Browse content similar to Norfolk 25. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We finally made it to the Norfolk Antiques Fair. | 0:00:26 | 0:00:29 | |
Will it be plain sailing for our teams? | 0:00:30 | 0:00:33 | |
Let's meet our Bargain Hunters. | 0:00:33 | 0:00:35 | |
So we're joined by two teams of friends. | 0:00:35 | 0:00:38 | |
In red, we've got Paula and Lisa. In blue, we've got Stephen and John. | 0:00:38 | 0:00:41 | |
Hello. ALL: Hello! | 0:00:41 | 0:00:43 | |
Now, Paula, I understand you're a whizz with the camera. Is that true? | 0:00:43 | 0:00:48 | |
It is my job, yes. I am a freelance photographer. | 0:00:48 | 0:00:51 | |
What does that really involve? | 0:00:51 | 0:00:52 | |
Graduations, holding the scroll, school photography, | 0:00:52 | 0:00:56 | |
little bit of weddings, that kind of thing. | 0:00:56 | 0:00:59 | |
Are you a keen Bargain Hunter? Are you a collector? I like trains. | 0:00:59 | 0:01:04 | |
I love steam trains. I am going to build my own model railway village. | 0:01:04 | 0:01:08 | |
Now, Lisa, you've got a relationship with trains, haven't you? Yes. | 0:01:08 | 0:01:11 | |
Before I was married and had my children, I worked for Eurostar. | 0:01:11 | 0:01:16 | |
God, that must have been really fun. It was brilliant. | 0:01:16 | 0:01:19 | |
It was really good fun. | 0:01:19 | 0:01:20 | |
How are you going to cope with the shopping today? | 0:01:20 | 0:01:22 | |
Lisa's in charge of the money, cos she's Mum. | 0:01:22 | 0:01:24 | |
As long as she doesn't go too cheap and rubbish, we'll be fine. | 0:01:24 | 0:01:27 | |
And you must listen to your expert. Yes. We must, exactly. | 0:01:27 | 0:01:30 | |
Absolutely, yeah, yeah. Now to the Blues. Stephen and John. Hello. | 0:01:30 | 0:01:33 | |
Hello. Now, Stephen, you were a teacher. | 0:01:33 | 0:01:36 | |
What did you teach? I taught geography, history, RE and English. | 0:01:36 | 0:01:41 | |
What was your favourite subject? I'd have to say RE. | 0:01:41 | 0:01:43 | |
I was head of department for a while. Really? Yeah. | 0:01:43 | 0:01:46 | |
I am technically a reverend. Are you? Yeah. I, um... I know! | 0:01:46 | 0:01:50 | |
I went online and I became a minister | 0:01:50 | 0:01:54 | |
of the Universal Life Church of Modesto, California. | 0:01:54 | 0:01:57 | |
John, you are partially sighted. | 0:01:57 | 0:01:59 | |
How's that going to work with the shopping today? | 0:01:59 | 0:02:01 | |
If I can get the light in right, I can see a little bit. | 0:02:01 | 0:02:05 | |
Obviously, I've got to rely on him to give me some direction. | 0:02:05 | 0:02:09 | |
But he's not to be trusted most of the time! I wouldn't trust him! | 0:02:09 | 0:02:13 | |
Although he's told us he's a reverend. Yeah, well... | 0:02:13 | 0:02:16 | |
THEY LAUGH | 0:02:16 | 0:02:17 | |
I think that speaks volumes, doesn't it, really? | 0:02:17 | 0:02:19 | |
So I'd better give you some money, then. Please. Here you are. | 0:02:19 | 0:02:22 | |
There's ?300. Thank you very much. | 0:02:22 | 0:02:24 | |
Give it to the reverend. | 0:02:24 | 0:02:25 | |
The reverend, there's ?300 for you. Thank you very much. Off you go. | 0:02:25 | 0:02:28 | |
Your experts await and good luck! Thank you. | 0:02:28 | 0:02:31 | |
I can't wait to see how our pair of friends do today. | 0:02:31 | 0:02:34 | |
So let's meet our experts. | 0:02:34 | 0:02:36 | |
He'll think outside the box. Nick Hall teams up with the Reds. | 0:02:38 | 0:02:42 | |
And she'll steer the Blues in the right direction. | 0:02:43 | 0:02:46 | |
SHE BEEPS HORN It's Natasha Raskin. | 0:02:46 | 0:02:47 | |
So, ladies, what are we looking for today? | 0:02:49 | 0:02:52 | |
Well, for me, I think it will be jewellery. | 0:02:52 | 0:02:54 | |
I would say glass, but I'm very clumsy | 0:02:54 | 0:02:57 | |
so that's not a very good idea, is it? | 0:02:57 | 0:03:00 | |
And? Silver and glassware. | 0:03:00 | 0:03:02 | |
I'm calling you John and Stephen but is that what you call one another? | 0:03:02 | 0:03:05 | |
This is Moggs. Moggs, nice to meet you. Hello, Moggs. And who are you? | 0:03:05 | 0:03:09 | |
I'm Woody. Well, Woody and Moggs, follow me. | 0:03:09 | 0:03:12 | |
They're out of the traps | 0:03:12 | 0:03:13 | |
and they're off and their 60 minutes starts now. | 0:03:13 | 0:03:15 | |
BARKING | 0:03:15 | 0:03:16 | |
Follow me. Let's go find some bargains. | 0:03:16 | 0:03:19 | |
Excellent. Come on. Let's shop. | 0:03:19 | 0:03:20 | |
OK. We're on the clock. | 0:03:21 | 0:03:23 | |
John, we are right at the tip of the fair here. No, sorry, I said John. | 0:03:23 | 0:03:26 | |
Moggs. Moggs. Moggs. | 0:03:26 | 0:03:28 | |
Crikey! Oh, wow! Wow! Where are we going to start? Where do we start? | 0:03:29 | 0:03:33 | |
Oh, gosh. Well, where do we start? Well, the answer is the beginning. | 0:03:33 | 0:03:37 | |
Which is here. Come on. Straight down here. Right, OK. | 0:03:37 | 0:03:40 | |
We'll go for it. Serious looking, serious buying. Come on. | 0:03:40 | 0:03:43 | |
That Chinese charger on the back there. | 0:03:45 | 0:03:47 | |
