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APPLAUSE | 0:00:08 | 0:00:11 | |
Hello, and welcome to Debatable, the quiz show where talk is cheap | 0:00:11 | 0:00:16 | |
but celebrity chat can win a contestant money. | 0:00:16 | 0:00:19 | |
Today, one player must answer a series of tricky questions | 0:00:19 | 0:00:23 | |
to try to bag our jackpot of £2,000. | 0:00:23 | 0:00:26 | |
But they're not on their own as they will also have a panel | 0:00:26 | 0:00:30 | |
of celebrity brainboxes debating their way to the answer. | 0:00:30 | 0:00:34 | |
Will they help or will they hinder? | 0:00:34 | 0:00:36 | |
Well, that's debatable, so let's meet them. | 0:00:36 | 0:00:39 | |
On today's show, | 0:00:40 | 0:00:41 | |
we have actress Sunetra Sarker, | 0:00:41 | 0:00:44 | |
we have weather presenter Carol Kirkwood, | 0:00:44 | 0:00:46 | |
and writer and broadcaster | 0:00:46 | 0:00:48 | |
Rick Edwards. | 0:00:48 | 0:00:49 | |
Let's meet today's contestant. It is Sara Pilkington from Wales. | 0:00:52 | 0:00:57 | |
-How are you doing? -Hi, Paddy. -Tell us a little bit about yourself. | 0:01:00 | 0:01:03 | |
Well, my name's Sara Pilkington, I'm 57 | 0:01:03 | 0:01:06 | |
and I'm from Carmarthen in South West Wales. | 0:01:06 | 0:01:08 | |
I'm the mother of two teenage sons. | 0:01:08 | 0:01:10 | |
I'm now working as a sales negotiator | 0:01:10 | 0:01:13 | |
for a local estate agent in Carmarthen. | 0:01:13 | 0:01:15 | |
So you're used to negotiating, you're used to getting your own way. | 0:01:15 | 0:01:18 | |
To a degree. | 0:01:18 | 0:01:20 | |
When you look at our clients here, | 0:01:20 | 0:01:22 | |
which one is going to go for above the asking price | 0:01:22 | 0:01:25 | |
and which one is the doer-upper? LAUGHTER | 0:01:25 | 0:01:29 | |
Do I have to really say that? | 0:01:29 | 0:01:30 | |
-LAUGHTER -Yes. | 0:01:30 | 0:01:32 | |
OK, Sara, let's get this debatable show on the road | 0:01:32 | 0:01:35 | |
as we play Round 1. | 0:01:35 | 0:01:37 | |
This round is multiple choice. | 0:01:40 | 0:01:42 | |
Each question has four possible answers. | 0:01:42 | 0:01:45 | |
We just need the one correct answer. | 0:01:45 | 0:01:47 | |
It's going to be very easy because we have our panel here to help you. | 0:01:47 | 0:01:52 | |
Will you go with them or will you go your own way? | 0:01:52 | 0:01:54 | |
-It's entirely up to you. -OK. -Two questions in this round. | 0:01:54 | 0:01:57 | |
-Each correct answer is worth £200. -OK. | 0:01:57 | 0:02:00 | |
-Ready to play? -Love to, thank you. | 0:02:00 | 0:02:02 | |
-OK, here we go. Best of luck. -Thank you. | 0:02:02 | 0:02:04 | |
I think, if I was going to pick one of those, | 0:02:21 | 0:02:24 | |
I'd possibly go for mouth. | 0:02:24 | 0:02:27 | |
-Hold that thought... -OK. | 0:02:27 | 0:02:29 | |
..as we go over to our learned colleagues. | 0:02:29 | 0:02:31 | |
-Your debate starts now. -I... | 0:02:31 | 0:02:34 | |
I immediately think it's missing a T off the front. | 0:02:34 | 0:02:38 | |
-People who are scared of tomatoes. -LAUGHTER | 0:02:38 | 0:02:41 | |
Have you made a mistake, do you think? | 0:02:41 | 0:02:43 | |
-Is that possible? -LAUGHTER | 0:02:43 | 0:02:45 | |
Well, let's think about what we know is a common thing | 0:02:45 | 0:02:47 | |
for people to be scared of. | 0:02:47 | 0:02:49 | |
I think there's something called halophobia which is about breath. | 0:02:49 | 0:02:52 | |
-Like halitosis? -Halitosis, yeah. -Yeah, yeah. | 0:02:52 | 0:02:54 | |
So, I'm not thinking mouth so much. | 0:02:54 | 0:02:56 | |
Do you think anyone is scared of ears? | 0:02:56 | 0:02:58 | |
Do you think there is such a thing as being scared of ears? | 0:02:58 | 0:03:00 | |
-Well, I've got very small ears and no-one's ever found... -Them scary? | 0:03:00 | 0:03:04 | |
-Yeah. -I've never noticed your ears before, Rick. | 0:03:04 | 0:03:06 | |
That's the point. They're so small, you wouldn't. | 0:03:06 | 0:03:08 | |
-LAUGHTER -Oh, that's not true. Not true. | 0:03:08 | 0:03:10 | |
-You've got perfect ears. -Aw, thank you, Carol. -So, eyes... | 0:03:10 | 0:03:13 | |
I don't think you'd be frightened of eyes, would you? | 0:03:13 | 0:03:16 | |
-Hang on a minute. You could be scared of eyes. -Could you? | 0:03:16 | 0:03:19 | |
The aftereffect is that you find eyes quite... | 0:03:19 | 0:03:21 | |
I'm a bit, like, icky about eyes. | 0:03:21 | 0:03:23 | |
-I don't like people touching my eyes. -Oh, really? -Yeah. | 0:03:23 | 0:03:26 | |
Has anyone ever accused you of having ommatophobia? | 0:03:26 | 0:03:28 | |
