Browse content similar to London 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Spitalfields in London's East End. | 0:00:02 | 0:00:04 | |
And over the centuries, many notorious crimes have happened here. | 0:00:04 | 0:00:07 | |
Once upon a time, Jack the Ripper stalked these streets. | 0:00:09 | 0:00:13 | |
And in fact, murder, debauchery and, well, general bad behaviour, | 0:00:17 | 0:00:22 | |
were everyday occurrences in these parts. | 0:00:22 | 0:00:25 | |
One dastardly deed after another took place near Spitalfields market. | 0:00:25 | 0:00:29 | |
But, of course, | 0:00:29 | 0:00:31 | |
there'll be absolutely none of that on this show. | 0:00:31 | 0:00:33 | |
Well, at least I hope not! | 0:00:33 | 0:00:35 | |
Come on, let's go bargain hunting! | 0:00:35 | 0:00:37 | |
Well, the Reds and Blues won't be breaking any laws. | 0:00:59 | 0:01:02 | |
I can't promise they'll play fair. | 0:01:02 | 0:01:04 | |
It's going to be a tough competition. | 0:01:04 | 0:01:05 | |
But, surely, our teams can't go wrong here, in Spitalfields market? | 0:01:08 | 0:01:13 | |
Or is that wishful thinking? | 0:01:13 | 0:01:14 | |
Let's take a gander at what's coming up. | 0:01:14 | 0:01:16 | |
The Reds speak their minds. | 0:01:18 | 0:01:19 | |
-It's boring. -Why would we want that? -It's boring. | 0:01:19 | 0:01:22 | |
The Blues are put to work. | 0:01:22 | 0:01:24 | |
Just tidying away. She's just tidying away, Tobias! | 0:01:25 | 0:01:28 | |
And there are shocks and surprises at the auction. | 0:01:28 | 0:01:31 | |
Come on, madam. | 0:01:31 | 0:01:33 | |
I'm concentrating! | 0:01:33 | 0:01:34 | |
-Come on! -Yay! | 0:01:34 | 0:01:36 | |
But before all that, I'd like to introduce you to today's teams. | 0:01:40 | 0:01:43 | |
It's going to be a cracker of a show because joining me here | 0:01:43 | 0:01:46 | |
at the noisy market are the Reds, Alice and Claire, | 0:01:46 | 0:01:49 | |
and the Blues, Tuoi and Tobias. | 0:01:49 | 0:01:50 | |
-Welcome, everyone. Hello! -Hello! | 0:01:50 | 0:01:52 | |
That was a brilliant response! | 0:01:53 | 0:01:55 | |
Now, Claire, I'm coming straight to you. | 0:01:55 | 0:01:56 | |
You and Alice are great friends. | 0:01:56 | 0:01:58 | |
But tell us, how did you meet? | 0:01:58 | 0:02:00 | |
So me and Alice are both artists ourselves. | 0:02:00 | 0:02:02 | |
I started a job with an artist, helping him, last year. | 0:02:02 | 0:02:05 | |
And this year we needed a new assistant, | 0:02:05 | 0:02:07 | |
so I didn't know Alice before this, | 0:02:07 | 0:02:09 | |
but she applied and I interviewed her and then we employed her. | 0:02:09 | 0:02:12 | |
And since then we've just been really good friends. | 0:02:12 | 0:02:15 | |
So we work together and we're great friends as well. | 0:02:15 | 0:02:17 | |
Now, work is very important to you. | 0:02:17 | 0:02:19 | |
It's taking you to some rather far-flung places, hasn't it, Claire? | 0:02:19 | 0:02:22 | |
Yeah, earlier this year I went to Nepal for a little bit. | 0:02:22 | 0:02:26 | |
And I was teaching art at a school there, which was amazing | 0:02:26 | 0:02:29 | |
because none of the kids, kind of, do art as a subject. | 0:02:29 | 0:02:31 | |
So to get their kind of imagination and creativity out was just amazing. | 0:02:31 | 0:02:36 | |
Yeah. So, Alice, like Claire, you're an artist too. | 0:02:36 | 0:02:38 | |
But a different medium and one that raises a few eyebrows? | 0:02:38 | 0:02:41 | |
Yes, I'm a metal pourer. | 0:02:41 | 0:02:43 | |
So it's made my mum really proud, you know, | 0:02:43 | 0:02:45 | |
her only daughter pouring metal, leathered up. | 0:02:45 | 0:02:48 | |
So I do teaching but also make my own, kind of, objects, | 0:02:48 | 0:02:51 | |
in bronze, mostly. | 0:02:51 | 0:02:52 | |
So tell us about some interesting commissions that you've worked on? | 0:02:52 | 0:02:54 | |
So I was part of the fabrication team for the Queen's Jubilee barge, | 0:02:54 | 0:02:58 | |
so the bow, the gold sculptures at the front. | 0:02:58 | 0:03:00 | |
There was a team of about 40 of us, | 0:03:00 | 0:03:02 | |
but I was one of the casters for that. | 0:03:02 | 0:03:04 | |
-Really cool. -Yeah. | 0:03:04 | 0:03:05 | |
So did that make your mum proud? | 0:03:05 | 0:03:07 | |
That did make my mum proud. I mean, yeah, definitely. | 0:03:07 | 0:03:09 | |
Well, good luck today, Reds. | 0:03:09 | 0:03:11 | |
It sounds like you're going to have far too much fun on Bargain Hunt! | 0:03:11 | 0:03:14 | |
Yes. So let's handover to the competition. | 0:03:14 | 0:03:17 | |
But they look so friendly! | 0:03:17 | 0:03:18 | |
Tuoi and Tobias. What a lovely couple. | 0:03:18 | 0:03:20 | |
Let's go to you first, Tobias. | 0:03:20 | 0:03:22 | |
Tobias Goodnight. | 0:03:22 | 0:03:24 | |
It's a brilliant name. Where did it come from? | 0:03:24 | 0:03:26 | |
Actually, I've got to admit to being a bit cheeky, | 0:03:26 | 0:03:30 | |
I stole it from TV. | 0:03:30 | 0:03:32 | |
I, basically, changed my name a few years ago by deed poll. | 0:03:32 | 0:03:36 | |
We were watching a Bond movie, The Man With The Golden Gun, | 0:03:36 | 0:03:38 | |
and the Bond girl was called Goodnight. | 0:03:38 | 0:03:40 | |
So I thought, that's a nice name, and now, here I am. | 0:03:40 | 0:03:43 | |
But what did you make of that, were you involved in the choosing? | 0:03:43 | 0:03:46 | |
Yes, most definitely. | 0:03:46 | 0:03:47 | |
It's very similar to my dad's name, Goodwin. | 0:03:47 | 0:03:49 | |
So it's sort of nice to be able to sort of somewhat carry on | 0:03:49 | 0:03:53 | |
the "Good" name. | 0:03:53 | 0:03:54 | |
-The good work! -It's half the name! -Yeah, exactly. | 0:03:54 | 0:03:56 | |
So, you two have just had an epic journey across Europe. | 0:03:56 | 0:04:01 | |
But, first of all, tell me, were there any James Bond-worthy moments? | 0:04:01 | 0:04:04 | |
Yes, there were a few, actually. | 0:04:04 | 0:04:07 | |
Tobias had a very much Daniel Craig-esque moment | 0:04:07 | 0:04:10 | |
when he came out of the waterfall in the middle of Spain | 0:04:10 | 0:04:13 | |
in his boxer shorts. | 0:04:13 | 0:04:14 | |
Oh, right. Nice, nice! | 0:04:14 | 0:04:16 | |
-Any photos? -Yes, quite a few, actually! | 0:04:16 | 0:04:20 | |
-All deleted! -Any Bond girl moments? | 0:04:20 | 0:04:23 | |
Yes, Tobias made me feel very much like a Bond girl | 0:04:23 | 0:04:26 | |
when we sipped Prosecco along the Grand Canal in Venice. | 0:04:26 | 0:04:30 | |
Oh, that's so lovely. | 0:04:30 | 0:04:31 | |
With a high-speed boat chase going on beside you! | 0:04:31 | 0:04:33 | |
-Not quite! -Now, you know, there is something that I've heard, | 0:04:34 | 0:04:37 | |
it's a rumour, I don't know if it's true. | 0:04:37 | 0:04:39 | |
It's freaking me out so I think we should address it | 0:04:39 | 0:04:41 | |
here in front of the nation. | 0:04:41 | 0:04:42 | |
Do you genuinely have a collection of bellybutton fluff? | 0:04:42 | 0:04:46 | |
Yes. | 0:04:46 | 0:04:47 | |
Eurgh! | 0:04:47 | 0:04:49 | |
Exclusively your own? | 0:04:49 | 0:04:51 | |
Just my own, yes. I'm not that weird! | 0:04:51 | 0:04:52 | |
Sorry, you're not that weird? | 0:04:52 | 0:04:54 | |
Oh, yeah, because if anyone else's was in there, | 0:04:54 | 0:04:57 | |
that would just be weird! | 0:04:57 | 0:04:58 | |
She suggested that how about she holds on to it | 0:04:58 | 0:05:00 | |
and then one day she'll knit me a jumper with it. | 0:05:00 | 0:05:02 | |
Yeah, we'll save it and knit a jumper. | 0:05:02 | 0:05:04 | |
So that then sort of evolved to putting it in a jar, | 0:05:04 | 0:05:06 | |
which now sort of sits on our mantelpiece at home. | 0:05:06 | 0:05:09 | |
Well, I hope you won't find any antique bellybutton fluff | 0:05:09 | 0:05:11 | |
down in the market today! Maybe some dust. | 0:05:11 | 0:05:14 | |
What are your tactics as the Blue team today? | 0:05:14 | 0:05:16 | |
Mainly to have fun. | 0:05:16 | 0:05:17 | |
I would say we're here for the experience more than the money. | 0:05:17 | 0:05:19 | |
Well, it will be an experience, because we're in London, | 0:05:19 | 0:05:22 | |
