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Do you know the tale of Dick Whittington, | 0:00:05 | 0:00:08 | |
the pauper who walked to London seeking fame and fortune | 0:00:08 | 0:00:11 | |
and became Lord Mayor? | 0:00:11 | 0:00:14 | |
Well, lots of places claim Dick as their own. | 0:00:14 | 0:00:17 | |
That includes Whittington, near Oswestry, | 0:00:17 | 0:00:20 | |
which is home to this spectacular castle. | 0:00:20 | 0:00:24 | |
Legend has it that Dick used to play here as a child. | 0:00:24 | 0:00:28 | |
Well, I don't know about the truth of that, | 0:00:28 | 0:00:30 | |
but what I do know is that unlike Dick Whittington, | 0:00:30 | 0:00:33 | |
we're not heading off to the Smoke. | 0:00:33 | 0:00:35 | |
Oh, no, we're heading to Oswestry Fair down the road. | 0:00:35 | 0:00:40 | |
So let's go bargain hunting! Yeah! | 0:00:40 | 0:00:43 | |
Dick Whittington went in search of riches, | 0:01:08 | 0:01:11 | |
but here on Bargain Hunt, they get their riches right up front. | 0:01:11 | 0:01:15 | |
Well, £300 each, actually, | 0:01:15 | 0:01:19 | |
but will they return as paupers, or with cash in their pockets? | 0:01:19 | 0:01:24 | |
Let's find out. Let's see what's coming up. | 0:01:24 | 0:01:26 | |
The ladies take charge of the Reds... | 0:01:28 | 0:01:31 | |
-Do you do what your husband tells you? -No, I don't, at all. | 0:01:31 | 0:01:34 | |
How did you spot that(?!) | 0:01:34 | 0:01:36 | |
..the Blues dance their way to deals... | 0:01:36 | 0:01:38 | |
-Yes! -Well, yes, that's wonderful. | 0:01:40 | 0:01:42 | |
-..there's ups and downs at the auction... -Go on! | 0:01:42 | 0:01:44 | |
-Oh, no! -Yay! | 0:01:44 | 0:01:46 | |
..and I'm flying high amongst some wonders of the sky, | 0:01:49 | 0:01:53 | |
but before all that, let's meet our Bargain Hunters. | 0:01:53 | 0:01:57 | |
On today's show, it's going to be a battle between the married couples. | 0:01:57 | 0:02:03 | |
For the Reds, we have Sarah-Jane and Peter | 0:02:03 | 0:02:05 | |
and for the Blues, we have Mary and Alan. | 0:02:05 | 0:02:08 | |
-Hello, everyone! ALL: -Hello! | 0:02:08 | 0:02:10 | |
That's very enthusiastic. | 0:02:10 | 0:02:11 | |
Now, Sarah-Jane, how did you and Peter become Mr and Mrs? | 0:02:11 | 0:02:16 | |
Well, I met Peter on a dating website... | 0:02:16 | 0:02:19 | |
-Did you? -..that I'd been on for a couple of years, | 0:02:19 | 0:02:21 | |
but when he announced that he loved mountain climbing and walking | 0:02:21 | 0:02:24 | |
and it was really important to him and he asked me | 0:02:24 | 0:02:26 | |
the inevitable question of, "Do you like walking and climbing?", | 0:02:26 | 0:02:29 | |
I felt I had to say yes. | 0:02:29 | 0:02:30 | |
-And you don't? -I can't stand it. | 0:02:30 | 0:02:32 | |
I think the furthest I've walked is to my fridge. | 0:02:32 | 0:02:34 | |
-Really? -Yeah. | 0:02:34 | 0:02:35 | |
So he said, "What mountains have you climbed up?" | 0:02:35 | 0:02:37 | |
I said, "Oh, Snowdon," cos that was the only one I could think of. | 0:02:37 | 0:02:40 | |
Then after a year, he was so excited, | 0:02:40 | 0:02:42 | |
he surprised me and took me to Tryfan in North Wales, | 0:02:42 | 0:02:45 | |
which was a clamber-up mountain, | 0:02:45 | 0:02:47 | |
not a walk-up mountain. | 0:02:47 | 0:02:48 | |
The top half was covered in snow. | 0:02:48 | 0:02:50 | |
I kept going, but I broke my foot, I smashed my knee, I fell. | 0:02:50 | 0:02:54 | |
-Oh, dear. -In the end, we sat waiting for mountain rescue | 0:02:54 | 0:02:58 | |
-for about five hours, was it? -We did, yes. | 0:02:58 | 0:03:01 | |
Singing Help, by The Beatles. | 0:03:01 | 0:03:03 | |
-# I need somebody... # -Yeah! | 0:03:03 | 0:03:05 | |
# Not just anybody | 0:03:05 | 0:03:07 | |
# Help! # | 0:03:07 | 0:03:08 | |
-Yes. -I was convinced that my secret was out | 0:03:08 | 0:03:11 | |
-and that he was going to dump me. -Actually, I proposed, | 0:03:11 | 0:03:14 | |
I proposed in a little tented bothy on the side of a mountain. | 0:03:14 | 0:03:19 | |
He was quite sweet, cos you were very romantic, | 0:03:19 | 0:03:21 | |
cos you said, "Actually, if you're stupid enough to lie about this, | 0:03:21 | 0:03:24 | |
"then you're stupid enough to marry me." | 0:03:24 | 0:03:26 | |
Oh! I think I'm going to cry! | 0:03:26 | 0:03:29 | |
HE WAILS THEATRICALLY | 0:03:29 | 0:03:31 | |
-That was sweet. -We're so early into the programme, I can't bear it! | 0:03:31 | 0:03:35 | |
That's just so beautiful. | 0:03:35 | 0:03:37 | |
We'll be killing each other later out in the fair, don't worry. | 0:03:37 | 0:03:39 | |
It's so beautiful, I can't believe it. | 0:03:39 | 0:03:41 | |
Anyway, what are your tactics going to be when you go shopping today? | 0:03:41 | 0:03:45 | |
Well, I'm a bit of a shopaholic, | 0:03:45 | 0:03:47 | |
so I think my tactics are actually going to be making it last the hour. | 0:03:47 | 0:03:50 | |
I think that my tactics are going to be holding on to the money. | 0:03:50 | 0:03:53 | |
OK, well, there we go. We got the full menu. | 0:03:53 | 0:03:56 | |
Now, for the Blues. | 0:03:56 | 0:03:58 | |
Mary, their love may have been cemented on a mountain, | 0:03:58 | 0:04:01 | |
but you were actually flying high | 0:04:01 | 0:04:03 | |
when you achieved your love, weren't you? | 0:04:03 | 0:04:05 | |
Absolutely. | 0:04:05 | 0:04:07 | |
I was on a trip to New York and on the plane, I thought, | 0:04:07 | 0:04:10 | |
"Now, who have I got beside me?" so we could have a chat. | 0:04:10 | 0:04:14 | |
And I got this very reserved English gentleman. | 0:04:14 | 0:04:18 | |
I said to him, "Good morning." | 0:04:18 | 0:04:19 | |
He said, "Morning." | 0:04:19 | 0:04:20 | |
I have no recollection of this first interchange at all. | 0:04:20 | 0:04:24 | |
He proceeded to put his eye mask on | 0:04:24 | 0:04:27 | |
-and go to sleep. -Sociable, then? | 0:04:27 | 0:04:28 | |
-Absolutely. But, Tim, I worked on him. -Did you? | 0:04:28 | 0:04:32 | |
-By the time... -Eight hours later. | 0:04:32 | 0:04:34 | |
-..we reached New York, he had given me his business card. -Had he? | 0:04:34 | 0:04:40 | |
-He had. -I can say that never before or since | 0:04:40 | 0:04:43 | |
has any woman spoken to me on an aeroplane, | 0:04:43 | 0:04:46 | |
so it just shows you the risk you take if you respond. | 0:04:46 | 0:04:48 | |
Particularly if you fly alone, that's the thing, isn't it? | 0:04:48 | 0:04:51 | |
May I say, since that day, I've never allowed him to fly alone. | 0:04:51 | 0:04:54 | |
-Quite right. -You can't trust him now to talk to anybody! | 0:04:54 | 0:04:58 | |
But there's a happy conclusion to this, | 0:04:58 | 0:05:00 | |
cos he did make you an honest woman, didn't he? | 0:05:00 | 0:05:03 | |
He did, on the anniversary of the day we met. | 0:05:03 | 0:05:06 | |
-So emotionally charged! -He produced this beautiful ring. | 0:05:06 | 0:05:10 | |
Oh, lordy! Will this marital bliss continue during the shopping? | 0:05:10 | 0:05:14 | |
-Well, I do hope so. -Hope so. | 0:05:14 | 0:05:16 | |
I move from the heart. | 0:05:16 | 0:05:18 | |
Alan moves from the head. | 0:05:18 | 0:05:20 | |
-OK. -So it's the best of both worlds, or possibly the worst, who knows? | 0:05:20 | 0:05:23 | |
Well, who knows? We're about to find out. | 0:05:23 | 0:05:26 | |
Here comes the £300. Are you happy about this? | 0:05:26 | 0:05:29 | |
-Yes, very. -Cor, look at her face. Look at that, £300. | 0:05:29 | 0:05:32 | |
You know the rules. | 0:05:32 | 0:05:33 | |
Your experts await and off you go and very, very, very good luck. | 0:05:33 | 0:05:38 | |
What dream teams, but how about our experts? | 0:05:38 | 0:05:42 | |
Three isn't a crowd when Anita Manning's around. | 0:05:42 | 0:05:45 | |
