Browse content similar to York and Wetherby 22. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm at the York Castle Museum, | 0:00:04 | 0:00:06 | |
and I've stepped back in time to Victorian York, | 0:00:06 | 0:00:09 | |
a city with a sweet history. | 0:00:09 | 0:00:12 | |
Whilst many northern cities relied on steel and coal mining, | 0:00:13 | 0:00:16 | |
York's fortunes lay in chocolate and sweets. | 0:00:16 | 0:00:19 | |
By the 1960s, 20,000 people were employed | 0:00:19 | 0:00:23 | |
in its confectionery industry. | 0:00:23 | 0:00:25 | |
Well, the Reds and Blues are hoping that their fortunes rest today | 0:00:25 | 0:00:29 | |
in York's antique centres. | 0:00:29 | 0:00:31 | |
Antiques and chocolate? | 0:00:31 | 0:00:34 | |
Come on, it doesn't get much better than that. | 0:00:34 | 0:00:36 | |
So, let's go Bargain Hunting. | 0:00:36 | 0:00:39 | |
With two antique centres to choose from, | 0:01:02 | 0:01:04 | |
the Reds and Blues can pick and mix to their hearts' content. | 0:01:04 | 0:01:07 | |
Armed with ?300, | 0:01:07 | 0:01:09 | |
our teams have got one hour to buy three items | 0:01:09 | 0:01:12 | |
that, hopefully, will give them a profit | 0:01:12 | 0:01:14 | |
when they take them to auction. | 0:01:14 | 0:01:16 | |
So let's see what's coming up. | 0:01:16 | 0:01:18 | |
The Reds need to remember they only have ?300... | 0:01:20 | 0:01:23 | |
I mean, for a mere ?2,000, we could get this ring. | 0:01:23 | 0:01:27 | |
..whilst the Blues need lessons in negotiating... | 0:01:27 | 0:01:30 | |
You're going to go straight there... | 0:01:30 | 0:01:31 | |
Yeah. Your haggling's awful. 35. 35! | 0:01:31 | 0:01:34 | |
..but who will win the head-to-head at today's auction? | 0:01:34 | 0:01:37 | |
The Reds...? Yes. | 0:01:37 | 0:01:39 | |
..or the Blues? | 0:01:39 | 0:01:40 | |
We've got a plus! | 0:01:40 | 0:01:43 | |
And I pop back to the York Castle Museum | 0:01:43 | 0:01:45 | |
to find out more about York's sweet history. | 0:01:45 | 0:01:48 | |
Well, all that is coming up later, but let's meet today's teams. | 0:01:50 | 0:01:54 | |
And today, we've got two teams of friends. | 0:01:54 | 0:01:56 | |
For the Reds, we've got Amelia and Sam. | 0:01:56 | 0:01:59 | |
And for the Blues, we've got Julia and Julie. | 0:01:59 | 0:02:01 | |
So, hello. ALL: Hello! | 0:02:01 | 0:02:03 | |
So turning to the Reds, Sam, how do you two know one another? | 0:02:03 | 0:02:07 | |
Well, me and Amelia are both friends from Leeds Uni, | 0:02:07 | 0:02:09 | |
we both do music together. | 0:02:09 | 0:02:10 | |
But we met at a bingo night that the uni was running, | 0:02:10 | 0:02:12 | |
which was a bit of a weird one for a couple of students. Strangely, yeah. | 0:02:12 | 0:02:15 | |
But we both share the same interest in music. | 0:02:15 | 0:02:17 | |
And we would have met each other anyway. | 0:02:17 | 0:02:19 | |
And now we live together and watch Bargain Hunt together. | 0:02:19 | 0:02:22 | |
We both decided that we could probably do better | 0:02:22 | 0:02:24 | |
than the contestants, so we just applied and here we are. | 0:02:24 | 0:02:26 | |
Big talk. Yeah. Big talk. | 0:02:26 | 0:02:28 | |
Amelia, how many instruments do you play? | 0:02:28 | 0:02:30 | |
Clarinet, saxophone, flute, piano, and I sing, | 0:02:30 | 0:02:34 | |
and I play the ukulele, as well, so I suppose that's six. | 0:02:34 | 0:02:36 | |
Yeah. And what about yourself, Sam? | 0:02:36 | 0:02:39 | |
Just a couple. I do sax, as well, and the guitar. | 0:02:39 | 0:02:42 | |
But Sam, in your case, not only are you studying music, | 0:02:42 | 0:02:45 | |
but you're studying history as well. | 0:02:45 | 0:02:47 | |
Yeah, so I do a joint honours, so it's half history, half music, | 0:02:47 | 0:02:51 | |
which probably just shows how indecisive I am, I guess. | 0:02:51 | 0:02:53 | |
I couldn't pick between two subjects. | 0:02:53 | 0:02:55 | |
So you've got this wonderful sort of music synergy | 0:02:55 | 0:02:58 | |
between the two of you. | 0:02:58 | 0:03:00 | |
What's your antiques and collectibles synergy like? | 0:03:00 | 0:03:03 | |
Well, I mean, of the two of us, | 0:03:03 | 0:03:04 | |
I think you're the bona fide expert, I think. | 0:03:04 | 0:03:07 | |
Well... Expert is a strong term to use for my knowledge. | 0:03:07 | 0:03:10 | |
But I definitely know more than Sam. | 0:03:10 | 0:03:12 | |
So what about tactics today, how are you going to work as a team? | 0:03:12 | 0:03:16 | |
I think I'll probably be the leader. | 0:03:16 | 0:03:18 | |
I'm probably the one that needs reining in | 0:03:18 | 0:03:19 | |
to be told what to do, really. We're both quite impulsive. | 0:03:19 | 0:03:22 | |
Would you describe yourselves as being competitive? | 0:03:22 | 0:03:24 | |
Yeah. We're in it to win it. Yeah, definitely. | 0:03:24 | 0:03:27 | |
So that's our Red team, now to our Blue team. | 0:03:27 | 0:03:31 | |
So Julia, tell me how you met Julie, here. | 0:03:31 | 0:03:34 | |
Well, we met at an art class many years ago | 0:03:34 | 0:03:37 | |
when our children were very young, | 0:03:37 | 0:03:39 | |
and it's gone from there. | 0:03:39 | 0:03:41 | |
We were the naughty ones who sat at the back of the class, | 0:03:41 | 0:03:43 | |
eating the chocolate and having a bit of a chat. | 0:03:43 | 0:03:46 | |
We were. So you've obviously got that artistic bent, | 0:03:46 | 0:03:48 | |
which should stand you in pretty good stead, but Julia, | 0:03:48 | 0:03:51 | |
I believe you're just about to retire from the police force. | 0:03:51 | 0:03:53 | |
I am. I've had a wonderful career, | 0:03:53 | 0:03:56 | |
and I've done lots of interesting things, | 0:03:56 | 0:03:58 | |
and I'm currently a detective, | 0:03:58 | 0:03:59 | |
behind the scenes, gathering intelligence. | 0:03:59 | 0:04:02 | |
So, Julie, tell me what you do for a living. | 0:04:02 | 0:04:04 | |
I'm a supply teacher, primary supply teacher, | 0:04:04 | 0:04:06 | |
in and around North Yorkshire and Durham. | 0:04:06 | 0:04:08 | |
That must make for an interesting career. | 0:04:08 | 0:04:11 | |
It's fantastic, I love it. | 0:04:11 | 0:04:12 | |
Yeah. So let's get down to basics, ladies. | 0:04:12 | 0:04:15 | |
What do you know about antiques and collectibles? | 0:04:15 | 0:04:17 | |
It's not high, my knowledge in particular... | 0:04:17 | 0:04:20 | |
THEY LAUGH | 0:04:20 | 0:04:21 | |
..but I am finding an interest in history more, these days. | 0:04:21 | 0:04:25 | |
And what about yourself, Julie? | 0:04:25 | 0:04:26 | |
I have very little knowledge, hardly any at all. | 0:04:26 | 0:04:29 | |
I like looking at things that have got a bit of history, | 0:04:29 | 0:04:32 | |
but that's about all I know, really. | 0:04:32 | 0:04:34 | |
So you're going to be looking at things | 0:04:34 | 0:04:36 | |
from an aesthetic point of view, would you say? | 0:04:36 | 0:04:37 | |
Probably, yes, I'll just sort of, like, "That's what I like." | 0:04:37 | 0:04:40 | |
OK, well, it's a happy combination, it really is. | 0:04:40 | 0:04:42 | |
Well, obviously, you're going to need a game plan today, | 0:04:42 | 0:04:44 | |
cos you've already heard, I mean, the Reds are in it to win it. | 0:04:44 | 0:04:47 | |
They are, yeah. So how do you intend to take them on? | 0:04:47 | 0:04:50 | |
I think it's the old against the young. | 0:04:50 | 0:04:52 | |
We'll beat you. They're going to have a run for their money. | 0:04:52 | 0:04:54 | |
Absolutely. | 0:04:54 | 0:04:56 | |
Right, so, you're going to need some money before you do some buying. | 0:04:56 | 0:05:00 | |
So ?300 to the Reds, and ?300 to the Blues. | 0:05:00 | 0:05:03 | |
This is where you go off and you meet your respective experts. | 0:05:03 | 0:05:06 | |
Thank you very much. OK, bye. | 0:05:06 | 0:05:08 | |
Well, it strikes me that we've got something | 0:05:08 | 0:05:10 | |
that might be described | 0:05:10 | 0:05:12 | |
as a keynote and arresting competition coming our way. | 0:05:12 | 0:05:16 | |
Let's see. | 0:05:16 | 0:05:17 | |
All our teams need now are their experts. | 0:05:19 | 0:05:20 | |
Helping to keep the Reds afloat, it's Nick Hall. | 0:05:23 | 0:05:27 | |
And keeping an eye on the balance for the Blues, it's Jonathan Pratt. | 0:05:27 | 0:05:34 | |
Well, Sam, Amelia, here we are in glorious York, | 0:05:34 | 0:05:36 | |
a lot of shopping to do. What's on the shopping list? | 0:05:36 | 0:05:38 | |
So maybe some silverware, definitely something that's sparkly. | 0:05:38 | 0:05:41 | |
Bling, we like bling. | 0:05:41 | 0:05:42 | |
