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-When I am old and famous | 0:00:35 | 0:00:37 | |
-With money in my purse | 0:00:38 | 0:00:40 | |
-And all my critics silenced | 0:00:43 | 0:00:46 | |
-For better or for worse. | 0:00:46 | 0:00:48 | |
-I'll buy me a lonely cottage | 0:00:53 | 0:00:55 | |
-And at its door shall be | 0:00:55 | 0:00:57 | |
-The rocks of Aberdaron | 0:00:57 | 0:01:00 | |
-And the wild waves of the sea. | 0:01:01 | 0:01:03 | |
-And the wild waves of the sea. | 0:01:09 | 0:01:11 | |
-When you think of Cynan, -what do you think? | 0:01:32 | 0:01:35 | |
-Our usual image of him -is as Archdruid... | 0:01:35 | 0:01:38 | |
-..a knight of the realm -and an establishment figure. | 0:01:38 | 0:01:42 | |
-Don't you see him as a rebel? | 0:01:42 | 0:01:44 | |
-He alludes to that -in his poem about Aberdaron. | 0:01:44 | 0:01:48 | |
-He also mentions a lonely cottage. | 0:01:48 | 0:01:50 | |
-It stands above the rocks. | 0:01:51 | 0:01:53 | |
-That's where I'd like to be. | 0:01:53 | 0:01:55 | |
-I'll buy me a lonely cottage | 0:02:03 | 0:02:05 | |
-Here are the rocks of Aberdaron. | 0:02:11 | 0:02:14 | |
-Here too is the lonely cottage... | 0:02:14 | 0:02:17 | |
-..where Cynan wished to live -in his old age. | 0:02:17 | 0:02:20 | |
-He wanted to hear the waves -awakening his rebellious streak. | 0:02:21 | 0:02:25 | |
-Until my heart recaptures -Its rebel song of yore. | 0:02:25 | 0:02:28 | |
-Albert Evans-Jones was born -in Pwllheli in 1895. | 0:02:36 | 0:02:41 | |
-His parents kept a shop, -Liverpool House. | 0:02:42 | 0:02:47 | |
-It was a grocer's shop, -then a baker's shop and then a cafe. | 0:02:49 | 0:02:53 | |
-Behind the shop, -next to the oven... | 0:02:53 | 0:02:56 | |
-..Cynan's father -would train children to recite. | 0:02:57 | 0:03:00 | |
-He went to Bangor University. | 0:03:03 | 0:03:06 | |
-He joined the ambulance corps -in the First World War... | 0:03:07 | 0:03:10 | |
-..before becoming an army chaplain. | 0:03:11 | 0:03:13 | |
-He witnessed -military action in Macedonia. | 0:03:13 | 0:03:17 | |
-While in Macedonia, -located between Serbia and Greece... | 0:03:22 | 0:03:26 | |
-..with the bullets flying, -he had only a single thought. | 0:03:26 | 0:03:30 | |
-He wanted to return here, -to the Lleyn countryside. | 0:03:31 | 0:03:35 | |
-A favourite place was Uwchmynydd, -Cynan's end of the world. | 0:03:35 | 0:03:39 | |
-Here, he'd see that each day -was as still as a Sunday afternoon. | 0:03:40 | 0:03:45 | |
-Turning through Uwchmynydd -And its narrow little lanes | 0:03:47 | 0:03:51 | |
-Where time, the whole time, -is like a Sunday afternoon. | 0:03:52 | 0:03:56 | |
-In his early life, -when he was emerging as a poet... | 0:04:07 | 0:04:11 | |
-..Cynan was regarded as a rebel. | 0:04:11 | 0:04:13 | |
-He was viewed as an antagonist. | 0:04:13 | 0:04:16 | |
-He would express his views -in plain and unambiguous terms. | 0:04:16 | 0:04:20 | |
-He shared a real bond of faith -with those who had endured the war. | 0:04:20 | 0:04:25 | |
