Browse content similar to Epsom and Dorking 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we're in Epsom in Surrey, | 0:00:03 | 0:00:04 | |
where a 17th-century discovery saw visitor numbers boom. | 0:00:04 | 0:00:09 | |
In 1618, a natural spring was discovered right here | 0:00:09 | 0:00:15 | |
and the water was found to contain a naturally healing mineral compound, | 0:00:15 | 0:00:20 | |
and once the water is evaporated... | 0:00:20 | 0:00:23 | |
..you get these. | 0:00:25 | 0:00:26 | |
Epsom salts. | 0:00:26 | 0:00:28 | |
Even now, bathing in this stuff is said to cure | 0:00:28 | 0:00:32 | |
all sorts of aches and pains. | 0:00:32 | 0:00:35 | |
But no time to relax, | 0:00:35 | 0:00:37 | |
both our teams have a spring in their step and are hoping to make | 0:00:37 | 0:00:40 | |
some interesting discoveries of their own. | 0:00:40 | 0:00:43 | |
So, let's go bargain hunting! | 0:00:43 | 0:00:46 | |
Welcome to Epsom Racecourse Antiques And Collectables Fair. | 0:01:12 | 0:01:16 | |
With around 100 stalls overflowing with purchasing possibilities, | 0:01:16 | 0:01:21 | |
will our teams bag a bargain today? | 0:01:21 | 0:01:24 | |
Let's have a peek at what's coming up. | 0:01:24 | 0:01:26 | |
The Reds are spending big. | 0:01:29 | 0:01:30 | |
We've already bought one quite expensive item, haven't we? | 0:01:30 | 0:01:32 | |
I don't want to leave Danny with nothing. Don't worry about me! | 0:01:32 | 0:01:35 | |
Don't worry about me! | 0:01:35 | 0:01:37 | |
While the Blues' knowledge is put to the test. | 0:01:37 | 0:01:39 | |
What date is it? Come on, I'm going to test you now. | 0:01:39 | 0:01:41 | |
Oh! Oh, my goodness! You've had one hour of training. | 0:01:41 | 0:01:44 | |
It's definitely Victorian. | 0:01:44 | 0:01:45 | |
And there's plenty of excitement at the auction! | 0:01:45 | 0:01:48 | |
Yes! | 0:01:49 | 0:01:50 | |
But that's all for later - let's meet today's teams. | 0:01:53 | 0:01:56 | |
For the Reds, we have married couple Andrew and Stephanie. | 0:01:56 | 0:02:00 | |
And for the Blues, we have friends Graham and Julie. | 0:02:00 | 0:02:04 | |
Hello, everyone! | 0:02:04 | 0:02:06 | |
ALL: Hello! | 0:02:06 | 0:02:07 | |
It's lovely to have you along. | 0:02:07 | 0:02:08 | |
Now, Reds first. | 0:02:08 | 0:02:10 | |
So, Andrew, it says here that you're a trained actor. | 0:02:10 | 0:02:14 | |
Tell us about that. | 0:02:14 | 0:02:15 | |
Well, Anita, it was something I always wanted to do | 0:02:15 | 0:02:17 | |
when I was young, but I went into the family business, | 0:02:17 | 0:02:21 | |
we had a clothing company. | 0:02:21 | 0:02:23 | |
Then we got out of that about ten years ago and I thought, | 0:02:23 | 0:02:26 | |
"What do you do?" You go back to what you wanted to do | 0:02:26 | 0:02:28 | |
when you were young. | 0:02:28 | 0:02:29 | |
So, I went off to East 15 and did a MA year's acting course, | 0:02:29 | 0:02:34 | |
and it's been marvellous fun ever since. | 0:02:34 | 0:02:36 | |
Right, do people ask you for your autograph? | 0:02:36 | 0:02:39 | |
Yes, one. One did, once, yeah. | 0:02:39 | 0:02:42 | |
Was it this lady here? | 0:02:42 | 0:02:43 | |
It wasn't, actually, no. | 0:02:43 | 0:02:44 | |
It was her mum! It was her mum! | 0:02:44 | 0:02:45 | |
So, Stephanie, you and Andrew work together? | 0:02:47 | 0:02:51 | |
We do. A husband-and-wife team. | 0:02:51 | 0:02:53 | |
I know! | 0:02:53 | 0:02:54 | |
It's frightening, isn't it? | 0:02:54 | 0:02:56 | |
Tell me what you do. | 0:02:56 | 0:02:57 | |
We run after-school clubs where we teach children how to do things | 0:02:57 | 0:03:00 | |
with computers, like stop animation, Lego robotics, | 0:03:00 | 0:03:05 | |
video game labs where they design their own video games, | 0:03:05 | 0:03:08 | |
and it's amazing. The children love it. | 0:03:08 | 0:03:09 | |
But you're also an adventurous type of woman. | 0:03:09 | 0:03:13 | |
I am. You like travelling. | 0:03:13 | 0:03:15 | |
So, tell us about it. Have you got any exciting trips planned? | 0:03:15 | 0:03:18 | |
I do. We're going to trek part of the Wall of China | 0:03:18 | 0:03:20 | |
for our local breast unit charity. Wow! | 0:03:20 | 0:03:22 | |
How many thousands of miles might that be? | 0:03:22 | 0:03:25 | |
It's too many for me to walk, but we're going to do 70 of it. | 0:03:25 | 0:03:28 | |
So, you guys live together and work together, | 0:03:28 | 0:03:31 | |
but how will you be as a team out there, shopping at the fair? | 0:03:31 | 0:03:36 | |
I'll decide, Andrew will haggle. | 0:03:36 | 0:03:39 | |
He'll do what he's told, really. | 0:03:39 | 0:03:41 | |
Sounds like a plan! | 0:03:41 | 0:03:43 | |
And take the advice of the expert as well. Yeah, absolutely. | 0:03:43 | 0:03:46 | |
Because we don't really know what we're looking for! No! | 0:03:46 | 0:03:49 | |
Now, over to the Blues. | 0:03:49 | 0:03:50 | |
We have Julie and Graham, who are best friends. | 0:03:50 | 0:03:54 | |
Yes. Now, Graham, how did you two meet? | 0:03:54 | 0:03:57 | |
In Findon village, we have a very, very good garden association. | 0:03:57 | 0:04:01 | |
Ah, gardening! | 0:04:01 | 0:04:03 | |
And so, I was encouraged by several people, including Julie, | 0:04:03 | 0:04:07 | |
to join the club, because I used to work at a local garden centre. | 0:04:07 | 0:04:12 | |
So, Graham, what did you do before that? | 0:04:12 | 0:04:15 | |
I worked at Heathrow, for one of the big airlines there, for 31 years. | 0:04:15 | 0:04:21 | |
Was that an exciting and glamorous job in those days? | 0:04:21 | 0:04:26 | |
Anita, I'd do it all again, absolutely. | 0:04:26 | 0:04:29 | |
Ah, I love it! Just as it was. | 0:04:29 | 0:04:31 | |
It was absolutely fantastic. | 0:04:31 | 0:04:33 | |
That sounds absolutely terrific. | 0:04:33 | 0:04:35 | |
Now, Julie, tell me, what do you do for a living? | 0:04:35 | 0:04:38 | |
Well, not so exciting, I'm afraid. | 0:04:38 | 0:04:40 | |
I work for the local authority. | 0:04:40 | 0:04:41 | |
Right. And I'm a licensing assistant... | 0:04:41 | 0:04:44 | |
But, I believe that underneath that respectability, | 0:04:44 | 0:04:49 | |
there is an exotic woman there, with an exotic hobby! | 0:04:49 | 0:04:55 | |
Tell us about that! | 0:04:55 | 0:04:57 | |
Well, I've been teaching belly dance now, Egyptian belly dance, | 0:04:57 | 0:05:01 | |
for quite a few years. | 0:05:01 | 0:05:05 | |
Now, I wonder, and I hope you don't mind, | 0:05:05 | 0:05:07 | |
but could you teach us a couple of wee moves? | 0:05:07 | 0:05:11 | |
Are you up for it, guys?! | 0:05:11 | 0:05:12 | |
Yes! | 0:05:12 | 0:05:14 | |
OK, give us a move. | 0:05:14 | 0:05:15 | |
OK. Well, first of all, we have some snaky arms. | 0:05:15 | 0:05:19 | |
Snaky arms, folks, snaky arms! | 0:05:19 | 0:05:22 | |
Nice and elegant. Right, OK. | 0:05:22 | 0:05:24 | |
And we have some cheeky shoulder shimmies. | 0:05:24 | 0:05:27 | |
Well, that was great fun. That was smashing. Thank you. | 0:05:32 | 0:05:35 | |
I'm going to practise afterwards. | 0:05:35 | 0:05:37 | |
Good. | 0:05:37 | 0:05:38 | |
Well, what I have to do at this moment, then, is give you some dosh. | 0:05:38 | 0:05:42 | |
300 smackeroos for the Reds. | 0:05:42 | 0:05:45 | |
Ooh! I'll have that. | 0:05:45 | 0:05:46 | |
And 300 for you. Thank you. | 0:05:46 | 0:05:49 | |
Your experts await, so off you go! | 0:05:49 | 0:05:53 | |
Well, will our teams be dancing with delight when the hammer comes down | 0:05:54 | 0:05:59 | |
at the auction? | 0:05:59 | 0:06:00 | |
All our teams need now are their experts. | 0:06:02 | 0:06:05 | |
Baby-sitting the Reds, it's Danny Sebastien. | 0:06:05 | 0:06:08 | |
