 0:18:04 | 0:18:06 | |
-It's 65, is it? -59. | 0:18:07 | 0:18:11 | |
59. Let's have a word with our good lady. | 0:18:11 | 0:18:14 | |
-How are you? -I'm fine. -Are you well? -Yes. | 0:18:14 | 0:18:17 | |
-Your malt shovel, do you think it's made out of beech? -Yes, I think so. | 0:18:17 | 0:18:22 | |
-Yes. -19th century? -Yes. | 0:18:22 | 0:18:25 | |
-£45. -You can do it for 45? | 0:18:26 | 0:18:28 | |
Thank you very much indeed. Thank you. | 0:18:28 | 0:18:31 | |
Right, you've got a decision to make. | 0:18:31 | 0:18:33 | |
We bought something in our first 20, we're looking at our second 20. | 0:18:33 | 0:18:36 | |
Need to make a decision. Yes, no? Yes, no? Yes, no? | 0:18:36 | 0:18:39 | |
Do think there's a chance of it making a profit? | 0:18:39 | 0:18:41 | |
I think that's going to make £40-£60. All day long. | 0:18:41 | 0:18:44 | |
We're only looking to tip over the edge, aren't we? | 0:18:45 | 0:18:49 | |
-Thing is, we like it, don't we? -It's decision time. | 0:18:49 | 0:18:52 | |
-I think, yes? -We'll go for it? Yes. -We'll go for it. | 0:18:52 | 0:18:55 | |
Our vicars are digging deep. | 0:18:55 | 0:18:57 | |
That's two in the bag. | 0:18:57 | 0:18:59 | |
Now, Ben, how are we doing for time? | 0:18:59 | 0:19:02 | |
-35 minutes gone. -Right, OK. -One thing bought. | 0:19:02 | 0:19:05 | |
-We've got two more to go. -Two more to get. | 0:19:05 | 0:19:08 | |
-Get your eyes peeled, let's hone in to what you want. -What we want. | 0:19:08 | 0:19:10 | |
-Silver. -Yes, please. -Right. -Let's do it. | 0:19:10 | 0:19:13 | |
-Let's walk down. I can see a stand of silver just in front. -OK. | 0:19:13 | 0:19:17 | |
Right, we're on a budget of time and money. | 0:19:19 | 0:19:21 | |
Have you got anything that you could drastically reduce us | 0:19:21 | 0:19:25 | |
to make a profit at auction? | 0:19:25 | 0:19:27 | |
I don't like the sound of a drastic reduction but I will help a little. | 0:19:27 | 0:19:30 | |
-OK. -What sort of thing are you thinking of? | 0:19:30 | 0:19:33 | |
I like silver oddities, so something that's... | 0:19:33 | 0:19:35 | |
..interesting. | 0:19:37 | 0:19:39 | |
There's a wonderful little enamel and silver mirror there. | 0:19:39 | 0:19:43 | |
I do like that. | 0:19:43 | 0:19:45 | |
Mirror's a little bit frosted, as you'd expect with an aged mirror, | 0:19:45 | 0:19:48 | |
but it's still a beautiful picture. | 0:19:48 | 0:19:51 | |
The mirror won't detract hugely | 0:19:51 | 0:19:53 | |
because people don't buy it as a mirror to use. | 0:19:53 | 0:19:57 | |
Originally, it would have hung, as you can see, | 0:19:57 | 0:20:00 | |
off a chatelaine or something. | 0:20:00 | 0:20:02 | |
But it's really for silver collectors to buy little things, | 0:20:02 | 0:20:05 | |
also enamel collectors. | 0:20:05 | 0:20:08 | |
Hallmarks are very important. They've got to be nice and clear. | 0:20:08 | 0:20:10 | |
OK, which they are. Do you like it, Dad? | 0:20:10 | 0:20:13 | |
I do. I think it's lovely. | 0:20:13 | 0:20:15 | |
-What's the price on it? -How friendly can you be? | 0:20:15 | 0:20:18 | |
-VENDOR: 98. -Oh, no! Please! -We said "friendly". | 0:20:18 | 0:20:22 | |
-Oh, discount, oh. -Please, please. -98. How about if I said £80? | 0:20:22 | 0:20:27 | |
-Take my hand at 70. Come on. -Please! | 0:20:27 | 0:20:29 | |
-75 and you've got a deal. -We're running out of time. | 0:20:29 | 0:20:32 | |
I think 75 is a very fair price. | 0:20:32 | 0:20:34 | |
To be fair, with silver, as I said earlier, | 0:20:34 | 0:20:36 | |
-you've got intrinsic values, as well. -OK. | 0:20:36 | 0:20:38 | |
What about, then, if we say £72? | 0:20:38 | 0:20:41 | |
-Oh, go on. 72. -Yes! -Well done. -Thank you very much. -Thank you. | 0:20:41 | 0:20:45 | |
TIM: The Blues have got their silverware. | 0:20:45 | 0:20:47 | |
Both teams now have one more item to find, | 0:20:47 | 0:20:50 | |
so will these maps keep the Reds moving in the right direction? | 0:20:50 | 0:20:54 | |
"Wartime maps of Scotland." Do you like those? | 0:20:54 | 0:20:57 | |
-Well, I'm a geographer so... -Yeah, but I'm not. | 0:20:57 | 0:21:00 | |
I'm not a very good one, though. | 0:21:00 | 0:21:02 | |
I wouldn't even have known if they were Scotland. | 0:21:02 | 0:21:05 | |
The thing is, who do you think is going to buy these? | 0:21:05 | 0:21:08 | |
