Browse content similar to Children in Need in Northern Ireland. Check below for episodes and series from the same categories and more!
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Hello! Yes, it is that time of the year again. The nights are drawing | :00:37. | :00:41. | |
in, the winter woolies are on and your thoughts have been turning to | :00:41. | :00:44. | |
how to raise money for Children in Need. You really are the stars of | :00:44. | :00:54. | |
:00:54. | :01:15. | ||
This year we are going on tour with The children have gone together and | :01:15. | :01:21. | |
have donated �1 each to donate pyjamas to different schools and | :01:21. | :01:31. | |
:01:31. | :01:58. | ||
all of the donations are made in Boys and girls have been bringing | :01:58. | :02:02. | |
end of money and we are so excited about collecting money with Postman | :02:02. | :02:12. | |
:02:12. | :02:24. | ||
We thought that if we brought Pudsey in it would make it more | :02:24. | :02:28. | |
exciting for the children. All of the children have brought in | :02:28. | :02:34. | |
changed today in support of Children in Need. | :02:34. | :02:40. | |
We have about �6 in coins at the moment. We have to transport it. We | :02:40. | :02:50. | |
:02:50. | :02:54. | ||
are not looking forward to it Here is the story. | :02:54. | :02:57. | |
We set choir master John Anderson a giant Children in Need feet - feat, | :02:57. | :03:00. | |
putting together a huge choir, introduce them to a new song, | :03:00. | :03:03. | |
attend rehearsals and the singers were not even in the same part of | :03:03. | :03:13. | |
:03:13. | :03:17. | ||
Hello, it is John Anderson. We are doing a link up with different | :03:17. | :03:22. | |
choirs all over the United Kingdom. A few schools have signed up but I | :03:22. | :03:27. | |
thought it would be great if we could get a Community Youth Choir | :03:27. | :03:37. | |
:03:37. | :03:42. | ||
from Belfast. Do you think it is a It was lovely but we got a bit | :03:42. | :03:52. | |
We have been asked to be involved in a children -- Children in Need | :03:52. | :03:58. | |
event. This DVD will explain more. I want you to sing along with all | :03:58. | :04:03. | |
of the choirs in Children in Need. By I think this is a brilliant | :04:03. | :04:13. | |
:04:13. | :04:32. | ||
It was an emotional song which is I think it is a good idea to | :04:32. | :04:39. | |
encourage people to sing and get everyone together. | :04:39. | :04:46. | |
I am a little worried, to be honest. I am just calling to see how it is | :04:46. | :04:49. | |
going before next week, which is the last rehearsal before the show | :04:49. | :04:59. | |
:04:59. | :05:03. | ||
itself. SINGING Bhatt is looking great. | :05:03. | :05:07. | |
If you sound like -- that is looking great. If you sound like | :05:07. | :05:12. | |
that next week people will be really impressed. | :05:12. | :05:17. | |
I am just coming up the hill. We have about another four minutes. Is | :05:17. | :05:27. | |
:05:27. | :05:39. | ||
SINGING # Keep holding on. # It is a lot stronger and more | :05:39. | :05:46. | |
Quare graft if you imagine you are pulling something down. | :05:46. | :05:56. | |
:05:56. | :06:00. | ||
This is a part in the song that we are not sure what we are supposed | :06:00. | :06:05. | |
to be doing. So what those consonants hard. We want to hear | :06:05. | :06:15. | |
:06:15. | :06:29. | ||
everything. -- split up those Absolutely. That is going to work a | :06:29. | :06:36. | |
real treat. I am very encouraged. It is good | :06:36. | :06:46. | |
:06:46. | :06:51. | ||
work. I just want to make sure that all | :06:51. | :06:57. | |
of your chins are up. We have about four hours to go and it is looking | :06:57. | :07:03. | |
good. We are going to have a great time and I am very excited about it. | :07:03. | :07:10. | |
We are going to sink our hearts out. You might have caught a glimpse of | :07:11. | :07:17. | |
them performing last night as part of the largest choir in the world. | :07:17. | :07:21. | |
3,000 young people had just a few weeks to perfect that amazing sound. | :07:21. | :07:25. | |
We believe that that was just not enough, not nearly enough to | :07:25. | :07:30. | |
justify all of this talent and all of that toil, so today, just for | :07:30. | :07:40. | |
:07:40. | :07:43. | ||
you, they are performing in its entirety, holding on. It is the | :07:43. | :07:53. | |
:07:53. | :07:55. | ||
Children in Need choir. # You're not alone | :07:55. | :07:58. | |
Together we stand # I'll be by your side | :07:58. | :08:08. | |
:08:08. | :08:22. | ||
# You know I'll take your hand # We will make it a threat # -- we | :08:22. | :08:32. | |
:08:32. | :08:57. | ||