Something quirky, something a bit interesting. | 0:05:42 | 0:05:44 | |
Something musical would be great. | 0:05:44 | 0:05:46 | |
JULIA: Something funky, I think. Funky? | 0:05:46 | 0:05:48 | |
Teams, your time starts now. | 0:05:48 | 0:05:50 | |
Come on, let's go in there. | 0:05:52 | 0:05:53 | |
JONATHAN: Right, let's go. | 0:05:53 | 0:05:55 | |
So the Reds are heading into the Antique Centre of York... | 0:05:55 | 0:05:58 | |
..and the Blues into the Red House Antique Centre. | 0:05:59 | 0:06:02 | |
See, cabinets like this are always interesting because... | 0:06:02 | 0:06:05 | |
The Reds are straight on the hunt for silver and sparkly. | 0:06:05 | 0:06:08 | |
See that knife there? | 0:06:08 | 0:06:09 | |
Yeah. Oh, yeah. That would be nearly 200 years old, something like that. | 0:06:09 | 0:06:12 | |
Really?! Oh, wow. Now if we're in luck, the blade'll be silver, | 0:06:12 | 0:06:15 | |
and it will be hallmarked. The ticket price, I think it says ?28. | 0:06:15 | 0:06:19 | |
OK, thank you. So there it is. | 0:06:23 | 0:06:25 | |
Now, this is the area here that we want it to be silver. | 0:06:25 | 0:06:29 | |
OK, so flip it over. | 0:06:29 | 0:06:31 | |
You've got a nice set of hallmarks there, | 0:06:31 | 0:06:32 | |
so you've got the Lion passant, | 0:06:32 | 0:06:34 | |
that tells you that it is British hallmarked silver. | 0:06:34 | 0:06:36 | |
And the mark of the assay office, in this case, | 0:06:36 | 0:06:38 | |
which is an anchor, for Birmingham. | 0:06:38 | 0:06:40 | |
Instantly, you've got the silver collectors on board at auction. | 0:06:40 | 0:06:44 | |
The handle is lovely, it's original. | 0:06:44 | 0:06:46 | |
It's all carved out of a piece of bone, | 0:06:46 | 0:06:48 | |
and it is from that late Georgian period, | 0:06:48 | 0:06:51 | |
so it's around 200 years old. | 0:06:51 | 0:06:52 | |
It's a real piece of social history, isn't it? | 0:06:52 | 0:06:54 | |
Who do you think would have used something like that? | 0:06:54 | 0:06:56 | |
It would have been quite a wealthy house, | 0:06:56 | 0:06:59 | |
professional men or a businessman. | 0:06:59 | 0:07:01 | |
Yeah. I love the carving on the... | 0:07:01 | 0:07:03 | |
On the inside rim. Yeah. It's lovely, isn't it? | 0:07:03 | 0:07:05 | |
This type of decoration is traditionally called bright cut, | 0:07:05 | 0:07:08 | |
and they actually actively cut into the silver | 0:07:08 | 0:07:10 | |
to create these little patterns, and the light bounces, as well. | 0:07:10 | 0:07:14 | |
Yeah. That is quite something, isn't it? | 0:07:14 | 0:07:15 | |
Do you want to put an offer in on that? | 0:07:15 | 0:07:17 | |
What do you think you could stoop to? | 0:07:17 | 0:07:19 | |
Would something like ?20, do you think... | 0:07:19 | 0:07:21 | |
I would think... ..as a round figure? | 0:07:21 | 0:07:23 | |
I can definitely speak to the dealer for you and see what they say. | 0:07:23 | 0:07:25 | |
SAM: Yeah, thank you! Cheers. | 0:07:25 | 0:07:27 | |
Fingers crossed, guys. That might... That might be our first item bought. | 0:07:27 | 0:07:30 | |
How much do you think, profit-wise, we'd get on that? | 0:07:30 | 0:07:33 | |
Certainly, if that walked into me on valuation day | 0:07:33 | 0:07:36 | |
I would quite happily say ?20 to ?30. OK. | 0:07:36 | 0:07:39 | |
Ah, you have news. | 0:07:39 | 0:07:41 | |
I've spoken to the dealer, and he says ?20 is fine. | 0:07:41 | 0:07:43 | |
Oh, lovely. Brilliant. What do you think, then, first item bought? | 0:07:43 | 0:07:46 | |
Yeah, I think so. For ?20, yeah. | 0:07:46 | 0:07:47 | |
Let's go for it. You guys have a deal. | 0:07:47 | 0:07:49 | |
Thank you very, very much. Thank you. | 0:07:49 | 0:07:51 | |
The Reds aren't hanging about. | 0:07:51 | 0:07:53 | |
First item bought in just five minutes. | 0:07:53 | 0:07:55 | |
Blues, how are you settling in? | 0:07:56 | 0:07:59 | |
Woo, look at this. Jonathan, what do you think to this? | 0:07:59 | 0:08:03 | |
Not a lot of money. No. | 0:08:03 | 0:08:05 | |
It's a preserve jar. I guess, yeah, you've got a little heart. | 0:08:05 | 0:08:08 | |
I mean, it's quite simply engraved, | 0:08:08 | 0:08:10 | |
it's electroplated, but you've got... | 0:08:10 | 0:08:11 | |
I suppose the finial's quite sweet with a little wishbone on the top, | 0:08:11 | 0:08:14 | |
and it's made of wishbone sides, | 0:08:14 | 0:08:16 | |
so I suppose, then, it would be for something like cranberry | 0:08:16 | 0:08:19 | |
or something to go with a meal. | 0:08:19 | 0:08:21 | |
I quite like it, actually. | 0:08:21 | 0:08:23 | |
Do you? What do you think, Julie? | 0:08:23 | 0:08:24 | |
No. I don't, actually. You don't like it? | 0:08:24 | 0:08:26 | |
It's quite quirky, but I don't... | 0:08:26 | 0:08:28 | |
But not quirky enough for the Blues. | 0:08:28 | 0:08:30 | |
Now, can Nick smell a profit in this? | 0:08:31 | 0:08:34 | |
You see that little scent bottle? | 0:08:34 | 0:08:35 | |
Yeah. Oh, yeah. Beautiful. | 0:08:35 | 0:08:37 | |
What I really like is that little panel on top | 0:08:37 | 0:08:39 | |
with that floral spray, | 0:08:39 | 0:08:41 | |
that is what's called pietra dura, | 0:08:41 | 0:08:43 | |
and it's an Italian technique of inlaying different coloured marbles | 0:08:43 | 0:08:48 | |
into other coloured marbles, and it's exquisite and highly prized. | 0:08:48 | 0:08:52 | |
Let's have a closer look. | 0:08:52 | 0:08:54 | |
So you're saying about the marbling, is this | 0:08:54 | 0:08:56 | |
this sort of floral bit here, or is it all around? | 0:08:56 | 0:08:58 | |
It's this oval panel. So what is this, is this enamel? | 0:08:58 | 0:09:01 | |
This is absolutely spot-on, yeah, this is all enamel, | 0:09:01 | 0:09:03 | |
and coloured stones, as well. | 0:09:03 | 0:09:05 | |
It's beautiful. All right. | 0:09:05 | 0:09:07 | |
And it's that inlay that gives it the value, basically. | 0:09:07 | 0:09:10 | |
Yes, that's real craftsmanship, | 0:09:10 | 0:09:12 | |
particularly when it's that small and exquisite, | 0:09:12 | 0:09:14 | |
cos you've got to hand cut all of those pieces of marble, | 0:09:14 | 0:09:18 | |
and you've got to hand-cut the gap you're going to drop it into, | 0:09:18 | 0:09:21 | |
and it's got to be absolutely flush, which it is - smooth. | 0:09:21 | 0:09:25 | |
And they're asking... Fingers crossed. | 0:09:25 | 0:09:27 | |
And see if they've spotted its value. | 0:09:27 | 0:09:30 | |
Aw, it's ?220. | 0:09:30 | 0:09:32 | |
It's a lot of money. | 0:09:32 | 0:09:34 | |
Aw, bad luck, find something cheaper. | 0:09:34 | 0:09:36 | |
Looks like Julie has found Humphrey Bogart. | 0:09:36 | 0:09:39 | |
I really like him, I think he's great. | 0:09:39 | 0:09:40 | |
Do you? Humphrey. | 0:09:40 | 0:09:43 | |
It's plaster, moulded plaster, | 0:09:43 | 0:09:45 | |
so it's basically one of those novelty reproductions, you know. | 0:09:45 | 0:09:49 | |
You often get Glenn Miller and all those sort of classical... | 0:09:49 | 0:09:51 | |
So you'll have Sinatra, they were made sort of 20 or 30 years ago. | 0:09:51 | 0:09:55 | |
It's got quite a lot of damage on it around the bottom. | 0:09:55 | 0:09:58 | |
Because it's a very soft material. | 0:09:58 | 0:10:01 | |
Novelty value, | 0:10:01 | 0:10:02 | |
but it's not really something you'll turn over at auction. | 0:10:02 | 0:10:05 | |
No. If he was Elvis, he'd be worth more, I think. | 0:10:05 | 0:10:07 | |
Maybe. | 0:10:07 | 0:10:09 | |
IMITATES ELVIS: Uh-huh-huh. | 0:10:09 | 0:10:10 | |
See if you can find Elvis, then, ladies. | 0:10:10 | 0:10:13 | |
Reds, is this something to write home about? | 0:10:13 | 0:10:15 | |
We were just trying to get a closer look at the engraving | 0:10:15 | 0:10:17 | |
on this little writing set here... Yeah. | 0:10:17 | 0:10:19 | |
Oh, I see. ..cos we just saw that it was silver-plated. | 0:10:19 | 0:10:21 | |
Quite a sweet little thing, really. | 0:10:21 | 0:10:23 | |
It is, yeah. So it's in its fitted case, so you've got the seal. | 0:10:23 | 0:10:27 | |
If you were sending a letter, you'd put hot wax on it, | 0:10:27 | 0:10:29 | |
and you'd stamp it with the seal. | 0:10:29 | 0:10:31 | |
And then the pen, for putting an... | 0:10:31 | 0:10:34 | |
Well, you'd have to put a nib in it, wouldn't you? | 0:10:34 | 0:10:36 | |
Mm. Yeah. Quite a nice little thing, really, isn't it? | 0:10:36 | 0:10:38 | |
How much is it? 35. It's going for, yeah, 35. | 0:10:38 | 0:10:41 | |
It's not overly dear, is it? | 0:10:41 | 0:10:42 | |
Do you think that's something we can make a profit on, or...? | 0:10:42 | 0:10:44 | |
