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Well, we're just outside Newbury, | 0:00:03 | 0:00:05 | |
on the edge of the North Wessex Downs. | 0:00:05 | 0:00:07 | |
And it's officially an Area of Outstanding Natural Beauty. | 0:00:07 | 0:00:11 | |
But what I'm interested in is over there at the Newbury Showground. | 0:00:11 | 0:00:16 | |
So what are we waiting for? Let's go Bargain Hunting! | 0:00:16 | 0:00:20 | |
There are hundreds of stalls here at the Newbury Showground | 0:00:43 | 0:00:46 | |
and remember that our teams have got ?300 | 0:00:46 | 0:00:49 | |
and just one hour in which to buy three juicy objects. | 0:00:49 | 0:00:54 | |
So let's see what lies ahead. | 0:00:54 | 0:00:55 | |
Coming up on today's show, the Reds test out their knowledge. | 0:00:58 | 0:01:01 | |
I think that that looks about 1943. | 0:01:01 | 0:01:05 | |
Congratulations. Completely wrong. | 0:01:05 | 0:01:09 | |
While the Blues know where the power lies. | 0:01:09 | 0:01:12 | |
I'm his mum. Mum's in charge here, Paul. I'm not arguing with Mum. | 0:01:12 | 0:01:16 | |
And over at the auction there are plenty of surprises. | 0:01:16 | 0:01:19 | |
Seven once, seven twice... Oh! | 0:01:19 | 0:01:22 | |
It's a profit! | 0:01:22 | 0:01:23 | |
You win some, you lose some, don't you? Once, twice... | 0:01:23 | 0:01:27 | |
Well, that's all for later. Now let's meet the teams. | 0:01:29 | 0:01:31 | |
And today for the Red team we have an engaged couple, Adrian and Jo. | 0:01:31 | 0:01:36 | |
And for the Blue team we have Mum and son, and that's Joy and Paul. | 0:01:36 | 0:01:41 | |
Hello, everyone. ALL: Hello! | 0:01:41 | 0:01:43 | |
Looking forward to it? Absolutely. Yes. So am I. | 0:01:43 | 0:01:46 | |
Now, you two. When are you going to get married? Six months' time. | 0:01:46 | 0:01:50 | |
How exciting. Now, Jo, you work in the pharmaceutical industry | 0:01:50 | 0:01:54 | |
but in your spare time you do something else, don't you? | 0:01:54 | 0:01:57 | |
Are you a bit of an actress on the quiet? | 0:01:57 | 0:01:59 | |
Our first year together, Adi bought me as a birthday present | 0:01:59 | 0:02:03 | |
a murder mystery weekend and we went up to retrieve this gift... | 0:02:03 | 0:02:06 | |
Lovely, what a present! Yes! | 0:02:06 | 0:02:08 | |
..and we loved it so much that since then | 0:02:08 | 0:02:09 | |
we've actually been the actors in the weekends. | 0:02:09 | 0:02:12 | |
Oh, wonderful. Great fun, yes. How very exciting. | 0:02:12 | 0:02:14 | |
And you've also had some pretty famous actors and actresses | 0:02:14 | 0:02:17 | |
in your living room. In my living room! How did that happen? | 0:02:17 | 0:02:20 | |
They filmed the first Harry Potter film in our road | 0:02:20 | 0:02:22 | |
where we used to live. | 0:02:22 | 0:02:23 | |
What? So all the cast used our lounge as the green room. | 0:02:23 | 0:02:26 | |
So I had Fiona Shaw, Harry Potter himself, | 0:02:26 | 0:02:28 | |
everybody in the lounge. | 0:02:28 | 0:02:30 | |
What an extraordinary experience. | 0:02:30 | 0:02:32 | |
Now, Adrian, you're a prison governor, aren't you? | 0:02:32 | 0:02:34 | |
But not for much longer. | 0:02:34 | 0:02:35 | |
No, I finish this year. How long have you been doing it? 31 years. | 0:02:35 | 0:02:38 | |
I mean, I was in the army before so I joined the prison service | 0:02:38 | 0:02:42 | |
and if I had my time again, I'd do it all again. Would you? Yeah. | 0:02:42 | 0:02:45 | |
That's fantastic. Now, you're about to move, aren't you, you two? | 0:02:45 | 0:02:48 | |
Yeah, we're going to move to south-west France. | 0:02:48 | 0:02:50 | |
How's your French? Coming on. Coming on?! | 0:02:50 | 0:02:54 | |
Coming on. Are you having lessons? Three times a week. | 0:02:54 | 0:02:58 | |
Three times a week? Excellent. I think we'd better move on. | 0:02:58 | 0:03:01 | |
No more questions there. So have you got some tactics, team? | 0:03:01 | 0:03:05 | |
I think we're looking at buying quirky things | 0:03:05 | 0:03:07 | |
and if we like them we're hoping other people will like them too. | 0:03:07 | 0:03:10 | |
Are you competitive? | 0:03:10 | 0:03:12 | |
Extremely. Against each other as well. Oh, yeah. | 0:03:12 | 0:03:14 | |
So I don't know how that will work. | 0:03:14 | 0:03:15 | |
I normally win but... Do you? Not against me! | 0:03:15 | 0:03:18 | |
Well, we'll find that out later. Now for the Blues. | 0:03:18 | 0:03:21 | |
We've got Joy and Paul, Mum and son. | 0:03:21 | 0:03:24 | |
Now, you're national planning manager, Joy, for the Royal Mail. | 0:03:24 | 0:03:27 | |
Correct, yeah. That sounds rather a responsible task. It is huge. | 0:03:27 | 0:03:31 | |
Anything that's not business as usual, you know, | 0:03:31 | 0:03:33 | |
like posting a letter and collecting it | 0:03:33 | 0:03:35 | |
is what I plan with another two ladies. | 0:03:35 | 0:03:37 | |
It's only ladies in the team. | 0:03:37 | 0:03:38 | |
I mean, Christmas must be a nightmare, mustn't it? | 0:03:38 | 0:03:40 | |
Christmas is not a nightmare because every single parcel | 0:03:40 | 0:03:43 | |
you pick up is a smile. You're delivering a smile. | 0:03:43 | 0:03:45 | |
Oh, God. I love it. As written by the PR department. | 0:03:45 | 0:03:49 | |
Now I can't finish with you without mentioning the hair. | 0:03:50 | 0:03:54 | |
It is sensational, I have to say. | 0:03:54 | 0:03:55 | |
Now, Paul. You are area manager for a firm of estate agents, I think. | 0:03:55 | 0:03:59 | |
Yes, that's right. How's the market at the moment? Incredible. | 0:03:59 | 0:04:02 | |
Really, really good. | 0:04:02 | 0:04:03 | |
Always incredible when you speak to an estate agent. | 0:04:03 | 0:04:05 | |
The market is always incredible. | 0:04:05 | 0:04:07 | |
But you actually prefer homes on wheels, don't you? | 0:04:07 | 0:04:11 | |
Yes, I've got an obsession for camper vans. Have you? | 0:04:11 | 0:04:15 | |
I've owned three in the past and I own one now. A 1972 camper van. | 0:04:15 | 0:04:19 | |
And you go on holiday in it? Yes. We will start to. | 0:04:19 | 0:04:23 | |
It's got a little bit of work to do. Need some curtains, courtesy of Mum. | 0:04:23 | 0:04:26 | |
You need curtains if you're going on holiday, I can tell you that. | 0:04:26 | 0:04:30 | |
Oh, from experience? | 0:04:30 | 0:04:31 | |
Possibly. Now, tactics? I want to spend all the money. | 0:04:33 | 0:04:38 | |
And I want to spend the least amount of money. | 0:04:38 | 0:04:41 | |
This could be really quite challenging. | 0:04:41 | 0:04:43 | |
Do you have any particular loves in the antique world? | 0:04:43 | 0:04:46 | |
I absolutely love Rennie Mackintosh. | 0:04:46 | 0:04:47 | |
I'm not sure you'll be finding a bit of Rennie Mackintosh | 0:04:47 | 0:04:49 | |
for ?300 but you never know. Yeah, well, it could be that hidden gem. | 0:04:49 | 0:04:52 | |
Well, good luck to all of you. | 0:04:52 | 0:04:54 | |
What you need is ?300 and I have got ?300 for you | 0:04:54 | 0:04:58 | |
and I've got ?300 for you. I'll have that, thank you. | 0:04:58 | 0:05:02 | |
Go and spend it all and have a good time. Good luck. | 0:05:02 | 0:05:05 | |
Thank you very much. Thank you. This is really quite fascinating. | 0:05:05 | 0:05:08 | |
Family against romance. What a competition. | 0:05:08 | 0:05:12 | |
So, let's meet today's experts. | 0:05:13 | 0:05:15 | |
Roll up, roll up, it's David Harper in town for the Reds. | 0:05:17 | 0:05:20 | |
Smashing it for the Blues, it's John Cameron. | 0:05:22 | 0:05:25 | |
We've got our money. Yep. What are we going to be buying today? | 0:05:27 | 0:05:29 | |
I'm after some sexy, solid wood. | 0:05:29 | 0:05:32 | |
I'd like something small, shiny and I love angels. | 0:05:32 | 0:05:34 | |
