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Hello and welcome to Bargain Hunt. | 0:00:02 | 0:00:05 | |
Now, can you guess who lived here? | 0:00:05 | 0:00:07 | |
Let me give you some clues. | 0:00:07 | 0:00:09 | |
The house is in Kent and the owner was known | 0:00:09 | 0:00:12 | |
for wearing glasses like these. | 0:00:12 | 0:00:14 | |
And like these. | 0:00:14 | 0:00:17 | |
And he was often seen smoking a cigar. | 0:00:17 | 0:00:20 | |
In 1940, he became Great Britain's Prime Minister. | 0:00:20 | 0:00:24 | |
Yep, you've guessed it, I'm talking about Sir Winston Churchill. | 0:00:24 | 0:00:27 | |
And I'll be learning more about the spectacles | 0:00:27 | 0:00:30 | |
that adorned the great man a little bit later on. | 0:00:30 | 0:00:32 | |
But for now, if you're ready, let's go Bargain Hunting. | 0:00:32 | 0:00:36 | |
Today's competition takes place right here | 0:01:00 | 0:01:03 | |
in Kingston's Antiques Centre. | 0:01:03 | 0:01:05 | |
There are two floors crammed full of antiques and collectables, | 0:01:05 | 0:01:09 | |
and all our teams have to do is find three items within a budget of £300, | 0:01:09 | 0:01:14 | |
that will, hopefully, make them a profit | 0:01:14 | 0:01:17 | |
when we head off to the auction. | 0:01:17 | 0:01:18 | |
The only snag is they've only got one hour to do it. | 0:01:18 | 0:01:21 | |
So, let's have a look at what's coming up. | 0:01:21 | 0:01:24 | |
The Reds think they've hit the jackpot. | 0:01:24 | 0:01:26 | |
-Great spot. -Can I have a high five? | 0:01:26 | 0:01:28 | |
You can have a high five. Go and get haggling. Go on. | 0:01:28 | 0:01:31 | |
The Blues get an antiques lesson... | 0:01:31 | 0:01:34 | |
Vesta's always good. Horseshoe, the theme. | 0:01:34 | 0:01:37 | |
-Sorry, I don't know what vesta is. -Oh! | 0:01:37 | 0:01:39 | |
And at the auction, the pressure's on for the Reds. | 0:01:40 | 0:01:43 | |
Come on, please! | 0:01:43 | 0:01:45 | |
-And the Blues... -One more. | 0:01:45 | 0:01:47 | |
That's all coming up a little later. | 0:01:48 | 0:01:50 | |
For now, it's time to meet our teams. | 0:01:50 | 0:01:52 | |
For the Reds, we have Heather and her son, Felix. | 0:01:52 | 0:01:55 | |
And for the Blues, we have Susan and her son, Roger. | 0:01:55 | 0:01:58 | |
-Hello, everyone. -Hello! | 0:01:58 | 0:01:59 | |
Lovely to see the families with us today. | 0:01:59 | 0:02:01 | |
Let's turn to the Reds first. | 0:02:01 | 0:02:03 | |
Heather, tell me, what made you apply to come on Bargain Hunt? | 0:02:03 | 0:02:07 | |
When Felix used to live at home and he used to go to sixth form college, | 0:02:07 | 0:02:10 | |
if we had the opportunity to be in the house at the same time | 0:02:10 | 0:02:13 | |
at a lunchtime, we'd have a sort of sneaky opportunity | 0:02:13 | 0:02:17 | |
to sit and watch Bargain Hunt together. | 0:02:17 | 0:02:19 | |
And we always used to say, "We should go on this." | 0:02:19 | 0:02:23 | |
He said, "Come on, Mum, let's apply." | 0:02:23 | 0:02:25 | |
-And now, we're here! -It's real! -It is real. | 0:02:25 | 0:02:28 | |
Now, when you went to university, it was Oxford. | 0:02:28 | 0:02:31 | |
-What did you study? -I studied psychology. | 0:02:31 | 0:02:33 | |
Which you wouldn't know now, because I don't use it at all. | 0:02:33 | 0:02:36 | |
I ended up doing more plays and more theatre than essays in the end. | 0:02:36 | 0:02:41 | |
And sort of guiltily, have now shuffled away from psychology. | 0:02:41 | 0:02:44 | |
-I'm now trying to go into acting. -OK. | 0:02:44 | 0:02:46 | |
-What's the life of a budding actor? -It's all right. | 0:02:46 | 0:02:49 | |
I'm currently doing a walking tour in South London, which is great fun. | 0:02:49 | 0:02:52 | |
-And a few different plays. -That's cool. -It's great. | 0:02:52 | 0:02:55 | |
So, tell me about your career. | 0:02:55 | 0:02:56 | |
-You're a speech and language therapist? -I am. | 0:02:56 | 0:02:59 | |
I've always worked with young people with learning disabilities. | 0:02:59 | 0:03:02 | |
And as part of the job, we're kind of training people up | 0:03:02 | 0:03:05 | |
to develop their sort of functional communication skills, | 0:03:05 | 0:03:09 | |
so they can go out into the big wide world. | 0:03:09 | 0:03:11 | |
So, with a colleague, I opened up | 0:03:11 | 0:03:12 | |
a social enterprise cafe in Shrewsbury. | 0:03:12 | 0:03:15 | |
We've been running for five years now. | 0:03:15 | 0:03:17 | |
The aim of the cafe is to offer volunteering opportunities | 0:03:17 | 0:03:20 | |
to young folks with learning disabilities. | 0:03:20 | 0:03:22 | |
Sounds brilliant. Sounds like you're not one to shy away | 0:03:22 | 0:03:25 | |
from a challenge, which is why we're here. | 0:03:25 | 0:03:27 | |
-Exactly. -So, tell me, antiques and collectables, | 0:03:27 | 0:03:30 | |
are they a challenge to you, or do you have great knowledge? | 0:03:30 | 0:03:32 | |
I think our knowledge comes from watching Bargain Hunt, basically. | 0:03:34 | 0:03:37 | |
-Absolutely. -We'll see how it all pans out. | 0:03:37 | 0:03:40 | |
You've got some competition today in the form of the Blues. | 0:03:40 | 0:03:44 | |
And I must say, Susan, | 0:03:44 | 0:03:46 | |
it's very irregular that we allow additions | 0:03:46 | 0:03:49 | |
to the Bargain Hunt uniform. | 0:03:49 | 0:03:50 | |
Tell us about this waistcoat, it's dazzling. | 0:03:50 | 0:03:54 | |
Well, I collect buttons. | 0:03:54 | 0:03:56 | |
And I have done for many years. | 0:03:56 | 0:03:58 | |
And I give talks about my collection. | 0:03:58 | 0:04:01 | |
People think you're quite potty if you tell them you collect buttons. | 0:04:01 | 0:04:04 | |
But they were items of jewellery. | 0:04:04 | 0:04:06 | |
-They were really very valuable. -Amazing. | 0:04:06 | 0:04:09 | |
I feel we could talk about buttons all day long. | 0:04:09 | 0:04:11 | |
Certainly, you could give a talk on them! | 0:04:11 | 0:04:13 | |
Let's get back to the start. | 0:04:13 | 0:04:15 | |
So, tell me, first of all, whose idea was it to come on Bargain Hunt? | 0:04:15 | 0:04:18 | |
Susan, what inspired you to take up this challenge? | 0:04:18 | 0:04:21 | |
Well, nothing inspired me, actually. | 0:04:21 | 0:04:24 | |
I didn't know anything about it. | 0:04:24 | 0:04:26 | |
Roger filled in the application without telling me. | 0:04:26 | 0:04:30 | |
I rang Roger up and ticked him off. | 0:04:30 | 0:04:32 | |
-I said, "You should have..." -I know my mum, and I know my mum... | 0:04:32 | 0:04:36 | |
You should have asked me first! | 0:04:36 | 0:04:38 | |
I should have done it a lot sooner - that's what she meant to say - | 0:04:38 | 0:04:41 | |
-because she loves Bargain Hunt. -I do, yes. | 0:04:41 | 0:04:43 | |
And I know she's going to do fantastically well today. | 0:04:43 | 0:04:46 | |
Oh, lovely. So, tell me, then, what's your career? | 0:04:46 | 0:04:48 | |
About 30 years ago, I set up my own specialist debt collection business | 0:04:48 | 0:04:53 | |
-for the shipping industry. -What does that mean? | 0:04:53 | 0:04:55 | |
Well, ships sail all round the world, | 0:04:55 | 0:04:57 | |
they need everything to keep them going - food for the crew, | 0:04:57 | 0:05:00 | |
paint, tools, and they often sail off without paying for it. | 0:05:00 | 0:05:03 | |
So I'm sort of the Robin Hood of shipping. | 0:05:03 | 0:05:06 | |
I chase after the ships who've sailed off and haven't paid, | 0:05:06 | 0:05:09 | |
and try and collect the money from their robber baron ship owner. | 0:05:09 | 0:05:13 | |
Right, Blues, shall we talk tactics? | 0:05:13 | 0:05:15 | |
I have a feeling that I know who's going to be in charge of the money. | 0:05:15 | 0:05:18 | |
Well, maybe in charge of the shop, but Roger, | 0:05:18 | 0:05:20 | |
-you've to be in charge of the money. -OK. Yes. | 0:05:20 | 0:05:23 | |
So, let me give it to you now. | 0:05:23 | 0:05:25 | |
-£300 for the Reds. -Thank you. | 0:05:25 | 0:05:28 | |
And £300 for the Blues. | 0:05:28 | 0:05:30 | |
