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This programme contains scenes of repetitive flashing images. Welcome | :00:07. | :00:17. | |
back to Children in Need. Is it a bird? Is it a plane? No, it's Sir | :00:18. | :00:26. | |
Terry Wogan, and his Strictly co-host, Zoe Ball! | :00:27. | :00:43. | |
CHEERING AND APPLAUSE Thank you everybody, welcome to | :00:44. | :00:48. | |
Children in Need on BBC One. They said I wouldn't make it to 10. 0.40. | :00:49. | :00:56. | |
Oh yeah? They were wrong. You, they said I wouldn't make it to 70! I'm | :00:57. | :01:01. | |
just really only getting started. I'll be alright. Before I do get | :01:02. | :01:06. | |
started I would like to thank the fragrant Fearne Cotton for her | :01:07. | :01:15. | |
sterling efforts on BBC Three. APPLAUSE And I wrote this link | :01:16. | :01:20. | |
myself. Did you? Yes. Good to have you here, Zoe, we are going to have | :01:21. | :01:24. | |
a ball. CHEERING | :01:25. | :01:28. | |
That's good. He is good. Thank you everything. Hello Terry, Good | :01:29. | :01:33. | |
evening, and hello everybody, lovely to be here. | :01:34. | :01:36. | |
CHEERING Thank you for having me. Can I just say, you have been doing | :01:37. | :01:41. | |
amazingly well so far. Keep it going. No slacking on my watch. OK, | :01:42. | :01:47. | |
we'll try our best for you Zoe. Thank you. Here's what's coming up. | :01:48. | :01:54. | |
We are not even close to being done yet. All of this is still to come. | :01:55. | :02:02. | |
Catherine Tate in Holby, Rita Simons sings, Harry Hill's sausage stag ga. | :02:03. | :02:16. | |
James Arthur, McBusted. Wet, Wet; Wet and Dido. Bring it on! | :02:17. | :02:25. | |
CHEERING This crowd are noisier than the last lot! I like them. I would | :02:26. | :02:32. | |
like to say a few words about the terrible events we've seen happening | :02:33. | :02:36. | |
in the Philippines. You've been fantastic, as the British public | :02:37. | :02:40. | |
always are, in helping that terrible crisis, and of course our thoughts | :02:41. | :02:43. | |
are with everyone who is affected there. We are here tonight to help | :02:44. | :02:49. | |
disadvantaged children all over the United Kingdom. You've been so | :02:50. | :02:54. | |
generous already, please can we ask you to continue to be so? Thank you. | :02:55. | :03:00. | |
Time for our first musical performance, here with You're Nobody | :03:01. | :03:03. | |
Till Somebody Loves You will you please give a Children in Need | :03:04. | :03:08. | |
welcome to a very special chat, last year's X Factor winner, James | :03:09. | :03:10. | |
Arthur! # Long gone and fallen down | :03:11. | :03:22. | |
But I'm loving how it tastes # I look around for desire | :03:23. | :03:28. | |
Love ran away # Hold back, we're falling down | :03:29. | :03:35. | |
And I'll show you how it breaks # If I can give it | :03:36. | :03:44. | |
I'll take it all of the way # And I've got a lot | :03:45. | :03:54. | |
left to learn, babe # You're nobody | :03:55. | :03:56. | |
'til somebody loves you # It's hard times | :03:57. | :03:59. | |
when nobody wants you # Fill up my cup | :04:00. | :04:02. | |
Don't ever stop coming # Get up on top | :04:03. | :04:04. | |
We'll make it pop, honey # You're nobody | :04:05. | :04:06. | |
'til somebody loves you # It's a cold heart | :04:07. | :04:09. | |
when nobody holds you # Fill up my cup | :04:10. | :04:12. | |
Don't ever stop coming # Get up on top | :04:13. | :04:15. | |
We'll make it pop, honey # I can't start coming down | :04:16. | :04:26. | |
I was way above the pace # I waited up for the day | :04:27. | :04:29. | |
Now the day comes to me # When I look back, we're falling | :04:30. | :04:32. | |
out I knew that it would break # You'd always give it | :04:33. | :04:38. | |
I'd take it all the way # We've still got | :04:39. | :04:42. | |
so much to learn, babe # You're nobody | :04:43. | :04:52. | |
'til somebody loves you # It's hard times | :04:53. | :04:55. | |
when nobody wants you # Fill up my cup | :04:56. | :04:58. | |
Don't ever stop coming # Get up on top | :04:59. | :05:01. | |
We'll make it pop, honey # You're nobody | :05:02. | :05:04. | |
'til somebody loves you # It's a cold heart | :05:05. | :05:07. | |
when nobody holds you # Fill up my cup | :05:08. | :05:10. | |
Don't ever stop coming # Get up on top | :05:11. | :05:13. | |
We'll make it pop, honey # Don't you stop me | :05:14. | :05:22. | |
I will get what's coming to me # I am ready, baby | :05:23. | :05:38. | |
I will be somebody # Don't you stop me | :05:39. | :05:44. | |
I will get what's coming to me # I am ready, baby | :05:45. | :05:50. | |
I will be somebody # You're nobody | :05:51. | :05:57. | |
'til somebody loves you # It's hard times | :05:58. | :06:00. | |
when nobody wants you # Fill up my cup | :06:01. | :06:04. | |
Don't ever stop coming # Get up on top | :06:05. | :06:09. | |
We'll make it pop, honey # You're nobody | :06:10. | :06:12. | |
'til somebody loves you # It's a cold heart | :06:13. | :06:15. | |
when nobody holds you # Fill up my cup | :06:16. | :06:19. | |
Don't ever stop coming # Get up on top | :06:20. | :06:22. | |
We'll make it pop, honey. # An incredible performance. Thank you | :06:23. | :06:51. | |
James. James is donating his time in the hope that you will donate your | :06:52. | :06:56. | |
money to help children here in the UK. Well said, Joey. Times are | :06:57. | :07:02. | |
really tough now, money's tight, Christmas is an extra expense for | :07:03. | :07:08. | |
many families who don't know how they are going to get through it. | :07:09. | :07:13. | |
I'm not talking about presents but the bare necessities of life, which | :07:14. | :07:17. | |
most of us take for granted. We are lucky. In this next film we are | :07:18. | :07:22. | |
going to hear about three families really struggling to cope through no | :07:23. | :07:26. | |
fault of their own. Here to tell us more are a King of the jungle, a | :07:27. | :07:31. | |
Crown Prince of Strictly, a guitarist and a singer. That will be | :07:32. | :07:33. | |
McFly then. When Hayley finishes her school she | :07:34. | :08:05. | |
comes home and does all the cooking and the cleaning because Hayley's | :08:06. | :08:10. | |
mum can't work, because there is no spare money. We are not talking | :08:11. | :08:13. | |
about money for toys and treats but the real basics. This family can't | :08:14. | :08:19. | |
even afford to buy themselves weds. -- beds. So Hayley and her mum sleep | :08:20. | :08:24. | |
together on a sofa on the lounge. No child's life should be this hard. | :08:25. | :08:28. | |
For nine-year-old Conor and his brothers and sisters every day is a | :08:29. | :08:34. | |
struggle. Two years ago his dad committed suicide. The family are | :08:35. | :08:39. | |
desperately trying to rebuild their lives but they are finding it hard. | :08:40. | :08:45. | |
Their mum had to borrow money for their dad's funeral and they are now | :08:46. | :08:50. | |
in serious debt. On taxpayer top of all the -- on top of all the | :08:51. | :08:55. | |
heartache they are going through, Conor, his brothers and sisters, all | :08:56. | :08:59. | |
sleep in the same room as their mum. The beds they sleep in are | :09:00. | :09:06. | |
uncomfortable and broken. Conor's family have not had a good night's | :09:07. | :09:09. | |
sleep in years. No child's life should be this hard. Seven-year-old | :09:10. | :09:15. | |
Hannah and her little brother have had a desperately tough time in | :09:16. | :09:19. | |
their short lives. Their mum was a victim of domestic violence. She | :09:20. | :09:22. | |
managed to get herself and the children to a safe place but earlier | :09:23. | :09:26. | |
this year a fire destroyed their home. They are now in emergency | :09:27. | :09:31. | |
accommodation so they have a roof over their heads but that's about | :09:32. | :09:36. | |
it. The few things they owned were lost in the fire, so Hannah and her | :09:37. | :09:41. | |
family sleep together on a borrowed mattress on the floor. The | :09:42. | :09:46. | |
conditions they have to live in are affecting Hannah's health and her | :09:47. | :09:49. | |
future. No child's life should be this hard. | :09:50. | :09:54. | |
But thanks to your donations we can help. Children in Need supports | :09:55. | :09:57. | |
organisations like Butler UK that provide emergency support for | :09:58. | :10:01. | |
children and families living in crisis. Thank to you Hayley, Conor | :10:02. | :10:06. | |
and Hannah now have a warm bed to sleep in tonight. But there are more | :10:07. | :10:11. | |
than 1. 5 million children living in severe poverty in this country. We | :10:12. | :10:16. | |
need to support them. And tonight with your help we can. Please call: | :10:17. | :10:24. | |
03457 33 22 33 thank you. | :10:25. | :10:25. | |
CHEERING AND APPLAUSE Having a bed to sleep in isn't a | :10:26. | :10:38. | |
lucky, it's a right. We will continue to support Bottle UK and | :10:39. | :10:42. | |
give emergency grants to pay for essentials like beds, cookers, | :10:43. | :10:46. | |
fridges for children who are living in severe poverty. I'm sorry to say | :10:47. | :10:51. | |
that having to, they are having to turn people away. There are more | :10:52. | :10:56. | |
families in need than there is funding. If your children are safely | :10:57. | :11:02. | |
tucked up in bed now, spare a thought for those little ones who | :11:03. | :11:06. | |
don't have anywhere to sleep. Give us a call: 03457 33 22 33. | :11:07. | :11:14. | |
Thank you Terry. Well done. Who can ever forget nan from the Tate at a | :11:15. | :11:18. | |
time at a time Show? We all love nan. Am I bovvered? No, that wasn't | :11:19. | :11:27. | |
nan, that was Lauren. Am I bovvered? This could go on. It's like she's in | :11:28. | :11:32. | |
the room. Nan's been keeping a low profile of late... Did you just | :11:33. | :11:39. | |
snort then? CHEERING It is not very good manners | :11:40. | :11:44. | |
to remark when somebody snorts. I'm so sorry. Anyway, I was amusing | :11:45. | :11:49. | |
myself. Nan's been keeping a low profile of late putting the worlds | :11:50. | :11:55. | |
to right in her favourite armchair, but unfortunately nan's been | :11:56. | :11:58. | |
released to hospital and not just any hospital, so best of luck and | :11:59. | :12:02. | |
hold tight to all the staff at Holby City. Let's hope she minds her | :12:03. | :12:05. | |
language. Chrissie, Mr Clark has been | :12:06. | :12:13. | |
diagnosing himself What is it this time, | :12:14. | :12:15. | |
scurvy or plague? Can we confiscate his phone, please? | :12:16. | :12:21. | |
Help me. Someone get in here. Will you please tell her, over | :12:22. | :12:25. | |
there, with her face, to stop looking at | :12:26. | :12:31. | |
me? Stop looking at me | :12:32. | :12:34. | |
with that face, will you? I mean, how are you supposed | :12:35. | :12:44. | |
to make a recovery when you've got that putrid old | :12:45. | :12:47. | |
rotting boat looking at you? if I have to look at her much | :12:48. | :12:50. | |
longer. Oi, love. Close them | :12:51. | :12:55. | |
curtains, will you? My dinner will be here in a minute | :12:56. | :13:00. | |
and don't make me look at that when I've got to eat, | :13:01. | :13:03. | |
for Gawd's sake. Mrs Taylor? There have been | :13:04. | :13:05. | |
a number of complaints about you, That's the heart monitor you | :13:06. | :13:12. | |
requested. You're going to be fine, | :13:13. | :13:25. | |
Mrs Taylor. Oof. Here she is! | :13:26. | :13:27. | |
It's me little Chantelle. She's a good girl. | :13:28. | :13:34. | |
Oh, you got my dinner, darling? She's got me dinner. She didn't have | :13:35. | :13:37. | |
to get my dinner, darling. You've got better things to do | :13:38. | :13:40. | |
than running round, I'm much obliged to you for | :13:41. | :13:42. | |
getting... Where's me beans? She shouldn't be allowed to get | :13:43. | :13:47. | |
people's dinners. I'm going to leave you with | :13:48. | :13:55. | |
Chantelle, Mrs Taylor How are you feeling today, | :13:56. | :13:58. | |
Mrs Taylor? You've come up to see me? | :13:59. | :14:04. | |
I've come up to see you. I'm better now I've see you, | :14:05. | :14:14. | |
darling. All I need is to see your beautiful | :14:15. | :14:26. | |
little face. So what did you bring me? Just what | :14:27. | :14:27. | |
you asked for - large cod and chips. I mean, | :14:28. | :14:34. | |
once you get over how short he is. It's all right, son. You can | :14:35. | :14:50. | |
say it now. No-one cares. | :14:51. | :15:02. | |
They're all gay, ain't they? Hello, Mrs Taylor. | :15:03. | :15:05. | |
Oh, here's me chap! He saved me life. Saved me life, | :15:06. | :15:15. | |
didn't you? What a surgeon! You brought me back from the brink, | :15:16. | :15:20. | |
didn't you, love? Yeah. Could have spread, though, | :15:21. | :15:25. | |
couldn't it? The good news is that you're | :15:26. | :15:32. | |
fine to go home. Oh! Do you hear that, love? | :15:33. | :15:35. | |
Oh, I can go home! Well, if you say I can go, | :15:36. | :15:39. | |
I can go home then. Cos you know what... He knows what | :15:40. | :15:43. | |
he's talking about, this one. He wants to sling me | :15:44. | :15:46. | |
out on the street? It's OK. Oh, that's all right, | :15:47. | :16:00. | |
darling. That's only me bedpan. Nan, shall we get out of here? | :16:01. | :16:09. | |
No, son. No fear. I've been paying my | :16:10. | :16:16. | |
taxes 50 years, love. and all the toilet roll you can | :16:17. | :16:19. | |
put into an overnight bag. No, love, I'll shall be in here | :16:20. | :16:29. | |
for at least another fortnight. There are people in real need of | :16:30. | :16:33. | |
hospitalisation who need this bed. Nan, I hope you get better soon, but | :16:34. | :17:08. | |
I'm not really bovvered. A huge thank you to Holby City, the | :17:09. | :17:12. | |
hilarious Catherine Tate for unleashing her comedy creation on | :17:13. | :17:16. | |
Children in Need. Terry, I need to ask you, did you get that internet | :17:17. | :17:21. | |
clip I September you the other day? Yes, Gangnam style, a lovely ditty | :17:22. | :17:27. | |
but Zoe's that's so 2012. These days the kids are all digging, if that's | :17:28. | :17:35. | |
the phrase I'm looking for. A new sensation from Ylvis call the Fox. | :17:36. | :17:44. | |
Have you come off your tab it is? Tell me more. One more crack about | :17:45. | :17:49. | |
tablets and you'll hear no more from me! For the first time ever in the | :17:50. | :17:56. | |
UK, Ylvis are on this very stage perform ng What Does The Fox Say? . | :17:57. | :18:01. | |
CHEERING And joining them are a few pop stars you might well recognise. | :18:02. | :18:29. | |
# Bird goes tweet and mouse goes squeak | :18:30. | :18:36. | |
# But there's one sound that no-one knows | :18:37. | :18:56. | |
# Gering-ding-ding-ding- dingeringeding | :18:57. | :19:06. | |
# Joff-tchoff-tchoff Tchoffo-tchoffo-tchoff | :19:07. | :19:31. | |
# Will you communicate by mo-o-o-o-orse | :19:32. | :20:00. | |
# How will you speak to that h-o-o-orse | :20:01. | :20:07. | |
# The secret of the fox Ancient mystery | :20:08. | :20:52. | |
# You're my guardian angel Hiding in the woods | :20:53. | :21:32. | |
# Will we ever know? A-bubu-duh-bubu-dwee-dum | :21:33. | :21:42. | |
# I want to, I want to I want to know | :21:43. | :21:45. | |
Magnificent, Mr and Mrs Fox, Ylvis and pop stars, wonderful. Was that | :21:46. | :22:16. | |
Jedward and the Cheeky Girls and bucks fizz on the same stage? | :22:17. | :22:24. | |
CHEERING I love it. You look very cute with your little ears, Terry. | :22:25. | :22:29. | |
Everyone is giving their all for Pudsey's appeal but it does seem | :22:30. | :22:35. | |