the market's behind us, you're raring to go. | 0:05:22 | 0:05:24 | |
So let me give you some dosh. | 0:05:24 | 0:05:26 | |
£300 to the Reds. | 0:05:26 | 0:05:28 | |
£300 to the Blues. | 0:05:28 | 0:05:30 | |
Spend it wisely. Off you go, your experts are waiting to meet you. | 0:05:30 | 0:05:33 | |
Thank you! | 0:05:33 | 0:05:34 | |
Bellybutton fluff, have you ever heard the likes? | 0:05:34 | 0:05:37 | |
So we have truly terrific teams | 0:05:37 | 0:05:40 | |
with experts to match. | 0:05:40 | 0:05:41 | |
Unusual and interesting, that will float David Harper's boat. | 0:05:43 | 0:05:46 | |
He joins the Reds. | 0:05:46 | 0:05:48 | |
She's worldly wise, Christina Trevanion takes charge of the Blues. | 0:05:48 | 0:05:52 | |
Right, you Reds, then. | 0:05:52 | 0:05:53 | |
Come on, Alice, what are we going to go hunting for? | 0:05:53 | 0:05:56 | |
I want kitsch, I want glitter, I want gold, I want pink. | 0:05:56 | 0:05:58 | |
Well, I'm looking for something vintage. | 0:05:58 | 0:06:00 | |
Vintage? You're in luck, we are surrounded by Vintage. | 0:06:00 | 0:06:04 | |
-Claire? -I want big and I want expensive. | 0:06:04 | 0:06:06 | |
Wow, dream girl! | 0:06:06 | 0:06:08 | |
Anything sort of retro, kitsch, cool. | 0:06:08 | 0:06:11 | |
-Sort of our personal taste, I think. -Definitely. | 0:06:11 | 0:06:13 | |
You could be describing yourself! | 0:06:13 | 0:06:15 | |
Try not to lose your bearings, teams, your 60 minutes start now! | 0:06:16 | 0:06:20 | |
-Ready? -Yes! -Let's go. | 0:06:20 | 0:06:22 | |
Anything... What, kind of, is your style, guys? | 0:06:28 | 0:06:30 | |
-We've got kitsch, we've got... -I quite like that chair. | 0:06:30 | 0:06:32 | |
This chair, because I've got a desk at home it would go perfectly with. | 0:06:32 | 0:06:36 | |
Do you remember that the whole concept of the programme | 0:06:36 | 0:06:38 | |
is that we are not buying for Tobias' house! | 0:06:38 | 0:06:41 | |
-OK. -But I do like it, this is quite cool, isn't it? | 0:06:41 | 0:06:44 | |
What have we got here? | 0:06:44 | 0:06:45 | |
"Aluminium swivel chair from 1952, possibly military." | 0:06:45 | 0:06:49 | |
"From America." It's American. | 0:06:49 | 0:06:50 | |
-Budget, though. -£360, and it's yours, team. | 0:06:50 | 0:06:54 | |
At that price, the chair is going to have to stay put. | 0:06:54 | 0:06:57 | |
Heads up, though, the Reds have found something. | 0:06:57 | 0:06:59 | |
-The big one? -Do you like the big head? -I love the big head. | 0:06:59 | 0:07:02 | |
-Can I touch the big head? -Softly. | 0:07:02 | 0:07:05 | |
Can I softly touch the big head? | 0:07:05 | 0:07:07 | |
-Caress it. -What is he off? | 0:07:07 | 0:07:09 | |
He's from an old fairground carnival, they would put it on... | 0:07:09 | 0:07:12 | |
Oh, right, actually like a head, like a mask? | 0:07:12 | 0:07:14 | |
-It's an actual head, yeah. -Wow! | 0:07:14 | 0:07:16 | |
What sort of money is he? She? | 0:07:16 | 0:07:17 | |
-450. -450? No, it's way out of our budget, sadly. | 0:07:17 | 0:07:21 | |
-Thanks anyway. -Thank you. -Thank you. | 0:07:21 | 0:07:23 | |
It looks like our teams have champagne taste, but a beer budget. | 0:07:23 | 0:07:26 | |
Look, do you remember these as a child? | 0:07:26 | 0:07:28 | |
I used to have one of these as a child. | 0:07:28 | 0:07:30 | |
Do you remember these? Oh, wow! | 0:07:30 | 0:07:32 | |
Oh, wow, this is awesome. | 0:07:32 | 0:07:34 | |
Look at him, it's the Lone Ranger! | 0:07:34 | 0:07:36 | |
That's quite cool, actually. | 0:07:36 | 0:07:38 | |
Click it, and it goes through all the slides. | 0:07:38 | 0:07:40 | |
How do these... How do these do? | 0:07:40 | 0:07:42 | |
Oh, terribly. But isn't it fun! | 0:07:42 | 0:07:43 | |
Talking of fun, our artistic Reds have been drawn to some intriguing | 0:07:45 | 0:07:49 | |
pieces of sculpture. | 0:07:49 | 0:07:50 | |
This is the artist, Ted Atkinson. | 0:07:50 | 0:07:52 | |
-Yeah. -How would you describe his work? | 0:07:52 | 0:07:55 | |
It's abstract. | 0:07:56 | 0:07:58 | |
These are very flat, but also quite 3-D-esque. | 0:07:58 | 0:08:01 | |
This is really bulbous, kind of quite Henry Moore. | 0:08:01 | 0:08:03 | |
Yeah. They're also quite intimate in a quite, like, exaggerated way. | 0:08:03 | 0:08:07 | |
-Yeah. -How of the four or five we have there, which one do you like? | 0:08:07 | 0:08:12 | |
-I'm a sculpture girl. -Yeah, me too. | 0:08:12 | 0:08:14 | |
Hello, hello, hello. | 0:08:14 | 0:08:16 | |
We were wondering how much this one was? | 0:08:16 | 0:08:18 | |
-It's 120. -120? -But you get the book. | 0:08:18 | 0:08:20 | |
If we could do 100? | 0:08:20 | 0:08:22 | |
It has to be 120, I'm sorry. | 0:08:22 | 0:08:24 | |
Is there any kind of, like, signature or any...? | 0:08:24 | 0:08:26 | |
-Go on, handle it. -That's one where it's not signed. | 0:08:26 | 0:08:29 | |
I'd feel very happy that it is his work. | 0:08:29 | 0:08:32 | |
If you go through the drawings, you can see. | 0:08:32 | 0:08:35 | |
-Yeah. I think we should do it. -I really like it. | 0:08:35 | 0:08:37 | |
-Are we going to have it? -Would you not want that on your wall? | 0:08:37 | 0:08:39 | |
Yes, I would have it on my wall. | 0:08:39 | 0:08:41 | |
-I would have it on my wall. -Not that way! | 0:08:41 | 0:08:43 | |
-Claire, would you have it on your wall? -Yes. I'd have it on my wall. | 0:08:43 | 0:08:46 | |
OK, we're going to have it on our wall, for a little while. | 0:08:46 | 0:08:50 | |
It would certainly be a talking point! | 0:08:50 | 0:08:52 | |
-Thank you. -Thank you, sir. | 0:08:52 | 0:08:54 | |
-Thank you. -Thank you. | 0:08:54 | 0:08:55 | |
Well done. And a great piece of art for two artistes! | 0:08:55 | 0:08:59 | |
-Yay! -Give it. Done. | 0:08:59 | 0:09:02 | |
Well done, Reds. Look lively, Blues. | 0:09:02 | 0:09:05 | |
I quite like the look of this poster here. | 0:09:05 | 0:09:08 | |
Oh, that's awesome. | 0:09:08 | 0:09:10 | |
Yeah. London Theatre guide. | 0:09:10 | 0:09:12 | |
November the 21st to November the 26th, 1966. | 0:09:12 | 0:09:15 | |
Is that the year we won the World Cup? | 0:09:15 | 0:09:18 | |
It is. Yeah, it is. Absolutely. | 0:09:18 | 0:09:20 | |
So I'm assuming that these would have been in, | 0:09:20 | 0:09:24 | |
obviously, a clipboard that you would have seen | 0:09:24 | 0:09:26 | |
what was going on at the various theatres that week. | 0:09:26 | 0:09:29 | |
So you can say that, obviously, at... | 0:09:29 | 0:09:30 | |
So at Queens in Shaftesbury Avenue, you had, you know, | 0:09:30 | 0:09:33 | |
Jack Klugman and Victor Spinetti in The Odd Couple. | 0:09:33 | 0:09:37 | |
Oh, at The Palace, there was The Sound of Music! | 0:09:37 | 0:09:40 | |
# The hills are alive! # | 0:09:40 | 0:09:42 | |
-Come on, Tobias! -No, you don't want to hear me sing. | 0:09:42 | 0:09:45 | |
-Really? -He's got a really lovely voice. | 0:09:45 | 0:09:46 | |
-Has he? -Yeah. -Come on. | 0:09:46 | 0:09:48 | |
So are these collectable, then? | 0:09:48 | 0:09:50 | |
All right, change the subject! | 0:09:50 | 0:09:51 | |
I was about to burst into song! | 0:09:51 | 0:09:53 | |
I don't know whether they're collectable... | 0:09:54 | 0:09:56 | |
I think posters, as a rule, are collectable. | 0:09:56 | 0:09:59 | |
The typography I think is fantastic. | 0:09:59 | 0:10:01 | |
And that wonderful skyline of London. | 0:10:01 | 0:10:03 | |
Yeah. What have you got them in for? | 0:10:03 | 0:10:05 | |
Can do them 30 each, or the two for 55. | 0:10:05 | 0:10:08 | |
Would you do 40 for the two? | 0:10:08 | 0:10:09 | |
I can't, no. I can do 50 for the two. | 0:10:09 | 0:10:11 | |
How about meet in the middle, 45? | 0:10:11 | 0:10:13 | |
-Yeah. 45. -45 for the two? | 0:10:13 | 0:10:16 | |
-Yeah. -Yeah? -Well, I think he's been kind. | 0:10:16 | 0:10:19 | |
-I think we should. -Thank you very much. -Thank you. | 0:10:19 | 0:10:21 | |
Come on, let's go. One down! | 0:10:21 | 0:10:23 | |
-Thank you so much. -Two to go! | 0:10:23 | 0:10:24 | |
Thank you. Woohoo! | 0:10:24 | 0:10:26 | |
So both teams have an item in the bag on the 15-minute mark. | 0:10:26 | 0:10:29 | |