Jo? I'm after something quirky. | 0:05:34 | 0:05:37 | |
Little spender. Little spender, sell big. | 0:05:37 | 0:05:40 | |
That's pretty much all the bases covered then. | 0:05:40 | 0:05:42 | |
Right, team. Your 60 minutes starts now. | 0:05:42 | 0:05:45 | |
HORN TOOTS | 0:05:45 | 0:05:46 | |
Marvellous, let's go. | 0:05:46 | 0:05:48 | |
Let's go spending, then. | 0:05:48 | 0:05:50 | |
There are signs these teams have very different styles. | 0:05:50 | 0:05:54 | |
The Reds quickly find things they like. | 0:05:54 | 0:05:56 | |
Look at those lovely old planters. Are they planters? What are these? | 0:05:56 | 0:05:59 | |
Yeah, feeders of some sort. Feeders, yeah. | 0:05:59 | 0:06:02 | |
While Paul knows what he doesn't. | 0:06:02 | 0:06:05 | |
What about that? No. The box? No. | 0:06:05 | 0:06:08 | |
Oh, that's ideal. No. | 0:06:08 | 0:06:10 | |
I like just the feel of solid wood. | 0:06:11 | 0:06:14 | |
I think it's just got a history and it's been around for a long time. | 0:06:14 | 0:06:18 | |
I agree. There's nothing like good wooden furniture. | 0:06:18 | 0:06:22 | |
Now, could life be a picnic for the Blues? | 0:06:22 | 0:06:25 | |
Well, what about that? No. | 0:06:25 | 0:06:26 | |
You said you didn't want something '60s... | 0:06:26 | 0:06:28 | |
Something that's got a bit of character. OK. | 0:06:28 | 0:06:31 | |
Like your mum? Hear, hear. | 0:06:31 | 0:06:33 | |
Now, how are the Reds getting on in their search for wood? | 0:06:33 | 0:06:36 | |
What about that? | 0:06:36 | 0:06:38 | |
It's a very plain and simple stick stand. | 0:06:38 | 0:06:41 | |
I don't mind plain. What about simple, Jo? | 0:06:41 | 0:06:44 | |
Do you do simple? I'm with Aidan! No offence, Aidan. | 0:06:44 | 0:06:48 | |
Have a look at that grain and tell me what wood is that? | 0:06:48 | 0:06:51 | |
It's oak. It's oak. It absolutely screams oak. | 0:06:53 | 0:06:56 | |
I think that that looks about 1943. | 0:06:56 | 0:06:59 | |
Congratulations. Completely wrong. | 0:06:59 | 0:07:01 | |
THEY LAUGH | 0:07:01 | 0:07:02 | |
What is it then? Other than oak. I think it might be a bit earlier. | 0:07:02 | 0:07:07 | |
It looks a bit Arts and Crafts-y, doesn't it? | 0:07:07 | 0:07:09 | |
Kind of 1900, maybe First World War. There's a little plaque in there. | 0:07:09 | 0:07:12 | |
What does that say? "Alister co, makers, Dursley, England." | 0:07:12 | 0:07:17 | |
OK, let me have a better look at that. | 0:07:17 | 0:07:19 | |
Stamp number's on the base which is rather nice. | 0:07:19 | 0:07:22 | |
It's quite unusual to find numbers and a plaque | 0:07:22 | 0:07:25 | |
and that, I really, really like. What sort of price... I don't know. | 0:07:25 | 0:07:28 | |
Shall we ask the dealer? Good morning, hello, Red team. Morning! | 0:07:28 | 0:07:31 | |
Hello! | 0:07:31 | 0:07:33 | |
Oh, I love the bright and cheerful look. Isn't that wonderful? | 0:07:33 | 0:07:36 | |
This is our first object. Oh, fabulous. | 0:07:36 | 0:07:39 | |
Now, what date do you think it is? | 0:07:39 | 0:07:41 | |
Oh, you can date it by the maker's mark on there. It's about 1900. | 0:07:41 | 0:07:45 | |
I think I said 1900 in the beginning | 0:07:45 | 0:07:47 | |
so I'm absolutely 100% correct as usual, yeah. | 0:07:47 | 0:07:50 | |
Yeah, obviously. | 0:07:50 | 0:07:51 | |
Now, is it cheap and cheerful? Is it as cheerful as you? | 0:07:53 | 0:07:55 | |
Yes, it's as cheerful as me. It's almost as beautiful as you. | 0:07:55 | 0:07:59 | |
Oh, thank you very much. Jo, hello? You're engaged to this man. | 0:07:59 | 0:08:03 | |
Do you know what he's doing here? He's all talk. Oh, is he? | 0:08:03 | 0:08:06 | |
So what's the best price you would be able to do this for? | 0:08:06 | 0:08:09 | |
I was looking for ?50. 50? I was thinking more 30. | 0:08:09 | 0:08:13 | |
Ouch. I could do 40. 35. 35, yeah. That sounds like 35, doesn't it? | 0:08:13 | 0:08:18 | |
That's a 35. It's called compromise. | 0:08:18 | 0:08:21 | |
Halfway each. How about 38? | 0:08:21 | 0:08:24 | |
37? That's called being really tough. 37. 37? Oh, my Lord. | 0:08:24 | 0:08:27 | |
That's called being ridiculous. Have we done 37? Yes, 37. Go for it. | 0:08:27 | 0:08:31 | |
BOTH: Deal. Oh, my God. Going up in pounds. | 0:08:31 | 0:08:35 | |
What has my life come to, honestly? | 0:08:35 | 0:08:37 | |
Now, now, David. You may have your work cut out. | 0:08:37 | 0:08:40 | |
Now, how about a bit of colour, Blues? So what have you seen, Joy? | 0:08:42 | 0:08:46 | |
This has grabbed your attention. I don't even know what it is. | 0:08:46 | 0:08:48 | |
Is it a recycling bin? Well, it looks... I think it probably is. | 0:08:48 | 0:08:51 | |
I think you might be on the money there, Paul. | 0:08:51 | 0:08:54 | |
I think, though, it's very retro. | 0:08:54 | 0:08:56 | |
It's something that people are buying nowadays. I... I love it. | 0:08:56 | 0:08:59 | |
I love the shape. Yes, I'm not sure it's going to be... | 0:08:59 | 0:09:02 | |
It looks new so I guess there's going to be... | 0:09:02 | 0:09:04 | |
There's no dirt, you mean? There's no dirt. | 0:09:04 | 0:09:06 | |
I know there's not much age to this but, to be fair, the rule book | 0:09:06 | 0:09:10 | |
has been ripped up at auctions these days | 0:09:10 | 0:09:12 | |
because there are antique things at auction | 0:09:12 | 0:09:13 | |
that are just selling for nothing. | 0:09:13 | 0:09:15 | |
And so, it doesn't have to be old or new. | 0:09:15 | 0:09:17 | |
I think it's got impact and I think that's important. | 0:09:17 | 0:09:20 | |
It caught your eye, it caught mine, that's got to be a good sign. | 0:09:20 | 0:09:22 | |
Shall we at least ask how much? Yeah, yeah. | 0:09:22 | 0:09:24 | |
I think that would be a good idea. How much is it? | 0:09:24 | 0:09:27 | |
Well, actually, in fact, what is it? It's a waste recycling. | 0:09:27 | 0:09:31 | |
Obviously Italian in design with the colours, I would imagine. | 0:09:31 | 0:09:34 | |
So, I've got 160 on it. | 0:09:34 | 0:09:36 | |
It's up to you. I love it. I'm not keen. | 0:09:36 | 0:09:40 | |
Paul's nervous. I'm not keen. I'm really not keen. But I'm his mum. | 0:09:40 | 0:09:44 | |
You're his mum. Listen... She's going out on her own on this one. | 0:09:44 | 0:09:47 | |
Mums law, Mum's law. Is there a better price you could do for me? | 0:09:47 | 0:09:49 | |
120. | 0:09:49 | 0:09:51 | |
Um... | 0:09:51 | 0:09:53 | |
This is a tough one. Could you do 110 for me? | 0:09:53 | 0:09:56 | |
I'd do another fiver. 115. 115? Yep. That sounds fair. Wow. | 0:09:58 | 0:10:03 | |
Thank you very much. Your mum is impressive. | 0:10:03 | 0:10:06 | |
Paul's really nervous now. Mum's off the mark. I'm not arguing with Mum. | 0:10:06 | 0:10:10 | |
Come on, guys. OK, thanks very much. Thank you. | 0:10:10 | 0:10:14 | |
Now, that is a quirky item. Let's hope Mum is right. | 0:10:14 | 0:10:17 | |
Now have the Reds found something to write home about? | 0:10:17 | 0:10:21 | |
I was just looking at that bureau over there. | 0:10:21 | 0:10:23 | |
You do like this wood, don't you? | 0:10:23 | 0:10:25 | |
BOTH: We do. | 0:10:25 | 0:10:26 | |
I'm in love. Look at this! This is beautiful! | 0:10:26 | 0:10:28 | |
Right, tell me, everything about it. | 0:10:28 | 0:10:30 | |
Why you love it, where you think it's from, when it was made. | 0:10:30 | 0:10:33 | |
Right, I think it's 1846. Look at this! | 0:10:33 | 0:10:36 | |
You're very precise with your dates. And that? What's the writing there? | 0:10:36 | 0:10:39 | |
1944 written on there. So it's definitely pre-1944. | 0:10:39 | 0:10:44 | |
Well, that's very good. Very good detective skills there, Jo. | 0:10:44 | 0:10:48 | |
I think you can safely say, if you believe that date to be correct, | 0:10:48 | 0:10:51 | |