And flying high with the Blues, it's David Harper. | 0:06:09 | 0:06:12 | |
OK, then, guys, what are we looking for today? Stephanie? | 0:06:15 | 0:06:17 | |
I'd like something beautiful that has a bit of a story behind it. | 0:06:17 | 0:06:20 | |
Hopefully, a nice piece of silver. | 0:06:20 | 0:06:22 | |
Well, I like things you can use, | 0:06:22 | 0:06:23 | |
a working antique, something practical. | 0:06:23 | 0:06:25 | |
Jewellery, nice piece of jewellery? A piece of jewellery? | 0:06:25 | 0:06:27 | |
And what's the aim, Julie? Ooh, to get the Golden Gavel. Ha-ha! | 0:06:27 | 0:06:31 | |
Teams, your time starts now. | 0:06:31 | 0:06:33 | |
OK, it sounds like we're going to have some great fun. | 0:06:33 | 0:06:35 | |
Let's get going. | 0:06:35 | 0:06:37 | |
Are you ready? Yes! We're ready. Go - that direction! Right. | 0:06:37 | 0:06:39 | |
They're off! Best of luck, teams! | 0:06:39 | 0:06:42 | |
Have the Reds found something beautiful from their shopping list already? | 0:06:42 | 0:06:45 | |
What are you looking at there? | 0:06:45 | 0:06:47 | |
I was just looking at these items. | 0:06:47 | 0:06:49 | |
Can you tell us a little bit about them? | 0:06:49 | 0:06:50 | |
It looks like Limoges, which is French porcelain. | 0:06:50 | 0:06:53 | |
Quite nice, quite desirable. | 0:06:53 | 0:06:55 | |
Pill boxes? | 0:06:55 | 0:06:57 | |
Hmm, we got one for your mum for Christmas once. | 0:06:57 | 0:06:59 | |
Did we? Well, I did. Did she use it?! No! | 0:06:59 | 0:07:02 | |
Well, this is the thing. Is it overly practical? Yeah. | 0:07:02 | 0:07:04 | |
Probably not. OK. | 0:07:04 | 0:07:06 | |
I think we've got to keep moving on. | 0:07:06 | 0:07:07 | |
Let's move on. OK. Time's going to run out on us. Let's go. | 0:07:07 | 0:07:10 | |
That's right, Danny, the clock's ticking. | 0:07:10 | 0:07:12 | |
Now, what is it, then, that you like about this? | 0:07:12 | 0:07:15 | |
It's the style and also the quality, erm, the look about it. | 0:07:15 | 0:07:20 | |
Yeah, what's really quite interesting about this is, | 0:07:20 | 0:07:22 | |
even though it was made in 1952, if you look at the style, | 0:07:22 | 0:07:26 | |
it could have really easily been made much earlier. Right. | 0:07:26 | 0:07:30 | |
?92. What are your thoughts? | 0:07:30 | 0:07:32 | |
75? In auction, it's probably 50-70. | 0:07:32 | 0:07:34 | |
I don't think she's going to come down. But I don't think... | 0:07:34 | 0:07:37 | |
No, I don't think she is. | 0:07:37 | 0:07:38 | |
I think this lady has a really good piece of stock. | 0:07:38 | 0:07:41 | |
She has a lot of quality. And when you've got a good piece of stock, | 0:07:41 | 0:07:44 | |
you don't give it away. | 0:07:44 | 0:07:45 | |
No. You don't. | 0:07:45 | 0:07:46 | |
So, we're going to leave this for now. | 0:07:46 | 0:07:48 | |
I think we put that on the back burner. OK. | 0:07:48 | 0:07:50 | |
While the Blues continue their search, | 0:07:50 | 0:07:52 | |
the Reds have spotted something on their travels. | 0:07:52 | 0:07:54 | |
Wow, that is a big globe, isn't it? | 0:07:54 | 0:07:56 | |
You'd need a lot of living room space for that, wouldn't you? | 0:07:56 | 0:07:58 | |
Well, a nice office, something like that. | 0:07:58 | 0:08:00 | |
It's all about the quality with globes though, isn't it, really? | 0:08:00 | 0:08:03 | |
Yes, and that doesn't look like a bad one standing from here. | 0:08:03 | 0:08:06 | |
Grab hold of it, grab hold of it. Let's have... | 0:08:06 | 0:08:08 | |
OK. Am I allowed to do that? | 0:08:08 | 0:08:10 | |
OK. Is it heavy? | 0:08:10 | 0:08:11 | |
It's not heavy, but I'm just being careful with it. | 0:08:11 | 0:08:13 | |
The last thing I want to do is drop it. Pop it on here. | 0:08:13 | 0:08:16 | |
Got a nice mahogany base on it. | 0:08:16 | 0:08:17 | |
OK. | 0:08:17 | 0:08:18 | |
Right here, it's got on it, Philips' Terrestrial Globe. | 0:08:18 | 0:08:22 | |
Philips was a big maker in the 1950s and 1960s of globes. | 0:08:22 | 0:08:27 | |
Great. They normally came in metal, in, like, tin. | 0:08:27 | 0:08:32 | |
This one's got no tin on it at all. | 0:08:32 | 0:08:34 | |
So I think the tin ones were more desirable, but this one, | 0:08:34 | 0:08:37 | |
it was probably in a school back in the day. | 0:08:37 | 0:08:40 | |
I suppose the million-dollar question is what, at auction, | 0:08:40 | 0:08:43 | |
what could we expect? | 0:08:43 | 0:08:44 | |
It's marked up at ?150. | 0:08:45 | 0:08:47 | |
?100, yeah. | 0:08:47 | 0:08:48 | |
We can always try and trim it down a little bit. | 0:08:48 | 0:08:50 | |
OK. So, we're really wanting a Golden Gavel. | 0:08:50 | 0:08:54 | |
This is marked up at 150. OK. | 0:08:54 | 0:08:56 | |
What can we do on this price? | 0:08:56 | 0:08:58 | |
What would be your really best, best, best price? | 0:08:58 | 0:09:01 | |
Well, I know in auction this would be somewhere between 120-180. | 0:09:01 | 0:09:05 | |
So, I can go down to, say, 125? | 0:09:05 | 0:09:09 | |
I mean, to be honest, I'd be happier if we could get it around | 0:09:09 | 0:09:11 | |
the 100 mark, but it's not going to happen. | 0:09:11 | 0:09:13 | |
I think 110, we're going to stand a chance at auction | 0:09:13 | 0:09:17 | |
of making a profit. | 0:09:17 | 0:09:18 | |
Yeah, go on, then - 110! | 0:09:18 | 0:09:20 | |
Thank you! Thank you very much indeed! | 0:09:20 | 0:09:21 | |
What a deal! With a bit of help from Danny, | 0:09:21 | 0:09:23 | |
the Reds have bagged their first item. | 0:09:23 | 0:09:25 | |
I think there might be a chance of well making a good profit | 0:09:25 | 0:09:28 | |
on that at auction. I love it, it's beautiful. | 0:09:28 | 0:09:30 | |
But whatever happens, we do love it. Yeah. Well, that's half the thing. | 0:09:30 | 0:09:33 | |
Mmm. Yes. And, of course, secondly, we're one buy in. | 0:09:33 | 0:09:36 | |
OK! Fantastic. | 0:09:36 | 0:09:37 | |
Let's keep going. Yes! | 0:09:37 | 0:09:39 | |
So, it's 1-0 to the Reds. | 0:09:39 | 0:09:41 | |
Meanwhile, the Blues are getting stuck in. | 0:09:41 | 0:09:43 | |
Would you use that, Julie, with your hay? Would you? | 0:09:43 | 0:09:46 | |
No, definitely not! | 0:09:46 | 0:09:47 | |
No? I wouldn't use it in the stable, but I think... | 0:09:47 | 0:09:49 | |
Have you got a horse, Julie? Yes, I have. | 0:09:49 | 0:09:51 | |
Oh, right! Well, you need one of those desperately! | 0:09:51 | 0:09:53 | |
No, but I think they look quite nice sort of... On a wall. | 0:09:53 | 0:09:56 | |
..on a wall. Yes. | 0:09:56 | 0:09:58 | |
If you've got an old cottage or something. | 0:09:58 | 0:09:59 | |
OK. That one in particular is quite a nice shape. | 0:09:59 | 0:10:02 | |
Well, let's have a look. Let's handle it, Julie. | 0:10:02 | 0:10:04 | |
Pull it out and tell me all about it. Tell me what you're feeling. OK. | 0:10:04 | 0:10:07 | |
So, quite often these come across from France, don't they? | 0:10:07 | 0:10:10 | |
Yes, yeah. No, it's Spanish. Spanish? | 0:10:10 | 0:10:12 | |
It's all from Spain. | 0:10:12 | 0:10:13 | |
Nice feature that it's all one piece of wood. | 0:10:13 | 0:10:15 | |
Yes, fascinating, actually. | 0:10:15 | 0:10:17 | |
Gives it a bit more quality, I think. | 0:10:17 | 0:10:18 | |
It's incredible, isn't it? That nature can be so stunningly useful | 0:10:18 | 0:10:21 | |
and beautiful at the same time. | 0:10:21 | 0:10:23 | |
Yes. Yep. So, that has not... | 0:10:23 | 0:10:24 | |
It may have been manipulated slightly with heat, just to move, | 0:10:24 | 0:10:27 | |
but that is a root that has been formed naturally | 0:10:27 | 0:10:29 | |
to make into a pitchfork. | 0:10:29 | 0:10:30 | |
It's really nice. I like that. | 0:10:30 | 0:10:32 | |
