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We're in Kingston upon Thames today, | 0:00:03 | 0:00:05 | |
which is part of motor racing folklore. | 0:00:05 | 0:00:08 | |
It was the birthplace of an iconic car - the Mini Cooper. | 0:00:08 | 0:00:11 | |
ENGINE REVS Well, it sounds like someone around here | 0:00:11 | 0:00:14 | |
fancies themselves as a racing driver. | 0:00:14 | 0:00:16 | |
But who will win? Red or blue? | 0:00:20 | 0:00:23 | |
Did we have you fooled? | 0:00:34 | 0:00:36 | |
Well, you didn't think we'd fork out for a real car chase! | 0:00:36 | 0:00:39 | |
And now it's time to put the pedal to the metal. | 0:00:39 | 0:00:42 | |
Let's go bargain hunting. | 0:00:42 | 0:00:44 | |
We've been given the green light to hunt for bargains | 0:01:06 | 0:01:09 | |
in the Kingston Antiques Centre. | 0:01:09 | 0:01:12 | |
But which team will find themselves in pole position | 0:01:12 | 0:01:14 | |
and who will hit the skids? | 0:01:14 | 0:01:16 | |
Let's take a look at what's coming up. | 0:01:16 | 0:01:19 | |
The Reds want their expert to keep an open mind... | 0:01:19 | 0:01:22 | |
What on earth are they? | 0:01:22 | 0:01:23 | |
Oh, I love them! | 0:01:23 | 0:01:24 | |
..the Blues wind their expert up... | 0:01:24 | 0:01:27 | |
You could make a pair of snowboards out of that. | 0:01:27 | 0:01:30 | |
..I get my hands on some evidence from a legendary crime... | 0:01:32 | 0:01:36 | |
This was actually found at the scene | 0:01:36 | 0:01:38 | |
to break into the high-value package coach. | 0:01:38 | 0:01:41 | |
..and it's smiles all round at the auction. | 0:01:41 | 0:01:44 | |
But will it stay that way? | 0:01:44 | 0:01:47 | |
So it's a family affair today, but will our teams make a fortune? | 0:01:47 | 0:01:51 | |
Probably not, knowing this show! | 0:01:51 | 0:01:53 | |
For the Reds today, we've got sisters Cesca and Vicky, | 0:01:53 | 0:01:55 | |
and for the Blues, we have son and father Matt and Paul. | 0:01:55 | 0:01:59 | |
-Welcome, everybody. Hello. -ALL: Hello! | 0:01:59 | 0:02:01 | |
That was a very warm welcome! Thank you. | 0:02:01 | 0:02:03 | |
I'm going to start with our Reds, and specifically with you, Vicky. | 0:02:03 | 0:02:06 | |
Delighted, I have to say, that you're not surrounded by | 0:02:06 | 0:02:09 | |
animals because you've got quite an unusual job | 0:02:09 | 0:02:11 | |
and I thought you might bring some with you. | 0:02:11 | 0:02:13 | |
Tell us about it. | 0:02:13 | 0:02:14 | |
Well, I actually work for a mobile petting farm. | 0:02:14 | 0:02:18 | |
So I will bring farm animals to inner-city schools in London. | 0:02:18 | 0:02:22 | |
I'll spend the morning bottle-feeding a lamb. | 0:02:22 | 0:02:25 | |
-As you do. -As you do! | 0:02:25 | 0:02:27 | |
Or I may bring little animals like hamsters and rabbits, | 0:02:27 | 0:02:31 | |
so the children get to hold them. | 0:02:31 | 0:02:32 | |
It's lots of fun and it's quite educational as well, so... | 0:02:32 | 0:02:35 | |
And you do a little bit of moonlighting, I hear? | 0:02:35 | 0:02:37 | |
I do, I do. I'm a jazz singer as well. | 0:02:37 | 0:02:40 | |
-Cool. -So I'll have a cow in Brixton, for teaching the animals, | 0:02:40 | 0:02:44 | |
and then I'll go back to Mayfair in a sequinned dress. | 0:02:44 | 0:02:46 | |
Well, you certainly lead an interesting life. | 0:02:46 | 0:02:49 | |
And Cesca, you're musical, too, or at least you had a bit | 0:02:49 | 0:02:52 | |
of a flutter with the pop charts, didn't you? | 0:02:52 | 0:02:54 | |
Yes. I was in a band called Get Crucial back in 2007. | 0:02:54 | 0:02:59 | |
And we had a single out | 0:02:59 | 0:03:01 | |
and it was a bit of a Marmite single. | 0:03:01 | 0:03:03 | |
You either liked it or hated it. It was basically four words. | 0:03:03 | 0:03:07 | |
-And... -Which four words? -I like watching planes. | 0:03:07 | 0:03:13 | |
Most of the song. We were going to change it when we went to record it, | 0:03:13 | 0:03:16 | |
but I couldn't think of anything else, so it sort of stuck. | 0:03:16 | 0:03:19 | |
And so, people either thought it was good | 0:03:19 | 0:03:21 | |
or they thought it was absolutely irritating. | 0:03:21 | 0:03:24 | |
Well, it sounds like you're going to have fun anyway. | 0:03:24 | 0:03:26 | |
-Do you often agree? -Yeah, I think we will. | 0:03:26 | 0:03:29 | |
-Yeah. Well, we'll see. -Yeah, we will see, yes. | 0:03:29 | 0:03:32 | |
On that note, let's head over to our Blues. | 0:03:32 | 0:03:34 | |
So, Matt and Paul, thank you for joining us. | 0:03:34 | 0:03:37 | |
Matt, all this talk of music and singing. | 0:03:37 | 0:03:40 | |
You must be itching to burst into song because you love it. | 0:03:40 | 0:03:42 | |
Yes, I've sung with the City of London Sinfonia as well, | 0:03:42 | 0:03:45 | |
in front of 3,000 people in, like, a crowd. | 0:03:45 | 0:03:48 | |
And I did, like, a little solo. I came on stage and things. | 0:03:48 | 0:03:51 | |
Must have been nerve-racking. | 0:03:51 | 0:03:53 | |
It was but when I was on there, I just loved it. | 0:03:53 | 0:03:55 | |
I was, like, really happy to sing and stuff. | 0:03:55 | 0:03:57 | |
-So, yeah. -Now, tell me, | 0:03:57 | 0:03:59 | |
you're not just a singer but you're also into literature, too. | 0:03:59 | 0:04:02 | |
-You write. -Yeah. | 0:04:02 | 0:04:03 | |
Yeah, so I've got my own little anthology, | 0:04:03 | 0:04:05 | |
so I've written about 40 poems that I have together, | 0:04:05 | 0:04:07 | |
that I want to try and get published as well. | 0:04:07 | 0:04:10 | |
I'm going to be really busy, aren't I, next year? | 0:04:10 | 0:04:12 | |
-You're an ambitious guy. -I know. | 0:04:12 | 0:04:14 | |
Paul, I heard you're pretty good at impressions. | 0:04:14 | 0:04:16 | |
I've done a few impressions. | 0:04:16 | 0:04:18 | |
I did actually get one played on the radio. | 0:04:18 | 0:04:21 | |
When Chris Tarrant had a breakfast show, | 0:04:21 | 0:04:23 | |
he wanted a phone-in of people to do impressions of him because he hadn't | 0:04:23 | 0:04:26 | |
agreed with one he'd seen on the telly the night before. | 0:04:26 | 0:04:28 | |
So he did play mine. | 0:04:28 | 0:04:29 | |
He wasn't very complimentary about it. | 0:04:29 | 0:04:31 | |
But another DJ later in the day did play it again | 0:04:31 | 0:04:33 | |
and said it was uncanny, so, who knows? | 0:04:33 | 0:04:36 | |
Uncanny. So if it's that good, | 0:04:36 | 0:04:37 | |
I'm afraid we're going to have to hear it. | 0:04:37 | 0:04:39 | |
I knew you were going to ask. I haven't done it for a while. | 0:04:39 | 0:04:43 | |
Tee-hee! Who wants to be a millionaire? | 0:04:43 | 0:04:44 | |
Do you know what? That is so good. | 0:04:44 | 0:04:46 | |
I'm with the other DJ. Brilliant! | 0:04:46 | 0:04:48 | |
So good! Well, obviously no-one can do any shopping without money, | 0:04:48 | 0:04:53 | |
so for the Reds, £300. | 0:04:53 | 0:04:56 | |
And for the Blues, just the same, £300. | 0:04:56 | 0:04:58 | |
I know that your experts are eager to meet you so off you go | 0:04:58 | 0:05:01 | |
and, everyone, have a great time. | 0:05:01 | 0:05:04 | |
Wouldn't it be great if we made a Bargain Hunt millionaire? | 0:05:04 | 0:05:08 | |
So, let's meet the experts hoping to steer our teams to glory. | 0:05:08 | 0:05:12 | |
He's got the rhythm, but he's not got the Blues. | 0:05:13 | 0:05:16 | |
David Harper takes charge of the Reds. | 0:05:16 | 0:05:18 | |
Pointing the Blues in the right direction, | 0:05:18 | 0:05:20 | |
it is Christina Trevanion. | 0:05:20 | 0:05:22 | |
Right, you troublesome sisters. | 0:05:22 | 0:05:24 | |
What are we going to be looking for? Cesca? | 0:05:24 | 0:05:26 | |
Anything quirky and miniature, and anything '60s vintage, | 0:05:26 | 0:05:30 | |
'60s furniture. | 0:05:30 | 0:05:31 | |
-Like it. -Oh, maybe, like, Chinese ceramics? | 0:05:31 | 0:05:34 | |
-Chinese ceramics? -That's very specific, isn't it? | 0:05:34 | 0:05:37 | |
OK, all right. | 0:05:37 | 0:05:38 | |
If it feels right, just buy it. | 0:05:38 | 0:05:40 | |
As long as it makes a profit, that's what we want. | 0:05:40 | 0:05:42 | |
Drumroll, please! | 0:05:42 | 0:05:44 | |
Teams, your 60 minutes start now. | 0:05:44 | 0:05:47 | |
Let's go. Very exciting. | 0:05:47 | 0:05:50 | |