-Many had not survived, -and this moved him deeply. | 0:04:26 | 0:04:30 | |
-He was their staunch and loyal ally. | 0:04:30 | 0:04:32 | |
-He'd tell their story in as real -and as correct a way as possible. | 0:04:32 | 0:04:38 | |
-I find it very sad indeed... | 0:04:39 | 0:04:42 | |
-..to tour around -the little villages of Lleyn... | 0:04:42 | 0:04:46 | |
-..and seeing the memorials -to those young lives... | 0:04:47 | 0:04:51 | |
-..that were squandered -in the Great War... | 0:04:51 | 0:04:54 | |
-..by the stubbornness -of politicians... | 0:04:54 | 0:04:58 | |
-..and by the mistakes -of incompetent generals. | 0:04:59 | 0:05:03 | |
-His poem Mab Y Bwthyn -rekindled poignant memories. | 0:05:07 | 0:05:11 | |
-Many Welshmen -had fought in those dark trenches. | 0:05:11 | 0:05:15 | |
-Come now back to rural pasture | 0:05:17 | 0:05:20 | |
-To plough the furrow, -as did your father. | 0:05:21 | 0:05:24 | |
-Come back again to seventh heaven | 0:05:25 | 0:05:29 | |
-The place -where once you lived with Gwen. | 0:05:29 | 0:05:32 | |
-In this poem, he gives voice -to many a soldier's conscience. | 0:05:40 | 0:05:44 | |
-He asks, son of the poor cottage, -why did you kill your brother? | 0:05:44 | 0:05:50 | |
-The poem is entitled -Mab Y Bwthyn - Son of the Cottage. | 0:05:50 | 0:05:54 | |
-It won him -the Eisteddfod Crown in 1921. | 0:05:54 | 0:05:57 | |
-The language is incredibly simple. | 0:05:57 | 0:06:00 | |
-Consider his blunt description -of the army. | 0:06:00 | 0:06:03 | |
-They made me into a killing machine. | 0:06:03 | 0:06:06 | |
-A killing machine. | 0:06:16 | 0:06:21 | |
-By 1922, he'd written Mab y Bwthyn. | 0:06:21 | 0:06:23 | |
-My goodness, it went down -a storm everywhere in Wales. | 0:06:24 | 0:06:28 | |
-Everyone recited passages from it. | 0:06:28 | 0:06:31 | |
-People rushed to buy copies. | 0:06:31 | 0:06:33 | |
-Most of Wales knew it, -and could recite parts of it. | 0:06:34 | 0:06:37 | |
-That had never happened -with Eisteddfod poetry before. | 0:06:38 | 0:06:42 | |
-One of his most tender war poems -is Hwiangerddi - Lullabies. | 0:06:46 | 0:06:51 | |
-It's a form of prayer in song. | 0:06:52 | 0:06:54 | |
-Peace is sought -amid all the explosions. | 0:06:54 | 0:06:57 | |
-He illustrates it so vividly. | 0:06:57 | 0:06:59 | |
-He says that it calls for only -a light breeze from Carn Fadryn. | 0:06:59 | 0:07:04 | |
-This would suffice -to silence the roar of the guns. | 0:07:04 | 0:07:08 | |
-Lord, I beg you, let me sleep | 0:07:15 | 0:07:18 | |
-I've tossed and turned all night | 0:07:19 | 0:07:21 | |
-My soul's been racked by the torment | 0:07:22 | 0:07:25 | |
-Of explosions and by fright. | 0:07:25 | 0:07:27 | |
-How I long for a breeze to soothe me | 0:07:30 | 0:07:32 | |
-From Carn Fadryn far away | 0:07:33 | 0:07:35 | |
-With no sounds of guns that thunder | 0:07:36 | 0:07:40 | |
-Only the songs of a better day. | 0:07:40 | 0:07:43 | |
-Gentle, peaceful songs of childhood | 0:07:47 | 0:07:50 | |
-Rather plaintive in their charm | 0:07:50 | 0:07:53 | |
