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Today's show comes from Newark in Nottinghamshire | 0:00:02 | 0:00:04 | |
and this is the town's castle. | 0:00:04 | 0:00:06 | |
Now, interestingly, DH Lawrence also lived in this fair county | 0:00:06 | 0:00:10 | |
and did you know that his most famous work, | 0:00:10 | 0:00:13 | |
Lady Chatterley's Lover, was published almost 90 years ago? | 0:00:13 | 0:00:17 | |
Oh! Well, don't look at me. | 0:00:18 | 0:00:19 | |
I'm a betrothed woman. | 0:00:19 | 0:00:21 | |
Let's go Bargain Hunting. | 0:00:21 | 0:00:23 | |
Now, as always, our teams have £300 but just one hour | 0:00:48 | 0:00:51 | |
to buy three antiques that they hope will make a profit at auction, | 0:00:51 | 0:00:55 | |
and believe me, that is not easy. | 0:00:55 | 0:00:58 | |
So, let's take a look at what's coming up. | 0:00:58 | 0:01:00 | |
The Reds are hungry for a bargain... | 0:01:00 | 0:01:03 | |
Prawn sandwiches, some scones at the bottom. | 0:01:03 | 0:01:06 | |
-Yeah. -There we go. -That'll be nice. -Is it time for lunch yet? | 0:01:06 | 0:01:09 | |
..there's confusion with the Blues... | 0:01:09 | 0:01:11 | |
Feel that. | 0:01:11 | 0:01:12 | |
-300. -£3. | 0:01:12 | 0:01:14 | |
Was it three? My eyesight's going! | 0:01:14 | 0:01:17 | |
..and there's real excitement in the saleroom. | 0:01:17 | 0:01:20 | |
(You're joking!) | 0:01:23 | 0:01:24 | |
But that's all for later. For now, to the teams. | 0:01:24 | 0:01:27 | |
We've got two pairs of married couples today. | 0:01:27 | 0:01:29 | |
For the Reds, we have Michael and Amanda, | 0:01:29 | 0:01:32 | |
and for the Blues, we've got Tina and Steve. | 0:01:32 | 0:01:34 | |
Welcome, everyone. | 0:01:34 | 0:01:35 | |
-ALL: -Hello! | 0:01:35 | 0:01:36 | |
Thank you for joining us and we're going to turn straight to the Reds, | 0:01:36 | 0:01:39 | |
I'm not turning my back on you, Blues, | 0:01:39 | 0:01:41 | |
so tell us your romantic story. | 0:01:41 | 0:01:42 | |
How did you meet? | 0:01:42 | 0:01:43 | |
I was sat in the conservatory part of the restaurant | 0:01:43 | 0:01:46 | |
that I was working at in the hotel, I was the head chef, | 0:01:46 | 0:01:49 | |
and we were interviewing for a second chef. | 0:01:49 | 0:01:51 | |
The bus pulled up outside the hotel and this beautiful young lady | 0:01:51 | 0:01:55 | |
got off the bus and she came for an interview | 0:01:55 | 0:01:59 | |
and she was successful to get the job, and from there, | 0:01:59 | 0:02:02 | |
it was pretty much love at first sight. | 0:02:02 | 0:02:05 | |
Fantastic. So two chefs in the kitchen together? | 0:02:05 | 0:02:07 | |
No, I wasn't the chef. | 0:02:07 | 0:02:09 | |
I was interviewing for a waitress job, | 0:02:09 | 0:02:11 | |
which didn't last very long because I didn't like it at all. | 0:02:11 | 0:02:14 | |
Oh, right! Mike, now you do something different for work. | 0:02:14 | 0:02:17 | |
You're not in the kitchen any more. | 0:02:17 | 0:02:18 | |
I do. I work for one of the country's largest caterers. | 0:02:18 | 0:02:22 | |
I work in health care, um, division of the company. | 0:02:22 | 0:02:25 | |
So when you're not making sure that kitchens are germ-free, | 0:02:25 | 0:02:27 | |
-what do you get up to? -I used to do quite a lot of DJing. | 0:02:27 | 0:02:31 | |
'80s music and a bit of DJing. | 0:02:31 | 0:02:33 | |
No! Chas & Dave kind of style? | 0:02:33 | 0:02:35 | |
Yeah, a bit of Rabbit, a bit of "rabbit rabbit." | 0:02:35 | 0:02:37 | |
Over to you, Amanda, what do you do now? | 0:02:37 | 0:02:39 | |
I work for the Yorkshire Ambulance Service | 0:02:39 | 0:02:41 | |
as an administrator in the education department. | 0:02:41 | 0:02:43 | |
And it's quite fitting that you worked in the Ambulance Service | 0:02:43 | 0:02:46 | |
cos I'm sure at one point you sustained an injury | 0:02:46 | 0:02:48 | |
-and Mike came to your rescue. -Yes. | 0:02:48 | 0:02:50 | |
I spilt a great big glass... A tray of glasses, | 0:02:50 | 0:02:52 | |
and obviously, there was a couple of cuts, | 0:02:52 | 0:02:55 | |
so him being the resident first aid at the hotel, I think, at the time, | 0:02:55 | 0:02:59 | |
said, "I will bandage you up." | 0:02:59 | 0:03:00 | |
And if you know anything about kitchens, there are blue plasters. | 0:03:00 | 0:03:03 | |
-Yes. -But I had about 50 on this hand and 50 on this hand! | 0:03:03 | 0:03:09 | |
I could not work at all. | 0:03:09 | 0:03:10 | |
-I'm sure Michael made you feel much more calm and relaxed. -Yes. | 0:03:10 | 0:03:13 | |
And blue! But ironically today, you are the Red team. | 0:03:13 | 0:03:15 | |
-Yes. -How do you think you're going to work together as a Red team | 0:03:15 | 0:03:18 | |
-on Bargain Hunt? -I think we'll work together pretty well, don't we? | 0:03:18 | 0:03:22 | |
-Yeah, we are going to... -We agree on most things. | 0:03:22 | 0:03:24 | |
Yeah. So I think we are going to be... | 0:03:24 | 0:03:25 | |
You might be doing the bargaining for us. | 0:03:25 | 0:03:27 | |
-Yeah, I hope so. -You will take the lead when it comes to haggling. | 0:03:27 | 0:03:29 | |
-Well, I like to. -Oh, fantastic. | 0:03:29 | 0:03:31 | |
He's Yorkshire. | 0:03:31 | 0:03:34 | |
-We have the war cry. -You've got it in your blood. | 0:03:34 | 0:03:36 | |
-Yes. Yes. -So, thank you very much, let's turn over to our Blues, | 0:03:36 | 0:03:40 | |
Tina and Steve. | 0:03:40 | 0:03:41 | |
Thank you for joining us and do you have an equally romantic story | 0:03:41 | 0:03:44 | |
-about how you met? -Absolutely, yes. | 0:03:44 | 0:03:46 | |
-Gosh, yes. -Tell us how it all came to be. | 0:03:46 | 0:03:49 | |
Well, I work on a holiday park. | 0:03:49 | 0:03:51 | |
I was the maintenance manager, | 0:03:51 | 0:03:52 | |
and my wife here was a domestic cleaner. | 0:03:52 | 0:03:54 | |
And I was doing my usual checks on the park, as you do, | 0:03:54 | 0:03:57 | |
and I spied this young lady, and I thought, "Hmm! | 0:03:57 | 0:04:01 | |
"I might go and offer her a cup of tea." | 0:04:01 | 0:04:03 | |
So I shot back to my office and made a cup of tea. | 0:04:03 | 0:04:08 | |
"Would you like a cup of tea, love?" | 0:04:08 | 0:04:10 | |
"Oh, yes, please," she said. And it sort of went from there. | 0:04:10 | 0:04:13 | |
And I took my pack up there and we shared it in the car | 0:04:13 | 0:04:16 | |
and we ended up on the beach having fish and chips. | 0:04:16 | 0:04:18 | |
That's lovely. That has to be the most British story of all time. | 0:04:18 | 0:04:21 | |
-Tea and fish and chips. -Tea and fish and chips. | 0:04:21 | 0:04:23 | |
-At the holiday park. -At the holiday park, yeah. | 0:04:23 | 0:04:25 | |
-Yeah, on the beach. Fantastic. -That's ever so sweet! | 0:04:25 | 0:04:27 | |
So, when you're not chatting and making cups of tea and working hard | 0:04:27 | 0:04:30 | |
at the holiday park, how do you spend your spare time? | 0:04:30 | 0:04:33 | |
I have a model railway layout 00 gauge, | 0:04:33 | 0:04:36 | |
based on the LNER system. | 0:04:36 | 0:04:39 | |
-Really? -Yeah, she's going to say "toy train set" in a minute. | 0:04:39 | 0:04:42 | |
That would upset you greatly. | 0:04:42 | 0:04:44 | |
That really does upset me, and anybody out there | 0:04:44 | 0:04:46 | |
who has model trains will know they are not toys. | 0:04:46 | 0:04:48 | |
They are proper engineered machines, yes. | 0:04:48 | 0:04:51 | |
And what about your hobbies? In your spare time, what do you get up to? | 0:04:51 | 0:04:54 | |
I like gardening. I love the garden and I like to go out | 0:04:54 | 0:04:57 | |
and sit in the garden and do my plants. | 0:04:57 | 0:04:59 | |
-Oh, right! -Yeah. -And do you grow anything? | 0:04:59 | 0:05:02 | |
I think you have an allotment. | 0:05:02 | 0:05:04 | |
I do, yes. | 0:05:04 | 0:05:05 | |
I go down and I've got plenty of vegetables. | 0:05:05 | 0:05:08 | |
Well, it sounds like you two are always busy. | 0:05:08 | 0:05:11 | |
