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Bargain Hunt is in a very wet Newark, | 0:00:03 | 0:00:05 | |
and not far from here was the site of the UK's very first oilfield, | 0:00:05 | 0:00:09 | |
Duke's Wood. | 0:00:09 | 0:00:11 | |
Now a nature reserve, Duke's Wood closed its last oil well in 1989. | 0:00:11 | 0:00:16 | |
Things could have turned out very differently around here. | 0:00:19 | 0:00:22 | |
Well, our teams know the drill. | 0:00:42 | 0:00:43 | |
And I can guarantee they will have a barrel of laughs over at the fair. | 0:00:43 | 0:00:47 | |
So what are we waiting for? | 0:00:47 | 0:00:48 | |
Let's go bargain hunting! | 0:00:48 | 0:00:50 | |
With a pocket full of cash and tactics already sorted, | 0:01:13 | 0:01:16 | |
our teams are raring to go. | 0:01:16 | 0:01:19 | |
So let's take a look at what's coming up. | 0:01:19 | 0:01:21 | |
It never rains but it pours with the Reds. | 0:01:23 | 0:01:25 | |
Oh, it's really raining now. | 0:01:25 | 0:01:27 | |
This weather is wonderful. | 0:01:27 | 0:01:29 | |
I feel like a duck. | 0:01:29 | 0:01:30 | |
And the Blues seem to be doing more wading than trading. | 0:01:33 | 0:01:36 | |
Cometh the hour on Bargain Hunt. | 0:01:38 | 0:01:40 | |
Look at that jug. | 0:01:40 | 0:01:41 | |
There we go. | 0:01:43 | 0:01:44 | |
But over at the auction... | 0:01:45 | 0:01:46 | |
Go on! | 0:01:47 | 0:01:49 | |
..things brighten up nicely. | 0:01:49 | 0:01:50 | |
That's all for later. Now, let's meet today's teams. | 0:01:52 | 0:01:54 | |
And for the Reds, we have best of friends Val and Kate. | 0:01:54 | 0:01:57 | |
And for the Blues, we have Carl and, wait for it, the mother-in-law, | 0:01:57 | 0:02:01 | |
Christine. Hello, everyone. | 0:02:01 | 0:02:03 | |
ALL: Hello. Lovely to see you. | 0:02:03 | 0:02:05 | |
Now, Val, what on earth has been going on here? | 0:02:05 | 0:02:07 | |
Well, I was fell walking and I fell walking. | 0:02:07 | 0:02:10 | |
So I broke my ankle. | 0:02:12 | 0:02:13 | |
You broke your ankle. Broke the ankle. | 0:02:13 | 0:02:15 | |
So, Val, what keeps you busy when you're not walking the dogs? | 0:02:15 | 0:02:18 | |
I'm in the WI, Sutton-on-Trent, and I love playing darts. | 0:02:18 | 0:02:22 | |
Do you? I do. | 0:02:22 | 0:02:23 | |
And we are in a darts team. | 0:02:23 | 0:02:24 | |
You are in the darts team. Can you play darts with your foot as it is? | 0:02:24 | 0:02:27 | |
I can, because I actually throw left-handed, | 0:02:27 | 0:02:30 | |
so the right is my trailing foot. | 0:02:30 | 0:02:33 | |
Oh, very well organised. I know. | 0:02:33 | 0:02:35 | |
You must have thought about that when you were falling over. | 0:02:35 | 0:02:37 | |
Certainly was. Now, Kate, when you're not WI-ing, what do you do? | 0:02:37 | 0:02:41 | |
Well, we have our own business, we make exhausts for Formula 3 cars. | 0:02:41 | 0:02:46 | |
That's a specialist job, isn't it? | 0:02:46 | 0:02:47 | |
It's very specialist, yes. | 0:02:47 | 0:02:49 | |
Do you get involved with making of them, or are you more admin? | 0:02:49 | 0:02:52 | |
I'm more admin. Husband's making them? | 0:02:52 | 0:02:54 | |
Husband makes them. Keeps him busy. | 0:02:54 | 0:02:55 | |
I don't suppose there are that many people | 0:02:55 | 0:02:58 | |
making exhaust for Formula 3 cars, are there? | 0:02:58 | 0:03:00 | |
Well, there isn't, no, so you have to get it right. | 0:03:00 | 0:03:02 | |
I'm sure you do. | 0:03:02 | 0:03:04 | |
Does he ever get it wrong? | 0:03:04 | 0:03:05 | |
No, he doesn't. | 0:03:05 | 0:03:06 | |
Oh, he's a good man. | 0:03:06 | 0:03:08 | |
Now, what about tactics, have you talked about tactics? | 0:03:08 | 0:03:11 | |
We thought about buying cheap. | 0:03:11 | 0:03:14 | |
And selling high. | 0:03:14 | 0:03:15 | |
Yes! I've never heard that before. | 0:03:15 | 0:03:17 | |
Have you not? No. | 0:03:17 | 0:03:19 | |
I haven't either. Good luck. | 0:03:19 | 0:03:21 | |
Are you looking for a golden gavel? | 0:03:21 | 0:03:23 | |
Absolutely. Well, all the best to you, very good luck, | 0:03:23 | 0:03:26 | |
hope you get the golden gavel. | 0:03:26 | 0:03:27 | |
Now, Christine and Carl. | 0:03:27 | 0:03:29 | |
Christine, you get on well? | 0:03:29 | 0:03:31 | |
Very well, yes. Do you? | 0:03:31 | 0:03:33 | |
There's a bit of a story about how you two met, isn't there? | 0:03:33 | 0:03:36 | |
There is indeed. Obviously when I was first dating Claire, my wife, | 0:03:36 | 0:03:40 | |
I went to meet the parents, | 0:03:40 | 0:03:42 | |
and sat down and decided to put my arm round my wife. As you do. | 0:03:42 | 0:03:46 | |
About ten minutes passed and then my wife got up and walked out. | 0:03:46 | 0:03:49 | |
And I'm still holding somebody's hand, and it was Christine's. | 0:03:49 | 0:03:52 | |
So we had quite a formal introduction. | 0:03:52 | 0:03:54 | |
Goodness me. Do you remember that, Christine? | 0:03:54 | 0:03:56 | |
I do, yes. What did you think at that moment? | 0:03:56 | 0:03:58 | |
I don't know what I thought. No, I bet you don't. | 0:03:58 | 0:04:01 | |
Goodness me. Now, Carl, what do you do to keep yourself busy? | 0:04:01 | 0:04:04 | |
Well, I'm always busy. Previously I was a store manager for a large | 0:04:04 | 0:04:07 | |
supermarket for many years. | 0:04:07 | 0:04:09 | |
Now I'm at home looking after my six children. | 0:04:09 | 0:04:11 | |
Six children! | 0:04:11 | 0:04:12 | |
Six children. Goodness me. | 0:04:12 | 0:04:14 | |
And you send your wife out to work. | 0:04:14 | 0:04:15 | |
I do, indeed. But do you see anything of your wife? Enough. | 0:04:15 | 0:04:19 | |
Now, Christine, you are retired now, aren't you? | 0:04:22 | 0:04:24 | |
Yes. So, what do you do to spend your spare time? | 0:04:24 | 0:04:26 | |
Bingo. Yes. | 0:04:26 | 0:04:28 | |
Antique fairs. | 0:04:28 | 0:04:29 | |
Antique fairs. | 0:04:29 | 0:04:30 | |
Charity shops. | 0:04:30 | 0:04:31 | |
Oh, so you are a bit of an expert, are you? | 0:04:31 | 0:04:33 | |
Yes. Yes, said very positively. | 0:04:33 | 0:04:36 | |
No pressure, Reds, no pressure at all. | 0:04:36 | 0:04:39 | |
Brilliant. Now, what about tactics? | 0:04:39 | 0:04:41 | |
You're going to be spending lots of money or as little as possible? | 0:04:41 | 0:04:43 | |
As much as we can. Oh, I like that sort of attitude, that's splendid. | 0:04:43 | 0:04:47 | |
Who will make the final decisions? | 0:04:47 | 0:04:48 | |
Me. | 0:04:48 | 0:04:50 | |
She's the expert. Without any hesitation. | 0:04:50 | 0:04:53 | |
So, what do you need now to go shopping? | 0:04:53 | 0:04:55 | |
Money. Money. | 0:04:55 | 0:04:57 | |
Absolutely right. I've got ?300. | 0:04:57 | 0:04:59 | |
Thank you very much. I've got ?300 for you. | 0:04:59 | 0:05:02 | |
Thank you. Have a great time, off you go shopping. | 0:05:02 | 0:05:05 | |
Well, there we have it. The in-laws versus the dog walkers. | 0:05:05 | 0:05:08 | |
I hope they don't get too exhausted. | 0:05:08 | 0:05:10 | |
And our teams will need a helping hand today. | 0:05:13 | 0:05:15 | |
Blowing his own trumpet for the Reds, it's Philip Serrell. | 0:05:16 | 0:05:19 | |
And dodging the dear items today, | 0:05:20 | 0:05:22 | |
it's Charles Hanson for the Blues. | 0:05:22 | 0:05:24 | |
Couldn't ask for better weather. No, exactly. | 0:05:26 | 0:05:28 | |
What's the plan, mother-in-law? | 0:05:28 | 0:05:30 | |
Anything that takes my fancy. | 0:05:30 | 0:05:31 | |
As simple as that. Yes. | 0:05:31 | 0:05:33 | |
We are going to buy something with animals in it, something practical, | 0:05:33 | 0:05:37 | |
something for the garden. | 0:05:37 | 0:05:39 | |
And for yourself, Carl? "Mantiques", something that a man would like. | 0:05:39 | 0:05:44 | |