First thoughts? | 0:03:47 | 0:03:49 | |
Um... It's got a nice colour. Oh, yeah? Yeah, I agree with you there. | 0:03:49 | 0:03:52 | |
What I can tell you is it's bang on trend at the minute. Yeah. | 0:03:52 | 0:03:55 | |
Yeah, it is, isn't it? It's Chinese famille rose porcelain from Canton. | 0:03:55 | 0:03:59 | |
It's got a bit of age about it | 0:03:59 | 0:04:01 | |
and it's just what the Asian market wants. | 0:04:01 | 0:04:03 | |
But let's have a closer look at it. OK. | 0:04:03 | 0:04:05 | |
It's been through the wars, I think. | 0:04:05 | 0:04:08 | |
It's cracked from the top going all the way... Where? | 0:04:08 | 0:04:10 | |
Oh, gosh. Yeah, you're right. | 0:04:10 | 0:04:11 | |
Does that massively affect the value? | 0:04:11 | 0:04:13 | |
I'm assuming it obviously does affect the value, but how much? | 0:04:13 | 0:04:16 | |
Depends on how rare the object is. OK. | 0:04:16 | 0:04:19 | |
If it's something incredibly rare, the damage is less important. | 0:04:19 | 0:04:22 | |
If there's lots of these things around, they're not so rare, | 0:04:22 | 0:04:24 | |
the damage is all-important. | 0:04:24 | 0:04:26 | |
So let's have a look. I mean, the first thing is the price, OK? | 0:04:26 | 0:04:29 | |
It's ?79. That's obviously reflected because there is damage in there. | 0:04:29 | 0:04:33 | |
Because there is damage, yeah. Absolutely. | 0:04:33 | 0:04:35 | |
But you've got this lovely array of figures here. | 0:04:35 | 0:04:37 | |
Oh, gosh. Look, though. Oh, my! | 0:04:37 | 0:04:39 | |
I mean, the nice thing is that these rivets... | 0:04:39 | 0:04:42 | |
You know, they're 100 years old. Wow! | 0:04:42 | 0:04:46 | |
So yes, the damage is a problem... | 0:04:46 | 0:04:48 | |
What would you expect us to make on that, dependent on the price we get? | 0:04:48 | 0:04:51 | |
Well, if it wasn't damaged, | 0:04:51 | 0:04:52 | |
I'd have said it's going to make a couple of hundred pounds. Yeah. | 0:04:52 | 0:04:55 | |
With damage, maybe ?50-80. Yeah, I see that. | 0:04:55 | 0:04:58 | |
We're not a million miles off the ticket price. No. | 0:04:58 | 0:05:01 | |
I like it, because it's something different that we wouldn't | 0:05:01 | 0:05:03 | |
have picked, would we? Let me see what the best price is and then... | 0:05:03 | 0:05:06 | |
Yeah, yeah. I think some negotiation, yeah. | 0:05:06 | 0:05:08 | |
Why don't you have a look at that? I'll go and see if I can track down | 0:05:08 | 0:05:11 | |
the stallholder and check the prices. It's quite heavy. | 0:05:11 | 0:05:13 | |
I'll come back with an update. OK. Thank you. Excellent. Thank you | 0:05:13 | 0:05:16 | |
It is lovely, isn't it? | 0:05:16 | 0:05:18 | |
The more you look at it, the more you see in detail. | 0:05:18 | 0:05:20 | |
It's quite pretty. But will the price be as attractive? | 0:05:20 | 0:05:24 | |
?60 is the absolute death on it. OK. OK. Why not? | 0:05:24 | 0:05:27 | |
I think let's go for it. Really? Let's go for it. | 0:05:27 | 0:05:30 | |
A ?60 Chinese takeaway. Oh! | 0:05:30 | 0:05:33 | |
Now, is there any sign of the Blues splashing some cash? | 0:05:33 | 0:05:37 | |
Hold on, Woody's picked up a vintage tape measure. | 0:05:37 | 0:05:39 | |
OK, does this appeal to the geography teacher in you? | 0:05:39 | 0:05:41 | |
That's only eight quid. | 0:05:41 | 0:05:44 | |
I don't know. It's a really tactile item. Have a fondle. | 0:05:44 | 0:05:47 | |
You see that little hook that you've got in your left hand... Oh! | 0:05:47 | 0:05:50 | |
..if you pull on that, that becomes the tape. My Dad had one like this. | 0:05:50 | 0:05:54 | |
Don't pull it too hard, you might snap it. | 0:05:54 | 0:05:56 | |
Yes. I'll let you have that back, shall I? Just in case! | 0:05:56 | 0:05:59 | |
What does it say on it? Something to do with lawn tennis. | 0:05:59 | 0:06:02 | |
Yeah, lawn tennis. Lawn tennis measure. | 0:06:02 | 0:06:04 | |
So, a lawn tennis measure... And if you look here, carefully, you can | 0:06:04 | 0:06:08 | |
actually see the lengths for the service line. | 0:06:08 | 0:06:11 | |
42ft. Oh! | 0:06:11 | 0:06:13 | |
That's having a go from just being a vintage tape measure to | 0:06:13 | 0:06:16 | |
actually being a piece of sports equipment. | 0:06:16 | 0:06:19 | |
OK, shall we ask about it? Yeah. | 0:06:19 | 0:06:22 | |
Hello, sir. Good morning. | 0:06:22 | 0:06:24 | |
Good morning, sir. Seven's the best. Seven's the best. | 0:06:24 | 0:06:27 | |
OK. Well, if an auction house catalogues that correctly, | 0:06:27 | 0:06:30 | |
then I think it could get a little bit of interest. | 0:06:30 | 0:06:32 | |
Do you want to go for it, then? I think it might only make three quid. | 0:06:32 | 0:06:35 | |
We've got to give Natasha a chance to get us this Golden Gavel. | 0:06:35 | 0:06:38 | |
We have, yeah. No pressure, Tash! | 0:06:38 | 0:06:41 | |
Are you up for it? Yeah, we'll go for that. OK. | 0:06:41 | 0:06:43 | |
Go for it. We're in consensus. Thank you very much. Thank you, sir. | 0:06:43 | 0:06:47 | |