-Thank you. -Don't give it to Roger just yet! | 0:05:30 | 0:05:32 | |
-No! -Your experts are really keen to meet you, | 0:05:32 | 0:05:35 | |
so I wish you the best of luck and send you on your way. | 0:05:35 | 0:05:38 | |
-Thank you. -Thank you. | 0:05:38 | 0:05:40 | |
Well, it's a real family affair today. | 0:05:40 | 0:05:42 | |
Let's see how it all unfolds. | 0:05:42 | 0:05:44 | |
So let's introduce today's experts. | 0:05:44 | 0:05:46 | |
Lighting the way for the Reds, it's Nick Hall. | 0:05:48 | 0:05:50 | |
And hoping to pull some strings for the Blues, it's Caroline Hawley. | 0:05:53 | 0:05:57 | |
Well, Heather, Felix, here we are in glorious Kingston. | 0:05:58 | 0:06:01 | |
What is on your shopping list? | 0:06:01 | 0:06:02 | |
Well, I really love theatre and musical instruments. | 0:06:02 | 0:06:05 | |
I think probably jewellery, silver and maybe some toys. | 0:06:05 | 0:06:09 | |
I like glassware, particularly vases. | 0:06:09 | 0:06:13 | |
So, Roger, what about you? | 0:06:13 | 0:06:15 | |
Well, I'd like some buttons for my mum, | 0:06:15 | 0:06:17 | |
and possibly something nautical. | 0:06:17 | 0:06:19 | |
-A nautical button? -Yes, that would be a really good idea. | 0:06:19 | 0:06:22 | |
They don't make much money, nautical buttons. | 0:06:22 | 0:06:25 | |
-OK, right. -Right, teams, your time starts now. | 0:06:25 | 0:06:28 | |
Come on, guys, you're playing my tune, let's go and shop. | 0:06:29 | 0:06:31 | |
Come on, then! | 0:06:31 | 0:06:34 | |
And they're off! | 0:06:34 | 0:06:35 | |
And the Blues have quickly got stuck in. | 0:06:36 | 0:06:39 | |
What about this cabinet over here? | 0:06:39 | 0:06:42 | |
-Oh, straight to it. -What is the price on it? | 0:06:42 | 0:06:45 | |
175. | 0:06:45 | 0:06:46 | |
People do like retro now, don't they? There are collectors of retro. | 0:06:46 | 0:06:51 | |
There are, there's a lot of those about, | 0:06:51 | 0:06:53 | |
that pull down and they've a pastry board, you do that, | 0:06:53 | 0:06:56 | |
-and sometimes they have a flour dispenser. -That's right, yes. | 0:06:56 | 0:06:59 | |
But I don't think we're going to make any money on it at that price. | 0:06:59 | 0:07:03 | |
Well, you'd get it down. | 0:07:03 | 0:07:04 | |
Something tells me Susan's a tough negotiator. | 0:07:04 | 0:07:07 | |
Reds, is anything jumping out at you? | 0:07:07 | 0:07:10 | |
Amber is popular, this stuff's been around millions of years. | 0:07:10 | 0:07:14 | |
Although the mounts are quite modern but, you know, | 0:07:14 | 0:07:17 | |
you've got two or three shelves full of it here. | 0:07:17 | 0:07:21 | |
And they can do quite well at auction, | 0:07:21 | 0:07:23 | |
particularly if they've got a sort of very retro | 0:07:23 | 0:07:26 | |
or a vintage-y style about them. | 0:07:26 | 0:07:28 | |
-Things like that necklace. -At the back? | 0:07:28 | 0:07:31 | |
That's quite a cool thing. | 0:07:31 | 0:07:32 | |
-Are you interested in having a look at it? -I would like to look at that. | 0:07:32 | 0:07:35 | |
Time to track down the shop owner and get a closer look. | 0:07:35 | 0:07:38 | |
Blues, has something caught your eye? | 0:07:38 | 0:07:41 | |
Those are very interesting up there, I don't know what they are. | 0:07:41 | 0:07:44 | |
Art Nouveau, silver plate vases. | 0:07:44 | 0:07:47 | |
-Oh, right. -145. They're just plated and... | 0:07:47 | 0:07:49 | |
-Hmm, I think that's a bit steep. -OK, OK. | 0:07:51 | 0:07:54 | |
I haven't seen anything like that before, but, yeah. | 0:07:54 | 0:07:57 | |
No, they have a look of WMF. | 0:07:57 | 0:08:00 | |
-They do. -Wurttembergische Metallwarenfabrik. | 0:08:00 | 0:08:03 | |
-OK! -You can pronounce it! -Oh, I can. It took me a long time. | 0:08:03 | 0:08:07 | |
Impressive, Caroline. | 0:08:07 | 0:08:09 | |
WMF is a German manufacturer known for its Art Nouveau metalwares. | 0:08:09 | 0:08:13 | |
Right, the Reds have found shop owner Lesley | 0:08:15 | 0:08:17 | |
for a closer look at that amber necklace. | 0:08:17 | 0:08:19 | |
Thank you. So, what can you tell us about this? | 0:08:20 | 0:08:22 | |
Well, it's Baltic amber, so we know the quality of that. | 0:08:22 | 0:08:26 | |
It's 39. | 0:08:26 | 0:08:28 | |
It's not a lot of money, | 0:08:28 | 0:08:29 | |
but it's quite a stylish thing, don't you think? | 0:08:29 | 0:08:31 | |
-It is quite pretty. -Yes. -So, what is amber? | 0:08:31 | 0:08:35 | |
It is fossilised tree sap from millions of years ago, | 0:08:35 | 0:08:38 | |
which it's why it's highly sought after, | 0:08:38 | 0:08:40 | |
highly decorative and quite collectible. | 0:08:40 | 0:08:43 | |
-Fantastic. -Excellent. Can I have a look? -Yes. | 0:08:43 | 0:08:45 | |
It's very light, isn't it? | 0:08:45 | 0:08:47 | |
-It's very light, which I think is in its favour. -Yes. | 0:08:47 | 0:08:50 | |
I would imagine on a night out, | 0:08:50 | 0:08:51 | |
-you don't want anything too heavy and cumbersome. -No, no. | 0:08:51 | 0:08:54 | |
It's quite eye-catching, isn't it? | 0:08:54 | 0:08:55 | |
I do like the colours, actually, thinking about it. | 0:08:55 | 0:08:58 | |
It goes quite nicely from lighter down to darker. | 0:08:58 | 0:09:00 | |
What sort of movement do you think there'd be on the price, if any? | 0:09:00 | 0:09:02 | |
Let's have a look... | 0:09:02 | 0:09:04 | |
They'll do 35. | 0:09:04 | 0:09:07 | |
Do you think they'd round it down for 30? | 0:09:07 | 0:09:11 | |
-No, no, they wouldn't. -That was quite definite! | 0:09:11 | 0:09:13 | |
I know. Well, I know most of the dealers here will build in 10%, | 0:09:13 | 0:09:16 | |
and these guys are one of those specific dealers. | 0:09:16 | 0:09:19 | |
-What do you think? -Yes. | 0:09:19 | 0:09:20 | |
-OK, let's go for it. -Yeah, let's go for it. | 0:09:20 | 0:09:22 | |
-That's fine. -Lesley, you have a deal. | 0:09:22 | 0:09:25 | |
-£35, thank you. -Thank you. | 0:09:25 | 0:09:27 | |
Well done, Reds, your first item in the bag. | 0:09:27 | 0:09:29 | |
So, one down, two to go, are you happy with that? | 0:09:29 | 0:09:32 | |
-Yes! -I think looking at it more and holding it, | 0:09:32 | 0:09:34 | |
it's actually a lot nicer. | 0:09:34 | 0:09:36 | |
I tell you what, I'm not sure we're going to wear it, | 0:09:36 | 0:09:38 | |
pack it or wrap it. Whatever we're going to do, | 0:09:38 | 0:09:40 | |
we're going to move on and find two more things. | 0:09:40 | 0:09:42 | |
-Excellent. -Great stuff, come on. | 0:09:42 | 0:09:43 | |
So, a decisive start in just ten minutes - | 0:09:43 | 0:09:45 | |
let's hope you make a pretty profit. | 0:09:45 | 0:09:47 | |
Now, has Susan spotted something she's willing to invest in? | 0:09:47 | 0:09:50 | |
What do you think about the scarf, the Hermes scarf, Caroline? | 0:09:50 | 0:09:55 | |
Well, Hermes, as you know, is a very, very expensive make, | 0:09:55 | 0:09:58 | |
and they're slightly better if they're in a box. | 0:09:58 | 0:10:02 | |
They have the original, | 0:10:02 | 0:10:04 | |
I think it's an orange box with the lettering on, slightly better, | 0:10:04 | 0:10:08 | |
but it's a good subject, the equestrian subject, | 0:10:08 | 0:10:11 | |
and if it's in great condition, | 0:10:11 | 0:10:13 | |
there's always people that collect these. | 0:10:13 | 0:10:16 | |
Big name, big quality scarves, and I know it's a lot of money, £115, | 0:10:16 | 0:10:21 | |
but if you were to walk into such a shop | 0:10:21 | 0:10:26 | |
in the centre of Paris or London, | 0:10:26 | 0:10:28 | |
you would pay an awful lot more than that for it. | 0:10:28 | 0:10:30 | |
-Yes. -Time to take a closer look, Blues, | 0:10:30 | 0:10:32 | |
and, luckily, Matthew is at hand to open the cabinet. | 0:10:32 | 0:10:35 | |
Hi. Could we have a look at your scarf, please? | 0:10:35 | 0:10:37 | |
You certainly may. | 0:10:37 | 0:10:39 | |
-It is lovely. Nice colour, as well. -There you go. | 0:10:40 | 0:10:43 | |
-Thank you very much. -That's lovely. Hold it up to the light. | 0:10:43 | 0:10:47 | |