that poor comedian Greg Davis has got the wrong end of the stick. | :22:36. | :22:44. | |
Right, front cover of the Countryfile calendar here I come. | :22:45. | :22:55. | |
Greg? John Craven. What on earth are you doing? The front of the | :22:56. | :23:00. | |
calendar. We've already closed the competition and picked our winners. | :23:01. | :23:07. | |
Oh, no! Once again country filed held our annual photographic | :23:08. | :23:10. | |
competition to raise money for Children in Need. This year 56,000 | :23:11. | :23:16. | |
entries were sent in and a panel of judges whittled it down to 12 | :23:17. | :23:20. | |
photos. Many thanks to everybody who is going to buy this calendar to | :23:21. | :23:26. | |
raise much-needed money. Yes, err all heroes. I just think you need to | :23:27. | :23:31. | |
make the rules of the competition clearer, John! | :23:32. | :23:40. | |
CHEERING A copy of the calendar now, details | :23:41. | :23:45. | |
are on the BBC website. Let's see how much the Countryfile calendar | :23:46. | :23:47. | |
has raised so far this year. Wonderful. Brilliant work again, as | :23:48. | :24:08. | |
always, Countryfile viewers. We want to thank Nick Knowles and all the | :24:09. | :24:14. | |
wonderful people who took part in Wednesday's D SOS. An emotional | :24:15. | :24:22. | |
project. They built a building for the Children in Need project in just | :24:23. | :24:31. | |
nine days. You gave ?462,000 to show your support. Thank you. | :24:32. | :24:37. | |
CHEERING I'm really glad. Thank you. | :24:38. | :24:43. | |
Thank you in advance. It could be another record-break year. Next we | :24:44. | :24:49. | |
are going back to Albert Square. Emotionally we never really left. | :24:50. | :24:54. | |
She's better known to millions as Roxie Mitchell but tonight Rita | :24:55. | :25:01. | |
Simons will become a phone -- bona fide singing star. | :25:02. | :25:11. | |
# Why don't you come on over Valerie? | :25:12. | :25:56. | |
# Why don't you come on over Valerie? | :25:57. | :27:04. | |
# Why don't you come on over Valerie? | :27:05. | :28:11. | |
How good was Roxie! Rita, well done. Fantastic singing. | :28:12. | :29:11. | |
We have the cast of Call The Midwife and a legendry bapd who will perform | :29:12. | :29:21. | |
on later, of course Wet Wet Wet are in -- band who will perform later. | :29:22. | :29:27. | |
Of course Wet Wet Wet are in the house. Let's have a big Queen Vic | :29:28. | :29:33. | |
welcome for the one and only Warrick Davis. I must say, I am loving the | :29:34. | :29:38. | |
outfit. You want to explain why you are wearing it. I fit in of well | :29:39. | :29:46. | |
here. I am here to perform with the cast of Spamalot. | :29:47. | :29:50. | |
Improvised explosive device is in the house as | :29:51. | :29:54. | |
Eric Idle is in the house as well. I just left the show in fact. They | :29:55. | :30:02. | |
asked me back to do. This I feel privileged to perform the song, | :30:03. | :30:09. | |
Always Look On The Bright Side Of Life. We recreate the AHA video, | :30:10. | :30:20. | |
with Harry Hill. We have someone we would like to | :30:21. | :30:25. | |
mention now. Who have we got? The staff ot Beufort Home in Bristol. | :30:26. | :30:34. | |
One of the nurses baked cakes. They have raised ?250 so far. | :30:35. | :30:41. | |
Laura and Marie, they baked and sold biscuits and raised ?20.21. | :30:42. | :30:56. | |
Back to the studio. Thank you. A special atmosphere this | :30:57. | :31:00. | |
year. It just sums up how many of you have | :31:01. | :31:05. | |
given up your time for the children who need it most. As a mum the | :31:06. | :31:08. | |
thought of telling your children you might not be there for them as they | :31:09. | :31:13. | |
grow up must be truly heartbreaking. It happens on a daily basis. Here to | :31:14. | :31:19. | |
introduce the next film is Kylie Minogue. | :31:20. | :31:25. | |
Every two minutes in this country, someone is diagnosed with cancer. | :31:26. | :31:29. | |
Telling loved ones, and in particular, children, | :31:30. | :31:32. | |
is especially hard, but with the right support, | :31:33. | :31:34. | |
this most traumatic of times can be made a little more bearable. | :31:35. | :31:36. | |
I want to introduce the Metcalfe family from Northern Ireland. | :31:37. | :31:41. | |
I would like to thank them for telling their story. | :31:42. | :31:46. | |
We have three boys, Owen, Jack and Thomas. | :31:47. | :32:01. | |
They are great brothers and really look out for one another, | :32:02. | :32:04. | |
Louise was diagnosed with non-Hodgkin's lymphoma. | :32:05. | :32:12. | |
We came home and we told them that mummy was not well, | :32:13. | :32:18. | |
We would take it one day at a time and see how it worked. | :32:19. | :32:24. | |
Owen felt very upset. Jack was quite aggressive at times. | :32:25. | :32:29. | |
It is as if they are expected to just get on with it | :32:30. | :32:32. | |
because they're kids and they're resilient and bounce back. | :32:33. | :32:36. | |
I felt in some ways like I'd let them down. | :32:37. | :32:40. | |
It was very difficult, the questions of, | :32:41. | :32:44. | |
"But Mum, what if your cancer does not get better? What if you die?" | :32:45. | :32:52. | |
This is Rachel from Cancer Focus in Belfast. | :32:53. | :33:00. | |
Rachel is a family support worker, funded by Children in Need. | :33:01. | :33:06. | |
What I want to do is make life better | :33:07. | :33:09. | |
when it is pretty terrible because cancer has arrived. | :33:10. | :33:12. | |
We are going to do a big family. Lovely memory. | :33:13. | :33:14. | |
This is everyone at the campervan site. | :33:15. | :33:16. | |
We helped explain to the boys what cancer was, that hopefully, | :33:17. | :33:24. | |
Mummy was going to get better, and it was not something they had done. | :33:25. | :33:29. | |
Jack came out and explained chemotherapy to me | :33:30. | :33:32. | |
in a way that a consultant has never done, ever. | :33:33. | :33:37. | |
They met children who had lost their mum or dad. | :33:38. | :33:40. | |
While life was very different for them, they were OK. | :33:41. | :33:47. | |
As well as supporting children through a very difficult time, | :33:48. | :33:51. | |
prepare for life after losing a loved one. | :33:52. | :33:55. | |
My biggest worry was that if something did happen to me, | :33:56. | :34:00. | |
I do a thing called "Writing for the future". | :34:01. | :34:05. | |
I sit with people and record them and help them write something | :34:06. | :34:08. | |
which can be there forever, for the children. | :34:09. | :34:11. | |
I love it when you smile at me because your eyes dance. | :34:12. | :34:15. | |
I feel proud when you sing in the school choir. | :34:16. | :34:17. | |
This was just a tiny way of trying to explain to them | :34:18. | :34:25. | |
but it does not change how much I love them. | :34:26. | :34:31. | |
Earlier this year, Louise was given some good news. | :34:32. | :34:36. | |
And the boys were just over the moon. Over the moon. | :34:37. | :34:48. | |
I love Rachel because I love her so much. | :34:49. | :34:53. | |
She is very generous with her heart and her spirit and her time. | :34:54. | :35:01. | |
There's a phrase I kept hold of, and a little saying, | :35:02. | :35:13. | |
"When it rains, look for rainbows. When it's dark, look for stars". | :35:14. | :35:19. | |
things like Cancer Focus were very much rainbows and stars. | :35:20. | :35:26. | |
Your money funds wonderful people like Rachel, | :35:27. | :35:29. | |
who helps Louise and her family through a very scary time. | :35:30. | :35:32. | |
Sadly, not every family will be as fortunate. | :35:33. | :35:34. | |
But with your donations tonight, projects like Cancer Focus | :35:35. | :35:37. | |
can be there when families need help the most. | :35:38. | :35:39. | |
For you. Stay well. Thank you so much for sharing your story with us. | :35:40. | :36:01. | |
The support they received was absolutely vital. Could I ask you to | :36:02. | :36:07. | |
show your support tonight by calling: | :36:08. | :36:10. | |
Thank you! Now, Zoe, you heard about the latest | :36:11. | :36:20. | |
supergroup made up of dafr punk, Robin Thicke and Tinie Tempah. What | :36:21. | :36:28. | |
are they called? Daft, thick and tiny! | :36:29. | :36:34. | |
Hang on! Are they the presenters of top gear? | :36:35. | :36:42. | |
Now, what do you get if you cross McFly and Busted? | :36:43. | :36:56. | |
CHEERING AND APPLAUSE Are you sure you want to do this? My | :36:57. | :37:03. | |
one didn't go down well! This is not a joke, you can tell by the screams. | :37:04. | :37:07. | |
This is the real thing, joining forces for the first time ever, on | :37:08. | :37:12. | |
TV, please will you give a huge Children In Need squeal for | :37:13. | :37:20. | |
McBusted! CHEERING AND APPLAUSE | :37:21. | :37:28. | |
# It's all about you It's about you | :37:29. | :37:31. | |
# It's all about you, baby It's all about you | :37:32. | :37:37. | |
# It's all about you It's about you | :37:38. | :37:42. | |
# One day when I came home at lunchtime, I heard a funny noise | :37:43. | :38:09. | |
# Went out to the back yard to find it was one of those rowdy boys | :38:10. | :38:13. | |
# Stood there was my neighbour called Peter and a flux capacitor | :38:14. | :38:17. | |
# He told me he built a time machine | :38:18. | :38:20. | |
# Like the one in the film I've seen | :38:21. | :38:23. | |
# Not much has changed but they lived under water | :38:24. | :38:34. | |
# And your great-great-great- granddaughter is pretty fine | :38:35. | :38:38. | |
# Air hostess I like the way you dress | :38:39. | :39:43. | |
# You know I hate to fly But I feel much better | :39:44. | :39:47. | |
# Occupied my mind Writing you a love letter | :39:48. | :39:50. | |
# I messed my pants When we flew over France | :39:51. | :39:53. | |
# Will I see you soon in my hotel room | :39:54. | :39:57. | |
# Air hostess I like the way you dress | :39:58. | :40:10. | |
# Eh, eh, eh # Shine a light on her | :40:11. | :40:52. | |
Gather! CHEERING AND APPLAUSE | :40:53. | :41:54. | |
I think they are quite excited! Can I just say, off-stage, over there, | :41:55. | :42:02. | |
Terry was doing that leap in the air! It was amazing! Once is enough! | :42:03. | :42:08. | |
I am saving myself for the rest of the evening! | :42:09. | :42:14. | |
McFly, are you ready for the battle of the boy bands later on? Of | :42:15. | :42:20. | |
course, we're ready! OK, how have you prepared? We have | :42:21. | :42:26. | |
been limbering up. That was our warm-up. | :42:27. | :42:28. | |
Good! Just to say, we want a nice, clean | :42:29. | :42:35. | |
fight. Hi, Harry! How are you? Fine, thanks. How are you doing? | :42:36. | :42:42. | |
No biting, no scratching, no flinging gold disks at one and | :42:43. | :42:43. | |
other. See you later. They are a lovely bunch of young | :42:44. | :43:03. | |
lads, aren't they? I think it is time for another thank | :43:04. | :43:05. | |
you. No wonder this carriage took so | :43:06. | :43:18. | |
long. It has no horse! This sovereign is counterfeit. | :43:19. | :43:20. | |
Look, it has the wrong Queen. and the money you donate | :43:21. | :43:23. | |
will change the lives of disadvantaged children | :43:24. | :43:29. | |
all over the UK. I need to place a call | :43:30. | :43:31. | |
to BBC Children in Need using a TELEPHONE, | :43:32. | :43:34. | |
as invented by yours truly, and I can't seem to see one | :43:35. | :43:36. | |
anywhere. Dial one of the call centres | :43:37. | :43:41. | |
around the UK, where hard-working volunteers | :43:42. | :43:48. | |
will happily take your donation. "to all the staff and volunteers | :43:49. | :43:52. | |
at BT..." Absolutely brilliant! Very, very | :43:53. | :44:22. | |
good indeed! What do you fancy doing now? Do you mean until somebody puts | :44:23. | :44:27. | |
the script up again? Don't forget the money you are raising is spent | :44:28. | :44:33. | |
right here in the UK. Over the past year, 450,000 children have been | :44:34. | :44:40. | |
supported. Isn't that brilliant? Two projects in the Isle of Man, nine in | :44:41. | :44:44. | |
Swindon and 17 in Newcastle: We have to keep it going. We need to tell | :44:45. | :44:48. | |
you where you are lending a hand. There are children at the end of | :44:49. | :44:56. | |
your street. Back by popular demand for those who missed it earlier, | :44:57. | :45:03. | |
prepare to enter the weird and wonderful mind of Harry Hill with | :45:04. | :45:10. | |
his special take on AHA - Take On Me. | :45:11. | :45:20. | |
MUSIC: "Take On Me" by A-ha | :45:21. | :45:30. | |
# Take me on Take on me | :45:31. | :46:07. | |
# It's no better to be safe than sorry | :46:08. | :46:37. | |
# Take me on Take on me | :46:38. | :46:47. | |
# Is it life or just to play my worries away? | :46:48. | :47:47. | |
# You're all the things I've got to remember | :47:48. | :47:50. | |
# Take me on Take on me | :47:51. | :48:06. | |
# Take me on Take on me | :48:07. | :48:23. | |
Well, that is the second time I've seen it. I cannot get over Peter | :48:24. | :49:02. | |
Andre and Babs! Who would have thought it. I saw her at The Savoy | :49:03. | :49:09. | |
the other day. Don't feel bad. We all have to have some secrets. | :49:10. | :49:15. | |
Tonight it gets better and better. Right now, we have something very | :49:16. | :49:19. | |
special for you. They have done their vocal warm-ups, they have put | :49:20. | :49:23. | |
gel in their hand and put on their dancing shoes. The time has come for | :49:24. | :49:28. | |
two great bands to do battle. Stand back, everyone! It is round one of | :49:29. | :49:32. | |
Battle of the Boy Bands! Hello again! It is Harry again! | :49:33. | :50:07. | |
Boys, thank you very, vur much. Calm yourself, mad -- very much. Calm | :50:08. | :50:11. | |
yourself, madam! Throughout the night, you guys will take part in | :50:12. | :50:16. | |
three challenges. You will see - I will see you shred blood, sweat and | :50:17. | :50:25. | |
probably tears to prove your worth as the best boy band in the world! | :50:26. | :50:31. | |
OK, so McFly, how do you fancy your chances? It is in the bag, Zoe! | :50:32. | :50:38. | |
That is what he thinks! How is that for fighting talk? He who laughs | :50:39. | :50:44. | |
last laughs longest. Very wise words! Let's get down to business. | :50:45. | :50:49. | |
The aim of the game is to answer as many questions correctly in 60 | :50:50. | :50:55. | |
seconds. All the answers will be McFly or JLS. To gain a point you | :50:56. | :50:59. | |
must shout out who you think the correct answer is. If you get it | :51:00. | :51:03. | |
correct, you will need to throw one of these... | :51:04. | :51:08. | |
APPLAUSE At the gold disks over there. You | :51:09. | :51:12. | |
only win a point if you get the answer correct and you hit the | :51:13. | :51:16. | |
target. All right? Simple! There you go! Sorry, madam! Goodness me! | :51:17. | :51:22. | |
It is a game of pairs. Who is playing for you two? Shall we? Harry | :51:23. | :51:34. | |
and Dougie. We're ready! Go and sit down. | :51:35. | :51:40. | |
Give it up for Tom and Danny. We make our way to the zone. Now, I | :51:41. | :51:47. | |
think I may need a little bit of help looking after these boys. Who | :51:48. | :51:53. | |
better to help me than my glamorous assistant - Mr Shane Richie! | :51:54. | :52:00. | |
I will get out of the way. I am not standing there! Hello, sweet heart! | :52:01. | :52:08. | |
They have drunk the Queen Vic dry tonight! | :52:09. | :52:11. | |
Are you ready, boys? McFly, are you ready? JLS, are you ready? Yes. | :52:12. | :52:23. | |
Audience, are you ready? Here we go... Behind the red line! | :52:24. | :52:30. | |