-Well, at an auction in England, I don't know. -No, you're right. | 0:21:08 | 0:21:12 | |
-If it was Scotland, maybe, but... -Yeah. | 0:21:12 | 0:21:15 | |
Maps of Scotland by and large probably sell well in Scotland, | 0:21:15 | 0:21:17 | |
-not England. -Not England. -Plenty of exiles, though. | 0:21:17 | 0:21:20 | |
-She's good, isn't she? -Oh, she is good. | 0:21:20 | 0:21:22 | |
She probably doesn't like them either. I get that impression. | 0:21:22 | 0:21:25 | |
-Well, I think I'm not as keen as you. -Prejudiced and good. | 0:21:25 | 0:21:28 | |
Yeah. The thing is, Judy, these are wartime maps. | 0:21:28 | 0:21:30 | |
-Can I just say something to you? -Yeah. -Ten minutes left. | 0:21:30 | 0:21:33 | |
-Right, ten minutes. -JUDY GASPS | 0:21:33 | 0:21:35 | |
-Ten minutes left. -I'd rather go and look around. -OK. | 0:21:35 | 0:21:38 | |
Whilst the maps are lost on Judy, | 0:21:40 | 0:21:42 | |
the Blues have found some more silver. | 0:21:42 | 0:21:44 | |
Let's have a little look at the vesta. | 0:21:46 | 0:21:49 | |
-What do you think, Malcolm? -I think it's very nice. It is silver. | 0:21:52 | 0:21:56 | |
-There's a hallmark? -Yeah, it's got a hallmark. -What do you think, Ben? | 0:21:56 | 0:21:59 | |
-Well, it's priced at only 45. -What do the silver hallmarks say? | 0:21:59 | 0:22:04 | |
We've got... | 0:22:04 | 0:22:05 | |
the anchor for Birmingham. | 0:22:05 | 0:22:07 | |
We've got the lion and the date letter... | 0:22:07 | 0:22:09 | |
I haven't got a book with me but, looking at the work, | 0:22:09 | 0:22:13 | |
-it's probably around about 1900, 1910, somewhere in that period. -OK. | 0:22:13 | 0:22:16 | |
-And it's a nice, honest little vesta case. -Yes, I think it would appeal. | 0:22:17 | 0:22:22 | |
Shall I go and see what we can get it for, then, Ben? | 0:22:22 | 0:22:24 | |
See what you can do, Malcolm. | 0:22:24 | 0:22:26 | |
-Use your charm and your good looks and we'll see what we get. -Well... | 0:22:26 | 0:22:30 | |
-Good luck, Dad. -SHE LAUGHS | 0:22:30 | 0:22:32 | |
Work your magic then, Malcolm. Our vicars can't escape the day job. | 0:22:32 | 0:22:36 | |
They've spotted a church collection box. | 0:22:36 | 0:22:38 | |
That's what you should have. | 0:22:38 | 0:22:41 | |
-This is gorgeous. 1850. It says all the details about it. -Oh! | 0:22:41 | 0:22:46 | |
Oh, no, it's from a church! We keep coming across church items | 0:22:46 | 0:22:50 | |
and we're both vicars. | 0:22:50 | 0:22:51 | |
There we are, a theme. A theme is developing. | 0:22:51 | 0:22:53 | |
It hasn't got any alms in it still, I suppose? | 0:22:53 | 0:22:56 | |
-No, unfortunately not, no. -It's alm-less. | 0:22:56 | 0:22:58 | |
So, Malcolm, what's the deal with the vesta case? | 0:22:58 | 0:23:01 | |
I've had a word with the guy. | 0:23:01 | 0:23:02 | |
Nice chap and, as he said, there's not much margin in it, | 0:23:02 | 0:23:06 | |
but he will let us have it for 40, | 0:23:06 | 0:23:07 | |
which I think is very, very reasonable. | 0:23:07 | 0:23:10 | |
-I think 40 is... -Very generous. -Yes, absolutely. | 0:23:10 | 0:23:13 | |
I think it looks like the deckchair is down. | 0:23:13 | 0:23:15 | |
-Yeah, and the silver vesta... -The vesta is up. | 0:23:15 | 0:23:18 | |
We've done all three. | 0:23:18 | 0:23:19 | |
You go and shake the gentleman's hand and say, | 0:23:19 | 0:23:22 | |
"Thank you very, very much." | 0:23:22 | 0:23:23 | |
That's job done for the Blues. Cor, they're smoking hot. | 0:23:23 | 0:23:27 | |
-I think it's time for a cup of tea. -Let's do it. | 0:23:27 | 0:23:29 | |
-Oh, wonderful, wonderful! -Come on, guys. -Yeah. You're buying? | 0:23:29 | 0:23:32 | |
What? No, no, no, no. Don't be silly. | 0:23:32 | 0:23:35 | |
Reds, it all hangs in the balance. | 0:23:35 | 0:23:38 | |
You need to level things up and find your final item. Just minutes left. | 0:23:38 | 0:23:42 | |
-What do you think of these? -Well, they're quite nice, aren't they? | 0:23:42 | 0:23:45 | |
The price is quite high but they're different. | 0:23:45 | 0:23:47 | |
They're parcel rates, aren't they? Parcel scales. | 0:23:47 | 0:23:49 | |
-I would think they're probably... -Do you think original or not? | 0:23:49 | 0:23:53 | |
Well, some are and some aren't, aren't they? | 0:23:53 | 0:23:55 | |