Now, there's something, I think, that you two will hone in on | 0:10:29 | 0:10:33 | |
during the scan. I might be wrong. | 0:10:33 | 0:10:35 | |
Tell me if there's anything that you like. | 0:10:36 | 0:10:39 | |
-Ha-ha! -The frame. -Yes! | 0:10:39 | 0:10:42 | |
-Oh, my. -This is boring. -Why would we want that? -It's boring! | 0:10:42 | 0:10:45 | |
What do you mean, it's boring? | 0:10:45 | 0:10:47 | |
How can you say that? | 0:10:47 | 0:10:48 | |
Nobody buys magazines any more. | 0:10:49 | 0:10:51 | |
-Yes, they do. It's not all online. -Are you sure? | 0:10:51 | 0:10:53 | |
-It's all on the internet. -Are you sure? | 0:10:53 | 0:10:57 | |
Compared to their first buy, it's pretty tame, David! | 0:10:57 | 0:11:00 | |
-It's not bold enough, it's not big and bold enough. -OK. | 0:11:00 | 0:11:04 | |
I think you're going to have your work cut out with this pair. | 0:11:04 | 0:11:08 | |
-What do you think of that map? Do you like it? -It's huge, it's big. | 0:11:08 | 0:11:13 | |
I think that's quite cool. | 0:11:13 | 0:11:14 | |
I like it, but I'm a bit worried that it would be quite selective. | 0:11:14 | 0:11:17 | |
You'd need a big wall to put such a big map on. | 0:11:17 | 0:11:20 | |
Well, yes, you would, but it means you wouldn't have to get wallpaper! | 0:11:20 | 0:11:23 | |
That's true. | 0:11:23 | 0:11:25 | |
Do we like it? I can't feel the love, Tobias. | 0:11:25 | 0:11:28 | |
-I don't know. how are you feeling about the map? -I don't mind. | 0:11:28 | 0:11:31 | |
-I'm indifferent. -You're indifferent, let's move on, then. | 0:11:31 | 0:11:34 | |
Let's move on, move on. | 0:11:34 | 0:11:35 | |
I feel our teams are really after weird and wacky. | 0:11:35 | 0:11:38 | |
A bit like this. | 0:11:38 | 0:11:40 | |
Tobias, we lost you then. What have you found? | 0:11:43 | 0:11:45 | |
I'm not quite sure, actually. | 0:11:45 | 0:11:46 | |
It looks like a sort of mannequin head | 0:11:46 | 0:11:49 | |
but it's very retro. It's very much my element. | 0:11:49 | 0:11:52 | |
So it's a polystyrene head. | 0:11:52 | 0:11:54 | |
Sort of reminds me a bit of Andy Warhol, | 0:11:54 | 0:11:56 | |
with sort of a sleeve with a lady's face. | 0:11:57 | 0:12:00 | |
So I guess you'd have a wig on there. | 0:12:00 | 0:12:02 | |
So it'll be for hats or...? | 0:12:02 | 0:12:05 | |
-Yeah. -I think because I've never seen one of these before, | 0:12:05 | 0:12:07 | |
I don't know, it just, it warms me. | 0:12:07 | 0:12:10 | |
It warms you?! | 0:12:10 | 0:12:11 | |
It warms you! | 0:12:11 | 0:12:13 | |
-Hmm, OK. -Right, OK. | 0:12:13 | 0:12:15 | |
Well, I'm glad you like it. | 0:12:15 | 0:12:16 | |
It's got £40 on it. | 0:12:16 | 0:12:18 | |
I mean, at auction I'd advise you £10 or £20. | 0:12:18 | 0:12:21 | |
-This...head. -Head. | 0:12:21 | 0:12:23 | |
Head, yes, head. | 0:12:23 | 0:12:24 | |
-Where has it come from? -I actually bought it in Paris. | 0:12:24 | 0:12:27 | |
-Right. -But a lot of people think | 0:12:27 | 0:12:29 | |
it could be something to do with Mary Quant, because it's that era. | 0:12:29 | 0:12:33 | |
-It's sort of '60s, '70s. -Yes. I mean, that's very Twiggy, isn't it? | 0:12:33 | 0:12:36 | |
-Yes. -Would it have been a sort of advertising, a shop display? | 0:12:36 | 0:12:39 | |
I think so, yes. Hats or wigs, yes. | 0:12:39 | 0:12:40 | |
Put a wig on it, or something like that. | 0:12:40 | 0:12:42 | |
Because in the '60s, wigs were really quite popular, weren't they? | 0:12:42 | 0:12:45 | |
-Yes. -You've got £40 on it. | 0:12:45 | 0:12:47 | |
We're looking at possibly £20. | 0:12:47 | 0:12:49 | |
I can't do 20. I could do 30. | 0:12:49 | 0:12:51 | |
Could you meet us in the middle at 25? | 0:12:51 | 0:12:53 | |
OK, 25. | 0:12:53 | 0:12:55 | |
-Yay! Excellent! -Thank you so much. | 0:12:55 | 0:12:58 | |
I want to keep it, but as you love it, I'll pass on the love. | 0:12:58 | 0:13:01 | |
-Is this a sad day food you? -It is a sad day for me. | 0:13:01 | 0:13:04 | |
Does she have a name? | 0:13:04 | 0:13:06 | |
-No. -You don't like her that much! | 0:13:06 | 0:13:07 | |
Christina always tells her teams to buy with their heads. | 0:13:09 | 0:13:12 | |
Maybe Tobias and Tuoi are taking her too literally. | 0:13:12 | 0:13:15 | |
What have the Reds found? | 0:13:15 | 0:13:17 | |
-Bring him back. -Oh, it goes in half. -Bring him back. | 0:13:18 | 0:13:21 | |
-What do you mean, it goes in half? -It goes in half! -Oh! | 0:13:21 | 0:13:23 | |
-Oh, well. Oh! -Ooh! | 0:13:23 | 0:13:25 | |
He's a desk paper knife. | 0:13:25 | 0:13:27 | |
-Ah, a paper knife. -Letter opener. | 0:13:27 | 0:13:29 | |
-Letter opener. -I would like it on my desk. | 0:13:29 | 0:13:31 | |
It would be very theatrical when you get a letter | 0:13:31 | 0:13:34 | |
-to, kind of, get your fish and go... -Yes. -..open up the letter. | 0:13:34 | 0:13:37 | |
It would be, wouldn't it? | 0:13:37 | 0:13:38 | |
Very cool. | 0:13:38 | 0:13:39 | |
And so designed for function, but also for beauty. | 0:13:39 | 0:13:44 | |
So to sit on a gentleman's desk, I would guess. | 0:13:44 | 0:13:47 | |
-Or a gentle lady's. -Yeah, but it's more... | 0:13:47 | 0:13:49 | |
I've got to say, I'm sorry, but it's more of a man's thing. | 0:13:49 | 0:13:52 | |
It's a mantique, isn't it? | 0:13:52 | 0:13:54 | |
-A mantique? -I'm sorry, girls. | 0:13:54 | 0:13:56 | |
It's just a base metal, a basic metal. | 0:13:56 | 0:13:58 | |
Nice decoration. Needs a bit of a clean. | 0:13:58 | 0:14:01 | |
-Yeah. -But, you know, it's an interior design thing, isn't it? | 0:14:01 | 0:14:04 | |
-Yeah. -Yes. I know he's got 25 on that. | 0:14:04 | 0:14:07 | |
I think he'd be prepared to go to 20. | 0:14:07 | 0:14:11 | |
-OK. -Is that any good to you? | 0:14:11 | 0:14:13 | |
-Well, I don't know. -What are your thoughts on where it's from, age? | 0:14:13 | 0:14:17 | |
I think it's probably Indian, to be honest with you, or Middle Eastern. | 0:14:17 | 0:14:21 | |
Certainly of that sort of description. | 0:14:21 | 0:14:23 | |
I think it would have probably been made as a tourist piece. | 0:14:23 | 0:14:27 | |
Maybe to bring home. | 0:14:27 | 0:14:28 | |
But it is a very decorative thing, isn't it? | 0:14:28 | 0:14:30 | |
It would look fantastic on a desk, sitting like that. | 0:14:30 | 0:14:33 | |
-Yeah. -And I think, you know, | 0:14:33 | 0:14:35 | |
men often like to have a good sort of object on their desk, don't they? | 0:14:35 | 0:14:38 | |
-Yes. -Sort of a little macho piece. | 0:14:38 | 0:14:41 | |
-Yes. -Don't you think, David? | 0:14:41 | 0:14:43 | |
I do think! I do, it's a mantique, that's what it is! | 0:14:43 | 0:14:46 | |
-A mantique. -How about if we did 15? | 0:14:46 | 0:14:48 | |
-I'm into it, massively. -I like it. Sounds like a bargain to me. | 0:14:48 | 0:14:52 | |
-Are we happy? -We're happy. | 0:14:52 | 0:14:53 | |
Yes, please. We're going to have him. Thank you very much. | 0:14:53 | 0:14:55 | |
-Not at all. -Thank you. -No problem. | 0:14:55 | 0:14:58 | |
Brilliant, thank you. | 0:14:58 | 0:14:59 | |
Well done, Reds, you were angling after a discount and you got it! | 0:14:59 | 0:15:02 | |
That means both the Reds and Blues have netted two items | 0:15:02 | 0:15:05 | |
with 30 minutes left on the clock. | 0:15:05 | 0:15:07 | |
While they search for their final buy, | 0:15:08 | 0:15:10 | |
I'm going in search of a unique art collection on the market's doorstep. | 0:15:10 | 0:15:14 | |
The East End of London is home to an open-air gallery | 0:15:24 | 0:15:27 | |
of world renowned street art. | 0:15:27 | 0:15:29 | |
There is no entry fee, and it's open to the public 24/7, 365 days a year. | 0:15:31 | 0:15:38 | |
The street art scene has been growing in London since the 1980s | 0:15:39 | 0:15:43 | |
but what began as graffiti is now so much more. | 0:15:43 | 0:15:47 | |
Dave Stewart has been conducting tours | 0:15:49 | 0:15:51 | |
of this street art hotspot for 13 years | 0:15:51 | 0:15:53 | |
and is going to show me some of his favourite exhibits. | 0:15:53 | 0:15:56 | |
