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We're in Devon today and this attractive town of Topsham | 0:00:04 | 0:00:08 | |
was once the second busiest port in England. | 0:00:08 | 0:00:11 | |
Up until the mid-19th century, | 0:00:11 | 0:00:13 | |
this quay would have been a hive of activity, | 0:00:13 | 0:00:16 | |
with valuable cargo being shipped in and out across the world. | 0:00:16 | 0:00:21 | |
Today, there is no shortage of valuable cargo down here. | 0:00:22 | 0:00:26 | |
The place is full of antiques. | 0:00:26 | 0:00:28 | |
So, what are we waiting for? Let's go bargain hunting! | 0:00:28 | 0:00:32 | |
Topsham's Quay Antique Centre is today's treasure trove, | 0:00:58 | 0:01:02 | |
but will it leave our bargain hunters in riches or in ruins? | 0:01:02 | 0:01:05 | |
They each have £300 but only one hour | 0:01:05 | 0:01:08 | |
to find three items that will make them a profit at auction. | 0:01:08 | 0:01:12 | |
Will it be plain sailing? | 0:01:12 | 0:01:13 | |
Let's have a look at what's coming up. Ooh-arr! | 0:01:13 | 0:01:16 | |
On today's show, there's food for thought with the Reds. | 0:01:18 | 0:01:21 | |
This reminds me of when you take the label off a baked bean tin. | 0:01:21 | 0:01:25 | |
I knew you were going to say that. | 0:01:25 | 0:01:27 | |
The Blues have done their homework. | 0:01:27 | 0:01:30 | |
That rabbit or hare caught my eye, | 0:01:30 | 0:01:32 | |
because I'm sure I've seen that one on an antiquey programme. | 0:01:32 | 0:01:35 | |
And it made good money. | 0:01:35 | 0:01:37 | |
And there's thrills and spills over at the auction. | 0:01:38 | 0:01:40 | |
45, anywhere in the room? | 0:01:40 | 0:01:42 | |
I can jump straight in at £35. | 0:01:42 | 0:01:44 | |
Yes! | 0:01:44 | 0:01:46 | |
But that's all coming up later. | 0:01:49 | 0:01:51 | |
First, it's time to meet our teams. | 0:01:51 | 0:01:53 | |
And it's a very great show we have today | 0:01:53 | 0:01:56 | |
because everyone is in married bliss. | 0:01:56 | 0:01:59 | |
We have got for the Reds, Mike and Michelle. | 0:01:59 | 0:02:02 | |
And for the Blues, Anne and Ian. | 0:02:02 | 0:02:04 | |
All married couples. Hello to you. | 0:02:04 | 0:02:06 | |
Hello. | 0:02:06 | 0:02:07 | |
Now, Michelle, I believe it's all about cycling in your life. | 0:02:07 | 0:02:11 | |
Tell me, how did this start? | 0:02:11 | 0:02:14 | |
About 40, really. I didn't really cycle much till then. | 0:02:14 | 0:02:17 | |
I've got arthritis in my knees. And it was the doctor said, | 0:02:17 | 0:02:20 | |
"Right, you've got to give up everything else. | 0:02:20 | 0:02:22 | |
"Cycling or swimming." So, cycling it was, really. | 0:02:22 | 0:02:26 | |
OK. And where has it taken you? | 0:02:26 | 0:02:28 | |
Oh! All over the place. | 0:02:28 | 0:02:29 | |
to John O'Groats. | 0:02:29 | 0:02:31 | |
-On our tandem. -That's really cool. | 0:02:31 | 0:02:33 | |
So, who on the tandem was doing all the hard work? | 0:02:33 | 0:02:35 | |
-Oh, me. -All right. | 0:02:35 | 0:02:38 | |
They call the back cyclist the stoker. | 0:02:38 | 0:02:41 | |
And the front one is the pilot. | 0:02:41 | 0:02:42 | |
So it's obviously the back one that does all the work. | 0:02:42 | 0:02:45 | |
-The stoker. -The stoker. | 0:02:45 | 0:02:47 | |
So, tell me, Mike... This is something I would love to do. | 0:02:47 | 0:02:50 | |
In fact, everyone would love to do - | 0:02:50 | 0:02:53 | |
take a year off and go and live abroad. How did that come about? | 0:02:53 | 0:02:57 | |
Well, we've got friends that emigrated | 0:02:57 | 0:02:59 | |
to Brittany in northern France, a long time ago. | 0:02:59 | 0:03:03 | |
And we've been going there a long, long time. | 0:03:03 | 0:03:06 | |
On the spur of the moment I bought a completely dilapidated old cottage. | 0:03:06 | 0:03:11 | |
That was 13 years ago. | 0:03:11 | 0:03:13 | |
I told her it was only going to take six months to do. | 0:03:13 | 0:03:17 | |
-Took 13 years. -13 years! -13 years. | 0:03:17 | 0:03:20 | |
A lot of love, though. A lot of love's gone into it. | 0:03:20 | 0:03:22 | |
-All of the construction? -Yeah. -What's your specialist area | 0:03:22 | 0:03:25 | |
-when you're constructing something? -Oh, stairs. | 0:03:25 | 0:03:29 | |
-Oh, right, OK. -I'm a carpenter joiner, basically. | 0:03:29 | 0:03:33 | |
But stairs, the more intricate the better. I'm just a stairs nut. | 0:03:33 | 0:03:38 | |
Never heard of that! | 0:03:38 | 0:03:40 | |
Well, there must be some because I am one. | 0:03:40 | 0:03:42 | |
I love it. It means you're using your noodle a little bit rather than | 0:03:42 | 0:03:46 | |
-just, you know, sawing. -If it's all about construction and wood, | 0:03:46 | 0:03:49 | |
are you thinking of buying sort of treen items today? | 0:03:49 | 0:03:52 | |
Is that going to be your bag? | 0:03:52 | 0:03:53 | |
Something where a lot of craftsmanship's gone into. | 0:03:53 | 0:03:56 | |
Tell me, are you going to work well as husband and wife, do you reckon? | 0:03:56 | 0:03:59 | |
-No. -No, no, no, no. -Right, OK, excellent. Right. | 0:03:59 | 0:04:03 | |
-So, there's going to be lots of bickering. -Oh, probably. -Absolutely. | 0:04:03 | 0:04:06 | |
Now, let's move on to your competitors. | 0:04:06 | 0:04:09 | |
The Blues. Ian and Anne. Now, Ian, tell me, | 0:04:09 | 0:04:12 | |
it was your mutual love of singing that brought you and Anne together. | 0:04:12 | 0:04:16 | |
So tell me, how did that come about? | 0:04:16 | 0:04:18 | |
Well, I attended an all-male college. | 0:04:18 | 0:04:21 | |
-And the music tutor used to like to have a mixed choral society. -OK. | 0:04:21 | 0:04:26 | |
So we used to invite young ladies in from various groups around the town | 0:04:26 | 0:04:33 | |
to make a mixed choir. | 0:04:33 | 0:04:34 | |
And that's where we met. | 0:04:34 | 0:04:37 | |
63 years ago. | 0:04:37 | 0:04:39 | |
Wow. Amazing. 63 years ago. | 0:04:39 | 0:04:43 | |
And we've been singing ever since in various forms. | 0:04:43 | 0:04:48 | |
So it's singing for you, Ian, | 0:04:48 | 0:04:49 | |
but for you, Anne, it's all about the piano, tinkling the ivories. | 0:04:49 | 0:04:53 | |
Well, it is now, but I used to sing. | 0:04:53 | 0:04:56 | |
No, it's more piano. And I've done a lot of accompanying over the years. | 0:04:56 | 0:05:00 | |
-We've really enjoyed it. -So it's not just music you love, | 0:05:00 | 0:05:03 | |
it's speaking foreign languages and visiting far-flung places. | 0:05:03 | 0:05:07 | |
Tell me about that. | 0:05:07 | 0:05:08 | |
We both like to have a bit of language when we travel. | 0:05:08 | 0:05:12 | |
We've been to Canada, twice. | 0:05:12 | 0:05:17 | |
-Very exotic. -Yeah. | 0:05:17 | 0:05:18 | |
Then we went to the Cayman Islands for Christmas. | 0:05:18 | 0:05:21 | |
All around the Mediterranean. | 0:05:21 | 0:05:23 | |
All around the Mediterranean. And Turkey. | 0:05:23 | 0:05:25 | |
Now, how do you think you're going to work as a team, tactic-wise? | 0:05:25 | 0:05:29 | |
-Do you have any tactics? -I think we ought to spend a little. | 0:05:29 | 0:05:32 | |
I think we'd stand a better chance that way. | 0:05:32 | 0:05:34 | |
OK. Well, we'll see how it goes. | 0:05:34 | 0:05:36 | |
A lot of people say that and it's usually the best laid schemes. | 0:05:36 | 0:05:39 | |
-So... -Exactly, exactly. Oh, exactly. -I'm not giving you euros. | 0:05:39 | 0:05:42 | |
