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This beautiful brickwork may well look like a modern work of art, | 0:00:06 | 0:00:10 | |
but I'm stood within a marvel of Victorian engineering. | 0:00:10 | 0:00:14 | |
Constructed in 1841, it took well over 11 million bricks to build. | 0:00:14 | 0:00:21 | |
So, where am I? | 0:00:21 | 0:00:23 | |
I'm at the Ouse Valley Viaduct in West Sussex, | 0:00:23 | 0:00:28 | |
and its 37 magnificent arches still carry over 100 trains a day. | 0:00:28 | 0:00:34 | |
TRAIN WHISTLES So, grab your cuppa, | 0:00:34 | 0:00:36 | |
sit back, relax and enjoy the ride, | 0:00:36 | 0:00:39 | |
as we head off to the Ardingly Antiques Fair. | 0:00:39 | 0:00:43 | |
Yes, let's go Bargain Hunting. | 0:00:43 | 0:00:45 | |
The fair at Ardingly is one of the largest of its kind | 0:01:08 | 0:01:11 | |
in the south of England, and with hundreds of stalls over 44 acres, | 0:01:11 | 0:01:15 | |
our teams need to be as fit as a fiddle. | 0:01:15 | 0:01:19 | |
Their goal is to make a profit and to aspire to win a golden gavel. | 0:01:19 | 0:01:23 | |
Armed with £300, | 0:01:23 | 0:01:25 | |
they have to buy three antiques all within the space of an hour, | 0:01:25 | 0:01:28 | |
so let's see what's coming up. | 0:01:28 | 0:01:30 | |
The Reds are conjuring up some magic... | 0:01:33 | 0:01:35 | |
-Oh, I like it. -Perfect fit. | 0:01:35 | 0:01:37 | |
-Natural, yeah. -It really suits you. | 0:01:37 | 0:01:39 | |
-Does it suit me? -Yes. -Yeah? | 0:01:39 | 0:01:41 | |
..the Blues are living life in the fast lane... | 0:01:43 | 0:01:46 | |
Not for £95, you're not. | 0:01:46 | 0:01:48 | |
Well, no, just that I'm... | 0:01:48 | 0:01:49 | |
..and the auction brings thrills... | 0:01:51 | 0:01:53 | |
-Yes! -Yeah! | 0:01:53 | 0:01:55 | |
-..and more thrills... -All done. | 0:01:55 | 0:01:57 | |
-Come on, come on, come on... -Come on, come on, come on. | 0:01:57 | 0:01:59 | |
I don't believe it. | 0:01:59 | 0:02:01 | |
..and I visit a breathtaking 11th-Century church. | 0:02:01 | 0:02:05 | |
I have found myself in what can only be described as | 0:02:05 | 0:02:09 | |
a medieval art gallery. | 0:02:09 | 0:02:11 | |
Well, that's all for later. So, to our teams. | 0:02:13 | 0:02:16 | |
For the Reds, we've got Hayley and Chris, | 0:02:16 | 0:02:18 | |
and for the Blues, we've got Jack and Roxy. | 0:02:18 | 0:02:21 | |
-Hello. -Hello. -Hello. | 0:02:21 | 0:02:22 | |
So, starting with the Reds, | 0:02:22 | 0:02:25 | |
Hayley and Chris, you haven't known one another for very long, | 0:02:25 | 0:02:28 | |
-is that right? -No. About four months. | 0:02:28 | 0:02:29 | |
Yeah. Just, yeah, four months. That's it. | 0:02:29 | 0:02:31 | |
We do a breakfast show on a commercial radio station in Sussex. | 0:02:31 | 0:02:34 | |
That 4.30am alarm in the morning is a standard for us. | 0:02:34 | 0:02:36 | |
We're usually competing against each other, as well, | 0:02:36 | 0:02:39 | |
so this is the first time we've been actually teamed with each other. | 0:02:39 | 0:02:42 | |
-Actually part of a team, so... -Oh, is that right? -Yeah. -Yeah. | 0:02:42 | 0:02:44 | |
OK. You obviously must get to meet lots people in the music industry - | 0:02:44 | 0:02:47 | |
pop stars and such, like that? | 0:02:47 | 0:02:48 | |
I think the best person I've got to meet - and dance with - | 0:02:48 | 0:02:52 | |
is Ed Sheeran. | 0:02:52 | 0:02:53 | |
-Ed Sheeran. -Yeah. | 0:02:53 | 0:02:54 | |
I've never met him, but he looks like a very nice chap. | 0:02:54 | 0:02:56 | |
He is, yeah. Very down-to-earth. | 0:02:56 | 0:02:58 | |
So, Chris, you have actually had a meeting that you might | 0:02:58 | 0:03:02 | |
describe as, literally, being out of this world. | 0:03:02 | 0:03:04 | |
Mmm, yeah. I went to a dinner one night for a... | 0:03:04 | 0:03:07 | |
It was a press launch. | 0:03:07 | 0:03:08 | |
I didn't really know what I was going to and then I ended up | 0:03:08 | 0:03:11 | |
on the same table as Buzz Aldrin and Quincy Jones, | 0:03:11 | 0:03:13 | |
-which was an incredible moment. -Oh. | 0:03:13 | 0:03:16 | |
To be honest, I sat there for half an hour with my mouth open, | 0:03:16 | 0:03:19 | |
-just thinking, "How do I say hello to these people?" -Yeah. | 0:03:19 | 0:03:21 | |
But you're a bit of a collector, as well. | 0:03:21 | 0:03:23 | |
I am. It started off at a young age, actually. | 0:03:23 | 0:03:25 | |
I've got my dad to blame for that. | 0:03:25 | 0:03:26 | |
It's model trains and cars - still in boxes. | 0:03:26 | 0:03:30 | |
-I started doing that at the age of nine, so... -Right. | 0:03:30 | 0:03:32 | |
-..I feel a bond already, there. -That's good. | 0:03:32 | 0:03:34 | |
You're obviously, I think, going to make a good team, | 0:03:34 | 0:03:36 | |
but what about tactics? | 0:03:36 | 0:03:38 | |
With tactics, I think it's... It's whatever we, kind of... | 0:03:38 | 0:03:41 | |
Whatever spots our eye, really, isn't it? | 0:03:41 | 0:03:43 | |
-It's whatever catches us. -Yeah. Sparkles for me, I think. | 0:03:43 | 0:03:45 | |
-Sparkles? -Sparkles will catch... -Like a magpie, really. | 0:03:45 | 0:03:48 | |
-Yeah, that's exactly right. -OK. | 0:03:48 | 0:03:49 | |
-Follow your nose, that's the way, isn't it? -Yeah. -OK. | 0:03:49 | 0:03:52 | |
So, to our Blues, Roxy and Jack. | 0:03:52 | 0:03:55 | |
-Hello. -Hello. Now, you actually met through who? | 0:03:55 | 0:04:01 | |
Through a friend of mine. I managed bands back in the day, | 0:04:01 | 0:04:03 | |
and my friend came into the pub and said, "I've met this | 0:04:03 | 0:04:05 | |
"beautiful girl walking her dog, and she's coming in, and behave." | 0:04:05 | 0:04:09 | |
So, we all waited with bated breath | 0:04:09 | 0:04:11 | |
and Roxy walked in and she was dressed in white, from head to toe - | 0:04:11 | 0:04:13 | |
from the trilby hat, right the way through. Big long, white coat. | 0:04:13 | 0:04:16 | |
-Bearing in mind, this is mid-'80s - big shoulders. -Yeah, yeah, yeah. | 0:04:16 | 0:04:19 | |
And I thought to myself, | 0:04:19 | 0:04:20 | |
"I'm going to marry that girl one day" - and I did. | 0:04:20 | 0:04:23 | |
-Good grief. -That was 31 years ago. | 0:04:23 | 0:04:25 | |
-Fate. Fate. -Yeah. -There you are. | 0:04:25 | 0:04:27 | |
I think you two are obviously going to make an interesting team, | 0:04:27 | 0:04:30 | |
because you've both, sort of, | 0:04:30 | 0:04:32 | |
worked in the antique business in a roundabout fashion. Is that right? | 0:04:32 | 0:04:35 | |
Yes, we have. We used to have a shop in Brighton, | 0:04:35 | 0:04:38 | |
where we did modern Swedish collectables. Scandinavian... | 0:04:38 | 0:04:43 | |
You've got a slight advantage, there, Roxy, | 0:04:43 | 0:04:44 | |
because you are actually Swedish. | 0:04:44 | 0:04:46 | |
-Yes, I'm half-Swedish. -Half-Swedish. | 0:04:46 | 0:04:47 | |
Yes, my mum's Swedish and I was born there | 0:04:47 | 0:04:49 | |
and lived there for a few years, before we came back. | 0:04:49 | 0:04:52 | |
Well, I know for a fact that you've both had some very interesting jobs. | 0:04:52 | 0:04:56 | |
I used to be an air hostess, so I've travelled the world, | 0:04:56 | 0:04:59 | |
and recently, I've been selling shabby-chic items, | 0:04:59 | 0:05:03 | |
so I buy little stools and tables, | 0:05:03 | 0:05:06 | |
I paint them and design them and then sell them on. | 0:05:06 | 0:05:08 | |
So, the day and your tactics - have you got anything in mind? | 0:05:08 | 0:05:13 | |
Yeah, we've got a big tactic - she's in charge. | 0:05:13 | 0:05:15 | |
-Love it. Love it, love it, love it. -He's got it right. | 0:05:15 | 0:05:18 | |
31 years and he's got it right. | 0:05:18 | 0:05:20 | |
So, here you are, Blues. Here's your £300. It's all been counted. | 0:05:20 | 0:05:24 | |
-Thank you. -Thank you. | 0:05:24 | 0:05:25 | |
-And, Reds, here is your £300. -Thank you. -Thank you. | 0:05:25 | 0:05:29 | |