It's great! I like the shape. | 0:10:32 | 0:10:34 | |
What would be your best on it? | 0:10:34 | 0:10:35 | |
What kind of wood, would you say? Ooh, I don't know. | 0:10:35 | 0:10:37 | |
Best? What have I got on there? 45. | 0:10:37 | 0:10:39 | |
45. We're looking for a really good price. | 0:10:39 | 0:10:41 | |
I would say probably about 28? | 0:10:41 | 0:10:43 | |
Oof! 28, no. | 0:10:43 | 0:10:45 | |
No. That's too...too cheap. | 0:10:45 | 0:10:47 | |
Erm... | 0:10:47 | 0:10:48 | |
Do it for 30. 30? All right. | 0:10:49 | 0:10:51 | |
Not a moment wasted - 11 minutes in, and the Blues are off the mark. | 0:10:51 | 0:10:55 | |
Come on, we've bought a pitchfork. We're off. | 0:10:55 | 0:10:57 | |
Now, what has caught Stephanie's eye? | 0:10:57 | 0:11:00 | |
I love a bit of kitsch. | 0:11:00 | 0:11:02 | |
OK. | 0:11:02 | 0:11:03 | |
I know you love a bit of... I'm not convinced. What does Danny think? | 0:11:03 | 0:11:06 | |
What do you think? Erm, well, I think Babycham, 1970s, | 0:11:06 | 0:11:10 | |
very popular drink. | 0:11:10 | 0:11:11 | |
Right. But I've never seen... | 0:11:11 | 0:11:13 | |
Would that be, like, a nibble dish or something? | 0:11:13 | 0:11:16 | |
I've never seen this little dish before. | 0:11:16 | 0:11:18 | |
Hello, there! Hello. | 0:11:18 | 0:11:20 | |
No, they're not for peanuts. | 0:11:20 | 0:11:21 | |
Originally, they were ashtrays and you'd find them on the bars. | 0:11:21 | 0:11:24 | |
They're made by Beswick. | 0:11:24 | 0:11:26 | |
The cigarettes would be obviously laid in there. I see it now. Yes. | 0:11:26 | 0:11:29 | |
What is the price you've got on it today? | 0:11:29 | 0:11:31 | |
The price on this is 28. | 0:11:31 | 0:11:32 | |
I think we need to keep looking. OK. | 0:11:32 | 0:11:34 | |
And maybe have this in reserve, if we need it. OK. | 0:11:34 | 0:11:37 | |
Good thought. Let's go. | 0:11:37 | 0:11:39 | |
Well done. | 0:11:39 | 0:11:40 | |
Decisive thinking by the Reds. | 0:11:40 | 0:11:42 | |
Meanwhile, the Blues are homing in on a red vase. | 0:11:42 | 0:11:46 | |
I like that, but... | 0:11:46 | 0:11:47 | |
Oh, tell me about that then. | 0:11:47 | 0:11:49 | |
Well, it's a Japanese thing, isn't it? Enamel. | 0:11:49 | 0:11:52 | |
Cloisonne. That's it, cloisonne. | 0:11:52 | 0:11:54 | |
I think for safety, you're going to say it's early to mid-20th century. | 0:11:54 | 0:11:58 | |
It could, if you were very lucky, be 19th century, a Meiji period thing, | 0:11:58 | 0:12:03 | |
1868 to 1912, which is the period of the master cloisonne makers in Japan. | 0:12:03 | 0:12:10 | |
But there's no markings on the base, which is a crying shame. | 0:12:10 | 0:12:14 | |
What sort of price do you have on the cloisonne? | 0:12:14 | 0:12:17 | |
I'm asking 95 for it. | 0:12:17 | 0:12:19 | |
Right. Yeah. | 0:12:19 | 0:12:20 | |
At that level, I don't think it's for us. OK. | 0:12:20 | 0:12:23 | |
But a lovely one to handle. OK. | 0:12:23 | 0:12:24 | |
Thank you. | 0:12:24 | 0:12:26 | |
Back to the Reds, who are, coincidentally, | 0:12:26 | 0:12:28 | |
also looking at cloisonne. | 0:12:28 | 0:12:29 | |
These caught my eye. | 0:12:29 | 0:12:31 | |
Is there anything you could tell me about these, Danny? | 0:12:31 | 0:12:33 | |
What we've got here is some nice little pots, looks Chinese, | 0:12:33 | 0:12:36 | |
and there's a process, cloisonne, which is enamelling on metalwork. | 0:12:36 | 0:12:42 | |
What's the price on them? | 0:12:42 | 0:12:43 | |
Oh, 125. | 0:12:43 | 0:12:45 | |
125. | 0:12:45 | 0:12:46 | |
I think they're quite modern, to be honest. | 0:12:46 | 0:12:48 | |
And I think 125 is just a little bit too rich for us. OK. | 0:12:48 | 0:12:52 | |
Quite nice... | 0:12:52 | 0:12:54 | |
too rich. | 0:12:54 | 0:12:55 | |
Move on. OK. Yes. OK. | 0:12:55 | 0:12:57 | |
But both teams still have plenty of cash to splash, | 0:12:57 | 0:13:00 | |
and still at the same stall, the Blues have found some silver. | 0:13:00 | 0:13:04 | |
What do you think about that? | 0:13:04 | 0:13:06 | |
Very, very pretty. | 0:13:06 | 0:13:07 | |
So, what is it? | 0:13:07 | 0:13:09 | |
Well, I think it's called a vinaigrette. | 0:13:09 | 0:13:11 | |
Good. Excellent. Yes? Yeah. | 0:13:11 | 0:13:12 | |
It would be filled with something sort of floral and fragrant... Yes. | 0:13:12 | 0:13:16 | |
..to sort of waft under your nose | 0:13:16 | 0:13:18 | |
when you're going through smelly areas. | 0:13:18 | 0:13:20 | |
18th century, the period of George III. | 0:13:20 | 0:13:24 | |
What sort of money is it? | 0:13:24 | 0:13:25 | |
Erm, I'm looking for 150. | 0:13:25 | 0:13:27 | |
150. | 0:13:27 | 0:13:28 | |
Well, the thing is, again, here we go, we're picking good things. | 0:13:28 | 0:13:32 | |
And, you know, as an object made 250 years ago out of solid silver, | 0:13:32 | 0:13:37 | |
with all that kind of social history to it, it's no money. | 0:13:37 | 0:13:40 | |
It's no money. | 0:13:40 | 0:13:41 | |
Possibly too pricey for our savvy Blue team, | 0:13:41 | 0:13:44 | |
but the stall-holder has something else. | 0:13:44 | 0:13:47 | |
Yeah, I've got another piece that might be of interest to you. | 0:13:47 | 0:13:51 | |
This might have been modified. | 0:13:51 | 0:13:53 | |
This is by Samuel Pemberton, late 18th century, and normally, | 0:13:53 | 0:13:56 | |
when they're this shape, they contain either a scent bottle | 0:13:56 | 0:13:59 | |
or an etui, but sometime in its life, | 0:13:59 | 0:14:05 | |
it's had a vinaigrette grill put in it. | 0:14:05 | 0:14:07 | |
How interesting. | 0:14:07 | 0:14:08 | |
Isn't that sweet? I could let you have that reasonably, | 0:14:08 | 0:14:11 | |
which you might stand a chance. | 0:14:11 | 0:14:12 | |
I'd do 50. | 0:14:12 | 0:14:13 | |
So it's 50 quid or nothing. You take it or you leave it. | 0:14:13 | 0:14:16 | |
It's one of those situations. | 0:14:16 | 0:14:17 | |
What's your instinct, Graham? | 0:14:17 | 0:14:18 | |
Well, I'm... | 0:14:20 | 0:14:21 | |
Down to 40, is what I was thinking. | 0:14:21 | 0:14:23 | |
That's awful. | 0:14:23 | 0:14:24 | |
He's awful, isn't he? | 0:14:24 | 0:14:25 | |
I'm losing money, but you can have it, cos I'd like you | 0:14:25 | 0:14:28 | |
to make a profit if you can. | 0:14:28 | 0:14:29 | |
Thank you, that would be wonderful. Shall we shake on that? | 0:14:29 | 0:14:31 | |
I think so. Julie, you happy? 40? Oh, yes. | 0:14:31 | 0:14:33 | |
There you go. Thank you. Thank you so much. | 0:14:33 | 0:14:35 | |
That's unbelievable. I mean, two very interesting buys. | 0:14:35 | 0:14:38 | |
We've got the hay fork and then a very refined piece of silver. | 0:14:38 | 0:14:40 | |
OK? Yep. Great. | 0:14:40 | 0:14:42 | |
Purchase two. On we go. Wonderful. Right. | 0:14:42 | 0:14:44 | |
Well done, Blues. | 0:14:44 | 0:14:45 | |
While the teams continue shopping, | 0:14:45 | 0:14:47 | |
I'm going to find out about the intriguing history | 0:14:47 | 0:14:50 | |
of the racecourse here at Epsom. | 0:14:50 | 0:14:52 | |
Today, I'm joined by Andrew Cooper who is head of racing here at Epsom. | 0:14:59 | 0:15:05 | |
Now, Andrew, tell me when horse racing started at this course. | 0:15:05 | 0:15:10 | |
Well, there's record of horse racing taking place on the downs here as | 0:15:10 | 0:15:15 | |
early as the 1660s. | 0:15:15 | 0:15:16 | |
But it really took off as a sport in the country and also in this local | 0:15:16 | 0:15:21 | |
area once salts were discovered in Epsom | 0:15:21 | 0:15:23 | |
and it became a popular spa town. | 0:15:23 | 0:15:26 | |
Yeah, Epsom salts, I know all about that. | 0:15:26 | 0:15:29 | |
Andrew, tell me about the Derby. | 0:15:29 | 0:15:31 | |
Well, the Derby is the most famous horse race in the world. | 0:15:31 | 0:15:34 | |