Right, we've come here cos there's just so much exciting art to see. | 0:15:57 | 0:16:01 | |
If you look over there, right, | 0:16:01 | 0:16:04 | |
the first thing we see is that pink car in a plastic box. | 0:16:04 | 0:16:08 | |
Now, that was put there in about 2004, 2005, by Banksy. | 0:16:08 | 0:16:13 | |
The street art legend. | 0:16:13 | 0:16:15 | |
Originally there was, in the driver's door window, | 0:16:15 | 0:16:19 | |
a skeleton driving the car. | 0:16:19 | 0:16:22 | |
-OK. -So the driver of the car was like death | 0:16:22 | 0:16:25 | |
and the car was this weapon. | 0:16:25 | 0:16:27 | |
And what about this pink monster in the corner? | 0:16:27 | 0:16:29 | |
Well, that pink monster is by an artist called Ronzo. | 0:16:29 | 0:16:31 | |
And you see it has a gold coin | 0:16:31 | 0:16:33 | |
which it's chomping away at with its big teeth. | 0:16:33 | 0:16:36 | |
I see it now, yes. | 0:16:36 | 0:16:38 | |
Basically, he was accusing all the bankers and the traders | 0:16:38 | 0:16:41 | |
and the economists of causing the credit crunch. | 0:16:41 | 0:16:43 | |
So that is Crunchy, the credit crunch monster! | 0:16:43 | 0:16:47 | |
Yeah. | 0:16:47 | 0:16:48 | |
Like any artistic movement, | 0:16:48 | 0:16:51 | |
people have very different views on street art's cultural value. | 0:16:51 | 0:16:54 | |
It's been going through a transition of acceptance, you know. | 0:16:55 | 0:16:59 | |
Eight, nine, ten years ago, | 0:16:59 | 0:17:01 | |
very few people thought this was anything other than vandalism. | 0:17:01 | 0:17:05 | |
Now there's growing tolerance. | 0:17:05 | 0:17:07 | |
There's a whole culture, like a marketplace, if you like, | 0:17:07 | 0:17:11 | |
of exhibitions. | 0:17:11 | 0:17:13 | |
And we now see works by some of the top street artists, | 0:17:13 | 0:17:15 | |
people like Shepard Fairey and D*Face and Banksy | 0:17:15 | 0:17:18 | |
being regularly sold at the big auction houses | 0:17:18 | 0:17:21 | |
at their urban art auctions. | 0:17:21 | 0:17:24 | |
Pieces have sold for hundreds of thousands of pounds. | 0:17:24 | 0:17:28 | |
But Dave believes the best street art | 0:17:28 | 0:17:30 | |
is what's on display all around us. | 0:17:30 | 0:17:32 | |
Right, we're going to find a lovely piece of art | 0:17:32 | 0:17:35 | |
by an Irish artist, Conor Harrington. | 0:17:35 | 0:17:38 | |
-Oh, cool! -Very kind of masculine subject, lush colours. | 0:17:38 | 0:17:43 | |
Lots and lots of drips pouring down there as well, | 0:17:43 | 0:17:46 | |
very, sort of, dramatic, sort of, urban aesthetic. | 0:17:46 | 0:17:49 | |
So how long would it have taken to execute a work of this scale? | 0:17:49 | 0:17:52 | |
Well, he'd have taken about two, maybe three, days to do that. | 0:17:52 | 0:17:56 | |
This artist had permission, but many others don't. | 0:17:56 | 0:17:59 | |
Either way, the volume of work on display is vast. | 0:17:59 | 0:18:02 | |
I don't think I would have taken this one | 0:18:04 | 0:18:06 | |
for street art, but obviously it is. | 0:18:06 | 0:18:08 | |
Ah, absolutely. Beautiful sticker by a street artist called INSA. | 0:18:08 | 0:18:12 | |
And its curious property is that it's kind of changing colour, | 0:18:12 | 0:18:16 | |
it's iridescent. | 0:18:16 | 0:18:17 | |
We call them petrol stickers. | 0:18:17 | 0:18:18 | |
And on a day like today when we've got sunshine shining on it, | 0:18:18 | 0:18:22 | |
it just looks stunning. | 0:18:22 | 0:18:23 | |
It really is quite beautiful. | 0:18:23 | 0:18:25 | |
This unique community gallery | 0:18:27 | 0:18:28 | |
attracts visitors from all over the world | 0:18:28 | 0:18:31 | |
who come to see an eclectic range of work which is constantly evolving. | 0:18:31 | 0:18:34 | |
This has been absolutely fascinating. | 0:18:34 | 0:18:37 | |
We're surrounded, obviously, by art, big and small. | 0:18:37 | 0:18:40 | |
And I couldn't be more grateful for the tour. | 0:18:40 | 0:18:42 | |
Thank you so very much. | 0:18:42 | 0:18:44 | |
A pleasure, thank you so much. | 0:18:44 | 0:18:45 | |
But, for us, it's time to head back to Spitalfields market. | 0:18:45 | 0:18:48 | |
We left our Reds and Blues | 0:18:56 | 0:18:57 | |
looking around for their final items and with just 25 minutes left, | 0:18:57 | 0:19:01 | |
where have they got to? | 0:19:01 | 0:19:03 | |
The teapot, yeah. | 0:19:05 | 0:19:06 | |
With the black pattern. | 0:19:06 | 0:19:08 | |
OK, that's on the other side. | 0:19:08 | 0:19:10 | |
-Do you want to go and have a look at that? -Yes. -OK, go around then. | 0:19:10 | 0:19:13 | |
-It's not exciting enough. -No, you've gone off it already? | 0:19:17 | 0:19:20 | |
You two, honestly! | 0:19:20 | 0:19:22 | |
Timewise, I'm feeling very relaxed because, you know, | 0:19:24 | 0:19:27 | |
once they get into something, | 0:19:27 | 0:19:29 | |
actually it's great because they don't muck about. | 0:19:29 | 0:19:31 | |
They like it, they can afford it, they nail it. | 0:19:31 | 0:19:34 | |
So the Reds are going with their hearts, | 0:19:34 | 0:19:36 | |
while the Blues only seem to want heads! | 0:19:36 | 0:19:38 | |
No more heads! | 0:19:38 | 0:19:39 | |
You've broken me once! | 0:19:41 | 0:19:42 | |
It's cute! | 0:19:42 | 0:19:44 | |
Really? | 0:19:44 | 0:19:45 | |
-No. -Really? -Put it down. | 0:19:45 | 0:19:47 | |
Sorry. | 0:19:47 | 0:19:48 | |
You've been told, Tobias! | 0:19:48 | 0:19:49 | |
Oh, my gosh. | 0:19:51 | 0:19:53 | |
-I think you are in love. -That is... | 0:19:53 | 0:19:55 | |
Yeah. That is... | 0:19:55 | 0:19:57 | |
-Are you both in love? -Yes. | 0:19:57 | 0:19:58 | |
-Sir, is this your stand? -Yeah. | 0:19:58 | 0:20:01 | |
-Can I try on one of the hats? -Yeah, sure. -Can I try on the... | 0:20:01 | 0:20:04 | |
Hang on, this isn't a fashion parade! | 0:20:04 | 0:20:06 | |
-David, do you want a hat? -Yeah, go on, then. | 0:20:06 | 0:20:08 | |
Can I try a hat on, as well? | 0:20:08 | 0:20:09 | |
Thank you. I like your hat. | 0:20:09 | 0:20:11 | |
Thank you. Everyone says that | 0:20:11 | 0:20:12 | |
but I'm not going to sell my own hat! | 0:20:12 | 0:20:14 | |
You're not going to sell your own hat? | 0:20:14 | 0:20:16 | |
You see, I've got quite a big head. | 0:20:16 | 0:20:18 | |
I mean, a lot of people have said that about me. | 0:20:19 | 0:20:22 | |
I'm sure they love you, really. | 0:20:22 | 0:20:23 | |
Tell me about it, girls. | 0:20:24 | 0:20:26 | |
So it's made from | 0:20:26 | 0:20:28 | |
old industrial oil containers. | 0:20:28 | 0:20:30 | |
OK. Does it have the look of love? | 0:20:30 | 0:20:32 | |
-Yes. -Yes. -Do you both love it? | 0:20:32 | 0:20:35 | |
-I love it. -Yeah, I do. -What's it worth? | 0:20:35 | 0:20:37 | |
It's £55. | 0:20:39 | 0:20:41 | |
Says the ticket. | 0:20:42 | 0:20:43 | |
What sort of money can we buy it for? | 0:20:43 | 0:20:46 | |
The best I can do it for...is 45. | 0:20:46 | 0:20:50 | |
-Can you save it for us? -Yeah, OK. | 0:20:50 | 0:20:53 | |
-That would be amazing. -OK. Come on, you two. -OK. | 0:20:53 | 0:20:56 | |
OK, something for the back burner. | 0:20:56 | 0:20:57 | |
Just remember, time's flying by. | 0:20:57 | 0:20:59 | |
Just 15 minutes to go. | 0:20:59 | 0:21:01 | |
Where have the Blues got to? | 0:21:01 | 0:21:03 | |
I quite like the look of this trunk. | 0:21:03 | 0:21:05 | |
-It's lovely. -OK, so this, kind of, metal example here? | 0:21:05 | 0:21:10 | |
What have we got here? | 0:21:11 | 0:21:12 | |
OK. I... | 0:21:12 | 0:21:14 | |
..don't... I think this has been stripped. | 0:21:15 | 0:21:18 | |
Massively, massively stripped. Because the paintwork, | 0:21:18 | 0:21:21 | |
that looks kind of original, | 0:21:21 | 0:21:23 | |
but this looks a little bit forced to me, on the top. | 0:21:23 | 0:21:26 | |
So someone's, basically, sanded it down back to the metal. | 0:21:26 | 0:21:29 | |
Yeah. Which I think is quite cool. | 0:21:29 | 0:21:31 | |
-Do you want to ask how much the trunk is? -Yeah? -OK. | 0:21:31 | 0:21:33 | |
If it's cheap, then go for it. | 0:21:33 | 0:21:35 | |
OK. If it's not cheap, Tuoi, you're in charge. | 0:21:35 | 0:21:38 | |