She joins the Reds and I spy with my little eye an expert | 0:05:45 | 0:05:50 | |
to look after the Blues - it's Richard Madley. | 0:05:50 | 0:05:53 | |
-What do you want to buy? -Oh, jewellery. | 0:05:53 | 0:05:55 | |
-Jewellery. -Art Deco jewellery. | 0:05:55 | 0:05:57 | |
-Uh-huh. -It's got to be something that speaks to my heart | 0:05:57 | 0:06:01 | |
and says, "Mary, take me." | 0:06:01 | 0:06:04 | |
Well, well, well. | 0:06:04 | 0:06:05 | |
Something perhaps unusual, something a bit quirky | 0:06:05 | 0:06:07 | |
and my cousin's a sculptor, | 0:06:07 | 0:06:08 | |
so I'd like to get a little figurine or a little art object. | 0:06:08 | 0:06:11 | |
I'm going to have to rein myself in, but he'll do that for me. | 0:06:11 | 0:06:14 | |
You can always barter. | 0:06:14 | 0:06:15 | |
-I can. -And I believe you're quite good at that. | 0:06:15 | 0:06:18 | |
Hopefully, yes, cos I have to be. | 0:06:18 | 0:06:20 | |
You have to be! | 0:06:20 | 0:06:22 | |
Right, teams, | 0:06:22 | 0:06:23 | |
your 60 minutes starts now! WHISTLE BLOWS | 0:06:23 | 0:06:26 | |
Let's go! | 0:06:26 | 0:06:27 | |
-Come with me. -Wonderful. | 0:06:27 | 0:06:29 | |
They've got an hour to shop, but this fair is serving up | 0:06:30 | 0:06:33 | |
so many goodies, our teams are getting straight down to business. | 0:06:33 | 0:06:37 | |
-Found something, look. -Oh, she's found something. -Already! | 0:06:37 | 0:06:40 | |
-What do you see there? -A vanity case. | 0:06:40 | 0:06:42 | |
I don't know if it's snake skin or not, but it looks kind of... | 0:06:42 | 0:06:46 | |
-kind of nice. -This is a woman of style. | 0:06:46 | 0:06:48 | |
Takes one to know one, Anita! | 0:06:50 | 0:06:52 | |
-SELLER: -It's mock snake skin. -Or faux snake skin. | 0:06:52 | 0:06:57 | |
But it is complete with all its bottles and jars. | 0:06:57 | 0:07:00 | |
You just don't see this any more. It's something... | 0:07:00 | 0:07:03 | |
Think of the 1950s, post-war, women wanted to be glamorous, | 0:07:03 | 0:07:09 | |
they wanted to be feminine | 0:07:09 | 0:07:11 | |
-and this is the type of thing that you would carry. -I love that. | 0:07:11 | 0:07:14 | |
She's fallen in love with something within the first 30 seconds. | 0:07:14 | 0:07:18 | |
It's quite heavy, that's the only thing. What do you think? | 0:07:18 | 0:07:21 | |
The condition of the faux snake skin is good and I like that. | 0:07:21 | 0:07:27 | |
It's not the top of the range, but it's got style. | 0:07:27 | 0:07:30 | |
Peter, tell me what you think about it. | 0:07:30 | 0:07:33 | |
Well, I think it's a great item, | 0:07:33 | 0:07:35 | |
but I think we've got to rein my wife in from spending lots of money. | 0:07:35 | 0:07:39 | |
Well, it's £28 at the moment, which is not a lot of money. | 0:07:39 | 0:07:44 | |
We are always open to sensible offers. | 0:07:44 | 0:07:47 | |
ANITA CHORTLES | 0:07:47 | 0:07:48 | |
With the emphasis on "sensible". | 0:07:48 | 0:07:50 | |
So what sort of offer | 0:07:51 | 0:07:52 | |
do we think that we could come with for this one? | 0:07:52 | 0:07:56 | |
-Try 15? -I'm afraid we can't do 15. | 0:07:56 | 0:07:58 | |
Can we do something round about the £20 mark? | 0:07:58 | 0:08:01 | |
-Do you feel that's a fair offer? -Yeah, if you're happy, Anita. | 0:08:01 | 0:08:04 | |
I think that, at 20, | 0:08:04 | 0:08:06 | |
you have a good chance of making some profit on that. | 0:08:06 | 0:08:10 | |
-We've got a deal. -Get in! | 0:08:10 | 0:08:11 | |
It is almost a third off the price, isn't it? | 0:08:11 | 0:08:14 | |
-It is. -Thank you so much. -Thank you very much. | 0:08:14 | 0:08:17 | |
Cracking start, Reds. | 0:08:17 | 0:08:18 | |
Fingers crossed, the stallholder's generosity helps out at the auction. | 0:08:18 | 0:08:23 | |
-Now, what have the Blues spotted? -I like this. | 0:08:23 | 0:08:26 | |
-Yeah, that is nice. -I think that's got something about it, don't you? | 0:08:26 | 0:08:29 | |
Yes, I like it. I was really drawn to it. | 0:08:29 | 0:08:31 | |
A possibly Victorian doll's cradle, so it's for a child. | 0:08:31 | 0:08:38 | |
It would have been in a child's nursery, | 0:08:38 | 0:08:40 | |
but for his or her, probably her, doll. | 0:08:40 | 0:08:42 | |
Looks to me as if it's stained pine. | 0:08:42 | 0:08:45 | |
Mm. | 0:08:45 | 0:08:47 | |
Nice green interior. | 0:08:47 | 0:08:49 | |
We like the green interior as well, nicely painted. | 0:08:49 | 0:08:52 | |
Have a look at the base, the rockers. | 0:08:52 | 0:08:54 | |
Yep, nothing wrong with those. Now the price. | 0:08:54 | 0:08:58 | |
Price - £25. | 0:08:58 | 0:09:00 | |
Yes. | 0:09:00 | 0:09:02 | |
I think that if you can perhaps talk to the owner, | 0:09:02 | 0:09:04 | |
see if he's prepared to be gentle with us, | 0:09:04 | 0:09:07 | |
-you might be in with a chance there, do you think? -Right. -Wonderful. | 0:09:07 | 0:09:10 | |
-Let's ask the owner. -OK. | 0:09:10 | 0:09:12 | |
-This is yours, sir? -Yep. | 0:09:12 | 0:09:14 | |
-Wondering what's the best price you can do on it for us. -Best is 20. | 0:09:14 | 0:09:19 | |
The best is £20. | 0:09:19 | 0:09:22 | |
-£20? -I think that's good. -Reasonable to me. | 0:09:22 | 0:09:23 | |
I think that's reasonable, I think that's fair. | 0:09:23 | 0:09:26 | |
I think it's a good lot to start with. | 0:09:26 | 0:09:27 | |
-Thank you very much indeed. -Thank you. | 0:09:27 | 0:09:30 | |
Bravo, Blues. | 0:09:30 | 0:09:31 | |
That means each team has bagged a buy in under ten minutes. | 0:09:31 | 0:09:35 | |
Now, on to number two, and Sarah-Jane is all hung up on something. | 0:09:35 | 0:09:39 | |
These sell really well, especially if people are modernising houses. | 0:09:39 | 0:09:44 | |
I'm not convinced myself, I'm afraid. | 0:09:44 | 0:09:46 | |
I'm not so keen on brown furniture. | 0:09:46 | 0:09:49 | |
But, darling, you haven't got any taste. | 0:09:49 | 0:09:52 | |
Know what I mean? | 0:09:52 | 0:09:53 | |
-That's a bit harsh. -Pete's not impressed. | 0:09:53 | 0:09:55 | |
Do you do what your husband tells you? | 0:09:55 | 0:09:58 | |
Um, no, but I have... | 0:09:58 | 0:10:00 | |
No, I don't, at all. | 0:10:00 | 0:10:02 | |
How did you spot that? | 0:10:02 | 0:10:03 | |
How did you spot that(?!) | 0:10:03 | 0:10:06 | |
Nothing gets past our Anita, Sarah-Jane. | 0:10:06 | 0:10:08 | |
I've seen something over here that caught my eye from a distance | 0:10:09 | 0:10:13 | |
and the whole thing about this particular piece | 0:10:13 | 0:10:16 | |
is the maker, the factory. | 0:10:16 | 0:10:19 | |
I think I know who made it, but I would need to turn it over. | 0:10:19 | 0:10:24 | |
-Like the colours. -You like the colours? -Lovely. | 0:10:24 | 0:10:27 | |
I've always thought red and blue go together. | 0:10:27 | 0:10:30 | |
-Well, there indeed is the mark that we're looking for. -Oh, yes. | 0:10:30 | 0:10:33 | |
It's the mark of the Poole Factory, England, 58. | 0:10:33 | 0:10:36 | |
It's a shape number, by the way, it's not made in 1958. | 0:10:36 | 0:10:38 | |
That's the shape number of the dish. | 0:10:38 | 0:10:40 | |
This is part of the 1960s ware, when they became very bright and jazzy | 0:10:40 | 0:10:46 | |
and it's an attractive fruit bowl, isn't it? | 0:10:46 | 0:10:48 | |
Mmm, very much. | 0:10:48 | 0:10:50 | |
-Is that a crack? -Well, I don't know what it is. | 0:10:50 | 0:10:53 | |
Is it a crack, is it something in the firing? | 0:10:53 | 0:10:55 | |
-The colour, yes. -There's a discoloration there, isn't there? | 0:10:55 | 0:10:59 | |
Mmm, looks dubious to me. | 0:10:59 | 0:11:01 | |
What do you think happened here? | 0:11:01 | 0:11:02 | |
I think it's been in water at some point. | 0:11:02 | 0:11:05 | |
