Episode 5 Great TV Mistakes


Episode 5

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Transcript


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Hello, I'm Robert Webb.

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Welcome to Great TV Mistakes.

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Over the next half hour, we'll be revealing the worst howlers ever broadcast.

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Mistakes my crack team of square-eyed, OCD numpties

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refuse to rest until they have managed to show you the foul-ups they didn't want you to see.

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They meaning them, not you.

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Coming up, mistakes from...

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In TV, we have a special nickname for special effects.

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We call them special FX.

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Aren't we brilliant? These days, the effects on TV are so special,

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they can often leave you, the viewer, wide eyed, slack jawed and dumbstruck, even more than usual.

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Yes, thanks to computer technology, the only limit to modern SFX

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is the producer's imagination, which is a shame, because

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most producers' imaginations are limited to saying, "Hey, why don't we just get Ant and Dec to do it."

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And then ordering the sushi. Which sadly means every now and again, the SPECIAL effects are anything but.

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A high-speed chase in Knight Rider and Michael is in pursuit of two blokes who have kidnapped a lady.

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Oh, she's a terrible back-seat driver.

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That car is all over the shop. Three drivers, one steering wheel, that's asking for trouble.

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Oh, no, no, no, no, leave it.

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Sit down, you silly cow! Oh, too late, she's jumped.

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Well, somebody did.

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-Crazy broad jumped out!

-I'm afraid that was your unconscious female.

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No, it wasn't, KITT, you're talking out of your tailpipe.

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That's a stunt double in an ill-fitting blonde wig.

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She's less lookalike and more look nothing like.

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It's 24 and look out, the guy in the car is about to get all shooty.

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But when he discharges his weapon....

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Through the car window, the glass all falls inwards, in defiance of all the laws of physics.

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Let's see that again. Take that, Newton.

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Look, he's got Stagler.

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Here we are, back in that brilliant episode

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of Wonder Woman, and Gargantua the Gorilla is making his escape carrying that bloke from Magnum.

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But he's made a terrible error.

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In the confusion, he's grabbed a poorly constructed dummy instead.

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See it flailing in the breeze just like human bodies don't.

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Look, his legs have gone all trembly, something, something, Wembley.

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That doesn't make any sense, and neither does this episode of Wonder Woman.

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Yes, it's high time Lynda Carter twirled into her crime fighting boob tube and hot pants.

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Bad news for bad guys, good news for randy 14-year-old boys.

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But look how this spectacular metamorphosis also has the power to

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change this humble biro into thin air.

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Yeah, it's probably just rolled under the desk.

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The Doctor again, and this is what I call thrilling stuff.

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There again, I'm quite easily thrilled.

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Oh, look, the Doctor is climbing up that giant television aerial,

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trying to stop Maureen Lipman being transmitted.

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You cannot stop the wire. Soon I shall become...

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Then, as Dave's a-dangling from the pylon, his foot suddenly disappears.

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Here it is, here it isn't.

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Yes, the BBC's blue screen is no larger than a tea towel.

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Mac and Guy from Green Wing are heading for a very literal end-of-series cliffhanger.

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Ever wonder how they do stunts like this? Well, the clues are here

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and here. That is a safety harness and that is a dirty great support cable.

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Less Italian Job, more bodged job.

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OK, no argument, the Hulk has always been incredible.

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But on the '70s TV show, the effects were anything but.

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Here, a couple of local thugs have unwisely locked David Banner in the steam room.

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He gets angry, goes green, and picks them and half the wall up using the strength of 100 men.

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Or should that be by making them stand on a hidden trolley

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and pushing them back using the strength of three caterpillars?

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You decide.

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The friends from Friends are on holiday and, oh, dear, it's chucking it down.

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But what's worser, their lovely beach house is full of wet sand.

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What's with all this sand?

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Oh, yeah, Bob said there might be flood damage.

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Either that or he has a really big cat.

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But now it's dry.

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They must have under-sand heating.

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A clip from classic Dr Who episode Genesis Of The Daleks,

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and keep your eyes on the Dalek chatting with Davros

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and the light bulb flashing on his head.

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That's how deaf people know that a Dalek is talking, by the way, it's a courtesy thing.

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Hold on a sec, his light's gone out.

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Maybe he forgot to pay the Da-lecky bill.