Hi, Tuoi, lovely to meet you. | 0:21:39 | 0:21:41 | |
I'm just wondering what you got on the box, the trunk over there? | 0:21:41 | 0:21:44 | |
I've got 75 on that. | 0:21:44 | 0:21:46 | |
What's the best you can sort of do on that? | 0:21:46 | 0:21:47 | |
I can knock another tenner off. | 0:21:47 | 0:21:48 | |
-OK. -65. -I'm going to go have a chat with my team, and I'll let you know. | 0:21:48 | 0:21:51 | |
-OK. -Thank you. | 0:21:51 | 0:21:52 | |
Thank you, have a nice day. | 0:21:52 | 0:21:54 | |
Is she good at haggling? | 0:21:54 | 0:21:55 | |
-So... -We'll find out! | 0:21:55 | 0:21:57 | |
The best he can do | 0:21:59 | 0:22:01 | |
is 65 on that. | 0:22:01 | 0:22:03 | |
Well, as Tobias has left the store, I assume that's a no, Tuoi. | 0:22:03 | 0:22:06 | |
Tidying away. She's just tidying away, Tobias! | 0:22:06 | 0:22:09 | |
Well, we don't want to leave a mess, do we? | 0:22:09 | 0:22:11 | |
Back to the Reds. | 0:22:11 | 0:22:12 | |
Can you appreciate the decoration? | 0:22:15 | 0:22:17 | |
And the effort that's gone into producing it? | 0:22:17 | 0:22:20 | |
Yeah. So it's a decorative plate, | 0:22:20 | 0:22:22 | |
something that's been made for decoration, | 0:22:22 | 0:22:25 | |
not necessarily to be used for eating. | 0:22:25 | 0:22:28 | |
Decorated on the back as well. | 0:22:28 | 0:22:31 | |
Chinese, 18th or early 19th century. | 0:22:31 | 0:22:34 | |
It's painted in enamel. | 0:22:34 | 0:22:36 | |
-Do you like it? -I do, actually. | 0:22:36 | 0:22:38 | |
What do you think it's worth? | 0:22:38 | 0:22:40 | |
-100? -You think it's worth 100? I bet you... | 0:22:41 | 0:22:44 | |
Do you think it's worth 100? | 0:22:44 | 0:22:46 | |
-Yeah. -I bet you any amount of money, | 0:22:46 | 0:22:48 | |
even though its Chinese and the Chinese market has gone crazy, | 0:22:48 | 0:22:52 | |
as nice as it is, it's worth 10% of that. | 0:22:52 | 0:22:55 | |
-Really? -Might be worth ten, 20, 30 quid. | 0:22:56 | 0:22:58 | |
In auction, it'll make a bit more. | 0:22:58 | 0:23:00 | |
-Ask the chap how much it is. -How much is it? | 0:23:00 | 0:23:03 | |
It's only £20. | 0:23:03 | 0:23:05 | |
It's 20 quid! | 0:23:05 | 0:23:06 | |
It's absolutely bonkers. | 0:23:06 | 0:23:09 | |
It's pretty bonkers, yeah. | 0:23:09 | 0:23:10 | |
I think,... I couldn't make this, Claire. | 0:23:12 | 0:23:15 | |
-You couldn't make it, no. -But I could make heart. | 0:23:15 | 0:23:17 | |
OK. | 0:23:17 | 0:23:19 | |
This is the time and the workmanship taken into it. | 0:23:19 | 0:23:21 | |
-Yeah. -It should be more than £20. | 0:23:21 | 0:23:24 | |
-Are we going to have it? -Yes, please. -I think so. | 0:23:26 | 0:23:28 | |
-Fantastic. -Please may we have it? -You can have it, yes. | 0:23:28 | 0:23:30 | |
Thank you very much, sir. Thank you. Thank you very much indeed. | 0:23:30 | 0:23:33 | |
Let's hope the bidders appreciate it as much as you. | 0:23:33 | 0:23:36 | |
That's your shop done and dusted with ten minutes left. | 0:23:36 | 0:23:39 | |
What have the Blues found on their travels? | 0:23:39 | 0:23:41 | |
-Wow, look at this! -What are you looking at, guys? | 0:23:41 | 0:23:44 | |
-I think we like this thing, here. -Oh, that's quite cool, isn't it? | 0:23:44 | 0:23:48 | |
What is it? | 0:23:48 | 0:23:49 | |
Well done, Tobias. | 0:23:49 | 0:23:51 | |
So, we've got some sort of Perspex... | 0:23:51 | 0:23:54 | |
..sign, which I can only assume, you've got this ridge here, | 0:23:55 | 0:23:58 | |
would have inset into something. | 0:23:58 | 0:24:00 | |
-Yeah. -Maybe had a light, or something to light it up. | 0:24:00 | 0:24:02 | |
But it would have been within something larger, originally. | 0:24:02 | 0:24:06 | |
I mean, that's the Underground sign, isn't it? | 0:24:06 | 0:24:08 | |
-Yeah. -I mean, it's such an iconic logo, isn't it? | 0:24:08 | 0:24:12 | |
-Yeah, definitely. -I think it's beautiful, it's really nice. | 0:24:12 | 0:24:14 | |
But this is getting better in my estimate, this is not a head! | 0:24:14 | 0:24:17 | |
-Yeah! -So that's a bonus! | 0:24:18 | 0:24:20 | |
How much do you have on your...? | 0:24:21 | 0:24:23 | |
It's 50 on that one. | 0:24:23 | 0:24:24 | |
-50! -Yeah. -50? | 0:24:24 | 0:24:27 | |
-Yes, 50! -Tobias? | 0:24:27 | 0:24:29 | |
Yeah, I think it's fine. I'm not sure it's £50, guys. | 0:24:31 | 0:24:33 | |
No, that's a shame. | 0:24:33 | 0:24:35 | |
That's not actually mine, so I can give him a call and see. | 0:24:35 | 0:24:37 | |
How much do you think it would go for? | 0:24:37 | 0:24:39 | |
I think it's £20 or £30, guys. | 0:24:39 | 0:24:42 | |
Yeah. I mean, if you could give them a call, that would be amazing. | 0:24:42 | 0:24:44 | |
Oh, the suspense! And we've only got minutes to go! | 0:24:44 | 0:24:48 | |
He said he can do that for 30. | 0:24:48 | 0:24:51 | |
I do really like it. | 0:24:51 | 0:24:52 | |
I don't know, it's a tough one. | 0:24:53 | 0:24:54 | |
Just because there's so much damage to it. | 0:24:54 | 0:24:56 | |
Which obviously shows that it is old | 0:24:56 | 0:24:58 | |
but then, at the same time, it's like, I don't know. | 0:24:58 | 0:25:00 | |
Are you sure 25 wouldn't seal the deal? | 0:25:00 | 0:25:03 | |
He said 30 was his bottom, so he's knocked off quite a bit. | 0:25:03 | 0:25:06 | |
Rules are made to be broken, aren't they? | 0:25:06 | 0:25:08 | |
-25? -Yeah! -No, I'd get killed. | 0:25:08 | 0:25:11 | |
OK, well, we don't want any murders. | 0:25:11 | 0:25:14 | |
So, 30, shake the man's hand. | 0:25:14 | 0:25:16 | |
Right, I'm sorry, thank you. | 0:25:16 | 0:25:17 | |
Thank you very much. | 0:25:17 | 0:25:18 | |
£30, brilliant. | 0:25:18 | 0:25:20 | |
Believe it or not, teams, your 60 minutes are up. | 0:25:21 | 0:25:24 | |
The third item. Yay! | 0:25:24 | 0:25:27 | |
I am actually broken. | 0:25:28 | 0:25:30 | |
My limbs hurt. | 0:25:31 | 0:25:33 | |
Let's remind ourselves what the Red team bought. | 0:25:33 | 0:25:36 | |
The sculpture, thought to be by Ted Atkinson, | 0:25:36 | 0:25:39 | |
plus a book of his etchings, were £120. | 0:25:39 | 0:25:42 | |
They fell hook, line and sinker for the letter opener | 0:25:42 | 0:25:45 | |
in the shape of a fish. £15 paid. | 0:25:45 | 0:25:47 | |
David was gobsmacked that the Chinese dish was only £20. | 0:25:48 | 0:25:51 | |
Will it serve up plenty of profit? | 0:25:51 | 0:25:53 | |
So, one Bargain Hunt hour later, still best friends? | 0:25:53 | 0:25:57 | |
-Yes. -Yeah. | 0:25:57 | 0:25:59 | |
Well done, you two. Claire, tell me, of the three items that you bought, | 0:25:59 | 0:26:02 | |
which is your favourite? | 0:26:02 | 0:26:04 | |
I think it would have to be our first one, | 0:26:04 | 0:26:06 | |
which was the bum sculpture. | 0:26:06 | 0:26:07 | |
Oh! Beautiful bottom. | 0:26:07 | 0:26:09 | |
-That's right. -A red bum. | 0:26:09 | 0:26:10 | |
And what do you think's going to bring the biggest profit? | 0:26:10 | 0:26:12 | |
I'm going to go for the fish, the fish letter opener, I think, yeah. | 0:26:12 | 0:26:15 | |
Big fish market out there? | 0:26:15 | 0:26:16 | |
Yeah, yeah, yeah. | 0:26:16 | 0:26:17 | |
Alice, are you in agreement with your pal? | 0:26:18 | 0:26:20 | |
Yes, I actually am. | 0:26:20 | 0:26:22 | |
I was going to try and be a bit, like, mix it up. | 0:26:22 | 0:26:24 | |
No, I really enjoy, you know, I'm a sculptor myself, so that pleases me. | 0:26:24 | 0:26:28 | |
You've got a crazy collection, it's brilliant. | 0:26:28 | 0:26:31 | |
And it only cost you £155 in total. | 0:26:31 | 0:26:33 | |
It did. So, who's got 145? | 0:26:33 | 0:26:35 | |
There we go. Thank you very much. | 0:26:35 | 0:26:38 | |
David, £145, in Spitalfields market, what are you going to do? | 0:26:38 | 0:26:43 | |
Well, you know what? There's only one thing I can do. | 0:26:43 | 0:26:45 | |
I've got to stay on this art theme. | 0:26:45 | 0:26:48 | |
I'm going to buy you something arty and sculptural. | 0:26:48 | 0:26:52 | |
So as David gets his artisan's hat on, | 0:26:52 | 0:26:55 | |
let's remind ourselves what the Blue team bought. | 0:26:55 | 0:26:58 | |