And that's a groovy chair immediately. | 0:05:50 | 0:05:52 | |
-We'll come back to that. -One for the back burner already? | 0:05:52 | 0:05:55 | |
-You don't mess around. -Those school benches are fun, aren't they? | 0:05:55 | 0:05:58 | |
-What are they? -They look nice. | 0:05:58 | 0:05:59 | |
Like, people like upcycling stuff don't they, these days? | 0:05:59 | 0:06:02 | |
Oh, they do. | 0:06:02 | 0:06:03 | |
That could potentially be a swear word in my presence, you know that, | 0:06:03 | 0:06:06 | |
don't you? Upcycling, no! | 0:06:06 | 0:06:08 | |
What does that say? So they are folding, aren't they? | 0:06:09 | 0:06:12 | |
They are folding, sort of, school benches. | 0:06:12 | 0:06:14 | |
You could make a pair of snowboards out of that. | 0:06:14 | 0:06:17 | |
Are you always this helpful? | 0:06:17 | 0:06:20 | |
I try, I try. | 0:06:20 | 0:06:23 | |
Careful what you say, Paul. | 0:06:23 | 0:06:24 | |
You could end up sat in the naughty corner. | 0:06:24 | 0:06:26 | |
What's this, then? Again, it's a '60s thing, isn't it? | 0:06:26 | 0:06:29 | |
So you've got that look. | 0:06:29 | 0:06:31 | |
I'm not as keen on this bit. | 0:06:31 | 0:06:33 | |
Why not? Well, it's just... | 0:06:33 | 0:06:35 | |
Yeah, I don't know. It's too black, like... | 0:06:35 | 0:06:38 | |
But you could replace that, couldn't you? | 0:06:38 | 0:06:40 | |
Easily, yeah. Vicky, what do you think? | 0:06:40 | 0:06:42 | |
-Erm... -You don't like it? -No, it's not my favourite. | 0:06:42 | 0:06:46 | |
No. Not for me. | 0:06:46 | 0:06:47 | |
OK, OK. So what do we do in a situation like this, | 0:06:47 | 0:06:49 | |
when one sister really likes it and another sister doesn't like it? | 0:06:49 | 0:06:53 | |
Is there a protocol? | 0:06:53 | 0:06:54 | |
-Does someone have the final...? -Carry on looking. -Carry on looking, OK! | 0:06:54 | 0:06:58 | |
Well, you've got plenty of time to play with, for now. | 0:06:58 | 0:07:01 | |
That mirror's quite nice. Is it brass? | 0:07:01 | 0:07:04 | |
-It looks kind of like... -It's unusual, isn't it? | 0:07:04 | 0:07:06 | |
So what caught your eye about that? | 0:07:06 | 0:07:09 | |
-I love the design. -Ooh! -Ooh, is it heavy? | 0:07:09 | 0:07:13 | |
It's quite heavy! I'm strong. | 0:07:13 | 0:07:14 | |
What do you think? I love the design of it. | 0:07:14 | 0:07:17 | |
I think that's a really good spot. I think that's beautiful. | 0:07:17 | 0:07:20 | |
-It is. -Yeah, it's gorgeous. -It's very much sort of Arts and Crafts, | 0:07:20 | 0:07:22 | |
just lovely poppy and Christmas rose and Christmas holly design. | 0:07:22 | 0:07:26 | |
The Arts and Crafts period was all about things being hand wrought | 0:07:26 | 0:07:29 | |
and their construction being visible in what you can see. | 0:07:29 | 0:07:32 | |
So for example, this sort of, what we call planishing, here, | 0:07:32 | 0:07:36 | |
is where it has been hand done, if you like. | 0:07:36 | 0:07:39 | |
Really lovely example. Nice, bevelled mirror, there. | 0:07:39 | 0:07:41 | |
It takes quite a lot to get that bevel on it | 0:07:41 | 0:07:43 | |
but I love the fact that | 0:07:43 | 0:07:44 | |
it's this wonderful, sort of, hexagonal shape. | 0:07:44 | 0:07:46 | |
It's not just a circle or a square. | 0:07:46 | 0:07:48 | |
-Yeah, yeah. -It's got some shape to it. | 0:07:48 | 0:07:50 | |
-I really like it. -I think we both like that, so... | 0:07:50 | 0:07:52 | |
You know what I really like about it? Do you know what I really, really like about it? | 0:07:52 | 0:07:55 | |
-That we agree? -A, that you agree, | 0:07:55 | 0:07:58 | |
and have you seen the price? | 0:07:58 | 0:08:00 | |
-Yes, yeah. -£25! | 0:08:00 | 0:08:02 | |
Yeah, how much do you reckon it could potentially get at auction? | 0:08:02 | 0:08:05 | |
Well, I would say at auction, | 0:08:05 | 0:08:07 | |
I would see that in an auction house at £30-£50. | 0:08:07 | 0:08:08 | |
Catalogued correctly, Arts and Crafts movement, beautiful thing. | 0:08:08 | 0:08:13 | |
And yes, it is a brass. I think that would polish up beautifully. | 0:08:13 | 0:08:16 | |
-Really nice. -I think we should... -Shall we go and ask? | 0:08:16 | 0:08:20 | |
You are super speedy. I'm loving your style, loving your style. | 0:08:20 | 0:08:24 | |
And I'd love it if you could get even more off the asking price. | 0:08:24 | 0:08:27 | |
Now, let's see how the sisters in red are getting on. | 0:08:27 | 0:08:30 | |
-I quite like the hand. -Go on instinct. -The hand holding the... | 0:08:30 | 0:08:33 | |
I had that but I smashed it. | 0:08:33 | 0:08:35 | |
But do you quite like that? | 0:08:35 | 0:08:37 | |
-What do you mean? -I used to have the exact one. | 0:08:37 | 0:08:40 | |
-You never did! -But I broke the fingers off. | 0:08:40 | 0:08:42 | |
Be careful with that one then! | 0:08:42 | 0:08:43 | |
And then I couldn't replace the... I think I've still got the globe. | 0:08:43 | 0:08:47 | |
-Is it '80s? -49? Yeah, it is '80s. | 0:08:47 | 0:08:49 | |
Yeah, '80s is quite chic now. | 0:08:49 | 0:08:51 | |
I know we talked about '60s stuff | 0:08:51 | 0:08:52 | |
but you'd be absolutely amazed at what's really selling | 0:08:52 | 0:08:56 | |
in kind of interior-design-led markets, particularly in London. | 0:08:56 | 0:09:00 | |
OK, well, Vicky, let's get it out very carefully, | 0:09:00 | 0:09:02 | |
bearing in mind you broke the last one. | 0:09:02 | 0:09:04 | |
Watch your slippery fingers, Vicky, | 0:09:04 | 0:09:06 | |
and careful with that £25 mirror, Blues. | 0:09:06 | 0:09:09 | |
Matthew, my boys spotted this mirror over in the back left over there. | 0:09:09 | 0:09:14 | |
What could be potentially your best price on that? | 0:09:14 | 0:09:16 | |
-I think she would do £20. -£20? | 0:09:16 | 0:09:20 | |
-Could you do it at 18? -18? Ooh, Matthew! | 0:09:20 | 0:09:23 | |
Is he good at haggling normally, then? | 0:09:23 | 0:09:25 | |
He's OK. I'd have said, "Could we do 15?" | 0:09:25 | 0:09:27 | |
and then I'll let you say, "Oh, go on, I'll give it for 18 then." | 0:09:27 | 0:09:30 | |
I think I like the sound of that one better. We'll do 18 for you. | 0:09:30 | 0:09:34 | |
'A haggling lesson and a buy, all in 15 minutes. | 0:09:34 | 0:09:37 | |
-'Bravo, Blues.' -Let's keep going. | 0:09:37 | 0:09:39 | |
-Cool. -Let's keep going. Keep on wandering. | 0:09:39 | 0:09:42 | |
While they wander, I wonder if the Reds are going to keep hold of the '80s lamp? | 0:09:42 | 0:09:47 | |
It's quite expensive, that's the only thing. | 0:09:47 | 0:09:49 | |
The quality is not there, I've got to tell you, I mean, | 0:09:49 | 0:09:52 | |
but this is 1980s. | 0:09:52 | 0:09:54 | |
It was meant to be thrown away after a period of time. | 0:09:54 | 0:09:57 | |
Can we have a little think about it? | 0:09:57 | 0:09:59 | |
-Of course you can. -And then come back to it? -Just, for safety, | 0:09:59 | 0:10:01 | |
let's just put it on... Well, I don't know, I'll put it back for safety. | 0:10:01 | 0:10:04 | |
I'm trying to be polite. | 0:10:04 | 0:10:06 | |
Well, I'll be blunt. | 0:10:06 | 0:10:07 | |
You've had 20 minutes and need to get a move on. | 0:10:07 | 0:10:10 | |
The Blues are looking at their second item. | 0:10:10 | 0:10:12 | |
-That blue piece sticks out. -Yeah, that's colourful. | 0:10:12 | 0:10:15 | |
-I don't know what it is. Nice. -And it's blue! | 0:10:15 | 0:10:18 | |
That is gorgeous. | 0:10:18 | 0:10:21 | |
-So what's it made of? -That's what I was going to ask. | 0:10:21 | 0:10:23 | |
It looks like it's made from... | 0:10:23 | 0:10:24 | |
This bit's made from gold, and then you've got this bit here | 0:10:24 | 0:10:27 | |
which is guilloche enamel. | 0:10:27 | 0:10:28 | |
-Now, it's trying to be Faberge. -Faberge? -Yeah. -And obviously, | 0:10:28 | 0:10:31 | |
these little pendants became popular after Faberge's style. | 0:10:31 | 0:10:35 | |
And you would wear it, obviously, as a little pendant or often, | 0:10:36 | 0:10:39 | |
in the Victorian or slightly later period, | 0:10:39 | 0:10:41 | |
they had them on a charm bracelet. | 0:10:41 | 0:10:42 | |
-Oh, OK. -And you'd see little charms just full of these wonderful eggs, | 0:10:42 | 0:10:46 | |
but now, they're more popular as, obviously, as pendants. | 0:10:46 | 0:10:48 | |