And there are 140 other races around the world that have copied our name, | 0:15:34 | 0:15:39 | |
but this is the one and only, historic, truly original Derby. | 0:15:39 | 0:15:43 | |
Now, that is a wonderful old bell. Tell me about that. | 0:15:43 | 0:15:48 | |
Well, this is the bell that was used | 0:15:48 | 0:15:50 | |
to signal the start of the Derby race | 0:15:50 | 0:15:54 | |
from its first running in 1780 to, we think, 1852. | 0:15:54 | 0:15:59 | |
So, on both sides of the course, | 0:15:59 | 0:16:01 | |
both at the start and on the grandstand side, | 0:16:01 | 0:16:04 | |
a bell was rung to signify that the race had taken place, | 0:16:04 | 0:16:07 | |
so the public knew that the race had actually started. | 0:16:07 | 0:16:10 | |
Andrew, can you tell me about these little dolls | 0:16:10 | 0:16:13 | |
and what do they have to do with the Derby? | 0:16:13 | 0:16:15 | |
Well, these Derby dolls, or penny woodens, as they're called, | 0:16:15 | 0:16:19 | |
became very popular in the 1800s | 0:16:19 | 0:16:22 | |
and their link to the Derby was that on the journey down from London | 0:16:22 | 0:16:28 | |
to Epsom racecourse, on very, very dusty roads at the time, | 0:16:28 | 0:16:33 | |
gentlemen in particular would wear | 0:16:33 | 0:16:36 | |
these little Derby doll trinkets in their hats. | 0:16:36 | 0:16:40 | |
In the hat band? | 0:16:40 | 0:16:41 | |
Yes, dressed in the colours of the horses that they were going to | 0:16:41 | 0:16:45 | |
support later in the day at the racecourse, | 0:16:45 | 0:16:47 | |
and were one of those little lucky tokens that became associated | 0:16:47 | 0:16:51 | |
with the Derby race in the mid-1800s. | 0:16:51 | 0:16:54 | |
Now, I know about this book, | 0:16:54 | 0:16:56 | |
Mrs Beeton's Book of Household Management. | 0:16:56 | 0:16:59 | |
But what on earth has this got to do with Epsom racecourse? | 0:16:59 | 0:17:03 | |
Well, Isabella Beeton, as a teenage girl, | 0:17:03 | 0:17:07 | |
lived in the grandstand at Epsom racecourse. | 0:17:07 | 0:17:10 | |
Really? She moved in with her widowed mother, | 0:17:10 | 0:17:14 | |
who married the then clerk of the course and manager of the racecourse, | 0:17:14 | 0:17:17 | |
a gentleman called Henry Dorling. | 0:17:17 | 0:17:19 | |
That couple went on to have 13 children. 13?! | 0:17:19 | 0:17:23 | |
Having had eight from the previous marriages | 0:17:23 | 0:17:25 | |
and Isabella lived here in the grandstand. | 0:17:25 | 0:17:28 | |
Actually in the grandstand? | 0:17:28 | 0:17:30 | |
Indeed. She lived there, looking after all those younger siblings. | 0:17:30 | 0:17:34 | |
Isabella Beeton subsequently wrote the book in 1861, it was published, | 0:17:34 | 0:17:38 | |
it was a bestseller at the time and it's still in print now. | 0:17:38 | 0:17:41 | |
Andrew, thank you for telling us all these interesting facts about the | 0:17:41 | 0:17:44 | |
marvellous Epsom racecourse. | 0:17:44 | 0:17:47 | |
But meanwhile, it's time for us to check back in with the teams. | 0:17:47 | 0:17:51 | |
Back to it, and the teams are halfway through the shopping. | 0:17:59 | 0:18:02 | |
The Reds still need two items, | 0:18:02 | 0:18:03 | |
while the Blues are feeling at ease with just one item left to find. | 0:18:03 | 0:18:08 | |
I think we're doing OK, we've got two items in half an hour. | 0:18:08 | 0:18:12 | |
So now we can afford to relax | 0:18:12 | 0:18:14 | |
and have a good look around and see what we can come up with. | 0:18:14 | 0:18:18 | |
Not too much with the relaxation, not for the next 30 minutes, anyway. | 0:18:18 | 0:18:22 | |
OK. | 0:18:22 | 0:18:23 | |
While the Blues feel a bit more relaxed, the Reds are staying focused. | 0:18:23 | 0:18:27 | |
This box at the back here, what do you think that might be? | 0:18:27 | 0:18:31 | |
Well, we've got a nice little Victorian, I'd say late Victorian, | 0:18:31 | 0:18:36 | |
jewellery box. Got a little tray inside which is quite nice. | 0:18:36 | 0:18:40 | |
There's no key, but there is a little shield on top where you'd personalise it | 0:18:40 | 0:18:44 | |
and put, like, initials. | 0:18:44 | 0:18:47 | |
Good size. I mean, it looks like it's in great stead. | 0:18:47 | 0:18:50 | |
There's a little bit of damage at the front corner, | 0:18:50 | 0:18:54 | |
but it's been repaired very well by the looks of things. | 0:18:54 | 0:18:57 | |
So, Danny, I would buy this. | 0:18:57 | 0:18:58 | |
Do you think it's got a good chance of being popular at an auction? | 0:18:58 | 0:19:01 | |
Little boxes are always desirable, they're very commercial. | 0:19:01 | 0:19:05 | |
Doesn't necessarily have to be used in its original state. | 0:19:05 | 0:19:09 | |
Something like that could be on somebody's desk in an office, | 0:19:09 | 0:19:11 | |
and those little compartments can fit drawing pins, safety clips, stamps. You know, pens. | 0:19:11 | 0:19:17 | |
If you're collecting pens as well, nibs. | 0:19:17 | 0:19:20 | |
So I know they're very commercial. | 0:19:20 | 0:19:22 | |
What's your price on this? | 0:19:22 | 0:19:24 | |
The price is 95. | 0:19:24 | 0:19:25 | |
To take it to auction, it's a bit too rich. | 0:19:25 | 0:19:28 | |
Really, it wants to be between, say, ?60 to ?80. | 0:19:28 | 0:19:33 | |
That's going to stand us with a chance of making a profit. | 0:19:33 | 0:19:35 | |
OK. I mean, what is the absolute best you can do on it, sir? | 0:19:35 | 0:19:38 | |
The best on it would be 65. | 0:19:38 | 0:19:40 | |
Well, we've already bought one quite expensive item, haven't we? | 0:19:40 | 0:19:44 | |
I don't want to leave Danny with nothing. | 0:19:44 | 0:19:47 | |
Don't worry about me. Don't worry about me! | 0:19:47 | 0:19:50 | |
Would you go to ?60, as it doesn't have a key? | 0:19:50 | 0:19:53 | |
OK, I'll do it for 60. | 0:19:53 | 0:19:54 | |
Fantastic. I'd be happy to go with it at 60? | 0:19:54 | 0:19:57 | |
I'm happy. You're happy? Yes. OK. | 0:19:57 | 0:19:59 | |
Shake the man's hand. Thank you very much indeed. | 0:19:59 | 0:20:02 | |
Great negotiating skills from the Reds. | 0:20:02 | 0:20:05 | |
Meanwhile, the Blues are back on track and Julie has found some colourful jewellery. | 0:20:05 | 0:20:10 | |
So, why were you drawn to that? Tell us all about it. | 0:20:10 | 0:20:12 | |
Because it's the sort of jewellery that I think is very pretty. | 0:20:12 | 0:20:16 | |
It looks Edwardian, I don't know whether it is. | 0:20:16 | 0:20:18 | |
OK, yeah. You can see pearls and... | 0:20:18 | 0:20:20 | |
Very pretty. ..that sort of thing. | 0:20:20 | 0:20:23 | |
Let's have a look at it, then. | 0:20:23 | 0:20:25 | |
Is that the kind of thing that you would actually wear? | 0:20:25 | 0:20:27 | |
If I'm honest, only on special occasions. | 0:20:27 | 0:20:29 | |
That's fine. It's rather glamorous, isn't it? | 0:20:29 | 0:20:31 | |
What sort of price, money have we got on that? | 0:20:31 | 0:20:34 | |
195. Oh, gosh. | 0:20:34 | 0:20:36 | |
I mean, you haven't spent very much money. | 0:20:36 | 0:20:39 | |
No. But the endgame here is what? | 0:20:39 | 0:20:41 | |
Profit. For what reason? | 0:20:41 | 0:20:43 | |
Because we want to... To get the Golden Gavel. The Golden Gavel. | 0:20:43 | 0:20:47 | |
So I think maybe... | 0:20:47 | 0:20:48 | |
You're driven, aren't you? You're truly driven. | 0:20:48 | 0:20:50 | |
We'll have to say thank you very much, but no thank you. | 0:20:50 | 0:20:53 | |
The Blues are all about their Golden Gavel game plan, | 0:20:53 | 0:20:57 | |
while the Reds have a bit of time on their hands. | 0:20:57 | 0:21:00 | |
OK, so, this clock caught my eye. | 0:21:00 | 0:21:03 | |