Borderline, 20 to 30 quid. | 0:10:44 | 0:10:46 | |
Well, maybe sort of hold it as a... | 0:10:46 | 0:10:48 | |
Something for the back burner, yeah. As a reserve, yeah. | 0:10:48 | 0:10:50 | |
Cos, yeah, we've got plenty of time left. | 0:10:50 | 0:10:52 | |
Yes, but that hour soon goes, Reds. | 0:10:52 | 0:10:55 | |
Jonathan, does this count as funky? | 0:10:55 | 0:10:57 | |
It's sort of a bit of style, and a bit of modern collectible, | 0:10:57 | 0:11:00 | |
it's early 20th century. | 0:11:00 | 0:11:01 | |
But it's this little jelly mould, sort of like a patty mould, | 0:11:01 | 0:11:05 | |
and you know it's blank and white, so it's quite sculptural, | 0:11:05 | 0:11:08 | |
and you could use it. | 0:11:08 | 0:11:09 | |
Why don't you ask Steve, the shop owner, for a closer look? | 0:11:09 | 0:11:12 | |
Could we ask you, please, about this jelly mould? | 0:11:12 | 0:11:14 | |
Yeah, do you want to have a look at it? | 0:11:14 | 0:11:16 | |
If you don't mind, yes, please. | 0:11:16 | 0:11:18 | |
That's lovely, isn't it? | 0:11:23 | 0:11:25 | |
What does it say inside? | 0:11:25 | 0:11:26 | |
Made in England. | 0:11:26 | 0:11:27 | |
Is it, now? Basically, it is 20th century. | 0:11:27 | 0:11:29 | |
Oh, yeah, upside down. | 0:11:29 | 0:11:30 | |
I quite like that, actually. I do, too. | 0:11:32 | 0:11:34 | |
On a marble countertop, that would be really pretty. | 0:11:34 | 0:11:37 | |
I'll have a look, do you mind? | 0:11:37 | 0:11:39 | |
Yeah. | 0:11:39 | 0:11:41 | |
Have a look, see, got a crack. | 0:11:41 | 0:11:43 | |
I didn't spot that. Well spotted. | 0:11:43 | 0:11:45 | |
OK. Well, we'll leave it, but thank you. | 0:11:45 | 0:11:48 | |
Thank you very much. | 0:11:48 | 0:11:50 | |
The cracks cause the Blues to wobble, | 0:11:50 | 0:11:52 | |
but it's more silver for the Reds. | 0:11:52 | 0:11:54 | |
Just something like this. | 0:11:54 | 0:11:55 | |
Obviously, it's quite expensive. | 0:11:55 | 0:11:57 | |
And salts and little spoons. | 0:11:57 | 0:11:59 | |
It's a nice little thing, and it's complete, it's ?145... Yeah. | 0:11:59 | 0:12:04 | |
Would it make that at auction? Yeah. | 0:12:04 | 0:12:06 | |
I should think auctioneer's estimate would be something like 80 to 120. | 0:12:06 | 0:12:09 | |
Seems the Reds have expensive tastes. | 0:12:09 | 0:12:12 | |
How are we doing for time, Jonathan? | 0:12:12 | 0:12:14 | |
We've had 18, 19 minutes already, so our little... | 0:12:14 | 0:12:18 | |
Right, let's move. We need to wiggle on, yeah. | 0:12:18 | 0:12:20 | |
We do need to start thinking. | 0:12:20 | 0:12:21 | |
I like, I like this red stuff. | 0:12:21 | 0:12:23 | |
The basket? Yeah. | 0:12:23 | 0:12:25 | |
Oh, my God, look at this. | 0:12:25 | 0:12:27 | |
I know, sorry. | 0:12:27 | 0:12:28 | |
it's like the Krypton Factor. There we are. | 0:12:28 | 0:12:30 | |
Oh, now, you see, that is beautiful. | 0:12:30 | 0:12:32 | |
That's lovely, isn't it? Yeah, I really like that. | 0:12:32 | 0:12:34 | |
And the process is, making a white glass basket, | 0:12:34 | 0:12:37 | |
dipping it into red glass, and then cutting it back. | 0:12:37 | 0:12:39 | |
OK. These are often made in sort of Bohemia, Czechoslovakia, | 0:12:39 | 0:12:41 | |
at the end of the 19th, early 20th century, | 0:12:41 | 0:12:44 | |
but they still make them today, | 0:12:44 | 0:12:45 | |
so if you see a nice network of scratches on the foot rim, | 0:12:45 | 0:12:48 | |
you know it might be an older piece. | 0:12:48 | 0:12:50 | |
If not, then still, you're looking at something which is decorative | 0:12:50 | 0:12:53 | |
and you can feel the quality. | 0:12:53 | 0:12:54 | |
I do like that one a lot, actually. | 0:12:54 | 0:12:55 | |
The key to that, it says ?55. | 0:12:55 | 0:12:57 | |
I don't think it's terribly old - it's copying an earlier piece - | 0:12:57 | 0:13:00 | |
but it's a nice decorative object. | 0:13:00 | 0:13:02 | |
And get the right price... | 0:13:02 | 0:13:04 | |
OK. 35? | 0:13:04 | 0:13:06 | |
Yeah. That would be lovely, I really like that. | 0:13:06 | 0:13:08 | |
Should we shake on that? | 0:13:08 | 0:13:09 | |
You're going to go straight there, your haggling's awful. | 0:13:09 | 0:13:12 | |
35. No, I'm really sorry, can we try that one again? | 0:13:12 | 0:13:16 | |
No. ?30. | 0:13:16 | 0:13:18 | |
?30. ?30. OK, lovely. | 0:13:18 | 0:13:19 | |
That's the way to negotiate, ladies. | 0:13:19 | 0:13:22 | |
25 minutes, and the basket's in the bag. | 0:13:22 | 0:13:24 | |
Reds, is this the real McCoy? | 0:13:24 | 0:13:27 | |
It's copying something that should be 500 or 600 years old. | 0:13:27 | 0:13:31 | |
This was probably produced somewhere between the wars, | 0:13:31 | 0:13:34 | |
early 20th century, it's a copycat piece. | 0:13:34 | 0:13:37 | |
OK. And they're asking ?48 for it. | 0:13:37 | 0:13:41 | |
I have to admit, I'm not a big fan of it. | 0:13:41 | 0:13:43 | |
You're not? No. Maybe I'd like that sort of thing, | 0:13:43 | 0:13:45 | |
but more elegant, a bit more modern. | 0:13:45 | 0:13:47 | |
And something silver and sparkly, Amelia. | 0:13:47 | 0:13:50 | |
Blues, this looks funky. | 0:13:50 | 0:13:52 | |
It says on there... I think it says Ruskin, it says Ruskinware. | 0:13:52 | 0:13:54 | |
Right. And is that popular? Would it sell? | 0:13:54 | 0:13:56 | |
It would do, I mean, it's quite... | 0:13:56 | 0:13:58 | |
I think it's asking enough money for it. | 0:13:58 | 0:14:00 | |
Could we have a look at this orange vase... | 0:14:00 | 0:14:02 | |
This one, yep. | 0:14:02 | 0:14:03 | |
I'm sure it's got a better name than that, orange vase, but... | 0:14:03 | 0:14:06 | |
Tangerine. Tangerine, thank you. | 0:14:06 | 0:14:08 | |
Slightly smaller than an orange. | 0:14:08 | 0:14:10 | |
So is it stamped Ruskin on the bottom? | 0:14:10 | 0:14:12 | |
There we are, look, Ruskin, England, 1921. | 0:14:12 | 0:14:14 | |
I just kind of really like that sort of thing. | 0:14:14 | 0:14:17 | |
Yes. I like this. The history of it, as well. | 0:14:17 | 0:14:19 | |
It's not going to run away in value, | 0:14:19 | 0:14:21 | |
but, to me, this is sort of a bit of history | 0:14:21 | 0:14:22 | |
which you can buy and collect - very decorative. | 0:14:22 | 0:14:25 | |
I don't think it'd ever go down in value. | 0:14:25 | 0:14:27 | |
It's striking, isn't? | 0:14:27 | 0:14:29 | |
It is, it's a lovely glaze. | 0:14:29 | 0:14:31 | |
Wendy, the price is ?68. | 0:14:31 | 0:14:33 | |
What would be the best you could do for it? | 0:14:33 | 0:14:36 | |
The dealer does 10%, but I could maybe ring him... | 0:14:36 | 0:14:38 | |
I can only do 10%... Yes. | 0:14:38 | 0:14:40 | |
..but I can ring him | 0:14:40 | 0:14:41 | |
to see if he could do a better price for you. | 0:14:41 | 0:14:43 | |
Yeah. Yes, could you see what the best... | 0:14:43 | 0:14:45 | |
Yeah, yeah. ..he could do with that? | 0:14:45 | 0:14:47 | |
That would be lovely, thank you. | 0:14:47 | 0:14:48 | |
Let's hope Wendy can get you a better price, then, Blues. | 0:14:48 | 0:14:51 | |
Reds, is this a good spot? | 0:14:51 | 0:14:53 | |
I rather like the look of that telescope. | 0:14:53 | 0:14:56 | |
Traditionally, these were 19th century. | 0:14:56 | 0:14:58 | |
It's got the original leather. | 0:14:58 | 0:15:00 | |
Let's pull it out. So it's one, two... | 0:15:00 | 0:15:02 | |
..three. It's a three-draw. | 0:15:03 | 0:15:05 | |
So it's a pocket telescope. | 0:15:05 | 0:15:08 | |
Probably naval. OK. | 0:15:08 | 0:15:09 | |
OK. | 0:15:09 | 0:15:11 | |
Now it's the smaller draw | 0:15:11 | 0:15:12 | |
that you to tend to get the maker's name engraved on it. | 0:15:12 | 0:15:15 | |
And there isn't one on there. | 0:15:15 | 0:15:17 | |
Is there not something just there? | 0:15:17 | 0:15:18 | |
Ah! Well spotted. | 0:15:18 | 0:15:21 | |
Good eye, Sam. Oh, well done, you. | 0:15:21 | 0:15:22 | |
Have a go. It says Broadwick Scarborough. | 0:15:22 | 0:15:26 | |
So it's a Yorkshire piece... | 0:15:26 | 0:15:27 | |
Oh, right. | 0:15:27 | 0:15:29 | |
..which is interesting. | 0:15:29 | 0:15:30 | |
OK, so condition-wise... | 0:15:31 | 0:15:34 | |
That slides back so you can look through it. | 0:15:35 | 0:15:37 | |
And then that slides shut and protects it. | 0:15:37 | 0:15:39 | |
It's always a good start. Yeah. | 0:15:39 | 0:15:40 | |
This end, the cap protects the lens and the lens isn't cracked. | 0:15:40 | 0:15:44 | |
OK. | 0:15:44 | 0:15:45 | |
The leather's all there. | 0:15:46 | 0:15:48 | |
Price-wise, ?55. | 0:15:48 | 0:15:51 | |