# I Wish You were Here Before it is all too late and we all disappear. | :08:57. | :09:07. | |
:09:07. | :09:07. | ||
Apology for the loss of subtitles for 105 seconds | :09:07. | :10:53. | |
# Napping is it going to change # - When it comes to the truth, keep | :10:53. | :11:03. | |
:11:03. | :11:29. | ||
A # You know we will make it Belfast Community Circus School is | :11:29. | :11:32. | |
helping children to develop new skills and make new friends. The | :11:32. | :11:34. | |
outreach project at Seagoe Youth Club not only provides | :11:34. | :11:44. | |
:11:44. | :11:56. | ||
You have got the glitz and glamour of the circus. You have the | :11:57. | :12:05. | |
opportunity of learning the skills. It is one of the first out bridge | :12:05. | :12:10. | |
programs like this I have done and I have been doing it for 10 years. | :12:10. | :12:16. | |
-- out of reach. It is really fun to learn unusual | :12:16. | :12:26. | |
:12:26. | :12:26. | ||
things and have a load of fun. You will see that the kids will be | :12:26. | :12:31. | |
more aware of themselves physically. They need to look into | :12:31. | :12:35. | |
concentration levels and they have improved. They have more self- | :12:35. | :12:42. | |
esteem. I feel confident here because when I try something the | :12:42. | :12:52. | |
:12:52. | :12:58. | ||
teachers tell me to try again if I We have a very strong community | :12:58. | :13:02. | |
ethos. A lot of these children had never met each other until they | :13:02. | :13:12. | |
:13:12. | :13:18. | ||
It is good meeting new friends because they do not know you and | :13:18. | :13:21. | |
you get to know people and sometimes they are really nice to | :13:21. | :13:29. | |
you. The teachers are really nice and | :13:29. | :13:39. | |
:13:39. | :13:43. | ||
It is not just the trainer's teaching the young people, it is | :13:44. | :13:53. | |
the young people teaching each I like riding the unicycle because | :13:53. | :14:03. | |
:14:03. | :14:05. | ||
it is a fun thing to do and I found They have the opportunity to do | :14:05. | :14:08. | |
performances and show their friends and family that we are not just our | :14:08. | :14:12. | |
own little body but we make sure that the neighbourhood around us | :14:12. | :14:20. | |
knows what we are doing and why we are doing it. I like riding the | :14:20. | :14:30. | |
:14:30. | :14:36. | ||
Belfast unit is circus with the assistant of Children In Need, | :14:36. | :14:40. | |
building for the future. Please help. Text the word DONATE to 70710, | :14:40. | :14:42. | |
messages will cost �10 plus your standard network charge and �10 | :14:42. | :14:52. | |
:14:52. | :14:56. | ||
goes to Children in Need. For full Et ever it there was born to dance, | :14:56. | :15:03. | |
it is our Pudsey. He is a dab paw at everything from boogie-woogie to | :15:03. | :15:12. | |
waltz to the quickstep. But first love take dancers have promised to | :15:12. | :15:16. | |
give them a run for his money. Three months ago, our seven | :15:16. | :15:20. | |
celebrity couples took their first steps on the dancefloor, determined | :15:20. | :15:24. | |
to learn a routine that would impress the judges. Tonight we will | :15:24. | :15:29. | |
see them being put through their paces before the big dance off. But | :15:29. | :15:33. | |
first, let's meet our celebrity show off BASSA back soft shoe | :15:33. | :15:40. | |
shufflers. Cool DJ Kirstie is clearly hot to | :15:40. | :15:46. | |
trot. Well former Miss Northern Ireland Fiona is bound to be a hit. | :15:46. | :15:51. | |
Property guru Michael aims to bring the house down. And Jackie is | :15:51. | :15:55. | |
pitting his best that forward. Hockey star Shane is facing a | :15:55. | :16:02. | |
Giants challenge. But model boss Tracey reckons it is a wok, are | :16:02. | :16:06. | |
should be catwalk in the park. Meanwhile, Tina is keen to present | :16:06. | :16:12. | |
her best samba side. A You are not just in one line. We will have two | :16:13. | :16:16. | |
groups of four. Because I have been involved with children need for so | :16:16. | :16:22. | |
many years, I thought it would be nice. I like dancing. I am not the | :16:22. | :16:30. | |
best answer but I am enthusiastic. I have done events over the years. | :16:30. | :16:37. | |
I dance with Jackie Fullerton many moons ago. It is so important. | :16:37. | :16:43. | |
is on ice to take part in something and help raise so -- some money. To | :16:43. | :16:50. | |
be involved is fantastic. It has been great. Lots of great people | :16:50. | :16:57. | |
and a chance to get out and support a great cost. To learn the team | :16:57. | :17:06. | |
dance and to learn the individual dance, it is a lot. It is going | :17:06. | :17:12. | |