So we want a practical animal in the garden. | 0:05:44 | 0:05:46 | |
That's the one. Something like that, yes. | 0:05:46 | 0:05:48 | |
Hold tight, follow me! | 0:05:48 | 0:05:50 | |
RINGING | 0:05:51 | 0:05:53 | |
What's that? Right, teams, your 60 minutes starts now. | 0:05:53 | 0:05:57 | |
Oh, it's really raining now. | 0:05:59 | 0:06:01 | |
You could do with a brolly before spending your lolly, Reds. | 0:06:02 | 0:06:05 | |
Good luck out there, teams, this has to be one of the wettest shows ever. | 0:06:05 | 0:06:10 | |
Team, despite the weather, there is still plenty of stuff here. | 0:06:10 | 0:06:13 | |
Look in front of us, look. | 0:06:13 | 0:06:14 | |
Yes. Laden. | 0:06:14 | 0:06:16 | |
Can't wait. Tables laden. | 0:06:16 | 0:06:18 | |
And we've even supplied Val with her very own scooter. | 0:06:19 | 0:06:23 | |
Steady, Val. Do you have a licence for that thing? | 0:06:23 | 0:06:26 | |
Let's go over there. | 0:06:28 | 0:06:29 | |
There's one stall there standing, OK. Follow me. | 0:06:29 | 0:06:32 | |
That's it, teams, get stuck in. | 0:06:32 | 0:06:35 | |
Can you see that trunk? | 0:06:35 | 0:06:37 | |
It doesn't say. | 0:06:37 | 0:06:40 | |
Phil, what do you think of this trunk? | 0:06:40 | 0:06:42 | |
It's wet. I know it's wet, but what do you think? | 0:06:42 | 0:06:46 | |
How much is your trunk, chaps, please? | 0:06:46 | 0:06:48 | |
20. | 0:06:48 | 0:06:49 | |
Tenner would be better. | 0:06:50 | 0:06:51 | |
Let's meet in the middle at 15, then. | 0:06:51 | 0:06:53 | |
There, look. It's damaged. Yeah. | 0:06:54 | 0:06:55 | |
And it's been added on. | 0:06:56 | 0:06:58 | |
Oh, it's no good. | 0:06:58 | 0:07:00 | |
For a tenner, it's all right. | 0:07:00 | 0:07:01 | |
Actually, no, I don't think it is, actually. No, it's not. | 0:07:01 | 0:07:04 | |
Thanks, chaps. Thank you ever so much. | 0:07:04 | 0:07:07 | |
Thank you. | 0:07:07 | 0:07:08 | |
Play up, Kate, look out. | 0:07:09 | 0:07:11 | |
She's after running across it! | 0:07:11 | 0:07:14 | |
Val, I knew the scooter was a bad idea. | 0:07:14 | 0:07:16 | |
Will you pull her out of the way? | 0:07:17 | 0:07:19 | |
Oh, Lord, this is all just going wrong here. | 0:07:19 | 0:07:22 | |
There we go. Yes, I promise I won't ever bring them ever again. | 0:07:22 | 0:07:25 | |
Phil, I have to be honest, | 0:07:28 | 0:07:30 | |
you could be in trouble today. | 0:07:30 | 0:07:31 | |
We need to buy something fast. We do, we do. | 0:07:31 | 0:07:34 | |
Back to the Blues. | 0:07:34 | 0:07:36 | |
Given the weather, only the hardiest of dealers are out there in these conditions. | 0:07:36 | 0:07:40 | |
Hello. I'll see if she's open. | 0:07:40 | 0:07:42 | |
Are you open for business? | 0:07:44 | 0:07:45 | |
Yes. You are open. | 0:07:45 | 0:07:47 | |
They are open. Thanks a lot. | 0:07:47 | 0:07:49 | |
What's quite nice, when the weather comes down, in fact, | 0:07:50 | 0:07:54 | |
I think there'll be some bargains. | 0:07:54 | 0:07:56 | |
They'll want a quick sale. | 0:07:56 | 0:07:57 | |
They want to get rid. | 0:07:57 | 0:07:59 | |
Get home. Get home. She's in the van, exactly. | 0:07:59 | 0:08:02 | |
That's quite nice, a late Victorian or what you might call | 0:08:02 | 0:08:06 | |
a George V set of dominoes. | 0:08:06 | 0:08:08 | |
Bone rather than being ivory, ebony as well. | 0:08:08 | 0:08:11 | |
Your sort of thing? Not really, no. | 0:08:11 | 0:08:14 | |
Not really. Well, thanks for inviting me. | 0:08:14 | 0:08:16 | |
It's OK. Come on. | 0:08:17 | 0:08:19 | |
Let's keep going. | 0:08:19 | 0:08:20 | |
No to dominoes. | 0:08:20 | 0:08:21 | |
Time to see if the Reds are making progress, and yes, they are. | 0:08:23 | 0:08:26 | |
Val is back on her scooter. | 0:08:26 | 0:08:28 | |
Damp, isn't it? | 0:08:28 | 0:08:30 | |
How much is that, please? | 0:08:30 | 0:08:31 | |
25. I'll give you 15. | 0:08:33 | 0:08:35 | |
20. | 0:08:35 | 0:08:36 | |
15. Sorry. | 0:08:36 | 0:08:38 | |
We're in a hurry, it's raining. | 0:08:38 | 0:08:41 | |
Go on, then. How short and sharp is that? | 0:08:41 | 0:08:45 | |
Do you want me to tell you what it is, or are you going to tell me? | 0:08:45 | 0:08:48 | |
So this is a spirit barrel. | 0:08:48 | 0:08:49 | |
And they dress pubs really beautifully well. | 0:08:49 | 0:08:53 | |
The other thing they do, is they put a little seat on there | 0:08:53 | 0:08:57 | |
and you've got a stool. | 0:08:57 | 0:08:59 | |
So this is salt-glazed, | 0:08:59 | 0:09:00 | |
and it's called salt glaze because when it's been glazed in the kiln, | 0:09:00 | 0:09:05 | |
they threw salt in. You get this mottle finish. | 0:09:05 | 0:09:07 | |
And the original salt glazed-stuff is actually drainage pipes. | 0:09:07 | 0:09:12 | |
Oh, right. | 0:09:12 | 0:09:13 | |
Did he say 15? Yes, he said 15. | 0:09:13 | 0:09:15 | |
Did I? Yes, you did. OK. Are you sure? | 0:09:15 | 0:09:18 | |
Are you sure? You are a gentleman. | 0:09:18 | 0:09:20 | |
Thank you very much indeed. Thank you very much, thank you. | 0:09:20 | 0:09:23 | |
No one is messing about today, one down in ten minutes. | 0:09:23 | 0:09:26 | |
Well done, Reds. | 0:09:26 | 0:09:28 | |
I've got tears in my eyes. | 0:09:28 | 0:09:29 | |
It's the emotion of Bargain Hunt. | 0:09:29 | 0:09:32 | |
Not the rain? Not the rain. | 0:09:32 | 0:09:34 | |
That's OK. This weather is wonderful, I feel like a duck. | 0:09:34 | 0:09:38 | |
You can always rely on the great British weather. | 0:09:40 | 0:09:43 | |
Never mind golden gavels, | 0:09:43 | 0:09:44 | |
you guys deserve medals after this showery shop. | 0:09:44 | 0:09:48 | |
Take that little box here. | 0:09:48 | 0:09:49 | |
I wouldn't call it little. | 0:09:49 | 0:09:51 | |
No. How heavy is it? Hold that end. It's about 1860. | 0:09:51 | 0:09:56 | |
If you owned a country house and maybe you were off somewhere, | 0:09:56 | 0:10:00 | |
you would have your silver chest. | 0:10:00 | 0:10:01 | |
What timber is that? | 0:10:01 | 0:10:03 | |
Have a guess. Oak. | 0:10:03 | 0:10:05 | |
Oak, you're right. Cast iron studs. | 0:10:05 | 0:10:08 | |
The lid opens like so. | 0:10:08 | 0:10:10 | |
And of course in there, | 0:10:10 | 0:10:11 | |
you might have had a tea set or a silver cafe au lait, | 0:10:11 | 0:10:15 | |
or something to fill those divisions. | 0:10:15 | 0:10:18 | |
Second-half 19th century. | 0:10:18 | 0:10:20 | |
But what's been lost over time, Carl, is a vacant cartouche there. | 0:10:20 | 0:10:24 | |
That had the owner's initials on or name. I suppose, for security, | 0:10:24 | 0:10:29 | |
it was taken off when it passed on. | 0:10:29 | 0:10:31 | |
What's it worth? | 0:10:31 | 0:10:33 | |
?30. Do you reckon so? | 0:10:33 | 0:10:35 | |
Yes. Should we call him over? | 0:10:35 | 0:10:38 | |
Go on. Hello, sir. | 0:10:38 | 0:10:40 | |
May my friend Carl ask you how much the box is? | 0:10:40 | 0:10:43 | |
We've got 65 on him. | 0:10:43 | 0:10:45 | |
Because of the weather, and you want to get home, | 0:10:45 | 0:10:48 | |
what's your bottom line? | 0:10:48 | 0:10:50 | |
I like your style, Carl. | 0:10:50 | 0:10:51 | |
Wait for it. | 0:10:54 | 0:10:56 | |
To get a tiny bit out of it, I'd need 55. | 0:10:57 | 0:11:00 | |
Is it possible you could do 45? | 0:11:00 | 0:11:02 | |
We're not going to be able to do it. Meet you halfway, ?50? | 0:11:02 | 0:11:07 | |
I'll do it for ?50 because of the weather. | 0:11:07 | 0:11:10 | |
There you go, then. It's a deal, ?50. | 0:11:10 | 0:11:12 | |
Shake his hand, Christine. | 0:11:12 | 0:11:13 | |
Thank you. Good seeing you. | 0:11:13 | 0:11:16 | |
You're OK. Thanks a lot. | 0:11:16 | 0:11:17 | |
Good work, team. One down. | 0:11:17 | 0:11:19 | |