So how much do you think the telescope could go for? | 0:15:51 | 0:15:54 | |
With the right buyers in the room and with local interest, | 0:15:54 | 0:15:56 | |
it could make ?100. Really?! | 0:15:56 | 0:15:58 | |
Could do. It's got the potential. | 0:15:58 | 0:16:00 | |
Yeah. I'll go and find Becky. | 0:16:00 | 0:16:02 | |
OK. See if we can do a deal on this. | 0:16:02 | 0:16:03 | |
Yep. Great. And I'll be back in a minute. | 0:16:03 | 0:16:05 | |
Lovely, thank you. | 0:16:05 | 0:16:06 | |
Looks like you've spotted a bargain, Reds. | 0:16:06 | 0:16:08 | |
Always, cheap is better. | 0:16:08 | 0:16:10 | |
Well, yeah. But I think 40, hopefully, would be a realistic ask. | 0:16:10 | 0:16:12 | |
I think 40 seems like a nice price, yeah. | 0:16:12 | 0:16:14 | |
Yeah, yeah. | 0:16:14 | 0:16:16 | |
Ahoy, there, me shipmates. I come bearing news. | 0:16:16 | 0:16:18 | |
Hi. News from afar. What are you thinking? | 0:16:18 | 0:16:21 | |
Crikey. We like it, I think, yeah. | 0:16:21 | 0:16:22 | |
Yeah, I think me and Amelia agreed | 0:16:22 | 0:16:24 | |
if we could get somewhere in the region of 40 to 45, | 0:16:24 | 0:16:26 | |
we'd be quite happy to go with it. | 0:16:26 | 0:16:28 | |
Yeah, we would be happy with that. What, what... | 0:16:28 | 0:16:30 | |
Lucky for you, I've negotiated it down, | 0:16:30 | 0:16:32 | |
and it can be yours for ?45. | 0:16:32 | 0:16:34 | |
OK. OK. So are you sure we're going to buy it? | 0:16:34 | 0:16:36 | |
Our second buy? Yeah, sounds good. | 0:16:36 | 0:16:38 | |
?45? You know what? Let's go for it. | 0:16:38 | 0:16:39 | |
Yeah? We're going to see a profit with it? | 0:16:39 | 0:16:41 | |
I think so, yeah. Absolutely. You sure? | 0:16:41 | 0:16:43 | |
Yeah. Come on, then. Let's go and get it paid for. Come on. | 0:16:43 | 0:16:45 | |
Go and buy item number two, then, Reds. | 0:16:45 | 0:16:48 | |
Blues, do you have a good price for the vase? | 0:16:48 | 0:16:51 | |
Here she comes. Right, Wendy. | 0:16:51 | 0:16:54 | |
The best on that is going to be 50. | 0:16:54 | 0:16:56 | |
That's sort of in the middle of an estimate. | 0:16:56 | 0:16:58 | |
You know it's 40 to 60, ?50 you could get... | 0:16:58 | 0:17:00 | |
It could be... Get ?10 on it. I mean... | 0:17:00 | 0:17:02 | |
Let's go for it. Yep, OK. | 0:17:02 | 0:17:04 | |
Yeah, let's go for it. | 0:17:04 | 0:17:05 | |
We like that one. Yes, we will. | 0:17:05 | 0:17:07 | |
No haggling there. Thank you. | 0:17:07 | 0:17:09 | |
35 minutes in, and some of the pressure is off the Blues. | 0:17:09 | 0:17:12 | |
It's 2-2. | 0:17:12 | 0:17:14 | |
So whilst the teams track down their third item, | 0:17:14 | 0:17:16 | |
I'm popping back to the York Castle Museum | 0:17:16 | 0:17:19 | |
to find out about its sweet history. | 0:17:19 | 0:17:21 | |
Some of the big names in confectionery | 0:17:29 | 0:17:32 | |
all began life in York. | 0:17:32 | 0:17:33 | |
Terry's, Rowntree's and Craven's were major employers here | 0:17:33 | 0:17:37 | |
from the end of the 18th through to the end of the 19th century. | 0:17:37 | 0:17:41 | |
York's earliest recorded confectioner was in 1646. | 0:17:41 | 0:17:45 | |
But the industry as we know it started 100 years later | 0:17:45 | 0:17:49 | |
when drinking chocolate was sold in a local grocer's shop. | 0:17:49 | 0:17:52 | |
By the 1860s, Rowntree's bought the business | 0:17:52 | 0:17:55 | |
and went into production. | 0:17:55 | 0:17:57 | |
Em, one of the curators here, is going to tell me more. | 0:17:57 | 0:18:01 | |
Now, why York? | 0:18:01 | 0:18:02 | |
That's a good question. | 0:18:02 | 0:18:04 | |
Well, York in the 18th century was a real kind of very, very popular | 0:18:04 | 0:18:08 | |
tourist destination for really wealthy people. | 0:18:08 | 0:18:10 | |
They could afford sugary sweets. | 0:18:10 | 0:18:12 | |
They could afford chocolate. | 0:18:12 | 0:18:13 | |
Hardly anybody else could. | 0:18:13 | 0:18:15 | |
And then, later on in the 19th century, | 0:18:15 | 0:18:17 | |
you get the railways coming | 0:18:17 | 0:18:18 | |
and you also have really good road links from York. | 0:18:18 | 0:18:21 | |
So if you think about, in about 1840, | 0:18:21 | 0:18:23 | |
Joseph Terry was selling his wares to 70 towns all over Yorkshire. | 0:18:23 | 0:18:27 | |
Now, you've got some fascinating items in your collection. | 0:18:27 | 0:18:30 | |
But what have you brought along to show me? | 0:18:30 | 0:18:32 | |
Well, we've got one thing here from Terry's, | 0:18:32 | 0:18:35 | |
one thing from Rowntree's and one thing from Craven's - | 0:18:35 | 0:18:37 | |
the three big manufacturers from the city. | 0:18:37 | 0:18:40 | |
We have a wonderful little chocolate box from Terry's. | 0:18:40 | 0:18:43 | |
Dates from about 1900. | 0:18:43 | 0:18:44 | |
So this is the box lid, and inside, | 0:18:44 | 0:18:46 | |
you've got all of these little tiny boxes, | 0:18:46 | 0:18:49 | |
and they have an individual chocolate inside each of them. | 0:18:49 | 0:18:52 | |
Now, we know that this is a treat just for the wealthy | 0:18:52 | 0:18:54 | |
because chocolate boxes used to retail for up to 100 shillings each. | 0:18:54 | 0:18:59 | |
The average family in York | 0:18:59 | 0:19:00 | |
would be lucky to be earning 20 shillings a week. | 0:19:00 | 0:19:03 | |
That's bizarre! | 0:19:03 | 0:19:04 | |
It's almost like, today, you'd be paying what? | 0:19:04 | 0:19:06 | |
I don't know, 300, 400, ?500 for a box of chocolates? | 0:19:06 | 0:19:10 | |
Bonkers. In the 1920s if a young man gave a young woman | 0:19:10 | 0:19:14 | |
a box of chocolates, that was tantamount to a wedding proposal. | 0:19:14 | 0:19:16 | |
HE LAUGHS | 0:19:16 | 0:19:18 | |
You'd have to be careful, wouldn't you, you know? | 0:19:18 | 0:19:20 | |
You would. Anyway, what's this? | 0:19:20 | 0:19:22 | |
What's the tin? This is a tin of Rowntree's cocoa. | 0:19:22 | 0:19:25 | |
It was made here in York, | 0:19:25 | 0:19:26 | |
and it went off on an Antarctic expedition with Shackleton | 0:19:26 | 0:19:29 | |
and then came back again. | 0:19:29 | 0:19:31 | |
So we believe that this was part of the unused stores | 0:19:31 | 0:19:33 | |
that were kept on the ship. | 0:19:33 | 0:19:34 | |
Well, I can see the importance of the tin. | 0:19:34 | 0:19:37 | |
I mean, obviously its historical connection, | 0:19:37 | 0:19:39 | |
but bearing in mind all the tins you have here, | 0:19:39 | 0:19:42 | |
I mean, this place is a Mecca for your tin-collector of today. | 0:19:42 | 0:19:47 | |
But what about the book? | 0:19:47 | 0:19:48 | |
What's that all about? Well, the book is really exciting. | 0:19:48 | 0:19:51 | |
The book belonged to the Craven's business, which Mary Ann Craven ran. | 0:19:51 | 0:19:55 | |
And it comes from about the 1890s. | 0:19:55 | 0:19:58 | |
And if you look, it has their industrial recipes inside. | 0:19:58 | 0:20:02 | |
So this recipe for chocolate sweets has 35lbs of sugar, | 0:20:02 | 0:20:06 | |
two thirds of a gallon of water, 7lbs of gelatine in there, as well. | 0:20:06 | 0:20:10 | |
So you can imagine this is going to be making a vast quantity of sweets. | 0:20:10 | 0:20:14 | |
Well, thank you, Em. Fascinating stuff. | 0:20:14 | 0:20:16 | |
But meanwhile, let's get back to our teams | 0:20:16 | 0:20:19 | |
to see if they're having any sweet success with their shopping. | 0:20:19 | 0:20:22 | |
Back to it, and there's just over 15 minutes left. | 0:20:30 | 0:20:33 | |
Both teams have one more item to find. | 0:20:33 | 0:20:35 | |
Sam, what have you spotted? | 0:20:35 | 0:20:37 | |
I've just investigated some bling. | 0:20:37 | 0:20:39 | |
I mean, for a mere ?2,000, we could get this ring. | 0:20:39 | 0:20:42 | |
I mean... Oh, I'm not even sure if I like it that much. | 0:20:42 | 0:20:44 | |
Try and find something more | 0:20:44 | 0:20:46 | |
in the Bargain Hunt price range, then, Reds. | 0:20:46 | 0:20:48 | |
Blues, what are you up to? | 0:20:48 | 0:20:50 | |
We've got ten more minutes to go, so let's have a look in some of these. | 0:20:50 | 0:20:53 | |
Wow, look at those glasses! | 0:20:53 | 0:20:55 | |
Yeah, nice. I like those. | 0:20:55 | 0:20:56 | |
Yeah. That's quite a nice set. | 0:20:56 | 0:20:58 | |
Yeah. At an auction you generally get about ?10 a glass | 0:20:58 | 0:21:00 | |
if they're nice quality. | 0:21:00 | 0:21:01 | |
And they're way off of that. | 0:21:01 | 0:21:03 | |
At least twice on the label... | 0:21:03 | 0:21:05 | |
Yeah. What you're saying. | 0:21:05 | 0:21:06 | |