I always think any damage shows through the light. | 0:10:47 | 0:10:50 | |
-If there's any... -Any little holes. -Little holes, or damage in the silk. | 0:10:50 | 0:10:54 | |
-No, that's beautiful. -No, there doesn't appear to be. | 0:10:54 | 0:10:56 | |
Feel how it's been beautifully rolled. | 0:10:56 | 0:10:58 | |
-They always were, weren't they? -Absolutely fabulous. | 0:10:58 | 0:11:02 | |
What would you do on it? | 0:11:02 | 0:11:04 | |
Well, this dealer normally does 10%, so we could do 100 for you. | 0:11:04 | 0:11:07 | |
You couldn't do it 90? | 0:11:07 | 0:11:09 | |
Yeah, I think he'd be happy with 90. | 0:11:11 | 0:11:13 | |
What do you think, Caroline? | 0:11:13 | 0:11:14 | |
I think it's lovely. I'd be happy to wear it, would you? | 0:11:14 | 0:11:18 | |
-Yes, yes. -I think it's lovely. -Great, that's our first item. | 0:11:18 | 0:11:20 | |
Oh, he's decided! | 0:11:20 | 0:11:22 | |
-Right. OK with you? -Yes, absolutely. | 0:11:22 | 0:11:25 | |
-Right. Thank you. -Excellent team work. | 0:11:25 | 0:11:27 | |
Susan negotiates and Roger seals the deal. | 0:11:27 | 0:11:30 | |
In just under 15 minutes, it's one-all. | 0:11:30 | 0:11:33 | |
Excellent. Brilliant, come on, let's be as fast on number two. | 0:11:33 | 0:11:36 | |
Back to the Reds and it looks like Felix | 0:11:37 | 0:11:39 | |
is doing some personal shopping. | 0:11:39 | 0:11:41 | |
Is he always trying things on when you go out like this? | 0:11:42 | 0:11:44 | |
-You can't walk past the clothes... -Just keep him away from the dresses, | 0:11:44 | 0:11:47 | |
-that's the thing. -Now we go over to Shrewsbury Town versus Oldham. | 0:11:47 | 0:11:50 | |
It does feel very commentator-esque. | 0:11:50 | 0:11:53 | |
-It does, a bit. -It's also huge on me! | 0:11:53 | 0:11:55 | |
But I think, anyone... | 0:11:55 | 0:11:57 | |
I'm all for buying a bit of vintage fashion. | 0:11:57 | 0:11:59 | |
I'm not convinced the sheepskin coat's the way forward. | 0:11:59 | 0:12:02 | |
But, hey, who am I? I might be completely wrong, | 0:12:02 | 0:12:04 | |
but if you want my advice, I'd find something | 0:12:04 | 0:12:06 | |
-with a bit more couture about it. -OK. | 0:12:06 | 0:12:08 | |
So, that one goes back on the rail, Felix. | 0:12:08 | 0:12:11 | |
Over with the Blues and an equine theme appears to be developing. | 0:12:11 | 0:12:15 | |
What about the little vesta? The little horseshoe vesta? | 0:12:15 | 0:12:18 | |
Vestas are always good. Horseshoe, the theme. | 0:12:18 | 0:12:21 | |
-Sorry, I don't know what a vesta is. -Oh! | 0:12:21 | 0:12:24 | |
Tell your boy what a vesta is, Susan. | 0:12:24 | 0:12:27 | |
Well, it's a little match box, | 0:12:27 | 0:12:30 | |
and on the bottom will be a rough piece | 0:12:30 | 0:12:32 | |
where you can strike the match, | 0:12:32 | 0:12:34 | |
because in those days, there weren't safety matches. | 0:12:34 | 0:12:38 | |
Spot on, Susan, and here's another fact, Roger. | 0:12:38 | 0:12:41 | |
Vesta cases are a firm favourite on Bargain Hunt. | 0:12:41 | 0:12:44 | |
-So, the matches go in here. -Right. | 0:12:44 | 0:12:46 | |
Then you close the lid and you strike them here. | 0:12:46 | 0:12:50 | |
Ah. | 0:12:50 | 0:12:52 | |
And that's rather lovely. | 0:12:52 | 0:12:53 | |
Can you see? It's more of a yellowy colour. | 0:12:53 | 0:12:56 | |
It's been plated and the plating's worn, revealing the brass. | 0:12:56 | 0:13:00 | |
But that's been in someone's pocket. | 0:13:00 | 0:13:02 | |
That would be used all the time. | 0:13:02 | 0:13:04 | |
-It's been well used. -Well used, well loved. | 0:13:04 | 0:13:07 | |
Yeah, I think that's great. | 0:13:07 | 0:13:09 | |
How old do you think that probably is? | 0:13:09 | 0:13:11 | |
I think it'll be 1890, 1900. | 0:13:11 | 0:13:13 | |
Yes, I would think so. Yes. | 0:13:13 | 0:13:15 | |
Matthew, what can you do on that? | 0:13:15 | 0:13:18 | |
I think the very best we could do on that would be 26. | 0:13:18 | 0:13:21 | |
Ooh! It started with the right number, didn't it? | 0:13:21 | 0:13:24 | |
It did, yes. 22? | 0:13:24 | 0:13:26 | |
If we meet you halfway, 24. | 0:13:27 | 0:13:29 | |
Did you say 23 or...? | 0:13:29 | 0:13:31 | |
-Er, 23. -She's good, isn't she!? -SHE LAUGHS | 0:13:31 | 0:13:35 | |
I think we could probably squeeze that for you. | 0:13:35 | 0:13:37 | |
I think at 23, we'll have it. | 0:13:37 | 0:13:39 | |
Yes, great! Yes. | 0:13:39 | 0:13:41 | |
-Great, well done, Mum. -Goodness diddly me! | 0:13:41 | 0:13:44 | |
-Thank you, Matthew. -That's how to negotiate. | 0:13:44 | 0:13:47 | |
A cracking job, Susan. | 0:13:47 | 0:13:48 | |
That's two items bought and £113 spent in just 20 minutes. | 0:13:48 | 0:13:53 | |
Now, I'm not sure what the Reds have spotted. | 0:13:53 | 0:13:55 | |
-Wow, look at the size of that. -Wow! -19th century. | 0:13:55 | 0:13:59 | |
Forged giant turnscrew, possibly from a shipyard. | 0:13:59 | 0:14:03 | |
I mean, it's phenomenal, as a bit of social history. | 0:14:03 | 0:14:08 | |
A working tool from yesteryear, it's big old lump, isn't it? | 0:14:08 | 0:14:13 | |
How would it be used? | 0:14:13 | 0:14:14 | |
I guess you'd be turning those sort of great big screws | 0:14:14 | 0:14:18 | |
into the hulk of the boat, I'd have thought. | 0:14:18 | 0:14:20 | |
-I'm guessing, I don't know. -No. | 0:14:20 | 0:14:23 | |
It does look like a giant's toothpick, though, doesn't it? | 0:14:23 | 0:14:25 | |
It does a bit, doesn't it? | 0:14:25 | 0:14:27 | |
I can tell you that rare early tools do sell, | 0:14:27 | 0:14:30 | |
there is a known collectible field for it. | 0:14:30 | 0:14:33 | |
The price worries me a little bit. | 0:14:33 | 0:14:35 | |
Now, they've got £75 on the price ticket. | 0:14:35 | 0:14:38 | |
That's the kind of thing that could go for a fiver or something. | 0:14:38 | 0:14:40 | |
I don't think it'll go that cheap. | 0:14:40 | 0:14:42 | |
It's the sort of thing that might only make 20 quid. | 0:14:42 | 0:14:45 | |
-Yes. -Or it might make 120 quid, if it is a rare form of early tool. | 0:14:45 | 0:14:50 | |
I don't know. | 0:14:50 | 0:14:52 | |
Look, let's get the piece out and have a closer look at it. | 0:14:52 | 0:14:57 | |
And just get a feel for it. | 0:14:58 | 0:15:01 | |
I love this turning on the handle, as well, | 0:15:01 | 0:15:03 | |
and again, you've got more patination on the handle. | 0:15:03 | 0:15:06 | |
The handle, I think, is mahogany. | 0:15:06 | 0:15:08 | |
And it's just so well made. | 0:15:10 | 0:15:11 | |
-What do you think, Mum? -Yes, I'm liking that. | 0:15:11 | 0:15:14 | |
-£75, Mum! -75. It does seem a lot, doesn't it? | 0:15:14 | 0:15:17 | |
It is a bit of a gamble. | 0:15:17 | 0:15:19 | |
You're going to have to get that down and it's going to be a gamble. | 0:15:19 | 0:15:22 | |
All you need is two enthusiastic bidders and you're away. | 0:15:22 | 0:15:25 | |
Yeah, we'll see if we can work the price down. | 0:15:27 | 0:15:29 | |
I think we'll think about it. | 0:15:29 | 0:15:30 | |
-We'll get Lesley on the case. -See what she says. Excellent. | 0:15:30 | 0:15:34 | |
As the Reds head off to negotiate with shop owner Lesley, | 0:15:34 | 0:15:37 | |
the Blues have found something off their shopping list. | 0:15:37 | 0:15:40 | |
I see some toys down here, you mentioned toys before. | 0:15:40 | 0:15:44 | |
Is that a racing cert? | 0:15:44 | 0:15:46 | |
No, there's no such thing as a racing cert | 0:15:46 | 0:15:49 | |
in the terms of profit and antiques, is there, Susan? | 0:15:49 | 0:15:52 | |
No. Those toys all look very worn, too. | 0:15:52 | 0:15:56 | |
-They do, don't they? -Condition is vital. | 0:15:56 | 0:15:58 | |
Quite right, Susan. Maybe find some that haven't been so well-loved. | 0:15:58 | 0:16:02 | |
Meanwhile, the Reds are after a hefty reduction | 0:16:02 | 0:16:04 | |
on that big £75 tool. | 0:16:04 | 0:16:06 | |
Now, Lesley, we've stumbled across in one of your cabinets back here | 0:16:06 | 0:16:09 | |
this enormous great 19th-century - we think - shipbuilder's tool. | 0:16:09 | 0:16:13 | |
