Pennod 10 Cwpwrdd Dillad


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-Tonight, a trip to Pen Llyn...

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-..to see Nicola Pilkington's

-unusual wardrobe.

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-Marc Rees will show us his small

-but interesting wardrobe in Cardiff.

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-First, we meet former singer

-Olwen Davies in Aberystwyth.

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-Welcome to Cwpwrdd Dillad.

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-888

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-888

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-888

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-# DELIBES: FLOWER DUET #

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-This is a duvet cover,

-from Brixton Market.

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-Come on, girls! Lovely duvet covers!

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-I bought it

-and turned it into a trouser suit.

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-I still like it.

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-I made it many moons ago.

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-I wear it when I'm at the seaside

-and people compliment me on it.

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-It's colourful, isn't it?

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-Colour is very evident...

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-..when you enter

-Olwen Davies's home, in Penparcau.

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-The house is full of clothes

-made and collected by Olwen...

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-..during her fascinating and varied

-80-year lifetime.

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-Your whole house

-is a walk-in wardrobe!

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-It's certainly true of this room.

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-Yes. All the rooms are like this!

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-From time to time,

-I put the clothes in cupboards.

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-I can't believe

-I have so many clothes.

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-Every item brings back memories.

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-They're like children to me.

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-I look at articles and think...

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-.."Oh! That's where I bought that"

-or "Oh! I wore that there."

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-My clothes

-definitely bring back some memories.

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-Olwen grew up in Wales

-and in London.

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-She went on to study music and she

-became a singer and a translator.

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-She divided her time

-between London and Rome.

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-Olwen moved back to Wales

-to retire...

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-..and she became

-a leading member of CND Cymru.

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-When I was in Covent Garden...

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-..I spotted this dressing gown in

-a gentlemen's outfitter in Victoria.

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-There are red dragons on it

-and I loved it.

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-When I moved back to Wales and

-started to go on peace protests...

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-..I gave it a padded lining.

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-It was the ideal coat to wear

-to London, Greenham Common...

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-..and to pop to town on

-a shopping trip during the winter.

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-There it is - the Welsh dragon.

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-It's the colour of fire and

-your flame certainly burns brightly.

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-Yes. When I do something,

-I do it with passion.

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-I feel passionately

-about certain issues.

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-I'm passionate

-about the peace movement...

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-..and about the terrible things

-that go on, across the world.

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-The arms trade - "We arm the

-dictators and bomb their people".

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-We must do something.

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-Children die of starvation

-and disease every day.

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-It's wrong.

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-We really must change things.

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-You're passionate about world issues

-and you're passionate about clothes.

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-You love your clothes, don't you?

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-You love your clothes, don't you?

-

-Yes, I do.

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-It's amazing what you can achieve,

-with a bit of creativity.

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-The fabric is the important thing.

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-If you have good fabric,

-you can create something unique.

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-Nobody else has items

-like the ones in my wardrobe.

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-I certainly don't think

-anyone has an outfit like this one.

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-This was a present.

-I was in South Africa.

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-I have a Wales Anti Apartheid shirt,

-of course.

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-The hat and the scarf are the kinds

-of things they wear in South Africa.

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-We taught them to sing...

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-# Drop not bombs is our desire.

-We don't want a nuclear war #

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-They taught us to sing a song

-in isiZulu.

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-SHE SINGS IN ISIZULU

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-It meant "You, woman,

-can become a Member of Parliament."

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-This room

-is just one of your wardrobes.

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-You have another roomful of clothes,

-don't you?

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-Let's take a look at that room, too.

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-First, let's flap our...

-what are they called?

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-Ventalio.

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-Oh, these come in handy in Rome.

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-The dress you're wearing

-matches your blue eyes.

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-You wore this

-to your birthday party, didn't you?

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-How old were you?

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-How old were you?

-

-I was 80 years old.

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-I had my party at the Arts Centre.

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-This was made by Bella,

-my dressmaker in Rome.

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-I lived in Rome and I came back

-to England occasionally...

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-..and I'd buy fabric in John Lewis.

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-I took this material back to Rome,

-many years ago.

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-This dress

-must be 40 or 45 years old.

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-It's timeless.

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-You wore more than one dress

-at your birthday party.

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-You changed,

-at the end of the evening.

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-Yes.

-I changed into this black dress.

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-I crocheted the red collar.

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-It adds a bit of life to the dress.

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-I wear my jet necklace

-with this dress.

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-I was in Whitby in 1949,

-appearing in 'Out of the Blue'.

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-Whitby is famous for its jet.

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-I earned around 15 a week.

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-My husband earned something similar.

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-I was determined

-to buy a Whitby jet necklace.

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-I found that one.

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-I think I paid

-something like 25 for it.

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-I was in Whitby last year

-and I saw a similar necklace.