it's pre-1944, isn't it? Well, like I said, I think it's about 1922. | 0:10:51 | 0:10:56 | |
I would instinctively say it was earlier. I think it was 1890, 1900. | 0:10:56 | 0:11:00 | |
Something like that. But it might be a bit later. | 0:11:00 | 0:11:03 | |
Shall I go and ask the chap to...? Let me try and find him. | 0:11:03 | 0:11:07 | |
So, while David goes off to find a price, | 0:11:07 | 0:11:10 | |
have the Blues found something to brighten their day? | 0:11:10 | 0:11:13 | |
This is really cute. I love the character on it. It's a nice thing. | 0:11:13 | 0:11:17 | |
This is very fashionable at the moment. | 0:11:17 | 0:11:19 | |
I think the key thing is, what's the price? | 0:11:19 | 0:11:21 | |
Is the price going to be right? | 0:11:21 | 0:11:22 | |
Do you want to... Shall we find out the price? | 0:11:22 | 0:11:24 | |
Yeah, do, because I like it. I think it's nice too. | 0:11:24 | 0:11:26 | |
Excuse me, I'm interested in how much the light is. | 0:11:26 | 0:11:29 | |
350 on that. | 0:11:29 | 0:11:30 | |
ALL: Oh! | 0:11:30 | 0:11:31 | |
That's just killed us. That's killed us. That's just killed us. | 0:11:31 | 0:11:34 | |
We're not even going to insult you. | 0:11:34 | 0:11:35 | |
We didn't even start with that much, did we? | 0:11:35 | 0:11:37 | |
I think we're better off down in the dark for that one. Yeah. | 0:11:37 | 0:11:41 | |
Definitely not cheap, Paul. | 0:11:41 | 0:11:43 | |
But with 20 minutes gone already, there's no time to waste. | 0:11:43 | 0:11:47 | |
So what's the news on that desk? What are your thoughts? | 0:11:47 | 0:11:51 | |
Well, Lebus was... | 0:11:51 | 0:11:53 | |
I think, they were the biggest manufacturer of furniture in Europe. | 0:11:53 | 0:11:58 | |
Where was it made? | 0:11:58 | 0:12:00 | |
Finsbury and Tottenham. So, price-wise? | 0:12:00 | 0:12:04 | |
We did have it up for 250. Oh. | 0:12:04 | 0:12:08 | |
We'd have to come below ?100 for that. | 0:12:08 | 0:12:11 | |
No, I couldn't... I couldn't do that, I'm afraid. | 0:12:11 | 0:12:14 | |
It's not going to happen. Thanks a lot. Thanks for your time. | 0:12:14 | 0:12:16 | |
Do appreciate it. Well spotted, you two. | 0:12:16 | 0:12:19 | |
Thank you. Thanks. OK, bye. See you. | 0:12:19 | 0:12:21 | |
While the Reds go off to find something cheaper, | 0:12:21 | 0:12:24 | |
I have something I want to show you. | 0:12:24 | 0:12:26 | |
Why do I want you to look at this? | 0:12:35 | 0:12:37 | |
Because it's a classic piece of Georgian English furniture. | 0:12:37 | 0:12:41 | |
The sort of thing that I love and the sort of thing | 0:12:41 | 0:12:44 | |
that can nip under the radar at auction. | 0:12:44 | 0:12:47 | |
It's from about 1800, it's made of mahogany, | 0:12:47 | 0:12:52 | |
it's got rosewood cross banding. | 0:12:52 | 0:12:54 | |
Look at the workmanship all the way around these drawers | 0:12:54 | 0:12:57 | |
and it's multifunctional. | 0:12:57 | 0:12:59 | |
Let's start at the beginning. | 0:12:59 | 0:13:01 | |
Pull out the lopers, drop it down, | 0:13:01 | 0:13:03 | |
there's the original writing surface | 0:13:03 | 0:13:05 | |
with its original leather and hinges. Superb. | 0:13:05 | 0:13:10 | |
Fold it away and what's the next function? | 0:13:10 | 0:13:15 | |
A bit of sewing. | 0:13:15 | 0:13:17 | |
Open the drawer, | 0:13:17 | 0:13:19 | |
various compartments here for your sewing items | 0:13:19 | 0:13:21 | |
and your cotton reels, etc. | 0:13:21 | 0:13:23 | |
And at the top here we've got a little writing compartment | 0:13:23 | 0:13:28 | |
and an extra bonus here, the cedarwood drawer linings. | 0:13:28 | 0:13:32 | |
Cedarwood keeps the moths away. So it's a luxury piece. | 0:13:32 | 0:13:37 | |
30 years ago this could well have made ?1,200 or ?1,400 at auction. | 0:13:37 | 0:13:40 | |
I bought it recently for ?200. | 0:13:40 | 0:13:44 | |
Back to the shopping. | 0:13:52 | 0:13:54 | |
We're halfway through the time and our teams | 0:13:54 | 0:13:56 | |
have only bought one item each. Come on, guys. | 0:13:56 | 0:13:59 | |
Anything caught your eye? | 0:13:59 | 0:14:00 | |
You two quite like big things, don't you? We do. Big items. | 0:14:00 | 0:14:04 | |
We are into big stuff. Can do, yes. | 0:14:04 | 0:14:06 | |
Anything caught your eye? Not on this, I don't think. | 0:14:06 | 0:14:09 | |
It's Paul's turn. I'm going to let Paul choose. | 0:14:09 | 0:14:11 | |
Sorry, I know I'm letting the team down but it's got to be right. | 0:14:11 | 0:14:14 | |
What's that called? Ooh, what is that? There. What is that? | 0:14:14 | 0:14:18 | |
It looks like something for... Is it a shop fitting? | 0:14:18 | 0:14:20 | |
Do you reckon, Paul? I'm not sure. Well, these are for hanging stuff on | 0:14:20 | 0:14:23 | |
but it almost looks like plate racks, doesn't it? Yeah. | 0:14:23 | 0:14:25 | |
Do you think that's plate racks? Yes. | 0:14:25 | 0:14:27 | |
That's quite interesting, isn't it? | 0:14:27 | 0:14:29 | |
It certainly looks like it should be in an industrial kitchen, | 0:14:29 | 0:14:32 | |
doesn't it? A commercial kitchen with stainless steel. Yeah. | 0:14:32 | 0:14:35 | |
It's got a bit of character to it, hasn't it? | 0:14:35 | 0:14:36 | |
Is it too battered, do you think? Or... | 0:14:36 | 0:14:39 | |
Things look battered and shabby these days, don't they? | 0:14:39 | 0:14:43 | |
?70 is the price on the ticket. | 0:14:43 | 0:14:45 | |
Shall we see if we can find the stallholder? Yeah. Excuse me, sir? | 0:14:45 | 0:14:48 | |
You've got ?70 on the ticket. What's the very best? Absolute best ?50. | 0:14:48 | 0:14:55 | |
45? No, it's got to be 50. OK. That's knocking 20 off. All right. | 0:14:55 | 0:15:00 | |
I think, if it's OK, can we have a think about it and come back to you? | 0:15:00 | 0:15:03 | |
Yeah, yeah, yes. All right, thank you very much. Appreciate it. | 0:15:03 | 0:15:06 | |
That's the sort of thing that I think is selling these days. OK. | 0:15:06 | 0:15:09 | |
That's one for the back burner. Now what are the Reds looking at? | 0:15:09 | 0:15:13 | |
Look! | 0:15:13 | 0:15:15 | |
They are amazing. Oh, my gosh. They are... Do you know... | 0:15:15 | 0:15:18 | |
How I refer to them? Mad! | 0:15:18 | 0:15:20 | |
They need a bit of work, I appreciate that. | 0:15:20 | 0:15:22 | |
A bit of work? Adrian, please, help me out. | 0:15:22 | 0:15:24 | |
The condition, for me, the condition's irrelevant. No! | 0:15:24 | 0:15:27 | |
I think what we've got to look at, look at the craftsmanship... | 0:15:27 | 0:15:31 | |
I'm looking. Somebody spends a couple of hundred pounds... | 0:15:31 | 0:15:34 | |
A couple of hundred? | 0:15:34 | 0:15:35 | |
..getting the seats done, getting it done up, they will have... | 0:15:35 | 0:15:39 | |
What are you? An antique salesman? More like an expert, David. | 0:15:39 | 0:15:43 | |
I reckon that they could be 1786. | 0:15:43 | 0:15:46 | |
Where did you get him from? Seriously? I don't know. | 0:15:48 | 0:15:51 | |
You don't know? Exactly. Can you send him back? | 0:15:51 | 0:15:55 | |
What is the date then? No. They're not 1786. | 0:15:55 | 0:15:58 | |
They're high, late Victorian. So they're 1900-ish. Around there. | 0:15:58 | 0:16:03 | |
With a mix of different styles all thrown in. | 0:16:03 | 0:16:06 | |
And, Jo, I'm going to ask you what wood it is. Oh! | 0:16:06 | 0:16:09 | |
It's a dark wood. I think it's ash. Think back to our first purchase. | 0:16:09 | 0:16:13 | |
Oh, do you think it's oak? I think it could be oak. | 0:16:13 | 0:16:17 | |
That's what I meant. Shall we take a punt on this? | 0:16:17 | 0:16:20 | |
Well, I'm going to have to get you a price, actually. | 0:16:20 | 0:16:22 | |
We spent an awful lot of time. But they're going to have to be cheap. | 0:16:22 | 0:16:25 | |
