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As a boy, you couldn't get me off my bike. | 0:00:02 | 0:00:04 | |
Whee! | 0:00:04 | 0:00:05 | |
And vintage bikes like the one I'm riding are now very collectable. | 0:00:08 | 0:00:12 | |
But more of that later. | 0:00:12 | 0:00:13 | |
Youngsters! | 0:00:13 | 0:00:15 | |
And today I'm back in the saddle | 0:00:15 | 0:00:17 | |
in the mid-Wales town of Builth Wells. | 0:00:17 | 0:00:19 | |
Well, I haven't got time to relive my youth. | 0:00:19 | 0:00:22 | |
I've got an important delivery to | 0:00:22 | 0:00:24 | |
make just down there at the antiques fair. | 0:00:24 | 0:00:27 | |
So, let's go bargain hunting! | 0:00:27 | 0:00:30 | |
Bargain Hunt is back at the Royal Welsh Showground, | 0:00:54 | 0:00:57 | |
and it's time for the Reds and Blues to get into gear. | 0:00:57 | 0:00:59 | |
Very soon I'll be delivering £300 to each team. | 0:01:02 | 0:01:05 | |
And remember, they have just one hour | 0:01:05 | 0:01:07 | |
in which to buy three objects to take to auction | 0:01:07 | 0:01:10 | |
and hopefully make a profit. | 0:01:10 | 0:01:12 | |
Let's have a look at what's coming up. | 0:01:12 | 0:01:14 | |
The Reds fall out over tactics. | 0:01:14 | 0:01:17 | |
-35? -35. | 0:01:17 | 0:01:18 | |
No, no, start at 30, I told you before. | 0:01:18 | 0:01:20 | |
The Blues forget their manners. | 0:01:22 | 0:01:24 | |
It looks cheap. | 0:01:24 | 0:01:25 | |
-It does. -The stallholder's just there. | 0:01:26 | 0:01:28 | |
At the auction, the Reds can't contain their excitement. | 0:01:28 | 0:01:32 | |
Yes! | 0:01:32 | 0:01:33 | |
And the Blues get all wound up. | 0:01:35 | 0:01:36 | |
Keep going, keep going. | 0:01:36 | 0:01:38 | |
And I go to see a collection of quirky bikes. | 0:01:41 | 0:01:44 | |
You had to be a bit odd yourself to ride one. | 0:01:44 | 0:01:46 | |
But that's all for later. Now let's meet today's teams. | 0:01:47 | 0:01:50 | |
And for the Red team today we have married couple Lee and Rachel, | 0:01:50 | 0:01:54 | |
and for the Blues we have partners Greg and Stephanie. | 0:01:54 | 0:01:57 | |
-Hello, everyone. ALL: -Hello! | 0:01:57 | 0:01:59 | |
Oh, my word, in fact shouldn't I be saying, "Bore da"? | 0:01:59 | 0:02:04 | |
-ALL: -Bore da! -Oh, was that right? -That's right. | 0:02:04 | 0:02:06 | |
Oh, good, good. My Welsh is coming on. | 0:02:06 | 0:02:09 | |
Now, Rachel, you've been married for | 0:02:09 | 0:02:10 | |
just one year, I think, haven't you? | 0:02:10 | 0:02:12 | |
-Yeah, one year. -How did you meet? | 0:02:12 | 0:02:13 | |
We met through friends and then messaging each other | 0:02:13 | 0:02:18 | |
and then we went out on a date. Well, for a coffee. | 0:02:18 | 0:02:21 | |
It went OK until we went in the car park | 0:02:21 | 0:02:24 | |
and he turned to me and he said, "Is that your car?" | 0:02:24 | 0:02:27 | |
And I went "Yeah, why?" | 0:02:27 | 0:02:29 | |
He went, "Look at those tyres. | 0:02:29 | 0:02:31 | |
I said, "What's the matter with them?" | 0:02:31 | 0:02:33 | |
He said, "They are so shiny." | 0:02:33 | 0:02:35 | |
-Bald? -Completely bald. | 0:02:35 | 0:02:37 | |
Not a policeman, are you? | 0:02:37 | 0:02:39 | |
-No, just a driving instructor. -Oh, a driving instructor. | 0:02:39 | 0:02:41 | |
-Oh, dear, dear. -Within a couple of hours, he rang me... | 0:02:41 | 0:02:44 | |
He said, "Have you got your bald tyres sorted?" | 0:02:44 | 0:02:47 | |
And I said, "Yeah, I have." | 0:02:47 | 0:02:48 | |
So I thought, right, and then he just said to me, then, | 0:02:48 | 0:02:51 | |
"What about if we go out for a proper date?" | 0:02:51 | 0:02:54 | |
So I said, "Yeah that's fine. Now I've had my tyres done." | 0:02:54 | 0:02:56 | |
He said, "It's OK, I'll pick you up." | 0:02:56 | 0:02:58 | |
So, when you're not looking at bald tyres, | 0:02:58 | 0:03:00 | |
what are you doing with your life? | 0:03:00 | 0:03:01 | |
-I used to be a football referee. -Really? | 0:03:01 | 0:03:04 | |
Yeah. I done that for 15 years. | 0:03:04 | 0:03:06 | |
What do you need to be a good football referee? | 0:03:06 | 0:03:09 | |
-Patience. -Patience? | 0:03:09 | 0:03:10 | |
-That's where Rachel comes involved. She tests my patience! -CHARLIE LAUGHS | 0:03:10 | 0:03:15 | |
Very good! And you're not refereeing any more? | 0:03:15 | 0:03:17 | |
No, I appoint referees now. | 0:03:17 | 0:03:19 | |
Are you going to be as fair-minded today? | 0:03:19 | 0:03:21 | |
-No. -No? -No, not at all. | 0:03:21 | 0:03:23 | |
We're in it to win. | 0:03:23 | 0:03:25 | |
I think you've got your work cut out, Stephanie and Greg. | 0:03:25 | 0:03:27 | |
-What do you think about that? -Yeah, we're going to thrash them! | 0:03:27 | 0:03:30 | |
-We're going to thrash them. -We're going to take the ref down. | 0:03:30 | 0:03:32 | |
"We're going to thrash them?" | 0:03:32 | 0:03:34 | |
I'm a bit worried about this competition here! | 0:03:34 | 0:03:36 | |
So, Greg and Stephanie, where are you from? | 0:03:36 | 0:03:39 | |
We're from Tonyrefail. | 0:03:39 | 0:03:40 | |
-Tonyrefail. -That was very good! -Was that good? | 0:03:40 | 0:03:42 | |
Yeah, it was bang on. | 0:03:42 | 0:03:44 | |
Now, Stephanie, you're a nurse, aren't you? | 0:03:44 | 0:03:46 | |
-I certainly am, yes. -Tell me about it? | 0:03:46 | 0:03:48 | |
I'm a stroke rehab nurse. | 0:03:48 | 0:03:49 | |
Are you attached to a hospital or do you go into people's houses? | 0:03:49 | 0:03:51 | |
No, we work in the hospital. | 0:03:51 | 0:03:53 | |
Now, Stephanie, when you're not nursing, | 0:03:53 | 0:03:55 | |
what do you like to do with yourself? | 0:03:55 | 0:03:57 | |
-Um, I enjoy gardening. -Yeah? | 0:03:57 | 0:03:59 | |
So we tend our two allotments... | 0:03:59 | 0:04:02 | |
-Oh, right! -..every day. | 0:04:02 | 0:04:03 | |
Now, Greg, you've got a vision in life, haven't you? | 0:04:03 | 0:04:06 | |
-I have, yes. -Tell me about it. | 0:04:06 | 0:04:08 | |
Well, I'd love to own a little plot of land somewhere. | 0:04:08 | 0:04:12 | |
-Yes. -I'd love to keep some pigs, goats and chickens, | 0:04:12 | 0:04:15 | |
and have a little bit of a good life. | 0:04:15 | 0:04:17 | |
A good life. So, does this fit in with you, Stephanie? | 0:04:17 | 0:04:20 | |
-It certainly does, yes. -Does it? | 0:04:20 | 0:04:22 | |
Yes. I would love to build my own eco-friendly home | 0:04:22 | 0:04:25 | |
and sustainable home. | 0:04:25 | 0:04:27 | |
Having chickens and pigs and ducks | 0:04:27 | 0:04:29 | |
and goats would be a wonderful thing. | 0:04:29 | 0:04:31 | |
Marvellous. So, what are you going to need to go shopping with? | 0:04:31 | 0:04:34 | |
-Money! -Money. I've got it for you... | 0:04:34 | 0:04:35 | |
I've got £300 for you. | 0:04:35 | 0:04:37 | |
-Thank you. -And I've got £300 for you. | 0:04:37 | 0:04:40 | |
-Thank you. -So, off you go, join your experts. | 0:04:40 | 0:04:42 | |
Pob lwc! | 0:04:42 | 0:04:44 | |
That means, by the way, "Good luck." | 0:04:44 | 0:04:46 | |
And I think they might just need it... | 0:04:46 | 0:04:48 | |
And helping our teams are a couple of thoroughbred experts... | 0:04:50 | 0:04:54 | |
Under starter's orders, Phil Serrell joins the Reds. | 0:04:56 | 0:04:59 | |
And hoping for a best in show, it's Thomas Plant for the Blues. | 0:05:00 | 0:05:04 | |
-Rachel, have you got a plan? -No, not really. | 0:05:04 | 0:05:08 | |
Stephanie, what are we looking for? | 0:05:08 | 0:05:10 | |
I'm looking for some ceramics. | 0:05:10 | 0:05:11 | |
What about you, Lee? | 0:05:11 | 0:05:13 | |
Whatever catches my eyes, Phil, to be honest. | 0:05:13 | 0:05:16 | |
-So, whatever. -Whatever? -Whatever! | 0:05:16 | 0:05:18 | |