Here we go - your 60 seconds starts now. Which band has the youngest | :52:31. | :52:38. | |
member? JLS. Je. It is -- yes. It is. | :52:39. | :52:43. | |
Which band has the member who comes from the further north of England? | :52:44. | :52:48. | |
McFly. Correct. It It is Danny from Bolton. | :52:49. | :52:58. | |
The same title as an abba classic? JLS. You should know that - it was | :52:59. | :53:05. | |
your song. How embarrassing! Which band's Children In Need single was | :53:06. | :53:11. | |
released first? McFly. It was, in 2008. | :53:12. | :53:17. | |
Which band has a member whose member is an gram of Moody Strang ler? | :53:18. | :53:27. | |
JLS. It is. Quick, another one - which had a | :53:28. | :53:33. | |
single played to astronauts by NASA? McFly. | :53:34. | :53:38. | |
Time is up. Well done! JLS have scored a massive... Three points. | :53:39. | :53:50. | |
Right, OK, are you ready McFly? Boys, come on! | :53:51. | :54:00. | |
OK... Ready, your 60 seconds on the clock starts now... Which band has | :54:01. | :54:05. | |
more married members? McFly. It is true. Harry and Tom! | :54:06. | :54:12. | |
Which band has a member with Ian in their middle name? JLS. Which band | :54:13. | :54:24. | |
combined age is higher? JLS. No, it is McFly. | :54:25. | :54:28. | |
Which has a song named after a vegetable? McFly. That is you! What | :54:29. | :54:34. | |
is the song? Which band has the oldest member? Be | :54:35. | :54:43. | |
careful! JLS. It is mar vein! No! | :54:44. | :54:47. | |
What is the matter with you! ??FORCEWHITE Who are known as galaxy | :54:48. | :54:54. | |
defenders? McFly! Who appeared in the television | :54:55. | :54:59. | |
series Holby City? JLS. It is, it was mar vein! | :55:00. | :55:03. | |
-- Marvin. You are rubbish! | :55:04. | :55:11. | |
My lovely, glamorous a assistant... It is clear - the winner of | :55:12. | :55:19. | |
tonight's Battle Of The Band - it is a draw! | :55:20. | :55:23. | |
See, he was not wearing his glasses. That is it for round one. This is | :55:24. | :55:27. | |
shaping up to be an epic battle. Stick around for more of this later. | :55:28. | :55:35. | |
He's so embarrassed. Give it urp for -- up for JLS, McFly and Shane | :55:36. | :55:41. | |
Richie! APPLAUSE | :55:42. | :55:45. | |
And there is more boy band rivalry coming up on round two later. Now, | :55:46. | :55:52. | |
excuse me... Now we take you to Exeter, Devon for our next film. We | :55:53. | :56:01. | |
will introduce you to another incredible girl called Zoe. | :56:02. | :56:06. | |
I'm sorry, but this next one's a tough one. | :56:07. | :56:09. | |
Please stay with us; it's important. | :56:10. | :56:12. | |
You see, we don't show you these films to upset you. | :56:13. | :56:14. | |
It's so you understand the work that Children in Need does | :56:15. | :56:16. | |
is to help families who've been through heartbreaking times. | :56:17. | :56:22. | |
But you, the British public, are amazing. | :56:23. | :56:24. | |
You keep giving, you're so very generous, | :56:25. | :56:26. | |
because it means we can keep helping families like this next one. | :56:27. | :56:32. | |
He liked doing most of the same things as me, and... | :56:33. | :56:35. | |
Cos I wasn't really a girly girl when I was younger. | :56:36. | :56:38. | |
I did like to go out and do stuff with him. | :56:39. | :56:42. | |
He was annoying, but I guess I was an annoying little sister sometimes! | :56:43. | :56:46. | |
He loved the idea of being a big brother | :56:47. | :56:49. | |
and she loved the idea of having a brother | :56:50. | :56:52. | |
In February 2011, Kieran went on a school skiing trip to France. | :56:53. | :57:02. | |
I took him with Zoe to the school to be picked up on the coach. | :57:03. | :57:04. | |
I said, "See you later, mate. Have a good time." | :57:05. | :57:06. | |
"Having a great time, really enjoying it." | :57:07. | :57:13. | |
And that was the day of his accident. | :57:14. | :57:18. | |
it's broken arm, broken leg, that sort of thing, you know. | :57:19. | :57:24. | |
And then we had a phone call from one of the teachers in France | :57:25. | :57:29. | |
saying that it is a very serious accident, | :57:30. | :57:32. | |
you really need to get over here...now. | :57:33. | :57:36. | |
This was seven, eight o'clock at night, I suppose. | :57:37. | :57:39. | |
We didn't realise how difficult it was to book a flight. | :57:40. | :57:41. | |
No. On the internet, on the phone, trying to find any flight. | :57:42. | :57:44. | |
So, five o'clock the next morning, we flew out to France. | :57:45. | :57:48. | |
And that's...that's when our life went downhill, really. | :57:49. | :57:55. | |
Kieran was involved in an accident when getting off the ski lift. | :57:56. | :57:59. | |
It caused his airway to become restricted. | :58:00. | :58:01. | |
Kieran was taken to hospital, where he was in a coma. | :58:02. | :58:05. | |
My mum and dad had to go in first and then I went in after. | :58:06. | :58:08. | |
I expected him to just have fallen over or something, being him. | :58:09. | :58:13. | |
We just wanted to try anything we could to...to get him back to us. | :58:14. | :58:16. | |
You know, we had music playing through his iPod, reading to him. | :58:17. | :58:21. | |
They didn't think he'd be coming back out. | :58:22. | :58:28. | |
On the 17th March 2011, he died in hospital. | :58:29. | :58:36. | |
We couldn't just focus on what had happened and Kieran. | :58:37. | :58:44. | |
We needed to make sure that Zoe's OK. | :58:45. | :58:47. | |
Your natural instinct, isn't it, to try and make everything better, | :58:48. | :58:50. | |
and we just couldn't, could we? No, no, absolutely. | :58:51. | :58:53. | |
No, it was taken out of our hands, wasn't it? Mm. | :58:54. | :58:57. | |
That's where Balloons came in, really, wasn't it? Yeah. | :58:58. | :59:03. | |
Balloons is a bereavement charity supported by Children in Need. | :59:04. | :59:07. | |
Thanks to your generosity, they can provide counsellors | :59:08. | :59:12. | |
like Naomi to support children who have lost a loved one. | :59:13. | :59:16. | |
We can't take away the pain of losing somebody. | :59:17. | :59:18. | |
But having somebody that you can talk to about things | :59:19. | :59:21. | |
I felt comfortable with being with her | :59:22. | :59:25. | |
to remember the person that they're there for. | :59:26. | :59:36. | |
Who are you doing your biscuit for? Dad. | :59:37. | :59:39. | |
It was nice, because you felt you weren't the only one. | :59:40. | :59:42. | |
that have gone through the same kind of thing as you. | :59:43. | :59:49. | |
It's lovely to see that she's really settled | :59:50. | :59:52. | |
and she's made friends in the new school, and it's...it's... | :59:53. | :59:54. | |
Yeah, she's looking like she's doing really well. | :59:55. | :59:58. | |
I think it showed us that we're not alone, | :59:59. | :00:00. | |
and have survived and come out the other side. | :00:01. | :00:05. | |
We've still got a long way to go yet. | :00:06. | :00:07. | |
We have settled, haven't we, a bit? Yeah, yeah. | :00:08. | :00:12. | |
Shall we let them go? Shall we? Yeah. | :00:13. | :00:16. | |
You expect those kids to be there and be planning your funeral, | :00:17. | :00:21. | |
And to have that whole part of our life ripped away from us | :00:22. | :00:27. | |
we wouldn't have coped without Balloons. | :00:28. | :00:33. | |
you are helping us to support more brave children like Zoe. | :00:34. | :00:37. | |
raise much-needed money. Yes, err all heroes. I LEAR | :00:38. | :00:54. | |
Toy, you are a real inspiration -- Zoe, you are a real inspiration and | :00:55. | :01:04. | |
we thank you. To support them, we rely on your donations, so please | :01:05. | :01:09. | |
give anything you can to 03457 33 22 33. | :01:10. | :01:13. | |
And now for something completely different. Terry is just about to | :01:14. | :01:20. | |
welcome a comedy legend. Do you remember the '70s, that | :01:21. | :01:25. | |
wonderful decade began and ended with two of the most influential | :01:26. | :01:33. | |
comedies ever - Monty Python and Blankety Blank. At last those two | :01:34. | :01:38. | |
miracles of television come face to face. Welcome the co-creator of the | :01:39. | :01:45. | |
Broadway andest end smash Spamalot, it is Eric Idle! | :01:46. | :01:47. | |
CHEERING What a man, what a man! | :01:48. | :02:06. | |
Congratulations on the success of Spamalot. Thank you, Sir. Is it a | :02:07. | :02:13. | |
silly question to ask why it is so popular? I don't know if you | :02:14. | :02:17. | |
remember the last century very much, but there was a toy boy band called | :02:18. | :02:25. | |
Monty Python. We did a silly film call Monty Python And The Holy Grail | :02:26. | :02:33. | |
so I cunningly ripped that off by putting girls in it and it was a hit | :02:34. | :02:38. | |
on Broadway. Smart man. With Spamalot, what would King Arthur and | :02:39. | :02:42. | |
the knights of the round table done do you think to raise money for | :02:43. | :02:46. | |
Children in Need? Probably threaten to cut people's limbs off unless | :02:47. | :02:50. | |
they gave a lot of money. I think that's not a bad scheme. Violence | :02:51. | :02:56. | |
often raises a lot of money. Perhaps not terribly appropriate for | :02:57. | :02:58. | |
Children in Need but I see where you are going with this. Inappropriate | :02:59. | :03:04. | |
as always. Now, here with one of the best-loved songs from Spamalot, by | :03:05. | :03:10. | |
coincidence my mantra as well, always look on the bright side of | :03:11. | :03:14. | |
life. CHEERING | :03:15. | :03:39. | |
Some things in life are bad. They can really make you mad. | :03:40. | :03:44. | |
Other things just make you swear and curse | :03:45. | :03:47. | |
When you're chewing on life's gristle, | :03:48. | :03:50. | |
and this'll help things turn out for the best... | :03:51. | :03:57. | |
# Always look on the bright side of life... # | :03:58. | :04:03. | |
# Always look on the light side of life... # | :04:04. | :04:10. | |
# There's something you've forgotten | :04:11. | :04:18. | |
# And that's to laugh and smile and dance and sing | :04:19. | :04:20. | |
# Just purse your lips and whistle that's the thing | :04:21. | :04:28. | |
# Always look on the bright side of life... # | :04:29. | :04:32. | |
# Always look on the right side of life... # | :04:33. | :04:40. | |
# You must always face the curtain with a bow | :04:41. | :04:50. | |
# So always look on the bright side of death... # | :04:51. | :05:07. | |
# Just before you draw your terminal breath... # | :05:08. | :05:14. | |
# Life's a piece of shit when you look at it | :05:15. | :05:21. | |
# Life's a laugh and death's a joke, it's true | :05:22. | :05:25. | |
# You'll see it's all a show | :05:26. | :05:28. | |
# Just remember that the last laugh is on you | :05:29. | :05:34. | |
# Always look on the bright side of life... # | :05:35. | :05:40. | |
# Always look on the right side of life... # | :05:41. | :05:52. | |
# Always look on the bright side of life | :05:53. | :06:01. | |
# Always look on the bright side of life... # | :06:02. | :06:38. | |
# Always look on the bright side of life | :06:39. | :07:06. | |
# Just purse your lips and whistle that's the thing | :07:07. | :07:11. | |
# Always look on the bright side of life... # | :07:12. | :07:17. | |
# Always look on the bright side of life... # | :07:18. | :07:43. | |
Look at that! How are you, Sir? It's his last night in the show. It was. | :07:44. | :08:14. | |
And we finished here What a way to end it. Did you enjoy that? It was | :08:15. | :08:18. | |
wonderful. Thank you so much. Terrific. I enjoyed that. A big | :08:19. | :08:23. | |
thank you to the cast of Spamalot and their audiences for fundraising | :08:24. | :08:28. | |
for Children in Need. Thank you Eric. | :08:29. | :08:31. | |
CHEERING OK, it's the big moment everybody. | :08:32. | :08:36. | |
Let's all hold hands. We can add that to tonight's grand total and | :08:37. | :08:43. | |
see where we stand. Are you ready? Gird your loins. The told raised so | :08:44. | :08:59. | |
far is: -- total raised so far is: | :09:00. | :09:13. | |
APPLAUSE That's nearly ?25,000, we had a | :09:14. | :09:30. | |
record-breaker last year of ?26,000 by 2. 00am. And with two hours to go | :09:31. | :09:36. | |
it looks like we have another record. We are delighted so far with | :09:37. | :09:41. | |
the the response, so thank you from the bottom of our hearts from the | :09:42. | :09:45. | |
underprivileged children of this country. We must thank some of the | :09:46. | :09:49. | |
people who've helped ussous. That's brilliant. Well done. | :09:50. | :09:56. | |
This year, DFS have pledged to raise an absolute shed-load of money. | :09:57. | :10:06. | |
Raising MONEY! I was talking about raising money! | :10:07. | :10:07. | |
To kick-start the campaign, three teams of staff | :10:08. | :10:09. | |
carried special Children in Need sofas up the Three Peaks. | :10:10. | :10:11. | |
One last push. With Pudsey and his friend Blush in tow, | :10:12. | :10:12. | |
to reach the summits of Snowdon, Ben Nevis and Scafell Pike. | :10:13. | :10:15. | |
As well as that, staff switched from sitting on sofas | :10:16. | :10:18. | |
to sitting in rafts for the wet and wild white water rafting challenge. | :10:19. | :10:20. | |
Meanwhile, their customers have been busy | :10:21. | :10:25. | |
buying cushions for Children in Need. | :10:26. | :10:27. | |
Oh, and I've even designed one myself. Thanks, Pudsey. | :10:28. | :10:33. | |
So, a huge thank you from all of us at Children in Need | :10:34. | :10:36. | |
Another great effort. Let's fiend out how much they've raised. | :10:37. | :11:02. | |
Here we go. Oh my goodness! ?625,000 incredible. | :11:03. | :11:13. | |
Thank you very much. Here to introduce us to a very special | :11:14. | :11:18. | |
family from Poole in Dorset is Cheryl Cole. | :11:19. | :11:21. | |
Children in Need is nothing without you. Every year your generosity | :11:22. | :11:27. | |
enables us to help thousands of families all around the UK. Many of | :11:28. | :11:31. | |
these families have been through desperate times and heartache yet | :11:32. | :11:36. | |
she share their lives with us because they want others to be given | :11:37. | :11:40. | |
the same support they have received. In this next film a wonderful mum | :11:41. | :11:45. | |
and dad share their story with us and it is a heart-breaking one. But | :11:46. | :11:50. | |
Bill see that even in the very saddest of times, we can make a | :11:51. | :11:55. | |
difference. This is Harry, he was born on 26th | :11:56. | :12:02. | |
April 2009. It was the best day of my life. After nine months of | :12:03. | :12:06. | |
worrying he was in my arms and he was perfect. | :12:07. | :12:19. | |
we noticed he had blisters under his fingernails. | :12:20. | :12:22. | |
We ended up taking him to the local hospital. | :12:23. | :12:23. | |
Harry was diagnosed with epydermolysis bullosa, or EB, | :12:24. | :12:27. | |
There was a milk spot on his chin which became sore, | :12:28. | :12:32. | |
and the wound spread all over his face, from head to toe. | :12:33. | :12:34. | |
Sufferers are often called "butterfly children", | :12:35. | :12:37. | |
because their skin becomes so fragile. | :12:38. | :12:40. | |
We could not handle him like a normal child. | :12:41. | :12:42. | |
You could not pick him up under the armpits quickly, | :12:43. | :12:45. | |
because you would shear the skin under the armpits. | :12:46. | :12:47. | |
It was a lot of rolling and lifting with blankets and cushions. | :12:48. | :12:51. | |
The disease also causes damage to the mouth and throat. | :12:52. | :12:55. | |