-Right. -It's sort of affected the glaze on the back of the bowl. | 0:11:05 | 0:11:08 | |
-It's not cracked, is it? -No, it isn't. | 0:11:08 | 0:11:10 | |
If you ping it, it's got a nice sound. | 0:11:10 | 0:11:13 | |
-RESONANT PING -Yeah, it's got a nice sound to it. | 0:11:13 | 0:11:15 | |
It's not priced. I assume it's got a price. | 0:11:15 | 0:11:17 | |
It has, it's £60, | 0:11:17 | 0:11:19 | |
to take into account the discoloration at the back. | 0:11:19 | 0:11:22 | |
So what would your best price be on that? | 0:11:22 | 0:11:25 | |
- I could do 50. - You could do 50? | 0:11:25 | 0:11:27 | |
-Yes, I could. -I think we should go for it. -Alan, are you...? -Yeah. | 0:11:27 | 0:11:30 | |
-In that case, it is sold. -Lovely. | 0:11:30 | 0:11:33 | |
-Thank you very much. -Thank you. | 0:11:33 | 0:11:34 | |
Gosh, only 15 minutes gone | 0:11:34 | 0:11:36 | |
and deals are being done left, right and centre. | 0:11:36 | 0:11:40 | |
-Oh, I'm so excited. We've got two wonderful pieces. -Fantastic. | 0:11:40 | 0:11:43 | |
-Absolutely. -Lots of time and lots of money still to spend. | 0:11:43 | 0:11:46 | |
Mary chose one and I chose one, | 0:11:46 | 0:11:50 | |
or influenced them. | 0:11:50 | 0:11:51 | |
So now it's Alan's turn. | 0:11:51 | 0:11:53 | |
-You said you wanted something quirky. -Yes. | 0:11:53 | 0:11:55 | |
-So, what do you...? -I've got something quirky. | 0:11:55 | 0:11:59 | |
Careful, Alan. | 0:11:59 | 0:12:00 | |
Back to the Reds and this cut-glass salad bowl | 0:12:01 | 0:12:04 | |
is giving them food for thought. | 0:12:04 | 0:12:05 | |
I've never seen anything like that before. | 0:12:05 | 0:12:07 | |
Quite a nice set. | 0:12:07 | 0:12:10 | |
Nice cut-crystal handle and as far as I can see, | 0:12:10 | 0:12:13 | |
there's no damage on it. | 0:12:13 | 0:12:14 | |
The silver plate is not worn. | 0:12:15 | 0:12:19 | |
What I like about it - nice star cut on the base, | 0:12:21 | 0:12:25 | |
and that's telling us there's a wee bit of quality there. | 0:12:25 | 0:12:29 | |
Are these matching this bowl? | 0:12:29 | 0:12:31 | |
The answer is yes. Now, we have a wee bit of wear on the bottom, | 0:12:31 | 0:12:35 | |
but it dates, maybe, from the 1930s or 1940s | 0:12:35 | 0:12:39 | |
and it has been something that's been used. | 0:12:39 | 0:12:42 | |
So we've got to take that into consideration. | 0:12:42 | 0:12:45 | |
As a woman that doesn't cook, what would you use this for? | 0:12:46 | 0:12:48 | |
Your wife has just told me that she doesn't cook. | 0:12:48 | 0:12:52 | |
She doesn't cook. I have to do all the cooking. | 0:12:52 | 0:12:55 | |
-All right. -But then she does the washing up. | 0:12:55 | 0:12:57 | |
Ah, right. So you're skivvy? | 0:12:57 | 0:13:00 | |
I am skivvy, yes. | 0:13:00 | 0:13:02 | |
Would you use this on your dinner table? | 0:13:02 | 0:13:05 | |
I must admit I'm not that struck with it. | 0:13:07 | 0:13:09 | |
Come on, competitive hat on. | 0:13:09 | 0:13:12 | |
We need to think of things that we can buy | 0:13:12 | 0:13:14 | |
that people are going to bid on at auction. | 0:13:14 | 0:13:16 | |
I think somebody might buy that. | 0:13:16 | 0:13:18 | |
But how much can you get it for? | 0:13:18 | 0:13:20 | |
45 on it - what are you thinking? | 0:13:21 | 0:13:25 | |
I think if we bought it round about the 20 mark, | 0:13:25 | 0:13:28 | |
-we might have a chance. -Right. | 0:13:28 | 0:13:30 | |
-Is that too...? -Not 25? | 0:13:30 | 0:13:32 | |
I would buy that now for £45, | 0:13:32 | 0:13:34 | |
but because we've got to try and make a profit, | 0:13:34 | 0:13:38 | |
I think we'd only break even on 25. | 0:13:38 | 0:13:40 | |
-Go on. 20. -Oh, thank you so much! You've been very kind. -Yes. | 0:13:40 | 0:13:43 | |
-Thank you very much. -All the best! | 0:13:43 | 0:13:47 | |
Well done, you lot. Two down, one to go, | 0:13:47 | 0:13:49 | |
but are you ladies going to give Pete a look in? | 0:13:49 | 0:13:52 | |
They're always bossing me around, but that's life. | 0:13:52 | 0:13:55 | |
He's just being Mr Good Guy and saying, "OK, darling," | 0:13:56 | 0:13:59 | |
because he loves her. | 0:13:59 | 0:14:00 | |
I will try and rein myself in and let him take charge of this one. | 0:14:00 | 0:14:05 | |
It seems the Blues are extending that courtesy to Alan. | 0:14:05 | 0:14:09 | |
-Now it's your turn, Alan. -Thank you. | 0:14:09 | 0:14:11 | |
We're going to look for something sculptural. | 0:14:11 | 0:14:13 | |
-Yes, absolutely. A statement piece. -Exactly. | 0:14:13 | 0:14:16 | |
Something that makes a profit at auction would be handy. | 0:14:16 | 0:14:20 | |
Alan, what about this? | 0:14:20 | 0:14:22 | |
-What do you think? -It's like myself. Falling to pieces, I think. | 0:14:22 | 0:14:26 | |
Well, it's sculptural, figural. | 0:14:26 | 0:14:28 | |
Is it a big enough statement for you, Alan? | 0:14:28 | 0:14:31 | |
THEY CHUCKLE | 0:14:31 | 0:14:33 | |
There's no answer to that. | 0:14:33 | 0:14:34 | |
I think that may cost you an arm and a leg, Blues. | 0:14:34 | 0:14:38 | |
Back to the Reds and with 30 minutes left, | 0:14:38 | 0:14:40 | |
they're heading inside, in search of their final buy. | 0:14:40 | 0:14:43 | |
There's lots of lovely stalls here. | 0:14:44 | 0:14:46 | |
What I think is we'll give ourselves five minutes | 0:14:46 | 0:14:50 | |
-to have a quick look round. -OK. -And we'll meet back here. | 0:14:50 | 0:14:54 | |
Oh, yes, I do like seeing our experts take charge. | 0:14:54 | 0:14:57 | |
-This way, Richard? -If I was you, | 0:14:57 | 0:14:59 | |
-I'd go the other way. -Oh, the other way? | 0:14:59 | 0:15:02 | |
And what were we after, Blues? Some sculpture? | 0:15:02 | 0:15:05 | |
If it looks right, it doesn't matter what it is. | 0:15:05 | 0:15:07 | |
Right, exactly. | 0:15:07 | 0:15:09 | |
There's an old iron. | 0:15:12 | 0:15:13 | |
-Yes. -Any old iron? -Any old iron, any old iron. | 0:15:13 | 0:15:16 | |
If it was five times the size, | 0:15:16 | 0:15:18 | |
it might just qualify as a piece of sculpture. | 0:15:18 | 0:15:20 | |
Do you know why I'm drawn to it? | 0:15:20 | 0:15:22 | |
Because I grew up in Ireland, | 0:15:22 | 0:15:23 | |
we had no electricity and we had an iron like this. | 0:15:23 | 0:15:26 | |
You had to put a hot coal in the middle | 0:15:26 | 0:15:29 | |
and that's how you did your ironing. | 0:15:29 | 0:15:30 | |
There you go! | 0:15:30 | 0:15:32 | |
I've learned something today as well. | 0:15:32 | 0:15:35 | |
But it's not something for Alan, is it? | 0:15:35 | 0:15:38 | |
And neither are these. | 0:15:38 | 0:15:40 | |
Perfect for your little cradle. | 0:15:40 | 0:15:41 | |
-Absolutely. -That's a thought, isn't it? | 0:15:41 | 0:15:44 | |
-Look at that. -They don't speak to you, darling, do they? | 0:15:44 | 0:15:46 | |
-They don't, I must admit. -No. | 0:15:46 | 0:15:48 | |
Maybe they'll have better luck around the corner. | 0:15:48 | 0:15:50 | |
-There's plenty of stalls here. -Mm! | 0:15:50 | 0:15:52 | |
Perhaps this dapper gent has the perfect item for Alan. | 0:15:53 | 0:15:57 | |
I like the trousers. | 0:15:57 | 0:15:59 | |
I think you could be challenging Tim Wonnacott for best dressed man. | 0:15:59 | 0:16:02 | |
I don't know about that, Ricardo. | 0:16:02 | 0:16:04 | |
-And you sell guitars? -Yes, yeah. | 0:16:04 | 0:16:07 | |
Plenty of nice stuff, if we can tempt you. | 0:16:07 | 0:16:09 | |
-Well, we are looking for something... -Something big? | 0:16:09 | 0:16:11 | |
..big, big, big. | 0:16:11 | 0:16:13 | |
-What, a big guitar? -Well, that is a 1950s archtop. -Yes. | 0:16:13 | 0:16:19 | |
That one is one I've completely restored. | 0:16:19 | 0:16:21 | |
-I have got it on for 175. -Have you? | 0:16:21 | 0:16:25 | |