I'm giving you pounds sterling. | 0:05:42 | 0:05:43 | |
And £300 of it to be exact. | 0:05:43 | 0:05:45 | |
So, Michelle, for the Reds, £300. | 0:05:45 | 0:05:48 | |
And Anne, for the Blues, the same for you. | 0:05:48 | 0:05:50 | |
-Thank you. -The experts can't wait to meet you. | 0:05:50 | 0:05:52 | |
-Off you go. -Thank you. -With all this talk of singing, I wonder, | 0:05:52 | 0:05:56 | |
will our teams be in harmony today? | 0:05:56 | 0:05:59 | |
The Reds and Blues will need a | 0:05:59 | 0:06:01 | |
little helping hand along the way today. | 0:06:01 | 0:06:03 | |
Will Gary Pe help spin a profit for the Reds? | 0:06:04 | 0:06:06 | |
Or will Danny Sebastian be rowing the Blues to a win? | 0:06:08 | 0:06:11 | |
So, team, what's on our shopping list today? | 0:06:12 | 0:06:14 | |
Something unusual, I think. Be quite nice to find something that I've not | 0:06:14 | 0:06:18 | |
-seen on the programme before. -Oh, that's good, I like that. | 0:06:18 | 0:06:20 | |
What sort of thing are you looking for, Anne? | 0:06:20 | 0:06:22 | |
I think some small pieces that aren't too expensive. | 0:06:22 | 0:06:27 | |
I like jewellery. I like treen. | 0:06:27 | 0:06:30 | |
-I'm looking for craftsmanship. -Yes. -Well made things. | 0:06:30 | 0:06:33 | |
-Oh! -Wood. -Oh, it sings to me. -Wooden stuff. | 0:06:33 | 0:06:36 | |
Agricultural stuff. | 0:06:36 | 0:06:38 | |
I mean, I love African art. | 0:06:38 | 0:06:41 | |
Well, I think we can do this. One hour, remember. Let's go. | 0:06:41 | 0:06:45 | |
-Come on, let's go shopping. -Right you are. | 0:06:45 | 0:06:48 | |
I hope you're ready, teams. Your time starts now. | 0:06:48 | 0:06:52 | |
-Right, team, shall we start upstairs? -Yeah. -Great. -Let's go. | 0:06:54 | 0:06:59 | |
We want something big, we want something bold, | 0:06:59 | 0:07:02 | |
we want something elaborate. | 0:07:02 | 0:07:04 | |
We want something that's going to make a lot of money. | 0:07:04 | 0:07:06 | |
-I'm not for sale. -That's because you're priceless to us, Danny. | 0:07:06 | 0:07:11 | |
-Get cracking, teams. -Use your eyes. | 0:07:11 | 0:07:13 | |
-Yep. -Yeah. | 0:07:13 | 0:07:15 | |
What about the tea services, do they...? | 0:07:18 | 0:07:21 | |
-No? -Unless they're the good makes, | 0:07:21 | 0:07:24 | |
the good designers, best to stay away. | 0:07:24 | 0:07:27 | |
And the full sort of sets, as well, I suppose. | 0:07:27 | 0:07:30 | |
Moving along, then, Michelle. | 0:07:30 | 0:07:32 | |
What about the compact? Silver compact. | 0:07:34 | 0:07:37 | |
It's quite a plain one, isn't it? | 0:07:37 | 0:07:39 | |
It looks like something from the '30s. | 0:07:39 | 0:07:41 | |
-Yeah, I thought, yeah. -From the Art Deco period. | 0:07:41 | 0:07:44 | |
-And it says that it's silver. -Do people collect them? | 0:07:44 | 0:07:47 | |
-Yes. -They do. -Very much so. | 0:07:47 | 0:07:49 | |
Luckily, Beverley is standing by with the keys to the cabinet. | 0:07:49 | 0:07:54 | |
Oh, lovely, thank you. Oh, it's quite heavy. | 0:07:54 | 0:07:57 | |
-Yep. -That's a good sign, as well, isn't it? | 0:07:57 | 0:08:00 | |
And there are the silver hallmarks. | 0:08:00 | 0:08:03 | |
-Oh! -Nice... | 0:08:03 | 0:08:05 | |
-Nice bevelling. Ah, see? -Oh, you've got your terms. | 0:08:05 | 0:08:08 | |
-Yeah, I know my bevelling. -Little bit of a blemish there. | 0:08:08 | 0:08:11 | |
Well, that's good, cos that means that it's the original mirror. | 0:08:11 | 0:08:15 | |
-Oh, right, yeah. -Well spotted, Mike. | 0:08:15 | 0:08:18 | |
55. That's not too objectionable. | 0:08:18 | 0:08:21 | |
But we won't make a profit. | 0:08:21 | 0:08:23 | |
OK. So I need to get it down quite a bit, to be able to get a profit. | 0:08:23 | 0:08:26 | |
-Well, yes. -What's the best you can do on this? -Well, I mean, normally, | 0:08:26 | 0:08:31 | |
the ticket price on it would be 50, | 0:08:31 | 0:08:33 | |
but I do know this dealer quite well so I'm sure she'd do 45. | 0:08:33 | 0:08:36 | |
Any possibility we could get down more into 30s? | 0:08:39 | 0:08:42 | |
Crikey, Michelle, that would be a good discount. | 0:08:42 | 0:08:45 | |
Sorry, I really can't go any further than 45. | 0:08:45 | 0:08:47 | |
Is there a possibility at least of 44? | 0:08:47 | 0:08:50 | |
-Just in case. -Well, I'll put my neck on the block and say 40. | 0:08:50 | 0:08:53 | |
-Go on. -Oh! | 0:08:53 | 0:08:55 | |
Nice work, Gary. | 0:08:55 | 0:08:56 | |
Thank you so much. I'd set my heart on that. That's great. Brilliant. | 0:08:56 | 0:09:00 | |
We can't refuse. It would be rude to refuse. | 0:09:00 | 0:09:03 | |
It would, it would, it would be really rude. | 0:09:03 | 0:09:05 | |
-Yeah? -Yeah. Thank you very much. -I'm happy with that. | 0:09:05 | 0:09:08 | |
OK. Come on. | 0:09:08 | 0:09:09 | |
Well done, Reds, ten minutes in and one item in the bag. | 0:09:09 | 0:09:12 | |
I wonder how the Blues are getting on? | 0:09:12 | 0:09:14 | |
That rabbit or hare caught my eye, | 0:09:14 | 0:09:16 | |
because I'm sure I've seen that one on an antiquey programme. | 0:09:16 | 0:09:20 | |
And it made good money. And I think that's a bit quirky, too. | 0:09:20 | 0:09:24 | |
You're getting me round to your way of thinking, you know, Anne, | 0:09:24 | 0:09:27 | |
But Ian's not said nothing about it yet. What do you think about it? | 0:09:27 | 0:09:31 | |
Well, I saw it on television, as well. | 0:09:31 | 0:09:34 | |
I quite liked it. I'm thinking along the line of a child's bedroom. | 0:09:34 | 0:09:38 | |
Oh, he's not very heavy. | 0:09:38 | 0:09:40 | |
-He is actually very nice. -He's 59. -59. | 0:09:42 | 0:09:47 | |
We're both a bit quirky. | 0:09:47 | 0:09:49 | |
-I like that. -And I think he's quite quirky. | 0:09:49 | 0:09:51 | |
He's got quite a nice face, hasn't he? | 0:09:51 | 0:09:54 | |
I believe you'll find that's actually a hare, team, | 0:09:54 | 0:09:57 | |
and a fairly modern piece. | 0:09:57 | 0:09:58 | |
-But do you agree? -I do agree. | 0:09:58 | 0:10:00 | |
I'd like to know the best price o n that one, because I like it. | 0:10:00 | 0:10:03 | |
I'll leave you and Anne admiring and I'll go and see if I can find | 0:10:03 | 0:10:07 | |
somebody who can give me a real good price on it. | 0:10:07 | 0:10:09 | |
-Yes. -OK, I'll see you in a second. | 0:10:09 | 0:10:11 | |
Time to hop off, Danny, and work your magic. | 0:10:11 | 0:10:15 | |
Meanwhile, carpenter Mike has taken a fancy to something. | 0:10:15 | 0:10:18 | |
-What do you think of this, Gary? -Oh, the box? -Yes. | 0:10:18 | 0:10:21 | |
I can't make up my mind if it's marquetry or what. What is it? | 0:10:21 | 0:10:24 | |
Well, to begin with, this is poker work, right? | 0:10:24 | 0:10:28 | |
That's a hot iron, is it? | 0:10:28 | 0:10:29 | |
Hot iron, hot burning iron that would create those impressions. | 0:10:29 | 0:10:33 | |
-Oh, right. -Those brown impressions. A bit of burning in there. | 0:10:33 | 0:10:35 | |
-That's quite trendy now, as well. -Exactly. -Burning it in, isn't it? | 0:10:35 | 0:10:38 | |
And it's painted, as well. Do we have a price here? | 0:10:38 | 0:10:41 | |
-Ten quid? -58. Sounds a bit steep. -That is a bit steep. | 0:10:41 | 0:10:45 | |
-Right, well, we've got heaps of time. -Shall we remember where it is? | 0:10:45 | 0:10:48 | |
