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These people amongst the greatest quiz players in Britain. | 0:00:04 | 0:00:08 | |
Together, they make up the Eggheads, arguably the most formidable quiz team in the country. | 0:00:09 | 0:00:15 | |
The question is, can they be beaten? | 0:00:17 | 0:00:19 | |
Welcome to a special celebrity edition of Eggheads, | 0:00:23 | 0:00:27 | |
the show where a team of five quiz challengers | 0:00:27 | 0:00:29 | |
pit their wits against possibly the greatest quiz team in Britain. | 0:00:29 | 0:00:33 | |
You might recognise them, as they have won some of the country's toughest quiz shows. | 0:00:33 | 0:00:37 | |
They are the Eggheads. | 0:00:37 | 0:00:40 | |
And taking on the might of our quiz Goliaths today are Priceless. | 0:00:40 | 0:00:43 | |
Familiar to the millions who tune in each week who watch | 0:00:43 | 0:00:46 | |
the ever-popular Antiques Roadshow, this team, made up | 0:00:46 | 0:00:49 | |
of the show's experts, are rather used to handling well-loved antiques. | 0:00:49 | 0:00:54 | |
So, the Eggheads are in safe hands. Let's meet them. | 0:00:54 | 0:00:58 | |
Hello. I am Hilary Kay, and I'm an expert in collectibles. | 0:00:58 | 0:01:02 | |
Hello. My name is Mark Allen. | 0:01:02 | 0:01:04 | |
I am a miscellaneous expert on the Roadshow, and I like anything strange. | 0:01:04 | 0:01:07 | |
Hello, I'm Eric Knowles, and I'm a Roadshow expert on Art Nouveau and Art Deco. | 0:01:07 | 0:01:13 | |
Hello. I'm Paul Atterbury, another miscellaneous expert, | 0:01:13 | 0:01:16 | |
with a secret passion for trains, especially for Chris. | 0:01:16 | 0:01:19 | |
And I'm Lars Tharp. I specialise in Chinese works of art and also the works of William Hogarth. | 0:01:19 | 0:01:26 | |
Now, Priceless, welcome to you. Thank you so much for playing the Eggheads today. | 0:01:26 | 0:01:30 | |
I want to ask you about your knowledge. | 0:01:30 | 0:01:32 | |
Of course you have got loads of knowledge of antiques and the rest of it, but how would that apply | 0:01:32 | 0:01:36 | |
to Eggheads? I guess you have got History covered. | 0:01:36 | 0:01:40 | |
History is OK. | 0:01:40 | 0:01:42 | |
We have an expert who can only talk about things before 1900. | 0:01:42 | 0:01:47 | |
I won't tell you who that is. So that is a huge advantage for us. | 0:01:47 | 0:01:52 | |
We have a world expert on geography. | 0:01:52 | 0:01:53 | |
So, we have got basically everything covered, haven't we, chaps? | 0:01:53 | 0:01:57 | |
Yes, yes, yes. | 0:01:57 | 0:02:00 | |
-Whatever you say. -Shall we play, then? | 0:02:00 | 0:02:03 | |
Go on, then. | 0:02:03 | 0:02:05 | |
Every day, there is £1,000 of cash up for grabs for our challengers' chosen charity. | 0:02:05 | 0:02:10 | |
If they fail to defeat the Eggheads, the prize money will roll over to the next show. | 0:02:10 | 0:02:15 | |
So, Priceless, the Eggheads have won the last two games, | 0:02:15 | 0:02:18 | |
which means £3,000 says you can't beat the Eggheads. | 0:02:18 | 0:02:22 | |
Rubbing of hands there. OK, the first Egghead battle, then, is on the subject of Film and Television. | 0:02:22 | 0:02:29 | |
Which one of you wants to play this? | 0:02:29 | 0:02:31 | |
I think we have a nominated expert here, which is you, Eric. | 0:02:31 | 0:02:35 | |
All right, we will give it a go. | 0:02:35 | 0:02:37 | |
Right, we have got you, Eric. Now you need an Egghead to play against. Who is it going to be? | 0:02:37 | 0:02:41 | |
Judith, please. | 0:02:41 | 0:02:43 | |
Judith, OK. Let's have Eric and Judith into the question room, | 0:02:43 | 0:02:46 | |
then, please, to make sure you can't confer with your team mates. | 0:02:46 | 0:02:50 | |
As the challenger, Eric, you get to choose. Do you want to begin or let Judith start? | 0:02:50 | 0:02:55 | |
I think I will let Judith start. | 0:02:55 | 0:02:59 | |
The first set of questions for you, Judith. Here you go. | 0:03:00 | 0:03:04 | |
What was the title of BBC One's 1970s and 1980s | 0:03:04 | 0:03:08 | |
school sporting competition show, hosted by Ron Pickering? | 0:03:08 | 0:03:12 | |
Well, I think it is either Record Breakers or We Are The Champions. | 0:03:16 | 0:03:20 | |
I can hear a sort of song in my head about We Are The Champions. | 0:03:20 | 0:03:25 | |
