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CHRISTINA: When Bargain Hunt comes to town | 0:00:02 | 0:00:03 | |
we like to find out a little bit about it. | 0:00:03 | 0:00:05 | |
This week we're in Brackley, in Northamptonshire. | 0:00:05 | 0:00:08 | |
And I'm here to do my research. | 0:00:10 | 0:00:12 | |
What's this? | 0:00:25 | 0:00:26 | |
SHE GASPS | 0:00:26 | 0:00:29 | |
Wow! | 0:00:29 | 0:00:31 | |
I better get reading. | 0:00:34 | 0:00:37 | |
Let's go Bargain Hunting. | 0:00:37 | 0:00:40 | |
Today we're here at the Antiques Cellar, | 0:01:02 | 0:01:04 | |
the largest purpose-built antique centre | 0:01:04 | 0:01:06 | |
in the Midlands. | 0:01:06 | 0:01:07 | |
There are over 160 eager traders | 0:01:09 | 0:01:12 | |
ready and waiting to do a deal with our teams, but how will they get on? | 0:01:12 | 0:01:17 | |
Let's take a sneaky peek at what's coming up. | 0:01:17 | 0:01:19 | |
-But, I know... -But you said 100, so... | 0:01:20 | 0:01:22 | |
-Sh! -Charlie really has his work cut out with the Red team... | 0:01:22 | 0:01:25 | |
-Hate it. -Oh. -You hate it? | 0:01:25 | 0:01:27 | |
-Hate it. -Is that H-A-T-E? | 0:01:27 | 0:01:29 | |
With a big H. | 0:01:29 | 0:01:31 | |
..the Blues are heading in different directions... | 0:01:31 | 0:01:33 | |
-Tea room. -No, no, no. | 0:01:33 | 0:01:35 | |
No, tea, tea. | 0:01:35 | 0:01:36 | |
..and at the auction, there's tension between the Reds... | 0:01:36 | 0:01:39 | |
Let's all hold hands and then we'll all be all right. | 0:01:39 | 0:01:41 | |
Charlie. | 0:01:41 | 0:01:42 | |
Leave me out of that one. | 0:01:44 | 0:01:46 | |
..and it's kisses all round for the Blues. | 0:01:46 | 0:01:49 | |
But before all that, let's meet our teams. | 0:01:49 | 0:01:53 | |
Today we are surrounded by friends, we're a friendly bunch, aren't we? | 0:01:53 | 0:01:56 | |
For the Reds we have work pals, Kaz and Dave. | 0:01:56 | 0:01:59 | |
And for the Blues we have pals Steven and Ian. Hello, teams. | 0:01:59 | 0:02:02 | |
-ALL: -Hello. | 0:02:02 | 0:02:03 | |
Hello. Now, Kaz, how did you two meet? | 0:02:03 | 0:02:06 | |
We've worked together a long time. | 0:02:06 | 0:02:09 | |
We work in Daventry for a manufacturing firm. | 0:02:09 | 0:02:12 | |
-So, you're a small team. -Very. | 0:02:12 | 0:02:14 | |
And who's the boss? | 0:02:14 | 0:02:15 | |
Who's the boss? | 0:02:16 | 0:02:18 | |
At work or out of work? | 0:02:18 | 0:02:20 | |
Oh, it's like that, is it? Oh, my goodness. | 0:02:21 | 0:02:24 | |
-At work, I'm the boss. -Right. | 0:02:24 | 0:02:25 | |
-For today, Kaz is the boss. -Oh, right. | 0:02:25 | 0:02:27 | |
-Most of the time. -OK. | 0:02:27 | 0:02:29 | |
All right, fair enough. I can relate to that. | 0:02:29 | 0:02:31 | |
So, when you're not at work, what do you do? | 0:02:33 | 0:02:35 | |
Erm, I love walking. | 0:02:35 | 0:02:38 | |
-I did nine Mega Marches. -You did what? | 0:02:38 | 0:02:40 | |
Nine Mega Marches - it's four marathons in four days, for charity. | 0:02:40 | 0:02:43 | |
So, you did four marathons in four days? | 0:02:43 | 0:02:46 | |
-And did you run those marathons? -No! | 0:02:46 | 0:02:48 | |
-Oh. -I walked them. -THEY LAUGH | 0:02:48 | 0:02:50 | |
So, David, do you manage to get a word in edgeways at work, at all? | 0:02:50 | 0:02:53 | |
-Very rarely. -What's it like working with her? | 0:02:53 | 0:02:55 | |
-Cos you're the general manager, you're the boss. -Yeah. | 0:02:55 | 0:02:57 | |
And in your spare time, I believe you're a bit of a petrolhead. | 0:02:57 | 0:03:00 | |
-Yeah, I am a self-confessed petrolhead. -Are you? | 0:03:00 | 0:03:02 | |
-Yes. -Oh, my goodness. | 0:03:02 | 0:03:04 | |
Anything with wheels, yeah. | 0:03:04 | 0:03:05 | |
-And is it the speed aspect that you love or is it the aesthetics? -Both. | 0:03:05 | 0:03:09 | |
Both. So, it has be a fusion of the both? | 0:03:09 | 0:03:11 | |
-Yeah, it does, yeah. -OK. | 0:03:11 | 0:03:12 | |
So, you both like to go to antiques fairs at the weekend, is that right? | 0:03:12 | 0:03:15 | |
-We do. -Do you go together or with your respective partners? | 0:03:15 | 0:03:18 | |
-Together. -We go together. -You go together, brilliant. | 0:03:18 | 0:03:20 | |
And what is it that you look out for mainly? | 0:03:20 | 0:03:22 | |
Just a bargain. At the end of the day, that's all we go for. | 0:03:22 | 0:03:25 | |
If we don't get a bargain, we don't buy. | 0:03:25 | 0:03:26 | |
Ooh! Oh, team, my goodness. | 0:03:26 | 0:03:29 | |
Well, thank you very much. That bodes well for today, Red team. | 0:03:29 | 0:03:32 | |
So, let's meet our Blue team. Stephen and Ian. Hello, friends. | 0:03:32 | 0:03:35 | |
-BOTH: -Hello. -Hello. So, how did you two meet? | 0:03:35 | 0:03:38 | |
We met about 20 years ago | 0:03:38 | 0:03:40 | |
when we worked for the same insurance company. | 0:03:40 | 0:03:42 | |
Hm-hm. | 0:03:42 | 0:03:44 | |
We became good friends | 0:03:44 | 0:03:45 | |
and then last year I was best man at Ian's wedding. | 0:03:45 | 0:03:49 | |
Brilliant. So, you work in an insurance company together? | 0:03:49 | 0:03:51 | |
-We did. -You did. And where do you work now? | 0:03:51 | 0:03:53 | |
I took voluntary redundancy | 0:03:53 | 0:03:55 | |
and then I started up my own gardening business. | 0:03:55 | 0:03:58 | |
Ian, you're still working in insurance, is that right? | 0:03:58 | 0:04:00 | |
I'm still working, yeah. I'm a claims manager. | 0:04:00 | 0:04:02 | |
-You're a claims manager, OK. -Yeah. | 0:04:02 | 0:04:04 | |
-But you've had a career beforehand, haven't you? -Yes. | 0:04:04 | 0:04:06 | |
-I used to be a French polisher. -So, where did that stem from? | 0:04:06 | 0:04:09 | |
Where did that French polishing come from? | 0:04:09 | 0:04:10 | |
Well, my father used to play for Reading | 0:04:10 | 0:04:13 | |
back in the day, in the 1960s, and in those days... | 0:04:13 | 0:04:16 | |
..the money wasn't there as it is now, | 0:04:18 | 0:04:19 | |
so you couldn't earn a good living from it. | 0:04:19 | 0:04:22 | |
So, he had to have a part-time job and he done French polishing. | 0:04:22 | 0:04:25 | |
Brilliant, to substitute his footballing wages. | 0:04:25 | 0:04:28 | |
Yes. And I kind of took the skills from him. | 0:04:28 | 0:04:32 | |
Unfortunately, it didn't sort of pay the way to pay the mortgage, | 0:04:32 | 0:04:35 | |
so I had to get a job back in insurance. | 0:04:35 | 0:04:37 | |
Ah. | 0:04:37 | 0:04:38 | |
But it's not the work that brought you two together, is that right? | 0:04:38 | 0:04:41 | |
You met through a mutual love of football, is that right? | 0:04:41 | 0:04:44 | |
-That's right, yeah. -We did, yes. | 0:04:44 | 0:04:45 | |
We're both mad keen Reading FC supporters. | 0:04:45 | 0:04:48 | |
I know nothing about football, what colour do Reading play? | 0:04:48 | 0:04:51 | |
-Blue. -Blue and white hoops. -Yeah. | 0:04:51 | 0:04:53 | |
Oh, is that why you're the Blue team? Ah, I like it. | 0:04:53 | 0:04:55 | |
OK, what are your tactics for today? | 0:04:55 | 0:04:57 | |
We keep changing our tactics, don't we? | 0:04:57 | 0:04:59 | |
-SHE LAUGHS -From day-to-day. | 0:04:59 | 0:05:00 | |
So, they're fluid tactics, are they? | 0:05:00 | 0:05:02 | |
-I think they're sort of like wing-it tactics. -Yeah. | 0:05:02 | 0:05:04 | |
-Wing-it tactics? -Yeah, that's right. | 0:05:04 | 0:05:06 | |
Right, OK. So, before the games commence, | 0:05:06 | 0:05:08 | |
what's the vital ingredient you need, teams? | 0:05:08 | 0:05:10 | |
-ALL: -Money. -Money, exactly. | 0:05:10 | 0:05:13 | |
-So, in my sticky paws, £300 for you, Blues. -Thank you. | 0:05:13 | 0:05:16 | |
-£300 for you, Reds. -Thank you. | 0:05:16 | 0:05:18 | |
Your experts await, off you go. | 0:05:18 | 0:05:21 | |
So, they're all friends now | 0:05:21 | 0:05:22 | |
but will they be friends at the end of an hour? | 0:05:22 | 0:05:24 | |
We'll have to wait and see. | 0:05:24 | 0:05:25 | |
Before the fun begins, it's time to meet our experts. | 0:05:29 | 0:05:33 | |
IN FRENCH ACCENT: 'Ello, 'ello, I will say this only once. | 0:05:33 | 0:05:35 | |
For the Reds, it's Charlie Ross. | 0:05:35 | 0:05:38 | |
And making no bones about it for the Blues, | 0:05:39 | 0:05:41 | |
it's Catherine Southon. | 0:05:41 | 0:05:43 | |
Oh, Karen, Dave, this is exciting, isn't it? | 0:05:43 | 0:05:45 | |
-Yeah. -It's so exciting, yes. | 0:05:45 | 0:05:46 | |