-What do you think, Jane? -Do you like them? -I like it actually, yes. | 0:23:57 | 0:24:00 | |
I like it because of that. | 0:24:00 | 0:24:02 | |
Because it's got the rates on it. | 0:24:02 | 0:24:05 | |
-What about that? That Alex Hartley sign, do you like that? -Yeah. | 0:24:05 | 0:24:08 | |
-I wouldn't. -She doesn't. | 0:24:10 | 0:24:11 | |
Do you know what? She doesn't exactly hold back, does she? | 0:24:11 | 0:24:15 | |
When she's going to give you a kick, you get a kick. | 0:24:15 | 0:24:17 | |
-You say we're short of time so... -Takes no prisoners. | 0:24:17 | 0:24:20 | |
Absolutely none at all. None whatsoever. | 0:24:20 | 0:24:23 | |
How much is it? | 0:24:23 | 0:24:24 | |
£65. | 0:24:24 | 0:24:26 | |
Sir, could we have a quick word with you? | 0:24:26 | 0:24:28 | |
These goodly ladies here, | 0:24:28 | 0:24:30 | |
they're interested in your letter scales, postal scales. | 0:24:30 | 0:24:34 | |
VENDOR: They're good ones, being parcel scales | 0:24:35 | 0:24:38 | |
rather than small letter scales. They're a bit rarer. | 0:24:38 | 0:24:41 | |
Now, I tell you what I'm going to do now. In you go, in the middle. | 0:24:41 | 0:24:45 | |
In you go. Now then, we've got two ladies of the cloth here. | 0:24:45 | 0:24:49 | |
-We've got two reverends, right? -Bless you. | 0:24:49 | 0:24:52 | |
All the best. All the best. | 0:24:52 | 0:24:55 | |
-TIM: Go for it, girls. -What's the best you could do for us on this? | 0:24:55 | 0:24:59 | |
-Absolute best. -Normally, the absolute would be 90. | 0:24:59 | 0:25:02 | |
They cost me 80. But as I know you're trying to make a profit | 0:25:02 | 0:25:05 | |
and I do understand, you can have them at cost for £80. | 0:25:05 | 0:25:09 | |
-That would be brilliant. -That would be wonderful. Thank you very much. | 0:25:09 | 0:25:13 | |
-Good luck. -Thank you. -Thank you very much indeed. -Thank you. -Bless you. | 0:25:13 | 0:25:17 | |
That's all three items for the Reds. Amen. | 0:25:17 | 0:25:21 | |
-I like his sign. -I know you do. -I know you do. | 0:25:21 | 0:25:24 | |
Oh, no! No, no! I can tell what's coming. | 0:25:24 | 0:25:27 | |
I think that's a really cool thing. | 0:25:27 | 0:25:29 | |
CLOCK CHIMES Time's up! | 0:25:29 | 0:25:32 | |
Let's remind ourselves what the Red team bought, eh? | 0:25:32 | 0:25:36 | |
First up, the Reds made their mark and paid £45 for this seal stamp. | 0:25:36 | 0:25:41 | |
Next, they forked out another £45 for the wooden malt shovel. | 0:25:42 | 0:25:47 | |
And finally, they weighed in with these scales. £80 paid. | 0:25:49 | 0:25:53 | |
It's all in the balance. | 0:25:53 | 0:25:55 | |
-Well, Rev, Rev. -Hello. | 0:25:58 | 0:26:00 | |
-Are you feeling revved up? -Oh, we have been, yes. | 0:26:00 | 0:26:02 | |
Oh, I bet you have. What's your favourite piece? | 0:26:02 | 0:26:05 | |
-The shovel. -The shovel is your favourite piece? -The shovel, yeah. | 0:26:05 | 0:26:08 | |
-Do you agree with that? -I like the seal stamp. -OK. | 0:26:08 | 0:26:11 | |
-This is just personal favourites. -Yeah. -Yeah. | 0:26:11 | 0:26:14 | |
-What's going to bring the biggest profit? -The seal stamp will. -Do you? | 0:26:14 | 0:26:17 | |
Is that the biggest profit for you too, Jane? | 0:26:17 | 0:26:19 | |
-I always agree with Judy, yes. -Lordy. | 0:26:19 | 0:26:23 | |
And nobody agrees with Phil, right? THEY LAUGH | 0:26:23 | 0:26:25 | |
-Anyway, you spent £170. -We did. | 0:26:25 | 0:26:27 | |
-I'd like £130 of leftover lolly, please. -There you go. | 0:26:27 | 0:26:30 | |
Thank you very much. That 130 goes straight to PS. | 0:26:30 | 0:26:33 | |
So, what are you going to spend it on, Philip? | 0:26:33 | 0:26:35 | |
I don't know but with these two I need some sort of a sign, really. | 0:26:35 | 0:26:38 | |
-What, from above? -Mm. -Really? -Mm. | 0:26:38 | 0:26:42 | |
Well, we won't hang about here. It looks rather grey. | 0:26:42 | 0:26:45 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:26:45 | 0:26:48 | |
First, the Blues got things moving with this stationery box for £110. | 0:26:48 | 0:26:54 | |
Next, they liked the look of this silver mirror and paid £72. | 0:26:54 | 0:26:58 | |
And finally, they invested £40 in the silver vesta case. How sweet. | 0:27:00 | 0:27:06 | |