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-If I bought it today,

-it would cost around 800.

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-What a fantastic investment!

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-Yes. The man in the shop told me

-it's hand-crafted and hand-carved.

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-Nobody makes them, any more.

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-Peacock! I'm a peacock!

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-I'm beginning to believe you.

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-People ask,

-"What are you going to wear?"

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-"You do look nice."

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-That's when the feathers come out.

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-That's when the feathers come out.

-

-Yes, that's right.

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-Let's hope Olwen Davies's

-colourful peacock feathers...

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-..keep coming out

-for many years to come.

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-Nicola Pilkington

-is only 18 years old...

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-..but she has already developed

-her own, unique style.

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-I love walking into a room and

-seeing people looking at my clothes.

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-I'm different.

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-Of all the wardrobes I've seen,

-this has to be the most unusual.

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-What gave you the idea

-of storing things like this?

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-When I had a normal wardrobe,

-I used to stuff everything in there.

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-I had no room

-and I couldn't find anything.

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-I pair colours together

-but I still couldn't find anything!

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-This has made life easy.

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-I'm surprised. Everything within

-a block of colour blends into one.

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-I'm used to it and I recognise

-the different fabrics and textures.

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-I know where everything is

-and I know what I've got.

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-Black is an exception to that rule.

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-Black is tricky.

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-You have to pull everything out!

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-I was a tomboy when I was young.

-I wasn't into fashion.

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-My friends matched colours

-but I didn't.

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-The school uniform we wore

-was really restrictive.

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-I didn't want to look

-like everyone else.

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-I like people to notice my clothes.

-I want to stand out.

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-How would you describe your style?

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-I never wear the same thing

-two days on the trot.

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-Sometimes I wear something feminine

-and sometimes something grungy.

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-It depends on how I feel or

-what sort of weather we're having.

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-Colour has huge relevance, for me.

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-Do you choose one colour

-or a combination of colours?

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-Sometimes, I wear a single colour

-and sometimes I combine colours.

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-I wear unusual colour combinations.

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-You have four pairs of boots of the

-same design, in different colours.

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-These trainers

-are all the same, too.

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-Yes. If I find something comfortable

-I buy it in every available colour.

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-It makes it easy because

-I know they fit and how they look.

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-It's easy to adapt to different

-colours of the same design.

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-I buy lots of things

-from charity shops.

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-My trainers weren't very expensive.

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-I like things like this.

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-I bought it in a charity shop.

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-I wear this as a top.

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-You just wrap it around yourself?

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-Yes - like this.

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-Yes - like this.

-

-Let me try.

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-Aren't you worried it'll fall down?

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-No, I'm confident.

-I wear them all the time.

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-I don't worry about it.

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-I bought these Evisu jeans

-from a charity shop.

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-They're brand new

-and they cost 3.50.

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-They'd be around 100, in the shops.

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-I cut things up, like that.

-It's easy.

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-If I mess it up, who cares?

-They're cheap.

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-This is lovely.

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-This is lovely.

-

-I bought that in Iceland.

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-My uncle lives there.

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-He's an artist

-and I studied his work at college.

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-I visited him

-and I went shopping, too!

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-I bought lots of really unusual

-fabrics there, too.

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-Texture is important to me.

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-These materials

-are quite old-fashioned.

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-This is a top.

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-It's an interesting fabric.

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-If you scrunch it up,

-the creases stay in the material.

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-Great! There's no need to iron it.

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-My friends think I'm nuts.

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-They're used to it.

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-We go out for a drink

-and I'm over-the-top.

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-I know I'm over-the-top

-but I can't be normal.

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-I needed something to wear

-to a New Year's Eve party...

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-..so I bought this silver catsuit.

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-It's hideous!

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-It looked fine on the internet.

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-You don't wear this

-to go down the pub?

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-I want to but people stop me!

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-Can you see yourself making a living

-from clothes and fashion?

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-I'll do an arts foundation course

-in Bangor next year.

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-The next step then is to study

-fashion design, in London.

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-Fingers crossed,

-if I work hard enough.

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-What will you include

-in your collection?

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-Everything. I like all sorts

-of styles, as you can see.

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-I like patterned fabrics

-and plain fabrics.

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-I want to keep adding

-to my collection...

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-..and pick up ideas wherever I go.

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-If you come back in a few years,

-everything will have changed.

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-I never stand still.

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-888

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-888

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-Things will change...

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-..but the 1970s was the important

-decade for me, regarding clothes.

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-Performer, Marc Rees,

-grew up during the 1970s.

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-The experiences he had

-during that decade...

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-..shaped his character, his home

-and his wardrobe.

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-When did you form your

-special relationship with clothes?

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-I had a special relationship

-with clothes, even as a young boy.

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-I wanted to express myself

-by dressing up.