Do you think that you will be busy bees when you go out shopping | 0:05:11 | 0:05:14 | |
or are you going to be laid-back? | 0:05:14 | 0:05:15 | |
What kind of tactics are you going to have? | 0:05:15 | 0:05:17 | |
A price limit on each object. | 0:05:17 | 0:05:19 | |
-Yes. -We are going to look a bit for our expert, | 0:05:19 | 0:05:21 | |
hopefully he will get us a nice bonus buy at the end of the day. | 0:05:21 | 0:05:25 | |
-Might need it! -Yeah, might need it! | 0:05:25 | 0:05:27 | |
You might, but you might not. | 0:05:27 | 0:05:29 | |
You never know. Think positively. | 0:05:29 | 0:05:32 | |
Well, you need to go shopping now, that's what we're here to do, | 0:05:32 | 0:05:34 | |
so I'm going to give you each £300. | 0:05:34 | 0:05:36 | |
That's for you, Reds. | 0:05:36 | 0:05:37 | |
And Blues, you get the very same. So off you go! | 0:05:37 | 0:05:40 | |
Your shops and experts await. | 0:05:40 | 0:05:42 | |
-Thank you. -Well, we know it's happy camping at the holiday park, | 0:05:42 | 0:05:45 | |
but will it be happy camping here today? | 0:05:45 | 0:05:47 | |
Let's find out. | 0:05:47 | 0:05:48 | |
And the two experts who are helping out the teams today are... | 0:05:51 | 0:05:55 | |
Gary Pe, who will be rocking out with the Reds. | 0:05:55 | 0:05:58 | |
And keeping the Blues buoyant, it's Kate Bliss. | 0:05:59 | 0:06:02 | |
So, Michael and Amanda, what are you going to be looking for? | 0:06:04 | 0:06:07 | |
-Some silver. -Really? | 0:06:07 | 0:06:09 | |
-Some silver. -You're both agreed on that. | 0:06:09 | 0:06:11 | |
I'm going for silver. | 0:06:11 | 0:06:12 | |
-Yes? -Probably a glass or two. | 0:06:12 | 0:06:15 | |
Nice trinkety bowls, silvery. | 0:06:15 | 0:06:18 | |
-OK. -Bonbon dishes. | 0:06:18 | 0:06:20 | |
Yes, bonbon dishes. | 0:06:20 | 0:06:21 | |
-So, I'm thinking decorative, rather than practical maybe? -Yes. | 0:06:21 | 0:06:24 | |
I'd love to buy some vintage 00 gauge model trains, | 0:06:24 | 0:06:28 | |
-but I don't know if the wife... -You mean toys? | 0:06:28 | 0:06:30 | |
No! They are models! | 0:06:30 | 0:06:32 | |
ALARM RINGS | 0:06:32 | 0:06:33 | |
Get ready, get set, and go. | 0:06:33 | 0:06:36 | |
Your time starts now, teams. | 0:06:36 | 0:06:37 | |
-Well, I think the antiques hunt is this way. -OK. -Great. -Come on! | 0:06:37 | 0:06:40 | |
One hour, let's find those bargains. | 0:06:41 | 0:06:43 | |
Super! | 0:06:43 | 0:06:45 | |
So, bling for the Reds and toys... | 0:06:45 | 0:06:47 | |
Sorry, Steve, model trains for the Blues. | 0:06:47 | 0:06:50 | |
Best get cracking, teams. | 0:06:50 | 0:06:51 | |
Oh, there's loads up here, guys. | 0:06:51 | 0:06:55 | |
Come and have a look. | 0:06:55 | 0:06:56 | |
Oh, look, now there's loads of shiny things here, Amanda. | 0:06:56 | 0:06:58 | |
-Perfect. -Look at this. | 0:06:58 | 0:07:00 | |
-What do you think? -The Staffordshire dogs? | 0:07:01 | 0:07:03 | |
Yeah, what do you think of them? | 0:07:03 | 0:07:04 | |
Right away from here, they are reproduction. | 0:07:04 | 0:07:06 | |
Nice work, Gary. | 0:07:06 | 0:07:07 | |
Moving on, then, team. | 0:07:07 | 0:07:08 | |
Oh, what's Michael spotted? | 0:07:10 | 0:07:12 | |
That's great. Thank you very much. | 0:07:12 | 0:07:14 | |
So, what were you saying, Michael? | 0:07:14 | 0:07:16 | |
These... The cup at the back, what would that be? | 0:07:16 | 0:07:19 | |
I think that might even be a little chalice for ecclesiastical use. | 0:07:19 | 0:07:24 | |
I thought you were going to say this little cup. | 0:07:24 | 0:07:26 | |
-Yes. -Because I spotted that little cup. | 0:07:26 | 0:07:28 | |
-What do you think of that, Amanda? -That's really sweet. | 0:07:28 | 0:07:31 | |
Because I had a peek in here... | 0:07:31 | 0:07:32 | |
It says on here, collapsible cup, Victorian, it's silver-plated, | 0:07:32 | 0:07:39 | |
it's not silver. | 0:07:39 | 0:07:41 | |
But I think if you very carefully push it down, just... | 0:07:41 | 0:07:45 | |
There we go. It concertinas down. | 0:07:45 | 0:07:48 | |
I think it would go even flatter than that, actually. | 0:07:48 | 0:07:51 | |
And then you can just pop it in your pocket. | 0:07:51 | 0:07:54 | |
So, it's like a little stirrup cup, | 0:07:54 | 0:07:56 | |
if you're on horseback or if a gentleman is about town | 0:07:56 | 0:08:00 | |
-and he wants to take a little nip... -OK. | 0:08:00 | 0:08:02 | |
..with his friend... | 0:08:02 | 0:08:03 | |
-Yeah. -..out comes the little cup. | 0:08:03 | 0:08:05 | |
-I think it's quite fun. -Yeah. | 0:08:05 | 0:08:07 | |
Because it collapses, so I think, yeah. | 0:08:07 | 0:08:08 | |
The only thing against it perhaps is that it's silver plate, | 0:08:08 | 0:08:11 | |
rather than silver. | 0:08:11 | 0:08:14 | |
-OK. -And some silver collectors are quite pedantic about that. | 0:08:14 | 0:08:18 | |
-Yeah. -It has to be silver. | 0:08:18 | 0:08:20 | |
But it's just a nice little novelty object. | 0:08:20 | 0:08:22 | |
What do you want to do? | 0:08:22 | 0:08:23 | |
Do you want to have a think about that one or...? | 0:08:23 | 0:08:25 | |
-Again, with it being silver plate... -Yeah. -Think about... | 0:08:25 | 0:08:28 | |
I'd like to go for something with a hallmark and solid. | 0:08:28 | 0:08:30 | |
-OK. That's fine. -OK. | 0:08:30 | 0:08:32 | |
Well, you're on the right lines, Reds. | 0:08:32 | 0:08:34 | |
Keep your eyes peeled for those all-important hallmarks. | 0:08:34 | 0:08:37 | |
Oh, it looks as though the Blues have beaten you to it. | 0:08:37 | 0:08:41 | |
I can see the anchor there, | 0:08:41 | 0:08:43 | |
which says that this was made in Birmingham. | 0:08:43 | 0:08:46 | |
What's this one for? | 0:08:46 | 0:08:48 | |
It could be a tea caddy. | 0:08:48 | 0:08:49 | |
You could put anything in here. Bonbons, spices... | 0:08:49 | 0:08:52 | |
Wouldn't that come as a set? | 0:08:52 | 0:08:55 | |
No. Not necessarily. | 0:08:55 | 0:08:57 | |
It's good enough to stand on its own. | 0:08:57 | 0:08:59 | |
I like the fact that the crystal has this bevelling. | 0:08:59 | 0:09:02 | |
So that was machine cut, not by hand. | 0:09:02 | 0:09:05 | |
If you feel the edges, you can see that they are quite sharp. | 0:09:05 | 0:09:08 | |
-Ridges. -Yeah. -Most of the pieces that you would find like this | 0:09:08 | 0:09:12 | |
are usually moulded. | 0:09:12 | 0:09:14 | |
-No damage. -No damage. Exactly. | 0:09:14 | 0:09:16 | |
No sharp edges right there. | 0:09:16 | 0:09:18 | |
I could probably go for that one. | 0:09:18 | 0:09:20 | |
So the crystal is fine, | 0:09:20 | 0:09:22 | |
and it's sort of a nice Regency shape. | 0:09:22 | 0:09:26 | |
Right. And what sort of price would you put on that, | 0:09:26 | 0:09:29 | |
at an auction, like? | 0:09:29 | 0:09:30 | |
I would say 30-40. | 0:09:30 | 0:09:32 | |
-30-40. -So it has a chance. | 0:09:32 | 0:09:34 | |
A bit of a chance. I think we'll go and have a haggle, | 0:09:34 | 0:09:36 | |
-unless you want to haggle. -No, I'll leave it to you. | 0:09:36 | 0:09:39 | |
-I thought you might. -You are the bargainer. | 0:09:39 | 0:09:41 | |
I will go and find the dealer and see if we can get | 0:09:41 | 0:09:43 | |
a little bit shaved off that price. | 0:09:43 | 0:09:45 | |
-Go on, then. -Thank you. -Do us proud. | 0:09:45 | 0:09:47 | |
I was thinking £18? | 0:09:48 | 0:09:51 | |
I will say 25. | 0:09:52 | 0:09:54 | |
Oh, you're killing me. | 0:09:54 | 0:09:57 | |
I tell you what... | 0:09:57 | 0:09:58 | |
£20, I'll shake your hand. | 0:09:58 | 0:10:01 | |
-You can. -Thank you very much. | 0:10:01 | 0:10:03 | |
Thank you. | 0:10:03 | 0:10:05 | |
£20? | 0:10:05 | 0:10:07 | |
-Well done. -Thank you. | 0:10:07 | 0:10:09 | |
Nice one. | 0:10:09 | 0:10:11 | |
First haggle of the day and I'd say that went pretty well, Steve. | 0:10:11 | 0:10:14 | |
Well done. | 0:10:14 | 0:10:15 | |
-That's the first one. -First one done. | 0:10:15 | 0:10:17 | |
-Lovely. -And everyone agrees. -Yes. | 0:10:17 | 0:10:19 | |