The weather is definitely helping seal the deals today. | 0:11:20 | 0:11:23 | |
Well done, Blues. | 0:11:23 | 0:11:24 | |
That's your first item in the bag, | 0:11:24 | 0:11:27 | |
albeit a slightly soggy bag. | 0:11:27 | 0:11:28 | |
Right, Reds, how do some West German fat lava grab you, Phil? | 0:11:30 | 0:11:34 | |
You see, that is one of those things | 0:11:34 | 0:11:37 | |
where I know that I was born too soon. | 0:11:37 | 0:11:39 | |
Not a fan, then, Phil. | 0:11:39 | 0:11:41 | |
In a serious world, you know, and I'm up there with the kids, me, | 0:11:41 | 0:11:45 | |
this is bang on trend. | 0:11:45 | 0:11:46 | |
That is easier to sell than a Staffordshire dog. | 0:11:46 | 0:11:49 | |
Right. Although that is, in my eyes, a dog in its own right. | 0:11:50 | 0:11:53 | |
It's just really, really trendy. | 0:11:54 | 0:11:56 | |
It wouldn't have to be a lamp, though. | 0:11:56 | 0:11:58 | |
I would take the lamp part out. | 0:11:58 | 0:12:00 | |
I would throw that away. Frankly, I would throw all of it away. | 0:12:00 | 0:12:03 | |
I agree. Is it one of those Russian things? | 0:12:03 | 0:12:05 | |
West German. West German. | 0:12:05 | 0:12:08 | |
Hang on, is it a screw one? | 0:12:08 | 0:12:11 | |
Well, there's the original ticket price. | 0:12:11 | 0:12:13 | |
This gentleman doesn't want to take it home, do you? | 0:12:13 | 0:12:16 | |
So if you give him 20 quid not to take it home. | 0:12:16 | 0:12:19 | |
2o quid, it's yours. | 0:12:19 | 0:12:20 | |
Thank you, sir. That's very generous. | 0:12:20 | 0:12:23 | |
Are you serious? | 0:12:23 | 0:12:24 | |
We should shop in the rain more often. | 0:12:24 | 0:12:27 | |
Don't break our lamp! | 0:12:27 | 0:12:29 | |
Don't break the lamp. | 0:12:29 | 0:12:30 | |
Well done, Reds. | 0:12:30 | 0:12:31 | |
15 minutes in, onwards. | 0:12:31 | 0:12:34 | |
Meanwhile, with the Blues, things are going swimmingly. | 0:12:36 | 0:12:39 | |
Literally. Cometh the hour on Bargain Hunt. | 0:12:39 | 0:12:43 | |
Look at that jug. Let's hold hands so we don't fall in. | 0:12:43 | 0:12:45 | |
There we go. | 0:12:45 | 0:12:46 | |
I'm very proud of you, teams. | 0:12:46 | 0:12:48 | |
There's some dedicated bargain hunting today. | 0:12:48 | 0:12:51 | |
I really rate that jug. | 0:12:51 | 0:12:53 | |
Have a handle. I'll tell you why in a second. | 0:12:53 | 0:12:56 | |
I wonder how old he thinks it is. | 0:12:56 | 0:12:58 | |
Could be a good bargain, this. | 0:12:58 | 0:12:59 | |
I think this is probably 18th century. | 0:12:59 | 0:13:02 | |
Blue and white. A soapstone body, | 0:13:02 | 0:13:05 | |
and it will date to around 1785. | 0:13:05 | 0:13:08 | |
So it's Worcester. | 0:13:08 | 0:13:10 | |
Hello, sir. | 0:13:10 | 0:13:12 | |
Sorry to bother you... | 0:13:12 | 0:13:13 | |
on this fine day. | 0:13:13 | 0:13:15 | |
How much is the jug, please? | 0:13:15 | 0:13:17 | |
180. | 0:13:17 | 0:13:18 | |
Oh, I thought it may have been. | 0:13:18 | 0:13:21 | |
I was hoping for a ?40 price tag. | 0:13:21 | 0:13:23 | |
You and me both. | 0:13:23 | 0:13:24 | |
What a shame. | 0:13:24 | 0:13:26 | |
Not everyone is keen to do a special rainy day price. | 0:13:26 | 0:13:29 | |
There we go. | 0:13:29 | 0:13:30 | |
You should have brought your waders today, Charles. | 0:13:31 | 0:13:33 | |
I think Phil would just be happy with an umbrella right now. | 0:13:35 | 0:13:38 | |
How are you coping with these conditions, Mr Serrell? | 0:13:38 | 0:13:40 | |
I think they've done really, really well. | 0:13:40 | 0:13:42 | |
About half an hour gone, they've bought two items. | 0:13:42 | 0:13:44 | |
Haven't spent much money, | 0:13:44 | 0:13:45 | |
but I think they've bought sure-fire profits. | 0:13:45 | 0:13:48 | |
It is fun, but it's very, very wet. | 0:13:48 | 0:13:51 | |
But it's fab in the scooter. | 0:13:51 | 0:13:53 | |
Well, at least you're all enjoying yourselves. | 0:13:53 | 0:13:56 | |
Even you, Phil. | 0:13:56 | 0:13:57 | |
We should have been ducks. | 0:13:59 | 0:14:00 | |
Because we're quackers! We're quackers! | 0:14:02 | 0:14:06 | |
You're telling me. Speaking of ducks, | 0:14:06 | 0:14:08 | |
we're 30 minutes in, and I'm leaving the teams shopping as I duck inside | 0:14:08 | 0:14:12 | |
for a history lesson. | 0:14:12 | 0:14:13 | |
I've headed into the centre of Newark | 0:14:21 | 0:14:23 | |
and to the National Civil War Centre, | 0:14:23 | 0:14:25 | |
where I've joined curator Glynn Hughes. | 0:14:25 | 0:14:28 | |
Now, Glynn, for those that don't know much about the Civil War, | 0:14:28 | 0:14:31 | |
can you give us a brief summary | 0:14:31 | 0:14:32 | |
about what was possibly the deadliest | 0:14:32 | 0:14:34 | |
conflict in the country's history? | 0:14:34 | 0:14:36 | |
Certainly, Charlie. It's fought between | 0:14:36 | 0:14:39 | |
the Parliamentarians on one side and the Royalists on the other side. | 0:14:39 | 0:14:43 | |
The Royalists support King Charles. | 0:14:43 | 0:14:44 | |
Yes. And on the other side, | 0:14:44 | 0:14:46 | |
the Parliamentarians support Parliament | 0:14:46 | 0:14:48 | |
and basically the will of the people. | 0:14:48 | 0:14:51 | |
Newark was really put on the map, wasn't it, by the Civil War? | 0:14:51 | 0:14:54 | |
It was. Newark becomes really significant | 0:14:54 | 0:14:57 | |
because it started with the raising of the standard | 0:14:57 | 0:15:00 | |
over at Nottingham, so 18 miles from here, | 0:15:00 | 0:15:02 | |
and it ended at Kelham, about four miles outside of Newark, | 0:15:02 | 0:15:05 | |
where Charles surrendered. | 0:15:05 | 0:15:07 | |
How did the war pan out at the end? | 0:15:07 | 0:15:09 | |
Well, at the end, | 0:15:09 | 0:15:10 | |
the Parliamentarians destroyed the Royalist army | 0:15:10 | 0:15:14 | |
at the Battle of Naseby. | 0:15:14 | 0:15:15 | |
That was about it, then? | 0:15:15 | 0:15:17 | |
It's not looking good for Charles at this point, no. | 0:15:17 | 0:15:19 | |
He's the first king in British history | 0:15:20 | 0:15:23 | |
to be found guilty of treason by the people | 0:15:23 | 0:15:26 | |
and is beheaded outside the Banqueting House in 1649. | 0:15:26 | 0:15:30 | |
And Britain becomes a republic. | 0:15:30 | 0:15:31 | |
Yes. And that, they say, is that. | 0:15:31 | 0:15:35 | |
Well, we could go on there, | 0:15:35 | 0:15:36 | |
but you've got some fascinating objects here. | 0:15:36 | 0:15:38 | |
So, what is this? | 0:15:38 | 0:15:40 | |
This is a 17th-century breastplate. | 0:15:40 | 0:15:42 | |
It's basically 17th-century body armour, if you like. | 0:15:42 | 0:15:45 | |
And you can see there, it's got a proofing mark on it. | 0:15:46 | 0:15:49 | |
This is where the armourer would have tested it | 0:15:49 | 0:15:51 | |
by firing a musket ball at it. | 0:15:51 | 0:15:53 | |
However, there is evidence to suggest that | 0:15:53 | 0:15:56 | |
they used to weaken the powder. | 0:15:56 | 0:15:57 | |
So... So it wasn't a real test? | 0:15:58 | 0:16:01 | |
Well, sort of, but not as good as it could have been. | 0:16:01 | 0:16:03 | |
Right. And as you can see with this particular one, | 0:16:03 | 0:16:06 | |
it's got a potentially fatal hole at the front here. | 0:16:06 | 0:16:10 | |
It seems a trifle unfair, doesn't it? | 0:16:10 | 0:16:12 | |
May I lift it up? You can, yes. | 0:16:12 | 0:16:14 | |
I don't believe it. | 0:16:16 | 0:16:17 | |
It is unbelievably heavy. | 0:16:19 | 0:16:21 | |
They are heavy, yes, absolutely. | 0:16:21 | 0:16:23 | |
They would have had a backplate as well, so it was double the weight. | 0:16:23 | 0:16:26 | |
God. And what about this here? | 0:16:26 | 0:16:28 | |
I see you've got my personal book. | 0:16:28 | 0:16:30 | |