The logic would say We Are The Champions | 0:03:25 | 0:03:27 | |
-rather than Record Breakers. -Is that your answer? -Yes. | 0:03:27 | 0:03:30 | |
We Are The Champions, hosted by the legendary Ron Pickering. | 0:03:30 | 0:03:33 | |
It is the right answer, well done, Judith. | 0:03:33 | 0:03:36 | |
Eric, your first question. Who won an Oscar for her performance | 0:03:37 | 0:03:42 | |
as Annie Wilkes in the 1990 film Misery? | 0:03:42 | 0:03:45 | |
Do you know, I have never seen the film. Um... | 0:03:49 | 0:03:53 | |
But, but, but... I am going to go... | 0:03:53 | 0:03:57 | |
I am going to go with Kathy Bates. | 0:03:57 | 0:03:59 | |
I am going to go with Kathy Bates. | 0:03:59 | 0:04:02 | |
Yes, Kathy Bates it is, in Misery, | 0:04:02 | 0:04:04 | |
and having not seen it, I can highly recommend it to you. | 0:04:04 | 0:04:07 | |
It is a truly terrifying film. | 0:04:07 | 0:04:10 | |
So, there you are, you have got one on the board as well. | 0:04:10 | 0:04:13 | |
And back to Judith. What is Al Pacino's full first name? | 0:04:13 | 0:04:19 | |
Well, it would make sense if it was Alphonso or Alexandro, | 0:04:24 | 0:04:30 | |
if he is called Pacino. | 0:04:30 | 0:04:31 | |
So I imagine it must be Alfredo. | 0:04:31 | 0:04:34 | |
It is the right answer. Well done, Judith. | 0:04:34 | 0:04:37 | |
Now, Eric's second question. | 0:04:37 | 0:04:39 | |
In which a US sitcom does winning 100,000 on a scratchcard | 0:04:39 | 0:04:43 | |
cause the main character to try to atone for his past misdeeds? | 0:04:43 | 0:04:48 | |
Don't take it personally, Chris! | 0:04:52 | 0:04:54 | |
OK, well, I'm sorry to say I have never watched them. | 0:04:54 | 0:05:01 | |
Scrubs I think is set in a hospital, isn't it? | 0:05:01 | 0:05:04 | |
Everybody Hates Chris, My Name Is Earl... | 0:05:04 | 0:05:07 | |
We can't do a 50/50 on this programme, can we? | 0:05:07 | 0:05:10 | |
But either way, it is one or the other. | 0:05:10 | 0:05:13 | |
Um... | 0:05:13 | 0:05:15 | |
I will go with... | 0:05:15 | 0:05:17 | |
I am going to go with My Name Is Earl. | 0:05:19 | 0:05:20 | |
I have to admit, sorry, team, it is a pure guess. | 0:05:20 | 0:05:24 | |
OK, a pure guess on My Name Is Earl. | 0:05:24 | 0:05:26 | |
Well, not a pure guess, you say 50/50, you eliminated Scrubs. | 0:05:26 | 0:05:29 | |
Went for the other two and got the right answer! | 0:05:29 | 0:05:32 | |
Well done, Eric. My Name Is Earl. | 0:05:32 | 0:05:35 | |
Judith, the screenplay for the 1963 film drama The Servant starring | 0:05:35 | 0:05:40 | |
Dirk Bogarde and James Fox was written by which British playwright? | 0:05:40 | 0:05:44 | |
I remember the film. | 0:05:47 | 0:05:48 | |
It was brilliant. Um... I don't think it was David Hare. | 0:05:48 | 0:05:51 | |
I don't think it is Joe Orton's type of thing. | 0:05:51 | 0:05:55 | |
I think it might be Harold Pinter, but I am not really sure. | 0:05:55 | 0:06:00 | |
-Pinter? -Yes. -Yes, it is Pinter who wrote The Servant. | 0:06:00 | 0:06:04 | |
Correct, so you have got three, | 0:06:04 | 0:06:06 | |
and Eric has got to get this to stay in the game. | 0:06:06 | 0:06:08 | |
Eric, in the 1980 film Superman II, | 0:06:08 | 0:06:13 | |
which English actor played the man of steel's enemy General Zod? | 0:06:13 | 0:06:17 | |
I... I don't think it was Albert Finney. | 0:06:23 | 0:06:25 | |
I don't think it was Albert Finney. A great actor. | 0:06:25 | 0:06:28 | |
I am going to go down the middle on this one. | 0:06:28 | 0:06:30 | |
I am going to go with Malcolm McDowell, right or wrong. | 0:06:30 | 0:06:33 | |
And who played General Zod? | 0:06:33 | 0:06:35 | |
-Terence Stamp. -Terence Stamp! | 0:06:35 | 0:06:37 | |
Terence Stamp, not Malcolm McDowell. | 0:06:37 | 0:06:40 | |
And no chance of a reprieve. That is the danger of going second. | 0:06:40 | 0:06:44 | |
If the Egghead doesn't slip up, I can't put another question to any of you. | 0:06:44 | 0:06:47 | |
No place for you in the final round, Eric. Judith, you are there. | 0:06:47 | 0:06:50 | |
Would you both please come back and join you teams. | 0:06:50 | 0:06:54 | |
Well, after that round, it means Priceless will be Knowles-less, which is | 0:06:54 | 0:06:58 | |
a long way of saying they are one brain down for the final round. | 0:06:58 | 0:07:02 | |