I don't know if it's got any age to it. | 0:21:03 | 0:21:05 | |
To me, it looks to the style of the '60s or '70s. | 0:21:05 | 0:21:08 | |
What do you think? Maybe a little bit earlier. Oh. | 0:21:08 | 0:21:11 | |
Sort of, I'd say more '30s, '40s. | 0:21:11 | 0:21:14 | |
Mantel clock - nice. It looks like a burr walnut on the front. | 0:21:14 | 0:21:20 | |
I'm going to be honest with you, | 0:21:20 | 0:21:22 | |
I think the ticket price tells us what we've got here. | 0:21:22 | 0:21:25 | |
Not the most commercial. | 0:21:25 | 0:21:27 | |
Yeah. Nowadays, you want something a little bit more elaborate, | 0:21:27 | 0:21:32 | |
something a bit more striking. | 0:21:32 | 0:21:33 | |
OK. People don't necessarily put clocks on the mantelpiece any more. | 0:21:33 | 0:21:37 | |
No, I suppose not. | 0:21:37 | 0:21:39 | |
A very nice example, in lovely condition, | 0:21:39 | 0:21:41 | |
but I just don't think it's really in vogue. | 0:21:41 | 0:21:44 | |
OK, we'll take your advice on that. | 0:21:44 | 0:21:46 | |
Thanks. Thank you for that. Let's keep looking. | 0:21:46 | 0:21:49 | |
Only ten minutes left on the clocks, teams. | 0:21:49 | 0:21:51 | |
I quite like that, is it a brooch, there? | 0:21:51 | 0:21:53 | |
Hi, there. Can you just give us a price? Is it a silver one, | 0:21:53 | 0:21:56 | |
on the left-hand side? That one? | 0:21:56 | 0:21:57 | |
Yes. Is it a brooch or pendant? | 0:21:57 | 0:22:00 | |
It's a brooch. OK. | 0:22:00 | 0:22:01 | |
What price have you got on there? | 0:22:01 | 0:22:03 | |
I've got 19 on there. ?19, OK. Can we have a look at that? | 0:22:03 | 0:22:07 | |
Yeah, make sure you can see the marker. | 0:22:07 | 0:22:10 | |
OK. I'm thinking Golden Gavel territory, all right? | 0:22:10 | 0:22:13 | |
This is what we want. | 0:22:13 | 0:22:14 | |
It's ?19, we can do a bit of negotiating. | 0:22:14 | 0:22:17 | |
It's got a bit of a look. | 0:22:17 | 0:22:19 | |
OK, but is it silver, or is it just...? | 0:22:19 | 0:22:21 | |
No, it is silver. | 0:22:21 | 0:22:22 | |
It is silver. It's got a little split in it here. | 0:22:22 | 0:22:25 | |
Is it a split, or is it not on the pin, on the body? | 0:22:25 | 0:22:29 | |
Oh, yes, I can. | 0:22:29 | 0:22:31 | |
No, no, no, don't discount it, | 0:22:31 | 0:22:33 | |
because that means we're going to get it at a bargain price, right? | 0:22:33 | 0:22:37 | |
Think Golden Gavels. Yes. | 0:22:37 | 0:22:38 | |
Right, Golden Gavels? Yeah. | 0:22:38 | 0:22:40 | |
So, what kind of money could that be? | 0:22:40 | 0:22:43 | |
Because it's got the split, you could have it for ?10. | 0:22:43 | 0:22:45 | |
?10. It is what it is, but I think it's lovely, and I think it perhaps... | 0:22:45 | 0:22:49 | |
Well, hang on a minute. It's ?10, what date is it? | 0:22:49 | 0:22:52 | |
Come on, I'm going to test you now. Oh, my goodness. You've had one hour of training. | 0:22:52 | 0:22:55 | |
It's definitely Victorian. | 0:22:55 | 0:22:56 | |
OK, it's late 19th, early 20th century. | 0:22:56 | 0:22:59 | |
Oh, right, OK. It's got to be. | 0:22:59 | 0:23:00 | |
Pre-First World War, I would guess. | 0:23:00 | 0:23:03 | |
It's got a lot of shine to it. Let's go for it. | 0:23:03 | 0:23:05 | |
Yes. Let's do it. | 0:23:05 | 0:23:07 | |
Let's go for it. Do you want to? | 0:23:07 | 0:23:09 | |
With a box. | 0:23:09 | 0:23:10 | |
Yes. Lovely, thank you, madam. | 0:23:10 | 0:23:12 | |
Well done, Blues, that's your third and final item. | 0:23:12 | 0:23:15 | |
Right, OK, that, chaps, is Golden Gavel territory. | 0:23:15 | 0:23:19 | |
Hooray! There we go. | 0:23:19 | 0:23:20 | |
Thank you, madam, thank you very much. | 0:23:20 | 0:23:23 | |
Now back with the Reds, | 0:23:23 | 0:23:24 | |
they have just six minutes left to find their last item. | 0:23:24 | 0:23:27 | |
And can I have a look at the little travelling perfume bottle, please? | 0:23:27 | 0:23:31 | |
That's actually a smelling salts bottle. | 0:23:31 | 0:23:34 | |
Oh, it's a smelling salts bottle. | 0:23:34 | 0:23:36 | |
What are you thinking? | 0:23:36 | 0:23:38 | |
I'm thinking it's beautiful, I've never seen one. | 0:23:38 | 0:23:40 | |
I know it's not useful. | 0:23:40 | 0:23:42 | |
I mean, it's in great condition, let's not take that away. | 0:23:42 | 0:23:44 | |
It's marked up at ?12. | 0:23:44 | 0:23:48 | |
You know, I mean, it's not too far out, to be honest. | 0:23:48 | 0:23:51 | |
OK. You know, there's always collectors for little things. | 0:23:51 | 0:23:56 | |
This is a lovely little reviver, smelling salts bottle. | 0:23:56 | 0:23:59 | |
You know, it's got a nice polished top, white metal polished top. | 0:23:59 | 0:24:02 | |
It's in nice condition. | 0:24:02 | 0:24:04 | |
We'll just take the lid off, just to check for chips. | 0:24:04 | 0:24:07 | |
And we could say there's no damage. | 0:24:07 | 0:24:09 | |
Well, I think we need to make a decision. | 0:24:09 | 0:24:12 | |
We know it's priced at ?12. | 0:24:12 | 0:24:14 | |
There must be about just over five minutes left. | 0:24:14 | 0:24:16 | |
So, we're going to have to make a decision. | 0:24:16 | 0:24:19 | |
I've learned over the years, if Stephanie's happy with it, | 0:24:19 | 0:24:21 | |
I've got to be happy too. | 0:24:21 | 0:24:23 | |
Let's see what price we can get. | 0:24:23 | 0:24:25 | |
Hi, there. Hi. It's priced up at ?12. | 0:24:25 | 0:24:28 | |
Yeah. We're really going for a Golden Gavel. | 0:24:28 | 0:24:30 | |
What would be your very best price on that? | 0:24:30 | 0:24:33 | |
Really, it would be ten on that, which is no money, really, | 0:24:33 | 0:24:36 | |
for what it is. OK. | 0:24:36 | 0:24:38 | |
Would you be able to do it for nine? Yeah, we'll do it for nine. | 0:24:38 | 0:24:41 | |
Thank you very much indeed. | 0:24:41 | 0:24:43 | |
This could be the Golden Gavel, you never know. | 0:24:43 | 0:24:46 | |
Good luck. Thank you so much, really appreciate it. | 0:24:46 | 0:24:48 | |
That's it, teams, your time's up. | 0:24:48 | 0:24:51 | |
That's it, gents, ladies and gents. | 0:24:51 | 0:24:53 | |
We've done well. That's our third item. | 0:24:53 | 0:24:55 | |
She's happy, look at that. | 0:24:55 | 0:24:56 | |
Let's remind ourselves what the Reds bought. | 0:24:56 | 0:24:59 | |
First up was the large terrestrial globe with a price of ?110. | 0:25:00 | 0:25:05 | |
They found a gem in this jewellery box at ?60. | 0:25:07 | 0:25:10 | |
And finally, a miniature scent bottle | 0:25:12 | 0:25:15 | |
at the equally miniature price of ?9. | 0:25:15 | 0:25:17 | |
Stephanie, Andrew, did you have a good time? | 0:25:17 | 0:25:20 | |
Yes, we did, didn't we? What was your favourite item? | 0:25:20 | 0:25:23 | |
I think for me it was the tiny little bottle in the leather pouch, | 0:25:23 | 0:25:26 | |
I loved it. Andrew, what about you? | 0:25:26 | 0:25:28 | |
Well, for me, it's the globe. | 0:25:28 | 0:25:30 | |
Oh, right. It's something you can use, it's huge, it's imposing, | 0:25:30 | 0:25:35 | |
just the kind of thing I like. Yeah! | 0:25:35 | 0:25:38 | |
Is it going to make the most money? | 0:25:38 | 0:25:40 | |
With a strong wind, I think it could do well, | 0:25:40 | 0:25:43 | |
so I'm going to stick to my guns and say the globe, yeah. | 0:25:43 | 0:25:45 | |
Well, you spent ?129. | 0:25:45 | 0:25:48 | |
Can you give me 121, please? | 0:25:48 | 0:25:51 | |
Which I will pass over immediately to Danny. | 0:25:51 | 0:25:54 | |
Thank you. Are you happy with that amount of money? | 0:25:54 | 0:25:57 | |
Well, I think I've got plenty to spend. | 0:25:57 | 0:25:59 | |
We bought some great items. | 0:25:59 | 0:26:00 | |
I've got my work cut out if I can keep up the flow. | 0:26:00 | 0:26:03 | |