-Good buy. -Thank you. -Yes. | 0:10:19 | 0:10:21 | |
It's another serving for the Reds. | 0:10:21 | 0:10:23 | |
There we go. | 0:10:23 | 0:10:25 | |
So, this chrome handle is almost a bit Art Deco, actually, in style, | 0:10:25 | 0:10:29 | |
which is quite nice. | 0:10:29 | 0:10:30 | |
But let's flip it up and let's see... | 0:10:30 | 0:10:33 | |
Ah, now that is exactly what I was hoping for. | 0:10:33 | 0:10:35 | |
So we've got a printed mark here for the factory, | 0:10:35 | 0:10:38 | |
which is Royal Winton ware. | 0:10:38 | 0:10:39 | |
-OK. -Now, Royal Winton were based in Staffordshire | 0:10:39 | 0:10:43 | |
and they made a lot of what's known as chintz ware. | 0:10:43 | 0:10:46 | |
Lovely sort of patterns that remind you of an English cottage garden, | 0:10:46 | 0:10:51 | |
you know, floral sprigs. | 0:10:51 | 0:10:53 | |
This is a little bit different because, obviously, | 0:10:53 | 0:10:55 | |
it's imitating tapestry or embroidery. | 0:10:55 | 0:10:58 | |
But it's exactly how it started out in life | 0:10:58 | 0:11:02 | |
because both plates have that nice stamp. | 0:11:02 | 0:11:04 | |
We've got Royal Winton on both of them, which is really nice. | 0:11:04 | 0:11:08 | |
And here's the name of the pattern here. | 0:11:08 | 0:11:10 | |
Can you read that, Amanda? | 0:11:10 | 0:11:12 | |
Is it Queen Anne? | 0:11:12 | 0:11:13 | |
-Queen Anne. -There we go. | 0:11:13 | 0:11:14 | |
So how old do you think this is? | 0:11:14 | 0:11:16 | |
Well, looking at the Royal Winton on the bottom there, | 0:11:16 | 0:11:18 | |
I would say that that is '50s, '60s in date. | 0:11:18 | 0:11:22 | |
Which is really nice. It's what collectors like. | 0:11:22 | 0:11:24 | |
They like them from the period, the vintage period. | 0:11:24 | 0:11:27 | |
And it's also really nice because the gilt edging just gives it | 0:11:27 | 0:11:30 | |
a bit of a lift, but it's also in lovely condition, | 0:11:30 | 0:11:32 | |
and it's the gilt that tends to wear first on a printed pattern. | 0:11:32 | 0:11:37 | |
-I really like that. -I like that. | 0:11:37 | 0:11:38 | |
-I really like that. -You could see some nice buns, cakes, | 0:11:38 | 0:11:41 | |
and some nice cream scones on there. | 0:11:41 | 0:11:42 | |
-Yeah. -Oh, now you're talking! | 0:11:42 | 0:11:44 | |
Prawn sandwiches and scones on the bottom. | 0:11:44 | 0:11:46 | |
-Yeah. -There we go. -That'd be nice. | 0:11:46 | 0:11:48 | |
Is it time for lunch yet? | 0:11:48 | 0:11:50 | |
OK, so what would we like to pay? That's the next question. | 0:11:50 | 0:11:53 | |
-Because we've got... -20. | 0:11:53 | 0:11:55 | |
-Yeah. -I'd like to see it for ten, if we could. | 0:11:55 | 0:11:57 | |
-Would you? -Yeah, I'd like to see that for ten. | 0:11:57 | 0:11:59 | |
Who is going to do the bargaining, then? | 0:11:59 | 0:12:00 | |
I shall leave it to the ladies, first one...for the first one. | 0:12:00 | 0:12:03 | |
Amanda. Jill. | 0:12:03 | 0:12:04 | |
Comes right on cue. | 0:12:04 | 0:12:06 | |
Jill, we really like this cake stand. | 0:12:06 | 0:12:08 | |
-OK. -We really like it. -OK. | 0:12:08 | 0:12:10 | |
So would you able to do ten on that? | 0:12:10 | 0:12:13 | |
Oh...I dare say 15. | 0:12:13 | 0:12:17 | |
Could you do it for ten? | 0:12:19 | 0:12:20 | |
I can go and enquire for you. | 0:12:20 | 0:12:22 | |
-Would you? -Please. Do you mind? | 0:12:22 | 0:12:23 | |
-The man is here. -OK, fantastic. -Excellent. | 0:12:23 | 0:12:26 | |
A 50% discount - it's a big ask, but you never know your luck. | 0:12:26 | 0:12:30 | |
Meanwhile, back with the Blues. | 0:12:30 | 0:12:32 | |
She's found something. | 0:12:32 | 0:12:34 | |
-A horse and cart. Do you like that? -Models. | 0:12:34 | 0:12:37 | |
-Not toys. -It's got "toys" on it. | 0:12:38 | 0:12:41 | |
Is that something for you? Tin toys are very popular. | 0:12:42 | 0:12:46 | |
-Mm. -Especially for men who sort of... | 0:12:46 | 0:12:50 | |
-Yeah. -..think back to their childhood and remember... | 0:12:50 | 0:12:53 | |
Yeah, yeah. | 0:12:53 | 0:12:54 | |
Hm. It's not a train, though, is it, Gary? | 0:12:54 | 0:12:57 | |
Oh, Jill's back with the price. | 0:12:57 | 0:12:59 | |
Ah, here she comes. | 0:12:59 | 0:13:00 | |
Right. The dealer said ten. | 0:13:00 | 0:13:03 | |
-Fantastic. -Yes. | 0:13:03 | 0:13:04 | |
You must have worked your magic! | 0:13:04 | 0:13:05 | |
-Fantastic. -I said, "Ten," and he said, "Go on." | 0:13:05 | 0:13:09 | |
Thank you. That's fantastic. Thank you very much. | 0:13:09 | 0:13:11 | |
-Thank you. That's brilliant. -Brilliant. | 0:13:11 | 0:13:13 | |
Well done, Reds. You've got your first item in just over 15 minutes. | 0:13:15 | 0:13:19 | |
It's a brilliant start. Well done. | 0:13:19 | 0:13:21 | |
Well done. So, only two to go. | 0:13:21 | 0:13:23 | |
-One down... -One down, Golden Gavel on the way. | 0:13:23 | 0:13:26 | |
Cool, calm and confident. | 0:13:26 | 0:13:27 | |
I like your style. | 0:13:27 | 0:13:29 | |
Back with the Blues, Gary has sniffed out a classic collectable. | 0:13:29 | 0:13:32 | |
What do you think of this, team? | 0:13:32 | 0:13:34 | |
To me, it's just an empty glass. | 0:13:34 | 0:13:36 | |
Perfume bottle and it evokes the spirit of the 1930s. | 0:13:36 | 0:13:40 | |
Art Deco. Doesn't it remind you of Manhattan? | 0:13:40 | 0:13:43 | |
-It does, yes. -The skyscrapers. | 0:13:43 | 0:13:45 | |
It does, yes. Definitely. | 0:13:45 | 0:13:46 | |
There is a very big following internationally for perfume bottles. | 0:13:46 | 0:13:50 | |
It says Parfum Modernistic, by the perfume company Landor. | 0:13:50 | 0:13:56 | |
It is, if you feel the stopper, it's all there. | 0:13:56 | 0:13:59 | |
-It's all there. -It's not chipped or anything. | 0:13:59 | 0:14:01 | |
-It's original. -It's quite light, though. | 0:14:01 | 0:14:03 | |
Yeah, no, but the stopper isn't. If you take the stopper out. | 0:14:03 | 0:14:06 | |
It's quite heavy. | 0:14:06 | 0:14:08 | |
Right, well, shall we haggle on that? | 0:14:08 | 0:14:10 | |
-I think we might have a haggle on that, yeah. -Yeah. | 0:14:10 | 0:14:12 | |
-Do you want me to do this one? -Go on then. | 0:14:12 | 0:14:15 | |
So, it's Tina's turn for a haggle. | 0:14:15 | 0:14:17 | |
The perfume bottle is priced up at £18 | 0:14:17 | 0:14:19 | |
and it seems the Reds are also checking out the glass goodies. | 0:14:19 | 0:14:23 | |
It says it's Loetz style, but it's actually not Loetz. | 0:14:23 | 0:14:26 | |
I quite like that. Do you like that? | 0:14:26 | 0:14:28 | |
-The glassware, the green? -Yeah. | 0:14:28 | 0:14:30 | |
-The great big... -That's quite nice. | 0:14:30 | 0:14:32 | |
-Would it be for a candle? -What would it be used for? | 0:14:32 | 0:14:34 | |
-Just... It's just a decorative vase. -OK. -It's not the actual use. | 0:14:34 | 0:14:37 | |
No. | 0:14:37 | 0:14:38 | |
Well, surely you can keep flowers in it. | 0:14:38 | 0:14:41 | |
-Here she comes. -How did you do? | 0:14:41 | 0:14:44 | |
So, Tina, what's the verdict? | 0:14:44 | 0:14:45 | |
How much do you think? | 0:14:45 | 0:14:47 | |
I think you probably got it for 15. | 0:14:47 | 0:14:49 | |
£10! | 0:14:49 | 0:14:51 | |
Yes! And did you say yes? | 0:14:51 | 0:14:53 | |
-I did. -Well done. | 0:14:53 | 0:14:55 | |
-Thank you. -Well done. | 0:14:55 | 0:14:56 | |
-My first haggle. -Fantastic. | 0:14:56 | 0:14:58 | |
Team, I think we are on our way to those... | 0:14:58 | 0:15:01 | |
-Golden Gavels! -Yes! | 0:15:01 | 0:15:03 | |
Well done, Tina. | 0:15:03 | 0:15:04 | |
That's two down for the Blues. | 0:15:04 | 0:15:06 | |
We're almost halfway through the shop. | 0:15:06 | 0:15:08 | |
Let's leave the Reds searching for their second item. | 0:15:08 | 0:15:11 | |
Now, here's a Bargain Hunt favourite. | 0:15:11 | 0:15:13 | |
Keen-eyed viewers will instantly recognise | 0:15:20 | 0:15:23 | |
what I have in front of me. | 0:15:23 | 0:15:25 | |
It's a squat vase | 0:15:25 | 0:15:27 | |