The Eggheads haven't lost any yet. We will play our next head-to-head. | 0:07:02 | 0:07:06 | |
This one is Music. Who'd like to play this? | 0:07:06 | 0:07:08 | |
It can't be Eric, I'm afraid. Any of the other four. Music. | 0:07:08 | 0:07:12 | |
Why are you looking this way? I don't know anything about music after 1900, that's the problem. | 0:07:12 | 0:07:16 | |
But you play the cello, for goodness sake. | 0:07:16 | 0:07:21 | |
You two used to be so indecisive. | 0:07:21 | 0:07:24 | |
-But now we're not so sure? -Exactly. -I'll go, then. | 0:07:24 | 0:07:28 | |
-Who would you like to play from the Eggheads? It can't be Judith. -It can't be Judith. | 0:07:28 | 0:07:32 | |
Do you want to take Kevin out? | 0:07:32 | 0:07:35 | |
-Come on, Kevin. -They want to take you out! -Where to? | 0:07:35 | 0:07:38 | |
Somewhere where they don't serve fatty fish, so we can starve your brain. | 0:07:38 | 0:07:44 | |
That would be the question room, then. | 0:07:44 | 0:07:46 | |
Let us have Hilary and Kevin in there, please. | 0:07:46 | 0:07:50 | |
Of course, Hilary, one of your major interests is rock'n'roll memorabilia, isn't it? | 0:07:50 | 0:07:55 | |
I hoped you wouldn't bring that up, I know what will happen - | 0:07:55 | 0:07:58 | |
There will be a question on rock'n'roll, and I'll fluff it! Yes, I do love rock'n'roll, | 0:07:58 | 0:08:03 | |
and post-1960 music generally. So, we will see. | 0:08:03 | 0:08:09 | |
-Hilary, do you want to go first or second? -First, please, Dermot. | 0:08:09 | 0:08:13 | |
OK, try this for size, then, Hilary. | 0:08:15 | 0:08:18 | |
Fleetwood Mac achieved their first UK number one single in 1969 with an instrumental named after which bird? | 0:08:18 | 0:08:25 | |
Well, I can hear it in my head playing, | 0:08:28 | 0:08:31 | |
and what I can't hear is quacking. | 0:08:31 | 0:08:34 | |
And I can't hear whatever that raucous noise that a gannet makes, | 0:08:34 | 0:08:39 | |
what I can hear is that wonderful mewing and crying of the albatross, | 0:08:39 | 0:08:43 | |
so I will go for albatross. | 0:08:43 | 0:08:45 | |
Soaring above the ocean high. | 0:08:45 | 0:08:47 | |
Albatross is the right answer, well done. | 0:08:47 | 0:08:50 | |
And Kevin, your first question. | 0:08:50 | 0:08:52 | |
Which song from The Sound Of Music includes the words, "Small and white, clean and bright"? | 0:08:52 | 0:08:58 | |
I think we have long established that The Sound Of Music | 0:09:03 | 0:09:06 | |
is not one of my special interests. | 0:09:06 | 0:09:09 | |
It seems to fit with Edelweiss, so go with Edelweiss. | 0:09:09 | 0:09:12 | |
"Small and white, clean and bright", it is the right answer. | 0:09:12 | 0:09:15 | |
Well done, Kevin. OK, Hilary. | 0:09:15 | 0:09:17 | |
A second question. | 0:09:17 | 0:09:19 | |
Which actor is mentioned in the lyrics of the Irving Berlin song, Putting On The Ritz? | 0:09:19 | 0:09:25 | |
Um, I don't think that | 0:09:29 | 0:09:32 | |
Irving Berlin would have written about James Cagney. | 0:09:32 | 0:09:36 | |
I can hear the lyrics in my head, and "dressed up like Gary Cooper" | 0:09:36 | 0:09:41 | |
comes to mind. Gary Cooper. | 0:09:41 | 0:09:43 | |
Gary Cooper it is, well done, Hilary. Two to you. | 0:09:43 | 0:09:47 | |
And Kevin. | 0:09:47 | 0:09:49 | |
Who sang with Lil' Kim, Maya and Christina Aguilera | 0:09:49 | 0:09:53 | |
on the 2001 cover of Lady Marmalade for the soundtrack of the film Moulin Rouge? | 0:09:53 | 0:09:58 | |
Again, 2001 seems a little bit early maybe for Beyonce on her own. | 0:10:03 | 0:10:08 | |
I may be wrong, though. | 0:10:08 | 0:10:11 | |
-I'm going to go for Pink. -Pink? -I am really not sure. | 0:10:11 | 0:10:14 | |
It is the right answer, yes, Kevin. | 0:10:14 | 0:10:16 | |
You have got it. OK, it is all square. | 0:10:16 | 0:10:18 | |
Now, Hilary, you get this right | 0:10:18 | 0:10:20 | |
and you have got a good chance of going through, I feel. | 0:10:20 | 0:10:24 | |
What was the name of the band formed by New Order's Bernard Sumner and Smiths guitarist Johnny Marr, | 0:10:24 | 0:10:31 | |
whose singles included Getting Away With It, featuring Pet Shop Boy Neil Tennant on vocals? | 0:10:31 | 0:10:36 | |
I really do not know this. The only band... | 0:10:39 | 0:10:42 | |