-Off you go and find your experts. -Thank you. | 0:05:29 | 0:05:33 | |
I don't know why, but I've got quite a good feeling about today. | 0:05:33 | 0:05:36 | |
So, which experts are helping our teams? | 0:05:36 | 0:05:40 | |
Back on the beat, it's Charles Hanson with the Reds. | 0:05:40 | 0:05:44 | |
And there's no time for horseplay, it's Richard Madley with the Blues. | 0:05:44 | 0:05:48 | |
-What are we looking for, Hayley? -Anything pretty and sparkly for me. | 0:05:48 | 0:05:51 | |
-Jack? -Yeah, well, I like a bit of Clarice Cliff, a bit of Art Deco... | 0:05:51 | 0:05:54 | |
Well, for me, obviously, it's radio, so anything audio, possibly... | 0:05:54 | 0:05:58 | |
And some unique garden urns that could be used indoors or out, maybe. | 0:05:58 | 0:06:01 | |
Always a fan of a pocket watch, so that's going to be quite good. | 0:06:01 | 0:06:04 | |
-Keep an eye out for that. -Yeah. | 0:06:04 | 0:06:05 | |
Signage. Maybe something a little bit colourful for an interior wall. | 0:06:05 | 0:06:09 | |
I WHEELy wish you the best of luck. | 0:06:10 | 0:06:13 | |
Teams, your time starts now. | 0:06:13 | 0:06:15 | |
CLOCK CHIMES | 0:06:15 | 0:06:17 | |
I think I know where we can start. Come with me. | 0:06:17 | 0:06:20 | |
Follow me, guys. | 0:06:20 | 0:06:21 | |
Come on, teams. Let's hope you get off to a winning start. | 0:06:21 | 0:06:24 | |
It has to be really shiny. Rainbow-shiny's good. | 0:06:24 | 0:06:27 | |
-Really? What's rainbow-shiny? -Very... -Like the weather or...? | 0:06:27 | 0:06:29 | |
No, like a prism. | 0:06:29 | 0:06:31 | |
Left or right, Blues? | 0:06:32 | 0:06:34 | |
-Or stay outside? -Shall we stay outside? | 0:06:34 | 0:06:36 | |
-I like down there. -Let's stay outside. | 0:06:36 | 0:06:37 | |
We'll have a look over here. | 0:06:37 | 0:06:39 | |
-OK. -There's a quite interesting mix of things over here. | 0:06:39 | 0:06:42 | |
Hayley may have already spotted something from her wish list. | 0:06:42 | 0:06:46 | |
-It's shiny! -What's shiny? | 0:06:46 | 0:06:48 | |
-This gold one. -Do you like that? | 0:06:48 | 0:06:50 | |
-It's Romeo and Juliet. -Exactly. | 0:06:50 | 0:06:52 | |
Or it's a scene after an artist called Anton Fragonard - | 0:06:52 | 0:06:55 | |
almost a French Rococo courting scene - of a lady and gent. | 0:06:55 | 0:07:00 | |
-It's quite modern. -Oh, is it? | 0:07:00 | 0:07:01 | |
So, it's, sort of, like a French revival of a 19th-century type. | 0:07:01 | 0:07:06 | |
Nice try, Hayley, but time to move on. | 0:07:06 | 0:07:08 | |
I wonder what the Blues are up to. | 0:07:10 | 0:07:12 | |
Have you seen anything yet that just captures your eye? | 0:07:12 | 0:07:15 | |
There's some interesting industrial units there, and the chairs. | 0:07:15 | 0:07:18 | |
-Those, sort of, tubular stacking chairs. They're... -Mm-hmm. -Yeah. | 0:07:18 | 0:07:21 | |
-It reminds me of my childhood. -Yeah? | 0:07:21 | 0:07:24 | |
Let's be tactful when dating them, eh, Richard? | 0:07:24 | 0:07:27 | |
You're seeing a lot of this - | 0:07:27 | 0:07:28 | |
the, sort of, cafe-type approach to it. | 0:07:28 | 0:07:30 | |
-Do you know what I mean? -Yeah, yeah... | 0:07:30 | 0:07:32 | |
-I like the fact that it's got some original paint on it. -Yeah. -Yes. | 0:07:32 | 0:07:35 | |
And you might just have to go for a bit of a mix, | 0:07:35 | 0:07:38 | |
-cos I don't think you're going to get a complete set. -I like that. | 0:07:38 | 0:07:40 | |
I mean, how many would sell better? | 0:07:40 | 0:07:41 | |
-Would it sell better at...? -Six. -Six? | 0:07:41 | 0:07:43 | |
-Six is a good one. Not four. -Six, OK. | 0:07:43 | 0:07:45 | |
No, I think we should go for six. | 0:07:45 | 0:07:47 | |
Well, why don't we find out, first and foremost, how much they are? | 0:07:47 | 0:07:50 | |
-Yeah. -You go and see the stallholder. | 0:07:50 | 0:07:53 | |
-OK. -See what the best price is per chair... | 0:07:53 | 0:07:56 | |
-I'm up for that. -..and then come back and tell us. | 0:07:56 | 0:07:58 | |
-Yeah, cool. I will. -Good. | 0:07:58 | 0:07:59 | |
Good luck, Roxy. | 0:07:59 | 0:08:00 | |
I hope the odds aren't stacked against you. | 0:08:00 | 0:08:04 | |
Now, back with the Reds and Charles has spotted something. | 0:08:04 | 0:08:07 | |
You might say, "Charles, they're almost Grandma's favourites." | 0:08:07 | 0:08:10 | |
-But I quite like them. Do you like them? -Ah, the shells. | 0:08:10 | 0:08:12 | |
They... Yeah, they're quite quirky. | 0:08:12 | 0:08:14 | |
At auction, they're probably worth 150-250. | 0:08:14 | 0:08:16 | |
-They're priced at 225, so they're really on the money, Chris. -OK. | 0:08:16 | 0:08:19 | |
But you've got to... When you see an object in your hour, | 0:08:19 | 0:08:22 | |
it's got to give you a heartbeat. | 0:08:22 | 0:08:24 | |
-OK. -Yeah. -Have you a heartbeat? | 0:08:24 | 0:08:25 | |
-No. No. OK, Chris? -Not for me. -OK. | 0:08:25 | 0:08:27 | |
Right, well, thanks for coming. Come on. Follow me. Follow me! | 0:08:27 | 0:08:30 | |
They won't be shelling out for those items, but what news does | 0:08:30 | 0:08:33 | |
Roxy have on those chairs from that shy stallholder? | 0:08:33 | 0:08:36 | |
What did he say? | 0:08:36 | 0:08:37 | |
Well, he wanted 25 each for the chairs, | 0:08:37 | 0:08:40 | |
-so that's 150, which is half our budget. -Oh-oh-oh, that's very toppy. | 0:08:40 | 0:08:43 | |
I got him down to 120 for six, so it's £20 each. | 0:08:43 | 0:08:48 | |
-I was thinking 12 each, to make a profit. -So was I. | 0:08:48 | 0:08:51 | |
Roxy, I'm with you. | 0:08:51 | 0:08:53 | |
-Jack, are you with Roxy? -Definitely. It's a shame, but I agree. | 0:08:53 | 0:08:57 | |
-We've got to think, you know, we're taking these to auction. -I know. | 0:08:57 | 0:09:00 | |
-Profit. -I'm really disappointed cos I really was partial to them. -Yeah. | 0:09:00 | 0:09:03 | |
-But on the way back... -Oh. | 0:09:03 | 0:09:05 | |
..I did notice something else which I spoke | 0:09:05 | 0:09:07 | |
-to the gentleman about... -Yes? | 0:09:07 | 0:09:08 | |
and it was this weather vane here. | 0:09:08 | 0:09:10 | |
-Oh. -I picked up on this. | 0:09:10 | 0:09:12 | |
I've knocked him down from £100 to £75. | 0:09:12 | 0:09:15 | |
-HE INHALES -So this is a sundial in the form of | 0:09:15 | 0:09:18 | |
an armillary sphere. | 0:09:18 | 0:09:20 | |
-Mm-hmm. -And it dates from what? 19... | 0:09:20 | 0:09:22 | |
-I would say 1930s. -Yeah. | 0:09:22 | 0:09:24 | |
I think if it went into the auction, | 0:09:24 | 0:09:26 | |
-they're probably going to guide it at £40-£60. -Oh, really? | 0:09:26 | 0:09:30 | |
We know it's here. It's £75. | 0:09:30 | 0:09:32 | |
-Shall we put it on our list? -Yes. -Yes. | 0:09:32 | 0:09:34 | |
-And then come back to it. -I agree. Yeah, I agree. -Come on. | 0:09:34 | 0:09:36 | |
-Let's keep going. -OK, keep going. -Right. | 0:09:36 | 0:09:38 | |
So, no items bought for the Blues yet, but what are those Reds up to? | 0:09:38 | 0:09:42 | |
A bit of treasure hunting, by the looks of it. | 0:09:42 | 0:09:45 | |
Aren't they gorgeous sticks? | 0:09:45 | 0:09:47 | |
Do you like them? | 0:09:47 | 0:09:49 | |
-I do, actually. I do quite like them. -Do you? | 0:09:49 | 0:09:51 | |
Yeah, I do. You can almost see people breaking these out for a... | 0:09:51 | 0:09:53 | |
-Like a fancy dinner party, can't you? -Exactly. | 0:09:53 | 0:09:56 | |
They're for special... | 0:09:56 | 0:09:57 | |
It is just a sheet silver. | 0:09:57 | 0:09:58 | |
They date to around 1910, | 0:09:58 | 0:10:01 | |
but they are 325. | 0:10:01 | 0:10:03 | |
-I thought it said 225, so there we are. -Oh, no. | 0:10:03 | 0:10:06 | |
-I am slightly put off by that price, but they are lovely. -Yeah. -Yeah. | 0:10:06 | 0:10:09 | |
-At least it whets your appetite to see what's out there. -Yeah. -Yeah. | 0:10:09 | 0:10:12 | |