around in my head later night. We have been rehearsing late at night | :17:12. | :17:20. | |
as well. There are lots of dark horses in the competition. Peer and | :17:20. | :17:30. | |
:17:30. | :17:30. | ||
it -- Fiona is graceful. It is all about taking part. My sister is in | :17:30. | :17:35. | |
the competition. Family rivalry, we will go for it. The standard is | :17:35. | :17:43. | |
very good. I would love to be Gavin. Everybody is very good. They | :17:43. | :17:53. | |
:17:53. | :17:59. | ||
learned their steps very quickly. Jackie Fulton, definitely. Can you | :17:59. | :18:08. | |
believe he said that. We are one of the most competitive people. I am | :18:08. | :18:15. | |
worried more about the outfit. It should be good. Far as it is a lot | :18:15. | :18:20. | |
of work. We are only doing that because that is such an important | :18:20. | :18:27. | |
charity. I am maybe not the best answer, but I am doing it for this | :18:27. | :18:35. | |
great cost. -- Dancer. It is for Children In Need. The people have | :18:35. | :18:43. | |
been great. I think on the night, every one of them will be trying. | :18:43. | :18:47. | |
Find out how our or twinkle-toed his sums get on. We will be back in | :18:47. | :18:57. | |
:18:57. | :18:58. | ||
a while. -- to sums. Now, I am a doctor. A lot of people asked me | :18:58. | :19:06. | |
how I looked so cool. Actually not a lot of people. If they had asked | :19:06. | :19:11. | |
me, I would have answered with a one-word - might close. Especially | :19:11. | :19:21. | |
:19:21. | :19:22. | ||
the bow-tied. I am excited. Today, for Children In Need, I am giving | :19:22. | :19:32. | |
:19:32. | :19:32. | ||
the close off my back. My jacket! Unique in the universe, made of | :19:32. | :19:38. | |
infinity Tweed. If his jacket is set by a bullet are a laser beam, | :19:38. | :19:44. | |
it would be completely ruined. So please be careful with it. My bow- | :19:44. | :19:50. | |
tie. They are and always will be cool. My shirt - looks like an | :19:51. | :19:55. | |
ordinary shirt, feels like an ordinary shirt. It is an ordinary | :19:55. | :20:02. | |
shirt. My trousers - not just any old trousers. I put trousers. | :20:02. | :20:12. | |
:20:12. | :20:15. | ||
Similar to normal trousers. My boots - 1, two. 3. All time Lords, | :20:15. | :20:22. | |
we are full of surprises. If any of you would like to bed for these | :20:22. | :20:30. | |
unique items of clothing, the addresses appearing on the screen | :20:30. | :20:40. | |
now. These are holograms close. Please do not touch the red button | :20:40. | :20:47. | |
or they might disappear. Stop at! OK, I am going to need our | :20:47. | :20:57. | |
:20:57. | :20:59. | ||
diversion. Run the trailer. Run the trailer! Hugh Hugh England, 1941 | :20:59. | :21:06. | |
and there is a war on. Who are you it? Usually called the | :21:06. | :21:14. | |
doctor. The man is quite ridiculous. You must be away from him. Will I | :21:14. | :21:21. | |
find a telephone box in your room? It is not a telephone box. It is a | :21:21. | :21:31. | |
:21:31. | :21:32. | ||
wardrobe. Where are we? In a forest in a box in the sitting room. | :21:32. | :21:36. | |
is something very wrong in this forest. Your brother is right in | :21:36. | :21:46. | |
:21:46. | :22:10. | ||
the middle of it. Best Christmas A # New our sins -- You are | :22:10. | :22:19. | |
insecure # Being the way that you are is enough # Everyone else in | :22:19. | :22:26. | |
the room can see it # Everyone else but you # 8, you light up my world | :22:26. | :22:30. | |
like nobody else # The way that you have let your hair gets me | :22:30. | :22:34. | |
overwhelmed # The way that you smile at the ground, is not | :22:34. | :22:41. | |
anything hard to tell # You don't know # You do not know you are | :22:41. | :22:45. | |
beautiful # Everleigh you could see what I can see # You will | :22:45. | :22:50. | |
understand why I want is the -- user desperately # Right now I am | :22:50. | :22:56. | |
looking at you # And I cannot believe, you do not know you are | :22:56. | :23:04. | |
beautiful # That is what we should this of all # # So come on # You | :23:04. | :23:10. | |
got it wrong numbers they to prove I am right back at it and a song # | :23:10. | :23:16. | |
I do not know why # You are being Shaikh number cent turn away when I | :23:16. | :23:22. | |
look in your eyes # Everyone else in the room can see yet # Everyone | :23:22. | :23:30. | |
else but you be, you light up my world like nobody else # The way | :23:30. | :23:39. | |
that you flip your hair gets me overwhelmed # The way that you | :23:39. | :23:45. | |
smile you light up my world's number signed the only you could | :23:45. | :23:50. | |