You could ask, yeah. There's no harm in asking. | 0:21:06 | 0:21:08 | |
I quite like that, as well, actually. | 0:21:08 | 0:21:10 | |
That looks very reminiscent of Grandma's. | 0:21:10 | 0:21:12 | |
It is actually Clarice Cliff. Is it? It is. Oh, wow! | 0:21:12 | 0:21:14 | |
So let's get Wendy or Steve... | 0:21:14 | 0:21:16 | |
Yep. Yeah, OK. ..come over and have a look. | 0:21:16 | 0:21:18 | |
Yeah, yep. | 0:21:18 | 0:21:19 | |
Yes, time is of the essence, teams. | 0:21:19 | 0:21:21 | |
Sam, Nick's found something right up your street. | 0:21:21 | 0:21:25 | |
So, gather round, my friends. | 0:21:25 | 0:21:26 | |
Gather round. For you, I've got a Victorian silver brooch | 0:21:26 | 0:21:30 | |
with a guitar on it. | 0:21:30 | 0:21:32 | |
Now, is that not two wish-list items with one object? | 0:21:32 | 0:21:35 | |
In one, yeah, it is. | 0:21:35 | 0:21:36 | |
Have I done well? I think you've done very well. | 0:21:36 | 0:21:38 | |
Have I ticked all the boxes? | 0:21:38 | 0:21:40 | |
I think you have. It should be Victorian silver. | 0:21:40 | 0:21:42 | |
So let's have a closer look | 0:21:42 | 0:21:45 | |
and just make sure it is what we think it is. | 0:21:45 | 0:21:47 | |
So, it's in a pretty little box. | 0:21:47 | 0:21:49 | |
It's not hallmarked silver. | 0:21:50 | 0:21:53 | |
It's going to have silver, probably mixed with other metals, | 0:21:53 | 0:21:57 | |
so strictly speaking, it's what you call white metal. | 0:21:57 | 0:21:59 | |
Right. That's the cataloguing term in auctions. | 0:21:59 | 0:22:02 | |
OK. But, you know, it ticks boxes because it's bling and it's musical. | 0:22:02 | 0:22:07 | |
It might not be to your taste. | 0:22:07 | 0:22:08 | |
You might prefer the pen set. But it's just an option. | 0:22:08 | 0:22:10 | |
I'm just worried that it's something that we might like, | 0:22:10 | 0:22:13 | |
but not necessarily... It says 34 quid. Yeah. | 0:22:13 | 0:22:14 | |
It's not cheap for something that's not hallmarked. | 0:22:14 | 0:22:17 | |
If it was hallmarked, I'd be quite happy at the price. | 0:22:17 | 0:22:20 | |
OK. It's the sort of thing that might make a tenner. | 0:22:20 | 0:22:22 | |
Or it might make ?40 to ?50. | 0:22:22 | 0:22:24 | |
Yeah. Of course, the other consideration is, | 0:22:24 | 0:22:26 | |
you've got five minutes left. | 0:22:26 | 0:22:27 | |
Only five minutes? Oh, wow. Not that I want to put any pressure on you. | 0:22:27 | 0:22:30 | |
But you've got five minutes and counting. | 0:22:30 | 0:22:33 | |
Five minutes and counting. How much can we reduce it down to? | 0:22:33 | 0:22:35 | |
Yeah. You hold that. | 0:22:35 | 0:22:37 | |
I'll go and ask the question. | 0:22:37 | 0:22:38 | |
And watch the time cos it's ticking, it's ticking. | 0:22:38 | 0:22:41 | |
Right-oh. | 0:22:41 | 0:22:42 | |
Yes, time's ticking, Blues. | 0:22:42 | 0:22:44 | |
Wendy's taking over the negotiating as Steve's popped out. | 0:22:44 | 0:22:50 | |
The thing with Clarice Cliff, it's glazed and then they decorate. | 0:22:52 | 0:22:55 | |
It's always decorated over the glaze. | 0:22:55 | 0:22:57 | |
This is a bit late for Clarice in style. | 0:22:57 | 0:22:59 | |
It's not really overtly Deco... | 0:22:59 | 0:23:01 | |
It's back into flowers. | 0:23:01 | 0:23:02 | |
A little bit more sort of traditional. | 0:23:02 | 0:23:05 | |
Nice condition. Because it's an over-glazed decoration, | 0:23:05 | 0:23:07 | |
often the enamel is worn, scratched. | 0:23:07 | 0:23:10 | |
Yeah. But that's in nice order, really. | 0:23:10 | 0:23:12 | |
Price is... It says 95. | 0:23:12 | 0:23:15 | |
Steve would accept 50? | 0:23:15 | 0:23:18 | |
Yeah, he would. | 0:23:18 | 0:23:19 | |
He's not here. You can't argue. Maybe. | 0:23:19 | 0:23:21 | |
Maybe! I don't know. | 0:23:21 | 0:23:23 | |
I'll let you take the blame. | 0:23:23 | 0:23:25 | |
The alternatives... I'll put that back there for a minute. | 0:23:25 | 0:23:28 | |
..are these glasses here. | 0:23:28 | 0:23:29 | |
The set of six. | 0:23:29 | 0:23:31 | |
Reds, any closer to making a decision? | 0:23:32 | 0:23:35 | |
What do you think? Would you be tempted to...? | 0:23:35 | 0:23:37 | |
I'll leave the decision with you, if you want. | 0:23:37 | 0:23:39 | |
OK. That's always a terrible idea. | 0:23:39 | 0:23:41 | |
That's how we end up in bother. | 0:23:43 | 0:23:44 | |
Right, guys, there is some movement on the price. | 0:23:44 | 0:23:47 | |
OK. And the lowest it could be would be ?25. | 0:23:47 | 0:23:50 | |
OK. It depends, really, what you're thinking. | 0:23:50 | 0:23:52 | |
It's head or heart, isn't it? | 0:23:52 | 0:23:54 | |
You know, you've got two minutes left. | 0:23:54 | 0:23:56 | |
I'm a heart kind of gal. So I think we should go for it. | 0:23:56 | 0:23:59 | |
I think we came in for something bling and something music, so, yep. | 0:23:59 | 0:24:01 | |
So we're going to go with this, are we? Yeah. We're going to do it? | 0:24:01 | 0:24:04 | |
Let's do it. Yeah. | 0:24:04 | 0:24:05 | |
Well done. Right, got to go and get it bought. | 0:24:05 | 0:24:08 | |
And that's all shopped out. | 0:24:08 | 0:24:09 | |
Well done. | 0:24:09 | 0:24:11 | |
Yes, well done. | 0:24:11 | 0:24:12 | |
Blues, what's it going to be? | 0:24:12 | 0:24:14 | |
Clarice Cliff or the glassware? | 0:24:14 | 0:24:15 | |
Now, they've got a price ticket of 125. | 0:24:15 | 0:24:19 | |
I mean, again, they're not terribly old, that's the thing. | 0:24:19 | 0:24:22 | |
Yeah. Ah, right. Do you think they're not quite... | 0:24:22 | 0:24:25 | |
Well, that's right. | 0:24:25 | 0:24:27 | |
The Clarice is right. | 0:24:27 | 0:24:28 | |
These are quite light. And you can see it's very rounded facet edges. | 0:24:28 | 0:24:32 | |
Let's go for the Clarice Cliff, then. | 0:24:32 | 0:24:34 | |
OK. So, we're going to take advantage of Steve. | 0:24:34 | 0:24:38 | |
Yes. | 0:24:38 | 0:24:40 | |
Do it. I'll give him the money. | 0:24:40 | 0:24:44 | |
Shake hands on it. | 0:24:44 | 0:24:45 | |
Phew, well done. | 0:24:45 | 0:24:46 | |
Right, teams, time's up. | 0:24:49 | 0:24:51 | |
Come on, let's go. I think we deserve a rest now. | 0:24:51 | 0:24:54 | |
Let's check out what the Red team bought. | 0:24:54 | 0:24:56 | |
First up, silver was on the Red's shopping list, | 0:24:58 | 0:25:01 | |
and they paid ?20 for this George III knife. | 0:25:01 | 0:25:03 | |
Next, they focused on this telescope. | 0:25:06 | 0:25:09 | |
?45 paid. | 0:25:09 | 0:25:10 | |
And finally, our musicians settled on this guitar brooch, | 0:25:14 | 0:25:17 | |
bought for ?25. | 0:25:17 | 0:25:19 | |
Well, you set off with a shopping list | 0:25:20 | 0:25:23 | |
and you stuck to it, didn't you? | 0:25:23 | 0:25:24 | |
Think so. It was a good start, there, Nick, wasn't it? | 0:25:24 | 0:25:27 | |
Very good. Dream team, Eric. | 0:25:27 | 0:25:29 | |
Absolute pleasure to work with. | 0:25:29 | 0:25:30 | |
They kept you dangling at the end there, didn't they? | 0:25:30 | 0:25:32 | |
Went down to the wire. Yeah. | 0:25:32 | 0:25:34 | |
But we had a plan B up our sleeve, didn't we? Yep. | 0:25:34 | 0:25:36 | |
Amelia, what's your favourite item of the three you bought? | 0:25:36 | 0:25:39 | |
The pin badge at the end. | 0:25:39 | 0:25:40 | |
The one with the guitar on it. | 0:25:40 | 0:25:42 | |
It sort of embodies both me and Sam's personalities. | 0:25:42 | 0:25:45 | |
Sam, what about yourself? What's your favourite? | 0:25:45 | 0:25:47 | |
Yeah, I really did like the pin badge, as well, actually, | 0:25:47 | 0:25:49 | |
cos I thought it did bring together the music, jewellery element. | 0:25:49 | 0:25:52 | |
But I was also a big fan of the telescope. | 0:25:52 | 0:25:54 | |
So which of the two? Make your mind up. | 0:25:54 | 0:25:55 | |
Oh, I think we'll go with the telescope. | 0:25:55 | 0:25:57 | |
Which of the three is going to give you the biggest profit? | 0:25:57 | 0:25:59 | |
I think the telescope is going to give us the biggest profit. | 0:25:59 | 0:26:02 | |
Yeah. Are you going with that, Sam? I'd agree with that, yeah. | 0:26:02 | 0:26:04 | |
OK. So how much did you spend today, you two? | 0:26:04 | 0:26:06 | |
?90, all together. | 0:26:06 | 0:26:08 | |
?90, which means you're going to give me 210. | 0:26:08 | 0:26:10 | |
210. OK. | 0:26:10 | 0:26:12 | |
There you go. OK. | 0:26:12 | 0:26:13 | |
And I'm going to give it over to Nick. | 0:26:13 | 0:26:15 | |
You could do a lot with that. | 0:26:15 | 0:26:17 | |
And have you got your eye on anything in particular? | 0:26:17 | 0:26:19 | |