by none other than William Moorcroft himself. | 0:15:27 | 0:15:31 | |
There is that famous green flash signature, | 0:15:31 | 0:15:34 | |
given that name of course because it's so wildly scrawled. | 0:15:34 | 0:15:37 | |
And then, below that, made for none other than Liberty & Co. | 0:15:37 | 0:15:43 | |
Well, what of this pattern itself, | 0:15:43 | 0:15:45 | |
this particular example? | 0:15:45 | 0:15:47 | |
We know its name is Hazeldene, | 0:15:47 | 0:15:49 | |
we know the palette is very tonal and discreet, | 0:15:49 | 0:15:52 | |
but this one in particular | 0:15:52 | 0:15:55 | |
is perhaps not as desirable | 0:15:55 | 0:15:57 | |
as some would hope. | 0:15:57 | 0:15:59 | |
You really, as a collector, | 0:15:59 | 0:16:02 | |
want those trees | 0:16:02 | 0:16:03 | |
not to have such a watery effect. | 0:16:03 | 0:16:05 | |
You can see that the glaze | 0:16:05 | 0:16:07 | |
has run a little. | 0:16:07 | 0:16:08 | |
Now, believe me, that's by design. | 0:16:08 | 0:16:10 | |
This is a man honing a style, but in the end, | 0:16:10 | 0:16:13 | |
the collectors want the clearer, | 0:16:13 | 0:16:16 | |
crisper examples of the Hazeldene pattern | 0:16:16 | 0:16:19 | |
and we couldn't truly say that this is one. | 0:16:19 | 0:16:22 | |
Furthermore, you will see all over the glaze here | 0:16:22 | 0:16:26 | |
little hairline cracks. | 0:16:26 | 0:16:28 | |
On ceramics, you call that crazing, and I think that any auction house | 0:16:28 | 0:16:32 | |
would be remiss not to mention | 0:16:32 | 0:16:34 | |
that this little vase is crazed throughout. | 0:16:34 | 0:16:37 | |
And just in case you were thinking, "I could live with that," | 0:16:37 | 0:16:41 | |
in fact, there's another problem. | 0:16:41 | 0:16:43 | |
There's a great big chunk that's come out of the rim of the vase. | 0:16:43 | 0:16:48 | |
So, had it been in perfect condition, | 0:16:48 | 0:16:50 | |
maybe £700-800 would be the hammer price that we'd expect at auction. | 0:16:50 | 0:16:54 | |
But as it is, I think 150-250 | 0:16:54 | 0:16:56 | |
would be a very responsible and conservative estimate | 0:16:56 | 0:17:00 | |
for such a lovely thing. | 0:17:00 | 0:17:02 | |
So, remember this pattern - Hazeldene. | 0:17:02 | 0:17:07 | |
It's a beautiful example of turn-of-the-century taste. | 0:17:07 | 0:17:11 | |
Not only that, it was designed by William Moorcroft himself, | 0:17:11 | 0:17:15 | |
one of the Potteries' most famous ever potters. | 0:17:15 | 0:17:19 | |
Right then, time to check out how the teams are getting on. | 0:17:26 | 0:17:29 | |
We are just over halfway through the shop, | 0:17:29 | 0:17:31 | |
the Reds are up against it with only one purchase. | 0:17:31 | 0:17:34 | |
The Blues however... | 0:17:34 | 0:17:36 | |
They are going to things that they like | 0:17:36 | 0:17:39 | |
and they are good hagglers as well, | 0:17:39 | 0:17:42 | |
and all of that points to that Golden Gavel. | 0:17:42 | 0:17:46 | |
Sure about that, Gary? | 0:17:46 | 0:17:48 | |
Feel that. | 0:17:48 | 0:17:49 | |
£300. | 0:17:49 | 0:17:51 | |
-Is it? -Well, it's not £3. | 0:17:51 | 0:17:53 | |
Three. It's £3. | 0:17:53 | 0:17:56 | |
Is it three? My eyesight's going! | 0:17:56 | 0:17:59 | |
Come on, guys. Pull it together. | 0:17:59 | 0:18:01 | |
Hold on, what's Kate spotted? | 0:18:01 | 0:18:03 | |
Oh, I quite like that, though, guys, just before we do go down. | 0:18:03 | 0:18:06 | |
Do you know what that is? | 0:18:06 | 0:18:08 | |
-No. -No, what's that? | 0:18:08 | 0:18:10 | |
So, the key thing is condition with these. | 0:18:10 | 0:18:13 | |
It's known as a little tea bowl and it's actually for drinking tea. | 0:18:13 | 0:18:17 | |
So it's a cup, essentially, | 0:18:17 | 0:18:19 | |
made after the Chinese model, of course, | 0:18:19 | 0:18:23 | |
if you think of the Chinese drinking tea from a bowl. | 0:18:23 | 0:18:27 | |
But this is actually English porcelain. | 0:18:27 | 0:18:30 | |
And I know that because of the feel of it. | 0:18:30 | 0:18:33 | |
It's what's known as a soft paste porcelain, | 0:18:33 | 0:18:35 | |
which is what we English produce, | 0:18:35 | 0:18:37 | |
or it's what we produced in the 18th century, | 0:18:37 | 0:18:40 | |
because this is how old this is. | 0:18:40 | 0:18:43 | |
-Wow! -Really? | 0:18:43 | 0:18:44 | |
OK, so this could be sort of 1780, 1790 in date. | 0:18:44 | 0:18:48 | |
It's by a factory called Worcester | 0:18:48 | 0:18:51 | |
and I know that because that little, what's known as a crescent mark, | 0:18:51 | 0:18:54 | |
on the bottom there, | 0:18:54 | 0:18:55 | |
a little blue crescent mark was one of their symbols that they used | 0:18:55 | 0:19:00 | |
and this is blue painted floral decoration, | 0:19:00 | 0:19:03 | |
typical of their designs. | 0:19:03 | 0:19:05 | |
-OK. -What do you think we should be paying for it? | 0:19:05 | 0:19:08 | |
Well, at auction, I can see that making anything from sort of | 0:19:08 | 0:19:12 | |
-£15-£20 up to sort of £40, really. -OK. -£40, 50. | 0:19:12 | 0:19:15 | |
See what we can get. | 0:19:15 | 0:19:16 | |
-See what we can get? -Yeah. | 0:19:16 | 0:19:18 | |
Here comes Jill, right on cue. | 0:19:18 | 0:19:19 | |
Hiya, Jill. What's the best price you can do on this? | 0:19:19 | 0:19:22 | |
I would say 30. | 0:19:22 | 0:19:24 | |
I can go and ask the seller, who is here. | 0:19:24 | 0:19:27 | |
-OK. -And see if they can do better than I can do. | 0:19:27 | 0:19:29 | |
-That will be lovely. -Thanks, Jill. Great. | 0:19:29 | 0:19:32 | |
-What do you think, guys? -I like that. | 0:19:32 | 0:19:34 | |
There's a nice bit of age on it. | 0:19:34 | 0:19:36 | |
-Yeah. -You are cheeky, I have to say. -Well, it's worth a try. | 0:19:36 | 0:19:39 | |
-You don't ask, you don't get. -Definitely. | 0:19:39 | 0:19:41 | |
Exactly, Michael. | 0:19:41 | 0:19:42 | |
Meanwhile, the Blues have headed up the road. | 0:19:42 | 0:19:45 | |
No time to lose. | 0:19:45 | 0:19:47 | |
Oh, here she comes. What's the verdict, Jill? | 0:19:48 | 0:19:51 | |
Well, it's got to be 28. | 0:19:51 | 0:19:52 | |
What do you think at 28? | 0:19:52 | 0:19:54 | |
Is there still a profit in that? | 0:19:54 | 0:19:55 | |
I think, if I was buying it for myself, | 0:19:55 | 0:19:57 | |
I would probably say straightaway, but we're not, | 0:19:57 | 0:19:59 | |
we're buying it for auction. | 0:19:59 | 0:20:01 | |
-Yes. -I think, why don't we keep it up our sleeve | 0:20:01 | 0:20:03 | |
and have a little look around? | 0:20:03 | 0:20:05 | |
-Right. OK. -Thanks, Jill. Is that all right? -Yes. -Thank you. | 0:20:05 | 0:20:08 | |
Oh, well, you win some, you lose some. | 0:20:08 | 0:20:11 | |
Now, 20 minutes to go, the Reds have one item and the Blues have two. | 0:20:11 | 0:20:15 | |
Oh, look, Steve! A toy boat. | 0:20:15 | 0:20:17 | |
I mean, sorry, a model boat, of course. | 0:20:17 | 0:20:19 | |
Oh! I like that. | 0:20:21 | 0:20:22 | |
Is that for you? | 0:20:24 | 0:20:26 | |
Look, I said I'd let him free, but cor blimey, come on. | 0:20:26 | 0:20:29 | |
Trent River police. | 0:20:29 | 0:20:31 | |
-How much is it? -£195. | 0:20:31 | 0:20:33 | |
Hmm, a tad on the pricey side. | 0:20:33 | 0:20:36 | |
Moving on. | 0:20:36 | 0:20:37 | |
Yes, they are. | 0:20:37 | 0:20:38 | |
Opera glasses are collectable, actually. | 0:20:38 | 0:20:40 | |
These ones are mother-of-pearl. | 0:20:40 | 0:20:43 | |
45, if they're nice condition, you know, they can make, you know, | 0:20:43 | 0:20:46 | |
25 to 40 again. | 0:20:46 | 0:20:48 | |
Those ones are particularly nice with the mother-of-pearl. | 0:20:48 | 0:20:50 | |
They look quite nice. | 0:20:50 | 0:20:52 | |
-Shall we keep it in mind? -OK. -Shall we have a wander? | 0:20:52 | 0:20:55 | |
-We can always come back, can't we? -Yeah, OK. | 0:20:55 | 0:20:57 | |
Time to wander and ponder, Reds. | 0:20:57 | 0:20:59 | |
Hold on, what's Tina found? | 0:20:59 | 0:21:01 | |
-Trains. -Where, where, where? | 0:21:01 | 0:21:04 | |