That's game, set and match on the tape measure. | 0:06:47 | 0:06:50 | |
Something has caught my eye. Oh, right. | 0:06:51 | 0:06:54 | |
This fantastic Art Deco fireside set. | 0:06:54 | 0:06:57 | |
I know you both like a bit of Art Deco. I do like Art Deco. Yeah. | 0:06:57 | 0:07:00 | |
I love it. And the back... Look, if I just spin him round, you'll see what I mean. | 0:07:00 | 0:07:04 | |
I do like him. Do you like him? I do. | 0:07:04 | 0:07:06 | |
I think that is... He's cute, isn't he? | 0:07:06 | 0:07:09 | |
People love dogs. Well, they do. And people have fires. | 0:07:09 | 0:07:12 | |
People have a lot of fires. It's ticking a few boxes, isn't it? | 0:07:12 | 0:07:15 | |
On the back, it's got the tongs and the brush and all that malarkey. | 0:07:15 | 0:07:19 | |
Oh, I see. And how much is this? | 0:07:19 | 0:07:21 | |
Well, it's starting at ?45. | 0:07:21 | 0:07:23 | |
I say "starting", cos everything's negotiable in this place. He's heavy, isn't he? It is weighty. | 0:07:23 | 0:07:28 | |
I'm not going to hold him. Cos I'll drop him. | 0:07:28 | 0:07:31 | |
It's useful as well. Yeah. Dogs sell. | 0:07:31 | 0:07:33 | |
I think we'll go and... I think we'll negotiate. | 0:07:33 | 0:07:36 | |
Go and ask the question and be tough. Negotiate! | 0:07:36 | 0:07:39 | |
Get that price down! Come on! She's scary. | 0:07:39 | 0:07:42 | |
Get the bit between your teeth, like a dog with a bone. Go on! | 0:07:42 | 0:07:45 | |
I don't know. These girls are pussycats, Nick. | 0:07:45 | 0:07:48 | |
What's going on? We haven't got time. 35. What do you think? | 0:07:48 | 0:07:51 | |
?35. Do you like it? I think we should go for it. Right, sold. | 0:07:51 | 0:07:55 | |
Shake the lady's hand. Thank you. | 0:07:55 | 0:07:57 | |
Cracking job, Reds. That's two buys down with 25 minutes to go. | 0:07:57 | 0:08:02 | |
The Blues are still after their second buy | 0:08:02 | 0:08:04 | |
and they're thirsty for a bargain! | 0:08:04 | 0:08:07 | |
Maybe this lemonade set will do the trick. | 0:08:07 | 0:08:10 | |
It's got a label on it here. | 0:08:10 | 0:08:12 | |
We've got Ceramique De Vallauris and it's Fait Main, | 0:08:12 | 0:08:15 | |
which means made by hand. | 0:08:15 | 0:08:17 | |
What you've got, John, is you've got little hand-thrown drinking cups | 0:08:17 | 0:08:20 | |
that are quite tall actually, kind of beakers with handles. | 0:08:20 | 0:08:24 | |
And they've got a border in flaming orange and a sort of mottled body. | 0:08:24 | 0:08:28 | |
But it's all very attractive. | 0:08:28 | 0:08:30 | |
The gentleman is just whispering in our ears that this has a Picasso | 0:08:30 | 0:08:33 | |
connection, because this Ceramique De Vallauris are the company | 0:08:33 | 0:08:37 | |
that threw the designs made by Picasso. | 0:08:37 | 0:08:42 | |
Ooh, la-la! | 0:08:42 | 0:08:44 | |
Probably a sort of 1960s, 1970s piece, thrown, | 0:08:44 | 0:08:47 | |
and each piece marked at the base, embossed at the bottom, Vallauris. | 0:08:47 | 0:08:52 | |
So we can say this is the real McCoy. | 0:08:52 | 0:08:55 | |
Excellent. Do we have a price tag on that? We don't. | 0:08:55 | 0:08:58 | |
Now, with that kind of Picasso connection, it's probably not going to come too cheap. | 0:08:58 | 0:09:02 | |
But here we are, on the clock, shall we ask? | 0:09:02 | 0:09:04 | |
Moggs, if you do a sort of a 180, you will be facing our stallholder. | 0:09:04 | 0:09:08 | |
And you might want to ask him. Have you got a price on this? | 0:09:08 | 0:09:11 | |
There's a ticket on it. | 0:09:11 | 0:09:13 | |
Oh, is there? Yeah, 175. How did we not see that label? | 0:09:13 | 0:09:17 | |
We're not keeping our eyes peeled here. | 0:09:17 | 0:09:20 | |
I think I saw it. But we can... | 0:09:20 | 0:09:23 | |
I can do 145 for you. | 0:09:23 | 0:09:24 | |
There it is. 145. That's as far as you'd go, is it? 145? | 0:09:24 | 0:09:28 | |
OK, put your value in here, then. | 0:09:28 | 0:09:30 | |
140. 140. | 0:09:30 | 0:09:32 | |
140. Shall we do it? | 0:09:32 | 0:09:34 | |
Time ticks on. | 0:09:34 | 0:09:35 | |
Try for 135. | 0:09:35 | 0:09:38 | |
Would you do it for 135? Yeah. | 0:09:38 | 0:09:41 | |
I should have gone for 125! | 0:09:41 | 0:09:44 | |
What do you think? Yeah. Yeah, 135, then? | 0:09:44 | 0:09:48 | |
That's brilliant. Thank you. | 0:09:48 | 0:09:51 | |
Well, I tell you what, it's always nice to have something eye-catching. | 0:09:51 | 0:09:54 | |
Both teams have two items and 15 minutes to get their last lot. | 0:09:55 | 0:09:59 | |
We're agreeing far too much, Paula. I know, we need to have a row here. | 0:10:02 | 0:10:07 | |
OK, so do you have any idea what this is, first of all? | 0:10:07 | 0:10:09 | |
I think it's for winding something like wool. That's a good shout, actually. | 0:10:09 | 0:10:13 | |
You might want to get your hand in here, we've got so many different elements to this. | 0:10:13 | 0:10:17 | |
We've got a sort of a water wheel effect going around, we've got | 0:10:17 | 0:10:20 | |
a handle crank, we've got a gauge, we've got a bell, | 0:10:20 | 0:10:23 | |