Yes, they need so much work. | 0:16:25 | 0:16:27 | |
Off you go, David. | 0:16:27 | 0:16:29 | |
Now, are the Blues trying to add a bit of muscle to their buy? | 0:16:29 | 0:16:32 | |
Look at that American footballer, Paul? The big American footballer. | 0:16:32 | 0:16:36 | |
He's got some impact, certainly, hasn't he? He has, yeah. | 0:16:36 | 0:16:39 | |
But you wouldn't want him, dear. I know. Nope. | 0:16:39 | 0:16:42 | |
Now time for the Reds to talk price. | 0:16:42 | 0:16:44 | |
Hello again. Hello. | 0:16:44 | 0:16:47 | |
Right, best price, bottom line, | 0:16:47 | 0:16:50 | |
trade, death, whatever you want to call it. | 0:16:50 | 0:16:53 | |
Where are we going with these chairs? | 0:16:53 | 0:16:54 | |
For four stunning chairs including a throne? 50 quid. | 0:16:54 | 0:16:58 | |
Do you know what? I'm going to shake your hand straight away with that. | 0:16:58 | 0:17:01 | |
I'm in there. Do you know what that is? ?12.50 a chair. Fantastic. | 0:17:01 | 0:17:04 | |
That is phenomenal. No worries. We've got them. | 0:17:04 | 0:17:08 | |
So with two items bought, how are you feeling, Reds? | 0:17:08 | 0:17:11 | |
I think we're due a bit of panicking. | 0:17:11 | 0:17:13 | |
We haven't done the panicking yet and I'm desperate for panicking. | 0:17:13 | 0:17:17 | |
We'll leave it to the last minute and then we'll go for it. Yeah! | 0:17:17 | 0:17:19 | |
And what are the Blues chewing over? How about that, John? | 0:17:19 | 0:17:23 | |
The gumdrop machine? Yeah, the gumdrop machine. | 0:17:23 | 0:17:25 | |
Oh, the gumdrop machine. This takes you back, doesn't it? | 0:17:25 | 0:17:27 | |
Yeah, this is really cute. I like this. You like that? Yeah. | 0:17:27 | 0:17:30 | |
You get your personality rating as well. Yeah, personality rating look! | 0:17:30 | 0:17:33 | |
"Hot stuff, shy, sexy, cool and daydream." | 0:17:33 | 0:17:37 | |
You pays your money and you takes your chance. | 0:17:37 | 0:17:39 | |
What a compliment. | 0:17:39 | 0:17:41 | |
Good morning. Good morning, sir. Good morning. The gumdrop machine. | 0:17:41 | 0:17:45 | |
First of all, is it working? | 0:17:45 | 0:17:46 | |
Well, it was working yesterday. | 0:17:46 | 0:17:48 | |
Normally the 20p goes in, makes a little noise, gumdrops come out, | 0:17:48 | 0:17:52 | |
this morning I cannot get it to work. | 0:17:52 | 0:17:54 | |
Oh, what a shame, what a shame. So, what's the price of it? | 0:17:54 | 0:17:57 | |
Well, I was asking for 180, but as it's not working, | 0:17:57 | 0:18:01 | |
I could do a bit better than that. | 0:18:01 | 0:18:02 | |
I was thinking when 150. 150. | 0:18:02 | 0:18:05 | |
No, it's a bit rich. I really like it. It's lovely, isn't it? Yeah. | 0:18:05 | 0:18:08 | |
I was walking over thinking it was going to be closer to 80. | 0:18:08 | 0:18:11 | |
He's an estate agent, by the way. | 0:18:11 | 0:18:13 | |
THEY LAUGH | 0:18:13 | 0:18:15 | |
Unfortunately, that's less than I paid for it. Is it? Sorry. It is. | 0:18:15 | 0:18:18 | |
I can go to 110. OK. Which gives me ?10 profit. | 0:18:18 | 0:18:22 | |
Do you know what? Would you do 105? Oh, go on. | 0:18:24 | 0:18:28 | |
Unless you can get it working and then I'll pay 110. 105. 105! | 0:18:28 | 0:18:34 | |
Thank you. Good man, good man. | 0:18:35 | 0:18:36 | |
We've still got one more item to buy. | 0:18:36 | 0:18:38 | |
So I think we better crack on. Yeah, let's go. Let's go. | 0:18:38 | 0:18:41 | |
You're right, John. There's still more to do. | 0:18:41 | 0:18:43 | |
I think we're doing really well. What do you reckon, Paul? | 0:18:43 | 0:18:45 | |
Do you think we're doing really good after... | 0:18:45 | 0:18:47 | |
Yeah, I think we've had a really good start. | 0:18:47 | 0:18:49 | |
I'm still not sure on the bin but I'm happy with the gumball. | 0:18:49 | 0:18:52 | |
I think we've got enough time now to focus on something | 0:18:52 | 0:18:54 | |
we think we can make a bit of money on. Yeah. | 0:18:54 | 0:18:57 | |
You're meant to be trying to make money on it all, Blues. | 0:18:57 | 0:19:00 | |
Now, can those Reds find anything that isn't made of wood? | 0:19:00 | 0:19:04 | |
Wow, look at this. This is an interesting looking place. | 0:19:04 | 0:19:06 | |
Now, you see, look at that. | 0:19:06 | 0:19:07 | |
I think we all like what's going on here. | 0:19:07 | 0:19:09 | |
Some stores really draw you in, don't they? | 0:19:09 | 0:19:11 | |
Yeah. They do. Wow, look at this, Jo. That says... | 0:19:11 | 0:19:14 | |
It's in French. What's that say? It's... Ancient furniture. | 0:19:14 | 0:19:19 | |
Meubles furniture. Meubles furniture. Anciens. French. | 0:19:19 | 0:19:21 | |
So that's obviously a sign from an old shop. An old antique shop. | 0:19:21 | 0:19:26 | |
An antique shop. You could put it on the wall. It's quite sexy. | 0:19:26 | 0:19:29 | |
It's what? It's sexy. Sexy? | 0:19:29 | 0:19:31 | |
Sexy. You're so easily pleased, aren't you? | 0:19:31 | 0:19:34 | |
French is a sexy language! | 0:19:34 | 0:19:36 | |
Ooh la la. | 0:19:36 | 0:19:37 | |
I think that that is a really good item. | 0:19:37 | 0:19:39 | |
Shop-fitting items are very, very good news. Quirky. We said quirky. | 0:19:39 | 0:19:43 | |
But even though it's in French so most of the English population | 0:19:43 | 0:19:46 | |
would say, "What does that mean?" | 0:19:46 | 0:19:48 | |
Well, exactly. Talking point. Shall we see what they want? | 0:19:48 | 0:19:51 | |
Yeah, ask him. Do you want to bring him over? | 0:19:51 | 0:19:52 | |
Can we have a chat? What price have you got on them? ?60 on the pair. | 0:19:52 | 0:19:56 | |
The complete sign. To help, I'll do 50. | 0:19:56 | 0:20:00 | |
It's a really generous price | 0:20:00 | 0:20:02 | |
but could we go a bit lower than that, please? Not really, no. | 0:20:02 | 0:20:05 | |
Could we say... Could we say 45? | 0:20:05 | 0:20:06 | |
Not really, no. | 0:20:06 | 0:20:07 | |
No. I think that's... | 0:20:07 | 0:20:09 | |
50 is... 50 is... OK. No, that's fine. I'm happy. | 0:20:09 | 0:20:12 | |
I'm happy with 50. OK, that's good. | 0:20:12 | 0:20:13 | |
OK, so, we know where we stand. Thank you very much for that. | 0:20:13 | 0:20:15 | |
Could we not just have another five minutes, just having a look, | 0:20:15 | 0:20:18 | |
and maybe come back to them? If we don't find... | 0:20:18 | 0:20:20 | |
Yeah, we can, if... Would you mind holding them? It's not a problem. | 0:20:20 | 0:20:23 | |
That's very kind of you. We'll let you know. Thank you. Thank you. | 0:20:23 | 0:20:25 | |
OK, fair enough. Thanks very much. Thank you. Come on, then. | 0:20:25 | 0:20:28 | |
So, while the Reds have one on hold, what are the Blues thinking? | 0:20:28 | 0:20:32 | |
I think, if we go and have a look at that item we had, | 0:20:32 | 0:20:34 | |
the dish holder... If, you know... | 0:20:34 | 0:20:37 | |
If I can just get ?5 more off of it, it's going to keep me happy, | 0:20:37 | 0:20:40 | |
so I think it's worth a try. | 0:20:40 | 0:20:42 | |
You think it's got a chance? Yeah. Yeah. | 0:20:42 | 0:20:43 | |
And if we can get it for 45 quid, | 0:20:43 | 0:20:45 | |
it leaves 35 quid for me, doesn't it? Yeah. | 0:20:45 | 0:20:47 | |
Are you trusting me with ?35? | 0:20:47 | 0:20:48 | |
That's a little bit too much, actually. | 0:20:48 | 0:20:51 | |
Come on, then. Let's go and see. Let's go. Let's go. | 0:20:51 | 0:20:54 | |
Now, we take our eyes off the Reds for one moment, and guess what? | 0:20:55 | 0:20:59 | |
You just love your wood, don't you? Yeah, yeah. We do. | 0:20:59 | 0:21:02 | |
Now, this is something totally different, | 0:21:02 | 0:21:04 | |
from a completely different part of the world. | 0:21:04 | 0:21:07 | |
It's southern China. Yeah. | 0:21:07 | 0:21:08 | |