Oh, my word. What are you going to be looking for? | 0:05:46 | 0:05:48 | |
Something that is going to make us a lot of profit. | 0:05:48 | 0:05:51 | |
-An old-fashioned chair, maybe. -An old-fashioned chair. | 0:05:51 | 0:05:54 | |
-What about you, Dave? -I've got absolutely no idea. | 0:05:54 | 0:05:56 | |
No idea. That's really good, isn't it? | 0:05:56 | 0:05:58 | |
-What's on our shopping list? -Something unusual. | 0:05:58 | 0:06:01 | |
-Something unusual. -I like an eclectic mix. | 0:06:01 | 0:06:03 | |
-Oh, an eclectic mix. -That's anything. | 0:06:03 | 0:06:05 | |
That could be anything! | 0:06:05 | 0:06:07 | |
Right, teams, your 60 minutes starts now. | 0:06:07 | 0:06:09 | |
BELL DINGS | 0:06:09 | 0:06:11 | |
I think we should get going, come on. | 0:06:11 | 0:06:13 | |
-Are you happy to shop on your own? -Yeah. | 0:06:13 | 0:06:15 | |
Well, off you go then. I'm going to have a cup of tea. | 0:06:15 | 0:06:17 | |
Nice try, Charlie. | 0:06:17 | 0:06:19 | |
60 minutes sounds like such a long time. | 0:06:19 | 0:06:21 | |
Oh, it does, doesn't it? | 0:06:21 | 0:06:22 | |
The Blues are covering a lot of ground already. | 0:06:22 | 0:06:24 | |
Where are we going? | 0:06:24 | 0:06:25 | |
Oh, there's a chair. | 0:06:25 | 0:06:28 | |
-I love chairs. -Don't buy it. | 0:06:28 | 0:06:29 | |
Tell it like it is, Charlie. | 0:06:29 | 0:06:31 | |
You won't make a profit on it. | 0:06:31 | 0:06:32 | |
-They're lovely... -They are. -..they're Victorian, | 0:06:32 | 0:06:35 | |
they're carved oak but do you know what they would make at auction? | 0:06:35 | 0:06:38 | |
-About 30 quid. -Probably. | 0:06:38 | 0:06:40 | |
-Yeah. -And they're £95 each. | 0:06:40 | 0:06:42 | |
Now, that's very much a retail price. | 0:06:42 | 0:06:44 | |
We'll find you a chair. I'll find you a chair. | 0:06:44 | 0:06:47 | |
-I hope I'll find you a chair. -I have no idea why I like chairs. | 0:06:47 | 0:06:49 | |
Sit tight, Red team, you've got plenty of time left. | 0:06:49 | 0:06:52 | |
Meanwhile, the Blues are stepping up to the plate | 0:06:54 | 0:06:57 | |
and Stephen seems to know a thing or two about them. | 0:06:57 | 0:06:59 | |
Oh, that's Homemaker, isn't it? I know that. | 0:07:00 | 0:07:02 | |
-It is. There we are, he knows that. -Yeah, there we go. | 0:07:02 | 0:07:06 | |
This is something that everyone would have had | 0:07:06 | 0:07:08 | |
-once upon a time in their home. -Yeah. | 0:07:08 | 0:07:09 | |
It's so popular and so common. | 0:07:09 | 0:07:11 | |
-It does... It fits in with today though, doesn't it? -It does. | 0:07:11 | 0:07:14 | |
It looks so funky but it's just... | 0:07:14 | 0:07:16 | |
-..I think something that's... -Too basic... | 0:07:17 | 0:07:19 | |
-..a bit too common and a bit too... -Yeah. | 0:07:19 | 0:07:21 | |
Oh, dear. The tea set falls short. | 0:07:21 | 0:07:23 | |
But don't look so glum, team, you've still got 55 minutes left. | 0:07:23 | 0:07:27 | |
-I mean, that mirror... -Oh, the Reds have spotted something. | 0:07:32 | 0:07:34 | |
Very Art Deco, what period would that be? | 0:07:34 | 0:07:36 | |
-Well, you're the expert. -I'm asking you the question. | 0:07:36 | 0:07:39 | |
-I don't know. -Deco - 1920s, 1930s. | 0:07:39 | 0:07:42 | |
-OK. -What I call the Charleston period. | 0:07:42 | 0:07:44 | |
-Oh, right, OK. -Do you do the Charleston? -Absolutely not. | 0:07:44 | 0:07:46 | |
-Absolutely not. -And don't ask me cos I definitely don't. | 0:07:46 | 0:07:49 | |
Dave, I don't know what made me think it | 0:07:49 | 0:07:51 | |
but I didn't think you were the Charleston sort, really. | 0:07:51 | 0:07:53 | |
-Definitely. -What a rejection. Poor Charlie. | 0:07:53 | 0:07:56 | |
It's asking 30. | 0:07:56 | 0:07:57 | |
If they took a tenner for that mirror, you would have my blessing. | 0:07:57 | 0:08:01 | |
That could be our joint purchase. | 0:08:01 | 0:08:04 | |
-I think the thing to do... -Have a look round. | 0:08:04 | 0:08:06 | |
..we're very early on, we're five minutes in, it's fine. | 0:08:06 | 0:08:09 | |
I think we'll look at that, we'll log it. | 0:08:09 | 0:08:11 | |
I'd like to buy something for a bit more money, | 0:08:11 | 0:08:14 | |
something a bit more exotic but that's a good standby. | 0:08:14 | 0:08:17 | |
-Shall we move on? -Yeah. | 0:08:17 | 0:08:18 | |
Something exotic and expensive, that's right up my street. | 0:08:18 | 0:08:22 | |
CHARLESTON MUSIC PLAYS | 0:08:24 | 0:08:26 | |
Somewhat less exotic is this cigarette vending machine. | 0:08:27 | 0:08:31 | |
What do you think, Catherine? | 0:08:31 | 0:08:32 | |
The thing that's against this is cigarettes. | 0:08:33 | 0:08:35 | |
It's a cigarette vending machine. | 0:08:35 | 0:08:37 | |
Had you got something a bit more interesting like chewing gum | 0:08:37 | 0:08:40 | |
-or something like that. -Yeah. -But being cigarettes, it's a bit... | 0:08:40 | 0:08:42 | |
It's been smoke and mirrors for our teams so far. | 0:08:42 | 0:08:45 | |
There's really a lot to feast your eyes on here, isn't there? | 0:08:45 | 0:08:47 | |
Come on, one of you needs to make a purchase soon. | 0:08:47 | 0:08:50 | |
Oh, hold on. Something's caught Dave's eye. | 0:08:50 | 0:08:52 | |
-That's quite nice. -Oh, isn't that fun? | 0:08:52 | 0:08:54 | |
-Gorgeous, isn't it? -Look at that. | 0:08:54 | 0:08:56 | |
I like your eyes, what have you spotted here? | 0:08:56 | 0:08:58 | |
Well, chocolate. Kaz likes her chocolate. | 0:08:58 | 0:09:01 | |
Do you know, Kath, what I think about this, and Dave, | 0:09:01 | 0:09:04 | |
is that this is original. | 0:09:04 | 0:09:06 | |
This has got to be 1930s probably. | 0:09:06 | 0:09:10 | |
Well, it suits you. | 0:09:12 | 0:09:14 | |
Would you like a chocolate? | 0:09:14 | 0:09:16 | |
-Look at the writing on there, it's quite faded... -OK. | 0:09:16 | 0:09:19 | |
-..beautifully done. -Yeah. | 0:09:19 | 0:09:21 | |
If that was a reproduction, it would be fresh. | 0:09:21 | 0:09:23 | |
-I've never seen one of these. -I quite like it. | 0:09:23 | 0:09:25 | |
-I've never seen one of these. -I like that. | 0:09:25 | 0:09:27 | |
Dave, I'm loving your work. | 0:09:27 | 0:09:29 | |
I'm loving your work and I'm feeling quite at home | 0:09:29 | 0:09:31 | |
and as if I ought to be in a cinema somewhere. | 0:09:31 | 0:09:34 | |
So, what's the price? | 0:09:34 | 0:09:36 | |
What would you pay for it? | 0:09:36 | 0:09:38 | |
I'd be happy with about £40. | 0:09:38 | 0:09:42 | |
I think it's going to be a little bit more. | 0:09:42 | 0:09:44 | |
I think we're talking of £50-60. | 0:09:44 | 0:09:47 | |
We've got a ticket price of 82. | 0:09:47 | 0:09:50 | |
Now, I'm not surprised at that | 0:09:50 | 0:09:52 | |
and it would need to be marketed properly | 0:09:52 | 0:09:54 | |
but I think somewhere between the two of you, you're about right. | 0:09:54 | 0:09:58 | |
Now, I've never seen one of these. | 0:09:58 | 0:10:00 | |
How much would you pay for it, as the expert? | 0:10:00 | 0:10:01 | |
-I'd pay 50 quid for it. -Yeah, that's what... | 0:10:01 | 0:10:03 | |
Would you go as high as 50? | 0:10:03 | 0:10:04 | |
I would go 50 quid and I think I'd make a profit on it. | 0:10:04 | 0:10:07 | |
Karen doesn't look convinced, Charlie. | 0:10:07 | 0:10:09 | |
Perhaps chocolate isn't the way to her heart after all. | 0:10:09 | 0:10:13 | |
And Ian's put on his dancing shoes | 0:10:13 | 0:10:15 | |
to convince the Blues to invest in some headwear. | 0:10:15 | 0:10:17 | |
-I love it. -£145. | 0:10:17 | 0:10:20 | |
Oh... | 0:10:20 | 0:10:21 | |
Has it got a name inside it? | 0:10:21 | 0:10:23 | |
-Any maker's names? It's in lovely condition. -Yes, it has. | 0:10:23 | 0:10:25 | |
Oh, W Rother of Berlin. | 0:10:25 | 0:10:28 | |
-Ooh. -Oh, it comes with... | 0:10:28 | 0:10:31 | |
I quite like that. | 0:10:31 | 0:10:32 | |
Have you noticed how he's completely ignoring you. | 0:10:32 | 0:10:34 | |
Not very subtle, Stephen. | 0:10:34 | 0:10:36 | |
-I'm guessing you prefer the golfing toast rack? -I quite like that. | 0:10:36 | 0:10:39 | |
Not necessarily me but somebody who likes golf... | 0:10:39 | 0:10:43 | |
-It's a novelty. -The only thing is... | 0:10:43 | 0:10:46 | |
-Oh, it's missing. -It's damaged. -Oh, no, we don't want that. | 0:10:46 | 0:10:48 | |
-Put it down. -Another miss but 15 minutes have already gone | 0:10:48 | 0:10:51 | |