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But then, between takes, while Davros practises his shouting...

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You will obey me!

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..there's a chance to unscrew the bulb and pop a new one in.

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We are the superior beings.

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On with the serious business of mass extermination and sink plunging.

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Exterminate!

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More from Genesis Of The Daleks now,

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and the Thals are about to detonate a bomb using this rickety old plunger.

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But even before that happens, some smoke wafts through the doors.

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That bomb has either detonated itself, or one of those Daleks is having a crafty fag.

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This is X-Files rain, heavy and persistent, like Mulder,

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apart for the heavy bit.

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Dana and Fox are in hot pursuit of a woman doing some top-notch driving-in-heavy-rain acting.

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Moving the steering wheel about, frowning at rain...

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and then she hits a cloudy ghost. Bosh!

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But when Mulder and Scully pull over seconds later, all the rain has gone. Spooky.

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# Da-da-da-doo, da-da-da-doo... # Sorry, that's The Twilight Zone, sorry.

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-I can see her.

-Michelle!

-Help!

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Considering it was made in the '60s, the effects on Thunderbirds are pretty FAB.

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Of course, every now and again, they were less than perfect.

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Look what happens when the aircraft explodes.

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This bit of debris flies off and bounces off the back projection screen. Boing.

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For some reason, at that moment in that half-finished foxhole, all I could think about was the 4th July.

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Band Of Brothers now, and those German mortars are really doing some damage.

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Thank God they're only aiming at the trees. Yeah, Nazis hate trees.

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Especially these ones. They're birch trees, they make Nazis furious.

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Boom! Take that. Hold on a minute, it did.

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A bomb that only causes minimal bark damage. Let's have another look.

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Yeah, that must have been a smart bomb.

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They only destroy certain trees. If that had been a willow, it would be dead.

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A thrilling FX scene from Blake's 7, the doddery senile granddad of the TV sci-fi family.

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Once again, the audience at home are on the edge of their seats, getting up to leave the room.

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But gasp as the bad guy is sucked into space.

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Although, he's not so much being sucked as dangled by that highly visible safety harness.

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Wheeee!

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Clothes.

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Clothes can go seriously wrong.

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Just look at Lady Gaga or anyone from Germany.

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If there's one department in telly that gets overlooked, it's wardrobe.

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It's very rare to see wardrobes taking a leading role,

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except in The Lion, The Witch And The Wardrobe, of course.

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Though frankly, the lion and the witch got all the best lines.

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Consequently, every now and again, the wardrobe department fights back.

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It's Henry VIII in a scene from rollicking royal soap The Tudors.

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Here's Henry's (divorced, beheaded, died, divorced, beheaded, survived),

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first wife Catherine of Aragon, looking moody, and who can blame her?

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Getting a rousing reception from this crowd of 16th century peasants.

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Although, for a bunch of proles, they're doing pretty well for themselves, because, look again.

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Verily, sire, that's a nice wrist watch.

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He made that himself out of straw and bits of the plague.

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Lovely Buffy. Not only is she sexy, fun, and good at killing vampires, she can swap shoes in a microsecond.

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See, as she attacks the vampire wearing white party pumps...

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Then, alley-oop, suddenly swaps them for a pair of

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black boots when required to kick him in his undead nuts.

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That is my kind of woman.

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Where are your jibes now?

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We want to swim and you can't stop us!

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It's Desperate Housewives, and another wardrobe-related oversight is about to kick off

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thanks to these cheeky kids who are refusing to get out of the water.

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In you go, Mum, sort them out.

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She walks into the pool in heels,

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wades through the water in heels,

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walks out again in heels, but then, having done the hard part, she's suddenly barefoot.

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It's confusing. No wonder her kids are a nightmare.

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-No parental consistency.

-Paul, we have to leave now.

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24, and watch this woman exiting the loo, or rather, her shoes.

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A pair of good old-fashioned all-American sneakers.

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Nothing wrong there. In fact, everything right.

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But spin on,

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and during a simple walk to her desk, they've been changed,

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switched, perverted, into high heels.

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Free-world flatties wiped off the face of the earth, replaced by high-heeled extremism.

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And where's Jack Bauer?

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Running a minicab firm.

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"51 to base, passenger POB, Rog."

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James Corden is a bit of a quick-change artist on the side. Oh, yeah, look.