It's kind of Hong Kong-ish, 1920s. | 0:21:08 | 0:21:11 | |
Now, the sad thing, guys, | 0:21:11 | 0:21:13 | |
is that I know that that table is ?250 and that's it. | 0:21:13 | 0:21:16 | |
You've got 213. | 0:21:16 | 0:21:18 | |
So, we've got ten minutes. | 0:21:18 | 0:21:21 | |
Now, is it time to look at the signs? | 0:21:21 | 0:21:24 | |
I think it's running time. | 0:21:24 | 0:21:26 | |
Well, while you run off, Reds, | 0:21:26 | 0:21:28 | |
the Blues look like they've almost made it to the finishing line. | 0:21:28 | 0:21:32 | |
We're back again. We're intrigued. | 0:21:32 | 0:21:34 | |
So, we do like it. | 0:21:34 | 0:21:35 | |
Is it... Are you sure we couldn't get it for 45? | 0:21:35 | 0:21:37 | |
No. 50 is really the best. | 0:21:37 | 0:21:39 | |
Is it? What do you think, Mum? | 0:21:39 | 0:21:41 | |
I like it. I just think it's a little bit expensive. | 0:21:41 | 0:21:43 | |
This is the first thing, I think, | 0:21:43 | 0:21:44 | |
we've seen that we actually both agree on. Yes. | 0:21:44 | 0:21:47 | |
Listen to Mum. Yeah! When your mum makes sense, | 0:21:47 | 0:21:49 | |
you know Mum knows best. Go on! | 0:21:49 | 0:21:50 | |
We can do it. Go on. Let's do it. | 0:21:50 | 0:21:51 | |
?50 it is. ?50. | 0:21:51 | 0:21:53 | |
Lovely. Thank you. THEY CHEER | 0:21:53 | 0:21:55 | |
Well, the Blues finish as they started, with Mum knowing best, | 0:21:55 | 0:22:00 | |
but the Reds still have one more item to buy | 0:22:00 | 0:22:02 | |
and only five minutes of shopping time left. | 0:22:02 | 0:22:04 | |
Jo, we have bought nothing en route to the signs, | 0:22:04 | 0:22:08 | |
and the signs have appeared. OK. | 0:22:08 | 0:22:10 | |
I think it's a sign. | 0:22:10 | 0:22:11 | |
Ba-dum-tish! | 0:22:11 | 0:22:13 | |
I think we should go with the sign. Yeah. | 0:22:13 | 0:22:15 | |
Yes! Go with the sign. | 0:22:15 | 0:22:16 | |
Oh, well, show some more enthusiasm, girl. | 0:22:16 | 0:22:18 | |
I would love us to have those signs! More! More! | 0:22:18 | 0:22:21 | |
Your acting abilities, we need it! | 0:22:21 | 0:22:23 | |
So, call him over. Sir! | 0:22:23 | 0:22:25 | |
OK. And we're going to have them. Thank you very much indeed. | 0:22:25 | 0:22:27 | |
No problem at all. Thank you. We really appreciate it. | 0:22:27 | 0:22:30 | |
Thank you. Done? Yes, absolutely. Done. | 0:22:30 | 0:22:31 | |
Yeah, thank you very much. Thank you. Thanks. Thank you. | 0:22:31 | 0:22:34 | |
You two are stars. | 0:22:34 | 0:22:35 | |
HE PLAYS FANFARE | 0:22:35 | 0:22:37 | |
All right, team, your time is up. | 0:22:39 | 0:22:42 | |
That's it - three. We've got three items. Yay! That's brilliant. | 0:22:42 | 0:22:44 | |
You mentioned something about a bacon butty, Adrian. | 0:22:44 | 0:22:47 | |
Let's go. Let's go. Fantastic. | 0:22:47 | 0:22:48 | |
Bacon butties on Adrian. | 0:22:48 | 0:22:50 | |
Now, let's remind ourselves what the Red team have bought. | 0:22:50 | 0:22:52 | |
First up, a brolly and stick stand. | 0:22:54 | 0:22:56 | |
It set them back ?37. | 0:22:56 | 0:22:58 | |
Next, they hoped to be sitting pretty with four oak chairs - | 0:23:00 | 0:23:03 | |
price paid, ?50. | 0:23:03 | 0:23:04 | |
Finally, for another ?50, a French antique sign. | 0:23:06 | 0:23:10 | |
Tres bon! | 0:23:10 | 0:23:12 | |
Adi, Jo, have you had a good time? Brilliant. Brilliant time. | 0:23:12 | 0:23:15 | |
Oh, marvellous! Yes. Wonderful. | 0:23:15 | 0:23:16 | |
So, what's your favourite lot? The chairs. The chairs? | 0:23:16 | 0:23:19 | |
Absolutely, the chairs. | 0:23:19 | 0:23:20 | |
And what's going to make the biggest profit? The chairs! | 0:23:20 | 0:23:23 | |
It's all about the chairs! Maybe the chairs... | 0:23:23 | 0:23:25 | |
David, could you cast a vote on this, please? | 0:23:25 | 0:23:27 | |
The chairs! Yes! Get in, the chairs! | 0:23:27 | 0:23:30 | |
So, you spent something like ?137, I reckon. Yes, we did. Yes. | 0:23:30 | 0:23:34 | |
Marvellous. That must mean you've got ?163 left over. | 0:23:34 | 0:23:38 | |
You're good. Am I good? You are very good. | 0:23:38 | 0:23:40 | |
Now, there's a bit of danger here, | 0:23:40 | 0:23:42 | |
because I think that's probably a trifle too much to give this man. | 0:23:42 | 0:23:45 | |
LAUGHTER Here. Good luck, David. | 0:23:45 | 0:23:47 | |
Got any ideas? | 0:23:47 | 0:23:49 | |
Well, I think, Adrian, I'm going to buy something... | 0:23:49 | 0:23:52 | |
Sexy! Yeah, baby! | 0:23:52 | 0:23:54 | |
Something sexy. | 0:23:54 | 0:23:56 | |
Let's remind ourselves just what the Blues have bought. | 0:23:56 | 0:23:58 | |
First up, it's Jo's colourful recycling bin - | 0:24:00 | 0:24:03 | |
price paid, ?115. | 0:24:03 | 0:24:07 | |
Next, Paul is hoping his 1970s gumball machine | 0:24:07 | 0:24:10 | |
delivers a sweet reward. | 0:24:10 | 0:24:12 | |
It cost ?105. | 0:24:12 | 0:24:16 | |
And lastly, will bids stack up for the stainless-steel plate rack, | 0:24:16 | 0:24:20 | |
bought for ?50? | 0:24:20 | 0:24:22 | |
Well, Joy and Paul, you didn't always agree, did you? | 0:24:22 | 0:24:25 | |
Erm, no, but that's fine. | 0:24:25 | 0:24:27 | |
No. No. | 0:24:27 | 0:24:28 | |
Did you have to act as referee, John? | 0:24:28 | 0:24:30 | |
I thought Mum was going to be the one needing holding back, | 0:24:30 | 0:24:32 | |
but once we let him off the lead, he was just as bad. | 0:24:32 | 0:24:34 | |
Was he, really? Yeah. | 0:24:34 | 0:24:35 | |
So, what's your favourite item, Joy? | 0:24:35 | 0:24:37 | |
My bin - my recycling bin, | 0:24:37 | 0:24:39 | |
with all the different colours. Your recycling bin. And yours, Paul? | 0:24:39 | 0:24:42 | |
Mine's the gumball machine. | 0:24:42 | 0:24:43 | |
The gumball machine? I absolutely love it. Yeah. | 0:24:43 | 0:24:45 | |
And what's going to make the biggest profit? I hope neither of those. | 0:24:45 | 0:24:48 | |
So what is? The stainless-steel plate rack. | 0:24:48 | 0:24:50 | |
The stainless-steel plate rack. Yes. | 0:24:50 | 0:24:52 | |
Well, I'm going to have to stick to my guns | 0:24:52 | 0:24:53 | |
and go for the gumball machine. | 0:24:53 | 0:24:55 | |
Marvellous. There's money to be had there. | 0:24:55 | 0:24:56 | |
Well, I have to admire you for spending so much money. | 0:24:56 | 0:24:59 | |
It's just tremendous - ?270. | 0:24:59 | 0:25:02 | |
Yes. Yes. So, where's the 30? | 0:25:02 | 0:25:04 | |
Here it is. Now, John, that's not much money, is it? | 0:25:04 | 0:25:07 | |
Oh, well, you know me - I'm going to spend it all. | 0:25:07 | 0:25:09 | |
What are you going to buy with it? | 0:25:09 | 0:25:10 | |
Well, I don't know what I'm going to buy with it. | 0:25:10 | 0:25:12 | |
Not much, I don't think, to be honest. | 0:25:12 | 0:25:15 | |
So, while John goes off to buy "not much", | 0:25:15 | 0:25:18 | |
we're off to the auction room. | 0:25:18 | 0:25:19 | |
Well, we've come down the road to SAS Auctions, | 0:25:30 | 0:25:33 | |
and here we find the wonderful Thomas Plant. | 0:25:33 | 0:25:35 | |
Thomas, how are you? Roscoe, very well. | 0:25:35 | 0:25:38 | |
Nice to see you. Is business good? | 0:25:38 | 0:25:39 | |
Booming, as ever. | 0:25:39 | 0:25:40 | |
Now, the Red team have bought an interesting mix of items, | 0:25:40 | 0:25:46 | |
starting in a fairly traditional way, | 0:25:46 | 0:25:49 | |
and you can see the oak stick stand here. | 0:25:49 | 0:25:52 | |
Well, it's by Lister, so it's got a name to the stick stand. Yeah. | 0:25:52 | 0:25:55 | |
It's probably early 20th century. | 0:25:55 | 0:25:58 | |
I agree. I wouldn't say it's the best quality. | 0:25:58 | 0:26:01 | |
No. But it's got a label... | 0:26:01 | 0:26:02 | |
Yeah. ..and it's very functional. | 0:26:02 | 0:26:04 | |
But what do you reckon it's worth? ?40-?60. | 0:26:04 | 0:26:06 | |