and you are nowhere near making a decision. | 0:10:51 | 0:10:53 | |
Come on, Catherine, can you kick off the spending? | 0:10:53 | 0:10:55 | |
So, it's a 19th-century penknife, essentially, | 0:10:56 | 0:11:01 | |
but it's in the form of a lady's shoe. | 0:11:01 | 0:11:04 | |
-Is that a lady's shoe? -Yeah, I think it is a lady's shoe. | 0:11:04 | 0:11:07 | |
And I just think that's really, really lovely. | 0:11:07 | 0:11:11 | |
-It is nice. -£48. | 0:11:11 | 0:11:13 | |
No, I like it, I must admit. | 0:11:13 | 0:11:15 | |
-Let's get the whole cabinet open. -Very decisive, Ian. | 0:11:15 | 0:11:18 | |
Let's leave the Blues pondering on that knife | 0:11:18 | 0:11:20 | |
and head back to the Reds. | 0:11:20 | 0:11:21 | |
It looks like they're still sweet on that chocolate tray | 0:11:21 | 0:11:24 | |
and they've brought Debbie from the antiques centre | 0:11:24 | 0:11:26 | |
in to talk money. | 0:11:26 | 0:11:28 | |
It's got £82 on it. | 0:11:29 | 0:11:31 | |
-We don't like £82, Debbie. -I thought you wouldn't. | 0:11:31 | 0:11:33 | |
-Do we, Debbie. -We're going to smile really nicely. | 0:11:35 | 0:11:38 | |
-What do you think you'll do? -I know that the def on it will be £60. -OK. | 0:11:38 | 0:11:42 | |
But we want to win and make a profit. | 0:11:42 | 0:11:45 | |
Is there anything we can do, honestly? | 0:11:45 | 0:11:47 | |
On this there isn't, I'm afraid. That is the def. | 0:11:47 | 0:11:50 | |
-Right, let's have a vote on it. -OK. | 0:11:50 | 0:11:52 | |
At the count of three, all those in favour of the chocolate tray, | 0:11:52 | 0:11:56 | |
-hand up. -I think you've lost that one, Karen, | 0:11:56 | 0:11:59 | |
but with 18 minutes gone, at least you've made your first purchase. | 0:11:59 | 0:12:02 | |
-Well done, team. -Thank you. -We're having it. | 0:12:02 | 0:12:04 | |
I'm going to even pay for it before Karen can pull out. | 0:12:04 | 0:12:07 | |
I tell you what, Dave. | 0:12:08 | 0:12:09 | |
You and I are in for so much trouble, | 0:12:09 | 0:12:13 | |
-if this doesn't make a profit. -I know. | 0:12:13 | 0:12:14 | |
-Can you imagine? -Indeed, Charlie. | 0:12:14 | 0:12:16 | |
Back with the Blues, who are still looking at that shoe-shaped knife | 0:12:17 | 0:12:21 | |
and Jim from the antique centre is on hand to cut a deal. | 0:12:21 | 0:12:24 | |
-What does it feel like? -That's quite nice. | 0:12:24 | 0:12:26 | |
-It's got nice detail on it, hasn't it? -It's got a nice feel to it. | 0:12:26 | 0:12:29 | |
-Oh, it's got a... -Is it broken? -Is that broken there? | 0:12:29 | 0:12:32 | |
THEY SIGH | 0:12:32 | 0:12:33 | |
Don't let it get you down, Blues. | 0:12:33 | 0:12:35 | |
There must be something else you like in that cabinet. | 0:12:35 | 0:12:38 | |
-Can we have a look at the doll, as well? -JIM: -Yeah, certainly. | 0:12:38 | 0:12:41 | |
So, why did you like this doll? | 0:12:41 | 0:12:42 | |
I don't know, it just sort of grabbed my eye. | 0:12:42 | 0:12:44 | |
-It's not the sort of thing I'd... -No, I was going to say, | 0:12:44 | 0:12:47 | |
it's not the sort of manly thing. | 0:12:47 | 0:12:48 | |
Oh, she's very delicate. | 0:12:48 | 0:12:50 | |
Well, it's Victorian for sure. | 0:12:50 | 0:12:52 | |
And then this, what looks like a blanket or a shawl, | 0:12:52 | 0:12:55 | |
this is actually a little needle case. | 0:12:55 | 0:12:59 | |
-Oh, I see. -With needles. -That is quite nice | 0:12:59 | 0:13:01 | |
because all this is original. | 0:13:01 | 0:13:02 | |
-How much is on her? -Oh, I didn't see that. | 0:13:02 | 0:13:04 | |
-78. -78. I mean, it's the sort of thing you don't see terribly often. | 0:13:06 | 0:13:11 | |
Let's find out what the best price is. | 0:13:11 | 0:13:13 | |
I'm not getting a lot of positives from... | 0:13:13 | 0:13:14 | |
But I think he's slowly coming around, isn't he? | 0:13:14 | 0:13:16 | |
I'm not necessarily convinced at that price. | 0:13:16 | 0:13:19 | |
Can Jim put a smile on Stephen's face? | 0:13:19 | 0:13:21 | |
-JIM: -I've phoned the dealer | 0:13:21 | 0:13:23 | |
and the very best price on the doll would be £50. | 0:13:23 | 0:13:25 | |
-£50? -Oh. | 0:13:25 | 0:13:27 | |
-It's right on the cusp, isn't it? -Is it? | 0:13:28 | 0:13:30 | |
-What do you think? -I don't think it's a huge gamble. | 0:13:30 | 0:13:33 | |
HE MURMURS DOUBTFULLY | 0:13:33 | 0:13:35 | |
-I don't know. -Well, Ian likes it. | 0:13:35 | 0:13:37 | |
-Ian likes it. -So... -I think for £50. | 0:13:37 | 0:13:39 | |
If Ian would like it, let's go for that for Ian. | 0:13:39 | 0:13:41 | |
Yeah, go on. | 0:13:41 | 0:13:42 | |
Let's shake your hand. | 0:13:42 | 0:13:44 | |
-£50. -First item bought. | 0:13:44 | 0:13:46 | |
-Thank you very much. -JIM: -Thank you. | 0:13:46 | 0:13:47 | |
Well done, chaps. Are you happy? | 0:13:47 | 0:13:50 | |
-DOUBTFULLY: -Yeah. | 0:13:50 | 0:13:51 | |
He's not 100% happy, is he? | 0:13:52 | 0:13:54 | |
And two out of three ain't bad. Well done, team. | 0:13:54 | 0:13:57 | |
With 26 minutes gone, that's your first purchase made. | 0:13:57 | 0:14:00 | |
Back with the Reds, | 0:14:00 | 0:14:01 | |
who seem to be hiding in a dark corner of the antiques centre. | 0:14:01 | 0:14:04 | |
What are they up to? | 0:14:04 | 0:14:06 | |
I don't like cleaning, so if that's to... | 0:14:06 | 0:14:08 | |
I wasn't thinking of cleaning, Karen. | 0:14:08 | 0:14:09 | |
That was the last thing on my mind. | 0:14:11 | 0:14:13 | |
It's only £4.50. I'd pay full price for that. | 0:14:13 | 0:14:16 | |
SHE LAUGHS | 0:14:16 | 0:14:18 | |
-I tell you what... -An old carpet beater. | 0:14:19 | 0:14:21 | |
..that would make a profit at auction. | 0:14:21 | 0:14:23 | |
It may seem a silly... Oh, it's so whippy. | 0:14:23 | 0:14:26 | |
Enough of that, you two, there's serious shopping to be done. | 0:14:26 | 0:14:30 | |
The Blues haven't gone very far, they're still at the same cabinet | 0:14:30 | 0:14:33 | |
and look what they've found - a stamp box. | 0:14:33 | 0:14:37 | |
I just wonder if it's in the style of Art Nouveau, | 0:14:37 | 0:14:39 | |
rather than actually of the period, rather than circa 1900. | 0:14:39 | 0:14:43 | |
Again, if you had that at an auction, | 0:14:43 | 0:14:45 | |
what would you describe it as? | 0:14:45 | 0:14:48 | |
-Of the style? -I would probably put "of the style". | 0:14:49 | 0:14:51 | |
-Can I have a feel of it? -Yeah, by all means. | 0:14:51 | 0:14:54 | |
Yeah. I mean, there certainly is quite a lot of wear in it | 0:14:55 | 0:14:57 | |
but to me it's the way that it's been cast. | 0:14:57 | 0:15:00 | |
I mean, can you see this, sort of, almost like pitted... | 0:15:00 | 0:15:03 | |
-Well, shall we leave that for... -It's got a lovely look, though. | 0:15:03 | 0:15:05 | |
-£18. -Yeah. | 0:15:05 | 0:15:06 | |
That's what we looked at, I must admit. | 0:15:06 | 0:15:09 | |
And did you both like this? | 0:15:09 | 0:15:10 | |
-We did both like it. -Is this something you both... | 0:15:10 | 0:15:12 | |
-I love the movement in it. -Yeah. | 0:15:12 | 0:15:14 | |
I think you've picked a nice piece there. | 0:15:14 | 0:15:16 | |
It's not going to make a lot of money... | 0:15:16 | 0:15:18 | |
-No. -..but it might make £30. | 0:15:18 | 0:15:20 | |
And I think, if you could get maybe just a couple of pounds off 18. | 0:15:20 | 0:15:23 | |
-Yeah. -What do you think? -Sort of like 15? | 0:15:23 | 0:15:25 | |
-15, yeah. -Have a word with Jim. | 0:15:25 | 0:15:27 | |
-Jim's your man. -Shall we see if we can get it for 15? | 0:15:27 | 0:15:29 | |
-JIM: -Yeah, the dealer will do that for 15, yes. | 0:15:29 | 0:15:31 | |
-Let's go for it. -Let's go for it. | 0:15:31 | 0:15:33 | |
-JIM: -I don't think you'll lose money on it. -£15? -£15, yeah. | 0:15:33 | 0:15:36 | |
Finally, some agreement. | 0:15:36 | 0:15:37 | |
Another deal done and you haven't had to move an inch. | 0:15:37 | 0:15:41 | |
If they can do the last item just as quick, | 0:15:41 | 0:15:44 | |
I'll be very happy because I'll be finished. | 0:15:44 | 0:15:46 | |
I'll be there having a coffee and it'll be bliss. Wonderful. | 0:15:46 | 0:15:50 | |
That may be wishful thinking, Catherine. | 0:15:50 | 0:15:52 | |
How are the Reds getting on? | 0:15:52 | 0:15:54 | |
-I quite like sticks. -Do you like sticks? -I do. | 0:15:55 | 0:15:58 | |
-I just like walking... -That's quite a flashy stick. | 0:15:58 | 0:16:00 | |
I think that's probably reproduction. | 0:16:00 | 0:16:03 | |