-Remember where it is, remember the price. -Right, OK. -Should we move on? | 0:10:48 | 0:10:53 | |
One for the back burner, team. | 0:10:53 | 0:10:55 | |
Meanwhile, Danny has raced back with shop assistant Albert. | 0:10:55 | 0:10:58 | |
This is the hare that I was talking about. Priced at 59. | 0:10:58 | 0:11:02 | |
Now, very, very modern, you know, and probably made in abundance. | 0:11:02 | 0:11:06 | |
Well, rabbits do that, don't they? | 0:11:06 | 0:11:08 | |
THEY LAUGH | 0:11:08 | 0:11:11 | |
Very good, Albert. | 0:11:11 | 0:11:12 | |
I think it's time to put a call in to John, the dealer. | 0:11:12 | 0:11:15 | |
They're looking at one of your rabbits. | 0:11:15 | 0:11:18 | |
For £59. What's your best price? | 0:11:18 | 0:11:21 | |
Righto, John, thank you very much, sir. | 0:11:23 | 0:11:25 | |
£45. | 0:11:25 | 0:11:26 | |
-Are you happy with that? -Happy, very happy with that. | 0:11:26 | 0:11:28 | |
-Anne? -Yes, I'm very happy, cos I want to keep him. | 0:11:28 | 0:11:30 | |
And I'm happy because you two are happy. Shake the man's hand. | 0:11:30 | 0:11:34 | |
-Thank you very much, Albert. -Thank you, Albert. | 0:11:34 | 0:11:38 | |
Top work, Blues. That's you off the mark with your first item. | 0:11:38 | 0:11:41 | |
Our teams are now 20 minutes into their shop. What's Gary spotted? | 0:11:41 | 0:11:46 | |
If you do a bit of entertaining, | 0:11:46 | 0:11:50 | |
this one might fit the bill. It's a champagne bucket. | 0:11:50 | 0:11:53 | |
-Yeah? -That style is very much | 0:11:53 | 0:11:58 | |
along the lines of that compact that you bought. | 0:11:58 | 0:12:01 | |
-Art Deco. -'20s, '30s? | 0:12:01 | 0:12:02 | |
But this, to me, looks like it was probably made | 0:12:02 | 0:12:06 | |
in the last 20 years or so. | 0:12:06 | 0:12:08 | |
-Right. -Still, it has the look. | 0:12:08 | 0:12:11 | |
Do you know this bit here? | 0:12:11 | 0:12:13 | |
-Yes? -This reminds me of when you take the label off a baked bean tin. | 0:12:13 | 0:12:16 | |
I knew you were going to say that. | 0:12:16 | 0:12:19 | |
How much is it? Oh, £10. | 0:12:19 | 0:12:22 | |
-Ten. -Ten quid? | 0:12:22 | 0:12:25 | |
Reduced from 18. | 0:12:25 | 0:12:28 | |
You'd certainly get a lot of beans for your buck with that, Michelle. | 0:12:28 | 0:12:31 | |
I can see this making at least double that. | 0:12:31 | 0:12:35 | |
Even at auction. Are you moving towards, "I likey likey"? | 0:12:35 | 0:12:38 | |
I like it for ten quid. You can't go wrong, can you? | 0:12:38 | 0:12:42 | |
If we went for nine and then we made ten, | 0:12:42 | 0:12:44 | |
we'd have £1 profit, wouldn't we? | 0:12:44 | 0:12:46 | |
Good point, Michelle, I like your thinking. See what you can do. | 0:12:46 | 0:12:49 | |
Any possibility of just an extra pound off that? | 0:12:49 | 0:12:52 | |
Just the fact that when it goes to auction, if it makes £10, | 0:12:52 | 0:12:55 | |
-then we've made £1. -I know. | 0:12:55 | 0:12:57 | |
I know this lady, so, yes, she probably will do that. | 0:12:57 | 0:13:00 | |
Oh, that is so good, thank you very much. | 0:13:00 | 0:13:02 | |
Well, that was pretty straightforward. | 0:13:02 | 0:13:04 | |
Number two for you, and you're only halfway through. | 0:13:04 | 0:13:07 | |
So we've got 30 minutes to find that bit of wood. | 0:13:07 | 0:13:10 | |
-Let's go. -Excellent. | 0:13:10 | 0:13:13 | |
All under control, Gary? | 0:13:13 | 0:13:15 | |
I didn't think I was going to convince them with that second buy. | 0:13:15 | 0:13:20 | |
I tell you what, that £10 price tag | 0:13:20 | 0:13:23 | |
suddenly changed the whole thing. | 0:13:23 | 0:13:25 | |
Better than that, we got it for £9. | 0:13:25 | 0:13:28 | |
There's got to be a profit in that. | 0:13:28 | 0:13:30 | |
Only time will tell, Gary. Let's leave the teams to it, | 0:13:30 | 0:13:33 | |
whilst I show you something that's rather cutting edge. | 0:13:33 | 0:13:36 | |
Is this a dagger I see before me? | 0:13:43 | 0:13:45 | |
Well, officially, yes, it is a dagger. | 0:13:45 | 0:13:47 | |
But let's give it its proper Scottish name. | 0:13:47 | 0:13:50 | |
This here is a dirk. | 0:13:50 | 0:13:53 | |
The word dirk comes from a Gaelic word, | 0:13:53 | 0:13:56 | |
and it really is just another way of saying a long, thin dagger. | 0:13:56 | 0:14:00 | |
Now, dirks were introduced into Scottish military Highland Dress, | 0:14:00 | 0:14:04 | |
really, around the mid-18th century and they remained popular. | 0:14:04 | 0:14:08 | |
However, budgets did not remain high, | 0:14:08 | 0:14:11 | |
and as they got a little stretched over the next couple of centuries, | 0:14:11 | 0:14:15 | |
these dirks moved from normal weaponry, sidearms, | 0:14:15 | 0:14:19 | |
to ceremonial pieces for the full Highland regalia. | 0:14:19 | 0:14:23 | |
Now, you might have noticed that | 0:14:23 | 0:14:25 | |
this dirk is particularly dazzling and that it is. | 0:14:25 | 0:14:30 | |
This is mounted with hallmarked silver. | 0:14:30 | 0:14:33 | |
Those hallmarks are on the back. | 0:14:33 | 0:14:35 | |
You'll see them there. They're for 1924 and, brilliantly, | 0:14:35 | 0:14:40 | |
they are from my home town of Glasgow. | 0:14:40 | 0:14:42 | |
Now, another thing that tells us | 0:14:42 | 0:14:43 | |
this is a Glasgow dirk is the maker's mark. G&J Morgan. | 0:14:43 | 0:14:48 | |
That's George and John Morgan. | 0:14:48 | 0:14:49 | |
And they've gone all out. | 0:14:49 | 0:14:51 | |
Look at the top here. | 0:14:51 | 0:14:54 | |
Seriously beautiful leaves - acanthus leaves - | 0:14:54 | 0:14:58 | |
and then you move down to the leather hilt and you'll see these | 0:14:58 | 0:15:01 | |
beautifully crafted thistles, of course, | 0:15:01 | 0:15:05 | |
the Scottish symbol of the thistle, in really high relief. | 0:15:05 | 0:15:08 | |
So it's a bit of a dazzler, actually. | 0:15:08 | 0:15:11 | |
This style is known as en-suite and what that basically means is you've | 0:15:11 | 0:15:15 | |
got the dagger and a couple of extra bits. | 0:15:15 | 0:15:18 | |
We've got a fork and - not for stabbing, but for eating - | 0:15:18 | 0:15:24 | |
another knife. | 0:15:24 | 0:15:25 | |
Now, because I've removed that knife, | 0:15:25 | 0:15:28 | |
the real splendour of the hilt and the handle are revealed. | 0:15:28 | 0:15:31 | |
Gordon Highlanders. | 0:15:31 | 0:15:33 | |
So we know it's military but now we know which regiment this has been | 0:15:33 | 0:15:38 | |
used in. The Gordon Highlanders, such an important Scottish regiment. | 0:15:38 | 0:15:42 | |
And to whom did it belong? | 0:15:42 | 0:15:44 | |
Well, let me show you. On the back, we've got some initials. | 0:15:44 | 0:15:48 | |
KG O'M. | 0:15:48 | 0:15:51 | |
Now, you might think, O'M, that's got to be O'Malley, | 0:15:51 | 0:15:53 | |
which sounds Irish, and, yes, the soldier was an Irishman. | 0:15:53 | 0:15:57 | |
But not O'Malley, O'Murchu. | 0:15:57 | 0:16:00 | |
Kenneth Gibbon O'Murchu, who was born in 1894 in Dublin. | 0:16:00 | 0:16:04 | |
And, at the age of 19, he joined the army. | 0:16:04 | 0:16:08 | |
Starting in the First World War, he saw service in France and Belgium. | 0:16:08 | 0:16:12 | |
But it was in 1922 he moved to the Gordon Highlanders to become a | 0:16:12 | 0:16:17 | |
Lieutenant Colonel. | 0:16:17 | 0:16:19 | |
Now we know what it's made of, to whom it belonged, | 0:16:19 | 0:16:23 | |
we know when it was made, but what's it worth? | 0:16:23 | 0:16:25 | |