-I think that's beautiful. -You could put it on a bellybutton piercing now! | 0:10:48 | 0:10:52 | |
-No, OK. -What? | 0:10:52 | 0:10:53 | |
That would be very...unusual! | 0:10:53 | 0:10:56 | |
-You...you could. -Repurposing it, isn't it? | 0:10:56 | 0:10:58 | |
Is that what you want to do? | 0:10:58 | 0:11:00 | |
Is that upcycling? | 0:11:00 | 0:11:02 | |
That's the one, that's the one. | 0:11:02 | 0:11:05 | |
I never thought I'd hear those words coming out of your mouth. | 0:11:05 | 0:11:08 | |
-I'm not going to lie, that was odd. -OK, moving on! | 0:11:08 | 0:11:11 | |
-What's the price? -I'm expecting it to be a fortune, guys. | 0:11:11 | 0:11:14 | |
-What does it say? -138. | 0:11:14 | 0:11:16 | |
How much do you think it would make at auction? | 0:11:16 | 0:11:18 | |
I don't think, when I look at the stamp of this, | 0:11:18 | 0:11:20 | |
this is stamped but I think it might be silver-gilt, not gold. | 0:11:20 | 0:11:24 | |
-Right, OK. -And I'm not entirely sure that it is a Faberge example, well, | 0:11:24 | 0:11:27 | |
it's not a Faberge example. But that is quite sweet. | 0:11:27 | 0:11:31 | |
-But £138? -Do you think we really should leave it? | 0:11:31 | 0:11:33 | |
Is a lot of money. Let's put the egg back in the cabinet. | 0:11:33 | 0:11:36 | |
-Yes, let's pop it back. -And move on to pastures new. | 0:11:36 | 0:11:40 | |
Bye-bye, egg. | 0:11:40 | 0:11:41 | |
And hello to some vintage lights. | 0:11:41 | 0:11:44 | |
I really like these as well, these lights. | 0:11:44 | 0:11:48 | |
OK, let's have a look at these. | 0:11:48 | 0:11:50 | |
So, why do you like them? | 0:11:50 | 0:11:53 | |
I just like them. I mean, they do look a little bit crude, though, | 0:11:53 | 0:11:56 | |
like someone has just... | 0:11:56 | 0:11:58 | |
-Yeah. -Literally drawn those on. -Yeah, literally done that, yeah. | 0:11:58 | 0:12:01 | |
Weren't they originally like that? And someone has embellished it? | 0:12:01 | 0:12:05 | |
No, I think they were originally like that. | 0:12:05 | 0:12:07 | |
-Oh, OK. -Which really helps you date them pretty well, I think. | 0:12:07 | 0:12:11 | |
And they fall into that brilliant category of mid-20th-century art, | 0:12:11 | 0:12:15 | |
which is just so hot now, it is unbelievable. | 0:12:15 | 0:12:19 | |
Would they make money if we took them to auction? | 0:12:19 | 0:12:22 | |
£48. In auction, I suppose... | 0:12:22 | 0:12:25 | |
With no name, they are 30 to 50 quid. | 0:12:25 | 0:12:27 | |
Ah, oh, dear, gosh, OK, I said £48 for the pair but it's £48 each. | 0:12:27 | 0:12:33 | |
-Oh, wow. -So, there just under 100. | 0:12:33 | 0:12:36 | |
-That's too much. -Too much. -I think it's too much. | 0:12:36 | 0:12:38 | |
Right, I'm going to put it back. | 0:12:38 | 0:12:41 | |
Quickly, Mr Harper, | 0:12:41 | 0:12:42 | |
you're knocking on the half-hour mark and haven't bought a thing, | 0:12:42 | 0:12:45 | |
-unlike the Blues. -What do you think of this? | 0:12:45 | 0:12:48 | |
The hooded blackout lamp? | 0:12:48 | 0:12:50 | |
Warden's lamp, isn't it? | 0:12:50 | 0:12:52 | |
-Warden's hooded... -I think it's quite unusual, like, | 0:12:52 | 0:12:55 | |
I can imagine it as a decorative item maybe in someone's house? | 0:12:55 | 0:12:58 | |
-Is it? -I don't know. | 0:12:58 | 0:13:00 | |
I mean, there are buyers for World War I and World War II memorabilia, | 0:13:00 | 0:13:03 | |
-though, isn't there? -Yes. -I have no idea whether you would make money on it. | 0:13:03 | 0:13:07 | |
Yeah, potentially could have a sort of novelty interest, | 0:13:07 | 0:13:10 | |
social history factor to it. | 0:13:10 | 0:13:14 | |
But maybe at that price, it's a real punt, isn't it, £25? | 0:13:14 | 0:13:17 | |
-Yeah. -Do you kind of have an idea of what it could make? | 0:13:17 | 0:13:20 | |
-Er... -It's a bit, kind of... | 0:13:20 | 0:13:22 | |
-10 to 15. -So maybe not. | 0:13:22 | 0:13:24 | |
It's the kind of thing that might capture people's imagination. | 0:13:24 | 0:13:27 | |
It's the story that goes behind it, really. | 0:13:27 | 0:13:29 | |
That would be the key, if you could find out | 0:13:29 | 0:13:32 | |
who it belonged to and hear their tales, yeah. | 0:13:32 | 0:13:35 | |
That is why provenance is so important. | 0:13:35 | 0:13:37 | |
Whereas to us, it's just a blackout lamp. | 0:13:37 | 0:13:39 | |
-Yeah. -Let's get the cabinet open and have a closer look. | 0:13:39 | 0:13:43 | |
So, we've got this World War II warden's lamp, here, | 0:13:43 | 0:13:47 | |
a relic from your youth, Dad. Do you remember it? | 0:13:47 | 0:13:49 | |
I wasn't even a twinkling in my mum's or dad's eye, actually! | 0:13:49 | 0:13:53 | |
It's got a clip on the back there and obviously, | 0:13:55 | 0:13:57 | |
you've got your carry handle as well, so you could have seen... | 0:13:57 | 0:13:59 | |
You know, is everyone OK? That sort of thing. And obviously, | 0:13:59 | 0:14:02 | |
you've got some sort of fuel reservoir in there, haven't you? | 0:14:02 | 0:14:05 | |
Erm, I mean, if you like it, guys, it's a... | 0:14:05 | 0:14:10 | |
It's certainly a potentially risky thing. | 0:14:10 | 0:14:12 | |
It would be a punt, not at the price, there, | 0:14:12 | 0:14:14 | |
but giving us a chance to maybe sell this on. | 0:14:14 | 0:14:17 | |
-A chance that we could do 20 for you. -No, 15, certainly, | 0:14:17 | 0:14:20 | |
we'd take it off your hands for 15 and give it a nice home. | 0:14:20 | 0:14:23 | |
True. I don't think it can go that low, though. | 0:14:23 | 0:14:27 | |
We could do maybe another £2, say 18. | 0:14:27 | 0:14:29 | |
Well, why don't we? | 0:14:29 | 0:14:30 | |
-Yeah. -There might be a nice bit of story behind it. | 0:14:30 | 0:14:32 | |
And the auctioneer, maybe, can give some story to it. | 0:14:32 | 0:14:35 | |
-Is that a deal? -Yeah, I think that's a deal. | 0:14:35 | 0:14:37 | |
Matthew. Thank you very much. | 0:14:37 | 0:14:39 | |
You're certainly not lightweight when it comes to haggling, gents, | 0:14:39 | 0:14:42 | |
but what does CT really think? | 0:14:42 | 0:14:43 | |
You guys, it's not sparkly and it hasn't got any diamonds in it. | 0:14:43 | 0:14:46 | |
You promised me! | 0:14:46 | 0:14:48 | |
-Come on, next one. -We've still got one item to get. | 0:14:48 | 0:14:50 | |
-We can do it. -OK, come on, then, let's keep hunting. | 0:14:50 | 0:14:53 | |
I'd be thankful your team have two items in the bag. | 0:14:53 | 0:14:56 | |
We are well over the halfway mark and the Reds haven't spent a penny | 0:14:56 | 0:14:59 | |
but I think David is taking a stand | 0:14:59 | 0:15:01 | |
and making a beeline for the chair they saw at the start of the shop. | 0:15:01 | 0:15:04 | |
So, try it out. | 0:15:05 | 0:15:07 | |
-Sit in it. -Come on, it's a red chair for the Red Team. | 0:15:07 | 0:15:10 | |
Yeah, yeah, exactly. | 0:15:10 | 0:15:11 | |
-It might bring us luck. -It's quite comfy. | 0:15:11 | 0:15:13 | |
-Do you like the style of it? -I do, I do, and it's quite tactile. | 0:15:13 | 0:15:17 | |
-Yeah? -Yeah, I like it, you have a go, Vicks. | 0:15:17 | 0:15:19 | |
-OK, come on, Vicks. -Yeah. | 0:15:19 | 0:15:21 | |
Is this the one, the winning seat? | 0:15:21 | 0:15:24 | |
Oh, I say, I say. | 0:15:24 | 0:15:25 | |
-Is it leather or plastic? -No, it is PVC. | 0:15:25 | 0:15:28 | |
It is faux leather. | 0:15:28 | 0:15:30 | |
-OK. -In the '60s, they loved using this stuff. | 0:15:30 | 0:15:33 | |
It's friendly to animals as well, isn't it? | 0:15:33 | 0:15:35 | |
Very friendly to animals, absolutely. | 0:15:35 | 0:15:37 | |
But I think this little tub chair dates to about 1965, 66, | 0:15:37 | 0:15:42 | |
maybe even '67, which is a very good year, the year I was born. | 0:15:42 | 0:15:46 | |
-Price? -75. -75 quid. | 0:15:46 | 0:15:48 | |
If you turn it over, oh, my gosh! | 0:15:48 | 0:15:50 | |
-It's got instructions. -It's got instructions. | 0:15:50 | 0:15:53 | |
-Oh, wow. -Oh, that is wild. | 0:15:53 | 0:15:55 | |
Look at that. It shows you how to remove the cover, | 0:15:55 | 0:15:58 | |
so you could change the colour if you wanted to. | 0:15:58 | 0:16:01 | |
-Oh, that's brilliant. -But that is completely original. | 0:16:01 | 0:16:04 | |
-Yeah. -Look at that, selected by the council of industrial design | 0:16:04 | 0:16:07 | |