But I could do it round about the 90. | 0:16:25 | 0:16:28 | |
I'm sure it's a very generous gesture. | 0:16:28 | 0:16:30 | |
-Musical instruments are a specialist area. -Exactly, yes. | 0:16:30 | 0:16:34 | |
-I do play a little myself, you know. -And he collects guitars. | 0:16:34 | 0:16:36 | |
Well, I've got two or three, but, yeah. | 0:16:36 | 0:16:39 | |
Well, this stall is hitting all the right notes. | 0:16:39 | 0:16:41 | |
-At least we've got to have a look, haven't we? -Absolutely. | 0:16:41 | 0:16:45 | |
-You can tell us all about it. -It's not got a maker's label in it. | 0:16:45 | 0:16:49 | |
Oh, there is one, yeah. | 0:16:49 | 0:16:50 | |
-Melodija's from Slovenia. -Yes. -Yep. | 0:16:50 | 0:16:53 | |
I had one very like this with teardrop... | 0:16:53 | 0:16:55 | |
It's very unusual, because normally they have the round sound hole. | 0:16:55 | 0:16:59 | |
-Yes. -Not the F-holes. -Absolutely. | 0:16:59 | 0:17:02 | |
-My only worry would be it's a very specialist market. -Yes. | 0:17:02 | 0:17:05 | |
I will come down to 80 for you. | 0:17:05 | 0:17:09 | |
-Is it in tune? -HE STRUMS | 0:17:09 | 0:17:11 | |
-Oh, it is. -It is, yes. | 0:17:11 | 0:17:12 | |
Sounds good. | 0:17:12 | 0:17:13 | |
You know what's next. You know what's next! | 0:17:13 | 0:17:16 | |
HE STRUMS CHORDS | 0:17:16 | 0:17:19 | |
-Whoo! -Yeah! | 0:17:21 | 0:17:23 | |
While you "play" with the idea of buying it, Blues, | 0:17:23 | 0:17:27 | |
let's return to the Reds. | 0:17:27 | 0:17:28 | |
They split up to search for their final item | 0:17:28 | 0:17:30 | |
and it looks like Peter has already found something he likes. | 0:17:30 | 0:17:35 | |
But will the girls agree? | 0:17:35 | 0:17:37 | |
These are lovely and it's lovely that there's two of them. | 0:17:37 | 0:17:42 | |
That is a nice lot. | 0:17:42 | 0:17:44 | |
1901, so it's the Edwardian period | 0:17:44 | 0:17:46 | |
and what we have here is an Art Nouveau motif | 0:17:46 | 0:17:50 | |
with these lovely, naturalistic shapes with little cherubs | 0:17:50 | 0:17:56 | |
or angels' heads in them. | 0:17:56 | 0:17:59 | |
Nice, clear hallmarks there. | 0:17:59 | 0:18:01 | |
The only thing about them is that they've been well polished, | 0:18:01 | 0:18:05 | |
-they've been loved. -Yep. | 0:18:05 | 0:18:06 | |
Looked after and well polished | 0:18:06 | 0:18:09 | |
and it's taken away just a wee bit of the detail. | 0:18:09 | 0:18:11 | |
So what does our camera-shy stallholder want | 0:18:11 | 0:18:14 | |
for his little cherubs? | 0:18:14 | 0:18:15 | |
The two of them you can have for 300. | 0:18:15 | 0:18:18 | |
We've got £260 left. | 0:18:18 | 0:18:21 | |
Could they be bought for 259? | 0:18:21 | 0:18:24 | |
I'm sorry, no. | 0:18:24 | 0:18:26 | |
One box? | 0:18:26 | 0:18:27 | |
-130. -Pete, what do you think on this? | 0:18:27 | 0:18:30 | |
-PETE: -I think it's an absolutely lovely piece | 0:18:30 | 0:18:33 | |
and my mother has three sons | 0:18:33 | 0:18:35 | |
and she's got a picture above her head of the three little cherubs, | 0:18:35 | 0:18:39 | |
so this was for my mother. | 0:18:39 | 0:18:41 | |
I think that's a lovely reason to buy it. | 0:18:41 | 0:18:43 | |
I think it's the best reason. It'll give us luck, hopefully. | 0:18:43 | 0:18:46 | |
Yeah, I love a boy that loves his mum. | 0:18:46 | 0:18:49 | |
And I love it when a deal is done. | 0:18:49 | 0:18:51 | |
£130 paid and that brings your shop to an end, Reds, | 0:18:51 | 0:18:56 | |
with ten minutes left. | 0:18:56 | 0:18:57 | |
Well, there's no point "stringing" it out. | 0:18:57 | 0:18:59 | |
Ha! | 0:18:59 | 0:19:02 | |
Speaking of which, | 0:19:02 | 0:19:03 | |
are the Blues going to fork out £80 for the guitar? | 0:19:03 | 0:19:06 | |
-Yes! -Well, yes, let's rock and roll. | 0:19:11 | 0:19:14 | |
-Shall we rock and roll? -Why not? | 0:19:14 | 0:19:16 | |
Come on, let's rock and roll. Excellent, we've got a deal? | 0:19:16 | 0:19:19 | |
Absolutely, thank you very much. | 0:19:19 | 0:19:20 | |
Lovely, thank you. | 0:19:20 | 0:19:22 | |
WHISTLE BLOWS That's it, kids. | 0:19:22 | 0:19:23 | |
Time's up. | 0:19:23 | 0:19:25 | |
ANITA LAUGHS LOUDLY | 0:19:25 | 0:19:26 | |
Get her a cup of tea, quick! | 0:19:27 | 0:19:30 | |
I can't get out of it now. | 0:19:30 | 0:19:31 | |
THEY LAUGH | 0:19:31 | 0:19:34 | |
Now, let's remind ourselves what you bought, Reds. | 0:19:34 | 0:19:37 | |
Will the bidders bite and pay top dollar | 0:19:37 | 0:19:40 | |
for this faux snake skin vanity set? | 0:19:40 | 0:19:43 | |
It cost the Reds a £20 note. | 0:19:43 | 0:19:45 | |
That's all it took to secure this cut-glass salad bowl | 0:19:46 | 0:19:49 | |
with servers. | 0:19:49 | 0:19:50 | |
Finally, they forked out £130 on the Edwardian jewellery box. | 0:19:51 | 0:19:55 | |
Magnificent performance. | 0:19:57 | 0:19:59 | |
How much did you spend? | 0:19:59 | 0:20:01 | |
We spent £170. | 0:20:01 | 0:20:03 | |
-May I have the £130 left over? -You may indeed, sir. | 0:20:03 | 0:20:05 | |
Thank you very much, super. | 0:20:05 | 0:20:06 | |
Which is your favourite piece? | 0:20:06 | 0:20:08 | |
My favourite piece was the salad bowl. | 0:20:08 | 0:20:11 | |
The salad bowl and the servers, cos I'll never get to use it, | 0:20:11 | 0:20:14 | |
-but I thought it was beautiful. -I love a bit of salad myself. | 0:20:14 | 0:20:17 | |
THEY CHUCKLE Pietro? | 0:20:17 | 0:20:19 | |
Oh, mine was definitely the little cherub box. | 0:20:19 | 0:20:21 | |
Will that bring the biggest profit? | 0:20:21 | 0:20:23 | |
I hope so, yes. I think so. | 0:20:23 | 0:20:25 | |
What do you think will bring the biggest profit? | 0:20:25 | 0:20:27 | |
I think it's the '40s travel case. | 0:20:27 | 0:20:32 | |
-Very Grace Kelly. -Here we go, £130. | 0:20:32 | 0:20:35 | |
Do you know what you might buy, Anita? | 0:20:35 | 0:20:36 | |
I think I would like to buy something sparkly! | 0:20:36 | 0:20:39 | |
Well, you're the best qualified to find that. | 0:20:39 | 0:20:42 | |
Anyway, good luck. | 0:20:42 | 0:20:43 | |
Meanwhile, we're going to check out what the Blue team bought, aren't we? | 0:20:43 | 0:20:48 | |
The wooden toy cradle screamed out to Mary and a deal was done at £20. | 0:20:48 | 0:20:53 | |
The team were "bowled" over by this piece of Poole pottery - | 0:20:53 | 0:20:56 | |
£50 paid. | 0:20:56 | 0:20:57 | |
And at £80, the guitar got everyone rocking, | 0:20:58 | 0:21:02 | |
but will it strike a chord at the auction? | 0:21:02 | 0:21:05 | |
Was that fun or was it fun? | 0:21:05 | 0:21:06 | |
-It was absolutely fantastic. -Amazing. | 0:21:06 | 0:21:08 | |
Mary, what I really, really, really want to know | 0:21:08 | 0:21:10 | |
-is which is your favourite piece? -Oh, my little cradle. | 0:21:10 | 0:21:13 | |
-Your cradle is your favourite piece? -Absolutely. | 0:21:13 | 0:21:16 | |
-Do you agree with that, Alan? -No, it'll have to be the guitar for me. | 0:21:16 | 0:21:19 | |
-The guitar is your favourite? -Yes. | 0:21:19 | 0:21:20 | |
And will the guitar bring the biggest profit? | 0:21:20 | 0:21:22 | |
I don't think so, I think the Poole dish will make the most money. | 0:21:22 | 0:21:25 | |
Hmm, I'm not sure, I think my little cradle might. | 0:21:25 | 0:21:28 | |
How much did you spend, you two? | 0:21:28 | 0:21:30 | |
£150. | 0:21:30 | 0:21:31 | |
-Did you? -We did. -£150 of leftover lolly, I need them, please. | 0:21:31 | 0:21:35 | |
-But you had fun, right? -Absolutely, and Richard was excellent. | 0:21:35 | 0:21:39 | |
Don't worry, he'll slip you a tenner in just a moment. | 0:21:39 | 0:21:41 | |
Here we go, £150, old fruit. | 0:21:41 | 0:21:44 | |
What are you going to spend it on? | 0:21:44 | 0:21:46 | |