Charles Ross. Charles Ross. That's right. | 0:16:30 | 0:16:33 | |
This is called Eikon Basilike. | 0:16:34 | 0:16:37 | |
What's really interesting is inside, it's got, | 0:16:37 | 0:16:39 | |
this book belonged to the library of Charles II. | 0:16:39 | 0:16:42 | |
Really? So this, CR isn't Charles Ross, it is Charles Rex. | 0:16:42 | 0:16:47 | |
It is Charles Rex, basically, yes. | 0:16:47 | 0:16:50 | |
And it's also got Charles II's signature inside it, | 0:16:50 | 0:16:52 | |
which makes it rarer as well. | 0:16:52 | 0:16:55 | |
But what's really interesting for me | 0:16:55 | 0:16:57 | |
from my perspective is that it has a foldout illustration. | 0:16:57 | 0:17:01 | |
In 1649, just as the King was executed, | 0:17:02 | 0:17:07 | |
just after, the Royalists basically want to preserve his memory. | 0:17:07 | 0:17:12 | |
And we have here Charles I, his earthly crown on the floor. | 0:17:12 | 0:17:17 | |
And then we've got in his hand a crown of thorns. | 0:17:18 | 0:17:20 | |
And then in the heavens we've got his heavenly crown. | 0:17:20 | 0:17:23 | |
Once the head's off. | 0:17:23 | 0:17:25 | |
Once the head's off. And that's where he's going. | 0:17:25 | 0:17:27 | |
It's a sort of political cartoon in a way, isn't it? | 0:17:27 | 0:17:30 | |
Sort of, yes, but it is Royalist propaganda in a sense. | 0:17:30 | 0:17:33 | |
We've also got him as a rock in amongst tumultuous stormy seas. | 0:17:33 | 0:17:37 | |
He's the rock, presumably. | 0:17:37 | 0:17:38 | |
Absolutely. He's the strength. | 0:17:38 | 0:17:40 | |
It's been absolutely fascinating for me, thank you very much indeed. | 0:17:41 | 0:17:45 | |
You're welcome. Well, from one battle to the next, | 0:17:45 | 0:17:48 | |
let's go to the fair and see how our teams are getting on. | 0:17:48 | 0:17:51 | |
After 40 minutes of shopping, things are looking pretty bleak. | 0:17:57 | 0:18:00 | |
The Blues have just one purchase. | 0:18:00 | 0:18:02 | |
However, the Reds are doing slightly better with two. | 0:18:02 | 0:18:05 | |
Wow, it's wet and wild, Charles. | 0:18:05 | 0:18:09 | |
Tough going? | 0:18:09 | 0:18:10 | |
What's happening with the rain is dealers all around us are | 0:18:10 | 0:18:13 | |
going home in their vans. | 0:18:13 | 0:18:14 | |
The ones who are staying out are really keen to sell. | 0:18:14 | 0:18:17 | |
So in many respects, now's the time to find the ultimate bargain. | 0:18:17 | 0:18:21 | |
Always the optimist, Mr Hanson. | 0:18:21 | 0:18:23 | |
And just look, they're all loving it out there. | 0:18:23 | 0:18:25 | |
THEY LAUGH | 0:18:25 | 0:18:27 | |
Right, teams, crack on. | 0:18:31 | 0:18:32 | |
All the stallholders seem to be vanishing as quick as your time. | 0:18:32 | 0:18:35 | |
15 minutes left. | 0:18:35 | 0:18:37 | |
That's a pretty jug. | 0:18:39 | 0:18:40 | |
Grimwades, yes. | 0:18:43 | 0:18:45 | |
So, probably 1930s. | 0:18:45 | 0:18:48 | |
With a kingfisher on. | 0:18:49 | 0:18:50 | |
Pretty. Pretty. Have a handle of the pot. | 0:18:50 | 0:18:53 | |
Sell it to me. | 0:18:55 | 0:18:57 | |
Yes, it's nice. Like a lustre. | 0:18:57 | 0:18:59 | |
What's the condition like? Seems no chips. | 0:18:59 | 0:19:02 | |
Handle is OK. Foot rim's OK. | 0:19:02 | 0:19:05 | |
Good. What's the price on it? | 0:19:07 | 0:19:09 | |
What does it say? | 0:19:09 | 0:19:12 | |
?45. | 0:19:12 | 0:19:14 | |
I'll do it for 35. | 0:19:14 | 0:19:15 | |
And in the conditions? | 0:19:16 | 0:19:18 | |
30 is my best. 25, we will snap it up. | 0:19:18 | 0:19:21 | |
25, give me your money, come on, I'm going home. | 0:19:21 | 0:19:25 | |
That's the way you do it. | 0:19:25 | 0:19:26 | |
In this weather, that's the way. | 0:19:26 | 0:19:28 | |
Thank you, sir, we'll take it. | 0:19:28 | 0:19:30 | |
?25, what a lovely Art Deco jug from Grimwades. | 0:19:30 | 0:19:33 | |
Shake his hand. Thank you very much. | 0:19:33 | 0:19:34 | |
Thank you. | 0:19:34 | 0:19:36 | |
Another stallholder wanting an early finish, then. | 0:19:38 | 0:19:41 | |
Two down, Blues. No pressure, but I think you and the Reds | 0:19:41 | 0:19:43 | |
may well be fighting over the last stall soon. | 0:19:43 | 0:19:46 | |
All the stallholders are going home, | 0:19:46 | 0:19:48 | |
and we've got about ten minutes left, | 0:19:48 | 0:19:51 | |
so I think we've got to buy something, but not that. | 0:19:51 | 0:19:54 | |
That's it, Phil, rein them in. | 0:19:57 | 0:19:58 | |
Come on, team. | 0:19:59 | 0:20:01 | |
I'm trying. It's now the time to dig deep. | 0:20:01 | 0:20:04 | |
What do you think of this, Phil? | 0:20:06 | 0:20:08 | |
Yes, lovely. | 0:20:08 | 0:20:09 | |
Come on, Reds, stop horsing around. | 0:20:11 | 0:20:13 | |
You've only got five minutes left. | 0:20:13 | 0:20:14 | |
The Blues are still chatting to the same stallholder, | 0:20:17 | 0:20:20 | |
and it seems he's not keen to take his garden swing home either. | 0:20:20 | 0:20:22 | |
?50 for the swing. | 0:20:24 | 0:20:25 | |
That is cheap. Steady, Charles. | 0:20:25 | 0:20:27 | |
That could be our inspired buy. | 0:20:27 | 0:20:29 | |
Look. | 0:20:31 | 0:20:32 | |
Have a seat. It's going to be dry. | 0:20:32 | 0:20:35 | |
There's a dry patch. I'll try. | 0:20:35 | 0:20:38 | |
Come on, Christine, just here. | 0:20:38 | 0:20:41 | |
Very nice. Put your right cheek down there. | 0:20:41 | 0:20:43 | |
You'll be OK. | 0:20:43 | 0:20:44 | |
Now, to me, look at this, team. | 0:20:47 | 0:20:50 | |
It's a shelter. | 0:20:50 | 0:20:51 | |
We are out of the rain, | 0:20:51 | 0:20:53 | |
we could buy it now | 0:20:53 | 0:20:54 | |
and literally stay here until the hour is over. | 0:20:54 | 0:20:58 | |
But to me, it's kitsch, it's '50s. | 0:20:58 | 0:21:01 | |
I like the vine leaves and the whole cast-iron green enamel. | 0:21:01 | 0:21:05 | |
Charles, you're certainly selling it. | 0:21:05 | 0:21:07 | |
The important question is, | 0:21:07 | 0:21:09 | |
would mother-in-law have it in a garden or not? | 0:21:09 | 0:21:11 | |
Yes, I would. She would. | 0:21:11 | 0:21:13 | |
That is key. You must buy what you like. | 0:21:13 | 0:21:15 | |
And to me... | 0:21:15 | 0:21:16 | |
..I say buy it. I really would. Yes, I think you're right. | 0:21:18 | 0:21:21 | |
Look at the man, he wants to get rid of it. | 0:21:21 | 0:21:24 | |
And I think it's an absolute bargain. | 0:21:24 | 0:21:26 | |
Yes. Should we do it? | 0:21:26 | 0:21:28 | |
Yes. So your best is 50? | 0:21:28 | 0:21:30 | |
My best is 50. | 0:21:30 | 0:21:31 | |
Sold. Thanks, sir. | 0:21:31 | 0:21:33 | |
Sold to the man in the rain. | 0:21:33 | 0:21:35 | |
We are very, very grateful. Well done. | 0:21:35 | 0:21:39 | |
That's it, Blues, all three items done and dusted. | 0:21:39 | 0:21:41 | |
The Reds have finally found some shelter, and possibly a final item. | 0:21:44 | 0:21:48 | |
Some silver sugar tongs. | 0:21:48 | 0:21:50 | |
So those are quite sweet-looking. | 0:21:50 | 0:21:52 | |
And if you look just there, you've got the crown, which is Sheffield, | 0:21:52 | 0:21:55 | |
the lion passant, which tells us it's silver. | 0:21:55 | 0:21:57 | |
I love those little shell terminals there. | 0:21:57 | 0:22:01 | |
And I actually think the way you have to look at this, this is ?35. | 0:22:01 | 0:22:05 | |
?35 for a piece of hallmarked silver. | 0:22:05 | 0:22:09 | |
If you went to buy that new today, | 0:22:09 | 0:22:13 | |
it's three figures. | 0:22:13 | 0:22:14 | |
What do you think? I think... | 0:22:14 | 0:22:17 | |
I love them. I think they are brill. | 0:22:17 | 0:22:19 | |
Buy them. If you like them, buy them. | 0:22:19 | 0:22:21 | |
I do like them. Buy them. | 0:22:21 | 0:22:22 | |
Yes, I like those. | 0:22:22 | 0:22:23 | |