-How about you, Greg? -Glass. Maybe a bit of John Ditchfield or the like. | 0:05:18 | 0:05:21 | |
-How are you going to win? -By finding something different. | 0:05:21 | 0:05:25 | |
Right, which is? | 0:05:25 | 0:05:26 | |
-Something shiny. -So, something shiny and whatever. | 0:05:26 | 0:05:28 | |
-And whatever, yeah. -Sounds like a plan to me! | 0:05:28 | 0:05:31 | |
Not much of a one, but it sounds like a plan to me! | 0:05:31 | 0:05:33 | |
Right, teams, no foul play. | 0:05:33 | 0:05:35 | |
Your time starts now! | 0:05:35 | 0:05:37 | |
COCKEREL CROWS | 0:05:37 | 0:05:39 | |
-Let's go, come on! -Yes! | 0:05:39 | 0:05:41 | |
And our teams are off! | 0:05:41 | 0:05:42 | |
And the Reds are determined to stick to their game plan. | 0:05:44 | 0:05:47 | |
Something shiny, isn't it? | 0:05:47 | 0:05:48 | |
-Something shiny... -Shiny. -Something shiny... | 0:05:48 | 0:05:50 | |
Shiny, shiny, shiny... | 0:05:51 | 0:05:53 | |
Well, they should easily find what they're looking for. | 0:05:54 | 0:05:57 | |
There's sparkly stuff everywhere! | 0:05:57 | 0:05:59 | |
Something here is sure to catch their eye. | 0:05:59 | 0:06:02 | |
Do you know what this is? | 0:06:02 | 0:06:04 | |
Hang on, this isn't shiny! | 0:06:04 | 0:06:06 | |
Is it a bureau? A bureau, is it? | 0:06:06 | 0:06:09 | |
Well, you are close. This is a bible box. | 0:06:09 | 0:06:11 | |
-Oh, right. -OK, so bible boxes started flat. | 0:06:11 | 0:06:15 | |
Then they put a slope on them, and they put them on a table, like this. | 0:06:16 | 0:06:20 | |
And the next thing they did was put legs on them, | 0:06:20 | 0:06:23 | |
so you had a bible box on a stand. | 0:06:23 | 0:06:25 | |
And then the next thing that they did was fill in in between the legs | 0:06:25 | 0:06:29 | |
with drawers, so you've then got a bureau. | 0:06:29 | 0:06:31 | |
So you're absolutely right with what you said. | 0:06:31 | 0:06:33 | |
-Yeah. -So that's the evolution of how a bible box | 0:06:33 | 0:06:35 | |
-eventually turned into a bureau. -Yeah. | 0:06:35 | 0:06:38 | |
But that's quite a nice little box. | 0:06:38 | 0:06:40 | |
Interesting, Phil. But their silence speaks volumes. | 0:06:40 | 0:06:43 | |
Maybe because it's brown and not shiny. | 0:06:43 | 0:06:46 | |
Now, are the Blues sticking to their plan to buy glass and ceramics? | 0:06:49 | 0:06:53 | |
Now, clocks have always fascinated me. | 0:06:53 | 0:06:55 | |
It seems not. | 0:06:55 | 0:06:57 | |
I can never tell which one is good and which one is... | 0:06:57 | 0:07:00 | |
Apart from that one, which is quite nice. | 0:07:00 | 0:07:02 | |
-What, the Deco one? -The Art Deco one, yeah, yeah. | 0:07:02 | 0:07:04 | |
Not as saleable as probably those miniature long case clocks. | 0:07:05 | 0:07:09 | |
-Yeah. -What about the Black Forest? -I like that. I like that piece. | 0:07:09 | 0:07:14 | |
As animal lovers, it must be that goat-like antelope | 0:07:14 | 0:07:17 | |
or chamois on top of the clock that caught their eye. | 0:07:17 | 0:07:21 | |
He is underneath the pine, the conifer... | 0:07:21 | 0:07:23 | |
-Yeah. -..which you see in the Alps. | 0:07:23 | 0:07:25 | |
You've got the traditional rocky outcrop, oak leaf design... | 0:07:25 | 0:07:29 | |
Chamois are known for their agility and speed, | 0:07:29 | 0:07:32 | |
so will the Blues do a quick deal | 0:07:32 | 0:07:34 | |
on the clock which is marked up at £35? | 0:07:34 | 0:07:37 | |
I wouldn't give more than a tenner for it. | 0:07:37 | 0:07:39 | |
-OK. -Like you said, it's... | 0:07:39 | 0:07:42 | |
-Paper face. -Yeah, I can see. | 0:07:42 | 0:07:44 | |
-I can see that. -So, if he doesn't come down to a tenner... | 0:07:44 | 0:07:47 | |
Do you want to go and offer him that? | 0:07:47 | 0:07:48 | |
I would like you to do that. | 0:07:48 | 0:07:50 | |
Would you? You're a bit nervous, are you? | 0:07:50 | 0:07:52 | |
Yeah, no, not nervous, it's just that I trust you. | 0:07:52 | 0:07:55 | |
-Your bargaining skills. -I'll have a conversation. | 0:07:55 | 0:07:59 | |
While Thomas chats to the dealer, | 0:07:59 | 0:08:02 | |
let's see if the Reds have found some bling. | 0:08:02 | 0:08:04 | |
It's retro, isn't it? | 0:08:04 | 0:08:07 | |
That's a no, then. | 0:08:07 | 0:08:08 | |
-How much is it? -Best price on that to you would be about 90. | 0:08:08 | 0:08:12 | |
-About? I like the "about" bit... -Yeah. | 0:08:12 | 0:08:16 | |
I mean, 60 is about 90, isn't it? | 0:08:16 | 0:08:18 | |
-£80. -Did he say 70? -Did you say 75? | 0:08:18 | 0:08:21 | |
-I said 80! -First of all, do you like that? | 0:08:21 | 0:08:24 | |
-You don't... -I don't, no. | 0:08:26 | 0:08:28 | |
That's got that sorted, then! | 0:08:28 | 0:08:30 | |
Lee doesn't say much, but when he does, there no messing around. | 0:08:30 | 0:08:34 | |
Back to the Blues, and what news, Thomas, | 0:08:35 | 0:08:38 | |
of getting the £35 clock for a tenner? | 0:08:38 | 0:08:40 | |
So, what did he say? | 0:08:41 | 0:08:42 | |
Well, I knew it wasn't going to be... | 0:08:42 | 0:08:45 | |
Any easy bargaining? | 0:08:45 | 0:08:46 | |
Well, I knew we wouldn't get the £10 notes. | 0:08:46 | 0:08:48 | |
I really did know that, because, you know, | 0:08:48 | 0:08:50 | |
he's offered 35 and £10 is like... Ooft, that's a huge come-down. | 0:08:50 | 0:08:54 | |
-Yeah, it is. -Massive. -Massive, massive. | 0:08:54 | 0:08:57 | |
But, you know, I spoke to him and he said, "Look, | 0:08:57 | 0:08:59 | |
"there is a little bit of damage just there, | 0:08:59 | 0:09:01 | |
"but the rest of it is perfect and it does work." | 0:09:01 | 0:09:03 | |
And he went in at 25, and then I said, "No. 20." | 0:09:03 | 0:09:06 | |
-And so it's £20, if you're interested. -OK. | 0:09:06 | 0:09:09 | |
What do you think? I think 20 is too much. | 0:09:09 | 0:09:11 | |
We could come back, maybe? | 0:09:11 | 0:09:13 | |
Go shopping for ten minutes? | 0:09:13 | 0:09:14 | |
-We'll put it down and have a look and come back if need be. -Yeah. | 0:09:14 | 0:09:17 | |
So it's a maybe on the clock. | 0:09:17 | 0:09:20 | |
Over with the Reds, Phil's also going with the alpine theme. | 0:09:20 | 0:09:26 | |
I mean, winter's coming, isn't it? | 0:09:26 | 0:09:28 | |
I think these are quite cool, aren't they? | 0:09:28 | 0:09:30 | |
What I particularly like about these, look, is that they are... | 0:09:30 | 0:09:33 | |
They're actually quite old. This one is missing it's boot clamp. | 0:09:33 | 0:09:36 | |
-Yeah. -It's got the maker's name on there, and they're from Zurich, | 0:09:36 | 0:09:39 | |
so that's clearly a big ski centre, isn't it? | 0:09:39 | 0:09:42 | |
-Yeah. -They're laminated. | 0:09:42 | 0:09:44 | |
-Right. -Cos you can see there, you've got what looks to be mahogany. | 0:09:44 | 0:09:47 | |
But they are fun things, aren't they? | 0:09:48 | 0:09:50 | |
-Yeah, it's different. -And these would have been waxed. | 0:09:50 | 0:09:53 | |
And the person who's going to buy | 0:09:53 | 0:09:54 | |
these today clearly is not someone who goes skiing. | 0:09:54 | 0:09:57 | |
-No. -They're going to dress a pub wall, aren't they? -Yes. Yeah. | 0:09:57 | 0:10:00 | |
-That's quite trendy. How much... Where's he gone? -I'm here. | 0:10:00 | 0:10:04 | |
-Where's my new best mate? -35? -35. | 0:10:04 | 0:10:06 | |
No, no, no! Start at 30, I've told you before! | 0:10:06 | 0:10:09 | |
-Start at 30. -35, yeah? | 0:10:09 | 0:10:11 | |
I tell you what, we don't want the pole. | 0:10:11 | 0:10:13 | |
-That will bring them down. -35 will do it, then. | 0:10:13 | 0:10:15 | |
-35 will do it? -Is there a profit in that, Phil? | 0:10:15 | 0:10:18 | |