And they are fantastic, but they could be just a bit too expensive. | 0:10:12 | 0:10:16 | |
-Too much. -Yeah, it's a little bit too much. | 0:10:16 | 0:10:18 | |
Definitely need to set your sights a bit lower, Reds. | 0:10:18 | 0:10:21 | |
Maybe the Blues have got the right idea. | 0:10:21 | 0:10:23 | |
Now, what do you think of this? | 0:10:23 | 0:10:26 | |
-You can imagine that in a hallway in a Victorian house. -Exactly. | 0:10:26 | 0:10:29 | |
And you're not afraid that the handles are a bit rusty? | 0:10:29 | 0:10:33 | |
-I like that. I think it adds to it. -Does it? | 0:10:33 | 0:10:35 | |
-I think it adds to it, myself. -Do you think so? | 0:10:35 | 0:10:37 | |
-Now, let's go and ask the stallholder... -I would. | 0:10:37 | 0:10:39 | |
-Excuse me, sir. -Hello there. -We're just admiring your rack. | 0:10:39 | 0:10:42 | |
-We're very keen on this coat rack. -On this one. | 0:10:42 | 0:10:44 | |
-STALLHOLDER: -Oh, yes? | 0:10:44 | 0:10:46 | |
-We like that. -But we're a little concerned about the price, | 0:10:46 | 0:10:49 | |
and we're wondering what would your best price be for us? | 0:10:49 | 0:10:51 | |
-What's your best price on that? -Best price is £30 on it. -30. -30. | 0:10:51 | 0:10:54 | |
-We can't squeeze you just that extra little bit? -No. No, no, no. | 0:10:54 | 0:10:57 | |
-RICHARD: -I think that's a very reasonable discount. | 0:10:57 | 0:10:59 | |
-It's something that you both like. It's eminently practical. -Mm-hmm. | 0:10:59 | 0:11:03 | |
-OK. -I think, at £30, yeah. -OK. | 0:11:03 | 0:11:05 | |
-Cheers. -Thank you. You've got a deal. -Thank you, sir. -Thank you. | 0:11:05 | 0:11:08 | |
Well done, Blues. | 0:11:08 | 0:11:10 | |
With 20 minutes gone, you've bagged your first item. | 0:11:10 | 0:11:13 | |
I just hope the bidders will be as hooked as you are. | 0:11:13 | 0:11:17 | |
Your turn now, Reds. | 0:11:17 | 0:11:19 | |
-I like that gravy boat. -Where's that? | 0:11:19 | 0:11:21 | |
That gravy boat, there. | 0:11:21 | 0:11:22 | |
That's pretty, | 0:11:22 | 0:11:24 | |
and it says "unusual sauce boat". | 0:11:24 | 0:11:26 | |
-CHRIS LAUGHS -That's the description. So, what is unusual? | 0:11:26 | 0:11:29 | |
-It's very grand, isn't it? -It's very grand. | 0:11:29 | 0:11:31 | |
I think what sets this one off is, actually, is it a sauce boat? | 0:11:31 | 0:11:35 | |
Because on this side, I can see, just embossed there, a cow milking, | 0:11:35 | 0:11:41 | |
-so is it actually... -A milk jug? | 0:11:41 | 0:11:43 | |
So it is unusual, so a good spot. | 0:11:43 | 0:11:45 | |
I think it's worth, on a really good day, probably £35. | 0:11:45 | 0:11:50 | |
So I think, really, it's one of those lots that | 0:11:50 | 0:11:52 | |
-is just on the money. -Yeah. -Right, OK. | 0:11:52 | 0:11:54 | |
-But a good spot - a good sign of things to come. -Good. | 0:11:54 | 0:11:56 | |
Come on, guys. | 0:11:56 | 0:11:58 | |
So, the search for something shiny is not going well. | 0:11:58 | 0:12:01 | |
Maybe the Blues have found something to float their boat. | 0:12:01 | 0:12:05 | |
I can't see anything. | 0:12:05 | 0:12:06 | |
-I can't see anything that's grabbing me. -What's this? | 0:12:06 | 0:12:09 | |
-Oh. -That looks a bit of fun. | 0:12:09 | 0:12:13 | |
-Oh, yeah. -Doesn't it? | 0:12:13 | 0:12:14 | |
Is it a cocktail... No, it's just flasks, isn't it? | 0:12:14 | 0:12:17 | |
-Thermos... Are they Thermos? -Yeah. | 0:12:17 | 0:12:19 | |
So, we're looking at a pair of 1950s Thermos flasks in | 0:12:19 | 0:12:23 | |
-a very nicely fitted leather case. -Mmm. -Yeah. | 0:12:23 | 0:12:26 | |
Got a maker's mark on top - "Zon-Vac". | 0:12:26 | 0:12:29 | |
They seem in good shape but they're unpriced. | 0:12:29 | 0:12:32 | |
Shall we find out how much this owner wants for them? | 0:12:32 | 0:12:35 | |
-Good idea. -Yes, where's our man? -Yeah. -Oh, here we go. | 0:12:35 | 0:12:37 | |
-Oh, sir. Morning. Hello there. -Morning. -Hello. | 0:12:37 | 0:12:40 | |
-Are you all right? -We're admiring your cased Thermos flask. | 0:12:40 | 0:12:43 | |
-But the price? -80. | 0:12:43 | 0:12:45 | |
-THEY GASP -Oh... | 0:12:45 | 0:12:48 | |
Do your worst. | 0:12:48 | 0:12:49 | |
I'd like to be able to buy these for £50. | 0:12:49 | 0:12:52 | |
I need a little bit more, to get a profit. To get a little profit. | 0:12:52 | 0:12:56 | |
I think Roxy can handle this one. | 0:12:56 | 0:12:58 | |
Could you do 55? And then we've taken it off your hands, | 0:12:58 | 0:13:01 | |
so you haven't got to pack it up later. | 0:13:01 | 0:13:02 | |
Hmm. Very clever. | 0:13:02 | 0:13:05 | |
All right, then. | 0:13:05 | 0:13:06 | |
-Yeah? Bless your heart. Thank you. -Deal. Thank you very much. | 0:13:06 | 0:13:10 | |
-Thank you so much, sir. That's very kind. -Great. Good. | 0:13:10 | 0:13:12 | |
-Excellent, thank you. Great. -Thank you. -Thank you. | 0:13:12 | 0:13:15 | |
Excellent, Blues. That's two items in the bag, | 0:13:15 | 0:13:18 | |
but, with 30 minutes to go and no items purchased, | 0:13:18 | 0:13:21 | |
the Reds had better get buying. | 0:13:21 | 0:13:24 | |
I did spot some things just over there. | 0:13:24 | 0:13:26 | |
-Oh, really? -What's over there? | 0:13:26 | 0:13:28 | |
It's, sort of, like... It just looks really interesting. | 0:13:28 | 0:13:31 | |
It's an old-school hairdryer. | 0:13:31 | 0:13:32 | |
-Yeah, it's amazing. -Isn't it? -It's amazing. | 0:13:32 | 0:13:34 | |
It's social history that people are going to get. | 0:13:34 | 0:13:36 | |
-It's so retro, isn't it? -Yeah. | 0:13:36 | 0:13:37 | |
It looks clean. So, it's still got the Christmas tag on it. | 0:13:37 | 0:13:40 | |
I don't think it's ever been used. | 0:13:40 | 0:13:41 | |
"Greetings to Joyce from Mum and Dad. | 0:13:41 | 0:13:44 | |
-"Christmas 1952." -'52. | 0:13:44 | 0:13:47 | |
-Wow. -Amazing. Looking at that... | 0:13:47 | 0:13:50 | |
yes, I see no reason why it can't be 1950s. | 0:13:50 | 0:13:53 | |
It's, sort of, a revolution in materials. | 0:13:53 | 0:13:56 | |
I love the materials. | 0:13:56 | 0:13:57 | |
It's probably a Bakelite or later plastic. | 0:13:57 | 0:14:00 | |
-I wonder how much it is. -There's a tag in there, isn't there? | 0:14:00 | 0:14:03 | |
Oh, is there? I'm going to say... I bet it's about £35. | 0:14:03 | 0:14:08 | |
-48. -48? -Yeah. | 0:14:08 | 0:14:11 | |
OK. If that came into my saleroom, it would fetch between £30 and £50. | 0:14:11 | 0:14:16 | |
-I think we should. -I think, yeah, see what we can get. | 0:14:16 | 0:14:19 | |
-Shall I go and find the best price? -Best price, yeah. -OK, see you soon. | 0:14:19 | 0:14:22 | |
-Do you really like it, though? -I do, and I think I'd use it. | 0:14:22 | 0:14:25 | |
If I was buying it, I'd want to test it out. | 0:14:25 | 0:14:28 | |
-Right, OK. -I really would. | 0:14:28 | 0:14:29 | |
His bottom is £40 and he will go no further. | 0:14:29 | 0:14:33 | |
But I do like it. | 0:14:33 | 0:14:34 | |
It's retro, it's vintage, it's got style... | 0:14:34 | 0:14:36 | |
Exactly, it's that vintage thing that people want right now, | 0:14:36 | 0:14:39 | |
isn't it? It's that old-school vibe. | 0:14:39 | 0:14:40 | |
Old-school vibe. I like it. | 0:14:40 | 0:14:42 | |
-If you get the right person, they'll want that. -Yeah. | 0:14:42 | 0:14:44 | |
-Oh, go on, then. -I think we should. | 0:14:44 | 0:14:45 | |
-Hold on, hold on, are you sure? -I think we should. | 0:14:45 | 0:14:47 | |
-Yeah, let's do it. -Let's do it. OK. -First one down. | 0:14:47 | 0:14:49 | |
-I don't think that's a bad first item. -No, I'm quite happy with that. | 0:14:49 | 0:14:52 | |
OK. Yes, sir, we'll take it. Thanks a lot. Many thanks. | 0:14:52 | 0:14:55 | |
Well done, Reds. | 0:14:55 | 0:14:56 | |
Hopefully, with a strong wind, it'll do well at auction. | 0:14:56 | 0:14:59 | |
2-1 up on the Reds, | 0:15:01 | 0:15:03 | |