Well, the only name that seems at all familiar is Electronic. | 0:10:42 | 0:10:48 | |
I am going to go for Electronic. | 0:10:48 | 0:10:52 | |
OK, you went with your first instinct. | 0:10:52 | 0:10:55 | |
You got the right answer! | 0:10:55 | 0:10:57 | |
Well done, held your nerve. | 0:11:00 | 0:11:02 | |
First instinct standing you in very good stead. | 0:11:02 | 0:11:05 | |
Well, Kevin, you have got to get this. | 0:11:05 | 0:11:08 | |
Which operatic tenor's single releases include the duets | 0:11:08 | 0:11:11 | |
Perhaps Love with John Denver and Till I Loved You with Jennifer Rush? | 0:11:11 | 0:11:16 | |
Yes, a bit predictable that those three would come up, wasn't it? | 0:11:22 | 0:11:25 | |
On the basis that I think | 0:11:25 | 0:11:30 | |
the success of the Three Tenors tended to bring in terms | 0:11:30 | 0:11:35 | |
of other things like this, | 0:11:35 | 0:11:37 | |
I think Pavarotti did a bit more of that than the others. | 0:11:37 | 0:11:42 | |
So I shall go for Pavarotti. | 0:11:42 | 0:11:43 | |
Er, Perhaps Love with John Denver, Till I Loved You with Jennifer Rush. | 0:11:43 | 0:11:48 | |
The tenor singing alongside them was Placido Domingo. | 0:11:48 | 0:11:54 | |
Placido Domingo, which means that's great news for you, Hilary, you are | 0:11:54 | 0:11:57 | |
through to the final round, well played. | 0:11:57 | 0:12:00 | |
Would you both please come back and join your teams. | 0:12:02 | 0:12:04 | |
Well, that has made it all square. Both teams now have lost one brain from the final round. | 0:12:04 | 0:12:09 | |
Fantastic performance, then, in the question room by Hilary. | 0:12:09 | 0:12:12 | |
Let's hope it is followed up by one of the guys who is going to play this round. It is Arts and Books. | 0:12:12 | 0:12:17 | |
And Mark, Paul or Lars to play. | 0:12:17 | 0:12:19 | |
I think since Paul has written more books than any of us put together, he is our book man. | 0:12:19 | 0:12:25 | |
OK. Right, who would you like to play from the Eggheads? | 0:12:25 | 0:12:29 | |
Judith and Kevin have played, so you have Pat, Barry or Chris to join you in the question room. | 0:12:29 | 0:12:34 | |
-Well, you say, don't you? -I think we will try Chris, please. | 0:12:34 | 0:12:39 | |
OK, going for them now. | 0:12:39 | 0:12:40 | |
Let's have Paul and Chris into the question room, then. | 0:12:40 | 0:12:43 | |
So, Paul, on the Antiques Roadshow, what brings you most pleasure? | 0:12:45 | 0:12:48 | |
A lot of people mention, they say it has got to be the thing that | 0:12:48 | 0:12:51 | |
somebody bought for 50p or found in the attic that then is valued | 0:12:51 | 0:12:55 | |
at five figures or more, but is it always that, or is it just something with a remarkable story behind it? | 0:12:55 | 0:13:00 | |
For me, it is entirely the stories. | 0:13:00 | 0:13:03 | |
We see so many things that are not particularly valuable in financial terms, but they take | 0:13:03 | 0:13:08 | |
us into people's histories, they reveal extraordinary things done by people in the past, or recent past. | 0:13:08 | 0:13:15 | |
And I think the anticipation for the day for me is always, what am I going to hear about next? | 0:13:15 | 0:13:20 | |
-Paul, do want to go first or second? -I think I will go first. | 0:13:20 | 0:13:23 | |
In painting, what is a thin layer of transparent colour laid over another known as? | 0:13:26 | 0:13:33 | |
Well, I have never been a painter, although I always wanted to be one. | 0:13:36 | 0:13:40 | |
I love paintings. But glazing I think is what you do when you lay | 0:13:40 | 0:13:44 | |
one colour thinly over another, so I am going to go for glaze. | 0:13:44 | 0:13:48 | |
Glaze is the right answer. | 0:13:48 | 0:13:49 | |
Yes, Paul, an assured start there. Chris, your first question. | 0:13:49 | 0:13:53 | |
What is the subtitle of Shakespeare's play Twelfth Night? | 0:13:53 | 0:13:57 | |
Right. Othello, the Moor of Venice. | 0:14:01 | 0:14:03 | |
Pericles, Prince of Tyre. But it is Twelfth Night, or What You Will. | 0:14:03 | 0:14:07 | |
Twelfth Night, or What You Will. | 0:14:07 | 0:14:09 | |
It is the right answer. | 0:14:09 | 0:14:11 | |
And back to you, Paul. | 0:14:11 | 0:14:13 | |
In F Scott Fitzgerald's novel The Great Gatsby, what is the first name | 0:14:13 | 0:14:17 | |