They thought the vintage theatre posters were just the ticket. | 0:26:58 | 0:27:01 | |
£45 a pair. | 0:27:01 | 0:27:02 | |
The polystyrene mannequin was £25, | 0:27:03 | 0:27:05 | |
but will it turn heads at the auction? | 0:27:05 | 0:27:08 | |
And they had to rush at the end of their hour | 0:27:08 | 0:27:10 | |
to buy the London Transport sign. £30 paid. | 0:27:10 | 0:27:13 | |
Well, Tobias, Tuoi, all I can really say is, you got there in the end! | 0:27:13 | 0:27:17 | |
Right down to the wire. | 0:27:18 | 0:27:19 | |
They did, but I need to go and lie down in a very dark room. | 0:27:19 | 0:27:22 | |
We're so sorry! | 0:27:22 | 0:27:23 | |
No, that was a cool shop, you brought some pretty quirky stuff. | 0:27:25 | 0:27:27 | |
Tobias, which is your favourite of the three? | 0:27:27 | 0:27:29 | |
My favourite, which, sadly, I don't think is everyone else's favourite, | 0:27:29 | 0:27:32 | |
has got to be the head, the polystyrene retro head. | 0:27:32 | 0:27:35 | |
How did I know you were going to say that? | 0:27:35 | 0:27:37 | |
And you girls are just thinking, what on earth? | 0:27:37 | 0:27:40 | |
-What? -Yeah, yeah. | 0:27:40 | 0:27:42 | |
It'd be one of those that'll make the most money! | 0:27:42 | 0:27:44 | |
That was my next question, actually. | 0:27:44 | 0:27:46 | |
Do you think it will bring the biggest profit, Tobias? | 0:27:46 | 0:27:48 | |
No. Sadly, I think probably the posters will bring the most profit. | 0:27:48 | 0:27:52 | |
So, Tuoi, tell me, what was your personal favourite item? | 0:27:52 | 0:27:55 | |
I think the posters. | 0:27:55 | 0:27:56 | |
-The posters? -Yeah, they stole my heart, I think. | 0:27:56 | 0:27:58 | |
And for a good price, too. | 0:27:58 | 0:28:00 | |
And talking of money, | 0:28:00 | 0:28:01 | |
I would like that £200 back from you then. | 0:28:01 | 0:28:03 | |
We'll give it to Christina now. There you are. | 0:28:03 | 0:28:05 | |
What are you thinking of spending it on? | 0:28:05 | 0:28:07 | |
I mean, seriously, they broke me. | 0:28:07 | 0:28:09 | |
So I'm literally just going to throw it down the drain, | 0:28:09 | 0:28:11 | |
just throw them away! | 0:28:11 | 0:28:12 | |
No, they hate traditional antiques, | 0:28:12 | 0:28:14 | |
so I think I might go very, very traditional. Who knows? | 0:28:14 | 0:28:16 | |
Well, fantastic. | 0:28:16 | 0:28:18 | |
As Christina goes wild in the aisles and throws caution to the wind, | 0:28:18 | 0:28:22 | |
it's time for us to head to the auction to see how it all pans out. | 0:28:22 | 0:28:26 | |
We've left the East End of London and come west | 0:28:26 | 0:28:28 | |
to Special Auction Services in Berkshire. | 0:28:28 | 0:28:31 | |
With Thomas Plant. | 0:28:34 | 0:28:35 | |
Thomas, thank you for having us along once again. | 0:28:35 | 0:28:37 | |
-Absolute pleasure. -Let's start off with the Red team, | 0:28:37 | 0:28:40 | |
we're going to start off with friends Claire and Alice. | 0:28:40 | 0:28:43 | |
They chose this together. | 0:28:43 | 0:28:45 | |
Is it by Ted Atkinson, a known British sculptor and artist? | 0:28:45 | 0:28:49 | |
So, with the sculpture, | 0:28:49 | 0:28:51 | |
there is no documentation to back up the fact that it is by Ted Atkinson, | 0:28:51 | 0:28:55 | |
so how do you go about cataloguing it? | 0:28:55 | 0:28:57 | |
We said a fibreglass sculpture, with a Ted Atkinson book, | 0:28:57 | 0:29:01 | |
if they want to put the two together, they can. | 0:29:01 | 0:29:03 | |
They have to make up their own minds. | 0:29:03 | 0:29:05 | |
So, bearing in mind that it's without attribution, | 0:29:05 | 0:29:07 | |
what would you say? | 0:29:07 | 0:29:08 | |
Well, I quite like it, £40-£60. | 0:29:08 | 0:29:11 | |
They paid £120 for the book and sculpture. | 0:29:11 | 0:29:15 | |
Right, OK. | 0:29:15 | 0:29:16 | |
Well, if it was signed and there was provenance, | 0:29:16 | 0:29:20 | |
I'd go with it, but we've got to be so careful these days. | 0:29:20 | 0:29:22 | |
OK, let's move onto something totally different. | 0:29:22 | 0:29:25 | |
A Middle Eastern letter opener. | 0:29:25 | 0:29:27 | |
It's very stylish, actually, isn't it? | 0:29:27 | 0:29:29 | |
When you look from a distance, | 0:29:29 | 0:29:30 | |
it is really stylish, just don't get too close. | 0:29:30 | 0:29:32 | |
-What happens then? -Well, you get slightly disappointed. | 0:29:32 | 0:29:34 | |
But it is a paper knife, | 0:29:34 | 0:29:36 | |
you wouldn't want to fillet a fish with it. | 0:29:36 | 0:29:38 | |
So, what do you think it's worth? | 0:29:38 | 0:29:39 | |
-£10-£20. -Well, that's all right, because the girls only paid 15. | 0:29:39 | 0:29:42 | |
-Brilliant. -But, here we have, all of a sudden, | 0:29:42 | 0:29:45 | |
a little bit of famille rose. | 0:29:45 | 0:29:46 | |
It's cracked, it is famille rose, it's got a bit of age, 19th century, | 0:29:46 | 0:29:50 | |
a bit of pheasant design on it. | 0:29:50 | 0:29:52 | |
Yeah, it is what it is, and it's £30-£50. | 0:29:52 | 0:29:55 | |
OK, but they only paid £20 for it. | 0:29:55 | 0:29:57 | |
Well, I think they're in for a profit on that one. | 0:29:57 | 0:30:00 | |
Ah! Well, you heard what the auctioneer said, | 0:30:00 | 0:30:02 | |
he thinks they're in for a profit. | 0:30:02 | 0:30:03 | |
But just in case they need it, | 0:30:03 | 0:30:05 | |
let's find out what David bought as a bonus buy. | 0:30:05 | 0:30:07 | |
What have you bought for the ladies now? | 0:30:09 | 0:30:11 | |
Something completely different. I had to get back on track. | 0:30:11 | 0:30:14 | |
Oh! I thought your hand was part of it! | 0:30:15 | 0:30:17 | |
Did you?! | 0:30:17 | 0:30:18 | |
-It is, it's stuffed. -The hand's just there. | 0:30:18 | 0:30:21 | |
-It's really scary. -It's beautiful. | 0:30:21 | 0:30:23 | |
-That is cool. -Can I touch it? | 0:30:23 | 0:30:25 | |
Please, take it. A lovely shape, triangular shape, which kind of... | 0:30:25 | 0:30:30 | |
I don't know whether I want to go with it being '50s or '70s, | 0:30:30 | 0:30:34 | |
I'm not sure. | 0:30:34 | 0:30:35 | |
-It's wild. -I don't know if "wild" is... | 0:30:35 | 0:30:38 | |
-Charming! -I don't know if it is wild. | 0:30:38 | 0:30:41 | |
What is it, if it's not wild?! | 0:30:41 | 0:30:42 | |
I think it's really interesting. | 0:30:42 | 0:30:44 | |
It's a really interesting shape. | 0:30:44 | 0:30:45 | |
-How much did you pay for it? -What a very good question. | 0:30:45 | 0:30:48 | |
-15. -What?! -£15. | 0:30:48 | 0:30:51 | |
OK, that is a bargain. | 0:30:51 | 0:30:53 | |
That is wild, is it not wild?! | 0:30:53 | 0:30:55 | |
I'll take it back, it's wild. | 0:30:55 | 0:30:56 | |
-Thank you. -Good, I'm very impressed. | 0:30:56 | 0:30:58 | |
Well, the Reds are impressed, | 0:30:58 | 0:31:00 | |
but let's find out if Thomas the auctioneer | 0:31:00 | 0:31:02 | |
is wild about David's dish. | 0:31:02 | 0:31:03 | |
So here's David's bonus buy. | 0:31:05 | 0:31:06 | |
You know, wax lyrical about this piece, because I bet you can, | 0:31:06 | 0:31:09 | |
you love glass. | 0:31:09 | 0:31:10 | |
It's very biomorphic, it's got that, sort of, | 0:31:10 | 0:31:13 | |
very tactile feeling to it. | 0:31:13 | 0:31:15 | |
I don't think it's the oldest thing to walk this Earth, | 0:31:15 | 0:31:18 | |
I think it's quite modern. | 0:31:18 | 0:31:19 | |
-That's OK. -It's a '90s bit of glass. | 0:31:19 | 0:31:21 | |
I love the sunken centre. | 0:31:22 | 0:31:24 | |
-But what do you reckon it's going to make at the auction? -Oh, £20-£30. | 0:31:24 | 0:31:27 | |
Brilliant, David will be chuffed, because he only paid £15. | 0:31:27 | 0:31:31 | |
-Well done, David. -So let's move on to our Blue team, lovely couple, | 0:31:31 | 0:31:34 | |
Tobias and Tuoi. | 0:31:34 | 0:31:36 | |
We start off with our theatre guides, a wee bit tatty, | 0:31:36 | 0:31:40 | |
but are they salvageable? | 0:31:40 | 0:31:41 | |
No. | 0:31:41 | 0:31:42 | |
1964, these are poster bills, theatre guides, | 0:31:42 | 0:31:45 | |
they'd be up in London Underground, bus stations, you know, | 0:31:45 | 0:31:49 | |
they were used. | 0:31:49 | 0:31:50 | |