Well, I would say, at auction, £1,500 to £2,000. | 0:16:25 | 0:16:30 | |
And I hope that you'll agree it's a fitting high value indeed. | 0:16:30 | 0:16:34 | |
Back to the shopping. The teams only have 20 minutes remaining. | 0:16:36 | 0:16:39 | |
The Reds are on the home straight with their final piece to purchase. | 0:16:39 | 0:16:42 | |
The Blues, however, are playing catch up with two items to find. | 0:16:42 | 0:16:45 | |
-We'd better move. -I know we've got to move but I'm panicking. | 0:16:46 | 0:16:50 | |
-Don't panic, keep cool. -Yeah, we'll keep cool. | 0:16:50 | 0:16:53 | |
Speaking of cool... | 0:16:53 | 0:16:55 | |
Absorb the atmosphere, | 0:16:55 | 0:16:58 | |
find that piece of wood. | 0:16:58 | 0:17:00 | |
Talk about laid-back, Reds. | 0:17:00 | 0:17:03 | |
And if you spot something, you know, kind of point us... | 0:17:03 | 0:17:06 | |
-In that direction? -Yes. | 0:17:06 | 0:17:08 | |
Right, come on, Blues, time to get that second item under your belt. | 0:17:08 | 0:17:13 | |
The birdcage, I did actually see that, it's quite nice. | 0:17:13 | 0:17:16 | |
Vintage ebonised birdcage. | 0:17:16 | 0:17:19 | |
I quite feel that this could be a great decorator's piece. | 0:17:19 | 0:17:22 | |
Decorator's piece being something | 0:17:22 | 0:17:24 | |
that's just used as a nice decorative piece. | 0:17:24 | 0:17:27 | |
It does not necessarily have to be old. What do you like about it? | 0:17:27 | 0:17:30 | |
Well, I like it, whatever, you know, as a thing, if you like. | 0:17:30 | 0:17:34 | |
It's a birdcage. But you would obviously not use it as a birdcage, | 0:17:34 | 0:17:38 | |
but there are many uses... People would like that. | 0:17:38 | 0:17:41 | |
I'm sure they could put it to several different uses. | 0:17:41 | 0:17:44 | |
-Good point. -I like the form of it. | 0:17:44 | 0:17:46 | |
I think it's architectural. | 0:17:46 | 0:17:48 | |
And I think Ian's quite clever to have spotted that. | 0:17:48 | 0:17:51 | |
I like that. What could we get it for? It's 78. Would he do 50? | 0:17:51 | 0:17:56 | |
You sound a lot like myself, you do, Ian, | 0:17:56 | 0:17:59 | |
but I don't think he's going to go to 50, to be honest. | 0:17:59 | 0:18:02 | |
From 78, were talking about 70, aren't we? | 0:18:02 | 0:18:04 | |
I tell you what, keep on admiring it, | 0:18:04 | 0:18:06 | |
and I'm going to go and see if I can get a real good price on it. | 0:18:06 | 0:18:09 | |
-Good man. -OK. I'll see you shortly. -Good luck. | 0:18:09 | 0:18:11 | |
It certainly sounds promising, team. | 0:18:11 | 0:18:14 | |
Let's just hope the price is right. | 0:18:14 | 0:18:16 | |
Meanwhile, has Gary come up trumps for the Reds? | 0:18:16 | 0:18:19 | |
Feast your eyes | 0:18:19 | 0:18:21 | |
on this. | 0:18:21 | 0:18:24 | |
-That's really pretty, isn't it? -It's been overpainted. | 0:18:24 | 0:18:26 | |
-Yeah, yeah. -Strangely enough. | 0:18:26 | 0:18:29 | |
-Would that strip off? -It certainly would. | 0:18:29 | 0:18:31 | |
If you strip that down to the original colour... | 0:18:31 | 0:18:33 | |
-Yeah? -That, along with this central frame here, | 0:18:33 | 0:18:40 | |
which is made of embossed brass | 0:18:40 | 0:18:44 | |
in the Aesthetic style | 0:18:44 | 0:18:47 | |
encloses... | 0:18:47 | 0:18:49 | |
-A bevelled mirror. -Another bevelled mirror. | 0:18:49 | 0:18:52 | |
We're into bevelled mirrors today, aren't we? | 0:18:52 | 0:18:54 | |
I think they're impressed, Gary. | 0:18:54 | 0:18:56 | |
Arts and Crafts movement, 1890 to about 1915. | 0:18:56 | 0:19:01 | |
Think of the possibilities. | 0:19:01 | 0:19:04 | |
Strip that down. | 0:19:04 | 0:19:05 | |
-Yeah. -28 quid. Isn't that amazing? -That is ridiculously cheap. | 0:19:05 | 0:19:09 | |
-That's very cheap, isn't it? -I mean, that is... | 0:19:09 | 0:19:11 | |
-For a mirror, yeah. -That is a steal. | 0:19:11 | 0:19:14 | |
-What you think? -Could we get it cheaper, do you think? | 0:19:14 | 0:19:16 | |
I think it's your turn to barter, isn't it? | 0:19:16 | 0:19:18 | |
-My turn to barter. -I did it. I did the last two. It's your turn. | 0:19:18 | 0:19:21 | |
-Show us what you can do. -OK. -Right. 28. | 0:19:21 | 0:19:25 | |
-20. -20. We want 20. | 0:19:25 | 0:19:28 | |
-Try, anyway. -I'll do my best. | 0:19:28 | 0:19:32 | |
Well done, Gary. Let's just hope Mike can seal the deal. | 0:19:32 | 0:19:34 | |
Speaking of which, Danny's back with a price for the birdcage. | 0:19:36 | 0:19:39 | |
Eh. Good news. | 0:19:39 | 0:19:41 | |
Good news. I've spoke to the assistant | 0:19:41 | 0:19:43 | |
and they said the very best they could do is £65. | 0:19:43 | 0:19:47 | |
Now, to be honest with you, | 0:19:47 | 0:19:48 | |
I think there's room at auction for this to make a little profit. | 0:19:48 | 0:19:51 | |
We buy things we like, | 0:19:51 | 0:19:53 | |
-don't we? I like that. -Shall we buy it? -Yep. | 0:19:53 | 0:19:57 | |
Yes, OK. We've got one more item to buy, | 0:19:57 | 0:20:00 | |
so let's go and find it and get this wrapped up. | 0:20:00 | 0:20:04 | |
Lead on, Macduff. | 0:20:04 | 0:20:06 | |
Nice one, Blues, that's your second item. | 0:20:06 | 0:20:08 | |
But remember, that clock is still ticking. Ten minutes left. | 0:20:08 | 0:20:12 | |
Back to the Reds, where Gary and Michelle | 0:20:13 | 0:20:16 | |
are playing the waiting game. | 0:20:16 | 0:20:17 | |
I don't think he will get it for 20. | 0:20:17 | 0:20:19 | |
-I don't think so. -Oh, here he is. -Good news. They'll do it for 20. | 0:20:19 | 0:20:22 | |
-You're wrong. -Oh, no, I said you wouldn't. | 0:20:22 | 0:20:24 | |
I said you'd have paid more for it. | 0:20:24 | 0:20:26 | |
-I said you get embarrassed when I do it. -Well, guys, we've done it. | 0:20:26 | 0:20:31 | |
-Three items. -Yeah, yeah. -Yeah. In style, as well. | 0:20:31 | 0:20:34 | |
In good time. | 0:20:34 | 0:20:35 | |
-Yeah. -We're off to auction. | 0:20:35 | 0:20:38 | |
-Brilliant. -Away we go. Excellent. | 0:20:38 | 0:20:40 | |
Cool, calm and collected. Well done, Reds. | 0:20:41 | 0:20:45 | |
I'm very impressed. However, back with the Blues... | 0:20:45 | 0:20:48 | |
Do you see anything that you think... | 0:20:49 | 0:20:51 | |
Nothing's jumping out at me. | 0:20:51 | 0:20:53 | |
Come on, team, you only have three minutes left. | 0:20:53 | 0:20:56 | |
Is there anything that takes your fancy? | 0:21:00 | 0:21:02 | |
The magnifying glass. | 0:21:02 | 0:21:05 | |
-The wine stoppers. -I like the wine stoppers. | 0:21:05 | 0:21:08 | |
I think we're going to have to rush and make a decision here. | 0:21:08 | 0:21:11 | |
You certainly have taste, team. | 0:21:11 | 0:21:13 | |
All hallmarked solid silver items. | 0:21:13 | 0:21:16 | |
Well, I think they're all pretty much of a muchness, really, | 0:21:16 | 0:21:19 | |
to be quite honest with you. | 0:21:19 | 0:21:20 | |
It's whether or not you think it's more favourable | 0:21:20 | 0:21:23 | |
with the shooting or the magnifying. | 0:21:23 | 0:21:25 | |
Down to personal preference here, really, I believe. | 0:21:25 | 0:21:29 | |
Well, the thing is, you'd want the two of those, | 0:21:29 | 0:21:31 | |
which is going to push the cost up. | 0:21:31 | 0:21:33 | |
Because I think they'd be better as a pair. | 0:21:33 | 0:21:36 | |
Hallmarked silver wine stoppers, made in Birmingham. | 0:21:36 | 0:21:39 | |