see what I can say # You will understand why I want is a | :23:50. | :23:55. | |
desperately numbers and right now I am looking at you and I'd happily # | :23:55. | :24:05. | |
:24:05. | :24:19. | ||
You don't know you're beautiful # # Baby, you might my words like | :24:19. | :24:29. | |
:24:29. | :24:34. | ||
nobody else numbers signed you don't know you appear to have all # | :24:34. | :24:39. | |
The way that you have let their hair makes me over whelmed # The | :24:39. | :24:45. | |
way that you smile at the world like nobody else # You don't know | :24:45. | :24:55. | |
:24:55. | :25:04. | ||
your views of all # You don't know you're view to a fault # You don't | :25:04. | :25:14. | |
:25:14. | :25:14. | ||
know your views of all that's what makes you bit of all # -- makes you | :25:14. | :25:24. | |
:25:24. | :25:41. | ||
Hello Pudsey it. It is the year. Looking well. -- good to see you. | :25:41. | :25:47. | |
It is fantastic to be here and to be hosting the awards. It will be a | :25:47. | :25:52. | |
good night. A lot of the proceeds are going towards Children In Need. | :25:52. | :25:55. | |
It is to get -- good to get everyone in Northern Ireland | :25:55. | :26:01. | |
together. Get your hands in your pockets and give to Children In | :26:01. | :26:11. | |
:26:11. | :26:12. | ||
Need. Children In Need, it is an institution. We have had our own | :26:12. | :26:17. | |
child and it hits form then how important it is for kids who are | :26:17. | :26:22. | |
disadvantaged and do not have the same opportunities are little girl | :26:22. | :26:32. | |
:26:32. | :26:34. | ||
might have. Wheeler correct. Please give generously to Children In Need. | :26:34. | :26:44. | |
:26:44. | :26:46. | ||
Hello and welcome. We are hoping to raise as much money as possible for | :26:46. | :26:56. | |
:26:56. | :27:02. | ||
Children In Need, so dig deep. Abed here at �400. A round of applause. | :27:02. | :27:12. | |
:27:12. | :27:14. | ||
That is the way to get money. the final amount says... �12,960. | :27:14. | :27:20. | |
Thank you everyone. Everyone nods Pudsey and everyone wants to dig | :27:20. | :27:29. | |
deeper and give something. Every Not everybody is lucky enough to | :27:29. | :27:33. | |
get off a good start in life but some young people are given a | :27:33. | :27:37. | |
second chance. The Newstart project with the help of Children In Need | :27:37. | :27:40. | |
is helping them re-engage with education at to face the future | :27:40. | :27:50. | |
:27:50. | :27:52. | ||
with a renewed confidence. I was doing things I should have | :27:52. | :27:59. | |
been doing. I feel more confident and I am able to go out with my | :27:59. | :28:06. | |
friends more. I do not feel shy. What sort of facts are you looking | :28:06. | :28:16. | |
:28:16. | :28:17. | ||
for? You're looking for a flat ground and if there is water near. | :28:17. | :28:25. | |
Newstart is not just a holiday camp, it is good for you. The teachers | :28:25. | :28:30. | |
are really important to me. If I do not understand something or I am | :28:30. | :28:40. | |
:28:40. | :28:44. | ||
stuck in the class, everybody is trying to help me. One of the | :28:45. | :28:52. | |
probability of getting it I hit? Young people come to the education | :28:52. | :28:56. | |
centre because they had been out of mainstream education. That could be | :28:56. | :29:04. | |
for a few weeks or sometimes up to two years. The present with a range | :29:04. | :29:09. | |
of issues. Some are family problems, some are street crime. Some have | :29:09. | :29:13. | |
been fought involved in drug and alcohol abuse. And for others they | :29:13. | :29:21. | |
did not fit into the mainstream education system. Before I came | :29:21. | :29:26. | |
here I had low self-esteem, I did not know what to do with myself. In | :29:26. | :29:31. | |
here I am good at my work and good with people. So my confidence has | :29:31. | :29:38. | |
built up. I was not able to stand in front of people and top. I was | :29:38. | :29:42. | |
not happy at the school I was that before. I am not good at reading. | :29:43. | :29:47. | |
It is good to learn more and you do not have to read in front of people | :29:47. | :29:56. | |
like you do at an ordinary school. You get extra help here. About a | :29:56. | :30:03. | |
year or two ago I would not be worrying about my GCSEs. Any year | :30:03. | :30:13. | |
:30:13. | :30:19. | ||
What we have tried to do through the programme is engage them in a | :30:20. | :30:23. | |
process where they challenge themselves in the outdoors and that | :30:23. | :30:28. | |
is coupled with the work in the classroom. | :30:28. | :30:32. | |
I would have thought there was no way I could have done best a few | :30:32. | :30:37. | |