-SHE LAUGHS -No, but maybe they should've done. | 0:03:28 | 0:03:31 | |
What's the word for...? | 0:03:31 | 0:03:32 | |
-It's rhinoplasty, isn't it, when you have a nose job? -Yes. -Yeah. | 0:03:32 | 0:03:35 | |
So, we think "rhino" could be nose. | 0:03:35 | 0:03:38 | |
Things that I can imagine people having a phobia of | 0:03:38 | 0:03:41 | |
-are the mouth... -Mm. | 0:03:41 | 0:03:43 | |
..and eyes. | 0:03:43 | 0:03:45 | |
I can't really imagine people having a phobia of ears or noses. | 0:03:45 | 0:03:48 | |
OK, right, we need to make a decision. | 0:03:48 | 0:03:50 | |
So, I would think mouth. | 0:03:50 | 0:03:54 | |
-Sunetra? -I think I'm going to go with mouth, as well. | 0:03:54 | 0:03:57 | |
-Rick? -I mean, why not? -LAUGHTER | 0:03:57 | 0:04:00 | |
-OK. It's as good as any of the others, isn't it? -Yeah. | 0:04:00 | 0:04:03 | |
-To be honest? -At least it's got an M in it. -Yeah. | 0:04:03 | 0:04:05 | |
OK, we think that particular phobia is mouth. | 0:04:05 | 0:04:09 | |
-That was your first thought, as well, Sara. -Yes, it was. | 0:04:11 | 0:04:14 | |
Anything in there, though, to make you change your mind? | 0:04:14 | 0:04:16 | |
No, I don't think so, actually. | 0:04:16 | 0:04:18 | |
For some reason, it's just at the back of my mind | 0:04:18 | 0:04:20 | |
that it's something to do with mouth. | 0:04:20 | 0:04:22 | |
-OK. -I'm going to stick with mouth. | 0:04:22 | 0:04:24 | |
All right, we are all agreed. | 0:04:24 | 0:04:26 | |
Let's hope it is mouth to get us up and running for £200. | 0:04:26 | 0:04:30 | |
Is ommatophobia the fear of the mouth? | 0:04:30 | 0:04:34 | |
-Aw! -It's the eyes. | 0:04:40 | 0:04:42 | |
The correct answer was eyes. | 0:04:42 | 0:04:45 | |
-Almost got there, Rick. -Not really. | 0:04:45 | 0:04:48 | |
-It's derived from the Greek word omma, which means eye. -Eye. | 0:04:48 | 0:04:54 | |
-There we are. -Don't worry, though. | 0:04:54 | 0:04:55 | |
Lots of cash still up for grabs. | 0:04:55 | 0:04:57 | |
We're going to try to get it up with our next question. Here we go. | 0:04:57 | 0:05:00 | |
I'm inclined to think beards out of those. I don't know why. | 0:05:21 | 0:05:27 | |
If only we had someone on the panel with a magnificent beard. | 0:05:27 | 0:05:31 | |
-LAUGHTER -Don't look at me when you say that! | 0:05:31 | 0:05:34 | |
-I shaved it this morning! -LAUGHTER | 0:05:34 | 0:05:37 | |
What can we bring to this, panel? Your debate starts now. | 0:05:37 | 0:05:40 | |
You would want to tax something | 0:05:40 | 0:05:42 | |
-where you would get a lot of revenue in, wouldn't you? -That's the thing. | 0:05:42 | 0:05:45 | |
-It's a money-raising exercise. -And if you think, Russia - cold. | 0:05:45 | 0:05:49 | |
-You go out, you put your hat on, as well... -Yeah. | 0:05:49 | 0:05:52 | |
-..so it keeps you warm. -Yeah. | 0:05:52 | 0:05:54 | |
So, who's going to come round to check | 0:05:54 | 0:05:55 | |
if you're using your fireplace or not? | 0:05:55 | 0:05:57 | |
Who's coming round to check your beard? | 0:05:57 | 0:05:59 | |
Well, this is the thing. | 0:05:59 | 0:06:00 | |
Maybe that was a sign of if you were rich or poor. | 0:06:00 | 0:06:02 | |
Maybe, if you had a beard, it was saying, | 0:06:02 | 0:06:04 | |
"I'm rich enough to pay the tax." | 0:06:04 | 0:06:06 | |
And, like, there's something about a beard tax that, | 0:06:06 | 0:06:09 | |
well, A, I like, and B, sounds vaguely familiar. | 0:06:09 | 0:06:14 | |
I think windows is something that we did. | 0:06:14 | 0:06:17 | |
I'm not exactly sure when. Fireplaces? | 0:06:17 | 0:06:20 | |
I don't think you'd get much money out of it. | 0:06:20 | 0:06:22 | |
And you can't really say to someone, | 0:06:22 | 0:06:24 | |
"If you can't afford to pay tax, you can't heat your house." | 0:06:24 | 0:06:27 | |
Hats? | 0:06:27 | 0:06:30 | |
-I... -Maybe everybody had hats. -It could be. Yeah. | 0:06:30 | 0:06:32 | |
Beards just feels nice because of that delineation | 0:06:32 | 0:06:35 | |
-between rich and poor. -OK. -OK, right. | 0:06:35 | 0:06:37 | |
-So, unanimous decision - beards? -Yeah. -Yeah? -Yeah. -OK. | 0:06:37 | 0:06:40 | |
It's the sort of answer that could make us look really dumb. | 0:06:40 | 0:06:42 | |
"A beard tax? Are you mad?" | 0:06:42 | 0:06:44 | |
OK, Sara, for you, | 0:06:44 | 0:06:46 | |
the panel have decided that, in 1705, | 0:06:46 | 0:06:49 | |
Russian Tsar Peter the Great imposed a tax on beards. | 0:06:49 | 0:06:53 | |
So, a tax on beards. That was your first thought. | 0:06:55 | 0:06:57 | |