-Like the whisper of my loved one | 0:07:53 | 0:07:56 | |
-Sighing, smiling on my arm. | 0:07:56 | 0:07:59 | |
-Song of summer in its sandals | 0:08:02 | 0:08:05 | |
-Tripping through the fields of Lleyn | 0:08:05 | 0:08:09 | |
-And the songs of apple blossom | 0:08:09 | 0:08:12 | |
-Falling softly one by one. | 0:08:12 | 0:08:15 | |
-Song of Talcymerau's river | 0:08:19 | 0:08:21 | |
-Through the gorse bush murmurs | 0:08:22 | 0:08:25 | |
-Like the sound of night time prayer | 0:08:25 | 0:08:28 | |
-By the candles of silent stars. | 0:08:29 | 0:08:31 | |
-Songs of oceans breathing deeply | 0:08:38 | 0:08:41 | |
-In Abersoch just at dusk | 0:08:42 | 0:08:45 | |
-Songs that take me from this army | 0:08:46 | 0:08:49 | |
-Songs of lotus, songs of musk. | 0:08:50 | 0:08:53 | |
-How I long for a breeze to soothe me | 0:08:57 | 0:09:00 | |
-From Carn Fadryn far away | 0:09:00 | 0:09:03 | |
-With no sounds of guns that thunder | 0:09:04 | 0:09:06 | |
-Only the songs of a better day. | 0:09:07 | 0:09:11 | |
-After the war, he became minister -of Jerusalem chapel, Penmaenmawr. | 0:09:25 | 0:09:29 | |
-He also adopted -the bardic name Cynan. | 0:09:30 | 0:09:32 | |
-I have a theory -about Albert Evans-Jones. | 0:09:34 | 0:09:36 | |
-He chose the bardic name Cynan... | 0:09:37 | 0:09:42 | |
-..because of the link -with Gruffudd ap Cynan. | 0:09:42 | 0:09:46 | |
-He was King of Gwynedd -and Wales in the 12th century. | 0:09:46 | 0:09:50 | |
-Appropriately, Gruffudd ap Cynan -laid down new rules for poets. | 0:09:50 | 0:09:56 | |
-There's a parallel -to be drawn, of course. | 0:09:57 | 0:10:00 | |
-As Archdruid, Cynan organized -and modernized the Gorsedd of Bards. | 0:10:00 | 0:10:05 | |
-I believe that Gruffudd ap Cynan... | 0:10:06 | 0:10:09 | |
-..inspired Cynan -when choosing a bardic name. | 0:10:09 | 0:10:12 | |
-He had many successes -at the Eisteddfod. | 0:10:19 | 0:10:21 | |
-He won three Crowns and a Chair. | 0:10:22 | 0:10:24 | |
-He won the Crown -in Bangor in 1931. | 0:10:24 | 0:10:26 | |
-His subject was Y Dyrfa - The Crowd. | 0:10:27 | 0:10:29 | |
-The poem was about a rugby match, -Wales v England at Twickenham. | 0:10:32 | 0:10:38 | |
-It was ground-breaking. | 0:10:39 | 0:10:41 | |
-The thrills of the rugby field -came to the Crowning ceremony. | 0:10:41 | 0:10:46 | |
-Nothing there seemed real -Except the ball I held. | 0:10:47 | 0:10:55 | |
-Controversy surrounded -his winning of the Chair. | 0:11:02 | 0:11:05 | |
-In the 1924 Pontypool Eisteddfod, -some said that he'd broken the rules. | 0:11:06 | 0:11:11 | |
-He had employed metres -that were different to the norm. | 0:11:11 | 0:11:15 | |
-Cynan wasn't the type to lose sleep -because of the debate! | 0:11:15 | 0:11:20 | |
-In a lesser-known poem, -entitled Y Nasaread... | 0:11:34 | 0:11:37 | |
-..Cynan emphasizes that Jesus -was a man of flesh and blood. | 0:11:38 | 0:11:42 | |
-He loved to go out and about -in the open air to preach... | 0:11:43 | 0:11:46 | |
-..whereas we are confined -within the chapel's four walls. | 0:11:47 | 0:11:52 | |