of Mrs Buchanan, the woman whose affections Gatsby tries to win? | 0:14:17 | 0:14:22 | |
Well, they are all wonderful 1920s names, aren't they? | 0:14:23 | 0:14:27 | |
These flower names were so popular then. | 0:14:27 | 0:14:30 | |
I think, whether one thinks of it as the book or as the film | 0:14:30 | 0:14:33 | |
with Robert Redford, I think you would always know it was Daisy. | 0:14:33 | 0:14:37 | |
Daisy is the right answer. Well done. Two to you. | 0:14:37 | 0:14:41 | |
Chris, which poet wrote the lines, | 0:14:41 | 0:14:44 | |
"Let us go, then, you and I | 0:14:44 | 0:14:46 | |
"When the evening is spread out against the sky | 0:14:46 | 0:14:49 | |
"Like a patient etherised upon a table," | 0:14:49 | 0:14:52 | |
in a famous poem first published in 1915? | 0:14:52 | 0:14:56 | |
I think, but I am not sure, | 0:14:59 | 0:15:01 | |
it is in the Love Song Of Alfred J Prufrock by T S Eliot. | 0:15:01 | 0:15:06 | |
-TS Eliot. -TS Eliot, and it is by Eliot, well done, Chris. | 0:15:06 | 0:15:12 | |
And Paul, a third question for you. | 0:15:12 | 0:15:15 | |
A Confederate General From Big Sur, Trout Fishing In America | 0:15:15 | 0:15:20 | |
and In Watermelon Sugar are 1960s novels by which American writer? | 0:15:20 | 0:15:25 | |
A tricky one, this. I'm not quite sure. | 0:15:30 | 0:15:32 | |
I think we can rule out Kerouac. | 0:15:32 | 0:15:35 | |
I don't think he wrote any of those after he had done On The Road. | 0:15:35 | 0:15:39 | |
Difficult. It is a toss up in this case. | 0:15:39 | 0:15:42 | |
I think I'm going to go for Richard Brautigan. | 0:15:42 | 0:15:45 | |
It is the right answer, well done, Paul. | 0:15:45 | 0:15:48 | |
So, it means you have got to get this, Chris. | 0:15:48 | 0:15:52 | |
Which British artist, winner of the 1989 Turner Prize, makes sculptures and photographs that are inspired by | 0:15:52 | 0:15:59 | |
the long walks he takes in Britain and around the world? | 0:15:59 | 0:16:02 | |
I have never heard of any of them! | 0:16:08 | 0:16:10 | |
The one who sounds like a long-distance walker to me | 0:16:12 | 0:16:15 | |
-is Mark Wallinger. So that is who I'll go with. -Long-distance walker. | 0:16:15 | 0:16:19 | |
-Eggheads? -Richard Long. | 0:16:19 | 0:16:22 | |
I am sure our antiques experts know as well, it is Richard Long. | 0:16:22 | 0:16:27 | |
Which means you are taking a short walk back your team, | 0:16:27 | 0:16:29 | |
but you are not playing in the final round. | 0:16:29 | 0:16:32 | |
Well done, Paul! You're through. | 0:16:32 | 0:16:35 | |
Would you both please come back and join your teams. | 0:16:35 | 0:16:39 | |
Well, as it stands, after that, Priceless are only one brain down, | 0:16:39 | 0:16:43 | |
but the Eggheads have taken two mighty blows there. | 0:16:43 | 0:16:47 | |
Chris and Kevin will be missing from the final round. | 0:16:47 | 0:16:50 | |
And our last subject today is History. | 0:16:50 | 0:16:52 | |
Mark or Lars to play it? History? | 0:16:54 | 0:16:57 | |
-I think Lars is up for this. -Are you sure about this? | 0:16:57 | 0:17:02 | |
-I would have preferred sport, you realise! -Oh, yes! | 0:17:02 | 0:17:06 | |
And we believe you. It is going to be Lars. | 0:17:06 | 0:17:09 | |
-Who would you like to play from the Eggheads? It is Barry or Pat. -It is Barry, isn't it? Barry. | 0:17:09 | 0:17:14 | |
We have decided that it is Barry. | 0:17:17 | 0:17:18 | |
-Yes. -OK. Could I ask Lars and Barry to take their positions in the question room, please. | 0:17:18 | 0:17:25 | |
OK, Lars, let's play the round. Do you want to go first or second? | 0:17:25 | 0:17:29 | |
Oh... Pain over. First. | 0:17:29 | 0:17:32 | |
OK, here you go, Lars. | 0:17:34 | 0:17:36 | |
Which Egyptian ruler unexpectedly died while still a teenager? | 0:17:36 | 0:17:40 | |
Well, Rameses II accomplished a hell of a lot for a teenager, | 0:17:45 | 0:17:50 | |
so I am going to steer clear of him. | 0:17:50 | 0:17:54 | |
And also, I do seem to recall that the funeral arrangements | 0:17:54 | 0:17:59 | |
for King Tut, Tutankhamun, were rather hurried. | 0:17:59 | 0:18:03 | |
They didn't expect him to go quite so quickly. | 0:18:03 | 0:18:05 | |
-So he is our man. -He certainly is. | 0:18:05 | 0:18:07 | |
That is the right answer, well done. | 0:18:07 | 0:18:11 | |