What do you think? | 0:06:57 | 0:06:59 | |
I just have a really funny feeling it's beards. | 0:06:59 | 0:07:03 | |
-So, Sara, you're going for...? -Beards. -Going for beards. | 0:07:03 | 0:07:07 | |
There it is. Lock it in. | 0:07:07 | 0:07:09 | |
Did Peter the Great, for £200, impose a tax on beards? | 0:07:09 | 0:07:14 | |
-He did. -Yes! -Well done. APPLAUSE | 0:07:21 | 0:07:23 | |
-Thank you. -Well played. -Thank you. | 0:07:23 | 0:07:26 | |
It was a crazy idea that just worked. | 0:07:26 | 0:07:29 | |
The tax was actually Peter's attempt | 0:07:29 | 0:07:32 | |
to Westernize the nobility in Russia. | 0:07:32 | 0:07:35 | |
He'd visited Western Europe, where most men were clean-shaven, | 0:07:35 | 0:07:37 | |
and all the men, except peasant and clergymen, | 0:07:37 | 0:07:40 | |
had to pay 100 roubles for a copper or silver beard token, | 0:07:40 | 0:07:46 | |
which had a moustache and a beard engraved on it. | 0:07:46 | 0:07:48 | |
The token also bore the message, "The beard is a useless burden." | 0:07:48 | 0:07:53 | |
-LAUGHTER -I find that. | 0:07:53 | 0:07:55 | |
-Well played, Sara. -Thank you. -Well worked out. -Thank you. | 0:07:55 | 0:07:58 | |
We're up, at the end of that round, to £200. | 0:07:58 | 0:08:01 | |
-Thank you. Thank you. -APPLAUSE | 0:08:01 | 0:08:03 | |
OK, this is the point where we look at our panel | 0:08:05 | 0:08:07 | |
based on our first couple of questions. How are they doing? | 0:08:07 | 0:08:10 | |
I think they're all doing pretty well. | 0:08:10 | 0:08:13 | |
Very diplomatic, and that's exactly what you have to do | 0:08:13 | 0:08:15 | |
because you'll have to choose one of them, | 0:08:15 | 0:08:17 | |
and only one of them, to play today's final debate. | 0:08:17 | 0:08:20 | |
So, let's see how they get on with pictures. | 0:08:20 | 0:08:22 | |
It is time for Round 2. | 0:08:22 | 0:08:24 | |
Sara, Round 2 is our picture round. | 0:08:28 | 0:08:29 | |
All you have to do is to put three pictures in the correct order. | 0:08:29 | 0:08:33 | |
Two questions in this round. | 0:08:33 | 0:08:35 | |
Each correct answer is worth £300, | 0:08:35 | 0:08:38 | |
-so let's see if we can get that cash up. Here we go. -OK. | 0:08:38 | 0:08:40 | |
If you were going to have a stab in the dark, where would we go? | 0:08:59 | 0:09:02 | |
I'd have gone for Jack Nicholson as the eldest. | 0:09:02 | 0:09:05 | |
And then between Al Pacino and Robert De Niro, | 0:09:06 | 0:09:09 | |
I think I'd put Robert De Niro as the youngest | 0:09:09 | 0:09:12 | |
and Al Pacino... | 0:09:12 | 0:09:13 | |
..in the middle at the moment. | 0:09:15 | 0:09:17 | |
OK, panel, let's see if you can help. | 0:09:17 | 0:09:19 | |
Your debate starts now. | 0:09:19 | 0:09:21 | |
Right. Do you remember the film Fear | 0:09:21 | 0:09:23 | |
where they were both in it at the same time? | 0:09:23 | 0:09:25 | |
-So, there was a film called Fear with De Niro and Al Pacino. -Heat? | 0:09:25 | 0:09:28 | |
Heat, sorry. Dammit! Yeah, that's it. | 0:09:28 | 0:09:30 | |
You got the middle two letters right, so... | 0:09:30 | 0:09:32 | |
-Why was I thinking it was Fear? Sorry. -Yeah. -Heat. | 0:09:32 | 0:09:35 | |
So, let's think about that one cos that'll help clarify | 0:09:35 | 0:09:37 | |
who we thought looked older in there. | 0:09:37 | 0:09:39 | |
-I think they look... -I think De Niro looked older. -Mm. | 0:09:39 | 0:09:42 | |
See, I'm saying I think Pacino is probably slightly older. | 0:09:42 | 0:09:45 | |
I would say Pacino is slightly older. | 0:09:45 | 0:09:47 | |
I think Pacino looks a bit older in Heat, as well. | 0:09:47 | 0:09:49 | |
-I think he looks older generally. -Cos he is, maybe. -Yeah. | 0:09:49 | 0:09:52 | |
I seem to think Al Pacino's the baby of the group. | 0:09:52 | 0:09:55 | |
I feel like I've heard of him... | 0:09:55 | 0:09:58 | |
The thing is, though, | 0:09:58 | 0:10:00 | |
-Pacino was in the first Godfather. -And De Niro | 0:10:00 | 0:10:02 | |
-was in the second. -De Niro in the second. | 0:10:02 | 0:10:04 | |
I think Pacino's older. | 0:10:04 | 0:10:07 | |
Nicholson in Batman... | 0:10:07 | 0:10:10 | |
-Yeah. -..is sort of middle-aged then. | 0:10:10 | 0:10:11 | |
-I think Nicholson's... -Nicholson now... | 0:10:11 | 0:10:13 | |
-If you think about them now, I suppose... -Is extremely old. | 0:10:13 | 0:10:16 | |
He does look quite old, but so does Pacino. | 0:10:16 | 0:10:18 | |
So, do we think Pacino is older or younger than Nicholson? | 0:10:18 | 0:10:22 | |