Fionella, Malcolm, how was that shopping for you? | 0:27:10 | 0:27:12 | |
Fantastic, thank you. Really enjoyable. | 0:27:12 | 0:27:14 | |
-Can you tell me, how much did you spend? -£222. | 0:27:14 | 0:27:17 | |
That is a magnificently mature amount. I'm so proud of you. | 0:27:17 | 0:27:20 | |
-Thank you! -I'd like £78 of leftover lolly, please. Thank you very much. | 0:27:20 | 0:27:24 | |
Now, Malcolm, which is your favourite piece? | 0:27:24 | 0:27:26 | |
My favourite piece I think is the... | 0:27:26 | 0:27:29 | |
-vesta case. -Do you agree with your dad? | 0:27:29 | 0:27:32 | |
-No. -Which is your favourite piece? -The little miniature mirror. | 0:27:32 | 0:27:35 | |
-The miniature mirror. -Yes. -Is that going to bring the biggest profit? | 0:27:35 | 0:27:38 | |
-I think the vesta is going to bring the biggest profit. -OK. | 0:27:38 | 0:27:40 | |
-And you think the vesta case? -I do. I do. -Perfect. | 0:27:40 | 0:27:43 | |
OK, well, it's a relatively modest amount of money | 0:27:43 | 0:27:46 | |
to hand over to your expert, | 0:27:46 | 0:27:48 | |
but I'm sure he'll do all he can to go forth and multiply, won't you? | 0:27:48 | 0:27:52 | |
-I'll do my best. -And good luck with that. | 0:27:52 | 0:27:54 | |
Meanwhile, we're about to shove off to Shrewsbury for our auction. | 0:27:54 | 0:27:58 | |
Ooh-aah. | 0:27:58 | 0:27:59 | |
I'm here at Halls Saleroom to catch up with auctioneer Jeremy Lamond. | 0:28:00 | 0:28:05 | |
Jeremy, good morning. | 0:28:06 | 0:28:08 | |
-Welcome, Tim. Nice to see you again. -Thank you for having us. | 0:28:08 | 0:28:11 | |
Judy and Jane, very excited. | 0:28:11 | 0:28:13 | |
They've invested heavily in this seal stamp, | 0:28:13 | 0:28:17 | |
which I have to say is one of my favourite objects. | 0:28:17 | 0:28:19 | |
I love the idea that the company would lock up their seal | 0:28:19 | 0:28:23 | |
using a padlock. | 0:28:23 | 0:28:24 | |
So, there's some pre-gummed, as if it was sealing wax type, seal. | 0:28:24 | 0:28:30 | |
In it goes into the old plunger. | 0:28:30 | 0:28:33 | |
Give that a ram down like that. Plonk. | 0:28:33 | 0:28:37 | |
Jeremy, what do you think about that? | 0:28:37 | 0:28:39 | |
Well, that's fantastic, isn't it? | 0:28:39 | 0:28:41 | |
There was a silver maker in Victorian Britain, James Collins. | 0:28:41 | 0:28:45 | |
I think it might have the bidder's seal of approval | 0:28:45 | 0:28:47 | |
as you've got all the kit. | 0:28:47 | 0:28:49 | |
You've got the seals, you've got the sealer, | 0:28:49 | 0:28:51 | |
everything there for your bespoke... | 0:28:51 | 0:28:54 | |
In fact, it's worth setting up a company, | 0:28:54 | 0:28:56 | |
-James Collins and Co Limited. -Just to be able to use the seal. | 0:28:56 | 0:28:58 | |
Just for this. And I think, in the age of the internet, | 0:28:58 | 0:29:02 | |
to bring back this sort of sealed letterhead would be a novelty, | 0:29:02 | 0:29:07 | |
-probably something somebody will pay for. -How much? -£20 or £30. | 0:29:07 | 0:29:10 | |
-Is that all? -Yeah. -Anyway, £45 they spent, so we shall see. | 0:29:10 | 0:29:14 | |
Next is the so-called malt shovel. | 0:29:14 | 0:29:19 | |
And malt, for me, it's for moving toasted grain | 0:29:19 | 0:29:23 | |
for distilling purposes, | 0:29:23 | 0:29:25 | |
and hops are a stuff for beer, right? Could be for hops. | 0:29:25 | 0:29:28 | |
I'll drink to that. Yes, I'll drink to that. | 0:29:28 | 0:29:30 | |
I'm sure it's all of those things | 0:29:30 | 0:29:32 | |
but now it would be classed as a very large piece of treen, | 0:29:32 | 0:29:36 | |
and I don't think anybody's going to use it as a malt shovel any more, | 0:29:36 | 0:29:40 | |
but that doesn't matter, does it? It's a nice object in its own right. | 0:29:40 | 0:29:44 | |
How much would you say for this particular shovel? | 0:29:44 | 0:29:47 | |
Well, for all that craftsmanship, Tim, we've said £20 or £30. | 0:29:47 | 0:29:51 | |
-Is that all? -It should fly, really. -It should do. | 0:29:51 | 0:29:54 | |
Well, they paid £45 for it. Now, the postage scales. | 0:29:54 | 0:29:58 | |
How do you rate that, Jeremy? | 0:29:58 | 0:29:59 | |
It's a good thing, isn't it? | 0:29:59 | 0:30:01 | |
But they are less uncommon than you suppose. | 0:30:01 | 0:30:06 | |