However, they are modern pieces, team. One minute left. | 0:21:39 | 0:21:42 | |
Let's make a decision and go for the magnifying glass. | 0:21:42 | 0:21:46 | |
I think it's all right. | 0:21:46 | 0:21:47 | |
No chips on it that I can see. | 0:21:47 | 0:21:50 | |
Better let Danny have a look at it, with his eagle eye. | 0:21:50 | 0:21:53 | |
It does look very modern but it's nice and crisp and clean. £28. | 0:21:53 | 0:21:58 | |
The silver-handled magnifying glass, again, is a modern piece, | 0:21:58 | 0:22:02 | |
made in Sheffield in 1989 by the silversmiths Harrison Brothers. | 0:22:02 | 0:22:06 | |
What's the absolute best you can do this for, please, Albert? | 0:22:06 | 0:22:09 | |
-You're running out of time! -It's got 28. | 0:22:09 | 0:22:11 | |
Could I give a cheeky bid? | 0:22:11 | 0:22:13 | |
We would do 25 without any hesitation. | 0:22:13 | 0:22:17 | |
-Shall we go 22? All the twos? -Go on, then, 22. | 0:22:18 | 0:22:23 | |
-Shake the man's hand. -Thank you, Albert. | 0:22:23 | 0:22:25 | |
-Again. -You're welcome. -Thank you. -Thank you. | 0:22:25 | 0:22:28 | |
I hope you found some treasure, teams. Your time's up. | 0:22:28 | 0:22:31 | |
That's us, just finished with about a second to spare. | 0:22:31 | 0:22:34 | |
-That's all right. -Isn't it always the way? | 0:22:34 | 0:22:36 | |
Well, it is when you're working with me. | 0:22:36 | 0:22:39 | |
Let's remind ourselves what the Red team bought. | 0:22:39 | 0:22:43 | |
First up was Michelle's find, the powder compact. | 0:22:43 | 0:22:45 | |
Price paid - £40. | 0:22:45 | 0:22:47 | |
Next, it took a bit of convincing, | 0:22:50 | 0:22:51 | |
but Gary's ice bucket set them back £9. | 0:22:51 | 0:22:54 | |
And, finally, Mike was determined to | 0:22:56 | 0:22:58 | |
find a piece of wood and the Arts and Crafts mirror cost him £20. | 0:22:58 | 0:23:01 | |
Well, Mike and Michelle, | 0:23:01 | 0:23:03 | |
you weren't expecting to get along so well as a Red team. | 0:23:03 | 0:23:06 | |
-It was all very harmonious, wasn't it? -Not one bicker at all. | 0:23:06 | 0:23:10 | |
-Gary was the peacemaker. -Yes, he's known for that, he's known for that. | 0:23:10 | 0:23:14 | |
Now, Mike, of the three items that you bought, | 0:23:14 | 0:23:16 | |
which would you say is your favourite? | 0:23:16 | 0:23:18 | |
-Oh, the mirror. -The mirror, because it's got the most wood in it? | 0:23:18 | 0:23:21 | |
-Yeah. The only bit of wood we got, yeah. -You didn't pay a lot for it, | 0:23:21 | 0:23:24 | |
so do you think it's going to bring the biggest profit? | 0:23:24 | 0:23:27 | |
No, I think what I call the spittoon will. | 0:23:27 | 0:23:30 | |
-The ice bucket. -Yeah. | 0:23:30 | 0:23:32 | |
The cheapest item is hopefully going to bring the biggest profit? | 0:23:32 | 0:23:36 | |
-Yeah, I think so. -Michelle, do you agree | 0:23:36 | 0:23:37 | |
that the mirror's your favourite, or... | 0:23:37 | 0:23:39 | |
No, I think the silver compact. I love the silver compact. | 0:23:39 | 0:23:42 | |
I just thought it was so classy, so simple and classy. It was lovely. | 0:23:42 | 0:23:46 | |
OK. And your biggest splurge, as well. | 0:23:46 | 0:23:48 | |
-Yes. -So is that going to bring the biggest profit? | 0:23:48 | 0:23:50 | |
Do you know what? Probably not. | 0:23:50 | 0:23:52 | |
No, I can't make up my mind between the baked bean tin and the mirror. | 0:23:52 | 0:23:58 | |
I think between one of those. | 0:23:58 | 0:24:00 | |
So just to clarify, the spittoon and the baked bean tin, | 0:24:00 | 0:24:02 | |
-that's the ice bucket? -Yeah. | 0:24:02 | 0:24:04 | |
Gary, you know, you loved that ice bucket. | 0:24:04 | 0:24:06 | |
-Is that hard to take? -When I showed them that £10 price tag, | 0:24:06 | 0:24:11 | |
they were convinced. Better yet, they got it down to nine. | 0:24:11 | 0:24:15 | |
Right, OK, you only spent £69, so who's got 231? | 0:24:15 | 0:24:19 | |
-I've got it in my pocket. -Right, Mike, hand it over. | 0:24:19 | 0:24:22 | |
-Here we are, 230. -230 should be. | 0:24:22 | 0:24:26 | |
Yeah. And the one. Right, Gary. So what are you going to spend it on? | 0:24:26 | 0:24:30 | |
I think I'll buy something that has flowing elements to it. | 0:24:30 | 0:24:34 | |
-Right. -A touch of the orient in a western setting. | 0:24:34 | 0:24:37 | |
Well, it sounds as though Gary has a good idea what he's going to buy. | 0:24:37 | 0:24:41 | |
So let him do that and we'll remind ourselves what the Blue team bought. | 0:24:41 | 0:24:45 | |
First up, the carved hare ornament set them back £45. | 0:24:45 | 0:24:50 | |
Next, the wooden birdcage cost them £65. | 0:24:51 | 0:24:54 | |
And, finally, with only seconds to spare, | 0:24:55 | 0:24:58 | |
the silver-handled magnifying glass cost them £22. | 0:24:58 | 0:25:01 | |
Well, Ian and Anne, we got there, | 0:25:02 | 0:25:04 | |
-because that was a bit close, wasn't it? -It was. -Yeah. -Seconds. | 0:25:04 | 0:25:08 | |
Now, of those three items, Ian, which was your favourite? | 0:25:08 | 0:25:12 | |
I think possibly the birdcage. | 0:25:12 | 0:25:14 | |
Ah, right, OK. Your most expensive buy. | 0:25:14 | 0:25:18 | |
OK, so it's your favourite. | 0:25:18 | 0:25:19 | |
But, of the three, is it going to bring the biggest profit at auction? | 0:25:19 | 0:25:22 | |
I don't think so. | 0:25:22 | 0:25:24 | |
I've got a sneaking feeling the magnifying glass might. | 0:25:24 | 0:25:26 | |
Ah, that was your last-minute purchase. | 0:25:26 | 0:25:28 | |
-That's right. -OK. Cool. Hopefully it will pay off. | 0:25:28 | 0:25:31 | |
Anne, do you agree with Ian - the birdcage, is that your favourite? | 0:25:31 | 0:25:34 | |
No, I've got a soft spot for the rabbit. | 0:25:34 | 0:25:37 | |
Cos he was just so lovely. I would have liked to have had him myself. | 0:25:37 | 0:25:41 | |
-I had a feeling you were going to say that. -I would've cherished him. | 0:25:41 | 0:25:44 | |
Oh, gosh, well, you're going to have to let him go. | 0:25:44 | 0:25:46 | |
Now, what do you think is going to bring the biggest profit? | 0:25:46 | 0:25:49 | |
The magnifying glass was the cheapest thing, | 0:25:49 | 0:25:51 | |
and so I think it stands a better chance. | 0:25:51 | 0:25:53 | |
And what did you spend? £132 in total? | 0:25:53 | 0:25:56 | |
-132. -OK, so who is in possession of 168? | 0:25:56 | 0:26:00 | |
-I am. -I should've known, Ian, it's you. Right. -60 and 3 more. | 0:26:00 | 0:26:04 | |
There we are, Danny. £168. What are you going to buy Ian and Anne? | 0:26:04 | 0:26:10 | |
Something that might bring music to your ears. | 0:26:10 | 0:26:13 | |
So while Danny goes to find his bonus buy, | 0:26:13 | 0:26:16 | |
it's time for us to head straight to the auction. | 0:26:16 | 0:26:18 | |
Well, we've hopped over from Topsham to Ottery St Mary and I'm here with | 0:26:27 | 0:26:31 | |
David Sumner of Ottery Auction Rooms. | 0:26:31 | 0:26:34 | |
David, thank you so much for having Bargain Hunt along. | 0:26:34 | 0:26:36 | |
-It's a pleasure. -We'll start with the Reds, we always do, | 0:26:36 | 0:26:39 | |
and here we have the choices of Mike and Michelle, led by Gary. | 0:26:39 | 0:26:43 | |
Now, let's start off with this beautiful silver compact. | 0:26:43 | 0:26:48 | |
Nicely worked, it's got its hallmarks underneath, | 0:26:48 | 0:26:51 | |
everything you want from the silver compact, right? | 0:26:51 | 0:26:53 | |
