Browse content similar to Ardingly 2. Check below for episodes and series from the same categories and more!
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ALARM BELL RINGS | 0:00:02 | 0:00:03 | |
MUSIC: Pjanoo by Eric Prydz | 0:00:12 | 0:00:15 | |
Well, I think I'm just about ready. Are you? | 0:00:26 | 0:00:29 | |
It's time to get the show on the road. | 0:00:29 | 0:00:31 | |
Let's go bargain hunting! | 0:00:31 | 0:00:32 | |
Welcome to the International Ardingly Antiques Fair. | 0:00:59 | 0:01:03 | |
And crikey, do we have a show for you today! | 0:01:03 | 0:01:06 | |
This place is absolutely ginormous. | 0:01:06 | 0:01:09 | |
I hope today's teams are limbering up | 0:01:09 | 0:01:11 | |
as they've got a lot of ground to cover. | 0:01:11 | 0:01:13 | |
So, let's take a shufti at what's coming up. | 0:01:13 | 0:01:15 | |
There's some awkward negotiations with the Reds. | 0:01:18 | 0:01:21 | |
We're looking, like, below 100. | 0:01:21 | 0:01:24 | |
Ooh! Ooh, I wouldn't dare! | 0:01:24 | 0:01:26 | |
The Blues don't see eye to eye with their expert. | 0:01:28 | 0:01:31 | |
I really don't see anybody at all in this universe, on this planet, | 0:01:31 | 0:01:35 | |
-buying that at auction. -Fine, sorry. | 0:01:35 | 0:01:37 | |
Awkward. | 0:01:37 | 0:01:39 | |
And over at the auction, things get a bit heated. | 0:01:41 | 0:01:43 | |
Yeah, all right. Rub it in! | 0:01:44 | 0:01:46 | |
Whilst some just can't believe it! | 0:01:49 | 0:01:51 | |
-HE YELPS -Yes! Good start. | 0:01:51 | 0:01:53 | |
But that's all coming up later. First, it's time to meet our teams. | 0:01:55 | 0:01:59 | |
For the Reds, we've got father and daughter Neil and Rachel | 0:01:59 | 0:02:02 | |
and for the Blues, friends Dani and Dan. | 0:02:02 | 0:02:04 | |
-Welcome, everyone. Hello. -Hello! | 0:02:04 | 0:02:07 | |
Now, I'll turn to you first, Reds. Neil, tell us about your day job. | 0:02:07 | 0:02:10 | |
I'm a paramedic for a local Ambulance Service. | 0:02:10 | 0:02:13 | |
It must be a rewarding job and it must throw up | 0:02:13 | 0:02:15 | |
some rather interesting situations. | 0:02:15 | 0:02:17 | |
Plenty to talk about down the pub, I'm sure? | 0:02:17 | 0:02:19 | |
There was one particular patient that unfortunately had fallen | 0:02:19 | 0:02:22 | |
over in the garden. We got the stretcher, got it underneath him. | 0:02:22 | 0:02:25 | |
And as I stepped back, I stepped straight into his goldfish pond. | 0:02:25 | 0:02:29 | |
-Oh, dear! -I had a wet soggy leg for the rest of the shift, but yeah. | 0:02:29 | 0:02:33 | |
Now, Rachel, when it comes to your career, | 0:02:33 | 0:02:35 | |
I believe you're a bit of a chip off the old block? | 0:02:35 | 0:02:37 | |
Yeah, now I'm working for the Ambulance Service as well. | 0:02:37 | 0:02:40 | |
OK, so what's your specific role? | 0:02:40 | 0:02:42 | |
So, it's called an emergency care support worker. | 0:02:42 | 0:02:44 | |
So, I work with paramedics and support them in their role, really. | 0:02:44 | 0:02:48 | |
Go out driving on emergency vehicles and we actually work together | 0:02:48 | 0:02:52 | |
sometimes as well, on ambulances. | 0:02:52 | 0:02:54 | |
So, you can have the father-daughter duo on the road as well. | 0:02:54 | 0:02:58 | |
Responding to the calls, yeah. | 0:02:58 | 0:03:00 | |
What are your tactics going to be today? | 0:03:00 | 0:03:01 | |
Now, Rachel is expert at negotiation. | 0:03:01 | 0:03:04 | |
-So, I'm leaving all that up to her. -Where does that come from? | 0:03:04 | 0:03:07 | |
I think mostly from being on holiday in Turkey. | 0:03:07 | 0:03:11 | |
-A-ha. -And having to haggle down for those nice handbags. | 0:03:11 | 0:03:14 | |
Trying to get the best price for those. | 0:03:14 | 0:03:16 | |
So, yeah, I'm going to use my experience to try and get | 0:03:16 | 0:03:19 | |
some good prices today. | 0:03:19 | 0:03:20 | |
Oh, fantastic, cool. | 0:03:20 | 0:03:21 | |
Well, I wish you the best of luck but now it's time | 0:03:21 | 0:03:23 | |
to meet the competition. | 0:03:23 | 0:03:25 | |
-Now, the Blues. Dani, Dan. -Hello. -Hi! | 0:03:25 | 0:03:28 | |
So, tell me, Dani, what is it you do for a living? | 0:03:28 | 0:03:31 | |
I work in community engagement as a freelancer. | 0:03:31 | 0:03:33 | |
So, I've set up chicken houses and care homes for older people, | 0:03:33 | 0:03:36 | |
I've done community theatre for people in recovery from addiction. | 0:03:36 | 0:03:40 | |
Mostly focusing on the arts | 0:03:40 | 0:03:41 | |
but working with a really broad range of people. | 0:03:41 | 0:03:44 | |
Dan, it sounds like you have a very interesting friend in Dani. | 0:03:44 | 0:03:46 | |
Tell me, how did you two meet? | 0:03:46 | 0:03:48 | |
We met when we both worked as tour guides for the Museum of London. | 0:03:48 | 0:03:51 | |
I was the Great Fire Of London, Dani was Prehistoric | 0:03:51 | 0:03:53 | |
and we sort of hit it off from there really, didn't we? | 0:03:53 | 0:03:55 | |
Tell me, Dan, do you ever tread the boards yourself? | 0:03:55 | 0:03:57 | |
I do occasionally, Tash. | 0:03:57 | 0:03:59 | |
Dani directed me in a production of Cabaret, which was on | 0:03:59 | 0:04:02 | |
at the School of Oriental and African Studies last month. | 0:04:02 | 0:04:05 | |
That was all for charity. | 0:04:05 | 0:04:07 | |
And I believe that sometimes | 0:04:07 | 0:04:08 | |
you inadvertently get involved in productions, too. | 0:04:08 | 0:04:10 | |
Oh, Tash, it was such a palaver. | 0:04:10 | 0:04:11 | |
I was backstage at the National Theatre. | 0:04:11 | 0:04:13 | |
I was there for a meeting. | 0:04:13 | 0:04:15 | |
And I left the meeting slightly early, | 0:04:15 | 0:04:16 | |
it was about eight o'clock in the evening. | 0:04:16 | 0:04:18 | |
And I was wondering about, trying to leave, | 0:04:18 | 0:04:20 | |
and there's all these different corridors that you walk through | 0:04:20 | 0:04:23 | |
and I thought I'm just going to open a door, see what happens. | 0:04:23 | 0:04:25 | |
Open a door and I walked straight onto the stage during a show. | 0:04:25 | 0:04:28 | |
I saw all these people in costume giving me a dirty look. | 0:04:28 | 0:04:30 | |
Just managed to retreat very carefully and find my other way out. | 0:04:30 | 0:04:33 | |
Now, tell me, what do you two think you're going to be like | 0:04:33 | 0:04:36 | |
as the Blue team? How was Dani as a director? | 0:04:36 | 0:04:38 | |
Well, I learned that I just had to accept what Dani had to say, | 0:04:38 | 0:04:41 | |
even if I thought different. | 0:04:41 | 0:04:43 | |
So, I guess that is going to continue onto the Ardingly Fair. | 0:04:43 | 0:04:46 | |
-Wouldn't you say, Dani? -Suits me. -Yeah! -Happy with that. | 0:04:46 | 0:04:49 | |
And are you going to spend big, do you reckon? | 0:04:49 | 0:04:51 | |
In for a penny, in for a pound. That's our mentality. | 0:04:51 | 0:04:54 | |
Talking of pounds, I've got 300 of them in each pocket. | 0:04:54 | 0:04:57 | |
So, Rachel, for the Reds, 300. | 0:04:57 | 0:04:59 | |
And, Dani, for the Blues, £300. | 0:04:59 | 0:05:02 | |
Now, off you go, your experts can't wait to meet you. | 0:05:02 | 0:05:05 | |
Well, no matter what happens, | 0:05:05 | 0:05:07 | |
I think we can safely say there will be some drama today. | 0:05:07 | 0:05:10 | |
The teams are going to need a helping hand along the way. | 0:05:11 | 0:05:14 | |
Caroline Hawley is hoping to catch a few bargains with the Reds. | 0:05:15 | 0:05:19 | |