OK, we'll have them. | 0:22:23 | 0:22:25 | |
Thank you very much. | 0:22:25 | 0:22:26 | |
Thank you. Well done, girls. | 0:22:26 | 0:22:29 | |
Right, teams, your time is up. | 0:22:29 | 0:22:31 | |
Well, for everyone watching at home, | 0:22:33 | 0:22:34 | |
we can confirm that has been fun, hasn't it? Fab. | 0:22:34 | 0:22:37 | |
Antiques everywhere, glorious weather, and top company. | 0:22:37 | 0:22:43 | |
Hour's up, shopping done, off we go. | 0:22:43 | 0:22:47 | |
Let's check out what the Red team have bought. | 0:22:47 | 0:22:50 | |
First, the stoneware spirit barrel set them back ?15. | 0:22:51 | 0:22:55 | |
Next, the fat lava lamp cost them ?20. | 0:22:57 | 0:23:00 | |
And finally, they paid ?35 for the sweet little sugar tongs. | 0:23:02 | 0:23:06 | |
Val and Kate, the conditions were challenging, weren't they? | 0:23:08 | 0:23:11 | |
Oh, they were terrible. How was your scooter? | 0:23:11 | 0:23:13 | |
Fabulous. Was it? | 0:23:13 | 0:23:15 | |
Fabulous. Did you enjoy your shopping? | 0:23:15 | 0:23:16 | |
It was absolutely fabulous. | 0:23:16 | 0:23:18 | |
You didn't spend a great deal, though, did you? | 0:23:18 | 0:23:20 | |
We didn't. But I think what we bought was good. | 0:23:20 | 0:23:23 | |
Yes, we liked it. You do. | 0:23:23 | 0:23:24 | |
Now, Kate, what's your favourite lot? | 0:23:24 | 0:23:26 | |
My favourite is the barrel. | 0:23:26 | 0:23:27 | |
What will make the biggest profit, though? | 0:23:27 | 0:23:30 | |
I think the sugar nips will. | 0:23:30 | 0:23:32 | |
You think the sugar nips. | 0:23:32 | 0:23:34 | |
What about you, Val? Mine was the lookalike lamp. | 0:23:34 | 0:23:37 | |
And what about the biggest profit? | 0:23:37 | 0:23:41 | |
We think it might be the sugar nips, don't we? Keen on them? | 0:23:41 | 0:23:44 | |
What about you, Phil? | 0:23:44 | 0:23:46 | |
I think the sugar nip. The lamp might do quite well. | 0:23:48 | 0:23:50 | |
I mean, it's sufficiently horrid. | 0:23:50 | 0:23:52 | |
It's gorgeous. It's young. | 0:23:52 | 0:23:55 | |
Let's not go into a big debate about that lamp. | 0:23:55 | 0:23:57 | |
You either love it or you hate it. | 0:23:57 | 0:23:59 | |
Now, you spent ?70, | 0:23:59 | 0:24:01 | |
which means you've got ?230 to give to that man. We have. | 0:24:01 | 0:24:05 | |
Who's got the cash? I have. | 0:24:05 | 0:24:07 | |
Is this safe? I don't know, I'm not sure. | 0:24:08 | 0:24:11 | |
Phil, what are you going to do with that? | 0:24:13 | 0:24:15 | |
I'm going to try and find somebody | 0:24:15 | 0:24:17 | |
that sells dry socks and boxers, Charlie. | 0:24:17 | 0:24:19 | |
While Phil goes off to buy some dry clothes, | 0:24:19 | 0:24:22 | |
let's check out what the Blue team have bought. | 0:24:22 | 0:24:25 | |
Their first item was the oak box. | 0:24:26 | 0:24:28 | |
Price paid, ?50. | 0:24:28 | 0:24:30 | |
Their next purchase was the Grimwade jug. | 0:24:32 | 0:24:35 | |
They settled on a price of ?25. | 0:24:35 | 0:24:36 | |
And finally, the wrought-iron garden swing cost them ?50. | 0:24:39 | 0:24:42 | |
Well, Carl and Christine, that was an interesting shop, wasn't it? | 0:24:44 | 0:24:46 | |
Did you enjoy yourselves? | 0:24:46 | 0:24:47 | |
I did indeed, yes. Did this man treat you right? | 0:24:47 | 0:24:50 | |
He was very helpful. Was he? | 0:24:50 | 0:24:51 | |
Pleased with your lot? Considering, yes, the weather. | 0:24:51 | 0:24:54 | |
They are differing, aren't they? | 0:24:54 | 0:24:56 | |
Which is your favourite lot, Christine? | 0:24:56 | 0:24:57 | |
The swing. It's a good buy that, wasn't it? | 0:24:57 | 0:24:59 | |
Very good. ?50. | 0:24:59 | 0:25:01 | |
Yes, very good. What's going to make the biggest profit, though? | 0:25:01 | 0:25:03 | |
The swing. The swing. | 0:25:03 | 0:25:05 | |
It's all swings for Christine. | 0:25:05 | 0:25:07 | |
And what about you, Carl? We are all swinging together. Are you? Definitely. | 0:25:07 | 0:25:10 | |
You liked the swing? | 0:25:10 | 0:25:12 | |
Biggest profit? Definitely. | 0:25:12 | 0:25:13 | |
Charles, what do you think? | 0:25:13 | 0:25:14 | |
I think, Charlie, it was really the weather was against us, | 0:25:14 | 0:25:17 | |
but we really swung high - we found that swing at the end. | 0:25:17 | 0:25:21 | |
And I'm really quite happy, | 0:25:21 | 0:25:22 | |
I'm quietly confident in what we've bought. | 0:25:22 | 0:25:25 | |
It's always nice when Charles is quietly confident, | 0:25:25 | 0:25:27 | |
because he's not normally quietly anything. | 0:25:27 | 0:25:30 | |
Anyway, you've spent ?125. | 0:25:30 | 0:25:32 | |
We did. So you must have ?175 left over. | 0:25:32 | 0:25:35 | |
Oh, I don't know. | 0:25:35 | 0:25:37 | |
Where is it, Carl? Hand it over. | 0:25:37 | 0:25:39 | |
I'm going to give it to Charles. | 0:25:39 | 0:25:41 | |
Thank you, Mr Ross, very kind. Charles, what are you going to do with that? | 0:25:41 | 0:25:44 | |
Well, I think we went quite antiquey, didn't we, for mother-in-law. | 0:25:44 | 0:25:47 | |
I think it's now time to go more 20th century, | 0:25:47 | 0:25:48 | |
go more modern for the young man, son-in-law. | 0:25:48 | 0:25:51 | |
Very good. | 0:25:51 | 0:25:52 | |
So while Charles goes more modern, we're off to the auction. | 0:25:52 | 0:25:55 | |
We've come down the road to Nottingham to Mellors and Kirk, | 0:26:08 | 0:26:11 | |
and I'm with the boss today, Nigel Kirk. | 0:26:11 | 0:26:14 | |
Hello, Nigel. Hello, Charlie. | 0:26:14 | 0:26:15 | |
Thank you very much for allowing us in. | 0:26:15 | 0:26:17 | |
Now, the Red team, Val and Kate, let's have a look at their objects. | 0:26:17 | 0:26:20 | |
They started off with this barrel here. | 0:26:20 | 0:26:24 | |
What do you think of it? It's a perfectly good late 19th-century | 0:26:24 | 0:26:27 | |
salt-glazed stoneware barrel, spirit keg. | 0:26:27 | 0:26:30 | |
I think someone's turned it into a garden seat at some point. | 0:26:30 | 0:26:33 | |
They've put something on the top of it, haven't they? | 0:26:33 | 0:26:35 | |
Very well made, well potted. | 0:26:35 | 0:26:37 | |
Is it saleable? Absolutely. | 0:26:37 | 0:26:38 | |
What sort of money? | 0:26:38 | 0:26:40 | |
20 to ?30. | 0:26:40 | 0:26:42 | |
They only paid ?15. | 0:26:42 | 0:26:44 | |
Bargain. They could kick off with a profit. | 0:26:44 | 0:26:46 | |
Profit, I would have thought so. | 0:26:46 | 0:26:47 | |
Now, what about this object? | 0:26:47 | 0:26:49 | |
Absolutely foul thing, isn't it? | 0:26:49 | 0:26:52 | |
I was going to suggest someone ought | 0:26:53 | 0:26:54 | |
really to use it for target practice, | 0:26:54 | 0:26:56 | |
but it looks as though they already have. | 0:26:56 | 0:26:58 | |
Now, I think it was actually potted with the holes in. | 0:26:58 | 0:27:01 | |
Oh, was it? Oh, right. | 0:27:01 | 0:27:02 | |
Very typical of the sort of West German 1960s pots | 0:27:02 | 0:27:05 | |
brought back in huge numbers. | 0:27:05 | 0:27:08 | |
In fact, we sold, in one lot recently, about 60 pieces of it. | 0:27:08 | 0:27:13 | |
And I was fairly surprised to see them sell for ?300 or ?400. | 0:27:13 | 0:27:17 | |
Really? So what about this one, how much are you going to get for that? | 0:27:17 | 0:27:20 | |
I should have thought 25, 35, something like that. | 0:27:20 | 0:27:22 | |
Well, they only paid ?20. | 0:27:22 | 0:27:25 | |
They did quite a deal. The chap was asking quite a lot more money. | 0:27:25 | 0:27:28 | |
Well, it is big, isn't it? | 0:27:28 | 0:27:29 | |
It's about the only thing you can say for it, isn't it? | 0:27:29 | 0:27:32 | |
It is. But you never know, we might be proved wrong, mightn't we? | 0:27:32 | 0:27:35 | |
Let's hope so. And what about the sugar tongs? | 0:27:35 | 0:27:37 | |