A lovely explanation, as well. Barry. | 0:18:11 | 0:18:14 | |
Which English King suffered a near fatal | 0:18:14 | 0:18:16 | |
jousting accident at the age of 44, permanently affecting his health? | 0:18:16 | 0:18:21 | |
Well, Henry VIII was the absolute Renaissance prince | 0:18:25 | 0:18:29 | |
before he suffered the jousting accident, | 0:18:29 | 0:18:31 | |
and he was very learned and very faithful to all his followers, | 0:18:31 | 0:18:35 | |
and immediately after the jousting accident, there was something of | 0:18:35 | 0:18:38 | |
a change in his character, and he became the bloody despot | 0:18:38 | 0:18:42 | |
he ended up as. So the answer is Henry VIII. | 0:18:42 | 0:18:45 | |
Henry VIII is the right answer. Well done, Barry, and back to Lars. | 0:18:45 | 0:18:48 | |
Your second question. | 0:18:48 | 0:18:50 | |
The early English colony of Jamestown was located in which modern US State? | 0:18:50 | 0:18:55 | |
It is either Virginia or Maryland. | 0:18:59 | 0:19:01 | |
I am going to have to go for Maryland. | 0:19:05 | 0:19:08 | |
Maryland, ooh, a howl there | 0:19:10 | 0:19:13 | |
from your compatriots here. | 0:19:13 | 0:19:16 | |
It is Virginia. It is Jamestown, Virginia. | 0:19:16 | 0:19:20 | |
So, tossing up between the two and came down on the wrong side. | 0:19:20 | 0:19:23 | |
A chance, you're not getting too many chances here, Eggheads, | 0:19:23 | 0:19:26 | |
a chance for Barry to take the lead. | 0:19:26 | 0:19:28 | |
How many ships of the British fleet were lost at the Battle of Trafalgar? | 0:19:28 | 0:19:32 | |
I seem to remember there was something like 37 British ships | 0:19:35 | 0:19:40 | |
at Trafalgar, and it would be very unlikely that 50 would be lost, | 0:19:40 | 0:19:44 | |
or even 25, so the answer must be zero. | 0:19:44 | 0:19:47 | |
Which is why it was such a resounding victory. | 0:19:49 | 0:19:51 | |
It's the right answer. So, you've got to get this, Lars. | 0:19:51 | 0:19:55 | |
The so-called Battle of the Catalonian Plains was a defeat for which warrior general? | 0:19:55 | 0:20:02 | |
Well, I think we can rule out Genghis | 0:20:07 | 0:20:10 | |
because he didn't get further than just a stone's throw of Venice. | 0:20:10 | 0:20:16 | |
I never heard Julius Caesar described as a warrior general, | 0:20:16 | 0:20:19 | |
although he most certainly was. | 0:20:19 | 0:20:21 | |
It's a curious choice of word for a Roman general. | 0:20:21 | 0:20:26 | |
I'm going to switch my original thoughts. | 0:20:26 | 0:20:29 | |
I'm going to switch over to Attila. It's a guess. | 0:20:29 | 0:20:32 | |
OK, a guess, but a correct one. | 0:20:32 | 0:20:35 | |
It's the right answer. Attila the Hun. | 0:20:35 | 0:20:37 | |
Barry, which 10th century Frankish king was the son of Louis the Stammerer? | 0:20:39 | 0:20:44 | |
Well, Pepin the Short was the father of Charlemagne, | 0:20:48 | 0:20:51 | |
which would put him earlier than the 10th century. | 0:20:51 | 0:20:54 | |
Never heard of Louis the Sluggard, though some Louis may have been. | 0:20:54 | 0:20:58 | |
But Charles the Simple was certainly a 10th century king, | 0:20:58 | 0:21:01 | |
so I shall go for Charles the Simple. | 0:21:01 | 0:21:03 | |
Right answer, Charles the Simple, | 0:21:03 | 0:21:04 | |
which means in spite of your heroics on that last question, | 0:21:04 | 0:21:08 | |
-the slip up on the middle one has cost you a place in the final round, Lars. -Oh, dear. | 0:21:08 | 0:21:12 | |
Would you both please come back and join your teams. | 0:21:12 | 0:21:15 | |
This is what we've been playing towards. | 0:21:15 | 0:21:17 | |
It's time for the final round, General Knowledge. | 0:21:17 | 0:21:21 | |
But those of you who lost your head-to-heads | 0:21:21 | 0:21:23 | |
won't be allowed to take part in this round. | 0:21:23 | 0:21:26 | |
So, Eric and Lars from Priceless and Chris and Kevin from the Eggheads, | 0:21:26 | 0:21:31 | |
would you leave the studio, please. | 0:21:31 | 0:21:34 | |
So, Hilary, Mark and Paul, you are playing to win Priceless £3,000 for your chosen charity. | 0:21:34 | 0:21:39 | |
Barry, Pat and Judith, you are playing for something which money can't buy. | 0:21:39 | 0:21:43 | |
The Eggheads' reputation. | 0:21:43 | 0:21:45 | |
I'll ask each team three questions in turn. | 0:21:45 | 0:21:47 | |