years ago but now I can just go because I know I have someone I can | :30:37. | :30:47. | |
:30:47. | :30:49. | ||
trust. -- could have done this. I have an opportunity to learn and | :30:49. | :30:55. | |
be somebody. I love the thrill of the outdoor | :30:55. | :31:00. | |
stuff. Never give up. I always tell | :31:00. | :31:07. | |
yourself that you can do it. I was told I was a nobody but I am | :31:07. | :31:17. | |
:31:17. | :31:18. | ||
Your money has made a real difference to the lives of these | :31:18. | :31:28. | |
:31:28. | :31:28. | ||
people and Children in Need need your support. | :31:28. | :31:31. | |
Please text the word DONATE to 70710. Messages will cost �10 plus | :31:31. | :31:34. | |
your standard network charge and �10 goes to Children in Need. For | :31:34. | :31:40. | |
full terms and conditions visit the website. | :31:40. | :31:43. | |
It is time now for another musical treat. These three guys have done | :31:43. | :31:48. | |
for Irish singing what Riverdance did for Irish dancing. They are | :31:48. | :31:50. | |
usually travelling the world on sold out concert tours but tonight | :31:50. | :31:53. | |
they are in Belfast. To perform especially for Children in Need, | :31:53. | :32:03. | |
:32:03. | :32:29. | ||
# Something in your eyes # Makes me want to lose myself | :32:29. | :32:39. | |
# Makes me want lose myself # In your heart | :32:39. | :32:47. | |
# Something in your voice # Makes my heart beat fast | :32:47. | :32:56. | |
# Hope this feeling will last # The rest of my life | :32:56. | :33:04. | |
# If you knew # How lonely my life has been | :33:04. | :33:13. | |
# And how low I've felt for so long if you knew | :33:13. | :33:16. | |
# I wanted someone to some along and change my world | :33:16. | :33:26. | |
:33:26. | :33:37. | ||
# It feels like home # Feels like home to me | :33:37. | :33:47. | |
# Feels like I'm on my way back # Where I come from | :33:47. | :33:55. | |
# Feels like home # Feels like home to me | :33:55. | :34:05. | |
:34:05. | :34:14. | ||
# Feels like I'm on my way back # With your embrace | :34:14. | :34:24. | |
:34:24. | :34:28. | ||
# Down a long dark street # And a sigh of wind in the night | :34:28. | :34:34. | |
# It's all right # Because I have you here with me | :34:34. | :34:43. | |
# And I can almost see # The dark feels light | :34:43. | :34:52. | |
# If you knew # How much this moment means to me | :34:52. | :35:00. | |
# And how long I've waited for your touch | :35:00. | :35:10. | |
# If you knew # I wanted someone to come along | :35:10. | :35:17. | |
# I never thought I'd love anyone # So much | :35:18. | :35:26. | |
# Feels like home # Feels like home to me | :35:26. | :35:34. | |
# Feels like I'm on my way to where I come from | :35:34. | :35:44. | |
:35:44. | :35:51. | ||
# Feels like home to me # Feels like I'm on my way back to | :35:51. | :35:55. | |
where I belong # Feels like I'm on my way back to | :35:55. | :36:05. | |
:36:05. | :36:16. | ||
We will have some more from them later on. | :36:16. | :36:20. | |
I am sure that you are itching to find out how our celebrity to | :36:20. | :36:26. | |
tappers are doing. Is Michael done what the drama of | :36:26. | :36:33. | |
it all. Has Peter been able to nail down does -- of those dance moves. | :36:33. | :36:37. | |
And will Jackie ever get the hang of the drive or will he keep | :36:37. | :36:47. | |
:36:47. | :36:47. | ||
Apology for the loss of subtitles for 105 seconds | :36:47. | :37:32. | |
# And then working so hard # I have got a feeling # And times are | :37:32. | :37:42. | |
:37:42. | :37:48. | ||
holding me down # I will tear up the town # I have got to cut loose | :37:48. | :37:58. | |
:37:58. | :37:59. | ||
# Foot loose # Kick off my Sunday issues # Pull me up by my knee is | :37:59. | :38:09. | |
:38:09. | :38:21. | ||
another sign Jack, get back. # -- The first time we have got it right | :38:21. | :38:31. | |
:38:31. | :38:42. | ||
after a three month! We did it We started facing that way. It is | :38:42. | :38:52. | |
:38:52. | :38:56. | ||
Hopefully it will go better on the night. We are better when we just | :38:56. | :39:06. | |
:39:06. | :39:06. | ||
Apology for the loss of subtitles for 105 seconds | :39:06. | :39:48. | |
It is not easy dancing with skates Lots of tricks there, did you know | :39:48. | :39:58. | |
:39:58. | :39:58. | ||
Apology for the loss of subtitles for 105 seconds | :39:58. | :40:44. | |
We have a 24 I were bowling marathon and the staff will have | :40:45. | :40:54. | |
:40:55. | :41:06. | ||
The majority of them are down by the end of the night. They are | :41:06. | :41:14. | |
buried willing to do it. -- they are the very willing to do it. They | :41:14. | :41:24. | |
:41:24. | :41:24. | ||