I've seen something which will remind them | 0:21:46 | 0:21:48 | |
of one of their special trips, so... | 0:21:48 | 0:21:50 | |
-Oh! -Wow! -..leave that with me. | 0:21:50 | 0:21:52 | |
But will it be profitable? | 0:21:52 | 0:21:55 | |
-Ah. -Ah. | 0:21:55 | 0:21:56 | |
Let's wait till the auction. | 0:21:56 | 0:21:59 | |
Well, we can't wait to find out. Richard, thank you very much. | 0:21:59 | 0:22:01 | |
Meanwhile, though, we're going to fly high, | 0:22:01 | 0:22:04 | |
because we're off to the RAF Cosford Museum. Ooh! | 0:22:04 | 0:22:09 | |
At the dawn of the 20th century, | 0:22:13 | 0:22:15 | |
our nation embarked on a journey of discovery and invention. | 0:22:15 | 0:22:19 | |
The aim - to take us where we'd never been before. | 0:22:19 | 0:22:23 | |
The RAF museum here at Cosford showcases | 0:22:24 | 0:22:30 | |
exactly how Britain became an aeronautical powerhouse | 0:22:30 | 0:22:34 | |
that enabled the world to conquer the skies. | 0:22:34 | 0:22:38 | |
I'm keen to see what gems they have here, | 0:22:38 | 0:22:41 | |
and who better to show me what lies behind the hanger doors | 0:22:41 | 0:22:45 | |
than former RAF pilot, Alastair McLean. | 0:22:45 | 0:22:49 | |
What do you think that Britain's contribution | 0:22:49 | 0:22:53 | |
to aeronautical engineering really was based upon? | 0:22:53 | 0:22:58 | |
Well, we're an amazingly innovative and inventive nation, | 0:22:58 | 0:23:02 | |
but if I had to pick out two things, two contributions, | 0:23:02 | 0:23:05 | |
I would say the jet engine | 0:23:05 | 0:23:07 | |
and the jet airliner are the things that we really brought to the world. | 0:23:07 | 0:23:13 | |
The Comet epitomises that. | 0:23:13 | 0:23:15 | |
It was the world's first commercial jet airliner | 0:23:15 | 0:23:19 | |
and its debut in 1949 inspired the invention of aircraft | 0:23:19 | 0:23:23 | |
that billions of us travel on every year. | 0:23:23 | 0:23:27 | |
But when you meander through the museum, | 0:23:27 | 0:23:29 | |
it's striking how many planes were designed with conflict in mind, | 0:23:29 | 0:23:34 | |
from modern jet-propelled fighter planes to battle-weary war horses. | 0:23:34 | 0:23:38 | |
That includes this unsung hero from World War II. | 0:23:39 | 0:23:44 | |
Well, I have to say, Al, that on Bargain Hunt, | 0:23:44 | 0:23:47 | |
above all we appreciate quality and craftsmanship | 0:23:47 | 0:23:51 | |
and that is displayed in spades in this aeroplane, isn't it? | 0:23:51 | 0:23:54 | |
Very much so. | 0:23:54 | 0:23:56 | |
We're standing in front of the de Havilland Mosquito, | 0:23:56 | 0:23:58 | |
which was a legendary aircraft. | 0:23:58 | 0:24:01 | |
The most unusual thing about it is it's made almost entirely of wood. | 0:24:01 | 0:24:05 | |
-No! -This was an aircraft that wasn't built | 0:24:05 | 0:24:08 | |
by skilled aircraft technicians, this was built by cabinet makers, | 0:24:08 | 0:24:12 | |
by carpenters and by joiners | 0:24:12 | 0:24:14 | |
in factories and workshops all over England. | 0:24:14 | 0:24:17 | |
And what were the advantages of building in wood? | 0:24:17 | 0:24:20 | |
Lighter, for a start, but most importantly, | 0:24:20 | 0:24:23 | |
it didn't require vital scarce war materials like aluminium | 0:24:23 | 0:24:27 | |
and other metals, it was something we had an abundance of. | 0:24:27 | 0:24:31 | |
This wooden wonder you wouldn't think would be a tremendous threat | 0:24:31 | 0:24:36 | |
to the might of the Third Reich, would you? | 0:24:36 | 0:24:39 | |
No, you wouldn't, but it was a threat | 0:24:39 | 0:24:41 | |
and the reason was it could fly virtually unchallenged to Berlin. | 0:24:41 | 0:24:44 | |
It was too high and it was too fast for the majority of their fighters | 0:24:44 | 0:24:48 | |
and it was above the range of their guns. | 0:24:48 | 0:24:51 | |
The Mosquito struck fear into the heart of the enemy. | 0:24:51 | 0:24:55 | |
But its greatest foe was the innovative design | 0:24:56 | 0:24:59 | |
that made it so formidable. | 0:24:59 | 0:25:01 | |
The wood rotted, the glue didn't last forever. | 0:25:02 | 0:25:07 | |
They're a very scarce commodity, working Mosquitoes. | 0:25:07 | 0:25:10 | |
It's not just planes that keep aircrew flying high. | 0:25:10 | 0:25:14 | |
All sorts of equipment and contraptions are needed, | 0:25:14 | 0:25:17 | |
and some would say a hefty dose of superstition. | 0:25:17 | 0:25:20 | |
You expect in an aeronautical museum to have lots of models of aeroplanes, | 0:25:21 | 0:25:27 | |
but not cuddly toys. | 0:25:27 | 0:25:29 | |
Ah, well, these are mascots that were carried by crews | 0:25:29 | 0:25:32 | |
as good luck charms when they went into battle. | 0:25:32 | 0:25:35 | |
Such is the power of the thought of protection via a mascot | 0:25:35 | 0:25:41 | |
that in this highly dangerous flying business, | 0:25:41 | 0:25:43 | |
you would take one of these with you? | 0:25:43 | 0:25:45 | |
Quite a lot of crew did, not just the pilots, | 0:25:45 | 0:25:47 | |
but navigators, bomb aimers, air gunners had some sort of token | 0:25:47 | 0:25:51 | |
and in fact, crews got quite wound up about them and on one occasion, | 0:25:51 | 0:25:54 | |
a crew member would be sent back to get his mascot if he'd forgotten. | 0:25:54 | 0:25:58 | |
So tell me about the chap on the top. What's that about? | 0:25:58 | 0:26:01 | |
That's Percy the Parachuting Penguin | 0:26:01 | 0:26:03 | |
and Percy actually had to jump out of an aircraft with his owner | 0:26:03 | 0:26:07 | |
and Percy was taken prisoner, along with his owner | 0:26:07 | 0:26:10 | |
and they both made it back to Britain safely | 0:26:10 | 0:26:12 | |
at the end of the war. | 0:26:12 | 0:26:13 | |
So the mascot really worked? | 0:26:13 | 0:26:15 | |
Percy's owner certainly felt so, because when he landed, | 0:26:15 | 0:26:19 | |
he thought, "Gosh, I'm alive to see the dawn," | 0:26:19 | 0:26:22 | |
and he felt that Percy had done the job for the crew. | 0:26:22 | 0:26:25 | |
There you go, that's the power of Percy, isn't it? | 0:26:25 | 0:26:27 | |
Definitely, he's a lucky charm of great power. | 0:26:27 | 0:26:30 | |
Artefacts like these are priceless, | 0:26:31 | 0:26:34 | |
because of the heroism they symbolise, | 0:26:34 | 0:26:37 | |
making them an important part of this collection. | 0:26:37 | 0:26:40 | |
Well, time certainly flies when you're having fun, | 0:26:40 | 0:26:43 | |
so it's, "Chocks away!" while we flit off to the auction. | 0:26:43 | 0:26:47 | |
I've flown up the road to Trevanion & Dean in Whitchurch | 0:26:51 | 0:26:56 | |
and our auctioneer is a familiar face, | 0:26:56 | 0:26:59 | |
Christina Trevanion. | 0:26:59 | 0:27:00 | |
-How are you? -Very well and lovely to be here. -A pleasure to have you. | 0:27:00 | 0:27:04 | |
Now, Sarah-Jane and Pietro have gone with a mixture. | 0:27:04 | 0:27:07 | |
First up is this little dressing case. | 0:27:07 | 0:27:11 | |
-Tell us what you think about it. -It's very reminiscent of its time | 0:27:11 | 0:27:14 | |
and I love the fact it's got a hair tidy. | 0:27:14 | 0:27:16 | |
Does your vanity case have a hair tidy? | 0:27:16 | 0:27:18 | |
I have to say that I do not own a vanity case. | 0:27:18 | 0:27:23 | |
I've got plenty of hair. It's all my own. | 0:27:23 | 0:27:26 | |
No, seriously, it's one of those things | 0:27:26 | 0:27:29 | |
that really is an oddball survivor, isn't it? | 0:27:29 | 0:27:31 | |
-It is. -It was cheap at the time, they got thrown away. | 0:27:31 | 0:27:34 | |
On the plus side, it's still got all its bits to it, hasn't it? | 0:27:34 | 0:27:37 | |
-Exactly. -It's a sweet thing. | 0:27:37 | 0:27:39 | |
It's very typical of its time, 1950s, 1960s. | 0:27:39 | 0:27:42 | |