That's part of the charm, part of the social history to them. | 0:31:50 | 0:31:54 | |
They are £20-£30, all day long. | 0:31:54 | 0:31:55 | |
They paid £45 and, hopefully, they'll make a profit. | 0:31:55 | 0:31:59 | |
I doubt it, but let's hope. | 0:31:59 | 0:32:01 | |
Now, let's move on to this polystyrene, | 0:32:01 | 0:32:04 | |
sort of, wig stand, hat stand. | 0:32:04 | 0:32:06 | |
What it is, is, it's of an era. | 0:32:06 | 0:32:09 | |
From the point of view of a bit of social history, again, I get it. | 0:32:09 | 0:32:13 | |
It's £20-£30, our auction estimate. | 0:32:13 | 0:32:15 | |
OK. Tobias led them to this one, they paid 25. | 0:32:15 | 0:32:18 | |
-Well... -So, there's hope there. | 0:32:18 | 0:32:20 | |
-There is hope there. -Yeah, and sticking with, sort of, | 0:32:20 | 0:32:22 | |
London in the mid-20th century, towards the end of the 20th century, | 0:32:22 | 0:32:26 | |
here's this cool vintage London Transport sign. | 0:32:26 | 0:32:29 | |
Out of all the London Transport things they could buy, | 0:32:29 | 0:32:31 | |
they chose one which was, sort of, flaking and scratched... | 0:32:31 | 0:32:34 | |
It shows that it's got dignity, | 0:32:34 | 0:32:37 | |
that it's been chipped off the door from the London Underground. | 0:32:37 | 0:32:41 | |
But then again, it's logo, it's social history again, | 0:32:41 | 0:32:45 | |
you've got that style. | 0:32:45 | 0:32:49 | |
OK, so it's got London cool attached to it, | 0:32:49 | 0:32:51 | |
what kind of price are you attaching to it? | 0:32:51 | 0:32:53 | |
£10-£20. | 0:32:53 | 0:32:54 | |
OK, well, hopefully, you're not too accurate, | 0:32:54 | 0:32:57 | |
because they paid £30 for it. | 0:32:57 | 0:32:58 | |
-OK. -Well, unless they are really lucky, | 0:32:58 | 0:33:00 | |
they are going to need their bonus buy, | 0:33:00 | 0:33:02 | |
so let's find out what Christina bought for the Blues. | 0:33:02 | 0:33:04 | |
You left Christina £200, what did you do with it? | 0:33:05 | 0:33:08 | |
Ready? | 0:33:08 | 0:33:09 | |
-Whoa! -It's beautifully hideous! | 0:33:12 | 0:33:13 | |
-You broke me! -You came to the dark side. | 0:33:13 | 0:33:17 | |
Look what I bought! | 0:33:17 | 0:33:18 | |
It certainly goes with the theme, come on. | 0:33:20 | 0:33:22 | |
I saw this, and I thought, this has got you guys written all over it. | 0:33:22 | 0:33:25 | |
And it looked amazing. | 0:33:25 | 0:33:26 | |
So the base lights up, because it's got a bulb in the base. | 0:33:26 | 0:33:28 | |
-Wow! -And not only does the base light up, | 0:33:28 | 0:33:30 | |
the shade, obviously, lights up as well. | 0:33:30 | 0:33:32 | |
So, it's very cool, it's very funky, | 0:33:32 | 0:33:34 | |
it's very late 1960s, early 1970s. | 0:33:34 | 0:33:38 | |
Personally, I think it's hideous. | 0:33:38 | 0:33:40 | |
-But I know that you'll love it. -But was it expensive? | 0:33:40 | 0:33:43 | |
-Yes. -How much are we talking? | 0:33:43 | 0:33:45 | |
Normally, I'm frugal. | 0:33:45 | 0:33:47 | |
Normally I'm very frugal. | 0:33:47 | 0:33:48 | |
And I can't quite believe, but I spent £200 on this. | 0:33:48 | 0:33:51 | |
-Really? -Yeah. | 0:33:52 | 0:33:54 | |
The Blues, sort of, seem sold | 0:33:54 | 0:33:56 | |
and I don't even really know if Christina's sold herself. | 0:33:56 | 0:33:59 | |
-No. -So, let's see if Thomas thinks that he can sell the lamp | 0:33:59 | 0:34:02 | |
to his buyers. | 0:34:02 | 0:34:04 | |
Well, Thomas, what do you think | 0:34:04 | 0:34:06 | |
of Christina's very large standard lamp, | 0:34:06 | 0:34:08 | |
with this amazing, sort of, rocket-shaped shade | 0:34:08 | 0:34:11 | |
that's about to take off? | 0:34:11 | 0:34:13 | |
-It is, isn't it? -It's straight out of 1970s Britain. | 0:34:13 | 0:34:17 | |
This is glass. | 0:34:17 | 0:34:19 | |
-I know, it's so cool. -It is a beautifully made thing. | 0:34:19 | 0:34:23 | |
However, is it to everybody's taste? | 0:34:23 | 0:34:25 | |
What do you reckon this is worth? | 0:34:25 | 0:34:27 | |
Well, 30-50. | 0:34:27 | 0:34:28 | |
Christina is going to love you, because she spent £200. | 0:34:29 | 0:34:32 | |
-No! -She did! -I mean, lighting is popular. | 0:34:32 | 0:34:35 | |
Well, a cool light never goes out of fashion. | 0:34:35 | 0:34:38 | |
-No. -So, Thomas, will you be selling | 0:34:38 | 0:34:39 | |
-all of these weird and wonderful things today? -You bet. | 0:34:39 | 0:34:42 | |
Well, I wish you the best of luck, because, my friend, | 0:34:42 | 0:34:44 | |
you've got your work cut out. | 0:34:44 | 0:34:46 | |
339, 339, Dunhill gold-plated cigarette lighter. | 0:34:46 | 0:34:49 | |
Start the bidding. £30, 35, 40 now. | 0:34:49 | 0:34:52 | |
45, 45 it is. | 0:34:52 | 0:34:54 | |
Alice, Claire, | 0:34:55 | 0:34:57 | |
David, all present and correct? | 0:34:57 | 0:34:59 | |
-Yes. -Yes. -All nervous? | 0:34:59 | 0:35:01 | |
No, I'm excited. We're excited. | 0:35:01 | 0:35:02 | |
-I'm a little bit nervous. -Here comes your first item, get ready. | 0:35:02 | 0:35:06 | |
Here we are, we've got this very interesting | 0:35:06 | 0:35:08 | |
fibreglass orange sculpture resembling a pair of large thighs, | 0:35:08 | 0:35:11 | |
it could be something else. | 0:35:11 | 0:35:13 | |
Also in the lot, a Ted Atkinson book. | 0:35:13 | 0:35:15 | |
Start the bidding with me here at £30. | 0:35:15 | 0:35:18 | |
Ooh! | 0:35:18 | 0:35:20 | |
Now, bear in mind, ladies, he doesn't have 30, | 0:35:20 | 0:35:22 | |
he's looking for 30. | 0:35:22 | 0:35:24 | |
-He's looking. -Any advance at 30? | 0:35:24 | 0:35:26 | |
20 then. | 0:35:26 | 0:35:27 | |
There's got to be a bid here somewhere in the room or online. | 0:35:28 | 0:35:31 | |
No interest online. Ten, then. | 0:35:31 | 0:35:33 | |
Ten I've got, well done. | 0:35:33 | 0:35:34 | |
Ten I've got, against you all at £10. | 0:35:34 | 0:35:36 | |
-Are we done? -Oh, my goodness me! | 0:35:36 | 0:35:40 | |
And just like that, the sculpture sold for ten, | 0:35:40 | 0:35:43 | |
which means a loss of 110. | 0:35:43 | 0:35:46 | |
Worry not, here comes the letter opener, you only paid 15, | 0:35:46 | 0:35:48 | |
-so it's going to make a profit. -Come on. | 0:35:48 | 0:35:51 | |
401, a Middle Eastern fish knife, modelled as a sturgeon, | 0:35:51 | 0:35:54 | |
with pull-out blunt curved blade. | 0:35:54 | 0:35:56 | |
Start the bidding with me here at a fiver. | 0:35:56 | 0:35:58 | |
5, 5, I've got for the paper knife. | 0:35:58 | 0:36:00 | |
5, 5. It's in the room. 8 now. | 0:36:00 | 0:36:02 | |
10, I've got, at 10. 10, 12. | 0:36:02 | 0:36:04 | |
12 it is, at 12. 15, 15 I have. | 0:36:04 | 0:36:06 | |
You've got three people online. Come on, at 18 we have. | 0:36:06 | 0:36:09 | |
-Yes! -Profit! -22, it's moving on. | 0:36:09 | 0:36:12 | |
It jumped to 25. | 0:36:12 | 0:36:13 | |
Internet, it's your last chance. | 0:36:14 | 0:36:16 | |
-28. -28! | 0:36:16 | 0:36:18 | |
-It's climbing! -28, all done, last chance. | 0:36:18 | 0:36:23 | |
-Hooray! -That's it, it's all over. | 0:36:23 | 0:36:26 | |
£28. | 0:36:26 | 0:36:27 | |
So, on that item you've made a profit of £13, | 0:36:27 | 0:36:31 | |
which means that you are now -97. | 0:36:31 | 0:36:34 | |
That's OK. | 0:36:34 | 0:36:35 | |
Next up, it's David's dish. £20 paid. | 0:36:35 | 0:36:39 | |
402 is a Chinese famille rose circular dish | 0:36:39 | 0:36:43 | |
with Asiatic pheasant. | 0:36:43 | 0:36:45 | |
Start the bidding with me here at £20. | 0:36:45 | 0:36:49 | |
£20 for the dish here. | 0:36:49 | 0:36:50 | |
22 I have online. | 0:36:50 | 0:36:52 | |
5, now. 25, 25, room bidder, lady has it. | 0:36:52 | 0:36:55 | |
28, make it 30, Madam. | 0:36:55 | 0:36:56 | |
-Go on madam! -I'm concentrating! -Come on! | 0:36:56 | 0:36:59 | |
30 now. 35 online. | 0:36:59 | 0:37:01 | |
Make it 40. | 0:37:01 | 0:37:03 | |
£50 we've got now. | 0:37:03 | 0:37:05 | |
-Come on! -Jumped to 50 online. | 0:37:05 | 0:37:07 | |
Are we done at £50? | 0:37:07 | 0:37:08 | |
Once, twice at 50... | 0:37:08 | 0:37:10 | |
-Yay! Thank you. -£30 profit. | 0:37:12 | 0:37:14 | |