Well... I wouldn't call myself a ski expert, really, | 0:10:18 | 0:10:21 | |
but I think they're quite fun. | 0:10:21 | 0:10:23 | |
£35. Yeah. | 0:10:23 | 0:10:25 | |
There we are, first buy done! | 0:10:25 | 0:10:27 | |
And in just under 15 minutes. | 0:10:27 | 0:10:30 | |
Well done! Hopefully making a profit won't be an uphill struggle. | 0:10:30 | 0:10:34 | |
Talking of which, the Blues are finding their shop hard going. | 0:10:34 | 0:10:37 | |
There's so much to see! | 0:10:37 | 0:10:38 | |
-Yes. -Trying to distinguish the... -Woods from the trees, you know? | 0:10:38 | 0:10:42 | |
That's exactly what everybody says. | 0:10:42 | 0:10:44 | |
I find focusing on what you like can help. | 0:10:44 | 0:10:47 | |
So, in your case, animals. | 0:10:47 | 0:10:49 | |
-These are my favourite. -They are by Plichta. | 0:10:51 | 0:10:53 | |
So they are by Plichta, yeah? | 0:10:53 | 0:10:55 | |
So if you turn it over, it says Plichta on there, doesn't it? | 0:10:55 | 0:10:57 | |
It certainly does. | 0:10:57 | 0:10:59 | |
-Yeah, Plichta London. England. -And they are in the style of Wemyss. | 0:10:59 | 0:11:03 | |
Wemyss is a Scottish pottery who made pigs. | 0:11:03 | 0:11:08 | |
-Oh, right. -And this is Plichta and they are | 0:11:08 | 0:11:12 | |
the London derivative of the Wemyss factory. | 0:11:12 | 0:11:15 | |
And you can see they are influenced by the Scottish examples because of | 0:11:15 | 0:11:20 | |
the thistles design on there. | 0:11:20 | 0:11:22 | |
-Yes, of course. -Aren't they? -Yeah. -OK. -How old would they be? | 0:11:22 | 0:11:25 | |
They are going to be before the Second World War, | 0:11:25 | 0:11:28 | |
so they're going to be first half of the 21st century. | 0:11:28 | 0:11:30 | |
-Seriously? -Yeah, they're not... They're not 1960s. | 0:11:30 | 0:11:33 | |
-I would have thought later, yeah. -So would've I. | 0:11:33 | 0:11:37 | |
Stephanie, you go and have a chat to the stallholder. | 0:11:37 | 0:11:39 | |
-I certainly am. -Yeah? | 0:11:39 | 0:11:40 | |
-Yeah. -Greg and I will have a chat while you go and do your magic. | 0:11:40 | 0:11:43 | |
-Barter with the stallholder. -Absolutely. | 0:11:43 | 0:11:45 | |
So, Stephanie is after a deal on the £18 pigs. | 0:11:45 | 0:11:49 | |
Remember, Greg won't want you to pay more than £10. | 0:11:49 | 0:11:52 | |
Meanwhile, the Reds still have two items left to buy, | 0:11:53 | 0:11:56 | |
and they're still on the hunt for something shiny. | 0:11:56 | 0:11:59 | |
Hang on, Phil - Tunbridge-ware doesn't count! | 0:11:59 | 0:12:02 | |
This stuff used to be hugely, hugely collectable. | 0:12:02 | 0:12:04 | |
I think I know when I'm beaten! | 0:12:06 | 0:12:07 | |
Now, Blues, what's the word on those pigs? | 0:12:10 | 0:12:13 | |
So, the gentleman said that they are £18 for one. | 0:12:13 | 0:12:16 | |
-Oh, right, not the two? -Yeah. | 0:12:16 | 0:12:18 | |
He said the best he can do is £18 for the two. | 0:12:18 | 0:12:21 | |
I did point out that there's no | 0:12:21 | 0:12:22 | |
Plichta mark on the bottom of this one, | 0:12:22 | 0:12:24 | |
and it does look pretty much like a reproduction... | 0:12:24 | 0:12:27 | |
You're nothing but honest, are you, Stephanie? | 0:12:27 | 0:12:29 | |
Well, you know, I'm a nurse! | 0:12:29 | 0:12:30 | |
But I've said no. Because I don't think we'll make money on them. | 0:12:32 | 0:12:36 | |
-Put it back. -So, it's another no. | 0:12:36 | 0:12:38 | |
With 20 minutes gone, Blues, you need to start buying! | 0:12:38 | 0:12:41 | |
The Reds, on the other hand, are searching for their second buy. | 0:12:42 | 0:12:45 | |
What would you do with that over there? | 0:12:47 | 0:12:49 | |
Tuba or baritone or whatever it is? | 0:12:49 | 0:12:51 | |
Finally, something relatively shiny! | 0:12:51 | 0:12:54 | |
You know what people do with those? Turn them into lamps! | 0:12:54 | 0:12:57 | |
-Yeah. -Yeah. -I don't think they like it, Phil. | 0:12:57 | 0:13:00 | |
-Let's keep walking. -Yeah. | 0:13:02 | 0:13:03 | |
Why don't you find them something more glitzy? | 0:13:04 | 0:13:08 | |
-Excuse me, how much is that tank? -180. | 0:13:08 | 0:13:10 | |
Not what I had in mind! | 0:13:10 | 0:13:12 | |
-It's a lot, isn't it? -That is cheap. | 0:13:12 | 0:13:15 | |
That's what they all say in this business. | 0:13:15 | 0:13:17 | |
-Yeah. -It's a cool thing, that is. | 0:13:17 | 0:13:19 | |
Not if it's full of hot water, Phil! | 0:13:19 | 0:13:21 | |
Which is what the Blues will be in | 0:13:22 | 0:13:24 | |
if they don't buy something, sharpish! | 0:13:24 | 0:13:27 | |
Right, can we have a look here? Is that all right? | 0:13:27 | 0:13:29 | |
-Yeah. -OK. So. -Wow. | 0:13:29 | 0:13:30 | |
-Do you like ceramics? -I do. -Yes, we do. | 0:13:30 | 0:13:33 | |
They are pretty. | 0:13:33 | 0:13:35 | |
What about... One, two, three, four, five, six, seven... | 0:13:35 | 0:13:37 | |
Seven Copeland tiles. | 0:13:37 | 0:13:39 | |
-Copeland. -So, where would they originate from? | 0:13:39 | 0:13:42 | |
Copeland is an English factory, | 0:13:42 | 0:13:46 | |
and it would be in the Staffordshire region. | 0:13:46 | 0:13:49 | |
Copeland, it's marked there. | 0:13:49 | 0:13:52 | |
How old do you think these are? | 0:13:52 | 0:13:53 | |
Um... | 0:13:53 | 0:13:54 | |
-I would say... -'50s? | 0:13:56 | 0:13:57 | |
-Yeah. -'50s? | 0:13:57 | 0:13:59 | |
I would say, although I know what | 0:13:59 | 0:14:01 | |
you mean when you say in the 1950s... | 0:14:01 | 0:14:03 | |
-Cos of the style. -..cos of the style and colour... -Yeah. | 0:14:03 | 0:14:06 | |
..but probably 1870. | 0:14:06 | 0:14:07 | |
-Top of the class. -Was it? Really. -He's top of the class. | 0:14:09 | 0:14:11 | |
I think they're lovely things, actually. | 0:14:11 | 0:14:13 | |
-So do I. -I think the colours work quite well. | 0:14:13 | 0:14:16 | |
-Yes, they do. -What's the best on these? | 0:14:16 | 0:14:17 | |
Well, the very best I can do is ten. | 0:14:17 | 0:14:20 | |
I was thinking more, five. Seriously. | 0:14:20 | 0:14:24 | |
£10 the absolute best. | 0:14:24 | 0:14:26 | |
But £17 is for retail, look, for seven. | 0:14:26 | 0:14:29 | |
You know, we've got to take it to auction, you know. Could we...? | 0:14:29 | 0:14:32 | |
I'll do eight. How's that? | 0:14:32 | 0:14:34 | |
-Wow. -Eight quid then. That's our first deal. What do you think? | 0:14:34 | 0:14:37 | |
Yes. Yes, that was a piece of...work. | 0:14:37 | 0:14:39 | |
-Shall we shake on it? -Yeah. -Thank you very much. -Thank you. | 0:14:39 | 0:14:42 | |
-Thank you. -£8. You're a star. Thank you very much. | 0:14:42 | 0:14:45 | |
Your first item. Right, fab. | 0:14:45 | 0:14:47 | |
Come on, then, let's get going. | 0:14:47 | 0:14:49 | |
Great stuff, Greg. | 0:14:49 | 0:14:50 | |
Seven antique tiles for under £10. | 0:14:50 | 0:14:53 | |
Finally the Blues are off the starting blocks. | 0:14:53 | 0:14:56 | |
Now, how are you doing, Reds? | 0:14:57 | 0:14:59 | |
So, is there anything over here that catches your eye at all? | 0:14:59 | 0:15:02 | |
At last, Phil's found something really sparkly. | 0:15:04 | 0:15:07 | |
Is it a submarine? Yes, it is. | 0:15:07 | 0:15:09 | |
Rachel, you've got to see this. In you get. | 0:15:10 | 0:15:13 | |
It's nice and shiny, isn't it, though? | 0:15:13 | 0:15:15 | |
I don't think... I don't think I'll get in there. | 0:15:15 | 0:15:18 | |
-It'll tip over. -Will you stop whining and get in there, Rachel? | 0:15:18 | 0:15:21 | |
-In you go. -Come on, you're in, you're in. | 0:15:21 | 0:15:24 | |
-That ain't going to work, is it? -No. Not buying that. | 0:15:26 | 0:15:29 | |
Swiftly moving on, then. | 0:15:31 | 0:15:33 | |
