Cynan Gwlad Beirdd


Cynan

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-When I am old and famous

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-With money in my purse

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-And all my critics silenced

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-For better or for worse.

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-I'll buy me a lonely cottage

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-And at its door shall be

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-The rocks of Aberdaron

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-And the wild waves of the sea.

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-And the wild waves of the sea.

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-When you think of Cynan,

-what do you think?

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-Our usual image of him

-is as Archdruid...

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-..a knight of the realm

-and an establishment figure.

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-Don't you see him as a rebel?

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-He alludes to that

-in his poem about Aberdaron.

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-He also mentions a lonely cottage.

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-It stands above the rocks.

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-That's where I'd like to be.

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-I'll buy me a lonely cottage

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-Here are the rocks of Aberdaron.

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-Here too is the lonely cottage...

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-..where Cynan wished to live

-in his old age.

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-He wanted to hear the waves

-awakening his rebellious streak.

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-Until my heart recaptures

-Its rebel song of yore.

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-Albert Evans-Jones was born

-in Pwllheli in 1895.

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-His parents kept a shop,

-Liverpool House.

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-It was a grocer's shop,

-then a baker's shop and then a cafe.

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-Behind the shop,

-next to the oven...

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-..Cynan's father

-would train children to recite.

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-He went to Bangor University.

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-He joined the ambulance corps

-in the First World War...

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-..before becoming an army chaplain.

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-He witnessed

-military action in Macedonia.

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-While in Macedonia,

-located between Serbia and Greece...

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-..with the bullets flying,

-he had only a single thought.

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-He wanted to return here,

-to the Lleyn countryside.

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-A favourite place was Uwchmynydd,

-Cynan's end of the world.

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-Here, he'd see that each day

-was as still as a Sunday afternoon.

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-Turning through Uwchmynydd

-And its narrow little lanes

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-Where time, the whole time,

-is like a Sunday afternoon.

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-In his early life,

-when he was emerging as a poet...

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-..Cynan was regarded as a rebel.

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-He was viewed as an antagonist.

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-He would express his views

-in plain and unambiguous terms.

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-He shared a real bond of faith

-with those who had endured the war.

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-Many had not survived,

-and this moved him deeply.

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-He was their staunch and loyal ally.

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-He'd tell their story in as real

-and as correct a way as possible.

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-I find it very sad indeed...

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-..to tour around

-the little villages of Lleyn...

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-..and seeing the memorials

-to those young lives...

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-..that were squandered

-in the Great War...

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-..by the stubbornness

-of politicians...

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-..and by the mistakes

-of incompetent generals.

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-His poem Mab Y Bwthyn

-rekindled poignant memories.

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-Many Welshmen

-had fought in those dark trenches.

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-Come now back to rural pasture

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-To plough the furrow,

-as did your father.

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-Come back again to seventh heaven

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-The place

-where once you lived with Gwen.

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-In this poem, he gives voice

-to many a soldier's conscience.

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-He asks, son of the poor cottage,

-why did you kill your brother?

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-The poem is entitled

-Mab Y Bwthyn - Son of the Cottage.

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-It won him

-the Eisteddfod Crown in 1921.

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-The language is incredibly simple.

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-Consider his blunt description

-of the army.

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-They made me into a killing machine.

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-A killing machine.

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-By 1922, he'd written Mab y Bwthyn.

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-My goodness, it went down

-a storm everywhere in Wales.

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-Everyone recited passages from it.

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-People rushed to buy copies.

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-Most of Wales knew it,

-and could recite parts of it.

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-That had never happened

-with Eisteddfod poetry before.

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-One of his most tender war poems

-is Hwiangerddi - Lullabies.

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-It's a form of prayer in song.

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-Peace is sought

-amid all the explosions.

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-He illustrates it so vividly.

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-He says that it calls for only

-a light breeze from Carn Fadryn.

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-This would suffice

-to silence the roar of the guns.

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-Lord, I beg you, let me sleep

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-I've tossed and turned all night

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-My soul's been racked by the torment

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-Of explosions and by fright.

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-How I long for a breeze to soothe me

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-From Carn Fadryn far away

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-With no sounds of guns that thunder

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-Only the songs of a better day.