-for the design centre. -Oh, we like that. -We have to get it. -We love it. | 0:16:07 | 0:16:11 | |
But what are you prepared to pay? | 0:16:11 | 0:16:13 | |
Here's Leslie from the antiques centre to talk prices. | 0:16:13 | 0:16:16 | |
We've already brought it down once. But for you, they will do 65. | 0:16:16 | 0:16:21 | |
-Yes, shall we take it? -It's an iconic little piece. | 0:16:21 | 0:16:23 | |
-Yeah. -Please do. -Retro, yeah. | 0:16:23 | 0:16:25 | |
-Lovely. -Please buy it. -Yeah, it's cute. | 0:16:25 | 0:16:27 | |
-It'll fit in most interiors. -I'm happy with that, are you? | 0:16:27 | 0:16:29 | |
-Yeah. -Good. -Shake Leslie's hand. | 0:16:29 | 0:16:31 | |
-Excellent. -Sale done. -And it matches you! -Thank you. | 0:16:31 | 0:16:34 | |
So, two items to get in 15 minutes. I hope you can do it. | 0:16:34 | 0:16:38 | |
Meanwhile, the Blues are sitting pretty. | 0:16:39 | 0:16:41 | |
Right, guys, look, seriously, we've got one more thing to buy. | 0:16:41 | 0:16:44 | |
What are we going to go for? | 0:16:44 | 0:16:46 | |
We haven't really spent a huge amount. | 0:16:46 | 0:16:48 | |
Yes, something a bit extravagant, maybe? | 0:16:48 | 0:16:49 | |
We thought about silver at the beginning. | 0:16:49 | 0:16:51 | |
Yeah. But we haven't seen anything really so far. | 0:16:51 | 0:16:54 | |
So, we'll have a look around. | 0:16:54 | 0:16:55 | |
-OK, let's have a look for some silver. -Something a bit intricate. | 0:16:55 | 0:16:58 | |
OK. What about these? | 0:16:58 | 0:17:00 | |
-What on earth are they? -Oh, I love them. | 0:17:00 | 0:17:03 | |
-Do you? -Yeah, they're lamps. -Oh, they're amazing. | 0:17:03 | 0:17:06 | |
-More lamps. -Surprise, surprise! | 0:17:06 | 0:17:09 | |
I love them. | 0:17:09 | 0:17:11 | |
-Do you? -The jewels on them, look. | 0:17:11 | 0:17:13 | |
-Would you wear them? -I think I would, maybe some earrings? | 0:17:13 | 0:17:16 | |
-You've got the necklace. -I absolutely love it. | 0:17:16 | 0:17:18 | |
-It's so unusual. -OK, tell me why you love them. | 0:17:18 | 0:17:21 | |
-Have you seen anything like it before? -Never. They're quite... | 0:17:21 | 0:17:24 | |
Are they '60s? | 0:17:24 | 0:17:25 | |
I don't know. '70s? I think they might be '70s more, maybe even '80s. | 0:17:25 | 0:17:29 | |
I don't know, I just think they are so unusual. | 0:17:29 | 0:17:32 | |
-I think they're awesome. -There is no quality there whatsoever | 0:17:32 | 0:17:36 | |
but they're so cool, it's painful. | 0:17:36 | 0:17:40 | |
It is. They are great. | 0:17:40 | 0:17:41 | |
-Oh, I love them. -Let me go and find out how much they are. | 0:17:41 | 0:17:44 | |
-OK. -OK, be prepared. | 0:17:44 | 0:17:45 | |
Hurry, David, ten minutes and counting. | 0:17:45 | 0:17:47 | |
Now, what has taken Matt's fancy? | 0:17:47 | 0:17:49 | |
I also quite like these two little silver dishes here as well. | 0:17:49 | 0:17:51 | |
-These, here? -Oh, yeah, those two, there. | 0:17:51 | 0:17:54 | |
OK, and great for me because they're Chester. | 0:17:54 | 0:17:56 | |
That's my local assay office. | 0:17:56 | 0:17:59 | |
So, Chester 1901. | 0:17:59 | 0:18:01 | |
Chester wasn't one of the most prolific assay offices, so Chester, | 0:18:01 | 0:18:05 | |
people do collect the Chester hallmark because it wasn't that... | 0:18:05 | 0:18:07 | |
-Yeah. -..as I say, prolific. | 0:18:07 | 0:18:09 | |
-Quite rare. -Yeah, exactly, a bit more scarce, exactly. | 0:18:09 | 0:18:12 | |
So... And the gauge is just a little bit, if you squidge that, | 0:18:12 | 0:18:14 | |
you can just feel a bit of flex in it. | 0:18:14 | 0:18:16 | |
-Oh, yeah. -So... -That's quite nice, though. | 0:18:16 | 0:18:18 | |
-They look a bit like a little boat. -They do, don't they? -Yeah. | 0:18:18 | 0:18:22 | |
Boat-shaped little... What we call navette shape. | 0:18:22 | 0:18:24 | |
How much do you think the silver Chester ones would get? | 0:18:24 | 0:18:27 | |
They've got to be worth £25 apiece, | 0:18:27 | 0:18:29 | |
haven't they? I'd say probably £50-£70. | 0:18:29 | 0:18:31 | |
-I think we should have a haggle. -Yeah. Shall we have a go? -Yeah, shall we go and ask Matthew? | 0:18:31 | 0:18:35 | |
-Yes. -All right, then, let's go and ask Matthew. | 0:18:35 | 0:18:37 | |
I might need some help getting up from down here. | 0:18:37 | 0:18:40 | |
I'm getting old! | 0:18:40 | 0:18:42 | |
-Oh, thank you. -Will the Reds need to sit down | 0:18:42 | 0:18:44 | |
-when they hear the price of the lights? -Right, OK, are you ready? | 0:18:44 | 0:18:48 | |
-Yeah. -Here we go. | 0:18:48 | 0:18:49 | |
For items that really should have no value whatsoever... | 0:18:49 | 0:18:54 | |
..the best price, as we often refer to in this business, the death, is, | 0:18:55 | 0:19:00 | |
-for the three, 110. -Ouch! -Shall we go with our guts? | 0:19:00 | 0:19:04 | |
-I think we should get them. -Are we going to go with them? -Yeah. | 0:19:04 | 0:19:07 | |
-Yeah, let's do it. -Yeah, yeah. -Thank goodness for that! | 0:19:07 | 0:19:10 | |
That's an understatement. | 0:19:10 | 0:19:11 | |
You have just over five minutes to buy item number three. | 0:19:11 | 0:19:14 | |
Now, back to the Blues and Matthew from the antiques centre has arrived | 0:19:14 | 0:19:17 | |
for another bout of haggling. | 0:19:17 | 0:19:19 | |
What do we think could be the best price on those? | 0:19:19 | 0:19:21 | |
Actually, I'm going to leave my king of hagglers over here | 0:19:21 | 0:19:23 | |
to do the negotiating. | 0:19:23 | 0:19:25 | |
-We could probably do, initially, 65. -Would you take 50? | 0:19:26 | 0:19:30 | |
50... | 0:19:30 | 0:19:31 | |
I think possibly that's a little bit low but I think we could do 55. | 0:19:33 | 0:19:36 | |
-55. -54? -54, go on. LAUGHTER | 0:19:36 | 0:19:43 | |
-54, 54... -54. 54? -Could you do that? -Yes, yeah. | 0:19:43 | 0:19:45 | |
-Would you? -We would, we would. | 0:19:45 | 0:19:47 | |
-Brilliantly done. -Let's do it. -Well done, well done, well done. | 0:19:47 | 0:19:49 | |
Good teamwork. Well done. | 0:19:49 | 0:19:51 | |
-Fantastic! -You're a chip off the old block, Matt. | 0:19:51 | 0:19:54 | |
-Dad must be proud. -Hey, well done. | 0:19:54 | 0:19:57 | |
-Teamwork. -Yes. | 0:19:57 | 0:19:58 | |
-And time to spare for a cup of tea. -Let's go. I'm there already. | 0:19:58 | 0:20:02 | |
Take a load off, Blues. | 0:20:02 | 0:20:03 | |
Vicky's found something you can get comfy on. | 0:20:03 | 0:20:05 | |
I like... | 0:20:05 | 0:20:07 | |
these two chairs up here. | 0:20:07 | 0:20:09 | |
Right. OK. | 0:20:09 | 0:20:10 | |
I think they're quite small, they've got that nice industrial theme. | 0:20:10 | 0:20:15 | |
I love the colour. | 0:20:15 | 0:20:17 | |
I just think they'd look cool. | 0:20:17 | 0:20:19 | |
-OK. -In a nice modern...modern house, or they're quite compact, | 0:20:19 | 0:20:23 | |
-so I like them. -I would go with one or the other. | 0:20:23 | 0:20:26 | |
Let's decide based on whether any of them actually have a company stamp, | 0:20:26 | 0:20:31 | |
because that is more important than show. | 0:20:31 | 0:20:34 | |
Ah, OK, that's the one with the company stamp, Vicky. | 0:20:34 | 0:20:39 | |
Now, does that change your mind? | 0:20:39 | 0:20:41 | |
I still like the other one but I like the fact that's got a maker. | 0:20:42 | 0:20:46 | |
-Yeah. -So we can find out more about it. | 0:20:46 | 0:20:48 | |
-That's why. -Interesting. I'm going to put it down first. | 0:20:48 | 0:20:51 | |
OK. | 0:20:53 | 0:20:55 | |
Who is going to be brave enough... | 0:20:55 | 0:20:57 | |
Oh! ..to try it out? | 0:20:59 | 0:21:01 | |
-It's a child's... That's got to be a kids' one. -It's low, it's very low. | 0:21:01 | 0:21:05 | |
Doesn't mean we couldn't buy a child's chair for an auction. | 0:21:05 | 0:21:07 | |
50 would be the best for this. | 0:21:07 | 0:21:09 | |
-Is that it, Leslie? -Yeah... -No less? | 0:21:09 | 0:21:11 | |
-No, really sorry. -No less? -No, I can't, no. | 0:21:11 | 0:21:13 | |
No? OK, over to you. | 0:21:13 | 0:21:16 | |
Do you, A, buy that object for £50, or B, | 0:21:16 | 0:21:20 | |
-run out of time and not buy an object? -Oh, let's just buy it. | 0:21:20 | 0:21:23 | |
OK, we'll do it for 50. | 0:21:23 | 0:21:25 | |
-All right. -50, yeah? Good. | 0:21:25 | 0:21:27 | |
Thank you very much. Excellent. Thank you for being so helpful. | 0:21:27 | 0:21:30 | |