-Steve, look at that. -Oh, look at that. | 0:21:04 | 0:21:07 | |
Oh, yes, see? Now I know. | 0:21:07 | 0:21:09 | |
Steve, I think our roles are going to be reversed with this one. | 0:21:09 | 0:21:13 | |
-I haven't got a clue. -So, tell me about this. | 0:21:13 | 0:21:16 | |
I would love to. | 0:21:16 | 0:21:17 | |
I'm not sure if it's not a guard's torch. | 0:21:17 | 0:21:21 | |
Yes, that could be true. | 0:21:21 | 0:21:22 | |
Yes, but it could also be used in the train station, couldn't it? | 0:21:22 | 0:21:25 | |
It could indeed. | 0:21:25 | 0:21:27 | |
But it's a little bit... | 0:21:27 | 0:21:29 | |
rough. | 0:21:29 | 0:21:30 | |
I'm not sure. | 0:21:30 | 0:21:31 | |
-No? -No. I think it's one to put back on the shelf for now. | 0:21:31 | 0:21:34 | |
Not quite model trains, but we're definitely on the right track. | 0:21:34 | 0:21:38 | |
-What have you spotted? -Oh, look at this. | 0:21:38 | 0:21:39 | |
Oh, now that's sweet, isn't it? | 0:21:39 | 0:21:41 | |
So, what do you like about this? | 0:21:41 | 0:21:43 | |
It's just... | 0:21:43 | 0:21:45 | |
-It's lovely. -It's got its hallmark at the back. | 0:21:45 | 0:21:47 | |
Ooh, well spotted. | 0:21:47 | 0:21:48 | |
Yeah, you're right. | 0:21:48 | 0:21:50 | |
-That's lovely. -Is the hinge all right? | 0:21:50 | 0:21:51 | |
-Have a little look, Amanda. -A quick... | 0:21:51 | 0:21:53 | |
-Is this the sort of thing you might have at home? -Yeah. | 0:21:53 | 0:21:56 | |
Should it have a liner? | 0:21:56 | 0:21:58 | |
-Exactly. It should. -The liner is missing. | 0:21:58 | 0:21:59 | |
It probably would have been silk lined, originally. | 0:21:59 | 0:22:02 | |
You're absolutely right, Mike. | 0:22:02 | 0:22:03 | |
That's missing, but I have to say, the silver looks in good condition. | 0:22:03 | 0:22:07 | |
The thing I always check with these little boxes is the hinge, | 0:22:07 | 0:22:10 | |
because that's the vulnerable bit, normally. | 0:22:10 | 0:22:13 | |
It's definitely got some age. | 0:22:13 | 0:22:14 | |
It's typically in the Edwardian style, if you like... | 0:22:14 | 0:22:18 | |
-Yeah. -..with what's known as that reeded border, | 0:22:18 | 0:22:21 | |
the bow with the little floral wreath on the top there. | 0:22:21 | 0:22:24 | |
-It's a very sweet little piece, isn't it? -Mmm. | 0:22:24 | 0:22:27 | |
What do you think it's worth? | 0:22:27 | 0:22:28 | |
It's up at 69 at the present. | 0:22:28 | 0:22:30 | |
Yeah. I would say that's the best part of certainly 50 to £70 | 0:22:30 | 0:22:35 | |
-at auction. -OK. Shall we ask for a cheeky...? Another cheeky...? | 0:22:35 | 0:22:38 | |
-We've been cheeky once. -Yeah, we might as well do it again. Yeah. | 0:22:38 | 0:22:40 | |
We've taken a bit of a shine to your lovely trinket box. | 0:22:40 | 0:22:43 | |
-Yeah. -What could you do for us? | 0:22:43 | 0:22:46 | |
Let's see. | 0:22:46 | 0:22:48 | |
What would be your offer? | 0:22:48 | 0:22:50 | |
Would you take 35? | 0:22:50 | 0:22:52 | |
Oh... | 0:22:52 | 0:22:54 | |
I will tell you what, for you guys, £40. | 0:22:54 | 0:22:57 | |
-I think we'll take that. -If that doesn't make 40 at auction, | 0:22:57 | 0:23:00 | |
-there's something badly wrong. -There's something wrong. -Exactly. | 0:23:00 | 0:23:03 | |
I hope you will make more. | 0:23:03 | 0:23:04 | |
-Yes. -Are you happy? | 0:23:04 | 0:23:06 | |
-Yeah. -Fantastic. Thank you so much. | 0:23:06 | 0:23:07 | |
-Thank you very much. -That's really helpful. -Thank you. | 0:23:07 | 0:23:10 | |
Deal done. Two items apiece, teams. | 0:23:10 | 0:23:12 | |
We've got a little bit of time left for number three. Come on! | 0:23:12 | 0:23:15 | |
Chop chop, less than ten minutes left. | 0:23:15 | 0:23:17 | |
Oh, it's another bit of railwayana for the Blues. | 0:23:17 | 0:23:20 | |
It's got damage there, Gary, on the... | 0:23:20 | 0:23:22 | |
-That's the least of your worries. -What's the price on that one? | 0:23:22 | 0:23:25 | |
£50. | 0:23:25 | 0:23:26 | |
It certainly has a lot more character than | 0:23:27 | 0:23:29 | |
the other one, doesn't it? | 0:23:29 | 0:23:31 | |
-It's got the badge. -Oh, it's got all those markings... -Yeah, yeah. | 0:23:31 | 0:23:34 | |
Yeah, see, that's original, isn't it? | 0:23:34 | 0:23:36 | |
-Yeah. -You can tell that's original. -Absolutely. | 0:23:36 | 0:23:38 | |
The Premier Lamp And Engineering Company from Leeds. | 0:23:38 | 0:23:43 | |
Registration mark with the instructions - fill to there. | 0:23:43 | 0:23:47 | |
And what do you think it'll fetch in an auction? | 0:23:47 | 0:23:50 | |
70, £80, myself. | 0:23:50 | 0:23:52 | |
-Yes. -But I'm not an expert, you know what I mean? | 0:23:52 | 0:23:55 | |
But it's original, everything's... You know what I mean? | 0:23:55 | 0:23:58 | |
-Yes. -Yes, it's been repainted, hasn't it? At some time. | 0:23:58 | 0:24:01 | |
It's been repainted, cos you can see it has. | 0:24:01 | 0:24:03 | |
And these are usually brass. | 0:24:03 | 0:24:06 | |
But the only thing that puts me off a little bit, Gary,... | 0:24:06 | 0:24:09 | |
I know you say it can be replaced, but I'm thinking, | 0:24:09 | 0:24:12 | |
the people in the auction, are they going to... | 0:24:12 | 0:24:14 | |
The real collectors will just ignore that. | 0:24:14 | 0:24:17 | |
And the thing going for it is it's got... | 0:24:17 | 0:24:20 | |
that. | 0:24:20 | 0:24:21 | |
LNER. | 0:24:21 | 0:24:23 | |
Which, if I'm not mistaken, | 0:24:23 | 0:24:24 | |
stands for the London and North Eastern Railway. | 0:24:24 | 0:24:27 | |
-And the manufacturer's stamps and everything. -Yeah. | 0:24:27 | 0:24:30 | |
The registration marks. | 0:24:30 | 0:24:32 | |
Yes, I quite like this one. I'll see what I can do. | 0:24:32 | 0:24:34 | |
Good luck, Steve. Five minutes left. | 0:24:34 | 0:24:37 | |
Reds, time to make a decision. | 0:24:37 | 0:24:38 | |
-BOTH: -I like the Worcester bowl. | 0:24:38 | 0:24:40 | |
Yeah, me too. I like the Worcester bowl. | 0:24:40 | 0:24:41 | |
You wouldn't budge on price, though, so it is... | 0:24:41 | 0:24:43 | |
-We know it's going to be 29. -That's going to be all of the money. | 0:24:43 | 0:24:46 | |
-If we could get it, do another off 25? -Well, it's worth an ask. | 0:24:46 | 0:24:48 | |
-It's worth an ask. -I guess so. | 0:24:48 | 0:24:50 | |
-Come on, then. -Let's go and ask. | 0:24:50 | 0:24:51 | |
Leg it, Reds. | 0:24:51 | 0:24:52 | |
Steve, what's the verdict? | 0:24:52 | 0:24:53 | |
-Oops. -How do you do? -So? | 0:24:53 | 0:24:55 | |
He wanted £50 for it... | 0:24:55 | 0:24:58 | |
-And? -I tried my best. What do you think? -And? | 0:24:58 | 0:25:00 | |
-Come on. -40? | 0:25:00 | 0:25:02 | |
45? | 0:25:02 | 0:25:04 | |
-£30. -No? -Yes! -Really? | 0:25:04 | 0:25:06 | |
-Yeah. Bargain of the day. -Gosh. | 0:25:06 | 0:25:08 | |
-Oh, my goodness. -Bargain of the day. | 0:25:08 | 0:25:10 | |
I don't know, mine was a good bargain. | 0:25:10 | 0:25:12 | |
With minutes to spare, that's all your three items bought up, Blues. | 0:25:12 | 0:25:17 | |
-It's still here. -What do we think? | 0:25:17 | 0:25:19 | |
-It's still there. -Yeah, there it is. It is a really nice example. | 0:25:19 | 0:25:21 | |
I really like that. | 0:25:21 | 0:25:22 | |
-Yeah? -I really, really like that. | 0:25:22 | 0:25:24 | |
Is there any manoeuvre on that little tea bowl? | 0:25:24 | 0:25:27 | |
No, I'm sorry, it has to be 28. | 0:25:27 | 0:25:29 | |
So 28 is the death? | 0:25:29 | 0:25:31 | |
-It is, yes, yes. -OK. -Yes, it's out of his own private collection and... | 0:25:31 | 0:25:35 | |
-Mm-hm. -Yes. -OK. | 0:25:35 | 0:25:36 | |
-28? -I think we go with it. | 0:25:36 | 0:25:38 | |
-Shall we do it? -Yes, I think we'll go with the tea bowl. -Let's do it! | 0:25:38 | 0:25:41 | |
-Well done. -Great. -Yeah. | 0:25:41 | 0:25:43 | |
Believe it or not, your time's up, teams. | 0:25:43 | 0:25:46 | |
I'm absolutely exhausted. | 0:25:46 | 0:25:47 | |