The questions are all General Knowledge | 0:21:47 | 0:21:49 | |
and you are allowed to confer in the final round. | 0:21:49 | 0:21:52 | |
Priceless, are your three brains better than the Eggheads' three? | 0:21:52 | 0:21:56 | |
Hilary, Mark and Paul, would you like to go first or second? | 0:21:56 | 0:21:59 | |
I think we've succeeded when we've gone first in the past, so we'll stick with that, please. | 0:21:59 | 0:22:04 | |
Kicking off then, General Knowledge just to remind you, so anything can come up. | 0:22:06 | 0:22:11 | |
Your first one, Priceless. | 0:22:11 | 0:22:12 | |
Before he became a comedian and TV personality, Harry Hill underwent training to become what? | 0:22:12 | 0:22:18 | |
-I can't imagine Harry Hill doing, "Morning all..." -No. | 0:22:21 | 0:22:25 | |
I think Doctor sounds ... | 0:22:25 | 0:22:27 | |
I mean, he's got a very good bedside manner. | 0:22:27 | 0:22:30 | |
It's a stab in the dark, really, isn't it? | 0:22:30 | 0:22:33 | |
But I feel Doctor. What do you feel? | 0:22:33 | 0:22:35 | |
-I'll go with you. -Yes? -Yes. -We're going to go with Doctor. | 0:22:35 | 0:22:38 | |
OK, Doctor. There's a bit of miming going on behind you. | 0:22:38 | 0:22:41 | |
You're not allowed to Look behind you, but Lars has been doing | 0:22:41 | 0:22:45 | |
the old pulse and the rest of it. It is the right answer, yes. | 0:22:45 | 0:22:48 | |
Doctor, yes. | 0:22:48 | 0:22:50 | |
No need to get your heart rate up. So Eggheads, your first question. | 0:22:50 | 0:22:54 | |
In Roman mythology, who was the god of the sun? | 0:22:54 | 0:22:58 | |
-Sol. -Saturn is farming and agriculture. | 0:23:01 | 0:23:07 | |
We think it's Sol. | 0:23:07 | 0:23:09 | |
Sol, yeah, it is the right answer. Well done. | 0:23:09 | 0:23:13 | |
OK, second question, Priceless. | 0:23:13 | 0:23:17 | |
What term is used in modern music for the process of taking a short sound or musical phrase | 0:23:17 | 0:23:22 | |
from an original recording and using it in a new recording, often in repeated sequences? | 0:23:22 | 0:23:29 | |
-Come on, Mark. -I was going to say, being a bit of a musician, | 0:23:31 | 0:23:35 | |
and having bought the Prodigy's latest album... | 0:23:35 | 0:23:38 | |
-You used to be in a band yourself. -I did. | 0:23:38 | 0:23:40 | |
Did you do any phasing? | 0:23:40 | 0:23:42 | |
Did you phase, modulate or sample? | 0:23:42 | 0:23:44 | |
I used to phase a bit with my guitar. | 0:23:44 | 0:23:46 | |
Modulating, not so much. | 0:23:46 | 0:23:49 | |
-How was your singing? -Not very good. | 0:23:49 | 0:23:51 | |
Not very good, but I have to say, when I started playing | 0:23:51 | 0:23:54 | |
musical instruments, sampling was in its infancy. | 0:23:54 | 0:23:58 | |
I had a three-second sampler. Three whole seconds. | 0:23:58 | 0:24:02 | |
-Wow. -So, sampling. | 0:24:02 | 0:24:03 | |
Sampling, we're going to say. | 0:24:03 | 0:24:05 | |
Sampling is, of course, the right answer, | 0:24:05 | 0:24:08 | |
as you well knew there. Two to you. | 0:24:08 | 0:24:10 | |
OK, Eggheads, which political philosopher was born in Trier | 0:24:10 | 0:24:15 | |
in 1818 and died in London in 1883? | 0:24:15 | 0:24:19 | |
-Marx. -Marx? -The dates look pretty good as well. | 0:24:26 | 0:24:29 | |
He died in London. I don't think Nietzsche died in London. | 0:24:29 | 0:24:32 | |
We think of those three, Karl Marx was born in Trier, | 0:24:32 | 0:24:35 | |
one of Germany's oldest cities. | 0:24:35 | 0:24:37 | |
Born in Trier, died in London, buried in London, of course. | 0:24:37 | 0:24:40 | |
In Highgate. | 0:24:40 | 0:24:42 | |
It's the right answer, yes. | 0:24:42 | 0:24:44 | |
Karl Marx. | 0:24:44 | 0:24:46 | |
So full marks for both teams. | 0:24:46 | 0:24:48 | |
Two each. | 0:24:48 | 0:24:49 | |
This to you, Priceless. | 0:24:49 | 0:24:51 | |
What, according to the famous 1960s comment | 0:24:51 | 0:24:54 | |
by the Canadian communications theorist Marshall McLuhan, is the message? | 0:24:54 | 0:25:00 | |
We are into our period. Were you that sort of person in the '60s? | 0:25:03 | 0:25:07 | |
No, I was still watching Blue Peter in the 1960s, I'm afraid, Paul. | 0:25:07 | 0:25:11 | |
But were you on message? | 0:25:11 | 0:25:12 | |
I was probably on message because I was watching the medium. | 0:25:12 | 0:25:18 | |