-Thanks, Leslie. -Thank you. | 0:21:30 | 0:21:31 | |
-Well done. Brilliant. -Well done, you two. | 0:21:31 | 0:21:34 | |
That's it. Your 60 minutes are up. | 0:21:34 | 0:21:36 | |
What an eclectic mix we have. | 0:21:36 | 0:21:39 | |
Wowser. Right, cup of tea? | 0:21:39 | 0:21:41 | |
-Yes. -Yes, please. -Let's remind ourselves what the Red Team bought. | 0:21:41 | 0:21:45 | |
The sisters took their time to buy the '60s tub chair, £65 paid. | 0:21:45 | 0:21:49 | |
They think these '70s lights have a look bidders will pay big bucks for. | 0:21:50 | 0:21:54 | |
They forked out £110. | 0:21:54 | 0:21:56 | |
And their third buy was another chair. | 0:21:57 | 0:22:00 | |
This plastic child's seat was £50. | 0:22:00 | 0:22:02 | |
Well, what a pair of super sisters. | 0:22:02 | 0:22:04 | |
Cesca and Vicky, you did brilliantly. | 0:22:04 | 0:22:06 | |
Are you surprised at how it went? | 0:22:06 | 0:22:07 | |
It was actually quite hard. I thought it would, you know, | 0:22:07 | 0:22:10 | |
you watch the programme and you think it's going to be quite easy, | 0:22:10 | 0:22:12 | |
but, yeah, it was difficult. But we got some really good buys. | 0:22:12 | 0:22:15 | |
So tell me, Cesca, which was your favourite of the three? | 0:22:15 | 0:22:18 | |
I like these '70s lamps, | 0:22:18 | 0:22:20 | |
the really extravagant, over the top, ridiculous lamps. | 0:22:20 | 0:22:24 | |
And which one do you think | 0:22:24 | 0:22:25 | |
is going to bring the biggest profit when we go to auction? | 0:22:25 | 0:22:28 | |
I think maybe the small chair that we bought. | 0:22:28 | 0:22:30 | |
OK, cool, and what about you, Vicky? Do you agree with your sister? | 0:22:30 | 0:22:33 | |
I do. I tend to agree with her this time. | 0:22:33 | 0:22:35 | |
I think the little kiddie's chair is quite... | 0:22:35 | 0:22:39 | |
is quite unusual, so I think hopefully someone will like it. | 0:22:39 | 0:22:42 | |
Now, let's talk money. 225 spent. | 0:22:42 | 0:22:45 | |
Nice work. So who's got £75? | 0:22:45 | 0:22:47 | |
-I do. -I'll take it. | 0:22:47 | 0:22:49 | |
But I'll give it straight to David Harper. | 0:22:49 | 0:22:51 | |
-Thank you very much. -So, £75. | 0:22:51 | 0:22:53 | |
Any inkling what you'll do with that? | 0:22:53 | 0:22:55 | |
Because I'm so darn trendy these days, | 0:22:55 | 0:22:57 | |
I may be going something vintage. | 0:22:57 | 0:22:58 | |
-You never know. -Well, | 0:22:58 | 0:23:00 | |
David's off to set some new trends and in the meantime, | 0:23:00 | 0:23:03 | |
let's remind ourselves what the Blue team bought. | 0:23:03 | 0:23:05 | |
Mirror, mirror, on the wall, will you make the team money at all? | 0:23:05 | 0:23:09 | |
They paid £18. | 0:23:09 | 0:23:11 | |
They think the World War II blackout lamp will light up the auction. | 0:23:11 | 0:23:14 | |
It also cost £18. | 0:23:14 | 0:23:17 | |
And the frugal Blues splashed out on the Edward VII bonbon dishes, | 0:23:17 | 0:23:20 | |
£54 paid. | 0:23:20 | 0:23:21 | |
So after all that, is Christina now an honorary member of the family? | 0:23:21 | 0:23:25 | |
-Yeah, I think so. -Pretty much, yeah. We've adopted her, yeah. | 0:23:25 | 0:23:28 | |
Well, you've adopted a good one, there, | 0:23:28 | 0:23:31 | |
but you've not adopted some high spending, have you? | 0:23:31 | 0:23:33 | |
-No. -£90. -Yeah, we're a bit cautious. | 0:23:33 | 0:23:36 | |
A bit cautious but you bought nice items with the money. | 0:23:36 | 0:23:38 | |
-We love the items, yeah. -Which is your favourite one, Paul? | 0:23:38 | 0:23:41 | |
It has to be the warden's lamp | 0:23:41 | 0:23:43 | |
because I'm sure there's a really good story behind it. | 0:23:43 | 0:23:46 | |
OK, so, for the provenance? | 0:23:46 | 0:23:47 | |
-Yeah. -Matt, do you agree with Dad? What was your favourite item? | 0:23:47 | 0:23:51 | |
It's definitely the warden lamp because it's so unusual. | 0:23:51 | 0:23:53 | |
Like, I haven't seen one before, | 0:23:53 | 0:23:55 | |
and it would make quite a nice decorative item in someone's house. | 0:23:55 | 0:23:57 | |
OK. But do you think it is going to trump the other two at auction? | 0:23:57 | 0:24:00 | |
-Do you think it's going to bring a big profit? -Maybe the mirror will get the most profit. | 0:24:00 | 0:24:04 | |
Well, hopefully the auction bidders think they're all precious | 0:24:04 | 0:24:06 | |
and you make lots of money. | 0:24:06 | 0:24:08 | |
And, talking of money, you've got £210 in your pocket. | 0:24:08 | 0:24:11 | |
-There you go. -I'll take it from you | 0:24:11 | 0:24:13 | |
but it's not staying with me for long. | 0:24:13 | 0:24:14 | |
It's going over to your new sister, Matt. | 0:24:14 | 0:24:17 | |
-It's going to Christina. -It's in good hands. | 0:24:17 | 0:24:19 | |
-Do you have any idea what you're going to do with all that money? -I have no idea, | 0:24:19 | 0:24:23 | |
and I don't quite know what I'm going to do without you, now. | 0:24:23 | 0:24:25 | |
I feel a bit bereft that it's all over! | 0:24:25 | 0:24:28 | |
Well, as Christina wanders around, lost and bereft, | 0:24:28 | 0:24:30 | |
I'm sure she'll find something brilliant for the Blues. | 0:24:30 | 0:24:33 | |
In the meantime, I'm off to visit somewhere rather intriguing. | 0:24:33 | 0:24:36 | |
1963. | 0:24:38 | 0:24:40 | |
The year of JFK's assassination and Beatlemania. | 0:24:40 | 0:24:44 | |
But there was another event that dominated the headlines, | 0:24:44 | 0:24:48 | |
an audacious crime that's gone down in history | 0:24:48 | 0:24:50 | |
as one of the most infamous heists of all time. | 0:24:50 | 0:24:54 | |
There was shock when a Royal Mail train carrying £2.5 million | 0:24:55 | 0:25:00 | |
was robbed at Sears Crossing in Buckinghamshire. | 0:25:00 | 0:25:03 | |
The crime was nicknamed The Great Train Robbery. | 0:25:03 | 0:25:05 | |
It was a crime like no other, | 0:25:05 | 0:25:07 | |
and there was uproar from the establishment. | 0:25:07 | 0:25:10 | |
"How dare these men rob the Royal Mail?" they said. | 0:25:10 | 0:25:14 | |
And the police were determined to get them behind bars. | 0:25:14 | 0:25:18 | |
Thames Valley Police, based near Reading, | 0:25:18 | 0:25:20 | |
are the custodians of artefacts and evidence that helped investigators | 0:25:20 | 0:25:24 | |
build a case against the Great Train Robbers. | 0:25:24 | 0:25:26 | |
Well, Tony, there's a real variety of items | 0:25:26 | 0:25:29 | |
in front of us on the table. | 0:25:29 | 0:25:30 | |
Could you talk me through them? | 0:25:30 | 0:25:32 | |
Well, the wires here, they were found by Sears Crossing, | 0:25:32 | 0:25:37 | |
which was where they first put the false red light up to stop the train. | 0:25:37 | 0:25:42 | |
And what they did is to cover the green light with a glove, | 0:25:42 | 0:25:46 | |
and connect a battery using that to the red light. | 0:25:46 | 0:25:49 | |
Once the gang had stopped the train, | 0:25:49 | 0:25:51 | |
they forced their way inside using an axe | 0:25:51 | 0:25:53 | |
and went looking for the mailbags that contained millions of pounds. | 0:25:53 | 0:25:58 | |
This was actually found at the scene and this was the one that was used, | 0:25:58 | 0:26:01 | |
actually, in the mail van, to break into the high value package coach. | 0:26:01 | 0:26:06 | |
The actual robbery itself was meticulously planned | 0:26:06 | 0:26:09 | |
to the extent that police did not find any evidence there | 0:26:09 | 0:26:12 | |
to directly link a person to the scene. | 0:26:12 | 0:26:15 | |
But the police's luck quickly changed. | 0:26:15 | 0:26:17 | |
The gang went to a farm in Buckinghamshire to lie low | 0:26:17 | 0:26:20 | |
but they had to flee | 0:26:20 | 0:26:21 | |
when they found that the boys in blue were closing in. | 0:26:21 | 0:26:24 | |
And the items they left behind were a gift to the police. | 0:26:24 | 0:26:28 | |
Leatherslade Farm was one big clue. | 0:26:28 | 0:26:30 | |
There was a team of fingerprint officers, | 0:26:30 | 0:26:32 | |
photographers and forensic officers and they spent three days | 0:26:32 | 0:26:37 | |
just going through Leatherslade Farm and the outbuildings. | 0:26:37 | 0:26:40 | |
In Leatherslade Farm, these mail sack covers were linked | 0:26:40 | 0:26:44 | |