-I know, yes. -You know it? -Yes, I do, I've seen it. | 0:16:13 | 0:16:15 | |
-Once seen, not forgotten. -Yes. -It's got 75. | 0:16:15 | 0:16:18 | |
-OK. 68? -That's the very best? -It is. | 0:16:18 | 0:16:21 | |
I like it, I think we go for it. | 0:16:21 | 0:16:23 | |
-I think it's unique... -It's a risk, isn't it, but...? | 0:16:23 | 0:16:25 | |
On my head be it, Mum. I think I'm going to go for it. | 0:16:25 | 0:16:28 | |
-So, we're going to buy the tool. -We're going to go for the tool. -£68. | 0:16:28 | 0:16:31 | |
OK, right. Deal done, we'll have that. | 0:16:31 | 0:16:33 | |
Well done, Reds. It's a risky buy, | 0:16:33 | 0:16:35 | |
but Felix seems happy to take the blame if this one sinks at auction. | 0:16:35 | 0:16:38 | |
-Two down, one to go. Forward march. Come on. -Fantastic. | 0:16:38 | 0:16:41 | |
And with 25 minutes left and one more item to buy, | 0:16:41 | 0:16:44 | |
will the Blues clean up with this? | 0:16:44 | 0:16:46 | |
Ah, now! | 0:16:46 | 0:16:48 | |
Gentleman's travelling toiletry case. | 0:16:49 | 0:16:52 | |
-Mm-hm? -Says "sold as seen", but for me... | 0:16:52 | 0:16:55 | |
I think that means it's missing a bit. | 0:16:55 | 0:16:57 | |
Oh, to me, it looks brand-new and it looks hardly used. | 0:16:57 | 0:17:01 | |
-Well, something would have been in here. -Oh. | 0:17:01 | 0:17:03 | |
I think there's been another bottle, don't you, Susan? | 0:17:03 | 0:17:06 | |
Another brush, probably. | 0:17:06 | 0:17:08 | |
Or a brush, and here, there's been a comb. | 0:17:08 | 0:17:11 | |
-Yes, there would have been. -Oh, OK. | 0:17:11 | 0:17:13 | |
-But it is rather nice, actually. -It is. -It is quite nice. | 0:17:13 | 0:17:17 | |
No, but they're nice quality sets. | 0:17:17 | 0:17:20 | |
-They are quite nice. -It's beautifully silk-lined. | 0:17:20 | 0:17:22 | |
-Most of it there. -Ebony brushes. | 0:17:22 | 0:17:25 | |
Yes. But it's... Is it chrome? | 0:17:25 | 0:17:28 | |
Yes, it won't be... Or silver plate. It's not silver. | 0:17:28 | 0:17:31 | |
Would you have used something like that when you were at sea, Roger? | 0:17:31 | 0:17:35 | |
Unfortunately, at a very young age, | 0:17:35 | 0:17:38 | |
-I had the same hair style I have now. -Oh, right! | 0:17:38 | 0:17:41 | |
So, I didn't actually need a kit like this. | 0:17:41 | 0:17:44 | |
-No, maybe the polishing one. -Yes! | 0:17:44 | 0:17:47 | |
Steady on, Caroline. Let's move back to Felix, | 0:17:47 | 0:17:50 | |
who's also bristling with excitement over another find. | 0:17:50 | 0:17:53 | |
-What's he found? -What have you found? -Look at this. | 0:17:53 | 0:17:56 | |
-Ooh! -Oh, I like those. | 0:17:56 | 0:17:58 | |
-It's not bad. -So, pair of cufflinks. | 0:17:58 | 0:18:00 | |
I love this whole equine theme, as well. | 0:18:00 | 0:18:02 | |
-Really cool. -What's the price? Have a look. -Let's have a look. | 0:18:02 | 0:18:05 | |
They're 12.50, for all three items. | 0:18:05 | 0:18:07 | |
That's a really good price. | 0:18:07 | 0:18:09 | |
Now, just bearing in mind these are made of a base metal, | 0:18:09 | 0:18:13 | |
they're not gold. | 0:18:13 | 0:18:14 | |
These will be gold-plated or just an inexpensive base metal. | 0:18:14 | 0:18:18 | |
You're not buying a rare antique, | 0:18:18 | 0:18:20 | |
they're probably made in the 1970s, that sort of period. | 0:18:20 | 0:18:24 | |
But they're stylish - you're buying style, | 0:18:24 | 0:18:27 | |
you're not buying a precious metal. | 0:18:27 | 0:18:29 | |
Look, you've done really well, the boy done good. | 0:18:29 | 0:18:31 | |
But you're not finished yet. | 0:18:31 | 0:18:33 | |
Because you're going to take those, you're going to take that, | 0:18:33 | 0:18:35 | |
you've got to go and find young Lesley, | 0:18:35 | 0:18:37 | |
nail her down to a good price, get a real good discount | 0:18:37 | 0:18:41 | |
and come back and let me know how you did. | 0:18:41 | 0:18:42 | |
But well done, great spot. | 0:18:42 | 0:18:44 | |
-Can I have a high five? -You can have a high five. | 0:18:44 | 0:18:46 | |
Go and get haggling. Go on! | 0:18:46 | 0:18:48 | |
If you can improve on the price, | 0:18:48 | 0:18:50 | |
Nick seems to think the going's good. | 0:18:50 | 0:18:52 | |
But will the Blues be first past the post with this clock? | 0:18:52 | 0:18:55 | |
My mum was drawn, and I have to agree with her, | 0:18:55 | 0:18:58 | |
to a clock on the top shelf. | 0:18:58 | 0:19:00 | |
So, we just want your opinion, | 0:19:00 | 0:19:02 | |
but I think that's going to be our third buy. | 0:19:02 | 0:19:04 | |
Ah, here, yes, yes! | 0:19:04 | 0:19:07 | |
-Silver alarm clock. -That's right. We think, nice silver frame. | 0:19:07 | 0:19:11 | |
Practical clock, | 0:19:11 | 0:19:13 | |
the sort of thing that pretty much anybody could use in their house. | 0:19:13 | 0:19:17 | |
-Yeah? -And so... -Sort of timeless. | 0:19:17 | 0:19:21 | |
Boom-boom! And it's very easy to see, isn't it? | 0:19:21 | 0:19:25 | |
-It's modern. You know that, though. -Yes, yes. | 0:19:25 | 0:19:28 | |
I think it's probably battery driven, | 0:19:28 | 0:19:30 | |
-which in some ways is a good thing. -Quite. -Yes. | 0:19:30 | 0:19:33 | |
Do you want me to see if I can go and find somebody for you? | 0:19:33 | 0:19:35 | |
-Yes, please. -Right. | 0:19:35 | 0:19:37 | |
Well, the Blues seem confident they've spotted their final item. | 0:19:38 | 0:19:41 | |
How are the odds looking on the cufflinks? | 0:19:41 | 0:19:43 | |
-We have a surprise. -Come on, make me proud, how did you do? | 0:19:43 | 0:19:46 | |
We've spoken to Lesley and the best she can do is £10. | 0:19:46 | 0:19:51 | |
That's a great price, £10. | 0:19:51 | 0:19:53 | |
Well, all day long, you've got a profit in those at a tenner. | 0:19:53 | 0:19:56 | |
So, going to get them paid for, get them bought. | 0:19:56 | 0:19:58 | |
-Yes. Brilliant. -Excellent! -Fantastic. -Brilliant. | 0:19:58 | 0:20:01 | |
We've decided! We made three decisions. | 0:20:01 | 0:20:03 | |
You've made decisions, you bought all three things. | 0:20:03 | 0:20:05 | |
-And we've got time to spare. -In record time. | 0:20:05 | 0:20:07 | |
I think you can go and buy me a cup of tea. | 0:20:07 | 0:20:09 | |
-Come on! -We shall. -Get these paid for. Well done. | 0:20:09 | 0:20:11 | |
Job done, Reds. With 15 minutes on the clock, | 0:20:11 | 0:20:13 | |
it looks like the Blues are about to negotiate on this time piece | 0:20:13 | 0:20:16 | |
without their expert. A brave move. | 0:20:16 | 0:20:19 | |
We'd like to ask about the clock. | 0:20:19 | 0:20:21 | |
We're quite keen on it, but not so keen on the price. | 0:20:22 | 0:20:26 | |
So, I think we're probably hoping for around 70 on the price. | 0:20:26 | 0:20:31 | |
We can't really go that low. | 0:20:33 | 0:20:34 | |
It would be 80. | 0:20:34 | 0:20:36 | |
OK. Just because... | 0:20:37 | 0:20:39 | |
-Maybe meet in the middle at 75? -Meet in the middle at 75? | 0:20:39 | 0:20:41 | |
-Yes. -Brilliant. Thank you very much, Matthew. | 0:20:41 | 0:20:44 | |
The Blues are happy with the price. Let's hope Caroline is, too. | 0:20:44 | 0:20:48 | |
So, with the shopping over, it's time to call time. PHONE RINGS | 0:20:48 | 0:20:51 | |
OK, I'll pass that on. | 0:20:51 | 0:20:53 | |
Teams, your time's up. | 0:20:53 | 0:20:56 | |
Has anything happened, have I missed anything? | 0:20:56 | 0:20:58 | |
Well, we've just blown, but I think in a positive way, £75. | 0:20:58 | 0:21:03 | |
-Ooh! -So, I think... -On the clock? -On the clock. | 0:21:03 | 0:21:06 | |
Whoo! Well done. Susan, whoohoo! Well done. | 0:21:06 | 0:21:10 | |
Let's remind ourselves what the Red team bought. | 0:21:10 | 0:21:13 | |
I know! | 0:21:13 | 0:21:15 | |
First up, they're hoping for a pretty profit | 0:21:15 | 0:21:17 | |
on this amber necklace, bought for £35. | 0:21:17 | 0:21:19 | |
Next, have they taken a risk on the shipbuilder's tool? Bought for £68. | 0:21:21 | 0:21:25 | |