They paid 37. | 0:26:06 | 0:26:09 | |
I think they should do rather well because this is great for | 0:26:09 | 0:26:12 | |
your modern interior. | 0:26:12 | 0:26:14 | |
Yeah. People always need umbrellas and... | 0:26:14 | 0:26:16 | |
So, they're in with a chance there. Yeah. | 0:26:16 | 0:26:17 | |
Now, this splendid Carolean-style, oak-carved chair... | 0:26:17 | 0:26:23 | |
With three others. | 0:26:23 | 0:26:24 | |
I'm going to ask you how you've estimated them. | 0:26:24 | 0:26:26 | |
Well, I have estimated them at ?50-?80. | 0:26:26 | 0:26:29 | |
Have you? Mmm. | 0:26:29 | 0:26:30 | |
They paid 50. Fine. | 0:26:30 | 0:26:32 | |
And behind me is my favourite lot, | 0:26:32 | 0:26:34 | |
which you have, I think, beautifully displayed. | 0:26:34 | 0:26:36 | |
It's a great thing, | 0:26:36 | 0:26:38 | |
but the problem with this is it's in Formica - it's plastic. | 0:26:38 | 0:26:43 | |
Oh. But, actually, as a decorative thing, it's rather fun. | 0:26:43 | 0:26:46 | |
It is great fun. | 0:26:46 | 0:26:47 | |
What have you estimated that at? 40 to 60. | 0:26:47 | 0:26:49 | |
Well, they paid ?50, so it's... It's not too bad, is it? | 0:26:49 | 0:26:53 | |
They're looking all right, really. Yeah. | 0:26:53 | 0:26:54 | |
It's just possible that they will need their bonus buy. | 0:26:54 | 0:26:57 | |
Let's have a look at what it is. | 0:26:57 | 0:26:58 | |
Well, Adrian and Jo, I can see how excited you're looking | 0:27:00 | 0:27:03 | |
at this moment. | 0:27:03 | 0:27:05 | |
You spent ?137, so you've left him a shedload of money. | 0:27:05 | 0:27:09 | |
What's he done with it? | 0:27:09 | 0:27:11 | |
This, I can tell you, to me, is very sexy. | 0:27:11 | 0:27:15 | |
Jo, remove that cover. | 0:27:15 | 0:27:18 | |
Feast your eyes on that baby! Oh. | 0:27:18 | 0:27:21 | |
I saw one beside the A4 on the way in here. | 0:27:21 | 0:27:24 | |
This is the one - it fell out of the back of my car. | 0:27:24 | 0:27:27 | |
What have you bought? | 0:27:27 | 0:27:29 | |
It is wonderful. | 0:27:29 | 0:27:30 | |
I love classic, vintage cars, | 0:27:30 | 0:27:32 | |
and this takes us back to the, possibly, 1920s. | 0:27:32 | 0:27:36 | |
I'm... I'm hallucinating. | 0:27:36 | 0:27:38 | |
If I'm not mistaken, you're holding a rusty old lump of scrap car. | 0:27:38 | 0:27:43 | |
Yeah, a sexy bit of old lumpy, scrappy car. | 0:27:43 | 0:27:46 | |
The boys would like it. | 0:27:46 | 0:27:47 | |
Exactly. It's a boy's toy. It's a mantique. | 0:27:47 | 0:27:51 | |
How much did you pay? About two quid? | 0:27:51 | 0:27:53 | |
Well, no. Oof! | 0:27:53 | 0:27:54 | |
I paid ?30 for it. SHE GASPS | 0:27:54 | 0:27:57 | |
So, David, what do you think this rusty old wheel might make? | 0:27:57 | 0:27:59 | |
It could make anything from a couple of pounds to a few tens of pounds, | 0:27:59 | 0:28:03 | |
depending on how many bachelors there are | 0:28:03 | 0:28:05 | |
in the auction room, but... Yeah? | 0:28:05 | 0:28:07 | |
Look, look, team, | 0:28:07 | 0:28:08 | |
I think we've had quite enough of this rusty old wheel. | 0:28:08 | 0:28:11 | |
You don't have to make up your mind now. | 0:28:11 | 0:28:13 | |
Let's see what the auctioneer thinks of David's rusty old wheel. | 0:28:13 | 0:28:16 | |
Ah... | 0:28:19 | 0:28:20 | |
What do you think? | 0:28:20 | 0:28:21 | |
Well, we were quite surprised when we saw this... | 0:28:21 | 0:28:24 | |
Yeah. ..because we do automobilia sales and we have | 0:28:24 | 0:28:27 | |
an automobilia specialist who knows about these things. | 0:28:27 | 0:28:29 | |
And he's looked at this. | 0:28:29 | 0:28:30 | |
He's looked at this and studied it, and gave me the description, | 0:28:30 | 0:28:33 | |
and we really were quite puzzled, | 0:28:33 | 0:28:35 | |
so we've put ?15-?20 on it. | 0:28:35 | 0:28:38 | |
It might just struggle a little bit, as they paid ?30. | 0:28:38 | 0:28:42 | |
Well, I wish David all the best for that one. | 0:28:42 | 0:28:45 | |
And it could do with a bit of a clean, if I may say so. THOMAS LAUGHS | 0:28:45 | 0:28:48 | |
Now, going on to Joy and Paul. | 0:28:48 | 0:28:52 | |
Yes. Well, we start with the recycling bin. | 0:28:52 | 0:28:55 | |
Tell me all about that. | 0:28:55 | 0:28:56 | |
Well, this is by somebody called Gianluca Soldi - | 0:28:56 | 0:29:00 | |
it's Italian designer. Yeah. | 0:29:00 | 0:29:02 | |
Probably designed in the late 20th century. Yeah. | 0:29:02 | 0:29:05 | |
And it's got another function to it, as well. Mm-hmm. | 0:29:05 | 0:29:09 | |
So, you've got all the different colours to put your different bits | 0:29:09 | 0:29:12 | |
of recycling in. Yes. | 0:29:12 | 0:29:13 | |
But if you are a can drinker - | 0:29:13 | 0:29:14 | |
and you've got all your, you know, fizzy drinks - you can crush it. | 0:29:14 | 0:29:19 | |
It's brilliant. Oh! I love that. | 0:29:19 | 0:29:21 | |
Have you ever seen one like that before? I haven't, actually. | 0:29:21 | 0:29:23 | |
I haven't at all. No? How have you managed to estimate it? | 0:29:23 | 0:29:26 | |
It's not very easy. Well, no. | 0:29:26 | 0:29:27 | |
I mean, there are records of these selling at auction. | 0:29:27 | 0:29:30 | |
Are there? Yeah, there are. Yeah, there are. | 0:29:30 | 0:29:32 | |
And I've gone a little bit stronger... Yeah. | 0:29:32 | 0:29:34 | |
..and I've put, sort of, ?60-?80 to it. | 0:29:34 | 0:29:36 | |
Yeah, yeah. Well, you're going to have to go a bit stronger. | 0:29:36 | 0:29:39 | |
Oh, really? They paid ?115 for this. Mmm... | 0:29:39 | 0:29:41 | |
Well, I can see why they did that | 0:29:41 | 0:29:43 | |
because, if you bought that new today, | 0:29:43 | 0:29:46 | |
it would be probably more than that... Yeah. Much more. | 0:29:46 | 0:29:50 | |
Well, what do you think of the gumdrop personality tester? | 0:29:50 | 0:29:53 | |
Quite fun, though, isn't it? It is fun. | 0:29:53 | 0:29:55 | |
The one thing which is against it is that these items, | 0:29:55 | 0:29:58 | |
people like them when they do things, so if you've got | 0:29:58 | 0:30:01 | |
a slot machine, if you've got an arcade game... | 0:30:01 | 0:30:05 | |
This is 1970s. | 0:30:05 | 0:30:06 | |
It's got a great look to it. Yeah. | 0:30:06 | 0:30:08 | |
But, actually, you've got to fill it with gumdrops... Yes. | 0:30:08 | 0:30:11 | |
..and then it will work. | 0:30:11 | 0:30:13 | |
It's battery-operated, so that's another bonus. | 0:30:13 | 0:30:15 | |
No, I think it's great fun. Yeah. What's it worth? | 0:30:15 | 0:30:17 | |
?70-?100. Well, that's not too bad. | 0:30:17 | 0:30:19 | |
That's a pretty good-ish estimate. | 0:30:19 | 0:30:21 | |
They paid ?105. | 0:30:21 | 0:30:23 | |
Ah, well... | 0:30:23 | 0:30:24 | |
They are very close. In with a chance. | 0:30:24 | 0:30:27 | |
Now, the third item they've bought is | 0:30:27 | 0:30:29 | |
the English rose stainless-steel hanging plate rack. | 0:30:29 | 0:30:34 | |
Well, I don't mind this. | 0:30:34 | 0:30:36 | |
I really don't mind this, Roscoe. | 0:30:36 | 0:30:38 | |
So, you've put an enormous estimate on it. | 0:30:38 | 0:30:40 | |
Well, I, you know, ?30-?50. | 0:30:40 | 0:30:42 | |
30 to 50. | 0:30:42 | 0:30:43 | |
Find me another one like this which you can put straight on your wall. | 0:30:43 | 0:30:47 | |
It just needs a clean. Yeah, marvellous. | 0:30:47 | 0:30:50 | |
Well, they paid ?50, so... | 0:30:50 | 0:30:52 | |
They've got a fair chance. | 0:30:52 | 0:30:53 | |
But they might need their bonus buy. Let's have a quick look at it. | 0:30:53 | 0:30:57 | |
Jo and Paul, this could be the moment that makes or breaks | 0:30:57 | 0:31:00 | |
your Bargain Hunt, | 0:31:00 | 0:31:01 | |
depending on what you think of this. | 0:31:01 | 0:31:03 | |
Do you want to see it? Oh, please. Please. Go on. Voila. | 0:31:03 | 0:31:07 | |