-What he gained from the war -was a perspective on life. | 0:11:53 | 0:11:57 | |
-He witnessed much suffering. | 0:11:57 | 0:11:59 | |
-He saw men -battered by circumstances. | 0:11:59 | 0:12:02 | |
-After the war, -I would have thought... | 0:12:02 | 0:12:05 | |
-..he returned as a tolerant -and broad-minded person. | 0:12:06 | 0:12:09 | |
-He wasn't a saint or a puritan. | 0:12:10 | 0:12:12 | |
-A great culture shock awaited him -when he became a minister. | 0:12:12 | 0:12:18 | |
-He felt that religion was being -interpreted in a narrow-minded way. | 0:12:18 | 0:12:23 | |
-It was sanctimonious, intolerant. | 0:12:23 | 0:12:26 | |
-He conveys that type of religion... | 0:12:26 | 0:12:28 | |
-..and rebels against it -in the poem Y Nasaread. | 0:12:28 | 0:12:32 | |
-I read that you took as your pulpit -A hillside or rocky shore | 0:12:32 | 0:12:36 | |
-But we turn from sunshine to chapel -And shut every window and door. | 0:12:36 | 0:12:41 | |
-Religion has become constricted. | 0:12:41 | 0:12:43 | |
-I read, my Lord, in the Bible | 0:12:53 | 0:12:55 | |
-How you turned Cana's water to wine | 0:12:55 | 0:12:58 | |
-But I hear that you're now teetotal | 0:12:59 | 0:13:01 | |
-And sour, banning all laughter. | 0:13:02 | 0:13:04 | |
-I read that you took as your pulpit -A hillside or rocky shore | 0:13:08 | 0:13:12 | |
-But we turn from sunshine to chapel | 0:13:12 | 0:13:15 | |
-And shut every window and door. | 0:13:15 | 0:13:18 | |
-I read of your friendship -with sinners | 0:13:22 | 0:13:25 | |
-Zacchaeus and Magdalene | 0:13:25 | 0:13:27 | |
-We sometimes elect him an elder | 0:13:27 | 0:13:29 | |
-But her, we're sure to condemn. | 0:13:30 | 0:13:32 | |
-I read of your challenge to lay down -My Life for your Kingdom, my Lord | 0:13:39 | 0:13:43 | |
-Your chosen are still always asking | 0:13:43 | 0:13:46 | |
-Will my soul be saved by the world? | 0:13:46 | 0:13:49 | |
-Oh, Jesus who was from Nazareth | 0:13:55 | 0:13:57 | |
-If today you came back to earth | 0:13:58 | 0:14:00 | |
-Again you would be rejected | 0:14:00 | 0:14:03 | |
-As our eyes -are still closed to your worth. | 0:14:03 | 0:14:07 | |
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-888 | 0:14:23 | 0:14:23 | |
-888 - -888 | 0:14:23 | 0:14:25 | |
-Cynan's poetry wasn't his only -contribution to the Eisteddfod. | 0:14:36 | 0:14:41 | |
-In no time, he switched from being -a competitor to being Mr Gorsedd. | 0:14:44 | 0:14:49 | |
-On becoming Recorder in 1935, -he began reforming the ceremonies. | 0:14:49 | 0:14:54 | |
-He wrote the words -for the Chairing ceremony song. | 0:14:55 | 0:15:00 | |
-He also set up the Floral Dance. | 0:15:00 | 0:15:02 | |
-He created a colourful -and memorable ceremony. | 0:15:02 | 0:15:06 | |
-The response to the changes -must have been favourable. | 0:15:16 | 0:15:19 | |
-In 1950, he was made Archdruid. | 0:15:20 | 0:15:23 | |
-It happened again in 1963. | 0:15:23 | 0:15:25 | |
-He's the only one -to have been Archdruid twice. | 0:15:25 | 0:15:29 | |