Harry was given a tracheostomy to help him breathe. | :12:56. | :12:59. | |
We walked in and you could see that he was crying, | :13:00. | :13:02. | |
That... It broke my heart. Broke both of our hearts. | :13:03. | :13:11. | |
Steph said to me, "He's never going to say mummy". | :13:12. | :13:16. | |
Harry had the most severe form of the condition. | :13:17. | :13:19. | |
He was unlikely to survive his early years of childhood. | :13:20. | :13:27. | |
In 2011, Harry had a little brother, Cody. | :13:28. | :13:36. | |
we noticed with Cody straight away, there were blisters on his hands. | :13:37. | :13:44. | |
With both Harry and Cody needing round-the-clock care, | :13:45. | :13:52. | |
the family were introduced to Julia's House Children's Hospice. | :13:53. | :13:56. | |
They offer respite and end-of-life care | :13:57. | :13:59. | |
for children with life-limiting conditions. | :14:00. | :14:02. | |
They rely on donations for 90% of their running costs. | :14:03. | :14:06. | |
Children In Need funds wonderful nurses like Alex. | :14:07. | :14:10. | |
they automatically say it must be really sad. | :14:11. | :14:16. | |
But a children's hospice is completely different. | :14:17. | :14:20. | |
You know in the back of your mind that one day, | :14:21. | :14:23. | |
these children are going to die early. | :14:24. | :14:25. | |
But we have fun with them in the short life they have got. | :14:26. | :14:31. | |
We used to say to Harry, "We are going to Julia's house today". | :14:32. | :14:33. | |
They put clingfilm around the boys' bandages | :14:34. | :14:44. | |
so they could still get involved with messy play. | :14:45. | :14:49. | |
They made a jelly island with jelly babies, on sweets, | :14:50. | :14:51. | |
so it looked like they were on sun loungers. | :14:52. | :14:53. | |
Little things like that, that they used to make, it was brilliant. | :14:54. | :14:54. | |
They don't do their job just to pay the bills. | :14:55. | :14:59. | |
They do it because they love what they do. | :15:00. | :15:01. | |
They love the kids and helping families. | :15:02. | :15:04. | |
There was just something about their characters | :15:05. | :15:09. | |
you could not help fall in love with. | :15:10. | :15:12. | |
They had a very special place in everybody's hearts. | :15:13. | :15:14. | |
Harry absolutely adored him, loved him, helped feed him, | :15:15. | :15:18. | |
He would go, "My baby," and show him off. | :15:19. | :15:23. | |
He introduced him to everyone. "This is my brother". | :15:24. | :15:27. | |
I did not understand how strong their bond was until they got ill. | :15:28. | :15:31. | |
Earlier this year, Harry and Cody caught flu. | :15:32. | :15:34. | |
For most children, this is not serious | :15:35. | :15:37. | |
but for them, it was life-threatening. | :15:38. | :15:40. | |
Doctors said there was nothing more they could do. | :15:41. | :15:46. | |
He was taken to the bereavement suite at Julia's House. | :15:47. | :15:50. | |
It is an amazing room, the most peaceful area of the house. | :15:51. | :15:54. | |
It was literally seconds, then he passed away in Steph's arms. | :15:55. | :16:00. | |
Harry died on 13th March. He was three years old. | :16:01. | :16:06. | |
Two days later, his little brother Cody also passed away. | :16:07. | :16:09. | |
The only comfort we have now is knowing they are together. | :16:10. | :16:16. | |
If it was not for the donations, our children would not have had a chance | :16:17. | :16:19. | |
to go to such an amazing place, and to meet such amazing people, | :16:20. | :16:23. | |
and to feel loved, right up until the day they died. | :16:24. | :16:36. | |
Children In Need supports 15 children's hospices in the UK, | :16:37. | :16:39. | |
Thank you Cheryl. Even in the darkest of times together we can | :16:40. | :17:00. | |
help people, so let's be there for the children who need us. 03457 33 | :17:01. | :17:09. | |
22 33. One of the biggest selling UK | :17:10. | :17:13. | |
artists ever, one of the most recognisable voices in music, | :17:14. | :17:17. | |
treating us to one of her biggest hits. How fitting on Children in | :17:18. | :17:19. | |
Need night with Thank You, Dido. # I'm wondering why I got out of bed | :17:20. | :17:33. | |
at all # The morning rain clouds up | :17:34. | :17:39. | |
my window # And even if I could | :17:40. | :17:42. | |
it'd all be grey # It reminds me | :17:43. | :17:48. | |
that it's not so bad # It's not so bad I | :17:49. | :17:55. | |
drank too much last night # I missed the bus and there'll | :17:56. | :18:00. | |
be hell today # And even if I'm there, | :18:01. | :18:08. | |
they'll all imply # And then you call me | :18:09. | :18:14. | |
and it's not so bad # For giving me the best day | :18:15. | :18:20. | |
of my life # Is having the best day | :18:21. | :18:34. | |
of my life # And I'm soaking | :18:35. | :18:47. | |
through and through # And even if my house | :18:48. | :18:55. | |
falls down now # For giving me the best day | :18:56. | :19:02. | |
of my life # For giving me the best day | :19:03. | :19:21. | |
of my life # Is having the best day | :19:22. | :19:45. | |
of my life. # Absolutely stunning. Thank you very | :19:46. | :20:39. | |
much Dido for supporting us. If you've phoned already, thank you, | :20:40. | :20:43. | |
and if you haven't, please pick up the phone and call 03457 33 22 33. | :20:44. | :20:53. | |
OK. Incidentally we must past on birthday greetings to Lisa Clarke | :20:54. | :20:58. | |
from her father Denis, a friend of mine. Let's look at the huge | :20:59. | :21:02. | |
Children in Need effort from across the United Kingdom. | :21:03. | :22:37. | |
CHEERING AND APPLAUSE Good work everyone. Terrific. Now, | :22:38. | :24:09. | |
young Zoe. You may be a bit too tall for me, but I could happily co-host | :24:10. | :24:19. | |
with you until the wee small hour. Ah. Maybe you are right. I know you | :24:20. | :24:27. | |
are a mere slip of a girl and my triple espresso is only just kicking | :24:28. | :24:31. | |
in. I could murder a drink this minute, so thank you for your | :24:32. | :24:34. | |
endeavours tonight. Thank you for having me. It's been terrific. | :24:35. | :24:38. | |
Brilliant. CHEERING Thanks darling. Come again, | :24:39. | :24:44. | |
And thank you for all that you have given. Keep the money rolling in. | :24:45. | :24:49. | |
Goodnight and goodbye. CHEERING | :24:50. | :25:00. | |
Off she goes to her little trundle bed. As seasoned a professional as I | :25:01. | :25:09. | |
am, particularly sea eded, I can't fly this ship alone. Who can fly a | :25:10. | :25:14. | |
ship anyway? You have to sail the thing. Now it's time for my final | :25:15. | :25:19. | |
co-host of the evening. Heavens to emergency provide, can it -- heavens | :25:20. | :25:28. | |
to Mergatroyd, can it be a Brucie bonus this late in the proceedings? | :25:29. | :25:54. | |
CHEERING Hi. Hello. Here he is. Thank you. If it isn't my ol' | :25:55. | :26:06. | |
mucker, cool Radio 1 Jock nick Grimsdale. Thank you. You are | :26:07. | :26:17. | |
welcome. Me and MC Grimmy go a long way back. We do. I remember when we | :26:18. | :26:22. | |
worked together back in the day. When was it? Last year, Children in | :26:23. | :26:29. | |
Need. Good times, borough. -- good times, bro. Yes, sick. He's doing an | :26:30. | :26:37. | |
incredible job, Sir Terry Wogan. CHEERING | :26:38. | :26:47. | |
He's been on TV for eight days now. AUDIENCE: Terry! Terry! Look, the | :26:48. | :26:56. | |
contact details have changed in the corner. What? Have they been there | :26:57. | :27:03. | |
all night? Yes, and they've changed. It has gone from a double to a | :27:04. | :27:09. | |
triple whammy of ways to give. Tell all. You can still phone or give or | :27:10. | :27:16. | |
visit the website, or you can donate by text. | :27:17. | :27:26. | |
The full ?10 goes to Children in Need. All the terms and conditions | :27:27. | :27:31. | |
are online. Bbc.co.uk/pudsey. That was long, but | :27:32. | :27:38. | |
you did well. I'm knackered now. You're lucky, you've got all your | :27:39. | :27:43. | |
own teeth. Coming up to feast your eyes on this. | :27:44. | :27:52. | |
Coming up: Huge name for the Children in Need Rocks dancers. | :27:53. | :27:56. | |
EastEnders light up Albert Square and more from our battle of the boy | :27:57. | :28:03. | |
bands. CHEERING | :28:04. | :28:10. | |
Well worth sticking around for. I don't know how you've done this, I'm | :28:11. | :28:15. | |
feeling the burn and I've only just started, Terry. Try 34 years on the | :28:16. | :28:20. | |
trot. It is enough to send anyone around the bend. Funny you should | :28:21. | :28:25. | |
mention bends, like bends they are a bit like corners I always think and | :28:26. | :28:29. | |
corners are what you find in rooms. Stay with me. Where could this be | :28:30. | :28:34. | |
going? I'm trying to impress you with my link skills, to link to a | :28:35. | :28:41. | |
very special edition of Room 101, featuring Frank Skinner quizzing | :28:42. | :28:43. | |
some children. Was that good? That was a light | :28:44. | :28:51. | |
programme link from about 1953. Work on the old links, sunshine. You got | :28:52. | :28:54. | |
there in the end. I did. I'm Frank Skinner and welcome to | :28:55. | :29:08. | |
a very special kids edition seven-year-old Alesandro | :29:09. | :29:12. | |
from High Wycombe, ten-year-old Gruff from Llanelli and | :29:13. | :29:20. | |
eight-year-old Tess from Preston. just to make sure that you're not | :29:21. | :29:27. | |
just horrible people that say, "I hate this," and, | :29:28. | :29:34. | |
"I hate that," what do you like? I like playing, with my mum, ten... | :29:35. | :29:36. | |
I mean, badminton. Yeah. Badminton's quite high up, | :29:37. | :29:42. | |
isn't it? Yeah. Is that what it says when you | :29:43. | :29:44. | |
stand by the wall, it just says, What's your special skill? | :29:45. | :29:50. | |
My eyebrow. What about you, Gruff? | :29:51. | :29:57. | |
What do you like? I like swimming. I'm the fastest in Wales | :29:58. | :30:05. | |
in my age. Wow! But only my age, and there's | :30:06. | :30:07. | |
not much people in Wales. And what do you like, Tess? | :30:08. | :30:12. | |
I like burp-jitsu. I think we're going to | :30:13. | :30:16. | |
start the show, Toothbrushing. | :30:17. | :30:31. | |
What don't you like about it? So, you clean your teeth | :30:32. | :30:39. | |
every morning and every night. Yes. Two minutes. | :30:40. | :30:46. | |
I think that's very long. You'll never be able | :30:47. | :30:54. | |
to work for the council. So, Gruff, what would he like | :30:55. | :31:01. | |
to put in Room 101? Girls who don't want to | :31:02. | :31:08. | |
go out with me. Have you actually asked out | :31:09. | :31:12. | |
any girls? No, I've been too scared. You're the fastest swimmer | :31:13. | :31:18. | |
for your age in Wales and you're frightened | :31:19. | :31:22. | |
to ask a girl out. I know. What's the worst thing | :31:23. | :31:24. | |
that could happen? She'll tell all her friends | :31:25. | :31:27. | |
and they'll all make fun of me. And then all the boys | :31:28. | :31:30. | |
will find out, probably, and then they'll probably | :31:31. | :31:34. | |
make fun of him. Do you have a-a-a technique | :31:35. | :31:36. | |
in mind? Get your coat, darling, | :31:37. | :31:42. | |
it's your lucky night. but he completely forgot that | :31:43. | :31:48. | |
we were going out after one day. So, what does Tess | :31:49. | :31:59. | |
want to put in Room 101? Now, what is cool? Can you tell me? | :32:00. | :32:09. | |
I don't know. That's helped a lot, Tess(!) | :32:10. | :32:17. | |
Thank you very much. So, what do they do, your parents, | :32:18. | :32:24. | |
when they're trying to be cool? It's just a bit that | :32:25. | :32:26. | |
they're too old to do it. You know what? | :32:27. | :32:39. | |
You're not going to win. OK. So, we've now come to the end | :32:40. | :32:54. | |
and I have to do a quick decision. I think, toothbrushing, | :32:55. | :32:57. | |
I know it can be a bit boring. But you don't want to end up like me | :32:58. | :33:00. | |
with horrible yellow teeth. And I feel a bit sorry | :33:01. | :33:04. | |
for your parents cos I think | :33:05. | :33:06. | |
they're trying their best. I know parents | :33:07. | :33:08. | |
can be a bit embarrassing But I had a hard, hard time | :33:09. | :33:10. | |
wanting to ask out girls and then everyone laughing | :33:11. | :33:14. | |
and all that, so I am going to put girls | :33:15. | :33:19. | |
who don't want to go out with Gruff And that brings us | :33:20. | :33:21. | |
to the end of this show. Thanks very much to Alesandro, | :33:22. | :33:33. | |
to Gruff and to Tess, who are all here | :33:34. | :33:37. | |
in aid of Children in Need. Don't forget, | :33:38. | :33:39. | |
you can lend your support to the thousands of children in the | :33:40. | :33:41. | |
UK who need your help by calling... ..and donating as much | :33:42. | :33:47. | |
or as little as you can. So, children do say the funniest | :33:48. | :34:10. | |
things, but they speak the truth! Being a mere child yourself, | :34:11. | :34:13. | |
Nicholas, that is your full name, isn't it? It is. Good man. My name | :34:14. | :34:20. | |
is Michael! What would you put into Room 101? Into Room 101, I'd | :34:21. | :34:26. | |
probably put in a couple of sofas, a big telly, surround sound - a lad | :34:27. | :34:30. | |
pad. You can come round. It could be nice. That is not the point. It is | :34:31. | :34:36. | |
illuminating... I just want to have a nice room. If you were watching | :34:37. | :34:41. | |
earlier, you would have seen McFly versus JLS in the Battle of the | :34:42. | :34:45. | |
Boybands has been tense. We are going to do Round Two NOW! Let's do | :34:46. | :34:48. | |
this. We have two boyband members here. | :34:49. | :35:02. | |
Can we make some noise - Oritse from Team JLS and Tom from Team McFly? | :35:03. | :35:12. | |
CHEERING AND APPLAUSE Nice(!) Loving McBusted. Thank you very much. I | :35:13. | :35:19. | |
took a little nap because I got up early... During it? No. How have you | :35:20. | :35:25. | |
been doing? Has this been good? Are you ready? It is quite tense. I | :35:26. | :35:30. | |
don't want to give the game away. I want a death stare between you two. | :35:31. | :35:39. | |
Hard to stare through those glasses. Rock, Paper, Scissors, isn't it? The | :35:40. | :35:46. | |
scores are 3 to JLS and 3 to McFly. So it is all to play for as we go | :35:47. | :35:50. | |
into Round Two. This next round is designed to test your reflexes, your | :35:51. | :35:56. | |
finger strength and your strategic intelligence. OK. OK. I've got the | :35:57. | :36:03. | |
fingers. Have you got strategic intelligence? He's got it. What is | :36:04. | :36:09. | |
the name of this dechallenge? It is called -- what is the name of this | :36:10. | :36:15. | |
challenge? It is called... Rock, Paper, Scissors! Rock, Paper, | :36:16. | :36:19. | |
Scissors. You don't need to have a high IQ for that. You need the | :36:20. | :36:27. | |
fingers. He's got the fingers. It's got quite severe consequences. Every | :36:28. | :36:32. | |
time you lose a game, your fellow band-member will face a forfeit | :36:33. | :36:37. | |
under one of these showbiz cloths. AUDIENCE: Ooh! We have go cloths, | :36:38. | :36:44. | |
this is BBC One! We will play three games of Rock, Paper, Scissors and | :36:45. | :36:47. | |
the winner gets a point for each game they win. Their band-mates face | :36:48. | :36:53. | |
a forfeit. If you lose, you lose! We don't care! We are good. Let's | :36:54. | :37:00. | |
pretend you don't want that to happen. Let's welcome back the | :37:01. | :37:04. | |
band-mates who are facing the forfeits. Make some noise for Aston | :37:05. | :37:09. | |