Younger than Nicholson. I think Nicholson's the oldest. | 0:10:22 | 0:10:24 | |
I think Nicholson's the oldest. | 0:10:24 | 0:10:26 | |
OK, so, you have that one, then, and... | 0:10:26 | 0:10:29 | |
-Er... Oh, hang on. -Who's this? | 0:10:29 | 0:10:31 | |
-No, no, that's what I think. -Give me Nicholson. | 0:10:31 | 0:10:33 | |
Right, OK, the youngest, we think, is Robert De Niro. | 0:10:33 | 0:10:36 | |
Then, we think Al Pacino. | 0:10:36 | 0:10:38 | |
And we think the oldest is Jack Nicholson. | 0:10:38 | 0:10:41 | |
So, panel, of course, bringing the logic to this. | 0:10:43 | 0:10:46 | |
Who looks oldest in Hollywood? | 0:10:46 | 0:10:49 | |
Because nobody's ever had any work done in Hollywood, Sara. | 0:10:49 | 0:10:51 | |
-LAUGHTER -Never, ever, ever. -It's true. -No. | 0:10:51 | 0:10:54 | |
-It's true. -No. | 0:10:54 | 0:10:56 | |
My gut instinct is that that's the right order, | 0:10:56 | 0:10:59 | |
and the fact that the panel thinks so, as well... | 0:10:59 | 0:11:01 | |
I've been listening to everything they've said. | 0:11:01 | 0:11:03 | |
-I'm going to go with the panel. -OK, you're going with the panel. -Yeah. | 0:11:03 | 0:11:06 | |
Sticking with your original order. | 0:11:06 | 0:11:09 | |
For £300, is Robert De Niro the youngest, | 0:11:09 | 0:11:12 | |
then Al Pacino, with the oldest Jack Nicholson? | 0:11:12 | 0:11:15 | |
It's the correct answer. APPLAUSE | 0:11:21 | 0:11:23 | |
Well done, well done, well done. | 0:11:23 | 0:11:26 | |
-Thank you very much. -Well done. -Thank you. | 0:11:26 | 0:11:28 | |
-Well played. Good work, panel. -Thank you. | 0:11:28 | 0:11:31 | |
Robert De Niro - born in 1943. | 0:11:31 | 0:11:34 | |
Al Pacino - born in 1940. | 0:11:34 | 0:11:37 | |
Jack Nicholson - born in 1937. | 0:11:37 | 0:11:40 | |
Robert De Niro was the first actor | 0:11:40 | 0:11:42 | |
to win an Oscar for a role in a sequel. | 0:11:42 | 0:11:45 | |
There he is. The Godfather Part II. | 0:11:45 | 0:11:49 | |
-Well played, Sara. -Thank you. -300 quid into the prize pot. | 0:11:49 | 0:11:52 | |
-You're now up to £500. Well done. -Thank you very much. | 0:11:52 | 0:11:55 | |
Thank you. | 0:11:57 | 0:11:58 | |
-OK, Sara, here we go. Let's have a look at your second question. -OK. | 0:11:58 | 0:12:02 | |
-Gosh. -Do you need the panel's help on this? | 0:12:24 | 0:12:27 | |
I would go for traffic lights first, but I don't know why. | 0:12:27 | 0:12:31 | |
OK, so, you think that's first. | 0:12:31 | 0:12:33 | |
-Let's see if our panel can sort the other two out for you. -OK. | 0:12:33 | 0:12:36 | |
Panel, it is over to you. Your debate starts now. | 0:12:36 | 0:12:39 | |
Don't take this the wrong way, Carol. | 0:12:39 | 0:12:41 | |
Do you remember any of these things | 0:12:41 | 0:12:42 | |
-being introduced? -LAUGHTER | 0:12:42 | 0:12:44 | |
-Pick a window, Rick. You're leaving. -Be honest. | 0:12:44 | 0:12:47 | |
-Of course not. How very dare you? -I'm just checking. | 0:12:47 | 0:12:49 | |
Cos if you did, it would be a good time to say. | 0:12:49 | 0:12:52 | |
I was thinking driving licence was first, and I also think... | 0:12:52 | 0:12:55 | |
Maybe traffic lights came from over in the States first. | 0:12:55 | 0:12:58 | |
I, for some reason, feel like the traffic-light system | 0:12:58 | 0:13:02 | |
was all hand-held over here for many years. You know in the | 0:13:02 | 0:13:05 | |
black and white films, | 0:13:05 | 0:13:06 | |
-and you see the guy signalling to stop and start? -Yeah. | 0:13:06 | 0:13:08 | |
And also the fact that they're automated | 0:13:08 | 0:13:11 | |
-makes me think they're a bit later... -Yeah. -..rather than... | 0:13:11 | 0:13:14 | |
Driving licences, I reckon you would probably need quite early on. | 0:13:14 | 0:13:18 | |
Driving licences feels like something | 0:13:18 | 0:13:20 | |
you'd want to introduce quite early. | 0:13:20 | 0:13:22 | |
-Yes. I would put driving licence, MOT and then traffic lights. -Yeah. | 0:13:22 | 0:13:26 | |
-Oh, you'd say MOT before traffic lights, yeah? -Yes. | 0:13:26 | 0:13:29 | |
-I think so. -Fair play. -Because traffic lights | 0:13:29 | 0:13:31 | |
are essentially going to be brought in | 0:13:31 | 0:13:34 | |
once you've got the technology to do it | 0:13:34 | 0:13:36 | |
-and once the roads are busy enough to warrant it, aren't they? -Yeah. | 0:13:36 | 0:13:39 | |
-So, driving licence first, MOT, then traffic lights? -Yes. | 0:13:39 | 0:13:43 | |
-Yes, I would say that's... -I think so. -OK, so... | 0:13:43 | 0:13:45 | |