to the mailbags that had been stolen from the train. | 0:26:44 | 0:26:48 | |
Some of the mailbags the offenders had tried to burn | 0:26:48 | 0:26:50 | |
but they put them all down in the cellar | 0:26:50 | 0:26:52 | |
and that is where they were found, in the cellar at the farm. | 0:26:52 | 0:26:56 | |
The gang even left fingerprints all over their hideout, | 0:26:56 | 0:26:59 | |
and the mountain of evidence included a Monopoly board | 0:26:59 | 0:27:02 | |
the men had played with after the robbery. | 0:27:02 | 0:27:05 | |
And allegedly, they were passing the time playing with real money | 0:27:05 | 0:27:08 | |
rather than Monopoly money. | 0:27:08 | 0:27:10 | |
So there is an example of it right there, a £5 note. | 0:27:10 | 0:27:12 | |
Yeah, a £5 note from that time. | 0:27:12 | 0:27:15 | |
It's quite good, actually, that it happens to be Monopoly | 0:27:15 | 0:27:18 | |
because it's all about going to jail. | 0:27:18 | 0:27:20 | |
-It's such an ironic twist, isn't it? -Yes, yes. | 0:27:20 | 0:27:23 | |
We'll never know how many times | 0:27:23 | 0:27:24 | |
somebody fell on that "going to jail" | 0:27:24 | 0:27:26 | |
and then said, "No, no, I'm not going to jail." | 0:27:26 | 0:27:29 | |
But of course, the joke was on them in the end. | 0:27:29 | 0:27:31 | |
Look at all the evidence they left behind on this Monopoly board. | 0:27:31 | 0:27:34 | |
Yes, and you can see there, | 0:27:34 | 0:27:35 | |
the fingerprint markers where fingerprints have been found. | 0:27:35 | 0:27:38 | |
Well, allegedly, again, this is allegedly, | 0:27:38 | 0:27:41 | |
they were meant to be wearing gloves there. | 0:27:41 | 0:27:43 | |
To pick up paper is rather difficult | 0:27:43 | 0:27:44 | |
so they probably took the gloves off and played without it | 0:27:44 | 0:27:47 | |
and thought, 'Blow it.' | 0:27:47 | 0:27:49 | |
Well, we say on Bargain Hunt all the time that provenance is key | 0:27:49 | 0:27:52 | |
and what was once an ordinary Monopoly board | 0:27:52 | 0:27:55 | |
is now part of serious criminal history. | 0:27:55 | 0:27:57 | |
Do you know how much that's worth? | 0:27:57 | 0:27:59 | |
Well, it was valued once at around about £300 | 0:27:59 | 0:28:02 | |
but very difficult to value. | 0:28:02 | 0:28:03 | |
Oh, it's got to be worth more than £300. | 0:28:03 | 0:28:05 | |
Yeah. We've actually had, or the curator here has had, | 0:28:05 | 0:28:08 | |
a phone call from somebody offering in the thousands for it. | 0:28:08 | 0:28:12 | |
But it's not for sale. | 0:28:12 | 0:28:13 | |
The real value of the board | 0:28:13 | 0:28:14 | |
is how it and all the other evidence at the museum | 0:28:14 | 0:28:17 | |
helped police quickly identify the train robbers | 0:28:17 | 0:28:20 | |
and build a bulletproof case against them. | 0:28:20 | 0:28:22 | |
This is just a tiny fraction of the evidence, isn't it? | 0:28:22 | 0:28:26 | |
Over 2,000 exhibits, each one of these would be an exhibit, | 0:28:26 | 0:28:30 | |
were identified. | 0:28:30 | 0:28:31 | |
And over 1,700 referred to in the actual trial. | 0:28:31 | 0:28:35 | |
The gang members who went on trial | 0:28:35 | 0:28:37 | |
just five months after The Great Train Robbery | 0:28:37 | 0:28:40 | |
were collectively sentenced to over 300 years behind bars. | 0:28:40 | 0:28:44 | |
Some of the robbers, like Buster Edwards and Ronnie Biggs, | 0:28:44 | 0:28:47 | |
managed to evade capture and went on the run, | 0:28:47 | 0:28:50 | |
although the law eventually caught up with them as well. | 0:28:50 | 0:28:53 | |
But the police couldn't have collared The Great Train Robbers | 0:28:53 | 0:28:56 | |
without these priceless pieces of evidence. | 0:28:56 | 0:28:58 | |
Well, I've had to make a run for it from Reading | 0:29:02 | 0:29:05 | |
to our sale at Special Auction Services in Newbury. | 0:29:05 | 0:29:08 | |
I'm joined by our old mucker, Thomas Plant. | 0:29:08 | 0:29:11 | |
-Hello, Thomas. -Hi, Natasha. | 0:29:11 | 0:29:12 | |
-How are you today? -Very well, thank you. | 0:29:12 | 0:29:14 | |
-Are you well? -I'm well. I'm excited. | 0:29:14 | 0:29:15 | |
-Good. -I am excited because we're starting with the Red Team. | 0:29:15 | 0:29:18 | |
-Yes. -Cesca and Vicky, sisters. | 0:29:18 | 0:29:20 | |
And they've bought a cool vintage tub chair. | 0:29:20 | 0:29:22 | |
And it's very apt because it is very red. | 0:29:22 | 0:29:24 | |
It's not a name, as in, it's not a designer piece, | 0:29:24 | 0:29:28 | |
so we've put £30-£50 on it. | 0:29:28 | 0:29:30 | |
30-50. I think that is a wee bit punchy. | 0:29:30 | 0:29:32 | |
-Do you think so? -And I tell you what I think even punchier, | 0:29:32 | 0:29:36 | |
the £65 paid by the sisters. | 0:29:36 | 0:29:38 | |
-Wow! -Quite a lot of money. | 0:29:38 | 0:29:39 | |
-That is. -The thing is, online it could do all right. | 0:29:39 | 0:29:42 | |
Cesca really led the sisters towards that chair but both of them | 0:29:42 | 0:29:46 | |
decided that this copper and steel - | 0:29:46 | 0:29:49 | |
bejewelled - copper and steel ceiling lamp was the business. | 0:29:49 | 0:29:53 | |
-What do you think? -Yeah, the jewels in it just make it. | 0:29:53 | 0:29:56 | |
Otherwise it's simply ghastly. | 0:29:56 | 0:29:58 | |
I mean, there is no sign of quality to them at all. | 0:29:58 | 0:30:01 | |
I mean, they are teardrops because I am crying looking at them. | 0:30:01 | 0:30:05 | |
OK, well, is your estimate is going to bring tears to the girls' eyes? | 0:30:05 | 0:30:09 | |
-£30-50. -30-50. | 0:30:09 | 0:30:12 | |
Well, let me tell you, they will be crying | 0:30:12 | 0:30:13 | |
because with David they paid £110. | 0:30:13 | 0:30:16 | |
Oh, my! No! | 0:30:16 | 0:30:17 | |
-Shall we move on swiftly? -I think so. | 0:30:17 | 0:30:19 | |
Let's move on to this sort of... | 0:30:19 | 0:30:21 | |
Sounds-like-wood-but-isn't-wooden chair. | 0:30:21 | 0:30:23 | |
It is like a plastic, it's a moulded plastic. | 0:30:23 | 0:30:26 | |
-I actually like this. -You like this? | 0:30:26 | 0:30:27 | |
I don't mind it. It would be great for a playroom. | 0:30:27 | 0:30:30 | |
It's hard wearing. | 0:30:30 | 0:30:31 | |
-It is. -Do you know, you could put your crayons over it... | 0:30:31 | 0:30:34 | |
It's great. Put it in there, they are not going to damage it. | 0:30:34 | 0:30:37 | |
Again, it is not a known name, it's a look. | 0:30:37 | 0:30:40 | |
So I put it in at £20-30. | 0:30:40 | 0:30:43 | |
The girls paid £50 for this chair, so not too scary. | 0:30:43 | 0:30:47 | |
It is the cheapest item that they bought | 0:30:47 | 0:30:49 | |
but it sounds to me as though you think | 0:30:49 | 0:30:50 | |
they might need their bonus buy. | 0:30:50 | 0:30:52 | |
So let's find out what David bought for the Red Team. | 0:30:52 | 0:30:55 | |
Well, Cesca and Vicky, seriously retro. | 0:30:55 | 0:30:58 | |
Probably the most retro that anyone has ever gone on Bargain Hunt. | 0:30:58 | 0:31:01 | |
Loved your stuff. David, with your £75, | 0:31:01 | 0:31:05 | |
have you gone down a seriously traditional route? LAUGHTER | 0:31:05 | 0:31:10 | |
I love it! | 0:31:10 | 0:31:11 | |
I couldn't keep away from the vintage retro. | 0:31:11 | 0:31:13 | |
Yeah, I like the style. Just not as sure about the pattern on it. | 0:31:13 | 0:31:18 | |
-What do you think? -It's usable. | 0:31:18 | 0:31:20 | |
Everyone needs a coffee table, don't they? | 0:31:20 | 0:31:22 | |
-Exactly! -So, girls, what would you have paid for it? -£30? | 0:31:22 | 0:31:27 | |
Yeah? Loads of enthusiasm there. | 0:31:27 | 0:31:29 | |
-I like that. Vicky? -I think it's worth about 45. | 0:31:29 | 0:31:31 | |
And I paid £50. | 0:31:31 | 0:31:34 | |
What do you think it will make at the auction? | 0:31:34 | 0:31:36 | |
I don't know. £50-80. | 0:31:36 | 0:31:38 | |
Anyway, you don't need to make your minds up now. | 0:31:38 | 0:31:40 | |
It is time to find out what our auctioneer thinks of this trendy table. | 0:31:40 | 0:31:44 | |
Well, here it is. | 0:31:44 | 0:31:46 | |
Just if there wasn't enough retro in the Red Team, | 0:31:46 | 0:31:49 | |
David has gone and added in to the retro mix. | 0:31:49 | 0:31:51 | |
-What do you think? -I think David has surpassed himself with this. | 0:31:51 | 0:31:55 | |
In a positive or a negative way? | 0:31:55 | 0:31:56 | |