and Danny! CHEERING AND APPLAUSE | :37:10. | :37:17. | |
Oh yes! Looking good, boys. Aston... Take a | :37:18. | :37:31. | |
seat. Danny you can go here. Aston you can go here, I guess. You have | :37:32. | :37:38. | |
gone for the no-shoe look. More relaxed. Yes. It is going to be very | :37:39. | :37:44. | |
intense. Now, what we are going to do, hopefully... It is going to get | :37:45. | :37:53. | |
messy in here. I'm steaming up! You steaming up? It will be filled | :37:54. | :37:59. | |
with... That is the least of your worry. You are meant to spit in | :38:00. | :38:04. | |
them? Don't spit. No spitting. No spitting in anyone's glasses. Let's | :38:05. | :38:11. | |
not do this. The rules are as follows. We will do Rock, Paper, | :38:12. | :38:16. | |
Scissors, and we should get started. For every one that you reveal - | :38:17. | :38:20. | |
there will be lights like this. I want you to be like one, two, three | :38:21. | :38:25. | |
- reveal! I don't want it on three - I want it one, two, three, reveal! | :38:26. | :38:35. | |
Let's do this. Game one. What are you going for? Not sure. After | :38:36. | :38:47. | |
three, one, two, three... Oritse! Yes! You get a point. Danny, you | :38:48. | :38:57. | |
face the forfeit. Would you like to reveal, Aston, what is under cloth | :38:58. | :39:07. | |
one? What's in there? Oh, the dreaded egg. Danny hates eggs! You | :39:08. | :39:13. | |
can crack it on his head, Aston. Two is good! Here we go. Oh. We could | :39:14. | :39:28. | |
probably do one more! Looking good. Let's go again. Let's have Round | :39:29. | :39:37. | |
Two. OK. Which one this time? Scissors. After three - one, two, | :39:38. | :39:50. | |
three, reveal! Yes! Oritse wins again. A point for your team. Danny, | :39:51. | :39:56. | |
you are facing - you will face something worse than the egg. Aston, | :39:57. | :40:01. | |
reveal what is under showbiz cloth two. Oh! A full jug of beans. I'm | :40:02. | :40:13. | |
not upset! Tom, come here. I'm not upset, I'm disappointed. This is a | :40:14. | :40:19. | |
lovely breakfast, covered in egg and beans. Where do you want it? | :40:20. | :40:28. | |
Wherever you want it! Go to town. Has anyone got any eggs and bacon? | :40:29. | :40:32. | |
Come on, Aston. Here we go. Oh my God! OK. One more. One more, | :40:33. | :40:59. | |
Oritse. You are going down! OK, for the final game, we have one more | :41:00. | :41:05. | |
point up for grabs. Eyes down. After three, one, two, three, reveal. No! | :41:06. | :41:23. | |
Oh my God! You win a point. Danny, take this off! You can chill. | :41:24. | :41:28. | |
There's one more thing. I don't know what to say. Aston, can you reveal | :41:29. | :41:33. | |
what Danny will be facing this evening? Let's get rid of the eggs. | :41:34. | :41:41. | |
What is under three? Oh. The perfect... That is a nice | :41:42. | :41:51. | |
cocktail(!) This is nice. Are you ready, Danny? It is eggy custard! | :41:52. | :41:58. | |
AUDIENCE: Danny! Danny! Over the face. Nice, be a man! | :41:59. | :42:08. | |
OK, OK. Enough of the eggs. After two rounds, the total scores are JL | :42:09. | :42:54. | |
-- JLS 6 and McFly 3. Only one boyband can walk away with the | :42:55. | :42:58. | |
title. In the final challenge, they will be facing testing obstacles. | :42:59. | :43:03. | |
You do not want to miss it. Danny, you OK? Danny has lost his mind. | :43:04. | :43:18. | |
Terry, are OK over there? Grimmingtonshire is right, I have | :43:19. | :43:21. | |
seen the rehearsals of the last challenge. So time for another thank | :43:22. | :43:22. | |
you. Ohh! Once again, | :43:23. | :43:30. | |
ASDA staff and customers raising bucketfuls of pounds | :43:31. | :43:33. | |
for Pudsey! In you go, girls. Get your buckets. | :43:34. | :43:38. | |
Quick as you can! That's all right. Ooh, rush! | :43:39. | :43:41. | |
I've decided to throw an in-store slumber party, | :43:42. | :43:44. | |
but I think I'm going to need a little help. | :43:45. | :43:46. | |
Come on, kids! Let's guess what else we need! | :43:47. | :43:53. | |
It's a good thing we've got all this Children in Need clobber | :43:54. | :44:00. | |
So, a huge thanks from BBC Children in Need | :44:01. | :44:12. | |
to all the wonderful staff and customers of ASDA. | :44:13. | :44:14. | |
Wow! Thank you to everyone. Let's keep it going. This is what they | :44:15. | :44:32. | |
have raised so far. That was an intense game over there. It was. And | :44:33. | :44:40. | |
messy! Yes. Very messy. Right, our next film is about a brave family | :44:41. | :44:44. | |
from Dudley in the West Midlands. Here is Hugh Dennis to tell us some | :44:45. | :44:46. | |
more. But life can change | :44:47. | :44:50. | |
in a split second. One minute everything is fine, | :44:51. | :44:55. | |
and the next... I don't want to scare people, | :44:56. | :44:56. | |
but the thing that gets me about this next film, | :44:57. | :45:01. | |
is it could happen to any of us. I'd find a fraction of the strength | :45:02. | :45:04. | |
shown by this father and his son. As a police officer, you learn to | :45:05. | :45:12. | |
deal with seeing horrific scenes Nothing can possibly prepare you | :45:13. | :45:16. | |
for seeing your son there. and Josh was out playing | :45:17. | :45:23. | |
with Brandon, his step-brother, Brandon came running back home | :45:24. | :45:34. | |
in an absolute fit of panic, There were sort of, | :45:35. | :45:38. | |
15-20 people around him. He was lying on his back. | :45:39. | :45:48. | |
His legs were round by his head. His mouth and nose | :45:49. | :45:52. | |
were filled with blood. Josh accidentally veered his bike | :45:53. | :45:55. | |
into the road, and into the path | :45:56. | :46:14. | |
of an oncoming car. He had suffered severe brain | :46:15. | :46:17. | |
injuries and was in a coma. Josh's family were told | :46:18. | :46:21. | |
to prepare for the worst. You're just watching your child | :46:22. | :46:26. | |
lying there asleep, on a heart monitor, with little | :46:27. | :46:28. | |
or no progress that you can see. you just don't want to see your kid | :46:29. | :46:32. | |
in that state. after 73 days in the coma, | :46:33. | :46:38. | |
something incredible happened. I remember it clear as day. | :46:39. | :46:45. | |
I was asleep on the bed next to him. And I just woke up | :46:46. | :46:50. | |
to a voice saying, "Dad". I was lying on the side of his bed | :46:51. | :46:55. | |
crying my eyes out. that he would be in a wheelchair | :46:56. | :47:03. | |
for the rest of his life. But that's your first sort of sign | :47:04. | :47:15. | |
that there something positive there, Josh left hospital and went to stay | :47:16. | :47:18. | |
at The Children's Trust in Tadworth, with severe brain injuries | :47:19. | :47:27. | |
and multiple disabilities. The first interaction he'd had | :47:28. | :47:35. | |
with other people, and normality, is when he can go on the day-trips | :47:36. | :47:44. | |
out from The Children's Trust. Your money funds days out, | :47:45. | :47:47. | |
when children like Josh are facing the toughest challenge | :47:48. | :47:51. | |
of their lives. For them to be able to relax | :47:52. | :47:55. | |
and just have a bit of fun, and a bit of them-time | :47:56. | :47:59. | |
and a bit of family time, is a massive part of their | :48:00. | :48:01. | |
psychological rehabilitation. You can start to see, well, | :48:02. | :48:04. | |
actually life is going to be good. Dark green and light green | :48:05. | :48:09. | |
down the middle. OK. Josh had defied all odds. | :48:10. | :48:13. | |
He's back in school, he's walking. And just out of the blue, one day | :48:14. | :48:18. | |
he got on his bike, and off he rode. I sent it straight back | :48:19. | :48:24. | |
to The Children's Trust and I said, Without all the hard work | :48:25. | :48:28. | |
that they put into Josh, I wouldn't have the lad | :48:29. | :48:42. | |
I've got today. people donate to allow them to give | :48:43. | :48:44. | |
other people the same opportunities 5,000 children in the UK will get a | :48:45. | :49:04. | |
head injury which will affect them for the rest of their lives, so | :49:05. | :49:07. | |
let's be there for the children who need us. Text "DONATE" to 70710. Can | :49:08. | :49:20. | |
you remember what lasted for 15 weeks in 1994? 1994? 15 weeks? 15 | :49:21. | :49:28. | |
weeks. There was a summer-long street party to celebrate Ireland | :49:29. | :49:31. | |
winning three Eurovisions on the trot! Happy days. Yeah. That must | :49:32. | :49:38. | |
have been some great summer. The next band were number one for all of | :49:39. | :49:43. | |
those weeks, too. You may be Wet, Wet, Wet behind the ears, but you do | :49:44. | :49:50. | |
a lovely link. Thank you, Terry. It means a lot. Here with Love Is All | :49:51. | :49:53. | |
Around, it is Wet, Wet, Wet! # I feel it in my fingers | :49:54. | :50:05. | |
I feel it in my toes # Love is all around me | :50:06. | :50:16. | |
And so the feeling grows # It's written on the wind | :50:17. | :50:28. | |
It's everywhere I go # So if you really love me | :50:29. | :50:40. | |
Come on and let it show # My mind's made up | :50:41. | :50:53. | |
by the way that I feel # There's no beginning | :50:54. | :51:05. | |
There'll be no end # I see your face before me | :51:06. | :51:11. | |
as I lay on my bed # I kinda get to thinking | :51:12. | :51:42. | |
of all the things you said # You gave your promise to me | :51:43. | :51:50. | |
And I gave mine to you # I need someone beside me | :51:51. | :52:04. | |
in everything I do # My mind's made up | :52:05. | :52:19. | |
by the way that I feel # There's no beginning | :52:20. | :52:31. | |
There'll be no end # So if you really love me | :52:32. | :52:36. | |
Love me, love me # Come on and let it | :52:37. | :53:06. | |
Come on and let it # Come on and let it | :53:07. | :53:19. | |
Come on and let it Thank you, Wet, Wet, Wet. That was | :53:20. | :54:13. | |
lovely, lovely, lovely. Wonderful, lads. Still got it! Still got it. We | :54:14. | :54:20. | |
have been thrilled by the response we have had to this year's appeal. | :54:21. | :54:24. | |
It has been outstanding. We must thank just some more people who have | :54:25. | :54:27. | |
helped us out. from some very famous faces this | :54:28. | :54:34. | |
year for Children in Need, And raising money for Pudsey | :54:35. | :54:38. | |
with this lot is no trifling matter. 'Ello, 'ello! | :54:39. | :54:48. | |
What 'ave we got 'ere, then? It's Pudsey, out and about | :54:49. | :54:53. | |
with the Rotary Club art and craft fun day in Horsham, | :54:54. | :54:58. | |
West Sussex, involving painted faces, | :54:59. | :55:06. | |
painted plates with all the proceeds | :55:07. | :55:08. | |
going in Pudsey's pocket, of course. And a big thanks to the staff | :55:09. | :55:11. | |
at Welcome Break Services Some brave souls | :55:12. | :55:14. | |
even put themselves through And the local kids made sure | :55:15. | :55:18. | |
that no-one got away without showing their spots, | :55:19. | :55:25. | |
and in doing so, they raised lots! Thank you. All you wonderful people | :55:26. | :55:40. | |
at home are the reason why children in every corner in the United | :55:41. | :55:44. | |
Kingdom will continue to be helped. Thank you. I meant to talk to you | :55:45. | :55:48. | |
about this. Did you hear about my acting role? I'm going to be a start | :55:49. | :55:53. | |
of the Australian soap Home and Away. I heard about that. Yeah? Pity | :55:54. | :56:03. | |
your fellow cast members. That is very harsh, Sir Terry Wogan. But | :56:04. | :56:07. | |
fair. Yes. The cast of EastEnders put on a dance extravaganza and this | :56:08. | :56:12. | |
was no wooden performance. This was incredible, so let's enjoy it again. | :56:13. | :56:24. | |
There is a party going on and we have not been invited. Let's get our | :56:25. | :56:29. | |
own party started, shall we? # We've gone too far | :56:30. | :56:56. | |
# To give up who we are # We're up all night to get lucky | :56:57. | :57:59. | |
# We're up all night to get lucky # She's up all night till the sun | :58:00. | :58:12. | |
# I'm up all night to get some # She's up all night for good fun | :58:13. | :58:16. | |
# I'm up all night to get lucky # We're up all night till the sun | :58:17. | :58:24. | |
# We're up all night for good fun # We're up all night to get lucky | :58:25. | :58:40. | |
# Hey, hey, hey # We've come too far | :58:41. | :59:10. | |
# To give up who we are # So let raise the bar | :59:11. | :59:20. | |
# And account to the stars # She's up all night to the sun | :59:21. | :59:26. | |
# I'm up all night to get some # She's up all night for good fun | :59:27. | :59:33. | |
# #. | :59:34. | :00:40. | |
# Hey, hey, hey # We're up all night to the sun | :00:41. | :00:50. | |
# We're up all night to get some # We're up all night to get some | :00:51. | :00:56. | |
# We're up all night to get lucky # We're up all night to get luck... | :00:57. | :01:16. | |
CHEERING I have never seen anything like | :01:17. | :01:20. | |
that. EastEnders, we doff our caps to you. Earlier JLS took part in the | :01:21. | :01:27. | |
battle of the boy bands. Now it is the deciding is round. Round three. | :01:28. | :01:38. | |
Hello. We've tested their intelligence, they are dexterity but | :01:39. | :01:45. | |
now it is time we tested the powers of co-ordination. Would you like to | :01:46. | :01:50. | |
see the strapping members of JLS and McFly get a bit physical tonight? | :01:51. | :01:55. | |
CHEERING You would? Harry is interested. I will take that as a | :01:56. | :01:59. | |
yes. Here they are, can we please make some noise for team JLS and | :02:00. | :02:05. | |
attack McFly everybody! CHEERING | :02:06. | :02:09. | |
for the final round we want to pit you against each other in the | :02:10. | :02:15. | |
ultimate boy band challenge, brute force and animal-like agility and | :02:16. | :02:21. | |
Simon Cowell levels of showmanship. It's a five-legged race everybody. | :02:22. | :02:25. | |
You may have noticed that your legs have been tied together. Feast your | :02:26. | :02:29. | |
eyes on what stands between you and victory in the battle of the boy | :02:30. | :02:36. | |
bands 2013. While strapped together McFly and JLS, you have to go up the | :02:37. | :02:44. | |
red carp and feel free to pose like it is a premiere. Under the VIP | :02:45. | :02:51. | |
rope. Climb over your mountains of fan mail, which is quite easy, and | :02:52. | :02:55. | |
you have boy band slalom through the stalls in and out. I want speed | :02:56. | :03:00. | |
here, like this... And finally, over here a race to the finish line in | :03:01. | :03:05. | |
front of their microphones. The first band to navigate all of these | :03:06. | :03:10. | |
obstacles and grab their microphones in a boy band pose will get the | :03:11. | :03:15. | |
covet Children in Need battle of the boy bands trophy. JLS, is you are | :03:16. | :03:22. | |
ahead on points so you have a 3 second head start. Are you ready? | :03:23. | :03:28. | |
They are ahead on points. Can they start on the starting line, please? | :03:29. | :03:37. | |
Easy! ? It is winner takes all. The first to complete the course. JLS | :03:38. | :03:43. | |
you go on the first buzzer, M fly you go on the second buzzer. Are you | :03:44. | :03:45. | |
ready? Yes. Let's do this. McFly may be cheating. | :03:46. | :04:12. | |
McFly! CHEERING | :04:13. | :04:24. | |
Yes! We won. He's on the floor. He is on the floor, which means the | :04:25. | :04:30. | |
winners, all four members standing, are JLS! | :04:31. | :04:35. | |
CHEERING that's the rules. I like it that JLS | :04:36. | :04:41. | |