we have got all sorts going on here, all on top of a large wooden stand. | 0:10:23 | 0:10:27 | |
It's a bit of a hefty piece, to be honest with you. | 0:10:27 | 0:10:30 | |
Which could mean a whopping price tag. Hello, sir. | 0:10:30 | 0:10:33 | |
It's a hefty piece! It's a hefty piece. | 0:10:33 | 0:10:35 | |
Well, that's what we call them in Scotland, not wool winders, a hefty piece. | 0:10:35 | 0:10:39 | |
Is that what it is, a wool winder? It is. Woody, you know your stuff. | 0:10:39 | 0:10:43 | |
OK, so, what's the price on it? | 0:10:43 | 0:10:46 | |
95. ?95. | 0:10:46 | 0:10:47 | |
OK. Any movement on that? | 0:10:47 | 0:10:50 | |
A little bit. They're quite keen. | 0:10:50 | 0:10:53 | |
OK, I would say it's probably 40-60, 50-80, something like that, | 0:10:53 | 0:10:56 | |
and 50-80, I think, is probably the top end of it. | 0:10:56 | 0:10:59 | |
It's not a collector's item, is it? I'd collect it! I think so. I think so. Yeah, I'd have that. | 0:10:59 | 0:11:04 | |
75? | 0:11:04 | 0:11:05 | |
80. | 0:11:05 | 0:11:07 | |
I can't give it to you lower than 80. | 0:11:07 | 0:11:10 | |
Shall we put this gentleman out of his misery? Yeah. And say ?80. | 0:11:10 | 0:11:13 | |
Thank you. Thank you very much. Thank you. Thank you. | 0:11:13 | 0:11:17 | |
Thank you. Thank you. | 0:11:17 | 0:11:19 | |
Bravo, Blues! You've bagged the wool winder with five minutes to spare. | 0:11:19 | 0:11:23 | |
Well, there's no point stringing it out! | 0:11:23 | 0:11:26 | |
I think it's time to wind things down and go for a cup of tea. | 0:11:26 | 0:11:29 | |
What do you reckon? Or a pint. | 0:11:29 | 0:11:32 | |
Listen, grab on to your pal and let's go this way. | 0:11:32 | 0:11:34 | |
Nick, what have you found? Hello. | 0:11:36 | 0:11:38 | |
You thought I'd sneaked off for a crafty cup of tea, didn't you? | 0:11:38 | 0:11:42 | |
We thought you had, yeah. I'm working. I've spotted these teapots. | 0:11:42 | 0:11:45 | |
There's a whole load of them, they're all hand-painted. | 0:11:45 | 0:11:48 | |
I've just never heard of the artist. Linda Harker. It looks very modern. | 0:11:48 | 0:11:53 | |
Well, they are very modern, but they're good fun. | 0:11:53 | 0:11:55 | |
You could just see that in your kitchen. In your kitchen, yeah. | 0:11:55 | 0:11:58 | |
Quite easily. They're not expensive. How much is not expensive? | 0:11:58 | 0:12:02 | |
How much is not expensive? Well, ?22. | 0:12:02 | 0:12:04 | |
Now, I've had a chat with the stallholder. | 0:12:04 | 0:12:07 | |
That is the best price it can be. They were 28. | 0:12:07 | 0:12:10 | |
Yeah. Have you got hold of it? I've got it. | 0:12:10 | 0:12:12 | |
Hold it underneath it, not by the handle. | 0:12:12 | 0:12:14 | |
I think we should go for it. So do I. Because it's so mental. Tick-tock. So do I. Time is ticking. | 0:12:14 | 0:12:18 | |
Why not? You're going to go for it? Completely off... ?22, you sure? | 0:12:18 | 0:12:22 | |
Yeah. You're happy? Let's do it, yeah. We're going to finish with a brew. Yes! | 0:12:22 | 0:12:26 | |
I'll go and pay for it. You get the kettle on. Excellent. Let's do it. | 0:12:26 | 0:12:31 | |
Come in, teams. Come in, teams. Your 60 minutes is up. 60 minutes up. | 0:12:31 | 0:12:36 | |
Ladies, you were cool, calm and collected. How much did you spend? | 0:12:36 | 0:12:39 | |
?117. But you had a lot more! | 0:12:39 | 0:12:42 | |
I know. I know. It just didn't happen. Frugal, Thomas. | 0:12:42 | 0:12:46 | |
Frugal. Nick! | 0:12:46 | 0:12:47 | |
So, Paula, tell me, what's your favourite item? | 0:12:47 | 0:12:50 | |
My favourite, I would say, is the teapot, our third item. The teapot. | 0:12:50 | 0:12:54 | |
Yeah, surprisingly, cos it isn't an antique. | 0:12:54 | 0:12:56 | |
What is going to bring the biggest profit? | 0:12:56 | 0:12:59 | |
I think our second item. Our little fireside Scottie dog. I'm intrigued. | 0:12:59 | 0:13:03 | |
What about you, Lisa? I like the fireside Scottie dog | 0:13:03 | 0:13:06 | |
and I hope he will bring the biggest profit as well. So both of those? | 0:13:06 | 0:13:09 | |
Both of those. He's a cute little fella. So, who's got the money? | 0:13:09 | 0:13:12 | |
Oh, I've got the money. Not me. There you go. Look at all of this! I know! Way too much. | 0:13:12 | 0:13:17 | |
183 exactly. 183 exactly. | 0:13:17 | 0:13:19 | |
Yeah. Mm. Look at all that lovely lolly! It is, isn't it? What are you going to do with it? | 0:13:19 | 0:13:23 | |
I'm going to spend big. I hope you do! Good. | 0:13:23 | 0:13:26 | |
Teach these two a lesson! How it's done. Yeah, absolutely. | 0:13:26 | 0:13:30 | |
Stephen and John, a good shopping experience? Fantastic. | 0:13:30 | 0:13:34 | |
Brilliant, yeah. How much did you spend in total? ?222. | 0:13:34 | 0:13:38 | |
Natasha, well done! | 0:13:38 | 0:13:40 | |
So, Stephen, what's your favourite item? It's the wool winding machine. | 0:13:40 | 0:13:44 | |
What's going to bring the biggest profit? | 0:13:44 | 0:13:47 | |
I think it might be the tape measure! | 0:13:47 | 0:13:50 | |