It's very nice. Wonderful engine-turned decoration. | 0:26:53 | 0:26:57 | |
You can see the hallmarks. | 0:26:57 | 0:26:58 | |
They're very, very small, but it's a quality piece. | 0:26:58 | 0:27:03 | |
-What do you think someone will pay for such a nice piece? -£25 to £35. | 0:27:03 | 0:27:07 | |
OK, well, we're on the cusp there, | 0:27:07 | 0:27:08 | |
because Mike and Michelle paid £40 for it and, let me tell you, | 0:27:08 | 0:27:13 | |
Michelle loved it. | 0:27:13 | 0:27:14 | |
She loved it, so she'll be hoping for a profit on that. | 0:27:14 | 0:27:17 | |
And then Gary sort of had to talk them into this one. | 0:27:17 | 0:27:20 | |
The ice bucket. | 0:27:20 | 0:27:22 | |
Summertime, stick a bottle of champagne in there, | 0:27:22 | 0:27:25 | |
a bottle of Chablis. | 0:27:25 | 0:27:27 | |
It's a useful thing. | 0:27:27 | 0:27:29 | |
Stainless steel. About £5, £10. | 0:27:29 | 0:27:32 | |
Well, they only paid £9 for it. So it's all right. | 0:27:32 | 0:27:34 | |
It was cheap and cheerful and, hopefully, | 0:27:34 | 0:27:36 | |
there will be a couple of pounds in it for them. | 0:27:36 | 0:27:38 | |
Now, when we're talking cheap and cheerful, we do not think of Vienna, | 0:27:38 | 0:27:43 | |
the Ringstrasse in the 1880s, 1890s. | 0:27:43 | 0:27:46 | |
And that's what this mirror screams of, doesn't it? | 0:27:46 | 0:27:50 | |
It's just absolutely gorgeous. | 0:27:50 | 0:27:52 | |
Do you love it as much as I do? | 0:27:52 | 0:27:53 | |
I do. Aesthetic movement. | 0:27:53 | 0:27:56 | |
It's got that Japanese influence. | 0:27:56 | 0:27:58 | |
My only failing with it is someone has painted it. | 0:27:58 | 0:28:01 | |
-Why? -I know, shocking, shocking. | 0:28:01 | 0:28:04 | |
However, you've got this beautiful repousse work brass design | 0:28:04 | 0:28:07 | |
with exotic birds and flowers. | 0:28:07 | 0:28:10 | |
A lovely good-quality bevelled glass mirror. | 0:28:10 | 0:28:13 | |
Good period piece. | 0:28:13 | 0:28:15 | |
-How much? -40-60. | 0:28:15 | 0:28:17 | |
They only paid £20 for it, | 0:28:17 | 0:28:19 | |
so they will be absolutely chuffed and hopefully your buyers will, too, | 0:28:19 | 0:28:22 | |
because they are going to come away with something gorgeous. | 0:28:22 | 0:28:25 | |
Right, it sounds like David thinks there is a potential for profit, so, | 0:28:25 | 0:28:29 | |
just in case, let's find out what Gary bought as a bonus buy. | 0:28:29 | 0:28:33 | |
Michelle, Mike. | 0:28:33 | 0:28:35 | |
You didn't spend a lot, which means that Gary was left a lot. | 0:28:35 | 0:28:39 | |
And I don't know about you, but I'm itching | 0:28:39 | 0:28:41 | |
to find out what's beneath the red cloth. | 0:28:41 | 0:28:44 | |
An earthenware platter. | 0:28:44 | 0:28:46 | |
From the 1850s, English, in blue and white, obviously, | 0:28:46 | 0:28:50 | |
with a pattern called Tonquin. | 0:28:50 | 0:28:54 | |
What the Staffordshire potteries | 0:28:54 | 0:28:55 | |
were trying to do around that time was to copy | 0:28:55 | 0:28:58 | |
the more expensive porcelain wares coming out of the Far East. | 0:28:58 | 0:29:03 | |
Look at the condition of this piece. | 0:29:03 | 0:29:05 | |
Barely a scratch. | 0:29:05 | 0:29:07 | |
It's not particularly crisp, is it? | 0:29:07 | 0:29:09 | |
-Now, this is it. -It's very blurry. | 0:29:09 | 0:29:11 | |
Very, very good. | 0:29:11 | 0:29:13 | |
This technique is called flow blue. | 0:29:13 | 0:29:16 | |
So sort of a bit dreamlike quality. | 0:29:16 | 0:29:19 | |
-Exactly. There you go. -Rather than blurry. | 0:29:19 | 0:29:23 | |
It flows. | 0:29:23 | 0:29:24 | |
How much have you spent? | 0:29:24 | 0:29:26 | |
I paid £29. | 0:29:26 | 0:29:29 | |
No! | 0:29:29 | 0:29:30 | |
For a piece that is 150 years old. | 0:29:31 | 0:29:34 | |
-Fantastic. -In this condition, I think that is a bargain. | 0:29:34 | 0:29:37 | |
We absolutely love it now, don't we? Love it! | 0:29:37 | 0:29:40 | |
Well, Reds, you don't need to go with the flow just yet, | 0:29:40 | 0:29:44 | |
so it's time to find out what our auctioneer David | 0:29:44 | 0:29:47 | |
thinks of Gary's meat platter. | 0:29:47 | 0:29:49 | |
Now, Gary had loads of money to spend | 0:29:49 | 0:29:52 | |
and this is what he spent some, but not all of it, on. | 0:29:52 | 0:29:55 | |
So, what do you think of this lovely... | 0:29:55 | 0:29:57 | |
I would call it an ashet or meat charger. | 0:29:57 | 0:30:00 | |
-What do you reckon? -Very nice charger. Yeah. Flow blue. | 0:30:00 | 0:30:04 | |
Good period piece. Tonquin pattern. | 0:30:04 | 0:30:06 | |
There's a couple of little glazing flaws, | 0:30:06 | 0:30:09 | |
but that's not later damage, that's done in production. | 0:30:09 | 0:30:12 | |
If you're going to buy a piece of flow blue, this is the piece to buy. | 0:30:12 | 0:30:16 | |
I mean, it stands out, doesn't it? | 0:30:16 | 0:30:18 | |
It's so rich in its colour and it really is quite striking. | 0:30:18 | 0:30:21 | |
What do you reckon your buyers will want to pay for it? | 0:30:21 | 0:30:23 | |
It should do about 15-25. | 0:30:23 | 0:30:25 | |
OK. Well, Gary, in that case, has done quite well, | 0:30:25 | 0:30:27 | |
because he paid £29 for it and he absolutely loves it, so, hopefully, | 0:30:27 | 0:30:32 | |
it will fly away. From our blue charger, we go to the Blue team. | 0:30:32 | 0:30:36 | |
Ian and Anne, delightful. | 0:30:36 | 0:30:38 | |
And talking of delightful, that's exactly | 0:30:38 | 0:30:40 | |
how Anne described this hare. | 0:30:40 | 0:30:42 | |
Now, do you think your buyers will find it delightful, too? | 0:30:42 | 0:30:44 | |
Definitely. I think it's utterly charming. | 0:30:44 | 0:30:47 | |
It's not old, | 0:30:47 | 0:30:48 | |
but I love it. | 0:30:48 | 0:30:50 | |
Absolutely love it. I think it will do 15-25, at least. | 0:30:50 | 0:30:53 | |
They paid a fair bit more. £45, the Blue team paid. | 0:30:53 | 0:30:56 | |
So, hopefully, your optimism will | 0:30:56 | 0:30:58 | |
come in the form of some excellent bids. | 0:30:58 | 0:31:02 | |
The hare was Anne's favourite item, but Ian's was the birdcage. | 0:31:02 | 0:31:06 | |
But I think... Can you confirm to us? | 0:31:06 | 0:31:07 | |
None of us thought it had any age at all. | 0:31:07 | 0:31:09 | |
No, it's straight off the boat. | 0:31:09 | 0:31:12 | |
OK, so you think it has come from the Far East, perhaps? | 0:31:12 | 0:31:14 | |
It has, yeah. It's a very nice thing. | 0:31:14 | 0:31:16 | |
Concertina shape, good interior design piece. | 0:31:16 | 0:31:19 | |
Estimate about 20-25. | 0:31:19 | 0:31:20 | |
They paid even more for this than they did for the hare. | 0:31:20 | 0:31:22 | |
£65 for the birdcage. | 0:31:22 | 0:31:25 | |
So you might have your work cut out. | 0:31:25 | 0:31:28 | |
-I think I will. -But all hope is not lost, | 0:31:28 | 0:31:30 | |
because both Ian and Anne agree the most profitable item is going to be | 0:31:30 | 0:31:34 | |
-this hallmarked silver magnifying glass. -Very pretty. 1989. | 0:31:34 | 0:31:38 | |
Harrison Brothers. Again, useful item. | 0:31:38 | 0:31:41 | |
Should make about 18 - £25. | 0:31:41 | 0:31:44 | |
OK, well, Ian and Anne thought this would be their most profitable item, | 0:31:44 | 0:31:47 | |
but they paid 22, which is slap bang in the middle of your estimate. | 0:31:47 | 0:31:51 | |