are those Blues just breezing along or is it the calm before the storm? | 0:15:03 | 0:15:07 | |
Oh, hang on. | 0:15:08 | 0:15:10 | |
-Oh. -"Oh, oh"? | 0:15:10 | 0:15:13 | |
-Look at it. Have a look. -What's that? -What's he seen? | 0:15:13 | 0:15:15 | |
-Look. -I don't know. -Look? -Look at that sign. | 0:15:15 | 0:15:18 | |
Oh, yeah. | 0:15:18 | 0:15:20 | |
-What do you think? -"Silverstone Circuit". | 0:15:20 | 0:15:23 | |
-That's a temporary sign, as you approach the circuit. -Yeah. | 0:15:23 | 0:15:26 | |
Not for £95, you're not. | 0:15:26 | 0:15:28 | |
-Well, no, I just noticed that. I... -LAUGHTER | 0:15:28 | 0:15:30 | |
-We think it matches your fleece. -No. Yes. | 0:15:30 | 0:15:32 | |
-Yes. Yes, indeed. -And that's about all it got going for it. | 0:15:32 | 0:15:35 | |
-Yes, OK. -It's modern. It's... | 0:15:35 | 0:15:37 | |
I think I thought it was a bit more rustic... | 0:15:37 | 0:15:39 | |
-Not rustic but old metal. Metal. -Yeah, yeah. Good try, good try. | 0:15:39 | 0:15:42 | |
-Yeah, OK. -Not today, Jack. | 0:15:42 | 0:15:44 | |
-Not today. -No. -No, we'll move on that one. | 0:15:44 | 0:15:47 | |
Steering clear, hey, Blues? | 0:15:47 | 0:15:49 | |
Best look out, the Reds may overtake you on the next bend. | 0:15:49 | 0:15:53 | |
I'm really liking this, look. It's just caught my eye. | 0:15:54 | 0:15:58 | |
You're a camera fan. | 0:15:58 | 0:15:59 | |
Yeah, and it's the... Again, it's like the first piece we bought. | 0:15:59 | 0:16:02 | |
It's like that social history that people might really like. | 0:16:02 | 0:16:05 | |
Do you know, all I know is that cameras is one | 0:16:05 | 0:16:07 | |
of the most popular markets at auction, at the moment, | 0:16:07 | 0:16:10 | |
and, obviously, we look at the Carl Zeiss | 0:16:10 | 0:16:12 | |
and the more important names. | 0:16:12 | 0:16:14 | |
This is more like a box Brownie, in some respects. | 0:16:14 | 0:16:16 | |
It's the deluxe model of the Conway camera. | 0:16:16 | 0:16:19 | |
When I see something like that, | 0:16:19 | 0:16:21 | |
I just think of what people have actually caught on it during | 0:16:21 | 0:16:23 | |
-that period and what, you know, people have taken with it. -Yeah. | 0:16:23 | 0:16:26 | |
-No, you're quite right. It's a snapshot of history, isn't it? -Yeah. | 0:16:26 | 0:16:29 | |
Is it all complete, there, Chris? | 0:16:29 | 0:16:31 | |
It looks like it obviously needs a good clean. The lens is dirty. | 0:16:31 | 0:16:35 | |
The viewfinder's dirty, but you would expect that, because it's... | 0:16:35 | 0:16:38 | |
You know, it's aged. | 0:16:38 | 0:16:39 | |
-Yeah. -And it's not a piece that you use every day. | 0:16:39 | 0:16:42 | |
OK, Reds, it's time to focus now. | 0:16:42 | 0:16:45 | |
-Hello, sir. -STALLHOLDER: -Hi. | 0:16:45 | 0:16:47 | |
This lovely Conway camera that you have, sir. | 0:16:47 | 0:16:49 | |
-Yeah, made in Birmingham. -Yes. What's your best price on this, sir? | 0:16:49 | 0:16:52 | |
-If you want it for a gambling price, £12. -OK. | 0:16:52 | 0:16:56 | |
-Would you go to 10? -No, I wouldn't. | 0:16:56 | 0:16:58 | |
-Oh... -Maybe meet him halfway. | 0:16:58 | 0:16:59 | |
-What do you think? -Maybe meet him halfway. -11? | 0:16:59 | 0:17:02 | |
If you would pay 11, you can have it, yes. | 0:17:02 | 0:17:04 | |
-Let's do it for 11. -11? -Yeah. | 0:17:04 | 0:17:05 | |
Superb. Thank you, sir. You're a good man. | 0:17:05 | 0:17:07 | |
-Cheers. I'll wrap it. -Thank you. | 0:17:07 | 0:17:09 | |
-Good, £11. -Excellent. | 0:17:09 | 0:17:11 | |
-Two down, one to go. -Yeah. -We're doing very well. Let's go. | 0:17:11 | 0:17:15 | |
Well done, team, you're now level pegging with the Blues, | 0:17:15 | 0:17:18 | |
but there's only 15 minutes left to get your final item. | 0:17:18 | 0:17:22 | |
I think we'd better make our way back to the sundial. | 0:17:22 | 0:17:26 | |
-I'm hoping it's still there. -Hoping it's still there. | 0:17:26 | 0:17:28 | |
-Come on, then. -Come on, then. -OK. | 0:17:28 | 0:17:30 | |
And we might see something on the way. | 0:17:31 | 0:17:33 | |
So, it's back to the start for the Blues, | 0:17:33 | 0:17:35 | |
whilst the Reds have gone inside. | 0:17:35 | 0:17:38 | |
Make your mind up, teams - tick tock. | 0:17:38 | 0:17:41 | |
-Now, what's Hayley spotted? -This. -Oh, the hat. | 0:17:41 | 0:17:44 | |
-It's that one there, isn't it? -It's very theatrical and very me. | 0:17:44 | 0:17:48 | |
-Exactly. -I like it. -It's great. | 0:17:48 | 0:17:50 | |
Importantly, vintage is all the rage, | 0:17:50 | 0:17:54 | |
-particularly when it comes to textiles and accessories. -Yeah. | 0:17:54 | 0:17:57 | |
-What's the condition like of this hat? -It looks OK. | 0:17:57 | 0:17:59 | |
You can tell it's been worn by someone that's treaded the boards. | 0:17:59 | 0:18:02 | |
Exactly. | 0:18:02 | 0:18:04 | |
-A bit of history to it. -But I like that about it. | 0:18:04 | 0:18:06 | |
It's almost... It's... It's... | 0:18:06 | 0:18:08 | |
-It's had a life... -Yeah. -Yeah. | 0:18:08 | 0:18:09 | |
..and it's seen the thrills and spills of theatre and drama. | 0:18:09 | 0:18:14 | |
Sounds exactly like Bargain Hunt to me, | 0:18:14 | 0:18:16 | |
with added twists and turns, of course. | 0:18:16 | 0:18:18 | |
Oh, I like it. | 0:18:18 | 0:18:20 | |
-Perfect. -That really suits you. -Natural, yeah. | 0:18:20 | 0:18:22 | |
-Does it suit me? -Yes. -Yeah? | 0:18:22 | 0:18:25 | |
Sorry, Hayley, but I think that would look better on me. | 0:18:25 | 0:18:29 | |
Now, are the Blues on track for their final item? | 0:18:29 | 0:18:31 | |
Erm... | 0:18:31 | 0:18:33 | |
-The first one there, isn't it? -Yeah. -There it is. -Yeah. | 0:18:33 | 0:18:36 | |
-Now, I can see our tubular chairs that we rejected. -Yeah. | 0:18:36 | 0:18:40 | |
-Erm... -Oh, I can see it. | 0:18:40 | 0:18:41 | |
-You can see it? -There. -You can see it. Here it is. -I do like it. | 0:18:41 | 0:18:44 | |
We're back again and he's still here. | 0:18:44 | 0:18:47 | |
-Well, that's an omen, isn't it? -I think it's a... | 0:18:47 | 0:18:49 | |
-I think it's meant to be. I really like it. -It's been waiting for us. | 0:18:49 | 0:18:52 | |
-OK. -And I've got a really good feeling about this. | 0:18:52 | 0:18:54 | |
-You have? -Yeah, I have. | 0:18:54 | 0:18:55 | |
Now, the price this morning, you will remember... | 0:18:55 | 0:18:58 | |
He went from 100 down to 75. | 0:18:58 | 0:19:00 | |
-Did he? -Yeah. -Indeed, indeed. | 0:19:00 | 0:19:02 | |
Well, do you want to go and ask him one more time? | 0:19:02 | 0:19:04 | |
If 75 is the price, do the deal. | 0:19:04 | 0:19:06 | |
-Take it. -Do the deal. -OK, OK. -OK? -Yeah. | 0:19:06 | 0:19:10 | |
Only minutes left, teams. | 0:19:10 | 0:19:12 | |
What will it be? 1930s? | 0:19:12 | 0:19:15 | |
I think '30s. Manchester-made. | 0:19:15 | 0:19:18 | |
It's got the initials inside here - "DCP". But it's neat. | 0:19:18 | 0:19:23 | |
Guys, it just depends on price. We've got five minutes to go. | 0:19:23 | 0:19:25 | |
-OK, let's find out how much it is. -And I would like to spend... | 0:19:25 | 0:19:27 | |
-Let's find out how much it's going for. Give him a shout. -OK. | 0:19:27 | 0:19:30 | |
STALLHOLDER: It's £20. | 0:19:30 | 0:19:31 | |
20. | 0:19:31 | 0:19:33 | |
I was hoping for 10. | 0:19:33 | 0:19:35 | |
-Oh, and it suits the lady, as well. -You can keep hoping, as well. | 0:19:35 | 0:19:38 | |
-Really? -I'll go for £15. | 0:19:38 | 0:19:40 | |
-15? -Charles? | 0:19:40 | 0:19:42 | |
I think it's great and I think it adds drama to the sale. | 0:19:42 | 0:19:45 | |
I think, at £15, it will sit well. | 0:19:45 | 0:19:48 | |
-OK. -It sits well on you. | 0:19:48 | 0:19:49 | |
-I think we'll take it. -OK. Yes, we'll have it. -Thank you very much. | 0:19:49 | 0:19:52 | |
Thanks a lot. Thanks. Yeah, great. That's it. | 0:19:52 | 0:19:55 | |
A tip-top performance, Reds. You have all three items. | 0:19:55 | 0:19:59 | |