Time to abandon ship, then, Reds. | 0:15:33 | 0:15:35 | |
With each team needing two more items, | 0:15:35 | 0:15:37 | |
it's going to be a sprint finish. | 0:15:37 | 0:15:39 | |
Meanwhile, I'm back in the saddle | 0:15:39 | 0:15:41 | |
and off to see some weird and wonderful bikes. | 0:15:41 | 0:15:44 | |
Like 25 million other Brits, I have been the proud owner of a bicycle. | 0:15:50 | 0:15:54 | |
Our love affair with cycling began way back in the 1890s, | 0:15:56 | 0:16:00 | |
when bikes became more affordable | 0:16:00 | 0:16:02 | |
and were no longer the playthings of the rich. | 0:16:02 | 0:16:04 | |
This building in Llandrindod Wells was one of Wales's first bike shops. | 0:16:06 | 0:16:10 | |
And here you could buy all sorts of makes and models. | 0:16:10 | 0:16:14 | |
Well, sadly you can't buy a bike here any more, | 0:16:14 | 0:16:16 | |
but it's well worth a visit. | 0:16:16 | 0:16:18 | |
It's home to the National Cycle Museum. | 0:16:20 | 0:16:23 | |
From Penny Farthings... | 0:16:23 | 0:16:25 | |
..to futuristic racers... | 0:16:29 | 0:16:31 | |
..this collection celebrates the evolution of cycling. | 0:16:35 | 0:16:38 | |
It also has an extraordinary array of wacky bikes. | 0:16:39 | 0:16:43 | |
You wouldn't want to fall off that one. | 0:16:43 | 0:16:45 | |
Today I'm looking at some bikes that were innovative and imaginative | 0:16:48 | 0:16:52 | |
but, sadly, massive flops. | 0:16:52 | 0:16:54 | |
My guide is the museum's historian, Scotford Lawrence. | 0:16:57 | 0:17:01 | |
The first bike he's showing me is his favourite, the Dursley Pedersen. | 0:17:01 | 0:17:05 | |
-Looks like a hammock. -It is just that. | 0:17:05 | 0:17:07 | |
They are referred to as a hammock saddle. | 0:17:07 | 0:17:10 | |
It is a sprung seat, and if you look closely at that, | 0:17:10 | 0:17:14 | |
that component actually moves | 0:17:14 | 0:17:16 | |
and is held by tension wires to the rear hub. | 0:17:16 | 0:17:20 | |
They are extraordinarily comfortable. | 0:17:20 | 0:17:23 | |
I had one for many years. | 0:17:23 | 0:17:25 | |
-Really? -And rode it very happily. | 0:17:25 | 0:17:27 | |
Dursley Pedersens are now collectors' items. | 0:17:28 | 0:17:31 | |
When they were made in the 1890s they weren't very popular, | 0:17:31 | 0:17:34 | |
due to their unusual design. | 0:17:34 | 0:17:35 | |
But, like all these odd machines, | 0:17:36 | 0:17:40 | |
they never prevail over the standard ordinary bicycle. | 0:17:40 | 0:17:44 | |
You had to be a bit odd yourself to ride one. | 0:17:44 | 0:17:47 | |
Are you saying you're a bit odd? | 0:17:47 | 0:17:48 | |
-Oh, yes. It goes with cycling. -Oh, does it? | 0:17:48 | 0:17:52 | |
When bicycles were first produced in the early 1800s, | 0:17:53 | 0:17:56 | |
they were made of wood. Then came metal bikes. | 0:17:56 | 0:17:58 | |
But early manufacturers also experimented with unusual materials. | 0:17:58 | 0:18:02 | |
A-ha. Is this what I think it is? | 0:18:05 | 0:18:08 | |
Yes, it is indeed a bamboo bicycle. | 0:18:08 | 0:18:11 | |
Made by the Bamboo Bicycle Company in 1896. | 0:18:11 | 0:18:16 | |
The tubes are just that - | 0:18:16 | 0:18:18 | |
they are lacquered bamboo, | 0:18:18 | 0:18:20 | |
and they slot into aluminium lugs at the corners. | 0:18:20 | 0:18:23 | |
So, it's very light. | 0:18:23 | 0:18:25 | |
That was one of the selling points. | 0:18:25 | 0:18:27 | |
But the bamboo bike quickly became very unpopular. | 0:18:27 | 0:18:31 | |
Bamboo could not be relied upon | 0:18:31 | 0:18:33 | |
because bamboo was not strong enough to stand the torsional load. | 0:18:33 | 0:18:37 | |
And they had a very short life. | 0:18:37 | 0:18:40 | |
By the late 20th century, | 0:18:41 | 0:18:42 | |
the popularity of plastic caught the imagination of bike designers, | 0:18:42 | 0:18:46 | |
who came up with this, the Itera. | 0:18:46 | 0:18:50 | |
But, despite being innovative, | 0:18:50 | 0:18:52 | |
it had a bad reputation amongst cyclists. | 0:18:52 | 0:18:56 | |
When put under load by pedalling, the whole machine bent and warped. | 0:18:56 | 0:19:01 | |
And it picked up all sorts of derisive names - | 0:19:01 | 0:19:05 | |
like riding a blancmange, like riding cooked spaghetti. | 0:19:05 | 0:19:09 | |
And one of these came up for sale | 0:19:09 | 0:19:11 | |
and a friend of mine put his hand up and bid £5 for it, | 0:19:11 | 0:19:14 | |
amid howls of laughter, and got it for a fiver. | 0:19:14 | 0:19:18 | |
And we said, "What on Earth are you going to do?" | 0:19:18 | 0:19:20 | |
And he said, "Well, did you see where I parked the car? | 0:19:20 | 0:19:23 | |
"I'm going to ride it as far as the car park." | 0:19:23 | 0:19:27 | |
This collection is a treasure trove on two wheels. | 0:19:27 | 0:19:30 | |
But now it's time for me to head back to the fair. | 0:19:30 | 0:19:32 | |
With just under 30 minutes left on the clock, | 0:19:43 | 0:19:45 | |
our teams have only bought one item each. | 0:19:45 | 0:19:48 | |
And the Blues have only splashed out a measly £8. | 0:19:48 | 0:19:51 | |
You have not spent very much money. | 0:19:51 | 0:19:53 | |
-No. I know. -You're being really mean. | 0:19:53 | 0:19:55 | |
-We are being mean. We are being mean. -Tight. | 0:19:55 | 0:19:57 | |
-Are you quite tight? -Yeah, yeah. -Really? Is he? -Extremely tight. | 0:19:57 | 0:20:01 | |
Oh, that's miserable, isn't it? | 0:20:01 | 0:20:03 | |
I'm the big spender. He's the purse string puller. | 0:20:03 | 0:20:06 | |
What about the Reds, Phil? | 0:20:06 | 0:20:07 | |
They're very, very fussy, very pernickety. | 0:20:07 | 0:20:10 | |
And I haven't found anything shiny yet. | 0:20:12 | 0:20:14 | |
We had noticed. | 0:20:14 | 0:20:16 | |
Meanwhile, the Blues are back on safari. | 0:20:16 | 0:20:18 | |
-Are you crocodile fans? -Like animals. -We do. | 0:20:20 | 0:20:22 | |
Have you ever seen a crocodile butter dish? | 0:20:22 | 0:20:24 | |
-No. -I've never seen a crocodile butter dish before. | 0:20:24 | 0:20:27 | |
However, it looks cheap. | 0:20:27 | 0:20:28 | |
-It does. -The stallholder's just there! | 0:20:29 | 0:20:32 | |
I know. Sorry, sir! | 0:20:32 | 0:20:34 | |
It's another no buy. | 0:20:34 | 0:20:36 | |
Now, come on, teams, you've got 20 minutes left, | 0:20:36 | 0:20:38 | |
so it's time to big up the pace. | 0:20:38 | 0:20:41 | |
I love these bits of social history. | 0:20:41 | 0:20:44 | |
-Your sugar cutters... -Yes. -I can't see a price on those. | 0:20:44 | 0:20:47 | |
The ones on the stand are 95. | 0:20:47 | 0:20:49 | |
Hand-held ones which are 28, on the ticket. | 0:20:49 | 0:20:52 | |
Sugar came in a cone, big inverted trumpet about that big. | 0:20:52 | 0:20:57 | |
Circular. Bit like the end of a trumpet, | 0:20:57 | 0:20:59 | |
and you had to cut it of the cone. | 0:20:59 | 0:21:01 | |
So, you used these things to, basically... | 0:21:01 | 0:21:05 | |
That comes off there. | 0:21:05 | 0:21:06 | |
And you cut your sugar. | 0:21:08 | 0:21:09 | |
That then hammers it. And the thing is, | 0:21:11 | 0:21:14 | |
a lot of these, incidentally, are broken there, | 0:21:14 | 0:21:16 | |
so it's nice that this one is perfect. | 0:21:16 | 0:21:18 | |
But the way that our world has changed is that these, | 0:21:18 | 0:21:22 | |
25 years ago, would probably have been... | 0:21:22 | 0:21:25 | |
..£50-100. | 0:21:26 | 0:21:28 | |
And now, at £28, | 0:21:28 | 0:21:30 | |
it is no money at all. | 0:21:30 | 0:21:33 | |
Do you like those? You like the price, don't you? | 0:21:33 | 0:21:36 | |
Yes, I like the price. | 0:21:36 | 0:21:38 | |
What's the best you can do those for? | 0:21:38 | 0:21:39 | |