It just can't be original. | 0:16:03 | 0:16:04 | |
No, it is. It's a reproduction one | 0:16:04 | 0:16:07 | |
because it's a stylish thing, look at that. | 0:16:07 | 0:16:10 | |
Walk down the street with that and you'd feel a right dandy. | 0:16:10 | 0:16:13 | |
Looking good, Rossco. | 0:16:13 | 0:16:16 | |
Oh, now, it's that way. | 0:16:16 | 0:16:17 | |
No, I'm all for going to the canteen. | 0:16:17 | 0:16:19 | |
-No, no, no. -Tearoom. | 0:16:19 | 0:16:21 | |
-No, no, no. -Tea, tea. | 0:16:21 | 0:16:22 | |
I wouldn't get too relaxed, Catherine, | 0:16:22 | 0:16:24 | |
you've still got more shopping to do. | 0:16:24 | 0:16:26 | |
We've done our hard work. | 0:16:26 | 0:16:27 | |
Come on then, come on. | 0:16:27 | 0:16:29 | |
What about a school desk? | 0:16:29 | 0:16:31 | |
I quite like it. Dave found this earlier but it is... | 0:16:32 | 0:16:35 | |
-Dave, is this another Dave purchase? -..it is 44. | 0:16:35 | 0:16:37 | |
No, cos I quite like it, so it could be our joint purchase but it's £44. | 0:16:37 | 0:16:41 | |
Well, you could both sit at it. Wouldn't it be romantic? | 0:16:41 | 0:16:44 | |
SHE LAUGHS | 0:16:44 | 0:16:45 | |
-Yeah. -In fact, is that similar to the desk you work at | 0:16:45 | 0:16:47 | |
-when you're working together? -No. -No. | 0:16:47 | 0:16:49 | |
-No, not at all. -We're not even in the same office. -No. | 0:16:49 | 0:16:51 | |
Oh, so it's a bit of a treat to see each other today? | 0:16:51 | 0:16:54 | |
-Oh, very. -SHE LAUGHS | 0:16:54 | 0:16:56 | |
-Do you know what I would pay for that? -A tenner. | 0:16:56 | 0:16:58 | |
-Yeah, probably but I'm not sure. -If you wanted that for a tenner, | 0:16:58 | 0:17:01 | |
I would be right behind you. | 0:17:01 | 0:17:03 | |
You only have ten minutes left, Reds, | 0:17:03 | 0:17:05 | |
and you have two items to buy. | 0:17:05 | 0:17:07 | |
Whilst the Blues still have one purchase to make | 0:17:07 | 0:17:10 | |
and Catherine's feeling the strain. | 0:17:10 | 0:17:12 | |
We've got plenty of time. | 0:17:12 | 0:17:15 | |
Don't say that. | 0:17:15 | 0:17:16 | |
-There's nothing that we've got in mind. -Nothing that's jumping out. | 0:17:16 | 0:17:20 | |
-No? -No. -Even a football, signed by Liverpool. | 0:17:20 | 0:17:24 | |
-Oh, my goodness, no. -Ohh! | 0:17:24 | 0:17:27 | |
If it was Reading, maybe, not Liverpool. | 0:17:27 | 0:17:29 | |
-You are real Reading fans, aren't you? -Yeah. | 0:17:29 | 0:17:31 | |
-Nothing else will do. -No, it won't. | 0:17:31 | 0:17:34 | |
-We've got eight minutes. -Yeah. | 0:17:35 | 0:17:37 | |
We need two more things. | 0:17:37 | 0:17:38 | |
-Shall we just buy a school desk? -Do you think the school desk... | 0:17:38 | 0:17:41 | |
-While we've got the maestro here. -Yeah, I think a school desk. | 0:17:41 | 0:17:44 | |
Can you excite us with a school desk? | 0:17:44 | 0:17:46 | |
Well, we've got quite a few of those school desks, | 0:17:46 | 0:17:49 | |
so we could do them for £10 for you. | 0:17:49 | 0:17:52 | |
And how about throwing in a few of the Bronnley soap crates? | 0:17:52 | 0:17:55 | |
Oh, that would be super, wouldn't it? | 0:17:55 | 0:17:56 | |
A desk and soapboxes for a tenner - | 0:17:56 | 0:17:58 | |
your hard haggling skills are paying off, Karen. | 0:17:58 | 0:18:01 | |
I'd rather buy the desk for a fiver and not have the crates. | 0:18:01 | 0:18:04 | |
-I think the crates are better than the desk. -Do you? | 0:18:06 | 0:18:08 | |
And so does Karen, by the look of it. | 0:18:08 | 0:18:10 | |
While the boys argue it out, she's swooped in to do a deal. | 0:18:10 | 0:18:14 | |
I could do you probably, | 0:18:14 | 0:18:15 | |
I could get you five really good ones for the same price as the desk. | 0:18:15 | 0:18:19 | |
How's that for a deal? | 0:18:19 | 0:18:21 | |
-So, we could have five boxes... -For £10. -..for £10. -Yeah. | 0:18:21 | 0:18:24 | |
I don't think we can quibble at that. | 0:18:24 | 0:18:26 | |
-That's brilliant, thank you. -Thank you. | 0:18:26 | 0:18:27 | |
Karen has taken charge and done a deal on those boxes | 0:18:27 | 0:18:30 | |
but it's caused divisions in the team. | 0:18:30 | 0:18:33 | |
I'm going to say that I'm going to make more profit than your item, | 0:18:33 | 0:18:36 | |
than your box. | 0:18:36 | 0:18:37 | |
Chocolate versus soap, | 0:18:37 | 0:18:40 | |
-I know which I'd go with. -Me too. -Come on. | 0:18:40 | 0:18:42 | |
There's only five minutes left | 0:18:42 | 0:18:44 | |
and both teams have still got one more item to buy. | 0:18:44 | 0:18:48 | |
And Catherine is still struggling to motivate the Blues. | 0:18:48 | 0:18:52 | |
-Nothing else there? -OK. | 0:18:52 | 0:18:53 | |
We're really, really short of time though. | 0:18:53 | 0:18:55 | |
I quite like the look of the fruit knife. | 0:18:55 | 0:18:57 | |
That's quite sweet. | 0:18:57 | 0:18:58 | |
-Is this mother-of-pearl? -Mother-of-pearl, yeah. | 0:18:58 | 0:19:00 | |
Personally, there's nothing special about that though. | 0:19:00 | 0:19:03 | |
-Mostly you'll find hundreds of those here. -Really? -Hm. | 0:19:03 | 0:19:06 | |
What's the best price on that? | 0:19:06 | 0:19:08 | |
£20 is the best price on that fruit knife. | 0:19:08 | 0:19:11 | |
I don't think that's too bad. | 0:19:11 | 0:19:13 | |
-Well, the only... -It's an antique, it's 1904 silver. | 0:19:13 | 0:19:15 | |
It is an antique but you're not going to make big money on it. | 0:19:15 | 0:19:18 | |
-Do you want to see anything else? -Put this to one side? | 0:19:18 | 0:19:20 | |
-Just put it to one side. -He's living life on the edge, isn't he? | 0:19:20 | 0:19:23 | |
-Is he always like this? -We've got plenty of time. | 0:19:23 | 0:19:26 | |
No, you haven't, Blues! | 0:19:26 | 0:19:28 | |
Is Charlie doing any better with his team? | 0:19:28 | 0:19:30 | |
How about a pocket watch? | 0:19:30 | 0:19:31 | |
There's something but it would have to be ever so cheap. | 0:19:31 | 0:19:34 | |
-I think it's worth 100 quid. -What is that? | 0:19:34 | 0:19:36 | |
It's a gold propelling pencil. It's nine-carat gold. | 0:19:36 | 0:19:39 | |
I suspect the gold content is probably £70 or £80 | 0:19:39 | 0:19:43 | |
apart from anything else. | 0:19:43 | 0:19:45 | |
And it's in a case there and it's Debbie's. | 0:19:45 | 0:19:48 | |
-DEBBIE: -The pencil, I could do it for 100. | 0:19:48 | 0:19:52 | |
Could you? | 0:19:52 | 0:19:53 | |
-What do you think it'll make at auction? -£100. | 0:19:53 | 0:19:55 | |
100? So, we don't want to pay 100 for it then, do we? | 0:19:55 | 0:19:57 | |
So, we've got to barter a little bit here | 0:19:57 | 0:19:59 | |
-cos there's no profit in that. -You don't know but... | 0:19:59 | 0:20:02 | |
But you said 100, so... | 0:20:02 | 0:20:04 | |
Wow, Karen certainly drives a hard bargain and it's getting to Charlie. | 0:20:04 | 0:20:09 | |
The Blues, meanwhile, are all over the place. | 0:20:09 | 0:20:12 | |
Yeah, they're definitely repro. | 0:20:12 | 0:20:13 | |
And Karen is back in charge again. | 0:20:13 | 0:20:16 | |
-70... -You have the money. | 0:20:16 | 0:20:18 | |
-Flash. -Oh, this is so hard. | 0:20:18 | 0:20:20 | |
-You have to work with this girl? -I do. | 0:20:20 | 0:20:23 | |
60... | 0:20:24 | 0:20:25 | |
That's all... That's it, £80. | 0:20:25 | 0:20:28 | |
We'd be really chuffed at £80. | 0:20:28 | 0:20:30 | |
Just 30 seconds left, teams. | 0:20:33 | 0:20:36 | |
We are on seconds. Fruit knife, Jim. | 0:20:36 | 0:20:39 | |
-JIM: -Thank you very much. -Thank you, Jim. -Thank you, Jim. | 0:20:39 | 0:20:42 | |
-I've no idea how much that was. What was that? -£20. -JIM: -£20. | 0:20:42 | 0:20:45 | |
-Can we go 80, please. -80, go on, then. | 0:20:45 | 0:20:48 | |
Yeah? Is that a deal? Oh, brilliant. | 0:20:48 | 0:20:51 | |
Thanks so much, thank you. | 0:20:51 | 0:20:52 | |
Are you happy with that, Debbie? | 0:20:52 | 0:20:54 | |
-Yeah. -Thank you. | 0:20:54 | 0:20:55 | |
I can see that Debbie is deliriously happy with that. | 0:20:55 | 0:20:59 | |
COCKEREL CROWS | 0:20:59 | 0:21:01 | |
That's it, teams, your 60 minutes are up. | 0:21:01 | 0:21:04 | |
You guys really, really, really know how to cut it fine. | 0:21:04 | 0:21:11 | |
-That was fun. -I thoroughly enjoyed it. | 0:21:11 | 0:21:13 | |
-I loved the bartering part of it. -I wouldn't do it again. | 0:21:13 | 0:21:15 | |
I would love to do it again. | 0:21:15 | 0:21:17 | |