had already taken the trophy before I said that. You were a losing team | :04:42. | :04:47. | |
but never mind. They came, they saw and they conquered. Make some noise | :04:48. | :04:52. | |
for the champions of the boy band battle, JLS! | :04:53. | :04:58. | |
CHEERING And to the losers tonight, McFly. | :04:59. | :05:04. | |
CHEERING From the Children in Need Arena it | :05:05. | :05:07. | |
is back to you Sir Terry. Thank you Nicholas. That was | :05:08. | :05:11. | |
thrilling. LAUGHTER Let's see a round-up of the | :05:12. | :05:15. | |
amazing fundraising in the United Kingdom today. | :05:16. | :05:23. | |
From Glamorgan to Glasgow, Brighton to Belfast, Newquay to my very own | :05:24. | :05:30. | |
Newcastle. Wherever you live, wherever you are right now, Children | :05:31. | :05:35. | |
in Need are helping to change lives right on your doorstep. You've given | :05:36. | :05:44. | |
me and my little brother the chance to play together. You've given us | :05:45. | :05:48. | |
the chance to become closer as a family. To do something I've never | :05:49. | :05:54. | |
done before. Children in Need helped me when it felt like I didn't have a | :05:55. | :05:59. | |
future. Thanks to Children in Need I've turned my life around. I've | :06:00. | :06:06. | |
made lots of news friends. You've given us the chance to give these | :06:07. | :06:10. | |
children the best possible start in life. We can help them make the most | :06:11. | :06:17. | |
of their childhood. You've given us a chance to help these young | :06:18. | :06:22. | |
children's lives. Thanks to Children in Need I have a safe place to have | :06:23. | :06:27. | |
fun with my friends. The place where our little girl with get the support | :06:28. | :06:32. | |
she needs. The place where I'm so happy. Where I can have fun. The | :06:33. | :06:37. | |
place I can have fun. Together we can build trust. Build potential. | :06:38. | :06:43. | |
Build hope. Thanks to all the money you raised Children in Need has | :06:44. | :06:46. | |
helped more than 450,000 children in the UK. Thank you. Thank you. Thank | :06:47. | :06:52. | |
you. Thank you so much. Quite simply, thanks to you... | :06:53. | :06:57. | |
Disadvantaged children's lives are getting better. But we can't do this | :06:58. | :07:03. | |
without you. There are thousands of children and families across the UK | :07:04. | :07:07. | |
who still need your help. But you can be there every step of | :07:08. | :07:13. | |
the way. Helping your heroes and brave families. When life gets | :07:14. | :07:17. | |
really tough. In the saddest of times. You can help children smile. | :07:18. | :07:25. | |
But the big question is, what will you do tonight? 03457 33 22 33. | :07:26. | :07:37. | |
Thank you. Good effort, UK. You probably know | :07:38. | :07:42. | |
if you have been be us this evening that we are really on the way to a | :07:43. | :07:47. | |
record-breaking total, but we must not sit on our Laurels, really. We | :07:48. | :07:53. | |
need your help, we need your money, for this country's underprivileged | :07:54. | :07:59. | |
children. If you would like to donate, texts cost ?10 plus your | :08:00. | :08:04. | |
standard network charge. Thank you Terry. If there was a checklist of | :08:05. | :08:07. | |
required pop star skills you would have to master the following things | :08:08. | :08:11. | |
if you want to be a credible pop star in 2013. You have to were | :08:12. | :08:17. | |
sunglasses like this inside. Yeah, I look sick. You would have to create | :08:18. | :08:23. | |
a controversial dance move, maybe a twerk like this. You would have to | :08:24. | :08:27. | |
be hilarious and outrageous on social media. That's hilarious. And | :08:28. | :08:33. | |
you have to have the ability to lip-synch really well. Can BBC's | :08:34. | :08:39. | |
Greg James and Russell Kane rise to the challenge of the lip-synch duel? | :08:40. | :08:47. | |
Normally they are best mates but for one night only they are going head | :08:48. | :08:50. | |
to head as sworn enemies all in the name of charity. As we all know, | :08:51. | :08:55. | |
there is only one real way to prove who is a bigger and better man. With | :08:56. | :09:00. | |
a duel, not with pistols but with lips. I'm talking about a lip-synch | :09:01. | :09:06. | |
duel. Let's make noise for your lippy lads, Mr Greg James and Mr | :09:07. | :09:11. | |
Russell Kane! CHEERING | :09:12. | :09:17. | |
Hi, how are you? How are you both feeling? Nervous. But the whole | :09:18. | :09:26. | |
spirit of the night is ill-thought out nerves. We followed eggs and Wet | :09:27. | :09:34. | |
Wet Wet, so we are ready. What more do you want? Why do we have to go on | :09:35. | :09:40. | |
after boy bands? It is a letdown seeing us two. The like throwing a | :09:41. | :09:44. | |
brick through a colourful window. For those of you watching and | :09:45. | :09:50. | |
thinking, what's a lip-synch due tell - it is moving your mouth | :09:51. | :09:55. | |
without making any noise while singing songs of your choosing? Are | :09:56. | :10:00. | |
you feeling confident? Two people pretending to be you and you are | :10:01. | :10:04. | |
weirdly both going to be great at this. How were the people | :10:05. | :10:09. | |
practising, where they good? No. We've been practising a bit but we | :10:10. | :10:14. | |
don't know what each other's done. I practised in the cab but it was hard | :10:15. | :10:18. | |
to move. British people like to watch people fall over and fail. | :10:19. | :10:23. | |
Exactly. They want it to be bad, but for you. It is late night, the you | :10:24. | :10:28. | |
want something funny OK, we'll give you that. Funny and embarrassing. I | :10:29. | :10:33. | |
like that. Every good duel needs a winner. Your fate lies in the hands | :10:34. | :10:38. | |
of two expert judgeses who will have their eye glued to your lips. The | :10:39. | :10:46. | |
judges are Sir Terry Wogan and Mr Tinie Tempah. | :10:47. | :10:59. | |
CHEERING How are you, Sir? Are you good? Very | :11:00. | :11:07. | |
good. A good jacket Tinie Tempah. You sit here Sir Terry. You've got | :11:08. | :11:15. | |
paddles and all sorts. Your performances, it is time for | :11:16. | :11:17. | |
underone. I want to say Tinie Tempah I love | :11:18. | :11:36. | |
your records. And Sir Terry Wogan you are my broadcasting idol. I have | :11:37. | :11:44. | |
to say I like you both immediately. OK. I love your books. Read them | :11:45. | :11:48. | |
all. Greg, you are up first. # From the day we arrive on the | :11:49. | :12:30. | |
planet # | :12:31. | :12:43. | |
there's more to see than can ever be seen | :12:44. | :12:47. | |
# More to do than can ever be done # In the circle of life | :12:48. | :12:58. | |
# In the wheel of fortune # | :12:59. | :13:04. | |
in # In the band of hope | :13:05. | :13:15. | |
# We'll find our place # | :13:16. | :13:26. | |
CHEERING That was one of the most beautiful and moving things I've | :13:27. | :13:55. | |
ever witnessed with. Thank you. You're wasted on the radio. You | :13:56. | :14:00. | |
should be in Michael Buble the Musical. Did you like that It was | :14:01. | :14:06. | |
one of the best things I've ever seen. Russell, you're up next. What | :14:07. | :14:15. | |
are you doing? I'm doing Dirty by Kristina Aguilera. | :14:16. | :14:31. | |
# Gimme some room I'm comin' through | :14:32. | :14:34. | |
# Me and the girls gonna shake the room | :14:35. | :14:38. | |
# It's explosive Speakers are pumping Oh | :14:39. | :14:48. | |
# It's about time that I came to start the party | :14:49. | :15:15. | |
# Dancing gettin' just a little naughty | :15:16. | :15:19. | |
# It's about time that I came to start the party | :15:20. | :15:53. | |
# Dancing getting just a little naughty | :15:54. | :15:55. | |
Oh my God, that was incredible. Please send in money so that Russell | :15:56. | :16:18. | |
will never do that again! Why were those maroon? | :16:19. | :16:23. | |
CHEERING Lucky you. I walked into the dressing room and he was wearing | :16:24. | :16:27. | |
them without anything else on earlier. All I could think about is | :16:28. | :16:33. | |
how much you rehearsed that in your bedroom alone. It's not easy being | :16:34. | :16:38. | |
single but I'm good at it. Time to raise the stakes. Here comes round | :16:39. | :16:48. | |
two. Let's not forget although this is a | :16:49. | :16:54. | |
duet it is still a duel and we need you to be focused 100% on | :16:55. | :17:04. | |
outlip-synching each other. You have that and Tinie Tempah, you might | :17:05. | :17:09. | |
know this one. In this song I'll be playing the part of Rita Ora, and | :17:10. | :17:16. | |
that makes you Tinie Tempah. He's got me spot on! | :17:17. | :17:26. | |
CHEERING Marvellous. Very life like. Very | :17:27. | :17:29. | |
life like. # Nothing on | :17:30. | :17:37. | |
I strut around # I do it big | :17:38. | :18:33. | |
I shut it down That was really something. I don't | :18:34. | :19:17. | |
know what's going on Gregory any more. It's too late. They have done | :19:18. | :19:21. | |
all they can and now it's time for our judges to pass verdict. I'm so | :19:22. | :19:25. | |
sorry, Tinie, the you had to witness that. It was very life-like. Spot | :19:26. | :19:32. | |
on. It was a bit frightening. Like two Tinie Tempahs in the room. Sir | :19:33. | :19:39. | |
Terry, you love a lip-synch duel, what do you think about those | :19:40. | :19:45. | |
performances? Can you give us some feed-back before you vote? I could. | :19:46. | :19:50. | |
It has rendered me largely speechless. Tinie, what did we think | :19:51. | :19:56. | |
of that duel? I think it was good. Greggs' first performance very good. | :19:57. | :20:02. | |
I love the catching of Pudsey, that was very clever. That was improve. | :20:03. | :20:10. | |
You don't know that female from the crowd at all. She's not the | :20:11. | :20:19. | |
choreographer. We don't know each other yet. I've got to give you | :20:20. | :20:25. | |
points for the Tinie Tempah. That was pretty good. Judges, who is | :20:26. | :20:30. | |
going to be the lip-synch champion tonight? Let's start with you, Sir | :20:31. | :20:38. | |
Terry Wogan. Frank, I find it very hard to separate these two | :20:39. | :20:44. | |
incredibly talented people. No, no, I don't mean it in any sycophantic | :20:45. | :20:51. | |
or hyperbolic sense. I am staggered by your performances. Frighteningly | :20:52. | :21:00. | |
real. I did buy both your books. And I am loth to separate you. I know | :21:01. | :21:08. | |
that I'm sitting on the fence and I do work for Radio 2. So you can't | :21:09. | :21:15. | |
choose between them? I'm middle of the road. It is like Sharon | :21:16. | :21:21. | |
Osbourne, he's refusing to vote. He love both of them I'm like Sharon | :21:22. | :21:26. | |
Osbourne in more ways than you will ever know! Tinie, this is all down | :21:27. | :21:32. | |
to you. I'm nat passing the buck to Tinie. Maybe I will. Tinie, who is | :21:33. | :21:40. | |
the champion, Gregory or Russell? Can you separate them? I can't. | :21:41. | :21:47. | |
Those performances were stellar. Wonderful miming. So close to the | :21:48. | :21:51. | |
original, there must be a future for both of you in the music business. | :21:52. | :21:57. | |
In the lip-synch industry, absolutely. Any decisions or votes. | :21:58. | :22:03. | |
Am I going to have to decide or take it to deadlock? You are not | :22:04. | :22:10. | |
competent to decide. There's been shorter episodes of X Factor. We are | :22:11. | :22:14. | |
going to have to push you Terry and Tinie. There's no need to start | :22:15. | :22:19. | |
bullying, you know. Sorry, Sir Terry. | :22:20. | :22:27. | |
We've had a consultation. Who are we going for, the lip-synch champion, | :22:28. | :22:37. | |
Greg James or Russell Kane? Oh, Terry's gone for Greg. Tinie's gone | :22:38. | :22:41. | |
for Russell, which means I have the deciding vote. This is tough. We are | :22:42. | :22:48. | |
colleagues. But you know I love a maroon knicker. What are we going to | :22:49. | :22:59. | |
do? I'm going to have to go with Radio 1 brother, Greg James is the | :23:00. | :23:04. | |
champion! CHEERING AND APPLAUSE Sorry Russell, | :23:05. | :23:08. | |
there's your trophy, Greg James. You might as well do a lap of honour. | :23:09. | :23:12. | |
Well done to Greg and Russell for being such good sports. Let's give | :23:13. | :23:19. | |
the boys and Tinie Tempah a Children in Need round of applause. | :23:20. | :23:22. | |
CHEERING In our next film Gary Barlow is at a | :23:23. | :23:27. | |
hospice which does incredible work in Coventry. | :23:28. | :23:34. | |
Zoe's Place in Coventry is one of 15 children's hospices | :23:35. | :23:37. | |
around the UK that is supported by Children In Need. | :23:38. | :23:40. | |
They care for very young children with life-limiting conditions. | :23:41. | :23:41. | |
I like these shoes. My little four-year-old would like these. | :23:42. | :23:51. | |
Jamie comes here and get to mix with the other children. | :23:52. | :23:54. | |
You can bring her here and not worry about her? | :23:55. | :23:59. | |
Absolutely. It is a very special place. | :24:00. | :24:03. | |
His main condition is cerebral palsy. | :24:04. | :24:11. | |
It is nice to come here and know he will be safe | :24:12. | :24:15. | |
and well looked after and they care for him as much as we do. | :24:16. | :24:17. | |
What we would do without them, I don't know. | :24:18. | :24:20. | |
As you can see, he's a bit of a charmer, | :24:21. | :24:23. | |
especially with blonde ladies. Is that right? Great! | :24:24. | :24:31. | |
He says, "I am Gary Barlow". LAUGHTER | :24:32. | :24:35. | |
He was nine weeks old when they discovered he had no immune system. | :24:36. | :24:44. | |
He had to live in hospital for nearly two years. | :24:45. | :24:51. | |
For him, all those years without meeting other children, | :24:52. | :24:54. | |
and it gives our family a chance to be a family. | :24:55. | :25:04. | |
How much does a place like this need? | :25:05. | :25:19. | |
The majority of it is purely through donations. | :25:20. | :25:22. | |
Without that funding, the families would have nowhere to go. | :25:23. | :25:25. | |
How often is it open? At the moment, four days a week. | :25:26. | :25:28. | |
The idea of somewhere like this closing cannot happen. It can't. | :25:29. | :25:41. | |
I've got to be honest, I was not looking forward to today that much. | :25:42. | :25:45. | |
It conjures up ideas of it being a place with no hope. | :25:46. | :25:53. | |
I have actually experienced the total opposite. | :25:54. | :25:56. | |
I think the children we have met are inspirational. | :25:57. | :25:59. | |
Their parents are fighters, people getting on with life. | :26:00. | :26:03. | |
I look at somewhere like this and I am shocked, in a way, | :26:04. | :26:11. | |
to find out how heavily they rely on donations. | :26:12. | :26:14. | |
It is up to us, to you out there, to be as generous as you can. | :26:15. | :26:19. | |
When you see these faces, it makes it real, it really does. | :26:20. | :26:25. | |
CHEERING AND APPLAUSE Thank you Gary. Children's hospices | :26:26. | :26:42. | |
really rely on donations. Please help us support them. | :26:43. | :26:50. | |
Performing the official Children in Need single which I think is one of | :26:51. | :27:00. | |
our best. How Long Will I Love You By Ellie Goulding | :27:01. | :27:29. | |
Beautiful. That's available to download now and proceeds go to | :27:30. | :30:41. | |
Children in Need. Details on the website - bbc.co.uk/pudsey. If you | :30:42. | :30:45. | |
are having a marathon session watching Children in Need or maybe | :30:46. | :30:50. | |
you're back from a marathon session from down at the pub, welcome. I | :30:51. | :30:57. | |