Anyway, that made £30 profit, | 0:37:14 | 0:37:18 | |
which means that you were -97, | 0:37:18 | 0:37:20 | |
£30 profit, -67 in the end. | 0:37:20 | 0:37:23 | |
-It's not awful. -But it's not over, it's not over. | 0:37:23 | 0:37:27 | |
David, bought you that gorgeous, gorgeous dish. | 0:37:27 | 0:37:29 | |
Now, what are you going to do? | 0:37:29 | 0:37:31 | |
You've got a loss, are you going to risk it and go for the bonus buy? | 0:37:31 | 0:37:34 | |
Yeah, most definitely. | 0:37:34 | 0:37:36 | |
Next on is 406, this is an art glass dish of triangular form, | 0:37:36 | 0:37:40 | |
with frosted flange there, sunken centre. | 0:37:40 | 0:37:43 | |
Start the bidding with me here at £10. | 0:37:43 | 0:37:46 | |
10 it is. Ten, sir, man of taste, at ten. | 0:37:46 | 0:37:49 | |
-12. -Come on, go on! | 0:37:49 | 0:37:51 | |
15. Room bidder has it, once, twice. | 0:37:51 | 0:37:54 | |
-Aaah! -Well, it, as David says, broke even. | 0:37:54 | 0:37:59 | |
So, we're still at -67. | 0:37:59 | 0:38:01 | |
I tell you what, ladies, | 0:38:01 | 0:38:02 | |
you got yourselves out of a three-figure loss | 0:38:02 | 0:38:05 | |
-into just a two-figure one, so well done. -Well done. | 0:38:05 | 0:38:07 | |
Right, Tobias, Tuoi and Christina, this is it. | 0:38:12 | 0:38:16 | |
You're representing for the Blue team, you're at the auction, | 0:38:16 | 0:38:19 | |
-how are you feeling? -Nervous. | 0:38:19 | 0:38:21 | |
Nervous, yeah, definitely. | 0:38:21 | 0:38:23 | |
Right, worry not. The next lot going under the hammer is yours. | 0:38:23 | 0:38:26 | |
And first up it's going to be your theatre guide billboards from 1964. | 0:38:26 | 0:38:29 | |
-Oh, I love these. -So, you love them, let's see if the crowd loves them. | 0:38:29 | 0:38:32 | |
Here they come. | 0:38:32 | 0:38:34 | |
418 is two 1960s theatre bill guides, board posters. | 0:38:34 | 0:38:37 | |
There they are, very stylish things. | 0:38:37 | 0:38:39 | |
And I can start the bidding with me here, £10. | 0:38:39 | 0:38:42 | |
£10, OK. | 0:38:42 | 0:38:43 | |
No takers at 10? 10 I've got here. | 0:38:43 | 0:38:46 | |
10 it is. 12 anywhere else? | 0:38:46 | 0:38:48 | |
12 it is. Last chance, 12. | 0:38:48 | 0:38:50 | |
Once, twice... | 0:38:50 | 0:38:52 | |
Right, that was it. £12. | 0:38:52 | 0:38:54 | |
So, you've lost £33, but it feels a bit better than 35. | 0:38:54 | 0:38:58 | |
Oh, here we go. The next lot, Tobias... | 0:38:58 | 0:39:01 | |
Lot number 419 is a 1970s cardboard mannequin head, | 0:39:01 | 0:39:05 | |
a piece of social history. | 0:39:05 | 0:39:07 | |
Start me here at £10, at 10. | 0:39:07 | 0:39:09 | |
-Oh, come on. -Is there any advance at 10? | 0:39:11 | 0:39:13 | |
I don't believe it. | 0:39:13 | 0:39:15 | |
5, then. £5. | 0:39:15 | 0:39:16 | |
Please, ladies and gentlemen, this has got to be worth a fiver. | 0:39:16 | 0:39:19 | |
Wait a minute, I think he's actually still looking for five, | 0:39:19 | 0:39:22 | |
-I don't think he's got it. -Yeah, I don't think he's got five. | 0:39:22 | 0:39:25 | |
-Do I get to keep it? -5, I've got online. | 0:39:25 | 0:39:26 | |
-Someone's got it online. -You'll never find another one. | 0:39:26 | 0:39:29 | |
£5. | 0:39:29 | 0:39:30 | |
Oh! Sold for 5. | 0:39:30 | 0:39:33 | |
Right, so we are currently -53. | 0:39:34 | 0:39:36 | |
All hopes hinge on the transport triangular design. | 0:39:36 | 0:39:41 | |
Next lot 420, a London Transport triangular Perspex door sign. | 0:39:41 | 0:39:47 | |
Start me here at a fiver. | 0:39:47 | 0:39:49 | |
5, 8, 10, 12, | 0:39:49 | 0:39:52 | |
14? | 0:39:52 | 0:39:54 | |
15, 18, 20. | 0:39:54 | 0:39:55 | |
2, 5, 8, 28. | 0:39:55 | 0:39:59 | |
28 it is. | 0:39:59 | 0:40:00 | |
-It'll be a great coaster! -Come on! | 0:40:00 | 0:40:02 | |
28, all done? | 0:40:02 | 0:40:03 | |
-Ah, £28. -Boo! | 0:40:03 | 0:40:06 | |
Ah, "boo" from Tuoi! | 0:40:06 | 0:40:09 | |
Minus two. So, overall, you've lost £55, OK? | 0:40:09 | 0:40:13 | |
My next question is an important one. | 0:40:13 | 0:40:15 | |
Are you going to go with the standard lamp? | 0:40:15 | 0:40:17 | |
Yeah, yes, please. | 0:40:17 | 0:40:18 | |
You're going to go with it? Yeah. | 0:40:18 | 0:40:20 | |
-No... -You're going for it, here it comes. | 0:40:20 | 0:40:24 | |
424, a 1970s glass standard lamp of tapered design | 0:40:24 | 0:40:28 | |
with rocket-shaped shade. | 0:40:28 | 0:40:31 | |
Start with me here at, start me at £30. | 0:40:31 | 0:40:34 | |
Yes! | 0:40:34 | 0:40:35 | |
Is there £30, at 30? | 0:40:36 | 0:40:38 | |
Surely it's got to be worth £30. | 0:40:38 | 0:40:40 | |
20, then. | 0:40:40 | 0:40:41 | |
£20, at £20, at 20 it is. | 0:40:42 | 0:40:46 | |
22, 25, 28... | 0:40:46 | 0:40:49 | |
-It's climbing. -We should turn it on. | 0:40:49 | 0:40:51 | |
40, 5, 50. | 0:40:51 | 0:40:54 | |
50, I have. | 0:40:54 | 0:40:55 | |
Upper end of my estimate at £50. | 0:40:55 | 0:40:57 | |
All done then at £50. | 0:40:57 | 0:40:59 | |
We're not going home millionaires. | 0:41:00 | 0:41:02 | |
£50 paid means that there is a loss of 150 on the bonus buy alone. | 0:41:02 | 0:41:07 | |
-Yeah. -But, overall, you have lost £205. | 0:41:07 | 0:41:11 | |
-Yes! -I'm...proud. | 0:41:11 | 0:41:14 | |
I tell you what, if you're going to be proud of anything, | 0:41:14 | 0:41:16 | |
be proud of the loss you made on Bargain Hunt. | 0:41:16 | 0:41:19 | |
-You know, why not? -We can't go home and tell anybody! | 0:41:19 | 0:41:22 | |
We've told too any people, yeah? | 0:41:22 | 0:41:24 | |
Well, clearly neither team got the memo about Bargain Hunt | 0:41:29 | 0:41:32 | |
focusing on profits at auction, | 0:41:32 | 0:41:34 | |
because my pockets are completely empty, | 0:41:34 | 0:41:35 | |
and I have got no money to give anyone, | 0:41:35 | 0:41:38 | |
which means it's anyone's game. | 0:41:38 | 0:41:39 | |
It's just a case of who lost more. | 0:41:39 | 0:41:43 | |
Our biggest losers today, or, shall we say, our runners-up? | 0:41:43 | 0:41:47 | |
-Are the Blues! -Oh! | 0:41:48 | 0:41:49 | |
What? | 0:41:51 | 0:41:52 | |
THEY ALL LAUGH AND CHEER | 0:41:52 | 0:41:55 | |
Oh, that was fun! | 0:41:57 | 0:41:59 | |
What's going on?! | 0:42:00 | 0:42:02 | |
-Christina? -No, don't you dare. | 0:42:02 | 0:42:05 | |
There's a line there for a reason! | 0:42:06 | 0:42:09 | |
It means that, by proxy, our winners today are the Reds, which is... | 0:42:09 | 0:42:13 | |
I can't believe it! That's so weird. | 0:42:13 | 0:42:15 | |
Let's head to the Blues first, | 0:42:15 | 0:42:16 | |
because you had a great time, didn't you? | 0:42:16 | 0:42:18 | |
-Yes. -We did, yes. -Ah, I'm so pleased. | 0:42:18 | 0:42:20 | |
And you stand by your items? | 0:42:20 | 0:42:21 | |
-Yes. -We stand by them, they were our personal taste. | 0:42:21 | 0:42:23 | |
I'm not sure who had the bad taste, | 0:42:23 | 0:42:24 | |
whether it was the auction room, or if it was us. | 0:42:24 | 0:42:26 | |
Ah, but well done, nonetheless. | 0:42:26 | 0:42:28 | |
I personally loved having you on, so it was great. | 0:42:28 | 0:42:30 | |
So let's head to our victors, then. I bet you weren't expecting that? | 0:42:30 | 0:42:33 | |
No! I'm so shocked. | 0:42:33 | 0:42:35 | |
Because you only lost £67. | 0:42:35 | 0:42:38 | |
-Not bad. -Not too bad! -It's so good. | 0:42:38 | 0:42:40 | |
You guys are all living in | 0:42:40 | 0:42:41 | |
the most expensive city in the world, probably, | 0:42:41 | 0:42:43 | |
so how you're getting by I'm not sure, but I wish you luck with that. | 0:42:43 | 0:42:47 | |
You know, if you're sitting at home thinking, | 0:42:47 | 0:42:49 | |
"I could do better than that lot", | 0:42:49 | 0:42:51 | |
then please visit our website | 0:42:51 | 0:42:54 | |
and find out how to apply to get on Bargain Hunt. | 0:42:54 | 0:42:56 | |
It's not as easy as it looks! | 0:42:56 | 0:42:58 | |
And if you want to keep up with all the latest news, | 0:42:58 | 0:43:00 | |
then follow us on Twitter. | 0:43:00 | 0:43:02 | |
And, please, join us again for some more Bargain Hunting. | 0:43:03 | 0:43:06 | |
-Yes? -Yes! | 0:43:06 | 0:43:08 |