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One minute he's wearing his dinner jacket, and the next, he's lost it.

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The jacket, not his temper. Although it's a wedding, there's always one fight.

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Here's classic '70s drama Hawaii Five-0, as in five acting expressions, oh dear.

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Steve McGarrett is on the case and there's no time to lose.

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Except to change his suit on the way up the stairs.

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-Mr Dennison, please.

-Never mind all that, what have you done with your grey suit?

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Look, he gets out of the car in the grey one, and walks into the office wearing the blue.

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Mr Dennison, please.

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Actually, good work, Steve. No-one wants to be arrested by a man in a sweaty suit.

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Under normal circumstances, the last person I'd want to see frolicking in a wet T-shirt is Hurley from Lost.

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Unless, of course, he was dancing around a pole, and even then only maybe.

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Here he is teaching Charlie to fish and how to be both sopping wet...

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..and dry at the same time.

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Maybe he's just really hot.

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Hot warm, not hot sexy. Unless he was dancing around a pole. Phwoar!

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The poacher, I heard him fishing only a few nights ago.

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What, with all his sartorial eccentricities,

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Doctor Who has always been a strain on the wardrobe department, in whichever incarnation.

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In this clip, Tom Baker's jaunty hat is the problem.

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He leaves it on the chair and exits, and then in the next scene,

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he's walking through the woods wearing it.

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Maybe they'd shot a scene where he remembered, thought "huh" and went back for it, but then didn't use it.

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Yeah, better check the director's cut.

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Little Britain, famous for its comedy characters.

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Here's Matt Lucas as Bubbles DeVere.

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Bubbles dives under the tanning machine, naked,

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but if we spin forward,

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she emerges some time later burnt to a crisp and now mysteriously wearing a pair of blue goggles.

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Will you excuse me for a moment, please, Mr Hutton, I'm a little bit on fire.

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How....

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you...a doing?

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I love Friends. I could watch it all day.

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And thanks to E4, I can.

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Here's Joey chatting up a girl in the apartment opposite.

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He can't wait to get over there and introduce himself.

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And yet, he still has time to miraculously change his black shirt on the way over.

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Sweaty black shirt morphs into clean purple one.

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But as he knocks on the door,

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it's back to black.

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Black, purple and black. The three colours of the bad continuity flag.

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Another moment of drama in Grey's Anatomy.

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Sandra Oh rips off her surgical topcoat and exits the operating theatre.

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Meanwhile, out in the corridor, there's a bomb scare.

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These doctors can't go faster than .000003 miles an hour

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or they'll blow up or something.

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Then, just as you thought this scene couldn't get any more confusing, out pops Sandra with her coat on again.

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It's a bit like the film Speed but with less speed and more mistakes.

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We're moving to an OR further away from the oxygen line.

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Hey, David Banner is rescuing a bit-part actress from a cliff.

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Spin on, and sure enough, he turns into The Incredible Hulk.

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And as usual, his massive green muscles completely tear the shirt from his back.

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But seconds later, the shirt reappears,

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then disappears, then finally reappears again,

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having mounted its curious green host once more.

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All right, come on, come on!

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Well, there was a lady present.

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But sadly, no continuity person.

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All great telly starts with a script.

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You need writers who can really write words good comma,

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and make the things we actors and presenters say in their mouths have, like, pizzazz and that.

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Yes, script and story are crucial.

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Confused story lines and dialogue, and character errors can spoil an entire series in seconds.

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That's why broadcasters spend enormous amounts of money hiring professional writers and executives

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to ensure this doesn't happen and why they get so disappointed when it still does.

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Take a look at this little lot.

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24, and here's Jack Bauer giving his exact location to headquarters.

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We're at 21408 Kipling, North Hollywood.

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That's 21408 Kipling, North Hollywood. 21408. Now, spin on,

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and the car is here. But spin on again, and we can see they've pulled up outside 21048.

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Well, that's no good. Kiefer's at 21408.

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But hang on, he is here, at 21048,

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-and not...

-21408 Kipling, North Hollywood.

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Where he said he was a moment ago.

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Still, it's only the Secret Service in a race against time to save lives,

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nothing important, like a pizza delivery.

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Here's Ashes To Ashes,

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the disappointing follow-up to Life On Mars.

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It's July 1981.