And trying to turn a big profit for the Blues, it's Tim Weeks. | 0:05:20 | 0:05:24 | |
-So, Rachel, what are you looking for? -Maybe trains? | 0:05:26 | 0:05:30 | |
-They're quite collectable. -Trains? OK. | 0:05:30 | 0:05:33 | |
I think we're after something kitsch, fun. | 0:05:33 | 0:05:35 | |
Unconventional, but also something you can take home and show your mum. | 0:05:35 | 0:05:38 | |
You know you can't buy me. | 0:05:38 | 0:05:40 | |
I think I'd like a nice piece of glassware, maybe some Lalique, | 0:05:40 | 0:05:43 | |
-if possible. -Right! | 0:05:43 | 0:05:45 | |
Things that are baking themed, maybe. | 0:05:45 | 0:05:47 | |
-Things you can drink your cocktails out of. -Kitchenalia. | 0:05:47 | 0:05:49 | |
Yeah, something retro and vintage sounds fine to me as well. | 0:05:49 | 0:05:52 | |
-OK, I like the sound of it. -MOOING | 0:05:52 | 0:05:54 | |
You heard her. Get a moo-ve on, teams! Your 60 minutes start now. | 0:05:54 | 0:05:58 | |
Let's go find them. | 0:05:58 | 0:05:59 | |
Ready? Let's go. | 0:05:59 | 0:06:00 | |
Well, that's an eclectic mix on today's shopping list. | 0:06:03 | 0:06:05 | |
Good luck, teams. | 0:06:05 | 0:06:07 | |
-The train's going to bring in the big money, I think. -Right. | 0:06:08 | 0:06:11 | |
Hmm, not sure Caroline is convinced. | 0:06:11 | 0:06:13 | |
-What about that cute little junior Penny Farthing? -No! Nonsense. | 0:06:15 | 0:06:20 | |
That's me told. | 0:06:20 | 0:06:22 | |
There's no messing with you, Dani. | 0:06:22 | 0:06:25 | |
I have a feeling there may be trouble in the blue camp today. | 0:06:25 | 0:06:28 | |
-We talked about colour. -Yes. -And a bit of vibrancy. -Mm-hm. | 0:06:28 | 0:06:32 | |
-Have a look, propped up against the lorry there. -What are they? | 0:06:32 | 0:06:35 | |
-They come straight off the carnival. -I think so. | 0:06:35 | 0:06:37 | |
-Yeah, off the merry-go-round. -Very collectable area. | 0:06:37 | 0:06:40 | |
Could be a lot of money in it. | 0:06:40 | 0:06:41 | |
Do you like that sort of colour or is that...? | 0:06:41 | 0:06:43 | |
I really don't see anybody at all in this universe, | 0:06:43 | 0:06:46 | |
-on this planet, buying that at auction. -Fine, OK. -Sorry. | 0:06:46 | 0:06:49 | |
Awkward. That told you, Tim. | 0:06:49 | 0:06:52 | |
It's lacking that certain something, isn't it? | 0:06:52 | 0:06:54 | |
-I mean, would you have that in your home, Tim? -Absolutely not. | 0:06:54 | 0:06:56 | |
-There we go. -Good point. | 0:06:56 | 0:06:58 | |
I'm loving this team. Certainly no holding back today, I feel. | 0:06:59 | 0:07:03 | |
Back inside with the Reds, who are on track with their shopping list. | 0:07:03 | 0:07:07 | |
-Oh, look, there's a train over here. -Oh, my goodness, there is! | 0:07:07 | 0:07:11 | |
-And that's in the original box as well. -Is that a good thing? | 0:07:11 | 0:07:15 | |
-To have the box with it? -Yeah. -Very much so. -OK. | 0:07:15 | 0:07:19 | |
But have a look at the train. | 0:07:19 | 0:07:20 | |
You can see there's a little bit of paint loss. | 0:07:20 | 0:07:23 | |
Which you'd expect that. | 0:07:23 | 0:07:24 | |
-Yeah, you would. -If it was of reasonable age. | 0:07:24 | 0:07:26 | |
-But I would think it's sort of '50s. -Hmm. | 0:07:26 | 0:07:28 | |
The price on it's 195, Caroline. | 0:07:28 | 0:07:31 | |
-It's quite a lot of our budget. -It's a lot of money. | 0:07:31 | 0:07:34 | |
I think it needs to be quite a bit less than that, really. | 0:07:34 | 0:07:36 | |
But it's great that it's got the box. And it's in good condition. | 0:07:36 | 0:07:40 | |
Can you hold that a minute? | 0:07:41 | 0:07:43 | |
But will the box convince Dad to get on board with the train? | 0:07:43 | 0:07:46 | |
-It's Tri-ang as well, so it's a good make, isn't it? -It is. | 0:07:48 | 0:07:51 | |
-For girls and boys. -Hmm, unisex. -You'll be all right there. | 0:07:51 | 0:07:54 | |
-Girls and boys, you see? -The whole market. | 0:07:54 | 0:07:56 | |
And the wheels are all intact. | 0:07:56 | 0:07:58 | |
-Do you think they're the original ones? -Yes, I'm sure they are. -OK. | 0:07:58 | 0:08:02 | |
So, 195. What do you think we should ask for? | 0:08:02 | 0:08:06 | |
-What do you think you should offer? -Is going to 100...? -Ooh, 100! | 0:08:06 | 0:08:10 | |
-Rachel! -Is that too low to start with? | 0:08:10 | 0:08:13 | |
-Good luck with that, Rach. -She's good. | 0:08:13 | 0:08:16 | |
-Well, it's a starting price. I don't think they'll accept that. -No. | 0:08:17 | 0:08:21 | |
-Are you going to go and do the deal? -I'll see what we can get for it. | 0:08:21 | 0:08:25 | |
Yes! Good luck. | 0:08:25 | 0:08:26 | |
All the best, Rachel. | 0:08:28 | 0:08:30 | |
Meanwhile, with the Blues, Tim's looking rather excited. | 0:08:31 | 0:08:34 | |
-What about some retro lighting? -What age is that? '70s we'd say? | 0:08:35 | 0:08:38 | |
-'70s, '80s, might creep into the '80s. -Yeah. | 0:08:38 | 0:08:41 | |
It was actually as early as 1932 | 0:08:41 | 0:08:43 | |
that the Anglepoise was first produced by George Carwardine. | 0:08:43 | 0:08:47 | |
-It's a good example in good condition. -Hmm, it is. | 0:08:47 | 0:08:49 | |
Have a look at it. Does the Anglepoise work nicely? | 0:08:49 | 0:08:52 | |
-What do you think? -I think we should make an enquiry. -Yeah. | 0:08:53 | 0:08:56 | |
-Can we ask about your lamp? -Yes, certainly. -Thank you. | 0:08:56 | 0:09:00 | |
Anglepoise 90, I believe. Yeah, I think that's a '70s lamp. | 0:09:00 | 0:09:05 | |
-£65. -65. -Hmm. | 0:09:06 | 0:09:08 | |
We do like it but 65 is a bit more than... | 0:09:08 | 0:09:12 | |
What's your very best that you might be able to offer us | 0:09:12 | 0:09:14 | |
if I smiled at you and gave you a wink? | 0:09:14 | 0:09:17 | |
'Oh, steady on there!' | 0:09:17 | 0:09:19 | |
How about 55? | 0:09:19 | 0:09:20 | |
We were thinking like closer to the 35... | 0:09:20 | 0:09:23 | |
-Yeah. -Top mark, 35. | 0:09:23 | 0:09:26 | |
-I couldn't go that low. -Would it be possible at 37? | 0:09:27 | 0:09:29 | |
-We'd skip merrily down the street at 37. -We would. -45? | 0:09:29 | 0:09:33 | |
It would have to start with a three. If you want to make profit. | 0:09:34 | 0:09:37 | |
But you can't buy at 45 because you wouldn't make money. | 0:09:37 | 0:09:39 | |
-40, shall I come down? -Could it start with a three? 39. -39. | 0:09:39 | 0:09:43 | |
-Go on then, let's do it. -Yes! -I think that's fair, yeah? Happy? -Ace. | 0:09:43 | 0:09:47 | |
Your first a buy of the day. | 0:09:47 | 0:09:48 | |
'Check these two out. Nice work.' | 0:09:49 | 0:09:52 | |
-Put it there. -Yes! | 0:09:52 | 0:09:53 | |
Well done, thank you, sir. Right, let's go. On to the next, guys. | 0:09:53 | 0:09:56 | |
Hang on a minute. You said you'd be skipping merrily down the road. | 0:09:56 | 0:09:59 | |
-I did! -Let's link, then. -Let's go. -Come on, then. Skip away. | 0:09:59 | 0:10:02 | |
Whilst the Blues skip off to find their next two items, | 0:10:03 | 0:10:06 | |
Rachel is back with a price for the train. | 0:10:06 | 0:10:08 | |
-So, I've done a bit of negotiation. -Yes? | 0:10:08 | 0:10:11 | |
He's kind of agreeing on 145. | 0:10:11 | 0:10:13 | |
-I like the train. -I think we'll be lucky to make a profit. -Hmm. | 0:10:13 | 0:10:17 | |
But if you want, that's half our money gone. | 0:10:17 | 0:10:20 | |
I think it is a little bit high. | 0:10:21 | 0:10:23 | |
Just ask him if he can do another fiver, 140 and we'll take it. | 0:10:23 | 0:10:27 | |
I'll try but he is really solid on the 145. | 0:10:27 | 0:10:31 | |