Well, they are lovely little things. Well made. Looking at them from here, | 0:27:37 | 0:27:41 | |
one would easily think they were mid-18th century. | 0:27:41 | 0:27:44 | |
In fact, of course, they are early 20th century. | 0:27:44 | 0:27:46 | |
Which will affect the price. | 0:27:47 | 0:27:49 | |
But I would have thought 20, ?30. | 0:27:49 | 0:27:51 | |
Yes, they paid 35, which might be just a little top-heavy, | 0:27:51 | 0:27:55 | |
but if you can't afford the real thing. | 0:27:55 | 0:27:57 | |
Yes, well, the real thing would be 135, wouldn't it? | 0:27:57 | 0:28:01 | |
Yes, of course. They might well get out of trouble with them. | 0:28:01 | 0:28:03 | |
Well, if they need to get out of trouble even further, | 0:28:04 | 0:28:07 | |
they might need the bonus buy. | 0:28:07 | 0:28:08 | |
Let's have a look at it. | 0:28:08 | 0:28:10 | |
Well, Val and Kate, you left this man with too much money, didn't you? | 0:28:10 | 0:28:13 | |
Far too much. | 0:28:13 | 0:28:15 | |
Phil, what have you done with it? | 0:28:15 | 0:28:16 | |
I've only just got dry, Charlie. | 0:28:16 | 0:28:19 | |
Did you buy some new boxers? | 0:28:19 | 0:28:20 | |
I did indeed, a bit tight. HIGH-PITCHED VOICE: No, they're a bit... No, they're fine. | 0:28:20 | 0:28:24 | |
I need you help here, could you whip... | 0:28:24 | 0:28:26 | |
I could. Ready, girls? | 0:28:26 | 0:28:28 | |
Yes. | 0:28:28 | 0:28:29 | |
Oh, no! | 0:28:29 | 0:28:31 | |
What is this? | 0:28:34 | 0:28:35 | |
How much did you pay for this? | 0:28:35 | 0:28:37 | |
I paid ?45 for both lots. | 0:28:37 | 0:28:40 | |
I think that's a really interesting lot. | 0:28:40 | 0:28:41 | |
That's a mountaineer's ice-pick. | 0:28:41 | 0:28:43 | |
And these are early clubs, obviously. | 0:28:44 | 0:28:46 | |
Stone Age. Exercise clubs. | 0:28:46 | 0:28:48 | |
Those are like the Victorian Pilates. Well, actually, it's not bad. | 0:28:48 | 0:28:51 | |
Oh, right, yeah, yeah. | 0:28:51 | 0:28:53 | |
What do you think? What do you think it's worth? | 0:28:53 | 0:28:55 | |
What do you think we'll get for it? I think it all depends on this. | 0:28:55 | 0:28:58 | |
Climbing stuff is really, really quite collectable. | 0:28:58 | 0:29:01 | |
And I think if you get some climbing people latch onto that on | 0:29:01 | 0:29:05 | |
the internet, it will do well. Oh, yes, yes. | 0:29:05 | 0:29:07 | |
And if you don't, it won't. Right. | 0:29:07 | 0:29:09 | |
A bit of a gamble, isn't it? | 0:29:09 | 0:29:11 | |
A bit of a gamble. Well, you don't have to make up your mind now. | 0:29:11 | 0:29:14 | |
In the heat of the moment, during the auction is when you make of your mind. | 0:29:14 | 0:29:17 | |
But in the meanwhile, let's see what the auctioneer thinks | 0:29:17 | 0:29:20 | |
of the pick and the clubs. | 0:29:20 | 0:29:21 | |
Now, Philip Serrell is always an interesting man with his purchases. | 0:29:22 | 0:29:27 | |
And he has purchased... | 0:29:29 | 0:29:30 | |
A-ha. Nice axe, yes. | 0:29:30 | 0:29:31 | |
..a mountaineer's axe. | 0:29:31 | 0:29:34 | |
And we're not quite sure why, Nigel, but these come with it. | 0:29:34 | 0:29:39 | |
Exercise clubs. | 0:29:39 | 0:29:41 | |
Yes. There doesn't seem to be much synergy between the two. | 0:29:41 | 0:29:44 | |
Not a lot, but they are quite nicely patinated pieces of treen, | 0:29:44 | 0:29:48 | |
aren't they? Of their own age. This is nicely made. | 0:29:48 | 0:29:50 | |
I presume this is ash, I'm pretty sure it is. | 0:29:50 | 0:29:52 | |
It looks ash. Yes, yes. | 0:29:52 | 0:29:53 | |
It's got some age, hasn't it? | 0:29:53 | 0:29:55 | |
It has, it has. 1930s, perhaps. | 0:29:55 | 0:29:57 | |
Yes, yes. So, difficult thing to value, I would imagine. | 0:29:57 | 0:30:01 | |
What do you think on those? I hope the Iceman cometh and then we might sell it. | 0:30:01 | 0:30:05 | |
Perhaps 20 to ?40. 20 to ?40. | 0:30:05 | 0:30:07 | |
Well, Philip went for 45. | 0:30:07 | 0:30:09 | |
So you might need to just squeeze your punters a little extra more. | 0:30:09 | 0:30:14 | |
Now, moving on to the Blues, | 0:30:14 | 0:30:16 | |
Carl and Christine were led by Charles Hanson into this oak box. | 0:30:16 | 0:30:21 | |
I wonder if it was a wise thing. | 0:30:21 | 0:30:23 | |
It does sound rather final, doesn't it, Charlie? | 0:30:23 | 0:30:26 | |
I'm afraid the ironwork is really rather rusty | 0:30:26 | 0:30:28 | |
and it's just generally grubby. | 0:30:28 | 0:30:30 | |
It's also missing the tablet, | 0:30:30 | 0:30:32 | |
which has obviously been prised out of the piece years ago. | 0:30:32 | 0:30:36 | |
How saleable is it? Not very. | 0:30:36 | 0:30:38 | |
I thought you might say that. | 0:30:38 | 0:30:40 | |
What sort of value? ?20 or ?30. | 0:30:40 | 0:30:42 | |
Yes. Now, for some reason, they went for ?50. | 0:30:42 | 0:30:47 | |
Now, you and I don't quite see that, do we? I'm afraid I can't see that. | 0:30:47 | 0:30:50 | |
But let's hope we're proved wrong. One never knows. No, you never know. | 0:30:50 | 0:30:53 | |
Now, what about the jug, Grimwades jug? | 0:30:53 | 0:30:55 | |
Yes. It's a typical English pot of the 1920s or '30s. | 0:30:55 | 0:31:00 | |
Yes. In pseudo lustreware. | 0:31:00 | 0:31:02 | |
Yeah. Again, not hugely saleable, I'm afraid. | 0:31:02 | 0:31:04 | |
No. I suppose if it was Wedgwood lusterware we'd be... | 0:31:04 | 0:31:08 | |
It'd be several noughts on the price. | 0:31:08 | 0:31:10 | |
I think it's probably ?20 or ?30. | 0:31:10 | 0:31:12 | |
Yeah, yep. Well, that bracket is what they paid, ?25. | 0:31:12 | 0:31:15 | |
Oh, that's all right, very fair. | 0:31:15 | 0:31:17 | |
Now, the other item was far too large to put on the table, | 0:31:17 | 0:31:21 | |
of course, the garden swing. | 0:31:21 | 0:31:22 | |
Yes. Yes, I... | 0:31:22 | 0:31:23 | |
Do you have people for garden swings? | 0:31:23 | 0:31:25 | |
Well, yes, we do. | 0:31:25 | 0:31:27 | |
Garden objects are quite sought-after, | 0:31:27 | 0:31:29 | |
and it's a quirky, interesting thing. Of no age, really. | 0:31:29 | 0:31:32 | |
No. But it's quite attractive. | 0:31:32 | 0:31:34 | |
Yeah. If you went to buy one new, it would cost a lot of money. | 0:31:34 | 0:31:36 | |
It would cost a great deal in a garden centre, wouldn't it? | 0:31:36 | 0:31:39 | |
Yes. I would've thought 80 to 120 | 0:31:39 | 0:31:42 | |
should entice some bidding. | 0:31:42 | 0:31:44 | |
Well, the weather was quite bad when they were shopping, | 0:31:44 | 0:31:46 | |
and the chap just said, "I don't want to take it home, you can have it for ?50." | 0:31:46 | 0:31:49 | |
That sounds very reasonable. | 0:31:49 | 0:31:51 | |
Should be all right, shouldn't they? | 0:31:51 | 0:31:53 | |
Profit, I would have thought. Yeah. | 0:31:53 | 0:31:55 | |
Well, they might not need their bonus buy, | 0:31:55 | 0:31:56 | |
but just in case they do, let's have a look at it. | 0:31:56 | 0:31:59 | |
Carl and Christine, Charles said he was going off | 0:31:59 | 0:32:01 | |
to try and buy something a bit more modern, didn't he? | 0:32:01 | 0:32:04 | |
He did, yes. 21st century, I think. | 0:32:04 | 0:32:06 | |
Yes, do you think he's done that? | 0:32:06 | 0:32:07 | |
Looking at that shape, yes. | 0:32:07 | 0:32:08 | |
Do you know where he is? No. | 0:32:08 | 0:32:10 | |
No? Charles! | 0:32:10 | 0:32:12 | |
Yes? Charles! Yes, I'm here. | 0:32:12 | 0:32:14 | |
I think he's in what he bought. | 0:32:15 | 0:32:16 | |
Hello! Hello. | 0:32:16 | 0:32:18 | |
There. See, what do you think? | 0:32:18 | 0:32:21 | |
Yeah, definitely modern. | 0:32:21 | 0:32:23 | |
It's warm in there, very warm. | 0:32:23 | 0:32:24 | |
This is what we call a globe chair and in style, | 0:32:24 | 0:32:27 | |