would murder a drink at the moment. Give us a tenner. Stay tuned. | :30:58. | :31:02. | |
There's something for everyone in the final hour. We've got to make | :31:03. | :31:04. | |
this hour count. How you feeling today Mr Taylor. Oh | :31:05. | :31:19. | |
leave off! Even more Rocks highlights, and we go out with a | :31:20. | :31:27. | |
bang with West End hit... CHEERING | :31:28. | :31:31. | |
That's a big final hour. Lots to stick around for. | :31:32. | :31:35. | |
Cling to the wreckage for as long as you can, because we desperately need | :31:36. | :31:41. | |
your donations. Please, we need to reach a really great total. The | :31:42. | :31:45. | |
underprivileged children of this country are' lying on us. Earlier | :31:46. | :31:52. | |
tonight Catherine Tate's Nan, am I bovvered? I thought she was here | :31:53. | :31:57. | |
then. She put the cast of Holby City into a spin. Visiting hours are open | :31:58. | :31:59. | |
again. Here's another peek. Chrissie, Mr Clark has been | :32:00. | :32:08. | |
diagnosing himself What is it this time, | :32:09. | :32:11. | |
scurvy or plague? Can we confiscate his phone, please? | :32:12. | :32:15. | |
Help me. Someone get in here. Will you please tell her, | :32:16. | :32:19. | |
over there, with her face, to stop looking | :32:20. | :32:26. | |
at me? Stop looking at me | :32:27. | :32:28. | |
with that face, will you? I mean, how are you supposed | :32:29. | :32:38. | |
to make a recovery when you've got that putrid old | :32:39. | :32:40. | |
rotting boat looking at you? if I have to look at her much | :32:41. | :32:45. | |
longer. Oi, love. Close them | :32:46. | :32:51. | |
curtains, will you? My dinner will be here in a minute | :32:52. | :32:55. | |
and don't make me look at that when I've got to eat, | :32:56. | :32:57. | |
for Gawd's sake. Mrs Taylor? There have been | :32:58. | :33:00. | |
a number of complaints about you, That's the heart monitor you | :33:01. | :33:05. | |
requested. You're going to be fine, | :33:06. | :33:16. | |
Mrs Taylor. Oof. Here she is! | :33:17. | :33:20. | |
It's me little Chantelle. She's a good girl. | :33:21. | :33:27. | |
Oh, you got my dinner, darling? She's got me dinner. She didn't have | :33:28. | :33:30. | |
to get my dinner, darling. You've got better things to do | :33:31. | :33:33. | |
than running round, I'm much obliged to you for | :33:34. | :33:35. | |
getting... Where's me beans? She shouldn't be allowed to get | :33:36. | :33:40. | |
people's dinners. I'm going to leave you | :33:41. | :33:50. | |
with Chantelle, Mrs Taylor. How are you feeling today, | :33:51. | :33:52. | |
Mrs Taylor? You've come up to see me? | :33:53. | :33:57. | |
I've come up to see you. I'm better now I've see you, | :33:58. | :34:07. | |
darling. All I need is to see your beautiful | :34:08. | :34:16. | |
little face. So what did you bring me? Just what | :34:17. | :34:18. | |
you asked for - large cod and chips. I mean, | :34:19. | :34:28. | |
once you get over how short he is. It's all right, son. You can | :34:29. | :34:44. | |
say it now. No-one cares. | :34:45. | :34:55. | |
They're all gay, ain't they? Hello, Mrs Taylor. | :34:56. | :34:58. | |
Oh, here's me chap! He saved me life. Saved me life, | :34:59. | :35:08. | |
didn't you? What a surgeon! You brought me back from the brink, | :35:09. | :35:14. | |
didn't you, love? Yeah. Could have spread, though, | :35:15. | :35:17. | |
couldn't it? The good news is that you're | :35:18. | :35:26. | |
fine to go home. Oh! Do you hear that, love? | :35:27. | :35:31. | |
Oh, I can go home! Well, if you say I can go, | :35:32. | :35:35. | |
I can go home then. Cos you know what... He knows what | :35:36. | :35:39. | |
he's talking about, this one. He wants to sling me | :35:40. | :35:41. | |
out on the street? It's OK. Oh, that's all right, | :35:42. | :35:55. | |
darling. That's only me bedpan. Nan, shall we get out of here? | :35:56. | :36:04. | |
No, son. No fear. I've been paying my | :36:05. | :36:12. | |
taxes 50 years, love. and all the toilet roll you can | :36:13. | :36:14. | |
put into an overnight bag. No, love, I shall be in here | :36:15. | :36:26. | |
for at least another fortnight. There are people in real need of | :36:27. | :36:29. | |
hospitalisation who need this bed. Here to explain why she's such a | :36:30. | :36:58. | |
huge supporter of Children in Need it is that lovely judge of Strictly, | :36:59. | :37:01. | |
Darcey Bussell. As a parent, you'll do anything | :37:02. | :37:08. | |
to protect your child. But, sadly, there are times when | :37:09. | :37:10. | |
you can't help and you're powerless. In this next film, a wonderful | :37:11. | :37:13. | |
family tells us how they coped with a situation | :37:14. | :37:16. | |
that every parent dreads and how a project | :37:17. | :37:19. | |
funded by your donations I remember being presented | :37:20. | :37:21. | |
with these two babies The idea of twins | :37:22. | :37:37. | |
was just something special. And that's one of the reasons | :37:38. | :37:41. | |
why they found it so difficult when they had to be apart | :37:42. | :37:50. | |
for such a long period of time In April 2010, four days after this | :37:51. | :37:53. | |
photo was taken, Darcey became unwell | :37:54. | :38:00. | |
and was taken to hospital. "It's either a virus | :38:01. | :38:06. | |
or it's leukaemia." So, we were left there, | :38:07. | :38:13. | |
just sort of like with that thought. And he came back in | :38:14. | :38:19. | |
and he just said, "Unfortunately..." and that's | :38:20. | :38:22. | |
kind of the last thing I could hear, cos that was when our kind of world | :38:23. | :38:25. | |
fell apart. Within just 24 hours, | :38:26. | :38:29. | |
Darcey had started chemotherapy. The medicine made her very tired. | :38:30. | :38:35. | |
She lost the use of her legs. And then she started | :38:36. | :38:41. | |
to lose her hair. I remember a couple of times | :38:42. | :38:45. | |
having to hoover her bed, her bedding and her pillow | :38:46. | :38:48. | |
before she got in it because it was just | :38:49. | :38:50. | |
absolutely covered in hair. that I would hardly get | :38:51. | :38:53. | |
two words out of her. And then Harrison would arrive | :38:54. | :38:59. | |
and he just lifted her completely. Darcey... Darcey... | :39:00. | :39:03. | |
It completely becomes your life. Absolutely. | :39:04. | :39:10. | |
It takes over everything. You can't...you can't go anywhere | :39:11. | :39:13. | |
or do normal things. They couldn't go to soft play | :39:14. | :39:18. | |
any more, and that was something | :39:19. | :39:22. | |
that they always loved doing. You kind of find yourself | :39:23. | :39:26. | |
at certain times feeling really low and thinking, | :39:27. | :39:29. | |
"My daughter's got cancer." the Parents Association | :39:30. | :39:32. | |
for Seriously Ill Children. They offer support | :39:33. | :39:46. | |
and organise fun family days out for children going through | :39:47. | :39:49. | |
a tough and scary time. Every other family there's kind of | :39:50. | :39:53. | |
going through the same thing. So, you know, | :39:54. | :39:56. | |
your daughter's got no hair, nobody's going to be looking at her | :39:57. | :39:58. | |
in a strange way and asking questions | :39:59. | :40:01. | |
cos there are lots of other families with children | :40:02. | :40:04. | |
in the same circumstance. After a two-year battle with cancer, | :40:05. | :40:06. | |
Darcy is now in remission. They've got a very special bond | :40:07. | :40:12. | |
that a lot of people never have. They might go totally different ways | :40:13. | :40:20. | |
but they'll always have each other. It was, like, sad, because she... | :40:21. | :40:24. | |
I couldn't play with her any more. And how do you feel now? Happy. | :40:25. | :40:30. | |
Because I can see my brother again. is perhaps a little bit tighter | :40:31. | :40:38. | |
for just that little bit longer. And we feel very lucky that | :40:39. | :40:47. | |
we'd got to the end, we'd made it. Tonight, there are thousands of | :40:48. | :40:53. | |
children battling serious illness. You can be there to support them | :40:54. | :40:56. | |
and their families These projects really do make a | :40:57. | :41:16. | |
difference. If you can afford to donate a tenner, please text the | :41:17. | :41:23. | |
word Donate to 70710. Do you remember last year we did this show | :41:24. | :41:27. | |
together, do you remember you let me announce the totaliser? I can't even | :41:28. | :41:34. | |
remember who my first co-host was let alone last year. Refresh my | :41:35. | :41:42. | |
memory. I'm Zoe ball. Can I do it again, please? Can you do what? | :41:43. | :41:48. | |
Announce the totaliser. CHEERING Why not? I think I should | :41:49. | :41:55. | |
do it. Go! It is quite an honour. Can we please reveal the total. The | :41:56. | :41:59. | |
total is: Wow! That beats last year, which was | :42:00. | :42:36. | |
a record-breaking year, but we've got about another 40 minutes? | :42:37. | :42:44. | |
Something like that. Maybe... I can read a clock. We can do it. We can | :42:45. | :42:49. | |
push it to the absolute limit. I think we can. Help us out. With you | :42:50. | :42:54. | |
by my side we can do this. We can do this, Terry. | :42:55. | :43:00. | |
CHEERING Children in Need Rocks. You don't need to tell me. I mean | :43:01. | :43:07. | |
Children in Need Rocks, the event. Oh yes, Gary Barlow's megagig | :43:08. | :43:12. | |
featuring some of the biggest music acts in the world. That's the one | :43:13. | :43:19. | |
I'm talking about. Gary Barlow has got Kings of Leon on speed dial. He | :43:20. | :43:24. | |
knows Rizzle Kicks off by heart, he's got all of Little Mix on his | :43:25. | :43:31. | |
Friends and Family calling plan. He just needs someone to sell the | :43:32. | :43:34. | |
programmes. You can still phone up and give or visit the website, but | :43:35. | :43:39. | |
you can donate by text. Why don't you do it now. To donate ?10 text | :43:40. | :43:48. | |
Donate to 70710. It will cost you a tenner plus your standard network | :43:49. | :43:52. | |
charge. ?10 will go to Children in Need. All the details are on | :43:53. | :43:55. | |
bbc.co.uk/pudsey. But I imagine you are watching with your phone in your | :43:56. | :44:03. | |
hand. You can do this. Text us. Let see Children in Need Rocks. | :44:04. | :44:31. | |
# Painted faces Fill the places I can't reach | :44:32. | :44:45. | |
# Countless lovers under cover of the street | :44:46. | :45:13. | |
# Off in the night, while you live it up, I'm off to sleep | :45:14. | :46:03. | |
# Waging wars to shape the poet and the beat | :46:04. | :46:10. | |
# Here's something that'll make you sick | :46:11. | :47:11. | |
# I've been amazed # I've been betrayed | :47:12. | :47:20. | |
# Cos I make you so angry more and more each day | :47:21. | :47:29. | |
# The way you don't love me kind of makes you look ugly | :47:30. | :47:35. | |
# just lend a hand and you can shine my shoes | :47:36. | :47:54. | |
# Cos I make you so angry more and more each day | :47:55. | :48:15. | |
# The way you don't love me kind of makes you look ugly | :48:16. | :48:21. | |
# just lend a hand and you can shine my shoes | :48:22. | :48:39. | |
# And I can tell by the way you walk that walk | :48:40. | :49:23. | |
# And I can hear by the way you talk that talk | :49:24. | :49:33. | |
# And I can know by the way you treat your boy | :49:34. | :49:37. | |
# That I could give you all the loving in the whole wide world | :49:38. | :50:01. | |
# But if you close your eyes Does it almost feel like | :50:02. | :50:33. | |
# And if you close your eyes Does it almost feel like | :50:34. | :50:40. | |
# How am I gonna be an optimist about this? | :50:41. | :50:52. | |
# Eh-eh-oh-eh-oh # Eh-eh-oh-eh-oh | :50:53. | :51:01. | |
# But if you close your eyes Does it almost feel like | :51:02. | :51:35. | |
# And if you close your eyes Does it almost feel like | :51:36. | :51:43. | |
# How am I gonna be an optimist about this? | :51:44. | :51:54. | |
# Does it almost feel like nothing changed at all? | :51:55. | :52:02. | |
# Eh-eh-oh-eh-oh # Eh-eh-oh-eh-oh | :52:03. | :52:14. | |
# Having a ball with all the riders I grew up with | :52:15. | :52:20. | |
# A couple of women I'm in the club with | :52:21. | :52:20. | |
# Bottle the bubbly, feeling lovely Are hugging me | :52:21. | :52:23. | |
# It's so good Girl pushin' them vibes | :52:24. | :52:25. | |
# For the most part, everybody's just tryna live their lives | :52:26. | :52:27. | |
# We're not afraid to die Only the strong survive | :52:28. | :52:28. | |
# You don't know if you don't try The stakes are high | :52:29. | :52:30. | |
# And it's the city where I earned my crown | :52:31. | :52:32. | |
# The city lights are extra bright They shine for us tonight | :52:33. | :52:39. | |
# The streets are so alive right now I love this town | :52:40. | :52:45. | |
# Just me by you, I'm not going round | :52:46. | :52:49. | |
# And show you how peeps step out | :52:50. | :52:52. | |
# We gonna let it burn, burn, burn, burn | :52:53. | :53:23. | |
# We gonna let it burn, burn, burn, burn | :53:24. | :53:28. | |
# We just wanna be right now, r-r-right now | :53:29. | :53:34. | |
# And what we see is everybody's on the floor acting crazy | :53:35. | :53:38. | |
# Music's on, I'm waking up We stop the vibe and we bump it up | :53:39. | :53:45. | |
# And it's over now, we got the love There's no secret now, no secret now | :53:46. | :53:51. | |
# When the light's turning down They don't know what they heard | :53:52. | :53:55. | |
# Strike the match, play it loud Giving love to the world | :53:56. | :54:01. | |
# We'll be raising our hands Shining up to the sky | :54:02. | :54:06. | |
# And we gonna let it burn, burn, burn, burn | :54:07. | :54:15. | |
# We gonna let it burn, burn, burn, burn | :54:16. | :54:24. | |
# When the light's turning down They don't know what they heard | :54:25. | :54:29. | |
# Strike the match, play it loud Giving love to the world | :54:30. | :54:34. | |
# We gonna let it burn, burn, burn, burn | :54:35. | :54:45. | |
# I'm gonna be there Yes, I will | :54:46. | :54:55. | |
# When you need me I'll be there for you | :54:56. | :55:26. | |
# Baby, be a giant Let the world be small | :55:27. | :55:41. | |
# Some of them are deadly Some don't let it show | :55:42. | :55:48. | |
# If they try and hurt you Just let your daddy know | :55:49. | :55:57. | |
# Now when you go giving your heart Make sure they deserve it | :55:58. | :56:04. | |
# If they haven't earned it Keep searching, it's worth it | :56:05. | :56:11. | |
# For all your days and nights I'm gonna be there | :56:12. | :56:22. | |
# I'm gonna be there Yes, I will | :56:23. | :56:27. | |
# Say my name and I'll be there for you. # | :56:28. | :56:58. | |
# Her name was Lola She was a showgirl | :56:59. | :57:01. | |
# With yellow feathers in her hair and a dress cut down to there | :57:02. | :57:06. | |
# She would merengue and do the cha-cha | :57:07. | :57:10. | |
# And while she tried to be a star Tony always tended bar | :57:11. | :57:13. | |
# Across the crowded floor They worked from eight till four | :57:14. | :57:17. | |
# They were young and they had each other | :57:18. | :57:19. | |
# At the Copa, Copacabana # The hottest spot north of Havana | :57:20. | :57:27. | |
# Music and passion were always in fashion | :57:28. | :57:36. | |
# His name was Rico He wore a diamond | :57:37. | :57:51. | |
# He was escorted to his chair He saw Lola dancing there | :57:52. | :57:54. | |
# And when she finished He called her over | :57:55. | :57:58. | |
# But Rico went a bit too far # Tony sailed across the bar | :57:59. | :58:01. | |
# And then the punches flew And chairs were smashed in two | :58:02. | :58:04. | |
# There was blood and a single gunshot | :58:05. | :58:08. | |
# At the Copa, Copacabana # The hottest spot north of Havana | :58:09. | :58:14. | |
# Music and passion were always in fashion | :58:15. | :58:25. | |
# Her name was Lola She was a showgirl | :58:26. | :58:38. | |
# But that was many years ago When they used to have a show | :58:39. | :58:43. | |
# Still in dress she used to wear Faded feathers in her hair | :58:44. | :58:50. | |
# She sits there so refined and drinks herself half-blind | :58:51. | :58:56. | |
# She lost her youth, her Tony # Now she's lost her mind | :58:57. | :58:59. | |
Everyone is hoping you will give what you can to help the children in | :59:00. | :59:56. | |