In an absolutely negative way. It is horrific. | 0:31:56 | 0:31:59 | |
Do you know, this Formica is the only stuff | 0:31:59 | 0:32:02 | |
that remained after the bombs dropped. | 0:32:02 | 0:32:04 | |
-It is cockroaches, rats and Formica. -What about the pattern? | 0:32:04 | 0:32:07 | |
-Ghastly. -What about your estimate for it? -£30-50. | 0:32:07 | 0:32:10 | |
£30-50. | 0:32:10 | 0:32:12 | |
Well, David paid the top end of the estimate at £50. | 0:32:12 | 0:32:14 | |
-Did he? -So not the end of the world. | 0:32:14 | 0:32:16 | |
If you put a very positive spin on it | 0:32:16 | 0:32:17 | |
-then you might just get him a profit. -Absolutely. | 0:32:17 | 0:32:20 | |
Let's move away from the sisters to the Blue Team. | 0:32:20 | 0:32:22 | |
This time we've got Paul and Matt, father and son, | 0:32:22 | 0:32:25 | |
and they started off with Arts and Crafts. | 0:32:25 | 0:32:27 | |
-This mirror, what do you think? -Well, we called it Arts and Crafts style, which I believe it is. | 0:32:27 | 0:32:31 | |
You can tell that by the metal and the depth within the actual repousse work here. | 0:32:31 | 0:32:35 | |
-So it's machine made, do you reckon? -Yeah, it's machine made, | 0:32:35 | 0:32:38 | |
but the glass is bevelled around by the mirror. | 0:32:38 | 0:32:41 | |
It is a very pleasant item, actually. | 0:32:41 | 0:32:44 | |
So we have put £40 to £60 on the mirror. | 0:32:44 | 0:32:46 | |
-Well, Matt, he got this for £18. -18? | 0:32:46 | 0:32:49 | |
That's really good! | 0:32:49 | 0:32:51 | |
Their second item was this blackout lamp for bicycles, | 0:32:51 | 0:32:55 | |
World War II. Do you think it's the real McCoy? | 0:32:55 | 0:32:57 | |
No reason to doubt it. | 0:32:57 | 0:32:59 | |
It's pretty... specialist, these items, | 0:32:59 | 0:33:03 | |
and it would be for a bicycle and also for wandering around, | 0:33:03 | 0:33:06 | |
hence you've got the big handle. | 0:33:06 | 0:33:08 | |
-It is what it is. -A bit of social history. -Social history. | 0:33:08 | 0:33:11 | |
-So, how much is that worth? -£20 to £30. | 0:33:11 | 0:33:14 | |
Well, once again, £18 paid. | 0:33:14 | 0:33:16 | |
-This is a favourite figure. -They've done all right, yes. | 0:33:16 | 0:33:19 | |
Now, it would be good if they paid £18 for this pair of bonbon dishes, | 0:33:19 | 0:33:22 | |
but they didn't. What do you make of these? | 0:33:22 | 0:33:25 | |
Well, they are very thin but they are very pleasant. | 0:33:25 | 0:33:28 | |
If you look at them, they look great. | 0:33:28 | 0:33:30 | |
Best silver, they're hallmarked Chester, so you get the collectors. | 0:33:30 | 0:33:33 | |
They are well pierced. | 0:33:33 | 0:33:35 | |
What do you think they are going to fetch at the auction? | 0:33:35 | 0:33:37 | |
-£60 to £80. -They paid £54, so they should make a wee, tiny profit. | 0:33:37 | 0:33:42 | |
I hope they do. They are rather pretty. | 0:33:42 | 0:33:44 | |
It's looking good for the Blues, and it doesn't look as though they | 0:33:44 | 0:33:47 | |
will need their bonus buy but just in case they do, | 0:33:47 | 0:33:50 | |
let's find out what Christina found. | 0:33:50 | 0:33:52 | |
Well, Matt and Paul, | 0:33:52 | 0:33:53 | |
you left Christina a seriously considerable sum of money. | 0:33:53 | 0:33:57 | |
-What did you come up with? -Are you ready? | 0:33:57 | 0:34:00 | |
-Ah, ooh! -Right! -It's very purple! | 0:34:02 | 0:34:05 | |
Yes. | 0:34:05 | 0:34:06 | |
-Writing set. -Exactly right, Dad. | 0:34:06 | 0:34:09 | |
This is a cased writing set. | 0:34:09 | 0:34:10 | |
In here, you've basically got | 0:34:10 | 0:34:12 | |
everything you would need for your Art Deco desk. | 0:34:12 | 0:34:15 | |
A letter knife here. | 0:34:15 | 0:34:16 | |
This is a dip pen, so you would have had nibs and things in the top here | 0:34:16 | 0:34:19 | |
and you also have a seal, so you could sign your letters. | 0:34:19 | 0:34:22 | |
It is stained with pink and it's got these wonderful black dots on here. | 0:34:22 | 0:34:25 | |
-I just think it's beautiful. -I really like it, actually. | 0:34:25 | 0:34:27 | |
I wasn't sure at first because the colour was a bit, "Oh, my God!" | 0:34:27 | 0:34:30 | |
-You know, when it came through... -Isn't that the best bit? | 0:34:30 | 0:34:33 | |
Yeah... | 0:34:33 | 0:34:35 | |
How much did you pay for it? | 0:34:36 | 0:34:38 | |
I paid £35 for it. | 0:34:38 | 0:34:40 | |
OK. | 0:34:40 | 0:34:42 | |
And I would hope that, at auction, | 0:34:42 | 0:34:44 | |
it would fetch £40 to £60, £50 to £70. | 0:34:44 | 0:34:46 | |
I do really like it, actually. | 0:34:46 | 0:34:48 | |
-I'm impressed. -Oh, good. Phew! | 0:34:48 | 0:34:51 | |
Well, it seems like quite a good report | 0:34:53 | 0:34:55 | |
but let's see if Thomas thinks the writing set | 0:34:55 | 0:34:57 | |
is something to shout about. | 0:34:57 | 0:34:59 | |
So, Thomas, this is what Christina found for Matt and Paul. | 0:34:59 | 0:35:02 | |
This lovely desk set. | 0:35:02 | 0:35:03 | |
-This is great. -It's cute, isn't it? | 0:35:03 | 0:35:05 | |
It's dead sweet, it really is. | 0:35:05 | 0:35:07 | |
Ivorine and brass. | 0:35:07 | 0:35:09 | |
Ivorine is the simulant of ivory. | 0:35:09 | 0:35:12 | |
So there is nothing to apologise for with this. | 0:35:12 | 0:35:14 | |
It's plastic, basically. | 0:35:14 | 0:35:15 | |
And who could ever apologise for such a lovely dusky pink? | 0:35:15 | 0:35:19 | |
It is a great dusky pink. | 0:35:19 | 0:35:21 | |
-It is, isn't it? -What do you reckon it's going to make? | 0:35:21 | 0:35:24 | |
Well, I think it's going to make £30 to £50. | 0:35:24 | 0:35:26 | |
Well, Christina was left £210 but she only spent 35. | 0:35:26 | 0:35:30 | |
-Well done, Christina. -Well done, Christina. | 0:35:30 | 0:35:33 | |
And well done everyone, actually. | 0:35:33 | 0:35:35 | |
It looks like it's going to be an interesting few bits | 0:35:35 | 0:35:37 | |
-to go under the hammer. -Absolutely. | 0:35:37 | 0:35:39 | |
And you will be wielding the gavel today. | 0:35:39 | 0:35:41 | |
-Naturally. -All I can say is, brace yourselves! | 0:35:41 | 0:35:44 | |
Start the bidding with me here at £20. | 0:35:44 | 0:35:46 | |
£30. £30, I have at £30. 35, and it's 40 now. | 0:35:46 | 0:35:50 | |
45. 45, it is. | 0:35:50 | 0:35:53 | |
Right, Vicky, Cesca. David. Here we are in the auction. | 0:35:53 | 0:35:57 | |
Are you nervous? Have you been to an auction before? | 0:35:57 | 0:35:59 | |
-No, first time. -First time? | 0:35:59 | 0:36:00 | |
-Very nervous. -Oh... -What about you, Vicky? | 0:36:00 | 0:36:03 | |
I've been before, yeah. | 0:36:03 | 0:36:04 | |
-So you are maybe the cooler customer here. -Yeah. | 0:36:04 | 0:36:07 | |
We'll see, we'll see. | 0:36:07 | 0:36:09 | |
So, the first item hoping to entice those bidders | 0:36:09 | 0:36:13 | |
is your vintage tub chair. | 0:36:13 | 0:36:15 | |
Ladies, here it comes. First lot. | 0:36:15 | 0:36:17 | |
Lot number 328 is a vintage Evans furniture tub chair. | 0:36:17 | 0:36:23 | |
Start me, ladies and gentlemen, this fine tub chair, at £20. | 0:36:23 | 0:36:27 | |
Start me at £20. | 0:36:27 | 0:36:29 | |
Come on, ladies and gentlemen. Try us, then, at ten. | 0:36:29 | 0:36:32 | |
He's trying ten! | 0:36:32 | 0:36:34 | |
We've got ten online. | 0:36:34 | 0:36:36 | |
Exciting! | 0:36:36 | 0:36:38 | |
Ten once, ten twice. | 0:36:38 | 0:36:40 | |
Are we done? I know, I'm trying... | 0:36:40 | 0:36:42 | |
That's so bad. | 0:36:42 | 0:36:44 | |
Sold for £10. That's a loss of 55. | 0:36:44 | 0:36:47 | |
Worry not. Here comes your most expensive item. | 0:36:47 | 0:36:51 | |
Lot number 329 is a set of 1970s copper and steel | 0:36:51 | 0:36:55 | |
jewelled teardrop lights. Start me here at £30. | 0:36:55 | 0:37:01 | |
15, then. | 0:37:01 | 0:37:03 | |
Ten, I've got. At ten it is. | 0:37:03 | 0:37:05 | |
£10. At ten. | 0:37:05 | 0:37:07 | |
Surely, there must be more at ten. | 0:37:07 | 0:37:08 | |
12, I've got in the room. | 0:37:08 | 0:37:10 | |
15. 15 it is. | 0:37:10 | 0:37:12 | |
At £15. 15 once, 15 twice. | 0:37:12 | 0:37:14 | |
-Are we done? -OK! | 0:37:14 | 0:37:16 | |
Oh, my goodness! | 0:37:16 | 0:37:17 | |
-Feel the pain! -That's a loss of £95. | 0:37:17 | 0:37:22 | |
We are currently minus 150 | 0:37:22 | 0:37:24 | |