-We mainly associate him -with the Eisteddfod... | 0:15:32 | 0:15:35 | |
-..but he was involved -in many different fields. | 0:15:36 | 0:15:39 | |
-He was appointed -by the Lord Chamberlain... | 0:15:39 | 0:15:42 | |
-..to be the censor -of Welsh-language plays. | 0:15:42 | 0:15:46 | |
-He was also a playwright, -actor and drama lecturer. | 0:15:46 | 0:15:50 | |
-There are amusing examples -of him censoring things. | 0:15:56 | 0:16:00 | |
-Wil Sam wrote a play in the 1960s -called Y Gadair Olwyn. | 0:16:01 | 0:16:06 | |
-In it, there was a line -about Ann Griffiths being horny. | 0:16:06 | 0:16:11 | |
-On the copy of the script -sent to the Lord Chamberlain... | 0:16:11 | 0:16:15 | |
-..Cynan's translation was -that Ann Griffiths was "hot-assed"! | 0:16:15 | 0:16:20 | |
-That phrase had to go -before the play could be performed. | 0:16:20 | 0:16:24 | |
-But when you see Llyn Traffwll | 0:16:31 | 0:16:33 | |
-Make your nest -in Glan Dwr's garden | 0:16:36 | 0:16:40 | |
-It wasn't only the public arena -that attracted him. | 0:16:40 | 0:16:44 | |
-He also loved to go fishing alone. | 0:16:44 | 0:16:47 | |
-When he asks the bird, -the dear goldfinch... | 0:16:48 | 0:16:51 | |
-..to take a message -from the war to Wales... | 0:16:51 | 0:16:54 | |
-..he says that he'd give the world... | 0:16:54 | 0:16:57 | |
-..for half an hour -fishing in Traffwll... | 0:16:57 | 0:17:00 | |
-..far from the noise of the guns. | 0:17:00 | 0:17:02 | |
-Today, on the tranquil banks -of Llyn Traffwll on Anglesey... | 0:17:03 | 0:17:07 | |
-..it's easy to understand why. | 0:17:07 | 0:17:09 | |
-He liked to go fishing. | 0:17:23 | 0:17:25 | |
-As a boy, he fished a lot -in Pwllheli harbour. | 0:17:26 | 0:17:29 | |
-He was a very keen angler. -A rod and line man. | 0:17:30 | 0:17:33 | |
-Sewin and salmon. -He was a good angler. | 0:17:33 | 0:17:36 | |
-He obviously enjoyed -the peace and quiet of the river. | 0:17:38 | 0:17:42 | |
-In contrast, a storm raged -at the end of the 1960s. | 0:17:43 | 0:17:47 | |
-Wales was split into two camps. | 0:17:47 | 0:17:50 | |
-Those for the Investiture, -and those against. | 0:17:50 | 0:17:53 | |
-Cynan was a prominent supporter -of the Prince... | 0:17:53 | 0:17:57 | |
-..at the Investiture in Caernarfon -and at the Eisteddfod in Flint. | 0:17:57 | 0:18:01 | |
-That year, he dropped the Mr... | 0:18:01 | 0:18:04 | |
-..and became a Sir. | 0:18:04 | 0:18:06 | |
-Sir Cynan Evans-Jones. | 0:18:07 | 0:18:09 | |
-The service of princes -saves a language from injury. | 0:18:10 | 0:18:14 | |
-For many centuries... | 0:18:16 | 0:18:18 | |
-..no more princely service -has been offered... | 0:18:19 | 0:18:22 | |
-..to the Welsh language -than by your good self. | 0:18:23 | 0:18:26 | |
-Gerallt Lloyd Owen's poem -described the Prince as a foreigner. | 0:18:31 | 0:18:36 | |
-That was the view -of the younger generation. | 0:18:36 | 0:18:39 | |
-They were consciously -nationalist in outlook. | 0:18:39 | 0:18:43 | |
-Gwynfor Evans had become -the first Plaid Cymru MP in 1966. | 0:18:43 | 0:18:48 | |