The tape measure! John, how about you? | 0:13:50 | 0:13:52 | |
Well, I like the wool winding machine as well. | 0:13:52 | 0:13:55 | |
And I think that's going to go for a fortune, that is. Is that going to bring the biggest profit? | 0:13:55 | 0:13:59 | |
We're going to make an absolute bomb on that. I love the fact... | 0:13:59 | 0:14:02 | |
I love your confidence in that. | 0:14:02 | 0:14:04 | |
Does that mean you've got ?78 left? Yes, well done. Can I have it? | 0:14:04 | 0:14:08 | |
Yes, you can. Oh, is there? Thank you very much. | 0:14:08 | 0:14:11 | |
Natasha... Oh. | 0:14:11 | 0:14:12 | |
?78. Here it is. | 0:14:12 | 0:14:14 | |
I'm blessed. You are blessed. I am blessed. Don't waste it, girl. Oh. Well, waste it... | 0:14:14 | 0:14:19 | |
I don't know what on earth I'm going to do, Thomas. ?78 doesn't leave me very much. | 0:14:19 | 0:14:22 | |
I'm going to try and find something tactile for John and, | 0:14:22 | 0:14:26 | |
I don't know, something glistening for you, Stephen. | 0:14:26 | 0:14:29 | |
I see you've got an idea. | 0:14:29 | 0:14:31 | |
And it's just a hop, skip and a jump from Burston to our auction in Diss. | 0:14:34 | 0:14:38 | |
Well, it's delightful to be here at TW Gaze and Sons | 0:14:42 | 0:14:44 | |
and I'm joined by director Elizabeth Talbot. Yes, welcome. | 0:14:44 | 0:14:47 | |
Thank you very much. Pleasure. Pleasure's ours, Tom. | 0:14:47 | 0:14:51 | |
And we have Paula and Lisa, the Reds. Mm-hm. | 0:14:51 | 0:14:53 | |
Their first item was this export ware Famille Rose charger. | 0:14:53 | 0:14:57 | |
Yes, fairly standard of its type. Yes. But decorative. | 0:14:57 | 0:15:00 | |
There's a lot of the money on the front, all the detail, | 0:15:00 | 0:15:02 | |
but if you turn to the back, unfortunately, there is the damage. | 0:15:02 | 0:15:05 | |
We can see it from the front. There is whacking great big crack. Mm. | 0:15:05 | 0:15:08 | |
All the way through. | 0:15:08 | 0:15:10 | |
What's your estimate? Well, we put 45 to 60, | 0:15:10 | 0:15:13 | |
the 60 is our top recommendation, really because of its condition. | 0:15:13 | 0:15:16 | |
So the ?60 they paid could be a bit of an issue. | 0:15:16 | 0:15:19 | |
I think we could have to stretch a little hard for that, yes. Well, you'll do your magic. Absolutely. | 0:15:19 | 0:15:23 | |
Now the next thing is the patinated bronze companion set of the Scottie dog. | 0:15:23 | 0:15:28 | |
Are you a dog or a cat person? Neither. Neither? Neither. But I do like that. | 0:15:28 | 0:15:31 | |
I think that will appeal to a lot of people who are dog owners. | 0:15:31 | 0:15:34 | |
Now, your estimate... Yes. Tell me. | 0:15:34 | 0:15:36 | |
I think it's 80 to ?120. Now, they've done really well, they've paid ?35 for this. | 0:15:36 | 0:15:39 | |
I think that's a bargain. I can see that doing really, really well. | 0:15:39 | 0:15:43 | |
Yes. Now then, next item, I think, is wonderful. | 0:15:43 | 0:15:46 | |
It is wonderfully...decorative. | 0:15:46 | 0:15:49 | |
I can read your face, Thomas. You're being very... Um... ..careful. | 0:15:49 | 0:15:54 | |
So it's 14 years old. | 0:15:54 | 0:15:56 | |
You know as well as I do, it's not really necessary age or name, if | 0:15:56 | 0:16:00 | |
it ticks the box and people find it eye-catching, that's what they want. | 0:16:00 | 0:16:04 | |
Now, your estimate is... 15 to 20. | 0:16:04 | 0:16:06 | |
15 to ?20. Now, they paid ?22. | 0:16:06 | 0:16:08 | |
Now, I don't think that's a bad thing. Right. | 0:16:08 | 0:16:11 | |
I think you'll be up there and you'll see a sea of hands. I hope so! | 0:16:11 | 0:16:16 | |
Anyway, so the real big problem is the charger. I believe so. Yes. | 0:16:16 | 0:16:20 | |
So they might need their bonus buy and here it is. | 0:16:20 | 0:16:23 | |
Paula and Lisa, you spent a miserable ?117, | 0:16:23 | 0:16:28 | |
leaving Nick with a huge sum of 183. | 0:16:28 | 0:16:32 | |
Nick, what did you do with it? I went crazy, Tom. | 0:16:32 | 0:16:36 | |
Get on with it, then. Are you ready for this? | 0:16:36 | 0:16:38 | |
Are you sure? Are you ready? Go on. And they're off! | 0:16:38 | 0:16:41 | |
LAUGHTER | 0:16:41 | 0:16:44 | |
Do you like? I do. What are they? | 0:16:44 | 0:16:47 | |
Well, they could be gatepost finials, just decorative garden ornaments. | 0:16:47 | 0:16:52 | |
How much were they? | 0:16:52 | 0:16:54 | |
Well, I paid quite a strong ?120. | 0:16:54 | 0:16:58 | |
But I bought them | 0:16:58 | 0:16:59 | |
because I think they are perfect for the saleroom we are in. | 0:16:59 | 0:17:01 | |
A nice country auction house. How much? | 0:17:01 | 0:17:05 | |
Are they going to win the race? I think, on the right day, | 0:17:05 | 0:17:08 | |
they could easily make a couple of hundred pounds. | 0:17:08 | 0:17:10 | |
So you don't have to make that decision now. | 0:17:10 | 0:17:12 | |
But, however, for the viewers at home, | 0:17:12 | 0:17:14 | |
let's see what the auctioneer thinks about the horses' heads. | 0:17:14 | 0:17:18 | |