While Danny goes off to do his very best, | 0:26:03 | 0:26:07 | |
we're going to have a look at what the Blues bought. | 0:26:07 | 0:26:10 | |
First up, they got into country living | 0:26:10 | 0:26:12 | |
with this carved wooden pitchfork, bought for ?30. | 0:26:12 | 0:26:17 | |
They picked up this late 18th-century vinaigrette for ?40. | 0:26:17 | 0:26:21 | |
And finally, this silver and amethyst brooch caught Julie's eye, | 0:26:21 | 0:26:24 | |
?10 paid. | 0:26:24 | 0:26:26 | |
Julie, Graham, did you have a nice time today? | 0:26:26 | 0:26:29 | |
Wonderful. It was amazing. | 0:26:29 | 0:26:30 | |
Yeah. Julie, what was your favourite item? | 0:26:30 | 0:26:33 | |
Definitely the hay fork. | 0:26:33 | 0:26:35 | |
I love it. Graham, what was your favourite item? | 0:26:35 | 0:26:38 | |
Well, I have to say, it's got to be the hay fork. | 0:26:38 | 0:26:41 | |
Oh, so you're both in agreement? We're both in agreement on that. | 0:26:41 | 0:26:44 | |
It's in one piece, that's what's amazing, | 0:26:44 | 0:26:46 | |
and where the forks are out, it's just amazing. | 0:26:46 | 0:26:49 | |
But profit wise, I think, really, the vinaigrette may do it. | 0:26:49 | 0:26:53 | |
You spent ?80, could you give me 220, please? | 0:26:53 | 0:26:57 | |
There we go, madam. ?220 is an enormous amount of money, David. | 0:26:57 | 0:27:02 | |
I've never seen that amount in my life. | 0:27:02 | 0:27:04 | |
Are you going to blow the lot? | 0:27:04 | 0:27:06 | |
Well, I'm going to stick to the trying to make a profit, | 0:27:06 | 0:27:08 | |
so I'm going to be very cautious. | 0:27:08 | 0:27:10 | |
Profit, profit, profit. | 0:27:10 | 0:27:12 | |
Golden Gavel. | 0:27:12 | 0:27:13 | |
While David goes off to buy something with a definite profit, | 0:27:13 | 0:27:18 | |
we're off to the auction. | 0:27:18 | 0:27:19 | |
I've travelled to Bellmans auctioneers in West Sussex | 0:27:28 | 0:27:32 | |
to meet auctioneer Jonathan Pratt. | 0:27:32 | 0:27:34 | |
Hello, Jonathan. Hi, there. | 0:27:34 | 0:27:35 | |
Now, Reds first of all. | 0:27:35 | 0:27:37 | |
Andrew and Stephanie. | 0:27:37 | 0:27:39 | |
Their first item, this Philips terrestrial globe, what do you think of it? | 0:27:39 | 0:27:44 | |
I like it a lot because, obviously, it's an educational tool. | 0:27:44 | 0:27:48 | |
They have a sculptural quality. | 0:27:48 | 0:27:49 | |
It's kind of retro as well. | 0:27:51 | 0:27:52 | |
So in that respect, you can see someone having it in a study, | 0:27:52 | 0:27:56 | |
you can see them having it in a kid's bedroom as an ornament or as | 0:27:56 | 0:27:59 | |
a useful tool as well. So I think it's got quite a lot going for it | 0:27:59 | 0:28:02 | |
and it is a big one, it's the size of a beach ball. | 0:28:02 | 0:28:04 | |
What's your estimate on that? I've estimated at ?50 to ?70. | 0:28:04 | 0:28:07 | |
50 to 70? | 0:28:07 | 0:28:09 | |
They paid ?110 for it. There we go, yes. | 0:28:09 | 0:28:13 | |
OK, their second item, it's the Victorian jewellery box. | 0:28:13 | 0:28:17 | |
Are these still popular? | 0:28:17 | 0:28:19 | |
This is very traditional. At an auction, you often see two or three in a lot. | 0:28:19 | 0:28:23 | |
Often they've been gutted. | 0:28:23 | 0:28:24 | |
So the nice thing about this one is | 0:28:24 | 0:28:27 | |
it's quite presentable and it's got a nice interior which is nicely | 0:28:27 | 0:28:30 | |
finished in a nice fabric and it's nicely buttoned, | 0:28:30 | 0:28:32 | |
and there's a lot of nice things about it to sell it. | 0:28:32 | 0:28:34 | |
What's your estimate on it? | 0:28:34 | 0:28:36 | |
I've put ?20 to ?40 on it. | 0:28:36 | 0:28:38 | |
Well, I think they may have paid a wee bit too much at ?60. | 0:28:38 | 0:28:43 | |
If I get 60, I think I'll be inundated with other people wanting to sell them. | 0:28:43 | 0:28:47 | |
Now, their third item is the little perfume bottle, | 0:28:47 | 0:28:52 | |
vinaigrette, sweet smelling. | 0:28:52 | 0:28:54 | |
Yeah, it's called the Revive You | 0:28:54 | 0:28:56 | |
and that suggests to me that it's smelling salts. | 0:28:56 | 0:28:59 | |
It's moulded glass, nickel-plated sort of, you know, cover. | 0:28:59 | 0:29:03 | |
Very little... There's no quality there. | 0:29:03 | 0:29:05 | |
Not really, no. But it's a novelty, isn't it? | 0:29:05 | 0:29:07 | |
It's a bit of fun. Yeah. And at ?5 to ?10, is what I reckon. | 0:29:07 | 0:29:10 | |
Well, they paid ?9, so, they have a chance. | 0:29:10 | 0:29:13 | |
My minimum bid, I try to get ten for everything at the very least, | 0:29:13 | 0:29:17 | |
so I've got to get a profit on it. You've got to get a profit on it. | 0:29:17 | 0:29:20 | |
So, that's their three items. | 0:29:20 | 0:29:23 | |
They may or may not need their bonus buy. | 0:29:23 | 0:29:26 | |
But we're going to go and have a look at it anyway. | 0:29:26 | 0:29:29 | |
Andrew, Stephanie, you spent ?179. | 0:29:29 | 0:29:33 | |
You gave Danny 121. | 0:29:33 | 0:29:36 | |
Danny, what did you buy? | 0:29:36 | 0:29:38 | |
I bought something a little bit different, a little bit quirky. | 0:29:38 | 0:29:41 | |
OK. Oh! | 0:29:41 | 0:29:43 | |
Oh, I love it, what is it? | 0:29:43 | 0:29:45 | |
It's a Brunsviga Nova calculator. | 0:29:45 | 0:29:48 | |
It dates back to about the 1940s. | 0:29:48 | 0:29:51 | |
I can't remember how it works, but I know when I bought it | 0:29:51 | 0:29:54 | |
the vendor showed me it working! | 0:29:54 | 0:29:56 | |
He really did. | 0:29:56 | 0:29:58 | |
It's not something you're going to use, anyway, is it? | 0:29:58 | 0:30:00 | |
It's a piece of art to sit on your table. | 0:30:00 | 0:30:02 | |
Yeah, absolutely, that's exactly it. OK, so, how much did you pay for it? | 0:30:02 | 0:30:06 | |
I paid ?40. | 0:30:06 | 0:30:07 | |
OK. I don't think that's too bad. | 0:30:07 | 0:30:09 | |
Well, what do you think it could make? | 0:30:09 | 0:30:11 | |
I'd like to think it could make ?50 to ?70, may even go daft, big money. | 0:30:11 | 0:30:17 | |
Really? I think so. | 0:30:17 | 0:30:18 | |
If we've got some accountants with a nice desk in the house. | 0:30:18 | 0:30:21 | |
Well, you don't need to make up your mind at the moment. | 0:30:23 | 0:30:26 | |
Wait until your first three items have been sold. | 0:30:26 | 0:30:29 | |
But in the meantime, | 0:30:29 | 0:30:31 | |
let's find out if the auctioneer thinks Danny's calculator | 0:30:31 | 0:30:36 | |
will add up to a profit. | 0:30:36 | 0:30:39 | |
And as if by magic, Jonathan, | 0:30:39 | 0:30:41 | |
has appeared something completely different. | 0:30:41 | 0:30:45 | |
Yes. It's an old calculator. | 0:30:45 | 0:30:48 | |
What do you think of that? | 0:30:48 | 0:30:49 | |
It's a piece of history, modern history at that, | 0:30:49 | 0:30:53 | |
something made in the early part of the 20th century. | 0:30:53 | 0:30:55 | |
And, again, it has a sculptural quality, doesn't it? | 0:30:55 | 0:30:58 | |
You know, you can put it in the home and, what does this do? | 0:30:58 | 0:31:00 | |
I quite like it. It has no practical sense whatsoever in modern society, | 0:31:00 | 0:31:04 | |
but it's not too big, it's a piece of history, bit of fun, really. | 0:31:04 | 0:31:08 | |
What's your estimate on that? | 0:31:08 | 0:31:10 | |
I've suggested between ?15 and ?25. | 0:31:10 | 0:31:12 | |
Yeah, they paid ?40 for it. | 0:31:12 | 0:31:14 | |
I mean, I can see that doing not too badly. | 0:31:14 | 0:31:17 | |
Well, that's it for the Reds. | 0:31:17 | 0:31:19 | |
And now for our Blues, Julie and Graham. | 0:31:19 | 0:31:21 | |
Their first item, it's a pitchfork. | 0:31:21 | 0:31:23 | |
There is a collector's market for tools anyway | 0:31:23 | 0:31:26 | |