-Talk about to the wire! -I know! | 0:25:47 | 0:25:49 | |
Let's remind ourselves what the Red team bought. | 0:25:49 | 0:25:52 | |
First up, the team bought the Royal Winton cake stand. | 0:25:52 | 0:25:55 | |
They paid £10. | 0:25:55 | 0:25:57 | |
Next, it was the small trinket box, which cost them £40. | 0:25:58 | 0:26:03 | |
And finally, it was the small blue and white tea bowl, | 0:26:03 | 0:26:06 | |
which set them back £28. | 0:26:06 | 0:26:09 | |
Well, that was a lot of fun, wasn't it? | 0:26:09 | 0:26:11 | |
-Excellent, brilliant. -Down to five minutes. Nearly the whole hour! | 0:26:11 | 0:26:15 | |
A little bit stressful! | 0:26:15 | 0:26:17 | |
But, Amanda, you loved that cake stand. | 0:26:17 | 0:26:20 | |
I did. I wanted to take it home. | 0:26:20 | 0:26:22 | |
So are you thinking that's going to bring the biggest profit? | 0:26:22 | 0:26:24 | |
-We know it's your favourite. -Yes, I do think probably | 0:26:24 | 0:26:27 | |
-the biggest profit, yeah. -OK. Fantastic. | 0:26:27 | 0:26:29 | |
But after all that, you still only spent £78. | 0:26:29 | 0:26:32 | |
-Yes. -So, Mike, you've got 222, believe it or not, Kate. | 0:26:32 | 0:26:35 | |
-Mm-hm. -She believes it, she believes it. | 0:26:35 | 0:26:38 | |
-Straight over to you. -Lovely. | 0:26:38 | 0:26:39 | |
And what on earth are you going to do with all that dosh? | 0:26:39 | 0:26:42 | |
Well, there was one thing mentioned, just before we started | 0:26:42 | 0:26:44 | |
the shopping, that you were both looking out for, | 0:26:44 | 0:26:47 | |
which we didn't actually find. | 0:26:47 | 0:26:49 | |
So I'm on a bit of a mission. | 0:26:49 | 0:26:51 | |
OK. So, while Kate goes and hunts for that one special item, | 0:26:51 | 0:26:55 | |
let's remind ourselves what the Blue team bought. | 0:26:55 | 0:26:58 | |
Their first purchase was a silver topped glass jar. | 0:26:58 | 0:27:02 | |
Price paid, £20. | 0:27:02 | 0:27:04 | |
Next, their Art Deco perfume bottle cost them £10. | 0:27:04 | 0:27:08 | |
And finally, it was the railwayman's oil lamp, which cost them £30. | 0:27:08 | 0:27:13 | |
Well, if that wasn't the most lovely, easy-going shop, | 0:27:13 | 0:27:16 | |
then I don't know what was. | 0:27:16 | 0:27:18 | |
I mean, Tina, you got an item that you loved. Steve, you got a train. | 0:27:18 | 0:27:22 | |
How good is that? Well, not quite, a lamp, but train related. | 0:27:22 | 0:27:25 | |
But do you think it's going to bring the biggest profit, | 0:27:25 | 0:27:28 | |
-because it was your most expensive? -I hope so. I know. | 0:27:28 | 0:27:30 | |
It was a lot, wasn't it? | 0:27:30 | 0:27:31 | |
All of £30. | 0:27:31 | 0:27:33 | |
Now, you only spent £60. | 0:27:35 | 0:27:36 | |
I can't believe it. Last of the big spenders. | 0:27:36 | 0:27:39 | |
Which means £240 left. | 0:27:39 | 0:27:41 | |
Tina, you've got it. | 0:27:41 | 0:27:43 | |
-I have. -And, Gary, I'm almost struggling to hand it over to you, | 0:27:43 | 0:27:45 | |
-it's so heavy. -This is heavy, isn't it? -I know! | 0:27:45 | 0:27:48 | |
240, how are you going to cope? | 0:27:48 | 0:27:50 | |
Do you have anything in mind? | 0:27:50 | 0:27:51 | |
I think I'll continue on with the cheap theme, but quality. | 0:27:51 | 0:27:57 | |
Ah, cheap, but not common? | 0:27:57 | 0:27:59 | |
-Exactly. -Fantastic. | 0:27:59 | 0:28:01 | |
Well, good luck with that, Gary. | 0:28:01 | 0:28:03 | |
It's time to head to the auction. | 0:28:03 | 0:28:05 | |
Well, here we are. We've hopped south a wee bit, | 0:28:12 | 0:28:14 | |
we've gone from Newark to Nottingham and here I am in Mellors & Kirk | 0:28:14 | 0:28:18 | |
with the lovely Nigel Kirk. | 0:28:18 | 0:28:19 | |
-Nigel, thank you for welcoming us here today. -You're welcome. | 0:28:19 | 0:28:22 | |
Let's start with Michael and Amanda, with the cake stand. | 0:28:22 | 0:28:26 | |
It's very typical of its period. | 0:28:26 | 0:28:28 | |
It's really very 1930s, isn't it? | 0:28:28 | 0:28:31 | |
In chintz, one of many patterns produced by Grimwades Royal Winton, | 0:28:31 | 0:28:36 | |
with a very fetching T-shaped chromium plated handle. | 0:28:36 | 0:28:39 | |
Note it's chromium plated, not silver-plated. | 0:28:39 | 0:28:42 | |
And I would hope it would sell fairly well. | 0:28:42 | 0:28:44 | |
I would have thought sort of 25, 35, perhaps a little more. | 0:28:44 | 0:28:48 | |
Well, that's pretty positive because Michael and Amanda only paid £10 | 0:28:48 | 0:28:50 | |
for it. Fingers crossed it will be all cake at the auction. | 0:28:50 | 0:28:53 | |
-Yes. -Now, how do you feel about this trinket box? | 0:28:53 | 0:28:56 | |
-Is it more your speed? -It's always popular, small pieces of silver, | 0:28:56 | 0:29:00 | |
the smaller the size, the more saleable they are. | 0:29:00 | 0:29:02 | |
And a lot of people collect late Victorian, | 0:29:02 | 0:29:05 | |
early 20th century, pretty, small items of silver, | 0:29:05 | 0:29:08 | |
especially novelty pieces. | 0:29:08 | 0:29:10 | |
It's got its hallmarks, really clear. | 0:29:10 | 0:29:12 | |
It has. Birmingham, 1907 and in super condition. | 0:29:12 | 0:29:15 | |
OK, well, at what price? | 0:29:15 | 0:29:17 | |
It'll be interesting, that. | 0:29:17 | 0:29:19 | |
-40, £60? -Fantastic. | 0:29:19 | 0:29:20 | |
Well, Mike and Amanda paid £40 for it, | 0:29:20 | 0:29:23 | |
so they'll be chuffed when they hear your estimate. | 0:29:23 | 0:29:25 | |
-Good. -So we're onto their last item already. | 0:29:25 | 0:29:28 | |
-Yes. -A little bit of Worcester. | 0:29:28 | 0:29:29 | |
Ceramics. 18th century. | 0:29:29 | 0:29:31 | |
-Absolutely. -How are they faring? | 0:29:31 | 0:29:33 | |
Made at a time when tea was so expensive, | 0:29:33 | 0:29:35 | |
it was consumed in small bowls, | 0:29:35 | 0:29:37 | |
before we had the clever idea of adding a handle to make it | 0:29:37 | 0:29:40 | |
easier to drink. And it's transfer printed, not hand-painted, | 0:29:40 | 0:29:45 | |
with a pattern that has been | 0:29:45 | 0:29:47 | |
imaginatively called the three flowers pattern. | 0:29:47 | 0:29:51 | |
I'm glad someone came up with such an exciting name, Nigel. | 0:29:51 | 0:29:54 | |
Now tell me, have you got an exciting estimate placed against it? | 0:29:54 | 0:29:57 | |
30 to £50. | 0:29:57 | 0:29:59 | |
They did well to buy it at £28. | 0:29:59 | 0:30:01 | |
They will be delighted to hear 30 to 50 is your estimate. | 0:30:01 | 0:30:04 | |
-Good. -It looks as though Nigel's pretty confident | 0:30:04 | 0:30:06 | |
about the Reds' buys, but what has Kate bought as a bonus for the Reds? | 0:30:06 | 0:30:12 | |
Well, Michael, Amanda, £222 is what you left Kate. | 0:30:12 | 0:30:17 | |
Are you terrified with the prospect? | 0:30:17 | 0:30:19 | |
Yes. | 0:30:19 | 0:30:21 | |
Kate, reveal. | 0:30:21 | 0:30:22 | |
I've found you a piece of glass. | 0:30:22 | 0:30:24 | |
-Nice. -And, actually, it looks very dark in colour there, | 0:30:24 | 0:30:27 | |
but if I hold it up, | 0:30:27 | 0:30:29 | |
and we see a bit of light going through it, | 0:30:29 | 0:30:32 | |
can you see it's that gorgeous green colour? | 0:30:32 | 0:30:34 | |
Really nice bottle green, deep bottle green. | 0:30:34 | 0:30:37 | |
So this is a very solid and dense heavy - feel the weight of that - | 0:30:37 | 0:30:41 | |
piece of Scandinavian glass. | 0:30:41 | 0:30:45 | |
-How much did you pay? -I paid £11. | 0:30:45 | 0:30:48 | |
-Really? -Really? -You're really smiling now. | 0:30:48 | 0:30:51 | |
-Happy with that? -Yeah, really happy, really happy. | 0:30:52 | 0:30:55 | |
-Well, you don't make your minds up now. -OK. | 0:30:55 | 0:30:57 | |
-Wait until the auction. -All right. -And let's head back to | 0:30:57 | 0:30:59 | |
our auctioneer to find out what Nigel thinks of Kate's green glass. | 0:30:59 | 0:31:03 | |
Well, Nigel, surely this is a rare piece of green glass. | 0:31:03 | 0:31:08 | |
How many of those do you reckon are kicking around Nottingham just now? | 0:31:08 | 0:31:12 | |