-So, we'll try. -I bet he is. | 0:10:31 | 0:10:32 | |
I think you may well be on your own with this one, Rachel. | 0:10:33 | 0:10:36 | |
Haggling skills at the ready. | 0:10:36 | 0:10:38 | |
So, she's very good at negotiating, is she? | 0:10:38 | 0:10:40 | |
I found that out when, very recently, | 0:10:40 | 0:10:43 | |
she negotiates for handbags in Turkey. | 0:10:43 | 0:10:47 | |
-So, exactly! She's very good. -Right. | 0:10:47 | 0:10:49 | |
Sounds promising. Oh, here she comes! | 0:10:49 | 0:10:52 | |
-He'll do 140, we've got a deal. -There you go. | 0:10:52 | 0:10:55 | |
-So, 140. -You see, the charm, I worked my charm, we got it down. | 0:10:56 | 0:11:00 | |
-It's still half of our money. -Well done! -Thank you. | 0:11:00 | 0:11:02 | |
Well, it's not quite that 50% discount you wanted, | 0:11:05 | 0:11:08 | |
but a discount nevertheless. | 0:11:08 | 0:11:10 | |
Back to the Blues. | 0:11:10 | 0:11:11 | |
-Tim, I'd quite like this red box thing over here. -OK. | 0:11:11 | 0:11:15 | |
I mean, it doesn't look that special but, to me, | 0:11:15 | 0:11:17 | |
I can see this in a contemporary bedroom | 0:11:17 | 0:11:19 | |
with maybe a laptop on top of it. | 0:11:19 | 0:11:21 | |
You put your underwear and socks and bits and pieces in there. | 0:11:21 | 0:11:24 | |
Underwear? I'm not sure about that one, Dan. | 0:11:24 | 0:11:28 | |
You put your pants in there. | 0:11:28 | 0:11:29 | |
It's a lot more rustic than I anticipated. | 0:11:29 | 0:11:31 | |
-It's got rustic charm, hasn't it? -Yeah. | 0:11:31 | 0:11:34 | |
Rustic? More like a rusty, and it doesn't even have a price on it. | 0:11:34 | 0:11:38 | |
Let's not pooh-pooh it just yet. | 0:11:39 | 0:11:40 | |
Because industrial items are very much in vogue, as you guys know. | 0:11:40 | 0:11:44 | |
I think it's just functional in a kooky, contemporary living | 0:11:44 | 0:11:47 | |
-industrial kind of way. -Yeah. It kind of... | 0:11:47 | 0:11:50 | |
I just wonder, is it we want it to be what we want | 0:11:50 | 0:11:53 | |
-but it isn't quite what we want? -OK. | 0:11:53 | 0:11:55 | |
-Is that a fair evaluation on it? -I agree with that, I'm not sold on it. | 0:11:55 | 0:11:59 | |
Decision made. Right, that's 20 minutes of your time. | 0:12:00 | 0:12:03 | |
Let's leave them shopping. | 0:12:03 | 0:12:04 | |
Watching these teams run around this fair is thirsty work. | 0:12:04 | 0:12:07 | |
Fancy a drink? Not really? | 0:12:15 | 0:12:17 | |
Well, maybe I can tempt you with my twin-handled beer mug here. | 0:12:17 | 0:12:22 | |
It's quite the looker, isn't it? | 0:12:22 | 0:12:24 | |
Well, I'd bet you'd recognise instantly | 0:12:24 | 0:12:26 | |
that it's Staffordshire. | 0:12:26 | 0:12:28 | |
And that it is, that lovely cream ground | 0:12:28 | 0:12:30 | |
and that plain, simple palette gives that away pretty instantly. | 0:12:30 | 0:12:35 | |
This one in particular probably dates | 0:12:35 | 0:12:37 | |
to around the 1850s or the 1860s. | 0:12:37 | 0:12:40 | |
So, I'm surprised to see | 0:12:40 | 0:12:41 | |
that it's in such lovely condition. | 0:12:41 | 0:12:44 | |
What do we have on the front here? Well, we've got three likely lads. | 0:12:44 | 0:12:47 | |
They're enjoying a drink, shall we say? | 0:12:47 | 0:12:50 | |
They look like they've had one or two. | 0:12:50 | 0:12:52 | |
So often on these tankards, they're anonymous. | 0:12:52 | 0:12:55 | |
But because this has the Scots text on it, | 0:12:55 | 0:12:58 | |
I can tell you exactly who they are. | 0:12:58 | 0:13:00 | |
That first line, "Willie brew'd a peck o' malt," | 0:13:00 | 0:13:03 | |
forms the title of a Robert Burns poem from 1789. | 0:13:03 | 0:13:08 | |
So, one of these gentlemen is Robert Burns, | 0:13:08 | 0:13:10 | |
one of them is Willie Nicol, who brewed the malt, | 0:13:10 | 0:13:13 | |
and the other is Allan Masterton, | 0:13:13 | 0:13:15 | |
who took Robert Burns' poem and he set it to music. | 0:13:15 | 0:13:18 | |
He was a great 18th-century Scots composer. | 0:13:18 | 0:13:22 | |
And this is designed for just such people. | 0:13:22 | 0:13:26 | |
So, imagine this. | 0:13:26 | 0:13:28 | |
Rab goes to the bar, says, "Sort me out another one for Willie. | 0:13:28 | 0:13:32 | |
"But come on, play a joke." | 0:13:32 | 0:13:34 | |
The landlady switches out the normal mug, | 0:13:34 | 0:13:37 | |
and swaps it for one with a hidden frog inside! | 0:13:37 | 0:13:41 | |
It's not the world's most exciting practical joke, but believe me, | 0:13:41 | 0:13:45 | |
after a couple of drinks, it's actually quite realistic. | 0:13:45 | 0:13:48 | |
What's it worth? | 0:13:48 | 0:13:50 | |
Not a huge amount - £20-30 in today's market. | 0:13:50 | 0:13:54 | |
But here's the trick - | 0:13:54 | 0:13:55 | |
such is the love across the pond for Scots and British culture | 0:13:55 | 0:14:00 | |
of this period, that if you were to take it over to America | 0:14:00 | 0:14:03 | |
and try and sell it, you could add a zero to your £30. | 0:14:03 | 0:14:08 | |
So, next time you see one of these in an auction house | 0:14:08 | 0:14:10 | |
and it's going for a song, leap at the chance | 0:14:10 | 0:14:13 | |
to get a frog mug and maybe make ten times your money. | 0:14:13 | 0:14:15 | |
Back to the shopping and there's 30 minutes left on the clock. | 0:14:26 | 0:14:29 | |
Each team has one item apiece. | 0:14:29 | 0:14:31 | |
-Handbags, Rachel. Handbags! -Handbags! -Oh, yeah! -Handbags. | 0:14:33 | 0:14:38 | |
-That go with your coat? -More your colour, I think, Neil. | 0:14:38 | 0:14:41 | |
I prefer a bigger bag, like a tote bag, maybe. | 0:14:41 | 0:14:44 | |
-How many bags have you got? -Too many, probably. -Too many? | 0:14:44 | 0:14:48 | |
Yeah, my last one was a bit expensive when I told Dad | 0:14:48 | 0:14:52 | |
how much I spent on it, so... | 0:14:52 | 0:14:54 | |
It was more than what we have to spend today, anyway. | 0:14:54 | 0:14:57 | |
-Oh, dear, Rachel. You should have kept that to yourself. -I know. | 0:14:57 | 0:15:00 | |
I'll learn for next time. | 0:15:00 | 0:15:02 | |
Time to leave this little domestic and check in with the Blues, | 0:15:04 | 0:15:08 | |
who are faced with some modern pottery. | 0:15:08 | 0:15:10 | |
-Are they quite new? -Yeah, very new. -Yes. | 0:15:10 | 0:15:13 | |
Let me tell you about Anita Harris. | 0:15:13 | 0:15:15 | |
A lot of collectors for them because she's such a great designer. | 0:15:15 | 0:15:18 | |
They're not going to reach their peak for years to come. | 0:15:18 | 0:15:21 | |
These are the sort of things you'll be investing in. | 0:15:21 | 0:15:23 | |
But because people know about them, they're hot and people want | 0:15:23 | 0:15:26 | |
to buy them, you can make a profit at auction on them. | 0:15:26 | 0:15:28 | |
Yeah, they're modern, course they are, you spotted that instantly. | 0:15:28 | 0:15:31 | |
-But it doesn't always matter because they're investment pieces. -Mm-hm. | 0:15:31 | 0:15:34 | |
Fingers crossed, if the market goes the way we hope it'll go, | 0:15:34 | 0:15:37 | |
-in 20 years' time, you can cash out with a good investment. -I'm... | 0:15:37 | 0:15:41 | |
-I like this one a lot. I'm just wondering... -I'm opposite. | 0:15:41 | 0:15:43 | |
I don't like that one at all. | 0:15:43 | 0:15:46 | |
Well, that told you, Dan. | 0:15:46 | 0:15:48 | |
So, what about this one, then? | 0:15:48 | 0:15:50 | |
-Do you like that one more? -Yes. | 0:15:50 | 0:15:52 | |