and there's museums of garden tools and things. | 0:31:26 | 0:31:28 | |
And it may not be terribly old, it might only be from the '40s or '50s. | 0:31:28 | 0:31:31 | |
What I like about it, it's been used and you can see it has been used. | 0:31:31 | 0:31:34 | |
You've got wear to the tines. | 0:31:34 | 0:31:36 | |
I rather like it. I think it's quite a novelty. | 0:31:36 | 0:31:38 | |
What's your estimate on the pitchfork? ?30 to ?50. | 0:31:38 | 0:31:41 | |
Well, they paid ?30. Good. So there is a chance here. | 0:31:41 | 0:31:44 | |
Second item is the little vinaigrette. | 0:31:46 | 0:31:49 | |
What's nice about it is that it has period charm, | 0:31:49 | 0:31:52 | |
you can see it's a Georgian piece | 0:31:52 | 0:31:54 | |
with the bright-cut engraving, and the shape is an etui, | 0:31:54 | 0:31:58 | |
which in itself is a sort of, I mean, it's a rare object, | 0:31:58 | 0:32:01 | |
so it has a novelty shaped value rather than a straightforward sort of rectangular vinaigrette. | 0:32:01 | 0:32:05 | |
So I like that a lot, actually. What's your estimate on that? | 0:32:05 | 0:32:08 | |
?70 to ?90. | 0:32:08 | 0:32:09 | |
Well, that's not too bad. | 0:32:09 | 0:32:11 | |
They've only paid ?40. | 0:32:11 | 0:32:13 | |
Wow, have I overcooked it? I hope not. | 0:32:13 | 0:32:15 | |
Now, their third item, Julie loves amethyst | 0:32:16 | 0:32:20 | |
and they saw this silver and amethyst brooch. | 0:32:20 | 0:32:24 | |
Tell me what you think of that. | 0:32:24 | 0:32:25 | |
Where do I start, really? Problem is with brooches is that people don't wear them that often any more. | 0:32:25 | 0:32:30 | |
So the value of brooches has been affected by popular fashion, | 0:32:30 | 0:32:32 | |
but then it's not an expensive one. | 0:32:32 | 0:32:34 | |
Just in silver with amethyst, a nice colour, you know? | 0:32:34 | 0:32:36 | |
So there are pluses and minuses for it, really. | 0:32:36 | 0:32:39 | |
Yeah, what's your estimate? I've put ?5 to ?8. | 0:32:39 | 0:32:42 | |
Yeah, well, they've paid ?10 so they've got a chance there. | 0:32:42 | 0:32:44 | |
I reckon I'll probably get ?12, ?15 for it. Very likely. | 0:32:44 | 0:32:47 | |
Well, I think it's looking as if they're doing quite well, our Blues. Yeah. | 0:32:47 | 0:32:53 | |
They may not need their bonus buy, | 0:32:53 | 0:32:55 | |
but we're going to go and have a look at it anyway. | 0:32:55 | 0:32:58 | |
Julie, Graham, well, you spent a modest ?80. | 0:32:59 | 0:33:04 | |
That's true. You left our David ?220. | 0:33:04 | 0:33:10 | |
David, did you spend it all? | 0:33:10 | 0:33:12 | |
Let me tell you, I blew caution to the wind, and I bought with my heart. | 0:33:12 | 0:33:19 | |
Oh! Wow. That is a real, proper bonafide antique. | 0:33:19 | 0:33:25 | |
Do you know what it is? | 0:33:25 | 0:33:26 | |
Tea caddy? Yes. | 0:33:26 | 0:33:28 | |
What date is it? | 0:33:28 | 0:33:29 | |
17... Victorian. 1750. | 0:33:29 | 0:33:32 | |
Oh, my gosh. Oh, wow! | 0:33:32 | 0:33:34 | |
You're bang on! Oh, well done! | 0:33:34 | 0:33:36 | |
Absolutely marvellous! | 0:33:36 | 0:33:37 | |
George II, solid mahogany, bomb-shaped tea caddy. | 0:33:37 | 0:33:41 | |
Would have had a segmented interior there. | 0:33:41 | 0:33:43 | |
What's it worth, then? 150? | 0:33:43 | 0:33:46 | |
OK, Julie? 80. | 0:33:46 | 0:33:47 | |
80. I bought that for a ridiculous ?40. Oh! Wow! | 0:33:47 | 0:33:52 | |
That's the market. | 0:33:52 | 0:33:54 | |
You don't need to make up your mind just now. | 0:33:54 | 0:33:56 | |
Wait until your first three items have been sold. | 0:33:56 | 0:33:59 | |
But in the meantime, | 0:33:59 | 0:34:01 | |
let's find out what the auctioneer thinks of David's tea caddy. | 0:34:01 | 0:34:05 | |
Blues' bonus buy is this tea caddy. | 0:34:06 | 0:34:10 | |
Yeah. Very good shape. | 0:34:10 | 0:34:13 | |
Good shape, and it's earlier, | 0:34:13 | 0:34:15 | |
it's not early, early, but being mid-18th century, | 0:34:15 | 0:34:17 | |
sort of George II sort of piece, early George III sort of piece. | 0:34:17 | 0:34:21 | |
And I like that. So, yeah, a nice thing, really. | 0:34:21 | 0:34:24 | |
But, sadly, not as collectable as they used to be. | 0:34:24 | 0:34:27 | |
What's your estimate, Jonathan? | 0:34:27 | 0:34:28 | |
20-40. Yeah, so David paid ?40 for this. | 0:34:28 | 0:34:31 | |
So there is a chance that it will get there. | 0:34:31 | 0:34:34 | |
Look, my estimate is there as a bit of a come and get me. | 0:34:34 | 0:34:37 | |
I really like it, I think this could do quite well. | 0:34:37 | 0:34:40 | |
Are you taking the auction today, Jonathan? | 0:34:40 | 0:34:42 | |
Yes, I am. Oh, yeah? Can't wait. | 0:34:42 | 0:34:44 | |
?20 I have. Who's got five, 25? | 0:34:44 | 0:34:49 | |
Selling, ?40. | 0:34:49 | 0:34:51 | |
Have you guys been to an auction before? | 0:34:51 | 0:34:54 | |
No. So it's a new experience? | 0:34:54 | 0:34:56 | |
Is your heart pounding? | 0:34:56 | 0:34:57 | |
No, mine's stopped! | 0:34:57 | 0:34:59 | |
Well, your first item, that wonderful Phillips globe, | 0:35:01 | 0:35:06 | |
you paid ?110 for it. | 0:35:06 | 0:35:08 | |
I know. And it's coming up right now. | 0:35:08 | 0:35:10 | |
Good luck, guys. Thank you. | 0:35:10 | 0:35:12 | |
Lot 165. | 0:35:12 | 0:35:14 | |
The Philips 19-inch terrestrial globe. | 0:35:14 | 0:35:16 | |
I've got to start, I've got ?50 on the book. | 0:35:16 | 0:35:19 | |
And five and 60, and five and 70, and five and 80 with me, 85 then. | 0:35:19 | 0:35:23 | |
90 standing. | 0:35:23 | 0:35:24 | |
Five, 100. | 0:35:24 | 0:35:26 | |
And ten. And ten in the red, now, 110 in the red. | 0:35:26 | 0:35:29 | |
?110 in the red. | 0:35:29 | 0:35:31 | |
110 with you, sir, fair warning. | 0:35:31 | 0:35:34 | |
At ?110, selling, all done? | 0:35:34 | 0:35:36 | |
Oh, 110, guys. You haven't lost any money. | 0:35:38 | 0:35:42 | |
So I'm going to call it a good start. | 0:35:42 | 0:35:45 | |
Your next item, your Victorian jewellery box, you paid ?60 for it. | 0:35:45 | 0:35:51 | |
Good luck, because it's coming up now. | 0:35:51 | 0:35:54 | |
Lot 167. | 0:35:54 | 0:35:56 | |
Victorian jewellery box. | 0:35:56 | 0:35:57 | |
Starting at ?20 for it. | 0:35:57 | 0:35:59 | |
Thank you, 20, 25. 30, 35. | 0:35:59 | 0:36:02 | |
35. Go on, one more. | 0:36:02 | 0:36:03 | |
Come on, come on. 40, waving, standing. | 0:36:03 | 0:36:06 | |
45 seated. | 0:36:06 | 0:36:08 | |
50's bid. Oh, yes. | 0:36:08 | 0:36:10 | |
55 seated at my right, anyone else in the room? | 0:36:10 | 0:36:12 | |
At ?55, I shall sell at ?55, all done? | 0:36:12 | 0:36:16 | |
Last chance, then, fair warning, ?55? | 0:36:16 | 0:36:20 | |
55. | 0:36:20 | 0:36:22 | |
That's -?5. | 0:36:22 | 0:36:25 | |
That's not too bad, not too bad. | 0:36:25 | 0:36:28 | |
Third item is the little miniature scent bottle, | 0:36:28 | 0:36:31 | |
you only paid a wee tiny ?9 for it. | 0:36:31 | 0:36:34 | |
Hopefully make a profit. | 0:36:34 | 0:36:36 | |
Coming up. So, Lot 169. | 0:36:36 | 0:36:38 | |
This lovely little miniature scent bottle. | 0:36:38 | 0:36:41 | |
And pouch. The Revive You. | 0:36:41 | 0:36:44 | |
Start me at ?10. | 0:36:44 | 0:36:45 | |
There's ten. 12, 15, 18, 20. | 0:36:45 | 0:36:49 | |
22. 25, 25 here. | 0:36:49 | 0:36:52 | |
28, 30. | 0:36:52 | 0:36:54 | |
Now it's five, one of you two, 35, 40. | 0:36:54 | 0:36:57 | |
Yes! | 0:36:57 | 0:37:00 | |
Down the front at 40, it's going, last chance. | 0:37:00 | 0:37:02 | |
And selling, ?40, fair warning, ?40. | 0:37:02 | 0:37:07 | |
Yes! Fantastic. | 0:37:07 | 0:37:08 | |
?40. | 0:37:11 | 0:37:12 | |
That was your favourite. | 0:37:12 | 0:37:14 | |