Oh. Oh, right. OK. | 0:31:07 | 0:31:08 | |
Underwhelmed. | 0:31:10 | 0:31:13 | |
And to think, I bought this thinking of you, Joy. | 0:31:13 | 0:31:15 | |
Running through the street with a toga on? | 0:31:15 | 0:31:18 | |
Well, I wasn't... Well, listen, whatever floats your boat but... | 0:31:18 | 0:31:21 | |
Tell us about it, John. Well, I knew... Yeah, please do. | 0:31:21 | 0:31:23 | |
I know you like Art Deco. I do love Art Deco. And this is... | 0:31:23 | 0:31:26 | |
This is just a typical Art Deco figure | 0:31:26 | 0:31:28 | |
modelled as Diana the Huntress, | 0:31:28 | 0:31:29 | |
reflecting athletic women in the '30s and '20s. | 0:31:29 | 0:31:32 | |
So, so, you don't like it? You're not impressed? | 0:31:32 | 0:31:35 | |
No, it was just a shock. | 0:31:35 | 0:31:36 | |
And how much do you think it's worth? | 0:31:36 | 0:31:37 | |
Well, I think this should be worth around ?50. | 0:31:37 | 0:31:41 | |
Do you think it will make it? | 0:31:41 | 0:31:43 | |
I don't know. We'll see. Yeah, I know. | 0:31:43 | 0:31:45 | |
Well, we're in the hands of the gods, I think, aren't we, really? | 0:31:45 | 0:31:47 | |
Yeah, of Diana. You know how much money you left him with, don't you? | 0:31:47 | 0:31:50 | |
Next to nothing. Was it ?30? | 0:31:50 | 0:31:51 | |
Yeah, well, how much of it do you think he spent? | 0:31:51 | 0:31:54 | |
Hopefully ?10. | 0:31:54 | 0:31:55 | |
I paid ?30. It's all you left me! | 0:31:57 | 0:31:59 | |
I know, but we know what you're like. | 0:31:59 | 0:32:01 | |
THEY LAUGH | 0:32:01 | 0:32:03 | |
I would suggest it's probably worth ?30 but we will wait and see. | 0:32:03 | 0:32:07 | |
We'll see how we get on. | 0:32:07 | 0:32:08 | |
You don't have to make a decision now. Make a decision at the auction. | 0:32:08 | 0:32:12 | |
Meanwhile, let's see what the auctioneer thinks of it. | 0:32:12 | 0:32:15 | |
There we go. John's offering. | 0:32:17 | 0:32:19 | |
John's offering. Art Deco...plaster figure group | 0:32:19 | 0:32:23 | |
of Diana, with her hounds, | 0:32:23 | 0:32:26 | |
attacking the man she turned into the deer. | 0:32:26 | 0:32:29 | |
Tells the story rather well, actually. | 0:32:29 | 0:32:33 | |
It's Deco in style. | 0:32:33 | 0:32:35 | |
I would say it's probably made in the 1950s. | 0:32:35 | 0:32:37 | |
It's not the finest, finest quality, I have to say. | 0:32:37 | 0:32:40 | |
What have you estimated it at? ?30-?50. | 0:32:40 | 0:32:42 | |
That's not too bad at all because he paid 30. | 0:32:42 | 0:32:44 | |
Well, he's got a very good chance. It's a look, isn't it? | 0:32:44 | 0:32:47 | |
Just looking at all these items, it could be a bit tight, couldn't it? | 0:32:47 | 0:32:50 | |
Yeah, it could be a bit tight. | 0:32:50 | 0:32:52 | |
You'll be on the rostrum, won't you? Absolutely. | 0:32:52 | 0:32:54 | |
We will be in the safe hands of Thomas Plant. | 0:32:54 | 0:32:56 | |
Let's see how he gets on. | 0:32:56 | 0:32:58 | |
Start me at ?60. 65. 70. | 0:32:58 | 0:33:01 | |
?70 it is. 71. 70 twice. | 0:33:01 | 0:33:04 | |
How are you feeling? Are you excited? Yes. | 0:33:04 | 0:33:07 | |
Have you been to an auction before? Yes. | 0:33:07 | 0:33:10 | |
Have you? Have you bought at an auction? Yes. | 0:33:10 | 0:33:12 | |
We have. A load of absolute rubbish! | 0:33:12 | 0:33:14 | |
Have you sold at an auction? No. | 0:33:14 | 0:33:16 | |
Well, today's the day, David! Today is the day. | 0:33:16 | 0:33:19 | |
We're going to start with the umbrella stand. | 0:33:19 | 0:33:22 | |
I'm hoping we can't go wrong here. So, here it comes. | 0:33:22 | 0:33:26 | |
Right, next lot, it's lot 100. | 0:33:26 | 0:33:29 | |
This is a hexagonal umbrella walking-stick stand with oak panels | 0:33:29 | 0:33:34 | |
and brass bounding to it. | 0:33:34 | 0:33:36 | |
I can start the bidding at 45, 50. 50 here. | 0:33:36 | 0:33:39 | |
55. 60 with me. 65, 70. | 0:33:39 | 0:33:43 | |
70, it's here. At 75. 80. Against the internet. | 0:33:43 | 0:33:46 | |
?80. 85. 90. 90, it's here. | 0:33:46 | 0:33:50 | |
?90 I have, at ?90. | 0:33:50 | 0:33:52 | |
At 95. 100 I have here. | 0:33:52 | 0:33:55 | |
I have to go 105 internet against you. | 0:33:55 | 0:33:57 | |
At 110 and I'm out. | 0:33:57 | 0:33:59 | |
I'm out at 110. | 0:33:59 | 0:34:00 | |
?110 it is. | 0:34:00 | 0:34:01 | |
At ?110. Wait, 120. | 0:34:01 | 0:34:04 | |
120 I have. | 0:34:04 | 0:34:07 | |
Once at 120. | 0:34:07 | 0:34:09 | |
Twice at 120. | 0:34:09 | 0:34:10 | |
Selling. 120. | 0:34:10 | 0:34:12 | |
Do you know how much profit you've made? A lot. ?83. | 0:34:12 | 0:34:15 | |
The next lot coming up is the chairs. | 0:34:15 | 0:34:17 | |
You paid ?50 for the chairs. | 0:34:17 | 0:34:20 | |
19th-century oak diamond chairs. | 0:34:20 | 0:34:22 | |
They are very smart, these oak dining chairs. | 0:34:22 | 0:34:25 | |
Start me here. ?40. | 0:34:25 | 0:34:27 | |
Start me here at ?40. | 0:34:27 | 0:34:29 | |
20 then. 20. | 0:34:29 | 0:34:31 | |
I've got 20 online. | 0:34:31 | 0:34:33 | |
It's an online bid at 20 once. | 0:34:33 | 0:34:35 | |
You win some, you lose some. | 0:34:35 | 0:34:36 | |
Are we done? 20. | 0:34:36 | 0:34:38 | |
Oh, you have been done. | 0:34:38 | 0:34:40 | |
You've lost 30 of your 83. | 0:34:40 | 0:34:43 | |
Don't panic. You're still up ?53 and here comes | 0:34:43 | 0:34:46 | |
your meubles anciens. | 0:34:46 | 0:34:48 | |
A large, modern French shop sign. | 0:34:48 | 0:34:51 | |
Lovely lot, this one here. | 0:34:51 | 0:34:53 | |
Start me at ?30. 30. ?30 we have online. Is there 5 anywhere else? | 0:34:53 | 0:34:57 | |
You've got ?30 online. It must be somebody from France. | 0:34:57 | 0:35:00 | |
60 now online. Yes! | 0:35:00 | 0:35:02 | |
70 it's online! | 0:35:02 | 0:35:04 | |
Against you all. At ?70 I have. | 0:35:04 | 0:35:07 | |
75, now moving on. | 0:35:07 | 0:35:09 | |
At 75 it is. | 0:35:09 | 0:35:10 | |
Online bid has it at 75 once, | 0:35:10 | 0:35:13 | |
75 twice... 75. | 0:35:13 | 0:35:16 | |
Fantastic! I can announce that you have made | 0:35:16 | 0:35:21 | |
a profit of ?78. | 0:35:21 | 0:35:24 | |
THEY GASP | 0:35:24 | 0:35:25 | |
Which is just phenomenal really. | 0:35:25 | 0:35:28 | |
Now is the moment critique, | 0:35:28 | 0:35:29 | |
keeping the French going after the meubles anciens, | 0:35:29 | 0:35:33 | |
as to whether you go with this wheel. | 0:35:33 | 0:35:36 | |
We're not going... You're not going with the wheel? | 0:35:36 | 0:35:38 | |
Not a hope! | 0:35:38 | 0:35:40 | |
If I may say so, the auctioneer couldn't agree more with you. | 0:35:40 | 0:35:44 | |
He's estimated at f... ?5. 50. | 0:35:44 | 0:35:46 | |
F... ?15-?20. | 0:35:46 | 0:35:49 | |
Shall I leave now or wait till...? | 0:35:49 | 0:35:51 | |
No, you can stay. You want me to stay? | 0:35:51 | 0:35:53 | |
Lot 107. | 0:35:53 | 0:35:55 | |
This is an early 20th century | 0:35:55 | 0:35:57 | |
Ford steel spoke wheel with a chromed hubcap. | 0:35:57 | 0:36:00 | |
Start the bidding with me here, ?10. | 0:36:00 | 0:36:03 | |
Somebody start me at ?10 for the wheel. | 0:36:03 | 0:36:04 | |
At ?10. Surely it's got to be worth ?10? Bit of industrial design here. | 0:36:04 | 0:36:09 | |
A spoke wheel. | 0:36:09 | 0:36:11 | |
They've got no taste! No taste! | 0:36:11 | 0:36:14 | |
Thank you, Dave. ?5. 5 to get this off. 5 I've got. | 0:36:14 | 0:36:17 | |
Yes! I don't know what I'm getting excited about. | 0:36:17 | 0:36:20 | |
At ?5. Any advance at 5? | 0:36:20 | 0:36:23 | |
At 5 it is. Selling once at 5. Oh, no! | 0:36:23 | 0:36:26 | |
Twice at 5. 5 it is. | 0:36:26 | 0:36:28 | |
It didn't matter. | 0:36:28 | 0:36:30 | |
Potentially you've lost ?25 but, in fact, you lost nothing at all. | 0:36:30 | 0:36:35 | |