25. | 0:21:39 | 0:21:41 | |
-You like them? -He likes them, yeah. | 0:21:41 | 0:21:43 | |
-Yeah? Sure? -Yeah. | 0:21:43 | 0:21:44 | |
I think we'll have a go at the sugar cutters. | 0:21:44 | 0:21:47 | |
Right. The hand-held ones? | 0:21:47 | 0:21:49 | |
-Yes, please, yes. -Yes OK, absolutely fine. | 0:21:49 | 0:21:51 | |
That's lovely. Thank you very much indeed. | 0:21:51 | 0:21:53 | |
What a sweet deal, Reds. | 0:21:53 | 0:21:55 | |
Although you still haven't got that shiny thing that Rachel is after. | 0:21:55 | 0:21:58 | |
So, you've got 15 minutes left to find your last item. | 0:21:58 | 0:22:02 | |
But the Blues still have two buys to go. | 0:22:02 | 0:22:04 | |
-So, what do you think of her? -She's pretty looking, | 0:22:05 | 0:22:09 | |
but I don't know what she's made of. | 0:22:09 | 0:22:11 | |
Well, it says on the thing, "Painted terracotta bust." | 0:22:11 | 0:22:14 | |
Oh, right, OK. Yes. I didn't read that. | 0:22:14 | 0:22:16 | |
-So I'm going to pick her up and have a look. -OK. | 0:22:16 | 0:22:18 | |
Well, she is terracotta. | 0:22:20 | 0:22:22 | |
-She is. -It's Klite, that's who she is, she's Klite. | 0:22:22 | 0:22:27 | |
-So, she's a goddess? -Yeah. | 0:22:27 | 0:22:28 | |
In fact, Klite was a name given to a number of different figures in | 0:22:28 | 0:22:33 | |
Greek mythology. | 0:22:33 | 0:22:35 | |
Copeland did these. The tiles that we've just bought, | 0:22:35 | 0:22:38 | |
he did lots of these. | 0:22:38 | 0:22:39 | |
This one isn't. This is a terracotta one. | 0:22:39 | 0:22:41 | |
This is 19th-century Victorian. | 0:22:41 | 0:22:43 | |
-And there's no markings. -There's no | 0:22:43 | 0:22:45 | |
markings, but it has been overpainted rather badly. | 0:22:45 | 0:22:47 | |
-It's rather lovely, though. -It is pretty. -I quite like her. -I like it. | 0:22:47 | 0:22:50 | |
She looks quite miserable. | 0:22:50 | 0:22:52 | |
-Yes, she does look... -She's quite sad, looking at you. | 0:22:52 | 0:22:55 | |
-She's demure. That doesn't appeal to you? -No. | 0:22:55 | 0:22:58 | |
OK, you've both said it - no. Let's move on, then, OK? | 0:22:58 | 0:23:00 | |
OK-cokie. | 0:23:00 | 0:23:02 | |
Oh, dear, Thomas. You've really got your work cut out with this pair. | 0:23:03 | 0:23:07 | |
And it sounds like the Reds are also keeping Phil on his toes. | 0:23:07 | 0:23:11 | |
Why do you want to buy a tin trunk? | 0:23:11 | 0:23:12 | |
Because they are in apartments. It's like modern... | 0:23:12 | 0:23:16 | |
Trendy, you're thinking, are you? You're thinking... | 0:23:16 | 0:23:19 | |
-Is she good at this? -Sometimes. -Sometimes. -Sometimes, not always. | 0:23:19 | 0:23:22 | |
-I'm just thinking... -I'm not sure yet. | 0:23:22 | 0:23:24 | |
-Not sure yet. The jury's out. -Yeah, definitely jury is out. | 0:23:24 | 0:23:27 | |
So, how much is your tin box, sir, please? | 0:23:27 | 0:23:30 | |
-Ticket price is 68. -And this is a hatbox, isn't it? | 0:23:30 | 0:23:34 | |
-Painted hatbox. -Yeah. -Tinware. Victorian. | 0:23:34 | 0:23:38 | |
I quite like that box there, the trunky thingamajig. | 0:23:38 | 0:23:40 | |
-They're both 68. -If we could get that under 60... | 0:23:40 | 0:23:43 | |
If you gave me £50 you can have it. | 0:23:43 | 0:23:47 | |
Look at the little look of excitement on her face! | 0:23:47 | 0:23:49 | |
-The smile says enough. -Yeah? -Yeah. | 0:23:49 | 0:23:52 | |
We said we're going to buy different. | 0:23:52 | 0:23:54 | |
I do think I've let you down though. None of its shiny, is it? | 0:23:54 | 0:23:57 | |
No, it's not. | 0:23:57 | 0:23:58 | |
-The lock's shiny. -The lock's shiny. | 0:23:58 | 0:24:00 | |
Well, that's it, then. Pay the man, pay the man. | 0:24:00 | 0:24:02 | |
-OK? -Yeah. Thank you. | 0:24:02 | 0:24:04 | |
What a relief, eh, Phil? | 0:24:05 | 0:24:07 | |
That's your third item in the bag with ten minutes to spare. | 0:24:07 | 0:24:11 | |
-TELEPHONE RINGS -Telephone bid already, look. | 0:24:11 | 0:24:13 | |
Yeah! | 0:24:13 | 0:24:14 | |
Now the Blues are really under pressure. | 0:24:16 | 0:24:17 | |
The clock's counting down and they still have to items to find. | 0:24:17 | 0:24:22 | |
-I've found you a bit of Lalique. -Oh, my God. | 0:24:22 | 0:24:24 | |
Oh, yes, Greg said at the start he was after some Lalique. | 0:24:24 | 0:24:28 | |
They're famous for their glassware, | 0:24:28 | 0:24:30 | |
and have been making glass fish since 1913. | 0:24:30 | 0:24:33 | |
It's a modern piece of Lalique in its original packaging. | 0:24:33 | 0:24:36 | |
95. | 0:24:36 | 0:24:38 | |
Now, that... You're not going to like that, £95, are you? | 0:24:38 | 0:24:40 | |
-No. No. -You're not. | 0:24:40 | 0:24:43 | |
Wouldn't give more than 50 quid for that, but there we are. | 0:24:43 | 0:24:46 | |
We could always offer them the money. | 0:24:46 | 0:24:47 | |
Right, now. The other thing I've | 0:24:47 | 0:24:49 | |
seen while you've been down there is... You want a bid of ceramic. | 0:24:49 | 0:24:51 | |
-Yes. -Now this is a modern studio vase... -OK. | 0:24:51 | 0:24:55 | |
..in stoneware, but it's... I think is rather handsome. | 0:24:55 | 0:24:59 | |
I think it's an handsome piece, actually. | 0:24:59 | 0:25:01 | |
It's a really handsome... | 0:25:01 | 0:25:02 | |
Now, when you think about how that's been made, | 0:25:02 | 0:25:04 | |
it looks like it's a thrown pot, | 0:25:04 | 0:25:06 | |
which means it's put on a wheel and thrown around. | 0:25:06 | 0:25:08 | |
You can see that from the base there. | 0:25:08 | 0:25:10 | |
It's quite a heavy pot. | 0:25:10 | 0:25:12 | |
To have this, to do this decoration with these fabulous flowers, | 0:25:12 | 0:25:16 | |
-is not a five-minute job, I have to say. -OK. | 0:25:16 | 0:25:20 | |
Then it gets glazed again. | 0:25:20 | 0:25:23 | |
So that's a proper piece of, you know, art pottery. | 0:25:23 | 0:25:26 | |
-So, how old do you think it is? -This is relatively modern. | 0:25:26 | 0:25:28 | |
It's going to be made within the last... | 0:25:28 | 0:25:31 | |
15, maybe 20-30 years. | 0:25:31 | 0:25:33 | |
-OK. -It's not that old at all. | 0:25:33 | 0:25:34 | |
It reminds me of the tiles that we've just bought. | 0:25:34 | 0:25:36 | |
Exactly. It's a bit of ceramic, it's got something... | 0:25:36 | 0:25:38 | |
-And it's only £38. -£38. | 0:25:38 | 0:25:41 | |
Yeah, but it's quite a stylish vase. | 0:25:41 | 0:25:43 | |
-Yes, it is stylish. -It's got a look. | 0:25:43 | 0:25:45 | |
In auction, really, 20 quid, that's all it will make. | 0:25:45 | 0:25:49 | |
-Yes, so do I. -Right. | 0:25:49 | 0:25:51 | |
In auction, really, I think, although it's Lalique, | 0:25:51 | 0:25:55 | |
that would probably make 50 to 70 quid tops. | 0:25:55 | 0:25:58 | |
So, it's an offer. We need to speak to the dealer. | 0:25:59 | 0:26:01 | |
Be quick, Greg - five minutes left and counting. | 0:26:01 | 0:26:05 | |
Going to come in with a cheeky offer of 50 quid for that. | 0:26:05 | 0:26:08 | |
-And 20 quid for that. -It's very kind of you, but no. | 0:26:08 | 0:26:11 | |
No. | 0:26:11 | 0:26:13 | |
So, what would be your best offer? | 0:26:13 | 0:26:15 | |
My best on it - you can have the pair for 100. | 0:26:15 | 0:26:17 | |
-Yes. 85? -85. -Come on, then, 85. | 0:26:17 | 0:26:20 | |
-Do you know what? Thank you very much. -Thank you very much. | 0:26:20 | 0:26:24 | |
So, the stallholder has said £85 for the pair, | 0:26:24 | 0:26:28 | |
which means that Greg got the fish for 70 and the vase for 15. | 0:26:28 | 0:26:31 | |
Just in the nick of time. | 0:26:31 | 0:26:32 | |
ACCORDION to me, it's time to stop shopping. | 0:26:34 | 0:26:37 | |