-What's your price on this one, please? Here. -This one here? -Hmm. | 0:15:52 | 0:15:56 | |
-That's the brimstone pattern. -Mm-hm. | 0:15:56 | 0:15:59 | |
And I've got 45 on it. | 0:15:59 | 0:16:01 | |
I can take 10 off and do it for 35. | 0:16:01 | 0:16:05 | |
-And that is my best. -Look at the brief. | 0:16:05 | 0:16:07 | |
It's colourful, vibrant, fun. | 0:16:07 | 0:16:10 | |
-Could we say 33? -No. | 0:16:10 | 0:16:13 | |
I gave you my best price. I dropped £10 off. | 0:16:13 | 0:16:16 | |
Hmm, I think this is a very nice bit of ceramic. | 0:16:16 | 0:16:18 | |
Yes, I like that a lot, actually. OK, let's go for that, then. | 0:16:18 | 0:16:21 | |
-35, yes, please. Thank you. -Let's do it. | 0:16:21 | 0:16:23 | |
Whoop-de-doo, that's two for the Blues. | 0:16:25 | 0:16:28 | |
20 minutes left on the clock. | 0:16:28 | 0:16:29 | |
Right, Reds, how does some WMF grab you? | 0:16:29 | 0:16:33 | |
How much is that? | 0:16:33 | 0:16:34 | |
-How much do you think? -I think pushing £200. -£200. | 0:16:34 | 0:16:37 | |
-265. It's more actually then you've got. -Yes. -Now, isn't it? | 0:16:38 | 0:16:43 | |
-Yes, you've spent all my money. -Yeah! | 0:16:43 | 0:16:46 | |
-So, do you know about WMF? -No. Haven't got a clue. | 0:16:46 | 0:16:48 | |
This style just absolutely epitomises WMF. | 0:16:48 | 0:16:53 | |
The initials stand for Wurttembergische Metallwarenfabrik. | 0:16:53 | 0:16:58 | |
-Gosh. -Which... It is gosh! -So many words in it. -An awful mouthful. | 0:16:58 | 0:17:02 | |
-Easy for you to say, isn't it? -Yeah! It is actually German. | 0:17:02 | 0:17:06 | |
This is sort of on the turn of the century, 1900, 1910. | 0:17:06 | 0:17:11 | |
But you could still use that today? | 0:17:11 | 0:17:13 | |
Of course you could, you could use it everyday. It's a bottle stand. | 0:17:13 | 0:17:17 | |
And the mark here, can you just make it out? | 0:17:17 | 0:17:21 | |
It's often a very, very tiny mark. | 0:17:21 | 0:17:23 | |
-There's only one thing that would make it better. -A lower price. -No. | 0:17:23 | 0:17:26 | |
If there was a nice bottle of champy sitting there! | 0:17:26 | 0:17:28 | |
Yeah. So, how much will we need to get that down by? | 0:17:29 | 0:17:33 | |
So, you've got 160. | 0:17:33 | 0:17:35 | |
We're going to need to get £100 off that. | 0:17:35 | 0:17:37 | |
Yeah, I think that is nigh on impossible. | 0:17:37 | 0:17:40 | |
That's not going to happen, is it? | 0:17:40 | 0:17:41 | |
Even from the lovely Rachel. | 0:17:41 | 0:17:43 | |
Don't underestimate Rachel's powers of persuasion, Caroline. | 0:17:43 | 0:17:46 | |
-Bon chance! -Fingers crossed. | 0:17:46 | 0:17:49 | |
-Here she goes. -Hello. | 0:17:49 | 0:17:52 | |
So, we love, love the bottle holder here. | 0:17:52 | 0:17:55 | |
Erm, we're hoping on | 0:17:55 | 0:17:58 | |
quite a big discount on that. | 0:17:58 | 0:18:03 | |
I can see your face is very worried already. | 0:18:05 | 0:18:07 | |
We're looking like below 100. | 0:18:07 | 0:18:11 | |
Ooh, ooh, I wouldn't dare! | 0:18:11 | 0:18:14 | |
I mean, it's got 265 on it. | 0:18:14 | 0:18:16 | |
I know, I know. It's a big ask. | 0:18:16 | 0:18:19 | |
So, to be honest, it would have been round about 220. | 0:18:19 | 0:18:23 | |
And even if I pushed the boat out, it would be 180. So... | 0:18:23 | 0:18:27 | |
Thank you anyway, it's a really lovely piece. | 0:18:27 | 0:18:29 | |
You're very welcome, I wish you all the best. | 0:18:29 | 0:18:32 | |
'You have no shame, Rachel.' | 0:18:32 | 0:18:34 | |
Not to be for this one, I'm afraid. | 0:18:34 | 0:18:36 | |
180 and we've got 160 left, haven't we? | 0:18:36 | 0:18:40 | |
Yes, so my maths tells me that needs to be 1...50. | 0:18:40 | 0:18:46 | |
50, I think. | 0:18:46 | 0:18:47 | |
-Which would leave a tenner. -Yeah. | 0:18:47 | 0:18:49 | |
That's a big chunk of your money, guys. | 0:18:49 | 0:18:52 | |
That won't leave you with much left for your final item | 0:18:52 | 0:18:54 | |
and don't forget Caroline's bonus buy. | 0:18:54 | 0:18:57 | |
Meanwhile with the Blues, | 0:18:57 | 0:18:58 | |
that red box has cropped up in conversation again. | 0:18:58 | 0:19:01 | |
What do you think? | 0:19:01 | 0:19:02 | |
I don't like it, I think the paint's chipping, it's... | 0:19:02 | 0:19:06 | |
I think you could find it in a skip for free. | 0:19:06 | 0:19:08 | |
Dani, see my point, you know? | 0:19:08 | 0:19:11 | |
The young people in East London, | 0:19:11 | 0:19:12 | |
they're going to go wild for something like that. | 0:19:12 | 0:19:15 | |
Wild in a good way or a bad way, Dan? I'm not sure. | 0:19:15 | 0:19:18 | |
-I guess it's up to me to ask for a price on it... -You're the strongest | 0:19:18 | 0:19:21 | |
-on it, yeah. -..since I'm the one trying to sell it. -So are you happy? | 0:19:21 | 0:19:25 | |
If you had a nice Anglepoise, it would look quite nice on there. | 0:19:25 | 0:19:27 | |
-It could do, couldn't it? How are we looking? -Spoken to the gentleman. He asked 55 for it. | 0:19:27 | 0:19:31 | |
-DANI GASPS -The lowest he would do was 50, | 0:19:31 | 0:19:33 | |
so I think we're going to have to walk away. | 0:19:33 | 0:19:35 | |
What's the premise on that? | 0:19:35 | 0:19:36 | |
That he's lugged it around all his life at various antiques fairs, | 0:19:36 | 0:19:39 | |
-never sold it and so wants to... -Answered your question, mate. | 0:19:39 | 0:19:42 | |
It's been lugged around, it's been here a lot of times, | 0:19:42 | 0:19:44 | |
-it's never been sold, there's a reason for it. -OK. Move on. | 0:19:44 | 0:19:47 | |
Answered the question. That's a giveaway. | 0:19:47 | 0:19:49 | |
Top tip, Tim. You might have saved the Blues some money there. | 0:19:49 | 0:19:53 | |
Back with the Reds and it's decision time on the WMF. | 0:19:54 | 0:19:58 | |
Let's say to the lady, "We've got 150 and that's it." | 0:19:58 | 0:20:01 | |
Sorry to bother you again. | 0:20:03 | 0:20:05 | |
Our final push, I'm going to try really hard, we've got 150. | 0:20:05 | 0:20:11 | |
If you would do it for that, I'd be so happy. | 0:20:11 | 0:20:14 | |
150. | 0:20:14 | 0:20:17 | |
How about 155? | 0:20:17 | 0:20:20 | |
Well, I'll tell you what I'll do, because I'd like you to win. | 0:20:20 | 0:20:25 | |
-Thanks! -Ooh! | 0:20:25 | 0:20:28 | |
-Would you like a Royal Worcester brooch and stand... -OK. | 0:20:28 | 0:20:34 | |
-..for £4? So you make it a total of 159. -Yeah. | 0:20:34 | 0:20:40 | |
-This is a Royal Worcester brooch. -Right. | 0:20:40 | 0:20:44 | |
It comes out and it's got its original box. | 0:20:44 | 0:20:48 | |
It can stand like that, | 0:20:48 | 0:20:51 | |
it's all marked on the back and it's a lovely hand-painted posy. | 0:20:51 | 0:20:57 | |
-OK. -You can have that for £4. | 0:20:57 | 0:21:00 | |
A very good sell, madam. In the trade, I believe it's called a job lot. | 0:21:00 | 0:21:03 | |
-What do you think? -What do I think? I'm speechless! What you mean, what do I think?! | 0:21:03 | 0:21:08 | |
-Is that a deal or a deal? -First of all, we've got £100 off of that. | 0:21:08 | 0:21:12 | |
You have, you have. Go for it! | 0:21:12 | 0:21:14 | |
-Not a bad deal really, is it? -Go for it and I'm going to go for it. | 0:21:14 | 0:21:17 | |
-Definitely. -OK. -Great! -Thank you very much. -Thank you so much. | 0:21:17 | 0:21:20 | |
You're very welcome. | 0:21:20 | 0:21:22 | |
-That's very kind of you. -Thank you. -I wish you all the best. | 0:21:22 | 0:21:26 | |
Crikey! That was unexpected. | 0:21:26 | 0:21:29 | |