The smaller ones are more popular than the larger ones | 0:30:06 | 0:30:09 | |
-because, again, where do you put it? What do you do with it? -Mm. | 0:30:09 | 0:30:13 | |
-How much? -30 to 40. | 0:30:13 | 0:30:16 | |
£80 paid, so I smell trouble ahead | 0:30:16 | 0:30:19 | |
and I suspect they're going to need their bonus buy. | 0:30:19 | 0:30:21 | |
Judy and Jane, you gave Philip Serrell £130 of leftover lolly. | 0:30:23 | 0:30:27 | |
Philip, what did you buy? | 0:30:27 | 0:30:28 | |
Well, I needed a sign. | 0:30:28 | 0:30:29 | |
-Oh, no. -Oh, no. -So I got one. There we are, look. | 0:30:29 | 0:30:33 | |
-Alex Hartley. -Of Manchester. | 0:30:33 | 0:30:35 | |
Now, having thought about this since I bought it, | 0:30:35 | 0:30:37 | |
it does create a rather narrow market, in that | 0:30:37 | 0:30:40 | |
I'm looking for someone called Alex Hartley | 0:30:40 | 0:30:42 | |
in Shrewsbury from Manchester. | 0:30:42 | 0:30:44 | |
-But you're not really, are you? -No, no. -Do you like it, girls? | 0:30:44 | 0:30:47 | |
-Well, I do. -That's a "no" then. -And I don't. -You don't? | 0:30:47 | 0:30:50 | |
OK. Material? | 0:30:50 | 0:30:53 | |
It's bronze. It cost me 65 quid. | 0:30:53 | 0:30:55 | |
I think if I have a bad day it's going to make £20 or £30, | 0:30:56 | 0:31:02 | |
and if I have a good day it's 60 or 90, and the difference is | 0:31:02 | 0:31:05 | |
whether there's one person in the room that wants it or two. | 0:31:05 | 0:31:08 | |
-That's all that it boils down to. -Right. | 0:31:08 | 0:31:10 | |
-So we need an Alex Hartley, really. -We need Alex Hartley. -We need two. | 0:31:10 | 0:31:14 | |
I think it's just somebody who fancies the period nature of it | 0:31:14 | 0:31:17 | |
for the decoration, actually. | 0:31:17 | 0:31:20 | |
Particularly in a rustic house, I could see that looking really cool. | 0:31:20 | 0:31:23 | |
Anyway, there we go. Think on, girls, | 0:31:23 | 0:31:25 | |
because right now we're going to find out whether the auctioneer | 0:31:25 | 0:31:28 | |
is suitably moved. | 0:31:28 | 0:31:30 | |
Is this your cup of tea, J? | 0:31:32 | 0:31:34 | |
Well, I think it will sell | 0:31:34 | 0:31:36 | |
to somebody called Alex Hartley from Manchester. | 0:31:36 | 0:31:39 | |
-Let's hope so. -Is my bet. | 0:31:39 | 0:31:41 | |
Any chance of finding a couple of them to bid against each other | 0:31:41 | 0:31:44 | |
in the auction? | 0:31:44 | 0:31:45 | |
Well, you know, there's the keyword search, Alex, Alexander Hartley. | 0:31:45 | 0:31:50 | |
-How much would you say? -It might make £20 or £30. | 0:31:50 | 0:31:53 | |
OK, £65 paid by Phil as a bonus buy. | 0:31:53 | 0:31:56 | |
Now, moving on to the much more traditional Blues, | 0:31:56 | 0:31:59 | |
Fionella and Malcolm. | 0:31:59 | 0:32:01 | |
First up, Malcolm found this stationery box. He loved it. | 0:32:01 | 0:32:04 | |
-Do you love it, Jeremy? -Well, I think it's a very smart one, as they go. | 0:32:04 | 0:32:08 | |
It's nicely lined, it's nicely put together, good hinges, | 0:32:08 | 0:32:12 | |
beautifully made. Edwards & Sons. It's of their ilk. | 0:32:12 | 0:32:16 | |
-It's a pretty good one. -I don't care who you are, | 0:32:16 | 0:32:18 | |
if you want to keep your envelopes | 0:32:18 | 0:32:19 | |
and a little bit of stationary in something smart... | 0:32:19 | 0:32:22 | |
-That's the one. -..that box ticks all the boxes. | 0:32:22 | 0:32:24 | |
-OK, how much? -£30-£40. | 0:32:24 | 0:32:27 | |
£110 paid, which is a huge amount, I have to say. | 0:32:27 | 0:32:30 | |
Anyway, next is the chatelaine purse mirror. | 0:32:30 | 0:32:34 | |
So, you would have that on your chatelaine. | 0:32:34 | 0:32:38 | |
You would have it in your purse, | 0:32:38 | 0:32:39 | |
and you would presumably do that in the 1920s? | 0:32:39 | 0:32:43 | |
Well, it looks like it. | 0:32:43 | 0:32:44 | |
Guilloche enamel on the back. Nicely marked. Good condition. | 0:32:44 | 0:32:48 | |
Sometimes these were known as flirty mirrors, weren't they? | 0:32:48 | 0:32:51 | |
-Were they? -Yes! Young ladies would powder their nose | 0:32:51 | 0:32:54 | |
and look over their shoulder at whoever was looking at them. | 0:32:54 | 0:32:57 | |
-Check out the blokes? -Yeah, they're known as flirty mirrors. | 0:32:57 | 0:33:00 | |
How interesting. | 0:33:00 | 0:33:01 | |