You stay with a profit of ?78, which is fantastic. | 0:36:35 | 0:36:40 | |
Absolutely not a word to the Blue team. | 0:36:40 | 0:36:43 | |
Walk out of here with a miserable face. | 0:36:43 | 0:36:45 | |
You may have won, you may have lost. We'll find out. | 0:36:45 | 0:36:48 | |
Joy and Paul, you're looking quite excited about this. | 0:36:54 | 0:36:57 | |
Confident of a profit? | 0:36:57 | 0:36:59 | |
I'm not sure confident is the right word. | 0:36:59 | 0:37:01 | |
THEY LAUGH | 0:37:01 | 0:37:02 | |
Excited to see what happens. | 0:37:02 | 0:37:04 | |
Well, here it comes. The bin. You paid ?115. | 0:37:04 | 0:37:07 | |
It's coming up now. | 0:37:07 | 0:37:09 | |
Lot 120. A modern, plastic egg recycling bin. This is it. | 0:37:09 | 0:37:14 | |
Designed by Gianluca Soldi, | 0:37:14 | 0:37:18 | |
by Ovetto. | 0:37:18 | 0:37:20 | |
And I can start the bidding, with me here, with a bid of ?30. | 0:37:20 | 0:37:24 | |
I have a bid on the book at 30. | 0:37:24 | 0:37:27 | |
30... Yes? He likes it at 35. | 0:37:27 | 0:37:30 | |
At 35. ?35. 40 now. | 0:37:30 | 0:37:32 | |
40 I have. Are you coming back? | 0:37:32 | 0:37:35 | |
45. 50. | 0:37:35 | 0:37:37 | |
?50. At ?50. | 0:37:37 | 0:37:39 | |
Ladies and gentlemen, at ?50. | 0:37:39 | 0:37:41 | |
This could be your chance to change your life. | 0:37:41 | 0:37:43 | |
To recycle more efficiently. | 0:37:43 | 0:37:46 | |
At 50 I have once. At 50 twice. Selling then. | 0:37:46 | 0:37:49 | |
Oh, dear. | 0:37:49 | 0:37:51 | |
Well, that's a short loss of ?65. | 0:37:51 | 0:37:53 | |
That's a mere drop in the ocean. | 0:37:53 | 0:37:55 | |
Here comes the gumdrop personality test. | 0:37:55 | 0:37:58 | |
Paid ?105. | 0:37:58 | 0:38:01 | |
I can start the bidding with me here. ?30. 30 I have. | 0:38:01 | 0:38:04 | |
Any advance at 30? 35. 40. | 0:38:04 | 0:38:07 | |
45. 50. 55. 60. | 0:38:07 | 0:38:10 | |
65. 70. 75. 80. | 0:38:10 | 0:38:12 | |
85. 90... They like gumdrops. ..95. | 0:38:12 | 0:38:16 | |
100. | 0:38:16 | 0:38:17 | |
Go on, madam. 110. Yes! | 0:38:17 | 0:38:20 | |
110, lady's bid. What a profit! At 110 lady's bid. | 0:38:20 | 0:38:23 | |
At 110 it is. And 120 online against you. | 0:38:23 | 0:38:26 | |
Oh, go on, madam! | 0:38:26 | 0:38:28 | |
Madam, you've come all this way. You started it! | 0:38:28 | 0:38:32 | |
130 it is. | 0:38:32 | 0:38:33 | |
Lady's bid at 130. 130, room bidder has it. 130 against you once. | 0:38:33 | 0:38:37 | |
Your last chance. Are we done? | 0:38:37 | 0:38:39 | |
130. Lady's bid. | 0:38:39 | 0:38:42 | |
It's a ?25-profit. That has wiped ?25 off your loss. | 0:38:42 | 0:38:46 | |
You've still got a stainless steel hanging plate rack to go. | 0:38:46 | 0:38:49 | |
An English stainless steel Venus hanging plate rack. | 0:38:49 | 0:38:53 | |
Immediately I have ?20 on my book. | 0:38:53 | 0:38:56 | |
At ?20 it is on my book. | 0:38:56 | 0:38:57 | |
22 and I'm now at 22. | 0:38:57 | 0:38:59 | |
He's going in twos. | 0:38:59 | 0:39:01 | |
At 22. 25 it is. | 0:39:01 | 0:39:03 | |
28. ?30 I have. At ?30. With a nod, 35. | 0:39:03 | 0:39:07 | |
With a nod at ?35. At 35 standing. | 0:39:07 | 0:39:10 | |
35 it is once. 35 twice. | 0:39:10 | 0:39:13 | |
THEY GROAN | 0:39:13 | 0:39:15 | |
That's a ?15 loss, | 0:39:15 | 0:39:16 | |
which added to your ?40 loss, means you're down ?55. | 0:39:16 | 0:39:22 | |
Shame. | 0:39:22 | 0:39:25 | |
Anyway, what do you think about the Art Deco plaster group? | 0:39:25 | 0:39:29 | |
Erm... I'm not keen myself. | 0:39:29 | 0:39:32 | |
I actually quite like it. Seeing as it's me or it's meant to be me. | 0:39:32 | 0:39:37 | |
I want to go with it. | 0:39:37 | 0:39:38 | |
I'm not keen. OK. We'll go with it. You were right on the recycling bin. | 0:39:38 | 0:39:41 | |
So who's winning? I want a definite answer. Definitely. | 0:39:44 | 0:39:47 | |
Mum wins and you're going with it? Definitely. I trust John. | 0:39:47 | 0:39:49 | |
You trust John? | 0:39:49 | 0:39:50 | |
Well, I can now reveal that the auctioneer also trusts John. | 0:39:50 | 0:39:55 | |
Ooh! | 0:39:55 | 0:39:56 | |
Estimate, 30 to 50. | 0:39:56 | 0:39:58 | |
Wow. | 0:39:58 | 0:40:00 | |
He thinks you'll make a profit. Let's hope. | 0:40:00 | 0:40:03 | |
But, of course, auctioneers can be wrong. | 0:40:03 | 0:40:06 | |
You paid 30 and here it is. | 0:40:06 | 0:40:09 | |
127. An Art Deco plaster figure group. | 0:40:09 | 0:40:12 | |
Modelled as Diana and her hounds. | 0:40:12 | 0:40:14 | |
I can start the bidding, ?15. | 0:40:14 | 0:40:17 | |
At 15. At 15. No bids at 15. | 0:40:17 | 0:40:20 | |
Oh. | 0:40:20 | 0:40:21 | |
?10 for the plaster figure. | 0:40:21 | 0:40:23 | |
10 I've got. At ?10 it is. 10 it is, I have once. | 0:40:23 | 0:40:27 | |
Oh, son! Oh, dear! | 0:40:27 | 0:40:29 | |
Twice. 10 it is. | 0:40:29 | 0:40:30 | |
Oh, dear. | 0:40:30 | 0:40:31 | |
I think the hunter just became the hunted. | 0:40:31 | 0:40:34 | |
I'd better get my coat! | 0:40:34 | 0:40:36 | |
I bet you're thrilled Mum went with that(!) I was really pleased. | 0:40:36 | 0:40:39 | |
Well, thanks to Mum, you've lost a cool ?20 on that, | 0:40:39 | 0:40:42 | |
which has increased your loss from 55 to 75. | 0:40:42 | 0:40:47 | |
However, that could be a winning score. | 0:40:47 | 0:40:50 | |
Not a word to that Red team. | 0:40:50 | 0:40:53 | |
Deadpan faces. And we'll find out in just a moment. | 0:40:53 | 0:40:56 | |
Well, girls and boys. Did you enjoy that? | 0:41:03 | 0:41:05 | |
It was great fun. | 0:41:05 | 0:41:07 | |
Wasn't it fun? Do you know, between you there's only ?3. | 0:41:07 | 0:41:09 | |
ALL: No! | 0:41:09 | 0:41:11 | |
Isn't that amazing? | 0:41:11 | 0:41:12 | |
The only subtle difference is there's a minus sign | 0:41:12 | 0:41:15 | |
in front of one of them. | 0:41:15 | 0:41:17 | |
THEY LAUGH | 0:41:17 | 0:41:19 | |
Because you are today's runners-up, I'm afraid. | 0:41:19 | 0:41:25 | |
Because you've lost a mere ?75. | 0:41:25 | 0:41:29 | |
It was tough, wasn't it? | 0:41:29 | 0:41:31 | |
Didn't start well with that recycling bin. | 0:41:31 | 0:41:33 | |
You thumped off with a quick loss of ?65. | 0:41:33 | 0:41:36 | |
These things can happen in an auction room, can't they? | 0:41:36 | 0:41:39 | |
However, the gumdrop came up trumps, didn't it? | 0:41:39 | 0:41:42 | |
You made a profit. Pleased with that. | 0:41:42 | 0:41:45 | |
So despite the loss you've had a nice time, haven't you? Brilliant. | 0:41:45 | 0:41:48 | |
Excellent time. | 0:41:48 | 0:41:49 | |
Superb. It's been a roller-coaster, hasn't it? Yeah. | 0:41:49 | 0:41:52 | |
Up, down, down, down, down. | 0:41:52 | 0:41:55 | |
You have to come down eventually. You do. | 0:41:55 | 0:41:58 | |
However, this lot here, were they smart? | 0:41:58 | 0:42:03 | |
The umbrella stand, I still don't really understand, do you? | 0:42:03 | 0:42:07 | |
You paid ?37. The auctioneer thought it would make 40 to 60. | 0:42:07 | 0:42:10 | |
I thought he was spot-on. What did it make? ?120! | 0:42:10 | 0:42:15 | |
That was just phenomenal. | 0:42:15 | 0:42:17 | |
It gives me immense pleasure to hand over ?78 to you, | 0:42:17 | 0:42:23 | |
with a huge congratulations and well done. | 0:42:23 | 0:42:25 | |
You've had a good time? Yes, definitely. | 0:42:25 | 0:42:28 | |
Marvellous. We've loved having you | 0:42:28 | 0:42:29 | |
and particularly giving you all that cash, | 0:42:29 | 0:42:31 | |
which has been fantastic. | 0:42:31 | 0:42:34 | |
Do look at our website, which you can see on screen in front of you, | 0:42:34 | 0:42:37 | |
and follow us on Twitter. | 0:42:37 | 0:42:39 | |
Do please join us for another Bargain Hunt. Yes? | 0:42:39 | 0:42:42 | |
ALL: Yes! | 0:42:42 | 0:42:43 | |
THEME PLAYS: The Apprentice | 0:43:12 | 0:43:14 |