So it sounds as though David is a wee bit worried about the Blues, | 0:31:51 | 0:31:54 | |
but don't worry, Danny is here to help. | 0:31:54 | 0:31:56 | |
Let's find out what he bought as a bonus buy. | 0:31:56 | 0:31:59 | |
-Are you excited? -We are excited. | 0:31:59 | 0:32:02 | |
But it's not quite what we thought, I'm sure of that. | 0:32:02 | 0:32:05 | |
-Oh. -Oh. | 0:32:06 | 0:32:08 | |
What I found is this lovely little trivet stand. | 0:32:08 | 0:32:11 | |
Solid brass, great gauge, very heavy. | 0:32:11 | 0:32:14 | |
And I thought we might need a little bit of luck, so... | 0:32:14 | 0:32:18 | |
it's in the shape of a clover. | 0:32:18 | 0:32:20 | |
Early 20th century. | 0:32:20 | 0:32:22 | |
I think it can complement any kitchen. | 0:32:22 | 0:32:25 | |
Kitchenalia is always in. | 0:32:25 | 0:32:26 | |
I just think it's practical as well as beautiful. | 0:32:26 | 0:32:30 | |
-Yes. -What do you think? -May I? | 0:32:30 | 0:32:32 | |
Absolutely. | 0:32:32 | 0:32:34 | |
-Gosh. -There's a bit of weight to it. | 0:32:34 | 0:32:38 | |
What I like about this older brass, | 0:32:38 | 0:32:41 | |
it's a better colour, isn't it? | 0:32:41 | 0:32:43 | |
It's more mellow. | 0:32:43 | 0:32:45 | |
One's thing for sure, you won't say no when I give you the price that I | 0:32:45 | 0:32:48 | |
-paid for it. -How much did you pay? | 0:32:48 | 0:32:51 | |
-£4. -Wow! | 0:32:51 | 0:32:53 | |
That's a steal. | 0:32:53 | 0:32:54 | |
It was a steal. It was just one of them, | 0:32:54 | 0:32:57 | |
I just thought, for what it is... | 0:32:57 | 0:32:59 | |
Yes. That's good. That's very good. | 0:32:59 | 0:33:01 | |
That is really a clever buy, isn't it? | 0:33:01 | 0:33:03 | |
I'd like to think that could make 20, maybe even £25. | 0:33:03 | 0:33:08 | |
-Well pleased with that. -You love it, | 0:33:08 | 0:33:10 | |
but you don't need to make your minds up just yet. | 0:33:10 | 0:33:13 | |
Let's head back to the auction to | 0:33:13 | 0:33:14 | |
find out what David thinks of Danny's trivet. | 0:33:14 | 0:33:17 | |
Now, we think the Blues might need a wee bit of luck. | 0:33:17 | 0:33:20 | |
So perhaps this should have been a four-leaf | 0:33:20 | 0:33:22 | |
and not three-leaf trivet, | 0:33:22 | 0:33:24 | |
but, David, that is a cool bit of kitchenalia, isn't it? | 0:33:24 | 0:33:26 | |
Very much so. Late 19th, early 20th century. | 0:33:26 | 0:33:31 | |
It's brass or almost like gunmetal, actually. | 0:33:31 | 0:33:36 | |
Yeah, about £15 to £20. | 0:33:36 | 0:33:38 | |
And it's just a gorgeous thing and guess what Danny paid for it? | 0:33:38 | 0:33:41 | |
-£4. -Profit, profit, profit. | 0:33:41 | 0:33:45 | |
Is that what you predict from the rostrum today? | 0:33:45 | 0:33:47 | |
-I certainly hope so. -Fantastic. | 0:33:47 | 0:33:49 | |
Well, in that case, David, take it away. | 0:33:49 | 0:33:52 | |
28. 30. 32. 32. | 0:33:52 | 0:33:55 | |
35. 38. 38. 40. 42. | 0:33:55 | 0:33:59 | |
Right, Reds, here we are, auction time. | 0:34:01 | 0:34:04 | |
-Terrifying, isn't it? -Yeah, a bit worrying. | 0:34:04 | 0:34:07 | |
You can hear the hammer just going down, flying through them. | 0:34:07 | 0:34:11 | |
So what's your first one? You've got that powder compact. | 0:34:11 | 0:34:13 | |
This was your fave. Fingers crossed. | 0:34:13 | 0:34:15 | |
-Fingers crossed. -You paid £40. Here it comes. All right. | 0:34:15 | 0:34:19 | |
It's a silver powder compact with engine-turned decoration. | 0:34:19 | 0:34:22 | |
This is a really good quality piece. | 0:34:22 | 0:34:23 | |
Someone start me away at £30. | 0:34:23 | 0:34:27 | |
£30. £20, then. | 0:34:27 | 0:34:29 | |
10 I'm bid. Cheeky bid at 10. | 0:34:29 | 0:34:31 | |
12. 15. 18. | 0:34:31 | 0:34:33 | |
20. 20. 22. | 0:34:33 | 0:34:37 | |
25, sir? | 0:34:37 | 0:34:38 | |
25. 28. I'm out. | 0:34:38 | 0:34:40 | |
Looking for £28. 28. | 0:34:40 | 0:34:42 | |
Fresh face in the room at 28. | 0:34:42 | 0:34:43 | |
-30. -Oh, come on. | 0:34:43 | 0:34:45 | |
Not at 30. Internet. | 0:34:45 | 0:34:47 | |
30. 32, madam? | 0:34:47 | 0:34:49 | |
32. I'm selling, in the room, at £32. | 0:34:49 | 0:34:53 | |
-Oh! -Small loss to start us off. | 0:34:53 | 0:34:56 | |
It sold for 32, you paid 40, so it is a loss of 8. | 0:34:56 | 0:35:00 | |
But worry not, your favourite lot is coming up, your £9 ice bucket. | 0:35:00 | 0:35:05 | |
Lot 86 is this 20th-century | 0:35:05 | 0:35:08 | |
twin handled plated ice bucket there. | 0:35:08 | 0:35:11 | |
Lovely thing. Somebody start me away at £5. | 0:35:11 | 0:35:13 | |
5. Thank you. | 0:35:13 | 0:35:15 | |
8. £8 for this lot. | 0:35:15 | 0:35:16 | |
8 I'm bid. 10. | 0:35:16 | 0:35:18 | |
Not at 10. Fresh face at 10. | 0:35:18 | 0:35:20 | |
12 and I'm out. Looking for £12 for this lot. | 0:35:20 | 0:35:23 | |
£12. Let's move to the internet. | 0:35:23 | 0:35:25 | |
Any interest on the internet at 12? | 0:35:25 | 0:35:27 | |
I'm selling at the back of the room. | 0:35:27 | 0:35:29 | |
-£10. -Oh. | 0:35:29 | 0:35:31 | |
-Well done. -It's a profit. | 0:35:31 | 0:35:33 | |
£1. So you are now minus 7. | 0:35:33 | 0:35:36 | |
-Worth getting £1 off. -But this is a real cracker. | 0:35:36 | 0:35:40 | |
Beautiful Aesthetic Movement mirror. | 0:35:40 | 0:35:42 | |
£20 paid. This has got to see a profit. | 0:35:42 | 0:35:45 | |
This truly wonderful late 19th century Aesthetic Movement brass and | 0:35:45 | 0:35:51 | |
wood-framed mirror. Start me away at £20. | 0:35:51 | 0:35:53 | |
Oh, come on. £20. 15, then. | 0:35:53 | 0:35:55 | |
15. 18. 20. 22. | 0:35:55 | 0:35:58 | |
25. 28. 28. | 0:35:58 | 0:36:00 | |
30. 32. 32. 35. 38. | 0:36:00 | 0:36:04 | |
Not at 38. | 0:36:04 | 0:36:06 | |
Looking for £38. | 0:36:06 | 0:36:07 | |
I'll move to the internet. £38. | 0:36:07 | 0:36:09 | |
Fresh face at 38. 40. | 0:36:09 | 0:36:11 | |
42. 45. 48. | 0:36:11 | 0:36:14 | |
Not at 48, but thank you for your bids. | 0:36:14 | 0:36:17 | |
Looking for £48 for this lot. | 0:36:17 | 0:36:19 | |
Last chance, internet. 48. | 0:36:19 | 0:36:21 | |
I'm selling at the back of the room for £45. | 0:36:21 | 0:36:25 | |
-Brilliant. -Well done. More than doubled. | 0:36:25 | 0:36:28 | |
How good does that feel? You've made a profit of £25 on that. | 0:36:28 | 0:36:32 | |
Which means, overall, you are plus... | 0:36:32 | 0:36:37 | |
18. Plus 18. | 0:36:37 | 0:36:39 | |
How good is that? You're in profit. | 0:36:39 | 0:36:41 | |
Are we going to go with the bonus buy? | 0:36:41 | 0:36:43 | |
-Definitely going to go with it. -Definitely going to go with it. | 0:36:43 | 0:36:46 | |
Ah. I'd like your enthusiasm for the flow blue. | 0:36:46 | 0:36:49 | |
Gary paid £29. | 0:36:49 | 0:36:51 | |
So anything more than that is more profit. Here it comes. | 0:36:51 | 0:36:54 | |
Very nice 19th-century flow blue and white Tonquin pattern | 0:36:54 | 0:36:58 | |
charger, showing there. | 0:36:58 | 0:37:00 | |
Loads of interest in this. | 0:37:00 | 0:37:01 | |
I've got conflicting bids. | 0:37:01 | 0:37:03 | |
I've got to jump straight in at £38 with me. | 0:37:03 | 0:37:06 | |
40 with me. | 0:37:06 | 0:37:08 | |
40. 42. 45. | 0:37:08 | 0:37:10 | |
Not at 45. 45 anywhere in the room? | 0:37:10 | 0:37:13 | |
Before I move to the internet. | 0:37:13 | 0:37:14 | |
45. 48. I'm out. | 0:37:14 | 0:37:17 | |
Looking for £48. I'm selling at the back of the room, £45. | 0:37:17 | 0:37:21 | |