-You want to get people who know how to use a car. -Yeah. | 0:13:45 | 0:13:48 | |
-That's your priority. -And are safe on the roads. | 0:13:48 | 0:13:50 | |
-Then, you get roadworthy cars, ideally. -Yeah. | 0:13:50 | 0:13:52 | |
Then we've got the traffic lights because | 0:13:52 | 0:13:54 | |
-so many of us have got licences and roadworthy cars. -Yeah, MOTs. -Yeah. | 0:13:54 | 0:13:57 | |
-Let's go for that. -Let's swap them over, then. -OK. | 0:13:57 | 0:13:59 | |
Erm... | 0:13:59 | 0:14:01 | |
MOT. | 0:14:01 | 0:14:02 | |
-I suspect Sara's not going to agree with this. -I know. | 0:14:02 | 0:14:06 | |
So, driving licences, MOT tests | 0:14:06 | 0:14:10 | |
and then, lastly, automatic traffic lights. | 0:14:10 | 0:14:13 | |
Anything in there to help you work it out? | 0:14:15 | 0:14:18 | |
In my head, I was trying to think... | 0:14:18 | 0:14:20 | |
I've got a funny feeling that the traffic lights came before the MOT. | 0:14:20 | 0:14:24 | |
I think, what I'm going to do, | 0:14:25 | 0:14:27 | |
I'm going to put the traffic lights in the middle. | 0:14:27 | 0:14:29 | |
I'll have the licence first, traffic lights and then MOT. | 0:14:29 | 0:14:33 | |
OK, you're going against the panel. | 0:14:33 | 0:14:36 | |
Best of luck. Here we go. The correct order is... | 0:14:36 | 0:14:38 | |
It's the correct order! APPLAUSE | 0:14:44 | 0:14:46 | |
Wow, well done. Really well played. | 0:14:46 | 0:14:49 | |
Let's see when they were introduced. | 0:14:50 | 0:14:53 | |
The driving licence in 1903, | 0:14:53 | 0:14:55 | |
the traffic light in 1927, | 0:14:55 | 0:14:58 | |
and the MOT in 1960. | 0:14:58 | 0:15:01 | |
The only person in Britain who doesn't need | 0:15:01 | 0:15:03 | |
a driving licence in order to drive is...? | 0:15:03 | 0:15:06 | |
-The Queen? -The Queen. -The Queen. | 0:15:06 | 0:15:08 | |
-SARA: -Bless her. -There she is. | 0:15:08 | 0:15:10 | |
-Well done. -Thank you. -£300 into the pot. | 0:15:10 | 0:15:13 | |
At the end of that, we're up to £800. | 0:15:13 | 0:15:15 | |
-Well done. Well played. -Thank you. Thank you. Thank you. | 0:15:15 | 0:15:19 | |
-You're doing really well. £800. -Thank you. | 0:15:20 | 0:15:22 | |
There's still another £1,000 up for grabs as we play Round 3. | 0:15:22 | 0:15:26 | |
OK, Sara, in this round, | 0:15:29 | 0:15:30 | |
you will face questions that contain three statements | 0:15:30 | 0:15:34 | |
which relate to a person, a place or a thing. | 0:15:34 | 0:15:36 | |
Now, only one of those is true and you need to decide which one. | 0:15:36 | 0:15:40 | |
Two questions in this round. Because it's our final round, | 0:15:40 | 0:15:43 | |
-we're going to up the cash to £500 for every correct answer. -OK. | 0:15:43 | 0:15:47 | |
-So, still loads to play for. -OK. -Best of luck. Here we go. -Thank you. | 0:15:47 | 0:15:51 | |
-Well, I love giraffes. -You do? -I do. | 0:16:12 | 0:16:15 | |
Went to Kenya a few years ago and saw them out there. | 0:16:15 | 0:16:18 | |
Absolutely wonderful. | 0:16:18 | 0:16:20 | |
And were the females taller than the males? | 0:16:20 | 0:16:22 | |
That's what I was just trying to remember, as it happens, | 0:16:22 | 0:16:26 | |
because strangely enough, that's the one that I've looked at | 0:16:26 | 0:16:29 | |
and thought immediately was possibly the true answer out of those three. | 0:16:29 | 0:16:34 | |
Carol's smiling. Hopefully, this is good news. | 0:16:36 | 0:16:38 | |
SHE LAUGHS Panel, your debate starts now. | 0:16:38 | 0:16:41 | |
Gestation period. Elephants do have a long pregnancy, don't they? | 0:16:42 | 0:16:46 | |
-I know giraffes... -They famously have | 0:16:46 | 0:16:48 | |
-an extremely long gestation period, elephants, don't they? -Yeah, yeah. | 0:16:48 | 0:16:51 | |
So do giraffes. | 0:16:51 | 0:16:52 | |
And I feel like I've heard somewhere that a giraffe pregnancy | 0:16:52 | 0:16:56 | |
is extreme... Possibly even the longest of all animals. | 0:16:56 | 0:17:00 | |
Oh, so, you think it could be...? | 0:17:00 | 0:17:02 | |
I'm erring more towards that. | 0:17:02 | 0:17:04 | |
Like Sara, I've also seen giraffes in Kenya. | 0:17:04 | 0:17:08 | |
-Don't like to brag. -THEY LAUGH | 0:17:08 | 0:17:10 | |
And I think that the males are taller. | 0:17:10 | 0:17:14 | |
I can't see the camelopard being something that I've heard of ever. | 0:17:14 | 0:17:19 | |
-For me, it could be any of them, actually. -Oh, that's helpful. | 0:17:19 | 0:17:23 | |
LAUGHTER | 0:17:23 | 0:17:25 | |
I'm going to stick my neck out here... | 0:17:25 | 0:17:27 | |