Quick as a flash and your final two items are in the bag, | 0:21:29 | 0:21:32 | |
with five minutes left on the clock. | 0:21:32 | 0:21:34 | |
Well, I don't think I've ever seen that before. That sort of...deal. | 0:21:34 | 0:21:39 | |
-I think we're very lucky. -I think you're very lucky. -We got a very nice piece of WMF. | 0:21:39 | 0:21:44 | |
Now back with the Blues who still have one item left to buy. | 0:21:44 | 0:21:48 | |
-Don't worry, stay cool. -Yeah. I just need you to tell me to calm down. | 0:21:51 | 0:21:54 | |
Don't worry, calm down. It's OK. We're going to be all right. | 0:21:54 | 0:21:56 | |
Nobody panic. | 0:21:56 | 0:21:58 | |
What about this mini chest of drawers coloured in? | 0:22:01 | 0:22:03 | |
-That would be nice for, like, spices or stuff. -Functional, which is what you talked about. -Yeah. | 0:22:03 | 0:22:08 | |
-It's a reclaimed thing that somebody just painted the drawers on. -But I like that. | 0:22:08 | 0:22:11 | |
They're very functional, they're very in vogue. | 0:22:11 | 0:22:13 | |
That's going to go straight in the kitchen. | 0:22:13 | 0:22:15 | |
-It's dovetailed as well, if you look, which show signs of quality. -That's true. | 0:22:15 | 0:22:18 | |
-I know it's worn, but doesn't that give that vintage... -I like that. | 0:22:18 | 0:22:21 | |
-It's more vintage than retro. -Yes. -I think it's worth an ask. -Yeah. | 0:22:21 | 0:22:25 | |
-Absolutely. -Dani, why don't you go and have a go, do a bit of negotiating for us? -Hi, there. | 0:22:25 | 0:22:29 | |
We're just having a look at your little drawers. | 0:22:29 | 0:22:32 | |
-I had 110 on it. 90? -That's good. | 0:22:32 | 0:22:36 | |
-I was thinking more at sort of around the 70 mark. -Couldn't do that, I'm afraid. -No. | 0:22:36 | 0:22:40 | |
What do you think, Tim? | 0:22:40 | 0:22:42 | |
-If that came into my auction room, I'd put it 60 to 80 as a guide. -OK. | 0:22:42 | 0:22:46 | |
I can see that either completely bombing or completely flying. | 0:22:46 | 0:22:49 | |
-We're in that decision time now, people are packing up. -Yeah. | 0:22:49 | 0:22:52 | |
But every pound we can shave off will make a big difference, because it is still toppy. | 0:22:52 | 0:22:57 | |
-Do you want to have a try, Dan? -I'll have a try. | 0:22:57 | 0:22:59 | |
Hello again. What about 85? | 0:23:02 | 0:23:05 | |
85? 85? | 0:23:05 | 0:23:09 | |
-It's a thumbs up from me. -Why not? | 0:23:09 | 0:23:12 | |
-I think we'll go for 85. -85 if we can do it. -Shake the man's hand at 85. | 0:23:12 | 0:23:15 | |
-85 is a good 'un. Yeah, why not? -That's good. | 0:23:15 | 0:23:18 | |
Hey, come on. That's three. We got there. I was worried for a minute. | 0:23:18 | 0:23:22 | |
-Come on. -Feel the love! | 0:23:22 | 0:23:26 | |
Pop the kettle on, teams. Your 60 minutes are up. | 0:23:26 | 0:23:29 | |
-I think that's the right decision. -Yeah, I agree. -Right, shall we go and warm up? -Yes. | 0:23:29 | 0:23:32 | |
-Cup of tea. -Let's go. | 0:23:32 | 0:23:34 | |
Let's remind ourselves what the Red team bought. | 0:23:34 | 0:23:36 | |
First up, Rachel was pretty chuffed with the Tri-ang train. | 0:23:38 | 0:23:41 | |
Price paid, £140. | 0:23:41 | 0:23:43 | |
Next, the WMF wine cooler cost them £155. | 0:23:46 | 0:23:50 | |
And finally, they eventually came to a deal | 0:23:53 | 0:23:55 | |
on the Royal Worcester brooch. | 0:23:55 | 0:23:57 | |
It set them back only £4. | 0:23:57 | 0:23:59 | |
Well, Neil and Rachel, exactly as you envisioned. Rachel took charge. | 0:23:59 | 0:24:05 | |
What a great haggler you proved to be. | 0:24:05 | 0:24:08 | |
That was amazing and you got something you wanted, Rachel. | 0:24:08 | 0:24:10 | |
-You got the Tri-ang train. -Yeah, got that in at the beginning there. | 0:24:10 | 0:24:14 | |
So tell me, is that your favourite item? | 0:24:14 | 0:24:16 | |
The two we got are nice, but for me it's got to be the train, definitely, yeah. | 0:24:16 | 0:24:20 | |
When it comes to profit, which do you think is going to make the most money? | 0:24:20 | 0:24:23 | |
Probably the brooch just because we got such a good deal on it. | 0:24:23 | 0:24:27 | |
Where that came from I don't know. | 0:24:27 | 0:24:29 | |
The lady just thought she'd chuck it in as | 0:24:29 | 0:24:31 | |
a deal at the end there. Four quid for a brooch. | 0:24:31 | 0:24:33 | |
I thought, how can you say no to that? It was brilliant. | 0:24:33 | 0:24:36 | |
Now, do you agree, Neil, what are you thinking? | 0:24:36 | 0:24:39 | |
My favourite item is the WMF, definitely. | 0:24:39 | 0:24:42 | |
I mean, we were so lucky to get that. For the price that we got | 0:24:42 | 0:24:45 | |
-it for, it's unbelievable. -And what about this brooch, Neil? | 0:24:45 | 0:24:48 | |
Is it just going to bring the biggest profit? | 0:24:48 | 0:24:50 | |
It's a Royal Worcester brooch, so you can't go wrong for £4. | 0:24:50 | 0:24:54 | |
There is no such thing as a dead cert. | 0:24:54 | 0:24:56 | |
Listen to Caroline's wise words. Now, how much did you spend? | 0:24:56 | 0:25:01 | |
Oh, yes, nearly all the money! Who has got £1? | 0:25:01 | 0:25:05 | |
-I've got the £1. -£299 spent. | 0:25:05 | 0:25:09 | |
-Caroline, now I've got a red face handing this to you. -Thank you! | 0:25:09 | 0:25:12 | |
What on earth are you going to find for £1? | 0:25:12 | 0:25:15 | |
Well, the world's my oyster, isn't it, really. Anything! | 0:25:15 | 0:25:19 | |
Well, I like Caroline's positive attitude, | 0:25:19 | 0:25:22 | |
so while she's off looking for our £1 bargain, | 0:25:22 | 0:25:25 | |
let's remind ourselves what the Blue team bought. | 0:25:25 | 0:25:27 | |
First up of the Anglepoise lamp. It cost £39. | 0:25:29 | 0:25:32 | |
Next, the Anita Harris pottery vase set them back £35. | 0:25:34 | 0:25:39 | |
And finally, in the nick of time, | 0:25:40 | 0:25:42 | |
they settled on this set of drawers for £85. | 0:25:42 | 0:25:45 | |
Well, we got there, Blues, with not much time to spare. | 0:25:45 | 0:25:48 | |
No, just about, yeah. | 0:25:48 | 0:25:50 | |
Now, Dan, tell me which of these three interesting items is | 0:25:50 | 0:25:53 | |
-your favourite. -I like my colourful drawers. | 0:25:53 | 0:25:56 | |
They're just something that's a bit of fun actually. | 0:25:56 | 0:25:58 | |
I don't think they'll make the money in the auction. | 0:25:58 | 0:26:00 | |
I'm worried that we were slightly panicky by that stage and | 0:26:00 | 0:26:03 | |
perhaps we were a little bit too generous with our money on that item. | 0:26:03 | 0:26:07 | |
So, Dan, tell me, which of the three will bring the biggest profit? | 0:26:07 | 0:26:10 | |
I think, although it's brand spanking new, | 0:26:10 | 0:26:12 | |
the piece of Anita Harris pottery, you can't really go wrong with that. | 0:26:12 | 0:26:16 | |
-I think it's a really lovely piece. -You've got a name there, so fingers crossed, people know that name. | 0:26:16 | 0:26:22 | |
Now, Dani, what about you? Of the three, your favourite? | 0:26:22 | 0:26:25 | |
The first item we bought, the 1970s bright orange Anglepoise lamp. | 0:26:25 | 0:26:29 | |
It's just really colourful, it's a nice sort of thing, | 0:26:29 | 0:26:31 | |
everyone needs lighting - can't go wrong. | 0:26:31 | 0:26:33 | |
Do you think that Anglepoise, being quite commercial, | 0:26:33 | 0:26:35 | |
-is going to bring the biggest profits? -I do actually, yeah. | 0:26:35 | 0:26:38 | |
We got it for £39, | 0:26:38 | 0:26:40 | |