What you don't know about, Jeremy Lamond, is just amazing. | 0:33:01 | 0:33:05 | |
OK, flirty or not, how much? | 0:33:05 | 0:33:07 | |
The enamel, all-important, is in good condition, so £30 or £40. | 0:33:07 | 0:33:10 | |
-It is in good condition. -Uh-oh. £72 paid. | 0:33:10 | 0:33:13 | |
OK, now the vesta case. | 0:33:13 | 0:33:15 | |
Nothing more standard than a little bright-cut vesta case like that. | 0:33:15 | 0:33:20 | |
There are millions on the market. Is it worth £20? | 0:33:20 | 0:33:23 | |
Well, it's been well-thumbed, this, so, no, I wouldn't say it... | 0:33:23 | 0:33:27 | |
Well, it might make £20 but they're making 15-20 at the moment | 0:33:27 | 0:33:31 | |
unless there's something exceptional about them. | 0:33:31 | 0:33:34 | |
Well, Malcolm paid £40, so it looks as if he's paid double | 0:33:34 | 0:33:39 | |
what an ordinary, unexceptional one might be. | 0:33:39 | 0:33:41 | |
So, let's go and have a look at their bonus buy. | 0:33:41 | 0:33:45 | |
Fionella and Malcolm, a treat. | 0:33:45 | 0:33:48 | |
-You spent £222. I'm so proud of you. -Oh. -Thank you. | 0:33:48 | 0:33:53 | |
£78 of leftover lolly went to Ben-bo. | 0:33:53 | 0:33:56 | |
-Ben, what did you buy? -Something good, I hope. | 0:33:56 | 0:33:58 | |
-Well, I trawled back through things we'd looked at. -Right. | 0:33:58 | 0:34:03 | |
-And you can probably guess... -Oh, fantastic! -Oh, no! | 0:34:03 | 0:34:06 | |
But a stripy one. | 0:34:06 | 0:34:07 | |
You were looking at the green one so I got the stripy one. | 0:34:07 | 0:34:10 | |
I like that a lot. | 0:34:10 | 0:34:11 | |
And also I managed to get them down to £15 on it. | 0:34:11 | 0:34:15 | |
-Brilliant. -How much? | 0:34:15 | 0:34:18 | |
-Be pleased, Malcolm. -Yes! -Be pleased. | 0:34:18 | 0:34:21 | |
Are you pleased, Malcolm? | 0:34:21 | 0:34:23 | |
-Erm... Yes, ecstatic. -I am. | 0:34:23 | 0:34:25 | |
-THEY LAUGH -I am. That's fabulous. | 0:34:25 | 0:34:28 | |
Well, I looked round and there wasn't a lot of money to spend | 0:34:28 | 0:34:30 | |
and I know you'd looked at silver frames and things | 0:34:30 | 0:34:32 | |
-but they were all beyond budget. -It's got no brand mark on it, has it? | 0:34:32 | 0:34:37 | |
-No, I haven't seen any brand on it. -So is there a profit? | 0:34:37 | 0:34:40 | |
-I don't think it's going to make a lot. -No. | 0:34:40 | 0:34:43 | |
But it should be hopefully 20-25-ish, I would think. | 0:34:43 | 0:34:47 | |
Quick, look over there, Fionella! See that pig flying? | 0:34:47 | 0:34:50 | |
SHE GASPS | 0:34:50 | 0:34:53 | |
For the audience at home right now, let's find out | 0:34:53 | 0:34:55 | |
whether our auctioneer thinks it's a good buy or not. | 0:34:55 | 0:34:58 | |
Goodbye. | 0:34:58 | 0:35:00 | |
-Do you think they nicked it from the beach? -I hope not. | 0:35:00 | 0:35:04 | |
It doesn't say "Brighton District Council" on it, anyway, | 0:35:04 | 0:35:07 | |
cos sometimes they have branded marks, these deckchairs. | 0:35:07 | 0:35:09 | |
But not this one. It would have been good to have, say, | 0:35:09 | 0:35:13 | |
-"Titanic" branded on it. -Oh, yeah. | 0:35:13 | 0:35:15 | |
Then it would have been worth something. This one is... | 0:35:15 | 0:35:18 | |
A deckchair is a deckchair is a deckchair. | 0:35:18 | 0:35:20 | |
And what might it bring? | 0:35:20 | 0:35:23 | |
It might bring £10 if you're lucky. | 0:35:23 | 0:35:26 | |
Well, £15 was paid by Ben. | 0:35:26 | 0:35:28 | |
Anyway, good fun and I thank you again for having us | 0:35:28 | 0:35:32 | |
and we look forward to some dazzling success. | 0:35:32 | 0:35:34 | |
-Have you been to auctions before? -I used to go to cattle auctions | 0:35:41 | 0:35:44 | |
-but I don't think they're quite the same, are they? -I don't know. | 0:35:44 | 0:35:47 | |
They are! We both did cattle auctioneering in our youth. | 0:35:47 | 0:35:49 | |
-That's how I started off. -Right. -Absolutely right. | 0:35:49 | 0:35:52 | |
A good deal muckier than this business, eh, Phil? | 0:35:52 | 0:35:54 | |
-My first job was cleaning out the sheep pens. -Yes, exactly. | 0:35:54 | 0:35:57 | |
Well, on that happy note, we're going to start out with the seal. | 0:35:57 | 0:36:00 | |
Here it comes. | 0:36:00 | 0:36:02 | |
£20 bid. Already at 20. | 0:36:02 | 0:36:04 | |