So what's your opinion as to its value? | 0:27:42 | 0:27:44 | |
Well, we've put £15-£20 on it. | 0:27:44 | 0:27:46 | |
-OK, £20 paid, so that's OK, we're in the right frame. -Good. | 0:27:46 | 0:27:50 | |
-Moving on to the salad bowl. -Yes. | 0:27:50 | 0:27:52 | |
What I like about these metal-mounted things is of course | 0:27:52 | 0:27:54 | |
that they've got a little bit of quality about them. | 0:27:54 | 0:27:57 | |
Yes, they really have, yes. | 0:27:57 | 0:27:58 | |
Daniel & Arter, lovely thing | 0:27:58 | 0:28:00 | |
and to have the servers still there is great. | 0:28:00 | 0:28:02 | |
-It's cut glass, not moulded glass. -Exactly. | 0:28:02 | 0:28:04 | |
Somebody's gone through a process which has involved this hand cutting, | 0:28:04 | 0:28:09 | |
and very nicely that's been done too. | 0:28:09 | 0:28:11 | |
The only disappointment is that the metal mounts aren't silver. | 0:28:11 | 0:28:13 | |
Nonetheless, I think it's a smart thing. | 0:28:13 | 0:28:15 | |
-We've put £20-£30 on it. -Perfect! | 0:28:15 | 0:28:17 | |
£20 paid. | 0:28:17 | 0:28:19 | |
Moving on, we've got this embossed silver covered box. | 0:28:19 | 0:28:22 | |
What do you make of that, CT? | 0:28:22 | 0:28:24 | |
Well, even before you look at the marks, | 0:28:24 | 0:28:26 | |
you can tell it's Commons, can't you? | 0:28:26 | 0:28:28 | |
It's just typical 1880s, Edwardian later period, | 0:28:28 | 0:28:31 | |
where Commons really flourished. | 0:28:31 | 0:28:33 | |
He had all those wonderful cherubs and floral... | 0:28:33 | 0:28:35 | |
-It was a factory, really? -It was. | 0:28:35 | 0:28:37 | |
Sadly, the condition does let it down. | 0:28:37 | 0:28:39 | |
It's been loved, it's been cleaned a lot | 0:28:39 | 0:28:41 | |
and therefore the cherubs' faces are not particularly crisp. | 0:28:41 | 0:28:44 | |
All those chubby little faces had expressions on, | 0:28:44 | 0:28:47 | |
-like noses and eyebrows and all that. -Absolutely. | 0:28:47 | 0:28:49 | |
Now they've all disappeared, which is a shame, | 0:28:49 | 0:28:52 | |
and no doubt you have taken that into account with the estimate. | 0:28:52 | 0:28:55 | |
-We've put £40-£60 on it at auction. -Ouch! | 0:28:55 | 0:28:58 | |
-Oh, dear, what did they pay? -£130. -Ooh! | 0:28:58 | 0:29:01 | |
Well, Peter went with it, he loved it. | 0:29:01 | 0:29:03 | |
If he's right, we'll be delighted, | 0:29:03 | 0:29:05 | |
if he's wrong, we're going to need the bonus buy, | 0:29:05 | 0:29:07 | |
so let's go and have a look at it. | 0:29:07 | 0:29:09 | |
Sarah-Jane, Pietro, | 0:29:10 | 0:29:13 | |
I bet you want to know what Anita Manning has spent your £130 on. | 0:29:13 | 0:29:16 | |
Absolutely. My palms are sweaty with anticipation to know what that is. | 0:29:16 | 0:29:20 | |
Let's get it over and done with. Anita, what did you buy? | 0:29:20 | 0:29:22 | |
Oh! That's gorgeous! | 0:29:24 | 0:29:27 | |
I have bought you a divine little bit of sparkle, | 0:29:27 | 0:29:31 | |
because you are a sparkly pair. | 0:29:31 | 0:29:33 | |
Bless you! | 0:29:33 | 0:29:35 | |
It's a little 14-carat gold chain with lovely garnet spacers | 0:29:35 | 0:29:41 | |
and this wonderful garnet drop here with a rosette at the top. | 0:29:41 | 0:29:45 | |
Do you like this? Is this sparkly enough for you? | 0:29:45 | 0:29:49 | |
I like it so much that I want to bid on it, actually. | 0:29:49 | 0:29:51 | |
THEY LAUGH | 0:29:51 | 0:29:52 | |
-You can't! -I know, I know! | 0:29:52 | 0:29:54 | |
It's gorgeous! | 0:29:54 | 0:29:56 | |
I guess the big question is, we left you with £130, didn't we? | 0:29:56 | 0:30:01 | |
I didn't spend it all, I didn't spend it all. | 0:30:01 | 0:30:04 | |
-This cost me £50. -That's fantastic. -Yeah. | 0:30:04 | 0:30:08 | |
I think it's a good buy for £50. | 0:30:08 | 0:30:10 | |
For the audience at home, | 0:30:10 | 0:30:11 | |
let's find out what the auctioneer thinks about the bling. | 0:30:11 | 0:30:15 | |
-There we go. -Isn't that gorgeous? -Christina. | 0:30:16 | 0:30:19 | |
Obviously a little yellow gold chain set with garnet beads | 0:30:19 | 0:30:22 | |
and then faceted garnets here. | 0:30:22 | 0:30:24 | |
Really pretty, 14-carat. | 0:30:24 | 0:30:26 | |
Probably continental and it's very wearable, really, | 0:30:26 | 0:30:28 | |
because it's not evening, it's not daytime, | 0:30:28 | 0:30:31 | |
-it could translate to both. -Presumably it has no age at all. | 0:30:31 | 0:30:34 | |
Not massively, no. I'd say late 20th century. | 0:30:34 | 0:30:37 | |
We've put £60-£100 on it. | 0:30:37 | 0:30:39 | |
-60-100? -Yes. -OK, fine. Well, the lovely Anita only paid 50, | 0:30:39 | 0:30:42 | |
so if the team decide to go with it, | 0:30:42 | 0:30:45 | |
they will have done jolly well. | 0:30:45 | 0:30:46 | |
OK, that's it for the Reds. Now for the Blues. | 0:30:46 | 0:30:49 | |
-Mary and Alan. -Yep. -The stained pine doll's crib, cradle. | 0:30:49 | 0:30:56 | |
-Fun, isn't it? -Yes, really sweet, very rustic. | 0:30:56 | 0:30:59 | |
What I love about this stuff is that once upon a time, | 0:30:59 | 0:31:03 | |
in about 1850, when life was simpler, a man went out with a few old boards | 0:31:03 | 0:31:08 | |
and he probably nailed that together out in a shed | 0:31:08 | 0:31:11 | |
and gave it to his child. | 0:31:11 | 0:31:12 | |
Yes, gave it to his daughter and his daughter would probably | 0:31:12 | 0:31:15 | |
have been saying to him all morning, "Daddy, I want a crib for my dolly! | 0:31:15 | 0:31:18 | |
"I want a crib for my dolly!" | 0:31:18 | 0:31:20 | |
-There is charm in buckets in a little object like that. -Absolutely. | 0:31:20 | 0:31:24 | |
-What's it worth? -Well, I think we've put £15-£20 on it. | 0:31:24 | 0:31:27 | |
-OK, £20 paid. -Good. -Anything could happen. | 0:31:27 | 0:31:29 | |
Yeah, if a little girl falls in love with it, | 0:31:29 | 0:31:31 | |
-a mummy or a daddy would say, "You must have it." -Exactly. | 0:31:31 | 0:31:34 | |
Unlike the Poole pottery bowl, | 0:31:34 | 0:31:36 | |
cos I don't think any little girl is likely to fall in love with that. | 0:31:36 | 0:31:40 | |
But what do you think about it? | 0:31:40 | 0:31:42 | |
It's rather smart, isn't it? | 0:31:42 | 0:31:44 | |
It's typical Poole Delphis ware, | 0:31:44 | 0:31:46 | |
developed in the 1960s through to the 1970s. | 0:31:46 | 0:31:49 | |
Incredibly popular at its time. | 0:31:49 | 0:31:51 | |
We think it's the colour palette that Carol Cutler would have used, | 0:31:51 | 0:31:54 | |
the designer from the factory from about 1969 to 1975. | 0:31:54 | 0:31:58 | |
It's got one or two probs, hasn't it? | 0:31:58 | 0:32:00 | |
Mmm, I don't like the staining and the star crack to the base, | 0:32:00 | 0:32:03 | |
-that will affect the value, sadly. -Yeah. | 0:32:03 | 0:32:05 | |
Because of the condition, we've put £20-£30 on it. | 0:32:05 | 0:32:08 | |
-OK, ouch - £50 paid. -Oof! | 0:32:08 | 0:32:10 | |
But you never know. | 0:32:10 | 0:32:11 | |
-The thing is listed online, right? -Mm-hm. | 0:32:11 | 0:32:14 | |
So that's the big thing, isn't it? | 0:32:14 | 0:32:16 | |
-Yes. -The online interest, | 0:32:16 | 0:32:18 | |
which leads me seamlessly to the guitar. | 0:32:18 | 0:32:21 | |
Have you had any interest in this joker? | 0:32:21 | 0:32:24 | |
-We've got 640 lots in this auction and some stunning things. -Mm-hm. | 0:32:24 | 0:32:28 | |
Guess what is at number three on our current hit list | 0:32:28 | 0:32:31 | |
for the most popular item. | 0:32:31 | 0:32:33 | |
-I'd say not the Poole bowl, but perhaps the guitar. -Yes, exactly. | 0:32:33 | 0:32:36 | |
-Can you believe it? -It's good, isn't it? | 0:32:36 | 0:32:38 | |