Elizabeth, here it is. Yes. There's a pair of them. | 0:17:18 | 0:17:21 | |
They are rather heavy, so we've only got one. They're obviously new. | 0:17:21 | 0:17:24 | |
Yes, but equestrian-themed visuals are good for the garden. | 0:17:24 | 0:17:28 | |
People like those. So what's your estimate? ?150-?250. | 0:17:28 | 0:17:31 | |
Well done, Nick Hall. | 0:17:31 | 0:17:33 | |
He won't have a long face over that. | 0:17:33 | 0:17:35 | |
SHE LAUGHS | 0:17:35 | 0:17:37 | |
120 he paid and, if his team goes for it, | 0:17:37 | 0:17:39 | |
they could get out the charger. | 0:17:39 | 0:17:41 | |
They might do, it would be a good swap. We are now onto our Blues, | 0:17:41 | 0:17:43 | |
Stephen and John, who have got, dare I say, an eclectic mix. | 0:17:43 | 0:17:48 | |
Indeed. Correct word, Thomas. | 0:17:48 | 0:17:50 | |
Now, an Edwardian brass lawn tennis tape measure. Yes. | 0:17:50 | 0:17:55 | |
Not that rare, | 0:17:55 | 0:17:56 | |
but there are people who enthuse after tennis artefacts and so on. | 0:17:56 | 0:18:00 | |
Your estimate is? ?15-?20. ?7 paid. | 0:18:00 | 0:18:03 | |
It should double its money. I would hope so, yes. Now... | 0:18:03 | 0:18:08 | |
Tell me about the lemonade set. | 0:18:08 | 0:18:10 | |
Well, it is kind of a love or hate it type of thing, isn't it, really? | 0:18:10 | 0:18:14 | |
I mean, it comes from a region which is famous for ceramics, generally. | 0:18:14 | 0:18:17 | |
What's your estimate? The estimate is ?50-?80. | 0:18:17 | 0:18:20 | |
Hmm. They paid ?135. | 0:18:20 | 0:18:23 | |
I don't know where they bought it from, and who they bought it from, | 0:18:23 | 0:18:26 | |
but if you've got a specialist who deals in this, | 0:18:26 | 0:18:28 | |
and they are selling on the name and the strength of the design, | 0:18:28 | 0:18:31 | |
if that's what you want, you would probably pay that sort of money. | 0:18:31 | 0:18:34 | |
But it could be a serious loss. I have worries about that one. Anyway. | 0:18:34 | 0:18:39 | |
But, beside all of that, they, I think, have bought one of the most | 0:18:39 | 0:18:43 | |
wonderful things I've seen. | 0:18:43 | 0:18:45 | |
Their third item, the Goodbrand Co wool winder, or thread winder. | 0:18:45 | 0:18:50 | |
You like this as well, do you? I think this is marvellous.. | 0:18:50 | 0:18:53 | |
There it is, there. | 0:18:53 | 0:18:54 | |
It just looks like something out of a steam engine, a pump works. | 0:18:54 | 0:18:59 | |
It is a great thing. Now, your estimate? Our estimate is ?70-?100. | 0:18:59 | 0:19:03 | |
They paid ?80 for it. I think they're on the mark there. | 0:19:03 | 0:19:06 | |
I think it could do quite well. | 0:19:06 | 0:19:08 | |
I think the big hole is the lemonade set. That would be my judgment, yes. | 0:19:08 | 0:19:13 | |
Definitely. Could be a three-figure loss. Everything else is nice! | 0:19:13 | 0:19:17 | |
Let's take a look at Natasha's bonus buy, | 0:19:17 | 0:19:20 | |
because I think they're going to need it. | 0:19:20 | 0:19:23 | |
Stephen and John. | 0:19:23 | 0:19:25 | |
You spent a good amount of money, all the twos, 222! | 0:19:25 | 0:19:28 | |
Natasha, what did you spend your ?78 on? | 0:19:28 | 0:19:32 | |
Well, I wanted to buy something that we would enjoy visually, | 0:19:32 | 0:19:35 | |
a nice pretty thing, and something that John would enjoy | 0:19:35 | 0:19:38 | |
touching and feeling, so I went for a wee bit of jewellery. | 0:19:38 | 0:19:42 | |
I went for a sweet wee ring, pretty wee ring. | 0:19:42 | 0:19:44 | |
Now, John, I want you to have a feel of it, it is in a case. | 0:19:44 | 0:19:47 | |
So, if you can grab it out, there's a wee ring there. | 0:19:47 | 0:19:49 | |
And it is quite big, which is quite handy, | 0:19:49 | 0:19:51 | |
because maybe it will fit on one of your fingers. | 0:19:51 | 0:19:53 | |
And it is in silver, it is marked 935, | 0:19:53 | 0:19:56 | |
so probably Continental Silver, just slightly higher grade than sterling. | 0:19:56 | 0:19:59 | |
Go on, how much did you spend on it? I only spent ?25 on it. | 0:19:59 | 0:20:03 | |
Which I think is quite fair. How much will it go for? | 0:20:03 | 0:20:06 | |
I reckon it could make 35, 40, something like that. | 0:20:06 | 0:20:09 | |
It is a nice gift for somebody. ?25 was paid. | 0:20:09 | 0:20:13 | |
Let's see what the auctioneer thinks about the Art Deco ring. | 0:20:13 | 0:20:18 | |
So, Elizabeth, here it is. | 0:20:18 | 0:20:20 | |
Well, I think that that is a fairly straightforward dress ring. | 0:20:20 | 0:20:24 | |
It is pretty, nice jade colour, Deco style. It's a very wearable piece. | 0:20:24 | 0:20:29 | |
You've put? We have put ?35-?45 on it. Which I think is fair enough. | 0:20:29 | 0:20:34 | |
Well done, Natasha. ?25 paid. | 0:20:34 | 0:20:38 | |
Very fair. I think that's a profit. | 0:20:38 | 0:20:39 | |
So, Elizabeth, are you taking the auction? | 0:20:39 | 0:20:41 | |
I certainly am. I have that honour. That's brilliant. | 0:20:41 | 0:20:44 | |
We're definitely in safe hands, then. | 0:20:44 | 0:20:46 | |