I didn't think you'd do it. I didn't think you'd do it. | 0:26:37 | 0:26:40 | |
-Neither did I. -No, cos you're the most indecisive pair of people | 0:26:40 | 0:26:43 | |
I've ever met in my life. Now come on, we're going. | 0:26:43 | 0:26:45 | |
Let's just check out what the Red team have bought. | 0:26:45 | 0:26:48 | |
Their first buy was a pair of wooden skis for £35. | 0:26:48 | 0:26:52 | |
Up next, a pair of 19th-century sugar cutters, £25 paid. | 0:26:53 | 0:26:58 | |
And with ten minutes to go | 0:26:59 | 0:27:01 | |
they parted with £50 for this metal trunk. | 0:27:01 | 0:27:03 | |
Well, Lee and Rachel, you didn't find it that easy, did you? | 0:27:03 | 0:27:07 | |
-No, I didn't in fact. No, I didn't. -You needed your man. | 0:27:07 | 0:27:10 | |
I certainly did. But did he turn up? | 0:27:10 | 0:27:13 | |
LAUGHTER | 0:27:13 | 0:27:14 | |
-He did turn up. -We'll find that out later, won't we? -Yeah. | 0:27:14 | 0:27:17 | |
So, what's going to make the biggest profit? | 0:27:17 | 0:27:19 | |
I'm swaying to either the skis or the trunk. | 0:27:19 | 0:27:24 | |
Right. And what do you like the best? | 0:27:24 | 0:27:26 | |
-The trunk. -Yes. -Must be the trunk, mustn't it? | 0:27:26 | 0:27:29 | |
-Yeah. Yeah, it is the trunk, yes. -And what about the biggest profit? | 0:27:29 | 0:27:31 | |
Biggest profit, I think the trunk as well. | 0:27:31 | 0:27:33 | |
-The trunk as well. -Yeah, I think. -So, what did you spend. £110? | 0:27:33 | 0:27:36 | |
-£110, that's correct. -Marvellous. | 0:27:36 | 0:27:38 | |
That means you've got £190 left over. | 0:27:38 | 0:27:40 | |
-Yeah. -Hand it over. | 0:27:40 | 0:27:41 | |
There we are, Philip. | 0:27:41 | 0:27:43 | |
-Thank you so much. -Pleasure. | 0:27:43 | 0:27:45 | |
Charlie, I don't think I can spend that much money. | 0:27:45 | 0:27:47 | |
I think you can. What are you going to do with it? | 0:27:47 | 0:27:49 | |
I've absolutely no idea. | 0:27:49 | 0:27:51 | |
LAUGHTER Not a clue. | 0:27:51 | 0:27:54 | |
While poor old Philip goes to buy goodness knows what, | 0:27:54 | 0:27:58 | |
let's check out what the Blue team have bought. | 0:27:58 | 0:28:01 | |
Greg and Stephanie spent a paltry £8 on a set of tiles by Copeland. | 0:28:01 | 0:28:06 | |
They then splashed the cash on this glass fish by Lalique, £70 paid. | 0:28:06 | 0:28:11 | |
And finally, this studio pottery vase was secured for just £15. | 0:28:11 | 0:28:16 | |
You didn't spend a lot, did you? | 0:28:17 | 0:28:19 | |
-No. -No, we didn't. -No. | 0:28:19 | 0:28:20 | |
What's your favourite item? | 0:28:20 | 0:28:22 | |
Obviously the Lalique for me, but the pottery is quite nice, too. | 0:28:22 | 0:28:27 | |
I think Thomas quite likes the pottery. | 0:28:27 | 0:28:30 | |
Yeah, I mean and for the money we paid for it... | 0:28:30 | 0:28:32 | |
-It's a good buy. -So, what's to make the most profit? | 0:28:32 | 0:28:34 | |
-I'd say the tiles. -The tiles? -Yeah. | 0:28:34 | 0:28:36 | |
I'll go with the pot. | 0:28:36 | 0:28:38 | |
-And what's your favourite item. -The tiles. -The tiles. | 0:28:38 | 0:28:41 | |
Well, £93, which means you've got £207 left over... | 0:28:41 | 0:28:47 | |
-Certainly does. -..to give this man. | 0:28:47 | 0:28:49 | |
-There we go. -There's the £207. | 0:28:49 | 0:28:51 | |
Do you know? I'm going to follow their lead. | 0:28:53 | 0:28:55 | |
-Yeah. -I'm going to be tight. | 0:28:55 | 0:28:57 | |
-You good man! -Tight! | 0:28:57 | 0:28:58 | |
Marvellous. So, while Thomas goes off to be tight, oh, so tight, | 0:28:58 | 0:29:03 | |
we're off to the auction. | 0:29:03 | 0:29:04 | |
I've come down the road to Cardiff | 0:29:08 | 0:29:10 | |
to auctioneers Rogers Jones and Co. | 0:29:10 | 0:29:13 | |
And I'm here with the boss and auctioneer Ben. | 0:29:15 | 0:29:17 | |
-Hello, Ben. -Croeso i Cymru, Charlie. | 0:29:17 | 0:29:19 | |
-Gosh, what does that mean? -It means welcome to Wales, Charlie. | 0:29:19 | 0:29:21 | |
Oh, how wonderful. I feel wanted already. | 0:29:21 | 0:29:24 | |
And so, I hope, do Lee and Rachel, who are the Red team here. | 0:29:24 | 0:29:28 | |
And kicking off, Phil who was the expert, | 0:29:28 | 0:29:31 | |
particularly liked these skis which he bought. | 0:29:31 | 0:29:34 | |
What do you think of them? | 0:29:34 | 0:29:36 | |
Um, they're interesting, but who wants an old pair of skis? | 0:29:36 | 0:29:39 | |
People put them up on pub walls and things, don't they? | 0:29:39 | 0:29:42 | |
Yeah, but are we in the right | 0:29:42 | 0:29:44 | |
-location for ski-themed pubs? I'm not sure we are. -No. | 0:29:44 | 0:29:48 | |
-What about an estimate? -We've put 30 to 40 on those, Charlie. | 0:29:48 | 0:29:52 | |
Well, they paid £35. | 0:29:52 | 0:29:53 | |
OK. They're in with a chance. | 0:29:53 | 0:29:56 | |
And what about the sugar cutters? | 0:29:56 | 0:29:58 | |
Interesting part of these is that they've got a little | 0:29:58 | 0:30:01 | |
toffee hammer-like device on the ends to bash up the blocks. | 0:30:01 | 0:30:05 | |
A modest estimate, I think - 15 to £20 on those, Charlie. | 0:30:05 | 0:30:09 | |
Yeah. They cost £25. | 0:30:09 | 0:30:11 | |
We're not too far out, are we? | 0:30:11 | 0:30:13 | |
-In with a chance. -What about the trunk? | 0:30:13 | 0:30:15 | |
Bit of a plain Jane. No labels, turn-of-the-century. | 0:30:15 | 0:30:19 | |
-30 to 40 on that. -Right. Well, it cost £50. | 0:30:19 | 0:30:23 | |
-So, they might need their bonus buy. -They might struggle with that one. | 0:30:23 | 0:30:27 | |
If they need their bonus buy, let's have a look at it. | 0:30:27 | 0:30:29 | |
Well, Lee and Rachel, how could you possibly give this man £190? | 0:30:29 | 0:30:36 | |
-Isn't that dangerous? -Very dangerous. -Very, very dangerous. | 0:30:36 | 0:30:39 | |
-Any ideas what he's bought? -No. -Haven't got a clue. -Not a clue. | 0:30:39 | 0:30:44 | |
-Are you confident in your man? -Absolutely not. | 0:30:44 | 0:30:47 | |
Well, Philip, what have you got? | 0:30:47 | 0:30:49 | |
I would value your opinion as to where you thought these were made. | 0:30:51 | 0:30:54 | |
Gosh. Not English. | 0:30:54 | 0:30:55 | |
I think they're probably early 20th century, they're European. | 0:30:55 | 0:30:59 | |
They've got almost a Deco look to the top of them, haven't they? | 0:30:59 | 0:31:02 | |
They cost me £30. And I just think they've got a bit of a look to them. | 0:31:02 | 0:31:05 | |
What do you think of them, Rachel? | 0:31:05 | 0:31:08 | |
-Honest opinion? -Honest opinion. -I like them. | 0:31:08 | 0:31:12 | |
-Good Lord! -CHARLIE LAUGHS | 0:31:12 | 0:31:14 | |
I do like them. No, I do. I don't think Lee does, but I do. | 0:31:14 | 0:31:17 | |
Well, I'm going to try Lee. What do you think, Lee? | 0:31:17 | 0:31:19 | |
-Interesting. -Interesting. | 0:31:19 | 0:31:20 | |
That's probably the best word I can give it is interesting. | 0:31:20 | 0:31:23 | |
Well, you don't have to make up your mind now. | 0:31:23 | 0:31:25 | |
You can leave it until the saleroom. | 0:31:25 | 0:31:27 | |
Then you can decide whether or not | 0:31:27 | 0:31:29 | |
to go with Philip's £30 candlesticks. | 0:31:29 | 0:31:32 | |
Meanwhile, shall we see what the | 0:31:32 | 0:31:34 | |
auctioneer thinks of Philip's dateless candlesticks? | 0:31:34 | 0:31:37 | |
Well, Phil bought a pair of plated candlesticks. | 0:31:38 | 0:31:41 | |
So, what do you think of these? | 0:31:41 | 0:31:43 | |
Not particularly thrilled with those. | 0:31:43 | 0:31:45 | |
People don't want to clean, that's half the problem with those. | 0:31:45 | 0:31:49 | |
And two candlesticks, rather clunky... 15 to 20. | 0:31:49 | 0:31:54 | |