if you think back to sort of mid-20th century, | 0:32:27 | 0:32:29 | |
the great age of the space age, it's quite light, it's airy, | 0:32:29 | 0:32:34 | |
I think it sits well. | 0:32:34 | 0:32:35 | |
Probably 1980s, Carl. | 0:32:35 | 0:32:37 | |
Yeah. Yeah, what do you think of it? | 0:32:37 | 0:32:39 | |
Yeah. It's practical, it looks good, doesn't it? | 0:32:39 | 0:32:41 | |
Yeah. To me, it's well-worn, it's not made yesterday. | 0:32:41 | 0:32:45 | |
It has got some age. | 0:32:45 | 0:32:46 | |
It's got a bit of age, you'd love it to have just a bit more age. | 0:32:46 | 0:32:49 | |
The original ones of these are now making ?1,000, ?2,000. | 0:32:49 | 0:32:52 | |
Yes. What's it worth? | 0:32:52 | 0:32:54 | |
?100? | 0:32:54 | 0:32:57 | |
I'll take, I'll take... I'll take... | 0:32:57 | 0:32:59 | |
online you'd get probably ?500. | 0:32:59 | 0:33:02 | |
Come on! | 0:33:02 | 0:33:03 | |
Yes. Right, what did you pay? | 0:33:03 | 0:33:05 | |
It only cost me ?100. | 0:33:05 | 0:33:08 | |
Bargain. Fantastic. | 0:33:08 | 0:33:09 | |
Well, well, well. Carl thinks the globe chair is a complete steal, | 0:33:09 | 0:33:14 | |
what will the auctioneer think of it? | 0:33:14 | 0:33:16 | |
So, it's the swivel chair, what I would call a globe chair. | 0:33:16 | 0:33:19 | |
Yes. Quite an iconic item, isn't it? | 0:33:19 | 0:33:21 | |
Very much so. And I think people give them all sorts of different names. | 0:33:21 | 0:33:24 | |
Yeah. It's very typical of its date. I think that's quite a speculative item. | 0:33:24 | 0:33:27 | |
Are you going to conduct your auction from it? | 0:33:27 | 0:33:30 | |
It would be rather fun, wouldn't it? | 0:33:30 | 0:33:32 | |
What about value? | 0:33:32 | 0:33:34 | |
80 to 120, perhaps a little more. | 0:33:34 | 0:33:37 | |
He paid ?100 so they didn't steal it. No, yes. | 0:33:37 | 0:33:40 | |
It's got a chance, hasn't it? They stand a sporting chance, don't they? | 0:33:40 | 0:33:43 | |
Yes. Splendid, I look forward to that lot. Now, you'll be taking the sale? | 0:33:43 | 0:33:46 | |
I hope so. I'm looking forward to it. | 0:33:46 | 0:33:48 | |
Could be quite exciting. | 0:33:48 | 0:33:49 | |
Girls, you're looking rather excited about all this. | 0:33:57 | 0:34:00 | |
Have you been to an auction before? | 0:34:00 | 0:34:02 | |
No. No. Never? | 0:34:02 | 0:34:03 | |
No. What are your first impressions? | 0:34:03 | 0:34:05 | |
Amazing. Impressed. | 0:34:05 | 0:34:07 | |
Are you impressed with the lots you've bought? | 0:34:07 | 0:34:10 | |
Yes. Yes, we are. | 0:34:10 | 0:34:11 | |
Yeah, confident? | 0:34:11 | 0:34:12 | |
We think. Yes. Going to make a profit? Yeah, we are. | 0:34:12 | 0:34:15 | |
Yes. Definitely going to make a profit. Good. | 0:34:15 | 0:34:17 | |
Phil, you're looking a little astonished. I actually think they will. Yeah. | 0:34:17 | 0:34:21 | |
You don't think they're going to go as far as...? | 0:34:21 | 0:34:23 | |
Well, you never, ever know, Charlie. | 0:34:23 | 0:34:25 | |
You never know. Oh, wouldn't that be exciting? | 0:34:25 | 0:34:27 | |
We will. Anyway, kicking off with that spirit barrel. | 0:34:27 | 0:34:31 | |
Here it comes. It cost ?15. | 0:34:31 | 0:34:34 | |
Lot 100. Salt glaze brown stoneware spirit barrel. | 0:34:34 | 0:34:38 | |
19th century. | 0:34:38 | 0:34:39 | |
?20 for it. | 0:34:39 | 0:34:41 | |
20 anywhere. ?20. | 0:34:41 | 0:34:43 | |
That's a bid at ?20. | 0:34:43 | 0:34:44 | |
25 for it. | 0:34:44 | 0:34:46 | |
Yes. ?20 bid. 25 do I see? | 0:34:46 | 0:34:48 | |
At 25. 30 I've got online. | 0:34:48 | 0:34:52 | |
35 for it? | 0:34:52 | 0:34:53 | |
?30. | 0:34:53 | 0:34:54 | |
Any further bids? Hammer's up, selling... | 0:34:54 | 0:34:56 | |
35 I'm bid, thank you. | 0:34:56 | 0:34:58 | |
40 for it? ?35. | 0:34:58 | 0:35:01 | |
Done. Yes! | 0:35:01 | 0:35:02 | |
That's absolutely amazing. | 0:35:02 | 0:35:04 | |
Do you know how much profit you made? ?20. Shh. | 0:35:04 | 0:35:07 | |
Now, here comes the vase. | 0:35:07 | 0:35:09 | |
Lot 101, 1960s West German earthenware lamp. | 0:35:09 | 0:35:13 | |
Bottle shape. So called lava glaze. | 0:35:13 | 0:35:16 | |
?20 for this, somebody? | 0:35:16 | 0:35:17 | |
20. ?20. | 0:35:17 | 0:35:18 | |
20 I am bid, thank you, sir. | 0:35:18 | 0:35:20 | |
25 for it. | 0:35:20 | 0:35:22 | |
25 for it. | 0:35:22 | 0:35:23 | |
First and last bid at ?20. | 0:35:23 | 0:35:25 | |
It's beautiful. No further bids? I love it. ?20. | 0:35:25 | 0:35:28 | |
I shall sell it. | 0:35:28 | 0:35:30 | |
Yes! Well, don't get too excited, you haven't lost | 0:35:30 | 0:35:34 | |
and you haven't made anything. | 0:35:34 | 0:35:36 | |
You've broken even there. Are you happy? | 0:35:36 | 0:35:39 | |
Wiped its face. Here are your tongs. | 0:35:39 | 0:35:41 | |
A pair of George V silver sugar tongs, | 0:35:41 | 0:35:43 | |
Sheffield, 1923. | 0:35:43 | 0:35:45 | |
?20 for these, please, for the tongs. | 0:35:45 | 0:35:48 | |
20. That's worth 20. | 0:35:48 | 0:35:50 | |
20 I am bid on the internet. | 0:35:50 | 0:35:51 | |
At 20. 25 anywhere? | 0:35:51 | 0:35:53 | |
And bid now. 25, ?30. | 0:35:53 | 0:35:55 | |
That's it, come on. 35. At ?30. | 0:35:55 | 0:35:57 | |
35 for them? | 0:35:57 | 0:35:59 | |
One more! One more. | 0:35:59 | 0:36:00 | |
?30, all done, and finished at 30. | 0:36:00 | 0:36:02 | |
35, thank you, madam. Oh, yes. | 0:36:02 | 0:36:03 | |
Got you out of trouble there. Fair warning. ?35. | 0:36:03 | 0:36:07 | |
Yes! It's just even. | 0:36:07 | 0:36:08 | |
So you're up ?20. | 0:36:08 | 0:36:10 | |
So, now's the moment. | 0:36:10 | 0:36:12 | |
Do you go with the mountaineer's axe? | 0:36:12 | 0:36:14 | |
And don't forget the exercise clubs. | 0:36:14 | 0:36:17 | |
Do you go with them or not? Shall we go with them? | 0:36:17 | 0:36:19 | |
Cost ?45. | 0:36:19 | 0:36:21 | |
We won't go. Are you sure? | 0:36:21 | 0:36:23 | |
So, you're not going with them? No. | 0:36:23 | 0:36:25 | |
Right. Do you want to know what the auctioneer put on these? | 0:36:25 | 0:36:28 | |
Yes. What? | 0:36:28 | 0:36:30 | |
?100... Oh, no, sorry. | 0:36:30 | 0:36:31 | |
No, no, ?20 to ?40. | 0:36:31 | 0:36:33 | |
Oh. There they come. | 0:36:33 | 0:36:35 | |
The mountaineer's ice axe with ash handle | 0:36:35 | 0:36:39 | |
and a pair of turned wood clubs. | 0:36:39 | 0:36:40 | |
?20 for them. 20 I am bid. | 0:36:40 | 0:36:42 | |
25 for them. Oh, God. | 0:36:42 | 0:36:44 | |
25. 30. 30, 35. 5 and 40. | 0:36:44 | 0:36:48 | |
At 35 at the back of the room. | 0:36:48 | 0:36:49 | |
40 online. | 0:36:49 | 0:36:50 | |
45, another online bidder. | 0:36:50 | 0:36:52 | |
50 now. 50, 60. | 0:36:52 | 0:36:54 | |
Have another. Oh, no! ?50 I am bid. | 0:36:54 | 0:36:57 | |
60 for them? Philip Serrell! | 0:36:57 | 0:36:59 | |
At ?50 I shall sell. ?60. 70? | 0:36:59 | 0:37:01 | |
70 is it? | 0:37:01 | 0:37:03 | |
?60, the hammer's up. | 0:37:03 | 0:37:05 | |
?60, fair warning. | 0:37:05 | 0:37:07 | |
?60. | 0:37:07 | 0:37:09 | |
So that is a profit of ?15 which, unfortunately, | 0:37:09 | 0:37:13 | |
means absolutely nothing to you. | 0:37:13 | 0:37:15 | |
Nothing. So, you've made ?20. | 0:37:15 | 0:37:18 | |
Yes. Could've been 35. | 0:37:18 | 0:37:20 | |
It could've been. But it isn't. | 0:37:20 | 0:37:22 | |
No. Now, it might be a winning score. | 0:37:22 | 0:37:24 | |
It might be a losing score. | 0:37:24 | 0:37:26 | |
Not a word to the Blues, OK? | 0:37:26 | 0:37:28 | |
OK. Absolutely nothing. | 0:37:28 | 0:37:29 | |
They'll find out later. | 0:37:29 | 0:37:30 | |
Carl and Christine, been to an auction before? | 0:37:37 | 0:37:39 | |
One. One. One, years ago. | 0:37:39 | 0:37:42 | |