Now, has Roxy got there in time? | 0:19:59 | 0:20:01 | |
-Hello. -Are we done? | 0:20:01 | 0:20:02 | |
Yeah, I spoke to the gentleman and it is 75. | 0:20:02 | 0:20:06 | |
If he went any lower, he would lose money... | 0:20:06 | 0:20:08 | |
-Well... -..so that's fair enough. | 0:20:08 | 0:20:10 | |
-Yeah, it is. -OK. -So you've done the deal. | 0:20:10 | 0:20:12 | |
-We've done the deal? -Yes, £75. -Good. Well done. | 0:20:12 | 0:20:14 | |
Marvellous. Well, may shake your hand? | 0:20:14 | 0:20:16 | |
BELL RINGS Well, no time for SAW losers. | 0:20:16 | 0:20:20 | |
Teams, your time is up. | 0:20:20 | 0:20:22 | |
-I've got a really good feeling about that. -Well done. -I'm happy. | 0:20:22 | 0:20:25 | |
-Good. -Well done. -You're happy, you're happy... | 0:20:25 | 0:20:27 | |
-Yes, yup. -..I'm happy. | 0:20:27 | 0:20:28 | |
-Excellent. -Let's go and have a cup of tea. | 0:20:28 | 0:20:30 | |
-Yes, really good idea. -Oh, yes, please. | 0:20:30 | 0:20:33 | |
Let's take a look at what the Red team bought. | 0:20:33 | 0:20:35 | |
They were blown away by this hairdryer, at £40. | 0:20:37 | 0:20:40 | |
They snapped up this camera for just £11. | 0:20:44 | 0:20:49 | |
And this top hat topped off their shopping, at £15. | 0:20:49 | 0:20:54 | |
Well, I don't know about smooth operators, | 0:20:54 | 0:20:56 | |
but you're definitely cool operators. | 0:20:56 | 0:20:59 | |
So, tell me, what is your favourite item? | 0:20:59 | 0:21:02 | |
-For me, I think it was the camera. -OK. | 0:21:02 | 0:21:04 | |
I think my favourite was the top hat, because it had a bit | 0:21:04 | 0:21:07 | |
of a story to it and it did suit me, as well. | 0:21:07 | 0:21:09 | |
Well, you know what they say, you want to get ahead, get a hat. | 0:21:09 | 0:21:12 | |
But what about the biggest profit? | 0:21:12 | 0:21:14 | |
-I think the hairdryer. -I think you might be right. | 0:21:14 | 0:21:17 | |
I think the hairdryer, if the right people are there on the day. | 0:21:17 | 0:21:20 | |
Now, I don't want to be unkind but, let's face it, | 0:21:20 | 0:21:22 | |
-you weren't the last of the big spenders, were you? -No. -Not at all. | 0:21:22 | 0:21:25 | |
No, £66. I think frugal is the polite word. | 0:21:25 | 0:21:30 | |
-So, by my calculations, you should be giving me £234. -There it is. -OK. | 0:21:30 | 0:21:36 | |
-And four. -And the coins. | 0:21:36 | 0:21:38 | |
And the coins, which I will pass to Mr Hanson. | 0:21:38 | 0:21:40 | |
It's quite a daunting amount, Mr Knowles. | 0:21:40 | 0:21:42 | |
-It is. -It really is. -Yes. | 0:21:42 | 0:21:44 | |
And I think our hour was all about going modern, you know, | 0:21:44 | 0:21:47 | |
going for the young and new generation, | 0:21:47 | 0:21:49 | |
so my plan is to go back to my time and go antique. Go over... | 0:21:49 | 0:21:53 | |
-100 years old. -Good. -All right, Charles, be gone! -Thank you. | 0:21:53 | 0:21:57 | |
So, let's remind ourselves what the Blue team bought. | 0:21:57 | 0:22:00 | |
They hung on to this coat rack, for £30. | 0:22:02 | 0:22:05 | |
These chrome-plated flasks set them back £55. | 0:22:08 | 0:22:12 | |
And could this Herculean sundial, bought for £75, | 0:22:13 | 0:22:16 | |
make them a strong profit? | 0:22:16 | 0:22:18 | |
So, Blues, I think it's fair to say that your dealings today | 0:22:18 | 0:22:21 | |
-were measured and businesslike. -Yes, it was. | 0:22:21 | 0:22:25 | |
-Yeah, we thoroughly enjoyed it and I think we've done quite well. -You do? | 0:22:25 | 0:22:28 | |
I like this confidence. I love it. | 0:22:28 | 0:22:31 | |
-So, what about favourite object? -I think it's the sundial. | 0:22:31 | 0:22:35 | |
-I'm really partial to that. -You are? -Yeah. -What about you, Jack? | 0:22:35 | 0:22:38 | |
I think the second item, which were the thermos flasks in the | 0:22:38 | 0:22:42 | |
-leather case. I really like that. -So how much did you two spend today? | 0:22:42 | 0:22:46 | |
-£160. -Which then tells me you're going to give me £140... -Yeah, I am. | 0:22:46 | 0:22:52 | |
..just like that. £140 goes over to Richard. | 0:22:52 | 0:22:57 | |
-Well, off you go, my dear boy. -Thank you, Eric. -And do your best. | 0:22:57 | 0:23:00 | |
So, while Richard is off spending the money, I'm off to church. | 0:23:00 | 0:23:05 | |
This beautiful West Sussex countryside is home to | 0:23:10 | 0:23:12 | |
a rare treat in British history. | 0:23:12 | 0:23:14 | |
It holds a glimpse of life from the medieval world of 1,000 years ago. | 0:23:15 | 0:23:20 | |
And within the village of Hardham lies this tiny church, | 0:23:20 | 0:23:23 | |
dating back to around 1037. | 0:23:23 | 0:23:26 | |
From the other side, | 0:23:26 | 0:23:27 | |
this is a simple, if stunningly designed, building. | 0:23:27 | 0:23:31 | |
But the interior, I am told, is truly astonishing. | 0:23:31 | 0:23:36 | |
Rediscovered by the Victorians, | 0:23:39 | 0:23:41 | |
these wonderful wall paintings are over 900 years old. | 0:23:41 | 0:23:46 | |
And, until now, I've only ever seen pictures of these | 0:23:46 | 0:23:49 | |
in the pages of reference books. | 0:23:49 | 0:23:52 | |
Do you know, this just takes a lot of taking in, | 0:23:53 | 0:23:56 | |
because I've found myself in what can only be described | 0:23:56 | 0:24:01 | |
as a medieval art gallery. | 0:24:01 | 0:24:04 | |
We're talking about 60 years after the Battle Of Hastings. | 0:24:04 | 0:24:07 | |
Yes, 1066 and all that. | 0:24:07 | 0:24:11 | |
I mean, 400 years before a chap in Italy called Michelangelo | 0:24:11 | 0:24:15 | |
started painting his Sistine Chapel. It's just absolutely incredible, | 0:24:15 | 0:24:20 | |
everywhere I'm looking. | 0:24:20 | 0:24:22 | |
Just to think of the people who saw it for the first time, because | 0:24:22 | 0:24:25 | |
these colours are so muted now. They would have been vibrant colours. | 0:24:25 | 0:24:29 | |
I mean, you would have honestly thought that you were | 0:24:29 | 0:24:31 | |
actually just one step away from heaven itself. | 0:24:31 | 0:24:35 | |
But why were these images hidden for so many years | 0:24:36 | 0:24:40 | |
and what stories do they tell? | 0:24:40 | 0:24:42 | |
Roger Rosewell is a historian and author | 0:24:42 | 0:24:45 | |
specialising in the history of medieval wall paintings. | 0:24:45 | 0:24:49 | |
He's been studying images like these for years. | 0:24:49 | 0:24:52 | |
So, I'm thinking, who on Earth painted these? | 0:24:52 | 0:24:55 | |
Were they professional painters? Were they just local people? | 0:24:55 | 0:24:59 | |
No, I think here, these people have done it many times. | 0:24:59 | 0:25:03 | |
So, we have to imagine a travelling band of professional artists. | 0:25:03 | 0:25:08 | |
Most paintings in England are painted on dry plaster, | 0:25:08 | 0:25:11 | |
they're called seco, but these are true frescoes. | 0:25:11 | 0:25:13 | |
And the way you do that is you apply fresh lime plaster to the walls | 0:25:13 | 0:25:18 | |
and, as the lime water paint and a lime plaster dry, | 0:25:18 | 0:25:23 | |
together they form a bond. | 0:25:23 | 0:25:26 | |
Now, this fresco painting is very difficult in England, | 0:25:26 | 0:25:28 | |
because of the climate and so, that's why we moved to painting on | 0:25:28 | 0:25:32 | |
dry plaster in later centuries. | 0:25:32 | 0:25:34 | |
So, these are quite rare, these are true frescoes. | 0:25:34 | 0:25:37 | |
The Italian-type frescoes in an English church. | 0:25:37 | 0:25:40 | |
And the fact they have survived at all is remarkable. | 0:25:41 | 0:25:45 | |
What we've got to remember is that England in the Middle Ages | 0:25:45 | 0:25:49 | |
was obviously a Catholic country. | 0:25:49 | 0:25:51 | |
The Protestant Reformation in the 1530s/'40s culminates | 0:25:51 | 0:25:55 | |
in instructions to take away and destroy all of this religious, | 0:25:55 | 0:25:59 | |