There is a bit of interest to it, | 0:32:38 | 0:32:40 | |
but, actually, as an instrument, it's what I'd call brand-spankers, yes? | 0:32:40 | 0:32:43 | |
Well, it has got a little age to it, not a huge amount, | 0:32:43 | 0:32:46 | |
but it's a nicely made thing, it's got its maker's label inside. | 0:32:46 | 0:32:49 | |
I've put a conservative estimate of £20-£30 on it | 0:32:49 | 0:32:52 | |
-as a bit of a fun thing. -Ouch! | 0:32:52 | 0:32:53 | |
-Oh, no, what's happened? -You've hit the wrong note there! -No, why?! | 0:32:53 | 0:32:56 | |
You need to sharpen up your plectrum. | 0:32:56 | 0:32:58 | |
-Really? -Yeah, cos £80 is the purchase price. -Gosh. | 0:32:58 | 0:33:01 | |
Depending on how the guitar goes will depend on whether the team | 0:33:01 | 0:33:05 | |
need the bonus buy, so let's go and have a look at it. | 0:33:05 | 0:33:08 | |
This is fun, isn't it? | 0:33:08 | 0:33:10 | |
Have you any idea what Richard has spent your £150 of leftover lolly on? | 0:33:10 | 0:33:14 | |
-BOTH: -Absolutely no idea. | 0:33:14 | 0:33:16 | |
Well, all I can say is it's a big one, Richard. | 0:33:16 | 0:33:19 | |
-It is a big one. -You'd better show us what you got. | 0:33:19 | 0:33:21 | |
Well... | 0:33:21 | 0:33:23 | |
I had to buy you something... | 0:33:23 | 0:33:24 | |
-Wow! That's amazing. -Oh, yes! -Very good. | 0:33:24 | 0:33:28 | |
-..that might just remind you of your travels. -Absolutely. -Indeed! | 0:33:28 | 0:33:31 | |
I know this one is not as old as we might like it to be, | 0:33:31 | 0:33:36 | |
but the price, in my opinion, was a real deal. | 0:33:36 | 0:33:39 | |
The price was...? | 0:33:39 | 0:33:41 | |
-£15. -I like it. | 0:33:41 | 0:33:43 | |
Stylistically, from a distance, | 0:33:43 | 0:33:45 | |
it looks old and I do think at that sort of price, | 0:33:45 | 0:33:49 | |
we could be doubling our money. | 0:33:49 | 0:33:50 | |
-Oh, it's heavier than I thought. -Ah! | 0:33:52 | 0:33:56 | |
-It is nice. -Mm, very good. | 0:33:56 | 0:33:57 | |
-Alan, we could pick all the places we've been to in the world. -Indeed. | 0:33:57 | 0:34:00 | |
Fantastic. | 0:34:00 | 0:34:02 | |
Yes, I have a really good feel for this. | 0:34:02 | 0:34:04 | |
-Are you happy, guys? -Absolutely. | 0:34:04 | 0:34:05 | |
I don't know when I've seen a happier couple. | 0:34:05 | 0:34:07 | |
Why don't we find out what our happy auctioneer | 0:34:07 | 0:34:10 | |
thinks about the happy old globe? | 0:34:10 | 0:34:13 | |
Well, Christina, the world is your oyster, here in Whitchurch. | 0:34:13 | 0:34:17 | |
Which is about th... Oh, no, that's the Pacific. | 0:34:17 | 0:34:19 | |
-I've got America over here. -Have you? | 0:34:19 | 0:34:21 | |
So how do you rate this thing? | 0:34:21 | 0:34:23 | |
Well, I think I've got socks in my sock drawer that might be | 0:34:23 | 0:34:27 | |
a little bit older than it, sadly. | 0:34:27 | 0:34:29 | |
Doesn't have a huge amount of age to it, | 0:34:29 | 0:34:31 | |
but it has been sitting in someone's window for a while, | 0:34:31 | 0:34:33 | |
because we've got sun fading around Europe, Russia, India, | 0:34:33 | 0:34:37 | |
and then we get back to a normal colour over there. | 0:34:37 | 0:34:39 | |
So you think the normal colour's brown | 0:34:39 | 0:34:41 | |
-and that kind of beige business is fading? -Yes, look. -Yes. | 0:34:41 | 0:34:45 | |
It's a nice decorative thing. | 0:34:45 | 0:34:48 | |
Ricardo bought it, he knows what he's up to - £15 he paid. | 0:34:48 | 0:34:50 | |
Perfect. We've put £15-£20 on it as a decorative thing. | 0:34:50 | 0:34:53 | |
They could double their money easily, if they decide to go with it. | 0:34:53 | 0:34:56 | |
Let's hope we've got some budding geographers. | 0:34:56 | 0:34:59 | |
-You'll know, because you're taking the sale, right? -Indeed. | 0:34:59 | 0:35:02 | |
Indeed, what bliss. | 0:35:02 | 0:35:03 | |
£100. | 0:35:05 | 0:35:06 | |
110, 120. | 0:35:06 | 0:35:08 | |
At £130. | 0:35:08 | 0:35:09 | |
-How are you feeling? -Nervous, but really excited! | 0:35:11 | 0:35:13 | |
-Are you? -Yeah. -What about you, Petey? | 0:35:13 | 0:35:15 | |
Yes, I'm nervous as well! | 0:35:15 | 0:35:16 | |
That's cos you're going to be in trouble. | 0:35:16 | 0:35:19 | |
I'll be the one in trouble. | 0:35:19 | 0:35:20 | |
You spent the most money, so... | 0:35:20 | 0:35:22 | |
You were so brave before too. | 0:35:22 | 0:35:24 | |
Anyway, there we are. | 0:35:24 | 0:35:25 | |
We're on the edge of the auction, which is so much fun. | 0:35:25 | 0:35:27 | |
-Let's be positive. -OK. | 0:35:27 | 0:35:29 | |
Let's go with the vanity case, and here it comes. | 0:35:29 | 0:35:31 | |
Lot 50 now, here we are. | 0:35:31 | 0:35:33 | |
This little travel vanity case here, really rather sweet example, | 0:35:33 | 0:35:36 | |
a Sirram one. | 0:35:36 | 0:35:37 | |
Bid me £10 for it, | 0:35:37 | 0:35:38 | |
-£10 for the Sirram travel vanity case. -Please! | 0:35:38 | 0:35:41 | |
Can't be bad at £10. | 0:35:41 | 0:35:42 | |
10 is bid, thank you, madam. | 0:35:42 | 0:35:44 | |
At £10 standing, at £10. Looking for 12 now. | 0:35:44 | 0:35:46 | |
-You're all done... -Come on! -..I will sell, make no mistake, | 0:35:46 | 0:35:49 | |
if we're all done at £10... | 0:35:49 | 0:35:51 | |
Uh-oh! SARAH-JANE GROANS | 0:35:52 | 0:35:55 | |
That's not so hot. | 0:35:55 | 0:35:56 | |
-Sarah-Jane, £10. -I thought they were lovely as well. | 0:35:56 | 0:35:58 | |
Minus £10 on that, but don't despair. | 0:35:58 | 0:36:01 | |
This cut-glass and EPNS salad bowl and servers. Bid me £20 on it. | 0:36:01 | 0:36:05 | |
-At £20. 15, then, surely, on this. At £15. Where's 15? -Uh-oh. | 0:36:05 | 0:36:10 | |
At £15. No, no interest in this? My goodness. | 0:36:10 | 0:36:13 | |
Ten, then. | 0:36:13 | 0:36:14 | |
-Ten is bid, he's there straightaway. -Yay! -Thank you, sir, at £10. | 0:36:14 | 0:36:18 | |
Where's 12? | 0:36:18 | 0:36:19 | |
15 against you, sir, online. | 0:36:19 | 0:36:21 | |
-20 is bid. -He's a nice man. -Where's five? | 0:36:21 | 0:36:25 | |
At £20 with you, then, sir. At £20. | 0:36:25 | 0:36:28 | |
-Ah, well done, £20, safe. -Thank you! -Very good. | 0:36:28 | 0:36:32 | |
Bit of healthy eating here in Whitchurch. | 0:36:32 | 0:36:34 | |
Now, here we go, here comes the jewellery box. | 0:36:34 | 0:36:36 | |
This really rather lovely little Edwardian silver jewellery box, | 0:36:36 | 0:36:39 | |
the William Commons example. | 0:36:39 | 0:36:41 | |
You'll be in the doghouse... | 0:36:41 | 0:36:42 | |
-At £45 here. At 45. -Come on! -With me, internet. | 0:36:42 | 0:36:48 | |
50, 55 with me. | 0:36:48 | 0:36:50 | |
60 is bid online, 65. My commission bidder, looking for 70 now. | 0:36:50 | 0:36:54 | |
-I can see you hovering. 70... -Yeah! -They're all there. | 0:36:54 | 0:36:57 | |
At £75, internet bidder clears my commission bids at £75 | 0:36:57 | 0:37:01 | |
and 80 I have. | 0:37:01 | 0:37:02 | |
Thank you, internet bidder at £80. | 0:37:02 | 0:37:04 | |
Where's five now? | 0:37:04 | 0:37:05 | |
85 is bid. | 0:37:05 | 0:37:06 | |
Climbing and climbing at £85. | 0:37:06 | 0:37:08 | |
If we're all done, then, selling to the internet at £85. | 0:37:08 | 0:37:12 | |
85. | 0:37:12 | 0:37:14 | |
So that's minus 45. | 0:37:14 | 0:37:16 | |
Minus 45, minus ten, is minus 55, | 0:37:16 | 0:37:19 | |
-so the big decision now is the necklace. -Well, I love that necklace. | 0:37:19 | 0:37:24 | |
-I think we go with... -You've got to make up your own mind. | 0:37:24 | 0:37:28 | |
-Definitely, I think we go. -All right, then. | 0:37:28 | 0:37:30 | |
-Going to go with the bonus buy? -Yes. | 0:37:30 | 0:37:32 | |
Have faith, because here comes the necklace. | 0:37:32 | 0:37:35 | |