Let's take a closer look at what the Red team bought. | 0:21:17 | 0:21:19 | |
First up, Dave spotted this vintage chocolate usher's tray | 0:21:21 | 0:21:24 | |
and did a deal, buying it for £60. | 0:21:24 | 0:21:27 | |
Next up, and with just minutes to go, | 0:21:28 | 0:21:30 | |
Karen chose these five boxes, which cost just £10. | 0:21:30 | 0:21:35 | |
And with seconds to go, | 0:21:35 | 0:21:36 | |
the team bought this propelling pencil, | 0:21:36 | 0:21:38 | |
price paid - £80. | 0:21:38 | 0:21:41 | |
Team, it all started so well | 0:21:43 | 0:21:46 | |
-and then you took it right to the wire, didn't you? -I know. | 0:21:46 | 0:21:49 | |
My goodness. How did you find it? | 0:21:49 | 0:21:51 | |
I loved every minute, to be honest. | 0:21:51 | 0:21:53 | |
-He was great. -And you used every minute. -Yeah, we did, yeah. | 0:21:53 | 0:21:56 | |
-It was brilliant. -It went very quick. -Loved it. | 0:21:56 | 0:21:59 | |
-So, what was your favourite item, Dave? -Oh, the chocolate box. | 0:21:59 | 0:22:02 | |
-The chocolate box. -Yeah. -It sounds good already. What about you, Kaz? | 0:22:02 | 0:22:05 | |
-It has to be my wooden boxes. -The wooden boxes. | 0:22:05 | 0:22:07 | |
-Which I purchased on my own. -Right. | 0:22:07 | 0:22:10 | |
-Without expert help or guidance. -Really? | 0:22:10 | 0:22:12 | |
OK. So, what do you think's going to make the biggest profit? | 0:22:12 | 0:22:15 | |
Oh, my boxes. I'm so confident. | 0:22:15 | 0:22:17 | |
She's got so much faith, Charlie, I love it. | 0:22:17 | 0:22:20 | |
She's good. | 0:22:20 | 0:22:21 | |
-She's very, very good. -Is she? | 0:22:21 | 0:22:23 | |
And, Dave, what about you? | 0:22:23 | 0:22:25 | |
What do you think will bring the biggest profit at auction? | 0:22:25 | 0:22:27 | |
I'd like to say my chocolate box | 0:22:27 | 0:22:29 | |
but I think it might be the propelling pencil. | 0:22:29 | 0:22:31 | |
-So, how much did you spend altogether? -We spent £150. | 0:22:31 | 0:22:33 | |
-£150? So, I'd like £150 of leftover lolly, please. -There you go. | 0:22:33 | 0:22:36 | |
Why thank you very much. A nice round number. | 0:22:36 | 0:22:38 | |
Charlie Rossco. What are you going to spend it on, Charlie? | 0:22:38 | 0:22:41 | |
Whatever I buy, I'm going to negotiate gently. | 0:22:41 | 0:22:44 | |
-Hard. -No, I'm not going to do that awful, ruthless tactic. | 0:22:44 | 0:22:48 | |
In fact, I'll probably give them more than the asking price. | 0:22:48 | 0:22:51 | |
So, while Charlie goes and pays more than is necessary | 0:22:51 | 0:22:54 | |
for his bonus buy, let's remind ourselves what the Blue team bought. | 0:22:54 | 0:22:58 | |
Firstly, Ian chose this Edwardian doll's head needle case, | 0:22:58 | 0:23:01 | |
bought for £50. | 0:23:01 | 0:23:02 | |
Next up, Stephen got his way with this Art Nouveau stamp box, | 0:23:02 | 0:23:06 | |
which cost just £15. | 0:23:06 | 0:23:09 | |
And with seconds to go, | 0:23:09 | 0:23:10 | |
the team bought this Edward VII pocket fruit knife, | 0:23:10 | 0:23:13 | |
price paid - £20. | 0:23:13 | 0:23:15 | |
Guys, so relaxed. Love it, loving your style. | 0:23:19 | 0:23:22 | |
A little too relaxed maybe? | 0:23:22 | 0:23:23 | |
-No. -No? | 0:23:23 | 0:23:25 | |
-No. -You were fine. | 0:23:25 | 0:23:26 | |
Yeah, we were a bit relaxed, weren't we, at the end. | 0:23:26 | 0:23:29 | |
Only a tad. | 0:23:29 | 0:23:31 | |
Did you enjoy it? | 0:23:31 | 0:23:32 | |
-Yeah, it was great fun. -Yeah. -Brilliant. | 0:23:32 | 0:23:34 | |
Catherine, do you have any hair left whatsoever or are you... | 0:23:34 | 0:23:36 | |
-pulling it out? -It was difficult. | 0:23:36 | 0:23:38 | |
They were too, too relaxed. | 0:23:38 | 0:23:40 | |
-Very laid-back. -Hm-hm. -CHRISTINA LAUGHS | 0:23:40 | 0:23:43 | |
So, what was your favourite item, Stephen? | 0:23:43 | 0:23:44 | |
-My favourite item was the little fruit knife. -A fruit knife, OK. | 0:23:44 | 0:23:48 | |
-Brilliant. And what about you, Ian? -I liked the little doll we got. | 0:23:48 | 0:23:51 | |
A little doll. | 0:23:51 | 0:23:52 | |
And what do you think will bring the biggest profit, Ian? | 0:23:52 | 0:23:55 | |
-I think the doll. -The doll? OK, brilliant, sticking by his guns. | 0:23:55 | 0:23:58 | |
-Brilliant. What about you, Stephen? -The fruit knife. | 0:23:58 | 0:24:00 | |
The fruit knife? OK, all right. So, how much did you spend? | 0:24:00 | 0:24:04 | |
-We spent a total £85. -£85? | 0:24:04 | 0:24:07 | |
-The big 85, yeah. -Brilliant. | 0:24:07 | 0:24:09 | |
Well, I would like £215 of leftover lolly then, please. | 0:24:09 | 0:24:11 | |
-Who's got the readies? -I've got the money there. | 0:24:11 | 0:24:13 | |
Well done. £215? Catherine... | 0:24:13 | 0:24:16 | |
-I know. -..that is a serious budget there. | 0:24:16 | 0:24:19 | |
-Wow-ee, look at that. -It's a wodge, isn't it? | 0:24:19 | 0:24:21 | |
What's your plan with that? | 0:24:21 | 0:24:22 | |
Well, I'm going to make a big dent in this, I really am. | 0:24:22 | 0:24:26 | |
-I'm going to do you proud, boys. -Brilliant, I like it. | 0:24:26 | 0:24:28 | |
Well, whilst Katherine makes her dent, | 0:24:28 | 0:24:30 | |
we're off somewhere rather special. | 0:24:30 | 0:24:32 | |
Hidden deep in the Hampshire countryside, | 0:24:36 | 0:24:39 | |
you'll find Laverstoke Mill. | 0:24:39 | 0:24:40 | |
The site straddles the River Test and over the centuries, | 0:24:42 | 0:24:45 | |
the rushing waters supplied constant power | 0:24:45 | 0:24:47 | |
to the belts and pulleys in the adjacent buildings. | 0:24:47 | 0:24:51 | |
The history of Laverstoke Mill | 0:24:51 | 0:24:52 | |
is recorded as far back as the Domesday Book. | 0:24:52 | 0:24:55 | |
But it was when Henry Portal took over in the 18th century | 0:24:55 | 0:24:58 | |
that it really made its mark. | 0:24:58 | 0:25:00 | |
Henry Portal was a Huguenot refugee from France. | 0:25:02 | 0:25:05 | |
In 1710, when he was 20, | 0:25:05 | 0:25:08 | |
he began working in the paper-making industry, | 0:25:08 | 0:25:10 | |
eventually setting up his own business. | 0:25:10 | 0:25:12 | |
By 1719, the Portal empire expanded | 0:25:12 | 0:25:15 | |
and Henry acquired the lease of Laverstoke Mill. | 0:25:15 | 0:25:18 | |
In December 1724, | 0:25:22 | 0:25:24 | |
Henry Portal was awarded the exclusive contract | 0:25:24 | 0:25:27 | |
with the Bank of England to provide the watermarked paper | 0:25:27 | 0:25:29 | |
for all of their banknotes. | 0:25:29 | 0:25:31 | |
It was to prove a very fruitful relationship. | 0:25:31 | 0:25:34 | |
To find out more, I've come to speak to Jackie Sergeant, | 0:25:37 | 0:25:40 | |
who manages the archive here. | 0:25:40 | 0:25:43 | |
So, Jackie, what do we know about Henry Portal | 0:25:43 | 0:25:45 | |
and his relationship with the Bank of England? | 0:25:45 | 0:25:48 | |
Well, it all developed actually by luck, I think, | 0:25:48 | 0:25:50 | |
when he became friends with a nephew | 0:25:50 | 0:25:52 | |
of the Governor of the Bank of England, | 0:25:52 | 0:25:53 | |
-who was also a Huguenot. -Ah. | 0:25:53 | 0:25:55 | |
So, there was this kind of whole French connection | 0:25:55 | 0:25:57 | |
that was very much helping them. | 0:25:57 | 0:25:58 | |
But also he was producing very good quality paper, | 0:25:58 | 0:26:00 | |
so he was in a good position to take on the contract. | 0:26:00 | 0:26:03 | |
The earliest sample we have, here is from 1815. | 0:26:03 | 0:26:07 | |
It's made from linen, which is why it's survived so long really. | 0:26:07 | 0:26:11 | |
The actual watermarking is very simple. | 0:26:11 | 0:26:13 | |
And did they develop that watermark? | 0:26:13 | 0:26:15 | |
They were very heavily involved in the development of that process, | 0:26:15 | 0:26:19 | |
which was quite sophisticated. | 0:26:19 | 0:26:21 | |
They introduced shaded watermarks for the first time, | 0:26:21 | 0:26:23 | |
-in the 1850s, as well. -OK. | 0:26:23 | 0:26:25 | |
So, this bank note's basically about 100 years later, in 1919. | 0:26:25 | 0:26:29 | |
-And you can see... -Oh, look at that. -Yeah. | 0:26:29 | 0:26:31 | |
You can see the denomination says it's £5 note | 0:26:31 | 0:26:34 | |
and the watermark is shaded, so it's much more sophisticated. | 0:26:34 | 0:26:38 | |
It's funny, isn't it? | 0:26:38 | 0:26:39 | |
It's not until something's pointed out to you do you realise | 0:26:39 | 0:26:41 | |