so I think people will be up for having a little battle on it. | 0:26:40 | 0:26:43 | |
-Fingers crossed. Now, £159 was spent. -Correct. | 0:26:43 | 0:26:46 | |
Which leaves 141. Dani, you've got it. | 0:26:46 | 0:26:49 | |
-I'll take it from you. -There you are. -Thank you very much. Oh, look at that. | 0:26:49 | 0:26:52 | |
Fanning out, all those notes. And that all-important £1. Tim. | 0:26:52 | 0:26:56 | |
-Lovely. Thank you. -£141 and do you have something in mind? | 0:26:56 | 0:27:00 | |
I have an idea. | 0:27:00 | 0:27:02 | |
If you haven't noticed, there's a lot of fun with these guys, | 0:27:02 | 0:27:04 | |
-a lot of performance. -Oh, stop! | 0:27:04 | 0:27:06 | |
So I'm going to go with something very theatrical that you might not | 0:27:06 | 0:27:09 | |
-have thought of or might not think even exists, but I'm going to find it. -What's that? | 0:27:09 | 0:27:13 | |
Believe us, there's nothing more dramatic than an auction, | 0:27:13 | 0:27:16 | |
so let's head straight there. | 0:27:16 | 0:27:18 | |
We pop from Sussex to Surrey and now we're at Southon's auction house | 0:27:28 | 0:27:31 | |
with Catherine Southon herself. | 0:27:31 | 0:27:33 | |
-Catherine, thank you so much for having us along. -Oh, you're very welcome. | 0:27:33 | 0:27:36 | |
Let's start off with the Reds' first lot, Tri-ang train. | 0:27:36 | 0:27:40 | |
-Has it seen better days? -Well, it has. | 0:27:40 | 0:27:42 | |
The good thing about it is we have got the original box, | 0:27:42 | 0:27:45 | |
which is nice, although that has seen better days. | 0:27:45 | 0:27:48 | |
However, if you look at that closely, | 0:27:48 | 0:27:51 | |
-I think it's been repainted. -So you're suspicious. | 0:27:51 | 0:27:54 | |
I am suspicious, yes. | 0:27:54 | 0:27:55 | |
-Right in front of me there's a big sort of drip here, isn't there? -Yes. | 0:27:55 | 0:27:59 | |
-There's a bit of paint there. -So is that going to put off the purists? -I think it will. | 0:27:59 | 0:28:03 | |
I mean, Tri-ang's a great name, but people, | 0:28:03 | 0:28:05 | |
when they're buying toys like this, they like them to be | 0:28:05 | 0:28:08 | |
exceptional quality and I think that is going to scare a few people. | 0:28:08 | 0:28:12 | |
-What's your estimate? -Well, I put 20-30 on it. | 0:28:12 | 0:28:15 | |
-The team paid £140 for it. Gulp. -Ooh. | 0:28:15 | 0:28:19 | |
I'd like to say I'm wrong, but I don't think I am terribly wrong. I'm sorry. | 0:28:19 | 0:28:23 | |
For something that might perhaps be a little bit more up your street | 0:28:23 | 0:28:26 | |
is this lovely wine cooler, the WMF. I mean... | 0:28:26 | 0:28:30 | |
It oozes quality this one. It's a really nice thing. | 0:28:30 | 0:28:33 | |
The only down thing is that you have got that pitting, can you see there? | 0:28:33 | 0:28:37 | |
-So again, seen better days. -Hm. -But it's so stylish. | 0:28:37 | 0:28:42 | |
What kind of price have you put on it? | 0:28:42 | 0:28:43 | |
Well, I've put 40-60, but we've had a lot of interest. | 0:28:43 | 0:28:48 | |
-OK, well, Caroline and the team paid £155. -Let's hope. | 0:28:48 | 0:28:54 | |
They had to have it so much that it came with a catch. This catch. | 0:28:54 | 0:28:58 | |
This Royal Worcester brooch. | 0:28:58 | 0:29:01 | |
I can't imagine this is going to get many buyers hot under the collar. | 0:29:01 | 0:29:04 | |
No, it's so old-fashioned, it really is. | 0:29:04 | 0:29:07 | |
No-one's going to think this is a bit of vintage cool, | 0:29:07 | 0:29:09 | |
-stick it on their lapel in maybe an ironic way? -Would you? -No. | 0:29:09 | 0:29:14 | |
Really, 20-30 is my absolute limit and that's kind, I think. | 0:29:14 | 0:29:18 | |
Well, the dealer wanted it off of their hands, so the catch was | 0:29:18 | 0:29:21 | |
if they bought that for 155, they had to take that for £4. | 0:29:21 | 0:29:24 | |
-Well, there you go. -So, they've done all right. -They've done all right. | 0:29:24 | 0:29:27 | |
They'll get their money back on £4, for sure. | 0:29:27 | 0:29:29 | |
Well, the team might get their money back on £4, but it | 0:29:29 | 0:29:31 | |
-sounds as though they might be struggling with the other two items. -Yeah, a little bit. | 0:29:31 | 0:29:35 | |
So let's see what Caroline bought the Reds as | 0:29:35 | 0:29:37 | |
a potentially life-saving bonus buy. | 0:29:37 | 0:29:39 | |
Well, Neil and Rachel, | 0:29:41 | 0:29:42 | |
how cruel you are, because you have left Caroline £1. | 0:29:42 | 0:29:47 | |
-Caroline, what on earth did you come up with? -Well, I spent the pound. | 0:29:47 | 0:29:52 | |
-Are you ready? -Oh. -Ooh! | 0:29:52 | 0:29:56 | |
-Ooh! -Is it a toast holder? -It is a toast holder. | 0:29:56 | 0:30:02 | |
-It's a toast rack. -For a pound? -For a pound. -I'm quite impressed. | 0:30:02 | 0:30:06 | |
It's in perfect condition. There's no damage. | 0:30:06 | 0:30:10 | |
-Now, a present from the Crystal Palace. -Oh. | 0:30:10 | 0:30:14 | |
-How old do you think this is? -1900s? -It's exactly 1851. | 0:30:14 | 0:30:20 | |
Ah. How much do you think it's going to make? | 0:30:20 | 0:30:23 | |
Well, it's got to make £10, surely? I mean, I think it's brilliant! | 0:30:23 | 0:30:28 | |
-And it's a practical item, isn't it? -Absolutely, yeah. People eat toast. | 0:30:28 | 0:30:33 | |
-People do eat toast! Did you have toast for breakfast? -I had a banana. | 0:30:33 | 0:30:38 | |
-Right. Well, a lot of people still have toast. -I have toast, yeah. | 0:30:38 | 0:30:42 | |
-I think you've well spent our pound there. -Thank you. | 0:30:42 | 0:30:45 | |
I wholeheartedly agree. I think that Caroline rose to the challenge of the £1 | 0:30:45 | 0:30:48 | |
-bonus buy. -Definitely. -But importantly, | 0:30:48 | 0:30:51 | |
it's time to find out what Catherine thinks of this toast rack. | 0:30:51 | 0:30:54 | |
Well, here it is, leafy and lovely, our porcelain toast rack. | 0:30:55 | 0:30:59 | |
We've got Crystal Palace written on it, | 0:30:59 | 0:31:01 | |
so I'm thinking 1851 exhibition. | 0:31:01 | 0:31:04 | |
But I think it's a lot of wear to the building and I think | 0:31:04 | 0:31:07 | |
maybe not very much at all, £10 to £20. | 0:31:07 | 0:31:10 | |
Well, I don't know if you were doing the maths when we were going through the other items | 0:31:10 | 0:31:14 | |
because that added up to 299, leaving Caroline £1. | 0:31:14 | 0:31:17 | |
Ah! Well, that's fine then. We'll make loads of money on that! | 0:31:17 | 0:31:20 | |
Exactly. I'll hold you to that. | 0:31:20 | 0:31:22 | |
A guaranteed profit on the toast rack. | 0:31:22 | 0:31:24 | |
Let's see how it goes. Let's move to our Blues. | 0:31:24 | 0:31:27 | |
We start off with the Anglepoise. So trendy, aren't they? | 0:31:27 | 0:31:31 | |
You just cannot get your hands on these in the shops for less | 0:31:31 | 0:31:35 | |
-than £100, so do you love it? -I absolutely love that. | 0:31:35 | 0:31:39 | |
It's very stylish. The colour is just brilliant. | 0:31:39 | 0:31:42 | |
-So what do you reckon this will make at auction? -Easy-peasy 30 to 50. | 0:31:42 | 0:31:46 | |
-Well, the team paid, somehow, £39 at a fair. -Bargain. | 0:31:46 | 0:31:51 | |
Then we stick with the orangey hues. Now, Anita Harris, | 0:31:51 | 0:31:55 | |
as a sculptor, we don't know a lot about her, | 0:31:55 | 0:31:57 | |
but are you taken by her cylindrical vase? | 0:31:57 | 0:32:01 | |
I must admit, I don't know a huge amount about Anita Harris. | 0:32:01 | 0:32:04 | |
It's an interesting design, quite a nice pattern, | 0:32:04 | 0:32:06 | |