Well, I'm kind of inspired by our history student here, | 0:26:19 | 0:26:21 | |
so I'm going to try and find something | 0:26:21 | 0:26:23 | |
with a real historical interest for you. | 0:26:23 | 0:26:25 | |
So, while Nick goes off to find his historical bonus buy, | 0:26:25 | 0:26:28 | |
let's remind ourselves what the Blue team bought. | 0:26:28 | 0:26:31 | |
First item bought was this colourful basket, ?30 paid. | 0:26:33 | 0:26:37 | |
Next up was this Ruskin vase. | 0:26:41 | 0:26:44 | |
?50 paid. | 0:26:44 | 0:26:45 | |
And finally, they bought a Bargain Hunt favourite - | 0:26:49 | 0:26:52 | |
this Clarice Cliff bowl - for another ?50. | 0:26:52 | 0:26:55 | |
Ladies, I've got to say, | 0:26:58 | 0:26:59 | |
you were like two little girls in a sweet shop. | 0:26:59 | 0:27:02 | |
You couldn't make your mind up. You wanted everything. | 0:27:02 | 0:27:05 | |
We did. Absolutely, yeah. | 0:27:05 | 0:27:07 | |
It was a near-run thing. | 0:27:07 | 0:27:09 | |
I mean, the 59th minute, you managed to get your third and final item. | 0:27:09 | 0:27:14 | |
That was cutting it fine. | 0:27:14 | 0:27:16 | |
So, Julie, what's your favourite item? | 0:27:16 | 0:27:18 | |
It was the Clarice Cliff bowl that we got at the end. | 0:27:18 | 0:27:20 | |
And I liked it because it reminded me of my nan | 0:27:20 | 0:27:23 | |
and I can just remember her having sweets or something | 0:27:23 | 0:27:25 | |
in something very similar. | 0:27:25 | 0:27:27 | |
And, Julia, what about your favourite item? | 0:27:27 | 0:27:29 | |
The orange Ruskin vase | 0:27:29 | 0:27:31 | |
which I think is probably from the northern end of the country. | 0:27:31 | 0:27:33 | |
Excellent. | 0:27:33 | 0:27:35 | |
All right. So, Julie, what's going to give you the biggest profit? | 0:27:35 | 0:27:38 | |
I think it's going to be the orange vase. | 0:27:38 | 0:27:40 | |
Julia, what about you? | 0:27:40 | 0:27:41 | |
I think it might be the cranberry glass basket. | 0:27:41 | 0:27:45 | |
Either way, how much did you spend? | 0:27:45 | 0:27:48 | |
BOTH: 130. | 0:27:48 | 0:27:50 | |
130. So cross my palm with ?170. | 0:27:50 | 0:27:53 | |
OK. It doesn't stay in my palm for very long. | 0:27:53 | 0:27:56 | |
It goes over to JP over there. | 0:27:56 | 0:27:57 | |
So, Jonathan, have you got your eye on anything? | 0:27:57 | 0:28:00 | |
I haven't got a clue. | 0:28:00 | 0:28:01 | |
They liked absolutely everything in every cabinet. | 0:28:01 | 0:28:04 | |
Right. Jewellery, silver, ceramics, the lot. | 0:28:04 | 0:28:07 | |
So, I've got a lot of work to do now. OK. | 0:28:07 | 0:28:09 | |
Well, while Jonathan goes off on mission impossible, | 0:28:09 | 0:28:13 | |
we're going off to the auction. | 0:28:13 | 0:28:16 | |
Well, we're in Darlington, | 0:28:25 | 0:28:26 | |
we're at Thomas Watson's auction house, | 0:28:26 | 0:28:29 | |
and I'm joined by auctioneer David Elstob. | 0:28:29 | 0:28:30 | |
Nice to be here, David. Great to have you here. | 0:28:30 | 0:28:33 | |
So, let's start with the Red team. | 0:28:33 | 0:28:35 | |
And the first item we're going to look at | 0:28:35 | 0:28:37 | |
is the Georgian butter knife. | 0:28:37 | 0:28:41 | |
I like it. It's a real antique. | 0:28:41 | 0:28:43 | |
Yeah. It's a Birmingham hallmark for 1817, | 0:28:43 | 0:28:46 | |
and we think it's by Joseph Taylor. | 0:28:46 | 0:28:48 | |
Listed silversmith. | 0:28:48 | 0:28:50 | |
I don't think it's of huge value but it's nice, it's in good condition. | 0:28:50 | 0:28:53 | |
So, estimate? | 0:28:53 | 0:28:55 | |
30 to 50. Oh, right, good start, Reds. | 0:28:55 | 0:28:58 | |
Cos they paid ?20 for it. | 0:28:58 | 0:28:59 | |
Very well done. Yeah, I think so, too. | 0:28:59 | 0:29:02 | |
Second item they bought is the telescope. | 0:29:02 | 0:29:04 | |
So, what's the demand like in this part of the north of England? | 0:29:04 | 0:29:08 | |
I think there will be a lot of demand for it. | 0:29:08 | 0:29:10 | |
Yeah? I do. I like it. | 0:29:10 | 0:29:12 | |
It's not a terribly big one. | 0:29:12 | 0:29:13 | |
If it was one of the top makers, Dollond Aitchison, | 0:29:13 | 0:29:15 | |
something like that, a good London maker, | 0:29:15 | 0:29:18 | |
we could be talking big money. | 0:29:18 | 0:29:19 | |
But it's a nice piece. | 0:29:19 | 0:29:21 | |
I think somebody will probably use it on the desk as a nice decoration. | 0:29:21 | 0:29:24 | |
OK, what about your estimate? | 0:29:24 | 0:29:26 | |
30 to 50, again. | 0:29:26 | 0:29:28 | |
They paid ?45 for it. | 0:29:28 | 0:29:29 | |
And they both think that it's going to give them the biggest profit. | 0:29:29 | 0:29:33 | |
I think they have a reason to be optimistic. | 0:29:33 | 0:29:35 | |
I don't want to play cards with you. | 0:29:35 | 0:29:36 | |
You keep your cards very close to your chest. | 0:29:36 | 0:29:39 | |
Now, the third item is that little silver guitar brooch. | 0:29:39 | 0:29:44 | |
It's a fun little novelty. | 0:29:44 | 0:29:46 | |
I wish it was hallmarked - unfortunately, it's not. | 0:29:46 | 0:29:48 | |
So, you've described it as white metal, I assume. | 0:29:48 | 0:29:51 | |
I've not mentioned the metal at all. | 0:29:51 | 0:29:53 | |
I've just said a novelty guitar brooch, | 0:29:53 | 0:29:55 | |
let people make their own minds up on that one. | 0:29:55 | 0:29:57 | |
OK. Estimate? | 0:29:57 | 0:29:58 | |
20 to 30. | 0:29:58 | 0:29:59 | |
Right, well, that's sort of midway because they paid ?25 for it. | 0:29:59 | 0:30:03 | |
I think they're in with a chance. | 0:30:03 | 0:30:05 | |
Well, they may or may not need their bonus buy. | 0:30:05 | 0:30:08 | |
Either way, let's have a look at it. | 0:30:08 | 0:30:10 | |
So, Amelia and Sam, you left Nick ?210 | 0:30:12 | 0:30:16 | |
to go out and play with on your behalf. | 0:30:16 | 0:30:18 | |
Nick, you said you're going to go out | 0:30:18 | 0:30:21 | |
and get something sort of historical, | 0:30:21 | 0:30:23 | |
bearing in mind what Sam here is studying at the moment. | 0:30:23 | 0:30:26 | |
Yeah, I was kind of inspired by your study of history, so, are you ready? | 0:30:26 | 0:30:30 | |
This is a piece of history. | 0:30:30 | 0:30:32 | |
OK. OK. The best bit is to come. | 0:30:34 | 0:30:37 | |
Ah, there we go. | 0:30:37 | 0:30:38 | |
And there it is. Now, this is history in your hand. | 0:30:38 | 0:30:40 | |
This is a 400-million-year-old trilobite fossilised. | 0:30:40 | 0:30:45 | |
Would have been crawling around the sea beds of Morocco. | 0:30:45 | 0:30:49 | |
Beautifully preserved and then cut out in this piece of rock | 0:30:49 | 0:30:52 | |
that it was found inside. | 0:30:52 | 0:30:54 | |
Now, if that's not history in your hand, I don't know what is. | 0:30:54 | 0:30:57 | |
That's pretty cool. I could definitely get behind that. | 0:30:57 | 0:30:59 | |
It's sculpturally beautiful, as well, | 0:30:59 | 0:31:01 | |
and it's almost got a contemporary sculptural feel, | 0:31:01 | 0:31:03 | |
but it's the oldest thing in the auction - | 0:31:03 | 0:31:05 | |
bar Eric and myself, of course. | 0:31:05 | 0:31:06 | |
THEY LAUGH | 0:31:06 | 0:31:08 | |
Can I hold it? Have a look. Absolutely, please do. | 0:31:08 | 0:31:10 | |
It's so cool. An excellent find, Nick. | 0:31:10 | 0:31:11 | |
It's... Yeah, and it's really well preserved. | 0:31:11 | 0:31:14 | |
Like, you can see every little detail of it. | 0:31:14 | 0:31:15 | |
That's what I liked about it. You can see exactly that. | 0:31:15 | 0:31:18 | |
That's really cool. Do you mind if I...? | 0:31:18 | 0:31:20 | |
So, how much did you spend on that one? | 0:31:20 | 0:31:22 | |
For this amazing piece of history I paid the princely sum of ?60. | 0:31:22 | 0:31:25 | |
That's pretty good. That's not a lot. | 0:31:25 | 0:31:27 | |
I thought so. And how much do you think it will make? | 0:31:27 | 0:31:29 | |
Now that's the million-dollar question. | 0:31:29 | 0:31:31 | |
It's just down to the punters on the day. | 0:31:31 | 0:31:33 | |
Who wants to own such an incredibly beautiful historical object? | 0:31:33 | 0:31:36 | |
Mm-hm. And if all else fails, it'll make a nice paperweight. | 0:31:36 | 0:31:39 | |
Well, that's it. Well, there you go. | 0:31:39 | 0:31:40 | |
This must be a record for this programme. | 0:31:40 | 0:31:43 | |
I don't think we've ever had anything so ancient. | 0:31:43 | 0:31:46 | |
But you've got to remember | 0:31:46 | 0:31:47 | |
that you don't have to make your decision right now. | 0:31:47 | 0:31:49 | |
Wait till you've sold your first three items, and then | 0:31:49 | 0:31:52 | |