superstitious imagery and so, it's covered up, it's whitewashed, | 0:25:59 | 0:26:02 | |
and it remains undiscovered until the 1860s, | 0:26:02 | 0:26:07 | |
probably when the church is being modernised, cleaned up. | 0:26:07 | 0:26:12 | |
These paintings emerge and that is what we see today. | 0:26:12 | 0:26:15 | |
They've lost a lot of their original colour, but essentially, | 0:26:15 | 0:26:18 | |
they still remain an extraordinary survival, | 0:26:18 | 0:26:21 | |
the finest survival, of Anglo-Norman paintings of this scale | 0:26:21 | 0:26:25 | |
and size that we have anywhere in the country. | 0:26:25 | 0:26:28 | |
And to someone like Roger, it's more than just decoration. | 0:26:28 | 0:26:32 | |
There are several episodes here | 0:26:33 | 0:26:35 | |
that I know you are more than familiar with. | 0:26:35 | 0:26:37 | |
This lower tier of paintings tells the story of St George and, | 0:26:37 | 0:26:42 | |
on the left, this figure on the horse is St George, | 0:26:42 | 0:26:45 | |
we believe, appearing at the Battle Of Antioch | 0:26:45 | 0:26:48 | |
where the Crusaders defeat the Saracens. | 0:26:48 | 0:26:51 | |
So, that's 1098 at the Battle Of Antioch. | 0:26:51 | 0:26:53 | |
Let's look at some of the most remarkable paintings in this church. | 0:26:55 | 0:26:59 | |
And it is on this wall, in the chancel. | 0:26:59 | 0:27:02 | |
And it shows the story of Adam and Eve, but not completely | 0:27:02 | 0:27:06 | |
as we're used to in the Bible. | 0:27:06 | 0:27:07 | |
In which, having been expelled from the garden, they are overcome | 0:27:07 | 0:27:10 | |
with remorse and they desperately try to win God's favour. | 0:27:10 | 0:27:14 | |
You can see below they are standing in water. | 0:27:14 | 0:27:18 | |
And the theory goes that they go into the water | 0:27:18 | 0:27:21 | |
to say they're sorry. | 0:27:21 | 0:27:22 | |
And as they endure this punishment they've inflicted upon themselves, | 0:27:22 | 0:27:27 | |
Satan comes along and says to Eve, "Time up, you can come out now." | 0:27:27 | 0:27:31 | |
So, the poor woman climbs out of the water before she's served the | 0:27:31 | 0:27:36 | |
full penance, thus destroying their effort to win favour again with God. | 0:27:36 | 0:27:41 | |
It's not in the Bible, but here it is in the walls | 0:27:41 | 0:27:45 | |
of this small church in Sussex. | 0:27:45 | 0:27:47 | |
-Quite extraordinary. -Roger, this has been a rare treat for me. | 0:27:47 | 0:27:51 | |
I just wish I could have you on hand to walk into any other church | 0:27:51 | 0:27:54 | |
that I might find myself in, but, listen, thank you so much. | 0:27:54 | 0:27:58 | |
Thank you. | 0:27:58 | 0:27:59 | |
Well, 1,000 years after they were created, | 0:28:00 | 0:28:03 | |
these paintings remain exactly where they should be in this | 0:28:03 | 0:28:06 | |
beautiful little church here in West Sussex. | 0:28:06 | 0:28:09 | |
And I hope they remain here for another 1,000 years or more. | 0:28:09 | 0:28:12 | |
But now, we are off to the auction, where all is about to be revealed | 0:28:12 | 0:28:17 | |
to our two teams. | 0:28:17 | 0:28:19 | |
We've just nipped down the road to Bellmans and I'm joined by | 0:28:27 | 0:28:31 | |
Jonathan Pratt. Jonathan, you're going to be our auctioneer today. | 0:28:31 | 0:28:35 | |
-Absolutely, I'm looking forward to it. -Good, good, good. | 0:28:35 | 0:28:37 | |
Starting with our Red team and our first item is described as an | 0:28:37 | 0:28:41 | |
Ormond 1950s hairdryer. It's a, sort, of cream Bakelite. | 0:28:41 | 0:28:47 | |
-And your thoughts are? -Well... | 0:28:47 | 0:28:50 | |
This is what we call this retro mid-century chic. | 0:28:50 | 0:28:53 | |
Electronics are difficult, because selling electronics at auction, | 0:28:53 | 0:28:56 | |
we have to test them, electronically test them, | 0:28:56 | 0:28:58 | |
so this is being sold as a work of art and not as a working hairdryer. | 0:28:58 | 0:29:01 | |
-It's an ornament, as much as anything else. -Yeah. | 0:29:01 | 0:29:04 | |
On that basis, because it's screaming '50s, | 0:29:04 | 0:29:06 | |
in the sense of the Bakelite and the shape of the hairdryer and stuff, | 0:29:06 | 0:29:10 | |
I've put £20-£30. | 0:29:10 | 0:29:11 | |
Our team paid the princely sum of £40 for it. | 0:29:11 | 0:29:15 | |
What about our Conway box camera? | 0:29:15 | 0:29:17 | |
Well, I mean, obviously, there are collectable cameras. | 0:29:18 | 0:29:21 | |
This is, sort of, sitting around the wartime period, by which point | 0:29:21 | 0:29:24 | |
this is, sort of, a mass-produced camera. | 0:29:24 | 0:29:26 | |
The collectability of this is a little bit limited, sadly, | 0:29:26 | 0:29:29 | |
and so, you know, I've been particularly conservative, | 0:29:29 | 0:29:33 | |
perhaps, at £5-£10. | 0:29:33 | 0:29:35 | |
-No, no, no, you're doing good, because they paid £11 for it. -OK. | 0:29:35 | 0:29:39 | |
-So again, they're within a whisper. -Mm. | 0:29:39 | 0:29:42 | |
So, let's move on to our black opera hat. | 0:29:42 | 0:29:46 | |
Just, again, show the people at home how we can condense this hat. | 0:29:46 | 0:29:51 | |
-Look at that. -Oh, love it! Love it. | 0:29:51 | 0:29:54 | |
And then to... I mean, how cool. | 0:29:54 | 0:29:58 | |
-How cool. -It's a Manchester retailer, a Manchester maker. | 0:29:58 | 0:30:02 | |
I mean, how do saleable are they? | 0:30:02 | 0:30:03 | |
I suppose the limiting factor again with these sorts of prop is, | 0:30:03 | 0:30:07 | |
essentially, the size of the head. | 0:30:07 | 0:30:08 | |
I've got, sort of, a big head and I can never fit a top hat. | 0:30:08 | 0:30:12 | |
Any top hat I get into the sale, it's very rare that I find one | 0:30:12 | 0:30:14 | |
that fits, but they are very ornamental. | 0:30:14 | 0:30:16 | |
They're a nice piece for a gentleman's dressing room, | 0:30:16 | 0:30:20 | |
nice object to look at. | 0:30:20 | 0:30:21 | |
I've seen people use bowler hats and top hats as lightshades. | 0:30:21 | 0:30:24 | |
-Really? -Yeah. -How inventive. | 0:30:24 | 0:30:26 | |
With imagination, you can use what you like, can't you? | 0:30:26 | 0:30:28 | |
So, on that basis, because I think it's quite an iconic thing, | 0:30:28 | 0:30:31 | |
it's not seen on heads any more, I've said £15-£25. | 0:30:31 | 0:30:35 | |
Oh, really, they paid 15 for it. Well, thank you, Jonathan. | 0:30:36 | 0:30:40 | |
Let's have a look at our bonus buy. | 0:30:40 | 0:30:42 | |
Charles, what did you come up with? | 0:30:42 | 0:30:44 | |
My style has always been to spend, spend, spend | 0:30:44 | 0:30:47 | |
and gamble and go for it. | 0:30:47 | 0:30:49 | |
I really tried to spend every last pound, but I did find | 0:30:49 | 0:30:53 | |
something monumental, quite impressive and, really, | 0:30:53 | 0:30:56 | |
with a big capital A, to impress the new generation. | 0:30:56 | 0:31:01 | |
-Go on. -The youngsters. -Go for it. -Here we go. | 0:31:01 | 0:31:04 | |
-I hope you like it. -OK. -OK. | 0:31:04 | 0:31:06 | |
-Look at that. -OK. -Let's have a look. -Look at that. It lifts up like that | 0:31:06 | 0:31:10 | |
and, I suppose, part of handling history | 0:31:10 | 0:31:14 | |
is closing your eyes and just imagining the life it had. | 0:31:14 | 0:31:18 | |
And this is a beautiful, obviously, mahogany table. | 0:31:18 | 0:31:22 | |
It would date, in my opinion, to maybe around 1750. | 0:31:22 | 0:31:27 | |
-How much did you spend on it, though? -What's it worth? | 0:31:27 | 0:31:29 | |
If you were looking for a table almost 250 years old... | 0:31:29 | 0:31:34 | |
-180? -Yeah... | 0:31:34 | 0:31:36 | |
I'd say around that, no more than 200. | 0:31:36 | 0:31:37 | |
I bought this table for you | 0:31:37 | 0:31:40 | |
-for £130. -Wow, OK. -Oh, OK! | 0:31:40 | 0:31:44 | |
I would hope the auctioneer would guide it between 150 and 250. | 0:31:44 | 0:31:48 | |