-I like the flame colours on it. £30 to £50. -OK. | 0:32:06 | 0:32:10 | |
Well, I'm sure Dan and Dani will be quite happy with that. They paid 35. | 0:32:10 | 0:32:14 | |
Again, they kept it low and they were hedging their bets, | 0:32:14 | 0:32:18 | |
-hoping to make a profit by not spending too much money. -OK. | 0:32:18 | 0:32:21 | |
Then they went quite big on these drawers. | 0:32:21 | 0:32:23 | |
Now, they're pretty handsome from where I'm sitting. | 0:32:23 | 0:32:26 | |
When I first saw these, I didn't really like them. | 0:32:26 | 0:32:28 | |
They're not particularly well made, they're very rustic, | 0:32:28 | 0:32:31 | |
they look like they've just been banged together with a few screws. | 0:32:31 | 0:32:34 | |
But I'm amazed at how much interest we've had in them. | 0:32:34 | 0:32:37 | |
So I'm obviously missing the point here. | 0:32:37 | 0:32:40 | |
Not at all, each to their own. What have you gone for? | 0:32:40 | 0:32:44 | |
We've gone for the old favourite of £30 to £50, but who knows! | 0:32:44 | 0:32:49 | |
-The team paid £85. -OK, right. | 0:32:49 | 0:32:51 | |
Well, it seems like they've done pretty well at the fair | 0:32:51 | 0:32:54 | |
but, just in case, let's find out what Tim bought as a bonus buy. | 0:32:54 | 0:32:57 | |
Well, Dani, Dan, you had the most colourful shop so I'm interested | 0:32:59 | 0:33:03 | |
to know, Tim, with your £141, did you continue along that theme? | 0:33:03 | 0:33:09 | |
-I've really tried and I hope I've delivered. -Good. | 0:33:09 | 0:33:11 | |
-Are you ready? -Yes. -Oh, yes. | 0:33:11 | 0:33:12 | |
-Here we go. What do you think of this? -Oh! | 0:33:12 | 0:33:15 | |
LOL. Wow! | 0:33:15 | 0:33:17 | |
That is... Yeah. | 0:33:17 | 0:33:18 | |
-I mean slightly scary. -A little bit disturbing. | 0:33:18 | 0:33:21 | |
-It's Snow White and the Seven Dwarfs, that's right? -Yes. | 0:33:21 | 0:33:23 | |
-This one is going to appear to me in a dream. -Or a nightmare, in fact. | 0:33:23 | 0:33:26 | |
-Yes, yes. -Manufactured by a company called Chad Valley. | 0:33:26 | 0:33:30 | |
-Oh, OK. -OK. -You know Chad Valley? -Oh, yes. -Yeah. | 0:33:30 | 0:33:32 | |
They were given the Royal Warrant to be the toy manufacturers for | 0:33:32 | 0:33:35 | |
Her Majesty the Queen. That's what makes Chad Valley so collectable. | 0:33:35 | 0:33:39 | |
But the condition could be better, agreed. | 0:33:39 | 0:33:41 | |
But you gave me £141, to buy these mint, we're looking at 400-450. | 0:33:41 | 0:33:46 | |
I got these for £100. | 0:33:46 | 0:33:48 | |
-I really like them. -Tim, you are a dream. | 0:33:48 | 0:33:51 | |
How much do you think they're going to make then? | 0:33:51 | 0:33:54 | |
Well, I really don't know because of the condition but I think with | 0:33:54 | 0:33:57 | |
a bit of work someone somewhere with the right skills could | 0:33:57 | 0:34:00 | |
turn this into 300, 350, 400. | 0:34:00 | 0:34:03 | |
Let's just hope that the punters are not Bashful but they are Happy. | 0:34:03 | 0:34:07 | |
-Oh! -We're happy. | 0:34:07 | 0:34:10 | |
You do not need to make your minds up just yet. | 0:34:10 | 0:34:12 | |
In the meantime, | 0:34:12 | 0:34:13 | |
what does Catherine think of Snow White and her Seven Dwarfs? | 0:34:13 | 0:34:16 | |
You know what they say, boys and their toys, | 0:34:17 | 0:34:20 | |
so, Tim, came up trumps with these Chad Valley items, or did he? | 0:34:20 | 0:34:24 | |
-What do you reckon? -I love Snow White and the Seven Dwarfs. | 0:34:24 | 0:34:28 | |
But we've got beards that have been trimmed. | 0:34:28 | 0:34:31 | |
We've got hair that's been cut. | 0:34:31 | 0:34:33 | |
We all did this to our dolls. | 0:34:33 | 0:34:35 | |
So, in perfect condition, | 0:34:35 | 0:34:37 | |
they can make £300, | 0:34:37 | 0:34:39 | |
but these are nowhere near that. | 0:34:39 | 0:34:43 | |
-What can they make in this sort of condition? -60 to 100. | 0:34:43 | 0:34:46 | |
-OK, Tim paid the top end of your estimate, £100. -Right, OK. | 0:34:46 | 0:34:50 | |
We may get there. | 0:34:50 | 0:34:51 | |
We may struggle. | 0:34:51 | 0:34:53 | |
Do you feel like it's going to be a successful auction today? | 0:34:53 | 0:34:56 | |
-Yes, of course. -I can't wait. | 0:34:56 | 0:34:58 | |
Let's see how it goes. | 0:34:58 | 0:34:59 | |
100, 110 anywhere? | 0:34:59 | 0:35:02 | |
£100 then. | 0:35:02 | 0:35:03 | |
-Neil, Rachel, this is it. -Yeah. -Auction time, how are you feeling? | 0:35:04 | 0:35:09 | |
-Very nervous. Anxious. -Yeah. -You're wringing your hands. | 0:35:09 | 0:35:13 | |
-Well, worried about a couple of our items now. -OK. | 0:35:13 | 0:35:17 | |
Shall we see me get on with our first lot? | 0:35:17 | 0:35:20 | |
Keep everything crossed, here it comes. | 0:35:20 | 0:35:22 | |
We have a Tri-ang express train and I'm looking for 20. | 0:35:22 | 0:35:26 | |
-20! -No. Higher! | 0:35:26 | 0:35:29 | |
£20. 10 then. 10? | 0:35:29 | 0:35:32 | |
Thank you. £10. | 0:35:32 | 0:35:34 | |
£10, any more? | 0:35:34 | 0:35:36 | |
-10. -Got to start somewhere. | 0:35:36 | 0:35:38 | |
-£10 I've got. Oh, 11. -11! | 0:35:38 | 0:35:42 | |
-12, why not? -It's flooding in now. | 0:35:42 | 0:35:46 | |
-It is. -13. 14. | 0:35:46 | 0:35:49 | |
15. | 0:35:49 | 0:35:51 | |
£20. £20 then. | 0:35:51 | 0:35:53 | |
£20 I've got, £20 all done. | 0:35:53 | 0:35:57 | |
Oh, no! God! | 0:35:57 | 0:35:59 | |
-Thank you. -We play the cards that we're dealt. | 0:35:59 | 0:36:02 | |
That's a loss of £120. | 0:36:02 | 0:36:05 | |
The second lot, our WMF wine cooler. | 0:36:05 | 0:36:08 | |
-We paid 155. -Yes. -OK, fingers crossed for profit. -Right. | 0:36:08 | 0:36:11 | |
And interest here, I've got. | 0:36:11 | 0:36:13 | |
-120, 130. -Come on. -Just come on. | 0:36:13 | 0:36:16 | |
140 with me. | 0:36:16 | 0:36:18 | |
145. Thank you. | 0:36:18 | 0:36:20 | |
150. 155. | 0:36:20 | 0:36:23 | |
155, yes! | 0:36:23 | 0:36:25 | |
160. 165. | 0:36:25 | 0:36:28 | |
170 with me. 175. | 0:36:28 | 0:36:31 | |
-180 with me. -This feels better. | 0:36:31 | 0:36:34 | |
All right, rub it in. | 0:36:34 | 0:36:38 | |
185. | 0:36:38 | 0:36:40 | |
-190. -Yay! | 0:36:40 | 0:36:43 | |
No, are you sure? £190 then. | 0:36:43 | 0:36:46 | |
-Not bad. -You excelled yourself. | 0:36:49 | 0:36:51 | |
In fact, it's a profit of £35 | 0:36:51 | 0:36:53 | |
which means you're -85 so that | 0:36:53 | 0:36:55 | |
brooch has got to make a lot of money. | 0:36:55 | 0:36:58 | |
Here it comes. | 0:36:58 | 0:36:59 | |
And I have interest here at £20. | 0:36:59 | 0:37:01 | |
Yes! | 0:37:01 | 0:37:03 | |
25. On the internet at 25. | 0:37:03 | 0:37:06 | |
I'm looking for 30. | 0:37:06 | 0:37:08 | |
£30 on the internet. £30. | 0:37:08 | 0:37:10 | |
Any more at 30? | 0:37:10 | 0:37:12 | |
I will sell. £30, fair warning. | 0:37:12 | 0:37:14 | |
£30. Thank goodness for that. | 0:37:14 | 0:37:17 | |
A profit of 26, which means overall you're -59. | 0:37:17 | 0:37:22 | |
-A minute ago you were -120. -Yes. -So you did all right. | 0:37:22 | 0:37:26 | |
So -59, the question is, | 0:37:26 | 0:37:28 | |
are you going to put your faith in the one pound toast rack? | 0:37:28 | 0:37:32 | |
-It's got to make £55. -It's a no-brainer. -It's got to... | 0:37:32 | 0:37:36 | |
That toast rack, £59 all day. | 0:37:36 | 0:37:39 | |
I think you made the right decision. Catherine said, "£1 paid, | 0:37:39 | 0:37:43 | |
"I think it can make the team 10 or 20." Here we go. | 0:37:43 | 0:37:46 | |