Lisa, Paula, how are you feeling? Sick. Excited. | 0:20:50 | 0:20:52 | |
Sick?! | 0:20:52 | 0:20:54 | |
Yeah, I do. I'm normally sat at home with a cup of tea at this point. | 0:20:54 | 0:20:57 | |
You're feeling sick? Yeah... How about you, Lisa? | 0:20:57 | 0:21:00 | |
Yeah, a bit excited, a bit wary. | 0:21:00 | 0:21:02 | |
So for the first lot, it's the Chinese plate. It's on now. | 0:21:02 | 0:21:06 | |
Late 19th-century Chinese export famille rose pattern charger. | 0:21:06 | 0:21:11 | |
It has been restored. As you've seen, it's stapled. | 0:21:11 | 0:21:13 | |
20, if you will. Thank you, sir. | 0:21:13 | 0:21:16 | |
20 in the gallery. At 20 I have. | 0:21:16 | 0:21:18 | |
Where's the 2 now? | 0:21:18 | 0:21:20 | |
At 22. 25. | 0:21:20 | 0:21:22 | |
28, 30. | 0:21:22 | 0:21:24 | |
32, 35. Upstairs now at 35. Looking for 8. | 0:21:24 | 0:21:28 | |
It's 35 in the gallery. I'm selling at 35. | 0:21:28 | 0:21:31 | |
Oh, no! | 0:21:31 | 0:21:33 | |
So that's minus a 25. | 0:21:33 | 0:21:35 | |
Right, next up is your lovely fire iron set. | 0:21:35 | 0:21:39 | |
Wow! It's on now. | 0:21:39 | 0:21:41 | |
I start at here at ?32. Brilliant! Brilliant! Brilliant! | 0:21:41 | 0:21:45 | |
It's looking for a home at 32. Where's 5? 35, 38. | 0:21:45 | 0:21:49 | |
Oh, we're in profit! Profit! Excellent. | 0:21:49 | 0:21:52 | |
45, 48. | 0:21:52 | 0:21:53 | |
Oh, it's going! Yes! | 0:21:53 | 0:21:55 | |
50, 5. | 0:21:55 | 0:21:57 | |
60, thank you. 60, 65. | 0:21:57 | 0:21:59 | |
Don't be shy. 70, 5. | 0:21:59 | 0:22:02 | |
Excellent! Excellent! | 0:22:02 | 0:22:04 | |
I'm 75. You're out. On my sheets at 75. | 0:22:04 | 0:22:07 | |
Sold at 75! Brilliant! | 0:22:09 | 0:22:11 | |
We're back in. A great profit there. ?75 there. | 0:22:11 | 0:22:15 | |
Right, here we are, 62. | 0:22:15 | 0:22:17 | |
Hand-painted teapot. ?22 paid. Estimate 15-20. Now... | 0:22:17 | 0:22:20 | |
Lot 62, the hand-painted teapot, decorated with farm animals | 0:22:20 | 0:22:23 | |
by Linda Harker. | 0:22:23 | 0:22:25 | |
I start here at ?8. Where's the 10? | 0:22:25 | 0:22:27 | |
Oh, come on! | 0:22:27 | 0:22:29 | |
15, 18, 20, | 0:22:29 | 0:22:31 | |
2, 25, 28, 30, 2 | 0:22:31 | 0:22:35 | |
35, 38, 40, 2. | 0:22:35 | 0:22:38 | |
What?! 50 is now in the room. All of my bids are out. | 0:22:38 | 0:22:42 | |
It's ?50. The lady in the middle. At ?50 on the teapot. | 0:22:42 | 0:22:45 | |
You can join in elsewhere. | 0:22:45 | 0:22:46 | |
At ?50 on the teapot. | 0:22:46 | 0:22:48 | |
Any advance? | 0:22:48 | 0:22:50 | |
You're a genius! ?50! That is brilliant! ?50! | 0:22:50 | 0:22:54 | |
That is unbelievably ridiculous. | 0:22:54 | 0:22:58 | |
The total earnings today is ?43! No way! | 0:22:58 | 0:23:02 | |
I'm so, so chuffed! So where are you talking me? To the bar. | 0:23:02 | 0:23:06 | |
Right, quiet. Now, the big decision. Oh, gosh. | 0:23:06 | 0:23:10 | |
?120 was paid for those horses' heads. | 0:23:10 | 0:23:14 | |
Shall we go for it? 77, they've only got... | 0:23:14 | 0:23:17 | |
You've got to make a decision. Let's do it. Yes! | 0:23:17 | 0:23:19 | |
You're going with the bonus buy. Here come the horses' heads now. | 0:23:19 | 0:23:22 | |
Pair of composition horse head gate post finials. | 0:23:22 | 0:23:25 | |
On the sheets here, I start at ?75. | 0:23:25 | 0:23:28 | |
?75, 80, 5, 90, 5, | 0:23:28 | 0:23:31 | |
100, 110. | 0:23:31 | 0:23:33 | |
Keep going! | 0:23:33 | 0:23:35 | |
120, 130. Profit! The lady's out. 130 with me. | 0:23:35 | 0:23:39 | |
140, she's back in and I'm out. | 0:23:39 | 0:23:41 | |
150, new bidder. | 0:23:41 | 0:23:43 | |
150. Another lady at 150. | 0:23:43 | 0:23:46 | |
I've lost you, closer to the heads. | 0:23:46 | 0:23:47 | |
Am I missing anybody else? It's 150. | 0:23:47 | 0:23:50 | |
Make no mistake. In the middle at ?150. | 0:23:50 | 0:23:53 | |
Yes! 150. | 0:23:54 | 0:23:56 | |
Brilliant! Brilliant! Brilliant! | 0:23:56 | 0:23:57 | |
So that's a ?30 profit on there. | 0:23:57 | 0:24:00 | |
So that ?30... ?73! | 0:24:00 | 0:24:04 | |
Well done. Where's mine? Where's mine?! | 0:24:04 | 0:24:08 | |
Shh! Quiet, quiet! | 0:24:08 | 0:24:10 | |
Remember, not a word to the Blues. Go in stony faced. | 0:24:10 | 0:24:13 | |
Absolutely. Well done. | 0:24:13 | 0:24:16 | |
Stephen and John, Natasha. How exciting. How are you guys feeling? | 0:24:22 | 0:24:26 | |
Nervous. I'm expecting disaster, I must be honest. | 0:24:26 | 0:24:30 | |
Are you expecting disaster? No, don't be such a naysayer! | 0:24:30 | 0:24:33 | |
Right, now, your first item is the Edwardian brass lawn tennis | 0:24:33 | 0:24:38 | |
measuring tape and it's up now. | 0:24:38 | 0:24:41 | |
A nice vintage piece for you. I have interest starting at ?8. Yay! | 0:24:41 | 0:24:45 | |
?8 I have. | 0:24:45 | 0:24:47 | |
?8. Bid is ?8 now. 10 on the net. 12, 15, 18. | 0:24:47 | 0:24:51 | |
18 I have. | 0:24:51 | 0:24:53 | |
I'm looking for 20 now. At ?18 with me. | 0:24:53 | 0:24:56 | |
20, the hand. Thank you. 22. | 0:24:56 | 0:24:58 | |
22! | 0:24:58 | 0:24:59 | |