Apology for the loss of subtitles for 105 seconds | :41:24. | :42:54. | |
# Walking away from me # What is it going to take # Do you know when | :42:54. | :43:04. | |
:43:04. | :43:16. | ||
# Make up your mind before you shut the door # If there is a ray of | :43:16. | :43:26. | |
:43:26. | :43:26. | ||
Numbers and this is where our heart takes over -- # This is where our | :43:26. | :43:36. | |
:43:36. | :44:09. | ||
# Look me in the eye, a promise I # If there is a ray of light in | :44:09. | :44:19. | |
:44:19. | :44:27. | ||
# You should note this is where my # If there is a small piece left of | :44:27. | :44:37. | |
:44:37. | :44:51. | ||
# But this is where my heart takes # This is where my heart takes over, | :44:51. | :45:01. | |
Numbers and this is where my heart takes over, -- # This is where my | :45:01. | :45:11. | |
:45:11. | :45:21. | ||
# It that there is a chance in in # You should know this is where our | :45:21. | :45:31. | |
:45:31. | :45:46. | ||
# It there is a small piece left of Numbers and this is where my heart | :45:46. | :45:56. | |
:45:56. | :46:12. | ||
takes over, -- and # This is where APPLAUSE for the last three years, | :46:12. | :46:15. | |
Todd has been living with a brain tumour. | :46:15. | :46:20. | |
He likes football and playing outside with his friends. But most | :46:20. | :46:28. | |
of that is not possible any more. Mrs the scar. It goes up near my | :46:28. | :46:34. | |
heart. He used to do lots of other things. He would love to skateboard. | :46:34. | :46:40. | |
To get that taken away from him was very hard. Why else he undergoes | :46:40. | :46:44. | |
chemotherapy, he is often unable to leave the house because he cannot | :46:44. | :46:54. | |
:46:54. | :47:02. | ||
risk infection. What age you mind? 2. The hardest thing about this | :47:02. | :47:11. | |
disease is the isolation. The playground is just 100 yards away. | :47:11. | :47:18. | |
The worst part of staying at home is seeing his school friends. | :47:18. | :47:23. | |
not allowed to go outside and play with them. Someone might have a | :47:23. | :47:28. | |
cold and if they gave me yet, I could get an infection and have to | :47:28. | :47:37. | |
going to hospital. For the family, coping with his illness in the home | :47:37. | :47:41. | |
is a 247 job, leaving little time for every day things we take for | :47:41. | :47:49. | |
granted. But there is help at hand. The Northern Ireland Cancer Fund | :47:49. | :47:54. | |
for children provide a weekly visit from a family support worker funded | :47:54. | :47:58. | |
by Children In Need. My role is to come in and do activities with the | :47:58. | :48:02. | |
children. The families are very isolated and the children love to | :48:02. | :48:09. | |
see another phase coming in. What does the dinosaur do? I am here for | :48:09. | :48:16. | |
two hours every Friday. She has been a tremendous help. And it is | :48:16. | :48:19. | |
not just supporter at home. They are there for or the children at | :48:19. | :48:24. | |
every stage of their treatment. When the children are in Hospital | :48:24. | :48:28. | |
we will stay with them. If there was more funding available, I would | :48:29. | :48:38. | |
love to stay more. Another hour would be tremendous. It is going to | :48:38. | :48:43. | |
be an impact for the rest of our lives. Even if they chemotherapy | :48:43. | :48:48. | |
does work, it's will not be removed so it will always be there. That is | :48:48. | :48:57. | |
something that we have to live with. But he is a fighter. He is not | :48:57. | :49:02. | |
going anywhere, I can tell you. journey as far from over, but the | :49:02. | :49:10. | |
support provided by the Northern Ireland Cancer Trust for children | :49:10. | :49:15. | |
Text the word DONATE to 70710, messages will cost �10 plus your | :49:15. | :49:17. | |
standard network charge and �10 goes to Children in Need. For full | :49:17. | :49:27. | |
:49:27. | :49:34. | ||
At last, the big moment has a right. Our dancers have learned their | :49:34. | :49:39. | |
routines and are ready to go head- to-head. Let us go to La Mon Hotel | :49:39. | :49:49. | |
:49:49. | :49:55. | ||
in the Castlereagh Hills to join You are very welcome. I know you | :49:55. | :50:01. | |
are in such -- for such a treat and we are going to raise so much money | :50:01. | :50:07. | |
for Children In Need. You can vote for each of the double acts. �1 per | :50:07. | :50:17. | |
boat. You can vote is many times as you want. But that is joined with | :50:17. | :50:19. | |
the judges' score and that will give us an overall winner this | :50:19. | :50:28. | |
evening. First up, fresh from his stint on the apprentice, up it is | :50:28. | :50:38. | |