I hope no more than that. | 0:31:12 | 0:31:13 | |
-So, it is rare. -It's rare. | 0:31:14 | 0:31:17 | |
But who's going to buy it? | 0:31:17 | 0:31:18 | |
I don't know. I think it's a pretty abstract design. | 0:31:18 | 0:31:22 | |
It's absolutely abstract. | 0:31:22 | 0:31:24 | |
It's very heavy, very dense, green glass. | 0:31:24 | 0:31:26 | |
But when it was made, I don't know, I guess, | 0:31:26 | 0:31:29 | |
maybe the 1970s or '80s even, what we're going to get for it, | 0:31:29 | 0:31:33 | |
I defy anyone to predict. | 0:31:33 | 0:31:36 | |
But if it's 10 or £15, I think the hammer comes down fast, don't you? | 0:31:36 | 0:31:40 | |
-OK. -Well, hopefully we'll have some bidding. | 0:31:40 | 0:31:43 | |
Kate paid £11 for this. | 0:31:43 | 0:31:45 | |
-That's not bad. -So she's not too worried about it. | 0:31:45 | 0:31:47 | |
Bearing that in mind, it's time now to head over to the Blues, | 0:31:47 | 0:31:50 | |
Steve and Tina. We are starting off with another bit | 0:31:50 | 0:31:53 | |
of Birmingham silver. | 0:31:53 | 0:31:55 | |
It's the jar here with the silver lid. What do you think? | 0:31:55 | 0:31:57 | |
That's, I think, | 0:31:57 | 0:31:59 | |
possibly part originally of a dressing table set | 0:31:59 | 0:32:01 | |
and it's rather nice because it's faceted. | 0:32:01 | 0:32:04 | |
I quite like the concave dished top, plain silver, | 0:32:04 | 0:32:09 | |
fortunately no engraved initials or inscriptions on it. | 0:32:09 | 0:32:13 | |
Perhaps 40, £60? | 0:32:13 | 0:32:14 | |
Fantastic. Well, guess what the team paid. | 0:32:14 | 0:32:17 | |
20. Only half of the lower end of your estimate. | 0:32:17 | 0:32:19 | |
-Cheap. -Fingers crossed for them. | 0:32:19 | 0:32:21 | |
Now, we move onto another bit of glass, | 0:32:21 | 0:32:23 | |
this time to the Art Deco period. | 0:32:23 | 0:32:25 | |
I think this is really great. It's a commercial made, | 0:32:25 | 0:32:29 | |
quite inexpensively made, glass scent bottle, | 0:32:29 | 0:32:32 | |
but look at the design. It's a skyscraper. | 0:32:32 | 0:32:34 | |
-I love it. -It's the era of Al Capone, isn't it? | 0:32:34 | 0:32:37 | |
It's 1920s, early '30s. | 0:32:37 | 0:32:39 | |
It's a triumph of the advertiser's art | 0:32:39 | 0:32:42 | |
of the skill of packaging and design. | 0:32:42 | 0:32:45 | |
How much do you think it's going to make that your auction? | 0:32:45 | 0:32:47 | |
Well, I've sort of estimated it at 30-50. | 0:32:47 | 0:32:50 | |
Well, it was cracking good value in the shop at £10 only. | 0:32:50 | 0:32:54 | |
-Where is the shop? -I know! | 0:32:54 | 0:32:56 | |
Let's all go again. | 0:32:56 | 0:32:58 | |
Then the last item from Steve and Tina is totally different. | 0:32:58 | 0:33:02 | |
We go from elegant glass to brass, | 0:33:02 | 0:33:04 | |
with our railwayman's oil lamp. | 0:33:04 | 0:33:07 | |
It's a practical object, isn't it? | 0:33:07 | 0:33:08 | |
It's made of brass and ferrous metal, painted black, | 0:33:08 | 0:33:12 | |
and galvanised metal. | 0:33:12 | 0:33:14 | |
Fortunately, it's emblazoned with the LNER device, | 0:33:14 | 0:33:17 | |
so that immediately opens it up to people that collect memorabilia. | 0:33:17 | 0:33:21 | |
OK. What do you think it's going to make? | 0:33:21 | 0:33:23 | |
I would have thought £40-£60, | 0:33:23 | 0:33:25 | |
that sort of money. | 0:33:25 | 0:33:26 | |
Fantastic, great. Well, Steve and Tina only paid £30 for it. | 0:33:26 | 0:33:30 | |
-Very reasonable. -Once again, | 0:33:30 | 0:33:32 | |
it looks as though you've got faith in these items. | 0:33:32 | 0:33:35 | |
So it's time to find out, will the Blues need their bonus buy? | 0:33:35 | 0:33:38 | |
Let's see what Gary bought. | 0:33:38 | 0:33:40 | |
Well, Tina, Steve, you left Gary £240. | 0:33:40 | 0:33:44 | |
-That's right. -Couldn't even hold it in his hand, it was so heavy. | 0:33:44 | 0:33:48 | |
And now it looks like he's bought something pretty heavy. | 0:33:48 | 0:33:50 | |
So, Gary, what on earth did you spend all that money on? | 0:33:50 | 0:33:53 | |
Wow! | 0:33:53 | 0:33:54 | |
An Arts and Crafts brass tray. | 0:33:54 | 0:33:57 | |
English, around 1900. | 0:33:57 | 0:34:00 | |
Now, the artistic movement that created this piece was basically | 0:34:00 | 0:34:04 | |
a revolt against the ostentation of | 0:34:04 | 0:34:08 | |
the Victorian and methods of mass production. | 0:34:08 | 0:34:10 | |
In other words, handmade is better than machine-made. | 0:34:10 | 0:34:14 | |
-So it is handmade? -Yeah. | 0:34:14 | 0:34:16 | |
And show the construction. | 0:34:16 | 0:34:18 | |
What did you pay for it? | 0:34:18 | 0:34:20 | |
Well, I paid £45. | 0:34:20 | 0:34:23 | |
There is a deathly silence. | 0:34:27 | 0:34:30 | |
Well, it sounds as though, Gary, | 0:34:30 | 0:34:32 | |
you've got your work cut out to convince these two. | 0:34:32 | 0:34:34 | |
You've convinced me. | 0:34:34 | 0:34:36 | |
But now it's time to find out if our auctioneer, Nigel, | 0:34:36 | 0:34:38 | |
is convinced that Gary's tray will serve up a profit. | 0:34:38 | 0:34:42 | |
Well, believe it or not, Nigel, | 0:34:42 | 0:34:43 | |
this brass tray is nowhere near as heavy as that glass bowl, | 0:34:43 | 0:34:48 | |
but what do you think of it? | 0:34:48 | 0:34:50 | |
Well, I liked it rather more when I first saw it than on close inspection. | 0:34:50 | 0:34:53 | |
Because it's a piece of Arts and Crafts repousse brassware. | 0:34:53 | 0:34:58 | |
And with such objects, | 0:34:58 | 0:35:00 | |
you always hope to find a distinguished maker's mark. | 0:35:00 | 0:35:03 | |
But a great deal of it was made at home by amateur craftspeople who had | 0:35:03 | 0:35:07 | |
often seen designs in the Studio Magazine, for example. | 0:35:07 | 0:35:10 | |
Now, sadly this piece is one of those. | 0:35:10 | 0:35:13 | |
It doesn't have any names on it and to make matters worse, | 0:35:13 | 0:35:16 | |
somebody's put a hole in it to hang it on the wall. | 0:35:16 | 0:35:19 | |
So I think we have to hope the bidders don't see the hole and they | 0:35:19 | 0:35:23 | |
might perhaps then pay £30 or £40 for it. | 0:35:23 | 0:35:26 | |
Gary paid £45 for the repousse tray. | 0:35:26 | 0:35:30 | |
And I think I've got faith in it at £45. I think it's a really decorative thing. | 0:35:30 | 0:35:35 | |
Do you know what? I might even hang it on my wall if I bought it. | 0:35:35 | 0:35:38 | |
Anyway, Nigel, do you think it's going to be a busy sale today? | 0:35:39 | 0:35:41 | |
Yes. I'm sure it is. | 0:35:41 | 0:35:43 | |
Great. Well, it's over to you. | 0:35:43 | 0:35:45 | |
247. Three Staffordshire flatback figures. | 0:35:45 | 0:35:49 | |
I'm bid at 20, 25 for them. 25. | 0:35:49 | 0:35:51 | |
Here we are, auction time, Mike and Amanda, are you nervous? | 0:35:51 | 0:35:55 | |
-Yes. -Very. -Is this your first auction? | 0:35:55 | 0:35:57 | |
-Yes. -Yes. -Terrified? | 0:35:57 | 0:35:59 | |
-Mm-hm. -Yes. | 0:35:59 | 0:36:01 | |
Don't be scared. Que sera, sera. | 0:36:01 | 0:36:03 | |
-It's all going to be fine. -We're after the Golden Gavel. | 0:36:03 | 0:36:06 | |
-You're after the Golden Gavel? -Yeah. | 0:36:06 | 0:36:08 | |
Well, let's stay positive. Our first lot is the cake stand. | 0:36:08 | 0:36:10 | |
You only paid £10 for it, so hopefully it's a strong start. | 0:36:10 | 0:36:13 | |
Here it comes. | 0:36:13 | 0:36:15 | |
Lot 88, Royal Winton chintz cake stand. | 0:36:15 | 0:36:18 | |
£20 for it? | 0:36:18 | 0:36:20 | |
Is bid, at 20. | 0:36:20 | 0:36:21 | |
Yes, straight in. | 0:36:21 | 0:36:23 | |
£20 I am bid. | 0:36:23 | 0:36:24 | |
25 now. 30. | 0:36:24 | 0:36:26 | |
35. | 0:36:26 | 0:36:28 | |
The internet's going crazy. | 0:36:28 | 0:36:30 | |
£35. | 0:36:30 | 0:36:32 | |
Hammer's up. | 0:36:32 | 0:36:34 | |
£35. | 0:36:34 | 0:36:35 | |
That's amazing. You've just made an instant profit of £25. | 0:36:35 | 0:36:39 | |