That was mine. Certainly did revive us. | 0:37:14 | 0:37:16 | |
So that takes you to plus ?26. | 0:37:16 | 0:37:21 | |
Will you take the bonus buy? | 0:37:21 | 0:37:25 | |
Well...we've had a calculation about this. | 0:37:25 | 0:37:29 | |
Yeah, we've got to go for it, haven't we? Yeah. | 0:37:29 | 0:37:32 | |
Well, let's see what happens because it's coming up now. | 0:37:32 | 0:37:35 | |
Lot 105. | 0:37:35 | 0:37:36 | |
A Brunsviga Nova mechanical calculator. | 0:37:36 | 0:37:41 | |
I've got on the book to start ?25. | 0:37:41 | 0:37:43 | |
25 with me, looking for 30 now. | 0:37:43 | 0:37:45 | |
30, 35 with me. | 0:37:45 | 0:37:47 | |
40, 45 with me. | 0:37:47 | 0:37:49 | |
OK. Any more, one more bid? | 0:37:49 | 0:37:51 | |
At 45, 50. | 0:37:51 | 0:37:54 | |
I've got 55 on commission, sir, do you want to go 60? | 0:37:54 | 0:37:57 | |
?60 at the back. | 0:37:57 | 0:37:59 | |
Yes! Standing at ?60, and selling, no other bids, then, your bid, sir, | 0:37:59 | 0:38:02 | |
at ?60. | 0:38:02 | 0:38:05 | |
Fantastic. ?60. | 0:38:05 | 0:38:06 | |
Well, that's another ?20 profit. | 0:38:06 | 0:38:10 | |
And that takes your total profit | 0:38:10 | 0:38:13 | |
to 46 wonderful pounds! | 0:38:13 | 0:38:17 | |
Well done, Danny, well done. | 0:38:17 | 0:38:19 | |
Thank you. And well done both of you. | 0:38:19 | 0:38:22 | |
But, calm the smiles down. | 0:38:22 | 0:38:25 | |
Don't go out there giving anything away to the Blues. | 0:38:25 | 0:38:28 | |
Keep schtum. Shall do. | 0:38:28 | 0:38:30 | |
Julie and Graham, here we are at the auction. Very, very exciting. | 0:38:35 | 0:38:38 | |
How are you feeling? Very excited and nervous at the same time. | 0:38:38 | 0:38:42 | |
Oh, well, I'm just excited. Oh, wonderful, wonderful. | 0:38:42 | 0:38:45 | |
But I'm easily pleased. | 0:38:45 | 0:38:47 | |
Well, your first item, that wonderful pitchfork. | 0:38:48 | 0:38:52 | |
You loved it. I did, yes. | 0:38:52 | 0:38:53 | |
Well, we're selling it in the right area. | 0:38:53 | 0:38:56 | |
Let's hope it's at the right time. | 0:38:56 | 0:38:58 | |
You paid ?30 for it. | 0:38:58 | 0:38:59 | |
We did. It's coming up now and good luck. | 0:38:59 | 0:39:02 | |
Lot 191, a carved wooden pitchfork. | 0:39:03 | 0:39:06 | |
Probably 20th-century. | 0:39:06 | 0:39:07 | |
Bids on the book with me at 40 to start. | 0:39:07 | 0:39:10 | |
Yes! ?40, 40 it is. 50 and 60 with me. | 0:39:10 | 0:39:13 | |
70 and 80 with me, on the book at 80. | 0:39:13 | 0:39:15 | |
Wow. ?80 with me, looking for five, though. | 0:39:15 | 0:39:17 | |
No other bids? Commission bid's getting it, still at ?80, all done? | 0:39:17 | 0:39:21 | |
Wonderful, congratulations. | 0:39:21 | 0:39:25 | |
?50 on your first item. | 0:39:25 | 0:39:27 | |
Second item coming up is your little vinaigrette. | 0:39:27 | 0:39:31 | |
A lovely thing. | 0:39:31 | 0:39:32 | |
Lot 193, late 18th-century silver vinaigrette by Samuel Pemberton. | 0:39:32 | 0:39:35 | |
And I've got bids on the book, I've got 70, 80, 90. | 0:39:35 | 0:39:38 | |
Yes! On the book at 90 to start. | 0:39:38 | 0:39:40 | |
Who's got 100, though? 100. | 0:39:40 | 0:39:43 | |
And ten. 120. | 0:39:43 | 0:39:44 | |
130. | 0:39:44 | 0:39:46 | |
Go on, go on. | 0:39:46 | 0:39:48 | |
With you, sir, and selling, fair warning, | 0:39:48 | 0:39:51 | |
?130, your bid, sir, thank you. | 0:39:51 | 0:39:54 | |
Yes! 130, oh, that's plus 90! | 0:39:54 | 0:39:57 | |
And that takes you after two items to a profit of ?140. | 0:39:57 | 0:40:05 | |
How wonderful, wonderful. | 0:40:05 | 0:40:07 | |
Third item coming up, third item. | 0:40:07 | 0:40:09 | |
Keep calm, keep calm, keep calm. | 0:40:09 | 0:40:10 | |
Lot 195, a nice little silver and amethyst bar brooch. | 0:40:10 | 0:40:16 | |
I've got two matching bids straightaway at ?20 to start. | 0:40:16 | 0:40:18 | |
Yes! ?20, and five. | 0:40:18 | 0:40:21 | |
Down the front at 25, looking for 30, though. | 0:40:21 | 0:40:24 | |
30, thank you. | 0:40:24 | 0:40:25 | |
32. 35. | 0:40:25 | 0:40:29 | |
38, 38. | 0:40:29 | 0:40:31 | |
40. 40! | 0:40:31 | 0:40:33 | |
?40, the lady still at ?40, any more? | 0:40:33 | 0:40:35 | |
?40, the lady's bid, selling for ?40. | 0:40:35 | 0:40:39 | |
?40, that's ?30 profit. | 0:40:39 | 0:40:42 | |
You have a profit of ?170, which is wonderful. | 0:40:42 | 0:40:46 | |
Are you going to take the bonus buy? | 0:40:46 | 0:40:48 | |
Yes. You're going to take it? | 0:40:48 | 0:40:50 | |
Well, we'll find out if your gamble pays off because it's coming up now. | 0:40:50 | 0:40:54 | |
Good luck, guys. Lot 201. | 0:40:54 | 0:40:57 | |
A mahogany tea caddy of Bombay form, | 0:40:57 | 0:40:59 | |
mid-18th-century. Nice example, this, | 0:40:59 | 0:41:01 | |
commission starting me, 20, ?30 I have. | 0:41:01 | 0:41:04 | |
Five on the left and I'm out now, 35, 40, five, 50. | 0:41:04 | 0:41:09 | |
Yes! 55, 60, ?60 has it now, any more? | 0:41:09 | 0:41:11 | |
Coming back in again. 65. | 0:41:11 | 0:41:13 | |
You want to go one more? | 0:41:13 | 0:41:14 | |
70. Has it, in the middle at 70. | 0:41:14 | 0:41:18 | |
Fair warning, thank you anyway. | 0:41:18 | 0:41:19 | |
Selling at ?70, all done. | 0:41:19 | 0:41:21 | |
Marvellous. ?70, that's plus 30. | 0:41:21 | 0:41:23 | |
You made the right decision. So that takes your total score to ?200, | 0:41:23 | 0:41:30 | |
but keep calm, keep calm. | 0:41:30 | 0:41:31 | |
Yes. Don't give anything away to the Reds. | 0:41:31 | 0:41:35 | |
Well, guys, wasn't that so exciting? | 0:41:41 | 0:41:46 | |
Yeah. On Bargain Hunt we have to have winners and runners-up. | 0:41:46 | 0:41:51 | |
And today's runners-up are the Reds. | 0:41:51 | 0:41:55 | |
ALL: Oh! | 0:41:57 | 0:41:59 | |
Now, Andrew and Stephanie, | 0:41:59 | 0:42:01 | |
you started a wee bit slowly, but you gathered momentum on that third item. | 0:42:01 | 0:42:06 | |
In the end, you had plus ?46. | 0:42:06 | 0:42:10 | |
So congratulations on that. | 0:42:10 | 0:42:12 | |
That's not bad. Not bad? | 0:42:12 | 0:42:14 | |
That is wonderful! | 0:42:14 | 0:42:17 | |
So, very well done. | 0:42:17 | 0:42:18 | |
Thank you very much. You were great sports. | 0:42:18 | 0:42:21 | |
But today's winners, Julie and Graham in the end... | 0:42:21 | 0:42:26 | |
..plus ?200. | 0:42:27 | 0:42:29 | |
Oh, fantastic! | 0:42:29 | 0:42:31 | |
Fantastic, well done. | 0:42:31 | 0:42:35 | |
?200, which I will hand over. | 0:42:35 | 0:42:38 | |
To me! | 0:42:38 | 0:42:39 | |
THEY LAUGH | 0:42:39 | 0:42:42 | |
Not only did you make that splendid profit, | 0:42:42 | 0:42:46 | |
but getting a profit on each item entitles you to... | 0:42:46 | 0:42:52 | |
the Golden Gavel! | 0:42:52 | 0:42:54 | |
Which I have in my pocket here. | 0:42:54 | 0:42:58 | |
Oh, look! Wow, one to you, Julie, and one to you, Graham. | 0:42:58 | 0:43:04 | |
Thank you. Wear them with pride. | 0:43:04 | 0:43:07 | |
Oh, we will. You won them brilliantly. | 0:43:07 | 0:43:10 | |
Thank you. Thank you, and thank David as well. | 0:43:10 | 0:43:13 | |
Thank you. So, well done, everyone. | 0:43:13 | 0:43:15 | |
If you would like to find out more about Bargain Hunt, | 0:43:15 | 0:43:19 | |
check out our website or follow us on Twitter. | 0:43:19 | 0:43:22 | |
But best of all, join us soon for some more bargain hunting, yes? | 0:43:22 | 0:43:26 | |
Yes! | 0:43:26 | 0:43:28 | |
If you lie your whole life, you cannot escape. | 0:43:56 | 0:44:01 | |
Welcome to Redwater. | 0:44:02 | 0:44:04 | |
I know this is the right place. I've been waiting my whole life. | 0:44:04 | 0:44:07 | |
She's looking for a man who knows nothing about her. | 0:44:07 | 0:44:11 | |
Some secrets are best left buried. | 0:44:11 | 0:44:13 |