-THEY GROAN -Ah, yes. | 0:17:27 | 0:17:29 | |
I'm going to stick my neck out and say gestation period. | 0:17:29 | 0:17:32 | |
-Stick your neck out. -Rick, what are you going for? | 0:17:32 | 0:17:34 | |
I'm going to go camelopard because I think there are examples | 0:17:34 | 0:17:39 | |
of people first discovering animals, giving them quite a rubbish name | 0:17:39 | 0:17:44 | |
and then someone else later coming in and going, | 0:17:44 | 0:17:46 | |
"No, it's a giraffe." | 0:17:46 | 0:17:48 | |
OK, well, I'm going to go for females are, on average, | 0:17:48 | 0:17:51 | |
-taller than males. -Oh, great stuff. -Ah, look at that. | 0:17:51 | 0:17:54 | |
So, one of us is going to be right, Sara. | 0:17:54 | 0:17:56 | |
-LAUGHTER -I really don't think | 0:17:56 | 0:17:58 | |
it's the females are taller than the males. | 0:17:58 | 0:18:01 | |
And, also, I think elephants have the longest gestation period. | 0:18:01 | 0:18:05 | |
-Well, I beg to differ. -I know you do. | 0:18:05 | 0:18:08 | |
You're both going to be very cross. | 0:18:08 | 0:18:10 | |
-The final decision from the panel... -Ish. | 0:18:10 | 0:18:13 | |
..is that giraffes, well, | 0:18:13 | 0:18:16 | |
females are, on average, taller than males. | 0:18:16 | 0:18:19 | |
-We'll go for that one. -Oh, Carol. -SHE LAUGHS | 0:18:19 | 0:18:22 | |
-Oh, Carol. -Don't worry. | 0:18:22 | 0:18:24 | |
Absolutely no agreement here, Sara, whatsoever. | 0:18:24 | 0:18:27 | |
-No. -Any of that brought any clarity to this? | 0:18:27 | 0:18:30 | |
Do you know what? I think it might be A, actually. | 0:18:30 | 0:18:33 | |
I think it could be that silly name. I'm going to go for A. | 0:18:33 | 0:18:37 | |
-You're going to go for A? -Yeah, I am. | 0:18:37 | 0:18:40 | |
-And I know I'm going to regret this. -OK, here we go. | 0:18:40 | 0:18:43 | |
You are trusting Rick, who, by the look on his face, | 0:18:43 | 0:18:47 | |
doesn't trust himself. LAUGHTER | 0:18:47 | 0:18:49 | |
For £500, were giraffes once called camelopards? | 0:18:49 | 0:18:57 | |
It's the first one, Sara! CHEERING AND APPLAUSE | 0:19:03 | 0:19:06 | |
-Best feeling of my life. -You're the best. -Oh! -Brilliant. | 0:19:10 | 0:19:14 | |
Giraffes were believed, at one time, | 0:19:14 | 0:19:16 | |
to be a cross between a camel and a leopard. | 0:19:16 | 0:19:20 | |
Male giraffes are taller. | 0:19:20 | 0:19:23 | |
-Told you. -There we are. -LAUGHTER | 0:19:23 | 0:19:25 | |
Children. | 0:19:25 | 0:19:27 | |
A giraffe's gestation period is between 400 and 460 days. | 0:19:27 | 0:19:33 | |
The elephant's gestation period is 640 days. | 0:19:33 | 0:19:37 | |
-Oh. -Wow. -It's almost as if Rick Edwards was right | 0:19:37 | 0:19:41 | |
on absolutely every fact there. | 0:19:41 | 0:19:44 | |
-LAUGHTER -I like giraffes. Sorry, camelopards. | 0:19:44 | 0:19:48 | |
-Well done. -Well done. | 0:19:48 | 0:19:50 | |
And you were right to go with him. | 0:19:50 | 0:19:51 | |
That's £500 added to your prize pot, | 0:19:51 | 0:19:53 | |
-a new total now of £1,300, Sara. -Thank you. | 0:19:53 | 0:19:57 | |
Let's see if we can get this up to 1,800. | 0:19:59 | 0:20:01 | |
Here comes your second question in our final round. | 0:20:01 | 0:20:04 | |
I'm trying to think whether all her novels were published | 0:20:24 | 0:20:28 | |
during her lifetime. | 0:20:28 | 0:20:30 | |
-I think they might have been. -Is that your gut? -It is. | 0:20:30 | 0:20:34 | |
Let's go over and see what disagreements | 0:20:34 | 0:20:38 | |
our panel can bring to this. THEY LAUGH | 0:20:38 | 0:20:41 | |
Your debate starts now. | 0:20:41 | 0:20:42 | |
OK, Jane Austen novels first of all. | 0:20:42 | 0:20:45 | |
I feel like there was a novel of hers that was published | 0:20:45 | 0:20:49 | |
-after she died, which feels.. -That sort of... -Rings a bell. | 0:20:49 | 0:20:53 | |
-It does a bit. -Yeah. | 0:20:53 | 0:20:54 | |
It feels like there was a Jane Austen novel that... | 0:20:54 | 0:20:57 | |
-Which one? -She just died and it just came out or something. | 0:20:57 | 0:20:59 | |
Which one and why, I don't know. | 0:20:59 | 0:21:01 | |
So, did she live during the reign of George III? | 0:21:01 | 0:21:05 | |
Well, that's very much asking the question | 0:21:05 | 0:21:07 | |
-when was George III's reign? -LAUGHTER | 0:21:07 | 0:21:10 | |
-Which George are we...? -I will very happily defer to you guys on that. | 0:21:10 | 0:21:14 | |
When was she writing? | 0:21:14 | 0:21:16 | |
Late 18th, early 19th. | 0:21:16 | 0:21:18 | |