-A very different Wales -was emerging at that time. | 0:18:48 | 0:18:51 | |
-I believe that Cynan, -possibly, was out of touch... | 0:18:51 | 0:18:55 | |
-..with the new, developing Wales. | 0:18:55 | 0:18:58 | |
-He was seen increasingly -as a figure from a bygone Wales. | 0:18:58 | 0:19:02 | |
-That was a potted biography -of Cynan, who died in 1970. | 0:19:07 | 0:19:12 | |
-He's buried at Llantysilio church -on the banks of the Menai. | 0:19:12 | 0:19:16 | |
-He was a man at ease -on the great public stage... | 0:19:16 | 0:19:19 | |
-..but also a man -who longed to leave it all behind. | 0:19:19 | 0:19:25 | |
-It's evident that Cynan -held a magnetic appeal. | 0:19:39 | 0:19:43 | |
-He had an aura about him. | 0:19:44 | 0:19:48 | |
-People were keen to see him, -and to share his company. | 0:19:48 | 0:19:52 | |
-There's a story -which reflects this rather well. | 0:19:52 | 0:19:56 | |
-It's a description -by the actress Marged Esli. | 0:19:56 | 0:20:00 | |
-Her mother and aunts -were arguing in a chapel... | 0:20:00 | 0:20:04 | |
-..about who was to serve -tea and scones to Cynan. | 0:20:04 | 0:20:08 | |
-Marged Esli -describes him well. | 0:20:08 | 0:20:11 | |
-A celeb with substance. | 0:20:11 | 0:20:13 | |
-In modern parlance, -Cynan definitely had the X factor. | 0:20:13 | 0:20:18 | |
-When I am old and famous | 0:20:40 | 0:20:42 | |
-With money in my purse | 0:20:42 | 0:20:44 | |
-And all my critics silenced -For better or for worse. | 0:20:44 | 0:20:48 | |
-I'll buy me a lonely cottage -And at its door shall be | 0:20:49 | 0:20:53 | |
-The rocks of Aberdaron | 0:20:53 | 0:20:56 | |
-And the wild waves of the sea. | 0:20:56 | 0:20:58 | |
-When I am old and famous | 0:21:11 | 0:21:13 | |
-A respected pantaloon | 0:21:13 | 0:21:15 | |
-And my rebel heart lies placid | 0:21:15 | 0:21:18 | |
-At the rising of the moon | 0:21:18 | 0:21:20 | |
-I still may be a poet | 0:21:21 | 0:21:23 | |
-And you still may hope for me | 0:21:23 | 0:21:25 | |
-By the rocks of Aberdaron | 0:21:25 | 0:21:28 | |
-And the wild waves of the sea. | 0:21:28 | 0:21:30 | |
-When I am old and famous | 0:21:35 | 0:21:39 | |
-Conforming to the times | 0:21:39 | 0:21:42 | |
-My songs are nicely patterned | 0:21:42 | 0:21:44 | |
-To tinkling little rhymes | 0:21:45 | 0:21:47 | |
-I still may be a poet | 0:21:48 | 0:21:50 | |
-And you still may hope for me | 0:21:50 | 0:21:52 | |
-By the rocks of Aberdaron | 0:21:52 | 0:21:55 | |
-And the wild waves of the sea. | 0:21:55 | 0:21:58 | |
-For there I'll stand and listen | 0:22:05 | 0:22:07 | |
-To the stormwind at my door | 0:22:07 | 0:22:10 | |
-Until my heart recaptures | 0:22:10 | 0:22:12 | |
-Its rebel song of yore | 0:22:13 | 0:22:15 | |
-And I'll sing again with passion | 0:22:16 | 0:22:20 | |
-And all my songs shall be | 0:22:20 | 0:22:23 | |
-Of the rocks of Aberdaron | 0:22:24 | 0:22:26 | |
-And the wild waves of the sea. | 0:22:26 | 0:22:29 | |
-S4C Subtitles by Adnod Cyf. | 0:22:56 | 0:22:58 | |
-. | 0:22:58 | 0:22:58 |