15 to 20. Well he paid £30. | 0:31:54 | 0:31:59 | |
I think Philip's been burning the candle at both ends. | 0:31:59 | 0:32:02 | |
CHARLIE LAUGHS | 0:32:02 | 0:32:03 | |
Now, onto Greg and Stephanie, with the Blue team. | 0:32:03 | 0:32:06 | |
They were with Thomas Plant and they started off by buying some tiles, | 0:32:06 | 0:32:09 | |
seven of them, Copeland, wonderful makers, | 0:32:09 | 0:32:12 | |
but these aren't the best tiles ever made, are they? | 0:32:12 | 0:32:15 | |
Rather ordinary, Charlie. The colours aren't a particularly nice, | 0:32:15 | 0:32:18 | |
attractive palette, either - browns and greens. | 0:32:18 | 0:32:21 | |
Not for me, those. | 0:32:21 | 0:32:23 | |
Not sure they're going to have a good night out on those tiles. | 0:32:23 | 0:32:27 | |
-Ten to £15, Charlie. -Ten to £15. | 0:32:27 | 0:32:30 | |
-They cost £8. -OK. -Now, the next lot is the Lalique fish. | 0:32:30 | 0:32:34 | |
Yeah, it looks like something you'd get from a sweet shop. | 0:32:34 | 0:32:39 | |
CHARLIE LAUGHS | 0:32:39 | 0:32:40 | |
-Green or yellow? -I'm going with greeny yellow. | 0:32:40 | 0:32:44 | |
Yeah, sort of kind of greeny yellow. Modern Lalique. | 0:32:44 | 0:32:49 | |
Not a lot going for it, unfortunately. | 0:32:49 | 0:32:52 | |
-20 to 30. -They really went bold on this. | 0:32:52 | 0:32:56 | |
-They spent £70. -Did they really? | 0:32:56 | 0:32:59 | |
Shall we move swiftly on to the studio pottery vase? | 0:32:59 | 0:33:01 | |
I quite like this, Charlie. | 0:33:01 | 0:33:03 | |
Good size, very fashionable, nice under glaze. | 0:33:03 | 0:33:07 | |
No factory mark or studio pottery mark, which is disappointing. | 0:33:07 | 0:33:10 | |
No. I've had a good look. | 0:33:10 | 0:33:12 | |
You really want a name on that, don't you? | 0:33:12 | 0:33:14 | |
You do. But a good minimalist piece, if you like. | 0:33:14 | 0:33:17 | |
A bold statement in a house. | 0:33:17 | 0:33:19 | |
-I quite like it. 20 to £30. -20 to £30. | 0:33:19 | 0:33:23 | |
Well, they only paid £15. I think that's a bit of a steal, £15. | 0:33:23 | 0:33:27 | |
Not bad. In with a chance on that. | 0:33:27 | 0:33:29 | |
I think you're going to make a substantial profit for them on that. | 0:33:29 | 0:33:32 | |
Let's not get carried away, Charlie. | 0:33:32 | 0:33:35 | |
Anyway, of course, despite Ben's efforts, | 0:33:35 | 0:33:37 | |
they still might need a bonus buy. So, let's have a look at it. | 0:33:37 | 0:33:40 | |
Come on, Thomas, reveal all. | 0:33:42 | 0:33:44 | |
OK. Greg and Stephanie, here we go. | 0:33:44 | 0:33:46 | |
I bought you a liqueur set. | 0:33:46 | 0:33:48 | |
-Ooh! -Do you like a drink? -We do. -This is by a company in Sweden. | 0:33:48 | 0:33:54 | |
Made by Orrefors. Have you heard of Orrefors? | 0:33:54 | 0:33:58 | |
-Never heard of them. -No? Orrefors, Swedish manufacturer of glass. | 0:33:58 | 0:34:01 | |
But what's more important is the designer. | 0:34:01 | 0:34:03 | |
These are designed by somebody called Simon Gate. | 0:34:03 | 0:34:05 | |
-How old do you think that is? -'20s? | 0:34:05 | 0:34:08 | |
Yes. It's going to be 1920s-1930s, that was designed. | 0:34:08 | 0:34:11 | |
It's fabulous, isn't it? | 0:34:11 | 0:34:13 | |
It is fab, actually. I like the colour. You're not keen, are you? | 0:34:13 | 0:34:16 | |
I knew. | 0:34:16 | 0:34:18 | |
It looks like, well, cheap plastic little glasses. | 0:34:18 | 0:34:21 | |
But, do you know, who knows? | 0:34:21 | 0:34:22 | |
I don't know anything, you're the expert. | 0:34:22 | 0:34:25 | |
Greg, Greg, Greg, I will just... | 0:34:25 | 0:34:26 | |
These have been hand-blown. They have been polished. | 0:34:26 | 0:34:29 | |
Here we've got the Orrefors mark, we've got the G for Simon Gate, | 0:34:29 | 0:34:33 | |
and all the details of the manufacture of this fabulous... | 0:34:33 | 0:34:37 | |
So, is Simon Gate well known? | 0:34:37 | 0:34:39 | |
-Oh, yeah. -I do like the black bases on them. | 0:34:39 | 0:34:42 | |
How much did you pay for them? | 0:34:42 | 0:34:44 | |
Well, when I left you I said I was going to take a leaf out of your two | 0:34:44 | 0:34:48 | |
-books, wasn't I? -Oh, yeah. -And I did. | 0:34:48 | 0:34:50 | |
-Did you? -I did. -So you got them for two quid! -No! | 0:34:50 | 0:34:53 | |
LAUGHTER | 0:34:53 | 0:34:55 | |
Greg, I'm nothing like you, OK. I try, | 0:34:55 | 0:34:57 | |
-but it's difficult. OK. £30. -Wow. | 0:34:57 | 0:35:01 | |
That's good. And how much do you think they'll make? | 0:35:01 | 0:35:05 | |
I think they've got a good chance of making at least 40 to £60. | 0:35:05 | 0:35:08 | |
-I knew you'd say that. -It's a really lovely set. | 0:35:08 | 0:35:10 | |
Well, you don't have to make up your mind now. | 0:35:10 | 0:35:13 | |
Wait until the auction. Seems to me you rather like them. | 0:35:13 | 0:35:16 | |
We know Thomas likes them. | 0:35:16 | 0:35:18 | |
But does the auctioneer like the Orrefors glass? | 0:35:18 | 0:35:21 | |
Thomas was left £207 by Greg and Stephanie, | 0:35:23 | 0:35:27 | |
and he came up with this, | 0:35:27 | 0:35:29 | |
which is Orrefors glass. Good name. What do you think? | 0:35:29 | 0:35:32 | |
I think in the antique world you've got to be two things. | 0:35:32 | 0:35:35 | |
Either practical or decorative. | 0:35:35 | 0:35:37 | |
I'm not sure whether this sits in either camp. | 0:35:37 | 0:35:39 | |
-What about value? -15 to 20. | 0:35:39 | 0:35:42 | |
Hmm. Paid 30. | 0:35:42 | 0:35:44 | |
We might just be a little short there, Charlie. | 0:35:44 | 0:35:47 | |
Oh, dear, dear, dear. I suppose you might be. | 0:35:47 | 0:35:50 | |
-You'll be taking the sale? -I will indeed. | 0:35:50 | 0:35:52 | |
Good. Well, I have to say, I'm really looking forward to it. | 0:35:52 | 0:35:54 | |
Lee and Rachel, isn't this exciting? | 0:36:00 | 0:36:04 | |
We're going to kick off with the skis, which cost £35. | 0:36:04 | 0:36:08 | |
Here they come. | 0:36:08 | 0:36:09 | |
15 A, pair of Attenhofer wooden skis, | 0:36:09 | 0:36:13 | |
has to start at £45. | 0:36:13 | 0:36:15 | |
Is there 50? | 0:36:15 | 0:36:16 | |
At 45, 50 in the room. | 0:36:16 | 0:36:19 | |
-Is there five? At 50, 50, £50. -Come on! | 0:36:19 | 0:36:22 | |
Is there five? | 0:36:22 | 0:36:24 | |
At 50. £50. In the room, the bid. | 0:36:24 | 0:36:27 | |
Everybody done at 50? | 0:36:27 | 0:36:28 | |
£50. | 0:36:28 | 0:36:29 | |
Yes! | 0:36:29 | 0:36:32 | |
That was fantastic. You're up £15. | 0:36:32 | 0:36:35 | |
Look, here come the cutters. | 0:36:37 | 0:36:39 | |
Sugar cutters, nice shape to these. | 0:36:39 | 0:36:42 | |
Bid me £20. Surely a ten. | 0:36:42 | 0:36:44 | |
Come on! | 0:36:44 | 0:36:48 | |
-Five to start. -Oh, dear. | 0:36:48 | 0:36:49 | |
Five in. At five. | 0:36:49 | 0:36:51 | |
Any advance now? Eight if you like. | 0:36:51 | 0:36:53 | |
At five now. £8 bid. | 0:36:53 | 0:36:55 | |
Is there ten? Ten anywhere? £8. | 0:36:55 | 0:36:57 | |
Is there ten? | 0:36:57 | 0:36:59 | |
At £8. | 0:36:59 | 0:37:01 | |
All done, a lowly £8. Anybody else, before these go? | 0:37:01 | 0:37:06 | |
£8. | 0:37:06 | 0:37:08 | |
Oh, you've lost £17. But you made £15. | 0:37:08 | 0:37:10 | |
So you're down £2. | 0:37:10 | 0:37:12 | |
Right. Now your trunk. | 0:37:14 | 0:37:16 | |
And I've got 20 to start. Is their five? | 0:37:16 | 0:37:18 | |
At 20, at 20. | 0:37:18 | 0:37:20 | |
Five, surely? Clean and tidy, ladies and gentlemen. | 0:37:20 | 0:37:22 | |
Is there five? At 20. | 0:37:22 | 0:37:24 | |
At £20 only. Five anywhere? | 0:37:24 | 0:37:26 | |
Oh, no! | 0:37:26 | 0:37:28 | |
Oh, £20, that's better. | 0:37:28 | 0:37:29 | |
-Come on. -Is there 30? | 0:37:29 | 0:37:31 | |