:50:38. | :50:39. | ||
Gemmy Eastwood. -- James Eastwood. Taking a third State is a lady who | :50:39. | :50:44. | |
knows what she as talking about - she has trained all the dancers | :50:44. | :50:54. | |
:50:54. | :50:57. | ||
Ryan Constable is our final judge. But time now to bring out her first | :50:57. | :51:07. | |
:51:07. | :51:22. | ||
couple. Welcome onto the dancefloor. # My mother said, you cannot hurry | :51:22. | :51:32. | |
:51:32. | :51:35. | ||
# You cannot hurry Love numbers I know you will just have to wait. # | :51:35. | :51:43. | |
What a way to start the show. Perfectly and time. Being from | :51:43. | :51:53. | |
:51:53. | :51:55. | ||
kicks down -- you were looking good and dancing great. It was really | :51:56. | :52:05. | |
:52:06. | :52:06. | ||
lively. A beautiful start to the show. Couple number two, Fiona and | :52:06. | :52:16. | |
:52:16. | :52:40. | ||
In nobody got to tell you what you got to do. # I like the passion and | :52:40. | :52:44. | |
the movement around the floor was fantastic. | :52:44. | :52:54. | |
:52:54. | :52:58. | ||
Fabulous. Peter, great swivels lair. Everything was spot-on. This is now | :52:58. | :53:08. | |
:53:08. | :53:08. | ||
going to get too emotional for me. You are my favourite. Welcome to | :53:08. | :53:18. | |
:53:18. | :53:51. | ||
the dancefloor, it is Michael and The waltz, full of poise and | :53:51. | :53:56. | |
elegance, which you had in bucketloads. When the property | :53:56. | :54:02. | |
people came out, I thought, we are going to get the buy-to-let. We got | :54:02. | :54:08. | |
a stately home. You held your position excellently and there was | :54:08. | :54:18. | |
:54:18. | :54:25. | ||
a great togetherness in your Please well come couple number four, | :54:25. | :54:35. | |
:54:35. | :54:46. | ||
# Hit the road, Jack, don't you You come back no more # Hit the | :54:46. | :54:56. | |
:54:56. | :54:57. | ||
road, Jack, and which come back no more. # Look at the kicks there. | :54:57. | :55:03. | |
They were going so quickly there. Meria, you looked beautiful on the | :55:03. | :55:12. | |
dancefloor. Jackie, you're economy of movement was a delight to behold. | :55:12. | :55:16. | |
Jackie, you did surprise me. All the right moves and all the wrong | :55:16. | :55:26. | |
:55:26. | :55:29. | ||
places. Great fit work. That was surly match of the day. Dancing the | :55:29. | :55:39. | |
:55:39. | :56:17. | ||
Me memory? # I am not sure how it goes # That was so graceful. I love | :56:17. | :56:21. | |
the way you took the time to give me a smile in one of those terms. I | :56:21. | :56:26. | |
hope Shane did not see that. Judging by you fit work, you're | :56:26. | :56:31. | |
retired too early from professional ice hockey. This a lot out of you | :56:31. | :56:41. | |
:56:41. | :56:44. | ||
to as a couple was a most pleasing. -- solo act. That was fantastic! | :56:44. | :56:54. | |
:56:54. | :57:06. | ||
Give a big welcome, Chrissie and # She rides the night next to me # | :57:06. | :57:14. | |
She leads me to moonlight, only to burn me with the sun # She has | :57:15. | :57:21. | |
taken my heart, but she does not know what she has done. | :57:21. | :57:29. | |
# What a beautiful dance to the most amazing song. Tracey you were | :57:29. | :57:37. | |
the temptress out there. The lifts were brilliant, loved it. | :57:37. | :57:42. | |
judges have said the tall, well done. It was very emotional and | :57:42. | :57:50. | |
back came out in a good way. It was dirty dancing, but it was a look -- | :57:50. | :57:57. | |
good, clean fun. I enjoyed it. Please well come onto the | :57:58. | :58:07. | |
:58:08. | :58:32. | ||
dancefloor, T Nabb and Feargal. -- A # Higher and higher # We have | :58:32. | :58:39. | |
left the best till last. I gave you a hard routine and you | :58:39. | :58:46. | |
nailed it. Fantastic, what a way to end tonight. It was cheeky, it was | :58:46. | :58:55. | |
lively, it was fun. You smile lit up the dancefloor. I have not seen | :58:55. | :59:05. | |
:59:05. | :59:08. | ||
a new slide since I was six at a wedding. Find out how our couples | :59:08. | :59:18. | |
:59:18. | :59:54. | ||
# Until you come and sit awhile with me | :59:54. | :00:04. | |
:00:04. | :00:16. | ||
# so I can stand on mountains # You raise me up | :00:16. | :00:26. | |
:00:26. | :00:26. | ||
# To walk on stormy seas # I am strong | :00:27. | :00:30. | |
# When I am on your shoulders # You raise me up | :00:30. | :00:40. | |
:00:40. | :00:47. | ||
# You raise me up # So I can stand on mountains | :00:47. | :00:55. | |
# You raise me up # To walk on stormy seas | :00:55. | :01:04. | |
# I am strong # When I am on your shoulders | :01:04. | :01:14. | |
:01:14. | :01:19. | ||