-quite how complex it is. -Yeah. -That is just stunning, isn't it? | 0:26:41 | 0:26:44 | |
And watermarks are essentially 3D paper, the way it's made | 0:26:44 | 0:26:48 | |
but it's been flattened down. | 0:26:48 | 0:26:50 | |
But if you run your hands along one of your banknotes | 0:26:50 | 0:26:52 | |
that has the watermark, you can feel the lumpy pumps on the paper. | 0:26:52 | 0:26:55 | |
So, this really was very big business to the Portals, | 0:26:55 | 0:26:57 | |
-wasn't it? -Yes. | 0:26:57 | 0:26:58 | |
The contract was passed down from father to son | 0:26:58 | 0:27:01 | |
and that wasn't guaranteed in any contract or anything | 0:27:01 | 0:27:03 | |
but just because the government were happy with what was happening. | 0:27:03 | 0:27:06 | |
The Bank of England were very pleased with the notes | 0:27:06 | 0:27:08 | |
that were being produced, so they continued the contract. | 0:27:08 | 0:27:11 | |
And then obviously the Portals' business just grew and grew. | 0:27:11 | 0:27:14 | |
They did seem to have done a good job as a family, overall. | 0:27:14 | 0:27:17 | |
For more than 200 years they were doing excellent-quality paper, | 0:27:17 | 0:27:21 | |
exactly what the bank was needing. | 0:27:21 | 0:27:24 | |
By the early 1920s, | 0:27:24 | 0:27:25 | |
Laverstoke Mill was one of the largest handmade paper mills | 0:27:25 | 0:27:28 | |
in the country, making paper for much of the British Empire. | 0:27:28 | 0:27:32 | |
But during the second half of the 20th century, | 0:27:32 | 0:27:34 | |
the Portals lost orders as newly-independent countries | 0:27:34 | 0:27:37 | |
developed their own paper mills. | 0:27:37 | 0:27:39 | |
Paper making ceased here altogether in 1963. | 0:27:39 | 0:27:43 | |
And then for the latter part of the 20th century, | 0:27:44 | 0:27:47 | |
the building was home to a number of different businesses. | 0:27:47 | 0:27:49 | |
Then, in 2005, the site was left vacant. | 0:27:51 | 0:27:55 | |
This beautiful mill, which had been one of the largest | 0:27:55 | 0:27:57 | |
and most important paper mills in Great Britain, was left to rot. | 0:27:57 | 0:28:02 | |
Over the centuries, Laverstoke Mill, had operated as a corn mill, | 0:28:02 | 0:28:05 | |
a paper mill and even a water treatment manufacturer, | 0:28:05 | 0:28:08 | |
but what did the future hold? | 0:28:08 | 0:28:10 | |
What would be the next chapter in the history of this amazing place? | 0:28:10 | 0:28:14 | |
Step in a well-known maker of gin | 0:28:22 | 0:28:24 | |
looking for a location for a new distillery. | 0:28:24 | 0:28:27 | |
Will Brix is the estate manager here. | 0:28:30 | 0:28:33 | |
So, you could have chosen anywhere in the country, I assume. | 0:28:33 | 0:28:36 | |
-Mm-hmm. -Why here? | 0:28:36 | 0:28:38 | |
It was just such a fascinating place. | 0:28:38 | 0:28:40 | |
There was this feeling and this pulse | 0:28:40 | 0:28:42 | |
that was just really magical. | 0:28:42 | 0:28:44 | |
It's got such an amazing history and we just wanted to breathe | 0:28:44 | 0:28:47 | |
a very modern breath into a really old building. | 0:28:47 | 0:28:50 | |
So, we worked with Thomas Heatherwick | 0:28:50 | 0:28:52 | |
reinterpreting the site. | 0:28:52 | 0:28:54 | |
Thomas Heatherwick, | 0:28:54 | 0:28:55 | |
famous for creating the Olympic cauldron at the 2012 Games, | 0:28:55 | 0:28:59 | |
looked at the heritage of botanical glasshouses | 0:28:59 | 0:29:01 | |
and created this stunning building. | 0:29:01 | 0:29:03 | |
The eye-catching structures hold the plants used to flavour the gin. | 0:29:07 | 0:29:11 | |
They're made from 893 individually-shaped glass pieces | 0:29:11 | 0:29:14 | |
held within more than one and a quarter kilometres | 0:29:14 | 0:29:17 | |
of stainless steel. | 0:29:17 | 0:29:18 | |
They seem to spring from the historic mill building, | 0:29:21 | 0:29:24 | |
a perfect blend of the old and the new. | 0:29:24 | 0:29:27 | |
Time now to head off to the auction. | 0:29:31 | 0:29:33 | |
We have travelled from Northamptonshire | 0:29:39 | 0:29:41 | |
all the way over to Berkshire | 0:29:41 | 0:29:43 | |
to be at Special Auction Services with Thomas Plant, | 0:29:43 | 0:29:45 | |
auctioneer extraordinaire. | 0:29:45 | 0:29:47 | |
-Oh, thank you, Christina. -SHE LAUGHS | 0:29:47 | 0:29:49 | |
And we give you a very warm welcome here in the Royal County. | 0:29:49 | 0:29:51 | |
That's very kind of you, thank you very much. Right. | 0:29:51 | 0:29:54 | |
Now, let's start with the Red team. | 0:29:54 | 0:29:56 | |
-Yes. -How delicious is this? | 0:29:56 | 0:29:58 | |
Oh, we love this box. | 0:29:58 | 0:30:00 | |
We do a lot of sort of advertising items at ephemera. | 0:30:00 | 0:30:04 | |
And it's just the kind of thing... It's just so rare, I think. | 0:30:04 | 0:30:06 | |
You know, there's been a lot of interest in it. | 0:30:06 | 0:30:08 | |
Now, how do you rate it? What estimate have you put on it? | 0:30:08 | 0:30:11 | |
-Well, we've put £50-£80 on. -OK, all right. Well, there's £60 paid. | 0:30:11 | 0:30:14 | |
-Oh, I think that's going to do well. -OK. | 0:30:14 | 0:30:16 | |
Well, Thomas, how are you at standing on your soapboxes? | 0:30:16 | 0:30:19 | |
-Well, you know, I like a soap box. -I know you like a soapbox. | 0:30:19 | 0:30:22 | |
-You can have five of them... -I know. -..for all your different rants. | 0:30:22 | 0:30:25 | |
Well, I could sort of turn them over and stand on them, | 0:30:25 | 0:30:27 | |
they could raise me up on the rostrum. | 0:30:27 | 0:30:29 | |
-Well, it might help. -We've put those in at 50 to 80. | 0:30:29 | 0:30:32 | |
Well, Karen thinks that this is going to deliver them | 0:30:32 | 0:30:34 | |
the most profit and she might be right because they only pay £10... | 0:30:34 | 0:30:37 | |
-Wow. -..for all of these. | 0:30:37 | 0:30:39 | |
That's amazing, isn't it? | 0:30:39 | 0:30:40 | |
So, I think Karen might be on the money there. | 0:30:40 | 0:30:42 | |
Now, the third item we've got is this little sweet | 0:30:42 | 0:30:44 | |
nine-carat gold propelling pencil. | 0:30:44 | 0:30:46 | |
Now, Dave thinks that this is going to bring them the biggest profit. | 0:30:46 | 0:30:49 | |
How do you rate that, Thomas? | 0:30:49 | 0:30:50 | |
Well, we rate this quite well because it's boxed. | 0:30:50 | 0:30:54 | |
Yeah, how often do you get a case? | 0:30:54 | 0:30:55 | |
Everything which has been cased, always adds that extra 20-30%. | 0:30:55 | 0:31:01 | |
Yes, it's gold. It's got a lovely sardonyx shield intaglia at the top | 0:31:01 | 0:31:06 | |
and we put £100 on that. | 0:31:06 | 0:31:07 | |
So, they paid £80 for that. | 0:31:07 | 0:31:09 | |
It certainly could make 100, it could make a little bit more. | 0:31:09 | 0:31:12 | |
All in all, I think they've had a really stellar shop. | 0:31:12 | 0:31:15 | |
It doesn't sound like they're going to need their bonus buy | 0:31:15 | 0:31:17 | |
but we'll go and have a look at it anyway. | 0:31:17 | 0:31:20 | |
Reveal, my love. | 0:31:20 | 0:31:21 | |
Guys, you're looking thoroughly underwhelmed. | 0:31:22 | 0:31:24 | |
-I hate it. -Oh. | 0:31:24 | 0:31:26 | |
-You hate it? -I hate it. | 0:31:26 | 0:31:27 | |
-Is that H-A-T-E? -With a big H. | 0:31:27 | 0:31:30 | |
Dave, what do you think? | 0:31:30 | 0:31:32 | |
-I don't like it. -At all? | 0:31:32 | 0:31:34 | |
-No. -What do you think it's worth? | 0:31:34 | 0:31:36 | |
15 to 20. Dave? | 0:31:36 | 0:31:39 | |
-Dave? -A little bit more. | 0:31:39 | 0:31:40 | |
Well, you'll be thrilled to know then, both of you, that it cost 40 | 0:31:40 | 0:31:43 | |
but I think it's worth at least £60. | 0:31:43 | 0:31:46 | |
-Hedging your bets there. -Absolutely. | 0:31:46 | 0:31:48 | |
Well, you don't have to decide whether you're going to go with | 0:31:48 | 0:31:50 | |
the bonus buy now but let's see if our auctioneer | 0:31:50 | 0:31:52 | |
thinks that Charlie's bonus buy is going to be clocking up a profit. | 0:31:52 | 0:31:55 | |
So, Thomas, this is what Charlie wisely invested in | 0:31:55 | 0:31:58 | |
with their leftover lolly. | 0:31:58 | 0:32:00 | |
What do you think of that? | 0:32:00 | 0:32:02 | |
Well, it's pretty boring. | 0:32:02 | 0:32:04 | |
-Well, it is. It's just a domed mantel clock. -Right. | 0:32:06 | 0:32:09 | |
We've put £50 on it. | 0:32:09 | 0:32:10 | |