Right, we are on track here. | 0:36:39 | 0:36:40 | |
Now it's the silver trinket box. | 0:36:40 | 0:36:42 | |
89, Edward VII silver trinket box | 0:36:42 | 0:36:45 | |
on three feet and £20 for this? | 0:36:45 | 0:36:48 | |
20, I am bid. 25, five, 30. | 0:36:48 | 0:36:49 | |
30. 35, 40. | 0:36:49 | 0:36:52 | |
40. 45. | 0:36:52 | 0:36:54 | |
Profit. | 0:36:54 | 0:36:55 | |
50 online. | 0:36:55 | 0:36:56 | |
60 now. I sell at 50... | 0:36:56 | 0:36:59 | |
-Yes. -£50. Amazing. | 0:37:00 | 0:37:02 | |
Fantastic. So, you've made another £10. | 0:37:02 | 0:37:04 | |
You are at £35 profit. | 0:37:04 | 0:37:05 | |
And now it's time for the tea bowl. | 0:37:05 | 0:37:07 | |
17th-century Worcester, blue printed porcelain tea bowl. | 0:37:07 | 0:37:10 | |
Three flowers pattern. 20, I am bid. | 0:37:10 | 0:37:12 | |
25. | 0:37:12 | 0:37:13 | |
30, 35. 40. | 0:37:13 | 0:37:15 | |
-At 35. -You've done it. | 0:37:15 | 0:37:17 | |
£35. | 0:37:17 | 0:37:18 | |
Any advance? At 35... | 0:37:18 | 0:37:20 | |
She talked you into that one. | 0:37:21 | 0:37:23 | |
£35. | 0:37:23 | 0:37:24 | |
You've just made another £7. | 0:37:24 | 0:37:27 | |
£42 profit and a Golden Gavel. | 0:37:27 | 0:37:29 | |
But now it's make your mind up time. | 0:37:29 | 0:37:31 | |
To bonus buy or not to bonus buy? | 0:37:31 | 0:37:34 | |
-That's the question. -Go for it. | 0:37:34 | 0:37:37 | |
-Go for it. -You're going for it? -I'm not allowed to say. | 0:37:37 | 0:37:40 | |
This is it, bonus buy. | 0:37:40 | 0:37:42 | |
-Let's go. -Lot 96, a green glass dish. | 0:37:42 | 0:37:45 | |
Abstract design. | 0:37:45 | 0:37:47 | |
£10 for it? | 0:37:47 | 0:37:48 | |
Any interest at 10? £10? | 0:37:48 | 0:37:50 | |
£5...only asked for it. | 0:37:52 | 0:37:54 | |
£5, I am bid. | 0:37:56 | 0:37:57 | |
Thank you. At £5. | 0:37:57 | 0:37:59 | |
I can't believe that! | 0:38:00 | 0:38:03 | |
-That's really disappointing. -Let's not worry about it too much. | 0:38:03 | 0:38:06 | |
£5, it sold for, which means it lost six but overall, | 0:38:06 | 0:38:08 | |
you are still in profit by £36 and it doesn't affect your Golden Gavel. | 0:38:08 | 0:38:12 | |
-That's what we came for. -OK, so now it's time to pull yourselves together, | 0:38:12 | 0:38:16 | |
-poker face. -OK. -And don't say anything to your rivals. | 0:38:16 | 0:38:20 | |
-OK? -OK. -Not a word. | 0:38:20 | 0:38:21 | |
Well done. | 0:38:21 | 0:38:22 | |
Blue team, Steve and Tina, are you excited? | 0:38:29 | 0:38:32 | |
-Yes. -Definitely, yes. -Because it's auction time. | 0:38:32 | 0:38:35 | |
-Now, tell me, have you been to an auction before? -Yes. -You have? | 0:38:35 | 0:38:39 | |
So are you quite calm and cool and collected? | 0:38:39 | 0:38:42 | |
Looks like it on the outside but inside... | 0:38:42 | 0:38:45 | |
So, you are first-time vendors and you have got three items going under | 0:38:45 | 0:38:50 | |
-the hammer. -Yeah. -We're starting off with your jar and cover. | 0:38:50 | 0:38:53 | |
George V jar and £10, only, asked for this. | 0:38:53 | 0:38:56 | |
10, 15, 20, 25. | 0:38:56 | 0:38:59 | |
-Profit. -At £25, I sell in the room. | 0:38:59 | 0:39:03 | |
Guys, £25. | 0:39:04 | 0:39:06 | |
That's a £5 profit. | 0:39:06 | 0:39:08 | |
We're moving on to the glass perfume bottle. | 0:39:08 | 0:39:12 | |
Lot 113, Art Deco glass skyscraper form | 0:39:12 | 0:39:15 | |
perfume bottle and stopper, | 0:39:15 | 0:39:18 | |
and £20 for this, please? | 0:39:18 | 0:39:20 | |
20, I am bid. 25, 30. | 0:39:20 | 0:39:22 | |
-Yes! -40, 45. | 0:39:22 | 0:39:24 | |
45 to you. | 0:39:24 | 0:39:25 | |
50, 50 to the hand. | 0:39:25 | 0:39:27 | |
-It's flying. -70, 80. | 0:39:27 | 0:39:30 | |
90. | 0:39:30 | 0:39:31 | |
You're joking. | 0:39:31 | 0:39:33 | |
Can I sell at £90? | 0:39:33 | 0:39:35 | |
Yes! | 0:39:35 | 0:39:37 | |
£90. | 0:39:37 | 0:39:39 | |
That's a profit of 80. | 0:39:39 | 0:39:41 | |
-Yes! -And that means you are at £85. | 0:39:41 | 0:39:44 | |
Now we've got your lamp. | 0:39:44 | 0:39:46 | |
You only paid £30. | 0:39:46 | 0:39:47 | |
Lot 114, railwayman's lamp, LNER. | 0:39:47 | 0:39:51 | |
£20, I have. | 0:39:51 | 0:39:52 | |
At 20. 25. | 0:39:52 | 0:39:54 | |
30. 35. | 0:39:54 | 0:39:55 | |
-Yes! -40. | 0:39:55 | 0:39:56 | |
-You're in profit. -40, I am bid. | 0:39:56 | 0:39:58 | |
At £40... | 0:39:58 | 0:40:00 | |
It sold for £40. | 0:40:00 | 0:40:02 | |
So guess what? You made another ten. | 0:40:02 | 0:40:04 | |
You are at £95 profit, Blues. | 0:40:04 | 0:40:08 | |
The bonus buy, it's make your mind up time. | 0:40:08 | 0:40:10 | |
-Yes or no? -Yes. -Yes. Go on. | 0:40:10 | 0:40:14 | |
Yes. | 0:40:14 | 0:40:15 | |
Lot 120, Arts and Crafts brass repousse tray. | 0:40:15 | 0:40:19 | |
£40 for it, please? | 0:40:19 | 0:40:21 | |
40 or 20? | 0:40:21 | 0:40:23 | |
20. 25. | 0:40:23 | 0:40:24 | |
30. £30 | 0:40:24 | 0:40:26 | |
-Come on, come on. -30. | 0:40:26 | 0:40:28 | |
Five online. | 0:40:28 | 0:40:30 | |
40 now. Selling at £35. | 0:40:30 | 0:40:32 | |
-Oh! -Oh! | 0:40:32 | 0:40:34 | |
So close! | 0:40:34 | 0:40:37 | |
Sold for £35, so it's minus £10 and we're still £85 in profit. | 0:40:37 | 0:40:42 | |
You know what to do. You've got to sort of shake it all off, | 0:40:42 | 0:40:44 | |
try and look as glum as you can to fool the Reds. | 0:40:44 | 0:40:47 | |
And it'll all come out in the wash. | 0:40:47 | 0:40:49 | |
Look at this face. | 0:40:49 | 0:40:52 | |
How often can we say on Bargain Hunt that everyone today | 0:40:58 | 0:41:03 | |
has had the golden touch? | 0:41:03 | 0:41:06 | |
Ooh! | 0:41:06 | 0:41:08 | |
Ooh! | 0:41:08 | 0:41:10 | |
Which means that although we all made a profit on every item, | 0:41:10 | 0:41:15 | |
it was the Reds who made a slightly smaller profit. | 0:41:16 | 0:41:21 | |
-Yes! -Ohhh! | 0:41:21 | 0:41:23 | |
You are today's runners-up. | 0:41:23 | 0:41:25 | |
Blues, you came in victorious. | 0:41:25 | 0:41:29 | |
Can you believe it? Everybody got a Golden Gavel, completely bonkers. | 0:41:29 | 0:41:34 | |
But we started with you, Reds, | 0:41:34 | 0:41:35 | |
-and I think you're itching to get a hold of these gavels. -Yes. | 0:41:35 | 0:41:38 | |
You are. Well, first of all, | 0:41:38 | 0:41:39 | |
I'm going to give you your princely profit, it was £36. | 0:41:39 | 0:41:43 | |
But much more importantly than that, here they are. | 0:41:43 | 0:41:46 | |
Not one, but two Golden Gavels. | 0:41:46 | 0:41:48 | |
Let me pass one to you, Amanda... | 0:41:48 | 0:41:51 | |
-Thank you. -There we are, one to you, Michael. | 0:41:51 | 0:41:53 | |
-Thank you. -A round of applause. | 0:41:53 | 0:41:56 | |
Thank you. | 0:41:56 | 0:41:58 | |
So wonderful. Pop them in your lapel and wear them with pride. | 0:41:58 | 0:42:02 | |
And then on to today's winners, our Blues. | 0:42:02 | 0:42:05 | |
Well done. With a profit of £85. | 0:42:05 | 0:42:09 | |
Come on. So good. | 0:42:09 | 0:42:12 | |
There we are, I am giving that straight to the lady. | 0:42:12 | 0:42:14 | |
There we are. But it's your turn now. | 0:42:14 | 0:42:17 | |
Here we are. One Golden Gavel for you... | 0:42:17 | 0:42:19 | |
-Thank you very much. -And one for you, Steve. | 0:42:19 | 0:42:22 | |
-Thank you very much indeed. -How good does that feel? | 0:42:22 | 0:42:24 | |
Brilliant. Fabulous. | 0:42:24 | 0:42:26 | |
It's so good. | 0:42:26 | 0:42:28 | |
Well done. I'm so glad that we're all going home | 0:42:28 | 0:42:30 | |
with smiles on our faces. | 0:42:30 | 0:42:31 | |
It feels good and if you want to learn more about how good it feels | 0:42:31 | 0:42:35 | |
to be on Bargain Hunt, then why not visit our website? | 0:42:35 | 0:42:37 | |
The details are in front of me now. | 0:42:37 | 0:42:39 | |
You can follow us on Twitter too at... | 0:42:39 | 0:42:43 | |
But better than that, you can join us again for some more | 0:42:43 | 0:42:45 | |
-bargain-hunting, won't you? Yes? ALL: -Yes! | 0:42:45 | 0:42:50 |