-Yeah. -Are we thinking that? -That's what I think. | 0:21:18 | 0:21:20 | |
So, where does that put Bronte, then? | 0:21:20 | 0:21:22 | |
-I would say Bronte was... -That puts Bronte later than that, doesn't it? | 0:21:22 | 0:21:25 | |
I think it isn't the first one. | 0:21:25 | 0:21:27 | |
-I think she's... -I think it... -I think she's older. | 0:21:27 | 0:21:30 | |
Yes, I think the same. | 0:21:30 | 0:21:32 | |
All her novels published during her lifetime - | 0:21:32 | 0:21:35 | |
we think perhaps that could be true. | 0:21:35 | 0:21:37 | |
But then what you were saying, Sunetra, | 0:21:37 | 0:21:39 | |
about feeling like she might have had something published | 0:21:39 | 0:21:41 | |
-posthumously. -There was one book that slipped through the net. | 0:21:41 | 0:21:44 | |
-That doesn't sound wrong. -And lived during the reign of George III? | 0:21:44 | 0:21:47 | |
I think we should plump for that one | 0:21:47 | 0:21:49 | |
because, actually, we don't really know | 0:21:49 | 0:21:50 | |
about the George III, IV or V situation. | 0:21:50 | 0:21:53 | |
-We don't really know about any of them. -Well, fifth is... | 0:21:53 | 0:21:55 | |
We know the fifth - The Madness Of King George. | 0:21:55 | 0:21:57 | |
-Yeah, that's... -She's way beyond that. | 0:21:57 | 0:21:59 | |
-Let's go for lived during the reign of George III. -Yeah. -OK. | 0:21:59 | 0:22:03 | |
Right, the panel's final decision on this is | 0:22:03 | 0:22:06 | |
Jane Austen actually did live during the reign of George III. | 0:22:06 | 0:22:09 | |
You initially thought all her novels were published during her lifetime. | 0:22:11 | 0:22:14 | |
-I did. -Anything in there to make you change your mind? | 0:22:14 | 0:22:17 | |
Do you know what? | 0:22:17 | 0:22:18 | |
I think it is possibly lived during the reign of George III, | 0:22:18 | 0:22:22 | |
so I'm going to change my answer and I'm going to agree with the panel, | 0:22:22 | 0:22:25 | |
-working on the timeline that I... -Ooh! -..have in my head. -Pressure. | 0:22:25 | 0:22:29 | |
Did Jane Austen live during the reign of George III? | 0:22:29 | 0:22:33 | |
You got it! CHEERING AND APPLAUSE | 0:22:40 | 0:22:43 | |
Well done! Well done! | 0:22:43 | 0:22:46 | |
-You played really well. Well done. -Thank you so much. Thank you. | 0:22:46 | 0:22:48 | |
Just really well played. | 0:22:48 | 0:22:50 | |
Jane Austen was born in 1775 | 0:22:50 | 0:22:52 | |
when George III was already on the throne. | 0:22:52 | 0:22:56 | |
Emily Bronte was born in 1818. | 0:22:56 | 0:22:59 | |
Northanger Abbey and Persuasion were published after her death in 1817. | 0:22:59 | 0:23:05 | |
So, Sara, that puts another 500 quid into the prize pot. | 0:23:05 | 0:23:08 | |
You're doing so, so well. | 0:23:08 | 0:23:10 | |
It means you're going to be playing for £1,800 in today's final debate. | 0:23:10 | 0:23:15 | |
-Thank you. -Wow. -Thank you. | 0:23:15 | 0:23:17 | |
What would you like to spend that on? | 0:23:17 | 0:23:20 | |
My eldest son is moving to London in a couple of months' time. | 0:23:20 | 0:23:23 | |
His girlfriend is off to uni | 0:23:23 | 0:23:25 | |
and they're going to start a new life up in London | 0:23:25 | 0:23:28 | |
and they're going to need some help. | 0:23:28 | 0:23:31 | |
Absolutely no pressure on the member of the panel | 0:23:31 | 0:23:34 | |
that you're going to choose. | 0:23:34 | 0:23:36 | |
Just one question stands between you and that money, | 0:23:36 | 0:23:38 | |
and that is today's final debate. | 0:23:38 | 0:23:40 | |
In the final debate, Sara, you'll face just one question | 0:23:40 | 0:23:43 | |
with six possible answers. | 0:23:43 | 0:23:45 | |
-Only three of those are correct. -OK. | 0:23:45 | 0:23:48 | |
In order to win £1,800 today, I'm going to need all three answers. | 0:23:48 | 0:23:52 | |
-OK. -But don't worry, you're not on your own. | 0:23:52 | 0:23:54 | |
It is the final debate and so you'll be allowed to choose, | 0:23:54 | 0:23:58 | |
from our fine panel today, | 0:23:58 | 0:24:00 | |
one celebrity to play the final debate. | 0:24:00 | 0:24:02 | |
Who would you like to join you for a final debate? | 0:24:02 | 0:24:06 | |
Oh, this is a tough one. | 0:24:06 | 0:24:08 | |
-I think I'm going to go for Carol. -APPLAUSE | 0:24:10 | 0:24:13 | |
OK, Carol, will you join us, please, for today's final debate? | 0:24:13 | 0:24:16 | |
So, Carol, Sara has chosen you for the final debate. | 0:24:19 | 0:24:22 | |
Are you feeling confident? | 0:24:22 | 0:24:23 | |
-Everything is crossed here, Sara. -Thank you. | 0:24:23 | 0:24:25 | |