just go with your instincts. | 0:31:52 | 0:31:54 | |
But in the meantime, let's find out | 0:31:54 | 0:31:55 | |
what our auctioneer has to say about Nick's Moroccan trilobite. | 0:31:55 | 0:31:59 | |
So, one bonus buy, and, in all fairness, | 0:32:01 | 0:32:05 | |
probably one of the most ancient things | 0:32:05 | 0:32:07 | |
that I think has ever appeared on this programme. Very interesting. | 0:32:07 | 0:32:10 | |
A Moroccan trilobite, and the condition of it is excellent. | 0:32:10 | 0:32:15 | |
That market now is quite up-and-coming, | 0:32:15 | 0:32:17 | |
so I think it might do well. | 0:32:17 | 0:32:18 | |
Estimate? 30 to 50. | 0:32:18 | 0:32:20 | |
Well, I think Nick may have chanced his arm on that one - | 0:32:20 | 0:32:23 | |
he paid ?60 for it - | 0:32:23 | 0:32:24 | |
but it's a funny old market, isn't this? | 0:32:24 | 0:32:26 | |
On any given day, that might well exceed my estimate | 0:32:26 | 0:32:29 | |
and what they paid for it. | 0:32:29 | 0:32:31 | |
So over to the Blue team, and this is Julie and Julia. | 0:32:31 | 0:32:35 | |
And the first item is this colourful glass basket. | 0:32:35 | 0:32:39 | |
Very pretty basket, ruby glass, I would call the colour. | 0:32:39 | 0:32:42 | |
Some people call it ruby flash glass. | 0:32:42 | 0:32:44 | |
I think it's probably from the Czech Republic. | 0:32:44 | 0:32:47 | |
Yep. I see a lot of this type of glass in Prague | 0:32:47 | 0:32:50 | |
and places like that. | 0:32:50 | 0:32:51 | |
Not hugely old, but very decorative. | 0:32:51 | 0:32:53 | |
Yep. What sort of value have you put on that? | 0:32:53 | 0:32:55 | |
30 to 50, in my book. | 0:32:55 | 0:32:57 | |
OK, they paid ?30 for it. | 0:32:57 | 0:32:59 | |
So that could do them a few favours. | 0:32:59 | 0:33:01 | |
It's a tough sell, but I think they're in with a chance. | 0:33:01 | 0:33:04 | |
OK. Item number two is the Ruskin orange glaze vase. | 0:33:04 | 0:33:08 | |
Buyers for this sort of thing out in this part of the world? | 0:33:08 | 0:33:10 | |
Yeah, many of them, many online. | 0:33:10 | 0:33:13 | |
Made in Birmingham, by William Howson Taylor, | 0:33:13 | 0:33:16 | |
and this one's dated 1921. | 0:33:16 | 0:33:18 | |
I do like that in a pot, when they put the date on, don't you? | 0:33:18 | 0:33:21 | |
People like that. They can almost create a timeline of their ceramics, | 0:33:21 | 0:33:25 | |
which I think is nice. Estimate? | 0:33:25 | 0:33:26 | |
40 to 60. Paid ?50 for it, this is Julie's favourite, by the way. | 0:33:26 | 0:33:31 | |
It's mine, as well. That all bodes rather well, doesn't it? | 0:33:31 | 0:33:34 | |
I think it'll do well. Last but not least, item number three. | 0:33:34 | 0:33:38 | |
A Clarice Cliff bowl. | 0:33:38 | 0:33:41 | |
Great name. The market for Clarice Cliff | 0:33:41 | 0:33:43 | |
seems to be quite buoyant still, | 0:33:43 | 0:33:45 | |
certainly money from Australian collectors at the moment, for it. | 0:33:45 | 0:33:48 | |
And it's a nice pattern, it's Viscaria, so I think it'll do well. | 0:33:48 | 0:33:52 | |
Estimate? Estimate's 40 to 60. | 0:33:52 | 0:33:54 | |
Well, they paid ?50 for it, so all things being equal, | 0:33:54 | 0:33:58 | |
they may or may not need their bonus buy, | 0:33:58 | 0:34:01 | |
but let's find out what it is. | 0:34:01 | 0:34:03 | |
So, Julie and Julia, | 0:34:03 | 0:34:06 | |
you gave JP a sizeable ?170 to go and spend on your behalf. | 0:34:06 | 0:34:10 | |
JP, I think you said to me at the time, "I haven't got a clue." | 0:34:10 | 0:34:13 | |
I wanted to find something I thought you might like, | 0:34:13 | 0:34:15 | |
and then something hit me. OK. | 0:34:15 | 0:34:17 | |
But did I spend ?170? | 0:34:17 | 0:34:18 | |
Oh, wow! Fantastic! | 0:34:20 | 0:34:21 | |
We did see a jelly mould at one point, and I rather liked it. | 0:34:23 | 0:34:26 | |
The thing about jelly moulds I really like | 0:34:26 | 0:34:28 | |
is that they're very architectural, they're very practical. | 0:34:28 | 0:34:31 | |
So you've got this sort of object | 0:34:31 | 0:34:33 | |
which has a sculptural quality but can be used. | 0:34:33 | 0:34:36 | |
This is a porcelain one by Shelley, early 20th century, | 0:34:36 | 0:34:39 | |
I just really like it. How much was it? | 0:34:39 | 0:34:42 | |
It was a tenner. | 0:34:42 | 0:34:43 | |
Wow. Even better. | 0:34:43 | 0:34:45 | |
You like it? I do. | 0:34:45 | 0:34:46 | |
Yeah. I really like the shape. | 0:34:46 | 0:34:47 | |
I think it's beautiful, actually. | 0:34:47 | 0:34:49 | |
What do you think it will make at auction? | 0:34:49 | 0:34:51 | |
Well, a tenner is nothing. | 0:34:51 | 0:34:52 | |
So it could double its money, it could treble its money. | 0:34:52 | 0:34:54 | |
I don't think it's ?50, it might be 30. | 0:34:54 | 0:34:57 | |
Obviously, you don't have to make your minds up now. | 0:34:57 | 0:34:59 | |
Wait till you've sold your first three items, | 0:34:59 | 0:35:01 | |
and then that's when you make your big decision. | 0:35:01 | 0:35:03 | |
But in the meantime, | 0:35:03 | 0:35:04 | |
let's find out what the auctioneer has to say | 0:35:04 | 0:35:06 | |
about JP's Shelley jelly mould. | 0:35:06 | 0:35:09 | |
Well, here it is. | 0:35:11 | 0:35:12 | |
Your thoughts, please. | 0:35:13 | 0:35:15 | |
It's a nice jelly mould. It is. | 0:35:15 | 0:35:17 | |
By Shelley. Potters, early 20th century. | 0:35:17 | 0:35:20 | |
Well-known for their very Art Deco designs and geometric shapes. | 0:35:20 | 0:35:23 | |
Estimate? 30 to 40. | 0:35:23 | 0:35:25 | |
Jonathan Pratt went out and bought that for a tenner. | 0:35:25 | 0:35:28 | |
Some serious haggling has taken place there. | 0:35:28 | 0:35:31 | |
He's got a PhD in it. | 0:35:31 | 0:35:33 | |
THEY LAUGH So you're taking the auction today? | 0:35:33 | 0:35:35 | |
Yes, I am. Excellent. | 0:35:35 | 0:35:37 | |
Well, we're looking forward to a lively sale. | 0:35:37 | 0:35:40 | |
At ?100, 110. 110 bid. | 0:35:41 | 0:35:43 | |
At 110. | 0:35:43 | 0:35:46 | |
We're raring to go. Yeah. | 0:35:46 | 0:35:47 | |
Excitement factor's kicked in, yeah? | 0:35:47 | 0:35:49 | |
I'm ready. My blood is running through my veins. | 0:35:49 | 0:35:53 | |
Good, good, good. Positive thinking, everybody. | 0:35:54 | 0:35:57 | |
Positive thinking. Here's your first item. | 0:35:57 | 0:35:59 | |
It's your George III silver butter knife. | 0:35:59 | 0:36:02 | |
And you paid? ?20. | 0:36:02 | 0:36:03 | |
?20 for it. And it's coming up now. | 0:36:03 | 0:36:05 | |
281. A nice bit of Georgian silver. | 0:36:05 | 0:36:08 | |
A butter knife. Birmingham hallmark for 1817. | 0:36:08 | 0:36:11 | |
We think it's probably by Joseph Taylor. | 0:36:11 | 0:36:13 | |
I'll start you, ?20. | 0:36:13 | 0:36:14 | |
20 bid. | 0:36:14 | 0:36:16 | |
?20. ?20. 25 in the room. | 0:36:16 | 0:36:18 | |
25 bid, the room. | 0:36:18 | 0:36:19 | |
25 to see 30. | 0:36:19 | 0:36:20 | |
30, anywhere? | 0:36:20 | 0:36:22 | |
At 25, then. | 0:36:22 | 0:36:23 | |
Fair warning. | 0:36:23 | 0:36:24 | |
A little more. Come on. | 0:36:24 | 0:36:25 | |
I'm going to sell. 30 online. | 0:36:25 | 0:36:26 | |
Yes! Brilliant. | 0:36:26 | 0:36:27 | |
One more. 35 in the room. | 0:36:27 | 0:36:29 | |
35 bid in the room. | 0:36:29 | 0:36:30 | |
35 and the internet's out. | 0:36:30 | 0:36:32 | |
35 bid in the room, then. | 0:36:32 | 0:36:33 | |
All done and finished at 35. | 0:36:33 | 0:36:36 | |
Yes! 35. | 0:36:36 | 0:36:38 | |
Good start, boys and girls. | 0:36:38 | 0:36:40 | |
A plus of ?15. | 0:36:40 | 0:36:42 | |
And we sold for 35. | 0:36:42 | 0:36:44 | |
Item number two, it's your telescope. | 0:36:44 | 0:36:46 | |
Paid ?45 for it. | 0:36:46 | 0:36:47 | |
You think this is going to give you two the biggest profit. | 0:36:47 | 0:36:50 | |
We hope so, yeah. We are about to find out because it's coming up now. | 0:36:50 | 0:36:53 | |
284 is a brass three-draw telescope. | 0:36:53 | 0:36:55 | |
Nice quality. I'll start you at ?30. | 0:36:55 | 0:36:57 | |
30, I'm bid. | 0:36:57 | 0:36:58 | |
?30, I'm bid the telescope. | 0:36:58 | 0:37:00 | |
At 30. I'll take 35. | 0:37:00 | 0:37:02 | |
?30, bid with me. | 0:37:02 | 0:37:03 | |
30 bid. 35 anywhere? | 0:37:03 | 0:37:04 | |
That's disappointing. Come on. | 0:37:04 | 0:37:07 | |
We're going to lose all the profit we've just got. | 0:37:07 | 0:37:09 | |
At ?30, then. All done at ?30. | 0:37:09 | 0:37:11 | |
All done. | 0:37:11 | 0:37:13 | |
I'm afraid that's just given you a minus 15. | 0:37:13 | 0:37:16 | |
So we're on zero | 0:37:16 | 0:37:18 | |