Did you buy things? No, I sold a teddy bear I found in a skip. | 0:37:42 | 0:37:45 | |
Did it do well? ?50. | 0:37:45 | 0:37:47 | |
Marvellous. Well, if all your lots make ?50 today, we'll be all right, won't we? Yes. | 0:37:47 | 0:37:51 | |
Well, it's the oak box that we're kicking off with. | 0:37:51 | 0:37:54 | |
Cost ?50. | 0:37:54 | 0:37:55 | |
Confident? Yes. | 0:37:55 | 0:37:57 | |
Hmm, so-so. Confident? | 0:37:57 | 0:37:58 | |
Yes, I think so, Charlie. Good. Here it is. | 0:37:58 | 0:38:01 | |
The Victorian iron-bound oak box. | 0:38:01 | 0:38:03 | |
?20 for this box. | 0:38:05 | 0:38:06 | |
20? ?20. | 0:38:06 | 0:38:08 | |
20, 20 I am bid on the net. | 0:38:08 | 0:38:10 | |
At 20. 25 for it. | 0:38:10 | 0:38:12 | |
25 for it. | 0:38:12 | 0:38:13 | |
At ?20, 25. | 0:38:13 | 0:38:14 | |
30. 30? Get in there! | 0:38:14 | 0:38:17 | |
25 I'm bid. At ?25, fair warning. | 0:38:17 | 0:38:21 | |
At ?25. | 0:38:21 | 0:38:23 | |
I can't believe this. I sell. | 0:38:23 | 0:38:25 | |
Oh, dear. Yeah. | 0:38:25 | 0:38:27 | |
You've halved your money. Sold for 25. | 0:38:27 | 0:38:30 | |
Just shows what bargains there are. | 0:38:30 | 0:38:32 | |
Here comes the Grimwades jug. | 0:38:32 | 0:38:34 | |
Grimwades byzanta ware lustre jug. | 0:38:34 | 0:38:37 | |
And I've got ?20 bid on the book for this here at 20. | 0:38:38 | 0:38:40 | |
A commission bidder at 20. Come on, let's go. 25 online. | 0:38:40 | 0:38:43 | |
30 for it? Oh! 30 now. | 0:38:43 | 0:38:45 | |
35. | 0:38:45 | 0:38:46 | |
?30 I am bid. | 0:38:46 | 0:38:47 | |
35 online. | 0:38:47 | 0:38:49 | |
Come on. 40 for it. | 0:38:49 | 0:38:51 | |
?35, an online bidder. | 0:38:51 | 0:38:52 | |
Come on. That's not bad. | 0:38:52 | 0:38:54 | |
?35. | 0:38:54 | 0:38:56 | |
That's plus a tenner. | 0:38:57 | 0:38:58 | |
Knocked that down from 45. That's very good. | 0:38:58 | 0:39:01 | |
You're only ?15 down now. | 0:39:01 | 0:39:03 | |
That's really good. Now, here comes the swing. | 0:39:03 | 0:39:05 | |
This might swing high. The auctioneer quite likes this. | 0:39:05 | 0:39:07 | |
Let's swing high. Very decorative lot, lot 126, ?40 I am bid. | 0:39:07 | 0:39:12 | |
40. ?45. | 0:39:12 | 0:39:12 | |
50. At 50. | 0:39:12 | 0:39:15 | |
60. 70 for it. | 0:39:15 | 0:39:16 | |
At 60. | 0:39:16 | 0:39:17 | |
70 anywhere? ?60 only bid. | 0:39:17 | 0:39:20 | |
70 now. ?80. | 0:39:20 | 0:39:21 | |
90. At ?80. | 0:39:21 | 0:39:23 | |
Against you online. One more! ?90. | 0:39:23 | 0:39:26 | |
Online bidder. ?90. | 0:39:26 | 0:39:28 | |
Fair warning. It sells to the internet at ?90. | 0:39:28 | 0:39:33 | |
Well done! | 0:39:33 | 0:39:34 | |
I thought it would do well. | 0:39:34 | 0:39:36 | |
That has taken you into an overall profit of ?25. | 0:39:36 | 0:39:40 | |
You were down 15. | 0:39:40 | 0:39:41 | |
But you have added that 40. | 0:39:41 | 0:39:43 | |
?25 up. | 0:39:43 | 0:39:45 | |
All you have to do now is decide whether or not | 0:39:45 | 0:39:47 | |
you're going to go with that globe chair. | 0:39:47 | 0:39:50 | |
I like it, I like it. He likes it. Yeah. | 0:39:50 | 0:39:52 | |
It's a funny old game, Charlie, you can never call it and... | 0:39:52 | 0:39:55 | |
I'm feeling quite cautious today. Do you want to go with it? | 0:39:55 | 0:39:58 | |
Christine? Yeah. Yes, definitely. Definitely. | 0:39:58 | 0:40:00 | |
Are you absolutely sure? We've got faith in our man. | 0:40:00 | 0:40:02 | |
We've got faith in him. Oh, I don't believe it. | 0:40:02 | 0:40:04 | |
But I have to say the auctioneer loved it. | 0:40:04 | 0:40:06 | |
Really? And he felt that it might fly a bit. | 0:40:06 | 0:40:09 | |
I thought... Here we go, here we go. | 0:40:09 | 0:40:10 | |
Look at it. It's great. | 0:40:10 | 0:40:12 | |
Come on, team. Striking lot, isn't it? | 0:40:12 | 0:40:14 | |
And ?50 I am bid. | 0:40:14 | 0:40:16 | |
At 50, 60 for it. | 0:40:16 | 0:40:17 | |
60 I am bid. 70, 80, 90... | 0:40:17 | 0:40:20 | |
Go on, come on. 100, 110, 120, 130. | 0:40:20 | 0:40:22 | |
At 120. 130 online. | 0:40:22 | 0:40:25 | |
140 for it. | 0:40:25 | 0:40:27 | |
At 130, 140 I am bid. Yes! 150. | 0:40:27 | 0:40:31 | |
This is sensational. 140 in the room and I shall sell it. | 0:40:31 | 0:40:35 | |
?140... | 0:40:35 | 0:40:37 | |
And 50 I am bid. | 0:40:37 | 0:40:38 | |
160, 170. | 0:40:38 | 0:40:41 | |
At 160, a room bidder. | 0:40:41 | 0:40:44 | |
The world's in a spin. | 0:40:44 | 0:40:45 | |
?160. Yes! | 0:40:45 | 0:40:47 | |
?160! Thanks. That's a ?60 profit. | 0:40:47 | 0:40:51 | |
Brilliant. That's marvellous. | 0:40:51 | 0:40:53 | |
60 plus 25 is ?85. | 0:40:53 | 0:40:56 | |
You are ?85 up. | 0:40:56 | 0:40:58 | |
Brilliant. I'm over the moon. | 0:40:58 | 0:41:00 | |
That is stratospheric. | 0:41:00 | 0:41:01 | |
It is. Now, not a word to the Reds. | 0:41:01 | 0:41:04 | |
No. It might be a winning score but it might not be a winning score. | 0:41:04 | 0:41:08 | |
?85 is no guarantee, I can tell you. No. | 0:41:08 | 0:41:11 | |
So keep quiet and we will find out later. | 0:41:11 | 0:41:14 | |
Happy, aren't we? Very happy. Yes. | 0:41:14 | 0:41:15 | |
Well, well, well, you lot, what a competition. | 0:41:23 | 0:41:26 | |
Profits here, profits there, profits everywhere. | 0:41:26 | 0:41:30 | |
But somebody has won. | 0:41:30 | 0:41:32 | |
And we don't have losers, we have runners-up, | 0:41:32 | 0:41:35 | |
who have acquitted themselves superbly and today, | 0:41:35 | 0:41:39 | |
the runners-up are without doubt... | 0:41:39 | 0:41:42 | |
the Red team. Oh, no! Yes! | 0:41:42 | 0:41:45 | |
You still made ?20, though, which was magnificent. | 0:41:45 | 0:41:50 | |
It could've been a bit more, of course, | 0:41:50 | 0:41:52 | |
had you gone with the great man's axe. | 0:41:52 | 0:41:54 | |
Well, yes. But you are to be praised, really, | 0:41:54 | 0:41:56 | |
you didn't lose money on anything at all. | 0:41:56 | 0:41:59 | |
You made ?20 on that barrel, | 0:41:59 | 0:42:00 | |
and the other two objects washed their face, didn't they? | 0:42:00 | 0:42:04 | |
But here, what about you Blues? | 0:42:04 | 0:42:07 | |
Led by the great man Hanson. | 0:42:07 | 0:42:10 | |
You started off very badly, didn't you? ?25 lost on that box. | 0:42:10 | 0:42:13 | |
Yes. Didn't do very well, but your garden swing! | 0:42:13 | 0:42:17 | |
We swung high. Oh, yes. | 0:42:17 | 0:42:18 | |
The garden swing made ?40. | 0:42:18 | 0:42:20 | |
Oh, yes. Then, of course, you went with that extraordinary chair. | 0:42:20 | 0:42:24 | |
The globe chair... Iconic chair. Which made ?60... | 0:42:24 | 0:42:27 | |
So you made ?85. | 0:42:27 | 0:42:29 | |
Wow. Well done. | 0:42:29 | 0:42:30 | |
Thank you. | 0:42:30 | 0:42:32 | |
Remarkable. All that remains for me is to give you money. | 0:42:32 | 0:42:36 | |
?20. | 0:42:36 | 0:42:37 | |
Thank you! Yay! You clever clogs, ?85. Thank you. Isn't that magnificent? | 0:42:37 | 0:42:41 | |
Brilliant. Lovely. Have you had a good time? | 0:42:41 | 0:42:43 | |
Excellent, thank you. Enjoyed it? Lovely. Yes, brilliant. Good. Have you enjoyed it, girls? We have. | 0:42:43 | 0:42:47 | |
Has he behaved himself? No. No. No, I did think he would. | 0:42:47 | 0:42:50 | |
Why change the habits of a lifetime? | 0:42:50 | 0:42:52 | |
Never mind. Now, | 0:42:52 | 0:42:53 | |
don't forget to have a look at our website and to follow us on Twitter. | 0:42:53 | 0:42:56 | |
In the meantime, do join us for more bargain hunting. | 0:42:56 | 0:42:58 | |
Yes? ALL: Yes! | 0:42:58 | 0:42:59 | |
From status symbol | 0:43:28 | 0:43:29 | |
to guilty pleasure, | 0:43:29 | 0:43:30 | |
BBC TWO reveals the bittersweet history of sugar. | 0:43:30 | 0:43:33 |