I mean, buy me a clock new for £50, which has got age. | 0:32:10 | 0:32:14 | |
It's got a bit of character, it's got a bit of character. | 0:32:14 | 0:32:17 | |
You know, it certainly... It's an antique. | 0:32:17 | 0:32:19 | |
Well, Charlie invested £40 in it, so we're not a million miles away. | 0:32:19 | 0:32:22 | |
So, that's the Red team done, fairly buoyant over there. | 0:32:22 | 0:32:25 | |
Let's have a look at what the Blue team bought. | 0:32:25 | 0:32:27 | |
First up was this rather delightful little doll's needle case, | 0:32:27 | 0:32:29 | |
isn't that sweet? | 0:32:29 | 0:32:31 | |
It is absolutely delightful. | 0:32:31 | 0:32:32 | |
We do lots of doll's house furniture | 0:32:32 | 0:32:34 | |
and this is exactly what this is, it's a doll's house doll, | 0:32:34 | 0:32:36 | |
which has had this rather lovely silk needle case attached to it. | 0:32:36 | 0:32:41 | |
-So, you think it started life as a doll... -Yes. | 0:32:41 | 0:32:43 | |
-..and somebody has loved it and cherished it... -Yes. | 0:32:43 | 0:32:46 | |
..and perhaps as they've grown, | 0:32:46 | 0:32:47 | |
they've wanted to put their little dolly... | 0:32:47 | 0:32:49 | |
-Yes, that's exactly what it is. -..to good use. | 0:32:49 | 0:32:51 | |
-Sweet. -It's a sweet object and we valued it at £40-60. | 0:32:51 | 0:32:55 | |
-Oh, OK, £40-60. Well, £50 paid. -Hm. | 0:32:55 | 0:32:58 | |
So, we might be struggling with that slightly. | 0:32:58 | 0:33:00 | |
So, next up, is this absolutely charming | 0:33:00 | 0:33:02 | |
little Art Nouveau stamp box over here, which I love. | 0:33:02 | 0:33:04 | |
It is delightful, isn't it? It is really delightful. | 0:33:04 | 0:33:07 | |
I love the sunflower here and the leaves. | 0:33:07 | 0:33:09 | |
-And it's such an Art Nouveau motif, the sunflower. -It is, it is. | 0:33:09 | 0:33:12 | |
-And we are in the digital age but people still send letters. -Yes. | 0:33:12 | 0:33:17 | |
-Now, we've put, cos we like it, £30-40 on it. -Oh, brilliant. | 0:33:17 | 0:33:21 | |
Well, they'll be absolutely delighted with that. £15 paid. | 0:33:21 | 0:33:24 | |
-Oh, double your money. -Exactly, perfect. | 0:33:24 | 0:33:26 | |
And then of course their third item | 0:33:26 | 0:33:28 | |
was the mother-of-pearl and silver little fruit knife there. | 0:33:28 | 0:33:31 | |
-Yes. -What's your thoughts on that? | 0:33:31 | 0:33:32 | |
Well, it's a mother-of-pearl and silver fruit knife. | 0:33:32 | 0:33:36 | |
You know, it's all you can really say. | 0:33:36 | 0:33:38 | |
They always make between £30 and £40. | 0:33:38 | 0:33:41 | |
-They only paid £20 for it. -Oh, right. Well, well done them. | 0:33:41 | 0:33:44 | |
Yeah, exactly. | 0:33:44 | 0:33:45 | |
So, all in all, | 0:33:45 | 0:33:46 | |
they're looking quite buoyant over here, aren't they? | 0:33:46 | 0:33:49 | |
They might not need their bonus buy | 0:33:49 | 0:33:50 | |
but let's go and have a look at it anyway. | 0:33:50 | 0:33:53 | |
Catherine, you were left with £215 of leftover lolly. | 0:33:53 | 0:33:57 | |
What did you spend it on? | 0:33:57 | 0:33:58 | |
-Well, I could have spent it all... -Yeah. | 0:33:58 | 0:34:00 | |
-..but I didn't. -Oh. -I bought you that. | 0:34:00 | 0:34:02 | |
-Have a feel. -It does look lovely. | 0:34:02 | 0:34:03 | |
What I liked about this was the shape. | 0:34:03 | 0:34:06 | |
I thought it's a lovely shape. It's cut glass, | 0:34:06 | 0:34:09 | |
nicely marked there on the silver top. | 0:34:09 | 0:34:11 | |
-Yeah, I like that. -Yeah, I think it's lovely. -You happy, boys? | 0:34:11 | 0:34:15 | |
-We both like it, yeah. -You're pleased? | 0:34:15 | 0:34:16 | |
How much do you think it's going to make? | 0:34:16 | 0:34:18 | |
£50, I paid, and I predict a profit. | 0:34:18 | 0:34:21 | |
-I think... -Of? | 0:34:21 | 0:34:23 | |
Of? Oh, they're pinning me down. | 0:34:23 | 0:34:25 | |
-It's going to make a £20 profit, I think. -Oh, here we go. | 0:34:25 | 0:34:28 | |
-It should do. -There we are. | 0:34:28 | 0:34:29 | |
Well, let's go and see if the auctioneer thinks | 0:34:29 | 0:34:31 | |
whether Catherine's bonus buy has the sweet smell of success. | 0:34:31 | 0:34:34 | |
So, Thomas, this is what Catherine wisely invested | 0:34:36 | 0:34:38 | |
their leftover lolly in, what do you think? | 0:34:38 | 0:34:41 | |
Well, it's rather good. | 0:34:41 | 0:34:42 | |
It's Victorian, it's quite a good shape for Victorian. | 0:34:42 | 0:34:45 | |
It is, isn't it? Nice bit of quality, that star-cut base. | 0:34:45 | 0:34:48 | |
Bit of silver on the top. | 0:34:48 | 0:34:50 | |
-Yeah, we like it and well done. We put £70-100. -Oh, brilliant. | 0:34:50 | 0:34:53 | |
Well, £50 paid. | 0:34:53 | 0:34:55 | |
-Will you be taking the auction for us? -Of course. | 0:34:55 | 0:34:57 | |
Brilliant, we'll be in safe hands then. | 0:34:57 | 0:34:59 | |
AUCTIONEER CALLS OUT BIDS | 0:34:59 | 0:35:02 | |
-This is exciting, isn't it? -Yes. -My goodness, are you nervous? -Yes. | 0:35:05 | 0:35:08 | |
-A little bit. -Are you? -Yeah. -Oh, my goodness. | 0:35:08 | 0:35:10 | |
Well, let's all hold hands | 0:35:10 | 0:35:11 | |
-and then we'll be -all right. Charlie. | 0:35:11 | 0:35:12 | |
Leave me out of that one. | 0:35:14 | 0:35:16 | |
Look, your first lot is your vintage Rowntree's chocolate | 0:35:17 | 0:35:21 | |
cinema or theatre usher's tray, which I adored. | 0:35:21 | 0:35:24 | |
-It was your favourite item, darling, wasn't it? -Yeah. -You picked it. -Yes. | 0:35:24 | 0:35:27 | |
So, here it comes now, best of luck. | 0:35:27 | 0:35:29 | |
-AUCTIONEER: -This is a vintage Rowntree's chocolate | 0:35:29 | 0:35:31 | |
cinema or theatre usher's tray. | 0:35:31 | 0:35:34 | |
Wooden display box, it's lovely, this lot. | 0:35:34 | 0:35:37 | |
An interest has it with me here at 50, | 0:35:37 | 0:35:39 | |
5, 60, 5, 75 with me. | 0:35:39 | 0:35:43 | |
-Look at that! -75, I have. | 0:35:43 | 0:35:45 | |
-75 against you. 80, 5. -Dave, you were right. | 0:35:45 | 0:35:48 | |
On 90, 5. Against you, internet. | 0:35:48 | 0:35:51 | |
-Told you. -Thank you. -110 with me. | 0:35:51 | 0:35:54 | |
-Selling twice at 120, it's all online. -Fantastic. | 0:35:55 | 0:35:59 | |
-120. -I'm really chuffed with that. | 0:35:59 | 0:36:01 | |
So, you're £60 up and that's your first lot done. | 0:36:01 | 0:36:04 | |
Second is the vintage pine soapboxes. | 0:36:04 | 0:36:07 | |
Start me here, £20. £20 for the soap trays. | 0:36:07 | 0:36:10 | |
£20, surely there must be £20. | 0:36:10 | 0:36:13 | |
-Must be 20. £20. -Oh, no. | 0:36:13 | 0:36:15 | |
Try this at a tenner then. £10, get this going at 10. | 0:36:15 | 0:36:18 | |
10, I've got. Lady's bid at £10. At 10, 12. | 0:36:18 | 0:36:21 | |
-12 now against you. -12, you're into a profit, guys. | 0:36:21 | 0:36:23 | |
-15, 15 it is. -Oh, we're in for a profit! | 0:36:23 | 0:36:25 | |
15, it's a room bid against you, internet. | 0:36:25 | 0:36:27 | |
20 now, at 20 it is. | 0:36:27 | 0:36:29 | |
-You've doubled your money. -20 twice, 22 now in front. | 0:36:29 | 0:36:31 | |
-25, 25. -This is ridiculous. | 0:36:31 | 0:36:34 | |
One more, 28. 28 it is, at £28. | 0:36:34 | 0:36:37 | |
28, 30 now. | 0:36:37 | 0:36:39 | |
At 30. No, £30 once, 30 twice, selling in the room. £30. | 0:36:39 | 0:36:44 | |
£30. Guys, that is £20 profit. Well done, you. | 0:36:44 | 0:36:47 | |
This is the one that we're unsure about, isn't it? | 0:36:47 | 0:36:49 | |
Next one is your Victorian nine-carat gold propelling pencil. | 0:36:49 | 0:36:52 | |
It's in its fitted case. | 0:36:52 | 0:36:54 | |
Start me here, £80. | 0:36:54 | 0:36:56 | |
Somebody start me 80. 80, 80 I've got, 5, 90. | 0:36:56 | 0:36:59 | |
90, it is. At 90. 90, £90. | 0:36:59 | 0:37:01 | |
-Golden gamble. -Fantastic! | 0:37:01 | 0:37:03 | |
Any advance at 90? | 0:37:03 | 0:37:05 | |
5, 5, 5. 100 it is, £100. | 0:37:05 | 0:37:07 | |
110 now, 110 online. | 0:37:07 | 0:37:10 | |
120, 120 it is. | 0:37:10 | 0:37:11 | |
At 120, 130. | 0:37:11 | 0:37:13 | |
It's a good-looking lot, at 130 in its case. | 0:37:13 | 0:37:16 | |
Selling, make no mistake. | 0:37:16 | 0:37:18 | |
Unbelievable, guys. £50 profit. | 0:37:18 | 0:37:21 | |
Three lots, three profit, I've never heard anything like it. | 0:37:21 | 0:37:24 | |
That's fantastic. | 0:37:24 | 0:37:26 | |
-You are in profit... -We're on a winning streak. | 0:37:26 | 0:37:28 | |