Gary has just added £16 to your running total, | 0:37:21 | 0:37:25 | |
which means that, overall, | 0:37:25 | 0:37:27 | |
-Reds, plus 34. -Fantastic. | 0:37:27 | 0:37:31 | |
-How good is that? -We can get some chips tonight! | 0:37:31 | 0:37:35 | |
Chips? | 0:37:35 | 0:37:36 | |
First item is your favourite, Anne, the hare. | 0:37:44 | 0:37:47 | |
-I like it. -You'll be sad to see him go to someone else. | 0:37:47 | 0:37:50 | |
But you will be chuffed if they pay good money for him. | 0:37:50 | 0:37:53 | |
Right, get ready, Blues, here comes your first item. | 0:37:53 | 0:37:55 | |
I've got loads of interest in this. | 0:37:55 | 0:37:57 | |
I can jump straight in at £20. | 0:37:57 | 0:37:59 | |
22, will you? | 0:37:59 | 0:38:01 | |
22. 22. 25. 28. | 0:38:01 | 0:38:03 | |
30. 32. | 0:38:03 | 0:38:07 | |
35. 38. | 0:38:07 | 0:38:09 | |
40. 42. | 0:38:09 | 0:38:11 | |
45. 48. Madam, 48? | 0:38:11 | 0:38:13 | |
One more, might get it. | 0:38:13 | 0:38:15 | |
48. 50. 55. | 0:38:15 | 0:38:19 | |
Not at 55. Fresh face at 55. | 0:38:19 | 0:38:22 | |
60. 65. | 0:38:22 | 0:38:23 | |
Last chance. It is my commission bid. | 0:38:23 | 0:38:26 | |
£60! Blues! Great work. | 0:38:26 | 0:38:30 | |
Now you don't miss it so much, do you? No, it's just made you £15. | 0:38:30 | 0:38:34 | |
So, all eyes on the wooden birdcage. Your favourite, Ian. | 0:38:34 | 0:38:38 | |
This is a 20th-century Chinese wooden birdcage. | 0:38:38 | 0:38:41 | |
Pretty little lot, this. Put your aspidistra in there. | 0:38:41 | 0:38:43 | |
Who will start me away at £30? | 0:38:43 | 0:38:46 | |
£20, then. | 0:38:46 | 0:38:47 | |
-It's got to be worth that. £20? -Oh, come on. -15, then. | 0:38:47 | 0:38:50 | |
15 I'm bid. 18. | 0:38:50 | 0:38:51 | |
18. 20. 22. | 0:38:51 | 0:38:54 | |
22. 25. | 0:38:54 | 0:38:55 | |
25. 28. 30. | 0:38:55 | 0:38:57 | |
I'm selling in the room at £28. | 0:38:57 | 0:39:00 | |
-Oh! -That's a stinger. | 0:39:00 | 0:39:02 | |
-Not so good. I thought it might make more. -You did, you did. | 0:39:02 | 0:39:06 | |
-And so did we, actually. -I did, yeah. -28. | 0:39:06 | 0:39:08 | |
Now, that's a loss of £37. | 0:39:08 | 0:39:12 | |
This is it, we need to magnify those profits. | 0:39:12 | 0:39:14 | |
Here comes the magnifying glass. You paid 22. | 0:39:14 | 0:39:17 | |
A silver-handled magnifying glass. | 0:39:17 | 0:39:20 | |
This is Harrison Brothers, 1989. | 0:39:20 | 0:39:22 | |
I can jump straight in at 12. 15, will you? | 0:39:22 | 0:39:25 | |
15. 15. | 0:39:25 | 0:39:26 | |
18. 20. | 0:39:26 | 0:39:28 | |
Yes. 20. 22. 25. | 0:39:28 | 0:39:31 | |
This is your last chance. | 0:39:31 | 0:39:33 | |
My commission bid will buy at 22. | 0:39:33 | 0:39:35 | |
-Oh. -Wiped its face! | 0:39:35 | 0:39:37 | |
That's what they say, yes. | 0:39:37 | 0:39:40 | |
22 means no profit, no loss, so you're still minus 22. | 0:39:40 | 0:39:45 | |
That's where you've landed after your three. | 0:39:45 | 0:39:47 | |
However, it's not over until Danny's had a chance to sell his bonus buy. | 0:39:47 | 0:39:52 | |
And are you going to go with it, or are you going to stick at minus 22? | 0:39:52 | 0:39:56 | |
-We're definitely going to go with it. -Yes. | 0:39:56 | 0:39:59 | |
Is that a unanimous decision? | 0:39:59 | 0:40:00 | |
It is, absolutely. We decided before we... | 0:40:00 | 0:40:03 | |
Oh, brilliant. Oh, brilliant. | 0:40:03 | 0:40:05 | |
-It is a good buy. -So, going with the bonus buy. | 0:40:05 | 0:40:08 | |
Here comes your trefoil trivet. | 0:40:08 | 0:40:11 | |
Late 19th-century brass trefoil-shaped trivet. | 0:40:11 | 0:40:14 | |
Nice lot, this. Loads of conflicting bids. | 0:40:14 | 0:40:17 | |
I can jump straight in at £35. | 0:40:17 | 0:40:18 | |
38. 40. | 0:40:18 | 0:40:21 | |
42. 42. | 0:40:21 | 0:40:22 | |
45. 48. | 0:40:22 | 0:40:23 | |
50. 55. | 0:40:23 | 0:40:25 | |
Not at 55. | 0:40:25 | 0:40:26 | |
-I'm looking for 55. -55! | 0:40:26 | 0:40:28 | |
55. 60. | 0:40:28 | 0:40:30 | |
65. 70. 75. | 0:40:30 | 0:40:32 | |
Not at 75. | 0:40:32 | 0:40:33 | |
I'm looking for 75 for this lot. | 0:40:33 | 0:40:35 | |
My commission bid is going to buy. | 0:40:35 | 0:40:38 | |
£70. | 0:40:38 | 0:40:40 | |
£70. £70 for a trivet. | 0:40:40 | 0:40:43 | |
That has to be a world record, I'm telling you. | 0:40:43 | 0:40:45 | |
That's a profit of 66 on the trivet, | 0:40:45 | 0:40:49 | |
which means you are now in profit overall. £44. | 0:40:49 | 0:40:53 | |
-Brilliant. -Well done. | 0:40:53 | 0:40:56 | |
Well done, Danny. | 0:40:56 | 0:40:57 | |
-Thank you, mate. -You're welcome. | 0:40:57 | 0:40:59 | |
But you have to promise me something. | 0:40:59 | 0:41:01 | |
-I won't tell anybody. -You have to promise me | 0:41:01 | 0:41:04 | |
-you won't say anything to the Reds. -Not a word. -OK. | 0:41:04 | 0:41:07 | |
Who's the more nervous team? | 0:41:12 | 0:41:14 | |
You both look terrified to me. | 0:41:14 | 0:41:16 | |
You each go away with folding money. | 0:41:16 | 0:41:20 | |
-ALL: -Oh! | 0:41:20 | 0:41:22 | |
£10 between you. | 0:41:22 | 0:41:23 | |
-Wow. -Oh. | 0:41:23 | 0:41:25 | |
But in whose favour? | 0:41:27 | 0:41:29 | |
The suspense is terrible. | 0:41:29 | 0:41:32 | |
Let me tell you, our runners-up today... | 0:41:32 | 0:41:35 | |
the Reds. | 0:41:35 | 0:41:36 | |
£34 profit versus the Blues' £44 profit. | 0:41:38 | 0:41:41 | |
Well done, Reds, of course. | 0:41:41 | 0:41:44 | |
We are all winners, really, aren't we? | 0:41:44 | 0:41:47 | |
It's excellent when everyone makes money. | 0:41:47 | 0:41:50 | |
-It's even better when you get to hold it in your hand. -Oh, thank you. | 0:41:50 | 0:41:53 | |
There you are, Michelle, £30. | 0:41:53 | 0:41:55 | |
And let's not forget those all-important four pound coins. | 0:41:55 | 0:41:58 | |
And you've had a great time, Mike? | 0:41:58 | 0:41:59 | |
-We have, yeah. -You go home runners-up, | 0:41:59 | 0:42:01 | |
-but with money in your pocket, so I applaud you. -That's excellent. | 0:42:01 | 0:42:05 | |
But let's turn to today's winners. | 0:42:05 | 0:42:07 | |
The Blues. Ian and Anne, well done. | 0:42:07 | 0:42:09 | |
With a profit of £44. | 0:42:09 | 0:42:12 | |
So there's the 40 and there's the 4. | 0:42:12 | 0:42:15 | |
And, dare I say it, | 0:42:15 | 0:42:16 | |
you were unlikely victors because you were minus 22 | 0:42:16 | 0:42:20 | |
after your first three items. | 0:42:20 | 0:42:22 | |
But, get this, Danny's bonus buy, purchased for £4, | 0:42:22 | 0:42:26 | |
made a £66 profit, | 0:42:26 | 0:42:29 | |
and sold for 70. | 0:42:29 | 0:42:32 | |
So kudos to Danny. | 0:42:32 | 0:42:36 | |
We came for the fun, we came for the interest, and we got plenty of it. | 0:42:36 | 0:42:39 | |
Oh, I'm so pleased to hear that. | 0:42:39 | 0:42:41 | |
-Anne, you must be chuffed? -I am, I'm really thrilled. | 0:42:41 | 0:42:44 | |
Oh, fantastic. | 0:42:44 | 0:42:45 | |
It was great to see that you could rely on your expert in the end. | 0:42:45 | 0:42:49 | |
And if you fancy relying on an expert, | 0:42:49 | 0:42:51 | |
then why not join us on Bargain Hunt? | 0:42:51 | 0:42:52 | |
All of the details are on our website. Join us on Twitter, too. | 0:42:52 | 0:42:56 | |
We are at... | 0:42:56 | 0:42:57 | |
And join us again for some more bargain hunting. Yes? | 0:42:58 | 0:43:02 | |
-ALL: -Yes! | 0:43:02 | 0:43:03 |