And finally, will they romp home with these cufflinks? | 0:21:27 | 0:21:30 | |
£10 paid. | 0:21:30 | 0:21:31 | |
-Well done, Felix, Heather. -Thank you. | 0:21:33 | 0:21:35 | |
Which of the three items that you bought, Felix, | 0:21:35 | 0:21:37 | |
is your absolute favourite? | 0:21:37 | 0:21:38 | |
I do love the shipbuilder's tool. | 0:21:38 | 0:21:41 | |
I think it's wicked. I think it looks really cool. | 0:21:41 | 0:21:43 | |
It's special, it's unique and it's just weird. | 0:21:43 | 0:21:46 | |
You're not sure, but do you think in your heart of hearts, | 0:21:46 | 0:21:48 | |
it's going to bring the biggest profit? | 0:21:48 | 0:21:50 | |
I hope sitting in the front row will be a shipbuilder | 0:21:50 | 0:21:53 | |
who has an empty tool belt and goes "That's what I need!" | 0:21:53 | 0:21:56 | |
And we'll be sorted for that. | 0:21:56 | 0:21:57 | |
Heather, do you agree? Is the shipbuilder's tool | 0:21:57 | 0:22:00 | |
your favourite item? | 0:22:00 | 0:22:01 | |
No, my favourite item is the necklace. | 0:22:01 | 0:22:04 | |
So, do you think it's going to bring the biggest profit? | 0:22:04 | 0:22:06 | |
No, I think our third item, the cufflinks and the tie pin. | 0:22:06 | 0:22:10 | |
Now, what did you spend? £113, was it? | 0:22:10 | 0:22:15 | |
-Yes! -That's right. -I think it was. -Which leaves £187 left over. | 0:22:15 | 0:22:19 | |
-And have you got it? -I certainly do. -Perfect. Right. | 0:22:19 | 0:22:22 | |
-Nick? -Thank you. -Is that a challenge? | 0:22:22 | 0:22:25 | |
Not really. It's a good antiques centre, | 0:22:25 | 0:22:27 | |
and I'll find something, I think, because we went a bit off-piste. | 0:22:27 | 0:22:30 | |
Something with a bit of quality and a bit of pizazz. | 0:22:30 | 0:22:34 | |
-Sounds exciting! -Excellent. | 0:22:34 | 0:22:36 | |
While Nick goes looking for his bonus buy, | 0:22:36 | 0:22:38 | |
let's remind ourselves what the Blue team bought. | 0:22:38 | 0:22:40 | |
First up, Susan negotiated a price of £90 for this Hermes-style scarf. | 0:22:40 | 0:22:45 | |
The equine theme continues with this vesta case, £23 paid. | 0:22:46 | 0:22:51 | |
And finally, Susan wanted some silver | 0:22:51 | 0:22:53 | |
and splashed out £75 on this modern clock. | 0:22:53 | 0:22:56 | |
Well, I have to say, well done, Blues, | 0:22:56 | 0:22:59 | |
that was a very calm and considered shop. | 0:22:59 | 0:23:01 | |
And Caroline, you must be super impressed by Susan's knowledge. | 0:23:01 | 0:23:04 | |
Really impressed. Really impressed! | 0:23:04 | 0:23:06 | |
In fact, I didn't need to be there. Mind you, nor did you! | 0:23:06 | 0:23:09 | |
Which of the three items, Susan, would you say is your favourite? | 0:23:10 | 0:23:14 | |
-The scarf. -The scarf. | 0:23:14 | 0:23:15 | |
Now, it cost you £90, | 0:23:15 | 0:23:17 | |
so do you think it's going to bring the biggest profit | 0:23:17 | 0:23:19 | |
-or will that be something else? -Yes, I think that will. | 0:23:19 | 0:23:22 | |
So, Roger, do you agree with Susan? Is the scarf your favourite item? | 0:23:22 | 0:23:25 | |
Well, I've got where I am today by agreeing with Mum, | 0:23:25 | 0:23:27 | |
so I'm going to do that again, and say it's the scarf. | 0:23:27 | 0:23:31 | |
Fantastic, OK. | 0:23:31 | 0:23:32 | |
So, do you also think it's going to bring the biggest profit? | 0:23:32 | 0:23:34 | |
I think if somebody wants that scarf, | 0:23:34 | 0:23:36 | |
they'll pay over the odds for it. | 0:23:36 | 0:23:38 | |
Now, over three items, you spent £188, so who's got £112? | 0:23:38 | 0:23:43 | |
-Mum! -I have. -OK, Caroline, with £112. | 0:23:43 | 0:23:47 | |
Thank you very much indeed, I'm going to enjoy this. | 0:23:47 | 0:23:50 | |
-Do you have a plan? -I'm going to do it very, very carefully, | 0:23:50 | 0:23:53 | |
whatever I do, or else Susan's going to be watching me. | 0:23:53 | 0:23:55 | |
So, no pressure on Caroline, then, | 0:23:57 | 0:23:58 | |
as she goes looking for the bonus buy. | 0:23:58 | 0:24:00 | |
And I'm off to visit Winston Churchill's home. | 0:24:00 | 0:24:03 | |
This is no ordinary pair of round tortoiseshell spectacles. | 0:24:05 | 0:24:10 | |
They've just come to the market via a private seller, | 0:24:10 | 0:24:13 | |
and are valued at £1,000-£1,500. | 0:24:13 | 0:24:17 | |
Why? Well, they're thought to have been made | 0:24:17 | 0:24:20 | |
for Britain's great wartime Prime Minister, Sir Winston Churchill. | 0:24:20 | 0:24:23 | |
He lived here, at Chartwell in Kent, for 43 years, | 0:24:25 | 0:24:29 | |
and in the long hours spent writing, reading and painting, | 0:24:29 | 0:24:32 | |
his glasses were his steadfast companions. | 0:24:32 | 0:24:35 | |
As well as this round-rimmed style, | 0:24:37 | 0:24:39 | |
Churchill also favoured half-moon spectacles. | 0:24:39 | 0:24:42 | |
While he had his day-to-day pairs, | 0:24:43 | 0:24:45 | |
Churchill's opticians, CW Dixey & Son of London, | 0:24:45 | 0:24:49 | |
kept back three copies in case of breakages and loss. | 0:24:49 | 0:24:53 | |
This set on the desk, Churchill's desk, is thought to be one pair. | 0:24:53 | 0:24:57 | |
These are going under the hammer at auction, that's the second pair, | 0:24:57 | 0:25:00 | |
but the whereabouts of the third remains a mystery. | 0:25:00 | 0:25:03 | |
Here to tell us more is the company's MD, Simon Palmer. | 0:25:03 | 0:25:07 | |
So, Simon, Churchill's famed for his style, particularly his spectacles, | 0:25:08 | 0:25:12 | |
so why, of all the makers, did he choose CW Dixey? | 0:25:12 | 0:25:16 | |
Well, we were established in 1777 and we had a lot of royal warrants, | 0:25:16 | 0:25:19 | |
and I think it's probably the reputation that first attracted him. | 0:25:19 | 0:25:22 | |
And you have a couple of those royal warrants with you, haven't you? | 0:25:22 | 0:25:25 | |
These are great archive documents. | 0:25:25 | 0:25:26 | |
Yes, this one's Queen Victoria from 1893, | 0:25:26 | 0:25:30 | |
and the other one is from King George VI from the Second World War. | 0:25:30 | 0:25:33 | |
So, what documents are there in the archives? Receipts, etc, | 0:25:33 | 0:25:36 | |
that show that Churchill was a customer? | 0:25:36 | 0:25:38 | |
Well, our archive's a treasure trove of original documents, | 0:25:38 | 0:25:41 | |
and the Churchill archive have a number of our original bills, | 0:25:41 | 0:25:44 | |
of which two are here, and you can see this one's a bill dated 1915, | 0:25:44 | 0:25:48 | |
and it's for spectacles for sketching and reading. | 0:25:48 | 0:25:52 | |
And this one's from 1944. | 0:25:52 | 0:25:54 | |
It says, "I received the half-eye spectacles this morning, | 0:25:54 | 0:25:58 | |
"and as Mr Churchill no longer requires them, | 0:25:58 | 0:26:01 | |
"I've arranged for the frame to be credited in full." | 0:26:01 | 0:26:04 | |
So, this, as we know, wasn't his style - | 0:26:04 | 0:26:06 | |
he preferred the full frame, didn't he? | 0:26:06 | 0:26:08 | |
It's amazing how long he wore the same style for, | 0:26:08 | 0:26:10 | |
if you think about it. He didn't change his style with the round-eye, | 0:26:10 | 0:26:13 | |
but you occasionally see the half-eye where he's giving speeches, | 0:26:13 | 0:26:15 | |
because I think he liked to peer over the top at the audience. | 0:26:15 | 0:26:18 | |
Of course. So, this photograph you have here | 0:26:18 | 0:26:21 | |
is an original pair of Churchill glasses, they've got one dot. | 0:26:21 | 0:26:24 | |
This modern pair here has two dots. So what were these codes? | 0:26:24 | 0:26:28 | |
The company came up with a very ingenious way | 0:26:28 | 0:26:30 | |
of allowing Mr Churchill to determine which frame | 0:26:30 | 0:26:33 | |
was for which purpose, and that was by putting little dots | 0:26:33 | 0:26:35 | |
at the end of the arms. | 0:26:35 | 0:26:36 | |
One dot was for a reading frame, and two dots were for giving speeches. | 0:26:36 | 0:26:41 | |
I have seen a frame with three dots, | 0:26:41 | 0:26:42 | |