at the moment. | 0:37:18 | 0:37:20 | |
It's not the end of the world. | 0:37:20 | 0:37:22 | |
Next item coming up is the novelty guitar brooch. | 0:37:22 | 0:37:25 | |
You paid ?25 for it, yeah? | 0:37:25 | 0:37:27 | |
And here it is. | 0:37:27 | 0:37:28 | |
287 is a novelty guitar brooch. | 0:37:28 | 0:37:30 | |
15, I'm bid. | 0:37:30 | 0:37:31 | |
15, I'm bid. A sweet little thing this. | 0:37:31 | 0:37:34 | |
20, bid in the room. | 0:37:34 | 0:37:35 | |
Come on. A bit more. | 0:37:35 | 0:37:37 | |
25, anywhere? | 0:37:37 | 0:37:38 | |
?20, it is, in the room. | 0:37:38 | 0:37:40 | |
Are we all done and finished? | 0:37:40 | 0:37:41 | |
Selling at ?20. | 0:37:41 | 0:37:43 | |
At ?20, all done. | 0:37:43 | 0:37:44 | |
Oh, so ?20. | 0:37:46 | 0:37:49 | |
We are in a -?5 situation. | 0:37:49 | 0:37:52 | |
It is bonus-buy decision time. | 0:37:52 | 0:37:55 | |
It's the Moroccan trilobite. | 0:37:55 | 0:37:57 | |
And you paid ?60. | 0:37:57 | 0:37:59 | |
Yeah. So are you going to go with the bonus buy? | 0:37:59 | 0:38:01 | |
I think we are. We're just going to go for it. | 0:38:01 | 0:38:03 | |
Because it's coming up now. | 0:38:03 | 0:38:05 | |
293. | 0:38:05 | 0:38:06 | |
A real antique. A Moroccan trilobite. | 0:38:06 | 0:38:08 | |
Interesting piece. I'll start you at ?20. | 0:38:08 | 0:38:11 | |
It's got to be worth more than that. | 0:38:11 | 0:38:13 | |
20, I'm bid. 25. | 0:38:13 | 0:38:14 | |
30. 35 bid. | 0:38:14 | 0:38:16 | |
35, bid on the gallery. | 0:38:16 | 0:38:18 | |
35, 40 online. | 0:38:18 | 0:38:20 | |
45? Can't tempt you, sir? | 0:38:20 | 0:38:22 | |
Come on. | 0:38:22 | 0:38:24 | |
?40, it is on the internet. ?40, bid. | 0:38:24 | 0:38:25 | |
I'll take five. One more. | 0:38:25 | 0:38:27 | |
It's only an extra fiver. Yeah, go on! | 0:38:27 | 0:38:30 | |
45 bid. 45, 50 online. | 0:38:30 | 0:38:33 | |
?50, it is on the internet. | 0:38:33 | 0:38:35 | |
I'm pushing my luck now. At ?50 and all done. | 0:38:35 | 0:38:37 | |
50! Oh. Well, it was a bold go-for-it, wasn't it? | 0:38:39 | 0:38:43 | |
It leaves you with a total of -15. | 0:38:43 | 0:38:47 | |
Deadpan faces. Not a word to the Blue team. | 0:38:47 | 0:38:50 | |
Oh, that's going to be difficult. | 0:38:50 | 0:38:52 | |
So here we are, ladies. | 0:38:57 | 0:38:58 | |
Here we are. I just need to know how we are feeling at the moment. | 0:38:58 | 0:39:01 | |
Come on. BOTH: Excited. | 0:39:01 | 0:39:02 | |
That's what I want. A bit nervous, but excited. | 0:39:02 | 0:39:05 | |
Yeah. Nervous expectation, I hope. | 0:39:05 | 0:39:07 | |
Are you auction regulars? Not regulars, but we've been to some. | 0:39:07 | 0:39:10 | |
You have. Always an advantage. | 0:39:10 | 0:39:12 | |
First item is coming up. | 0:39:12 | 0:39:14 | |
It's your Bohemian/Czech ruby and clear glass basket. | 0:39:14 | 0:39:18 | |
You paid ?30 for it. | 0:39:18 | 0:39:20 | |
And it's coming up now. | 0:39:20 | 0:39:21 | |
309 is a Bohemian ruby and clear glass basket. | 0:39:21 | 0:39:24 | |
Not particularly old but very decorative. | 0:39:24 | 0:39:26 | |
I'll start you ?20. | 0:39:26 | 0:39:28 | |
20, I'm bid for it. | 0:39:28 | 0:39:29 | |
25, 30, 35 in the room. | 0:39:29 | 0:39:31 | |
35. | 0:39:31 | 0:39:33 | |
The gentleman has bid at 35. | 0:39:33 | 0:39:34 | |
I'll take 40, next. | 0:39:34 | 0:39:36 | |
At 35, bid, it is, then. | 0:39:36 | 0:39:38 | |
A room bid. At ?35, all done. | 0:39:38 | 0:39:41 | |
35. | 0:39:41 | 0:39:43 | |
It's a profit, ladies. | 0:39:43 | 0:39:46 | |
It's a ?5 profit. | 0:39:46 | 0:39:48 | |
Next item, Ruskin Orange glazed vase. | 0:39:48 | 0:39:50 | |
Dated 1921, paid ?50 for it, and it's coming up now. | 0:39:50 | 0:39:54 | |
312 is a Ruskin orange glazed vase. | 0:39:54 | 0:39:57 | |
Has its date on it, 1921. | 0:39:57 | 0:39:59 | |
A lovely little pot. One of my favourites. | 0:39:59 | 0:40:01 | |
I'll start you at ?25. | 0:40:01 | 0:40:02 | |
25, I'm bid. | 0:40:02 | 0:40:04 | |
30 bid. 35 bid. | 0:40:04 | 0:40:06 | |
35 bid. 40. | 0:40:06 | 0:40:08 | |
And five. 45. | 0:40:08 | 0:40:09 | |
45 bid, the Ruskin. | 0:40:09 | 0:40:11 | |
At 45, 50 bid. | 0:40:11 | 0:40:12 | |
Yes! | 0:40:12 | 0:40:13 | |
Are we all done and finished? | 0:40:13 | 0:40:15 | |
I'm going to sell. At ?50, all done at 50. | 0:40:15 | 0:40:18 | |
50! That's brilliant. | 0:40:18 | 0:40:21 | |
So, ladies, you've broken even there. Excellent. | 0:40:21 | 0:40:23 | |
So that still leaves you with a positive ?5. | 0:40:23 | 0:40:26 | |
OK? Excellent. Next item is the Clarice Cliff. | 0:40:26 | 0:40:29 | |
All in a name. You paid 50 for this. | 0:40:29 | 0:40:32 | |
And it's coming up now. | 0:40:32 | 0:40:34 | |
315. | 0:40:34 | 0:40:36 | |
One of our favourites. Clarice Cliff. | 0:40:36 | 0:40:38 | |
A nice Viscaria-pattern bowl. | 0:40:38 | 0:40:39 | |
Lovely shape. I'll start you at ?25. | 0:40:39 | 0:40:43 | |
25, I'm bid. The Clarice Cliff. 30. | 0:40:43 | 0:40:45 | |
35. 40 in the room. | 0:40:45 | 0:40:48 | |
45, the internet likes. | 0:40:48 | 0:40:50 | |
50, sir? The bid's on the internet. | 0:40:50 | 0:40:52 | |
?45. I'll take 50, next. | 0:40:52 | 0:40:54 | |
At 45. 50 is back in. | 0:40:54 | 0:40:56 | |
?50, in the room. | 0:40:56 | 0:40:58 | |
Fair warning at ?50. | 0:40:58 | 0:41:01 | |
Break even. Another break even! | 0:41:01 | 0:41:05 | |
But it does leave you still with a plus five. | 0:41:05 | 0:41:08 | |
OK? It's decision time, girls. | 0:41:08 | 0:41:11 | |
Yes. Getting the wobbles? Go for it. | 0:41:11 | 0:41:13 | |
Definitely. Bonus buy? Definitely. | 0:41:13 | 0:41:15 | |
One jelly mould, cost... Only a tenner. | 0:41:15 | 0:41:17 | |
The auctioneer liked that bonus buy. | 0:41:17 | 0:41:19 | |
He's quoting ?30 to ?40 on it. | 0:41:19 | 0:41:20 | |
That's the presale estimate. | 0:41:20 | 0:41:22 | |
He likes it. You like it, I like it. | 0:41:22 | 0:41:25 | |
Let's hope the people out there like it. | 0:41:25 | 0:41:28 | |
321 is a Shelley pottery jelly mould. | 0:41:28 | 0:41:30 | |
I'll start you here at 20 bid. | 0:41:30 | 0:41:32 | |
20 bid, at ?20, to see 25. | 0:41:32 | 0:41:34 | |
At 20, bid of ?20. | 0:41:34 | 0:41:35 | |
25, anywhere? | 0:41:35 | 0:41:37 | |
A 20 bid, at ?20. | 0:41:37 | 0:41:38 | |
Any interest at 25? | 0:41:38 | 0:41:40 | |
At ?20 and all done. | 0:41:40 | 0:41:42 | |
Oh, deserved better than that. | 0:41:43 | 0:41:46 | |
But, anyway. It's still a tenner. | 0:41:46 | 0:41:48 | |
Hey, listen, it's a ?10 profit. | 0:41:48 | 0:41:50 | |
Gives you a grand total of plus ?15. | 0:41:50 | 0:41:53 | |
You are somewhat pleased, aren't you? | 0:41:53 | 0:41:55 | |
Yes. OK, the thing is I now want you to wear deadpan faces. | 0:41:55 | 0:41:59 | |
And promise me, not a word to the Red team, OK? | 0:41:59 | 0:42:02 | |
Well, Reds, well, Blues, you gave us a fascinating game, | 0:42:08 | 0:42:10 | |
I have to say that. | 0:42:10 | 0:42:12 | |
You both scored 15. | 0:42:12 | 0:42:13 | |
But, having said that... No, no. | 0:42:13 | 0:42:15 | |
But let me quantify that. | 0:42:15 | 0:42:16 | |
One was a minus 15, and one was a plus 15. | 0:42:16 | 0:42:21 | |
And the minus 15, I'm sorry to say, was the Red team. | 0:42:21 | 0:42:25 | |
I know it hurts. | 0:42:25 | 0:42:26 | |
We tried our best. Yeah, we had a crack. | 0:42:26 | 0:42:29 | |
And we can't ask for more than that, can we? We really can't. No. | 0:42:29 | 0:42:32 | |
But turning my attention to the smiling faces of the Blue team. | 0:42:32 | 0:42:38 | |
All on the strength of a jelly mould, eh? | 0:42:38 | 0:42:39 | |
It was, yes. | 0:42:39 | 0:42:41 | |
And yet we thought it was going to do better than that, didn't we? | 0:42:41 | 0:42:43 | |
We thought so. I knew it wasn't going to make a fortune, | 0:42:43 | 0:42:46 | |
but it doubled its money, that's fair enough. | 0:42:46 | 0:42:48 | |
It did, as well. | 0:42:48 | 0:42:50 | |
So Blues, your winnings. | 0:42:50 | 0:42:52 | |
The sum of ?15. | 0:42:52 | 0:42:54 | |
Thank you. Any clues as to what you might spend that money on, ladies? | 0:42:54 | 0:42:57 | |
I think we might celebrate. | 0:42:57 | 0:42:58 | |
Well, that's it from us. | 0:42:58 | 0:43:00 | |
But in the meantime, | 0:43:00 | 0:43:01 | |
you can catch us on our website | 0:43:01 | 0:43:03 | |
or you can follow us on Twitter. | 0:43:03 | 0:43:05 | |
But better still, join us | 0:43:05 | 0:43:06 | |
next time for some more Bargain Hunting. Yes? | 0:43:06 | 0:43:09 | |
ALL: Yes! | 0:43:09 | 0:43:10 |