so we really need this moulded plastic chair, | 0:37:24 | 0:37:26 | |
which you bought for 50, to take it home. | 0:37:26 | 0:37:28 | |
-Come on, ladies. -Lot 330. | 0:37:28 | 0:37:30 | |
This is the child's seat, moulded plastic, | 0:37:30 | 0:37:33 | |
metal-painted pedestal base. | 0:37:33 | 0:37:35 | |
Start me here at £10. | 0:37:35 | 0:37:37 | |
It only needs to make £1,000 just to get back our losses at all! | 0:37:37 | 0:37:41 | |
Ten, I've got. I've got ten. | 0:37:41 | 0:37:43 | |
Is there 12 anywhere else? | 0:37:43 | 0:37:45 | |
A little child's seat. Is there 12 anywhere else? | 0:37:45 | 0:37:47 | |
Any advance in the room? | 0:37:47 | 0:37:48 | |
-£10, we're all done. -It sold. | 0:37:48 | 0:37:50 | |
-The hammer went down. -At ten. | 0:37:50 | 0:37:52 | |
So, we were minus 150. | 0:37:52 | 0:37:55 | |
We are now minus 190. | 0:37:55 | 0:37:57 | |
We still have your 1960s... | 0:37:57 | 0:38:00 | |
-Oh, yeah. -..formica table. | 0:38:00 | 0:38:03 | |
You don't have to go with it. | 0:38:03 | 0:38:04 | |
-You can hedge your bets. -I think we do. | 0:38:04 | 0:38:06 | |
I don't think we have a choice. | 0:38:06 | 0:38:08 | |
So you are going with the bonus buy. | 0:38:08 | 0:38:09 | |
Here we are. Lot 334. | 0:38:09 | 0:38:11 | |
1960s formica metal occasional table of rectangular design. | 0:38:11 | 0:38:15 | |
Start the bidding at £15. | 0:38:15 | 0:38:18 | |
Is there 15 anywhere? | 0:38:18 | 0:38:19 | |
-Start at a fiver, Thomas. -A £5 note, then. | 0:38:19 | 0:38:22 | |
A new £5 note. | 0:38:22 | 0:38:24 | |
Five, we've got. | 0:38:24 | 0:38:26 | |
-Five, we've got. -Eight anywhere else? | 0:38:26 | 0:38:28 | |
Eight? Ten now. | 0:38:28 | 0:38:30 | |
Just make it 12. 12, he says. Yes! | 0:38:30 | 0:38:35 | |
-At £12. -So, let's tot it up. | 0:38:35 | 0:38:38 | |
£12. That's a loss of £38, | 0:38:38 | 0:38:41 | |
which means, ladies, we have lost £228. | 0:38:41 | 0:38:47 | |
-Winner! -In a way. | 0:38:47 | 0:38:49 | |
Right, Matt and Paul, Christina. | 0:38:56 | 0:38:58 | |
Here we are in the auction. | 0:38:58 | 0:38:59 | |
It's that time. How are you feeling? | 0:38:59 | 0:39:01 | |
-A bit nervous but excited. -Are you? -Looking forward to it. | 0:39:01 | 0:39:05 | |
I think we might earn some money. Don't know how much yet, but... | 0:39:05 | 0:39:07 | |
Well, he loved the mirror, and guess what? | 0:39:07 | 0:39:09 | |
It's your first lot. Here it comes. | 0:39:09 | 0:39:11 | |
Next lot is 346. | 0:39:11 | 0:39:13 | |
This is a brass Arts and Crafts style hexagonal mirror. | 0:39:13 | 0:39:16 | |
Start the bidding with me here at £30 for the mirror. | 0:39:16 | 0:39:19 | |
-Come on. -More than that to start. | 0:39:19 | 0:39:21 | |
At £30. Ladies and gentlemen, 30 I've got. | 0:39:21 | 0:39:25 | |
Ohh... | 0:39:25 | 0:39:27 | |
Are we done? 30, it is. £30 once, twice... | 0:39:27 | 0:39:31 | |
I tell you what, £30 is a good place to start. | 0:39:31 | 0:39:34 | |
£12 profit. | 0:39:34 | 0:39:35 | |
Now we are on to the World War II memorabilia, the bicycle lamp. | 0:39:35 | 0:39:39 | |
Lot number 347, a World War II bicycle blackout lamp. | 0:39:39 | 0:39:43 | |
I can start the bidding with me here at £10. | 0:39:43 | 0:39:46 | |
Ten, 12... | 0:39:46 | 0:39:48 | |
15 I have. | 0:39:48 | 0:39:50 | |
Lady's bid at 15. At 15. | 0:39:50 | 0:39:51 | |
-18. -18 online. | 0:39:51 | 0:39:54 | |
-You've broken even. -Go 20. | 0:39:54 | 0:39:57 | |
20. Lady's bid at 20. | 0:39:57 | 0:39:58 | |
In profit! | 0:39:58 | 0:40:00 | |
Yes! | 0:40:00 | 0:40:01 | |
Lady's bid at £25 it is. | 0:40:01 | 0:40:04 | |
At 25. 25. Any advance? | 0:40:04 | 0:40:06 | |
Are you done? At 28 now. | 0:40:06 | 0:40:07 | |
At 28 once, twice... | 0:40:07 | 0:40:10 | |
28, internet got it. | 0:40:10 | 0:40:13 | |
Excellent. £10 profit. | 0:40:13 | 0:40:15 | |
£22. And next is our silver. | 0:40:15 | 0:40:18 | |
Not so risky at only £54. | 0:40:18 | 0:40:19 | |
-Here it comes. -Lot number 348, | 0:40:19 | 0:40:22 | |
a pair of interesting Chester Edward VII bonbon dishes. | 0:40:22 | 0:40:26 | |
I can start the bidding at 30... | 0:40:26 | 0:40:28 | |
Five. 40... Five. | 0:40:28 | 0:40:29 | |
And 50 with me. | 0:40:29 | 0:40:32 | |
One more! | 0:40:32 | 0:40:34 | |
£50... Is there a five anywhere else? | 0:40:34 | 0:40:36 | |
There has got to be one more. | 0:40:36 | 0:40:37 | |
I will take a pound bid off somebody. | 0:40:37 | 0:40:40 | |
-You will regret it! -You will regret it! | 0:40:40 | 0:40:44 | |
It is on my book. | 0:40:44 | 0:40:45 | |
You are going to make their day if you go 55. | 0:40:45 | 0:40:48 | |
Somebody stick your hand up. No? | 0:40:48 | 0:40:49 | |
Oh, £50! | 0:40:49 | 0:40:51 | |
Well, he worked hard. | 0:40:51 | 0:40:53 | |
You lost £4, | 0:40:53 | 0:40:55 | |
which means that, overall, you are still in profit | 0:40:55 | 0:40:59 | |
but it's £18, not 22. | 0:40:59 | 0:41:01 | |
So, you've got to consider this. | 0:41:01 | 0:41:02 | |
Christina bought you a beautiful writing set in ivorine. | 0:41:02 | 0:41:06 | |
Pink and purple and gorgeous. | 0:41:06 | 0:41:08 | |
-Are you going to go for it? -I think so. -I think so, | 0:41:08 | 0:41:11 | |
it's a lovely piece and it is in really good condition. | 0:41:11 | 0:41:13 | |
Going for the bonus buy. | 0:41:13 | 0:41:15 | |
-Here it comes. -352, | 0:41:15 | 0:41:17 | |
an Art Deco ivorine pink, cream desk set in fitted case. | 0:41:17 | 0:41:21 | |
Start the bidding with me here at £20. | 0:41:21 | 0:41:23 | |
20 I have, at £20. | 0:41:23 | 0:41:26 | |
Come on! We need some more! | 0:41:26 | 0:41:27 | |
Ladies and gentlemen, is there two in the room? | 0:41:27 | 0:41:30 | |
22 now. Online it is, at 22. | 0:41:30 | 0:41:31 | |
Is there a five somewhere else in the room? | 0:41:31 | 0:41:34 | |
Once 22, twice 22. Are we done? The gavel is up. | 0:41:34 | 0:41:38 | |
Oh! 22! | 0:41:38 | 0:41:41 | |
OK. So, what does that mean? | 0:41:41 | 0:41:43 | |
It means a small loss of £13 | 0:41:43 | 0:41:45 | |
but you had 18, which means you are still... | 0:41:45 | 0:41:48 | |
A fiver! | 0:41:48 | 0:41:51 | |
A Lady Godiva! | 0:41:51 | 0:41:53 | |
Well, I tell you what, I don't think I've ever experienced anything | 0:42:01 | 0:42:04 | |
so up and down and down and up. | 0:42:04 | 0:42:07 | |
Today, our winners are the Blues | 0:42:07 | 0:42:10 | |
with a very small profit of just £5. | 0:42:10 | 0:42:14 | |
But we will head to you in a minute to celebrate. | 0:42:14 | 0:42:17 | |
Let's go straight to the Reds | 0:42:17 | 0:42:18 | |
because let me tell you, Blues, these girls, | 0:42:18 | 0:42:21 | |
they made a loss of £228. | 0:42:21 | 0:42:23 | |
So if you're going to lose, lose in style. | 0:42:23 | 0:42:26 | |
That's what we thought, yes. | 0:42:26 | 0:42:28 | |
Let's move to our victors today, the Blues. | 0:42:28 | 0:42:29 | |
With a fiver. Yes! | 0:42:29 | 0:42:32 | |
Who will take it? Five whole pounds. | 0:42:32 | 0:42:34 | |
-Matt. -Thank you very much. -I think it has got to go to you. | 0:42:34 | 0:42:36 | |
You both did extremely well. | 0:42:36 | 0:42:38 | |
Everything made a profit except the third item. | 0:42:38 | 0:42:41 | |
-So close! -And so close, but you know what? | 0:42:41 | 0:42:45 | |
In the end all was well, you go away a fiver and you can say that you | 0:42:45 | 0:42:49 | |
went on Bargain Hunt with Christina Trevelyan and you made a profit. | 0:42:49 | 0:42:52 | |
-How good is that? -And there's not many people who can say that! | 0:42:52 | 0:42:55 | |
I tell you what, it has been an absolutely wild day | 0:42:56 | 0:43:00 | |
-but I've have fun. Have you all had fun too? ALL: -Yes. | 0:43:00 | 0:43:03 | |
-Yeah, yeah, yeah. -And if you had fun at home, | 0:43:03 | 0:43:05 | |
why not visit our website because that is where you can find out | 0:43:05 | 0:43:08 | |
how to apply to appear on Bargain Hunt | 0:43:08 | 0:43:11 | |
and if you have Twitter then follow us... | 0:43:11 | 0:43:14 | |
We would love to hear from you. | 0:43:14 | 0:43:16 | |
But much more importantly than that, if you enjoyed it, | 0:43:16 | 0:43:19 | |
join us again for some more bargain-hunting. | 0:43:19 | 0:43:22 | |
-Yes? ALL: -Yes! | 0:43:22 | 0:43:24 |