the United Kingdom, who need it most. We have had a magnificent | :59:57. | :00:01. | |
audience tonight. CHEERING AND APPLAUSE | :00:02. | :00:13. | |
AUDIENCE: Terry! Terry! Terry! My people! | :00:14. | :00:16. | |
LAUGHTER I'm going to start a political | :00:17. | :00:21. | |
party! No. We really are overwhelmed. Thank you, thank you, | :00:22. | :00:24. | |
thank you. One film that touched your hearts greatly is this one. | :00:25. | :00:29. | |
Here is Cheryl Cole to introduce it again. | :00:30. | :02:19. | |
Harry was given a tracheostomy to help him breathe. | :02:20. | :02:21. | |
We walked in and you could see that he was crying, | :02:22. | :02:23. | |
That... It broke my heart. Broke both of our hearts. | :02:24. | :02:29. | |
Steph said to me, "He's never going to say mummy". | :02:30. | :02:33. | |
Harry had the most severe form of the condition. | :02:34. | :02:36. | |
He was unlikely to survive his early years of childhood. | :02:37. | :02:44. | |
In 2011, Harry had a little brother, Cody. | :02:45. | :02:50. | |
we noticed with Cody straight away, there were blisters on his hands. | :02:51. | :02:57. | |
With both Harry and Cody needing round-the-clock care, | :02:58. | :03:06. | |
the family were introduced to Julia's House Children's Hospice. | :03:07. | :03:10. | |
They offer respite and end-of-life care | :03:11. | :03:13. | |
for children with life-limiting conditions. | :03:14. | :03:16. | |
They rely on donations for 90% of their running costs. | :03:17. | :03:20. | |
Children In Need funds wonderful nurses like Alex. | :03:21. | :03:23. | |
they automatically say it must be really sad. | :03:24. | :03:29. | |
But a children's hospice is completely different. | :03:30. | :03:33. | |
You know in the back of your mind that one day, | :03:34. | :03:35. | |
these children are going to die early. | :03:36. | :03:38. | |
But we have fun with them in the short life they have got. | :03:39. | :03:43. | |
We used to say to Harry, "We are going to Julia's house today". | :03:44. | :03:46. | |
They put clingfilm around the boys' bandages | :03:47. | :03:56. | |
so they could still get involved with messy play. | :03:57. | :03:59. | |
They made a jelly island with jelly babies, on sweets, | :04:00. | :04:03. | |
so it looked like they were on sun loungers. | :04:04. | :04:06. | |
Little things like that, that they used to make, it was brilliant. | :04:07. | :04:07. | |
They don't do their job just to pay the bills. | :04:08. | :04:12. | |
They do it because they love what they do. | :04:13. | :04:14. | |
They love the kids and helping families. | :04:15. | :04:17. | |
There was just something about their characters | :04:18. | :04:21. | |
you could not help fall in love with. | :04:22. | :04:24. | |
They had a very special place in everybody's hearts. | :04:25. | :04:27. | |
Harry absolutely adored him, loved him, helped feed him, | :04:28. | :04:32. | |
He would go, "My baby," and show him off. | :04:33. | :04:37. | |
He introduced him to everyone. "This is my brother". | :04:38. | :04:40. | |
I did not understand how strong their bond was until they got ill. | :04:41. | :04:44. | |
Earlier this year, Harry and Cody caught flu. | :04:45. | :04:48. | |
For most children, this is not serious | :04:49. | :04:50. | |
but for them, it was life-threatening. | :04:51. | :04:54. | |
Doctors said there was nothing more they could do. | :04:55. | :05:00. | |
He was taken to the bereavement suite at Julia's House. | :05:01. | :05:04. | |
It is an amazing room, the most peaceful area of the house. | :05:05. | :05:08. | |
It was literally seconds, then he passed away in Steph's arms. | :05:09. | :05:12. | |
Harry died on 13th March. He was three years old. | :05:13. | :05:18. | |
Two days later, his little brother Cody also passed away. | :05:19. | :05:21. | |
The only comfort we have now is knowing they are together. | :05:22. | :05:29. | |
If it was not for the donations, our children would not have had a chance | :05:30. | :05:33. | |
to go to such an amazing place, and to meet such amazing people, | :05:34. | :05:39. | |
and to feel loved, right up until the day they died. | :05:40. | :05:47. | |
Children In Need supports 15 children's hospices in the UK, | :05:48. | :05:51. | |
We are so grateful to all the families who shared their lives with | :05:52. | :06:15. | |
us tonight. You at home have supported them. Just send me one | :06:16. | :06:22. | |
last text, just one, to donate ?10. Text "DONATE" to 70710. We would be | :06:23. | :06:27. | |
very grateful. Do it now, please. As we have been going along tonight, a | :06:28. | :06:33. | |
very industrious individual backstage has been putting together | :06:34. | :06:37. | |
all of the best bits of tonight. Thank you, Showba. Here is your | :06:38. | :06:42. | |
handiwork. ALAN DEDICOAT: Ladies and gentlemen, | :06:43. | :06:48. | |
boys and girls, please welcome our hosts for the night, Fearne Cotton, | :06:49. | :06:54. | |
Nick Grimshaw, Zoe Ball, Sir Terry Wogan and the terrific Tess Daly. | :06:55. | :07:06. | |
# Do you see what I see # Do you see what I see... # | :07:07. | :07:20. | |
# I want to kiss you # Do you feel what I feel? # The | :07:21. | :07:38. | |
energy in here is incredible tonight. | :07:39. | :07:51. | |
Want a sausage Terry? Call that a sausage? Sausage time! | :07:52. | :08:05. | |
# Take on me # Take me on | :08:06. | :08:14. | |
# Take on me # I'll be gone | :08:15. | :08:26. | |
# For a day or two. # We have Olympic legends Jayne Torvill and | :08:27. | :08:32. | |
Christopher Dean putting on their dancing shoes. | :08:33. | :08:40. | |
I thought you were a nice girl. That tango changed my opinion! Hello, | :08:41. | :08:52. | |
Nan. Nan has been keeping a low profile of late. Did you just snort | :08:53. | :08:57. | |
then? You can't just stay here. There are people in need of real | :08:58. | :09:01. | |
hospitalisation who need this bed. Oh, shove it up your... Hi, Harry. | :09:02. | :09:09. | |
How are you? How are you doing? CHEERING AND APPLAUSE | :09:10. | :09:27. | |
Guys, you are going to see Albert Square like you have never seen | :09:28. | :09:31. | |
before. # We've come too far | :09:32. | :09:44. | |
# To give up who we are # We'll rock all night for good fun | :09:45. | :09:55. | |
# We'll rock all night to get lucky... # | :09:56. | :10:07. | |
# And I miss your ginger hair # And the way you like to dress | :10:08. | :10:15. | |
# Won't you come on over # Stop making a fool out of me | :10:16. | :10:22. | |
# Why don't you come on over valley? # -- Valerie? | :10:23. | :10:38. | |
# Valerie # Valerie | :10:39. | :10:44. | |
# Why don't you come on over Valerie? # | :10:45. | :10:52. | |
Well done. It is only flipping One Direction. # And we dance all night | :10:53. | :11:08. | |
# To the Best Song ever # 'Cos we dance all night | :11:09. | :11:12. | |
# To the Best Song ever # Oh, oh, oh | :11:13. | :11:18. | |
# Yeah, yeah, yeah # Oh... # | :11:19. | :11:26. | |
Wonderful. So, it's been a vintage year. It certainly has. It's been a | :11:27. | :11:49. | |
good year. Sorry. If you want to relive all of tonight's best bits - | :11:50. | :11:54. | |
and who wouldn't - tune in to our best bits show tomorrow on BBC One | :11:55. | :12:01. | |
at 5.20pm. I have set the timer on my Betamax. Ideal! I'm going to | :12:02. | :12:05. | |
watch this tomorrow to make sure that all of this actually did | :12:06. | :12:09. | |
happen. You can't believe it! You can't believe it. I need to watch it | :12:10. | :12:13. | |
tomorrow. It is way past your bedtime. You are not dreaming! | :12:14. | :12:21. | |
Before the totaliser makes its final appearance, here is a performance | :12:22. | :12:25. | |
guaranteed to blow the cobwebs away. Putting the soul back into the heart | :12:26. | :12:29. | |
of London's West End, it is The Commitments. | :12:30. | :12:34. | |
Hello, Children In Need, are you having a good night? | :12:35. | :12:40. | |
AUDIENCE: Yes! You can do better than that. Are you having a good | :12:41. | :12:44. | |
night? AUDIENCE: Yes! Ladies and gentlemen, | :12:45. | :12:49. | |
my name is Jimmy Rabbit. I have something special for you tonight. | :12:50. | :12:53. | |
Would you please put your working-class hands together for the | :12:54. | :12:58. | |
saviours of soul, the hardest working band in the world, yes, yes, | :12:59. | :13:01. | |
yes, The Commitments! Sing it if you know it. | :13:02. | :13:22. | |
# Mustang Sally # I guess you better slow the | :13:23. | :13:29. | |
mustang down... # Are you having a good night? | :13:30. | :13:34. | |
AUDIENCE: Yes! # Mustang Sally, my baby, yeah | :13:35. | :13:40. | |
# Guess you better slow that mustang down | :13:41. | :13:52. | |
# You been running all over the town # I guess you got to put your flat | :13:53. | :14:06. | |
feet on the ground # All you wanna do is ride around, | :14:07. | :14:11. | |
Sally Ride, Sally, ride. | :14:12. | :14:24. | |
# All you wanna do is ride, Sally ride | :14:25. | :14:27. | |
Ride, Sally ride All you wanna do is ride, Sally, | :14:28. | :14:32. | |
ride Ride, Sally ride | :14:33. | :14:41. | |
# All you wanna do is ride around, Sally | :14:42. | :14:44. | |
Ride, Sally ride # One of these early mornings, I'm | :14:45. | :14:52. | |
gonna be wiping those weeping eyes, yeah, yeah | :14:53. | :14:58. | |
# I said one of these early mornings, I'm gonna be wiping those | :14:59. | :15:05. | |
weeping eyes, yeah, yeah . # # Oh, she may be weary | :15:06. | :15:53. | |
# Young girls they do get weary # Wearing that same old shaggy dress | :15:54. | :16:00. | |
# But when she gets weary # Try a little tenderness | :16:01. | :16:21. | |
# You know she's waiting # Just anticipating | :16:22. | :16:28. | |
# For things that she'll never, never, never | :16:29. | :16:34. | |
# Never possesses, yeah # Oh | :16:35. | :16:39. | |
# But while she's there waiting, without them | :16:40. | :16:48. | |
# Try a little tenderness # That's all you gotta do - this is | :16:49. | :16:54. | |
for you # It's not just sentimental, no, no, | :16:55. | :17:03. | |
no # She has her grief and care | :17:04. | :17:12. | |
# Oh # But the soft words they are spoke | :17:13. | :17:20. | |
so gentle # It makes it easier, easier to bear | :17:21. | :17:31. | |
# Yeah, yeah # You won't regret it, no, no | :17:32. | :17:38. | |
# And young girls they never forget it | :17:39. | :17:47. | |
# Love is their only happiness # But it's all so easy | :17:48. | :17:58. | |
# All you gotta do is try a little tenderness | :17:59. | :18:11. | |
# Come on # Squeeze her, don't tease her, | :18:12. | :18:14. | |
never leave her # You've got, you've got, you've got | :18:15. | :18:23. | |
# Just try a little tenderness # Oh yeah, yeah, yeah | :18:24. | :18:26. | |
# Squeeze her, don't tease her, never leave her | :18:27. | :18:32. | |
# You've got, you've got, you've got # Just try a little tenderness, oh | :18:33. | :18:36. | |
yeah, yeah # Squeeze her, don't tease her, | :18:37. | :18:38. | |
never leave her # You've got, you've got, you've got | :18:39. | :18:45. | |
# Just try a little tenderness, oh, yeah, yeah. # | :18:46. | :18:52. | |
Thank you. Incredible. Thank you for coming. Thank you so much. Wow! That | :18:53. | :19:20. | |
was good. As good a way to finish as I know. Yes. Tonight's star-studded | :19:21. | :19:28. | |
slice is nearly at an end. Let's see what you, the people, have achieved. | :19:29. | :19:35. | |
For one last time, let's fire up the totaliser! The final total is | :19:36. | :19:46. | |
?31,124, 896! Wow! Wow! ?31 million! That's a | :19:47. | :20:43. | |
record-breaker. A remarkable tribute to the generosity of you, the | :20:44. | :20:48. | |
British people. And a wonderful audience here. ?31 million - that's | :20:49. | :21:00. | |
huge. It is hard for me to speak. Absolutely brilliant. | :21:01. | :21:04. | |
AUDIENCE: Terry! Terry! Terry! Terry! Terry! I like this. It | :21:05. | :21:12. | |
is nothing to do with me. Terry, you have done this all night - ?31 | :21:13. | :21:20. | |
million, that is incredible! I'm just the tip of the iceberg. There's | :21:21. | :21:23. | |
a lot of people working very hard all year for Children In Need. It's | :21:24. | :21:29. | |
been a staggering total. It's beyond our wildest dreams, over ?31 | :21:30. | :21:36. | |
million. I want to thank you, thank you so much for your contributions. | :21:37. | :21:39. | |
Thank you. It's been quite a show tonight as | :21:40. | :21:52. | |
well. An incredible show. Really has. I guess we should thank | :21:53. | :21:59. | |
everyone that's been involved. We should thank Tess Daly, Fearne | :22:00. | :22:06. | |
Cotton, Zoe Ball, Sir Terry Wogan. I did a little bit. Also, One | :22:07. | :22:12. | |
Direction, EastEnders, Catherine Tate, JLS, Doctor Who, Wet, Wet, | :22:13. | :22:19. | |
Wet, the Royal Shakespeare Company performance of Matilda. Harry Hill, | :22:20. | :22:28. | |
Dean, Gary Barlow, Call The Midwife, Frank Skinner, Room 101, The One | :22:29. | :22:34. | |
Show, James Arthur, Ylvis. McFly, Spamalot, Dido, The Commitments, | :22:35. | :22:40. | |
Greg James, Russell Kane and Ellie Goulding. What a roll call. As | :22:41. | :22:44. | |
always, the biggest thank you is for you at home. Once again, you are the | :22:45. | :22:48. | |
reason why children everywhere in the United Kingdom will continue to | :22:49. | :22:57. | |
have hope. Thank you. Good night. Bye. Goodbye from me. From Children | :22:58. | :23:04. | |
In Need 2013, it's been a wonderful evening. Good night. | :23:05. | :23:08. | |
Planted it, we've grown it, we've milled it, | :23:09. | :24:59. | |
I'm Nigel Slater, a cook. And I'm Adam Henson, a farmer. | :25:00. | :25:02. | |
all back in touch with where our food really comes from. | :25:03. | :25:07. | |
You asked me to grow some durum wheat to produce your pasta. | :25:08. | :25:10. | |
Our own eggs, our own flour - couldn't ask for more, really. | :25:11. | :25:13. | |
# Through stormy weather and bottles of wine... # | :25:14. | :25:18. | |
Planted it, we've grown it, we've milled it, | :25:19. | :25:20. | |
you've cooked it in the oven. Feel a bit emotional! | :25:21. | :25:53. | |
Good evening. It's a chance to take a breath this weekend, | :25:54. | :25:57. | |
before the much-heralded colder air | :25:58. | :25:59. | |
We set the scene on the weekend | :26:00. | :26:03. | |
and we've got high pressure in the south. | :26:04. | :26:05. | |
This weather front pushing southwards | :26:06. | :26:07. | |
over the next couple of days. | :26:08. | :26:08. | |
There won't be an awful lot of rain on it, though, | :26:09. | :26:11. | |
many places dry this weekend. | :26:12. | :26:12. | |
A lot of cloud, mind you, and where the cloud breaks, | :26:13. | :26:15. | |
there'll be some patchy frost and hopefully a bit of sunshine. | :26:16. | :26:18. | |
Already a frost across southern England, with clearer skies, | :26:19. | :26:21. | |
East Anglia, parts of Lincolnshire, | :26:22. | :26:24. |