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And a shocked Keeley Hawes

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has just found herself mysteriously back in the 1980s.

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She's trying to find out the date from Gene Hunt's steam-driven computer.

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Let's check it. 17th July 1981.

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There's nothing on this hard drive but the time and date.

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Spin on, and later, in her new '80s flat, we see that she's marked her arrival date as July 20th.

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She's lost three days.

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There are easier ways to lose three days, Keeley.

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Try drinking five pints of gin.

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Works for me.

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Here's an IT blunder from serial-killing drama, Dexter.

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As Rudy Cooper opens an e-mail from [email protected]...

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..presses reply,

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and suddenly he's writing back to [email protected].

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Don't worry, though, thanks to the confusing power of telly,

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Frozen Barbie still gets the e-mail anyway.

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All's well that ends well. Except for the fact that he kills her and cuts her into tiny pieces.

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Here's an early clip from Star Trek: The Next Generation

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and new Number One, Will Riker, is looking for the holodeck.

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The computer tells him it's...

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'The next hatchway on your right.'

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-You mean left, surely?

-Thank you.

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-He's bluffing. Riker knows that the new Enterprise computer is an idiot.

-I do.

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And goes left instead.

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In the future, many things will be different, but apparently, men still don't trust directions from a woman.

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US drama Fringe, and this bonkers boffin has invented a camera

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that can photograph a corpse

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and capture the last image seen by a person before their death.

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-Ready?

-I know, it's rubbish, but go with it.

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Let's listen to the doc's advice.

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Goggles, all of you. Do not look directly into the light.

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-MIMICS:

-"Goggles, all of you. Do not look directly into the light."

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Got it. Camera, dangerous. Goggles, essential.

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But spin on through the rubbish, and see what happens.

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They've taken them off. Oi! And you! Put them back on.

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The doctor said keep the goggles on while the camera is still flashing.

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Doc, tell them to... Not you, as well. I give up. This programme is stupid.

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The OC crowd are in a nightclub

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when one of our old friends

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leaves an urgent message for his mate. Let's listen in.

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Luke, it's me. I wanted to make sure you took care of it.

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OK. Ryan said, "Luke, it's me.

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"I want to make sure you took care of it." And there was lots of noise in the background.

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Does Luke get the message? Yes. But not that one.

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-WITHOUT BACKGROUND NOISE:

-Luke, it's me. I'm just calling to make sure you took care of it.

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"Luke, it's me. I'm just CALLING to make sure you took care of it."

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Different words and no background noise. Probably a network problem.

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There's a joke here somewhere about Orange County, but where are the good times?

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Writing a long-running show like Frasier is tricky,

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having to remember the characters' likes and dislikes

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and relatives. They're a nightmare, even when they're not real.

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Just listen to Frasier's dad Martin in series one.

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I never had a brother.

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Marty Crane never had a brother.

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-Oh, I've got the feeling he would have liked one, though, and by series five, he did.

-There he is!

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Well! This is so exciting! You two must have so much to talk about. Uncle Walt, hello!

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That's either a mistake or someone needs a psychiatrist.

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-Marty.

-Walt.

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The great thing about animals is the fact that they will literally work for peanuts.

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Over the years, animals have given us some classic TV moments.

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Who can forget the infamous Blue Peter elephant, who for

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years carried the blame for Peter Purves's violent bout of diarrhoea?

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The following clips might be less well-known, but they are sure

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to delight fans of TV mistakes and mild animal cruelty alike.

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A humorous little set piece

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from Grey's Anatomy now, following doctors Burke and Yang's

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street chat, George's bagel gets pooed on by a bird

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and, devastated,

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he throws it to the pavement,

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where it's immediately pounced upon by a grateful pigeon, just like in the script.

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How do they do that? Was it a stunt pigeon?

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No, it was a plain old ordinary pigeon, tied to a length of wire.

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Time to give the man responsible the push.

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Too late, he jumped.

0:20:320:20:34

This horrible 19th-century singing is upsetting me and the dog.

0:20:360:20:41

HOWLING

0:20:410:20:42

Hark at him howling!

0:20:420:20:44

Well, not so much "howling", more "looking", silently looking up at

0:20:440:20:49

the doggy treat being waved by his handler off-camera.

0:20:490:20:51

"But we need him to howl," said the director.