Lot 56, a garnet-set, yellow-gold necklace, really pretty thing. | 0:37:35 | 0:37:39 | |
Stamped 14-carats. I've got interest here with me at 45. | 0:37:39 | 0:37:43 | |
-Come on, come on. -55. 60 here with me on commission., | 0:37:43 | 0:37:46 | |
Well done, Anita. | 0:37:46 | 0:37:48 | |
Looking for five now. | 0:37:48 | 0:37:49 | |
£60, here with me on commission at £60. | 0:37:49 | 0:37:52 | |
It's against you all to my commission bidder, | 0:37:52 | 0:37:54 | |
if you're all done at £60. | 0:37:54 | 0:37:57 | |
-Excellent. -Well done, thank you. -We made a little. | 0:37:57 | 0:37:59 | |
Thank you very much, that's brilliant. | 0:37:59 | 0:38:01 | |
£60 is plus £10, which means overall, you are minus £45. | 0:38:01 | 0:38:06 | |
Which is not so bad. | 0:38:06 | 0:38:08 | |
-It's a bit pants, isn't it? -Listen, it is not a bit pants. | 0:38:08 | 0:38:12 | |
Now, Mary, Alan, | 0:38:20 | 0:38:22 | |
-this is the moment, isn't it? -Absolutely! We're in it to win. | 0:38:22 | 0:38:25 | |
Are you nervy at all, Mary? | 0:38:25 | 0:38:27 | |
No. | 0:38:27 | 0:38:28 | |
Only because I'm standing beside you, | 0:38:28 | 0:38:30 | |
but no, I'm not a bit nervous at all. | 0:38:30 | 0:38:31 | |
You'll be safe, I promise you. | 0:38:31 | 0:38:34 | |
Your first item is the stained pine rustic cradle and here it comes. | 0:38:34 | 0:38:38 | |
Lot 71 is the late 19th/early 20th century doll's cradle. | 0:38:38 | 0:38:42 | |
Lovely little thing. Bid me £10 for it. | 0:38:42 | 0:38:45 | |
Who's got a daughter or a granddaughter that needs a cradle? | 0:38:45 | 0:38:48 | |
Surely someone. | 0:38:48 | 0:38:50 | |
Five, then. Bid me five. | 0:38:50 | 0:38:52 | |
Oh, go on, someone, where's £5? | 0:38:52 | 0:38:54 | |
-Where's £5. Thank you, sir. -No! -Eight, sir? | 0:38:54 | 0:38:57 | |
Eight against you, sir. Ten? Ten is bid. | 0:38:57 | 0:39:00 | |
£12, are we all done? Looking for 15 now. | 0:39:00 | 0:39:03 | |
I've got 12 and I will sell at £12. | 0:39:03 | 0:39:06 | |
£12 is minus £8. | 0:39:07 | 0:39:09 | |
Just a bit light there. | 0:39:09 | 0:39:11 | |
Here comes the Delphis bowl. | 0:39:11 | 0:39:13 | |
The Poole pottery, beautiful glazed colours there. | 0:39:13 | 0:39:16 | |
Your reputation's on the line now, Richard. | 0:39:16 | 0:39:17 | |
This is mine, I guess. | 0:39:17 | 0:39:19 | |
£20 for the Delphis, bid me 20, someone. | 0:39:19 | 0:39:21 | |
Ten, then. | 0:39:21 | 0:39:22 | |
£10. 10. | 0:39:22 | 0:39:24 | |
12, 15. | 0:39:24 | 0:39:26 | |
18, 20. And five. | 0:39:26 | 0:39:29 | |
At 25 here, sir. 30. | 0:39:29 | 0:39:31 | |
Against you, sir. And five. | 0:39:31 | 0:39:33 | |
40 with you, sir. Go five? | 0:39:33 | 0:39:35 | |
-Are you sure? -I'm sure. | 0:39:35 | 0:39:36 | |
Don't miss it for a bid. | 0:39:36 | 0:39:38 | |
-At £40 I have. -£40, Richard. It's going off. | 0:39:38 | 0:39:41 | |
It's £40, 45 online. | 0:39:41 | 0:39:43 | |
45 online! | 0:39:43 | 0:39:44 | |
And 50 is bid, at 50 here. Where's five? | 0:39:44 | 0:39:47 | |
At £50. Come on, internet. | 0:39:47 | 0:39:49 | |
-55, there he is. -55! -55! | 0:39:49 | 0:39:52 | |
And 60 is bid, thank you, at £60. Where's five? | 0:39:52 | 0:39:55 | |
At £60, I have. | 0:39:55 | 0:39:57 | |
65 online, sir. 70? | 0:39:57 | 0:39:59 | |
70 is bid. Where's five? | 0:39:59 | 0:40:01 | |
At £70 I have, in the room, at £70, all done. | 0:40:01 | 0:40:05 | |
£70 is plus £20. Well done, Richard. | 0:40:05 | 0:40:09 | |
Perfect, which means you're plus 12. | 0:40:09 | 0:40:11 | |
-Now, moving on, here comes the guitar. -The guitar! | 0:40:11 | 0:40:14 | |
Here comes the guitar. | 0:40:14 | 0:40:15 | |
Hello, stand by. | 0:40:15 | 0:40:17 | |
The Melodija guitar. | 0:40:17 | 0:40:19 | |
A Slovenia guitar, there it is. | 0:40:19 | 0:40:21 | |
Put me in £20, someone, £20 for the guitar. | 0:40:21 | 0:40:24 | |
Have we got any budding musicians? | 0:40:24 | 0:40:25 | |
£20 straight away, it's climbing. 25, 30. | 0:40:25 | 0:40:28 | |
Where's five? | 0:40:28 | 0:40:29 | |
35 and 40. Where's five? | 0:40:29 | 0:40:31 | |
-Yes! -45. | 0:40:31 | 0:40:32 | |
At £45 I have. And 50 now. | 0:40:32 | 0:40:35 | |
Seems to have plateaued at £50. I'm looking for five. | 0:40:35 | 0:40:38 | |
It's against you all at £50 online. If we're all done at 50... | 0:40:38 | 0:40:43 | |
£50 is minus £30. You were plus £12, | 0:40:43 | 0:40:47 | |
which means you are now minus £18. | 0:40:47 | 0:40:52 | |
Well, that is bad luck, isn't it? | 0:40:52 | 0:40:54 | |
-What a rollercoaster, hey? -Absolutely. | 0:40:54 | 0:40:56 | |
I'm feeling quite gippy myself. | 0:40:56 | 0:40:58 | |
-What are we going to do about this globe business? -We're going for it. | 0:40:58 | 0:41:02 | |
We're going for it. | 0:41:02 | 0:41:03 | |
The only profit that's been made so far has come from Richard | 0:41:03 | 0:41:06 | |
out of the Poole pottery bowl, | 0:41:06 | 0:41:08 | |
so we've got to trust the man, haven't we? | 0:41:08 | 0:41:10 | |
-I do trust him. -Absolutely. -Exactly. | 0:41:10 | 0:41:12 | |
-Trust me! -You're such an old pro. | 0:41:12 | 0:41:14 | |
Anyway, we're going to go with the globe. | 0:41:14 | 0:41:16 | |
Here it is with a silver metal meridian. | 0:41:16 | 0:41:18 | |
Lot 77, £15, here with me on commission at £15. | 0:41:18 | 0:41:22 | |
With me at £15. | 0:41:22 | 0:41:23 | |
Looking for 18 now, and 18, 20. | 0:41:23 | 0:41:27 | |
22, I'm out. At £22 with you, sir. Against you, internet, at 22. | 0:41:27 | 0:41:31 | |
Looking for 25 now. | 0:41:31 | 0:41:33 | |
Where's 25? | 0:41:33 | 0:41:34 | |
25 is bid online. And 30. | 0:41:34 | 0:41:37 | |
At £30 I have, front row at £30. | 0:41:37 | 0:41:39 | |
Where's five? | 0:41:39 | 0:41:40 | |
Against you, internet, it's at £30. Are we all done, then? | 0:41:40 | 0:41:43 | |
Selling to the room at £30. | 0:41:43 | 0:41:45 | |
£30 is plus £15, | 0:41:47 | 0:41:49 | |
which came within a whisker of wiping everything. | 0:41:49 | 0:41:53 | |
-You are only now minus £3. Isn't that ridiculous? -Yes! | 0:41:53 | 0:41:56 | |
-Mwah! -Oh! | 0:41:57 | 0:41:58 | |
Well, guys, have you been chatting at all? | 0:42:06 | 0:42:08 | |
-ALL: -No! | 0:42:08 | 0:42:09 | |
Good, well, my job is now to reveal the scores and it's no secret | 0:42:09 | 0:42:12 | |
that neither team is going home with folding money today. | 0:42:12 | 0:42:14 | |
-ALL: -Aww! | 0:42:14 | 0:42:16 | |
There are no profits to dosh out. | 0:42:16 | 0:42:18 | |
It's just a question of the scale of the losses | 0:42:18 | 0:42:20 | |
and I'm afraid the team with the largest loss is... | 0:42:20 | 0:42:23 | |
-the Reds. REDS: -Aww! | 0:42:23 | 0:42:25 | |
Minus £45 is the score. | 0:42:27 | 0:42:30 | |
Helped, I must say, enormously, by Anita's profit on her bonus buy, | 0:42:31 | 0:42:35 | |
so, well done for that, Anita. | 0:42:35 | 0:42:36 | |
-But I hope you've had a good time. -Oh, it was fab, such fun, thank you. | 0:42:36 | 0:42:39 | |
Yeah, well, thank you for coming and playing with us, | 0:42:39 | 0:42:42 | |
and thank you, Anita, for your lovely contribution, | 0:42:42 | 0:42:45 | |
but the victors today, who win by only losing £3... | 0:42:45 | 0:42:47 | |
How about that? | 0:42:47 | 0:42:50 | |
Better score. I have to say the Poole bowl did jolly well. | 0:42:50 | 0:42:53 | |
Well done, Richard, for finding that at £20. | 0:42:53 | 0:42:56 | |
Overall score of minus £3 and you are the victors today. | 0:42:56 | 0:42:59 | |
-Thank you. -What can we say? -Such fun. -Wonderful. | 0:42:59 | 0:43:01 | |
Why don't you have a gander at our website and join us soon | 0:43:01 | 0:43:05 | |
for some more bargain hunting, yes? | 0:43:05 | 0:43:07 | |
-ALL: -Yes! | 0:43:07 | 0:43:09 |