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-I remember dressing up

-as Demis Roussos or Kate Bush...

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-..and putting on performances

-for my family.

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-That then rubbed off

-on my choice of day-to-day clothes.

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-Has performing

-always been in your blood?

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-Yes. Always.

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-I've always used costumes

-for my performances.

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-I create stage costumes.

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-Much of your performance work

-is autobiographical.

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-Is that reflected in your clothes?

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-Is that reflected in your clothes?

-

-Yes, because my work is inspired

-by my home - the Swansea Valley.

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-I go back to my parents' house,

-in Alltwen...

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-..and look through the contents

-of the cupboards or the attic.

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-I find clothes I wore as a child

-or a 1970s suit.

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-Such discoveries

-inspire new pieces of work.

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-You tell the truth, through clothes.

-Doesn't that make you vulnerable?

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-Yes, of course, that's true.

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-My work is all about identity

-and sexuality.

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-That comes to the surface by wearing

-clothes and through nakedness.

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-I do a lot of work either naked

-or wearing just a pair of pants.

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-This is the spare bedroom

-and this is my wardrobe.

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-It's small.

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-There aren't many clothes in there.

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-The first thing I'd like to show you

-is this special pair of pants.

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-I wore them

-when I was eight years old.

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-I don't think they fit me any more.

-I won't try them on!

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-There's a poignant story

-linked to these.

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-I was eight years old and I was

-getting changed, for a PE lesson.

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-The girls were getting changed

-into their knickers and vests.

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-I ended up in my pants

-and everyone started to laugh at me.

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-The teacher started to laugh at me,

-really hysterically.

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-She paraded me around the school,

-in my pants.

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-She made me walk across the yard

-and into the classrooms.

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-That was

-an extremely traumatic experience.

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-I think that's why I now spend

-so much time performing in my pants.

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-I perform a lot, either in my pants

-or completely naked.

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-A lot of these items

-are linked to my childhood.

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-I shave my head, these days...

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-..but I tended to have curly hair,

-when I was young.

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-When the curls started to grow,

-I was in a real panic.

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-Didn't you like having curly hair?

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-Didn't you like having curly hair?

-

-No, because curls are girly.

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-I wanted to stop it happening.

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-Believe it or not...

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-..I used to wear a balaclava

-when I was in bed at night.

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-I'll see if it still fits me.

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-For weeks and months...

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-..I slept with this balaclava

-on my head.

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-There's another item

-linked to my childhood in here.

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-I entered the Swansea Valley

-road race on 27th of April, 1982.

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-I wanted to prove my masculinity...

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-..so I trained in secret every night

-with Rhodri, my friend.

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-I ended up winning the road race.

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-This is the actual outfit I wore

-to run that race.

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-I'll try it on,

-to see if it still fits me.

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-A lot of the things I have still

-fit me, even if they're a bit tight.

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-I was about 16 when I wore these.

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-You see? They still fit me,

-just about.

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-I take it you always wear

-this dress to do the housework?

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-No, not always!

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-There's a story behind this dress.

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-I did a show called 'Iddo Ef'

-in the early 1990s.

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-It was a piece based on the work

-of Ann Griffiths.

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-This dress was created especially

-for the show.

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-I'll tell you

-who inspired this dress.

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-I remember

-watching the BAFTA ceremony.

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-Nia Ceidiog was wearing a dress

-similar to this.

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-It had a high neck and it was shaped

-like this, to show off her muscles.

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-Nia Ceidiog inspired this dress.

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-I take it this jacket

-has some significance?

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-Yes.

-Listen and you'll hear it creak.

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-Leather makes a special sound.

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-This sound inspired my performance.

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-I developed an idea,

-through the performance.

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-I performed naked and

-I draped this jacket over my head.

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-It takes place under the jacket.

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-It was an image

-linked to ageing skin...

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-..and our obsession with

-keeping our body young and healthy.

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-I went to art college in Brighton

-during the 1980s.

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-I decided to create an outfit

-to wear on my first day at college.

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-Please remember

-this was back in the 1980s.

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-This is the top.

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-As you can see,

-it's made of towelling.

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-Isn't it awful?

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-There's also

-a pair of matching trousers in here.

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-Oh, no!

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-I wore the top and the trousers...

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-..with Dr Martens boots

-and a biker's leather jacket.

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-I thought it was great.

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-From then on, the students called me

-"The little Welsh boy".

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-One thing that strikes me

-is how much you enjoy your clothes.

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-Yes. Clothes are important in

-my performing work and in my life.

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-How would you sum up

-your relationship with your clothes?

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-As you've discovered,

-my wardrobe is important to me.

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-It spreads out and covers my work

-and my creative life.

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-It's terribly important to me.

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-S4C subtitles by Eirlys A Jones

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