0:20:510:20:54

"It'll be fine," said the sound man,

0:20:540:20:56

"we'll just stick some howling effects on later,

0:20:560:20:58

"and no-one'll notice."

0:20:580:21:00

Well, we did. Oh shut up, dear!

0:21:000:21:02

How DO they train dumb animals to act?

0:21:040:21:07

I'm talking about the dog!

0:21:070:21:08

They use handlers, of course.

0:21:080:21:11

Handlers like him.

0:21:110:21:13

I've always wanted to see what the top of a dog handler's head looks like. Hairy.

0:21:130:21:17

Most people in TV will tell you that actors can be difficult to work with.

0:21:190:21:23

But take it from me, those people are LIARS.

0:21:230:21:26

I wouldn't wee on them if they were on fire.

0:21:260:21:29

No, CARS are difficult to work with.

0:21:290:21:31

My old friend Ross Kemp now refuses to work with cars

0:21:310:21:35

following a nasty incident with a dodgy 1974 Hillman Imp which very nearly acted him off the screen.

0:21:350:21:41

A thrilling scene from Lost,

0:21:440:21:47

the show about invisible polar bears on a desert island.

0:21:470:21:51

Based on a true story.

0:21:510:21:52

Here, the truck without the tailgate runs off the road.

0:21:520:21:56

Oh, dear. There goes the truck. There goes the tailgate flying off that it didn't have a second ago.

0:21:590:22:04

But luckily in the next shot, it's back on again.

0:22:040:22:07

Look on the bright side, she's lost a truck but gained a tailgate.

0:22:070:22:12

That might come in handy later, polar bears hate car parts.

0:22:120:22:15

I hate continuity errors.

0:22:150:22:18

Nip/Tuck now and watch these two teenagers.

0:22:210:22:25

Oh, dear.

0:22:250:22:26

Who'd have thought an argument between a pair of stoners in a speeding car could end so badly?

0:22:260:22:31

These lads have left a nasty pair of skid marks.

0:22:310:22:34

But when they go and check out the damage, the skid marks have disappeared.

0:22:350:22:40

Well, the ones on the road have!

0:22:400:22:42

GUFFAWS EXAGGERATEDLY

0:22:420:22:44

I mean, you know, the ones in their pants are still there, yeah?

0:22:440:22:48

Nice one! The woman's dead, by the way.

0:22:480:22:50

I think we hit a bird.

0:22:500:22:52

It's Bo and Luke Duke doing what they do well, driving fast

0:22:540:22:57

and talking nonsense.

0:22:570:22:58

But what's that strange appendage fastened to the right rear wheel?

0:22:580:23:02

It couldn't be a camera, could it? To film them flying through the air? Yes, it could.

0:23:020:23:07

SHE SCREAMS

0:23:110:23:13

Buffy The Vampire Slayer, a show that attracts geeks

0:23:130:23:16

like dog poo attracts new trainers.

0:23:160:23:18

Here, the Buffster's mate, Cordelia, is having a driving lesson and not a moment too soon.

0:23:180:23:25

Wahoo!

0:23:250:23:27

If we spin on, we can see and hear...

0:23:280:23:32

her slam the car door shut.

0:23:320:23:34

But in the next shot it's open.

0:23:340:23:37

So that this oncoming truck can smash into it, as per the script.

0:23:370:23:41

CORDELIA SCREAMS

0:23:410:23:43

Crisis averted. In the circumstances, the best option. Either that or reshoot it properly.

0:23:460:23:51

-Nah.

-What's happening? I can't see anything.

0:23:510:23:53

Dozy cow.

0:23:530:23:55

Hawaii Five-O and Steve McGarrett is off to the scene of a crime

0:23:570:24:02

in his beloved Ford.

0:24:020:24:04

But what crime exactly? Grand theft auto, that's what.

0:24:040:24:07

Because when Steve pulls up at the crime scene, his car has grown a couple more doors.

0:24:070:24:13

Yep, he pulls away in a two-door coupe

0:24:130:24:16

and arrives in a four-door sedan.

0:24:160:24:19

Book him, Danno, for crimes against continuity.

0:24:190:24:22

One part of every show normally immune from TV mistakes

0:24:250:24:29

is the titles.

0:24:290:24:30

Not the famous opening title sequence from Sex And The City, though. Oh, no.