At 25, at 25. | 0:37:31 | 0:37:32 | |
Is everybody done? | 0:37:32 | 0:37:34 | |
25 only. Hammer's up. | 0:37:34 | 0:37:36 | |
25 to 5057. | 0:37:36 | 0:37:40 | |
Oh, minus 15. Minus 17, you're minus 2, | 0:37:40 | 0:37:44 | |
you're down £27. That's not bad, is it? | 0:37:44 | 0:37:47 | |
Disappointing after the start we had, though. | 0:37:47 | 0:37:50 | |
Yeah, but you've got a pair of candlesticks still to come. | 0:37:50 | 0:37:53 | |
So, what do you reckon? | 0:37:53 | 0:37:55 | |
-We're definitely going to go for it. -Yeah, go for it. | 0:37:55 | 0:37:58 | |
You're going with those candlesticks. Good luck. | 0:37:58 | 0:38:00 | |
Lot 201A. Pair of candlestick holders. | 0:38:00 | 0:38:03 | |
Starting the bid with me at £15. | 0:38:03 | 0:38:06 | |
-Oh, well it's a start. -15 with me. | 0:38:06 | 0:38:10 | |
Against you now. | 0:38:10 | 0:38:11 | |
At 15. £15 online. | 0:38:11 | 0:38:13 | |
You're out. 18 if you like. | 0:38:13 | 0:38:15 | |
Do they want 18, Peter? At 15, 18. | 0:38:15 | 0:38:17 | |
18 at the back. | 0:38:17 | 0:38:19 | |
-£18, wanting £20, wanting £20. -Come on! | 0:38:19 | 0:38:22 | |
£18. 18 is at the door. | 0:38:22 | 0:38:25 | |
Are we all done? | 0:38:25 | 0:38:26 | |
-Come on! -Coming back to me online. | 0:38:26 | 0:38:30 | |
Everybody done at £18? | 0:38:30 | 0:38:32 | |
664. | 0:38:32 | 0:38:33 | |
Philip's now added a cheeky little £12 loss | 0:38:33 | 0:38:36 | |
onto the hitherto £27 loss, | 0:38:36 | 0:38:39 | |
which brings you up to £39 loss. | 0:38:39 | 0:38:43 | |
But never you mind. | 0:38:43 | 0:38:44 | |
Minus £39 has won a lot of Bargain | 0:38:44 | 0:38:46 | |
Hunts over the years, hasn't it, Philip? | 0:38:46 | 0:38:49 | |
-Absolutely right and it might today. -Yes, might well win. | 0:38:49 | 0:38:53 | |
So, not a word to the Blues, OK? Don't discuss it with the Blues. | 0:38:53 | 0:38:56 | |
-No, nothing. -And good luck. | 0:38:56 | 0:38:57 | |
Are you ready for it? | 0:39:02 | 0:39:04 | |
-Yes! We certainly are. -You look as if you're up for it. | 0:39:04 | 0:39:06 | |
-Yeah, can't wait. -OK, here we go. Copeland, good name. | 0:39:06 | 0:39:10 | |
Our set of seven Copeland pottery tiles. | 0:39:10 | 0:39:14 | |
With me at ten, £10, any advance? | 0:39:14 | 0:39:17 | |
At 18. Is there 20? | 0:39:17 | 0:39:19 | |
£10, 12. 15, if you like. | 0:39:19 | 0:39:21 | |
That was good. | 0:39:21 | 0:39:22 | |
18. Is there 20? | 0:39:22 | 0:39:24 | |
Keep going, keep going. | 0:39:24 | 0:39:26 | |
At £20. Is there two? | 0:39:27 | 0:39:29 | |
22, second thoughts. | 0:39:29 | 0:39:30 | |
Is there five? 25. Is there eight, sir? | 0:39:30 | 0:39:33 | |
25. Lady's bid. Was there somebody else at 25? | 0:39:33 | 0:39:36 | |
Lady's bid, make no mistake, at 25. | 0:39:36 | 0:39:38 | |
Everybody done? | 0:39:38 | 0:39:40 | |
25, 303. | 0:39:40 | 0:39:42 | |
-Yes! -£17 profit. | 0:39:42 | 0:39:46 | |
Marvellous! | 0:39:46 | 0:39:48 | |
Right. Here's the Lalique. | 0:39:48 | 0:39:50 | |
37B, modern Lalique fish mascot. | 0:39:50 | 0:39:54 | |
I've got ten to start. | 0:39:54 | 0:39:55 | |
At £10, is there 12? 12 bid. 15. 15 I have. | 0:39:55 | 0:39:59 | |
18 now. Is there 20? | 0:39:59 | 0:40:01 | |
£18, 20 bid, two now. | 0:40:01 | 0:40:02 | |
22. Is there five? | 0:40:02 | 0:40:04 | |
22, 25. | 0:40:04 | 0:40:05 | |
-We've got to make 70 or more. -Wow. | 0:40:05 | 0:40:08 | |
£28. 30, new bidder. 35, anywhere? | 0:40:08 | 0:40:12 | |
Come on! | 0:40:12 | 0:40:13 | |
Two if you like, sir. £30. Do you want two? | 0:40:13 | 0:40:16 | |
£30. All done at 30. | 0:40:16 | 0:40:18 | |
30, 686. | 0:40:19 | 0:40:21 | |
Oh, no! A loss of £40 here. You're now down £23. | 0:40:21 | 0:40:26 | |
Here's the vase. | 0:40:26 | 0:40:27 | |
I've got interest in this. | 0:40:27 | 0:40:29 | |
Straight in at £55. At 55. | 0:40:29 | 0:40:31 | |
I have to start there. Is there 60 now? | 0:40:31 | 0:40:33 | |
At 55, 60, anybody? 65. | 0:40:33 | 0:40:36 | |
-Wow! -This is phenomenal! | 0:40:36 | 0:40:39 | |
Just taken you into an overall profit. | 0:40:39 | 0:40:41 | |
Are we all done? 65, a good piece here at 65. | 0:40:41 | 0:40:44 | |
Are we all done? Last call. | 0:40:44 | 0:40:47 | |
-Yes! Thank you, thank you. -That is a £50 profit. | 0:40:47 | 0:40:52 | |
-Fabulous. -Take off the little 23 | 0:40:52 | 0:40:54 | |
which lost earlier, which means you're £27 up. | 0:40:54 | 0:40:59 | |
That's fantastic. | 0:40:59 | 0:41:01 | |
£27. Now. | 0:41:01 | 0:41:03 | |
Sweden here we come. | 0:41:05 | 0:41:07 | |
The Orrefors. | 0:41:07 | 0:41:08 | |
I think we're going to go for it. | 0:41:08 | 0:41:12 | |
-Yeah. -We trust you. -We trust you. | 0:41:12 | 0:41:14 | |
Lot number 43A, liqueur set. | 0:41:14 | 0:41:18 | |
I'm going to start. It starts with me at £25. | 0:41:18 | 0:41:21 | |
Is there 30 now? | 0:41:21 | 0:41:23 | |
At 25. 30, anyone? | 0:41:23 | 0:41:25 | |
30, 35 with me. 35. | 0:41:25 | 0:41:27 | |
-Profit of £5. We're in. -Yes, yes. -Keep going, keep going. -Bit more. | 0:41:27 | 0:41:31 | |
40 now. At 40, at 40, at 40. | 0:41:31 | 0:41:34 | |
With me, then, at £40. Everybody done? | 0:41:34 | 0:41:38 | |
That's fantastic! | 0:41:38 | 0:41:41 | |
Last call at 40. | 0:41:41 | 0:41:42 | |
Well done, Thomas. | 0:41:44 | 0:41:45 | |
-Fabulous. -Thomas, I'm going to shake you by the hand. | 0:41:45 | 0:41:48 | |
What a genius you are. Well done, you two. | 0:41:48 | 0:41:50 | |
Do you know, you've made £37 on Bargain Hunt! | 0:41:50 | 0:41:54 | |
I'm so chuffed. | 0:41:54 | 0:41:55 | |
It's not a golden gavel... | 0:41:55 | 0:41:58 | |
That's because of the Lalique. | 0:41:58 | 0:42:00 | |
But other than that you did superbly. | 0:42:00 | 0:42:02 | |
-Not a word to the Reds. -Nope. | 0:42:02 | 0:42:04 | |
Zip up. | 0:42:04 | 0:42:05 | |
Well, that was a very hard-fought contest. | 0:42:12 | 0:42:15 | |
Both teams did extremely well. | 0:42:15 | 0:42:18 | |
But, of course, sadly there can only be one winner. | 0:42:18 | 0:42:21 | |
Today's winners are the Blue team! | 0:42:21 | 0:42:26 | |
-Yay! -Congratulations. | 0:42:26 | 0:42:29 | |
Well done. But Lee and Rachel, it all started so well, didn't it, | 0:42:29 | 0:42:33 | |
-with the skis? -Went downhill very fast! | 0:42:33 | 0:42:36 | |
Went like the clappers. Then it went downhill very fast. | 0:42:36 | 0:42:39 | |
But, actually, you only lost £39, didn't you? | 0:42:39 | 0:42:42 | |
-It's not bad, is it? -Not bad. -Result. -Have you had a good time? | 0:42:42 | 0:42:45 | |
Yes, brilliant time. | 0:42:45 | 0:42:46 | |
Well, you've been great sports. | 0:42:46 | 0:42:47 | |
But, as for you two, you've done extremely well, haven't you? | 0:42:47 | 0:42:50 | |
Just a shame about the Lalique, wasn't it? | 0:42:50 | 0:42:52 | |
-It was, I was gutted about that. -Gutted about the Lalique. | 0:42:52 | 0:42:56 | |
I know. Your vase did so well, | 0:42:56 | 0:42:57 | |
and then he added a bit more profit | 0:42:57 | 0:42:59 | |
-as well, the great man. -Yes, indeed. | 0:42:59 | 0:43:01 | |
So, actually, you have made £37. CHEERING | 0:43:01 | 0:43:06 | |
There we go, look at that. | 0:43:06 | 0:43:08 | |
-Thank you. -And I've got two more pounds for you. | 0:43:08 | 0:43:10 | |
-Thank very much. -You're a very lucky girl. | 0:43:10 | 0:43:12 | |
-Thank you, Charlie. -Give him some of it. Very good. Don't forget to | 0:43:12 | 0:43:14 | |
have a look at our website and to follow us on Twitter. | 0:43:14 | 0:43:17 | |
In the meantime, join us for more bargain hunting. | 0:43:17 | 0:43:19 | |
-Yes? ALL: -Yes! | 0:43:19 | 0:43:21 |