At £20. At 20, I've got. | 0:36:04 | 0:36:05 | |
At £20. I'll take 5. | 0:36:05 | 0:36:07 | |
25 at the very back of the room. At £25. | 0:36:07 | 0:36:10 | |
At £25 and I'm selling to the back of the room at £25... | 0:36:10 | 0:36:14 | |
GAVEL BANGS That is wicked, isn't it? | 0:36:14 | 0:36:16 | |
All complete for £25. Phil, I could weep. | 0:36:16 | 0:36:19 | |
£25 is minus £20. | 0:36:19 | 0:36:21 | |
The malt shovel, typical form, lot 98. | 0:36:21 | 0:36:24 | |
And commission's here at £25. | 0:36:24 | 0:36:28 | |
-At 25. At £25 it is. -It's worth more. | 0:36:28 | 0:36:31 | |
-At £25. 30 where? -Keep going, keep going. -At £25. | 0:36:31 | 0:36:34 | |
Who hasn't got a malt shovel? At £25. | 0:36:34 | 0:36:36 | |
30. Somebody on the internet hasn't. | 0:36:36 | 0:36:38 | |
-£30 is bid. -Keep going. -At £30 I've got. At 30. | 0:36:38 | 0:36:41 | |
5 again if you like. £30. At 30... | 0:36:41 | 0:36:44 | |
-GAVEL BANGS £30 is minus £15. -Oh, dear. | 0:36:44 | 0:36:48 | |
-We're doing well, then! -Oh, dear. -Now, come on, these are Post Office. | 0:36:48 | 0:36:52 | |
99, the set of late-Victorian brass postage scales. | 0:36:52 | 0:36:55 | |
There they are, lot 99. I'm bid 30 already. At £30. At 30. | 0:36:55 | 0:36:58 | |
-More, more, more. -At £30 it is. 5 where? | 0:36:58 | 0:37:01 | |
35 now. In the room at £35. Room bid at 35. | 0:37:01 | 0:37:05 | |
-40, 5, 50... -Keep going. Two people. | 0:37:05 | 0:37:08 | |
-£50. The bid is 50 at the back of the room. -Keep going, keep going. | 0:37:08 | 0:37:11 | |
-Selling at £50. -No, no, no! | 0:37:11 | 0:37:13 | |
GAVEL BANGS Just as well I'm not depressive. | 0:37:13 | 0:37:15 | |
-Oh, dear. -OK, £50 is minus £30, which is minus 50, minus 65. | 0:37:15 | 0:37:19 | |
A loss on everything. | 0:37:19 | 0:37:20 | |
What about Alex Hartley and his lovely plaque? | 0:37:20 | 0:37:22 | |
THEY SIGH | 0:37:22 | 0:37:24 | |
-We disagree. -We do. -I like it. -Keep me out of this one. | 0:37:24 | 0:37:28 | |
-I don't! -Oh, go on. -We'll go for a big loss. -We'll go for big. | 0:37:28 | 0:37:31 | |
-Let's go for it. -We'll go for it. | 0:37:31 | 0:37:32 | |
I think it's a lovely piece. | 0:37:32 | 0:37:34 | |
Hartley or not, take heart, girls, because you have made a decision here | 0:37:34 | 0:37:39 | |
that could be earth-shattering. | 0:37:39 | 0:37:41 | |
Lot 103, the 19th-century bronze retail plaque | 0:37:41 | 0:37:44 | |
cast with "Alex Hartley, Manchester." | 0:37:44 | 0:37:46 | |
Is he in the room? This is for him. | 0:37:46 | 0:37:50 | |
-I'm bid 30 already. -Oh. -At £30. At £30. At 30. | 0:37:50 | 0:37:54 | |
At 30. At £30. Alex, if you're out there, bid now. | 0:37:54 | 0:37:58 | |
-At £30 I'm selling, then, to a commission bid. -Oh! | 0:37:58 | 0:38:00 | |
All done at 30? | 0:38:00 | 0:38:02 | |
-GAVEL BANGS -Do you do confessions? | 0:38:02 | 0:38:05 | |
-Sometimes, but we don't always... -For a price. | 0:38:05 | 0:38:08 | |
We don't always absolve, though. | 0:38:08 | 0:38:10 | |
Anyway, there we are. | 0:38:10 | 0:38:11 | |
I'll tell you what it does, it rounds you up to the ton, right? | 0:38:11 | 0:38:14 | |
-That's what we wanted. -You are minus £100. | 0:38:14 | 0:38:16 | |
But the way things are going, who knows, | 0:38:16 | 0:38:19 | |
it might be a winning score, so say not a word to the Blues. | 0:38:19 | 0:38:22 | |
Absolutely not. | 0:38:22 | 0:38:24 | |
Here we go, then. Your first item is the stationery box and here it comes. | 0:38:30 | 0:38:34 | |
119 is the late Victorian leather-bound stationery box. | 0:38:34 | 0:38:38 | |
£30 is bid already. 30 I'm bid. At 30, 30. | 0:38:38 | 0:38:44 | |
£30, 5, 40. | 0:38:44 | 0:38:46 | |
5, 50. 5, 60, 5, 70, 5, 80. 80 here on commission. | 0:38:46 | 0:38:53 | |
At £80 it is. 5, 90. One more? | 0:38:53 | 0:38:59 | |
100. Have another go. | 0:38:59 | 0:39:03 | |
-We're going to make a profit. -£100, then. | 0:39:03 | 0:39:05 | |
-At £100 I'm selling it. -No, we're not. | 0:39:05 | 0:39:08 | |
-All done at 100? -Just shy. | 0:39:08 | 0:39:10 | |
£100, well done. Taste wins out. | 0:39:10 | 0:39:14 | |
Too far out. | 0:39:16 | 0:39:18 | |
-Next one. -The silver and guilloche enamelled chatelaine purse mirror, | 0:39:19 | 0:39:22 | |
Birmingham 1920. Lot 120. | 0:39:22 | 0:39:24 | |