# You raise me up # You raise me up | :01:19. | :01:28. | |
# So I can stand on mountains # You raise me up | :01:28. | :01:36. | |
# To walk on stormy seas # I am strong | :01:36. | :01:45. | |
# when I am on your shoulders # You raise me up | :01:45. | :01:55. | |
:01:55. | :01:59. | ||
# To more than I can be # You raise me up | :01:59. | :02:07. | |
# So I can stand on mountains #You raise me upto walk on stormy | :02:07. | :02:17. | |
:02:17. | :02:48. | ||
seas #I am strong, when I am on We have a guest here this morning | :02:48. | :02:53. | |
but he is Pudsey and he will be here to make a presentation at the | :02:53. | :03:03. | |
:03:03. | :03:26. | ||
# I think you should know # I just came to say hello. | :03:26. | :03:36. | |
:03:36. | :03:44. | ||
# Sold! We have come to the first race, | :03:44. | :03:53. | |
which is the BBC Children in Need main hurdle. | :03:53. | :04:03. | |
:04:03. | :04:09. | ||
I have been racing for a Llais He is battling but he is still in | :04:09. | :04:19. | |
:04:19. | :04:38. | ||
front. He is right up front. He Lads well, memac -- let us welcome! | :04:38. | :04:48. | |
:04:48. | :05:02. | ||
# Here we come # Walking down the street # Hey, we are they monkeys # | :05:02. | :05:09. | |
But we are too busy singing # To put anybody down # We are just | :05:09. | :05:17. | |
trying to be friendly # Come and watch as sing and play # We are the | :05:17. | :05:21. | |
young generation # And we have something to say # We go wherever | :05:21. | :05:30. | |
we want to # Do what we want to do # We do not have time to get | :05:30. | :05:34. | |
restless # There is always something nail! | :05:34. | :05:44. | |
:05:44. | :05:47. | ||
# # K, we are in Monday's # -- # K, we are the monkeys # We are trying | :05:47. | :05:55. | |
to be badly # Come and watch us sing and play # We are the young | :05:55. | :06:05. | |
:06:05. | :06:13. | ||
generation # We have something to # K, we are they monkeys # And | :06:13. | :06:19. | |
people say we monkey around # But we are too busy singing numbers I'm | :06:19. | :06:26. | |
to put anybody down # We are just trying to be banned laid # Come and | :06:26. | :06:32. | |
watch as sing and -- we are just trying to be friendly # Come and | :06:32. | :06:42. | |
:06:42. | :06:46. | ||
And now let's take another look at our celebrity dancers. The judges | :06:46. | :06:56. | |
:06:56. | :07:01. | ||
It was very close but the Reds have been countered and they are in. | :07:01. | :07:06. | |
We are delighted -- but the votes have been counted and they are in. | :07:07. | :07:16. | |
:07:17. | :07:22. | ||
We are delighted to announce the winners of 2011. It is Tracey! | :07:22. | :07:32. | |
:07:32. | :07:54. | ||
Congratulations to crazy. -- congratulations to Tracey. She was | :07:54. | :08:03. | |
a worthy winner. Jackie, you were never close. | :08:03. | :08:06. | |
I promised you another song from The Celtic Tenors and here they are | :08:06. | :08:16. | |
:08:16. | :08:36. | ||
# our lot has changed # it is not the same # And the only way to save | :08:36. | :08:46. | |
:08:46. | :08:54. | ||
it # Is saying it # It is better # I cannot conceive # This way I feel | :08:54. | :09:04. | |
:09:04. | :09:13. | ||
# For all the times we spent # What I am trying to say is # You | :09:14. | :09:23. | |
make this # Better # # And no matter what the day is # With you | :09:23. | :09:33. | |
:09:33. | :09:47. | ||
# I will stand by you # If you stand by any # # I think it is time | :09:47. | :09:55. | |
that I believed # That it is better # See, what I am trying to say is a | :09:55. | :10:05. | |
:10:05. | :10:24. | ||
# No matter what the day is # With Number signed -- and # It is all I | :10:24. | :10:34. | |
:10:34. | :10:51. | ||
# Falling in love with everything # What I am trying to say a # You | :10:51. | :11:01. | |
:11:01. | :11:08. | ||
# No matter what the day is # With you yet # It is better # Why I am | :11:08. | :11:17. | |
trying to say a has a # You make things # Better # And no matter | :11:17. | :11:27. | |
:11:27. | :11:34. | ||
what the day is # With you here # # Away a lot has changed -- Our | :11:35. | :11:44. | |
:11:45. | :11:45. | ||
Love has changed # It is not the same # And the only way to save it | :11:45. | :11:55. | |
:11:55. | :12:05. | ||
Absolutely wonderful. And I cannot think at a more appropriate song | :12:05. | :12:09. | |
for that -- than that for tonight. Everything you have seen has been | :12:09. | :12:14. | |
based on one simple aim, to make things better for children. When | :12:14. | :12:19. | |
times are tough, at the need is even greater, so please, can I say | :12:20. | :12:23. | |
thank you to everyone who has given so generously of their time and | :12:23. | :12:30. |