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-Gentle, peaceful songs of childhood

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-Rather plaintive in their charm

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-Like the whisper of my loved one

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-Sighing, smiling on my arm.

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-Song of summer in its sandals

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-Tripping through the fields of Lleyn

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-And the songs of apple blossom

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-Falling softly one by one.

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-Song of Talcymerau's river

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-Through the gorse bush murmurs

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-Like the sound of night time prayer

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-By the candles of silent stars.

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-Songs of oceans breathing deeply

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-In Abersoch just at dusk

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-Songs that take me from this army

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-Songs of lotus, songs of musk.

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-How I long for a breeze to soothe me

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-From Carn Fadryn far away

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-With no sounds of guns that thunder

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-Only the songs of a better day.

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-After the war, he became minister

-of Jerusalem chapel, Penmaenmawr.

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-He also adopted

-the bardic name Cynan.

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-I have a theory

-about Albert Evans-Jones.

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-He chose the bardic name Cynan...

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-..because of the link

-with Gruffudd ap Cynan.

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-He was King of Gwynedd

-and Wales in the 12th century.

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-Appropriately, Gruffudd ap Cynan

-laid down new rules for poets.

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-There's a parallel

-to be drawn, of course.

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-As Archdruid, Cynan organized

-and modernized the Gorsedd of Bards.

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-I believe that Gruffudd ap Cynan...

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-..inspired Cynan

-when choosing a bardic name.

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-He had many successes

-at the Eisteddfod.

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-He won three Crowns and a Chair.

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-He won the Crown

-in Bangor in 1931.

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-His subject was Y Dyrfa - The Crowd.

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-The poem was about a rugby match,

-Wales v England at Twickenham.

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-It was ground-breaking.

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-The thrills of the rugby field

-came to the Crowning ceremony.

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-Nothing there seemed real

-Except the ball I held.

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-Controversy surrounded

-his winning of the Chair.

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-In the 1924 Pontypool Eisteddfod,

-some said that he'd broken the rules.

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-He had employed metres

-that were different to the norm.

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-Cynan wasn't the type to lose sleep

-because of the debate!

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-In a lesser-known poem,

-entitled Y Nasaread...

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-..Cynan emphasizes that Jesus

-was a man of flesh and blood.

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-He loved to go out and about

-in the open air to preach...

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-..whereas we are confined

-within the chapel's four walls.

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-What he gained from the war

-was a perspective on life.

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-He witnessed much suffering.

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-He saw men

-battered by circumstances.

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-After the war,

-I would have thought...

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-..he returned as a tolerant

-and broad-minded person.

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-He wasn't a saint or a puritan.

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-A great culture shock awaited him

-when he became a minister.

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-He felt that religion was being

-interpreted in a narrow-minded way.

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-It was sanctimonious, intolerant.

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-He conveys that type of religion...

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-..and rebels against it

-in the poem Y Nasaread.

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-I read that you took as your pulpit

-A hillside or rocky shore

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-But we turn from sunshine to chapel

-And shut every window and door.

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-Religion has become constricted.

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-I read, my Lord, in the Bible

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-How you turned Cana's water to wine

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-But I hear that you're now teetotal

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-And sour, banning all laughter.

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-I read that you took as your pulpit

-A hillside or rocky shore

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-But we turn from sunshine to chapel

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-And shut every window and door.

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-I read of your friendship

-with sinners

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-Zacchaeus and Magdalene

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-We sometimes elect him an elder

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-But her, we're sure to condemn.

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-I read of your challenge to lay down

-My Life for your Kingdom, my Lord

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-Your chosen are still always asking

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-Will my soul be saved by the world?

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-Oh, Jesus who was from Nazareth

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-If today you came back to earth

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-Again you would be rejected

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-As our eyes

-are still closed to your worth.

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-Cynan's poetry wasn't his only

-contribution to the Eisteddfod.

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-In no time, he switched from being

-a competitor to being Mr Gorsedd.

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-On becoming Recorder in 1935,

-he began reforming the ceremonies.

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-He wrote the words

-for the Chairing ceremony song.

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-He also set up the Floral Dance.

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-He created a colourful

-and memorable ceremony.

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-The response to the changes

-must have been favourable.

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-In 1950, he was made Archdruid.