£30 bid. 5 where? At 30. | 0:39:25 | 0:39:28 | |
At £30, 5 on the internet. 40 here. | 0:39:28 | 0:39:32 | |
At £40, commission bid at £40. Internet, 5. Commissions are out. | 0:39:32 | 0:39:37 | |
At £45 on the internet. | 0:39:37 | 0:39:39 | |
At £45 anywhere else? At 45. | 0:39:39 | 0:39:42 | |
50 just in time in the room. At £50. | 0:39:44 | 0:39:47 | |
-Somebody's having a bargain here. -5, internet. | 0:39:47 | 0:39:50 | |
-Somebody's having a joke. -At 55, still on the net, and selling at 55. | 0:39:50 | 0:39:53 | |
-55. -He sold for 55. Five short of 60. | 0:39:55 | 0:39:58 | |
That's 12, that's minus 17. That's minus 27. | 0:39:58 | 0:40:02 | |
This has got to make more than £40. | 0:40:02 | 0:40:05 | |
Lot 121, the late-Victorian silver vesta case. | 0:40:05 | 0:40:08 | |
-£15 bid. -Cross everything, darling. -Already crossed. | 0:40:08 | 0:40:13 | |
£25 here on commission at 25. 30 on the internet. | 0:40:13 | 0:40:15 | |
Commission is out at £30. It's an internet bid, then. | 0:40:15 | 0:40:20 | |
35 in the room. At £35, room bid. | 0:40:20 | 0:40:23 | |
-At £35. -Come on! -Selling at 35. | 0:40:23 | 0:40:28 | |
-£35 is minus £5, which means minus £32. -There's been worse than that. | 0:40:29 | 0:40:36 | |
In relation to the estimates you have done brilliantly. | 0:40:37 | 0:40:40 | |
What are you going to do about the deck chair, want to go with it? | 0:40:40 | 0:40:44 | |
Definitely. | 0:40:44 | 0:40:45 | |
-I do as my daughter tells me. -Definitely. -Go with it. -OK, fine. | 0:40:45 | 0:40:49 | |
You're going to go with it. | 0:40:49 | 0:40:51 | |
125 is the late-20th-century British hardwood deck chair. | 0:40:51 | 0:40:56 | |
What about that? Who is going to start me for £10? | 0:40:56 | 0:41:00 | |
£10 bid, 15. No? 15 here. Bidding at the back? | 0:41:00 | 0:41:05 | |
-20. -There you are. -25, 30. -He knows his onions. | 0:41:07 | 0:41:11 | |
Very back of the room at £30. | 0:41:11 | 0:41:13 | |
I'm selling it at £30. | 0:41:13 | 0:41:15 | |
He doubled his money. Ben, you are brilliant. Anyway, there we go. | 0:41:16 | 0:41:19 | |
You have £15 profit on that, thank you very much. | 0:41:19 | 0:41:22 | |
Which means you are only minus £17. | 0:41:22 | 0:41:24 | |
Listen, minus £17 could be a winning score. Say not a word to the Reds. | 0:41:24 | 0:41:29 | |
-Haven't we had fun? -We've had wonderful fun. | 0:41:36 | 0:41:38 | |
It's been a treat meeting you. | 0:41:38 | 0:41:40 | |
Just a question of the scale of the losses today, I'm afraid. | 0:41:40 | 0:41:43 | |
And the team with the largest number of losses by far are the Reds. | 0:41:43 | 0:41:49 | |
Minus £100 is a fair old strike when you've only spent 117 to start. | 0:41:54 | 0:42:00 | |
Anyway, let's not dwell on the detail, hey? | 0:42:00 | 0:42:04 | |
Let's just say that today was not the day to be selling those things | 0:42:04 | 0:42:07 | |
here at auction. | 0:42:07 | 0:42:08 | |
Either the auction room wasn't kind or the market wasn't kind. | 0:42:08 | 0:42:11 | |
One way or the other it's not been your day. | 0:42:11 | 0:42:13 | |
-No. -But that doesn't matter. Have you had a nice time? -We did. -Did you? | 0:42:13 | 0:42:17 | |
We loved having you on the show. | 0:42:17 | 0:42:19 | |
It's been brilliant, actually. Super-duper stuff. | 0:42:19 | 0:42:22 | |
But the team that is winning today, by only managing to lose £17, | 0:42:22 | 0:42:26 | |
are the Blues. | 0:42:26 | 0:42:27 | |
And there's one Malcolm who's looking very happy. | 0:42:29 | 0:42:31 | |
You're pleased about this, aren't you? | 0:42:31 | 0:42:33 | |
-Wonderful, wonderful, wonderful. -Ecstatic. | 0:42:33 | 0:42:35 | |
The only profit of the day was the object you loathed, | 0:42:35 | 0:42:38 | |
which was the deck chair. Which turned in £15 thanks to Big Ben. | 0:42:38 | 0:42:41 | |
So that's a result. | 0:42:41 | 0:42:44 | |
I'm not going to dwell on the detail. | 0:42:44 | 0:42:46 | |
Suffice to say that I've loved having you on the show today. | 0:42:46 | 0:42:48 | |
I hope you've enjoyed it at home. | 0:42:48 | 0:42:50 | |
You should further enjoy our website and, of course, join us soon | 0:42:50 | 0:42:54 | |
for some more Bargain Hunting, yes? | 0:42:54 | 0:42:56 | |
ALL: Yes! | 0:42:56 | 0:42:58 |