-I hope. -Listen, you two, you don't have to make your mind up now. -No. | 0:31:48 | 0:31:53 | |
But let's go and see what the auctioneer thinks about the table | 0:31:53 | 0:31:56 | |
about which Mr Hanson is so passionate. | 0:31:56 | 0:32:00 | |
Charles has come up with a George II mahogany games table. | 0:32:00 | 0:32:05 | |
I love these sorts of things, I really do. | 0:32:05 | 0:32:08 | |
Because, you know, this is 100... | 0:32:08 | 0:32:09 | |
Oh, crikey, nearly 300 years old, you know. This is circa 1740. | 0:32:09 | 0:32:13 | |
Lovely piece of mahogany, but it's entry-level, for its example. | 0:32:13 | 0:32:17 | |
There's no shape to the front, no coin whirls, | 0:32:17 | 0:32:20 | |
no concertina action back legs and things like that. | 0:32:20 | 0:32:23 | |
But a wonderful piece of wood. | 0:32:23 | 0:32:25 | |
My feeling is, it's worth between £100 and £150, | 0:32:25 | 0:32:27 | |
but they can fall foul and go less than that. | 0:32:27 | 0:32:30 | |
The sum paid was £130, so, he's in the right sort of range, for sure. | 0:32:30 | 0:32:35 | |
Anyway, let's have a look at how the Blues fared. | 0:32:35 | 0:32:38 | |
These are their purchases. Starting with a pine wall-mounted coat rack. | 0:32:38 | 0:32:44 | |
Yeah, well, perfectly functional. It's got some age. | 0:32:44 | 0:32:46 | |
It's not terribly old, but it might be up to 100 years old, perhaps. | 0:32:46 | 0:32:50 | |
Very useful, very functional, fits into modern interior style. | 0:32:50 | 0:32:52 | |
-And in this type of sale, it'll sell very well. -What's your estimate? | 0:32:52 | 0:32:56 | |
-£20-£40. -OK, they paid £30 for it. So, in with a fighting chance there. | 0:32:56 | 0:33:02 | |
Well, on to item number two, | 0:33:02 | 0:33:03 | |
which is described as a pair of Zon-Vac Thermos flasks. | 0:33:03 | 0:33:09 | |
With a very chic-looking carrying case, leather. | 0:33:09 | 0:33:12 | |
This, again, is very popular at the moment. | 0:33:12 | 0:33:14 | |
There's this, sort of, revival in the mid-century style. | 0:33:14 | 0:33:17 | |
But this has been fitted, obviously, with these two Zon-Vac flasks, | 0:33:17 | 0:33:22 | |
which did fox me a little bit, and I was trying to work out, | 0:33:22 | 0:33:25 | |
because I thought this looked older than that, | 0:33:25 | 0:33:27 | |
and the quality of this is far better, I believe, than really this. | 0:33:27 | 0:33:31 | |
So, I thought maybe the two were associated, but very useful objects, | 0:33:31 | 0:33:36 | |
and certainly, where we are in Sussex, | 0:33:36 | 0:33:39 | |
there will be people looking at those and thinking they could | 0:33:39 | 0:33:42 | |
-quite easily use those on their next trip. -What do you reckon them? | 0:33:42 | 0:33:45 | |
-I've said £30-£50. -They paid £55. | 0:33:45 | 0:33:49 | |
-So, they're obviously still going to be in the game. -Yeah. | 0:33:49 | 0:33:52 | |
But let's have a look at item number three, | 0:33:52 | 0:33:55 | |
which I think is quite remarkable. The Swedish metal armillary sundial. | 0:33:55 | 0:34:01 | |
The information on here tells you it's from Sweden | 0:34:01 | 0:34:04 | |
and this chap is meant to be Hercules, under here. | 0:34:04 | 0:34:07 | |
This type of object is very fashionable, | 0:34:07 | 0:34:09 | |
people like buying objects for the garden. | 0:34:09 | 0:34:11 | |
It's certainly something that will get an audience, for sure. | 0:34:11 | 0:34:13 | |
And on that, I've said £100-£200. | 0:34:13 | 0:34:18 | |
Well, £75 spend. I think it's fair to say that our Blue team are, | 0:34:18 | 0:34:22 | |
-hopefully, going to be on a bit of an earner. -Mm. | 0:34:22 | 0:34:25 | |
Either way, let's have a look at the bonus buy. | 0:34:25 | 0:34:28 | |
So, Roxy, Jack, you did a sort of halfway spend. | 0:34:29 | 0:34:32 | |
-Yeah, £160. -£160. | 0:34:32 | 0:34:33 | |
So, that meant that I was able to give Richard here £140 | 0:34:33 | 0:34:37 | |
of your money to go and spend. | 0:34:37 | 0:34:39 | |
Richard, would you like to reveal all? | 0:34:39 | 0:34:41 | |
-Wow! -Wow, that is really cool. -Oh, we like that. | 0:34:41 | 0:34:45 | |
-Yup, I really like that. -Can I ask what you spent? -Oh! | 0:34:45 | 0:34:47 | |
-Well, yes, you can indeed. Straight in there! I paid £15... -£15! | 0:34:47 | 0:34:53 | |
..for this painted box, scumbled box, painted to simulate light oak. | 0:34:53 | 0:34:59 | |
It's pine underneath and inside it's got its original lining | 0:34:59 | 0:35:02 | |
-and the lock, as well. -That's a really good price, | 0:35:02 | 0:35:05 | |
but what do you think it will actually make at auction? | 0:35:05 | 0:35:07 | |
I would hope that you're going to double your money, at least. | 0:35:07 | 0:35:11 | |
I could see an auctioneer putting £30-£40 as an estimate. | 0:35:11 | 0:35:16 | |
-Crikey! -That sounds good to me. -You like it? -Yeah. -I like it, as well. | 0:35:16 | 0:35:19 | |
You don't have to make your minds up now, | 0:35:19 | 0:35:21 | |
so let's see what our auctioneer thinks about this bonus buy. | 0:35:21 | 0:35:25 | |
I like this sort of stuff. | 0:35:27 | 0:35:28 | |
I like the fact that the Victorians will take | 0:35:28 | 0:35:30 | |
a piece of pine and try and make it look like a bit of oak. | 0:35:30 | 0:35:32 | |
But I do rather like it, because it has a function, obviously, | 0:35:32 | 0:35:35 | |
it's a low side table, something to store kids' toys in, | 0:35:35 | 0:35:37 | |
-so I estimate it at £40-£60. -Excellent. | 0:35:37 | 0:35:40 | |
-Richard went out and paid £15 for it. -Pretty good. | 0:35:40 | 0:35:43 | |
So, the omens are good there. | 0:35:43 | 0:35:45 | |
The omens are also good because I know that you are the man | 0:35:45 | 0:35:48 | |
-with the gavel today! -Absolutely. | 0:35:48 | 0:35:50 | |
OK, well, go out there, Jonathan, and do what you're good at. | 0:35:50 | 0:35:53 | |
85, 90, 95... Where's 100? 100, then, ahead. | 0:35:55 | 0:35:58 | |
Are you sure? That's £100... | 0:35:58 | 0:36:01 | |
-So, how is the excitement factor? -Properly excited now. -Very excited. | 0:36:01 | 0:36:05 | |
-It's just hit me, yeah. -Nervous, too. -For what it's worth, | 0:36:05 | 0:36:08 | |
I think it's fair to say, Charles, we feel much the same. | 0:36:08 | 0:36:10 | |
Yeah, there's always that auction fever | 0:36:10 | 0:36:12 | |
and there's nothing quite like it. | 0:36:12 | 0:36:13 | |
I've never been to one before, this is my first time at auction. | 0:36:13 | 0:36:16 | |
-Oh, really? -Yeah. -Genuine excitement and nervousness. | 0:36:16 | 0:36:19 | |
Baptism of fire, quite literally, isn't it? | 0:36:19 | 0:36:21 | |
Well, look, your first item is coming up, it's the Bakelite | 0:36:21 | 0:36:25 | |
hairdryer, for which you paid £40, and here it comes. | 0:36:25 | 0:36:29 | |
Lot 150, an Ormond 1950s hairdryer | 0:36:29 | 0:36:32 | |
in a nice cream Bakelite body, in a vanity case. | 0:36:32 | 0:36:35 | |
-Bids with me, £15, I have. -Come on! | 0:36:35 | 0:36:38 | |
£15? 20. | 0:36:38 | 0:36:39 | |
25, I have. 30 at the front... | 0:36:39 | 0:36:41 | |
-Yes, keep going, keep going! -At £30. | 0:36:41 | 0:36:44 | |
£30, gentleman at the front, and selling, yours, sir, at £30... | 0:36:44 | 0:36:47 | |
-One more! -All done? £30. | 0:36:47 | 0:36:49 | |
BANGS GAVEL | 0:36:49 | 0:36:50 | |
-ALL: -Ohh! | 0:36:50 | 0:36:52 | |
£30! Oh! Well, we're minus 10. OK. | 0:36:52 | 0:36:55 | |
But the next lot is the Conway box camera. Here it is. | 0:36:55 | 0:36:59 | |
Moving on to lot 152, a Conway box camera, | 0:36:59 | 0:37:01 | |
deluxe model, no less. | 0:37:01 | 0:37:03 | |
So, someone start me at £10 for the box camera. | 0:37:03 | 0:37:05 | |
Ten at the front, thank you, £10. I'll take... | 0:37:05 | 0:37:08 | |
15, 20... | 0:37:08 | 0:37:09 | |
-£15, we are in profit! -25, sir. -25! | 0:37:09 | 0:37:11 | |