OK, who's going to give me £10 for this, please? | 0:37:46 | 0:37:50 | |
It's bid. Thank you. 10, 12. | 0:37:50 | 0:37:52 | |
-14, 16. -Look, it's going crazy. | 0:37:52 | 0:37:54 | |
..24, 26. 28. | 0:37:54 | 0:37:57 | |
-Oh, my God. -Yes! -Caroline! | 0:37:57 | 0:38:00 | |
-Go on. -40. 2, 5, 8. | 0:38:00 | 0:38:03 | |
-It's going to happen. -48? | 0:38:03 | 0:38:04 | |
-Come on. -Come on. | 0:38:04 | 0:38:06 | |
50. £50 I've got. £50 then. | 0:38:06 | 0:38:09 | |
£50, any more at 50? | 0:38:09 | 0:38:11 | |
Well done. | 0:38:12 | 0:38:15 | |
You could knock me down with a feather. | 0:38:15 | 0:38:17 | |
A profit of 49, overall -10. | 0:38:17 | 0:38:22 | |
-The glory might be, you never know. -Yeah. | 0:38:22 | 0:38:24 | |
-10 could be a winning score so say nothing to your | 0:38:24 | 0:38:27 | |
-competition, the Blues. -Yeah. | 0:38:27 | 0:38:29 | |
See how it all pans out. | 0:38:29 | 0:38:31 | |
Dani, Dan, Tim, we're here at the auction. Nerves are running high. | 0:38:38 | 0:38:44 | |
-How are you feeling? -Well, yeah, my nerves are through the roof. | 0:38:44 | 0:38:47 | |
-Hopefully, the same level as the prices will be. -Dan? | 0:38:47 | 0:38:50 | |
Call me a Jelly Baby, that's what I'm, I'm total jelly. | 0:38:50 | 0:38:53 | |
Our first lot is a retro orange Anglepoise desk lamp. | 0:38:53 | 0:38:57 | |
Here it comes. | 0:38:57 | 0:38:58 | |
How retro can you get? | 0:38:58 | 0:38:59 | |
OK, this is quite a funky thing, | 0:38:59 | 0:39:01 | |
who's going to bid me £30 to start me off. £30 surely? Come on. | 0:39:01 | 0:39:07 | |
-Got to be. -All day long. | 0:39:07 | 0:39:09 | |
All day long it's £30. | 0:39:09 | 0:39:10 | |
£20? | 0:39:10 | 0:39:12 | |
Come on, buy these new, they're much more than that. | 0:39:12 | 0:39:14 | |
Thank you, 20. 5, 30. | 0:39:14 | 0:39:17 | |
5, 40. 5. | 0:39:17 | 0:39:20 | |
Yes! | 0:39:20 | 0:39:21 | |
£45... | 0:39:21 | 0:39:23 | |
Lady's bid seated at 45 all done. | 0:39:23 | 0:39:27 | |
45. | 0:39:27 | 0:39:28 | |
-Good start. -Good start. Oooh! | 0:39:28 | 0:39:31 | |
£45. £6 profit. | 0:39:32 | 0:39:35 | |
Keep it together. | 0:39:35 | 0:39:37 | |
-Here comes your pottery, £35 paid. -Oooh! | 0:39:37 | 0:39:40 | |
Lot 163, we have an Anita Harris art pottery vase. | 0:39:40 | 0:39:43 | |
There it is, cylindrical shape, | 0:39:43 | 0:39:45 | |
lots of lovely oranges and yellows. | 0:39:45 | 0:39:47 | |
I'm looking for £30, please. £30. | 0:39:47 | 0:39:50 | |
-Who's going to bid me £30? -Come on. | 0:39:50 | 0:39:52 | |
Is bid. Thank you. £30. | 0:39:52 | 0:39:54 | |
Put it on your mantelpiece. | 0:39:54 | 0:39:56 | |
Can I see five anywhere? | 0:39:56 | 0:39:57 | |
Surely there's another? | 0:39:57 | 0:39:59 | |
£30. It would match your lamp beautifully, madam. | 0:39:59 | 0:40:01 | |
-£30. -One more. | 0:40:01 | 0:40:03 | |
-One more. -£30. -One more. | 0:40:03 | 0:40:06 | |
-£30. -ALL: -Ohhhh! | 0:40:06 | 0:40:08 | |
£30, it's a wee loss of £5. | 0:40:08 | 0:40:11 | |
That's a £1 profit, come on. | 0:40:11 | 0:40:13 | |
You have £1 profit, you're quite right. | 0:40:13 | 0:40:15 | |
Here come your rustic drawers. | 0:40:15 | 0:40:17 | |
You paid £85, here's hoping for a profit. | 0:40:17 | 0:40:19 | |
And I have interest here straightaway on the internet | 0:40:19 | 0:40:23 | |
at £30 but I'm looking for five. | 0:40:23 | 0:40:25 | |
-£30 I have. -No, come on. | 0:40:25 | 0:40:27 | |
And 5, thank you. | 0:40:27 | 0:40:29 | |
40 now. Can I say 5? Go on. | 0:40:29 | 0:40:33 | |
-Yes, yes, yes. -45? | 0:40:33 | 0:40:35 | |
Yes. 50 I've got. | 0:40:35 | 0:40:36 | |
£50 on the internet. | 0:40:36 | 0:40:38 | |
55, it's against you. | 0:40:38 | 0:40:40 | |
All done - 55. | 0:40:40 | 0:40:42 | |
Ohhhhh! | 0:40:42 | 0:40:44 | |
55, it's another loss. | 0:40:44 | 0:40:46 | |
-This time it's not so wee. -Yeah. | 0:40:46 | 0:40:49 | |
-It's a £30 loss. -It's a big loss. | 0:40:49 | 0:40:51 | |
You've lost £29, OK? | 0:40:51 | 0:40:53 | |
It's not a big deal, but it does leave me in | 0:40:53 | 0:40:55 | |
a position where I have to ask you a very important question. | 0:40:55 | 0:40:58 | |
-What's that question? -Are you going to go with Snow White | 0:40:58 | 0:41:01 | |
and the Seven Dwarfs, £100 paid? | 0:41:01 | 0:41:03 | |
-Every step of the way. -Yes. -All the way? -I have faith in you, Tim. | 0:41:03 | 0:41:06 | |
-Thank you. -OK. | 0:41:06 | 0:41:08 | |
You've got faith in Tim, the toy man, you're going for the bonus buy. | 0:41:08 | 0:41:11 | |
-Catherine had a look. -What did she say? -She liked them. | 0:41:11 | 0:41:15 | |
-Her estimate was 60 to 100. Are you ready for this? -I'm ready. -Yes. | 0:41:15 | 0:41:20 | |
OK, here it comes, bonus buy. | 0:41:20 | 0:41:23 | |
We've got a set of Chad Valley | 0:41:23 | 0:41:24 | |
Snow White and the Seven Dwarfs. | 0:41:24 | 0:41:26 | |
I've got a bid already on the internet of £60 but I'm | 0:41:26 | 0:41:29 | |
-looking for 5. -Come on. | 0:41:29 | 0:41:31 | |
£60 I have, thank you, internet. | 0:41:31 | 0:41:33 | |
Can I say 5? £60. | 0:41:33 | 0:41:35 | |
5, thank you. | 0:41:35 | 0:41:37 | |
-70. -Heigh-ho heigh-ho! -5. | 0:41:37 | 0:41:40 | |
-Next bid... -90 I've got on the net. | 0:41:40 | 0:41:43 | |
Can I say 100? | 0:41:43 | 0:41:45 | |
-100 I've got. Thank you anyway. -Ah! | 0:41:45 | 0:41:47 | |
£100, we've got 100 on the net. | 0:41:47 | 0:41:49 | |
£100 then, fair warning. | 0:41:49 | 0:41:52 | |
OK. £100. Listen, you took a risk. | 0:41:53 | 0:41:57 | |
You went with the bonus buy. | 0:41:57 | 0:41:59 | |
No profit no loss. £100. | 0:41:59 | 0:42:00 | |
Well done, Tim. | 0:42:00 | 0:42:03 | |
As you know, -29 could be a winning score. | 0:42:03 | 0:42:05 | |
It wouldn't be the first time, but say nothing to the Reds, | 0:42:05 | 0:42:08 | |
we don't want them to know a thing. As we know, it'll all come out in the wash. | 0:42:08 | 0:42:12 | |
Good luck. | 0:42:12 | 0:42:14 | |
What can I say about today? Classic Bargain Hunt. | 0:42:23 | 0:42:26 | |
But of course there can only be one winner so who was it? | 0:42:26 | 0:42:30 | |
Let me tell you. | 0:42:30 | 0:42:32 | |
-The Reds! -Oh! -Oh! -Yay! | 0:42:32 | 0:42:35 | |
So close. A loss of £10 versus a loss of 29. Can you believe it? | 0:42:35 | 0:42:41 | |
-Oh! -It was so close. | 0:42:41 | 0:42:43 | |
Let's start with you, Blues, a negative result, | 0:42:43 | 0:42:45 | |
a positive experience? | 0:42:45 | 0:42:47 | |
What a wonderful experience. | 0:42:47 | 0:42:49 | |
-I've had a lovely day. -You've been so brilliant. -Thank you. | 0:42:49 | 0:42:53 | |
And our brilliant winners today, the Reds. That WMF, what a profit. | 0:42:53 | 0:42:57 | |
-And, Caroline, this lady turned £1 into £50. -Wow! | 0:42:57 | 0:43:03 | |
-Serious bonus buy kudos. -Yeah. | 0:43:03 | 0:43:06 | |
No money to hand out, but well done, | 0:43:06 | 0:43:09 | |
you are today's winners. | 0:43:09 | 0:43:10 | |
But if you're thinking, "I could win, I could make a profit." | 0:43:10 | 0:43:13 | |
Then have a look on our website, | 0:43:13 | 0:43:14 | |
that's where you'll find details of how to apply. | 0:43:14 | 0:43:16 | |
If you want our gossip, there's loads of it! | 0:43:16 | 0:43:19 | |
Follow us on Twitter at... | 0:43:19 | 0:43:22 | |
If you just love watching this programme, | 0:43:22 | 0:43:24 | |
then tune in again and join us for some more bargain hunting, yes? | 0:43:24 | 0:43:28 | |
ALL: Yes! | 0:43:28 | 0:43:29 |