0:24:300:24:35

We all know what's coming next.

0:24:350:24:37

SJP gets splashed by a bus full of commuters

0:24:370:24:40

but look what happens when the same bus turns left moments later.

0:24:400:24:43

It's deserted. Maybe they all fainted.

0:24:430:24:46

It's not every day you see a Yorkshire terrier in a Tutu.

0:24:460:24:49

When visiting LA, there are two things you simply MUST do.

0:24:510:24:54

One is rent a fabulous car.

0:24:540:24:56

The Sex And The City girls have gone west.

0:24:560:24:59

Hey, bet you don't know what the most popular car in LA is?

0:24:590:25:02

It's the green four-door sedan.

0:25:020:25:04

Look, there's one going past now.

0:25:040:25:07

And going past again.

0:25:070:25:09

That's very distracting.

0:25:090:25:11

Spin on, and almost enough to make the girls crash into another car...

0:25:110:25:15

SCREAMING, HORN HONKS

0:25:150:25:17

..that's not there any more.

0:25:170:25:20

-OK, that's enough!

-Phew, that was close. Did I say close?

0:25:200:25:24

I meant badly filmed.

0:25:240:25:25

I'm not going to die in this tin can. I have a date with a dildo.

0:25:250:25:28

Here's one of those FREAKS from Heroes now,

0:25:300:25:33

using his superpower to defrost a car.

0:25:330:25:36

Finally, a superpower with a practical use.

0:25:360:25:39

What does it say on that car windscreen? "Automatic."

0:25:390:25:42

I wasn't looking for an automatic. It's a nice car though. I'm definitely interested.

0:25:420:25:46

Actually, it's almost exactly what I'm looking for. I like the colour, the make, the price,

0:25:460:25:51

it's just if only instead of being automatic it was say, low-mileage.

0:25:510:25:56

He-hey, now it is!

0:25:560:25:58

That's what I call superpower.

0:25:580:26:00

And art department incompetence.

0:26:000:26:02

BEEPING

0:26:040:26:06

Ashes To Ashes, and a chance to enjoy

0:26:060:26:10

all that painstakingly-recreated '80s period detail.

0:26:100:26:14

Everything exactly as it would have been 30 years ago.

0:26:140:26:18

Except for that N-reg 1993 Rover 600,

0:26:180:26:20

which didn't go into production for another 12 years.

0:26:200:26:24

-..before they turn into the high street, copy that.

-Who cares?

0:26:240:26:27

-COCKNEY ACCENT:

-We're remaking The Sweeney and we haven't had any dinner!

0:26:270:26:32

Here's a clip from 24, and Jack Bauer is under surveillance.

0:26:320:26:35

See, there's the minicam, at the front left of the windscreen.

0:26:350:26:38

His every move is being watched, except by the remaining audience. They fell asleep hours ago.

0:26:380:26:43

Now, look as we see the window from the inside of the car.

0:26:430:26:48

The minicam's gone! A mistake?

0:26:480:26:49

Well, yes, but these people are saving the world.

0:26:490:26:52

They can't remember everything!

0:26:520:26:54

Here's Knight Rider, David Hasselhoff, telling KITT

0:26:570:27:00

to round up some other cars,

0:27:000:27:02

a bit like a two-tonne metal sheepdog,

0:27:020:27:05

with an engine and bumpers.

0:27:050:27:07

Talking of bumpers, why are all those covered in plastic?

0:27:070:27:11

It's almost as if they've been fitted with protective guards

0:27:110:27:14

to prevent scratches.

0:27:140:27:16

No, they wouldn't do that. That'd be almost as bad as letting us see

0:27:160:27:20

the stuntman that really drives KITT, slumped in the front seat.

0:27:200:27:24

Well, his arm.

0:27:270:27:29

At least he didn't pull a moonie!

0:27:290:27:30

Well, there it is, TV's Greatest Mistakes.

0:27:320:27:35

I'd just like to say thanks to all the people involved tonight

0:27:350:27:39

for being so very sloppy in your chosen careers.

0:27:390:27:42

It's a good job it's just telly and nothing of any importance,

0:27:420:27:45

because if this had been a paper round or a Saturday job in a burger bar, you'd have been fired.

0:27:450:27:49

Bye-bye.

0:27:490:27:50

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0:28:000:28:03

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