We think we might have come up with the M-word. Which is the medium. | 0:25:21 | 0:25:24 | |
It certainly isn't M-word. I can tell you it's one of those M-words. | 0:25:24 | 0:25:28 | |
-You think it's the medium? -The medium. | 0:25:28 | 0:25:30 | |
Yes, the medium is the message. It's the right answer. Well done. | 0:25:30 | 0:25:34 | |
OK, it is 3-2. | 0:25:36 | 0:25:38 | |
If it stays that way after this question to the Eggheads, you've won the money. | 0:25:38 | 0:25:41 | |
Eggheads, "The horror, the horror," | 0:25:41 | 0:25:45 | |
are the famous last words of a main character in which of Joseph Conrad's works? | 0:25:45 | 0:25:49 | |
Heart of Darkness, on which Apocalypse Now was based. | 0:25:54 | 0:25:57 | |
Was it said by Colonel Kurtz? | 0:25:57 | 0:25:59 | |
I'm not sure if it's Kurtz or Martin Sheen's character. | 0:25:59 | 0:26:02 | |
It's definitely Heart of Darkness. | 0:26:02 | 0:26:03 | |
We think it's also said in Apocalypse Now, | 0:26:03 | 0:26:07 | |
which was based on Heart of Darkness. | 0:26:07 | 0:26:10 | |
It is originally from Heart of Darkness. | 0:26:10 | 0:26:13 | |
That is correct. | 0:26:13 | 0:26:15 | |
OK, well, it's all square. | 0:26:15 | 0:26:17 | |
I thought it might be after those questions. | 0:26:17 | 0:26:19 | |
So we're going to take away the multiple choices and make you answer on your own. | 0:26:19 | 0:26:24 | |
Priceless, this is your question. | 0:26:24 | 0:26:26 | |
In which month of the year did the ancient Romans celebrate | 0:26:26 | 0:26:30 | |
a fertility rite called the lupercalia? L-U-P-E-R-C-A-L-I-A. | 0:26:30 | 0:26:38 | |
Fertility rites, generally, are spring. | 0:26:39 | 0:26:44 | |
So are we just going to plump for a month in spring? | 0:26:44 | 0:26:48 | |
April or May. | 0:26:48 | 0:26:50 | |
I have a feeling... | 0:26:50 | 0:26:51 | |
I don't want to be the one who says, but I would possibly go for April. | 0:26:51 | 0:26:55 | |
Make a decision. You're the team captain. | 0:26:55 | 0:26:57 | |
Say something. | 0:26:57 | 0:26:59 | |
I'm very sorry, boys, March. | 0:26:59 | 0:27:04 | |
March, OK. Well, going April, May. The boys behind you were going May. | 0:27:04 | 0:27:09 | |
But it's February. | 0:27:09 | 0:27:11 | |
Earlier. Bad luck there. So close. | 0:27:11 | 0:27:14 | |
One month out in the end. It might not be over. | 0:27:14 | 0:27:17 | |
The eggheads have got to get this. We play on if they don't. | 0:27:17 | 0:27:21 | |
Eggheads, which two-word phrase devised by Malcolm Gladwell describes the level at which | 0:27:21 | 0:27:28 | |
the momentum for change becomes unstoppable? | 0:27:28 | 0:27:31 | |
Tipping point. | 0:27:34 | 0:27:37 | |
Tipping point. | 0:27:37 | 0:27:40 | |
Paradigm shift... | 0:27:40 | 0:27:42 | |
I'm more inclined to go for paradigm. | 0:27:42 | 0:27:45 | |
-I'll go with whatever you say. -No, I don't know. | 0:27:48 | 0:27:52 | |
-It's just what came into my head. -It could be either. | 0:27:52 | 0:27:55 | |
-OK, I'll go for tipping point. -We are uncertain on this one. | 0:27:55 | 0:27:59 | |
But we're going to go for tipping point. | 0:27:59 | 0:28:02 | |
The answer is ... | 0:28:02 | 0:28:04 | |
tipping point. | 0:28:04 | 0:28:05 | |
Eggheads, you have won. | 0:28:05 | 0:28:07 | |
Thank you so much for playing, Priceless. | 0:28:13 | 0:28:15 | |
You've been absolutely magnificent. | 0:28:15 | 0:28:17 | |
And it's just tipped on that one question there. | 0:28:17 | 0:28:20 | |
That last round, we could have gone on for ages, I suspect, but we finally found a winner. | 0:28:20 | 0:28:25 | |
Thank you for taking part in Eggheads. We appreciate you sparing the time. | 0:28:25 | 0:28:29 | |
The Eggheads have done what comes naturally to them and they still reign supreme over quiz land. | 0:28:29 | 0:28:34 | |
I'm afraid you haven't won the £3,000, so the money rolls over to the next show. | 0:28:34 | 0:28:38 | |
Eggheads, congratulations. Who will beat you? | 0:28:38 | 0:28:41 | |
Join us next time to see if a team of Grumpy Old Women have the brains to defeat the Eggheads. | 0:28:41 | 0:28:46 | |
£4,000 says they don't. Until then, goodbye. | 0:28:46 | 0:28:49 | |
Subtitles by Red Bee Media Ltd | 0:29:04 | 0:29:07 | |
E-mail - subtitling@bbc.co.uk | 0:29:07 | 0:29:10 |