but I'm afraid to say I can't work out what that's for, exactly. | 0:26:42 | 0:26:45 | |
So perhaps it was for painting, for which he was also really well-known. | 0:26:45 | 0:26:48 | |
Maybe card playing too - who knows? | 0:26:48 | 0:26:50 | |
Now, your records show that Churchill wasn't | 0:26:50 | 0:26:52 | |
a fair-weather client of the company, was he? | 0:26:52 | 0:26:55 | |
He was a really loyal one. | 0:26:55 | 0:26:56 | |
Our archives show he was a customer for nearly 50 years, | 0:26:56 | 0:26:59 | |
buying the same kind of designs, and if you think about it, | 0:26:59 | 0:27:02 | |
it's really unusual for someone to stay | 0:27:02 | 0:27:03 | |
so loyal to a company for so long. | 0:27:03 | 0:27:05 | |
And I believe the company even had spare spectacles waiting | 0:27:05 | 0:27:08 | |
in case of an emergency. | 0:27:08 | 0:27:09 | |
Yes, the company always kept a few pairs in reserve, | 0:27:09 | 0:27:11 | |
and Churchill was always breaking frames, | 0:27:11 | 0:27:13 | |
-so there was always a frame ready to send out. -So, over the years, | 0:27:13 | 0:27:17 | |
Churchill can't have been the only celebrated client. | 0:27:17 | 0:27:20 | |
Oh, we're very lucky. Just amazing patrons over the centuries. | 0:27:20 | 0:27:24 | |
The Emperor of China was a client. | 0:27:24 | 0:27:26 | |
So was Napoleon Bonaparte, | 0:27:26 | 0:27:28 | |
and in the more modern age, we've had many writers and actors. | 0:27:28 | 0:27:32 | |
For example, Ian Fleming was a client in the 1950s. | 0:27:32 | 0:27:35 | |
And it was a few years after he came to us | 0:27:35 | 0:27:37 | |
that he wrote one of his famous stories, For Your Eyes Only. | 0:27:37 | 0:27:40 | |
No pun intended! So what's the document there, | 0:27:40 | 0:27:43 | |
the little card you've got? | 0:27:43 | 0:27:45 | |
That was his sight test record, when he came to the company, | 0:27:45 | 0:27:47 | |
and actually someone from the firm has written | 0:27:47 | 0:27:49 | |
"Author James Bond series" in it, in beautiful calligraphy. | 0:27:49 | 0:27:52 | |
Thank you very much, Simon. | 0:27:52 | 0:27:54 | |
Now, it's time to see if our teams will make Bargain Hunt history | 0:27:54 | 0:27:57 | |
as we head to the auction. | 0:27:57 | 0:27:59 | |
We're here now at Catherine Southon Auctions in Surrey, | 0:28:04 | 0:28:07 | |
joined by Catherine Southon herself. | 0:28:07 | 0:28:09 | |
Thank you so much for having us along. | 0:28:09 | 0:28:11 | |
-Well, thank you for coming. -We're starting with the Red team, | 0:28:11 | 0:28:13 | |
-Felix and Heather. -Mm-hm. -And we're starting with this amber necklace. | 0:28:13 | 0:28:17 | |
It's pretty, it's dainty, | 0:28:17 | 0:28:19 | |
is it going to float the boat of your buyers? | 0:28:19 | 0:28:21 | |
I actually really like that. | 0:28:21 | 0:28:23 | |
You know, it's quite cleverly made, because you've got all the silk, | 0:28:23 | 0:28:26 | |
which has been plaited, and then you have lots of little pieces of amber, | 0:28:26 | 0:28:30 | |
lots of different colours, different textures, different sizes. | 0:28:30 | 0:28:33 | |
I think it looks attractive. | 0:28:33 | 0:28:35 | |
We have put a guide price of 30-40 on it. | 0:28:35 | 0:28:38 | |
They paid slap bang in the middle of your estimate, £35. | 0:28:38 | 0:28:40 | |
So, it could do all right. | 0:28:40 | 0:28:42 | |
I think we might have a winner there. | 0:28:42 | 0:28:44 | |
OK, we'll move on to a slightly more mysterious item. | 0:28:44 | 0:28:48 | |
Not quite sure exactly what it is, | 0:28:48 | 0:28:50 | |
but Nick thinks it's a shipbuilding tool of some sort. | 0:28:50 | 0:28:54 | |
It could be, maybe for locomotives, something like that. | 0:28:54 | 0:28:58 | |
It's a whopper of a tool. | 0:28:58 | 0:28:59 | |
But what is it for? Someone will know. | 0:28:59 | 0:29:02 | |
I don't, I'm afraid, but I do like it. | 0:29:02 | 0:29:04 | |
-I think it's impressive. -Do you want to tell us what you think | 0:29:04 | 0:29:06 | |
-it's going to make at the auction? -Well, this is really a guesstimate. | 0:29:06 | 0:29:09 | |
It's £40-£60. | 0:29:09 | 0:29:11 | |
Well, the team were happy to pay £68 for it, | 0:29:11 | 0:29:14 | |
so hopefully they get a bit higher than you think it's going to make. | 0:29:14 | 0:29:17 | |
-I really hope so! -And third and final, | 0:29:17 | 0:29:19 | |
we've got these equestrian cufflinks, super sweet. | 0:29:19 | 0:29:23 | |
They've got the matching tie stud, as well. | 0:29:23 | 0:29:25 | |
It doesn't do a lot for me because they're not of any precious metal. | 0:29:25 | 0:29:28 | |
They're only gilt metal but they're pretty smart. | 0:29:28 | 0:29:32 | |
£20-£30. | 0:29:32 | 0:29:33 | |
Well, the team knew they weren't precious metal | 0:29:33 | 0:29:35 | |
and they didn't pay a precious price. Only £10. | 0:29:35 | 0:29:38 | |
-Bargain! -Looks all right for the Reds. | 0:29:38 | 0:29:41 | |
Catherine's very positive the team will make some profits, | 0:29:41 | 0:29:44 | |
but just in case, let's see what Nick bought as a bonus buy. | 0:29:44 | 0:29:47 | |
I went for glitz and glam. | 0:29:48 | 0:29:50 | |
Something that might shine in the auction. | 0:29:50 | 0:29:53 | |
Ta-dah! | 0:29:53 | 0:29:55 | |
-Now, that's impressive. -SHE LAUGHS | 0:29:55 | 0:29:57 | |
That's not a good reaction, Mum! What do you think? I like it. | 0:29:57 | 0:30:00 | |
-Do you? -You do. | 0:30:00 | 0:30:02 | |
Heather, I don't think you're as keen on it as Felix is. | 0:30:02 | 0:30:05 | |
I don't know, I don't particularly like it. | 0:30:05 | 0:30:08 | |
I wouldn't have it in my house, personally. | 0:30:08 | 0:30:10 | |
It's classic, isn't it? In the form of a modern table lamp, | 0:30:10 | 0:30:13 | |
with this lovely pink marble, gilt metal, | 0:30:13 | 0:30:16 | |
almost ormolu mounts in a classic Grecian column. | 0:30:16 | 0:30:20 | |
Dare we ask how much did you spend on it? | 0:30:20 | 0:30:23 | |
-Thousands! £40. -Oh, OK. That's OK, then. | 0:30:23 | 0:30:26 | |
-That's really good. -I like it more now, at £40. | 0:30:26 | 0:30:28 | |
How much do you think it's going to make? | 0:30:28 | 0:30:31 | |
I think it might make 60-80. | 0:30:31 | 0:30:35 | |
-That's not bad. -I would hope so. | 0:30:35 | 0:30:37 | |
Well, Nick seems convinced with his bonus buy, | 0:30:37 | 0:30:39 | |
the Reds seem half convinced. | 0:30:39 | 0:30:41 | |
Let's see if Catherine has seen the light. | 0:30:41 | 0:30:43 | |
OK, so I'm glad I've been to the gym, Catherine, | 0:30:43 | 0:30:46 | |
because I've got a lump to show you. | 0:30:46 | 0:30:48 | |
Here is Nick's full marble lamp - what do you make of that? | 0:30:49 | 0:30:52 | |
If you get too close, you see it is faux marble, | 0:30:52 | 0:30:56 | |
but it's got this nice Corinthian capital at the top, | 0:30:56 | 0:30:59 | |
with the acanthus leaves and the sort of stepped base, | 0:30:59 | 0:31:02 | |
but it's modern, at the end of the day. | 0:31:02 | 0:31:05 | |
I think £30-£50 is fair. | 0:31:05 | 0:31:08 | |
He did only pay £40 for it, so perhaps that was... | 0:31:08 | 0:31:10 | |
-That's OK. -..his influence there. | 0:31:10 | 0:31:12 | |
I think it's going to look quite rosy for the Reds, actually. | 0:31:12 | 0:31:15 | |
I think it probably is, yeah. | 0:31:15 | 0:31:16 | |
But let's head to the Blues - we have Roger and Susan. | 0:31:16 | 0:31:19 | |
Are we convinced this is an original, authentic Hermes scarf? | 0:31:19 | 0:31:23 | |
When you're buying one of these scarves, | 0:31:23 | 0:31:25 | |
they usually are very exact measurements. | 0:31:25 | 0:31:27 | |
It's 40 by 40, 60 by 60, 90 by 90. | 0:31:27 | 0:31:31 | |
This doesn't come into those measurements. | 0:31:31 | 0:31:33 | |
It's not the correct weight, they're all very precise in their weight, | 0:31:33 | 0:31:36 | |
and also, when you look at the silk really, really closely, | 0:31:36 | 0:31:40 | |
you can see it hasn't got that woven sort of pattern. | 0:31:40 | 0:31:43 | |