25, 28. 28! | 0:24:59 | 0:25:02 | |
I have the ?28. Any advance on ?28 now? | 0:25:02 | 0:25:05 | |
This is exciting! | 0:25:05 | 0:25:07 | |
?28! That is a profit of 21. | 0:25:08 | 0:25:12 | |
We need serious fingers crossed for the next one, though. | 0:25:12 | 0:25:15 | |
It's got the jugs, six mugs and a wirework stand. | 0:25:15 | 0:25:18 | |
Love it or hate it, I do have interest on my sheets here. | 0:25:18 | 0:25:20 | |
Interest. | 0:25:20 | 0:25:22 | |
I start a bottom estimate at ?50. 50 only. ?50 is bid. | 0:25:22 | 0:25:25 | |
We need more than at. Where are you at 5? | 0:25:25 | 0:25:27 | |
55, sir. 60. Where are you at 5? | 0:25:27 | 0:25:31 | |
At ?60. Surely worth more. | 0:25:31 | 0:25:34 | |
65 and 70. | 0:25:34 | 0:25:36 | |
75 in the room and I'm out. 75! | 0:25:36 | 0:25:38 | |
75 is now the gentlemen. Middle bid at 75 downstairs. | 0:25:38 | 0:25:42 | |
75. I'm selling. | 0:25:42 | 0:25:44 | |
8, 9, 10, 11, 12, 13. The gavel's gone. | 0:25:45 | 0:25:47 | |
So that's 6... A ?60 loss. | 0:25:47 | 0:25:52 | |
Right, here we are, our next lot. Looking for 100 quid. | 0:25:52 | 0:25:54 | |
The wall winder. | 0:25:54 | 0:25:56 | |
Cast iron and brass mechanical wall winder on a mahogany bass. | 0:25:56 | 0:25:58 | |
30 to start. | 0:25:58 | 0:25:59 | |
Come on. They are desperate to sell it. ?30 upstairs. | 0:25:59 | 0:26:01 | |
At ?30, where are you at 2? | 0:26:01 | 0:26:03 | |
It's ?30. She's stealing it at 30. Surely make a 40. | 0:26:03 | 0:26:06 | |
Where are you at 32, sir? 35, 38. | 0:26:06 | 0:26:09 | |
40. I'm disappointed with this. | 0:26:09 | 0:26:11 | |
At ?40, where's 2? | 0:26:11 | 0:26:14 | |
Oh, it's a bargain. | 0:26:14 | 0:26:16 | |
You'll regret it in the morning. At ?40. All done. | 0:26:16 | 0:26:19 | |
Oh, that's a steal. It's a steal. Oh! We were robbed! | 0:26:19 | 0:26:22 | |
40. So minus 40. That's minus 40. Oh, no! | 0:26:22 | 0:26:25 | |
Now, it's hideous. Minus ?79. | 0:26:25 | 0:26:30 | |
Now, what are you going to do? You've got Natasha's bonus buy. | 0:26:30 | 0:26:34 | |
It's the Deco-style ring. What are you going to do with it, John? | 0:26:34 | 0:26:37 | |
We've got to go with it. Going for it? Going for it. | 0:26:37 | 0:26:39 | |
Right, I can tell you now that Natasha paid 25. | 0:26:39 | 0:26:43 | |
the auctioneer's estimate is ?35-45. | 0:26:43 | 0:26:46 | |
And it's up now. | 0:26:46 | 0:26:48 | |
The Deco-style ring. Very wearable piece of costume jewellery. | 0:26:48 | 0:26:51 | |
Interest on the sheet. I start at ?18. 18! | 0:26:51 | 0:26:54 | |
?18 bid. That could go. | 0:26:54 | 0:26:56 | |
I have the ?18. Now looking for 20. | 0:26:56 | 0:26:58 | |
Come on, it's for nothing. What?! It is for nothing. | 0:26:58 | 0:27:01 | |
20 bid, sir. | 0:27:01 | 0:27:02 | |
22, 25, 28. 30 in the room and I'm out. Yay! That's ?5 profit. | 0:27:02 | 0:27:06 | |
30. I'm looking for 2. | 0:27:06 | 0:27:09 | |
At the 30. Where are you at 2? | 0:27:09 | 0:27:11 | |
Any advance? | 0:27:11 | 0:27:12 | |
?30. Well done, Tasha. | 0:27:12 | 0:27:15 | |
That's plus a fiver. | 0:27:15 | 0:27:16 | |
That makes your score now minus ?74. | 0:27:17 | 0:27:20 | |
Now, that still could be a winning score. So walk back in there. | 0:27:20 | 0:27:24 | |
Don't say anything to the Reds. I want poker faces. Poker face. | 0:27:24 | 0:27:27 | |
Well, what a fun show that was. | 0:27:34 | 0:27:36 | |
But I have to say the difference between | 0:27:36 | 0:27:39 | |
the two teams is unbelievable. | 0:27:39 | 0:27:43 | |
You couldn't have written it. Oh, dear. | 0:27:43 | 0:27:46 | |
So today, I have to say, the runners up | 0:27:46 | 0:27:51 | |
are the Blues. | 0:27:51 | 0:27:53 | |
Yes! | 0:27:53 | 0:27:55 | |
We knew it was coming. | 0:27:55 | 0:27:56 | |
All right, all right, let's not gloat! | 0:27:56 | 0:27:58 | |
Shh, calm down! | 0:27:59 | 0:28:01 | |
Blues, look, I'm sorry, it just didn't go the way | 0:28:01 | 0:28:05 | |
you wanted it to go, did it? No, we wanted to win. | 0:28:05 | 0:28:09 | |
I just wanted a Golden Gavel. Oh, well, I'm afraid... | 0:28:09 | 0:28:12 | |
It started off really well... Yeah. | 0:28:12 | 0:28:13 | |
..with a bit of profit and then it all just went a bit downhill. | 0:28:13 | 0:28:16 | |
Natasha, your Art Deco-style ring did make a ?5 profit. Yes! | 0:28:16 | 0:28:20 | |
Which meant, at the end of it, it was minus ?74. | 0:28:20 | 0:28:24 | |
So the Reds, well done, you. ?73 profit! | 0:28:26 | 0:28:30 | |
Whoohoo! | 0:28:30 | 0:28:33 | |
So who's having the notes? There we are. | 0:28:33 | 0:28:36 | |
And here's ?3. Thank you. Well done. Thanks. | 0:28:36 | 0:28:39 | |
We've all had fun and if you've enjoyed that, | 0:28:39 | 0:28:42 | |
visit our website, or follow us on Twitter at... | 0:28:42 | 0:28:45 | |
Join us again for some more bargain hunting. | 0:28:46 | 0:28:48 | |
Yes? ALL: Yes! | 0:28:48 | 0:28:50 | |
Your future is taken care of. | 0:29:17 | 0:29:20 | |
You'll be surprised what you'll find. | 0:29:20 | 0:29:22 |