-25 here in the front. £25. -Come on, buyers! -Yes! -Any more? 30. | 0:37:11 | 0:37:16 | |
-Yes! -On the right of you, 30. £30, selling, £30, all done at 30? | 0:37:16 | 0:37:21 | |
-BANGS GAVEL -Yes! -Yes! -£30. | 0:37:21 | 0:37:24 | |
-Well done, we're back in business. -Plus 19, OK. £9 ahead at the moment. | 0:37:24 | 0:37:28 | |
-OK? -We're back in profit, brilliant. | 0:37:28 | 0:37:30 | |
-Our next lot is the top hat. -That's my favourite. -Your favourite? | 0:37:30 | 0:37:33 | |
Lot 154, a black opera top hat by Woodrow of Manchester. | 0:37:33 | 0:37:38 | |
-Nice little collapsing one, this. -Let's go! | 0:37:38 | 0:37:42 | |
-Start me at a tenner for it. There's ten. -Come on! -15, 20... | 0:37:42 | 0:37:46 | |
-£20! -Yes! -You're in, you're in. | 0:37:46 | 0:37:48 | |
25 on the left, at £25. Selling, fair warning, at £25. | 0:37:48 | 0:37:52 | |
Selling, thank you. | 0:37:52 | 0:37:53 | |
Wow, 25, well done, you! | 0:37:53 | 0:37:55 | |
-So, that's another £10. -Excellent. | 0:37:55 | 0:37:58 | |
-OK, so you're £19 in the... -£19! -So, we come to the bonus buy. | 0:37:58 | 0:38:02 | |
Are you feeling lucky? Do you want to go for it, or what? | 0:38:02 | 0:38:04 | |
-Go on. -I trust you. -Oh, no! -We put all of our faith in you, Charles. | 0:38:04 | 0:38:08 | |
-Thank you very much. -OK? -It's a yes. -Right, this cost you £130, so... | 0:38:08 | 0:38:14 | |
-Pressure, pressure! -Yeah, yeah. | 0:38:14 | 0:38:16 | |
Anyway, here it is. | 0:38:16 | 0:38:18 | |
Lot 160, a George II mahogany card table, circa 1740. | 0:38:18 | 0:38:22 | |
-Beautiful example here. -Come on. -Start me at £100 for it. | 0:38:22 | 0:38:26 | |
Nice card table, this, £100. | 0:38:26 | 0:38:28 | |
-It's absolutely worth that. -50, then? Got to be worth £50. | 0:38:28 | 0:38:31 | |
-There's 50, OK. £50 is bid. Let's go up now... -Come on! -£50 I've got. | 0:38:31 | 0:38:36 | |
60, now? Can we see some... | 0:38:36 | 0:38:38 | |
-55. -Come on! It's a wonderful table. -65, 70. | 0:38:38 | 0:38:42 | |
75, 80, the gentleman's bid now, £80 it is, selling at 80, are you sure? | 0:38:42 | 0:38:47 | |
Last one, are you sure? Are you going to go one more? £80. | 0:38:47 | 0:38:50 | |
-I don't believe it! -ALL: -Ohh! | 0:38:50 | 0:38:52 | |
-£80. -I don't believe it! | 0:38:53 | 0:38:55 | |
Yes, we were at plus 19, | 0:38:55 | 0:38:58 | |
-so we are now at minus 31. -Sorry, team! | 0:38:58 | 0:39:01 | |
-All right. -It's OK. -Well, I still think you did the right thing. | 0:39:01 | 0:39:04 | |
We've got to be brave. Not a word to the Blues, yes? | 0:39:04 | 0:39:07 | |
OK, minus 31 could be a winning score, you never know. | 0:39:07 | 0:39:10 | |
-How are you feeling? -Nervous! -But pretty confident, I think. | 0:39:14 | 0:39:19 | |
Nervous and confident, that's good. | 0:39:19 | 0:39:21 | |
Well, your first lot is the pine wall-mounted coat rack. | 0:39:21 | 0:39:24 | |
Now, you paid £30 for it. The auctioneer thinks 20 to 40. | 0:39:24 | 0:39:28 | |
Everything to go for. It's coming up now, so pay attention, everybody! | 0:39:28 | 0:39:31 | |
Lot 176, a pine wall-mounted coat rack. | 0:39:31 | 0:39:35 | |
Start me at £30. £30 for it? | 0:39:35 | 0:39:37 | |
20, then? | 0:39:37 | 0:39:38 | |
-Come on. -It's worth £20, come on, where's 20? | 0:39:38 | 0:39:41 | |
20 there, thank you, that's £20. 25 anywhere else? | 0:39:41 | 0:39:43 | |
25, 30, 30 here on the left now, at 30, who's got 35? £30. | 0:39:43 | 0:39:47 | |
Come on, come on! | 0:39:47 | 0:39:48 | |
And selling, 30, all done? | 0:39:48 | 0:39:51 | |
Well, it sold for £30, you paid £30, you know, it could have been worse. | 0:39:51 | 0:39:55 | |
The next item is the pair of flasks in the leather fitted case, | 0:39:55 | 0:39:58 | |
very smart item. | 0:39:58 | 0:40:00 | |
Lot 178, a pair of Zon-Vac | 0:40:00 | 0:40:04 | |
chrome plated flasks in a lovely quality | 0:40:04 | 0:40:07 | |
tan leather case. I can start it at £30. With me at £30, where's 35? | 0:40:07 | 0:40:12 | |
Got to be worth more than £30, though. 35, 40 I have. Where is 50? | 0:40:12 | 0:40:16 | |
-50, thank you, and 55. -Yes! -60. -Yes! | 0:40:16 | 0:40:20 | |
65. 70. 75. 75, standing. | 0:40:20 | 0:40:24 | |
Last chance at 75, all done? | 0:40:24 | 0:40:25 | |
BANGS GAVEL | 0:40:25 | 0:40:27 | |
-Yes! -Wahey, bingo! -Get in there! | 0:40:27 | 0:40:29 | |
-Plus £20. -He did really well. | 0:40:29 | 0:40:31 | |
OK, next item is your armillary sundial. | 0:40:31 | 0:40:34 | |
-You paid £75 for it, it's coming up now. -Fingers crossed! | 0:40:34 | 0:40:37 | |
Lot 180, a Swedish metal | 0:40:37 | 0:40:39 | |
armillary sundial, early 20th-century. | 0:40:39 | 0:40:43 | |
Popular lot, starting straightaway. | 0:40:43 | 0:40:45 | |
I've got 60, 70, 80, 90, 100, nearly matching bids, £105, | 0:40:45 | 0:40:51 | |
I have to go 110 next. | 0:40:51 | 0:40:53 | |
110 at the back of the room. £110. Yours, sir, 110. | 0:40:53 | 0:40:56 | |
-Yes! -Any more? Thank you, there we are. | 0:40:56 | 0:41:00 | |
Two of you now! 120, back in, 130. | 0:41:00 | 0:41:02 | |
Going 140 now, yes? 140. | 0:41:02 | 0:41:05 | |
-150. -Yes! -It's moving. -160. | 0:41:05 | 0:41:08 | |
Last chance, sir, 160. Fair warning, everyone else, at £160. | 0:41:08 | 0:41:12 | |
So exciting! | 0:41:12 | 0:41:13 | |
160, thank you very much. | 0:41:13 | 0:41:14 | |
-160. -I knew it! | 0:41:14 | 0:41:16 | |
Lovely, 160, £85 profit. | 0:41:16 | 0:41:20 | |
-You are £105 up, are you going to go for the bonus buy? -Yes. -Yes. | 0:41:20 | 0:41:24 | |
-Right. -Absolutely. I really liked it. -OK. | 0:41:24 | 0:41:26 | |
I think we've got a bit of profit there. | 0:41:26 | 0:41:28 | |
Let's see what the market's like for scumbled boxes | 0:41:28 | 0:41:31 | |
in this part of the world! | 0:41:31 | 0:41:33 | |
Lot 186, a Victorian scumbled pine box. | 0:41:33 | 0:41:37 | |
And I've got 20, 30, matching bids of 40 on the book, £40 I have. | 0:41:37 | 0:41:41 | |
Ooh! What a starter. | 0:41:41 | 0:41:43 | |
45, back of the room, 45, and I'm out now. £45, any more at 45? | 0:41:43 | 0:41:47 | |
Any more? Then at £45, to our left at £45, are you all done? | 0:41:47 | 0:41:53 | |
Selling, 45. | 0:41:53 | 0:41:55 | |
-Well done! -Well done, well done. -Thank you! | 0:41:55 | 0:41:58 | |
You just added another £30 to your total. | 0:42:00 | 0:42:03 | |
So, you are a... You are plus 135. I mean... | 0:42:03 | 0:42:07 | |
-That's good, isn't it? -That's mega! It's better than good, isn't it? | 0:42:07 | 0:42:11 | |
-OK, but remember, not a word to the Reds, OK? -We promise. | 0:42:11 | 0:42:15 | |
OK, and straight faces. | 0:42:15 | 0:42:17 | |
Well, my number one concern today, teams, is that you've had fun. | 0:42:22 | 0:42:25 | |
-ALL: -Yes. | 0:42:25 | 0:42:27 | |
Yes? Excellent. | 0:42:27 | 0:42:28 | |
Now, we do have to have a winner, but we don't have a loser, | 0:42:28 | 0:42:31 | |
we simply have a runner-up, OK? So, are you ready for this? | 0:42:31 | 0:42:35 | |
Because today's runner-up | 0:42:35 | 0:42:37 | |
just happens to be the Reds. | 0:42:37 | 0:42:39 | |
-Yes. -Sorry! -As it happens, you were minus £31. -No hard feelings. | 0:42:39 | 0:42:45 | |
-No hard feelings. No, no. -We are together still! | 0:42:45 | 0:42:49 | |
Good, good, that's what we want to hear. | 0:42:49 | 0:42:51 | |
-And Blue team, didn't you do well? -Yeah! | 0:42:51 | 0:42:55 | |
You ended up with a profit of £135. | 0:42:55 | 0:42:59 | |
So, well done, Blues, well done, Richard. Also, Charles, OK? | 0:42:59 | 0:43:04 | |
A sterling effort from both our experts. | 0:43:04 | 0:43:06 | |
Meanwhile, you can keep in touch, by following us on our website | 0:43:06 | 0:43:09 | |
or on Twitter. | 0:43:09 | 0:43:11 | |
But better still, join us next time for some more bargain hunting, yes? | 0:43:11 | 0:43:14 | |
-ALL: -Yes! | 0:43:14 | 0:43:15 |