I'm not convinced this is right. | 0:31:43 | 0:31:45 | |
OK. So, whoever is going to buy it, | 0:31:45 | 0:31:47 | |
-it's purely for the look, as opposed to the name? -Exactly. | 0:31:47 | 0:31:51 | |
So, what do you think that someone would be prepared to pay for it? | 0:31:51 | 0:31:54 | |
I think £60-£80. | 0:31:54 | 0:31:56 | |
So it's not all doom and gloom because the team paid £90 for it. | 0:31:56 | 0:32:00 | |
-So, it's close. -Right, OK. | 0:32:00 | 0:32:01 | |
Our next item is this little brass vesta. | 0:32:01 | 0:32:05 | |
So, another equestrian item. Shape of a horseshoe. | 0:32:05 | 0:32:08 | |
Yeah, I mean, it's novelty and people like equestrian items, | 0:32:08 | 0:32:12 | |
but there's not an awful lot to it. Again, not precious metal. | 0:32:12 | 0:32:15 | |
It's brass, so it's quite basic. | 0:32:15 | 0:32:17 | |
£15 to £20. | 0:32:17 | 0:32:19 | |
OK, well, once again, the team paid just over - they paid £23 this time. | 0:32:19 | 0:32:23 | |
Then moving in a completely different direction, | 0:32:23 | 0:32:26 | |
we have this modern clock. | 0:32:26 | 0:32:28 | |
It does have a silver frame. How do you think it's going to appeal? | 0:32:28 | 0:32:31 | |
No. I daren't turn it round because you can see, really, the age to it - | 0:32:31 | 0:32:34 | |
it is pretty much brand-new and it is silver. | 0:32:34 | 0:32:37 | |
It does have a silver frame but it's a very thin amount of silver. | 0:32:37 | 0:32:41 | |
So what's your estimate? | 0:32:41 | 0:32:44 | |
-30-50. -OK, well, the team paid £75 for the clock. | 0:32:44 | 0:32:48 | |
Hopefully they won't lose too much money, | 0:32:48 | 0:32:51 | |
but it doesn't look quite as good for the Blues. | 0:32:51 | 0:32:55 | |
Not quite as rosy, no, no. We will try. | 0:32:55 | 0:32:57 | |
Yeah, you will try, of course, but in case it all goes pear-shaped, | 0:32:57 | 0:33:00 | |
they do have their bonus buy to fall back on, | 0:33:00 | 0:33:03 | |
so let's see what Caroline bought for the Blues. | 0:33:03 | 0:33:05 | |
-Shall I reveal it? -Yes, please. | 0:33:07 | 0:33:09 | |
-Wow! -It's a doll's chair. | 0:33:09 | 0:33:11 | |
It's a Victorian doll's chair. | 0:33:11 | 0:33:13 | |
This is really good quality. | 0:33:13 | 0:33:15 | |
It's ebonised on mahogany. | 0:33:15 | 0:33:17 | |
It's got beautiful, beautiful gilt highlighting, | 0:33:17 | 0:33:21 | |
all these spindles are in good condition. | 0:33:21 | 0:33:24 | |
-I absolutely love it. -I love it. | 0:33:24 | 0:33:26 | |
And the upholstery is original upholstery. | 0:33:26 | 0:33:30 | |
The last quarter of the 19th century, I would think. | 0:33:30 | 0:33:33 | |
This is needlework, cross-stitch. It's badly worn now. | 0:33:33 | 0:33:37 | |
-Top marks, Caroline. -It's delightful. -Thank you so much. | 0:33:37 | 0:33:41 | |
Well, except, we need to know how much you paid for it. | 0:33:41 | 0:33:44 | |
-Well, I paid 40. -Whey! | 0:33:44 | 0:33:46 | |
-Well done. What do you think it will make? -65, 70. | 0:33:46 | 0:33:50 | |
I need to remind you, Blues, | 0:33:50 | 0:33:51 | |
that now is not the time to make up your minds, | 0:33:51 | 0:33:54 | |
so while you're mulling it over, | 0:33:54 | 0:33:56 | |
let's see what Catherine, our auctioneer, | 0:33:56 | 0:33:58 | |
makes of this delightful doll's chair. | 0:33:58 | 0:34:00 | |
So, Caroline has gone for a rather sweet doll's chair. | 0:34:00 | 0:34:05 | |
Let me just plonk it down. | 0:34:05 | 0:34:08 | |
What do you think? | 0:34:08 | 0:34:09 | |
Well, I think my bottom's too big to go on this, | 0:34:09 | 0:34:11 | |
-so I think it's definitely for a teddy bear or a doll. -Yes. | 0:34:11 | 0:34:15 | |
You're not supposed to say yes! But this is definitely Victorian. | 0:34:15 | 0:34:19 | |
It's seen better days. Ebonised back, ebonised frame. | 0:34:19 | 0:34:23 | |
It's a little bit worn in places. | 0:34:23 | 0:34:26 | |
Nice to have the original upholstery. | 0:34:26 | 0:34:28 | |
Before I get to your estimate, | 0:34:28 | 0:34:29 | |
I just want to clarify that my bottom wouldn't fit on it, either. | 0:34:29 | 0:34:32 | |
So, what do you think it's worth, Catherine? | 0:34:32 | 0:34:34 | |
-£30-50. -30-50? | 0:34:34 | 0:34:35 | |
-Well, Caroline was content to pay £40 for it. -Yeah, well done. | 0:34:35 | 0:34:39 | |
Sounds to me like you might have your work cut out today, | 0:34:39 | 0:34:42 | |
-but you're looking forward to going on the rostrum? -Oh, yeah. | 0:34:42 | 0:34:45 | |
I'll give it everything! | 0:34:45 | 0:34:46 | |
You always do, Catherine, best of luck. | 0:34:46 | 0:34:48 | |
55, 60, 5... | 0:34:50 | 0:34:52 | |
OK, Heather, Felix, Nick, feeling positive about today's auction? | 0:34:54 | 0:34:59 | |
-Pumped. I think this is it. -Really? -Very excited. | 0:34:59 | 0:35:02 | |
I think we've got some interesting items that could possibly do well. | 0:35:02 | 0:35:06 | |
He told me his rent's due today, so we've got to make some profit. | 0:35:06 | 0:35:09 | |
Literally, it's all counting on this! | 0:35:09 | 0:35:11 | |
Or moving back home, so we better do well! | 0:35:11 | 0:35:14 | |
-It's all on this. -Heather, for you, we're going to make a profit. | 0:35:14 | 0:35:17 | |
We want to avoid that at all costs. | 0:35:17 | 0:35:19 | |
First item we've got coming up, Heather, is your favourite. | 0:35:19 | 0:35:22 | |
It's the necklace. | 0:35:22 | 0:35:23 | |
-Here it comes. -Lot 277, ladies and gentlemen, | 0:35:23 | 0:35:26 | |
we have a modern, polished amber and silk multi-strand necklace. | 0:35:26 | 0:35:32 | |
I'm looking for a very mere £30. | 0:35:32 | 0:35:37 | |
-Oh! -That would be a good start. | 0:35:37 | 0:35:39 | |
£30 is bid, thank you. £30 straightaway. | 0:35:40 | 0:35:43 | |
I'm looking for five. | 0:35:43 | 0:35:44 | |
-Come on! -Pretty little necklace, £30. | 0:35:44 | 0:35:48 | |
Come on, that's cheap. | 0:35:48 | 0:35:49 | |
Come on, please! | 0:35:49 | 0:35:50 | |
Make someone's day. | 0:35:50 | 0:35:52 | |
-£30... -BANGS GAVEL | 0:35:52 | 0:35:54 | |
Oh! We're starting on the back foot. | 0:35:54 | 0:35:57 | |
Looks like I'm coming home, Mum! | 0:35:57 | 0:35:59 | |
You paid £30, so you've lost five just then. | 0:35:59 | 0:36:02 | |
So, this is it, Felix, the shipbuilder's tool. | 0:36:02 | 0:36:05 | |
£68 paid, I really hope there is profit in it. | 0:36:05 | 0:36:08 | |
Lot 278, this is... Well, it could be a shipbuilder's tool. | 0:36:08 | 0:36:14 | |
It could be a railway tool, but it is some form of tool. | 0:36:14 | 0:36:17 | |
I'm looking for £40, please. £40 to start this. | 0:36:17 | 0:36:21 | |
-Go on! -Oh, dear. 40's not much. | 0:36:21 | 0:36:24 | |
£40. Come on, ladies and gentlemen. £40? | 0:36:24 | 0:36:27 | |
30, then? | 0:36:27 | 0:36:29 | |
-Oh, she's dropping. Sinking! -That's a bargain! | 0:36:29 | 0:36:32 | |
This has to sell. £20? | 0:36:32 | 0:36:35 | |
-Oh, go on. -No! -Felix, what happened? | 0:36:35 | 0:36:38 | |
Come on, £20. Thank you, there's a man that knows. | 0:36:38 | 0:36:40 | |
£20. I'm looking for five. | 0:36:40 | 0:36:42 | |
£20, I have. | 0:36:42 | 0:36:43 | |
Any more? Fair warning. £20. | 0:36:43 | 0:36:47 | |
Deep breath! £20. | 0:36:47 | 0:36:49 | |
I'd get that spare room ready, if I was you. | 0:36:49 | 0:36:51 | |
Yes! That was a loss of 48, which means overall, you're now -53. | 0:36:51 | 0:36:56 | |
OK, team, you only paid £10 for this set of cufflinks so, come on, | 0:36:56 | 0:37:01 | |
-here we go. -There should be a profit in this one. | 0:37:01 | 0:37:03 | |
Let's get some profit. | 0:37:03 | 0:37:04 | |
Lot 279, some rather nice vintage gilt and enamel | 0:37:04 | 0:37:08 | |
equestrian cuff links, and a matching tie stud. | 0:37:08 | 0:37:12 | |
£30, anyone? £30? | 0:37:12 | 0:37:15 | |
20? Thank you. | 0:37:15 | 0:37:17 | |
£20, we're in profit! | 0:37:17 | 0:37:19 | |
£20, then. | 0:37:19 | 0:37:20 | |
Fair warning, £20. | 0:37:21 | 0:37:24 | |
-OK, £20. -Aw! | 0:37:24 | 0:37:25 | |