Because it is the final debate, Sara, | 0:24:25 | 0:24:28 | |
-we're going to give you a choice of two. -OK. -Here we go. | 0:24:28 | 0:24:30 | |
-What do you fancy from this? -OK, let's see. | 0:24:30 | 0:24:33 | |
Ooh, fingers crossed. | 0:24:33 | 0:24:35 | |
My immediate thought on that is Entertainment. | 0:24:38 | 0:24:43 | |
-Phew! -LAUGHTER | 0:24:43 | 0:24:46 | |
-So, I take that is agreement. -Yes, definitely. | 0:24:47 | 0:24:51 | |
We're going for Entertainment. | 0:24:51 | 0:24:53 | |
You're going to see six possible answers. | 0:24:54 | 0:24:56 | |
I'm going to need three correct answers. | 0:24:56 | 0:24:59 | |
All three need to be correct in order to win the money. | 0:24:59 | 0:25:01 | |
Best of luck. Here's today's final debate. | 0:25:01 | 0:25:05 | |
Oh, crikey. | 0:25:12 | 0:25:14 | |
Sara, Carol, for the final time, | 0:25:32 | 0:25:35 | |
-your debate starts now. -OK. -Not Sade. | 0:25:35 | 0:25:38 | |
-Definitely not, no. -Bananarama? -Bananarama, I'm absolutely positive. | 0:25:38 | 0:25:42 | |
-I can see them in my head in the original filming... -Yeah. | 0:25:42 | 0:25:45 | |
..for the media coverage. | 0:25:45 | 0:25:47 | |
-Boomtown Rats? Bob Geldof was there. -I'm sure that they were part of it. | 0:25:47 | 0:25:51 | |
-I don't remember Kylie Minogue being at the original. -Status Quo? | 0:25:51 | 0:25:55 | |
I'm fairly certain Status Quo were involved. | 0:25:55 | 0:25:57 | |
-I know one of the acts flew... -Yes, they did. | 0:25:57 | 0:25:59 | |
..Stateside, as well, but I can't remember which one. | 0:25:59 | 0:26:02 | |
-But they still played at Wembley Stadium. -They did both. | 0:26:02 | 0:26:04 | |
-Did they go to three different places? -Yeah. | 0:26:04 | 0:26:06 | |
-Dexy's Midnight Runners, I'm sure didn't. -I don't know. | 0:26:06 | 0:26:09 | |
I don't think they were either. | 0:26:09 | 0:26:11 | |
I think, out of those three, I'd say Bananarama, | 0:26:11 | 0:26:14 | |
Status Quo and The Boomtown Rats. That would be my initial... | 0:26:14 | 0:26:17 | |
-I would agree with you on that. -OK. Yeah? -Yes. | 0:26:17 | 0:26:19 | |
-We're going to go with that? -Oh! -LAUGHTER | 0:26:19 | 0:26:22 | |
OK, Sara, I need three answers. | 0:26:24 | 0:26:29 | |
OK, Bananarama, Status Quo and The Boomtown Rats. | 0:26:29 | 0:26:35 | |
-We need all three to be correct... -OK. | 0:26:35 | 0:26:37 | |
-..or you do leave with nothing. -Yeah. | 0:26:37 | 0:26:39 | |
-Best of luck. Here we go. -OK, thank you. | 0:26:39 | 0:26:41 | |
Were Status Quo one of the original Live Aid Wembley acts? | 0:26:41 | 0:26:45 | |
-Yes! -They were. APPLAUSE | 0:26:52 | 0:26:55 | |
Let's see if The Boomtown Rats were also an original Live Aid act | 0:26:57 | 0:27:02 | |
to keep us on track for £1,800. | 0:27:02 | 0:27:04 | |
APPLAUSE | 0:27:12 | 0:27:15 | |
The Boomtown Rats, of course, Bob Geldof's band. | 0:27:15 | 0:27:17 | |
-Well played. -Yeah. -Which brings us to Bananarama. | 0:27:17 | 0:27:22 | |
So, if Bananarama were one of the acts | 0:27:23 | 0:27:26 | |
that played at Live Aid at Wembley, you leave with £1,800. | 0:27:26 | 0:27:30 | |
Is Bananarama the correct answer? | 0:27:30 | 0:27:32 | |
-Oh, Sara! -Oh, no! -Never mind. -It's the wrong answer. -Never mind. | 0:27:43 | 0:27:48 | |
The correct answer was... | 0:27:48 | 0:27:50 | |
-Sade! -It was Sade. You ruled it out so quickly. | 0:27:50 | 0:27:53 | |
I didn't remember her being there either. Isn't that amazing? | 0:27:53 | 0:27:56 | |
Sara, the members of Bananarama | 0:27:56 | 0:27:58 | |
-were on the Band Aid single... -There we are. | 0:27:58 | 0:28:01 | |
..which predated Live Aid. | 0:28:01 | 0:28:02 | |
-I'm so sorry, Sara. -Not at all. | 0:28:02 | 0:28:04 | |
-You played the game so, so well. -No, not at all. | 0:28:04 | 0:28:06 | |
Thanks for coming to see us today. | 0:28:06 | 0:28:08 | |
-I've really enjoyed it. -You are so lovely. | 0:28:08 | 0:28:10 | |
Let's hear it for Sara. Give it up one more time. | 0:28:10 | 0:28:12 | |
-APPLAUSE -Thank you. -I'm so sorry. -Not at all. | 0:28:12 | 0:28:15 | |
-Not at all. -That is it for Debatable. | 0:28:15 | 0:28:17 | |
There's just enough time for me to thank the fantastic panel, | 0:28:17 | 0:28:21 | |
Carol Kirkwood, Sunetra Sarker and Rick Edwards. | 0:28:21 | 0:28:25 | |
I do hope you've enjoyed watching. | 0:28:25 | 0:28:27 | |
We will see you next time for more heated debates, | 0:28:27 | 0:28:30 | |
but now, it's goodbye from me. | 0:28:30 | 0:28:32 |