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-It happened again in 1963.

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-He's the only one

-to have been Archdruid twice.

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-We mainly associate him

-with the Eisteddfod...

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-..but he was involved

-in many different fields.

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-He was appointed

-by the Lord Chamberlain...

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-..to be the censor

-of Welsh-language plays.

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-He was also a playwright,

-actor and drama lecturer.

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-There are amusing examples

-of him censoring things.

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-Wil Sam wrote a play in the 1960s

-called Y Gadair Olwyn.

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-In it, there was a line

-about Ann Griffiths being horny.

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-On the copy of the script

-sent to the Lord Chamberlain...

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-..Cynan's translation was

-that Ann Griffiths was "hot-assed"!

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-That phrase had to go

-before the play could be performed.

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-But when you see Llyn Traffwll

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-Make your nest

-in Glan Dwr's garden

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-It wasn't only the public arena

-that attracted him.

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-He also loved to go fishing alone.

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-When he asks the bird,

-the dear goldfinch...

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-..to take a message

-from the war to Wales...

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-..he says that he'd give the world...

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-..for half an hour

-fishing in Traffwll...

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-..far from the noise of the guns.

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-Today, on the tranquil banks

-of Llyn Traffwll on Anglesey...

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-..it's easy to understand why.

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-He liked to go fishing.

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-As a boy, he fished a lot

-in Pwllheli harbour.

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-He was a very keen angler.

-A rod and line man.

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-Sewin and salmon.

-He was a good angler.

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-He obviously enjoyed

-the peace and quiet of the river.

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-In contrast, a storm raged

-at the end of the 1960s.

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-Wales was split into two camps.

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-Those for the Investiture,

-and those against.

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-Cynan was a prominent supporter

-of the Prince...

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-..at the Investiture in Caernarfon

-and at the Eisteddfod in Flint.

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-That year, he dropped the Mr...

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-..and became a Sir.

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-Sir Cynan Evans-Jones.

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-The service of princes

-saves a language from injury.

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-For many centuries...

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-..no more princely service

-has been offered...

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-..to the Welsh language

-than by your good self.

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-Gerallt Lloyd Owen's poem

-described the Prince as a foreigner.

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-That was the view

-of the younger generation.

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-They were consciously

-nationalist in outlook.

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-Gwynfor Evans had become

-the first Plaid Cymru MP in 1966.

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-A very different Wales

-was emerging at that time.

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-I believe that Cynan,

-possibly, was out of touch...

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-..with the new, developing Wales.

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-He was seen increasingly

-as a figure from a bygone Wales.

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-That was a potted biography

-of Cynan, who died in 1970.

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-He's buried at Llantysilio church

-on the banks of the Menai.

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-He was a man at ease

-on the great public stage...

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-..but also a man

-who longed to leave it all behind.

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-It's evident that Cynan

-held a magnetic appeal.

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-He had an aura about him.

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-People were keen to see him,

-and to share his company.

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-There's a story

-which reflects this rather well.

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-It's a description

-by the actress Marged Esli.

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-Her mother and aunts

-were arguing in a chapel...

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-..about who was to serve

-tea and scones to Cynan.

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-Marged Esli

-describes him well.

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-A celeb with substance.

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-In modern parlance,

-Cynan definitely had the X factor.

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-When I am old and famous

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-With money in my purse

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-And all my critics silenced

-For better or for worse.

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-I'll buy me a lonely cottage

-And at its door shall be

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-The rocks of Aberdaron

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-And the wild waves of the sea.

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-When I am old and famous

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-A respected pantaloon

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-And my rebel heart lies placid

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-At the rising of the moon

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-I still may be a poet

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-And you still may hope for me

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-By the rocks of Aberdaron

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-And the wild waves of the sea.

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-When I am old and famous

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-Conforming to the times

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-My songs are nicely patterned

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-To tinkling little rhymes

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-I still may be a poet

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-And you still may hope for me

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-By the rocks of Aberdaron

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-And the wild waves of the sea.

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-For there I'll stand and listen

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-To the stormwind at my door

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-Until my heart recaptures

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-Its rebel song of yore

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-And I'll sing again with passion

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-And all my songs shall be

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-Of the rocks of Aberdaron

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-And the wild waves of the sea.

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