Right, you did make a profit, so that's £10. | 0:37:25 | 0:37:29 | |
Take that from your 53, you're -43. | 0:37:29 | 0:37:32 | |
So, the question looms, the big question, is Felix moving back home? | 0:37:32 | 0:37:37 | |
No, I'm just kidding! The big question is, | 0:37:37 | 0:37:39 | |
are you going to go with Nick's bonus buy? | 0:37:39 | 0:37:42 | |
-I suppose you don't have much to lose. -Yes! | 0:37:42 | 0:37:45 | |
-Nothing to lose. -Are you ready for this? | 0:37:45 | 0:37:47 | |
-Yes. -The bonus buy is all on Nick, here it comes. | 0:37:47 | 0:37:50 | |
282, a contemporary faux-marble table lamp stand with shade. | 0:37:50 | 0:37:55 | |
£30? £30. | 0:37:55 | 0:37:58 | |
It's not happening. | 0:37:58 | 0:38:00 | |
This has to be sold. | 0:38:00 | 0:38:01 | |
20. Thank you. £20. | 0:38:01 | 0:38:03 | |
Any more at 20, then? | 0:38:03 | 0:38:05 | |
-Fair warning at £20... -BANGS GAVEL | 0:38:05 | 0:38:08 | |
Oi, oi, oi, OK. £20. | 0:38:08 | 0:38:10 | |
Team, I can see why you're a wee bit deflated. | 0:38:10 | 0:38:13 | |
That's another loss. It means you risked it, it didn't pay off. | 0:38:13 | 0:38:17 | |
--63 is where we end up. -That's not too bad! | 0:38:17 | 0:38:21 | |
It's not too bad but this is a competition, so we've got to play | 0:38:21 | 0:38:24 | |
the numbers game here. OK. | 0:38:24 | 0:38:26 | |
All you have to do is, firstly, keep your mouths sealed, | 0:38:26 | 0:38:29 | |
don't say anything to the Blues, and hope that they lose more. | 0:38:29 | 0:38:32 | |
I shall never speak of this again, believe me! | 0:38:32 | 0:38:34 | |
Right, Blues, are you ready for this? | 0:38:39 | 0:38:42 | |
Catherine Southon is on the rostrum. | 0:38:42 | 0:38:43 | |
She is offering your Hermes scarf as we speak. | 0:38:43 | 0:38:46 | |
-Are you a bit nervous? -No, we're confident. | 0:38:46 | 0:38:48 | |
-Good. -We're good. -Well, you paid £90 for it, so let's hope for profit. | 0:38:48 | 0:38:53 | |
It's lot 288, a vintage silk Hermes-style scarf. | 0:38:53 | 0:38:58 | |
Who will give me £20 to start this? | 0:38:58 | 0:39:01 | |
-Ooh! -£20? -Oh, no. | 0:39:01 | 0:39:04 | |
Thank you, internet. I have £20. | 0:39:04 | 0:39:06 | |
£20. 30, thank you. | 0:39:06 | 0:39:10 | |
I've got 35. | 0:39:10 | 0:39:11 | |
Susan, you look worried. | 0:39:11 | 0:39:13 | |
35, all done? | 0:39:13 | 0:39:16 | |
OK, listen, it happens at auction. | 0:39:16 | 0:39:18 | |
£35 is a loss of £55. | 0:39:18 | 0:39:22 | |
So, we need this vesta case to make some money. | 0:39:22 | 0:39:26 | |
You paid £23! Here we go. | 0:39:26 | 0:39:28 | |
Lot 289 is a brass vesta in the form of a horseshoe. | 0:39:28 | 0:39:31 | |
What shall we say for this? 10? 10 is bid. | 0:39:31 | 0:39:34 | |
10, 12 14, 16. | 0:39:34 | 0:39:38 | |
-A bit of competition. -18, 20. | 0:39:38 | 0:39:40 | |
22... | 0:39:40 | 0:39:42 | |
-Come on! -Surely another? | 0:39:42 | 0:39:44 | |
-£1 away! -One more! | 0:39:44 | 0:39:46 | |
-22, 24, 26. -Yes! | 0:39:46 | 0:39:49 | |
£26, it's yours, sir. | 0:39:49 | 0:39:52 | |
£26. OK, so you made three. | 0:39:52 | 0:39:55 | |
We're clawing our way back here. | 0:39:55 | 0:39:57 | |
You're now -52. | 0:39:57 | 0:39:59 | |
What can we get from this clock? | 0:39:59 | 0:40:02 | |
Lot 290, we have a modern clock with a silver frame. | 0:40:02 | 0:40:06 | |
I've got bid on the internet of £20. | 0:40:06 | 0:40:09 | |
-Ooh! Starting low. -I'm looking for 30. | 0:40:09 | 0:40:12 | |
Thank you. 30, I have. | 0:40:12 | 0:40:14 | |
£30, I have. We would like more. | 0:40:14 | 0:40:16 | |
Yes, we would! | 0:40:16 | 0:40:18 | |
-I think she read your mind! -Any more? | 0:40:18 | 0:40:20 | |
Oh, 40 now. | 0:40:20 | 0:40:22 | |
50. | 0:40:22 | 0:40:23 | |
50, I have. £50. | 0:40:23 | 0:40:25 | |
Seated at £50. | 0:40:25 | 0:40:28 | |
50 it is. OK, it's another loss, Blues. | 0:40:28 | 0:40:30 | |
25. So, overall, what have you lost? | 0:40:30 | 0:40:33 | |
£77. | 0:40:33 | 0:40:36 | |
Right, so 77 is our loss. | 0:40:36 | 0:40:38 | |
It's not what we were hoping for, so Caroline Hawley now has her moment | 0:40:38 | 0:40:42 | |
because she bought you that doll's chair that you love. | 0:40:42 | 0:40:45 | |
Do you think it's worth risking more loss? | 0:40:45 | 0:40:48 | |
Absolutely, yes. | 0:40:48 | 0:40:50 | |
OK, Caroline, it's all on you. | 0:40:50 | 0:40:52 | |
Are you ready, Susan? | 0:40:52 | 0:40:54 | |
Here we go, here's the bonus buy. | 0:40:54 | 0:40:55 | |
We have the sweetest Victorian ebonised doll's chair, lot 294 here. | 0:40:55 | 0:41:01 | |
With original upholstery. | 0:41:01 | 0:41:04 | |
How can you resist? | 0:41:04 | 0:41:06 | |
£30. £30 straightaway. | 0:41:06 | 0:41:08 | |
-Straight in at 30. -OK. -Already got £30. | 0:41:08 | 0:41:12 | |
35, 40, madam? | 0:41:12 | 0:41:14 | |
It will fit in the car, I promise. | 0:41:14 | 0:41:16 | |
-£40. 45. -Yes! | 0:41:16 | 0:41:19 | |
-50, thank you. -Yes! | 0:41:19 | 0:41:21 | |
Caroline's item has made a profit. | 0:41:21 | 0:41:23 | |
£50, 55. | 0:41:23 | 0:41:25 | |
£60, £60 now. | 0:41:25 | 0:41:29 | |
£60, fair warning. | 0:41:29 | 0:41:30 | |
That was the best result. Well done, Caroline! | 0:41:30 | 0:41:34 | |
So, Caroline has given you a helping hand. | 0:41:34 | 0:41:36 | |
The doll's chair made more than Catherine was expecting. | 0:41:36 | 0:41:39 | |
£60 is a £20 profit. | 0:41:39 | 0:41:41 | |
We'll add that to your loss, it's -57 overall. | 0:41:41 | 0:41:45 | |
Now, I know that you two have seen Bargain Hunt before. | 0:41:47 | 0:41:49 | |
-It's a numbers game. That could be a winning score. -OK. | 0:41:49 | 0:41:53 | |
So, don't be pessimistic and don't say anything to the Reds. | 0:41:53 | 0:41:57 | |
-OK? -OK. | 0:41:57 | 0:41:59 | |
Well, teams, you just never can predict what's going to happen | 0:42:05 | 0:42:08 | |
on Bargain Hunt, can you? | 0:42:08 | 0:42:11 | |
-£6 separates our teams today. -Oh! | 0:42:11 | 0:42:15 | |
Now, I've given it away here | 0:42:15 | 0:42:16 | |
that neither team made any money, clearly, | 0:42:16 | 0:42:19 | |
because £6 either end does not mean profit. | 0:42:19 | 0:42:23 | |
Our winners today, with a loss... | 0:42:23 | 0:42:25 | |
..of £57, are the Blues! | 0:42:27 | 0:42:30 | |
Yay! | 0:42:30 | 0:42:31 | |
Now, I have to just point out that Susan was so despondent, | 0:42:31 | 0:42:35 | |
you thought, "I can't believe we came here, we lost all that money." | 0:42:35 | 0:42:38 | |
Susan, can you believe you've actually won? | 0:42:38 | 0:42:40 | |
I was speechless, absolutely speechless. | 0:42:40 | 0:42:43 | |
We'll turn to the Reds, because you did get one profit, didn't you, | 0:42:43 | 0:42:46 | |
-on your cheapest item? -Yeah. | 0:42:46 | 0:42:48 | |
So, that was a bit of a no-brainer. | 0:42:48 | 0:42:50 | |
Was going on Bargain Hunt the perfect way | 0:42:50 | 0:42:53 | |
-to have some family bonding time? -It was really fun. | 0:42:53 | 0:42:55 | |
And spending time with Nick has been brilliant. | 0:42:55 | 0:42:57 | |
-So thank you. -It's been my pleasure, | 0:42:57 | 0:42:59 | |
Just sorry you've got nothing to take home other than memories, | 0:42:59 | 0:43:02 | |
-but you can't put a price on that. -No. | 0:43:02 | 0:43:04 | |
Well, I've got nothing to offer the Blues either. | 0:43:04 | 0:43:06 | |
You are our victors but no money to show for it, | 0:43:06 | 0:43:09 | |
-but some fond memories, I hope? -Absolutely. | 0:43:09 | 0:43:12 | |
It was very good fun. | 0:43:12 | 0:43:13 | |
Well, we had mothers and sons today, and if you're sitting at home | 0:43:13 | 0:43:17 | |
with your mother, son, father, brother, whomever, | 0:43:17 | 0:43:19 | |
then do think about applying to be on the show. | 0:43:19 | 0:43:22 | |
All the details are showing on your screen now. | 0:43:22 | 0:43:25 | |
But one thing I ask you is keep tuning in. | 0:43:25 | 0:43:28 | |
Join us again for some more Bargain Hunting. | 0:43:28 | 0:43:31 | |
-Yes? -Yes! | 0:43:31 | 0:43:32 |