..you are in profit by £130. | 0:37:28 | 0:37:31 | |
Yeah, but half that, so what do you think? | 0:37:31 | 0:37:33 | |
What are you going to do, guys? It is nail biting, isn't it? | 0:37:33 | 0:37:35 | |
-Yeah, come on. -Yeah, we'll go for it. | 0:37:35 | 0:37:37 | |
-You're going to go with it? -Yeah. | 0:37:37 | 0:37:39 | |
-So, officially, you're going to go with the bonus buy? -Definitely. | 0:37:39 | 0:37:41 | |
-AUCTIONEER: -Lot 6, an Edwardian oak and satinwood-strung clock, | 0:37:41 | 0:37:45 | |
looking rather fine here. | 0:37:45 | 0:37:46 | |
Start the bidding with me here at 35, 35. | 0:37:46 | 0:37:48 | |
35, 40 now with me at 40. | 0:37:48 | 0:37:50 | |
Oh, watch his face. | 0:37:50 | 0:37:51 | |
45 it is. 45, it's online. | 0:37:51 | 0:37:55 | |
It's online at £45. | 0:37:55 | 0:37:56 | |
Selling at 45 online. | 0:37:56 | 0:37:58 | |
-Oh, just one more. -Once, online twice at 45. | 0:37:58 | 0:38:00 | |
Are we done? | 0:38:00 | 0:38:02 | |
-45. -Fantastic. Well done. | 0:38:02 | 0:38:05 | |
£135 in total. | 0:38:05 | 0:38:07 | |
Well done, you, that was fantastic. | 0:38:07 | 0:38:10 | |
Now, promise me, you won't say a word to the Blues. | 0:38:10 | 0:38:12 | |
-No, we won't, we promise. -We promise. -No, we won't. | 0:38:12 | 0:38:15 | |
It'll be hard not to tell them though. | 0:38:15 | 0:38:17 | |
Stephen and Ian, my goodness, how exciting is this, hey? | 0:38:30 | 0:38:33 | |
-How you are feeling? -Nervous. | 0:38:33 | 0:38:35 | |
-Nervous? -Yes, very. -Really? | 0:38:35 | 0:38:37 | |
Oh, don't be nervous, you'll be fine. | 0:38:37 | 0:38:39 | |
-And, Catherine, how are you feeling? -Fine. | 0:38:39 | 0:38:41 | |
-Well done. -I think we've got fairly good items, not bad. | 0:38:41 | 0:38:46 | |
-They're very good items. -You're not so confident? | 0:38:46 | 0:38:48 | |
-He doesn't like the doll. -It's that blooming doll. | 0:38:48 | 0:38:50 | |
If that made any money, I'd dance round the room. | 0:38:50 | 0:38:53 | |
-Well, it was your favourite, wasn't it, darling? -Yes. | 0:38:53 | 0:38:56 | |
It was your favourite | 0:38:56 | 0:38:57 | |
-and the one that you predicted the most profit on. -Yes. | 0:38:57 | 0:38:59 | |
And we start with that now. | 0:38:59 | 0:39:00 | |
-AUCTIONEER: -Of sewing interest, an Edwardian doll's head needle case. | 0:39:00 | 0:39:03 | |
I can start the bidding with me here at £20. | 0:39:03 | 0:39:07 | |
Start me here at 20. | 0:39:07 | 0:39:08 | |
It's OK, it's a good starting bid. It's a good starting bid. | 0:39:08 | 0:39:10 | |
At £20 the needle case. 20, I have, 22. | 0:39:10 | 0:39:12 | |
25, 28. | 0:39:12 | 0:39:15 | |
Come on! | 0:39:15 | 0:39:16 | |
30, 5, 40. | 0:39:16 | 0:39:19 | |
£40, the lady's bid. | 0:39:19 | 0:39:21 | |
At £40, it's the lady's bid at 40. | 0:39:21 | 0:39:23 | |
At 40, is there any advance on £40? | 0:39:23 | 0:39:25 | |
-One more. -At 40 it is once... | 0:39:25 | 0:39:26 | |
-A couple more bids. -Against yours at 40. | 0:39:26 | 0:39:28 | |
They're wanting one more at £40. | 0:39:28 | 0:39:30 | |
Are we all done? | 0:39:30 | 0:39:31 | |
40 it is once, 40 twice. Are we done? | 0:39:31 | 0:39:34 | |
-£40. -THEY GROAN | 0:39:34 | 0:39:36 | |
Team, that's minus £10 on that one. | 0:39:36 | 0:39:38 | |
-So close. -Right, next up we've got the Art Nouveau brass stamp box. | 0:39:39 | 0:39:42 | |
Start me here at 15. | 0:39:42 | 0:39:44 | |
Start me, somebody, at 15 for the stamp box. | 0:39:44 | 0:39:46 | |
15, I have, £15. | 0:39:46 | 0:39:48 | |
-Any advance? -40. | 0:39:48 | 0:39:49 | |
-40 online. -Wow! | 0:39:49 | 0:39:51 | |
Fantastic! £40 bid online. | 0:39:51 | 0:39:53 | |
40 online it was. | 0:39:55 | 0:39:57 | |
Jumps at 40 online once, 40 online twice. | 0:39:57 | 0:40:00 | |
Can't do anything about it. Once. Twice. £40. | 0:40:00 | 0:40:03 | |
-Yes! -Yes! -£40, that's £25 profit. | 0:40:03 | 0:40:06 | |
Well done, you. You chose that, so well done. | 0:40:06 | 0:40:08 | |
So, now we've got the little fruit knife. | 0:40:08 | 0:40:10 | |
And I can start the bidding with me here at 25. | 0:40:10 | 0:40:12 | |
-28, 30 now. -Get in! -You're going to make a profit. | 0:40:12 | 0:40:14 | |
Straight in. | 0:40:14 | 0:40:15 | |
£30 it is. At £30. | 0:40:15 | 0:40:18 | |
For the lovely fruit knife here at £30. | 0:40:18 | 0:40:20 | |
-Any advance at 30? -Fantastic. | 0:40:20 | 0:40:22 | |
It's on my book. | 0:40:22 | 0:40:23 | |
-Bid's on my book at 30 once... -Go on! Go on! | 0:40:23 | 0:40:25 | |
-30 twice. Done then. -£30. | 0:40:25 | 0:40:27 | |
-We're happy with that. -So, £10 profit. | 0:40:27 | 0:40:30 | |
So, you are £25 profit, guys. | 0:40:30 | 0:40:33 | |
So, you're up by £25. | 0:40:33 | 0:40:34 | |
Now, you've got to make a decision now about your bonus buy. | 0:40:34 | 0:40:37 | |
-What would you like to do? -I think we'll go for it. | 0:40:37 | 0:40:40 | |
A late Victorian cut-glass silver-mounted perfume bottle. | 0:40:40 | 0:40:44 | |
Lovely design to the actual glass itself. | 0:40:44 | 0:40:46 | |
And I can start the bidding here at 45. | 0:40:46 | 0:40:50 | |
-Ooh, close. -Keep going in that direction, Thomas. | 0:40:50 | 0:40:52 | |
Oh, there's somebody bidding here. | 0:40:52 | 0:40:54 | |
60, I have. | 0:40:54 | 0:40:57 | |
-60, it's in the room. -Keep going! | 0:40:57 | 0:40:59 | |
-Go on, one more. -Any advance at 60? | 0:40:59 | 0:41:01 | |
-One more. -One more. -Scent bottle here at 60. | 0:41:01 | 0:41:03 | |
5 now online. | 0:41:03 | 0:41:04 | |
One more, madam. | 0:41:04 | 0:41:06 | |
-One more, madam. -Go on, madam. | 0:41:06 | 0:41:07 | |
65, you've come all this way. | 0:41:07 | 0:41:09 | |
-70, thank you. At £70, I have. -It worked, Catherine, well done! | 0:41:09 | 0:41:13 | |
At £70. | 0:41:13 | 0:41:14 | |
-Once at 70, twice at 70. -Well done, boys. | 0:41:14 | 0:41:17 | |
Brilliant. Well done, Catherine. | 0:41:17 | 0:41:18 | |
Oh, and a kiss. How lucky am I? | 0:41:18 | 0:41:20 | |
So, you are an overall profit of £45. | 0:41:20 | 0:41:24 | |
-That could be a winning score, don't say a word to the Reds. -No. | 0:41:24 | 0:41:26 | |
-You promise me? -I promise. -Unhappy faces. -Zip. | 0:41:26 | 0:41:29 | |
AUCTIONEER CALLS OUT BIDS | 0:41:34 | 0:41:36 | |
I have to say, this is very exciting. | 0:41:42 | 0:41:45 | |
Both teams leaving with folding money today. | 0:41:45 | 0:41:49 | |
-No! -Yeah, folding money. | 0:41:49 | 0:41:51 | |
But there is quite a vast gap between our folding money results. | 0:41:51 | 0:41:57 | |
And today's runners-up... | 0:41:57 | 0:41:59 | |
..are the Blue team. | 0:42:00 | 0:42:01 | |
GROANS AND LAUGHTER | 0:42:01 | 0:42:03 | |
I'm sorry, guys, you were so close as well. | 0:42:03 | 0:42:06 | |
You ended up plus £45. | 0:42:06 | 0:42:08 | |
-There we are, chaps, who wants it? -Thank you very much. | 0:42:08 | 0:42:10 | |
-You keep hold of it. -£45, so well done. | 0:42:10 | 0:42:12 | |
-Have you enjoyed yourself, guys? -Yeah, it's been a great experience. | 0:42:12 | 0:42:15 | |
Brilliant. Well, that's the main thing. | 0:42:15 | 0:42:17 | |
But of course, our victorious winners today, | 0:42:17 | 0:42:19 | |
our mighty Red team, who did quite spectacularly. | 0:42:19 | 0:42:23 | |
You've got your £135 profit just there. | 0:42:23 | 0:42:28 | |
-Thank you. -And, it is with the greatest of pleasure, | 0:42:28 | 0:42:32 | |
that I invite you to join this rather noble establishment | 0:42:32 | 0:42:36 | |
-of the Golden Gavellers. -Thank you. | 0:42:36 | 0:42:38 | |
-There we go, Kaz, there's your Golden Gavel. -Oh, wow. | 0:42:38 | 0:42:40 | |
There we go, Dave, there's your Golden Gavel, be careful. | 0:42:40 | 0:42:43 | |
Look at those Golden Gavels gleaming in the light. | 0:42:43 | 0:42:46 | |
-Have you had fun, guys? -I have really enjoyed it. -Yes, thank you. | 0:42:46 | 0:42:49 | |
-You've enjoyed yourself? -Yeah, really enjoyed it. | 0:42:49 | 0:42:51 | |
-Brilliant. Charlie? -Loved every minute of it. | 0:42:51 | 0:42:53 | |
LAUGHTER Glad to hear it. | 0:42:53 | 0:42:55 | |
Don't forget to check our website, details are on the screen now. | 0:42:55 | 0:42:58 | |
Or, of course, you can follow us on Twitter. | 0:42:58 | 0:43:00 | |
And don't forget to join us next time for some more Bargain Hunting. | 0:43:00 | 0:43:03 | |
-Yes? ALL: -Yes! | 0:43:03 | 0:43:05 |